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Hosted by Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
2 episodes with Julia Wells
Want to turn conflict into connection - in the hottest way possible? Today we are flipping the script as Jenny gets interviewed by the incredible Julia Wells, a P u s s y-based business coach. Together, they dive into how to get away from endless verbal processing in your romantic relationships and start working things out in the bedroom instead. Jenny shares how bringing kink, surrender, and somatic practices into your sex life can transform conflict into deeper intimacy, hotter connection, and a relationship that's so f*cking juicy - no matter how long you've been together. This episode is especially empowering if you have a partner who doesn't want to do the “work” in the way you think they should. As Jenny says, using your sex life as your therapy couch is definitely an advanced skill - but if you've already done the deeper layers of sexual healing, this practice can completely transform your relationship! Topics include: Using sex as a form of therapy Sexual connection + sexual chemistry Painful sex, low libido, + sexual empowerment Radical responsibility, self healing, + pleasure recalibration Processing emotions somatically rather than verbally Healing your inner masculine Dom/sub dynamics Creating safety with money The power of kink in relationships The School of P u s s y Centered Living is OFFICIALLY open for this year's enrollment! Not only will you reclaim your pleasure and sexuality, but you will also unravel everything that is holding you back from being your most authentic self. See you inside!: [jennybraxton.mykajabi.com/the-school-of-pcl] Book a complimentary call with Jenny to explore your desires and the blocks + challenges that may be coming up for you.: [calendly.com/jennybraxton/p-queen-activation-call] Mentioned in this episode: Julia Wells & Wait…WFT podcastVisible AF FaceBook Group FetLife The Sexiest Love Affair I've Ever Had Connect with Julia Wells: Instagram: @juliamotherfuckingwells [instagram.com/juliamotherfuckingwells] Website: [juliacwells.com/] Connect with your host, Jenny Braxton: Instagram: @pusssy.centered.living [instagram.com/pusssy.centered.living] Website: [jennybraxton.com/] The School of P u s s y Centered Living: [jennybraxton.mykajabi.com/the-school-of-pcl] Loved the episode and want to show your gratitude? Share it with a friend or sister who would also benefit from this message, hit subscribe so you never miss a juicy & delicious episode, and leave a 5-star review so we can get the power of pussy out to as many humans as possible!
This episode is brought to you by our partners, Blooming Health Farms and ChopLocal University In this conversation, Julia Wells shares her journey as a farmer and entrepreneur, discussing her new organic feed business, diverse animal husbandry practices, and the transition from veganism to meat production. She reflects on the challenges of rural parenting, the importance of community support, and her experiences with artificial insemination in cattle breeding. Julia emphasizes the need for connection and support among parents, especially in rural settings, and shares insights on balancing family life with farming responsibilities. In this engaging conversation, Julia Wells shares her experiences as a parent raising children on a farm, discussing the challenges and joys of parenting, the decision to homeschool, and the importance of community support. The discussion also touches on the realities of germs in public spaces, the logistics of childcare, and the unique lessons learned from farm life. Julia emphasizes the value of creating a nurturing environment for children, the significance of friendship among parents, and the need to prioritize happiness over societal pressures.About ChopLocal and ChopLocal UniversityMeat buyers want convenience and variety, and meat farms need a better way to market their products. That's where ChopLocal comes in.Founded by farmers, ChopLocal features high quality products from butcher shops and meat farms near you. They are dedicated to building a more resilient supply chain for meat that benefits everyone involved, and we're certain you'll be able to taste the difference!Want to learn more about selling on ChopLocal as a producer? Visit their website below!https://www.choplocaluniversity.com/ (Education For Producers)https://choplocal.com/ (Sell or Buy on ChopLocal)About Blooming Health FarmsWe're glad you're joining us for another episode of Barnyard Language. If you enjoy the show, please tell a friend (or two) and be sure to rate and review us wherever you're listening! If you want to help us keep buying coffee and paying our editor, you can make a monthly pledge on Patreon to help us stay on the air. You can find us on Facebook, Instagram, and TikTok as BarnyardLanguage, and if you'd like to connect with other farming families, you can join our private Barnyard Language Facebook group. We're always in search of future guests for the podcast. If you or someone you know would like to chat with us, get in touch.If you have a something you'd like to Cuss & Discuss, you can submit it here: speakpipe.com/barnyardlanguage or email us at barnyardlanguage@gmail.com.TakeawaysJulia and her husband launched an organic feed business.They raise a variety of animals including Dexter cattle and St. Croix sheep.Julia transitioned from veganism to meat production through personal experiences.Community support is crucial for rural parents and farmers.Artificial insemination is a key part of their cattle breeding...
Send us a textIn this episode, I talk to the brilliant Julia Wells about how to build a pleasure based business, her own journey healing her own avoidant attachment, becoming comfortable with visibility and vulnerability, and creating a millionaire mindset. So excited for you to listen to this episode. If you are single and would like to work with Maya 1-1 to help you heal your attachment style and find healthy love, go to empowerlove.us/apply to book a free discovery call.If you would like to join Julia's Facebook group Visible AF go here: https://m.facebook.com/groups/VisibleAF/?ref=share&mibextid=S66gvF If you would love to work with Julia Wells on your business and visibility go here: https://www.juliacwells.com/ Follow Julia on Instagram:@juliamothereffingwellsIf you are in a romantic partnership and would love to increase the ease, peace, connection and intimacy, email Maya at: info@empowerlove.us to schedule a free discovery call. Join Maya's Rewire Your Attachment Style Facebook group for women here: https://www.facebook.com/groups/maptolastinglove/Follow Maya on Instagram: @mayadiamond.empowerloveOpening song by Tara Divina - Click here for SpotifyThe Latin MinuteThe Latin Minute is your new favorite bilingual comedy podcast. Latinos living in SW FlListen on: Apple Podcasts SpotifySupport the show
Welcome to a brand new episode of the You Can Call Me “Bossy" podcast. In today's episode, I got to have a compelling conversation with my friend and business coach Julia Wells! Who not only is a power house business coach known for her unique approach focusing on pleasure, power, and intuition but is also my personal business coach. This episode is all about the importance of handling unforeseen challenges with grace and trusting in oneself without fear of failure. Julia shares her methods for building self-trust, including mindset work, journaling to overcome fears, and practicing positive affirmations. Listen in as Julia reveals her strategies for making powerful decisions, the "fake it till you make it" philosophy, and the importance of embodying the traits of the person you aspire to become. Whether you're navigating business challenges or personal growth, Julia's insights on self-care, decision-making, and embracing imperfection offer valuable lessons for us all. Key Takeaways: Being comfortable in one's own skin and being unapologetically yourself Importance of making decisions and commitment Embracing imperfections for continuous growth and new challenges Key Timestamps [9:02] – Recognizing a movement for powerful individuals. [14:27] – Embracing individuality and authenticity led to success. [26:19] – Trust myself to figure it out and improve [38:45] – High achievers must embrace challenges and failures. [45:18] – Deciding shifts something, energizes creation, leads to success. Episode Quote "The power of deciding to get you there is a game changer." - Julia Wells Episode Resources Connect with Julia on her Instagram: @Juliamotherffingwells Wait...WTF Podcast Podcast with Julia Wells Connect with Julia on her Facebook Page: @JuliaClaireWells Check out her website here: https://www.juliacwells.com/ If you enjoyed this episode and are excited for more, please be sure to SUBSCRIBE and write a review to help build momentum and support the show (5-stars would be AWESOME!)_____________________________________________ JOIN US IN - THE CLUB - An annual membership where high-achieving women come together to unapologetically OWN THEIR “BOSSY” in order to rise to the top, make massive impact, and not burn out while doing it. Join TODAY to get access to all past workshop replays and past group coaching calls - always incredible takeaways and AHA moments from reviewing these sessions! Grab your spot in THE CLUB today by CLICKING HERE! _____________________________________________ LET'S FREAKING GO! GRAB THIS FREE DOWNLOAD: GRAB 100 FREE JOURNAL PROMPTS TO OWN YOUR BOSSY BY CLICKING HERE LET'S CONNECT: Follow me on Instagram, LinkedIn, TikTok, or join my STAND IN YOUR POWER FACEBOOK GROUP Grab a signed copy of my bestselling book STAND IN YOUR POWER HEREWatch my TEDx Talk “The Wisdom of Your Ancestors Should Be Ignored” HERE
Join us again for another special episode as we celebrate 5 years of The Rural Woman Podcast!! We are taking a look back and revisiting some of the stories that have been shared on The Rural Woman Podcast. In these throwback episodes, we will be highlighting these incredible, resilient women in agriculture. This episode features: Nicole Vernon, Amanda Volsen, Dana Penrice, Annessa Good, Laurie Trigg, Dallas James, Julia Wells, Scarlett Salamone and Courtenay DeHoff.For full show notes, including links mentioned in the show, head over to wildrosefarmer.com/tbpt6 . . .DISCUSSIONS THIS WEEK:[03:02] Raising Pasture Poultry [06:20] Emergencies on The Farm[09:23] Growing the Next Generation of Farmers[15:29] Succession Planning and Where to Begin[18:11] Raising Bison [25:13] Farming and Homeschooling. . .This week's episode is brought to you by Patreon . . .Let's get SocialFollow The Rural Woman Podcast on Social MediaInstagram | FacebookSign up to get email updatesJoin our private Facebook group, The Rural Woman Podcast Community Connect with Katelyn on Instagram | Facebook | Twitter | Pinterest. . .Support the ShowPatreon | PayPal | Become a Show SponsorLeave a Review on Apple Podcasts | Take the Listener SurveyScreenshot this episode and share it on your socials!Tag @TheRuralWomanPodcast + #TheRuralWomanPodcast. . .Meet the TeamAudio Editor | MixBär.Admin Team | Kim & Co OnlinePatreon Executive ProducersSarah R. | Happiness by The AcreKarri MV. | Leystone Farms. . .More with KatelynOne on One Podcast Coaching | Learn More
On October 7th, I hosted a webinar called "How Professional Screenwriters Create Great Characters", where I talked about how to come up with interesting and unique characters, as well as how tapping into your everyday life interactions with people can help with this. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:I feel like we're overthinking this a little bit. I feel like maybe we're giving labels that don't need to be labeled. We have a hero. We're going to put this hero on a journey. And who are the people? Or if it's a like a buddy comedy or whatever we're talking about, or if it's a husband and wife or whatever, what's the story? What's the journey we're putting them on and who are the characters we're going to get in their way? You're listening to What the Hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity, I'm talking about writing, and I'm talking about reinventing yourself through the arts.Hey everyone, it's Michael Jamin, and today we're going to answer the question, what the hell is Michael Jamin talking about? Well, today I'm talking about questions from my previous webinar. As many of you know, I do a webinar every three weeks or so where I talk about screenwriting and it's about an hour long and you're all invited and it's free. And I don't always have time to answer all these questions, but Phil is here with us visiting again. Hello, Phil. Hello and happy to be here. He's going to hit me with some of these questions we're going to answer.Phil Hudson:Lemme hit you baby one more time. Let's do it. All right. So again, kind of group questions, context for everyone. This was from a webinar talking about how professional screenwriters create great characters. You've got another really good webinar that a lot of people really like, which is how to write a great story. And so contextually, these are really more character based. There's some miscellaneous stuff, there's some break in questions. We've kind of grouped them together. So as I go through these, we'll just try to keep 'em on theme and let's get into it. Let's talk craft. Think Craft is always a good place to start. Anna Renee Chavez wants to know what big differences are there between writing for animation versus live action?Michael Jamin:Great question. Oh, and I just want to clarify everybody by webinars, you are free. Go to michaeljamin.com/webinar to sign up. I changed the topics, but whatever. So this woman wants to know what's the difference between writing for animation and live action? Not that much in terms of, and I teach 'em both in my course. The differences really are not that different. The only thing you want to think about is well ask yourself why is this show animated? What's the advantages to making this show animated? So in BoJack Horseman, it's a very real and grounded show, but you have horses talking and fish talking, or Whitney, you couldn't do that in live action. So you're taking advantage of the medium. If you have it animated, take advantage of it. When my partner and I did Glen Martin DDS, which is the show there a stop motion animation, we would ask ourselves, what's Clay tastic about this? We'd call it, because it wasn't claymation, but we pretended it was claymation. So what's Clay tastic about this scene? Is someone's head going to come off? So for example, we did an episode where the character, the boy got his head stuck in an elephant's ass. You can't do that in live action. So you can do that in animation, but the story itself, it's very similar. The stories are very similar. It's just that you just take advantage of the medium.Phil Hudson:Yeah, awesome. And I think another good example of this, where a choice was made to do live action RET link's buddy system, you had mentioned to me that one point that it's basically just a cartoon. It's like a live action cartoon with silly It is, but they can't be as silly as they could if it was animated and they could do whatever they wanted. So it still kind of grounds it in this reality, but it's still a bit silly.Michael Jamin:Yeah, it could have been a cartoon, but we would've gone even we did one episode where we turned Lincoln into a robot because the character was like, my life would be easier if I was a robot. So that probably would've been even better if it was animated. But in real life we just started putting 'em in crappy robot costumes.Phil Hudson:Yeah,Michael Jamin:But it was funny. We turned him into a robot, so it was kind of broad.Phil Hudson:Love it. Julia Wells considering extraordinary and ordinary pairing. What would you say about friends, how I Met Your Mother, or shows that are more grounded? I think this is in reference in your webinar when you're talking about your characters and putting your characters together or how you write your characters for a specific story, and there's a difference between extraordinary and ordinary if you want something extraordinary when you're pairing your characters together.Michael Jamin:Well, yeah, most shows are like that. Most sitcoms, the characters are just normal people. And yeah, it was kind of like ordinary characters, kind of an extraordinary situations where it would've been unusual. I'm trying to think of an example from friends, but alright, so they did an episode where Joey and Joey and what's his name, not Kramer Chandler, the guy Chandler are going to sit in their chairs all episode, all ordinary guys doing something extraordinary. They're not going to move from their chairs and they're going to see if they get everything delivered and they're going to eat and drink and they're not going to get up, stuff like that. So I don't think it's any different from any other sitcom I've worked on other than the characters.Phil Hudson:I just started re-watching How I Met Your Mother, which I've seen who knows how many times. But it's a good background show while I'm working on stuff that's not necessarily logical, analytical stuff. And there's an episode where it's the Halloween party and he's the hanging Chad because he met the sexy pumpkin in 2001 during the election or 1999 or whatever. And so Barney's got tickets to the Victoria's Secret model, Christmas Halloween costume party, and he's trying to get his friend to this extraordinary thing and his friend won't leave. He wants to be at this party to potentially meet this girl on this rooftop again. And it's the push and pull of Come be amazing, stop looking for love, you're losing. So it plays really well in that situation. Alright, cool. AIA Saunders or AIA Sanders, I apologize for ruining that. How do you feel about basing a character on them knowing themselves or basing a character on yourself and your own doubts?Michael Jamin:Yeah, do it all. I mean, you should do it. You should totally mind your own life For stories, and I have a whole module on this in the course, and you can disguise it too, so people don't have to know it's you, but you're just stealing parts of yourself or parts of people as other characters, but you change it enough and change the name, but also change professions and change. You're just stealing attributes from people so they wouldn't know it. But that's what your life is for your life is to steal things fromPhil Hudson:Perfect. Charles Shin, do you have any tips or advice with coming up with great names for your characters?Michael Jamin:I spoke a little bit about this in the old days. We used to have a baby naming book, my partner and I, and then now it's kind of easy to go on the internet or just in life. You'll come across a street name and you go, oh, that's a good last name for a character. I just kind of keep a list. What was one? I had one the other day I added to my list, I can't remember, but it was like a street sign I go that I passed. I go, that's a good character's name.Phil Hudson:Yeah. I've also seen our showrunners on Tacoma fd. There's a random character as Chief Phil Dylan. Well, I'm Phil. It was the writer's pa and I replaced Dylan, the writer's pa.Michael Jamin:Yeah, it's funny. I know they took that for you. I mean, they tend to do that a lot where at least Steve Lemi does. He'll just name characters after people he knows.Phil Hudson:Yeah. There's one line from Ike in an episode that I think you guys wrote. It's like Benjamin Duff or Benjamin CrumpMichael Jamin:AndPhil Hudson:Ben Crump was our DIT set. Right. So just throw people's names and give 'em fun stuff. Awesome. You also talked, I think you talked about funny names that go together too. At one point that was something you do.Michael Jamin:I talked about, I had a character named, what was his name? SomethingPhil Hudson:The third? It was something the fourth. The fourth, yeah. What was hisMichael Jamin:Name? God, I can't remember.Phil Hudson:It was like, but it was a bunch of things together that rhymed almost or had similar names.Michael Jamin:I'd have to look it up. I can't. Oh, Dan Danforth iv. That's what it was. Dan Dan. I had a character named Dan Danforth iv, and I just thought that was a good name because Dan Danforth is weird enough. But why did his parents have to saddle in with the fourth? Because, well, they felt like they had to because the father's the third is a generational thing. They can't, so they stuck this guy with his shitty name and what's that going to, having a name like that, you're going to be teased as a child. And I thought the character is kind of a feckless type and he became a sheriff of a small town as a way of demanding respect because he'd been teased all his life to be named Dan Danforth iv. And so now he has a badge, but people still think he's a dipshit. And so I just thought it was kind of a good name for a character like that, who's kind of feckless.Phil Hudson:Alright, jumping into the course and character related topics, these are a bit intermingled because a lot of what you talked about, and we even brought this up with Mike Repp and Kevin Lewandowski about how valuable that course, that character worksheet is. But because this webinar is about character, there are a lot of questions about character. So number one, pat Nava. How do you make characters that the audience wants to know more about?Michael Jamin:Well, it's not so much the characters, it's just the story you give them. So that's not so much the character. That's the story.Phil Hudson:There we go. Cookies and sugar. How do we make characters diverse and not self projectMichael Jamin:Diverse and not self project? They seem very different questions toPhil Hudson:Me. So this is, I think a really good question and from context for this, this person is a minor and they want to be a writer and they've been told by their well meaning adults in their life and mentors not to do that because it's a waste of time because you'll never make it as a writer. And that was a question she'd asked another point. So this question really speaks to me of something I heard really early on when I was studying, which is you are not your characters. Don't write yourself into your characters, which is kind of contradictory to the advice you give, which is writing your life for stories.Michael Jamin:Why not? I dunno why they would give you that advice. Why not? Yeah, it might've been because people were just writing self-indulgent material that could have been,Phil Hudson:I know on writing by Stephen King, he says that you are not your characters and it is a mistake to think that your characters will behave the way you would. So if you find your character doing something you wouldn't do, it is your job to allow them to do that. And I find that a lot with my writing. There are many things I write where I would never do as someone from a more conservative background who is religiously inclined, like my characters say and do things all the time. I'm like, oh, where did that come from? Not who I am, but that's what it felt like needed to happen as that character was coming through me. And I feel it's my responsibility to just let that happen. But the difference is to me is don't make your characters do and make the actions you would do. And if you're a more passive person, that's not a good thing for your character to be because your character needs to make choices. And that's the conflict of it all.Michael Jamin:But Larry David on Kirby Enthusiasm, he's playing himself, but Larry David is not that person in real life. These are just, it's a heightened version of himself. Larry David knows when to hold his tongue. His character doesn't, his character can't let it go. Larry David just playing. It's a heightened version of himself. It's the worst version of himself, which is why it's so funny he wouldn't do that in real life. I mean, Larry, he wouldn't do that,Phil Hudson:Right? But if you look at yourself, or even friends you have or people that you know and you say, I've got this buddy who is super quiet, but then when he talks it is just cuts with a thousand lashes because he is so sharp, it'll just take the wind out of your sails in a second. So if you have someone and you take that element and you say, I wonder how I can make that funnier. How could I take this tick that I have or that my wife has and just make it, turn it up to 11. That's where the comedy comes from and that's where the conflict comes from. So that's what you're saying by mind your life for stories and put your characters in situations you've been in, but don't do what you did necessarily.Michael Jamin:You could turn it up. Yeah, turn it up a notch. That's it. It makes it fun and interesting.Phil Hudson:Yeah. Cool. Matthew? I think he likes lasagna. Many people begin with an idea for a character. I've always been led by the concept and the plot, then I tailored the characters to fit within it. What are your thoughts on that method?Michael Jamin:Sure. I mean that works fine. I mean, if you can create someone who still feels real, like I said, even though Larry David is a heightened version of himself, it still feels real. It feels like he almost, it's not crazy. It's not beyond the realm of possibility that he would do that. So as your characters don't, as long as it doesn't feel like you're contorting the character to do something that your story requires, which would not be human behavior, at the end of the day, these characters have to be humanPhil Hudson:Like jumping the sharkMichael Jamin:Or jumping the shark. But also often my partner and I will write a scene and Seaver will say something like a character that's not human behavior. We're just making the character do this because two writers in Hollywood need him to say that, which is, I mean, sometimes we'll laugh, we'll say, why would a character say that? And then I'll say that we have four cameras on him and we have to shoot something tonight. But that's not the right answer. The right answer is it has to be human behavior.Phil Hudson:So tangentially related would be DSX, Mina, right? Which is circumstance or coincidence, getting your character out of trouble or solving your problem. So it's not the same, but very similar as it's aMichael Jamin:Lazy writing dem and I believe is Latin for God,Phil Hudson:God in the machine,Michael Jamin:A God or God can get you into trouble or a coincidence can get you into trouble but can't get you out of trouble. So if God comes to the rescue and saves the day, that's considered bad writing. So an example for this that people like to harp on is somehow Palpatine returned. Isn't that his name? Palpatine?Phil Hudson:Yeah, Palpatine.Michael Jamin:Palpatine. I didn't even watch it. I didn't watch it, so I'm not going to badmouth that movie, but that's what people say somehow God came in and everyone seems to roll their eyes at it. And again, I haven't seen it so I really shouldn't say, but that's what I've heard. That would be an example of maybe something that people don't, they went too far.Phil Hudson:Yeah, yeah. How do you introduce characters? I normally have their name, age in a short sentence, which sums up their personality. I then allow them to show their character through their actions.Michael Jamin:Yeah, those are stage direction and no one wants reading stage direct wants to read stage direction. So I usually say what the character's name is exactly a few, maybe a physical attribute or two their age and something about their personality that gets it real fast. Here's a bad description. You see this a lot, Lucy, cute, but doesn't know a girl next door. Cute, but doesn't realize it or sexy, but doesn't know it. How many times have I got to see that and you just roll your eyes. So it's got to be better than that.Phil Hudson:Yeah,Michael Jamin:That's cliche.Phil Hudson:Do you ever put anything related? I've heard other writers recommend putting in cues for clothing to help wardrobe understand how this person dresses or informed character. Is that something you ever consider?Michael Jamin:Only if it's absolutely necessary. If the character wears loose fitting clothing to hide their body, that makes sense. But unless it's absolutely necessary, we can have these discussions at the production meeting. We don't need to know it now in the script unless it absolutely necessary.Phil Hudson:Great. Tom Merrim, when you write characters, do you focus more on the personalities you want added to the mix or focus more on the role each plays or what they need to do in the story?Michael Jamin:And that's what I teach in the course. Every character has to be there for a reason and they have to help elucidate the story or else it's just, you don't want to just mash these. Even if you have 10 great characters, like oh, they're all interesting, but maybe they don't fit together. They have to fit together to tell a story. The story is the look. We all work for the story, the writers, the directors, the actors, we all serve the story and that includes the characters. The story comes first. That's why it's so important to learn what story is.Phil Hudson:Yeah. Great. Justin Kaiser, to develop your characters, do you focus on relationships more than the characters themselves?Michael Jamin:Well, more, I mean, I always think what's the relationship between this character and the other character? I mean, you may need to know that if you have a father and a son and you want to know how they interact and maybe the kid's under the father's thumb and at the end of the show or movie, he's going to stand on his own two feet and defy his father. That's important that you might need to know that. But I don't need, if that's what the story is about, then yeah, I need to know the relationship, but I don't need to have all the answers, just the ones that are pertinent for the story.Phil Hudson:And when you get into the course, you'll learn that there's this awesome sheet that you have that you were provided that was given to you. Was it Steve Levitan gave it to you. And it's basically defining all of these nuances of your character so that you can build them out to be someone unique. And you clearly see a pattern. And this kind of relates back, I think to cookies and sugars question. I'm assuming this is universal, not just to me thing, but definitely a Phil Hudson thing. When I create my characters and I start using that spreadsheet, I start noticing like, oh, they're all very similar. We got to mix that up, so let's fix this, let's fix this. And so those are like, I have specific things I go to or lean towards and it's like I need to fix that. And that allows me to create conflict creates differences in the way people see things. It also empowers me when I'm writing these characters to know how they would talk about this specific thing or react in this situation in a way that empowers the story to be better and serve their role that they've been given.Michael Jamin:Here's an extreme example of that. Let's say you're writing Oceans 11 and you have, I dunno, I guess, or have loving characters or whatever. You got the brainiac, you got the suave guy, you got the bomb cutter, who's a loose cannon, you got the thug, you got the nerd or whatever. Every character in that group has their own distinct, not only personality, but almost archetype of personality. There shouldn't be overlap. And then that's an extreme example, but even if you're writing something more grounded and real or intimate, rather, you'll ask, you'll have the same conversations with yourself. So why do I have two heart throb characters? I only need one. You want to have different viewpoints. In the episode, we talked a little bit about love. Actually in the last podcast we talked about, we did a q and a and I mentioned love actually is about looking at love on Christmas time from whatever, 15, how many storylines, whatever, eight storylines. And each character has a very specific kind of role. And there's no, and there shouldn't be. If there is, we don't need two characters for that same point of view. This is a work of art. You don't need two, just one.Phil Hudson:Yeah. And going back to how I met your mother, there's really three kind of four different characters there in this group. There's a couple, Marshall and Lily, there's Ted, our protagonist, and there's Barney, and then there's Robin. And they all reflect this different opinion about relationships and dating in New York City. You've got the couple that have been together since college and they're together and they just love each other all the time. The ones seeking true love, the player who just wants to hook up with as many women as he can. Ironically played by Neil Patrick Harris, who's gay, and he does a great job of playing that person. And then you have Robin who is afraid of love and kind of withdraws from love and that creates that ecosystem where they're all playing off of eachMichael Jamin:Other. They all have different viewpoints. Yeah.Phil Hudson:I'll also say I'm working on this feature that I haven't written a feature in a long time and I got the story that I really like and it centers around a family situation. And I'm thinking about my family and my brothers and my relationship with my siblings. And it's like we were all raised the same. We are all very different people. We have fights because there are things we absolutely disagree on, but then there's always this layer of relationship. And we had understanding that even when we get really mad at each other to a certain degree, we know we're always going to come back together. Except there's always that thing dangling out there that maybe we won't. And I have one sibling who's like that. I don't know that I could have a same conversation with her that I could with my older brother the same way I would. She may never want to talk to me again because he's just a bit more sensitive. So it's like, okay, how do I look at all of these relationships here? And just because we all come from the same place and we had almost the same experiences. We are all very different.So Cameron Barnes, he said, Michael said, a cast of characters should be in constant conflict, but does that actually just mean constant conflict throughout the story?Michael Jamin:What else would it mean? I mean,Phil Hudson:Yeah, I dunno.Michael Jamin:I don't know. I mean, yeah, conflictPhil Hudson:Doesn't, lemme talk about the constant conflict. Maybe just address that.Michael Jamin:Well, conflict doesn't have to be people fighting. It could be passive aggressive. It could be people caring very much for each other, the mother, and you've seen this trope before, the mother, the overbearing mother, trying to get the daughter to be happy and settle down and find a man, whatever. She's just in her life that's conflict. A mother who's constantly meddling and she means well and the daughter knows she means well, but she keeps stepping on her toes. You've seen that story a million times. We've seen it because it works. So that's conflict. But if it was, what about a show where everyone was always getting along? Well, that's boring, unfortunately that's just boring. That's the scene right? Before everything goes south, that's what that is. You have one scene like that and then it goesPhil Hudson:South. And it's not that it's all okay that people are just kind of egg shelling, walking on eggshells around each other to maintain the peace in this moment, right? Yeah, because it's going to go nuts at any moment. Yeah.Michael Jamin:Drama is conflict, guys. So that's it. Drama is conflict,Phil Hudson:But that's also just life. And I think that's why we watch it. Life is not perfect harmony at all times with everybody. There's things,Michael Jamin:But even if you had a scene where young couple's in love and everything's great. Okay, great. What's one scene they met boy meets girl, they fall in love. Great. How many,Phil Hudson:Why do you leave the towels on the floor? He leaves theMichael Jamin:Towel. Yeah, something's going to have to happen wherePhil Hudson:When you take your toothbrush out of your mouth, it flicks toothpaste on the mirror and you never clean it. Right? That's the stuff that eats at couples.Michael Jamin:Yeah. So you need stuff like that. Everyone loves Raymond. They were a happy couple, they had a happy marriage, but you still have to fight Rose, what are we watching?Phil Hudson:But that's also fighting in a relationship is what makes your relationship better. If you can get through those things. And fighting doesn't mean screaming and yelling and throwing stuff at each other. It could just be disagreements or heated conversations is like you got to get through the conflict, come to a resolution,Michael Jamin:Right?Phil Hudson:This thing bothers me. This thing bothers you. How are we going to fix this? We live together and we're going to be together forever. So let's figure this out. It's going to bother me every day forever.Michael Jamin:Yeah.Phil Hudson:Matthew Lavania back. What's the difference between a villain and an antagonist?Michael Jamin:I don't know. I mean a villain I guess is an arch formative, a villain sounds like it's something that's a heightened antagonist. That's what it sounds like. An antagonist doesn't have to be a villain. It could just, if you have, like I said, a daughter and a mother and the mother's overbearing, then the mother's an antagonist. Doesn't mean she's a villain. The stepmother's the villain in Cinderella. So it's just a heightened antagonist I suppose. But we're splitting hair. I don't think we have to worry about that really. I mean it's like an academic question. I could thinkPhil Hudson:You might say Thanos in the Marvel universe is the villain because he's got this big existential threat. But I think one of the things you highlight definitely in my writing is your antagonist still needs to be likable. Not likable in the sense, but we need to understand that they think they're the hero. And in this case, Thanos wants to prevent genocide because his world went through this. And so his way of doing, it's by killing half the people in existence to prevent this thing from happening.Michael Jamin:Think about land from Quentin Tarantino's,Phil Hudson:GloriousMichael Jamin:Bastards and glorious bastards. What a great villain. I mean, he was a great villain. He was the Jew hunter, the Nazi man that was a badass guy. But he was complex and there was something so about him, even though what he was doing was so incredibly vile and offensive. And so that's when you humanize your villain, you make it. It makes your writing so much richer. I mean the fact that he spoke so many languages and he was educated. He'sPhil Hudson:Charismatic. Yeah,Michael Jamin:He was charismatic and yet stillPhil Hudson:And very polite. Thank you so much for inviting. Yeah,Michael Jamin:VeryPhil Hudson:Inviting, inviting. May I ask you for some milk?Michael Jamin:Yeah.Phil Hudson:The Jews are underneath me right now, aren't they? Yeah.Michael Jamin:And you just didn't know where you stood with the guy. So he was just a very nice guy doing awful, awful things. So that's great writingPhil Hudson:That scene when he's sitting down with Ana, I'd like to go over the theater and he's vetting her and he's putting cream down for her and he's like, he knows who she is. It is unspoken subtext. He is aware that this is the girl that got away. You see it in her reaction when she leaves and she's hyperventilating and she just kept it togetherMichael Jamin:And he was like a mercenary.Phil Hudson:Then you find out later that that's all part of his plan. This is how he's going to get out.Michael Jamin:Great writing. That's all that is. That's all that movie is great writing,Phil Hudson:Which is followed up byMichael Jamin:Great actingPhil Hudson:And great production and great editing and great everything. That'sMichael Jamin:All that was though.Phil Hudson:Alright. Luke felt. How do you ensure that the story around the character matches the lesson that they need to learn?Michael Jamin:Can you say that again? How do I ensure?Phil Hudson:So this is a presupposition that your character needs to learn something by the end of your script. So how do you ensure that the story around that character gets them to the point that they learn something?Michael Jamin:Well, okay, I don't believe characters have to learn anything. I do think they have to grow or else why did you put 'em on a journey? If not to them it has to be you're changed in some way. If you take a character and you take 'em to the top of Mount Everest, they have to be changed in some way or else why did you take 'em there? So it doesn't mean they have to learn a lesson, they could be worse off. But if your why stories is a journey and why go on the journey if we're not going to get a view and the view better be something interesting, why did you take me on this long trip? And if the character didn't in some way change or grow, it doesn't mean learn a lesson, just change in some small way. Why didn't we take 'em on that trip? Why did we go there? Why did you waste our time? And by the way, there are bad movies where this doesn't happen and I always feel like, well, why did you just waste my time? And so just because there's bad writing out there doesn't mean we have to participate in it. It doesn't mean we have to add to it.Phil Hudson:I think there's an inclination, and I've seen this in myself and many other writers in film school and definitely here in Los Angeles, that you want to buck the trend and buck the system and you don't want to follow story structure and you want to do your own thing. It's almost like you want to reinvent the world of writing and you also want to play into tragedy and disappoint, defeat audience expectations and all these things. And that's artful writing. And I think what I've learned from you in the course and being in the writer's room is that those things serve a purpose and you can still do those things, but you do it in a surprising way and it works because there's a structure to it.Michael Jamin:Yeah. I mean, everyone wants to reinvent writing, reinvent the story. Look, the story works. It's been working for thousands of years. You can make a good living writing compelling story. And when I watch a story that's compelling and that works, I don't think, wow, they just reinvented the story. I don't think that, I just think they told a really good story. I feel like they're doing what I'm doing, but maybe better or on a higher level. I don't think they just completely change with some small exceptions sometimes. I'll watch, for example, inception, Christopher Nolan, I, I've watched it four times. I still don't know what it's about. I still can't follow it. It's obviously a great movie, but I don't think we have to all write like that in order to tell a great story.Phil Hudson:And I think he just announced what is happening. He just revealed that during the Oppenheimer interviews. You can go look that up on the Google if anybody's in. But yeah, I mean that's his style and it's very much his cscope, I think is what it is. Or Cscope, his logo is a maze. It's elaborate. He's kind of telling you this is his way of tellingMichael Jamin:Stories. That's how he does it and that's how he thinks.Phil Hudson:It started with Memento and it started with even other stuff he directed but didn't write, which I'm blanking on it, but it's like one in Alaska and it's psychological thriller. But yeah, all of his stuff is that, and that's his motif and his style.Michael Jamin:I'd go so far as to say that the guy's kind of a genius. And so unless you think you're a genius too, maybe don't try to reinvent. I don't think I'm a genius. But that said, I couldn't write anything like Memento. It hurts my head to think about it. And I enjoyed a memento and Inception really loved it. I couldn't come close to it. I write, what I do is I write comedy and I'm very good at that. My one little thing, and that's okay. We all have our one little thing that we're good at and you have to just lean into it. Christopher Nolan doesn't write comedy, which is good. He has a sing that he does and we love what he does. We don't all have to be experts at everything.Phil Hudson:Right? Yeah. Justin Kaiser, how do you decide that another character is needed to advance the story or if that attribute moral personality can be added to another existing character?Michael Jamin:IPhil Hudson:Guess kind of the question is how do you know when you have enough characters in your story?Michael Jamin:Well, it's a little different. If you're writing a TV show, if a TV show you need to write, you have to have a cast and it has to be conflict. You want to have, let's say five or six characters that always are going to always be in conflict with each other week in and week out as you tell different stories. If you're writing a movie, you really want to think about who's the star of this movie, or if it's a two hander, who are the stars, if it's a buddy cop movie or whatever, you have two cops or it's a buddy movie or a road trip movie. You have these two characters and you only have the other characters as needed to help tell the story, the journey you're putting those two characters on. So if you take a good example, because we're mentioning Buddy comedies, midnight Run, so Charles Groden and Robert De Niro. It's a buddy comedy you're putting and a road trip, comedy, whatever, not so much a comedy but drama and you're putting them on an adventure, so you just need obstacles to throw in their ways. So you have Dennis Farinas character who's the mobster, but we're not following Dennis Farinas story. We're following Robert De Niro's relationship with Charles. That's it. Everyone else is there to help. Tell Robert De Niro's story and Charles Groton's story.Phil Hudson:Yeah, easy Rider, very similar, right? You've got these two bikers and you've got their lawyer Jack, Jack nickles, and then it, it's about them. And that's experience of going across America right in the seventies. It's not about the hippies they meet at the Waterhole in Santa Fe. It's about those and what happens to them as they go through America, Julia Wells, and how do you prevent the worst characters from being so far outside their wheelhouse that they can't possibly succeed or it becomes unbelievable. And this is in reference to this kind of golden nugget you've been talking about recently in your Yeah,Michael Jamin:Everyone please come to my webinars about this one's about character. She's talking about character, but I do another one on story and they're free. You go to michael tamer.comPhil Hudson:And you're going to get a lot of these questions for people. A lot of this is coming out of, it's in context in the webinar. So you're hearing this lesson and these very important principles for writers, and these are questions coming out of that. And this is one of those questions referring to a tip you give in the webinar about how to write characters that a professional writer would use.Michael Jamin:So she wants to know how do you make sure that your character is not so off the map that people don't like it or something?Phil Hudson:Yeah, because the point you're making here is you don't want a perfect character. You want the worst character for a situation. Yeah. So how do you not make the situation so bad that per character can't navigate it?Michael Jamin:Yeah. Well, I think what you do is you have your character and get better, so improve on it. So like I talked about, one of the examples I gave in the webinar was Aria Stark from Game of Thrones, and we gave her one of the hardest storylines, which was she was a little girl, her family was murdered, and now she decides she's going to avenge the death of her family. And I talk more about this in the webinar, so I'm not going to go too much detail, but Aria Stark is the worst character to give this journey to avenge the death. She's like an 8-year-old and she's tiny. And so we give her skills. So we slowly take her down this path where she learns skills and becomes a great fighter. Little by little, she learns from this, the dance.Phil Hudson:You learn those attributes, but it's there, the seeds are there. She's interested in sword play. She's a bit of a tomboy. She wants to know these things that her sisters the opposite, wants to be the queen, wants to marry the king, that wholeMichael Jamin:Thing. So we put her, she's the worst person to put on this journey, but we slowly give her the skills on these little storylines that we give her to become the one who kills the night King. No one can kill this guy. He's made of ice and somehow she, but had we not put her on this journey, she would've been the first one to die. Hey, it's Michael Jamin. If you like my content and I know you do because you're listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michaeljamin.com. And now back to what the hell is Michael Jamin talking about?Phil Hudson:Yeah, it's all great. It's such a good show.Michael Jamin:Yeah.Phil Hudson:Darlene Smith, can you ever overc create a character?Michael Jamin:I dunno what that means. OvercPhil Hudson:Create overriding is a thing. I don't think this is, can you think too much about your character? And I know a lot of people spend times writing full biographies about theirMichael Jamin:CharactersPhil Hudson:And all that kind of stuff.Michael Jamin:Yeah. As you write, you learn more about the character. It's so weird when people say, I wrote, they say, I have the pilot, the Bible, and the first three seasons of my show mapped out really? In other words, you're saying you're not willing to discover any of this as you go because they just haven't mapped out on a piece of paper. It's like in a real writer's room. We got a team of writers working on this, and over the course of eight seasons, we were learning more and more about the characters as we go. It's not Breaking Bad wasn't fleshed out in the pitch. Jesse Pinkman wasn't even going to be a main character in it. You learn about your characters as you're writing. You see what works and what doesn't work. I think there's a temptation to spend all this time overthinking your characters without even putting a word on the page.Phil Hudson:Look, it looks like writing and I think that might be, this is procrastination.Michael Jamin:Yes,Phil Hudson:It's world creating. I think I told you maybe eight months ago, nine months ago, there was a kid who was in film school, he messaged me and he's like, Hey, I'm really interested in this and writing, and I just love creating worlds. I love world building. I love doing all this stuff. And that's my favorite part of this. And it's like, cool. None of that matters if you don't have a character we want to watch because that is all that matters is what is this character? What is the journey they're going on? It's procrastination. It feels like it. And look, this might be a bit of a gross word to use to describe this, but it is masturbation. It is just you are doing this for self-indulgent reasons to make you feel like you're writing and it's literally not moving the chain, which is pages, words on the page, words on the page, words on theMichael Jamin:Page. My partner and I, we've gotten called out on this more than once, where the executives will look at an outline or a beat sheet and they go, I don't understand this character. And we're like, well, we don't really understand the character yet either. We plan on finding it as we write, but they get mad. We need to know now. All right, well, we are just kind of pulling the wool of your eyes. We'll figure it out. We're going to find it when we write it. I don't know what to tell you. I don't know what to tell you. We thought about it. We're not there yet. We have to discover it as we write. Sorry, but this is how it goes.Phil Hudson:I want to highlight here, Michael, too, that this is for a lot of people who might hear what you say about story structure matters and there's a structure that you need to stick to and you talk very in your free lesson, michaeljamin.com/free. There's a whole bunch of free resources on that page. One of those is this free lesson about story, and you talk in there about Picasso. And Picasso was a master at 14, and then he learned and created his own version of art that's worth millions and hundreds of millions of dollars. Now, by the time he was 80, so he had like 65 years if I'm asked of figuring out how to make his own thing and reinventing this. But it's grounded in the rules of art and painting, and you talk about structure and how it matters, but in the same breath you're saying like find it as you go. Find it as you go. And there's a balance there. And I think very often, definitely myself, very black and white, and there's a lot of this, you need to understand the principles so that you can break the rules, but you also need to understand when to focus your time and when to shift. And that I would venture to say just comes with time. You got to get in and do itMichael Jamin:A lot and over and over and over again and you'll learn. And then that's how a lot of times we will have the perfect character, all the perfect characters, and we'll start writing and we go, none of this is working. So what we thought was perfect is not working. How do I know it's not working? Because the words are not coming out on the page. It's just not working.Phil Hudson:Yeah. Don't be so damn precious about your story and your characters and your idea. Just get it out and move on. It's reps. You got to get your reps in. All right, cookies and sugar. How do you keep a romance novel? Interesting. How do you create conflict between the two characters while still having them come together in the end to date? How do you write villains in? And part of me is, I think we just answered this with the toothpaste and all that stuff we're talking about. You can get there, but Hitch comes to mind for me, right? It's the right characters. Remember? Yeah. Will Smith is the dating expert, and he helps guys who kind of suck at dating, get girls that they like. And Eon Goya's character is like a gossip writer, and she finds out about this guy and she's going to go find him and hunt him down. But at the same time, she falls in love with Hitch the Guy. And then it kind of comes out later that she feels like he played her and it's because her friend got some douche bag who he wouldn't help made some reference. And so it all kind of boils over at the end. And it's about helping a guy fall in love who's in love with this airs getting her to fall in love with him. He's a klutz and he can't do it himself. And all the things she fell in love with were him. His mistakes, not the stuff Hitch taught him how to do, right? It's all the sincere him stuff. But that is a great example of this is a romcom, this is a romance story. This isMichael Jamin:Go watch when Harry Met Sally, which is the best romcom ever. And so when you keep your, it is boy meets girl, boy gets girl, boy loses girl. That's the middle, right? Then boy gets girl in the end again. Or not. Or not, but getting together at the end, you need to get your characters, they usually get together earlier and then something goes south. And that would be probably be your second act break when they break up for whatever reason. So go watch Harry. I met Sally. That's a brilliant, brilliant romcom.Phil Hudson:Awesome. EG wants to know how do you overcome difficulties with writing dialogue? Acts broken down, but having a hard time with dialogue?Michael Jamin:Well, yeah. I mean, there's a couple of things going on. One, you can record your dialogue into a tape recorder or whatever, digital recorder and play it back. And it should sound natural. It should sound the way people talk. You can go to a coffee shop and listen to people how they talk to me. That's the fun part. If you're having problem writing it, it could easily be because you don't know what your characters should say. And if you don't know what your characters are saying, you don't have a dialogue problem. You have a story structure problem if you don't know what your characters should say. So I suspect that's what's going on. I suspect this person doesn't have a dialogue problem. They have a story structured problem.Phil Hudson:That was my thought too, because it's pretty easy to know what you need to get. You shouldn't have a scene where people are just showing up to talk that does nothing for us. Yeah,Michael Jamin:Yeah.Phil Hudson:It's that critique I have. And I've noticed even in my own writing early on, which is there's a lot of people doing things and nothing's happening.Michael Jamin:Yeah,Phil Hudson:That's a bad note to get by the way, guys, you don't want that. Doc B, is there a method by which to place arc points, the character will learn something or experience that helps them grow? Or do you let the story find the right moment for a character evolution?Michael Jamin:Can you repeat it?Phil Hudson:It kind of was tough to get through. So is there a process or method that you use to put in plot points or story points that require your character to grow or evolve?Michael Jamin:Well, again, we're talking story structure. That's what they need to, that's what I teach in the course. There is a process. Yeah. Yeah.Phil Hudson:I recently, go ahead.Michael Jamin:Characters don't have to grow. They have to change, but they don't have to learn a lesson, but go on.Phil Hudson:Yeah. And again, that's that advice. It just hangs out. There is your character needs to learn something, your character needs to learn something. And just kind of hanging myself out here. Again, the first question you asked me when you're giving me screenwriting advice is you asked me the question, what is the definition of a story? Hint. Hint. That's go get the free lesson on michaeljamin.com/free because it's the same question and you teach this principle, and I said, it's a hero who goes through trials and ends up better in the end. And your response was, what about King Lear?Michael Jamin:Yeah. Here's another example that go watch a movie called Manchester by the Sea with Casey Affleck. And in it he plays a guy who's responsible for the death. There's an accident. He's responsible for the death of his wife and his child, and he's living with his horrible guilt. HePhil Hudson:Won an Oscar for that, right? That's the one got the Oscar for,Michael Jamin:I don't know. But it was a great performance. And so he feels responsible for the death of his family, and I think he may have been an alcoholic or not, I don't remember. And then he forges a relationship with his nephew, and you think maybe this relationship's going to save him. And you get to the end and you think we've taken Casey Affleck's character on this journey where maybe he's not going to be depressed anymore. Maybe he's going to allow himself to change and grow and he can't. And so that character goes on a whole journey, but really doesn't change and is a beautiful, beautiful movie. But again, the emotional journey is there. But he decides at the end, I can't grow. I can't ChangePhil Hudson:Without A Trace is another great film with Ben Foster and he's living in, he's a vet with PTSD and he's living kind in the wilderness outside of Portland with his daughter. And then Child Protective Services kind of gets involved and he kind goes on the run with her and they escape. And then at the end they end up in this town and there are these kind people who want to take her in and they're offering to give them a place to stay and take care of him. And then one night he is packing his stuff and he has to kind of leave his daughter behind because he can't deal and she can't deal with living in the woods. And she shouldn't because a teenage girl and should have a life. And they have this beautiful, I don't want to spoil it for anyone else, watch, but there's this beautiful moment where at the end you just know they're both okay and they've both got what they need, but it's not what you want for them. You want these two to figure it out. You want him to get better and he just can't cope with civilization Society. Yeah, good stuff. Matthew Lavania, what are your thoughts on withholding information from the audience to allow them to work things out for themselves rather than spoonfeed them everything?Michael Jamin:Good question, Matthew. That is something I struggle with, that it's not an easy task. That's kind of the difference between writing, in my opinion, writing smart writing, and maybe not so smart writing. So if I were to tell a children's a show, like a family show, middle of the Road, family Show, kind of a hokey, I would break that story the same exact way I would break an episode, let's say, of Marin, which was a very sophisticated dark comedy for adults. I would break it the same exact way. The differences for the family show, which kids are supposed to watch with their parents, I would spell it out a little more. I'd do a little more spoonfeeding. And for the adult show for Marin, I would make the, I just wouldn't say it as much, and the audience would have to figure it out on their own. And people would think, oh, Marin is smart because I'm making them do the work. Whereas it's literally the same steps, the same beat board, it's all the same except I'm making, I'm spoonfeeding the family show, but I'm making on Marin. I'm letting the audience do little work. And when you make the audience do more work, they feel it's a smarter show because they have to be smarter. They have to pay attention more. And so that in my opinion, is the difference between a smart show and let's say a not smart show.Phil Hudson:For the newer writers, there are two terms that come to mind. One is subtext, which I could not wrap my head around when I was first figuring learning writing, but it's absolutely critical to writing professionally. You need to understand it's like what's not being said, it's being said, but not said that subtext. And then the other is this principle of audience inferior and audience superior, meaning your audience doesn't know what's going on versus your audience knows more than your characters know what's going on. And there are tools you use. So in a horror film, you might use Audience Superior to say, oh no, don't go in there. Don't go in there that the killer's in there. But then you might use audience inferior and a horror film for the jump scare where leather face pops out in the woods and gets your kids. So they're just tools of the craft and you use 'em. Applicably.On this note, I've talked about the show when Bluey is very popular right now on Disney Plus. It's a kid's show about their dogs and even at shows from Australia. And they're fascinating. And I love watching them probably more than my kids love watching them because they are very smart, very, this was something I just saw on TikTok yesterday. It's a new term I learned called a Rainbow Baby. Have you ever heard that term Rainbow Baby? Is the baby born immediately after a miscarriage or a stillbirth or something like that? And it's a very emotional thing for parents. And there's an episode where Blue's kind of acting out how her mom and her dad fell in love and kind of how Bluey got there and her sister Bingo's helping her act it out. And Bingo's got this balloon underneath her belly to pretend like she's pregnant and she's playing the mom.And they don't tell you this. And I've watched this episode probably five times, and until someone pointed this out, there's this moment where the balloon pops and you see Blue's Dad grab his wife's hand and they hold hands. And I get emotional as a husband with kids. It's like, oh, they went through a miscarriage. And they don't tell you. Kids will never know. But as an adult it's like, wow, there's a level to this that is just beautiful. So that's subtext and it's audience inferior. It's all those things that we're talking about. So I'm going to wipe my tears now into my microphone. A couple of questions left, and I know we're going to be a little bit long here guys. So apologize. You're getting a bunch of questions answered. The Lovely Bone 0 5 2. How do you make character's voice different than your own? Which I think is kind of the projecting question we talked about earlier, but do you have any about voice?Michael Jamin:That's the fun part. If you're writing for Frazier Crane, you speak like Frazier Crane, you look up words in the thesaurus. So he uses smart language instead of good and bad, it'll say delicious and magnificent. How do you do that? That's the fun. That's the imitation part where we get to imitate people. So you listen, you use your ears and you mock peoplePhil Hudson:And you have experiences you've talked about before.Michael Jamin:Yeah.Phil Hudson:Joshua and Ashley Earls Bennett want to know, this is about miscellaneous questions, by the way. Is there a character sheet for stories that have taken place in the past? And I think this is a reference to a story Bible and not the one you do for pitching, but the one in the writer's room.Michael Jamin:Yeah. I mean, I don't look at it. I mean, most shows keep a Bible for whatever purposes. I don't even know why. But they keep a record of all these characters and stories that have been told. So if someone needs to know for at some point in the future, it's there, but I don't reference them.Phil Hudson:Here's an Easter egg on why you might have this, because we didn't have this on Tacoma fd. And then there was a point where in this season of Tacoma fd, they're going to rename the street pan easy way. And so we need to know what is the street of the firehouse. And so I had to go dig through every last episode of the script, every script from season one through, and you find out, well, we've had two addresses because someone wrote it down, or I know we ran into a plot point where it's like we need to pick a specific game that was missed as a plot point for this episode, and why Terry's mad at his daughter because that's the night she was born. But in the timeline, we might say she was this age, and then now you're stuck trying to find an important event in this specific year because you have to maintain the continuity of the story.Michael Jamin:And that's a good example. So if we have an episode and we want to like, okay, we want to bring back Eddie'sPhil Hudson:Spatchcock.Michael Jamin:Yeah, whatever. A girlfriend that he had in the first season one, what was her name again? I can't remember. We want to bring this character back. We'd asked the writer's assistant, the writer would check the Bible that they kept a record of because we as the writers might not remember because it's like a trivia. It's trivia from four seasons ago.Phil Hudson:Awesome. Jenny Harper. Are there any character sheets that list how each character changes by beat? Beat byMichael Jamin:Beat? No, we wouldn't keep a record of that. That'd be crazy. That'd be too much work.Phil Hudson:Is there a reason for a character or a writer to keep that?Michael Jamin:I mean, I often would wonder when I watched Lost or even Game of Thrones, I'm like, wait, who knows what here? It's hard to remember. That's the challenge. One of the challenges of shows like that, wait, who knows what's going on here? I'm terrible at that. I don't like that aspect of writing, but certainly What is that?Phil Hudson:So this is a book by Javier gr Marks watch, which we've talked about before. He was a writer on Lost and he's got a blog where he talks about that first season of Lost, which he was on, and this is his book, shoot This one again, which is kind of stories, essays on being a writer and a showrunner. And this book is really good and he talks a lot about Bibles and what it was like to come up with stories and things like that. And they've got a really great podcast too on TV writing that's not very active, but it was really good resource called Children of Tendu. So if you're interested in more of that stuff, I think they're a very good resource for that. And that book's great. Check it out. But shout out to Javi. You know Javi, right? You've met him. Is that right?Michael Jamin:No, I never met him. I know who he isPhil Hudson:Though. You know of him.Michael Jamin:I think maybe we tweeted each other once or twice or something.Phil Hudson:Yeah, they're cool guys. I've reached out to them as well to help them with their podcast back in the day. They did not take me up on it, Michael, but you did.Michael Jamin:Oh well, I did. Yeah.Phil Hudson:They missed out. Yeah. Chris, who wants to know, what are some examples of compelling character development in television characters who really stand out from a professional writer's perspective?Michael Jamin:Well, I mean, Walter White fantastic, but anybody on Breaking Bed? Is it fantastic? YouPhil Hudson:Talked about Aria Stark already. That's another great one. JohnMichael Jamin:Star. There's so many great characters. I mean, when people think there's nothing good on, it's like, well change a channel, man. There's plenty of good TV on. I dunno what you're talking about. Stop watching your terrible shows. It's your fault. I'm loving severance. I'm loving severance,Phil Hudson:Severance.Michael Jamin:It's so interesting to me. Yeah, lovePhil Hudson:It. Alex r how in depth do rooms of writers deconstruct characters?Michael Jamin:Well, we have an idea when we start writing and then the characters, it's not like we deconstruct. They actually become, it's almost like they're real people to us. And so are you deconstructing your mother or do you just know your mother? You know who mother is and so they're real people. It's not like we're not taking 'em apart and laying 'em on a table.Phil Hudson:Do you want to talk about the doctor? No. In the writer's room that came up recently this week in a conversation with somebody. But it's also like this might be that someone, it's almost like you're nitpicking your character a bit.Michael Jamin:Yeah, but I don't watch Dr. No, so I don't really keep,Phil Hudson:No Dr. Noah as in the doctor Noah in the room. Maybe that's not you. That's them. Dr. Noah is the naysayer, the guy who says tears things down and doesn't like.Michael Jamin:Yeah, I mean that's not a helpful, you can find a reason to say no to every pitch in a writer's room. It is just not helpful. So find a reason to build it up to be positive and to say something helpful.Phil Hudson:How do you make sticky or awesome characters that get stuck in people's heads and hearts and how can you have a character that you expand over more than one season? How do you develop a character?Michael Jamin:This is the journey we all put ourselves on, but again, I don't even think it's so much the character as it is the journey we put them on. You could take anyone, make them interesting. I feel you could make anyone interesting as long as you put 'em on the right journey.Phil Hudson:Dave Campbell, how do we get away with using characters based on real life when there's always that stupid boilerplate saying exactly the opposite. The characters and events are not based on real events orMichael Jamin:How do we, I guess what's the question? DoPhil Hudson:Do we get away with using a character that's based on somebody in real life when there's always that stupid boilerplate? The disclaimer about this is not based on real people.Michael Jamin:Well, I mean change 'em a little. You're basing it on them and you're changing their name and their identity. And so if you're going to make a character against model it against your best friend, change it enough so that your best friend doesn't find out, it won't know. So that's how you do it.Phil Hudson:I wrote a script once and gave it to my friend who's an actor that was on the bridge and he was a little on the nose, but I appreciate it. He felt like I wrote him, which I did. I wrote him. He was just such a character and it was not interesting to him as an actor who has been on a major show, he's just like, this is just me.Michael Jamin:Right, right.Phil Hudson:Mishu Pizza. Can character foils also be considered a side character or a supporting character or the main character's best friend? I feel like foils don't always have to be the antagonist. Is that true?Michael Jamin:I feel like we're overthinking this a little bit. I feel like maybe we're giving labels that don't need to be labeled. We have a hero. We're going to put this hero on a journey and who are the people? Or if it's a like a buddy comedy or whatever we're talking about, or if it's a husband and wife or whatever the story, what's the journey we're putting them on and who are the characters who are going to get in their way? And often if it's a husband and wife, they're going to be fighting each other, so Okay, good. And who are the characters that we need to create to help foment this argument that they&#
Good morning everyone, I'm your host Harlee, and this is the Ranch Collective Podcast, where we talk with western industry professionals to share, eduate, and give a platform to those inside the industry, and to give those who are outside of it a look at the day to day by having real conversations with guests. If you are new here, welcome, and if you have been on this journey with me for a while, welcome back! Today, I am chatting with Julia Wells, who for most of her life, was either vegetarian or vegan, and she reached out to share her journey back to consuming meat- and to chat about the misinformation and blatant lies shared by animal rights organizations. ------- Ad Links ------- Polich Company Social Media + Etsy Instagram: https://www.instagram.com/polichcompany/ Facebook: https://www.facebook.com/polichco Etsy: https://www.etsy.com/shop/polichcompany Website: https://polichcompany.weebly.com/retainerpackages.html --- Support this podcast: https://podcasters.spotify.com/pod/show/ranchcollective/support
Good morning everyone, I'm your host Harlee, and this is the Ranch Collective Podcast, where we talk with western industry professionals to share, eduate, and give a platform to those inside the industry, and to give those who are outside of it a look at the day to day by having real conversations with guests. If you are new here, welcome, and if you have been on this journey with me for a while, welcome back! Today, I am chatting with Julia Wells, who for most of her life, was either vegetarian or vegan, and she reached out to share her journey back to consuming meat- and to chat about the misinformation and blatant lies shared by animal rights organizations. ------- Ad Links ------- Polich Company Social Media + Etsy Instagram: https://www.instagram.com/polichcompany/ Facebook: https://www.facebook.com/polichco Etsy: https://www.etsy.com/shop/polichcompany Website: https://polichcompany.weebly.com/retainerpackages.html --- Support this podcast: https://podcasters.spotify.com/pod/show/ranchcollective/support
In this weeks episode guest Julia Wells gets super honest about her journey getting to and sustaining 7-figures. We talk about the ups and downs of growing a business at that level. I think it's easy to assume what it's like for somebody at that level. But I think having these honest conversations really brings light to the fact that we all experience similar things at each level and we can take what we've learn to grow. Tune in to hear the top things that really changed for Julie when going from 6 to 7 figures. Listen and you'll hear: How mastering the basics instead of trying to things can help to move you forward faster. How Julia keeps things simple when selling and in her content. The power of building community online over metrics. A behind the scene of look at what it looks like to slowdown in your business and the mindset to move through the dips. How she's structures her mastermind thats different from others. The importance of choosing pricing that works and feel good for you and not based on what other are charging. I hope you find value in hearing Julia's perspective on building her business. Connect with Julia: Facebook | Podcast If you enjoyed the episode, leave a review - it means the world to me + helps the show reach more people! Let's support each other! Connect with Taylor on Instagram - @_thetaylorlee Transparent Sales: The Membership is here, join us inside! https://www.thetaylorlee.com/membership
Julia's homestead is called The Humble Hive Homestead and it's what a lot of people getting into homestead dream of having one day. Her homestead would be considered large-scale because of all the things they are raising and growing. This is part 2 of this two-part interview series to hear about all that Julia has going on. Listen to episode 57 for part 1. Learn from Julia some things to avoid when starting out and tips she has for people thinking about going all in on the homesteading life. Julia's Info: Website: thehumblehivehomestead.com Instagram: https://www.instagram.com/thehumblehivehomestead/ Mona's Info: Workshop: https://www.healthyhomesteading.com/workshop Website: https://www.healthyhomesteading.com/ YouTube: https://youtube.com/@healthy_homesteading Instagram: https://www.instagram.com/farmer_mona Homestead Income Plan group: https://www.facebook.com/groups/1256797775269926 Listen to the podcast on your favorite player: https://plinkhq.com/i/1636732326
Julia's homestead is called The Humble Hive Homestead and it's what a lot of people getting into homestead dream of having one day. Her homestead would be considered large-scale because of all the things they are raising and growing. Listen to part 1 of this two-part interview series to hear about all that Julia has going on. Learn from her some things to avoid when starting out and tips she has for people thinking about going all in on the homesteading life. Julia's Info: Website: thehumblehivehomestead.com Instagram: https://www.instagram.com/thehumblehivehomestead/ Mona's Info: Throughout the month of June, I'm offering my Workshop for Beginner Homesteaders & Dreamers at a special discounted price! It's a 1 hour and 40-minute video where I personally guide you through most of the Homesteading for Beginners workbook (which is included in the workshop price, by the way). To grab this exclusive offer, head over to healthyhomesteading.com/workshop and use the code "PODCAST" at checkout. With this code, you'll get over 20% off the already low regular price. But remember, this discount is only available during the month of June, so make sure to take action soon. Workshop: https://www.healthyhomesteading.com/workshop Website: https://www.healthyhomesteading.com/ YouTube: https://youtube.com/@healthy_homesteading Instagram: https://www.instagram.com/farmer_mona Listen to the podcast on your favorite player: https://plinkhq.com/i/1636732326
Subscribe to the listener list HEREJulia Wells is a 1st generation regenerative rancher. She is a Jersey girl vegan artist turned rancher. Her passion for health, the environment and animal welfare lead her to the country and building a multi species grazing operation with her family and business partners. The Humble Hive Homestead has been home to goats, hogs, sheep, cattle, Guinea fowl, quail, ducks, geese, turkeys and a vast number of chickens, cats, dogs and two human children. The current focus of the operation is pork, poultry, lamb and beef sold directly to consumer.website: https://www.thehumblehivehomestead.com/ instagram: @thehumblehivehomestead facebook: The Humble Hive Homestead ~~~~~~~~~Join the Agripreneur Empire by following along on instagram @agripreneur_empire and the facebook page at Agripreneur Empire PodcastSPONSERS:~Patreonhttps://www.patreon.com/flyingfranchAre you loving the show and want more? Join me and my closest cheerleaders on Patreon!This platform is a way that helps me produce my podcast and give you the content and tools to propel your business, dreams and goals into success stories. ----------~ Start Your Shopify Trial!Build your business with Shopify to sell online, offline, and everywhere in between.Shopify has helped our business look professional, simple and converts our fans into loyal customers.Build your store online and get your brand in front of the eyes of people who are waiting to purchase from you. Start a free trial and enjoy 3 months of Shopify for $1/month on select plans.It's time to bring your idea to life. Or make your side hustle full-time. Or take your business to the next level. It's time to make your move.“Powered by Shopify”Free Shopify Trial-------------~TraegerThe traeger lineup brings ultimate wood-flavor to the table, unlocking your food's true potential. No matter which grill you select, Traeger's 6-in-1 ability means you can grill, smoke, bake, roast, braise, and bbq.Our family loves to smoke meats, cook pizza and even bake cookies on our Traeger Grill!Check Out Traeger Here!---------------FlodeskGet 50% off Flodesk your first year and start creating unique emails for your loyal subscribers!Support the show
I am so excited to bring you this juicy conversation with one of my mentors! Julia MF Wells, pussy based business queen and all-around badass bitch is here to talk all things Pussy Based Business®!! In today's episode, we dive into how a couple of corporate bitches found themselves in the coaching industry, ho marketing v. bro marketing, and how following pussy can help you build a sustainable & pleasurable business and life. Ready to talk pussy & pleasure with us? Let's get into it, bitches!! We're exploring: The major shift from corporate hustle to Pussy Based Business & how it can change your life and business! A look at the coaching industry & some of the unhelpful shit you can let go of Julia's boss bitch baptism and how to have one of your own The KEY pillars of Pussy Based Business & what inspired them Why your decisions/epiphanies don't always stick - and what's different about the ones that do The one habit you can break to start seeing real results Privilege & capacity - how to build a sustainable business in whatever stage you're in Julia's goal of a man, a milly & a waistline and her 30 dates in 30 days experiment And more! Connect with Julia: Website: https://www.juliacwells.com/ Instagram: https://www.instagram.com/juliamotherfuckingwells/ Check out the episode of “Wait…WTF,” we talked about on the show: On Apple Podcasts: https://podcasts.apple.com/us/podcast/wait-wtf-how-my-client-did-50k-in-sales-straight-from/id1480116610?i=1000493753793 or Spotify: https://open.spotify.com/episode/47lOO2gxhb6MafeD8wCPMg?si=vncvTvoaTYm3K71W3vPfQw Get yourself checked into Bitch Rehab: https://amylorbati.wixsite.com/my-site/bitch-rehab Work with me: https://witchbitchwhore.as.me/whoracleconsultation Register for the Pussy Rave: https://linktr.ee/Witchbitchwhore For more about Witch Bitch Whore™: https://linktr.ee/Witchbitchwhore Follow me on Instagram: https://www.instagram.com/witchbitchwhore Join my free PRIVATE Facebook group Witch Bitch Whore™: https://m.facebook.com/groups/2171271802991856
Do you constantly feel like you're bracing for impact? Maybe you feel like the weight of the world is on your shoulders? Does it ever just get too damn HARD? I get it! In today's episode, I'm bringing back one of the first episodes I recorded for the podcast where I'm faced these feelings head on with the help of my business coach, Julia Wells, a.k.a. The Pussy Based Business Coach. There was no plan. No script. Just honesty. Listen in to hear Julia guide me through facing some of my biggest fears when it comes to my business. Will I be able to break through that safety wall or not? We're digging into: If I'm on track to hitting my Million Dollar Year milestone The fear of others' opinions and how that affects business (or does it?) How we get stuck in that vicious cycle of overworking and burnout If suffering is required for success or if it can be easy The difference between something being hard v. heavy and why that's a breakthrough for me How our success makes others feel (should we care?) Why we play down our own success and how to stop And so much more! Join Julia in her FREE private Facebook group, Visible AF: https://www.facebook.com/groups/VisibleAF/ Send Julia a DM on Instagram! https://www.instagram.com/juliamotherfuckingwells/ Find out more about my work and dive in at https://jenunderwoodleadership.com/ or come shoot me a message on IG! https://www.instagram.com/jenunderwoodleadership/
Do you constantly feel like you're bracing for impact? Maybe you feel like the weight of the world is on your shoulders? Does it ever just get too damn HARD? I get it! And for my first episode I'm facing these feelings head on with the help of my business coach, Julia Wells, a.k.a. The Pussy Based Business Coach. There's no plan today. There's no script. Just honesty. Listen in to hear Julia guide me through facing some of my biggest fears when it comes to my business. Will I be able to break through that safety wall or not? We're digging into: If I'm on track to hitting my Million Dollar Year milestone The fear of others' opinions and how that affects business (or does it?) How we get stuck in that vicious cycle of overworking and burnout If suffering is required for success or if it can be easy The difference between something being hard v. heavy and why that's a breakthrough for me How our success makes others feel (should we care?) Why we play down our own success and how to stop And so much more! Join Julia in her FREE private Facebook group, Visible AF: https://www.facebook.com/groups/VisibleAF/ Send Julia a DM on Instagram! https://www.instagram.com/juliamothereffingwells/ Find out more about my work and dive in at https://emotionaldominatrix.com/ or come shoot me a message on IG! https://www.instagram.com/the_emotional_dominatrix
For the women who feel torn between the masculine and feminine business models. As an entrepreneur, you've probably heard a million and one ways you “should” be running your business: Ease and flow. Bro-marketing. Intuition-driven. Hustle culture. It can feel really overwhelming, especially when we feel like the checklists or strategies we're using just aren't working. As multi-faceted, 3 dimensional human beings, we need a way to incorporate all of ourselves into what we do. But how can you be heart-centered AND masculine, or sell products AND be in your feminine without feeling like you're being pulled in a thousand different directions? I invited THE Julia (mother f*cking) Wells, a seven figure pussy-based business coach, to talk with us about just that - how she teaches others to build wildly successful businesses while still experiencing ease and pleasure. We discuss: Julia's definition of a pussy-based business The best thing you can do for your marketing Why you need more than ‘the feminine' and ‘flow' in your business Ways to build your business around who YOU are A few non-negotiable steps to getting results What's missing in sales conversations The dangerous devaluation of discernment The difference between discernment and intuition How brain, body, and pussy can work together How to build a relationship with pussy Milli is obsessed with all things self-worth and manifestation (Think Brené Brown meets Gabby Bernstein with a sprinkle of goofy on top)! ___________ Note From Milli: Hey hey!! First things first - Pop those earbuds in.
Sometimes we think we have to fit a certain mold in order to be successful. If you've been wondering if that's true, I'm excited to introduce you to today's guest, Julia Wells. Julia is obsessed with teaching women how to step into their full power, heal their wounds around being seen and heard, and teaching them how to run a wildly profitable business by using their pussy power and pleasure.Today we'll discuss: - How she went from being in bed all day to creating a multi-million dollar company.- How she chooses to be unapologetic in how she shows up.- What her take on having conversations with people who don't share her experiences.This week's episode is for you if you're ready to stretch into a conversion about passion and pleasure.You can find Julia here: JuliaCWells.comHer PPLM mastermind link is here: https://www.juliacwells.com/pplm P.S. Don't forget that I've created just for you (podcast listeners) a one-off session. You'll spend an hour with me for only $199! We can deep dive into what's going on with you. We can check your mindset, and give you a reboot! Shoot me a DM @belindaunhooked on Instagram and we'll set it up. Remember, it's all about the mindset! Tune back in next week!
You've never heard an approach to business quite like this one… and I have a feeling you're going to love it. Today we're doing a deep dive on a unique blend of sexuality, money, and business. Yep, you heard me right. And why it's exactly what you've been missing in growing your business. In this episode, we fill you in on how you can use pleasure to step into your full power, run a wildly profitable business, and make the difference you're here to make. In fact, today's guest used this exact approach to go from 4 years of struggle to 2 million dollars. If you're sick of the way you feel like business HAS to be done—you know the dry, masculine, struggle your way to success kinda vibe, and are ready to access your highest self, the divine, your full power, pleasure, and so much more—keep listening because this shift is going to be every bit as powerful as it sounds. Check out the show notes here: https://amandajoyceweber.com/one-simple-shift-all-episodes/176-julia-wells Book your free Sincere Sales coaching call here: amandajoycweber.com/sinceresales
In this bonus episode, my client, friend and Pussy-Based Business Coach, Julia Wells joins us to do a deep dive and an honest behind the scenes look at the partnership model and revenue sharing from both of our perspectives. (Plus what that looks like for a fast–growing business like Julia's that scaled to $2.5 million in three years.) You'll get all sides of the coin here from what I struggled with when building this model to what has been the best and toughest parts as a client. It's one you don't want to miss! Learn more about Lacey alituplife.com Learn more about the show alituplife.com/podcast Julia's website: https://www.juliacwells.com/ Our Episode on Julia's Podcast: https://podcasts.apple.com/us/podcast/bts-of-our-partnership-and-what-it-really-looks-like/id1480116610?i=1000546868234
Do you want to hear about some of the legendary Women who have helped shape me into The Whoracle™ of the Fempire called Witch Bitch Whore? I am SO grateful for their teachings, and I wanted to honor their dedication to their craft in this episode. This week, I am diving into the 5 extraordinary Women who have helped me evolve into my true, authentic, badass self—because I wouldn't be doing any of this reclamation work without their guidance! I'm exploring: Why normalizing Witch, Bitch, and Whore is so important to me How my unbalanced Bitch was sabotaging my relationships (and what straightened my ass up!) One of the MOST important women who influenced me as The Whoracle The mind-blowing experience of hearing my first divine guidance—and who it led me to! And much more! Connect with the 5 amazing Women featured in this episode: Rev. Briana Lynn: https://www.instagram.com/revbrianalynn/ Layla Martin: www.instagram.com/thelaylamartin/ Iyanla Vanzant: www.instagram.com/iyanlavanzant/ Julia Wells: www.instagram.com/juliamothereffingwells/ Angelisa Greene: www.instagram.com/angelisa.allheart/ Register for the Pussy Rave: https://linktr.ee/Witchbitchwhore For more about Witch Bitch Whore™: https://linktr.ee/Witchbitchwhore Follow me on Instagram: https://www.instagram.com/witchbitchwhore Join my free PRIVATE Facebook group Witch Bitch Whore™: https://m.facebook.com/groups/2171271802991856
Let's face it, we ALL care what others think about us. But did you know you don't have to? I'm chatting with Julia Wells today about how to stop caring what other people think. The post Care Less What Others Think appeared first on Lindsay E. Preston Life Coaching.
This simple mindset hack will honestly change everything for you. We are talking about the meanings that we make out of things and how to make those meanings work in FAVOUR with the life that you are choosing to live. This has come from my years of being an athlete in combination with the teachings that I have learnt from my past mentor - Julia Wells. So if you are someone that constantly tears yourself apart for things that happened in the past or things that happen around you - this podcast is for you! Julia Wells - www.juliawells.com Links to Contact Danielle: 3-PART Self Worth Workshop September 4th @ 11am PST September 7th @ 4pm PST September 9th @ 4pm PST All of the trainings will be recorded! REGISTER HERE: www.daniellekettlewell.com/selfworthworkshop www.daniellekettlewell.com/links Instagram: https://www.instagram.com/daniellekettlewell_/ TikTok: https://www.tiktok.com/@unlikelyolympian?lang=en
This is the episode YOU need to hear that is going to inspire you in that moments when you feel like 'COMPARISONITIS' is getting you down. Do you ever have those moments? When you feel like EVERYBODY else is succeeding except for you? You are going to see how to use your quantum field and everything around you as proof that you are winning, you are succeeding and your ARE getting ahead. This podcast was inspired by the learnings I've had from my personal mentors – Julia Wells and Jennifer Kosh – in addition to my own personal experience, beliefs, and discoveries. To learn more about Jenn & Julia, check out their information below: Jennifer Kosh: www.jennkosh.com www.instagram.com/jenn.lovematters/ Julia Wells www.juliacwells.com/ www.instagram.com/juliamothereffingwells/ Join the Self Worth Workshop: www.daniellekettlewell.com/selfworthworkshop Worthy Waitlist: www.daniellekettlewell.com/worthy More from Danielle: www.daniellekettlewell.com/links Instagram: @daniellekettlewell_ Tiktok: https://www.tiktok.com/@unlikelyolympian
Today's episode is with the one and only Julia Wells!Julia is the created of the Pleasure to Profit Launch method and Pussy Based Business. She is also a great friend of mine! I have watched her scale her business from struggle bus to over a million in less than 2 years!! And she did it alllll through pleasure! In this episode we chat about all things: PleasureSelf worthStarting and scaling a business. Dating from PussySisterhoodAnd so much more.Join Julia in her FREE private Facebook group, Visible AF: https://www.facebook.com/groups/VisibleAF/Sign up for your monthly dose of pleasure here! https://www.juliacwells.com/lazy-pleasureGet on the waitlist for P-School: https://www.juliacwells.com/pschoolSend Julia a DM on Instagram! https://www.instagram.com/juliamothereffingwells/
As the podcast season comes to an end Weeze flips the script and has Julia Wells, her best friend, to interview her. With no prep and no idea what Julia was going to ask, Weeze models her message of humanity and consensual vulnerability, even when it feels scary! Tune in to this bestie level convo to learn some things you may not have known about Weeze. You just might be surprised! ABOUT WEEZE Louiza Doran, known and referred to as Weeze, is a cis-het Amazigh* female-identifying human who uses she/her/they/them pronouns. She's known as a coach, podcast host, advocate, agent of change, strategist, and educator (to name a few) but is ultimately a compassionate provocateur that is out to help folks uncover their path of possibility. ABOUT JULIA Julia Wells is a 7-figure pussy-based business coach and teaches others how to build wildly successful businesses while centering ease and pleasure. IN THIS EPISODE, WE TALK ABOUT Growth, fears, sacrifices, boundaries, and seeking balance. Having a successful, decolonized business while fighting for marginalized communities. How Weeze holds space for emotionally charged conversations and prioritizing transformative justice. Enjoying tf out of being 35 and dismantling the societal bs that tells socialized females life is over at this age. Weeze's biggest personal takeaways from navigating her business, relationships, health, and showing up for the movement in the midst of last year's civil rights reemergence. CALL TO ACTION Get on the waitlist for Decolonizing Business! https://view.flodesk.com/pages/60bf8d490368af54f0d2dca4 EPISODE TRANSCRIPT https://drive.google.com/file/d/1WOTXwhk1OVjtsxeRonKR_JqXRf2ORHkU/view FOLLOW WEEZE TO STAY ENGAGED Website: https://www.accordingtoweeze.com Instagram: https://www.instagram.com/accordingtoweeze Podia: https://accordingtoweeze.podia.com/weeze FOLLOW JULIA TO LEARN MORE https://www.juliacwells.com https://www.instagram.com/juliamothereffingwells/
In this episode I chat with Julia Wells (a.k.a. Julia Mother Effing Wells) to talk running a pleasure based business and what that even means. Julia is a fellow introvert and first made the jump into entrepreneurship and coaching about 5 years ago and had zero clue as to what she was doing. She took courses, hired coaches, posted on social media, made offers and tried to sell yet, basically got nowhere. She eventually got sick of spending money on things that didn't work and didn't feel good and decided that she had to find what worked for her. She quickly realized that the thing that makes us innately female is the very thing missing in business that is robbing us of the income and impact we're so longing to make. We chat:What a pleasure based business is (it's not all sexual!)Prioritizing and delegatingWhy introverts are so good at relationship buildingHow to have a small audience but large businessBreaking rules and being shameless in life and businessPleasure when it comes to profitBy undoing the conditioning that says we have to work harder, crush our competition, used fear based marketing, and sacrifice until we make it (aka delay pleasure until we hit our goals) Julia's pleasure based business took off and she now teaches others how to have the same. Julia's Book Recommendations for the Ambitious Introvert: Pussy: A Reclamation by Regena ThomashauerUnbound: A Woman's Guide to Power by Kasia UrbaniakConnect With Julia:https://www.juliacwells.com/https://www.facebook.com/groups/visibleAFhttps://www.instagram.com/juliamothereffingwells/Connect with me:www.emmalouiseparkes.comInstagram: @emmalouparkes49 Introvert Friendly Marketing Tips E-book
Ever wondered what tf you'd do if Instagram decided to take down your account? What about in the middle of a big a$$ launch...? That's exactly what I'm jamming out about with Julia Wells jams on in this episode bc it happened to her + she rose to the challenge like a mf queen. Julia (Mother Effing) Wells is a pussy based business coach who helps female entrepreneurs learn how to have and hold businesses that are both wildly profitable and pleasurable. She is all about keeping things simple, doing the inner work to get the outer results, and empowering her people to be fully expressed and deeply satisfied doing the work they love in the world. In this episode, we talk about: - how Julia quickly shifted her mindset around her IG getting taken down - the most supportive mindset to hold for life + business that helped Julia rapidly scale her business to 7-figures - the biggest differences in Julia's mindset when she was barely getting by as a coach versus scaling to 7-figures in 2 years - how to build your business YOUR way and let go of needing to follow the rules - and honestly sooo much more, you just have to listen :) Connect with Julia: Find her on IG: https://www.instagram.com/juliamothereffingwells/ Join the Visible AF FB group: https://www.facebook.com/groups/VisibleAF/ Access the CEO Energetics Masterclass: https://www.juliacwells.com/energetics-masterclass Resources from this episode: Learn more about Bigger Than A Brand, join the waitlist + get instant free access to two videos from Module 6 allll about launch vibes: https://www.carolineaddington.com/BTAB Save your seat for the Free Rock Solid Selling Masterclass happening on April 16th at 5p EDT: http://bit.ly/rocksolidselling Follow Caroline on the gram: @caroline.addington_
Join us while we discuss all things pussy and pleasure related when it comes to your biz!How it came about. What it really means....with special guest Julia Wells.You don’t want to miss this episode!Let's Get Your Sexy Back - Facebook GroupVisible AF - Facebook Group---------------------------------------Let’s Continue the Convo! Connect with us online...FacebookInstagram---------------------------------------WANT MORE FROM THE BADASS BITCHES THEMSELVES?Kim Coffin~ Empowerment & Sexuality Coach @ Get Your Sexy BackFacebookInstagramGet Your Sexy Back WebsiteLet's Get Your Sexy Back ~Private FB Group Carrie Hofman ~ Align Manual Practitioner @ True PerformanceFacebookInstagramTrue Performance Website
Today's guest is gonna BLOW your mind!! I'm interviewing the incredible Julia Wells. She's a friend and also someone who's mission I adore, because she truly embodies NOT doing all the things. And after recently scaling her business to 7 figures, she is the perfect human to share all the things she didn't do to scale to a million-dollar biz.Julia is a pussy based business coach, the creator of the “Wait… WTF” Podcast, the founder of the Pleasure to Profit Method and an all-around epic human who's on a mission to teach women how to step into their full power, heal their wounds around being seen and heard, and teaching them how to run a wildly profitable business by using their pussy power and pleasure.This episode is for you if:You're keen to learn HOW to scale to 7 Figures without following ANY of the traditional rules of business. You've ever thought to yourself that you can't grow or scale a successful business because you're too disorganised, lazy, Type B, orYou just don't want to work all the timeJoin us as we delve into the biggest things Juila hasn't done, learn about how she went from not trusting herself to show up to breaking the internet with her pleasure based biz ways, and get ready to hear her best tips on how you can go from struggling to having 100k cash months (on repeat).Press play and let's dive in! LINKS:Website: https://www.elisedanielle.com/Instagram: @elise_danielle_Join the Facebook Group: https://www.facebook.com/groups/purposedrivenbadasswomenJulia's Instagram: @juliamotherfuckingwellsJoin the Visible AF Facebook Group: https://www.facebook.com/groups/VisibleAFWait… WTF Podcast: https://podcasts.apple.com/us/podcast/wait-wtf/id1480116610
We have a treat today! I’m interviewing the Whoracle, Amy Lorbati, and we’re talking about Heaux Marketing, the definitive answer to Bro Marketing.Amy of Witch Bitch Whore is a Women’s Empowerment and Leadership Coach. She teaches Badasses how to find power switches they never even knew existed.“I work with women to help them see that their power has been hidden under the places they’re most afraid to look for it.” — Amy Lorbati How Witch Bitch Whore came to be (3:00)The wound of the witch is something Amy thinks resides in all women on a collective consciousness level. At first, it was terrifying for her to reclaim the word “witch” because her fallback plan if this whole entrepreneur thing didn’t work out was to return to patriarchal corporate America. Then the voice of divine source told her she had to reclaim witch, bitch, and whore (all at the same time!) — she faced a ton of internal resistance. Still, she followed that gut instinct even though she didn’t truly know what it meant... and the rest is history!“Bitch was easy. Witch terrified me. Whore... I was raised Catholic, where you’re either a virgin or a whore, and I quickly fell in with the whores.” — Amy What does it mean to be a witch? What does taking back that archetype look like? (06:00)Amy’s work is about helping women to work with the energy of the divine archetypes, and create their own individual expressions of the archetypes. Witch is about spiritual and energetic power. Working wit hthe conept of magnetism, drawing toward you that which you desire, and working with the magic of conscious creation. What does it mean to work with the energy of the bitch? (07:00)Bitch is the backbone of the whole operation. If your bitch is powerful and strong, you’re radiating fierce female energy. You’re setting boundaries, working on your mental and emotional power, and overcoming the fear of putting yourself out there. Your bitch is going to help you stand in your truth even when other people are saying they don’t like what you’re doing.“What would Goddesszilla be like? How would the biggest, baddest, most outrageous woman speak?” — Amy What does it mean to work with the energy of the whore? (08:00)Whore means something different to every woman, because each of us have different levels of sexual or sensual repression. Working with the whore is all about feeling good about yourself, feeling safe and whole in your body, and allowing yourself to feel good and trust that it’s okay to feel pleasure.“A turned on bitch is a powerful bitch!” — Amy References:Pussy: a Reclamation by Mama GenaPrivate Coaching with Julia Wells + on IG: @juliamotherfuckingwellsAnd the original whoracle… Whoracle (1997) the album by Swedish metal band In Flames
We continued with our power panel as we talk about the influence coaches have to advocate for growth in their players global view and cultural awareness. We, again, welcomed Reggie Morris, Grandview (KC), Tony Irons, Vashon (STL), Justin Gerald, Hillcrest (SGF), Julia Wells, Drury University (SGF), Major Tad Peters, Springfield Police Department, Landon Cornish, Parkview (SGF), Kelsey Keizer, Southwest Baptist University (Bolivar). Our hope is to continue dialogue and look to the present and future on how we can make our attitudes and views better than the day before. We then played “out of the hat” with two veteran coaches, Jay Osbourne and Todd Mercer. They answered questions about dealing with playing time, social media in their programs, mentors and whatever else came out of the hat! My thanks to these two, they are a class act and are successful because they do things the right way! A Coach's Perspective: Tune in Wednesday night's live from 6:00-7:00 pm on 99.9FM/96.9FM or on the Radio-Springfield app. Listen at Previous Shows on the website acoachsperspective.com Or on Apple iTunes Podcast under A Coach's Perspective. Like-Facebook: @CoachJeniHopkins Follow-Twitter: @coachhopkins987 Subscribe-Website: acoachsperspective.com Subscribe-Apple iTunes Podcast: A Coach's Perspective
We welcome a power panel as we talk about the influence coaches have to advocate for growth in their players global view and cultural awareness. We welcome Reggie Morris, Grandview (KC), Tony Irons, Vashon (STL), Justin Gerald, Hillcrest (SGF), Julia Wells, Drury University (SGF), Major Tad Peters, Springfield Police Department, Landon Cornish, Parkview (SGF), Kelsey Keizer, Southwest Baptist University (Bolivar). Our hope is to open dialogue and look to the present and future on how we can make our attitudes and views better than the day before. This panel answered several questions from multiple areas (thank you for the ones that sent in questions). Their answers serve as a powerful voice of understanding and guidance. This is a great guide for coaching (employing/parenting) our young athletes and citizens. My thanks to these tremendous educators, excellent panel and we are grateful for their willingness to put themselves out there and represent themselves so well. Next week: We continue this conversation and then host two veteran coaches for a little "out of the hat" conversation: Jay Osbourne and Todd Mercer. A Coach's Perspective: Tune in Wednesday night's live from 6:00-7:00 pm on 99.9FM/96.9FM or on the Radio-Springfield app. Listen at Previous Shows on the website acoachsperspective.com Or on Apple iTunes Podcast under A Coach's Perspective. Like-Facebook: @CoachJeniHopkins Follow-Twitter: @coachhopkins987 Subscribe-Website: acoachsperspective.com Subscribe-Apple iTunes Podcast: A Coach's Perspective
If you've wanted to start a business, or you have one, but it feels hard and overwhelming, listen to this episode because my guest is bringing pleasure to profit. What if business could be fun? Could be filled with PLEASURE? It's not news – traditionally, the idea of business is not linked to anything related to enjoying ourselves or having fun. But actually, scientific research has proven that when we are in a “pleasure frequency,” we become more aligned with a feeling of receiving, we attract more people and opportunities, we see more possibilities and tap into creative ways of dealing with any given situation. It's called having a “Pussy-Based Business” and it means that pleasure is the answer to a female-owned business. In this episode of The PurposeGirl Podcast, my colleague, soul sister, friend, and mentor, Julia Wells - one of the most authentic, badass voices in the coaching space, who has grown her business to a million dollars in just one year – joins me. She's found ways to be consistent in entrepreneurship and revenues while still being a free flowing, world traveling goddess of pleasure. Julia shares how you can create your own Pussy-based, pleasure-based business with effective strategies. Julia and I discuss the following: How you can access pleasure immediately, in any moment Why pleasure changes the way you feel: Instead of being in your head (over thinking, self doubting, trying to please others) you switch to living in your body How to use pleasure to your advantage for creating or growing your business Mindset tricks and tips to grow your business and life Different ways of training your brain in just 15 minutes You can connect with Julia on Facebook (https://www.facebook.com/groups/visibleaf) and Instagram (https://www.instagram.com/juliamotherfuckingwells). Also, don't miss her Social Media Seductress course which is now open! Cart closes November 6, 2020 – Join here: https://www.juliacwells.com/social-medial-seductress Want more PurposeGirl?? Ready to be your full Goddess on Purpose self? And desire Sisterhood who feels the same? Join the Free PurposeGirls Facebook Group! I post prompts, motivation, and do free live videos and challenges to get you on purpose and loving life!! Click here to join (https://www.facebook.com/groups/PurposeGirlsGroup/). Also make sure you're getting my newsletter – that's the first place I send announcements about events, programs and share purpose and happiness tips. Click here to receive my newsletter for free (https://carinrockind.com/newsletter)! Love this episode? Love The PurposeGirl Podcast? Then share the love!! Go to Apple Podcasts and leave a 5 star review, subscribe so you never miss an episode, and download ALL the episodes to listen again and again! And share the PurposeGirl Podcast with every woman you know – that's how we change the world one woman at a time!! Thank you so much for listening, love, and if you aren't following me already, you can find me on Instagram and Facebook. May you live purposefully, may you love yourself, and may you love life!! Bye for now! XO, Carin About Julia Wells Julia Wells is one of the most authentic, badass, voices in the coaching space. She has found ways to be consistent while still being a free flowing, world traveling, goddess of pleasure. Julia's programs stay sold out (all without fancy funnels, ads, or a large audience) and now she's teaching other womxn how to build pussified businesses with ease.
On this weeks episode we chat with pussy based business coach Julia Wells! Oh boy is she inspiring! We talk all about how to harness women's super power energetically and physically and use it to create more profit and more pleasure. Shifting out of a male centric system of hustle, rule playing and exhaustion into a life that's way better than IG. To learn more about her upcoming classes and private coaching, visit https://juliacwells.com and check out her very own podcast - Wait... WTF?!
This week on Womanity – Women in Unity, Dr. Amaleya Goneos-Malka talks to Professor Julia Wells, who is Associate Professor Emeritus and Head of the Isikhumbuzo Applied History Unit at Rhodes University. Given that we are in heritage month, we reflect on the past and poignant moments for women in South Africa’s history, highlighting some of the resistance movements in 1913, 1930 and 1950s, mentioning Josie Mpama, Helen Joseph and Lilian Ngoyi. Prof.Wells also makes reference to the diplomatic role women played to consolidate warring factions through intermarriage, where the daughter of the losing entity was married to the victor. In these scenarios women formed diplomatic alliances between the two groups, transcending violence and being the peacemakers that built bridges between communities, for example, Queen Noloyiso Sandile of the AmaRharhabe Kingdom. We note that gender discrimination like racial discrimination will not change by superficial means, gender issues extend beyond legal frameworks and thus quotas in various structures be it political or the workplace are needed to enable women to participate in these spaces. Tune in for more….
Ever wondered why we are told not to mix business with pleasure, or worse, why this has been accepted as a social norm? In this episode, we are doing the exact opposite and putting pleasure back into business! Julia Wells shares what it means to use pleasure as a guide in business. Julia’s unique pleasure-based methodology teaches clients how to use pleasure to increase their capacity for profit while running a smart and sustainable business that turns them on. As coach, pleasure Queen and podcast host who is healthily obsessed with changing the entire way we do business, Julia’s mission is to break us free of the ways of doing business that were designed for men by men. Julia swears a lot, wears way too much leopard print and is known for keeping it real AF across the interwebs. If you are into mixing things up, changing the rules and making business feel good and giving yourself so much permission to do so you are going to absolutely love this episode! Here’s a closer look at what we talked about: What it means to be a “pu***-based” business coach [03:06] How to make launching less stressful [14:39] Using pleasure as a guiding compass when things haven’t gone as planned [24:39] Links mentioned: Podcast: Wait..WTF Podcast Instagram: @juliamotherfuckingwells Facebook group: Visible AF
Julia Wells runs The Humble Hive Homestead, a small diverse farm in Central Oklahoma with her husband Kaleb and their two boys. Julia is a Jersey girl turned Okie, who got bit by the farming bug when she moved to Oklahoma and got a few backyard chickens for fresh eggs. Kaleb's background in FFA, poultry and animal ag helped foster Julia's interest and teach just about everything there is to know about chickens.They had an opportunity to partner up with another like minded family and began raising broiler chickens and holiday turkeys with them. They recently added 16 heritage pigs to the operation and a small herd of dexter cows that are ornery as all get out. The past two years their farm has grown by leaps and bounds. Julia loves the opportunity to raise and homeschool her kids on the farm and teach them the important responsibility of being good stewards of the land, the environment and the animals. For show notes and links mentioned in today's episode, head on over to WildRoseFarmer.com
Julia Wells is the Queen of pussy-based business and teaching how to use pleasure to make more profit. She's a masterful coach, podcast host and wildly messy, normal human that is committed to helping more badass women amplify their impact and income in ways that feel good. We chat about using pleasure to amplify profit, our innate worthiness, being authentic AF, ditching shame and being wildly success in entrepreneurship. If you wanna kick around with Julia you can find her here: On the 'gram @juliamotherfuckingwells. On Facebook: Julia Wells. In her Facebook group: Visible AF. or her website Juliacwells.com. Pays To Be You is a podcast for humans who are ready to know themselves, love themselves, BE themselves fully and express their truth in the name of making the world a better place! I'm Michaela Lloyd, the coach that's here to crack you wide open in the best possible way. Every week myself and my guests will be throwin' down wisdom from our hearts and unique perspectives to help you ditch the fears, insecurities & bullshit stories that are keeping you leading a life that's a bit "meh..." Even if you're confused, even if you're scared, even if you doubt it's possible - in fact, ESPECIALLY if you're confused, scared and doubtful - show up every week and say "heeeeeey" to the authentic, wise, radiant version of you that's rising powerfully from within! While information is flippin' neat, your transformation will come from implementing what you're learning so start before you're ready, start while you're scared, start while you suck, and see just how amazingly you grow in the process!Be sure to keep in touch on the daily through social media. I'm always down to exchange cat memes and Harry Potter jokes:Facebook: Michaela LloydInstagram: @_michaelalloyd_Exclusive Facebook community: Gorgeous & Worthy & ALL the things!I'll catch you on this week's episode!With all the lovin' in the universe, Michaela xox
Super Power U: Mental Models and Tactical Skills To Activate Your Inner Superhero
Julia Wells believes that women were built for receiving and that it's time to replace the usual "bro marketing" business approach. She believes that the more pleasure we have in our life, the more profit we can receive. She grew up in a household where ‘sex’ and sexuality weren’t taboo topics, and so when she decided to start a career as a pussy-based business coach, her family wasn't surprised. Today, she helps women scale their businesses online, empowering them, and building systems that honor woman-based leadership. Sponsor: Audio Keepsakes offers the easiest way to have your loved one’s stories recorded for you. Because their voices matter. Super Power U Podcast on Facebook Connect with Lisa: On Instagram, On TikTok, On LinkedIn
Sparkling Habits - Podcast for Entrepreneurs - Savannah Alalia
The connection between manifestation and white privilege that most coaches refuse to address. Spiritual Activism 101 with Rachel Ricketts https://www.rachelricketts.com/online-courses Webinar with Juliet Cobodo https://www.fwrdinstitute.com/learn-to-hold-space Black Manifestation Coaches: instagram.com/womanifester https://instagram.com/jaealissa https://instagram.com/abundant_af https://instagram.com/letitiaelizabeth Decolonized Manifesting with Louiza Doran and Julia Wells: https://www.louizadoran.com/decolonizedmanifesting Learn more about Caitlin's 3-month private coaching experience: caitlinmatanle.com/coaching DM Caitlin Matanle your questions, comments and conversations on Instagram: instagram.com/caitlinmatanle Take my magical AF business course, BOSS WITCH UNIVERSITY caitlinmatanle.com/courses/bwu Thank you so much for listening! Join my community of podcast supporters with a small monthly donation to help sustain future episodes: https://anchor.fm/rebirthofvenus/support Music: "Dream Catcher" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/worklikeawitch/support
I’m talking with Pussy-Based Business Coach Julia Wells about *exactly* how she grew from 0 to $500k in sales in 9 months (including all of the mindset work she ACTUALLY does and did on a daily basis for months before the tangible results came through). Julia has created a multi-six figure business by combining pleasure with mindset and her not-so-overnight success will inspire you no matter where you are in business right now! Learn more about Lacey alituplife.com Learn more about Julia https://www.juliacwells.com
What is the corona virus bringing to the surface in our culture? On the 9th episode of the WOW! Podcast, I was blessed to interview my friend Julia Wells, a pussy-based business coach who helps empower womxn all over the world to step into their pleasure, power, and freedom while educating on decolonization and radical social responsibility. In this episode Julia shares with us the principals of pussy-based business and how we can stay connected to pussy during quarantine. We also discuss the whitewashing of manifestation, paradox in spiritualism, and giving and receiving value in business, relationships, and community. To support this and my other podcasts, or to listen to this podcast in your favorite app, visit https://anchor.fm/sirona To learn more about Julia, visit her on her website, http://www.juliacwells.com - Or on IG: @JuliaMotherfuckingWells To learn more about Wild Orgasmic Wisdom and my 1:1: Sex, Love, & Relationship coaching and programs, visit me on IG: @WildOrgasmicWisdom As always, thanks for listening! Please consider leaving a review, making a monthly donation, and share this podcast with anyone you think would enjoy it. Wishing you a magickal day. ✨❤️ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sirona/message
Today Trudi & Weeze are joined by pussy based business coach Julia Wells, who shares her journey of coming to terms with her own white privilege and what it was like to do her work as part of the first cohort of Working Towards Woke. We also explore conscious leadership, leadership with an equity lens and doing better with your clients. Grab your spot for our FREE WORKSHOP, So You Think You’re Woke? January 28, 2020: https://www.nothowthatworks.com/workshop?fbclid=IwAR1yObvNHLooW4LHW9wxGxEZ0yHUt-rezcNnmuaYDMuTk2BQ0AQ4KIe7gQE Please join us on the FB Group for more discussion and celebration: https://www.facebook.com/groups/ThatsNotHowThatWorks/ Connect with Julia: Her free Facebook group, Visible AF: https://www.facebook.com/groups/VisibleAF/ On Instagram: https://instagram.com/juliamotherfuckingwells Her website: https://juliacwells.com Her podcast, Wait...WTF Music by Dennis “Aganee” Jenkins https://www.aganee.com https://instagram.com/therealaganee
I'm sure you've been told to work first and reward yourself later. You're probably still living out your life refrained by this old narrative. Well, I want you to scratch that. It's time to start making pleasure a priority. When you start with pleasure you allow yourself to enter work in a pleasure state that will bring more productivity, joy and abundance to your hustle. In this episode, I'm speaking with the incredible Julia Wells who is living proof that it pays to priorities pleasure. She shares with us some of her hottest tips and tricks to build, run and succeed in a pussy and pleasure based business. We cover: - What does it mean to run a pussy based business. - How tapping into pussy can revolutionise the way you do business. - Some of our personal pleasure building, non negotiables. - How sexuality work supports business growth and success. - Why our world needs more feminine embodied leader. - Key ingredients for epic launches (that involve travel, day spas, buying flowers, basically all the good stuff). - How can women who aren’t necessarily businesses owners or entrepreneurs can use this (pussy power) method to bring more joy to their days. Enjoy xx Find Julia on Instagram Join Asti's group coaching programme (Early bird ends soon) - The Pleasure Portal
I am interviewing Julia Wells, who is a fantastic coach promoting the creation on business centered in the female flow of energy and pleasure. A must hear if you are a female entrepreneur, specially if you feel burned out
Leadership and P*ssy based business coach Julia Wells chats with Brook from New York. Get tips on bringing your feminine vibe into daily work life and making it more PLEASURABLE. Plus we learn what a p*ssy palace is! Cheers!
In this episode I interview the fabulous Julia Wells who is a pussy based biz coach. Tune in to learn her secrets to create a life and biz that is sustainable using your pussy as a guide. As always thanks for tuning in. I love you
Learn from women’s empowerment coach, Julia Wells the rebellious strategies that will allow you to live life in a more powerful way. The post OWN YOUR POWER w/ Julia Wells appeared first on Lindsay E. Preston Coaching.
When I first started out in the online space I was very comfortable in my introverted cave of the psychotherapist who only saw people in person, mostly one to one and couples with one groups that met monthly for almost 15 years. It allowed me to stay very within myself, very private and comfortable. In … Continue reading "How To Shimmy Into Greater Visibility and Fulfill Your Soul’s Purpose with Julia Wells."
My guest for Episode 71 of The Startup Playbook Podcast is Chris Saad, Former Head of Product at Uber's Developer Platform. Chris is has spent the last 10 years in Silicon Valley as a Serial Entrepreneur and Strategic Advisor. He was the Co-founder of the DataPortability Project and is the Co-Author of Backplane Protocal and APML. Most recently, he was the Head of Product at Uber's Developer Platform, while the company grew from 3,000 to 17,000 employees. In this interview we talk about: The importance of showing up Building networks by adding value Building products that scale Paying it forward How hiring changes as companies scale PLAYBOOK MEDIA – Growth through Data-Driven Storytelling LIVE PODCAST WITH WILL RICHARDSON (GIANT LEAP FUND) - 22nd November STARTUP PLAYBOOK HUSTLE APPLICATION Show notes: TechCrunch Battlefield Australia Martin Wells Julia Wells Mick Liubinskas Dean McEvoy Michael Arrington ReadWriteWeb TechCrunch Digg RSS Chris Saad (Website) Chris Saad (Twitter) Feedback/ connect/ say hello: Rohit@startupplaybook.co @playbookstartup (Twitter) @rohitbhargava7 (Twitter – Rohit) Rohit Bhargava (LinkedIn) Credits: Intro music credit to Bensound Other channels: Don't have iTunes? The podcast is also available on Stitcher & Soundcloud The post Ep071 – Chris Saad (Former Head of Developer Product – Uber) on the abundance mindset appeared first on Startup Playbook.
My guest for Episode 67 of The Startup Playbook Podcast is Marisa Warren, the Founder, Executive Director and Chair of the ELEVACAO Foundation. Marisa is a global tech advisor, social entrepreneur and speaker, who is incredibly passionate about elevating women to higher levels and building a collaborative tech ecosystem. As an entrepreneur, Marisa has built three global businesses from idea stage to high growth phase, and worked in Australia and New York for companies such as SAP, Microsoft and Workday. Whilst living in New York, Marisa founded the ELEVACAO Foundation – a global not for profit empowering women entrepreneurs to build and launch successful tech businesses. Since ELEVACAO's launch in mid-2015, they have helped over 65 women get pitch ready across New York, Sydney and Melbourne. Marisa has also been instrumental in bringing the TechCrunch Battlefield event to Australia, which will take place later this year. In this interview we discuss; why you need to have chemistry with your mentors, the importance of market testing your ideas, setting goals and how to get your pitch investor ready. PLAYBOOK MEDIA – Growth through Data-Driven Storytelling Show notes: - ELEVACAO - SAP - Microsoft - Lean In - Sheryl Sandberg - Karen Jacobsen - Siri - Simon Sinek - Inside Quest - Simon Sinek interview with Tom Bileu - Holly Liu podcast - Startup Playbook Podcast - Sam Wong - Blackbird VC - TechCrunch Battlefield Australia - Julia Wells - Ned Desmond Feedback/ connect/ say hello: Rohit@startupplaybook.co @playbookstartup (Twitter) @rohitbhargava7 (Twitter – Rohit) Rohit Bhargava (LinkedIn) Credits: Intro music credit to Bensound Other channels: Don't have iTunes? The podcast is also available on Stitcher & Soundcloud The post Ep067 – Marisa Warren (Founder & CEO – ELEVACAO) on the ingredients of an effective pitch appeared first on Startup Playbook.
Thank you for listening to Episode 10 of This Journey Called Life! My guest today is Julia Wells. Julia worked her way to the top in several industries before realizing that wasn't what fulfilled her. She also realized that a lot of women were not fulfilled by their lives and decided to do something about it. She started her own coaching business to help women live their best lives ever! Thank you for listening!
Julia Wells and the student staff of the Office of International Students describe three relevant dimensions of culture: communication, perceptions of self, and power distance.
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