Podcast appearances and mentions of Charlotte Salomon

Fasten your seatbelt and cut out the carbs, we're on another scenic tour of the British political landscape. Today's candidates are:Nick Thomas-Symonds, Labour, TorfaenX: @NickTorfaen W: https://www.facebook.com/nickthomassymonds/Michael Shanks, Labour, RutherglenX: @mgshanks W: https://michaelshanks.org.uk/Charlotte Salomon, Conservative, Norwich NorthX: @SalomonSoup W: https://linktr.ee/NorwichCharlotteCalum Miller, Lib Dems, Bicester and WoodstockX: @CalumMillerLD W: https://www.facebook.com/CalumMillerLD/Sarah Sackman, Labour, Finchley and Golders GreenX: sarahsackman W: https://sarahsackman.com/Just 589 to go! If you are a candidate or know one who'd like to come on the show, email politicalpartypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Cette semaine à Histoire de passer le temps, Frédérick Poulin vient nous parler du mouvement négationniste qui s'empare de l'Occident à la suite de la Seconde Guerre mondiale. Mais d'où vient cet étrange courant de pensée? Qui furent les principaux diffuseurs de ces théories conspirationnistes en France, en Angleterre et même au Canada? En seconde partie d'émission, Pierre-Luc Noël poursuit sa série de chroniques sur l'histoire de la Palestine. La déclaration de Lord Arthur Balfour à Lionel Walter Rothschild en 1917, marque le début d'un renouveau de la colonisation de la Palestine pour le mouvement sioniste. Ainsi, aujourd'hui, Pierre-Luc aborde la période précédant la fondation de l'État d'Israël, soit de 1917 à 1948. Enfin, en dernière partie, Julie Mermet nous parle de Charlotte Salomon, juive allemande de 26 ans réfugiée en France, confie plus de 1000 peintures et 800 écrits à son ami le docteur Moridis. Elle lui dit « Gardez-les bien. C'est toute ma vie ». Elle mourra quelques semaines plus tard, après son arrestation par la Gestapo et sa déportation au centre d'extermination d'Auschwitz. Julie propose de parler d'une des œuvres de Mme Salomon. 

Après plusieurs années d'absence, Audrey Tautou revient sur la scène de la Seine Musicale de Boulogne pour une lecture en musique autour de la vie de l'artiste peintre Charlotte Salomon, morte en déportation à l'âge de 26 ans. Audrey, est-elle enfin de retour ou pas du tout ? Une rencontre qui retrace sa carrière et fait le point sur ses futurs projets.

Stéphane Bern raconte la vie fauchée, dans ses jeunes années, d'une peintre allemande qui a subi l'assaut des nazis, une artiste qui a voulu créer pour éviter de sombrer. Ou la véritable histoire de Charlotte Salomon, la peintre déportée… Quelle œuvre a-t-elle laissée ? Dans quel contexte l'a-t-elle réalisé ? Quels sont les enjeux de la préservation de sa mémoire ? Pour en parler, Stéphane Bern reçoit David Foenkinos, écrivain, auteur de "Charlotte" (Gallimard) adapté au théâtre avec Audrey Tautou, à la Seine Musicale (Boulogne-Billancourt) du 19 au 25 janvier.

Dans son récit, Stéphane Bern nous raconte l'histoire de Charlotte Salomon, la peintre allemande qui a subi l'assaut des nazis, une artiste qui a voulu créer pour éviter de sombrer.

Dans son récit, Stéphane Bern nous raconte l'histoire de Charlotte Salomon, la peintre allemande qui a subi l'assaut des nazis, une artiste qui a voulu créer pour éviter de sombrer.

- Retrouvailles avec l'actrice Audrey Tautou au micro de Steven Bellery. Elle s'apprête à revenir sur scène, dans un spectacle original consacré à Charlotte Salomon. - Le Festival International du Film de comédie ouvre lundi à l'Alpe d'Huez. Stéphane Boudsocq a rencontré la comédienne Valérie Bonneton, présidente du jury cette année. - Le prix Nobel de Littérature Jean-Marie Gustave Le Clézio vient de publier "Identité nomade", un livre dans lequel il évoque ses racines familiales et ses voyages. C'est à Nice, sa ville natale, que Bernard Lehut l'a retrouvé pour un reportage. - L'édito télé d'Isabelle Morini-Bosc : bien savoir lire les audiences télé quotidiennes. Invités prestigieux, coups de cœur, critiques, reportages, interviews : "Laissez-Vous Tenter" dresse un panorama de l'actualité cinéma, musique, littérature, médias, people... Ecoutez Laissez-vous tenter du 14 janvier 2024 avec Le Service Culture.

La comédienne fait un retour remarqué dans un spectacle qui retrace la vie de Charlotte Salomon, peintre allemande décédée à Auschwitz, à la Seine Musicale. À cette occasion, elle s'est confiée à RTL sur ces projets et le milieu du cinéma français.

Le fabuleux retour d'Audrey Tautou dans l'émission diffusée le lundi 08 janvier 2024 à 20h sur France 5. Au programme : Elle s'était éloignée des plateaux de cinéma, Audrey Tautou fait son grand retour sur scène dans une adaptation du roman de David Foenkinos consacré à Charlotte Salomon, cette artiste peintre morte déportée à Auschwitz. Manu Payet fête avec nous le succès d'« Emmanuel 2 », son spectacle en tournée dans toute la France. Pierre de Maere vient d'apprendre qu'il est nommé dans 2 catégories aux Victoires : on célèbre avec lui ces nominations.

Charlotte by David Foenkinos is the choice for this month's Church Times Book Club. On the podcast this week, Emily Rhodes, who has written this month's essay about the book, is in conversation with Sarah Meyrick. Charlotte, translated into English by Sam Taylor, retells the tragic story of a Jewish artist, Charlotte Salomon, who died with her unborn baby in Auschwitz at the age of 26. Fleeing Berlin to escape Hitler's reign of terror, the young artist found refuge in the south of France before her final transportation to the concentration camp. It was during this time that she created most of her work, a series of autobiographical paintings imbued with a sense of urgency and foreboding. The book is written in verse form. Each sentence is separated by a single line of spacing. Its lyrical style, while not sentimental in tone, adds poignancy and pace to the short story. David Foenkinos is an award-winning French novelist and screenwriter. He is the author of 18 novels, all of which have been translated into more than 40 languages. Charlotte won both the Prix Renaudot and the Prix Goncourt des Lycéens in 2014. Charlotte by David Foenkinos is published by Canongate at £9.99 (Church Times Bookshop £8.99); 978-1-78211-796-4. https://chbookshop.hymnsam.co.uk/books/9781782117964/charlotte?vc=CT506 Read Emily's essay here: https://www.churchtimes.co.uk/articles/2024/5-january/books-arts/book-club/book-club-charlotte-by-david-foenkinos Emily Rhodes is a writer and journalist, whose features and reviews have appeared in publications including the Financial Times, The Spectator, The Guardian, and the TLS. Find out about Emily's Walking Book Club at https://emilyswalkingbookclub.substack.com The Church Times Book Club is run in association with the Festival of Faith and Literature: https://faithandliterature.hymnsam.co.uk Sign up to receive the free Book Club email once a month. Featuring discussion questions, podcasts and discounts on each book: churchtimes.co.uk/newsletter-signup Discuss this month's book at facebook.com/groups/churchtimesbookclu

How do the images of children that you are witnessing now make you feel? I personally, am feeling helpless and traumatised that children are being attacked around the world every single day. In this episode I share how the trauma of a young Jewish girl, Charlotte Salomon (April 16 1917 to October 10th 1943) who later was killed in Auschwitz, haunted me in a dream about 54 years ago. I was able to verify this due to the fact that her story was unfolded by a historian based on the artwork that she left behind before she was captured by the Nazis in the south of France. I do truly believe that we are in a spiritual war and that in this spiritual war we can use the power of the supernatural. Our souls are eternal and our trauma is alive in our DNA. The use of the astronomical sky has assisted me In alchemising my ancestral traumas. As an electromagnetic being I have decided to use my voice to nurture and support the souls of our children. Feel free to contact me if you are curious to know how a gift of a voice recording from me can support the divine gifts of your child. AkaCloudette@skystrology.com or Telegram @Skystrology --- Send in a voice message: https://podcasters.spotify.com/pod/show/akacloudetteskystrologyy/message

Il a beau dire qu'il est fatigué de lui même et de parler, David Foenkinos est pourtant inarrêtable si le sujet l'anime! Il est d'ailleurs dans un mouvement permanent. Intellectuel, émotionnel et physique. La variation c'est vraiment son truc. Auteur, mais aussi dramaturge et réalisateur de grand talent, David Foenkinos est un artiste complet. Qui ne boude pas son plaisir lorsqu'il faut chanter à tue-tête des chansons de Juliette Armanet. Son plaisir d'être parfois obsédé et envahi par quelque chose, son enfance assez sage, son adolescence très bousculée par la vie et ce sentiment qui ne le quitte pas d'avoir eu une véritable expérience de mort. Mais aussi ses débuts en tant qu'écrivain, ses parents, sa passion pour Charlotte Salomon, tous les métiers qu'il aurait pu faire s'il n'était pas "mort un 7 janvier" ou encore comment il a osé écrire un jour à Audrey Tautou et où s'apprête-t-il à la retrouver dans quelques semaines, et bien tout cela et bien plus encore, c est dans cet épisode formidable de TQDH. Générique composé par Jean Thévenin

Author Susan Wider discusses genre-bending artist Charlotte Salomon's work and how it survived the Shoah to capture a life and time. It's My Whole Life: Charlotte Salomon: An Artist in Hiding during World War II, winner of the 2022 National Jewish Book Award for Young Adult Literature Susan Wider is the author of It's My Whole Life: Charlotte Salomon: An Artist in Hiding during World War II, winner of the 2022 National Jewish Book Award for Young Adult Literature. It's My Whole Life is the first biography for teen and young adult readers about the art and life of German-Jewish artist and modernist painter Charlotte Salomon (1917 Berlin—Auschwitz 1943). The book is also finding a strong audience among adult readers of art and biography. Charlotte Salomon is remembered for her painted memoir, Life? or Theater? where she combined her 33,000-word manuscript, nearly 800 paintings, and a musical soundtrack, all hinting at a film storyboard or graphic novel-style presentation. It is thought to be the largest single work of art created by a Jew during the Holocaust, and she produced it while confronting racism, genocide, psychological abuse, family suicides, and the strife of loving an older man. What she wanted most was to make a name for herself as an artist. Susan Wider's articles, essays, and art reviews have been included in Orion, THE magazine, The Fourth River, and Wild Hope magazine among others. Before becoming a full-time author, she held senior management positions at the Georgia O'Keeffe Museum, The Santa Fe Institute, and Lovelace Respiratory Research Institute. Earlier in her career she taught English for the French Chamber of Commerce in Normandy, France and worked as a violinist in professional chamber and symphony orchestras. Susan lives outside Santa Fe, New Mexico, USA, where she shares the land with an assortment of hawks, snakes, woodpeckers, bobcats, coyotes, and a husband.

#diepodcastin über QueenBees: Isabel Rohner & Regula Stämpfli zu Charlotte Salomon,zu Frankreichs Laizismus, Fussball WM, Gertraud Klemm-Empfehlung und zur Frage: Was ist Feminismus anhand von Movie-Schwerpunkten (Oppenheimer & Barbie) & weibliches Begehren.

Voiced by actress, Keira Knightly, Charlotte, the movie is an animated drama that tells the true story of Charlotte Salomon, a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. But the world around her is changing quickly and dangerously, limiting her options, and derailing her dream. When anti-Semitic policies inspire violent mobs, she leaves Berlin for the safety of the South of France. There she begins to paint again and finds new love. But her work is interrupted, this time by a family tragedy that reveals an even darker secret. Believing that only the extraordinary will save her, she embarks on the monumental adventure of painting her life story, Life? or Theatre?At The Richmond Hill Centre for the Performing Arts, where the film was featured with Q &A on Yom HaShoah, Holocaust Remembrance Day and National Film Day Canada, I sat down with Screenwriter, David Bezmozgis, to talk about how the film came to light and its relevance amidst the rise of antisemitism today. Discover this compelling film and 3 things you likely never knew about the Holocaust. Sign up to become a member of Janette's TV Youtube Channel!https://www.youtube.com/@JanettesTV/videos Support the show

"Leben? Oder Theater?" malte die im Alter von 26 Jahren von den Nazis ermordete Charlotte Salomon. Ihr Werk ist derzeit in München zu sehen. Devid Striesow liest einen Ausschnitt aus Foenkinos' Roman über das Leben der Malerin.

Road-Tripode ou la vraie vie d'un éditeur Bookmakers #23 - L'invité du mois : Frédéric MartinFils d'un marin et d'une ouvrière, enfant des quartiers nord de Marseille et des paysages tahitiens, Frédéric Martin, 48 ans, a fondé en 2012 les éditions Le Tripode. Cette petite maison indépendante basée à Paris (quatre salarié·e·s) compte parmi les plus respectées du milieu pour l'originalité de son catalogue, sa rigueur textuelle et la beauté graphique de ses ouvrages. « Je publie, dit-il, des auteurs très libres, presque anars, pas mondains. Très peu de Parisiens. Des chats sauvages. » Parmi près de 250 titres et environ 20 nouveautés par an, citons l'Estonien Andrus Kivirähk et son « Homme qui parlait la langue des serpents » (75 000 exemplaires vendus en France depuis 2013, Grand Prix de l'Imaginaire), Valérie Manteau (prix Renaudot 2018 pour « Le Sillon », 72 000 exemplaires vendus), Bérengère Cournut (prix du roman Fnac 2019 pour « De pierre et d'os », 150 000 exemplaires écoulés), et Mathieu Bélézi, lauréat 2022 du prix du journal Le Monde avec « Attaquer la terre et le soleil ». Ou encore : des peintures rares d'Hugo Pratt, les vers « luisants » de Brigitte Fontaine et les contes macabres d'Edward Gorey. Il se demande souvent : pourquoi publier quelque chose qui existe déjà ? Frédéric Martin (3/3)Au risque de briser le mystère, révélons que Frédéric Martin lit tous les manuscrits qu'il reçoit, au lit, dans sa maison bretonne, en fumant la pipe. Tel Bilbo le Hobbit, il attend la rencontre. Quand le flash a lieu, et parce l'éditeur doit, selon lui, « être plusieurs à la fois », ce n'est que le début d'une longue série d'étapes – textuelles, visuelles, économiques – à chaque fois personnalisées, que nous allons parcourir lors de ce troisième et dernier épisode.Il sera question, en vrac, des « échafaudages » que l'auteur·e doit apprendre à retirer pour découvrir qu'un roman tient debout sans eux. D'une coupe essentielle en révisant « Ouest » de François Vallejo. De la diplomatie (ou non) en période de corrections. Du travail de la phrase « par sédimentation » chez Marc Graciano. D'écrivains trop beaux parleurs en période de promo. D'une prime aux auteur·e·s de la maison quand l'un·e remporte un prix littéraire important. Ou de risques financiers savamment calculés en publiant, pour la première fois au monde, les 781 gouaches et tous les textes du monumental « Vie ? ou Théâtre ? » de la peintre allemande Charlotte Salomon. Un labeur quotidien, sept jours sur sept, qui finit par le « broyer », mais que Frédéric Martin aborde avec « le calme des vieilles troupes ». Et, dans sa sacoche, cette phrase-talisman de Charlotte Salomon : « J'appris à suivre tous les chemins et j'en devins un moi-même. » Nota bene : cette conversation aurait dû avoir lieu en public, en décembre dernier, lors des 20 ans d'ARTE Radio au Palais de Tokyo, à Paris. Une grève SNCF en a décidé autrement. Certaines personnes présentes ce soir-là ont pourtant souhaité poser des questions au Tripodeur en chef. Elles émaillent le dialogue qui va suivre. Enregistrements : janvier 23 - Entretien, découpage : Richard Gaitet - Prise de son : Samuel Hirsch - Montage, réalisation, mixage : Thomas Loupias - Musiques originales : Thomas Loupias, Samuel Hirsch - Lectures : Emma Bouvier, Elena Zenone - Illustration : Sylvain Cabot - Remerciements : Nina Stavisky et le public du Palais de Tokyo - Production : ARTE Radio - Thomas Loupias, Samuel Hirsch

All around Europe, there are small brass bricks inlaid into the ground before the front doors of apartment buildings and houses. These bricks are like a decentralized memorial—they are known as Stolpersteine—which means stumbling stones—and engraved on each one is the name of a citizen who was persecuted or exterminated by the Nazis during World War II. At an apartment building in Berlin that stands at Wielandstrasse 15, you will find the name of Charlotte Salomon on one of these stumbling stones. As it says on the little brass brick, she was born in 1917 here; she fled Germany to France in 1939; she was interned at a French concentration camp in Drancy; she was deported and murdered in Auschwitz in 1943. Charlotte was also a visionary young artist, and she created a hugely ambitious work of art called Life or Theater. Made in just over a year while living in exile in France, Life or Theater consists of more than 1,000 individual gouache paintings, sectioned into three acts. It is an artwork that defies easy categorization. It is something like an autobiography, but also not quite. There are characters that are just like her own family and friends, but their names are slightly changed. There is music that is meant to accompany her vividly painted scenes, which tell the story of her coming of age as a young woman and an artist. The story shows what played out on Wielandstrasse in Berlin as the Nazis rose to power; the persecution of her family; the death of her mother from suicide, and later her grandmother. It tells about her suffering in exile, it discusses a murder. It also captures the birth of a brilliant artist who finds a lifeline in making art. It is hard to neatly summarize everything Life or Theater addresses—but as Charlotte put it herself, the piece is “something crazy special.” Not only is the work picturesque in the way it is painted and formally ground-breaking, Charlotte managed to achieve something deeply intimate and personal but also universal with this work. She gave it to a friend for safekeeping before she was taken to Auschwitz and it survived the war and is now in the possession of the Jewish Historical Museum in Amsterdam. People do not seem to be as aware of Salomon as they should be giving the pioneering, avant-garde nature of this artwork. On the occasion of an upcoming exhibition of Life or Theater at the Lenbachhaus in Munich, Artnet News's Kate Brown was joined by the show's curator Irene Faber, who is also the curator of collections at the Jewish Historical Museum in Amsterdam, and an expert on Charlotte's life and art.

All around Europe, there are small brass bricks inlaid into the ground before the front doors of apartment buildings and houses. These bricks are like a decentralized memorial—they are known as Stolpersteine—which means stumbling stones—and engraved on each one is the name of a citizen who was persecuted or exterminated by the Nazis during World War II. At an apartment building in Berlin that stands at Wielandstrasse 15, you will find the name of Charlotte Salomon on one of these stumbling stones. As it says on the little brass brick, she was born in 1917 here; she fled Germany to France in 1939; she was interned at a French concentration camp in Drancy; she was deported and murdered in Auschwitz in 1943. Charlotte was also a visionary young artist, and she created a hugely ambitious work of art called Life or Theater. Made in just over a year while living in exile in France, Life or Theater consists of more than 1,000 individual gouache paintings, sectioned into three acts. It is an artwork that defies easy categorization. It is something like an autobiography, but also not quite. There are characters that are just like her own family and friends, but their names are slightly changed. There is music that is meant to accompany her vividly painted scenes, which tell the story of her coming of age as a young woman and an artist. The story shows what played out on Wielandstrasse in Berlin as the Nazis rose to power; the persecution of her family; the death of her mother from suicide, and later her grandmother. It tells about her suffering in exile, it discusses a murder. It also captures the birth of a brilliant artist who finds a lifeline in making art. It is hard to neatly summarize everything Life or Theater addresses—but as Charlotte put it herself, the piece is “something crazy special.” Not only is the work picturesque in the way it is painted and formally ground-breaking, Charlotte managed to achieve something deeply intimate and personal but also universal with this work. She gave it to a friend for safekeeping before she was taken to Auschwitz and it survived the war and is now in the possession of the Jewish Historical Museum in Amsterdam. People do not seem to be as aware of Salomon as they should be giving the pioneering, avant-garde nature of this artwork. On the occasion of an upcoming exhibition of Life or Theater at the Lenbachhaus in Munich, Artnet News's Kate Brown was joined by the show's curator Irene Faber, who is also the curator of collections at the Jewish Historical Museum in Amsterdam, and an expert on Charlotte's life and art.

At the third - or possibly fourth - attempt, Nick and Joe return. In an episode which has been dogged by disease, broadband failure, diary clashes and equipment meltdown, we eventually talk about our yearly themes. May the bongo-playing angel guard our steps. Support the podcastContact the podcast through your email machine Mentioned in this episode: Invitation to Solitude and Silence - Ruth Haley BartonBongo-playing angelA Man Called OttoI Wanna Dance with SomebodyCharlotteThe Genre-Bending, Death-Defying Triumph of Charlotte Salomon's ArtStarling murmurationsMurmuration over SparYour Theme

It's for more then just kids...On this episode we dive into a multi national co-production that puts a unique spin on a story that hasn't often (or at all) been told.  In theatres now, we talk 'Charlotte'.'Charlotte' is an animated drama that tells the true story of Charlotte Salomon, a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. But the world around her is changing quickly and dangerously, limiting her options and derailing her dream. When anti-Semitic policies inspire violent mobs, she leaves Berlin for the safety of the South of France. There she begins to paint again, and finds new love. But her work is interrupted, this time by a family tragedy that reveals an even darker secret. Believing that only the extraordinary will save her, she embarks on the monumental adventure of painting her life story.We've got a good old fashioned double episode here on this one as we had the unique pleasure to see this movie back at TIFF 2021 as we talked with director Tahir Rana and Eric Warin about making the film and more recently producer Julia Rosenberg about the complex nature of working in animation and how the form can be used for all kinds of stories.'Charlotte' is playing in select theatres all across the country, now.

Co-directed by Tahir Rana and Eric Tarin, CHARLOTE is a stunning piece that highlights one woman's journey in the face of oppression and the courage that she displays through her art. As a Jewish woman living in Germany during the Second World War, Charlotte Salomon's story is one forged through suffering and sacrifice. In this 1on1, we speak with Rana about what sets Salomon apart and what it means for art to encapsulate a life.SHOW LESS

Produced by Julia Rosenburg, CHARLOTTE is a stunning piece that highlights one woman's journey in the face of oppression and the courage that she displays through her art. As a Jewish woman living in Germany during the Second World War, Charlotte Salomon's story is one forged through suffering and sacrifice. In this 1on1, we speak with Rosenburg about the relationship between art and mental health and the tension between life and theatre.

"Charlotte" had its world premiere at last year's Toronto International Film Festival and is now receiving a limited release starting this weekend in New York, Los Angeles, and Canada before slowly rolling out to other markets. The film tells the true story of artist Charlotte Salomon, a German-Jewish artist born in Berlin who hid from the Nazis during World War II before being tragically murdered at Auschwitz in 1943. Years later, her paintings gained international recognition, and now her story is being told in animation form by directors Eric Warin and Tahir Rana. Academy Award-nominee Keira Knightley ("The Imitation Game") provides the vocal performance for Charlotte, infusing her with grace, intelligence and warmth. Knightley was kind enough to talk with us about her work on the film, her thoughts on the true story, its subject, and more. Please take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Keira Knightley discusses her new animated drama, Charlotte, which tells the true story of Charlotte Salomon — a young German Jewish artist who painted her life's story before the Nazis deported her to Auschwitz. Screenwriter and novelist Delia Ephron talks about her new memoir, Left on Tenth: A Second Chance at Life, in which she writes about a surprise encounter decades in the making — and why it's never too late to find love. Actor Allan Hawco reflects on how the pandemic has impacted the arts industry, plus what he tells aspiring actors about the resilience they need to succeed in the business.

Charlotte is a Deputy Chair of Saffron Walden Conservative Association & Media Consultant. Twitter - @SalomonSoup Instagram - @salomonsoup

TALK ART LIVE in London!!! Join the inimitable hosts of Talk Art, Robert Diament and Russell Tovey for a live podcast recording as they interview Kate Bryan.Kate Bryan is Global Head of Collections at Soho House and author of a new book about artists that died too young, 'Bright Stars'. Recorded at Soho House White City in front of a sold out live audience, they cover big names such as Vincent Van Gogh, Jean Michel Basquiat and shine a light on lesser known talents like Khadija Saye, Paula Modersohn Becker and Amrita Sher Gil.In 'Bright Stars', Kate Bryan examines the lives and legacies of 30 great artists who died too young, celebrating their inspirational stories and extraordinary talent. Some of the world's greatest and most-loved artists died under the age of forty. But how did they turn relatively short careers into such long legacies? What drove them to create, against all the odds? And how can we use these stories to re-evaluate artists lost to the shadows, or whose legacies are not yet secured? Most artists have decades to hone their craft, win over the critics and forge their reputation, but that's not the case for the artists in this book. Art heavyweights Vincent van Gogh and Jean-Michel Basquiat have been mythologised, with their early deaths playing a key role in their posthumous fame. Others, such as Aubrey Beardsley and Noah Davis, were driven to create, knowing their time was limited. For some, premature death, compounded by gender and racial injustice, meant being left out of the history books – as was the case with Amrita Sher-Gil, Charlotte Salomon and Pauline Boty, now championed by Kate Bryan in this important re-appraisal. And, as Caravaggio and Vermeer's stories show us, it can take centuries for forgotten artists to be given the recognition they truly deserve. With each artist comes a unique and often surprising story about how lives full of talent and tragedy were turned into brilliant legacies that still influence and inspire us today. This is a celebration of talent so great it shines on. Beautifully illustrated by Anna Higgie with portraits of the artists, as well as reproductions of some of their most famous works, this important and timely work makes a crucial contribution to our understanding of the lives of some of the most talented artists throughout history.Kate Bryan is an arts broadcaster, curator, mentor and writer. She is Head of Collections for Soho House & Co. globally and has written and presented television programmes for Sky Arts, Sky Arte Italia, BBC Two and BBC Four. She is a judge on the annual Sky Arts competition programmes Portrait Artist of the Year and Landscape Artist of the Year, and the author of The Art of Love (White Lion Publishing, 2019).Follow @KateBryan_Art on Instagram and visit her official website at https://katebryanart.com/ Buy Kate's new book 'Bright Stars' from this link, OUT NOW! Buy 'Talk Art Book' from this link, also OUT NOW!For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For... See acast.com/privacy for privacy and opt-out information.

La segunda gala del festival fue la cinta animada coproducida por Francia, Canadá y Bélgica, Charlotte, dirigida por Tahir Rana y Éric Warin.En esta obra conocemos la historia de Charlotte Salomon, una artista judía radicada en Alemania cuando (adivinen) estalla una guerra mundial y seguramente ya saben que pasa en el resto de la historia.Pasando del descubrimiento en donde Charlotte busca expandir sus habilidades artísticas, siendo aceptada en la Academia de Artes de Berlín, a la decepción cuando el nazismo empieza su expansión, llegando al exilio y al redescubrimiento de secretos familiares, muertes cercanas y una sentencia cercana, todo para forzar a Charlotte a contar su historia y la de su familia en una serie de 1,325 pinturas, de las que todavía se conservan 784 y lo que algunos catalogan como "la primera novela gráfica de la historia". La cinta cuenta con las voces de Keria Knightley en la versión en inglés y de Marión Cotillard en la versión en francés, quienes encarnan a la misma Charlotte.Mientras que obras como La Travesía, de la cual hablamos en una entrega previa, retoman un estilo visual y artístico más auténtico y propositivo, Charlotte se siente más tradicional y no busca replicar sino mostrar por momentos el estilo de la misma Charlotte. Se logra una historia que da para ser emotiva, pero que desafortunadamente se siente hueca. Los personajes carecen de trasfondo y su desarrollo parece más sacado de una monografía que no pretende construirlos para que nos importen mucho. Tenemos tragedias personales pero esto dentro de un contexto de la Segunda Guerra Mundial luce banal y más cercano a una niña rica quejándose por que no la dejan hacer lo que quiere, que a una trama más poderosa, lo cual se pudo lograr considerando en quién está basada la obra.

 Presentamos la cobertura que hicimos en la edición 36 del FICG (2021). Todos los textos y videos se presentaron originalmente en nuestro Patreon.¿Tienes cuenta de Amazon Prime? ¡Puedes apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.¿Lo quieres en audio? Lo pueden descargar aquí o escuchar en el siguiente reproductor. También puedes escucharnos con tus aplicaciones favoritas como Spotify, iTunes, Pocket Cast, Spreaker, Stitcher, Tune In, Acast, Player FM, MixCloud, Overcast, iHeart Radio, Hear This At, Podcast Addict, Castbox, y hasta en iVoox.La segunda gala del festival fue la cinta animada coproducida por Francia, Canadá y Bélgica, Charlotte, dirigida por Tahir Rana y Éric Warin.En esta obra conocemos la historia de Charlotte Salomon, una artista judía radicada en Alemania cuando (adivinen) estalla una guerra mundial y seguramente ya saben que pasa en el resto de la historia.Pasando del descubrimiento en donde Charlotte busca expandir sus habilidades artísticas, siendo aceptada en la Academia de Artes de Berlín, a la decepción cuando el nazismo empieza su expansión, llegando al exilio y al redescubrimiento de secretos familiares, muertes cercanas y una sentencia cercana, todo para forzar a Charlotte a contar su historia y la de su familia en una serie de 1,325 pinturas, de las que todavía se conservan 784 y lo que algunos catalogan como "la primera novela gráfica de la historia".La cinta cuenta con las voces de Keria Knightley en la versión en inglés y de Marión Cotillard en la versión en francés, quienes encarnan a la misma Charlotte.Mientras que obras como La Travesía, de la cual hablamos en una entrega previa, retoman un estilo visual y artístico más auténtico y propositivo, Charlotte se siente más tradicional y no busca replicar sino mostrar por momentos el estilo de la misma Charlotte. Se logra una historia que da para ser emotiva, pero que desafortunadamente se siente hueca. Los personajes carecen de trasfondo y su desarrollo parece más sacado de una monografía que no pretende construirlos para que nos importen mucho. Tenemos tragedias personales pero esto dentro de un contexto de la Segunda Guerra Mundial luce banal y más cercano a una niña rica quejándose por que no la dejan hacer lo que quiere, que a una trama más poderosa, lo cual se pudo lograr considerando en quién está basada la obra.

durée : 00:05:10 - Mon oeuvre à moi - par : Mattéo Caranta - La romancière Delphine Coulin nous plonge dans l'histoire de Charlotte Salomon, dont la vie se calque sur le travail artistique. Une autobiographie en 1300 gouaches pour échapper au nazisme et à la folie...

La historia de la vida de la pintora alemana judía Charlotte Salomon y la forma en que el autor se obsesionó con su vida.

durée : 00:59:15 - Toute une vie - par : Catherine Pont-Humbert - Lorsqu'en 1940, à 23 ans, Charlotte Salomon apprend par son grand-père un lourd secret familial - toutes les femmes de sa famille, dont sa mère, ont mis fin à leur vie -, elle décide, pour conjurer cette fatalité, de créer "quelque chose de vraiment fou et singulier" et s'attelle à son œuvre... - réalisation : Dominique Costa, Jean-Christophe Francis - invités : Christian Boltanski Artiste plasticien; Danièle Cohn professeure de philosophie et directrice du laboratoire Culture, Esthétique et Philosophie de l'Art (CEPA) de l'Université Paris I - Panthéon Sorbonne; Nathalie Hazan-Brunet conservatrice au Musée d'Art et d'histoire du judaïsme et commissaire de l'exposition Charlotte Salomon en 2006.; Bruno Pedretti conseiller éditorial et journaliste à Milan, auteur de plusieurs livres sur l'art et l'architecture.

Julia Pascal is a playwright and theatre director.  In this interview, she reads from her dramatic full-length stage play AS HAPPY AS GOD IN FRANCE The characters: Hannah Arendt at 33                                             Charlotte Salomon at 25 Eva Daube   at 16 Agathe Blumenfeld at 50 Trude Gottlieb  at 22   Other roles are taken by the ensemble. About As Happy As God in France.  The title references the joyful Yiddish invented by  Jews in appreciation of their new status as equal citizens in post-Revolutionary France. Its use here is ironic as the play explores French antisemitism In May 1940, German Jewish exiles, seeking refuge in France were ordered to report as  'Undesirables'.  Of those 8,000 women were deported to the largest of the many camps near the Spanish border.  This drama focuses on the largest of these, Gurs, whose history is hardly known. This text investigates the false dream of safety in France through the lens of three  German Jewish women: thirty-four-year-old, political writer, Hannah Arendt; sixteen-year-old schoolgirl Eva Daube and twenty-four-year-old painter, Charlotte Salomon. They were incarcerated during in the chaotic days between armistice and occupation. The action of this play focuses on a decision of whether to stay, and hope for liberation, or escape in to a dangerous landscape. As Happy As God in France explores major events of the twentieth century as experienced by these women. Themes include the French betrayal of Revolutionary values, the abandonment of the Jews, sex, love, art, politics, resistance, survival, suicide and escape.  It is the first play about Arendt, Salomon and Daube in Gurs. The facts Hannah Arendt was in Gurs in 1940 for eight weeks. Charlotte Salomon is believed to have been incarcerated there before she was murdered in Auschwitz. Eva Daube was in Gurs. Agathe Blumenfeld and Trude Gottlieb are created from research in this hidden history.                              The play was completed in 2020 and has had no productions.

Vi åpner femte sesong av klassikerklubben med to programmer som etter planen skulle avsluttet fjerde sesong, en plan mi måtte endre da koronaen kom. I dette programmet får du høre kunsthistoriker Frida Forsgren holde en introduksjon til Charlotte Salomon og hennes kunst. Den tysk-jødiske kunstneren etterlot seg et betydelig livsverk, til tross for at hun ble drept i Auschwitz da hun bare var 26 år gammel. Den franske forfatteren David Foenkinos ga i 2014 ut de prisbelønte romanen "Charlotte", hvor han forteller om Charlotte Salomons liv og virke. Mirjam Kristensen og Tore Aune Fjellstad innleder i studio.

Charlotte Salomon nació en una familia judía asimilada, activa en la vida cultural de Berlín. A pesar de los decretos raciales ya prevalecientes, en 1935 fue admitida en la Vereinigten de Berlín. Tras el pogromo de Kristallnacht, el 9 de noviembre de 1938, sus padres decidieron enviar a Charlotte a casa de sus abuelos en el sur de Francia. Allí, frente a la persecución nazi, creó una obra musical autobiográfica ilustrada, titulada ¿vida?¿o Teatro?, compuesta por más de 700 cuadros. Charlotte logra transformar su dolor en en un arte lleno de vida y color.

Incest is not an easy subject to talk about but it’s long overdue because it will never go away if we don’t acknowledge it. Please visit the following links for a more comprehensive understanding of this very serious subject matter. https://youtu.be/l32AtDhZqO4. https://www.google.co.uk/amp/s/amp.theatlantic.com/amp/article/272459/. https://medium.com https://ourrescue.org//@LifeisaHATparty/ghosts-from-metoo-past-lives-d87f977b7aa6 support: https://ourrescue.org/ --- Send in a voice message: https://anchor.fm/lifeisahatparty/message

Ze is weer bij ons te zien in het museum: Charlotte Salomon. Toch wel een van de favorieten in onze collectie. De tentoonstelling gaat over de invloed van film op haar werk. In deze podcast gaan we nog wat verder: als je haar vergelijkt met een filmregisseur, dan is ze wel een vrouwelijke filmregisseur. Waaraan merk je dat? En kun je haar werk een vroeg voorbeeld noemen van de female gaze? Daarover gaat Joyce Poot in gesprek met Mirjam Knotter en Cathelijne Blok. Kijk-, lees- en luistertips: - Introductiefilm gemaakt bij de grote tentoonstelling in 2017 - Podcast: The Great Women Artists, met Chantal Joffe - Podcast: The Hedgehog and the Fox, met Griselda Pollock - Podcast: Met Groenteman in de kast, met Sacha Bronwasser - Lemma over Charlotte Salomon in het Jewish Women Archive, geschreven door biograaf Mary Lowenthal Felstiner - Artikel in The New Yorker, door Toni Bentley - Artikel in De Groene Amsterdammer, door Basje Boer - Recensie van De Kunstmeisjes - The TittyMag, het feministisch kunstcollectief opgericht door Cathelijne Blok - Helmut Newton was in 2016 te zien in Foam - Curated by GIRLS, het voorbeeld waarmee Cathelijne eindigt

Análisis del cómic: Charlotte Salomon de Ilaria Ferramosca y Gian Marco De Francisco (Ponent/Catarata) Si quieres ser amigo de la web, puedes seguirnos en Facebook: https://www.facebook.com/victor.alvarado.56829446?ref=ts Twitter: @cineylibertad

Des femmes brisées par la Shoah - Daniel Epstein,Renée Poznanski,Klaas Smelik,Amnon Weinstein,Eliad Moreh-Rosenberg,Mariette Job,Frans Weisz,Marianna Vasileva,Nadine Kuperty-Tsur,Sylvie Housiel,Karine Baranès-Bénichou

In Episode 19 of The Great Women Artists Podcast, Katy Hessel interviews one of the most important painters in the world, CHANTAL JOFFE on the great artist CHARLOTTE SALOMON!   And WOW was it amazing to interview Chantal in her London studio on Charlotte Salomon, the Jewish-born German artist who created one of the most important and powerful artworks of the 20th century, "Life? or Theatre?", which is currently on view at the Jewish Museum here in London: https://jewishmuseum.org.uk/exhibitions/charlotte-salomon/ Created between the years of 1941–43 when the young Salomon was living in Nice having escaped Berlin, "Life? or Theatre?" is a dramatised autobiography that uses sound, text, simple language, images, and music to give expression of Salomon’s struggle living in Berlin in the 1930s, and her experience during the war. It is the MOST moving, incredible, heartbreaking 'graphic novel' compiled of 769 small gouaches on paper which Salomon created when in hiding from Nazi oppressors.  The work is essentially a self portrait; storyboard; or intimate visual narrative of the artist’s existence: from a complicated family life, growing up in Berlin, the rise of the Nazis, to her exile to France, and to what ultimately led to her impending fate: age 26, five months pregnant, in Auschwitz. This challenging masterpiece tells the story of her life, with death looming from the start. In pre-first world war Berlin, a young woman called Charlotte – the artist’s aunt who she’s named after – drowns herself, and as the story unfolds, we discover many more mental health issues and sadness in the artist’s family. But Charlotte carries on, as if always seeing the positive in this ever glooming light which seems madness to even be seen as real life, as emphasised by its title.  Chantal speaks so beautifully in this episode, enlightening us about Charlotte and her experience visiting this week. Placing a particular emphasis on the redemptive power of art. When I asked Chantal why she thought the young Salomon created "Life? or Theatre?", she responded: "She just had no choice and the minute she's picked up, brush, she was safe. Suddenly it saved her and that's why we see such speed is in those drawings". Thank you for listening!! This episode is sponsored by the National Art Pass and the Affordable Art Fair! @artfund: https://www.artfund.org/katy-hessel To receive a free tote bag with your National Art Pass, enter the code GREAT at checkout!  @affordableartfairuk: https://affordableartfair.com/ Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

We're back with a brand new season! In our pre-Oscars special, Gris talks to Noah Baumbach, director of the nominated film Marriage Story, about love, divorce — and how Netflix is changing film. Plus: the FT's film critic Danny Leigh drops into the studio ahead of the Academy Awards. Who's going to win? Who really should win? And do the Oscars — for which no female directors and just one actor of colour were nominated — still matter in 2020?As always, we'd love to hear from you. Say hi on Twitter @FTCultureCall, or by email at culturecall@ft.com to tell us what you're reading, watching, listening to or otherwise obsessed with. And if you enjoy the show, why not leave us a review on Apple Podcasts?-------Recommended links: Kaitlin Prest's podcast The Heart - specifically the mini-series ‘No’ (she's our next guest): https://www.theheartradio.org/all-episodesThe FT's Academy Awards package: https://www.ft.com/Oscars2020The Spotify soundtrack of Jagged Little Pill (the Alanis Morissette musical): https://open.spotify.com/album/3JUvh3Ch6QFxguLABtTOE3FT review of Anna Wiener's book Uncanny Valley (paywall): https://www.ft.com/content/77a8d150-33a8-11ea-a329-0bcf87a328f2Danny Leigh's review of Uncut Gems (paywall): https://www.ft.com/content/b717ed0e-322b-11ea-a329-0bcf87a328f2FT review of Charlotte Salomon at the Jewish Museum, London: https://www.ft.com/content/97e00f90-0484-11ea-9afa-d9e2401fa7caFT review of Uncle Vanya, London (paywall): https://www.ft.com/content/adf70afe-4359-11ea-abea-0c7a29cd66feEkow Eshun on Masculinities at the Barbican, London (paywall): https://www.ft.com/content/eaaeeff4-422b-11ea-bdb5-169ba7be433d See acast.com/privacy for privacy and opt-out information.

On 27th of November I was lucky to attend a talk by Dr. Griselda Pollack about Charlotte Salomon. On this day I saw for the first time a scene from my only remembered nightmare. It was painted by Charlotte Salomon. On November 30th I discovered the date that one of Charlotte Salomon’s painting were referring to.

Onvoorstelbaar… Kristallnacht. Een door de nazi-staat georganiseerde terreur tegen Joden, op 9 november 1938. Ook het gezin Salomon wordt getroffen. Charlotte Salomon zal postuum bekendheid verwerven met haar meer dan 1300 schilderijen. Haar stiefmoeder, Paula Salomon-Lindberg gold in haar tijd als een beroemde alt. Als eerbetoon en herinnering in deze podcast Lindberg’s uitvoering van 'Bist Du bei mir'. Johann Sebastian Bach, Bist Du bei mir, BWV.508, Paula Lindberg (alt)

Check out this weeks Vancouver Island Time episode with our guest Charlotte Salomon. Charlotte originally moved to Victoria in 1995 to attend law school and has been here ever since. In the first half of the interview Charlotte talks about living in Oak Bay and everything she loves about the neighbourhood. In the second half of the interview she talks about her career in law. http://www.mcbop.com/charlotte-a-salomon-qcFor mor episodes go to VancouverIslandTime.com

Check out this weeks Vancouver Island Time episode with our guest Charlotte Salomon. Charlotte originally moved to Victoria in 1995 to attend law school and has been here ever since. In the first half of the interview Charlotte talks about living in Oak Bay and everything she loves about the neighbourhood. In the second half of the interview she talks about her career in law. http://www.mcbop.com/charlotte-a-salomon-qcFor mor episodes go to VancouverIslandTime.com

Inking and Painting Women: Celebrating International Women’s Day, in this “feature-length” podcast, guest presenter Corinne Pearlman introduces three talks about female comic creators, recorded at Laydeez Do Comics. WIth an invitation from Sarah Lightman, Visual Cultures lecturer Astrid Schmetterling (Goldsmiths, University of London) explores the life and work of painter Charlotte Salomon, whose series “Life? […]

¡Hola gente maja! Hoy venimos con un programa en el que hablaremos de Charlotte Salomon, una mujer que fue pintora, coetánea de la mundialmente conocida Frida Kahlo, cuya vida y obra nos fueron arrebatadas... En la sección de Mujeres de Hoy y de Siempre tenemos en esta ocasión a Lola Ballestero, que trabaja en la Administración Pública desde hace 44 años, y viene a darnos su opinión sobre la igualdad de género. Puedes visitarnos en: www.VolutasMoradas.com y www.LuaSoul.com

In this talk, Griselda Pollock discusses her major re-evaluation of Berlin born artist, Charlotte Salomon, which sheds new light on her remarkable combination of image, text, and music.

This week's podcast is a conversation with Griselda Pollock about her recent book, Charlotte Salomon and the Theatre of Memory. Griselda Pollock is Professor of Social and Critical Histories of… Read More Hosted on Acast. See acast.com/privacy for more information.

You Were Never Really Here stars Joaquin Pheonix as a contract killer who uncovers a conspiracy while trying to save a kidnapped teen from a prostitution ring. The film is directed by Lynne Ramsay who made We Need to Talk About Kevin. Larushka Ivan-Zadeh reviews.What's the key to delivering a perfect performance as an award ceremony host? TV critic Emma Bullimore and Larushka Ivan-Zadeh review Jimmy Kimmel's efforts in last night's Oscars ceremony, as well as Joanna Lumley at the BAFTAs and Jack Whitehall at the Brits, and consider what makes the perfect host.Steve Reich says the pioneering percussion Colin Currie is 'one of the greatest musicians in the world'. Today Currie returns the compliment, launching his own record label with his recording of Reich's piece 'Drumming'. He talks to John Wilson about this and the recent developments in music for percussion.Artist Charlotte Salomon died aged 26 in Auschwitz, leaving behind an impressive collection of over 700 paintings called Life? or Theatre? Ahead of events on Salomon at Jewish Book Week, Griselda Pollock and Waldemar Januszczak discuss her life and work. Presenter: John Wilson Producer: Kate Bullivant.

Painter and writer Timothy Hyman RA and curator Roger Malbert discuss the artists who have chosen to pursue figurative painting over the last century. With the arrival of abstraction and movements such as Abstract Expressionism in the 20th century, people began to see figurative painting as outdated and at odds with the very concept of modern art. Discussing Hyman's new book 'The World New Made: Figurative Painting in the Twentieth Century', Hyman and Malbert highlight a range of Modernists who, despite their awareness of abstraction, chose to work in narrative and confessional modes. Works by often-marginalised artists such as Max Beckmann and Stanley Spencer, Marsden Hartley and Alice Neel, Charlotte Salomon and Henry Darger, express the possibility of a new kind of figuration, as well as a foundation for our questioning of formalist readings of 20th-century art.

Episode 01 – Vanessa Davis – Your hosts Zack Soto & Mike Dawson break the ice, cartoonist Shanna Matuszak talks this week’s comics, and guest Vanessa Davis talks about two Formative Works: 100 Demons by Lynda Barry & Charlotte: Life or Theater by Charlotte Salomon.

Writer and artist Charlotte Salomon, the daughter of a highly cultivated Jewish family in Berlin, was deported to Auschwitz and murdered at the age of 26. In her final work “Life? or Theatre?” Salomon envisioned the circumstances surrounding the eight suicides in her family, all but one of them women. Darcy C. Buerkle, an Associate Professor of History at Smith College, explores Salomon’s tragic life as she discusses her remarkable book, “Nothing Happened: Charlotte Salomon and an Archive of Suicide,” as part of the Holocaust Living History Workshop sponsored by UC San Diego. Series: "Writers" [Humanities] [Show ID: 30121]

Writer and artist Charlotte Salomon, the daughter of a highly cultivated Jewish family in Berlin, was deported to Auschwitz and murdered at the age of 26. In her final work “Life? or Theatre?” Salomon envisioned the circumstances surrounding the eight suicides in her family, all but one of them women. Darcy C. Buerkle, an Associate Professor of History at Smith College, explores Salomon’s tragic life as she discusses her remarkable book, “Nothing Happened: Charlotte Salomon and an Archive of Suicide,” as part of the Holocaust Living History Workshop sponsored by UC San Diego. Series: "Writers" [Humanities] [Show ID: 30121]

Writer and artist Charlotte Salomon, the daughter of a highly cultivated Jewish family in Berlin, was deported to Auschwitz and murdered at the age of 26. In her final work “Life? or Theatre?” Salomon envisioned the circumstances surrounding the eight suicides in her family, all but one of them women. Darcy C. Buerkle, an Associate Professor of History at Smith College, explores Salomon’s tragic life as she discusses her remarkable book, “Nothing Happened: Charlotte Salomon and an Archive of Suicide,” as part of the Holocaust Living History Workshop sponsored by UC San Diego. Series: "Writers" [Humanities] [Show ID: 30121]

Writer and artist Charlotte Salomon, the daughter of a highly cultivated Jewish family in Berlin, was deported to Auschwitz and murdered at the age of 26. In her final work “Life? or Theatre?” Salomon envisioned the circumstances surrounding the eight suicides in her family, all but one of them women. Darcy C. Buerkle, an Associate Professor of History at Smith College, explores Salomon’s tragic life as she discusses her remarkable book, “Nothing Happened: Charlotte Salomon and an Archive of Suicide,” as part of the Holocaust Living History Workshop sponsored by UC San Diego. Series: "Writers" [Humanities] [Show ID: 30121]

Writer and artist Charlotte Salomon, the daughter of a highly cultivated Jewish family in Berlin, was deported to Auschwitz and murdered at the age of 26. In her final work “Life? or Theatre?” Salomon envisioned the circumstances surrounding the eight suicides in her family, all but one of them women. Darcy C. Buerkle, an Associate Professor of History at Smith College, explores Salomon’s tragic life as she discusses her remarkable book, “Nothing Happened: Charlotte Salomon and an Archive of Suicide,” as part of the Holocaust Living History Workshop sponsored by UC San Diego. Series: "Writers" [Humanities] [Show ID: 30121]

Writer and artist Charlotte Salomon, the daughter of a highly cultivated Jewish family in Berlin, was deported to Auschwitz and murdered at the age of 26. In her final work “Life? or Theatre?” Salomon envisioned the circumstances surrounding the eight suicides in her family, all but one of them women. Darcy C. Buerkle, an Associate Professor of History at Smith College, explores Salomon’s tragic life as she discusses her remarkable book, “Nothing Happened: Charlotte Salomon and an Archive of Suicide,” as part of the Holocaust Living History Workshop sponsored by UC San Diego. Series: "Writers" [Humanities] [Show ID: 30121]

Mit Karin Anselm, Tanja Schleiff, Lorenz Meyboden, Christiane Roßbach, Manfred Zapatka, Peter Lersch, Helga Fellerer / Gesang: Barbara Müller, Flöte: Jana Boskovi?, Cello: Johanna Varner, Baritonsaxophon: Thomas Zoller / Komposition: Helga Pogatschar / Regie: Bernhard Jugel / BR 2003 / Länge: 61'07 // Charlotte Salomon - 1917 in Berlin geboren, 1939 nach Südfrankreich emigriert, 1943 in Auschwitz ermordet - hat ein außergewöhnliches Werk hinterlassen.

Invigningen av Paris nya moderna museum 1942 skedde förstås i närvaro av nazistuniformer och i salarna sågs ingen fauvism, ingen kubism, ingen dadaism, surrealism, ingen expressionism. Ingen degenererad konst. Utställningen "L'Art en Guerre - konst i krig" på Musée d'Art Moderne ger nu slutligen i tio salar bilden av den ockuperade konstens liv under den tyska stöveln. Georges Braque, som dragit sig undan i sin ateljé, slapp att bli medbjuden på en olycksalig propagandaresa till Berlin och utlänningen Picasso hölls under uppsikt i sin ateljé, där han lyckades vända instängdheten till en frenetisk serie klaustrofobiska mästerverk. Under tiden fick judiska konstnärer som Otto Freundlich, Charlotte Salomon och Felix Nussbaum måla sina vittnesmål på kartongbitar och tändsticksaskar i koncentrationslägren, innan de fördes till Auschwitz och mördades. På vinterns kanske mest omtalade utställning i Paris "L'Art en Guerre – konst i krig" på Musée d'Art Moderne skildrar man för första gången en smärtsam tid i fransk konsthistoria. Dessutom har Apropå förälskat sig i en persienn av konstnären Marijke Van Warmerdam. I programmet pratar vi om: Utställningarna: Open på galleri Riis i Stockholm med konstnären Marijke Van Warmerdam. "L'Art en Guerre – konst i krig" på Musée d'Art Moderne i Paris. Musik vi spelar Then it's white med The Field Programledare: Jenny Teleman Fler röster: Karsten Thurfjell