Podcasts about cotillard

durée : 00:23:47 - 8h30 franceinfo - Le président du groupe "les Mousquetaires" est l'invité du 8h30 franceinfo du jeudi 9 janvier 2025.

Où en sont les prix de l'alimentation ? L'inflation de ces derniers mois, pour ne pas dire de ces dernières années, est-elle oui ou non derrière nous ? Les Jeux olympiques et paralympiques ont-ils boosté la consommation ? Écoutez Thierry Cotillard, président du groupement Les Mousquetaires, qui comprend entre autres les enseignes Intermarché, Bricomarché et Netto. Ecoutez L'invité de Yves Calvi avec Yves Calvi du 17 septembre 2024.

À 22h, Julie Hammett fait le tour des images marquantes et des déclarations fortes de la journée. Du lundi au jeudi, Julie jusqu'à minuit fait vivre l'info du soir avec chroniqueurs, invités et éditorialistes.

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This week on And the Runner-Up Is, Kevin welcomes podcaster and YouTuber Steffi Acain to discuss the 2007 Oscar race for Best Actress, where Marion Cotillard won for her performance in "La Vie en Rose," beating Cate Blanchett in "Elizabeth: The Golden Age," Julie Christie in "Away from Her," Laura Linney in "The Savages," and Elliot Page in "Juno." We discuss all of these nominated performances and determine who we think was the runner-up to Cotillard. 0:00 - 13:30 - Introduction 13:31 - 36:05 - Cate Blanchett 36:06 - 1:00:18 - Julie Christie 1:00:19 - 1:18:50 - Laura Linney 1:18:51 - 1:44:00 - Elliot Page 1:44:01 - 2:09:51 - Marion Cotillard 2:09:51 - 3:02:56 - Why Marion Cotillard won / Twitter questions 3:02:57 - 3:08:00 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Steffi Acain on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

À l'approche, des législatives, nombreuses sont les figures publiques qui choisissent leur camp. Ce matin, Julien Courbet a voulu faire croire à ses confrères de la Matinale qu'il allait s'exprimer à l'antenne. Tous les jours, retrouvez en podcast les meilleurs moments de l'émission "Ça peut vous arriver", sur RTL.fr et sur toutes vos plateformes préférées.

Entre les négociations tendues avec des géants comme Coca et Ferrero et les décisions de vie ou de mort sur les PME. Pour écouter l'épisode en entier tapez "#398 - Thierry Cotillard - Les Mousquetaires - Masterclass de la grande distribution en 2024" sur votre plateforme d'écoute.

On s'y rend tous les jours, et pourtant, on connaît mal le fonctionnement des supermarchés. Alors que c'est un système fascinant : mêlant négociations, immobilier, management, économie et politique, en un même secteur. Retour des basiques avec Thierry Cotillard : diplômé d'HEC, il commence salarié d'un Intermarché, puis devient propriétaire d'une enseigne. Il prend ensuite la tête du groupement Les Mousquetaires qui fait 50 milliards et embauche 150 000 collaborateurs. Loin des paillettes de la tech et des start-ups, la grande distribution assume son rôle à la fois économique que politique. Le propriétaire d'un supermarché est l'employeur de la ville. Il fait travailler les agriculteurs locaux. Il sponsorise les clubs sportifs. Il propulse (ou non) telle ou telle marque de fournisseur. Il crée du lien entre les habitants. Et surtout. Il est le dernier rempart face à l'inflation : le négociateur final qui choisit le prix sur l'étiquette des produits. Thierry me raconte son épopée et me dévoile les secrets et fonctionnement de son métier : Comment fonctionne un supermarché Les coulisses des négociations avec les marques : des mastodontes aux PME Le système de marge, qu'est ce qui revient vraiment à qui ? La structure chez Les Mousquetaires Comment racheter une enseigne et être rentable ? L'importance des employés, quid des caisses automatiques ? Le rôle politique, économique et social de la grande distribution À écouter absolument ! TIMELINE: 00:00:00 : La nouvelle génération de gérants 00:11:08 : Faire HEC pour devenir épicier 00:14:44 : La structure chez Les Mousquetaires : actionnariat, hiérarchie, pôles 00:22:19 : Le dernier ascenseur social 00:28:24 : Petit guide pour ouvrir un supermarché : investissement, prêts bancaires, immobilier, marges 00:46:37 : Négocier avec Coca, Ferrero, Bonne Maman et compagnies 00:55:03 : Propulser des PME 01:00:41 : Faut-il mettre des caisses automatiques ? 01:06:28 : Pourquoi les bobos n'aiment pas faire leur courses ? L'ère du drive et du pouvoir d'achat 01:15:57 : Les marques de distributeurs et nutriscores 01:27:05 : Mousquetaires Holding : tout un écosystème 01:35:06 : Le rôle social et politique de la grande distribution 01:41:05 : Une mission riche de sens 01:50:56 : Le planning d'un président et ses défis Les anciens épisodes de GDIY mentionnés : #192 - Coline Burland - Omie - Le monde qui produit ne va pas à la même vitesse que celui qui vend #392 - Clémentine Piazza - inmemori - Le business de la mort, un avenir prometteur #87 Mikael Aubertin - Good Goût - Séduire les consommateurs les plus difficiles : les bébés #46 Tigrane Seydoux - BIG MAMMA - comment importer l'Italie à Paris #237 - Victor Lugger - Sunday, BIG MAMMA - Succès fulgurant, générosité et obsession du service client #108 Carole Juge - Joone - Do It Yourself, l'histoire de sa vie : comment se lancer à l'assaut du business des couches #205 - Franck Ladouce - What Matters - 1,5 million de CA en huit mois avec des produits bios et innovants #380 - Paul Lê - La Belle Vie - Le Son Gokû de la FoodTech qui rachète Frichti #127 Paul Lê - La belle vie - De la résilience, de l'honnêteté et du travail pour réussir big time Nous avons parlé de : Les Mousquetaires Intermarché Bricomarché, Brico Cash, Bricorama Netto Roady, Rapid Pare-Brise Philippe Manzoni, ancien président d'Intermarché Marlette NRF New York Yuka Perifem La musique du générique vous plaît ? C'est à Morgan Prudhomme que je la dois ! Contactez-le sur : https://studio-module.com. Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ? Contactez mon label Orso Media via ce formulaire.

Avec : Thierry Cotillard, président du groupement Les Mousquetaires. - Tous les matins à 7h40, l'invité qui fait l'actualité. Un acteur incontournable, un expert renseigné... 10 minutes d'interview sans concession avec Apolline de Malherbe et les témoignages des auditeurs de RMC au 3216.

Aujourd'hui dans "Punchline", Laurence Ferrari reçoit Thierry Cotillard, président du groupement Les Mousquetaires, pour évoquer notamment les sujets de la grande distribution, de l'inflation, de la crise agricole et de la Nouvelle-Calédonie.

Les révoltes des agriculteurs, qui ont connu leur apogée sur les deux premiers mois de l'année 2024, se sont peut-être tassées pour un temps, mais sont loin d'être terminées. Ces dernières ont mis en exergue les conditions de travail éprouvantes pour les agriculteurs, et les différentes mesures allant à l'encontre du bon déroulement de leur travail. Face à ces revendications, les industriels sont de plus en plus questionnés sur leurs pratiques, notamment sur leurs prix, qui créeraient trop de concurrence sur le marché et empêcheraient les agriculteurs de toucher des revenus convenables. Thierry Cotillard est le président du groupe Les Mousquetaires, qui détient en partie les enseignes Intermarché et Netto, les leaders du hard discount en France. Invité sur le plateau des 4 vérités, il défend la position des industriels. « La crise est derrière nous mais le mal-être agricole est toujours là », explique-t-il. Il insiste sur l'obligation de trouver une solution dans les deux mois à venir, et appelle le président de la République à répondre à sa demande de rendez-vous : « Emmanuel Macron est en première ligne sur ce sujet ». Au micro de Thomas Sotto, l'entrepreneur se veut tout d'abord rassurant pour les calédoniens à propos des risques de pénurie. Selon lui, ses magasins partenaires dans l'archipel ont été approvisionnés pour le mois avant le début des émeutes : sur les 9 points de ventes qui appartiennent au groupe Les Mousquetaires, sept auraient vraiment été touchés par les émeutes. Plus largement, il rassure également les consommateurs à travers le pays sur les risques d'augmentation de l'inflation, qu'il estime nuls. « L'inflation est aujourd'hui contenue. L'inflation à deux chiffres que l'on a connue il y a deux ans, c'est terminé. » Vers plus de transparence ? Le mot d'ordre de Thierry Cotillard ce matin : la transparence. Il insiste sur l'importance de cette dernière pour rétablir le lien avec les consommateurs et les agriculteurs. Pour les premiers, il tempère l'impact de la baisse de la consommation dans ses magasins grâce à l'inflation. S'il constate que les français consomment effectivement moins et cherchent les meilleurs prix, le marché se porterait plutôt bien selon lui : « on progresse, de l'ordre de 5%, même s'il y a toujours une tension sur le pouvoir d'achat. » Une des plus grosses conséquences sur leur chiffre d'affaires serait en réalité la loi Descrozaille, votée le 30 mars dernier, et qui consisterait, selon ce professionnel de l'agroalimentaire, à limiter la promotion des produits d'hygiène et de beauté à 34%, ce qui se traduirait par une perte de revenus de 7% sur ces produits. « Il y a des besoins réels de ces produits pour l'ensemble des français, et baisser la promotion fait baisser la consommation », assure-t-il, encourageant à faire « sauter le verrou » de cette loi. Notre invité accuse les textes de loi d'être « mal pensés » et de faire trop peser les questions de transparence et de prix sur les épaules des industriels. Prêchant pour sa paroisse, il estime que la « responsabilité n'est pas portée par les bonnes personnes ». Il argumente à l'inverse que son groupe a fait le choix de promouvoir 1000 marques nationales en rognant leur marges pour maintenir des prix bas dès le début de la crise agricole, ce qui leur a valu d'obtenir « 700 000 nouveaux clients depuis le début de l'année. » Pour toujours plus de transparence, il explique que les différences de prix des supermarchés entre les régions françaises se justifient par la différence du loyer, notamment entre Paris et la Côte d'Azur, et le reste du pays. Enfin, à propos des quelques 257 nouveaux supermarchés et hypermarchés rachetés par les Mousquetaires à Casino, il assure qu'il n'y aura pas de suppression d'emplois, et qu'il œuvrera pour la création de nouveaux emplois dès que les bénéfices seront générés.

This week on the SNL Hall of Fame podcast we welcome back to the show, the statistical guru of the Saturday Night Network, Mike Murray! He's here on the pod to discuss our third host in a row, this time it's Emma Stone. Get it wherever you get your podcasts. Transcript: Track 2:[0:42] Thank you so much, Doug DeNance. It is great to be back inside the SNL Hall of Fame with you all.Track 2:[0:51] Big kudos for you showing up this week. It's been a stormy week here in Toronto where the Hall of Fame is and our guest count has went down.But I'll tell you what, the floors are a mess. I don't know what kind of message I need to send to you, but wipe those feet, people.The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration.Once the nominees have been chosen, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall.That's how we play the game. It's just that simple.All you need to do is listen in for the argument that is being made by our special guest for the week and determine whether or not they make a strong enough case.From there, you'll get a ballot and you'll get to place your vote.If a candidate reaches 66.7% of the ballot, they are welcome to join us here in the SNL Hall of Fame.Did you know that if you're in the Hall of Fame, you get a pass that you can come in for free anytime you want, and we'll even provide you a bottle of water. So there's that.Track 2:[2:19] Let's track down my friend Matt for some trivia in Matt's minutiae minute.Let's see if I can find him here. I'll give him a holler.Track 3:[2:29] Matt how in the world are you doing this week i am good thank you i am good, busy busy but can't complain well you just did.Track 3:[2:42] Well stating a fact isn't necessarily complaining but yeah i was complaining.Track 3:[2:50] Well no one will be complaining about our nominee this week uh emma stone is who you're going to be be talking about learning me up real good here.What have you got for us this week, Matt?Emma Stone, height 5'6", born November 6th, 1988, making me feel very old again.She's accomplished much more in her shorter life than I have in my longer life.So I found out that her low voice stems from actually having colic as a baby that lasted six months.So I'm shocked that her parents didn't pull out all of their hair um it developed she developed nodules and calluses on her vocal cords which is how why she has such a distinctive voice she actually has a phobia of being lifted up or being high because uh when she was seven she was doing gymnastics on on the parallel bars and fell and broke both of her arms. Oh my gosh.Horrible. Yeah. Oh yeah. We need to have a warning at the top of this one, a trigger warning.Yeah. Trigger warning for anybody who's afraid of gymnastics.Yeah. She grew up blonde. Judd Aptow suggested for she go red for super bad.And she real, after doing that, she found that she was called back much more for auditions. So she just stayed a redhead.Track 3:[4:16] Originally named emily stone she changed to emma as there was already an actor named emily stone registered with sag and it happens amazingly a lot um a lot of actors uh go by three names or or a slightly different name um she actually prefers emily over emma so that's how she would would prefer to be called um but she took the name emma from a member of her favorite band the spice girls oh baby yeah she is she is a baby spice fan me too that was my favorite yeah there's actually pictures of her on the internet meeting them losing her mind like tears fanning out it's uh it's very endearing now she knew at an early age she wanted to be a film star and convinced her parents to move to Hollywood by putting together a PowerPoint presentation named Project Hollywood.She lists her heroes as Gilda Radner, Diane Keaton, and Marianne.Track 3:[5:22] Cotillard. But yeah, she's been dreaming of being on SNL since she was a kid.So having been a host multiple times now, she got that dream.Since that PowerPoint presentation, she went on to be an actress in 57 films, produced 11 films, and has four soundtrack credits.She has been in five Oscar-nominated films and herself has been nominated for four Oscars, five BAFTAs, seven Golden Globes, six SAG Awards, and many more.She is one of only eight actresses to win an Oscar for a musical, the others being Rita Moreno, Julie Andrews, Barbara Streisand, Liza Minnelli, Catherine Zeta-Jones, Jennifer Hudson, and Anne Hathaway.Before she initiated Project Hollywood, she was developing websites and learned HTML at the age of 14, launching her own webzine called Neptune, which pulled on her love of journalism.She dreams of being a Jeopardy contestant to this day, and she deleted her Facebook.Track 3:[6:26] Not because of harassment, which is a delightful change given the way the internet is, but because she was addicted to Farmville. Oh my gosh.She is a true nerd. She even got to turn her theater nerddom into real-life Broadway credentials, taking over for Michelle Williams as Sally Bowles from 2014 to 2015 in a Broadway production of Cabaret.So yeah, Emma Stone, honestly one of my favorite Hollywood stars.I'm looking forward to hearing all about her. She is a great host, but is she a Hall of Fame host?Track 3:[7:06] Let's take it down to Thomas now with Mike Murray.Track 4:[7:40] Alright, JD and Matt, thank you so much for that valuable information.You guys are, I'm telling you guys, you guys are kicking so much ass on Matt's Minutia Minute this year. It's been really enjoyable to listen to.Definitely appreciate that. So welcome to another edition of the SNL Hall of Fame. Welcome to our chat.Today's nominee is the one, the only five-timer, newly minted five-timer, Emma Stone.We're re-litigating or re-examining Emma Stone's case, her candidacy.She's been on the ballot since Season 1. So I'm excited to get into Emma Stone, get into her candidacy, why she may not already be in the SNL Hall of Fame.And to do that with me, to break down Emma Stone today, I have a great guest, a first-timer. I guess technically he's been on a roundtable, but he's first time for being a guest on an actual, like an episode, like a nominee episode.Track 4:[8:35] So please welcome from SNL by the numbers on the Saturday Night Network, I have Mike Murray joining me today. Mike, how's it going, man?Good, Thomas. Good to see you. Two nights in a row. You were on my pod just last night and we're doing this again.I'm so happy to be here with you. I love these home and homes and I had such a good time.So we recorded, I did SNL by the numbers after the Shane Gillis episode, which was such a fascinating episode going in.It ended up being a fascinating episode to talk about. I love being on your pod, man. We get to dissect numbers.We get to talk different facets of the episodes and the season in general.So I love when I get asked on your pod.It's always a good time. Oh, thanks. You're such a great guest.And if you haven't checked it out, it's just truly the sports talk radio of SNL. And so Thomas is a perfect guest for it.Perfect. Bill Kenney was also with us.So that's like quite the trio right there. That was a good time.Yeah, we could do our own weekly show, the three of us.Absolutely. No kidding. So yeah. So can you maybe elaborate like what's been going on in SNL by the numbers?How's just the pod going? Tell everybody about the pod a little bit.Track 4:[9:45] Sure. I mean, it's quite the passion project for me.I've been doing this since 2018, but since the SNN, the Saturday Night Network started up, I've been doing it, the stats weekly.So what I do is I record the screen time for every individual that appears on the show.Track 4:[10:04] I put that into what I call the SNL supercomputer and just have spreadsheets on spreadsheets and try to just dissect and i say demystify the show because it's been going on now 49 strong seasons or 49 seasons strong whatever way you want to put it and i just try to figure out what their process is and who is who is doing better than the other person and who's leading in every single category cold opens monologue sketches update everything like that and what i do is take pick every piece of data and put it into an algorithm. And I call it the power rankings.Track 4:[10:42] And so week to week on the show, Wednesdays, 8pm Eastern, following a live show, we've run down that episode and do an update on how everyone's performing that week.So it's called SNL by the numbers on the SNN.That's so awesome. You're catering to, I think, how so many fans watch SNL I think I don't know if it's a cliche at this point but I found I basically found my tribe a few years ago because I've always watched SNL like it's a sport like I follow baseball basketball football hockey and SNL like those are my sports so just to find someone who also follows it like a sport find a whole community that follows SNL like a sport then we now we have stats to go with that like that you're catering to not just me but so many people out there Mike And you would think that's such a niche group, but...Track 4:[11:35] Truly, it's a live sport. Anything can happen, and that's why I love it so much.Yeah, we have a wonderful community here of SNL nerds that just love your podcast. SNL by the numbers.Go check that out. Mike, I want to talk to you from the perspective.You're the stats guy, but I want to know a little bit about Mike Murray, the SNL fan.Track 4:[11:59] Let us know, what's your origin story of being an SNL fan? man.When did you start watching? Any particular cast that you love?Sure. I feel like a lot of SNL fans, it was passed down lineage-wise from my parents who were constantly quoting the show.And I had no idea what they were quoting. Chopping Broccoli, Wayne's World, all that kind of stuff.Track 4:[12:23] So I feel like I started watching in the early 2000s.My earliest memory was actually a vhs tape that my dad had because he was a huge aerosmith fan and he was actually in an aerosmith tribute band and a friend of his who recorded snl like weekly on vhs he took his tape and copied it because aerosmith was in that wayne's world sketch and so i had had that episode so i watched that episode in the vcr and just really got into the the show and was just fascinated by the fact that it changes every season so it wasn't like this kind of serialized thing where you had to catch up on it you could just pop in and watch it and so probably the first cast was like the that i really watched week to week was like the fallon and um maya rachel like that era and i've watched it ever since my high school cast was was the Sudeikis-Sandberg-Wig era, which is, I think, a golden age.And now it's literally an obsession and a full-time job.Yeah, that's similar to a lot of our origin stories. You're exactly right.Then keeping the stats, how did that develop?Track 4:[13:40] That just came from a fascination of that ever-changing, ever-growing cast.So I used to just pen and paper when I saw someone just tally it.I've heard other people have done that too.And then I was thinking, I'm so into stats, so into sports.And like you mentioned, Thomas, that it does feel like that competitive edge to it that even if cast members don't want to admit it, it really is vying for screen time.So i thought like well what would it look like if i timed it so at first it was very elementary very rudimentary just counting and i would memorize the cast every year and all time, and then i just started going like well how do i how do i parlay this into something interesting that's just not raw data so i went from there and took the appearances and the screen time and try how to just meld them together so that's kind of how it all started to be and then with the podcast and then with a lot of fan interaction from the great community it just really snowballed yeah, you and you've so you've obviously watched a lot of snl you've seen a lot of great hosts the one that you mentioned the aerosmith i believe tom hanks was the host right siblings siblings yeah so tom hanks was in that wayne's world sketch yeah so you've seen a lot of great hosts in your your day.So what do you look for in a great SNL host, Mike?Track 4:[15:04] It's such a great question because I think that there's so many qualities that make a good host and not a lot of them, even the greats, can possibly possess all of them.But number one, elevate the material.They're at the mercy of the writer's room. So you're not always going to get the greatest host to have the best material and vice versa you could have a not so great host and great material so that's number one and then i would say bring something to the show that i can't just get from cast number x so some edge that they can bring that oh i'm glad the host wasn't doing that was doing that and not just kate mckinnon or will ferrell or somebody who's like the star of the show and then something that's important and we're talking about emma stone tonight is just at least important to me as a super fan is have a reverence or understanding of the show and like when the host doesn't just play themselves but bring some of their personality with it too yeah I love that and we will see that's a theme with Emma.Track 4:[16:10] Right off the bat, we know that she's a big fan of the show.She does revere the show.She grew up watching the show. So right away, we as fans, it's endearing for us to see someone like Emma Stone on screen.So I think those are all great things to look for in a great SNL host.Track 4:[16:29] So today we're re-examining Emma Stone's candidacy because she's been on the ballot since season one.And her voting track record it's kind of interesting to me uh season one 10.3 percent of the vote and season two emma got 11.7 percent up in season three to 15.5 percent then we saw quite the jump last season season four 32 percent of the vote so we've seen her climb a little bit so she's making some progress but i'm curious like why do you think emma has maybe slipped through the cracks a little bit in terms of her place among other great snl hosts well first of all i don't think there is a female host in the hall of fame yet so i'm hoping that that gives her a little bit of an edge candace bergen still waiting yep and i was on the round table talking about candace uh with you recently so i think maybe the recency might play against her at the the moment because thinking about your show and how many titans of snl have to get in so maybe a more recent host is like well they'll get their time so now that she's been on the ballot for four years i think people are starting to realize like we don't want to miss our chance and we got to get emma in there yeah do you think that uh that jump from 15.5 percent in season three to 32 percent in season four.Track 4:[17:57] I mean that that vote happened almost right after.Track 4:[18:00] She hosted for a fifth time do you think that jump can be credited attributed to maybe like her hosting like like she was maybe.Track 4:[18:09] Fresh in people's mind so like that was recency bias like that possibly worked for her in a weird way oh 100 because there's no greater honor for a host than to be in the five-timers club and get to get that jacket, so once you hit that threshold, that 3,000 hits or that many wins, whatever sport you want to call it, touchdown record.So you have that resume.I almost feel like it's not a prerequisite.Track 4:[18:39] If you're in the five-timers club, there's an argument to be made.Yeah, I think so. I think you're right. It does solidify a host.I wouldn't say it's arbitrary, but it is. I think I love that we do watch this like sports.Track 4:[18:53] So if you think of 3,000 hits, that's a little arbitrary.What's the difference between that and 2,999 hits, right?Track 4:[19:03] Not too much, but it's that visual. it's that like it's something that's tangible that you can point to and say that's like the line and at snl we've decided a five-timer that that's kind of the.Track 4:[19:15] The line where where you start getting a lot of recognition so yeah i could see uh that jump being attributed to that uh for sure and she's definitely a host that deserved it's like her five-timer that was inevitable that was and only 24 members so we're not talking about right you're right a long list that everyone one makes it into eventually yeah you got to stay relevant for a long time and be a friend of the show and perform to even get that opportunity at three four let alone five so she's just just this past december became the 24th member of that club and only the and uh only the sixth woman to join the club yeah that that's a that's a good point so it is like an exclusive club like the 3000 hit club yeah 500 home runs and things like that so emma's first episode was october 23rd 2010 that was in season 36 early on in season 36 emma stone a first timer she had already been in some stuff she was in super bad uh she was out um promoting things her career had had jump started probably two or three years uh of being relevant uh in hollywood uh around that time so her first episode Mike I want to throw it to you like what do you want to start with as far as what stuck out in Emma's first hosting gig.Track 4:[20:34] Well, first of all, Superbad, one of my favorite films, and the first R-rated movie I ever saw in theaters.Really? I have a special place for Superbad and Emma for that reason.So yeah, October 2010, two weeks before she turned 22.So she was a young host, 35th youngest host all time, 23rd youngest female host all time.And that's to this date, not even just back in 2010. and that episode you know if you watch it now you see the makings of a great host but she really played the straight role or a secondary character in a lot of those sketches but it's something about emma stone when she's so facially expressive and is a great team player and like we mentioned reveres the show and just i think understands what any type of role she she could do um we We mentioned Superbad, so that monologue, Taron Killam, Bobby Moynihan playing Michael Cera and Jonah Hill was great.And then she was in a digital short, the I Broke My Arm, which I forgot all about until I rewatched.And then, of course, I have to mention, which is like, I feel like a pivotal moment in my, I was 2010, so I'm a senior in high school, and something about the Le Jeune de Paris just really got me because it felt like an old-school SNL sketch.Track 4:[21:58] It's not in English, first of all, and there's very little dialogue.So it's all these sight gags and a lot of movement because they're dancing, and her and Taryn just had this great chemistry.So that's the one that if I had to mention anything from the first show, it's definitely Lejeune de Perry. Excusez-moi, mademoiselle.Vous voulez jeter ça à la presse et moi?Track 4:[22:23] That was a great one.That was probably the first thing she did on the show, to me, too, that really stood out.And you're right, I never thought about it. But now that I'm thinking about how something like that could fit in other eras, I could see Mike Myers and Jan Hooks playing those roles or something like that.Yeah, this would go well in any era. And I think Emma really brought fun energy to this. And she really matched Taryn Killam the entire way with the dancing, with her French accent.My French teacher wife, I've shown her this sketch and she's like, those are pretty good accents.She laughed because Taryn just kept talking about grapefruits at the beginning of the pamplemousse. That's a fun word to say.Grapefruit. And so my French teacher wife was laughing. She's like, yeah.She's like, Emma actually has a pretty good accent in this. So like bonus points.But it seemed like, yeah, Emma's just really having a lot of fun, playing really well at the cast.I think, Mike, you're right. A sketch like this really showed that this was a host that loves the show and really came to play.Track 4:[23:30] Absolutely. And just if you're going to see an episode with Emma, where she is, like I mentioned, just kind of on the team, just on the bench, ready to do anything.It's that because when she had her moments, she sees them completely.And I mentioned that digital short.And, you know, she had some minor parts. She played, did an impression of Lindsay Lohan on The View and was with Nassim Pedrad's My Brother's Bedroom talk show, did a 10 to 1 with Keenan. And so a lot of them were just kind of that second role.Actually, her first appearance, she post monologue was just completely playing straight for like the dream home makeover.Hello. Yes, I'm looking for Miss Lita Mill Douglas. I'm her.Well, we are here to say that you have won Dream House Extremes $2 million homemaker. You won. You're on TV.Track 4:[24:31] Wow okay wow okay wow yeah and kristin wig is you know chewing scenery and being kristin and emma just had to be very deadpan and so for her to go with that then to the digital short and then to have this like high energy dance number it's like what you know this for a first time you know debut on snl like really kind of covered a lot of ground yeah it's it's interesting too because I think there's almost a catch-22 or weird thing that happens sometimes when you have a really good host especially like a really good first-time host is that they're so willing to play with the cast and there's they understand sketch comedy so well that they don't always have to be front and center so someone like Emma Stone understands the comedy behind this she loves the the show.So she's willing to play the straight person or willing to, to be part of the ensemble or side character.And then it might seem on the surface, like she didn't contribute to the show, but she did in a way that somebody who loves the show and who's a good sketch performer would contribute to the show.Like they didn't have to tailor the whole episode around Emma Stone.Is that something you picked up on here?Track 4:[25:45] Oh, absolutely. Because it's sometimes, I mean, SNL fans appreciate a utility player, more than maybe the casual who wants to see a celebrity in like a funny wig and costume doing an accent or something like that, because it's more of a easier laugh.So I like what you said about how that it's more of a contributing to the entire sketch rather than being the spotlight on you.And of course, we're going to see plenty more of that in our next four shows.Yeah, that seems to be a theme of her hosting gigs. There was one sketch in this first episode in particular where I thought that maybe I wish Emma had more to do in this in this bizarre sketch in particular.And it was that sex ed, the sex ed Vincent sex symposium sketch with Paul Britton.Like that was a great Paul Britton showcase.And Emma had a little bit to do. Day three is devoted to fantasy roleplay scenarios, including sexy hospital, sexy insurance scam and sexy robbery. So on the floor, lady.Oh, great. Well, do whatever you want with me. Just don't shoot my brains out.See, now what's she going to do? She starts thinking to herself, what are you going to do?We could polish that apple between our butt cheeks.Without letting it hit the floor? Yeah, I don't know. Is that kinky or is that weird? You tell me, is it? Who's to say? Exactly.Track 4:[27:04] Who's to say? But I think that's something where Emma and Paul Britton could have teamed up and really made it this weird thing that Emma could have contributed to it more.So that's an example of something to where maybe I thought Emma was underutilized.Even though she does know her role in a lot of these sketches, I really think that she could have even been used a little more effectively.That sketch in particular sticks out to me.Yeah, I mean, it's what we remember Paul Britton for, if at all, is sex ed. And that was a pre-tape heavy first episode that she had.And yeah, just was kind of, if you don't remember that sketch, she just played this role play burglar.Track 4:[27:52] That was kind of it so it was really only a few seconds or maybe like 40 seconds of screen time in that yeah so maybe not an all-timer of an episode uh on the surface but to me emma really stood out as someone who clearly loved the show she was excited to take part in whatever goofy thing they threw her away and mike it was easy to see to me why they wanted to have her back like this was the first time host and i know what you see in first time hosts but i think us as SNL fans we know it when we see it as far as like oh yeah this person needs to come back this we're in the middle of season 49 and I think uh Io she was a great host first I was just thinking of Io yeah exactly same energy where it just was again on on the team just game for anything and that's all you can ask because I mean think about SNL it's very established institution very talented talented people.Track 4:[28:51] You got Lorne running the ship and you bring in massive egos constantly.So to have a young, almost 22 Emma Stone or just a few weeks ago, Iowa Debris coming in and they're still young and trying to prove themselves.So they weren't doing maybe the biggest things, but we're just down to have a funny show and have a quality show.Yeah i have a feeling if iowa debory comes back and hosts again it's gonna be a better show i think she's gonna have more to do just like uh for sure we saw we saw emma having a little more to do so it didn't take emma long to come back obviously the show was excited to have her back so season 37 a year later emma stone's back in november of 2011 i think a lot more to do a lot more Emma Stone featurey type of things.They did a Le Jeune de Paris part two. What did you think of that?First of all, what did you think of the that they brought this sketch back?Track 4:[29:53] Well, it's one of the biggest compliments you can get is a sketch was so successful or at least popular enough with the fan base to inspire a second coming of it.You know, they did do it again with other hosts.But when I think of that sketch, I think of only Emma. I think they did with Miley as well.But they did that and a year later did it again.Track 4:[30:15] So I think seeing that a second time just kind of solidifies it in my memory.But I still always imagine that first song that they played in the original one.Oh, no. Yeah. The first song to me is like the song and canon of these sketches.I've put that song on playlists before.It's a good song. You know, it got me to delve more into French pop.That and was it Moonlight Kingdom, the movie by Wes Anderson?Yep. Those two things kind of made me delve more into French pop.Pop so uh so les jeunes de paris did that i like that this wasn't just a rehash of the first one too like they built on the last one created a whole narrative like you mentioned with a different song but like the characters emma and taryn's characters they were getting married a bunch of french things appeared on yeah they really went head first into uh fred armisen being like napoleon napoleon yeah andy sandberg coming in at the button as like quasimodo they just threw the the kitchen sink of all French things that Americans would think of.The damn Tour de France went through the set. Yeah.Track 4:[31:25] Literally, yep. Gosh, yeah, that was great. So I think that was a successful part two, La Jeune de Paris.She has her own recurring sketch. And even though Taryn did this with other people, I think I associate this sketch with Emma and Taryn more so.There was a, and this is, you know, as we go along, we'll get into more Emma-focused things.And I think this, what I'm about to talk about is an example of something Emma-focused.And it was a very weird character named Wallace.At the bridal shower. I had almost, sometimes this sketch slips through the cracks, but it's really, to me it shows Emma being willing to play weird.She's going to throw on an ugly wig, kind of play this very bizarre, weird, socially inept character.She doesn't need to be, you know, look great in the sketch and be front and center, and she doesn't mind.She's like the type of host that doesn't mind getting weird.And this bridal shower gift sketch is like a great example to me.All right, okay, next one.Feels like another video.Twink Summer.Track 4:[32:37] Gay boy toys from all around the world. Get it? It's a sex movie.It's like hers. Okay, I think I did wrong again.What's the movie? I don't understand. Oh, no, it's nothing, Mom.Is twinks summer, ma'am? It's 90 minutes, 100 twinks, one unforgettable summer.Wallace, Wallace, Wallace.Yeah, that's my big highlight from Emma episode two was Wallace because I think that's where her SNL star was born, was in that sketch.And just leaning into character work and like you said, not trying to just be...The you know young attractive actress but like no i'm down for anything like make me as like weird and awkward and creepy as possible because it really was just an all-female ensemble.Track 4:[33:29] Bridal shower and you know she's giving the the lubricant and the bringing in fred harmison as this like you know really weird prostitute and just that was definitely the um, the sign of things to come was that sketch.So I'm glad you mentioned that because I wouldn't have let you go past this episode without mentioning Wallace.Oh, no, it was great. Wallace is great, and she's not understanding the vibe of the party.Track 4:[33:57] And she's maybe feeling embarrassed, but she still wants to contribute in the way that she had planned.Track 4:[34:03] But still has some heart to it, some likability.Track 4:[34:08] Yeah, right. And even some, like, a little bit of relatability, a little fish out of water, just like somebody who doesn't really get the vibe trying to fit in maybe a little bit like alan in the hangover like just that's true he's like i'm i know i'm happy to be here but i don't know the rules that's a really good comparison to alan in the hangover i like that so yeah so we've seen especially gosh season 49 that's been uh there's been a handful of them it seems like that uh snl can rely on the host is hot types of motifs and sketches uh as we're recording this sydney sweeney's episode is coming up so i'm kind of crossed my fingers and hoping that they're not leaning into that with her too much but i'm glad that emma is not leaning into that especially right here yeah i mean we saw that with the jacob belordi and you know jason momoa taking his shirt off and you know it's fine once in a while but don't base the episode around it but you know we we don't want to see emma stone you know on a a poster being hot you know it's not what we want to see right yeah right yeah she's she could play hot she could play weird that's why she's like such a great versatile host so um is there anything else from um episode number two that um maybe stood out to you well maybe i and i think this is maybe a running thread that we'll get to but all of her monologues are like super strong and And very fun, well-paced.Track 4:[35:35] And so this was, she's promoting the amazing Spider-Man.Track 4:[35:38] And Andy Samberg comes down from the ceiling as Spider-Man, auditioning for the role, which of course was already cast with Andrew Garfield, who then pops into it.But it was just kind of a moment where she really vibed with that era of the cast, of the show with that cast. And so we're going to see, you know, go forward till just a few months ago with this era.But seeing Emma Stone and Andy Samberg felt very like this works.Track 4:[36:12] I love when SNL calls back older SNL stuff, but he was basically doing Horatio that did this, I think, with Kirsten Dunst. Yeah, and they referenced that.Are you trying to remake this monologue? And Andy Samberg says, well, aren't you just remaking that same movie? Yeah, touche. Yes.Track 4:[36:35] She comes off as very likable in the monologues. again uh that first monologue we she said right away that like this is a dream come true she was a fan growing up so i think monologue is really important for a host and you're right she showed out well in this monologue uh definitely uh speaking of andy this isn't a highlight for me but just a little tidbit is that emma and it's not her fault but she probably has the privilege of being in maybe the worst lonely island digital digital short of all time i wish wish it would rain oh gosh that's like an infant i think that's an infamous lonely island, it's pretty bad and i love lonely on their snl hall of famers but emma to no fault of her own was in a memorably bad lonely island unless you love this one mike no i i i wasn't gonna mention it yeah it's uh one of the one of the few because lonely island uh for better or worse has no no trouble letting you know exactly what the joke is.And with that one, we did not know what the joke was. Oh, my God.Yeah, you're just watching. Where is all this coming from?And Emma plays a character with just like an abnormally big butt.It was just, yeah, it was very weird.Track 4:[37:50] Again, not Emma's fault, but it is a distinction that she has coming from this episode.But she's right. She plays well with the cast.And we will see that going forward with different eras of the cast. Andy in the monologue.She took part in a Kristen Wiig showcase, the secret word sketch, which truth be told, I didn't always love these sketches.But Emma in this particular one made it entertaining for me.Back over to charlene's team i'm gonna give a receipt actually lyle i'm gonna let my friend mr pickles give the clues since he was such good luck to me during my talent portion of miss america right mr pickles right miss charlene he's british.Track 4:[38:39] This is good fun 10 seconds on the clock the secret word is cloud okay go ahead mr pickles Because, okay, this is why it floats in the sky. A plane?Track 4:[38:54] No, it's Poppy and I. So she took a sketch, a recurring sketch that I was never, I always had mixed feelings and usually negative feelings about.And Emma made the secret word sketch watchable to me. She played Miss America from Georgia.And she did some really weird ventriloquist stuff during the secret word.So she actually made a recurring sketch that I don't love, like entertaining.And that's a mark of a good host for me.And I think SNL might use recurring sketches where the host is secondary as kind of a crutch for a weaker host.So I'm glad you mentioned that. She really made the sketch better because especially that's not a sketch that you are too fond of.Because they also did Herb Welch with Bill Hader, which I do love.I do, yeah. And so they put her in that as well.And she she was great and uh my last thing for that episode was they did a like office sketch with um listening to someone like you by adele yes where i mentioned that emma is so great like facial acting and it was a lot of just react you know cuts to reactions of the women and then like you know the men come in they show bobby outside as the window washer everyone just sobbing to someone like you so it's what just a classic snl sketch of like here's the joke we're gonna do it it again, but we're trying to escalate it every time.Emma's so good at ugly crying in that sketch, just like everybody else.Track 4:[40:21] One more weird one. This was a pretty good episode, and I think Emma had a lot to do with it.Again, with Andy, we're going to make technology hump.I've always had a soft spot for this sketch.He did it with Zooey Deschanel was in another rendition of this sketch at one point, too. But.Track 4:[40:42] Emma played this perfectly as just this really enthusiastic, upbeat person presenting this weird material.But it's not weird to she or Andy. They're just like, hey, we're just going to make technology hump.And I love when they got listener feedback or viewer feedback.Hey, we've got some viewer email. Ryan from Sacramento says, we don't want your dumbass soap opera scene.Just show clean, close-up shots of tech humping. call me a hopeless romantic but this lady needs a little dialogue before the action i hear that line was perfect and that's a sketch that i might not pull up and show a friend who doesn't not familiar with snl and when i re-watched that one that like really brought me back in time because i don't think i had seen it since it aired live it's the last piece of the night exactly and when i watched it i was like wow i remember watching this at you know 12 53 a.m um back in 2011 and that sketch with another host might have been too weird and inappropriate but like you said andy and emma were selling it like no this is fine this is okay so jason sudeikis as an xbox controller you know it worked yeah it definitely worked there was a digital camera involved and then at a certain point like the zoom went out and it was very creative way to make these these pieces of technology. Props to the props. Yeah, absolutely.Track 4:[42:10] And yeah, Zooey Deschanel was in one of these. And I think Emma probably sold it a little better than Zooey, to her credit.So this is always one perfect 10 to 1 type of thing that Emma was just totally up for. A very weird thing that Emma was up for.So I feel like Emma, you know, we saw in this second episode, somewhat confined to the era with being in some recurring sketches, an unfortunate digital short.But she's a great host and I think that that shines through again so we're like two for two as far as Emma just showing us like what a what a fun presence she is on SNL absolutely I mean I'm sure at the end of this episode I might have to make a big case but it's again it's somebody who gets the show shows up and performs so two for two in my opinion I agree yeah absolutely and then it took Took her a few years, like about five years before she was back in December of 2016.Track 4:[43:08] Season 42, which I think history is going to look at.Season 42 is a great season of SNL. Just a lot of really, really great episodes.Some great hosts that season. Emma really stood out. This was a fun thing.And Emma, so we had mentioned good monologues. And it must have been a thrill for her as a fan. She got to do a backstage monologue.Track 4:[43:33] In this episode i love backstage monologues me too they're my favorite that's the monologue to to mention because and that was when you saw especially with some time had passed so like thomas said you know she hosted the first time she's not even 22 yet she comes back a year later and then in the meantime as a dramatic actress is like doing great things so when she comes back it feels definitely like this is a celebrity now this is not just a young up-and-comer and so for her to she mentions that snl was like my high school and it's funny because she went to high school with ad bryant albeit for a short time um in phoenix uh because she um emma's from scottsdale and uh her and ad bryant are on the same age and went to the same high school together ad bryant makes a joke like what uh emma you know you went off and did acting and went to hollywood and emma says well what have you been up there he's like well i just i did high school yeah So I love that.You see the classic backstage SNL and all the things we love to see.And I just love that. And we see Leslie and Kyle making out and Keenan smoking backstage.Track 4:[44:50] There's a monologue to watch of Emma. It's that one. And that was very much of like, okay, Emma Stone is now in the club of SNL for sure.There's no doubt anymore so if she never came back there's still an argument that she has made her footprint on the show but of course we saw more later yeah fantastic monologue good bit with rekindling her fling with bobby moynihan good callback they treated it like a dramatic like high school sort of movie that was great uh bobby wearing a snl letterman right yeah bobby's this this like too cool for school, jock with a letterman jacket that that breakfast club don't you forget about me exactly yeah, Yeah, great monologue. I urge people to go check it out. First sketch after the monologue, this theater showcase.I love these theater showcase sketches.And Emma, she played such a great, well-meaning, but misguided high school theater student.That's what these sketches are about. And Emma, along with the entire cast, this is a fun ensemble piece with Emma and I think probably Kate.But pretty much Emma leading the way.Man, I love these. And Emma was so good at this.Track 4:[46:14] And scene. Excuse me, ma'am. Could you understand that? Uh, no.Is it because we were speaking Mandarin? Yes. And you only know English? Yes.Sad.That the theater showcase and they did a few of them i think this might have been the last one they did is the most emblematic of that era so i don't meet many snl fans who like don't like this era but this is one that if you're into this sketch you're probably into that era and emma stone for sure was like one of the guys because at the end of the day they're all a bunch of like like, theater nerds living out their dream.So we get to see them playing younger versions of themselves, being, like, social justice warriors and doing...Track 4:[47:09] Theater showcase and i loved like the the transitions with the prop movement and that music and just the bewildered crowd yeah just perfect yeah vanette was it vanessa was this one vanessa and keenan and yeah it was vanessa and keenan in the crowd just uh perfect the show was dedicated to um the the native americans at standing rock let's get them the pipeline that they want want i love that i just every beat to this sketch is just fantastic or they all kiss and they say black lives matter and they say i i think they just wanted a reason yes that was their black lives matter scene yeah yeah the this is one of a really great recurring sketch that i think you're right snl fans uh love i think sometimes it gets forgotten but you re-watch and okay these are really great and emma just did a great job um with leading this uh and i'll mention that that they did i think have a lot of musical theater moments in this era that didn't hit and so this one did for me a lot so yeah they could bring the sketch sketch back next week and i'd be like super pumped to see it again absolutely they should snl 50 this would be like a good Good type of scene maybe for SNL 50. I don't know.Yeah. And just because it's all just vignettes. Exactly. Exactly.Is there anything else in this episode, like something else that hit for you?Track 4:[48:36] Well, I'd be remiss if I didn't mention what I was calling forward to, which is the poster sketch, which is Emma's most prolific character.She did Chrissy Knox in her third, fourth, and fifth episode.So I have to shout it out now because usually the first iteration is the best.So Emma Stone being on Pete Davidson's wall as a poster, talking about her fat, shiny hot dog was really, I think, a big moment in her SNL career because it did launch that character.Yeah, but algebra's crazy, though. Solve for X? X is a freaking letter.It's a variable. X is what you don't know.Yeah, so if I eat this entire fat, gross hot dog and mustard plops all over my shirt, what does X equal?What? That's not a math problem. Yeah.Track 4:[49:35] A host having a recurring character, a recurring sketch, is like a good feather in the cap.We saw what Tom Hanks had, a few of them. He had Mr. Short-Term Memory.He had the comedians, I think, that he did, who talked basically like Jerry Seinfeld.He had that. Alec Baldwin had Tony Bennett.He had some stuff like that. so I think you know it's a feather in the cap for a host to have recurring sketch recurring character Chrissy Knox here with the poster one uh the voice that she uses might be a little much for me sometimes like I think maybe she could have toned it down a little bit and I might have enjoyed it better but I do I do think the premise is solid and it just seems like Emma is just committing to it super well and having a lot of fun.This is something that she's just willing to do.I could just tell that she loves being on SNL and it shines through in the poster sketches.Track 4:[50:38] I think that's what's likable about it, too, is that Emma Stone, especially at this point in her career, was a well-respected actress.And this was in 2016. So we're right a few months before she wins her first Oscar for La La Land.And we never saw her play these very one-dimensional roles.So I think she, like you said, was just having a blast being this character and just leaning into it like super hard yeah when we of course again yeah this is the the first of of three consecutive poster sketches that she would do in her episodes and one of my small complaints i just want a little nitpick i guess of some of emma's episodes is that maybe the writers in the show don't quite utilize her but there's a writer that utilized her in a couple of sketches the The first one being in this episode, Julio Torres utilized Emma Stone perfectly.Julio, a candidate in SNL Hall of Fame candidate for this season. Absolutely.Great rider. He utilized Emma so well.Wells for Boys is in this episode. Classic error from this sketch, Mike. I'm sure that you enjoyed this sketch.Track 4:[51:56] So much. It's a sketch I could watch every month and still enjoy.And again, it was a premise pre-tape. It wasn't a character pre-tape.But Emma Stone has a moment where she just yells at this child.That thing's weird. I don't get it. That's because it's not for you.Because you have everything.Track 4:[52:17] Everything is for you. And this one thing is for him.Wells for Boys by Fisher Price. And just really just completely takes the level down to this little boy, just to really just chew him out as off in the background.Track 4:[52:35] There's the young sad boy at the well.So Wells for Boys should be definitely top 10 maybe of that era.And Julio Torres is just, that's his style all the way.Track 4:[52:48] And so Emma Stone is just a great pre-tape actress for SNL. and that was a good example of it.I'm sure Julio was excited that he had this idea.He and his writing partner, Jeremy, had this idea for Wells for Boys and I'm sure they were excited to have a great host like Emma to carry something like this.They didn't have to rely on a cast member and perhaps maybe the host wasn't even in the sketch or they shoehorned the host in to do something else and had a cast member play the lead.They had Emma and this was this was perfect she had like such a great understanding of playing like the protective mom the understanding mom all of that so I bet you know Julio I don't know if he saved it for the right host or if it was just his luck that Emma was was hosting that week but it but she couldn't there couldn't have been a better host probably you know a great host could could do something like this she did julio's writing justice i think yeah well said perfect is there anything else from from this episode there was some like here and there i think we hit probably the main things yeah i mean i'll give a slight shout out to the nativity sketch she plays mary and uh that's a sketch that on rewatch wasn't very memorable the first time seeing it you know know eight years ago but i i i enjoyed more the second time of just being the frustrated.Track 4:[54:15] Virgin mary with all the people coming into the stable and that was a good uh good ending sketch for that episode yeah not much to say other than that but yeah that closed out the night emma got to play weird she got to put on like a weird eastern european accent uh in the the cleaning crew she and leslie and cecily got to play this cleaning crew in an office that sang like this this inappropriate song about Santa.Track 4:[54:56] Um, that was, uh, something.It was, uh, okay or bad and you hate it. Your face looks confused.You know who is Santa, right?That was Emma being able to play weird, kind of like Wallace, probably not as good of a sketch, but she still got to, like, throw herself into, like, a weird character and a weird premise.That stuck out to me just because I liked Emma's performance.Yeah, and it was Christmas Candles was in that one, which is very like you know she could have been could have been a maya rudolph kind of role that she did and that was in a pre-tape earlier in the night too yeah a good ensemble priest piece that pre-tape and that's one thing snl did well in that era they did these slice of life relatable kind of pre-tapes like the um do it in my twin bed uh it was kind of something like a similar uh ish vibe so yeah that was her third episode i think uh uh she showed out well for herself uh that was season 42 we see her back um a little over two years later in season 44 this is april of 2019 and i know there's one honestly like one super super classic sketch in this episode pretty endearing monologue i think like where should we start with her fourth episode.Track 4:[56:12] Let's just start with the monologue because and you know we did i don't know if we're going to to mention cameos but in the meantime you know she had played rosanna rosanna dana in the snl 40 and now here she is in her monologue talk she mentions you know invokes the great gilda radner she said it became a huge dream to even be near this place so now here she is hosting for the fourth time and so like you said just very endearing again that reverence for the show like somebody that could win more oscars than meryl streep and be asked to host and be like Like, I'm so lucky to be here.And so she had family there. She mentioned, kind of like I mentioned at the top of the show, just this kind of lineage of my grandparents showing my parents and my parents showing me this show.And her love of Gilda Radner was, like, very genuine.You know, it's not like it was written for her. Like, it's a real thing.And clearly, you know, playing the iconic character on SNL 40 and being a friend of the show for that long.So, you know, got to start there. there yeah it's a funny funny premise too of like you know she they're hinting at like the the five timers club.Track 4:[57:22] She's thinking maybe the cast is going to plan something special for her.So it has all these fun beats about Kate and Kenan. They sing a song to the tune of No Woman, No Cry.Oh, Emma, She Hosts. Yeah.Aidy gives Emma a silver bracelet from her wrist. They trot out Melissa to do a string of impressions.Track 4:[57:44] Kyle, and Emma's super excited that Kyle's here. It makes her all night.Yeah, great Kyle Mooney moment.Oh, wonderful. Wonderful. Yeah, Kyle Mooney is going to be just like an interesting, I'm wanting to at some point maybe do a Kyle episode because I think he did more on the show than just as a little sidebar.I think Kyle did more on the show than we even realize. And joking or not, it's fun to see Emma so excited about Kyle being there.Yeah, this is following Kyle Mooney being brought in as a surrogate for Melissa to do an Oprah impression.Yes. Yeah, exactly. Melissa's like, I don't have an Oprah.Track 4:[58:20] Oh let's bring in kyle so fun monologue uh a wink wink to like snl history you're right she talks about her love of gilda there was an easter egg at the end of her first hosting stint there was a bumper card that had emma as rosanna rosanna dana at the end of that show so this was years before she played rosanna rosanna dana on snl 40 which makes me think that was by request almost i think so no i think emma was like i think i could do this and i would love to pay tribute to gilda and they already had like a visual of her dressed as rosanna rosanna dana for this just bumper card or whatever at the end of her first episode that was a little easter egg that i saw like re-watching these episodes yeah and i had mentioned that julio torres was a great writer and emma was able to see the vision of julio's writing and she was just a perfect person to be cast in Julio's sketches.So in this one, we have the actress, which I think, as much as I love Wells for Boys...Track 4:[59:23] The actress, gosh, Mike, this might be the best thing Emma's done on SNL.It's like a wonderful showcase of her talents.It's number one. I mean, it has to be. It's something that, like I mentioned, if you had to show somebody something, this would be it.It's so well done. There's not a second wasted in this sketch.There's not a joke that falls flat or an extra cut to somebody else.There's just no wasted space.Track 4:[59:50] Everything is perfectly paced. and I can't think of any host in the history of the show that would have been better at this sketch than Emma Stone was.And it was at the end of the night.So this is season 44, her fourth time hosting, nothing really to prove other than she's a good host and she's back and just goes full throttle, 10 out of 10 as Deirdre, the woman who gets cheated on in the gay porn. That was her role.Track 4:[1:00:18] And to be an Oscar winning actress at this point and being an actress playing a bad actress and just diving deep into the role and the props that you know the one ug boot and the new year's eve glasses it just everything about that sketch is perfect it's it has to be one of my favorite of all time just period yeah emma's really selling like the self-seriousness of her deirdre character it's it's so fun i think she has this great like like flat delivery so she's trying to like be the be an actor and i want to act this and then they ask her to deliver it flat and she's it's just funny she's like all right so she delivers a flat line action jared i'm getting my nails at the mall now teach my godson push-ups right before our wedding jared cut great nice and flat onto the real stuff it's like she has these perfect Like, this perfect delivery, perfectly executed, like, with what Julio Torres and his writing called for.This, to me, is an example of what she can bring as someone who's a good actor and has a sense of humor.Track 4:[1:01:28] And it's why I get a little frustrated kind of re-watching these and remembering these episodes.Because it's why I think that the show hasn't, for the most part, taken advantage of her skill set.And this, to me, is a perfect example of what she could do.Maybe like not in a sketch as great as this but the fact that she has a great sense of humor she gets the show and she's a good actor i mean i think she could have been utilized a lot better like julio showed how she could be utilized and i feel like if you know she of course hosts again after this but if she comes back like can we get julio to be a guest in the writer's room, and i you know i don't want to see a repeat of wells for boys or the actress but can we get a part three of this Julio-Emma trilogy.Track 4:[1:02:16] And this is... And Thomas, this is like...When you bring a serious actor, actress to this show, we don't always know if they're going to be funny.And so one great thing about Emma Stone is that she does comedy and drama so well.So we already know that before she comes out for the monologue.We're not going to be at the edge of our seat wondering if they're going to bomb.But when you have a pre-tape like this, that they can flex those muscles to the perfect degree.So we could have opened the show or closed the show with the actress, and we could make a case.But here we are, end of episode four for her, and it should be on the best of that season, that era, and obviously for Emma.Yeah, 100%. And to me, this is, to a certain extent, her fifth hosting gig.So basically her last two hosting gigs just are a perfect example to me of why I find Emma Stone so fascinating as a host, in that she can stand out as a really great host during an episode that's not that good.Track 4:[1:03:26] And it's not the host's fault. So we have that.So we have episodes of SNL that are good episodes with not that great of a host.I'm not trying to bash him, but Michael Jordan hosted a really good episode of SNL, but I wouldn't say Michael Jordan was a great host. it just happened to be a really good episode Emma Stone especially with her last two.Track 4:[1:03:50] Really great host, that's obvious, but not great episodes. That's an interesting thing that can happen on SNL, Mike.Yeah, I mean, as we know, it's such a hard show to make, and they don't bank sketches.So they're not waiting for Emma to come along. Maybe she'll host next year.Let's keep this in the bag.Track 4:[1:04:10] So it is of the moment. It's topical, and it's what's on their mind that week.So we might strike gold with the actress in this episode for four and now for five and this is where i have said on my podcast that i do like kind of love when they announce a host that i've never really heard of or haven't seen because i don't go in with expectations where this one i as a huge emma stone fan huge snl fan couldn't have been more excited for and i left And I said to myself, like, that was kind of a bad SNL I just saw.Yeah, it left us kind of hollow a little bit.And we had just recorded or we just done the SNL by the numbers, me, you and Bill Kenny. And we did our rankings.Track 4:[1:04:56] So far as we're recording this episode, there's 12 SNL episodes in season 49 that we ranked.And this Emma episode was like bottom half of season 49 for us.But to no fault of Emma's in my opinion like she was obviously a good host a really game host there was actually on like even a couple of sketches where I thought that the like really solid writing and I thought Emma especially in the mama cast sketch but Emma really acted the hell out of it like she really went for it in that sketch there were a couple of good moments But this was an interesting episode.I try not to get my expectations too high going into an episode.But this was one where it was like, it could have been better.Like, that was a bit disappointing. And it wasn't Emma's fault.Track 4:[1:05:48] And there were two sketches in this episode that I couldn't stop thinking about.How did this make it into the Emma five-timer show?Because I think there might have been the two worst sketches of season 49 as of this recording, which is the What's in the Kiln sketch with Heidi and Chloe.And then we had Emma for the fifth time.We didn't need Treece Henderson for the fifth time. So the Therese Henderson character I've ranted about on my podcast as like, you know, I talk about Keenan so fondly so often.He's like a stat god for SNL.And we saw Therese Henderson for the first time just like only a couple years before this.And now it's the fifth time and you're going to make Emma Stone be in that sketch.So just like some big swings and misses and nothing really that Emma could have done in either of those sketches to improve them.So you could have the worst host or the best host of all time.It couldn't have saved it. Where other sketches in the night, I will say, Emma did bring them up.So a bad host would have made this episode really bad.So thankfully they had like an SNL Hall of Famer, in my opinion, to be there for them.Yeah, that what's in the kiln sketch is an example of the writing issues that I've had with season 49.It was just basically, here's some bad pottery.Track 4:[1:07:17] That's the joke. There's no escalation. Here's just some bad pottery that we think is good.Track 4:[1:07:23] And SNL has had a problem with putting a hat on a hat or bringing in too many wacky things. They didn't bring in anything.They just let Emma Stone have to just rot on the set with Heidi and Chloe.And it was a long sketch, too. I mean, I have all the run times, but when I look back, that was one of the longest sketches in a while.And it should have been four minutes shorter, but it was tough.Yeah, it was brutal. But the make your own kind of music sketch, the Mama Cass one.Mitch Lester. Yeah, it was basically Phil Spector, but like with the big like Afro and stuff. But yeah, Emma really went for it in this one.I don't know, Mitch. The song is about celebrating individuality, not zombies. Dig, dig, dig.Yeah, forget the zombies. Bad example. Oh, how about this? How about this, Mom?Movie is I'm a prostitute.I've serviced some of the most powerful men in the city. and god they're off on me but how could a powerless prostitute get even with these big wigs right well we'll find out at this swanky party they're all at come on hit it.Track 4:[1:08:34] And re-watching um her character wallace in the second episode i mentioned this is when she became a snl star and so i'm glad that in a not so great night that she reminded us that like this is an an actress who again gets the show but is very into character work and i thought that was a strong premise and it was fun we got to see chloe trost again sing so well for only like her second time in the you know as a new cast member and emma stone just again going.Track 4:[1:09:07] Just full court like all the way and completely leading it and so physical crazy facial expressions all over the set and i mean it was just like a crazy idea and a perfect host to do it so i love when a host is again trying to do like big characters and doesn't fall short yeah the sketch was better because emma took the reins i also really enjoyed enjoyed question quest and i thought it was a great premise emma was really good as the put upon contestant in the sketch uh it was it was the uh host played by michael longfellow of this game show where basically the whole point was for him to trying to foist his pet tortoise onto someone onto one of the contestants so i thought it was a really clever premise yeah not just a tortoise a 37 year old desert sulcata tortoise that yeah that might live for for another 150 years, for all he knows.So basically it was this tortoise that was a burden on the host that he just wanted to foist upon somebody else. I love the premise.Emma was really good in her role as this put-upon contestant that was hoping that another contestant would get the tortoise.Wait, I won a tortoise? Sure did, and I'll miss him. He's been mine since I was six years old, and now he's yours. Congrats!It's your tortoise? No, it's your tortoise.Track 4:[1:10:34] So you got him, like, 25 years ago? How long does a tortoise live?That's a great question. Quest testants, how long does a tortoise live? Michelle?A hundred years. No. Angela? Hmm, is it a corn or a flower tortoise?I think you're thinking of a tortilla.Track 4:[1:10:53] Jen? It can't be more than a hundred years.More than a hundred years is correct. A hundred and fifty to a hundred and ninety, to be exact. It lives for 190 years?Maybe more. Everyone who studies them dies before they do.It's one of my favorite sketches of season 49, an example of, like, I want to point at this sketch and look at the writers and say this. Do more of this.Like, follow this template. It was funny, creative, good host.Like, this one was a good standout of the night for me.Yeah, and, you know, nothing out of the ordinary. I've done stats on my show about the first sketch of the night how they tend to be a little bit longer a little bit um.Track 4:[1:11:36] Trying to bring everybody in. They don't go too niche for the first half of the night.They do a lot of game shows, a lot of talk shows, pageants, that type of thing.So very down the middle, but just the right amount of quirkiness, good acting, good joke telling.And we got one of only a handful of Michael Longfellow showcases this season.And it was just, the whole thing was great

durée : 02:59:12 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Au programme du 7/10 : l'écrivain Iegor Gran, Thierry Cotillard, président du groupement Les Mousquetaires (Intermarché, Bricorama...), un débat sur le RN avec Aquilino Morelle et Hervé Le Bras, l'actrice Brigitte Fossey et l'acteur Adama Diop.

Andie Newton is the USA Today bestselling author of THE GIRLS FROM THE BEACH, THE GIRL FROM VICHY and THE GIRL I LEFT BEHIND. She has a Bachelor's degree in History from Washington State University and a Master in Teaching. In this conversation we talk about, A Child for the Reich. inspired by the Nazi kidnapping programme, the challenges and joys of writing historical fiction and where she finds inspiration for her bestselling books.Andie's latest book, The Secret Pianist, is out now.Sisters. Traitors. Spies.When a British RAF Whitley plane comes under fire over the French coast and is forced to drop their cargo, a spy messenger pigeon finds its way into unlikely hands…The occupation has taken much from the Cotillard sisters, and as the Germans increase their forces in the seaside town of Boulogne-sur-Mer, Gabriella, Martine and Simone can't escape the feeling that the walls are closing in.Yet, just as they should be trying to stay under the radar, Martine's discovery of a British messenger pigeon leads them down a new and dangerous path. Gaby would do anything to protect her sisters but when the pianist is forced to teach the step-daughter of a German Commandant, and the town accuses the Cotillards of becoming ‘Bad French' and in allegiance with the enemy, she realizes they have to take the opportunity to fight back that has been handed to them.Now, as the sisters' secrets wing their way to an unknown contact in London, Gaby, Martine and Simone have to wonder – have they opened a lifeline, or sealed their fate?

Ecoutez l'interview du président du groupement Les Mousquetaires (Intermarché, Netto, Bricomarché, Bricorama...). Ecoutez L'invité de RTL du 08 janvier 2024 avec Amandine Bégot.

durée : 00:09:02 - L'invité de 7h50 - par : Marion L'hour - L'actrice Marion Cotillard et la réalisatrice Mona Achache sont les invitées de Sonia Devillers. Leur film "Little Girl Blue" sort en salles mercredi 15 novembre prochain. - invités : Marion COTILLARD - Marion Cotillard : Comédienne

durée : 03:00:39 - Le 7/10 - Les invités de la Matinale de France Inter ce mardi 7 novembre 2023 sont : Marion Cotillard x Mona Achache - Clémentine Autain - Ayyam Sureau x Thibaut de Montbrial - Vianney - Mathieu Persan

durée : 00:09:02 - L'invité de 7h50 - par : Marion L'hour - L'actrice Marion Cotillard et la réalisatrice Mona Achache sont les invitées de Sonia Devillers. Leur film "Little Girl Blue" sort en salles mercredi 15 novembre prochain. - invités : Marion COTILLARD - Marion Cotillard : Comédienne

Le Président du Groupement Les Mousquetaires est l'invité du Grand Jury de 12h à 13h. Ecoutez Le Grand Jury du 08 octobre 2023 avec Olivier Bost.

Les distributeurs ont une réunion ce mercredi avec le ministre de l'Économie pour parler du panier anti-inflation et des négociations sur les prix. Les industriels de l'agro-alimentaire seront reçus eux jeudi. Pour en parler, Thierry Cotillard, le président du groupe Intermarché-Netto.

durée : 00:05:51 - Tanguy Pastureau maltraite l'info - par : Tanguy Pastureau - Il faut du changement dans les chroniqueurs pour la saison prochaine, Tanguy a fait ses recherches en regardant qui buzzait sur Twitter et il a repéré quatre personnes.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

durée : 02:29:04 - Le 7/9.30 - par : Jérôme CADET - Nicolas Maurer, PDG de Team Vitality, et Robbie Douek, président de BLAST, organisateur de la Major « Counter-Strike", sont les invités de 7h50.Thierry Cotillard, président de Les mousquetaires est l'invité du 8h20. Muriel Szac, autrice, pour « Le feuilleton de Tsippora » est l'invitée du 9h10. - invités : Jérôme CADET - Jérôme Cadet : Journaliste

durée : 00:25:48 - L'invité de 8h20 : le grand entretien - par : Jérôme CADET - Les entreprises de l'industrie agroalimentaire ont accepté de rouvrir des négociations sur les prix avec la grande distribution. Pour en parler, Thierry Cotillard, président du groupement Les mousquetaires - Intermarché, est l'invité de 8h20.

durée : 00:59:07 - Le 13/14 - par : Bruno DUVIC - Pour contrer les effets de l'inflation, Bercy a mis en place le panier anti-inflation. Est-il en place dans les magasins Intermarché ? Comment les prix vont-ils évoluer dans les prochaines semaines ? On en parle avec le président du groupement Les Mousquetaires Thierry Cotillard jusqu'à 13h45.

Le président du groupement Les Mousquetaires, Thierry Cotillard était l'invité de Laurence Ferrari dans #LaMatinale sur CNEWS. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Chaque mois, vous aurez la possibilité de décrypter l'actu avec moi, et je vous invite d'ailleurs à m'envoyer un message si cela vous intéresse!

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

A majorly difficult Saturday crossword, with a fair number of rarely mentioned celebrities (at least here in 2022). Even the most recent,  18A, Defense secretary under Obama, PANETTA, is not exactly a household name; 31A, First person to fly solo around the world (1933), WILEYPOST, probably also isn't a frequent topic at the kitchen table; and 27A, Marion ________, Best actress winner for "La Vie en Rose", COTILLARD, was a new name for Mike, and a spelling challenge for Jean. In other news, it's Saturday, and we've scoured the last 7 days to find the crossword that we feel deserves that CHEFSKISS., aka the JAMCOTWA (Jean And Mike Crossword Of The Week Award). For all the deets, just download, listen up, and enjoy!

Au programme de C à vous la suite : C le festival - Ouverture du 75ème festival de Cannes ! • Michel Hazanavicius, amoureux de séries Z • Dans les secrets de la Palme d'or Invité·es : Marion Cotillard, Melvil Poupaud et Arnaud Desplechin • « Frère et sœur », le nouveau film d'Arnaud Desplechin • M. Cotillard, A. Desplechin et M. Poupaud : Famille, je vous hais • « Frère et sœur », le film événement de la croisette • M. Cotillard et M. Poupaud, frère et sœur pour A. Desplechin • M. Cotillard, muse d'Arnaud Desplechin Invité : Max Richter, compositeur Le live : Max Richter interprète “Spring 1” • Max Richter, le musicien le plus streamé au monde • Max Richter continue de nous bercer L'ABC - Les actualités de Bertrand Chameroy • Le déjeuner d'Élisabeth Borne avec Emmanuel Macron • Les calembours sur le nom d'Élisabeth Borne • Une Première ministre techno • Le bac a débuté • Clin d'oeil à la rédac de 20 minutes • Édito : il fait lourd

durée : 01:59:31 - Le 7/9 - par : Nicolas Demorand, Léa Salamé - Marion Cotillard, actrice, pour le film Frère et sœur, Jérôme Fourquet, directeur du département Opinion à l'IFOP, Corinne Lhaïk, journaliste à l'Opinion, et Vincent Martigny, historien et professeur en science politique à l'université de Nice, et sont les invités du 7/9 de France Inter. - invités : Marion COTILLARD, Corinne Lhaïk, Jérôme FOURQUET, Vincent Martigny - Marion Cotillard : Comédienne, Corinne Lhaïk : journaliste à l'Opinion, Jérôme Fourquet : Directeur du département Opinions de l'IFOP, Vincent Martigny :

durée : 00:10:02 - L'invité de 7h50 - par : Léa Salamé - Marion Cotillard, actrice, est l'invitée de 7h50 pour le film d'Arnaud Desplechin, "Frère et sœur", sélectionné en compétition au Festival de Cannes. - invités : Marion COTILLARD - Marion Cotillard : Comédienne

La segunda gala del festival fue la cinta animada coproducida por Francia, Canadá y Bélgica, Charlotte, dirigida por Tahir Rana y Éric Warin.En esta obra conocemos la historia de Charlotte Salomon, una artista judía radicada en Alemania cuando (adivinen) estalla una guerra mundial y seguramente ya saben que pasa en el resto de la historia.Pasando del descubrimiento en donde Charlotte busca expandir sus habilidades artísticas, siendo aceptada en la Academia de Artes de Berlín, a la decepción cuando el nazismo empieza su expansión, llegando al exilio y al redescubrimiento de secretos familiares, muertes cercanas y una sentencia cercana, todo para forzar a Charlotte a contar su historia y la de su familia en una serie de 1,325 pinturas, de las que todavía se conservan 784 y lo que algunos catalogan como "la primera novela gráfica de la historia". La cinta cuenta con las voces de Keria Knightley en la versión en inglés y de Marión Cotillard en la versión en francés, quienes encarnan a la misma Charlotte.Mientras que obras como La Travesía, de la cual hablamos en una entrega previa, retoman un estilo visual y artístico más auténtico y propositivo, Charlotte se siente más tradicional y no busca replicar sino mostrar por momentos el estilo de la misma Charlotte. Se logra una historia que da para ser emotiva, pero que desafortunadamente se siente hueca. Los personajes carecen de trasfondo y su desarrollo parece más sacado de una monografía que no pretende construirlos para que nos importen mucho. Tenemos tragedias personales pero esto dentro de un contexto de la Segunda Guerra Mundial luce banal y más cercano a una niña rica quejándose por que no la dejan hacer lo que quiere, que a una trama más poderosa, lo cual se pudo lograr considerando en quién está basada la obra.

 Presentamos la cobertura que hicimos en la edición 36 del FICG (2021). Todos los textos y videos se presentaron originalmente en nuestro Patreon.¿Tienes cuenta de Amazon Prime? ¡Puedes apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.¿Lo quieres en audio? Lo pueden descargar aquí o escuchar en el siguiente reproductor. También puedes escucharnos con tus aplicaciones favoritas como Spotify, iTunes, Pocket Cast, Spreaker, Stitcher, Tune In, Acast, Player FM, MixCloud, Overcast, iHeart Radio, Hear This At, Podcast Addict, Castbox, y hasta en iVoox.La segunda gala del festival fue la cinta animada coproducida por Francia, Canadá y Bélgica, Charlotte, dirigida por Tahir Rana y Éric Warin.En esta obra conocemos la historia de Charlotte Salomon, una artista judía radicada en Alemania cuando (adivinen) estalla una guerra mundial y seguramente ya saben que pasa en el resto de la historia.Pasando del descubrimiento en donde Charlotte busca expandir sus habilidades artísticas, siendo aceptada en la Academia de Artes de Berlín, a la decepción cuando el nazismo empieza su expansión, llegando al exilio y al redescubrimiento de secretos familiares, muertes cercanas y una sentencia cercana, todo para forzar a Charlotte a contar su historia y la de su familia en una serie de 1,325 pinturas, de las que todavía se conservan 784 y lo que algunos catalogan como "la primera novela gráfica de la historia".La cinta cuenta con las voces de Keria Knightley en la versión en inglés y de Marión Cotillard en la versión en francés, quienes encarnan a la misma Charlotte.Mientras que obras como La Travesía, de la cual hablamos en una entrega previa, retoman un estilo visual y artístico más auténtico y propositivo, Charlotte se siente más tradicional y no busca replicar sino mostrar por momentos el estilo de la misma Charlotte. Se logra una historia que da para ser emotiva, pero que desafortunadamente se siente hueca. Los personajes carecen de trasfondo y su desarrollo parece más sacado de una monografía que no pretende construirlos para que nos importen mucho. Tenemos tragedias personales pero esto dentro de un contexto de la Segunda Guerra Mundial luce banal y más cercano a una niña rica quejándose por que no la dejan hacer lo que quiere, que a una trama más poderosa, lo cual se pudo lograr considerando en quién está basada la obra.

This week, Carsten & Stephen take a look at some of the overlooked highlights of the career of French star Marion Cotillard following her latest risk-taking role as an opera singer in the Leos Carax/Sparks collaboration Annette. Carsten & Stephen delve into a series of films stretching over two decades, from the Hitchockian thriller A Woman in Danger to the glowing period piece The Immigrant to her compelling turn as Lady Macbeth and a moving snapshot of the human condition caught up in the wheels of capitalism: Two Days, One Night. Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

We love Baby Annette! We've been talking about Leos Carax's musical Cannes prizewinner essentially since our inception, and so now that it's available for everyone to see, we gave it a real red carpet treatment. Joining us is GRIFFIN NEWMAN of Blank Check with Griffin and David, and we of course discuss many things including the pronunciation of Cotillard, the extraordinary energizing opening number, and the finer details of CLIFFORD THE BIG RED DOG's release and festival strategy. Follow Griffin on twitter @GriffLightning Our twitter is @CannesIKickIt Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jpglickwebber

Adam Driver plays a stand-up comedian with an intense sense of humor who falls in love a world-renowned opera singer played by Marion Cotillard. They live this amazing life, have their first child Annette and then things get weird! How weird? Listen to the podcast and find out.

HIGHLANDER: DIE SERIE – Episode 1.21 „Flucht ohne Ausweg“ (1993) Wir sind zurück im Universum von HIGHLANDER (USA 1986)! Na gut, strenggenommen in der darauf aufbauenden Fernsehserie, die ab 1992 die Fans zurückgewann, welche von HIGHLANDER 2 (1991) vergrault worden waren. Mit meinem HIGHLANDER-Dauergast Markus Köhler („Bullet und Fist“-Podcast) spreche ich diesmal ausführlich über die vorletzte Episode der 1. Staffel, die in vielerlei Hinsicht einmalig ist. Die einzige Paris-Folge ohne Paris, eine Folge mit mehr Nebel als in Carpenters THE FOG, die erste englischsprachige Sprechrolle der späteren Oscar-Gewinnerin Marion Cotillard, Brite Anthony Stewart Head direkt vor seinem Durchbruch als Wächter Giles in BUFFY, die letzte Episode, die vom späteren Horror-Filmemacher Patrick Lussier geschnitten wurde- und eine der ersten Episoden, die Dennis Berry inszeniert hatte. Leider ist Berry dieses Jahr verstorben. Nicht umsonst galt er als einer der prägenden Regisseure der Serie und verhalf Cotillard später mit CHLOE zu ihrem endgültigen Durchbruch. Vor allem ihm zu Ehren sprechen wir über "Flucht ohne Ausweg" (Originaltitel „Nowhere to Run“), die wohl außergewöhnlichste "Bottle Show" der Serie aus der Feder von Producer David Abramowitz. Eine Episode, die in den 90ern als zu düster galt, um sie zur regulären Sendezeit auszustrahlen. Ob das noch heute zutrifft und was das alles mit Sam Peckinpah (THE WILD BUNCH) zu tun hat erfahrt Ihr im Podcast. Wenn Euch dieser Flashback in unser aller TV-Vergangenheit Spaß gemacht habt lasst es uns wissen und vielleicht machen wir bald mit HIGHLANDER weiter. Bis dahin: Es kann nur Einer podcasten! LINKS Kino 90 auf Twitter: twitter.com/kino90podcast Dominik Starck auf Twitter: twitter.com/starck_dominik Markus Köhler auf Letterboxd: letterboxd.com/Nachtwaechter/

Deux heures d'actualité avec toute la rédaction d'Europe 1 autour de Julian Bugier. Des invités mais aussi des débats d'actualité, notamment à 18h30 avec les Grandes voix d'Europe 1 et à 19h15 autour de Julian Bugier et d'un invité.

durée : 00:55:26 - Femmes puissantes - par : Léa Salamé - Marion Cotillard a mis Hollywood à ses pieds mais elle a su rester simple. Elle raconte sans fausse pudeur ses doutes passés et le chemin qui l'a menée où elle est. Elle partage ses convictions écologistes et son point de vue sur le milieu du cinéma. - invités : Marion COTILLARD - Marion Cotillard : Comédienne - réalisé par : Juliette Hackius

Dans cet épisode #68, nous allons parler de Macbeth, la pièce de Shakespeare traitant du Bien et du Mal, et de pas moins de 3 adaptations ciné ! Maqbool pour bollywood (2003), Macbeth avec Fassbender et Cotillard (2015) et Macbeth de Polanski (1971). Comment est traitée la pièce de théâtre au cinéma ? L'oeuvre est-elle respectée ? C'est ce dont nous allons débattre ! Suivez-nous sur insta : bollywood_versus et Twitter : BV_podcastLaissez-nous un commentaire sur Apple podcast :)

Media noche en Paris de Woody Allen

Some performances are so good, we break the very thesis of this podcast in order to discuss them! This week we are queening out on truly a quintessential Best Actress, Marion Cotillard as the eternally tragic Edith Piaf in "La Vie en Rose." We of course give some time and appreciation to Emmanuelle Seigner and Sylvie Testud as the supporting female characters of the movie, but it's hard to not focus on Cotillard's fully embodied transformation as Piaf from rebellious 20 year street singer to a woman broken down by addiction, illness and grief in her 40's. Along the way we get the Marcel meltdown, the beauty of the beach scene and her triumphant final performance of "Non, Je Ne Regrette Rien." Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

Corrye eviscerates a movie critic who claims The Dark Knight Rises "isn't about anything."Luke forces Corrye to do more Bane impressions. Luke and Corrye theorize on what it would take for Christopher Nolan to pull the trigger on a 4th Batman film. Plus: RIP Cloris Leachman,Ryan Serhant is the best, and one of the Chumps is a Twitter hypocrite.

Deux heures d’actualité avec toute la rédaction d’Europe 1 autour de Julian Bugier. Des invités mais aussi des débats d'actualité, notamment à 18h30 avec les Grandes voix d'Europe 1 et à 19h15 autour de Julian Bugier et d'un invité.

When it was first announced, Justin Kurzel’s ambitious $130 million adaptation of Assassin’s Creed seemed like it might break the mold for video game movies. Kurzel’s previous film MacBeth earned him considerable prestige, and practically the entire creative team and half that film’s cast came along to Assassin’s Creed as well. Why then is Assassin’s Creed one of the most disappointing video game movies we’ve ever seen? Randy and Jens discuss.

Marion Cotillard became the first French actress to win an Academy Award for a French language speaking role. She was up against Ellen Page for Juno and Julie Christie for Away From Her; two films with deep Canadian roots. During the award season it mostly came down to Cotillard vs. Christie as Christie won the SAG and The Golden Globe. Other nominees included Cate Blanchett for Elizabeth: The Golden Age, becoming the first female to receive multiple nominations for playing the same role. And, last but not least, Laura Linney for The Savages - her only real recognition for this role as she did not receive a Golden Globe or BAFTA Nomination. Join host Kyle Brownrigg with guest Daniel Krolik (co-host of Bad Gay Movies podcast) as they discuss who they thought should have won and why.

W czasach przymusowej kwarantanny i pracy zdalnej szukamy inspiracji w filmach katastroficznych z kategorii epidemiologicznej. Zaczynamy od tego najbardziej znanego i cofamy się aż do lat siedemdziesiątych gdzie znajdziemy klasyczny, i wciąż najlepszy, film o zarazie wyprodukowany przez Hollywood. Oblężone miasteczko, zwykły-niezwykły bohater, atak na status quo z zewnątrz—to tylko niektóre z powtarzających się wątków, które zostają omówione i skontekstualizowane. Dzięki za bycie z nami, trzymajcie się wszyscy zdrowo i, jak zawsze, uwaga: spoiler alert! Najważniejsze omawiane filmy: Contagion (2011), reż: S. Soderbergh; scenariusz: S. Burns; w rolach głównych: K. Winslet, M. Damon, L. Fishburne, J. Law, M, Cotillard; prod. Warner Bros./Participant Media/Imagenation Abu Dhabi/Double Feature Films. Outbreak (1995), reż: W. Petersen; scenariusz: L. Dworet, R. Pool; w rolach głównych: D.Hoffman, R.Russo, M. Freeman, D. Sutherland; prod. Punch Productions/Warner Bros. The Andromeda Strain (1971), reż: R. Wise; scenariusz: N. Gidding, na podstawie powieści M. Crichtoba; w rolach głównych: J. Olson, A. Hill, D. Wayne; prod. Universal Pictures. Rekomendacje: Kuba: Cabin Fever (2002), tajemniczy film grozy od mistrza gatunku Eli Rotha. Damian: Black Hole, powieść graficzna w dwunastu odcinkach autorstwa Charlesa Burnsa, przedstawiająca nowatorskie spojrzenie na metaforyczną epidemię szerzącą się wśród nastolatków w latach 70tych. Czytaj więcej: Den of Geek: The Origin of Outbreak Movies Variety: ‘Contagion’ Screenwriter on Coronavirus, Donald Trump and What We Can Do New Statesman: Coronavirus and the geopolitics of disease The Globe&Mail: Blame China? Outbreak orientalism, from the plague to coronavirus Creditsy: NERDYCJA jest prowadzona i produkowana przez Kubę i Damiana. Miks audio: Damian. Oprawa graficzna: Damian, zdjęcie Saturna z Nasa Images. Kontakt: nerdycja@gmail.com. Użyliśmy fragmenty utworów Fearless First, Thinking Music, Classic Horror 1, Holiday Weasel, Amazing Plan, Funky One, oraz Slow Burn skomponowanych przez Kevina MacLeoda; wszystkie utwory dostępne pod https://incompetech.filmmusic.io/artists/kevin-macleod na bazie licencji Creative Commons Attribution-ShareAlike 4.0 International.

If you’re waiting for a train, this is it. Join us as we fanboy over Christopher Nolan and his masterpiece “INCEPTION”. This film stars Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Dileep Rao, Cillian Murphy, Tom Berenger, and Michael Caine. Dana has seen this one (GASP) and provides a lot of analysis. Spaz was pre-gaming before the recording and was in some sort of half-remembered dream. Chris regrets everything and Tim has some beef with the so-called “Academy of Motion Picture Arts and Sciences”.Let Christopher Nolan and Hans Zimmer transport you into a dream within a dream while we try to break it all down, including what the ending really means to us.Is this movie still one of the best of all time? Did Hans Zimmer melt our brains? Did Spaz make really inappropriate comments that had to be edited out? (spoiler alert: yes)Dream bigger darlings and let’s explore another episode of On Second Watch.----------Huge thanks to Podcorn for sponsoring this episode. Explore sponsorship opportunities and start monetizing your podcast by signing up here: https://podcorn.com/podcasters/Special Twitter Shout Out to “Movies On My Mind Podcast” (@MoviesOMM) and “Talkin’ Shiz” (@Talkin_Shiz) for providing commentary on this episode.

Will and Billy discuss director Steven Soderbergh's Contagion, including his sleek, smooth directing; the frankly amazing cast (Damon! Paltrow! Fishburne! Winslet! Law! Cranston! Cotillard!) and the way an epic movie about disease and death manages to be so downright entertaining.

Welcome TWGTF Fans to our most discombobulated episode! Why you ask well its because its our first and hopefully not last best of nothing show! So the simple explanation is that this is all the tangents and side roads we wandered down that really didn't fit in the episodes but were too good to go into the trash bin! So sit back have a glass of something and try to follow us down the rabbit hole of this tangent! Spoiler Alert: If you want to know what got bleeped in the darkest joke segment you must find Tyler at his job and ask him personally! 0:00:00 - 0:01:42 Intro to the madness 0:01:43 - 0:02:17 We Respect Arnofsky 0:02:18 - 0:04:08 It’s not about Viagra 0:04:09 - 0:04:57 Confession of Lambs 0:04:58 - 0:08:12 Spoilers for future shows 0:08:13 - 0:10:02 Darkest Joke 0:10:03 - 0:11:13 A hatchet made of aids 0:11:14 - 0:12:35 Sizemore EATS IT!!!! 0:12:36 - 0:13:43 Singer = Suck 0:13:44 - 0:14:17 Hearing Two Men Gazing 0:14:18 - 0:15:53 Female commentary 0:15:54 - 0:17:08 Sports Talk? 0:17:09 - 0:19:25 Dear Disney, Stop It!! 0:19:26 - 0:24:31 Lambs/Ross Pre Show 0:24:32 - 0:25:56 Throw glue in her face. 0:25:57 - 0:27:43 Dragon vs Manhunter 0:27:44 - 0:30:10 Let’s cut the chit chat 0:30:11 - 0:31:23 The Guy from the Wife 0:31:24 - 0:35:16 Plans for the FUTURE!!!! 0:35:17 - 0:38:48 Not how you say NV! 0:38:49 - 0:40:06 How Dare You! 0:40:07 - 0:42:19 Fine the way it was 0:42:20 - 0:44:29 Documentary Now! 0:44:30 - 0:47:14 Seamless art of the edit 0:47:15 - 0:47:52 We Did It Guys! 0:47:53 - 0:50:02 Wong Kar-What the? 0:50:03 - 0:51:00 JUDY!!!!!!! 0:51:01 - 0:51:34 Bump of Coke off a ****! 0:51:35 - 0:52:42 Chainsaw Butt Rock 0:52:43 - 0:53:28 Boy Erased v Ben Back 0:53:29 - 0:54:43 Mouth full a sandwich! 0:54:44 - 0:57:48 Joker & Wrestling Talk 0:57:49 - 0:58:47 Ill timed laughing 0:58:48 - 0:59:33 Got Em! 0:59:34 - 1:01:42 Mouth full of nuts 1:01:43 - 1:02:57 Unsane in da membrane 1:02:58 - 1:04:11 What is wrong with you? 1:04:12 - 1:06:55 Backstage talk 1:06:56 - 1:10:48 Steamed Hams reading 1:10:49 - 1:13:03 Tyler Take 2 1:13:04 - 1:15:06 Tyler Take 3 1:15:07 - 1:15:59 Fast time at TWGTF 1:16:00 - 1:18:50 The Golden Ham is Born 1:18:51 - 1:20:01 Who Do You Think You Are? 1:20:02 - 1:20:36 I’m Paul Schrader 1:20:37 - 1:21:33 Revenge (French Accent) 1:21:34 - 1:22:03 Cotillard 9/11 Theories 1:22:04 - 1:26:21 Na na na na BATMAN!! 1:26:22 - 1:28:40 My Baby it’s a Dunkirk 1:28:41 - 1:29:15 Bigelow tapped Cameron 1:29:16 - 1:30:21 The Interstellar argument 1:30:22 - 1:39:34 Awards & JOKER! 1:39:35 - 1:42:07 Some wacky stuff in there 1:42:08 - 1:43:08 More Awards & nonsense 1:43:09 - 1:45:29 The Good Guy was actually the bad guy/Outro

On this week's Did We Watch The Same Film, Billy introduces Dee to a modern classic with a spin on the heist genre that she's never seen: Inception! We start by discussing what Dee has thought of other films directed by Christopher Nolan, touch on her expectations for Inception and lead straight on into her review of the film. If you'd like to write to us you can do so at didwewatch@gmail.com Recommendations for future films, questions for the hosts and anecdotes about your own film-watching experiences are all welcome! If you'd like to support us, please consider subscribing to us on iTunes or Spotify and leaving us a review.

Fais Ta B.A. (Fais Ta Bande-Annonce) est un podcast ciné entre potes qui explore la face cachée des bandes-annonces de films. Pour cet épisode pilote *slash* crash-test, la team présente son concept et revient sur la B-A de Nous Finirons Ensemble, de Guillaume Canet, suite du film Les Petits Mouchoirs. LES B.A. DE L'EPISODE : - NOUS FINIRONS ENSEMBLE : https://www.youtube.com/watch?v=RjfF0V5blEE - LES PETITS MOUCHOIRS : https://www.youtube.com/watch?v=mxKMVFBPUQo #LesGrosBillets #GrattePasLAmitiePasDeNouveauxAmis #Angoisse #Nekfeu #HuitresEtVinBlanc #WhereisJean #JeanLouis4Ever ~ Enregistré le 28 avril 2019 à Paris ~  

Ep #089 Allied with Stephanie and Emma From The Mighty Foof Podcast It’s Episode 89! Ems and Stephanie from The Mighty Foof join Flixwatcher to review the 2016 Robert Zemeckis film Allied starring Brad Pitt and Marion Cotillard.   Allied pitches itself as a wartime spy thriller early on but quickly descends into dreary wartime melodrama, not even the wonderful Marion Cotillard can save this cumbersome disappointment. On paper this should have been so much more, but unintentional comedy moments (sex in a sandstorm) and complete lack of passion between Pitt and Cotillard make it not only disappointing but a bit embarrassing for all involved.   There isn’t enough spying or action to make it the wartime thriller it thinks it might be and the romance unconvincing. There are some highlights, the costumes deserved its lone Academy Award nomination and the Casablanca scenes have some fun. Scores [supsystic-tables id='92'] Allied surprisingly scores 3.47 (despite the low scores from Kobi). There really is no reason to watch this film four times though, once is more than enough if you manage to make it through its laborious run time of two hours and four minute run time. What do you guys think? Have you seen Allied? What did you think? Please let us know in the comments below! Episode #089 Crew Links Thanks to the Episode #089 Crew of Emma  and Stephanie from The Mighty Foof  @TheMightyFoof Find their website online here: https://itunes.apple.com/gb/podcast/the-mighty-foof/id1409816749 Please make sure you give them some love Flixwatcher Spotify Playlist It has to be Putting on the Ritz, but there is no Gene Wilder version so we have added the Mel Torme Version! More about Allied For more info on Allied, you can visit the Allied IMDB page here or the Allied Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below.  

This week Mr. Skin talks about Amy Adams' latest nudity in the new HBO series Sharp Objects, Betty Gilpin's terrific shower scene in GLOW, as well as Netflix's Indian series Sacred Games which features Kubra Sait and Rajshri Deshpande.

The Boys sit down, turn down the lights, light some candles, and put on a record while we talk about how we get the ambience right for our games. They’re joined by Jacquie Cotillard, local musician, Nightwatch Operator Of The Earth Hotel, and Queen of the Ambient Zone. Wes, Dash, and Dotty try to keep up while Cline gets down on the Vibes. You can find Jacquie on Twitter at @JCotillard and the Earth Hotel at theearthhotel.org

Empiezo a pensar que me estoy encasillando, ¿no creen vds, mis queridos amigos que así es? ¿Y cómo es posible que un becario chupatintas como yo esté encasillado?, pues le explico con meridiana y certera prosa al efecto. Mientras estaba viendo a la estupendísima Cotillard iba repasando mentalmente las últimas aportaciones que he hecho y todas o casi todas las que el Jefe en su infinita bondad ha tenido a bien encargarme, tienen un nexo común, hay al menos un personaje que está más volado que una candela de papeles¡¡¡¡ Les hago un repaso rápido: Pas..... LEER CRITICA COMPLETA: http://habladecine.com/el-sueno-de-gabrielle-en-busca-de-ese-amor/

The cops can't catch them. The FBI can't catch them. Can a cab driver? This Luc Besson scripted action, comedy was scripted in 30 days while waiting for a studio to give the go ahead on The Fifth Element. Under the direction of Gérard Pirès Taxi (1998) spawned 3 more sequels in France. The success of Taxi brought it to the attention of American film makers and Taxi was remade in 2004 (aka New York Taxi) by Tim Story and starring Queen Latifah and Jimmy Fallon. Invasion of the Remake pays the fair, goes for a ride, and sees which film takes us to our destination without puking. Support independent podcasts like ours by telling your friends and family how to find us at places like iTunes, Google Play Music, Stitcher, PlayerFM, Tune In Radio, Audioboom, BluBrry, Libsyn, YouTube and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. There "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com

This week we talk about two period pieces that came out in 2016.  The first is a Pablo Larrain film starring Natalie Portman that garnered her an Academy Award nomination for her portrayal of Jaqueline Kennedy with an amazing (also Oscar-nomitated) score by Micachu.  We then try to figure out if the second film (Allied) is a spy movie or a love story or a visual effects showcase...  Subscribe on iTunes:  https://itun.es/i6gB67Y  Check out our Facebook page:  www.facebook.com/actorandengineer and follow us on twitter @actorengineer.

This week, Clint reviews the Chris Pratt-Jennifer Lawrence space thriller Passengers, the abysmal video-game adaptation Assassin's Creed, and (along with guest Julia) the Oscar-season social-justice biopic Hidden Figures!

I go undercover with Allied and rock out to Sing Street. Plus, I talk trailers for The Mummy, Guardians of the Galaxy Vol. 2, The Circle, Transformers: The Last Knight and our first look at The Leftovers season 3. Follow the show on Twitter: @thecinemaspeak Intro: 0:00 - 4:50 Review - Allied: 4:50 - 17:36 Review - Sing Street: 17:36 - 28:54 Micro-reviews: Yoga Hosers and Cafe Society: 28:54 - 35:40 News - The Mummy trailer, Guardians of the Galaxy Vol. 2 trailer 2, The Circle trailer, Transformers: The Last Knight trailer, The Leftovers season 3 premiere date and first footage released: 35:40 - 45:38 This week in new releases/Outro: 45:38 - 49:20

Join Daniel, Nathan, Amanda and The Intern for Trailer Park Podcast 70! Yes, it's another milestone here at Trailer Park Podcast as we continue to crush numbers and destroy the competition. In this episode we pay tribute to the movie musical as we deliberate whether La La Land has a shot at becoming a celebrated original movie musical. Speaking of Unicorns and other mystical beasts how about Dwayne Johnson? Moana has arrived and even though it appears to missing a villain like Zootopia it will probably get 100% on Rotten Tomatoes and make tons of money anyway just like Zootopia. Incarnate is our fulcrum starring Aaron Eckhart and some of us think it has negative scale potential and that it feels like it could become a classic 80's style hokey horror but some of us do not, some of us side with the Intern against their girlfriend and blood relatives. Office Christmas Party looks like a satisfying contribution to the assortment of festive movies that fill our hearts with joy every winter. Zemeckis is back with Allied starring Marion Cotillard and Brad Pitt... let me say that again... Zemeckis, Cotillard, Pitt. Stick around for the Roundtable, the Intern Archive Update and things get a little heated during the Burden List.

Show Rundown: In this week’s episode, we review Disney 56th animated movie “Moana” with David Tracy, communications director of Chaos Group and the co-host of Old Movies, New Beer and my better half, and Juan Uriarte, host of the Instant Ramen podcast. Then David and Juan stick around to talk about the state of Disney animation. Do they still make ‘em like they used to? We talk about that. In our third segment, we review the new World War II spy drama “Allied,” starring Brad Pitt and Marion Cotillard. All of that, plus our favorite headlines of the week, including the ratings decline of “The Walking Dead.” We’ve got a lot to talk about, so let’s get started.   Topic 1: Moana Review with Juan Uriarte and David Tracy Juan Uriarte's podcast: Instant Ramen David Tracy's podcast: Old Movies, New Beer   Topic 2: The State of Disney Animation Is Disney the new Pixar? Is Pixar the old Disney?   Topic 3: Review of Robert Zemekis' Allied   Favorite Headlines Walking Dead Ratings Falling   Find The Dorking Out Show here... Dorking Out Show Blog - Twitter - YouTube - Facebook - Patreon   Find Sonia here... Twitter - The Sonia Show Blog - The Sonia Show Facebook Page   Find Chris here... Twitter - The Jett Jergens Blog - The Jett Jergens Facebook Page

Join Daniel, Nathan, Amanda and The Intern for Trailer Park Podcast 70! Yes, it's another milestone here at Trailer Park Podcast as we continue to crush numbers and destroy the competition. In this episode we pay tribute to the movie musical as we deliberate whether La La Land has a shot at becoming a celebrated original movie musical. Speaking of Unicorns and other mystical beasts how about Dwayne Johnson? Moana has arrived and even though it appears to missing a villain like Zootopia it will probably get 100% on Rotten Tomatoes and make tons of money anyway just like Zootopia. Incarnate is our fulcrum starring Aaron Eckhart and some of us think it has negative scale potential and that it feels like it could become a classic 80's style hokey horror but some of us do not, some of us side with the Intern against their girlfriend and blood relatives. Office Christmas Party looks like a satisfying contribution to the assortment of festive movies that fill our hearts with joy every winter. Zemeckis is back with Allied starring Marion Cotillard and Brad Pitt... let me say that again... Zemeckis, Cotillard, Pitt. Stick around for the Roundtable, the Intern Archive Update and things get a little heated during the Burden List.

"Would've been a quiet night, too, if it hadn't been for those meddling kids!" Stop-motion animation has been a part of film since nearly the beginning, starting with a toy circus coming to life in 1898's “The Humpty Dumpty Circus.” Since then, it's undergone many critical changes and improvements as filmmakers have experimented with what they could do with it, and in 2012, Laika released the first stop-motion animated feature film to use a 3D color printer to create the character faces. The movie, “ParaNorman,” was a comedy horror for kids and certainly seemed to find its audience while also creating quite a bit of controversy. Join us – Pete Wright and Andy Nelson – as we start off our brief vacation challenge series with Chris Butler's and Sam Bell's horror comedy for the kids, “ParaNorman.” We talk about why Pete picked this movie and what he loves about not just this film but stop-motion animation in general. We chat about the directors behind this animated film and what sort of the criticism the film received upon its release (and still to this day!) due to the violence it depicted, the sexual situations and the fact that it has an openly gay character. We discuss not just the actors that voiced the characters – from Kodi Smit-McPhee and Tucker Albrizzi to Anna Kendrick and Casey Affleck – but also Heidi Smith who designed the characters and the animators who brought them to life. We look at Butler's screenplay and chat about why it's such a strong script. And we marvel at the cinematography, production design, rigging, effects and everything else that goes into making a stop-motion animated film, thrilled with how well this team did at focusing and working together to create a wholly realized world. It's an absolute blast to watch and certainly one well worth talking about. Is it safe for the kids? We think so and argue the point but some people aren't so sure so perhaps look into it a bit before watching with your own children. Regardless, tune in after you've seen it to hear our thoughts! Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Art of the Title Flickchart Letterboxd Trailers of the Week Andy's Trailer: Deepwater Horizon — "I don't know if I'm really that excited about this one. The trailer gives me a good sense of the story without completely ruining the story for someone who missed the news coverage, but it still feels like so many other heroic real-life stories out there. Looks like a good renter though." Pete's Trailer: Assassin's Creed — "I'm a big fan of the game. But I've been a fan of games gone movies before. Seriously though, Fassbender? Cotillard? Irons? Brendan Gleeson? Michael Kenneth Williams? Is it possible that all these people have spontaneously decided to sell out at once? Or might this be a fair adaptation?"

"Would’ve been a quiet night, too, if it hadn’t been for those meddling kids!" Stop-motion animation has been a part of film since nearly the beginning, starting with a toy circus coming to life in 1898’s “The Humpty Dumpty Circus.” Since then, it’s undergone many critical changes and improvements as filmmakers have experimented with what they could do with it, and in 2012, Laika released the first stop-motion animated feature film to use a 3D color printer to create the character faces. The movie, “ParaNorman,” was a comedy horror for kids and certainly seemed to find its audience while also creating quite a bit of controversy. Join us – Pete Wright and Andy Nelson – as we start off our brief vacation challenge series with Chris Butler’s and Sam Bell’s horror comedy for the kids, “ParaNorman.” We talk about why Pete picked this movie and what he loves about not just this film but stop-motion animation in general. We chat about the directors behind this animated film and what sort of the criticism the film received upon its release (and still to this day!) due to the violence it depicted, the sexual situations and the fact that it has an openly gay character. We discuss not just the actors that voiced the characters – from Kodi Smit-McPhee and Tucker Albrizzi to Anna Kendrick and Casey Affleck – but also Heidi Smith who designed the characters and the animators who brought them to life. We look at Butler’s screenplay and chat about why it’s such a strong script. And we marvel at the cinematography, production design, rigging, effects and everything else that goes into making a stop-motion animated film, thrilled with how well this team did at focusing and working together to create a wholly realized world. It’s an absolute blast to watch and certainly one well worth talking about. Is it safe for the kids? We think so and argue the point but some people aren’t so sure so perhaps look into it a bit before watching with your own children. Regardless, tune in after you’ve seen it to hear our thoughts! Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Art of the Title Flickchart Letterboxd Trailers of the Week Andy's Trailer: Deepwater Horizon — "I don’t know if I’m really that excited about this one. The trailer gives me a good sense of the story without completely ruining the story for someone who missed the news coverage, but it still feels like so many other heroic real-life stories out there. Looks like a good renter though." Pete's Trailer: Assassin’s Creed — "I’m a big fan of the game. But I’ve been a fan of games gone movies before. Seriously though, Fassbender? Cotillard? Irons? Brendan Gleeson? Michael Kenneth Williams? Is it possible that all these people have spontaneously decided to sell out at once? Or might this be a fair adaptation?"

"Nothing against Shakespeare, but..." Abe is seeing red and can't tell what's going on, Nate can't read. Listen to the Movie Nightcap hosts' struggle to digest something with a little more substance and culture as they discuss 2015's Macbeth starring Michael Fassbender and Marion Cotillard.

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Biopics come in a variety of shapes and sizes. Olivier Dahan's film “La Vie en Rose” detailing the life of Edith Piaf, one of France's greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf's sadly short life, not so much focused on chronology as much as an emotional journey. It's a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan's 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard's performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard's performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf's songs and Christopher Gunning's score, looking at the balance between the two and how the film doesn't feel the need to overwhelm us with every Piaf song out there. It's a strong story because of Piaf's life and Cotillard's performance and we have a great time talking about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Biopics come in a variety of shapes and sizes. Olivier Dahan’s film “La Vie en Rose” detailing the life of Edith Piaf, one of France’s greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf’s sadly short life, not so much focused on chronology as much as an emotional journey. It’s a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan’s 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard’s performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard’s performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf’s songs and Christopher Gunning’s score, looking at the balance between the two and how the film doesn’t feel the need to overwhelm us with every Piaf song out there. It’s a strong story because of Piaf’s life and Cotillard’s performance and we have a great time talking about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Biopics come in a variety of shapes and sizes. Olivier Dahan's film “La Vie en Rose” detailing the life of Edith Piaf, one of France's greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf's sadly short life, not so much focused on chronology as much as an emotional journey. It's a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan's 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard's performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard's performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf's songs and Christopher Gunning's score, looking at the balance between the two and how the film doesn't feel the need to overwhelm us with every Piaf song out there. It's a strong story because of Piaf's life and Cotillard's performance and we have a great time talking about it. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Biopics come in a variety of shapes and sizes. Olivier Dahan's film “La Vie en Rose” detailing the life of Edith Piaf, one of France's greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf's sadly short life, not so much focused on chronology as much as an emotional journey. It's a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan's 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard's performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard's performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf's songs and Christopher Gunning's score, looking at the balance between the two and how the film doesn't feel the need to overwhelm us with every Piaf song out there. It's a strong story because of Piaf's life and Cotillard's performance and we have a great time talking about it. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Pour cet avant-dernier épisode de la saison, l'équipe de Focus se penche sur les gros morceaux culturels du moment. A savoir: -"Deux jours, une nuit" des Frères Dardenne. Un film revenu bredouille de Canne. Est-ce bien normal ou est-ce un scandale? (Vers 2'') -"Mai 67", le dernier roman de Colombe Schneck, qui raconte l'histoire d'amour éclair entre Brigitte Bardot et celui qu'elle nomme "F." dans sa bio. Parvient-il à nous passionner? (Vers 19'10'') -"Black Mirror", minisérie anglaise programmée ce week-end au festival Are You Series? à Bozar. On s'y précipite? (Vers 31'10'') -"…And then you shoot your cousin", le dernier album de The Roots. Album de la semaine ou de l'été? (Vers 43'27'') Une émission présentée par Myriam Leroy, avec Nicolas Clément, Guy Verstraeten et Ysaline Parisis.

Comedian Dustin Meadows hosts a weekly show wherein he watches his favorite movies with other comedians who've never seen the film before. Dustin, Taylor Reinhart and Erica van Heyde dive into the conclusion of the Dark Knight Trilogy with The Dark Knight Rises. Praise is heaped upon Anne Hathaway, plot holes are picked apart and Taylor has no love for Matthew Modine. *Artwork by Brandon Schneider

A podcast so golden youd's swear it was recorded in Paris in the 1920s. This week Jonathan and Matt discuss what they think of film icon Woody Allen and comedy star Owen Wilson. What they thought of the time travel in 'Midnight in Paris' and what famous time traveller's they were disappointed not to see. Also think through what their 'golden age' is. Plus they give a shout out to some fans on their new facebook fanpage.

C'est la vingtième ! C'est la fête ! C'est DSK ! C'est Hondelatte ! Bref, c'est plein de bon goût. Pour la vingtième, double concours : faites-nous marrer et vous pourrez gagner une bon d'achat de 50€ sur Games-Avenue.com, trouvez l'extrait passé avant la dernière partie de l'émission et vous gagnerez au choix la culotte de Miléva ou de Némo. C'est la fête du slip. Et voici le lien de la rubrique des conneries du Web : http://www.journaldugamer.com/2011/05/20/deco-cable-consoles/ http://support.microsoft.com/kb/323626 http://www.google.fr/search?q=SYLK&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:fr:official&client=firefox-a http://www.ties4cops.com/ http://www.leboncoin.fr/image_son/204103102.htm Et pour en savoir plus sur King Kong 2 : http://www.allocine.fr/film/fichefilm_gen_cfilm=1553.html

5ème émission de Parlons VF ! Au programme : Tron Legacy, Green Hornet, Inception, Dr. House, et une interview de Brigitte Lecordier, la voix français de Sangoku !

5ème émission de Parlons VF ! Au programme : Tron Legacy, Green Hornet, Inception, Dr. House, et une interview de Brigitte Lecordier, la voix français de Sangoku !

Mike, John, James, and Adam initiate conversations about movies that make you tear up, the writer's free pass, judging David Lynch's daughter, and revisiting the end of The Mist…again. If you have a comment or question you can write us at theaftershowpodcast@gmail.com or call and leave a voicemail message at (206) 984-1298.  Thanks for listening.INCEPTION imdb Page: http://www.imdb.com/title/tt1375666/

Stacey and Adam discuss whether or not they had a good evening spending time with Russell and Marion.If you have a comment or question you can write us at theaftershowpodcast@gmail.com or call and leave a message at (206) 984-1298.  Thanks for listening.A GOOD YEAR imdb Page: http://www.imdb.com/title/tt0401445/

Stacey and Adam lose whatever they have left to try and decipher a film by perverts for perverts.If you have a comment or question you can write us at theaftershowpodcast@gmail.com or call and leave a message at (206) 984-1298.  Thanks for listening.INNOCENCE imdb Page: http://www.imdb.com/title/tt0375233/

In the spirit of Edith Piaf's signature song, no, I regret nothing about La Vie en Rose -- not the narrative confusion, not the sketchy details or the music-video editing. Olivier Dahan's impressionistic biopic gives us a brilliant performance by Marion Cotillard as the passionate, tortured Piaf, and Cotillard gives us something new in this genre -- a sense of what the song does to the singer...