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Grammy Award-winning fiddler and vocalist Lisa Gutkin (The Klezmatics) and Bill Gordh tell the Jewish-Ukrainian tale A Garment for the Moon. The moon loves being up in the night sky but sometimes she gets cold. The tailors of the town try to weave a garment to keep her warm but she keeps changing shape! One tailor remembers a tale from his childhood about a place where they weave with light. Could that be the answer? And if so, how will he find it?More about Lisa Gutkin and The KlezmaticsEditing courtesy of Cliff Hahn SoundSupport the showKeep in touch with us! Join our newsletter
Grammy Award-winning fiddler and vocalist Lisa Gutkin (The Klezmatics) and Bill Gordh tell the Jewish-Ukrainian tale A Garment for the Moon. The moon loves being up in the night sky but sometimes she gets cold. The tailors of the town try to weave a garment to keep her warm but she keeps changing shape! One tailor remembers a tale from his childhood about a place where they weave with light. Could that be the answer? And if so, how will he find it?More about Lisa Gutkin and The KlezmaticsEditing courtesy of Cliff Hahn SoundSupport the showKeep in touch with us! Join our newsletter
We are live, on-location at the TCL Chinese Theatre for AFI FEST 2023 (https://fest.afi.com) as the official podcast partner. These shorter, special episodes are with selected filmmakers. In this episode we interview Teddy Schaffer (Director), Camille Tsalik (writer) and Lara Marks (Producer) for their film “CHERRY KOMPOT”. This film follows Lev, a stubborn Jewish-Ukrainian senior who refuses to ‘sit' in the wake of his wife Sonia's death. When his growing hysteria drives all the guests away, he is confronted with his truest fear: to find himself alone. You can also watch all AFI Fest interviews on our YouTube Channel Cinematography for Actors: https://youtube.com/@cinematographyforactors For our listeners, CFA has teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote. Calling all actors! Take 25% off your membership at WeAudition with code: CFA25. Follow us wherever you listen to your podcasts to keep up to date on new episode releases. A huge thank you to our sponsors: Band Pro Film & Digital, Rosco Laboratories, Deity Microphones & BlackMagic Design Website: https://www.cinematographyforactors.com Instagram: https://www.instagram.com/cinematographyforactors TikTok: https://www.tiktok.com/@cinematographyforactors Cinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling. Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support
Federation CJA 360 Podcast: The Pulse of Montreal’s Jewish Community
Exciting news! With the launch of our 2023 Campaign, episode 10 explores the impact of community, and how strong we can be when we #StandUp together.Here's a sneak peek:- Yair Szlak gets into the behind the scenes of fundraising with David Cape, Chairof the 2022-2023 Comprehensive General Campaign of the Combined JewishAppeal.- Rabbi Getzy dives in to the incredible work done at The Family Store, asubsidized community grocery warehouse.- Celebrate Israel's 75 th with an “Israeli Moment” from Stephen Rabinovitch as hegives us the run down on the upcoming Journey of Hope!- Get a boots-on-the-ground update from Oxana Pasternak on the Jewish-Ukrainian community.- Eta Yudin, from the Centre for Israel and Jewish Affairs, gives an overview of hernewly published article in the Times of Israel, “Our Common Values,” detailingthe enduring relationship between Quebec and Israel.- We'll wrap up with “One More Thing, from Yair,” as we look forward to theupcoming High Holidays.✉️ Send your questions for Yair about the Jewish community and federation services. Send usyour first name, where you're from, and your question to podcast@FederationCJA.org, and we'lltry to answer them in the next episode.The Pulse of Montreal's Jewish Community.
One year after Russia's illegal invasion of Ukraine, Vladislav Davidzon, European culture correspondent for Tablet Magazine, shares what he's witnessed as a war correspondent on the frontlines, and predicts the future for his beloved country and the Jewish community he's proud to call home. We last spoke to Davidzon hours before the Russia-Ukraine war began, when he was on the ground in Kyiv – listen now to his dispatch a year on, as he joins us live from our New York studio. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC. ___ Episode Lineup: (0:40) Vladislav Davidzon ____ Show Notes: Read: What You Need to Know About the Wagner Group's Role in Russia's War Against Ukraine Preorder: Jewish-Ukrainian Relations and the Birth of a Political Nation Watch: Kiyv Jewish Forum: Ted Deutch, AJC CEO, Addresses Kyiv Jewish Forum 2023 Panel: Ukraine as the Israel of Europe with Simone Rodan-Benzaquen, Managing Director of AJC Europe, Bernard Henry Levi, philosopher, and Josef Joffe, Stanford University Listen: Podcast episode with Vladislav Davidzon, recorded February 23, 2022: Live from Kyiv: The Future of Ukraine and its Large Jewish Community Our most recent podcast episode: How Rising Antisemitism Impacts Jews on College Campuses Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. ______ Transcript of Interview with Vladislav Davidzon: Manya: On February 24th, 2022, just hours before the Russian invasion of Ukraine began, Vladislav Davidzon, founding editor of The Odessa Review and contributor to Tablet Magazine, joined us live from Kiyv to share the mood on the ground as Russian forces were closing in. Now, one year later, Vladislav joins us again, this time in person, in our studio to share what he has seen, heard, and experienced this past year since the Russian invasion of his home. Vladislav, it is so good to see you alive and well and in person. Vladislav: Thank you so much. This is so surreal. I'm so grateful, first of all, for your interest, for your affection, for your graciousness, for your respect. But I'm grateful to be here exactly one year later. It was the last thing that I did in the workday before the war began, before the old world ended. And I went off to dinner with my friend, now of blessed memory, Dan Rappaport, who was an American Latvian born Jewish financier. It was also the last time I saw him. He died under very suspicious circumstances. He died falling out of a window in Washington, DC, or of a roof, on the seventh floor, three months later. I just have extremely intense emotions about that six hour period because…I was talking to my wife, my wife's French Ukrainian, she was back in Paris. I said, if anything happens tonight, I'll call you in the morning. Things are gonna go down tonight. And then I did this podcast with you. And so, it's really amazing to be back with you a year later. Manya: Yes. I mean, I am so grateful to see you because I really was very worried. I worried that that was going to be our last conversation, and that I would not get a chance to meet you in person after that. And in addition to everything, you've been working on a book, The Birth of a Political Nation, which we'll talk a little bit more about shortly. But, first tell me, tell our listeners how you have managed to survive and tell the stories that need to be told. Vladislav: It's not pretty. I mean, it's just, it's not elegant. I'm a Ukrainian Russian Jew, so I kind of went into primordial, bestial mode, like Russian Ukrainian, Jewish survival mode, like my grandfathers and great-grandfathers during World War II. I just, you know, something clicked and your your training and your skillset and your deep cultural characteristics click in and you just go full on Hemingway, Lord Byron, and then you just go to war. Like a lot of other people, I went to war. I burned out after about six months and I needed some months off. I was just rnning around like a madman, reporting, getting my own relatives out, helping whatever way I could, helping my family close down their businesses, helping run guns, going on t radio, you know, just collecting money, going to the front, just, going off on an adrenaline rush. And it's admixture of rage, testosterone. Adrenaline, survival, rage, all the cocktail of horrific, let's say toxic masculine character [laughs]. I know you can't, I I know. I'm ironic about that. I live in Eastern Europe, so you can, you can still make fun of all that stuff in Eastern Europe. I don't know if you can here, but, you know, jokes aside. I just went into this deeply primordial state of Ukrainian Russian civilizational structures of brutal survival and fighting. And that went on for about six months, at which point I just crashed and collapsed and needed some off time. Manya: How much of your journalistic instincts also fueled your push on, your forging ahead and surviving just to tell the story, or was it more a familial connection? Vladislav: I have skin in the game. I'm from there. I mean, my ancestors are from there, two of my grandparents were born there. My family lived there for hundreds of years. I'm married to a Ukrainian Jewish girl. I have family there. My friends are, these are my people. I'm deeply tribal. Obviously you take the opportunity as a journalist reporting on a country for 10 years and almost no one cares about it. And you're an expert on it. You know all the politicians and you know all the, all the stories and you know all the storylines. And you, you have contacts everywhere. You know, of a country like the back of your hand. And suddenly it becomes the focal point of the world's attention and it becomes the greatest story in the entire world. And of course, you're prepared in a way that all, all these other people who paratroop in are not prepared, and you have to make the best of it. And you have to tell stories from people who wouldn't otherwise have access to the media. And you have to explain, there's so much bad stuff in terms of quality of reporting coming out of Ukraine because so many amateurs went in. In any given situation, there are lots of people who come to a war zone. You know, in wars, people, they make their bones, they become rich, they become famous, they get good looking lovers. Everyone gets paid in the currency that they want. Right? But this is my country. I've been at this for 10, 12 years. I don't begrudge anyone coming to want to tell the story. Some people are opportunists in life and some people are extraordinarily generous and gracious. And it almost doesn't matter what people's motivations are. I don't care about why you came here. I care about the quality of the work. And a lot of the work was pretty bad because people didn't have local political context, didn't have language skills. And a lot of that reporting was so-so. I made the most of it, being an area expert. And also being a local, I did what I had to do. I wish I'd done more. I wish I went 500% as opposed to 250%. But everyone has their limits. Manya: What got lost? With the poor reporting, what do you think with the stories that you captured, or what do you wish you had captured, giving that additional 250%? Vladislav: Yeah. It's a great question. I wish that I had known now what I know a year ago, but that's life in general. About where the battles would be and what kinds of people and what kinds of frontline pounds would have particular problems getting out to particular places. For example, I know now a lot more about the evacuation of certain ethnic communities. The Gagauz, the Greeks. Ukraine is full of different kinds of people. It's a mosaic. I know now a lot about the way that things happened in March and April. Particular communities went in to help their own people. Which is great. It's fine. a lot of very interesting characters wound up in different places. Much of Ukrainian intelligentsia, they wound up outside the country. A lot stayed, but a lot did wind up in different places like Berlin and the Baltics. Uh, amazing stories from, uh, the volunteers like the Chechens and the Georgians and the Lithuanians and the Belarus who came to fight for Ukraine. Just, you know, I wish I'd kept up with the guys that I was drinking with the night before. I was drinking with like six officers the night before, and two of 'em are alive. Mm or three alive now. I was with the head of a Georgian Legion two nights before the war. Hang out with some American CIA guys and people from the guys from the American, actually a couple of girls, also hardcore American girls from the US Army who were operatives and people at our embassy in Kyiv who didn't get pulled out. These are our hardcore people who after the embassy left, told whoever wanted to stay on the ground to stay. I met some very interesting people. I wish I'd kept up with them. I don't, I don't know what happened with them or what, what their war experiences were like. So, you know. Yeah. Life is full of regrets. Manya: You talked a little bit about the ethnic communities coming in to save people and to get them out. How did the Jewish communities efforts to save Ukrainian Jews compare to those efforts? Did you keep tabs on that? Movement as well. Vladislav: Oh, yeah. Oh, in fact, I worked on that actually, to certainly to a smaller extent than other people or whatever. I certainly helped whatever I could. It was such a mad scramble and it was so chaotic in the beginning of a war. The first two weeks I would be getting calls from all over the world. They would call me and they would say this and this and this person, I know this person needs to get out. There were signal groups of volunteers, exfiltration organizations, special services people, my people in the Ukrainian Jewish community who were all doing different things to get Jews out. Tens of thousands of people were on these lists. And I would figure out to the extent possible with about 50 people, 40 to 50 people, what their risk level was. And I would give 'em advice. I have a gay friend, one of my wife's business partners, who was the head of a major television station. And he would, he would've been on the Kill list because he was in part of intelligentsia and he was gay. I gave him particular advice on where to go. I said, go to this village–and men aren't allowed of the country, and he wasn't the kind of guy who was gonna fight. I said, go to a particular place. I told him, go to this village and sit here and don't go anywhere for two months. And he did this. Other people needed to be gotten out. Holocaust survivors, especially. We have horrific incidents of people who survived Stalin's war and Hitler's war and who died of heart attacks under their beds, hiding from Russian missiles. There were many stories of Holocaust survivors. Typically, it's old women by this point. It's not it's not gentleman. Women do live longer. Older women in their nineties expiring in a bunker, in an underground metro station or under their bed hiding from missiles, you know. Horrific stories. but people who survived Auschwitz did get killed by the missiles. We have stories like that. And so to continue, there were many people working on getting elderly Jews out. Getting Jewish women out. Jewish kids out. There were, in fact, there were people working on getting all sorts of people out. And that's still going on. And I met a Jewish member of the Ukrainian parliament last night who did this for two months. Uh, I saw, I saw my acquaintance who I hadn't seen in two years. Yeah. There are a lot of people I haven't seen in a year, obviously, for the obvious reasons. I saw an acquaintance who's an Israeli educated Ukrainian member of parliament. He spent the first three months just evacuating Jews, driving convoys of special forces guys, former Mossad guys, special operatives into cities like Mariupol, Chernigev to get Jews out. Literally driving through minefields at a certain point with buses full of elderly Jews. And he told me last night that they got 26,000 Jews out. Just in his organization, which was Special Forces guys, Ukrainian police volunteers, Ukrainian Jewish guys who came back from Israel with IDF training, a motley collection of people. But they set up an organization and they went in, and they got people out. Manya: That's amazing. So I know before, when we spoke before you were splitting your time between Ukraine and France, because your wife is of French descent as well. For your most recent piece for Tablet, the most recent one that I've read, you were in Tel Aviv doing an interview. So where have you spent most of your time, in this past year? Vladislav: In my head. Manya: Yeah. Understandable. Vladislav: I've spent, if I had to count up the dates of my passport, 40 to 50% of my time in Ukraine, over the last, less than the last three months for various family reasons and, you know, working on my book But half the time in Ukraine, in and out. I've been all over, spent a lot of time on the front. That was intense. That was really intense. Manya: You mean as a war correspondent on the front lines? Vladislav: Yeah,I was in Sievierodonetsk, Kharkiv, Kherson, Lysychansk, Mykolaiv. I was all over the front. I was with the commanding general of the Southern front in a car, driving back from the battle of Kherson, and we got stripped by a Russian sniper three times and they hit our car. They just missed by like a couple of centimeters, side of a thing. And the guy actually usually drove around in an armored Hummer. But the armored Hummer was actually in the shop getting repaired that day and was the one day he had an unarmored Hummer. And we were just in an unarmed car, in an unarmed command car, black Mercedes, leaving the war zone a couple of kilometers out, just a Russian reconnaissance sniper advanced group just, you know, ambushed us. They were waiting for us to, maybe they were just taking pot shots at a command car, but they were waiting for us as we were leaving. Took three shots at us and the car behind us with our bodyguards radioed, they're shooting, they're shooting. I heard three whooshes and three pings behind it. Ping, ping, ping. And we all thought in the car that it was just rocks popping off the the wheels. But actually it was a sniper. So, you know, there, there was a lot of that. It was very intense. Manya: Did you wear flak jackets? Vladislav: Yeah, well, we took 'em off in the car. When, when you're on the front line, you wear everything, but when you get out of the front line, and you're just driving back, you don't wanna drive around with it, so you just take it off in the car. And that's exactly when they started shooting us. Yeah. They would've gotten us, if they'd been a little bit luckier. Manya: Well, you moderated a panel at the Kiev Jewish Forum last week. Our CEO, Ted Deutch and AJC Europe Director Simone Rodan-Benzaquen, were also there. Your panel focused on the new Ukraine. What does that mean, the new Ukraine? What does that look like? Vladislav: Thank you for asking about that. Let me start with talking a little bit about that conference. Along with Mr. Boris Lozhkin, the head of Ukrainian Jewish Confederation. I put together with Tablet where I'm the European culture correspondent, wonderful, wonderful conference. It is the fourth annual Kiyv Jewish Forum. It took place in Kiyv for the last three years, but today, obviously this year, it won't be for the obvious reason and we put together a conference so that people understand the issues at stake, understand the position of Ukrainian Jewish community, understand the myriad issues involved with this war. Just a wonderful, wonderful conference that I really enjoyed working on with remarkable speakers. Running the gamut from Leon Panetta, Boris Johnson. Your own Mr. Deutch. Just wonderful, wonderful speakers. And, six really great panels, and 20 wonderful one-on-one interviews with really interesting people. So please go to the website of the Kiev Jewish Forum or Tablet Magazine and/or YouTube, and you'll find some really interesting content, some really interesting conversations, dialogues about the state of war, the state of Ukrainian Jewry, the state of Ukrainian political identity and the new Ukraine. Manya: I should tell our listeners, we'll put a link to the Kiyv Jewish Forum in our show notes so that they can easily access it. But yeah, if you don't mind just kinda elaborating a little bit about what, what does the new Ukraine look like? Vladislav: Well, we're gonna see what the new Ukraine will look like after the Russians are driven out of the country. It's gonna look completely different. The demographic changes, the political changes, the cultural changes will play out for decades and maybe a hundred years. These are historical events, which will have created traumatic changes to the country and to Eastern Europe, not just to Ukraine, but all of eastern Europe. From along the entire crescent, from Baltics to Poland, down to Hungary, through Moldova, Belarus. Everything will be changed by this war. This is a world historical situation that will have radically, radically changed everything. And so Ukraine as a political nation has changed dramatically over the last seven years since the Maidan revolution. And it's obviously changed a lot since the start of the war a year ago. It's a completely different country in many ways. Now, the seeds of that change were put into place by the political process of the last couple of years, by civil society, by a deep desire of the resilient Ukrainian political nation to change, to become better, to transform the country. But for the most part, the war is the thing that will change everything. And that means creating a new political nation. What that will look like at the end of this, that's hard to say. A lot of these values are deeply embedded. I know it's unfashionably essentialist to talk about national character traits, but you know, again, I'm an Eastern European, so I can get away with a lot of things that people can't here. And there are such things as national character traits. A nation is a collection of people who live together in a particular way and have particular ways of life and particular values. Different countries live in different ways and different nations, different people have different traits. Just like every person has a different trait and some are good and some are bad, and some are good in certain situations, bad in other situations. And everyone has positive traits and negative traits. And you know, Ukraine like everyone else, every other nation has positive traits. Those traits of: loving freedom, being resilient, wanting to survive, coming together in the times of war are incredibly generative in the middle of this conflict. One of the interesting things about this conflict that is shown, the way that all the different minorities in the country, and it's a country full of all kinds of people, all sorts of minorities. Not just Jews, but Greeks and Crimean Tatars, Muslims, Gagauz, Turkish speaking Christians in my own Odessa region, Poles on the Polish border, Lithuanian Belarus speakers on the Belarusian border. People who are of German descent, though there are a lot fewer of them since World War II. All sorts of different people live in Ukraine and they've come together as a political nation in order to fight together, in a liberal and democratic way. Whereas Russia's also an empire of many different kinds of people, And it's also been brought together through autocratic violence and authoritarian, centralized control. This is a war of minorities in many ways, and so a lot of the men dying from the Russian side are taken from the minority regions like Dagestan, Borodyanka, Chechnya. Disproportionate number of the men dying from the Russian side are also minorities, disproportionate to their share of the Russian Federation's population. In some circles it's a well known fact, one of the military hospitals on the Russian side, at a certain point, the most popular name amongst wounded soldiers, was Mohammed. They were Muslim minorities, from Dagestan, other places. There are a lot of Muslims in Russia. Manya: That is truly a heartbreaking detail. Vladislav: And they're the ones that are the poorest and they're the ones who are being mobilized to fight Ukrainians. Manya: So you're saying that literally the face of Ukraine, and the personality, the priorities of the nation have been changed by this war. Ukrainians have become, what, more patriotic, more militant? Militant sounds … I'm afraid that has a bad connotation. Vladislav: No, militant's great. You know, Marshall virtues. . . that's good. Militant is, you know, that's an aggressive word. Marshall virtues is a good word. Surviving virtues. It's amazing the way Ukrainian flags have encapsulated a kind of patriotism in the western world, which was in many ways unthinkable for large swaths of the advanced population. I mean, you see people who would never in a million years wave an American or British or French flag in Paris, London, and New York and Washington, wave around Ukrainian flags. Patriotism, nationalism have very bad connotations now in our decadent post-industrial West, and, Ukrainians have somehow threaded that needle of standing up for remarkable values, for our civilization, for our security alliances after the war, for the democratic world order that we, that we as Americans and Western Europeans have brought large swaths of the world, while also not becoming really unpleasantly, jingoistic. While not going into, racism for the most part, while not going into, for the most part into unnecessary prejudices. They fight and they have the best of traditional conservative values, but they're also quite liberal in a way that no one else in eastern Europe is. It's very attractive. Manya: They really are unified for one cause. You mentioned being shot at on the front lines of this war. This war has not only changed the nation, it has changed you. You've become a war correspondent in addition to the arts and culture correspondent you've been for so many years. And you've continued to report on the arts throughout this horrific year. How has this war shaped Ukrainian artists, its literary community, its performing arts, sports? Vladislav: First of all, unlike in the west, in, in Eastern Europe. I mean, these are broad statements, but for the most part, in advanced western democracies, the ruling classes have developed different lifestyles and value systems from much of the population. We're not gonna get into why that is the case, but I, as a insider-outsider, I see that. It's not the case in Eastern Europe yet, and certainly not in Ukraine. The people who rule the country and are its elites, they are the same culturally, identity wise as the people that they rule over. So the entire, let's say ruling elite and intelligentsia, artistic class. They have kids or sons or husbands or nephews at war. If we went to war now in America, much of the urban population would not have a relative who died. If a hundred thousand Americans died right now would not be, you would probably not know 10 people who died, or 15 people who died. Manya: It's not the same class system. Vladislav: Correct. America and the western world, let's say western European world from Canada down to the old, let's say Soviet borders or Polish borders, they have developed a class system, a caste system that we don't have. You could be a billionaire, and still hang out with your best friend from high school who was a worker or a bus driver. That doesn't happen here so often, for various reasons. And so a larger proportion of the intelligentsia and the artistic classes went to fight than you would expect. I know so many writers and artists and painters, filmmakers who have gone off to fight. A lot, in fact, I'd say swabs of the artist elite went off to fight. And that's very different from here. And this will shape the arts when they come back. Already you have some really remarkable, interesting things happening in, in painting. Not cinema because cinema's expensive and they're not really making movies in the middle of a war. Certain minor exceptions. There's going to be a lot, a lot of influence on the arts for a very long time. A lot of very interesting art will come out of it and the intelligentsia will be strengthened in some ways, but the country's losing some of its best people. Some of its very, very, very best people across the professions are being killed. You know, dozens of athletes who would've been competing next year in the ‘24 Olympics in Paris are dead on the front lines. Every week I open up my Twitter on my Facebook or my social media and I see another athlete, you know, pro skater or a skier or Cross Country runner or someone who is this brilliant 19, 20 year old athlete who's supposed to compete next year, has just been killed outside of Bakhmut or just been killed outside of Kherson or just been killed outside of Sloviansk or something like this. You read continuously and there's a picture of this beautiful, lovely, young person. who will never compete next year for a gold medal at the Olympics. You see continuously people with economics degrees, people who went to art school being killed at the front. So just as the army, as the Ukrainian army has lost a lot of its best men, a lot of its most experienced soldiers have been killed recently in Bakhmut and in other places, the intelligentsia is taking a wide scale hit. Imagine like 20-30% of America's writers, artists, people who went to art school getting killed at the front or something like that. I don't have statistics, but 10 to 15, 20%. Can you imagine that? What would that do to the society over the long term, If some of its best writers, people who won Pulitzer prizes, people who won national book awards wound up going to the army and getting killed? Manya: When this war ends… Vladislav: When we win, when we win. Manya: When you win, will there be a Ukrainian Jewish community like there was before? What do you see as the future of the Ukrainian Jewish community and how do you think the trauma of this conflict will impact that community? Vladislav: There will be a Jewish Ukrainian community, whether there will be a Russian Jewish community remains to be seen. There will be survivors of the community. A lot of people will go back, we'll rebuild. We will get our demographics back. A lot of people in Ukraine will have already stayed where they're going. There are already a lot of people who have left and after a year their kids got into a school somewhere in the Czech Republic or France or Germany. They're not coming back. There will be a lot of people who will have roots somewhere else. Within the community, certain cities, Jewish life will die out. What was left of the Lugansk, Donetsk Jewish communities is gone now. What was left of Donetsk Jewry is gone. There were a lot of Jews in Mariupol, thousands of Jews. Many of them who survived World War II. Certainly the Mariupol Jewish community has no future. None. Absolutely none. For the obvious reasons. The demographics of the Jewish communities have all changed and we're gonna see over time how all this plays out and sorts itself out. A lot of Jews from Odessa went into Moldova and they will come back. A lot of Jews from Dnipro have been displaced, although the city has not been touched. And they had the biggest Jewish community of like 65-70,000 Jews in Dnipro, and the wealthiest Jewish community and the best financed, the most synagogues. I actually went, before the battle of Sievierodonetsk, I went and I asked the rabbi of Dnipro for his blessing, cause I knew it was going to be a bloodbath. I didn't really want to die, so, you know, I'll try anything once. and it worked. Proofs in the pudding. I'm still here. He's done tremendous work in order to help Jewish communities there. One of the interesting parts of this is that little Jewish communities that had been ethnically cleansed by the Holocaust, which were on their way to dying, which did not have enough Jews in order to reproduce on a long timeline in Western Ukraine. Now because of the influx of Jews from other parts of the country, from the south especially and from the east, now have enough Jews in order for them to continue on. I don't know if anyone knows the numbers and it's too early to say. Places like Lviv had a couple of hundred Jews. They now have several thousand. There are at least three or four minor towns that I can think of in Western Ukraine, which were historically Jewish towns. which did not after the Holocaust, after, Soviet and Post-soviet immigration have enough of a Jewish population in order to have a robust community a hundred years from now, they now do. Now that is a mixed blessing. But the demographics of Jews inside Ukraine have changed tremendously. Just that the demographics of everything in Ukraine has changed tremendously when 40% of a population have moved from one place to another. 8 million refugees, something like 25- 40% of the country are IDPs. Lots of Jews from my part of Ukraine, from the South, have moved to West Ukraine. And those communities, now they're temporary, but nothing is permanent as a temporary solution, as the saying goes. I think Chernowitz, which never had the opportunity, I really love their Jewish community and they're great. And the rabbi and the head of community is a wonderful man. It did not seem to me, the three or four times that I'd visited before the war, Chernowitz, where my family's from, that this is a city that has enough Jews or Jewish institutional life to continue in 50 years. It does now. Is that a good thing, I don't know. That's a different question, but it's certainly changed some things, for those cities. Manya: Vladislav, thank you. Thank you for your moving reports and for joining us here in the studio. It has been such a privilege to speak with you. Please stay safe. Vladislav: Thank you so much for having me. I really appreciate it. It's really great to check in with you again one year after the last time we spoke.
In the latest episode of Life in Food with Laura Price, I talk about Food and War with Alissa Timoshkina, who co-founded the Cook for Ukraine fundraising initiative with her friend Olia Hercules. In the episode, we talk about her campaign to fight conflict and violence with food and love, what she has learned from Russia's war on Ukraine, and how her Jewish-Ukrainian grandmother taught her that the human spirit cannot be extinguished through war.Follow Alissa on Instagram @alissatimoshkina.Follow MotherFood on Instagram @motherfoodlondon.Listen to MotherFood podcast.Follow Alissa on Twitter @alissatimoshkin.Buy Alissa's cookbook, Salt & Time.Try Alissa's recipe for borsch.Get involved with CookforUkraine.org.Visit Alissa's website.Read Laura's interview with Alissa and Olia for The World's 50 Best Restaurants.Restaurants mention in the episode:Mriya Neo BistroAbout Alissa Timoshkina: Alissa is a writer, historian and chef who published her first book, Salt and Time: Recipes from a Russian Kitchen, in 2019, and who hosts the podcast Motherfood. She founded the supper club KinoVino, pairing dishes with films, and has now extended Motherfood into a food service for new mothers.About the host: Laura Price is a multilingual journalist who travels the world writing about restaurants. A proud Yorkshire lass at heart, she spent several years in Latin America before settling in London. Her first novel, Single Bald Female, was inspired by her experience of being diagnosed with breast cancer at 29. A novelist by day and a food writer by night, Laura combines her two passions into this podcast, bringing out powerful stories of survival and healing in a language that everyone understands – food.Buy Single Bald Female.Visit Laura's website.Read Laura's Substack newsletter, Doughnuts for Breakfast.Follow Laura on Instagram @laurapricewrites.Follow Laura on Twitter @laurapricewrite.Life in Food is hosted, produced and edited by Laura Price. Hosted on Acast. See acast.com/privacy for more information.
In this FRDH holiday special to mark the end of 2022, Michael Goldfarb plays Jewish Ukrainian music recorded by him while on assignment in L'viv before Putin's war. The stories behind these pieces are interesting and the music is unique, lovely and presciently defiant.
Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Diplomatic correspondent Lazar Berman and Palestinian Affairs correspondent Jack Mukand join host Amanda Borschel-Dan in The Times of Israel's Jerusalem offices. Mukand digs into Palestinian Authority President Abbas's media blitz, with interviews on Wednesday and a speech on Friday. Why the sudden spotlight? Three members of Iran's small Jewish community have been arrested as part of the crackdown on the ongoing anti-regime protests. The community has previously condemned the protests. What else do we know so far? Peru has its first female president, Dina Boluarte. Do we know anything yet about how the surprise new government may view Israel? Berman speaks about the recently deceased Jewish Ukrainian soldier who was killed last month fighting Russian forces. Who was Vladislav Shain? Mukand watched the Morocco-Portugal quarter-final last night in east Jerusalem. He explains why Moroccan soccer supporters fly the Palestinian flag. Discussed articles include: PA chief urges world to shun an Israeli government not committed to two states PA's Abbas says he opposes armed resistance, for now 3 members of Iran's Jewish community arrested amid protests; 1 released Jewish Ukrainian soldier killed fighting Russian forces ‘Indescribable': Ecstatic Israelis, Palestinians celebrate Morocco World Cup success Arab world, Palestinians, join Moroccans' celebrations of advance to World Cup semis Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Morocco's Achraf Daria, with a Palestine flag, celebrates next to his teammate Sofiane Boufa after the World Cup quarterfinal soccer match between Morocco and Portugal, at Al Thumama Stadium in Doha, Qatar, December 10, 2022. Morocco won 1-0.(AP Photo/Thanassis Stavrakis)See omnystudio.com/listener for privacy information.
John Heilemann talks with Liev Schreiber, the acclaimed actor, director, and narrator who recently co-founded the non-profit BlueCheck Ukraine to identify, vet, and fast-track financial support to humanitarian groups on the ground in that war-torn country. Heilemann and Schreiber discuss the actor's close bond with his maternal grandfather, a Jewish Ukrainian immigrant, and how that relationship and his Ukrainian roots helped motivate him to start BlueCheck; Schreiber's experience feeding refugees in Poland with chef and World Central Kitchen founder José Andrés; and his assessment of President Volodymyr Zelenskyy and Ukraine's prospects in the war with Russia. Schreiber, who earned three Emmy Award nominations for his performance in the title role in the Showtime series Ray Donovan, also reflects on the emotional toll that inhabiting that dark and violent role for seven seasons took on him; what it was like to play newspaper legend Marty Baron in the renowned film Spotlight; and his unique working relationship with director Wes Anderson, in whose forthcoming movie, Asteroid City, Schreiber co-stars -- and about which he spills some beans, along with uncorking an unforgettable tale involving his big screen debut, the foxtrot, and the embarrassing form that Schreiber's excitement took during one dance rehearsal with Steve Martin. See acast.com/privacy for privacy and opt-out information.
Mother and daughter Galina and Yelena Lembersky's new memoir "Like a Drop of Ink in a Downpour" is a portrait of their lives behind the Soviet Union's Iron Curtain. They emigrated to the U.S. with 500 paintings by Galina's father Felix Lembersky, a noted Jewish Ukrainian artist. And, Chef Emiliano Marentes is a semi-finalist for the James Beard Award for Outstanding Chef. He talks about ELEMI, his restaurant in El Paso, Texas, and the art of handmade corn tortillas.
Our first interview of 2022 is with researcher and historian Alik Gomelsky. Originally from Kharkiv, he is a member of the Canadian Author's Association, co-founder of the Ukrainian-Jewish International Association and the author of "History: Unlearned Lessons", "Simon Petliura: Facts against Myths" and his latest: "Jewish-Ukrainian Relations. 20thCentury" (all in Ukrainian). His work is based on declassified KGB, CIA, Organization of Ukrainian Nationalists and German archives along with memoirs. He focuses is mainly on historical events and personalities through the prism of Jewish-Ukrainian relations. In this episode we look through the more troublesome history of Ukrainian-Jewish relations throughout the 20th century, including the widespread pogroms that occurred in the Russian Empire, the creation of the Ministry of Jewish Affairs under the Ukrainian People's Republic, Symon Petliura's stance on Jewish affairs, a look at Arnold Margolin (a very important Ukrainian-Jewish figure), Russian and Soviet attempts to create disunity among both ethnicities and a look into this current Russo-Ukrainian war. Facebook & Instagram: Wanderedgeukraine For more episodes, sources and extras, please visit: wanderingtheedge.net
Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East, and the Jewish world, from Sunday through Thursday. Editor David Horovitz and military correspondent Emanuel Fabian join host Amanda Borschel-Dan. Ukrainian President Volodymyr Zelensky wished the Jewish community a happy Passover on Saturday. Let's hear what he said and how -- and where -- Ukrainian Jews observed the holiday. Next we turn to tensions over the past several days on the flashpoint holy site known to Jews as Temple Mount and Muslims as Haram al-Sharif. Fabian rewinds to Friday morning and continues to update us on the skirmishes there. Horovitz talks about the tightrope balancing act Israel must perform regarding freedom of religion and the status quo on the Temple Mount. What is happening in terms of the government's stability? Arab party Ra'am has called for calm in light of the skirmishes on Temple Mount and also indicated it will remain in the coalition. Why is this significant? Turning back to Fabian, in light of the recent wave of terrorism, Israel's security barrier is again in the news and holes that have deliberately left open are now being patched. Fabian explains where. And finally, we talk about Iron Beam, a laser-based air defense system that can shoot down drones. Discussed articles include: Zelensky hopes for ‘defeat of evil' as Jewish Ukrainian refugees mark Passover Cops enter Temple Mount to clear obstructers as Palestinians hurl rocks at buses At least 130 rioters remain detained after Friday's Temple Mount clashes Amid terror warnings, security forces begin to patch holes in West Bank barrier In ‘game changer,' Israeli laser-based air defense shoots down drones Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Palestinians chant slogans and wave Hamas flags during a protest against Israel, in front of the Dome of the Rock shrine at the Aqsa Mosque compound in Jerusalem's Old City, April 15, 2022. (AP Photo/Mahmoud Illean) See omnystudio.com/listener for privacy information.
War has been raging in the Ukraine since February 24, 2022, with what appears to be no end in sight. Millions of Ukrainians have already left their country. On Wednesday's Mornings with Eric and Brigitte, Dr. Mitch Glaser, President of Chosen People Ministries discusses how they are helping to bring the love of the Messiah to those suffering in the conflict between Russia and Ukraine. Among them are thousands of Jewish people arriving in Poland, Germany, and other countries that are close enough to provide support. Teams from Chosen People Ministries are serving in those countries to pray, share the gospel and help those in need in practical ways. See omnystudio.com/listener for privacy information.
For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara' Frequency at patreon.com/subliminaljihad. Dimitri and Khalid engage in the ancient Russian practice of whataboutizmu and dive into the corrupt power networks fighting over control of Ukraine, including: NATO gaslighting, cancelling Mearsheimer, Oliver Stone's censored “Ukraine On Fire” documentary, US orchestration of the Maidan coup in 2014, similarities between Maidan and January 6th, “the Ukrainian revolution's unlikely streetfighting Rabbi”, the strange phenomenon of “Zhydo-Banderites”, Jewish-Ukrainian gangster oligarch Ihor Kolomoiskiy bankrolling Azov nazis, Privatbank and Burisma corruption, Biden getting Ukraine's General Prosecutor fired, Kolomoiskiy's assassination attempts against the head of the Ukrainian Central Bank, the rise of Zelensky's Kvartal 95 comedy troupe, Zelensky's appearance in the Pandora Papers, the mysterious Oman trip scandal in January 2020, the shooting down of Ukrainian International Airlines flight 752 in Tehran, Kolomoiskiy's money laundering operations in Cleveland and NYC, bankrolling the Lubavitchers, possible rifts between the US government and Kolomoiskiy, Dugin's Fourth Political Theory, Soviet nostalgia, Spy Kids 2 and the curse of postmodernity, Marvel Mind Control, and the mystery of Ukraine's US-funded biolabs.
Dear Ukrainian Grandparents, When I watch the senseless human suffering in Ukraine with tears in my eyes, it's as if my dear Jewish-Ukrainian grandparents' history is being repeated. My family was the lucky ones who were able to escape as is evidenced by me, their granddaughter and great-granddaughter whose Ukrainian blood runs through me and is here today to be able to podcast/write this without fear of censorship. Seeing mothers rushing out of Ukraine with babies in their arms fleeing harm to find safety and peace to live freely is exactly what my great-grandmother had to do with her son, my grandfather more than a hundred years ago. My beloved grandfather was born in a shtetl, a village on the outskirts of Kyiv. Think of Fiddler on the Roof and you'll get a good idea of the life his family led. Grandpa's family was forced to flee because of the Russian pogrom, creating a stream of refugees looking for a home, displaced people looking for a safe place to lay their heads at night without fear of massacre. The Ukrainians are living through a crisis that shocks the system like no other. Reports of young children and even animals in zoos hearing sirens going off puts them into a state of pure fright, a heightened state of stress. As a mental health advocate, it goes without saying, but I'll say it anyway, war is very bad for everything, especially mental health. Plain and simple it's traumatic with a future of PTSD. It's impossible to equate the experience of living through war to that of watching it unfold on a screen but the people in Ukraine and around the world are watching the crisis unfold through traditional news outlets and social media. The stream of information is powerful because it forces us to pay attention and it gives us a window into the experiences of the people there- but it's a lot to process and it is especially harmful to our youth. With footage and photos from Ukraine flooding social media and misinformation spreading rampantly, the implications for public health continue to grow and continue to need to be addressed. As a granddaughter, daughter, and mother I know one thing for sure… family is everything. My heart is with all the grandparents, parents, and children of Ukraine. I can not begin to imagine the fear and grief gripping the families on both sides of this conflict and so I will continue to pray that this chaos stops and that one day the Ukrainians and Russians will know peace and be able to have children who all can write their own stories or letters without censorship. Please listen to this short solo-podcast to hear what I'd like to tell my dear Ukrainian grandparents and great-grandparents and the current grandparents, parents, and children of Ukraine. SHOW NOTE LINKS: Rachel's Family Photos and Corresponding “Dear Ukrainian Grandparents” Personal Essay Ways to Help the Ukrainians Now Ways to Help the Ukrainians Now CONNECT WITH US! *Dear Family, Podcast Page *Write Now Rachel Website *Rachel's Blog @Medium *Rachel's Twitter *Facebook *Instagram PLEASE JOIN: *Dear Family Members, the Private Facebook Group WAYS TO HELP THE PODCAST: *PLEASE Leave a 5-Star Review and Subscribe! Thank you! Your support means the world to me. Wishing you love, happiness, and good mental health always.
Israel's diplomatic and security ties with Russia are facing pressure amid calls to help Ukraine more. It's taking in refugees but there's a controversy over how many non-Jewish Ukrainians to accept.
Noted author Eric Kimmel shares with us his passion and inspiration as a Jewish writer and his experiences in Indiana and exploring his own Ukrainian Jewish Heritage. Eric wrote such beloved books as "Hershel and the Hanukkah Goblins." --- Support this podcast: https://anchor.fm/injewishhistory/support
"The fight is here; I need ammunition, not a ride." - Volodymyr Zelenskyy Welcome back to Dive Right In with Jackie and Hannah! This week, we talk about what it means to be good global citizens while reflecting on the Ukraine-Russia conflict. After extensive research, we start giving some context to the conflict by highlighting Ukraine and Russia's geopolitical history. We talk about Putin's rise to power and the election of President Zelenskyy. After reflecting on the emotional toll of news headlines on North American teenagers, we take a look at the Jewish-Ukrainian perspective by sharing some of our family histories and talking about the resilience of European Jewry. Ultimately, we talk about the value of peace and action steps we can take from abroad to spread awareness and share prayers for peace, hope, and unity. Love, Jackie and Hannah ---------------------------- Links to Donate and Learn From Fight for Right - "Fight For Right works to let all Ukrainians with disabilities know the answer to this question. Our team has a clear position: #IStayInUkraine and we do everything to make it safe for Ukrainians with disabilities to stay here." "The Urgent Action Fund is helping support women, transgender, and nonbinary activists on the ground in and around Ukraine, by providing flexible funding, access to communication channels, and medical support." "IOM is scaling up its humanitarian operations in Ukraine and neighboring countries, providing emergency services in health, shelter, winter supplies, and protection." Tikva Odessa - Tikva's core mission is to care for the homeless, abandoned, and abused Jewish children of Odessa and neighboring regions of the Former Soviet Union. Tikva offers its graduates the opportunity for a brighter future through university & technical education in Odessa & immigration to Israel, where Tikva continues its support services to help them thrive. ---------------------------- Jackie and Hannah: Check out our Website: https://diverightinpodcast.weebly.com Follow our Link Tree: https://linktr.ee/diverightin Twitter: @DiveRightIn2 TikTok: @DiveRightIn Email: diverightinpodcast@gmail.com Follow our Instagrams: Podcast: @diverightinpodcast Hannah: @hannah.plotkin Jackie: @jackiespinnell
Recorded from the ground in Kyiv, Ukraine: Pavlo Khazan, a Reserve Major in Ukraine's armed forces and a signals officer of Jewish Ukrainian descent, is defiant in the face of unbelievable odds. A prominent leader of the Maiden movement and a veteran of the Donbas wars, Misha Zelinsky meets him at a friend's place only hours before he boards a train to travel 500 kilometres east to his hometown of Dnipro – directly into the Russian storm. An environmental engineer with a PhD in statistics, the once leading European eco-warrior has made the shift to battled hardened defender of his nation over the last decade. With the stakes so high, he appeals to the world for help in what he calls “critical moment for global democracy Rate and review! See omnystudio.com/listener for privacy information.
Welcoming Anisa to the podcast today, who works as a food photographer under the delightful moniker @thewonkystove - a title just as quirky, unique, and delightful as Anisa herself. Anisa arrived in the US as a very refugee from the former Soviet Union. Anisa's Jewish Ukrainian family suffered especially cruelly under their communist rule. Her mother's great courage in fleeing to the United States, and resilience in the face of tragedy once she arrived here, is an inspiration. Beyond that, Anisa's experience with food insecurity teaches us how we, as a society, need to respond to and support brave family's like Anisa's. If this sounds like a dark episode, you'll learn that humor is one of the greatest legacies of Anisa's family - and perhaps a secret weapon in their success. I couldn't be more honored to share Anisa's stories. Welcome Anisa - and welcome to YOU, listeners, who honor Anisa's story by listening. Listen Now to Anisa Highlights The subversive answer her mother gave to the Communist Party as a child Anti-Semitism in the USSR Her uncle's sentence to Siberia and the risky way Anisa's aunt worked to set him free How Odessa is unique in Ukraine - Romani, Jewish, Greek, & Turkish people "I live with myself. Sometimes I'm not that great." The generosity of Ukrainians & the joy of feeding others Leaving the Soviet Union and arriving in the US as refugees Anisa's experience with food insecurity and helping the right way "To go crazy from too much" New Year's Celebration & Russian Folklore Eggplant Rolls The proper way of choosing and preparing eggplant How To Contact Anisa Instagram: @thewonkystove Recipe Associated with This Episode: Odessa Blue Flame [lt_recipe name="Odessa Blue Flame Eggplants" prep_time="15M" cook_time="20-23M" total_time="35-38M" print="yes" ingredients="2 medium eggplants;1 tbsp of kosher salt;3 tbsp of olive oil;;Filling:;1 small red sweet bell pepper;10 sprigs parsley;4 medium cloves garlic;1 tsp salt;.25 tsp sugar;1/4 tbsp white vinegar;3 tablespoons light olive oil;1 tablespoon hot water ;(Pepper flakes optional)" ]2 medium eggplants sliced from hat to heel into about 1/4 inch thick slices. Spread on a single on a paper towel and salt with about 1 tablespoon kosher salt. Allow to sweat for 15 minutes. Afterwards rinse, pat dry and divide between two parchment lined baking sheets. There should be a single layer of eggplants on each pan. Drizzle the eggplants with 2 tbsp oil divided between the two sheet pans. Pop into a 425* oven for 15 minutes. At 15 minute mark remove, flip, drizzle with 1 tablespoon oil divided between the two pans and return to oven for 5-7 minutes. Eggplants will be slightly browned on edges and pliable. Let cool.;;Filling: Char the pepper until skin is black and blistered. Place in plastic bag or covered bowl to remove skin.;Using a hand blender, blend pepper and all ingredients except vinegar. It should be a thick paste. Heat this until mixture just start to bubble on the stove. Remove. Add vinegar. ;;Cool slightly before spreading 1 tablespoon of paste along length of eggplant. Roll from the narrow end in. Arrange rolls in a shallow dish. Spread remaining paste over top and refrigerate over night. This will keep 4 days and be best the next day, with rice, grilled meat or just a crust chunk of bread. Serve with fresh parsley and a bit of oil over top.[/lt_recipe]Instagram: @thewonkystove Facebook: The Wonky Stove Pin This Episode Related Episodes I am Pitor's Granddaughter More About The Storied Recipe Podcast The concept of The Storied Recipe is unique - every guest gives me a recipe that represents a cherished memory, custom, or person. I actually make, photograph, and share the recipe. During the interview, I discuss the memories and culture around the recipe, and also my experience (especially my mistakes and questions!) as I tried it.
ARC Ensemble – Chamber Works by Dmitri Klebanov (Chandos) Jump to giveaway form “It is very interesting that every composer tells a different story of overcoming difficulties,” said Simon Wynberg, who is the artistic director for the Arc Ensemble. “It's about planting a flag in the ground and producing marvelous work. It's a really exciting kind of project.” Chamber works by Dmitri Klebanov is the fifth recording from the group's Music and Exile series, and it features the Jewish Ukrainian composer Dimitri Klebanov How did the Yuri Klebanov contribute to this album full of his father's music? “He had amazing insights into his father's life. He had anecdotes and letters and notes between Shostakovich his father from when he was a boy. There were all sorts of things that he could tell me about the repertoire and about Dimitri Klebanov's life. We corresponded for years. “It was a real shock when he suddenly passed. I know he was really looking forward to the release of the CD because it was the first time in 30 years that a commercial release of his father's music had happened. “The album tracks his progress and compositional style. It starts with his fourth quartet, which was completed after the war, and it includes his piano trio and fifth quartet. The later work is more advanced harmonically than the pervious two works.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources ARC Ensemble – Chamber Works by Dmitri Klebanov (Amazon) ARC Ensemble – Chamber Works by Dmitri Klebanov (Royal Conservatory Music Store) ARC Ensemble (official site)
Today on TruNews we discuss the secret message hidden inside the audio slyly recorded by Jewish-Ukrainian businessman Igor Fruman and Lev Parnas, where the duo declared Donald Trump savior to the world. We also address the continued spread of the deadly Coronavirus and the build up to tomorrow’s planned release of the Israeli-Palestinian peace plan. Rick Wiles, Doc Burkhart, Edward Szall. Airdate 01/27/20
Today on TruNews we discuss the secret message hidden inside the audio slyly recorded by Jewish-Ukrainian businessman Igor Fruman and Lev Parnas, where the duo declared Donald Trump savior to the world. We also address the continued spread of the deadly Coronavirus and the build up to tomorrow’s planned release of the Israeli-Palestinian peace plan. Rick Wiles, Doc Burkhart, Edward Szall. Airdate 01/27/20
–Written and narrated by Peter Bejger.History, trauma, and the museum space. Museums can offer many faces to the world. From dusty collections of artefacts to dramatic arenas outlining—or avoiding—compelling national or cultural narratives.A recent lecture sponsored by the Center for Urban History of East Central Europe in Lviv looked at the role museums play in tackling difficult issues of history.Vadim Altskan, originally born in Ukraine, is a historian specializing in Eastern European, Balkan, and Jewish history. He is a Project Director for the International Archival Programs at the U.S. Holocaust Memorial Museum’s Center for Advanced Holocaust Studies.Altskan’s lecture was entitled “The Missing Page in Museums: The History of Jewish Communities as Part of the Multiethnic Heritage of Ukraine.”The challenge of integrating the history of the Jewish communities of Ukraine into the museums and educational systems of contemporary Ukraine is not a problem unique to that country alone.Ukraine’s neighbors in Eastern Europe and the post-Soviet space have grappled with this issue with varying degrees of frustration and success.Altskan made the fundamental point that to provoke interest in other people’s lives requires you to show who they were, how they lived, and why they are no longer here. Museums play a key role in showing, or not showing, all of this.So how is Jewish history presented in Ukrainian museums today? Altskan noted the national network of privately funded Jewish museums, with the largest in Dnipro, and others in Odesa, Chernivtsi, Kharkiv, Kryviy Rih, Khmelnytsky, Kherson, Kyiv, and Lviv. Some interesting temporary exhibitions are now being held in state museums, most recently in Lviv.Nonetheless, current Ukrainian public knowledge of Ukrainian Jewish history is fragmentary and incomplete. Why is Ukrainian Jewish history missing? And how can it be returned to the Ukrainian public?Altskan forthrightly listed the problems in developing a jointly acceptable Ukrainian and Jewish narrative for museums and the educational sector. There is a vague and distorted knowledge of each other’s history. There is ethnocentrism. There are viewpoints that don’t fit into the well-established concerns and canons of each community’s history.Altskan identified five problematic areas of history. They include the Khmelnytsky Cossack uprising against the Poles in the 17th century. There was the Haidamak popular rebellion against the Polish regime in the 18th century. There were the pogroms in Russian-tsarist ruled central and eastern Ukraine in the 19th century. There was the bloody Civil War after the Russian Revolution of 1917, followed a couple of decades later by the Holocaust. Altskan asked how all these historic events could be treated by both nations. Do we see these events differently? And why? All of this is aggravated and complicated.Altskan underlined that for much of their history Jews and Ukrainians lived in two solitudes, in two parallel worlds. While a Jewish-Ukrainian dialogue gathered speed in the late 19th and early 20th centuries, fueled by emerging nationalism and Zionism, the Ukrainian state building project failed to be implemented after the First World War. See acast.com/privacy for privacy and opt-out information.
–Written and narrated by Peter Bejger.Perhaps some listeners fall into the same serendipitous mood I do when reading a book, or any collection of texts. Perhaps you start from the end. Or the middle. After all, every story has a beginning, middle, and end. But it doesn’t have to be told in that manner.A very interesting new issue of the Odessa Review prompts this reflection. The October/November issue focuses on one vital theme—relations between Ukrainians and Jews. Past, present, and future.This very special issue—supported by the Ukrainian Jewish Encounter—recognizes an important truth. As Vladislav Davidzon, editor-in-chief of the Odessa Review notes, no matter how complicated or difficult the subject of Ukrainian-Jewish relations has been, the story is far from over.An impressive array of contributors presents multiple views on the complexities and challenges of the Ukrainian-Jewish relationship.Wolf Moskovich, Professor Emeritus at Hebrew University of Jerusalem, reviews the impact of two towering figures on Ukrainian-Jewish relations in the early decades of the 20th century. The Ukrainian writer Ivan Franko and the Zionist leader Vladimir Jabotinsky both attempted to build bridges between the two groups. Professor Moskovich shows how they helped to sow seeds of cooperation on what he calls “distinctly infertile soil.”A profile of the Ukrainian-born Israeli Anna Zharova, one of the founders of “Israeli Friends of Ukraine,” shows how cooperation has blossomed in a contemporary context. She outlines how both Israel and Ukraine can work with each other and learn from each other, especially in the humanitarian and cultural fields.The prolific author, historian, and Yale University professor Timothy Snyder is also represented in this special edition. His contribution underlines the fact that Ukrainian-Jewish relations were often subject to the malign influence of third parties. In his speech on Germany’s historical responsibility to Ukraine, delivered to the German Bundestag in June 2017, Snyder points to the primacy of Ukraine in sparking the Second World War. He notes, “Ukraine is the cause of the war. Had Hitler not had the colonial idea to fight a war in Eastern Europe to control Ukraine…had there not been that plan, there could not have been a Holocaust.”In another take on third party influence on Jewish-Ukrainian issues, the British scholar and journalist Bohdan Nahaylo traces how Ukrainian and Jewish political prisoners forged solidarity in Soviet penal institutions. Ironically, it was the Gulag that provided an unlikely forum for liberal Ukrainian and Jewish dissenters to meet and bond.Ukrainian journalist Vitaly Portnikov makes the astute observation that “Ukraine remained a colony of Russia not because it purchased Russian gas or because its fourth president was a Russian puppet, but because the Soviet mentality of Ukrainians correlated to the Soviet mentality of Russians, who were tragically incapable of adapting to modernity.” See acast.com/privacy for privacy and opt-out information.
Episode 73 this week features SERGE GAINSBOURG as our FEATURED ARTIST OF THE WEEK! Serge Gainsbourg, born Lucien Ginsburg, was the son on Jewish Ukrainian immigrants who fled to France during Nazi occupation during WW2. He learned the piano growing up, which set him off on a career steeped in music. He had tenacity, he had determination, he had passion, and he had the "it" factor. Probably one of the coolest guys ever, the man was never seen without a cigarette in his mouth. He was a writer, poet, singer, actor, director, producer... a true jack of all trades, master of all. This episode is coupled with some of the BEST EURO POP/YÉ-YÉ/BEAT/GARAGE Europe had to offer! Enjoy! Facebook: http://facebook.com/scarlowapitt Twitter: http://twitter.com/scarlowapitt IG: http://instagram.com/scarlowapitt Email: scarlowapittaluigi@gmail.com Don't forget to SUBSCRIBE and SHARE!
Examining the relationship between Ukrainians and Jews in Revolutionary Times, 1917-1920.Written and narrated by Peter Bejger.Centennials offer moments for reflection. The one hundredth anniversary of a major turning point in history provides an excellent opportunity for re-evaluation and reconsideration.In the spring of 1917 the Russian Empire came to an abrupt end. The Russian Revolution consumed the former imperial capital of Petrograd. Ukraine was breaking away, and Jewish and Ukrainian political leaders in Kyiv moved boldly to set up a striking new relationship between the two nationalities.This new relationship—and its eventual failure—is examined in the book A Prayer for the Government: Ukrainians and Jews in Revolutionary Times, 1917-1920, published in 1999.The author, Dr. Henry Abramson, serves as Dean at Touro's Lander College of Arts and Sciences in Brooklyn, New York. A native of northern Ontario, he received his PhD in History from the University of Toronto in 1995. He has gone on to visiting and post-doctoral positions at Cornell, Harvard, Oxford, and the Hebrew University of Jerusalem.Abramson writes that a potential newborn friendship between Ukrainians and Jews emerged in that revolutionary year of 1917. This was a tentative rapprochement between two groups that had lived for centuries in what Abramson calls an “intimate insularity.”This newborn friendship at first blossomed, resulting in the appointment by the new Ukrainian government of the first Minister of Jewish Affairs in modern history. This was an attempt to provide Jewish political autonomy in the new Ukrainian state.It was what Abramson called a bright chapter in the long history of the Jewish people. One in which Jews were emancipated into a free state. And they were given privileges as a minority that exceeded even those in Western Europe and America.However, Abramson points out Ukrainian parties could not communicate their liberal program to the peasantry. And he noted Jewish activists were too far removed from the ordinary Jewish citizen to mobilize widespread support for the Ministry of Jewish Affairs.By the spring of 1919 Ukraine was submerged by a wave of violence. This was one of the darkest chapters of Jewish history, with pogroms that were only overshadowed later by the Holocaust.Abramson’s meticulous account traces how the attempt by both Jews and Ukrainians to achieve a working political relationship was betrayed by less enlightened attitudes among the general population.Abramson also addresses the national agendas that have emerged in the historiography of Ukrainian-Jewish relations during the revolution. This issue has been particularly fraught since the assassination of the Ukrainian revolutionary leader Symon Petliura in Paris in 1926. His assassin, Samuel Schwartzbard, was acquitted in a controversial trial.Abramson acknowledges the trial has overshadowed Ukrainian-Jewish relations, and heavily influenced historical research, up to this very day. Scholars have attempted to either justify or condemn the trial’s outcome. Most studies have focused on either the anti-Jewish pogroms or the participation of Jews in the Ukrainian revolutionary movement. Abramson’s stated goal is to provide a synthesis of these two trends and to achieve a more comprehensive understanding of the period.At the end of the day Abramson concedes that the prognosis for Jewish autonomy in Ukraine, and by extension cordial Jewish-Ukrainian relations, was poor. He notes that first of all, the stratum of society that participated in the rapprochement between the two communities was too thin. It was not well grounded in the population at large.Most importantly, See acast.com/privacy for privacy and opt-out information.
Aug. 30, 2014. Nick Kotz appears at the 2014 Library of Congress National Book Festival in Washington, D.C. Speaker Biography: As an acclaimed journalist and author, Nick Kotz has conveyed important stories to the American people on topics such as government corruption, national defense, civil rights and social justice. For his work as a journalist for The Des Moines Register and The Washington Post, Kotz has been honored with the Pulitzer Prize for National Reporting, the Sigma Delta Chi Award for Washington correspondents, the Raymond Clapper Memorial Award and two Robert F. Kennedy awards. Kotz also received a National Magazine Award for a story about the American military. In his latest book, "The Harness Maker's Dream: Nathan Kallison and the Rise of South Texas" (Texas Christian University Press), Kotz depicts his ancestor Nathan Kallison's journey to the United States as a Jewish Ukrainian immigrant searching for the American dream. Kotz's historical account emphasizes the struggle of Jewish immigrants in San Antonio during the turn of the 20th century and ultimately relays their significant contributions to society, culture and the economy in Texas. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6472
Norman Lebrecht meets celebrated impresario Lilian Hochhauser, who along with her husband Victor, introduced British audiences to some of the greatest Russian musicians of all time, during the fraught period of soviet rule. Now in her eighties, Lilian - from a Jewish Ukrainian background - recalls the Cold War period which saw her and Victor pushing cultural and political boundaries to bring some of the most feted names in Russian music to Britain for the first time. Everyone from Rostropovich, Richter and Oistrakh through to The Borodin Quartet and the Kirov Ballet recieved their London debuts thanks to the Hochhausers.