Podcasts about Bass Museum

The Bass Museum of Art presents “Rachel Feinstein: The Miami Years,” running from September 25, 2024, to August 17, 2025, ...

The exhibition assume vivid astro focus: XI at The Bass in Miami Beach presents an immersive installation by the São ...

In this dialogue, Prof Christo Doherty, the Chair of Research in the Wits School of Arts, speaks Ale de la Puente, an independent artist-researcher from Mexico who is doing a residency in Johannesburg as part of the Goethe Institute's international Studio Quantum programme. Ale has studied industrial design, goldsmithing, boatbuilding, navigation, astronomy, physics, and philosophy. She is known for her poetic and conceptual explorations of time and space across a wide field of mediums, ranging from installations and sculptures to drawings, photography, and video, including art science expeditions in search of symbolic natural phenomena, how we signify them, and how, very importantly, we relate to the given meanings in art and life. Ale is a fellow of the National System of Arts Creators in Mexico. She has exhibited her work both nationally in a wide range of international galleries from the Museum of Modern Art in Mexico to the Polytechnic Museum (Moscow) and the Bass Museum of Art, in Miami, Florida to name but a few. Her work is part of leading public and private collections. Ale first developed art-science projects in collaboration with the Astronomy Institute and Nuclear Science Institute of National Autonomous University of Mexico, UNAM, going on to work with the Schmidt Ocean Institute in California, the Roscosmos in Russia, and the Kosmica Institute in Berlin and Mexico City. Amongst her many collaborations with scientists are the projects "Desire", "Matters of Gravity" and "Finding the Centre" which we will discuss in this podcast, as well as the project she is beginning in Johannesburg as part of the Goethe Institut's Studio Quantum initiative - an international events and artist-in-residence programme which is exploring emerging quantum technologies through the lens of art. In this podcast we discuss how Ale came to art practice, beginning with her accidental discovery of Industrial Design and her first art-science collaborations with the Institute of Astronomy at the National Autonomous University of Mexica. We then unpack what went into the public space art-intervention she called "Desire" where , working with artisan firework craftsmen, she built an artificial comet that flew in the evening sky above Mexico City in 2016. We explore how she navigates the challenges as an artist engaging with the scientific lab through her experience of working at the European Council for Nuclear Research (CERN) where she has had two residencies, We then look at her collaborative project with 6 other artists called Matters of Gravity (2012-14), where they elaborated the different implications of zero gravity using the facilities at Star City in the Yuri Gagarin Cosmosnaut Training Centre outside Moscow. Finally we discuss the lessons that Ale has drawn from her extensive engagement with scientists working in a wide variety of disciplines and how she is going about her work on her project, entitled "Is it going to rain" with the Quantum Studio project in Johannesburg. Useful links to Ale's project website and other information and can be found in the show notes for this podcast. Ale de la Puente - artist's portfolio website · Schmidt Ocean Institute - Ale de la Puente · Studio Quantum: An international events and artist-in-residence programme from the Goethe-Institut, exploring emerging quantum technologies through the lens of art. · Matters Of Gravity.pdf — PDF (7.4 MB)

Episode No. 659 features artists Barbara Bosworth and the Haas Brothers. Two art museums are showing exhibitions of Bosworth's work: the Museum of Fine Arts, Boston is presenting "Barbara Bosworth: The Meadow" through December 1. The show features photographs of a meadow in Carlisle, Massachusetts and near the Concord River that Bosworth made over 15 years, pictures that investigate time, human presence, and nature. The exhibition was curated by Karen Haas. In 2015 Radius Books published a book of Bosworth's "The Meadow" pictures accompanied by texts by poet Margot Anne Kelley. "Barbara Bosworth: Sun Light Moon Shadow" is at the Cleveland Museum of Art through June 30. The exhibition offers Bosworth's photographs of light, including eclipses, sunrises, and sunsets, many of which were made near Bosworth's childhood home in eastern Ohio. It was curated by Barbara Tannenbaum. The Nasher Sculpture Center in Dallas is showing "Haas Brothers: Moonlight" through August 25. The exhibition, which highlights the fusion of art, design, and technology in the brothers' practice, shows work made by twin brothers Nikolai and Simon Haas both inside and outside the museum. The Haas Brothers have previously had solo exhibitions at the Katonah (NY) Museum of Art, the SCAD Museum of Art, Savannah, Ga., and at the Bass Museum of Art, Miami Beach, Fla. Instagram: Barbara Bosworth, Barbara Bosworth (weather), Haas Brothers, Tyler Green.

So excited to share this fantastic interview with artist, Philemona Williamson! Find out more about Philemona's vibrant paintings that show twisting, gender-bending adolescents "up to stuff," and her fascinating ambiguous poetic sense of narrative (and also why I have appointed her an Honorary New Orleanian!). Philemona also grew up in a famous Art Deco building in NYC, and her childhood stories are not to be missed. Works mentioned: "Branching Eyes" 2023, "The Gathering" 2021, "Verbena Street 2" 2022, "Snow Interrupted" 2021 More info about Philemona Williamson: Philemona's website: https://www.philemonawilliamson.com/ Philemona on IG: https://www.instagram.com/philemona8/ Her MTA Fused Glass Panels at Livonia Ave, Queens (L train): https://www.nycsubway.org/perl/artwork_show?206 Current/Upcoming Exhibitions: June Kelly Gallery, NYC, Apr 18 - June 4, 2024: https://www.junekellygallery.com/williamson/index.html Passerelle, Centre d'art contemporain d'intérêt national, Brest, France, June-Aug 2024: https://www.cac-passerelle.com/expositions/en-cours/ In "Century: 100 Years of Black Art at MAM" Montclair Art Museum, NJ, Through July 7, 2024: https://www.montclairartmuseum.org/exhibition/century-100-years-black-art-mam Philemona Williamson has exhibited her work for over 25 years at the June Kelly Gallery in NYC and recently, at her mid-career retrospective at the Montclair Art Museum in NJ. She is the recipient of numerous awards and residencies including the Joan Mitchell Foundation, Pollock Krasner, National Endowment For The Arts, New York Foundation For The Arts and Millay Colony as well as serving on the advisory board of the Getty Center for Education. Her work has been shown in many solo and group exhibitions such as The Queens Museum of Art, Wisconsin's Kohler Art Center, The Sheldon Museum in Nebraska, The Bass Museum in Miami, The Mint Museum in North Carolina, The Forum of Contemporary Art in St. Louis, The International Bienal of Painting in Cuenca, Ecuador and most recently at the Anna Zorina Gallery in NYC. She is represented in numerous private and public collections, including The Montclair Art Museum; The Kalamazoo Art Institute; The Mint Museum of Art; Smith College Museum of Art; Hampton University Museum; Sheldon Art Museum; Mott-Warsh Art Collection, and AT&T. Her public works includes fusedglass murals created for the MTA Arts in Transit Program at the Livonia Avenue Subway Station in Brooklyn, a poster for the MTA Poetry In Motion and — for the NYC School Authority — a mosaic mural in the Glenwood Campus School. She currently teaches painting at Pratt Institute and Hunter College in NYC. All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

Francesca DiMattio is an artist born in NYC who lives and works between Manhattan and Upstate New York. Recent solo exhibitions include Wedgwood at Pippy Houldsworth Gallery, London (UK), Sèvres at Nina Johnson, Miami (FL), Boucherouite at Salon 94 Bowery, New York (NY); Francesca DiMattio: Housewares at the Blaffer Art Museum, Houston (TX) and Vertical Arrangements at the Zabludowicz Collection, London (U.K.). Her work is in the collections of the San Francisco Museum of Modern Art, San Francisco (CA), the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton (NY); the Perez Art Museum, Miami (FL); the Frances Young Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs (NY); the Saatchi Gallery, London (U.K.); the Bass Museum of Art, Miami Beach (FL) and the Zabludowicz Collection. Francesca DiMattio's work has been covered by the New York Times, Art Newspaper, T Magazine, The New Yorker, Vogue, W Magazine and World of Interiors, among others.

A conversation with Silvia Karman Cubiñá, Executive Director and Chief Curator of The Bass Museum of Art in Miami Beach. As Miami Beach's contemporary art museum, The Bass organizes exhibits for its historical art deco building by collaborating with leading artists from around the world on commissioned additions to its collection. As The Bass approaches its 60th anniversary, Silvia takes time to outline what makes The Bass unique, the opportunities the museum has to engage with its community and plans for a new structure.https://thebass.org/https://www.instagram.com/TheBassMoA/

Grace Graupe-Pillard speaks with us about ambition, showing work in the internet era, activism in art, body acceptance in your 70s, and windows as vaginas. Bio: Grace Graupe-Pillard has exhibited her artwork throughout the USA with one-person exhibitions in Hartford, CT., Jackson MS., Chicago Ill., Newark, NJ, in addition in NYC at The Untitled Space,The Proposition, Bernice Steinbaum, Donahue/Sosinski, Hal Bromm, The Frist Center in Nashville, TN, The NJ State Museum, NJ Center for Visual Arts, Carl Hammer Gallery in Chicago, Payne Gallery at Moravian College, PA., Aljira Gallery, Newark, NJ., Rupert Ravens Contemporary in Newark, NJ, and Rider University, NJ, and Bernard Heller Museum, NYC. She will be having a solo show at David Richard Gallery, Chelsea, NYC in the Fall of 2023. Grace Graupe Pillard has participated in Group Exhibitions at Arsenal Gallery, NYC, Cheim & Read Gallery, NYC., Ringling Gallery of Art and Design, Sarasota, Fla., Hebrew Union College Museum, NYC., Hal Bromm Gallery, NYC., P.S. 1, NYC., Bass Museum, Miami Beach, Fl., Indianapolis Museum, Indianapolis, Ind., The Maier Museum, Lynchburg, VA., The Aldrich Museum, Ridgefield Ct., The Drawing Center, NYC., The Hunterdon Art Museum, Hunterdon, NJ., The National Academy Museum NYC., Editions/Artists' Book Fair, NYC., Puffin Cultural Forum, NJ., Project for Empty Spaces, Newark, NJ, Art Chicago, Scope London, Carl Hammer, Chicago, ILL., The Untitled Space, NYC, and Kunstpakhuset, Ikast, Denmark, Museum of Rheda-Wiedenbruck, Westphalia, Germany. Graupe-Pillard has also been the recipient of many grants including four from The NJ State Council on the Arts, and one from The National Endowment for the Arts. She has received Public Art commissions from Shearson Lehman /American Express, AT&T, KPMG, Wonder Woman Wall at The Port Authority Bus Terminal, Robert Wood Johnson Hospital, New Brunswick, NJ and the City of Orange, NJ. Commissions from NJ Transit for the Hudson-Bergen Light Rail Transit System at Garfield Station in Jersey City, and 2nd Street Station in Hoboken, and Aberdeen-Matawan Station in Aberdeen, NJ. Her work has been written about in The Village Voice, The NY Times, Art News, The StarLedger, Newsday, Flash Art, ArtForum, Art in America, Arts, and Tema Celeste. On-line publications include Women's Voices for Change, Hyperallergic, Daily Beast, Vice Creator's Project, Paste Magazine, Persimmons, Yahoo Voices, and Huffington Post. Wikipedia Page: http://en.wikipedia.org/wiki/Grace_Graupe-Pillard

We meet renowned British painter and artist David Remfry MBE RA RWS, to discuss curating/coordinating this year's RA Summer Exhibition, working with watercolour, more than 5 decades of art making, and what it was like to live in New York's iconic Hotel Chelsea for 20 years!!!Remfry's Summer Exhibition 2023 explores the theme Only Connect, taken from the famous quote in Howards End by E.M. Forster. Among the 1,614 featured works you will find towering sculptures by the late Phyllida Barlow RA, Richard Malone's dramatic mobile installation in the Wohl Central Hall, and a witty painting by comedian Joe Lycett. Plus pieces by Tracey Emin RA, Hew Locke RA, Barbara Walker RA, Gavin Turk, Lindsey Mendick, Caroline Walker and much, much more.Remfry was born in Worthing, UK, in 1942. His family moved to Hull and he studied Art and Printmaking at the Hull College of Art. He currently lives and works in London. Early solo exhibitions include Ferens Art Gallery, Hull in 1974 and Folkestone Art Gallery, Kent in 1976. Since 1973 he has exhibited regularly at galleries and museums across the UK, Europe and the USA. He is perhaps best known for his large-scale watercolours of dancers; his series of drawings and watercolours of his neighbours and friends at the Hotel Chelsea New York City where he lived from 1995-2016, and his commission by designer Stella McCartney to produce a series of drawings for the launch of her fashion house and for Absolut Vodka.Over the past five decades his work has been exhibited in galleries and museums worldwide, including Boca Raton Museum of Art, Florida; MoMA PS1 Contemporary Art Center, New York; the Victoria & Albert Museum, London; the Fitzwilliam Museum, Cambridge; Pallant House Gallery, Chichester; and the DeLand Museum of Art, Florida. In 2014 he was commissioned by Fortnum & Mason, London, to create a series of watercolours which is now on permanent display in Piccadilly, and he was commissioned to paint Sir John Gielgud for the National Portrait Gallery, London, which also acquired for their collection his portrait of Jean Muir.Remfry was elected a member of the Royal Watercolour Society in 1987. In 2001 he was awarded an MBE for services to British Art in America, in 2006 he was elected a Member of the Royal Academy of Arts and, in 2007, he was invited to receive Honorary Doctorate of Arts by the University of Lincoln. He was awarded the Hugh Casson Drawing Prize at the 2010 Royal Academy Summer Exhibition and, in 2016, was appointed Professor of Drawing at the Royal Academy Schools.His work is included in museum permanent collections including the Bass Museum of Art, Florida; Boca Raton Museum of Art, Florida; the British Museum, London; the Contemporary Art Society, London; the Fitzwilliam Museum, Cambridge; MIMA, Middlesborough; the National Portrait Gallery, London; New Orleans Museum of Art, Louisiana; the Royal Academy of Arts, London; the Royal Watercolour Society, London; and the Victoria & Albert Museum, London.A retrospective of Remfry's work, curated by Dr Gerardine Mulcahy-Parker, is planned for 2025 at Beverley Art Gallery, East Riding.Follow @David_Remfry_RA on InstagramVisit his official website: www.davidremfry.com/Visit the RA Summer Exhibition until 20th August 2023: www.royalacademy.org.uk/exhibition/summer-exhibition-2023 Hosted on Acast. See acast.com/privacy for more information.

Back for another installment of the pod with Miami Art Week and Art Basel Miami Beach around the corner. The most exciting week of the year kicks off on December 1st, and fitting the vibe is our guest on the show, a true savant of the Miami art scene. Monica Kalpakian is the founder of Miami-based Artvising, an exclusive consultancy service for the most demanding private art collectors in the world. Monica has been an art patron and collector for the last 30 years. She is also a founding member of Art Basel Miami, on the international council & acquisitions committee for Tate Modern, a board member and adulation committee for Bass Museum of Art, and sits on the board of Miami's Museum of Contemporary Art. Throughout her career, Monica has worked closely with leading contemporary art galleries, artists, private dealers, auction houses, and institutions to establish relationships with an international network of artists, collectors, art insurers, shippers, appraisers, framers, conservators, experts, foundations, and scholars. In this episode, Monica brings her insider knowledge to explore all things art and Miami's thriving scene. It's a great conversation covering everything from the role of Art Basel and Miami Art Week shaping Miami into the global city that it is today, the proliferation of art galleries around the city, and navigating our museum landscape, which has grown significantly in the last five years. Monica gives us her professional advice on how to build a collection as well as her list of best galleries in Miami.   Host: Omar De Windt Guest: Monica Kalpakian Producers: Omar De Windt; Veronica Aizpurua Art: Alberto Arevalo Follow: Spotify / Apple Podcasts / YouTube / Instagram

Agustina Woodgate (1981, Argentina) practice focuses on the politics of landscapes and infrastructures as a conceptual and public geography. She recombines, activates and repurposes available resources while setting alternative systems in motion. Woodgates' approach is speculative, practical, and site and context-responsive, presenting critical possibilities to concepts on social orders, resource management and information distribution bringing clarity, scale, and accessibility. In 2011 she co-founded radioee.net a nomadic, translingual, online radio station. In 2015 she co-founded TVGOV, a media company providing ecological data visualization. And in 2018 she co-initiated PUB, an experimental publishing platform within Sandberg Instituut, Amsterdam. She is currently a tutor at the Disarming Design Master Program at Sandberg Instituut Amsterdam and is actively teaching workshops in several universities and organizations. Her projects have been commissioned by BIENALSUR 2021, 2019 Whitney Biennial, 4th Istanbul Design Biennial; Haus der Kulturen der Welt, Berlin; 9th Berlin Biennial; Peabody Essex Museum, MA; Bienal de las Américas, CO; ArtPort, Tel Aviv; PlayPublik, Poland; DC Commission on the Arts and Humanities, Washington; The Bass Museum of Art, FL; Storefront for Art and Architecture, MN and KW Institute for Contemporary Art, Berlin amongst others. Agustina Woodgate, The Source, 2019, Miami oolite, concrete, iron, plumbing grid, water.108 x 108 x 108 in. Photo by Steven Sierra; courtesy of Art Basel and Barro, Buenos Aires, Argentina. Installation view in Collins Park, The Bass Museum, City of Miami Beach. Agustina Woodgate, National Times, 2016-2019. Close-circuit network of clocks synchronized directly by the power grid. Photograph by Ron Amstut. Installation view of the Whitney Biennial 2019 (Whitney Museum of American Art, New York, May 17-September 22, 2019).

Christy Gast photo credit: Keil Troisi (Amenia, New York) is an artist based in New York whose sculptures and video installations focus on issues of politics and aesthetics with regard to landscape. Her work has been exhibited at MoMA/P.S.1 Contemporary Art Center, Performa, Exit Art and Artist’s Space in New York, Perez Art Museum of Miami, Bass Museum, de la Cruz Collection and Nina Johnson Gallery in Miami, Matucana 100 and Patricia Ready Gallery in Santiago, CL, and the Kadist Art Foundation in Paris.     Cucú and Her Fishes (Act 1) Binational Seminar on Patagonian Peat Bogs

Philemona Williamson is a narrative painter who has shown widely in the United States and abroad. Her work explores the tenuous bridge between adolescence and adulthood, encapsulating the intersection of innocence and experience at its most piercing and poignant moment. The lush color palette and dreamlike positioning of the figures ensures that their vulnerability - of age, of race, of sexual identity - is seen as strength and not as weakness. “My figures navigate a world of uncertainty as they search for understanding—both internally and in ever-shifting environments. I see the figures as vehicles to explore the existence of the most vulnerable adolescents, those evolving people of color, grappling with what will define and identify them. My paintings give voice and space to invisibility.” Williamson has exhibited her work for over 25 years at the June Kelly Gallery in NYC and recently, at her mid-career retrospective at the Montclair Art Museum in NJ. She is the recipient of numerous awards and residencies including the Joan Mitchell Foundation, Pollock Krasner, National Endowment For The Arts, New York Foundation For The Arts and Millay Colony as well as serving on the advisory board of the Getty Center for Education. Her work has been shown in many solo and group exhibitions such as The Queens Museum of Art, Wisconsin's Kohler Art Center, The Sheldon Museum in Nebraska, The Bass Museum in Miami, The Mint Museum in North Carolina, The Forum of Contemporary Art in St. Louis, The International Bienal of Painting in Cuenca, Ecuador and most recently at the Anna Zorina Gallery in NYC. She is represented in numerous private and public collections, including The Montclair Art Museum; The Kalamazoo Art Institute; The Mint Museum of Art; Smith College Museum of Art; Hampton University Museum; Sheldon Art Museum; Mott-Warsh Art Collection, and AT&T. Her public works includes fusedglass murals created for the MTA Arts in Transit Program at the Livonia Avenue Subway Station in Brooklyn, a poster for the MTA Poetry In Motion and — for the NYC School Authority — a mosaic mural in the Glenwood Campus School. She currently teaches painting at Pratt Institute and Hunter College in NYC. For Philemona’s latest project, she created a series of paintings for the children’s book Lubaya’s Quiet Roar, just out from Penguin Random House. "The Gathering" 48" x 60 ” oil on canvas 2019 "Here I Hold Becoming” 48” x 60” oil on canvas 2020

kevin@kevintomlinson.comFrom LinkedInFor nearly 20 years, Kevin Tomlinson has been a pacesetter for luxury Miami Beach real estate. Described as unconventional, no-nonsense and unreserved, he is an industry pioneer whose opinion on the market is well regarded by clients, peers, real estate groups and journalists.Kevin began his profession in 1996 as a condo specialist at Gerard International Realty, which was later acquired by Esslinger-Wooten-Maxwell. At EWM, Kevin was a seven-time Chairman’s Club diamond-level performer, ranking him with the top one-half of 1 percent of all Realtors® nationwide. He was also vice president and senior vice president of another major luxury real estate brand for five years.A well-respected real estate authority, Kevin’s distinguished, commanding presence on the Internet makes both his website and South Beach Condo Blog two of the most emulated, highly ranked and heavily trafficked resources in the industry.The New York Times Style Magazine touted his blog as featuring “regular, insidery news updates on the market.” Kevin is also a search engine optimization specialist and an avid social media marketer with more than 15,000 total followers on the most popular networking sites.Local and national news organizations often engage Kevin as an expert real estate source. He has been featured in stories from BusinessWeek, Robb Report, Forbes.com, MSNBC.com and the Drudge Report, to name a few. The Wall Street Journal, AOL, Yahoo, USA Today, ESPN, The Huffington Post, TMZ and many other publishers have picked up Kevin's blog posts and news.Kevin is on the residential board of governors for the MIAMI Association of Realtors and is a member of the Master Brokers Forum, an association of top real estate producers in Miami-Dade County. He is also a board member of Miami Beach’s Bass Museum of Art.

In today’s prologue to our Fall 2020 Student Edition, University of Miami senior Melissa Huberman tells the story of Art in the Time of Corona. She recorded with Fresh Art International founder Cathy Byrd, local artist Dana Musso, and team members from the Bass Museum of Art in Miami Beach, to find out how some artists, curators, and educators are responding to the impact of the global coronavirus pandemic. Listen to hear some of the ways they are creating and implementing meaningful art encounters for their communities.    The Story Behind The Story In 2020, hundreds of thousands of people across the United States and around the world have been sickened and forced into quarantine by the novel coronavirus, also known as COVID-19. The pandemic continues to affect us profoundly—both physically and economically. All of us have had to adjust how we live and work, teach and learn.    In January 2020, Fresh Art founder Cathy Byrd began to introduce a group of University of Miami students to podcasting in a course titled Once Upon a Time in Miami. With Byrd, a team of nine students explored cultural sites across the city to record and produce the Miami Moves Me podcast. Due to the pandemic, at mid-semester, field expeditions came to an abrupt halt and classes went online. A set of eighteen episodes represents the UM student team’s research, field recordings, and interviews. Art in the Time of Corona is the prologue to our Fall 2020 Student Edition.    Producers: Melissa Huberman/Miami Moves Me, Giselle Heraux and Jahné King/FreshArtINTL Sound Editor: Anamnesis Audio   Featured Voices: Cathy Byrd, Dana Musso, Leilani Lynch, Julia Rudo, Kylee Crook   Related Episodes: Miami Moves Me/Art in the Time of Corona, Fresh Voices Miami Related Links: Miami Moves Me, Fresh Art Distance Learning Resources, Fresh Art Student Edition, Institute of Contemporary Art Miami, Locust Projects, Pérez Art Museum Miami, Bass Museum of Art, Lowe Art Museum

Joseph Celli Interviews Gustavo Matamoros – Composer, sound artist and founding director of the Subtropics Experimental Music and Sound Arts Festival. Gustavo discusses several of his electroacoustic compositions and we listen to his Seagulls Tango. He has received commissions from Adrianne Arsht Performing Arts Center, Knight Foundation, Art In State Buildings,Vizcaya Museum and is the recipient of a cultural Consortium Visual and Media Arts Fellowships. Recent projects and sound installations have been exhibited at Miami Art Museum, Bass Museum of Art, MoCA and the Hollywood Art and Culture Center.

Today, we take you to meet three globally engaged, Miami-based contemporary art experts. Ombretta Agro Andruff, Tami Katz-Freiman and Kathryn Mikesell are here to help you navigate the city and enjoy the intense burst of international art that transfigures the cultural landscape every December. Miami Art Week brings together local and international art worlds. This is not only an opportunity for globally active galleries to present the best work of artists they represent. Miami art spaces, museums, community initiatives, individual artists and designers and collectives all rise to the occasion, too, to show their creative force to the world. Diverse participants have diverse agendas. Whether you’re a collector, a curator, a creator, or an aficionado, focus on your passion—what would you like to discover? Takeaways Plan your itinerary to focus on one art corridor— either the mainland or the beach Use the map guides offered at the venues you visit, mark your map - where you want to go and where you’ve been  Take water and snacks, wear comfortable shoes Do your homework, but be willing to improvise — follow your intuition! Of Special Interest in 2019 BEFORE THE FAIRS: Dec 1, Miami—Progressive Brunch with local galleries | Dec 2, Miami Beach—Faena Festival Dec 3-8 ART FAIRS Recommended: Art Basel Miami Beach, Design Miami, UNTITLED, NADA, PINTA and PRIZM  EXHIBITIONS—Openings: The new Rubell Museum and El Espacio 23 in the Allapattah district | Teresita Fernandez at Pérez Art Museum Miami | Yayoi Kusama and Sterling Ruby at the Institute of Contemporary Art | Trenton Doyle Hancock at Locust Projects | Haegue Yang, Mickelene Thomas and Lara Favaretto, at the Bass Museum | Cecilia Vicuña at North Miami Museum of Contemporary Art PUBLIC ART on Miami Beach—Collins Park, Lummus Park, on the beach and at the Convention Center Related Episodes and Guides: Miami Art Week 2018 Preview, Miami Art Week 2017 Preview, How to Seize the Art Week Moment Related Links: Art Basel Miami Beach, Rubell Museum, Pérez Art Museum Miami, Institute of Contemporary Art Miami, Museum of Contemporary Art North Miami, The Bass Museum, El Espacio 23 About Our Experts: From Italy, Ombretta Agró-Andruff, is an independent curator and founder of ARTSail residency and research initiative. The program connects artists and scientists to address the climate change specific to South Florida through creative projects. From Israel, independent curator, art historian and critic Tami Katz-Freiman remembers Miami before Art Basel. Katz-Freiman curated the Israeli Pavilion in the 57th Venice Art Biennale. From the U.S., Kathryn Mikesell is co-founder and executive director of Fountainhead Residencies and Studios. The Residency offers artists from around the world a shared creative space and an introduction to Miami’s art scene. Sound Editor: Anamnesis Audio

En este episodio, Sol Picón, Chair de Women United, una división de United Way de Miami-Dade, comparte la labor que realiza esta organización de mujeres voluntarias comprometidas a hacer un cambio significativo en la comunidad, su visión del liderazgo y el balance trabajo + familia. Licenciada en arquitectura por la Universidad de Belgrano en Buenos Aires, fue la Directora de Recaudación de Fondos del Adrienne Arsht Center for the Performing Arts y miembro de la junta directiva del Bass Museum.

On this episode, I went to the Andy Warhol Museum to meet up with José Carlos Diaz, the Chief Curator there. We used the office meeting rooms late one summer day, just as the sun began to fall towards the horizon line. Prior to the Warhol, José was the Curator of Exhibitions at the Bass Museum of Art in Miami Beach, where he helped program shows with artists such as Rachel Harrison and El Anatsui. Before the Bass Museum, he worked at Tate Liverpool and on the Liverpool Biennial. José received an M.A. in Cultural History from the University of Liverpool and a B.A. in Art History from San Francisco State University. In 2016, José was listed as one of the 20 most influential young curators in the US by Artsy. José’s first saw me in the first week of his working at the Warhol. I happened to be giving a talk at the museum with Jessica Beck, also a curator at the Warhol. José and I connected shortly after over some tacos and we’ve been hanging out ever since. José’s constant hustling never ceases to amaze me and I’m surprised he somehow makes the time to hang out with little ol’ me. As you can imagine, I was quite excited to chat with José. Our conversation touches upon José’s meandering path to becoming a curator, diversity in the curatorial museum world, and the differences between Miami and Pittsburgh. In any case, I hope you enjoy this. Links Mentioned: José’s Instagram José’s Twitter The 20 Most Influential Young Curators in the United States NYtimes article on museum diversity Rujeko Hockley Larry Ossei-Mensah Akili Tommasino Naomi Beckwith Lucky Diaz and the Family Jam Band Rubell Collection Hans Ulrich Obrist’ Laboratorium Tania Bruguera The transatlantic slave trade in Liverpool Liverpool’s Chinatown Jose’s Gold Show at the Bass Museum Andy Warhol: Revelation Follow Seeing Color: Seeing Color Website Subscribe on Apple Podcasts Facebook Twitter Instagram

Jillian Mayer is an artist and filmmaker living in Miami, Florida. Through videos, sculptures, online experiences, photography, performances, and installations, she explores how technology affects our lives, bodies, and identities. Mayer investigates the points of tension between our online and physicals worlds and makes work that attempts to inhabit the increasingly porous boundary between the two. ​Solo exhibitions include Tufts University, Boston, MA (2018); Postmasters Gallery, New York, NY (2018); Pérez Art Museum, Miami, FL (2016); LAXART, Los Angeles, CA (2016); Utah Museum of Fine Art, Salt Lake City, UT (2014); and David Castillo Gallery, Miami, FL (2011 & 2016). She has exhibited and performed at  MoMA PS1 (2017); MoMA (2013); the Museum of Contemporary Art, North Miami, FL (2013); the Bass Museum of Art, North Miami, FL (2012); the Guggenheim Museum (2010); and the Musée d'Art Contemporain de Montréal, Québec as a part of the Montréal Biennial (2014). Mayer’s work has been featured in Artforum, Art Papers, Art in America, ArtNews, The Huffington Post, and The New York Times. Mayer is a recipient of the Creative Capital Fellowship, South Florida Cultural Consortium Visual/Media Artists Fellowship, Cintas Foundation Fellowship for Cuban Artists, and was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine. Mayer's films have screened at festivals including Sundance, SXSW, Rottenberg, and the New York Film Festival. She is a fellow of the Sundance Institute's New Frontiers Lab and New Narratives on Climate Change Lab. She is the co-director of Borscht Corp, a non-profit film and art collaborative in Miami, Florida. Mayer is represented by David Castillo Gallery, in Miami, FL. Slumpie 9 - Knee Hole, 60" x 40" x 55" Slumpie 7 - Arm Hole, 75" x 46" x 38"  

Italian artist Paola Pivi takes us on a tour of Art with a View, her latest solo exhibition at the Bass Museum of Art, Miami Beach. Pivi is a nomad. Cultural references in her projects are so diverse that they might seem to come from more than one creative mind. Our first stop is a massive, minimalist installation that dominates a large gallery on the museum’s second floor. The work titled World Record invites us to enter a surprising interstitial space, or space between. We take off our shoes, don booties and climb into the opening between two horizontal planes, each made of 40 white mattresses. Sound Editor: Matt Hodapp | Photographs courtesy Bass Museum of Art and Fresh Art International Related Episodes: Miami Art Week Preview 2017, Athi Patra Ruga, Ugo Rondinone Related Links: Paola Pivi, The Bass Museum of Art

Carlos Rolon's work has been shown at the Bass Museum of Art, Marta Herford Museum, Museo de Arte de Ponce, and in dozens of other museums and exhibitions internationally. Today he talks with Dustin about his life as a young artist, his experience working with the Cummer Museum, and his advice for aspiring fine artists.

On hand in Miami from the stellar firm ICRAVE in NY, two designers make a quick drive-by visit before their flight back to NY. Their new project is going up near the BASS Museum on Miami Beach. Listen in on how hanging with friends can lead to a super successful career, about selecting artwork and baking designer cupcakes.

This week: Artist and videographer Jillian Mayer! Born in 1984 in Miami, the artist and filmmaker Jillian Mayer lives in South Florida. Her work has been shown at the Utah Museum of Fine Arts, Salt Lake City (2014); Orlando Museum of Art, Orlando, FL (2014); Locust Projects, Miami (2013); Museum of Modern Art, New York (2013); Bass Museum of Art, Miami (2012); and World Class Boxing, Miami (2012). Her video Scenic Jogging was one of the 25 selections for the Guggenheim’s YouTube Play: A Biennial of Creative Video and was exhibited at the Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin (2010). Her videos have also been shown at the Rotterdam Film Festival (2014); Sundance Film Festival (2012, 2013); SXSW, Austin, TX (2012, 2013); and New York Film Festival (2013). A recipient of the Sundance Institute New Frontier Story Lab Fellowship (2013); the Zentrum Paul Klee Fellowship, Berne, Switzerland (2013); the Cintas Foundation Fellowship, New York (2012); and the NEA Southern Constellation Fellowship at Elsewhere Museum, Greensboro, NC, Mayer was included in the “25 New Faces of Independent Film” by Filmmaker Magazine (2012). She was recently featured on the cover of ART PAPERS. Mayer is represented by David Castillo Gallery, Miami.

This week: A BAS bureau twofer! First Patricia talks to Mika Tajima. This week, Patricia Maloney chats with artist Mika Tajima at the San Francisco Museum of Modern Art just before the opening of the exhibition Stage Presence, where her collaborative film, performance, and sculptural project, Today is Not a Dress Rehearsal, is currently on view through October 8, 2012 . Mika Tajima, was born in Los Angeles, and lives and works in Brooklyn. She earned a BA from Bryn Mawr College in 1997, an MFA from Columbia University in 2003, and attended The Fabric Workshop and Museum Apprentice Training Program in 2003. Her work has been included in the exhibitions The Pedestrians, South London Gallery, London (2011); Transaction Abstraite, New Galerie, Paris (2011); The Double, Bass Museum, Miami (2010); Knight’s Move, Sculpture Center, Long Island City (2010); Today is Not a Dress Rehearsal, San Francisco Museum of Modern Art (2009); The Extras, X Initiative, New York (2009); Learn to Communicate Like a Fucking Normal Person, Art Production Fund, New York (2009); Deal or No Deal, Kevin Bruk Gallery, Miami (2008); 2008 Whitney Biennial, Whitney Museum of American Art, New York (2008); Mika Tajima: Broken Plaid/Holding Your Breath (taking the long way), RISD Museum, Providence (2008); The Double, The Kitchen, New York (2008); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Music Is a Better Noise, PS.1 Contemporary Art Center, Long Island City (2006); Grass Grows Forever in Every Possible Direction, Walker Art Center, Minneapolis (2005); Echoplex, Swiss Institute Contemporary Art, New York (2005); and Uncertain States of America, Astrup Fearnley Museum, Oslo, Norway (2005). She is part of the music-based performance group New Humans. The following is part of the ongoing collaboration between Bad at Sports and Art Practical. You can read an abridged version of the interview here. Next: New India correspondant Tanya Gill goes to the India Art Fair! Tanya Gill, a Chicago artist living in New Delhi, wanders through the India Art Fair of 2012. Over the course of four days she spoke to Gallery owners and artists, and found a surprising number of Chicago connects. Recorded here are her conversations with Kiran Chandra, Renuka Sawhney of The Guild, artist Vibha Galhotra, artist Ram Rahman from The SAHMAT Collective, Laura Williams of Art 18/21, artists Joan Livingston and Katarina Weslien from the School of the Art Institute of Chicago, Ritika Baheti of the Autonomous Public Laboratory Project, and four living works of art by Preeti Chandrakant.

 Artist Ellen Harvey is in great demand for exhibitions in galleries and museums worldwide. She is a highly skilled realist painter and draftsman, with a strong command of art history and a penetrating sense of humor. Much of her work engages the connection between past and contemporary art images and ideas. Arcadia, a large installation of her work on engraved mirrors creates an intersection between William Turner's world and that of contemporary Margate outside of London where she is exhibiting. Ellen has also designed large scale mosaic murals and worked with fabrication studios to realize these projects. But it was her "Nudist Museum" intervention at the Bass Museum that first caught my attention. We'll explore all of these projects.

 Artist Ellen Harvey is in great demand for exhibitions in galleries and museums worldwide. She is a highly skilled realist painter and draftsman, with a strong command of art history and a penetrating sense of humor. Much of her work engages the connection between past and contemporary art images and ideas. Arcadia, a large installation of her work on engraved mirrors creates an intersection between William Turner's world and that of contemporary Margate outside of London where she is exhibiting. Ellen has also designed large scale mosaic murals and worked with fabrication studios to realize these projects. But it was her "Nudist Museum" intervention at the Bass Museum that first caught my attention. We'll explore all of these projects.

Bass Museum of Art Education Director, ADRIENNE VON LATES, is today's guest. In speaking about the artist whose work is featured in the exhibition, Nudist Museum, she says, "ELLEN HARVEY started out as a lawyer at Yale and decided she wanted to indulge her passion for painting.  She remembers that when she was 10 years old, going to a museum with her parents, she was fascinated by all the nudity. She just fixated on all the flesh and she knew she was being naughty...   The Bass Museum has a substantial collection that features work from the Renaissance and Baroque periods, but they like to give contemporary artists the opportunity to create new work in response to the old.     "...so we gave her mostly black and white photographs or jpegs of low resolution... she started working in grisaille or grayscale and only highlighted the fleshy parts that she loved." Learn more about this intriguing project in today's recorded conversation.

Bass Museum of Art Education Director, ADRIENNE VON LATES, is today's guest. In speaking about the artist whose work is featured in the exhibition, Nudist Museum, she says, "ELLEN HARVEY started out as a lawyer at Yale and decided she wanted to indulge her passion for painting.  She remembers that when she was 10 years old, going to a museum with her parents, she was fascinated by all the nudity. She just fixated on all the flesh and she knew she was being naughty...   The Bass Museum has a substantial collection that features work from the Renaissance and Baroque periods, but they like to give contemporary artists the opportunity to create new work in response to the old.     "...so we gave her mostly black and white photographs or jpegs of low resolution... she started working in grisaille or grayscale and only highlighted the fleshy parts that she loved." Learn more about this intriguing project in today's recorded conversation.

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