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Today we're talking about a man whose name was nearly lost to history, yet whose hands shaped the very identity of American whiskey.  We will cover the legacy of Nathan “Nearest” Green on this… Bourbon Brief. Have you thought about supporting our podcast?  Head on over to our website at https://www.bourbonhunters.com  where you can, by purchasing Bourbon Hunters products, and sign up for our Patreon, which includes exclusive access to single barrel announcements from our Private Single Barrel Club. --Tags-- #punkrockandcocktails #thebourbonenthusiast #bourbonhunters #bourbonlover #breakingbourbon #bourbondrinkers #bourbonporn #kentuckystraightbourbon #kentuckybourbon #thebourbonalliance #bourbon #bourbonlife #bourbonlifestyle #bourbonenthusiast #bourbonwhiskey  #bourboncountry #deckpour #bourbongram #instabourbon #yourbourbonyourway #yourbourbonroad #blantons #pappyvanwinkle #vodkasucks #bourbonpodcast #columbuspodcast #bourbonneat #smokewagonbourbon #woodinvillewhiskey   -- Tags -- the bourbon enthusiast  bourbon hunters  bourbon lover  breaking bourbon  bourbon drinkers  bourbon porn  kentucky straight bourbon  kentucky bourbon  the bourbon alliance  bourbon  bourbon life  bourbon lifestyle  bourbon enthusiast

Hello Bravo Bosses! It's TLC Tuesday so that means it's 90 Day Fiance time! Love you BBs! Join the Patreon for $5 a month to get 4 extra episodes a month! ad free episodes! early episodes! and bonus content! Join the fun at patreon.com/thebravoinvestigatorpodcast Subscribe to my new YouTube Channel! Follow me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my Facebook Group NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At Sheena's urging, Forrest agrees to go behind Molly's back. Lisa's Nigeria arrival brings a major shock. Jovon meets his wife at last. Laura's confidence wavers when Birkan sees her body for the first time -- in an unexpected way. Emma's past resurfaces, sparking tension with Ziad. --- Vanity Farah is a fun and femme coded pop culture recap podcast with Chris Farah, an actress, writer, comedian who is obsessed with pointing out the aesthetic choices and beauty trends she sees in reality shows like 90 Day Fiancé and Love is Blind. We deeply and sassily examine the choices that reality subjects make in the pursuit of love, and relate hard to the humanity on display, from questionable eyebrow shapes to the profound loneliness that plagues us all. If you want a smart yet silly friend to talk about dumb, escapist things with, subscribe, follow, and give 5 stars.Follow Chris in all her platforms!  https://www.youtube.com/@ChrisFarah  instagram.com/chrislfarahhttps://www.tiktok.com/@chrislfarahBecome a supporter of this podcast: https://www.spreaker.com/podcast/vanity-farah-with-chris-farah--6618122/support.

Amye is joined by Amanda to discuss 90 Day Fiance: Before the 90 Days S8:EP5 Nearest Exit May Be Behind YouAt Sheena's urging, Forrest agrees to go behind Molly's back. Lisa's Nigeria arrival brings a major shock. Jovon meets his wife at last. Laura's confidence wavers when Birkan sees her body for the first time -- in an unexpected way. Emma's past resurfaces, sparking tension with Ziad.Listen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comVISIT OUR SPONSORS:LUMI GUMMIES are consistent, mellow, and super delicious –– Lumi Gummies are specifically designed to make you feel good, not stoned. Lumi Gummies are available nationwide. We have a 30% code for our listeners! Visit www.LumiGummies.com and use code (LITTLEMISSRECAP) for 30% off your order.GROW THERAPY makes it easier to find a therapist who fits you, not the other way around. They connect you with thousands of independent, licensed therapistsacross the U.S., offering both virtual and in-person sessions, nights and weekends. There are no subscriptions, no long-term commitments. You just pay per session. Grow helps you find therapy on your time. Visit: www.growtherapy.com/LMR to get started!Get in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comYoutube: www.youtube.com/@littlemissrecapGrab yourself some Little Miss Recap merch at: https://littlemissrecap.myshopify.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Last time we spoke about the Japanese Victory over Changkufeng. Japan's generals hatched a plan: strike at night, seize the peak, then bargain if need be. Colonel Sato, steady as a compass, chose Nakano's brave 75th Regiment, selecting five fearless captains and a rising star, Nakajima, to lead the charge. Ahead, scouts and engineers threaded a fragile path through darkness, while distant Soviet tanks rumbled like distant thunder. At 2:15 a.m., wire breached and soldiers slipped over the slope. The crest resisted with brutal tenacity, grenades flashed, machine guns spit fire, and leaders fell. Yet by 5:15 a.m. dawn painted the hill in pale light, and Japanese hands grasped the summit. The dawn assault on nearby Hill 52 and the Shachaofeng corridor followed, with Takeshita's and Matsunobe's units threading through fog, fire, and shifting trenches. Narukawa's howitzers answered the dawn with measured fury, silencing the Soviets' early artillery as Japanese infantry pressed forward. By daybreak, the Russians were driven back, their lines frayed and retreating toward Khasan. The price was steep: dozens of officers dead or injured, and a crescent of smoke and memory left etched on every face.    #181 The Russian Counter Offensive over the Heights Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. After admitting the loss of Changkufeng and Shachaofeng by dawn on 31 July, the Russian government issued a communique the next day asserting that Soviet troops had "hurled back a Japanese division… after a two-day battle" involving tanks, artillery, and aircraft. Some hours after the Japanese penetration, Soviet regulars rushed to the scene and drove out the invaders. Japanese losses amounted to 400 men; Soviet losses were 13 killed and 55 wounded. On Soviet soil, the Japanese abandoned five cannons, 14 machine guns, and 157 rifles, while the Russians admitted losing one tank and one gun. A Soviet reconnaissance pilot may have fallen into Japanese hands after bailing out. "Both before and during the Japanese attack… Soviet troops did not once cross the Manchukuoan frontier,which deprived them of the possibility of surrounding or outflanking the invaders." By 1 August, Russian ground forces were deployed and the Soviet Air Force took action. Soviet aircraft appeared at 24:30 to reconnoiter. Soon after, more than ten planes flew in formation, launching strikes against forward units. Eight sorties, light bombers and fighters, roughly 120–150 aircraft in flights of two or three dozen, bombed and strafed. Raids were conducted by as many as 30 planes, though no Soviet losses were reported. The Russians also hit targets on the Korean side of the Tumen. The 75th Regiment judged that the Soviet Air Force sought only to intimidate. Russian planes dropped several dozen bombs on the Kyonghun bridge, but the span was not struck; damage was limited to the railway, producing an impression of severity that was misleading. The lack of air cover troubled the troops most. Japanese casualties on 1 August were modest: three men wounded in the 75th Infantry, and one wounded and a horse killed in the 76th. However the three Japanese battalions expended over 15,000 machine-gun and 7,000 rifle rounds that day. The appearance of Soviet air power at Changkufeng drew anxious international attention. Shanghai reports electrified observers, who anticipated that major Russo-Japanese hostilities would transform the China campaign overnight. Some observers were openly dismayed, foreseeing a prolongation of the mainland war with potential benefits to Soviet interests. Japanese Army spokesmen sought to downplay the situation. Officers in Hsinking told correspondents that the raids, while serious, represented only a face-saving measure. The Red Army was reportedly attempting to compensate for losses at Changkufeng and other disputed positions, but aside from the bombings, the frontier remained quiet. If the Russians were serious, observers noted, they would have bombed the vital Unggi railway bridge, which remained untouched; raids focused on minor bridges, with limited damage. In Tokyo, foreign observers believed the appearance of about 50 Soviet heavy bombers over North Korea signaled an extension of the incidents and that the Japanese government was taking urgent measures. Military leaders decided not to escalate but prepared for emergencies. The Korea Army Headquarters denied Soviet bombing of Harbin in Manchuria or Najin and Chongjin in Korea. Regarding retaliation, an American correspondent reported that the Japanese military had no intention of bombing Russian territory. Although Soviet use of aircraft introduced a new dimension of danger, the main efforts remained ground-based on both sides. After Japanese troops cleared Changkufeng and Shachaofeng, the Russians appeared to be redeploying to contract their defensive frontage; no troops or works remained west of Khasan. Four or five Russian infantry companies and ten artillery pieces stood between the lake and Paksikori, while the main forces, with numerous gun sites, were concentrated west of Novokievsk. On the Kwantung Army front in southeast Manchuria, no changes were observed. "The Russians were apparently shocked by their defeat at Changkufeng and must suddenly have resorted to negative, conservative measures." Korea Army Headquarters assessed the situation as of the evening of 31 July: "The enemy must fear a Japanese advance into the Novokievsk plain and therefore is concentrating his main forces in that district. Our interests require that we anticipate any emergency, so we must prepare the necessary strength in the Kyonghun region and reinforce positions at Wuchiatzu."  At 20:45 on the 31st, the 19th Division received a detailed message from the Hunchun garrison commander describing his northward deployments. Suetaka was heartened; he "earnestly desired to bring about the end of the incident as a result of the fighting of 30–31 July but was equally resolved to defend the border firmly, based on Japanese interpretation of the Hunchun pact, in case the Soviet side did not perform intensive self-reflection." First, Suetaka issued instructions from Kyonghun at 8:15 on the 31st via K. Sato: "It is our intention that Changkufeng and the high ground northwest of Shachaofeng be secured, as well as the high ground south of Shachaofeng if possible. Enemy attacks are to be met at our positions, but you are not to pursue far." Second, Colonel Tanaka was instructed not to fire as long as Russian artillery did not bombard friendly forces. "Except for preparing against counterassaults, your actions will be cautious. In particular, harassing fire against inhabited places and residents is prohibited." Suetaka was finally armed with formal authority, received at 22:05 on 1 August. He did not delay in implementing it. At 23:00 he ordered the immediate rail movement of strong reinforcements: the alerted infantry brigade headquarters, as well as four infantry battalions and the remaining mountain artillery battalion. Thus, Suetaka could deploy forward not only the forces he had requested but also a brigade-level organization to assume control of the now sizeable combat elements massed at the front for "maneuvers." Earlier that afternoon he had already moved his division's message center forward to the Matsu'otsuho heights at the Tumen, and he regularly posted at least one staff officer there so that the center could function as the division's combat headquarters. An additional matter of explosive potential was built into the divisional order: provision of Japanese Air Force cover for rail movements forward, although use of aircraft had been prohibited by all higher headquarters; Nakamura intended only ground cover. At the front, Japanese units spent most of their time consolidating their hard-won positions. By 3 on 1 August, a column of Soviet forces with vehicles was observed moving from the east side of Khasan. Late in the day, the division received an extremely important telegram from the 2nd (Intelligence) Section of the Kwantung Army: "According to a special espionage report from our OSS in Khabarovsk city, Red Army authorities there have decided to retake the high ground along Changkufeng." From other intelligence, the Kwantung Army concluded that the Russians were rebuilding in the Novokievsk region. Frequent movements observed immediately to the rear of the Soviet battle zone caused K. Sato to grow apprehensive about a dawn counterattack on the 1st, and he reinforced Changkufeng with the 6th Company. The second of August was marked by continuation of Soviet air attacks and the anticipated Russian counteroffensive. According to Japanese intelligence, Marshal Blyukher had arrived in Khabarovsk, and Lieutenant General Sokolov was in Voroshilov. An offensive buildup, estimated at about 3,000 men plus tanks and guns, was reported in the Kozando area by evening on the 1st. Hirahara, commanding the battalion at Changkufeng, grew concerned about Hill 52. With day's end approaching, he reinforced the defenses further and ordered the battalion medical officer to establish a dressing station at Fangchuanting. Around 15:00 Soviet artillery began firing at forward areas, especially gun positions; the bombardments were described as severe. Japanese artillery sought to conserve ammunition, firing only at worthwhile, short-range targets. Main Russian ground actions focused on the far-right (Hill 52) and far-left (Shachaofeng) sectors, not Changkufeng. In line with Hirahara's orders, two infantry companies and four heavy machine guns were moved by 8:00 from Changkufeng to the heights 800 meters southeast. Soviet heavy artillery pounded the zone between Fangchuanting and Hill 52; observing the enemy became difficult. Russian planes engaged at 9:00 fighters, then bombers, to soften defenses and gun positions. Meanwhile, the Soviets deployed firepower southeast of Khasan, while two infantry battalions and more than ten tanks advanced through the pines on the western slopes. Japanese regimental guns and two machine-gun platoons at Hill 52 attacked the enemy heavy machine guns and neutralized them. By 10:00 the Russians had advanced with heavy weapons to the high ground 800 meters from Hill 52. From Changkufeng, the battalion guns engaged heavy weapons. Hirahara moved with the engineers and battalion guns to the heights to which he had transferred reinforcements earlier, took command, and prepared an assault. Initially, Soviet troops advanced in formation, but after cresting a dip, they dispersed and moved onto the high ground opposite Hill 52. Heavily armed, they drew within 700 meters, with artillery and heavy machine guns providing coverage. By 10:00 Sato requested Shiozawa's mountain guns across the Tumen to unleash a barrage against Hill 52's front. For about half an hour, the battery fired. By 10:30, the Soviet advance grew listless. Believing the moment ripe, Hirahara deployed his men to charge the foe's right wing, ordering rapid movement with caution against eastern flank fire. On the heights north of Hill 52, Inagaki watched the struggle; with the telephone out and the situation urgent, he brought up firepower on his own initiative. Taking the main body of the 1st Machine Gun Company, along with the battalion guns, he moved out at noon, making contact with the 10th Company on Hill 52 around 14:00, where the Japanese machine guns and battalion guns joined the fray. The Russians, losing momentum, were checked by Japanese heavy weapons and by mountain guns from Hill 82. Hirahara's main battalion advanced onto the high ground north of Hill 52 around noon. By 15:00, two enemy companies began to fall back, climbing the western slopes of Hill 29 as the main forces retreated piecemeal to a dip. By 16:00, Suetaka observed that his units were continuing to secure their positions and were "gradually breaking the hostile intention." Despite heat and rain, front-line troops showed fatigue but remained vigilant. Between 11:00 and 16;00, Sato inspected the lines and directed defensive positions, particularly at Hill 52. After a poor initial performance, the Russians awaited reinforcements before attempting another assault on Hill 52. They moved up a mechanized corps, and by 15:00 50 tanks massed east of Maanshan. Around 17:00, the Russians began moving south along the high ground across Khasan. Another two Soviet battalions advanced along the Tumen hills, led by armor. Hirahara anticipated an assault at twilight, especially after 18:00, when nine bombers struck Hill 52. Earlier, Takeshita had received reports from the antitank commander, Lieutenant Saito, that at 17:00 several enemy tanks and three infantry battalions were advancing from Hill 29. Convinced of an imminent Soviet strike, Takeshita ordered the defense to conceal its efforts and to annihilate the foe with point-blank fire and hand-to-hand fighting. He sought to instill confidence that hostile infantry could not reach the positions. Before 19:00, the enemy battalions came within effective range, and Japan opened with all available firepower. Rapid-fire antitank guns set the lead tank alight; the remaining tanks were stopped. Support came from Hisatsune's regimental guns and two antitank gun squads atop Changkufeng. The Russian advance was checked. By nightfall, Soviet elements had displaced heavy weapons about 400 meters from Japanese positions. As early as 16:00, Suetaka ordered a mountain artillery squad to cross the river. Sato told Takeshita at 7:30 that there would be a night attack against Hill 52. Takeshita was to annihilate the foe after allowing them to close to 40–50 meters. The Russians did mount a night assault and pressed close between 8 and 9 p.m. with three battalions led by four tanks. The main force targeted Takeshita; all ten Russian heavy machine guns engaged that side. Japanese machine guns and battalion guns joined the fray. The Russians pressed within 30 meters, shouted "Hurrah! Hurrah!" and hurled grenades before advancing a further 15 meters. The Japanese repelled the first waves with grenades and emplaced weapons, leaving light machine guns and grenade dischargers forward. Soviet illuminating shells were fired to enable closer approaches within 100 meters. Japanese grenade-discharger fire blasted the forces massed in the dead space before the works. While the Hill 52 night attack collapsed, other Russian units, smaller in strength and with one tank leading, moved against the hill on the left that the Japanese had not yet occupied that morning. The Russians advanced along the Khasan slope north of Hill 52, came within point-blank range, and shouted but did not charge. By 22:00, the Japanese, supported by machine guns, had checked the foe. Thereupon, the 6th Company, now under a platoon leader, Narusawa, launched a counterattack along the lake. "The enemy was bewildered and became dislocated. Buddies were heard shouting to one another, and some could be seen hauling away their dead." The Soviet troops held back 300–400 meters and began to dig in. Sato decided artillery should sweep the zone in front of Hill 52. At 21:30, he requested support, but the mountain guns could not open fire. Still, by 23:00, not a shadow of an enemy soldier remained on the Hill 52 front, where the Japanese spent the night on alert. In the northern sector, eight Russian tanks crossed the Japanese-claimed border at 5:25 on 2 August and moved south to a position northwest of Shachaofeng. Around 7 Russian artillery opened fire to "prepare" the Japanese while a dozen heavy bombers attacked. An hour later, the ground offensive began in earnest, with one and a half to two infantry battalions, a dozen machine guns, and several tanks. Supporting Takenouchi's left wing were several batteries of mountain artillery and two heavy batteries. Well-planned counterfire stopped the offensive. There was little change north of Shachaofeng and in the southeast, where Kanda's company held its positions against attack. On Takenouchi's front, Akaishizawa notes 120-degree daytime heat and nighttime chill. Men endured damp clothes and mosquitoes. To keep warm at night, soldiers moved about; during the day they sought shade and camouflage with twigs and weeds. No defense existed against cold night rain. Nocturnal vigilance required napping by day when possible, but the intense sun drained strength. For three days, Imagawa's company had only wild berries and dirty river water to eat. At 6:00 on 2 August, Colonel Tanaka exhorted his artillery to "exalt maximum annihilation power at close range, engage confirmed targets, and display firepower that is sniperlike—precise, concentrated, and as swift as a hurricane." Tanaka devised interdiction sectors for day and night attacks. At 10:30, the artillery laid down severe fire and eventually caused the enemy assault to wither. Around 24:40, Rokutanda's battalion detected a Russian battalion of towed artillery moving into positions at the skirt of Maanshan. When the first shells hit near the vanguard, a commander on horseback fled; the rest dispersed, abandoning at least eight artillery wagons and ten vehicles. Suetaka, observing from the Kucheng BGU, picked up the phone and commended the 3rd Battalion. Japanese casualties on 2 August were relatively light: ten men killed and 15 wounded. Among the killed, the 75th Infantry lost seven, the 76th Infantry two, and the engineers one. Among the wounded, the 75th suffered nine and the 76th six. Infantry ammunition was expended at an even higher rate than on 30–31 July. In Hirahara's battalion area, small arms, machine guns, ammunition, helmets, knapsacks, and gas masks were captured. A considerable portion of the seized materiel was employed in subsequent combat, as in the case of an antitank gun and ammunition captured on 31 July. Soviet casualties to date were estimated at 200–250, including 70 abandoned corpses. Twelve enemy tanks had been captured, and five more knocked out on 1–2 August; several dozen heavy bombers and about 5,000 Soviet ground troops were involved in the concerted offensives.  Nevertheless, reports of an imminent Soviet night attack against Hill 52 on 2–3 August alarmed Suetaka as much as his subordinates. Shortly after 20:00 accompanied by his intelligence officer, Suetaka set out for the hill, resolved to direct operations himself. Somewhat earlier, the division had sent Korea Army Headquarters a message, received by 18:30, reflecting Suetaka's current outlook: 30 to 40 Soviet planes had been bombing all sectors since morning, but losses were negligible and morale was high. The division had brought up additional elements in accord with army orders, and was continuing to strive for nonenlargement, but was "prepared firmly to reject the enemy's large-scale attacks." Impressed by the severity of the artillery and small-arms fire, Suetaka deemed it imperative "quickly to mete out a decisive counterassault and thus hasten the solution of the incident." But Japanese lines were thinly held and counterattacks required fresh strength. This state of affairs caused Suetaka to consider immediate commitment of the reinforcements moving to the front, although the Korea Army had insisted on prior permission before additional troops might cross the Tumen. Suetaka's customary and unsurprising solution was again to rely on his initiative and authorize commitment of every reinforcement unit. Nearest was T. Sato's 73rd Regiment, which had been ordered the night before to move up from Nanam. Under the cover of two Japanese fighters, these troops had alighted from the train the next morning at Seikaku, where they awaited orders eagerly.   K. Sato was receiving reports about the enemy buildup. At 20:10 orders were given to the 73rd Regiment to proceed at once to the Matsu'otsuho crossing and be prepared to support the 75th. Involved were T. Sato's two battalions, half of the total infantry reinforcements. Suetaka had something else in mind: his trump, Okido's 76th Infantry. At 23:40 he ordered this regiment, coming up behind the 73rd, to proceed to Huichungyuan on the Manchurian side of the Tumen, via Kyonghun, intercept the enemy, and be ready to go over to the offensive. On the basis of the information that the division planned to employ Okido's regiment for an enveloping attack, K. Sato quickly worked out details. He would conceal the presence of the reinforcements expected momentarily from the 73rd Regiment and would move Senda's BGU and Shimomura's battalion to Huichungyuan to cover the advance of the 76th Regiment and come under the latter's control. Japanese forces faced the danger of Soviet actions against Changkufeng from the Shachaofeng front after midnight on 2 August. Takenouchi had been ready to strike when he learned that the enemy had launched an attack at 01:00 against one of his own companies, Matsunobe's southwest of Shachaofeng. Therefore, Takenouchi's main unit went to drive off the attackers, returning to its positions at 02:30. The Russians tried again, starting from 04:00 on 03 August. Strong elements came as close as 300 meters; near 05:00 Soviet artillery and heavy weapons fire had grown hot, and nine enemy fighters made ineffective strafing passes. By 06:30 the Russians seemed thwarted completely. Hill 52 was pummeled during the three battles on 2 August. Taking advantage of night, the Russians had been regrouping; east of the hill, heavy machine guns were set up on the ridgeline 500 meters away. From 05:00 on 03 August, the Russians opened up with heavy weapons. Led by three tanks, 50 or 60 infantrymen then attacked from the direction of Hill 29 and reached a line 700–800 meters from the Japanese defenses. Here the Russian soldiers peppered away, but one of their tanks was set ablaze by gunfire and the other two were damaged and fled into a dip. Kamimori's mountain artillery reinforcements reached Nanpozan by 07:15 on 03 August. Tanaka issued an order directing the battalion to check the zone east of Hill 52 as well as to engage artillery across Khasan. A site for the supply unit was to be selected beyond enemy artillery range; on the day before, Russian shells had hit the supply unit of the 3rd Mountain Artillery Battalion, killing two men and 20 horses. The exposed force was ordered to take cover behind Crestline 1,000 meters to the rear. After 09:00 on 03 August, the artillery went into action and Japanese morale was enhanced. Near 09:00, Soviet bombardment grew pronounced, accompanied by bomber strikes. The Japanese front-line infantry responded with intensive fire, supported by mountain pieces and the regimental guns atop Changkufeng. Enemy forces stayed behind their heavy weapons and moved no further, while their casualties mounted. At 11:00 the Russians began to fall back, leaving only machine guns and snipers. One reason the Soviets had been frustrated since early morning was that K. Sato had seen the urgency of closing the gap midway between Changkufeng and Hill 52 (a site called Scattered Pines) and had shifted the 2nd Company from Changkufeng. Between 06:00 and 07:40, the company fired on Soviet troops which had advanced north of Hill 52, and inflicted considerable casualties. A corporal commanding a grenade launcher was cited posthumously for leading an assault which caused the destruction of three heavy machine guns. In the afternoon, the Japanese sustained two shellings and a bomber raid. Otherwise, the battlefield was quiet, since Russian troops had pulled back toward Hill 29 by 15:00 under cover of heavy weapons and artillery. At Hill 52, however, defense posed a problem, for each barrage smashed positions and trenches. During intervals between bombardments and air strikes, the men struggled to repair and reinforce the facilities. Changkufeng was again not attacked by ground troops during the day but was hit by planes and artillery. Trifling support was rendered by the mountain gun which had been moved to the Manchurian side of the Tumen. Japanese infantry reinforcements were on the way. By 23:00 on 02 August, T. Sato had left Shikai. His 73rd Regiment pushed forward along roads so sodden that the units had to dismantle the heavy weapons for hauling. The rate of advance was little more than one kilometer per hour, but finally, at 05:20 on 03 August, he reached Chiangchunfeng with the bulk of two battalions. The esprit of the other front-line troops "soared." K. Sato, who was commanding all forces across the Tumen pending Morimoto's setting up of headquarters for the 37th Brigade, had T. Sato take over the line to the left of Changkufeng, employing Takenouchi's old unit and the 73rd Regiment to cover Shachaofeng. T. Sato set out with his battalions at 06:00 amid heavy rain. By 07:30, under severe fire, he was in position to command the new left sector. According to division orders to Morimoto, this zone was to include the heights south and northwest of Shachaofeng, but, in the case of the former, it was "permissible to pull back and occupy high ground west of the heights south of Shachaofeng." T. Sato contemplated using his regiment to encircle the foe on the north side of the lake, while Okido's 76th Infantry formed the other prong. Most of the day afterward, Soviet artillery was active; the Japanese responded with barrages of their own. Eventually, from 15:30, the entire enemy front-line force in this sector began falling back under violent covering fire. Morimoto's initial operations order, received at 18:00, advised T. Sato officially that he was coming under command of the 37th Brigade. The night of 03–04 August passed with the units uneasy, striving to conduct security and reconnaissance while working on the battered defenses. Total Japanese casualties on 3 August were light again: six men killed and ten wounded, four of the dead and seven of the wounded being suffered by the 75th Infantry, the rest by Takenouchi's battalion. Ammunition was expended at a lower rate than on the preceding day. The Japanese War Ministry reported no significant change since nightfall on 03 August. Thereafter, the battlefield seemed to return to quiescence; Japanese morale was high. In the press abroad, Changkufeng attracted overriding attention. The world was no longer talking of "border affrays." Three-column headlines on page 1 of the New York Times announced: "Soviet Hurls Six Divisions and 30 Tanks into Battle with Japanese on Border, 2 Claims Conflict, Tokyo Reports Victory in Manchukuo and Foes' Big Losses, Moscow Asserts It Won." The startling claim that six Soviet divisions were in action seemed to have been supplied for external consumption by Hsinking as well as Seoul. According to Nakamura Bin, the Russians employed 4,000 to 5,000 men supported by 230 tanks. Although Japanese casualties were moderate, Soviet artillery bombardment had stripped the hills of their lush summer grass. According to the uninformed foreign press, "the meager information showed both sides were heavily armed with the most modern equipment. The Russians were using small, fast tanks and the Japanese apparently were forewarned of this type of weapon and were well supplied with batteries of armor-piercing antitank guns." On 03 August the Russians lost 200 men, 15 tanks, and 25 light artillery pieces. One feature of the fighting was Japanese use of "thousands of flares" to expose fog-shrouded enemy ranks during a Soviet night attack. During the "first phase counteroffensive" by the Russians on 2–3 August, the 75th Regiment judged that the enemy's choice of opportunities for attacking was "senseless"; once they started, they continued until an annihilating blow was dealt. "We did not observe truly severe attacking capacity, such as lightning breakthroughs." With respect to tactical methods, the Japanese noted that Soviet offensive deployment was characterized by depth, which facilitated piecemeal destruction. When Russian advance elements suffered losses, replacements were moved up gradually. Soviet artillery fired without linkage to the front-line troops, nor was there liaison between the ground attacks staged in the Shachaofeng and Hill 52 sectors. Since enemy troops fought entirely on their own, they could be driven off in one swoop. Additionally, although 20–30 Russian tanks appeared during the counterattacks, their cooperation with the infantry was clumsy, and the armor was stopped. Soviet use of artillery in mobile warfare was "poorness personified." "Our troops never felt the least concern about hostile artillery forces, which were quite numerous. Even privates scoffed at the incapability of Russian artillery." It seemed that "those enemies who had lost their fighting spirit had the habit of fleeing far." During the combat between 31 July and 03 August, the defeated Russians appeared to fear pursuit and dashed all the way back to Kozando, "although we did not advance even a step beyond the boundary." On 4 August Suetaka prepared a secret evaluation: the enemy attacks by day and night on 2 August were conducted by front-line corps built around the 40th Rifle Division. "In view of the failure of those assaults, the foe is bound to carry out a more purposeful offensive effort, using newly arrived corps reinforcements." Russian actions on 02 August had been the most serious and persistent offensive efforts undertaken since the outset of the incident, but they were about the last by the front-line corps whose immediate jurisdiction lay in the region of the incident. Consequently, the enemy's loss of morale as a result of their defeat on 30–31 July, combined with their lack of unity in attack power, caused the attacks to end in failure. "We must be prepared for the fact that enemy forces will now mount a unified and deliberate offensive, avoiding rash attacks in view of their previous reversal, since large new corps are coming up." I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In the shadowed night, Japan's Sato chose Nakano's 75th to seize a peak, sending five captains and a rising Nakajima into darkness. At 2:15 a.m., they breached wires and climbed the slope; dawn lit a hard-won crest, then Hill 52 and Shachaofeng yielded to resolve and fire. The day wore on with brutal artillery, fluttering bombers, and relentless clashes. By August's edge, casualties mounted on both sides, yet Japanese regiments held fast, repelling night assaults with grit. 

Send us a text The crew takes A Steady Pour on the road to Lynchburg, Tennessee for an exclusive barrel-picking experience at Jack Daniel's Distillery with Byron Copeland, the brand's barrel maturation manager and master taster, and special guest OJ Lima of Taste Select Repeat. From behind-the-scenes access to the charcoal mellowing process to learning about “tylosis” (yep, it's a thing), the guys get a firsthand look at what makes Jack Daniel's whiskey truly Tennessee. Byron opens up about his journey from the cooperage floor to becoming a master taster, shares how the Nearest & Jack Advancement Initiative reshaped diversity in the spirits industry, and drops gems on leadership, community, and legacy. Expect laughs, lessons, and a few surprises, like a true double-blind barrel pick that had everyone second-guessing their palates. Whether you're a whiskey nerd, a fan of Black excellence in the industry, or just love seeing what happens when passion meets craftsmanship, this episode's got something for you. Pull up a chair, grab a glass, and enjoy this special A Steady Pour of Tennessee Whiskey. 

SPONSOR: - Kindred Harvest - Kindred Harvest Tea Company is tea done the right way. Clean. All-natural. Blended and packed right here in the good ol’ USA. No toxins, no microplastics. Every batch tested by third parties. Even the bags are biodegradable. No glue, no ink, none of that garbage. Just honest-to-goodness tea. They’ve got something for everybody: a pick-me-up in the morning, caffeine-free at night, even iced tea the kids will drink. And you don’t have to worry about what’s hiding in it.So don’t drink China’s poison. Support American values, American quality, and take care of your family. Go to https://www.KindredHarvest.co and use code RICK for 20% off.SPONSOR: - BlazeTV - In a world full of noise, we need a stronghold for bold voices, free thinkers, and fearless commentary that helps make sense of the chaos. At BlazeTV, we’ve built a home for some of the strongest, smartest voices in conservative media—people who tell it like it is, ask the tough questions the mainstream won’t touch, and aren’t afraid to challenge the narrative. When you subscribe to BlazeTV, you’re not just watching content—you’re supporting a movement. You’re backing creators who think for themselves, speak boldly, and refuse to be silenced by Big Tech or corporate media. You’re supporting investigative journalism that exposes corruption and original documentaries that shine a light on the deep state. So, if you’re ready to keep winning, shop your values and make sure we don’t lose the ground we’ve gained — go to https://www.BlazeTV.com/RICK and subscribe today, and you’ll save 20 bucks right now off our annual plan. TODAY: Diseased Monkeys Escape, Comet 3I/ATLAS Nears Earth | The Rick Burgess Show | Best of 10/29/25 Diseased monkeys from Tulane University escape after a trailer crashes on I-59. Why do we feel like we've seen this movie before? In space news, the 3I/ATLAS comet is nearest to Earth today, and we wonder if it's aliens or just a space rock. Damage and loss of life due to Hurricane Melissa is just beginning to be revealed. The World Series is tied up. "Bird theory" goes viral on TikTok. Rick thinks bratwurst and griddles are overrated. The guys decide to craft handmade gifts for each other for Christmas.See omnystudio.com/listener for privacy information.

Charles Bausman is old money Pennsylvanian and speaks fluent Russian because his father was AP bureau chief in Sixties Moscow and because he later worked in Russia as a journalist and financier. He was also, by unhappy accident, a witness of the January 6th “Insurrection.” He chats to James about all this and more, including in a particularly terrifying section on why the Bolshevik revolution really happened and the important lessons we are currently not learning from it. Twitter handle is Cbausman The ArkAbout Russia by people who live here - geopolitics, Christianity, history, culture, society. ↓ James and Dick's CHRISTMAS Special 2025 Featuring Dick. And James. And Unregistered Chicken. And possibly some other special guests. Not included in ticket price but available so you don't starve/die of thirst: nice pizzas out of wood-fired ovens; street food. Tickets - £40 VIP Tickets - £120 including bell-ringing lesson, walk with James, front row seats, church tour Location is: My neck of the woods. Northants. Nearest stations, Banbury/Long Buckby. Junction 11 of M40. Friday, 28th November 2025. Starts at 5pm https://www.jamesdelingpole.co.uk/Shop/?section=events#events ↓ Monetary Metals is providing a true alternative to saving and earning in dollars by making it possible to save AND EARN in gold and silver. Monetary Metals has been paying interest on gold and silver for over 8 years. Right now, accredited investors can earn 12% annual interest on silver, paid in silver in their latest silver bond offering. For example, if you have 1,000 ounces of silver in the deal, you receive 120 ounces of silver interest paid to your account in the first year. Go to the link in the description or head to https://monetary-metals.com/delingpole/ to learn more about how to participate and start earning a return on honest money again with Monetary Metals. ↓ ↓ How environmentalists are killing the planet, destroying the economy and stealing your children's future. In Watermelons, an updated edition of his ground-breaking 2011 book, James tells the shocking true story of how a handful of political activists, green campaigners, voodoo scientists and psychopathic billionaires teamed up to invent a fake crisis called ‘global warming'. This updated edition includes two new chapters which, like a geo-engineered flood, pour cold water on some of the original's sunny optimism and provide new insights into the diabolical nature of the climate alarmists' sinister master plan. Purchase Watermelons by James Delingpole here: https://jamesdelingpole.co.uk/Shop/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk xxx

JB and Billy are live from the Corner Hotel in Richmond for Triple M Fest on Grand Final Eve Eve, and it's a raucous crowd at one of Melbourne's most famous pubs. Billy kicks us off with the All Sports Report, then three-time Lions Premiership legend Chris Johnson stops by to reflect on his three-peat. Our Quiz winners Bailey and Dylan battle it out for two tickets to the Grand Final, plus an amazing Crossray BBQ Outdoor Kitchen Setting in Billy's Nearest the Pin Quiz. Geelong Norm Smith Medallist Stevie Johnson is in the house to talk about his legendary Cats teams, then three-time Richmond Premier Jack Riewoldt drops in with the Premiership Cup - will Billy touch it? All week Billy has promised us that Snoop Dogg will be coming to our show today... and by god he delivered!... sort of. The boys have some news about Zach Merrett that could give Bombers fans a lift, the boys give their Grand Final tips, then Billy has a joke about memory loss to leave the Corner Hotel in stitches.See omnystudio.com/listener for privacy information.

2025.09.12 Radhadesh EN

This week Jordan & Gaz are joined by former Blackburn Rovers, Birmingham City and Oldham Athletic midfielder...DAVID DUNN! A huge shoutout to CAPO for sponsoring the pod, check them out below

Apple releases two OS updates in as many weeks while Uncle Nearest can't update their financial records fast enough.The LowdownApple Watch Blood Oxygen Monitoring is backTWO new Apple OS updates iPhone production shifting from ChinaUK says “nevermind” to Apple security backdoorFor The CultureUncle Nearest whiskey takeoverThe HookupNew phone game to keep you off your phone

Feeling spiritually dry, burned out, or ready to give up? God revives weary hearts, fills empty vessels, and turns exits into new beginnings through daily surrender and authentic connection with Him. Discover how.

Whiskey & Wisdom: The Untold Story of Jack Daniel and Nearest GreenIn this episode of Whiskey & Wisdom, host Whiskey Dan delves into the remarkable yet often forgotten history of Tennessee whiskey, focusing on iconic figures Jack Daniel and Nearest Green. The episode explores Jack Daniel's background, the vital role Nearest Green, an African American master distiller, played in shaping the Jack Daniel's whiskey process, and how his contributions were nearly lost to history. Dan also highlights the modern revival of Green's legacy through the research efforts of Fawn Weaver, who founded Uncle Nearest Premium Whiskey to honor his memory. The episode culminates in a message about the importance of recognizing true history, mentorship, and the long-overdue reconciliation between Jack Daniel's and Nearest Green's stories.00:00 Introduction to Whiskey & Wisdom00:54 The Legend of Jack Daniel02:11 Nearest Green: The First Master Distiller03:07 Building a Legend04:10 The Erasure of Nearest Green04:51 The Revival of the Truth05:41 The Rise of Uncle Nearest06:27 What We Can Learn from Jack & Nearest07:10 Closing Thoughts07:43 Outro

Fantastic Four: First Steps Is this, the 4th attempt at bringing the Marvel Universe‘s “First Family” to the big screen actually as fantastic as it purports to be? Well, we have finally settled on a look and feel that best suits the classic super hero squad: and it’s ‘60s Retro-futurism all the way for one and all!!! It’s a whole new universe of Marvel stories starring Omni-daddy Pedro Pascal, serving C&%t Vanessa Kirby, Joseph “i’m on fire!” Quinn and Ebon Moss Bacharach (or baccarat as Quinny thinks he’s called) as the truly Fantastic Four! In this film we kick of Marvel‘s Phase 6 and usher in a new style and direction of storytelling, but is it actually good?  Listen in and find out! These fantastic four reviewers are here for this one, so it’s all hands on deck as we hit this faster than light! https://youtu.be/ZkJszcpuQwQ A huge shout-out to the fantastic flexible friends and their robot helpers who join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to drop some crushed up planet juice in the tip jar. Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You ALL rock! If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you and making more emotes! (there may need to be some for the rating system soon!) Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://youtu.be/18QQWa5MEcs?si=ZuzrC0i80qHjiz4n https://youtu.be/cLFDV72pa-s?si=VHolgiDlJZWBk0I0 https://youtu.be/_rRoD28-WgU?si=nISYKo7MGY4MpUE9 https://youtu.be/WEhgwDqYqWM?si=Tx-FIPgv23qichZv ERRATA: It seems Quinny’s HERBIE history lesson was incorrect and entirely apocryphal… https://youtube.com/shorts/KHyTOUSk6Rw?si=FCmt1FKY-Grdhs7D   WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/   Full text transcript Dion  Ohh hello and welcome to the pairing Table of Awesome. It is time for a foursome of a different kind on today. The Tuesday. What time? What time is it?  Speaker 3  What time is it?  Speaker 6  Blame on us? Yeah, it’s it’s.  Speaker 3  Fun it’s it’s podcasting time.  Dion  Butter in time. Wait, that doesn’t quite work. I don’t know. And right now, Pete, which she was invisible. Yeah. Yeah, well done.  Speaker 6  oh  Speaker 3  Sorry.  Quinny  Very well done. I love the feeling now, really. She’s.  Dion  Hold on. Yeah, yeah, yeah. Embrace hope. She’s yeah, probably. Still there. Can you hear?  Jill  Really gone. Just gone.  Dion  Us in the void.  Peta  I’m invisible. I’m not silent.  Speaker  Yeah. Yes.  Dion  That’s true. They didn’t use that enough in the film. I don’t think they’re just having Sue just kind of being like, what are you guys talking about and freaking people out because, you know, I do, if I were the Invisible Man.  Jill  Yeah, she’s not seen, not heard woman.  Dion  Yeah, not seen, not heard. Wow. Hello. Back after a week. Off. Off. Yeah, yeah. Small, small break.  Quinny  Wow. Hey, I said, everybody feeling enthused and like, upbeat and stuff.  Jill  It was nice. To have a little break to be honest.  Dion  Yeah, yeah, I hate those months with the five Tuesdays. What? What weirdness is that ********? And now? Ohh, it’s it’s gone. You’ve gone all glowy and.  Peta  Yeah, I’ve, I’ve. I’ve smudged the camera so.  Quinny  And ohh well. Yeah, I know. She’s she’s actually doing the exact effect from the movie where it’s just a little.  Jill  Yeah, yeah. The Vaseline lens. Yeah.  Speaker 3  Bit of.  Quinny  Now, now pets. No.  Dion  Can I stretch my hand over here?  Quinny  Pun. Serve absolute can’t with your face while you.  Jill  Do that. Yeah, there it is.  Dion  There you go. Perfect.  Speaker 3  And now I’m going to do some cooking, OK?  Dion  Ohh dear and you know what I hope for everyone. Hello to everyone in the chat mainly for. I hope you all got to do the home.  Speaker  Hey.  Dion  Work.  Jill  Yeah. Did everyone enjoy the movie? I.  Dion  This particular day.  Quinny  Mean I could. See it? Yeah, Tari looks like that. She hasn’t seen it yet. She’s saying that she that please be good. Ohh. Interesting.  Speaker  Oh.  Speaker 6  Ohh.  Dion  Fascinating. What?  Jill  Yeah.  Dion  Look. Yeah, we Fantastic Four has been out since last Thursday. Officially, we saw it last week which? Was quite fun.  Jill  Yeah, there’s even some early screenings on Wednesday for the public.  Dion  Yeah. Yeah, yeah, yeah. It’s out. It’s part of Marvel’s Phase 266.  Quinny  Yep. First film of Save 6. First film of, say Phase 6. God, that’s.  Speaker 6  Dion  Why couldn’t have made it the first film of Phase 4?  Quinny  Because that was quite some time.  Dion  And then it. Would have been. Ago. Right. OK. Look, the fourth attempt at the Fantastic Fours and I I include in that the the 1994. 1. Which was never released except IS is is hovered around. Yes, there was a 1994 one.  Jill  That would make this the 5th 1 then.  Dion  Yeah. No, no, it’s it’s, it’s, I say this as in the fourth go at it because there were two with the same cast. So you have the, yeah.  Speaker 6  Ohh OK.  Dion  What are you talking about? This is. Our fourth thing. We have had, yes, it’s the fourth thing, you know, Michael Chiklis did a great job getting covered in rubber.  Quinny  That is true, Yep.  Peta  Yeah.  Dion  You know, and then you know, we’re up to this one.  Jill  Can’t remember the other guy.  Quinny  That’s gonna get off in the life. And remember who played the thing in Fan 4? Stick. Ohh my.  Dion  God fan 4 stick.  Jill  I know.  Quinny  That was, that’s what it’s called.  Jill  Fan Fant Fant 4 stick.  Quinny  I don’t know, but I I just.  Jill  Yeah, I think that a was in the. Middle not at the start.  Quinny  Ohh OK, I just call it fan 4 stick because it’s it’s easier to say.  Dion  Ohh, that’s right, it’s Jamie Bell.  Quinny  Ohh God that’s.  Dion  Right, you remember.  Speaker 2  Whoops.  Quinny  He was the young.  Dion  Billy Elliot.  Speaker 3  Yes.  Quinny  And and the young, chipper guy out of of the first king or the the King Kong movie that Peter Jackson did.  Dion  And he was also tin tin. But that was who made.  Quinny  It so not really who you would think. Yeah, would fit in a giant thing.  Jill  Memorable.  Dion  That he was the. Thing, yes.  Quinny  And Karina makes a good point, a arresting piece to Julian McMahon, who was the 1st Doctor Doom actually. Sorry, 2nd Doctor Doom.  Speaker  Yeah. Yeah.  Dion  Yes, because there was a doom.  Jill  I did rewatch the 2005 version on the weekend just for a bit of nostalgia. Yeah, I like those trashy ones. They’re great. They’re so campy and stupid.  Speaker  Did you?  Quinny  What did you think of it?  Speaker  Yeah.  Jill  And I look back on them. And I’m like, wow, the simpler times where we did comic book films. And we really, really did make them comic bookie.  Speaker  Yeah, man. Yeah.  Dion  And finally.  Jill  Well, we weren’t going. For all of the realism and stuff.  Quinny  Yeah. And they didn’t have to fit in with some. Gigantic *******. Thing.  Jill  I will tell you practical effects. Thing I don’t know I like. Yeah, CGI 1 is like that, feels like. A cheap cop out.  Quinny  Right. OK. OK. Fine, no suit.  Jill  With balls on it and not put in. Any effort and? Just animate it.  Quinny  You know what?  Dion  Wait, do you mean wait?  Peta  The fine effort.  Jill  Hey, it’s a different kind of effort. I’m like, let’s get our hands dirty and make a ******* stinky suit out of foam expanding. Foam or something like that and. Of course, some lung disease. Let’s get into.  Dion  I’m I’m going to like, I’m just going to take it on part of the actors there. Sometimes I’m just going to be like, yeah, maybe they don’t.  Jill  It.  Quinny  This is Jeff.  Dion  Want that? Maybe they don’t want to spend 16 hours in a makeup chair to to to do. Yeah.  Speaker 6  As a cosplayer, I I would agree, but I would also disagree because I think it would be fun to make it.  Dion  Sure. I mean ultimately it’ll be that great thing of like they make someone do that and then they just go oh.  Quinny  I’m. I’m just.  Dion  We’re just gonna CGI it.  Quinny  Well, The thing is, there was a there was a lot of the thing in this one that was actually practical. Like there’s quite believe it or not, there’s there’s shots that they hired a a pretty big wrestler to be the body for it. So on set. A lot of the time there was a practical suit, dude of roughly the right size. Is.  Jill  So we’re not talking about a guy that’s just standing in there in a green zentai.  Quinny  No, I mean when when they’re doing it with Evan Moss, Baccarat, then he was in the uh, whatever the **** he said. Backup, backup, backtrack.  Dion  Doctor rap. No. Baccarat. That’s a.  Quinny  Alright.  Dion  Game I know.  Quinny  Dion  Know you’re in a casino in Monte. Carlo yes, guys.  Quinny  Anyway, when he was on set, yeah, they they had this entire certain stuff like that. But there were quite a lot of it that was shot any time they needed, like a wide shot and everything. They actually had a dude in a suit with the. Ohh head and everything. Cool. Alright. Yeah, I’ve I’ve seen the the pictures of that, but I’ve also in the chat just put a link to the 1994 one and the thing in that Jill, you would love that one because the the suit actually looks more like the comic book character than any of the others have.  Jill  I love the terrifying dead. Eyes.  Speaker 3  I know.  Dion  I mean, it’s great. It’s yeah, it’s very thingy.  Jill  That’s. Yeah, that’s.  Speaker 6  Look at that thingy over there. That thingy.  Dion  Yeah, that, that, that is definitely something I’d go. What is that thing? If I saw it in a in a thing?  Jill  With that young man with fake grey sideburns.  Quinny  I know, right?  Dion  Yeah. Hey guys. I’m trying hard here, Joe. What?  Quinny  Honestly, if you could find that film. Like this. This is I love this one because my my thing with Fantastic Four it it started with this film because I was one of those ******* nerds who heard that there was a film that got made and was never released. So I then went and hunted.  Speaker  For.  Quinny  It and I, you know, back in the days of VHS trading, got somebody to send me a *******. VHS of this film that had never been released, and I’ve watched it. It’s terrible, but it’s actually got a lot of, like, it’s trying really hard.  Jill  And. Nice.  Quinny  To do all of the things that are fantastic, four movie should do just with no budget. Hmm. So yeah, like it’s got Doctor Doom. It’s got the mole, man. It’s it’s got them all doing their powers. But like Reed, stretchy arms are like pool noodles with a with a *******. A glove on the end.  Jill  I mean that’s still image alone is giving vibes of like 70s Italian Spiderman.  Dion  Yes, got a bit of that. I mean, you’ve gotta. What’s what’s the what’s the the crossover slash league like the Marvel Group, you know, secret wars thing. It’s the 1989 Punisher. Dolph Lundgren. It’s the the Captain America film. It’s the Fantastic Four film.  Quinny  Hmm.  Dion  You know, it’s all of those ones Pre Marvel Universe. Mashed together. And you’re like, what is this strain? ******* place, but we don’t. Here, we’re in a different, strange place this time. We’re in much more budget, some bigger names and some.  Quinny  Yeah.  Dion  Finally, they sort of kind of got people who give a ****. Quinny  Yeah, yeah.  Dion  About doing something fun.  Quinny  Yeah.  Jill  And that’s nice. Surprising what you’re going to accomplish when you put in some time and effort.  Speaker  Yeah, isn’t it?  Dion  Isn’t it’s kind of like oh.  Quinny  And when you? And when you’ve had three goes at it before and gotten it wrong three times. You kind of go. Well, **** it. We’re gonna hold off on this one because, I mean, Fantastic Four has always been seen as Marvel’s first family. Like, you know, they’re they’re one of the very earliest Marvel superhero groups. And you know, we’re what, 40, you know, 39 films in now something.  Speaker 5  Sure.  Dion  More, I don’t know 112 where 112 films in now. That’s how many there are. I I won’t be fact checked.  Quinny  And we’ve, yeah, and now we’ve just introduced the very first Fantastic Four stuff. So yeah, it’s it’s an interesting one. I mean, obviously they were tied up in rights for. A long time.  Dion  But yeah, I mean. Look, it’s fine. We’re just going to ignore the rest of those fan 4 test. Stick, whatever it is.  Quinny  Can’t ignore them.  Dion  We have to stick, then forget stick. That’s what I. Yeah, we’re gonna ignore that.  Quinny  Not. The autistic fans.  Dion  We’re going to, we’re going to ignore that. Michael B Jordan, he’s also Johnny Storm. Yes, I know, right. No, he’s not Killmonger. He’s definitely Johnny storm. We’re also going to ignore that Captain America.  Quinny  Ohh yeah yeah, he was one of them.  Speaker  Yeah.  Jill  Was also Johnny Storm and Captain America.  Dion  Was also. Stone. Yeah. Yes, exactly. We’re going to ignore all of those things and focus very.  Speaker  Yeah.  Dion  Much in Comic Daddy and his family and Pedro Pascal’s not not happy just being space Daddy, Apocalypse Daddy and General General Daddy.  Jill  Yeah. Thanks, daddy.  Dion  Now he’s also comic Daddy.  Quinny  Hmm.  Speaker  Yeah.  Dion  Yeah, along with.  Quinny  Is there anything he can’t, daddy?  Dion  You know what? Hollywood will not let him. Not daddy something. He’s in there now forever. Like. Yeah, he will just. He will just keep doing it until everyone collectively gets sick of him. And I’ll be able to return to an anonymity.  Quinny  Hmm. I just realized it is the summer of Pedro, it’s.  Jill  Summer picture.  Dion  Yeah.  Speaker  Been just realized.  Dion  Multiple summers.  Quinny  It was another ******* attempted Fantastic Four.  Dion  Oh. Have you? Yes, grey tailed.  Quinny  Well, technically. There was another Reed Richards. Ohh John Krasinski but that.  Jill  Yes. Yeah, that’s right.  Dion  That’s in Multiverse of Madness, which is so the. But that’s not the Fantastic Four.  Quinny  Yes, from. Marvel Universe. He’s one of the breeds.  Jill  He was. He’s Mr. fantastic.  Dion  Is he though?  Jill  Yes.  Quinny  He’s Mr. spaghetti by the end of. It but anyway.  Dion  Yeah, like I mean, yeah, that’s just on film, but it it, it wasn’t the Fantastic Four and this is what we want to focus on. It’s about these group of people and. How they’re represented in cinema? Yeah. What you’re not.  Jill  Capturing in the audio is our eye rolls.  Quinny  Massive massive eye roll.  Dion  Come on.  Quinny  Beyond wiping away John Krasinski from the from the entire multiverse of of anything, and we’re all going. No, no, no.  Jill  Yeah, that’s because they don’t. Can’t do a convincing cosplay of John Krasinski’s Mr. Fantastic. You can only do the Pedro.  Dion  No, I cannot.  Jill  Dion  Yeah, yeah, yeah. Yeah, and if you squint, the Ian Crawford one.  Speaker 6  You’re clean shaven for that one.  Quinny  I’ve just had an eye. Yeah, my eyes are not that ******* blind.  Dion  OK, then fine. I’ll go with this one if this. If he’s part of the Fantastic Four Canon, you need to cast the other three members of the Fantastic Four in those universes. Who is it going?  Jill  That’s true. OK. Oh my God. Yeah. Can we come back to this at the?  Dion  No immediate. OK. We’ll give you time. Time. Yeah, time.  Jill  End of the show. We’ll be here for 15.  Dion  Minutes. Yeah. Yeah. So if if if John Krasinski’s Mr. Fantastic and chat go and throw some something we.  Quinny  Man. Need to sleep? Yeah.  Speaker 6  ******* Emily Blunt. I would go. Emily Blunt force.  Jill  Storm.  Quinny  **** yeah. Yep, Yep. You down to?  Dion  That yeah, Karina, just like gonna get to the. Synopsis yet guys.  Speaker  Yeah.  Peta  You know, keep getting pushed.  Speaker  Push.  Speaker 6  Push by the chat. Let’s go.  Speaker 2  Yeah, that’s a wow.  Quinny  I’m being bullied by the test.  Peta  This film about.  Quinny  What is this film about it? No, I’m not gonna. I’m not gonna do the synopsis now because I’ve been told. I have to.  Jill  No. Ohh yes.  Speaker 6  Jesus.  Dion  Christ.  Jill  That sounds like me energy.  Dion  Peta  Settling into that demand avoidance there.  Dion  Come on. Tony, have you got? Have you got some synopsis?  Peta  Yeah.  Quinny  For us it is. I have got a. Synopsis for everyone but Karina.  Peta  To be fair to Karina, it’s been 20 minutes.  Jill  Can you do it in a Brooklyn accent? OK.  Speaker 3  Forced ohh. Forced to balance their roles as heroes with the strength of their family bond, the Fantastic Four must defend Earth from a ravenous space God called Galactus and his enigmatic herald the Silver Surfer. And guess what? It’s clubber and die this.  Quinny  Ohh, cool, that’s it. That’s the whole book. Was an opposite. Trust me, there was an even shorter one.  Speaker  Is that it?  Speaker 6  Yeah. Wow.  Dion  I love sofas, yeah.  Speaker 6  Silvers, soyfer yeah, soyfer.  Dion  Some some more continents and vowels in there that I remember from.  Speaker 3  Hey, I’m going down the street and I’m going to start some some flights. Yeah, yeah, yeah.  Dion  Yeah, that’s about it.  Quinny  Hey, get that man some cookies. Thank you. I.  Dion  Would love some cookies. That’s kind of what the movie is about and I’m, I’m I’m with it like this isn’t one of those films that you went and saw and you’re like, oh, great, we get to have an origin story of how did they get their powers, how did. They do this like how do we go through that? They were like, no, you know what?  Quinny  Ohh thank God.  Jill  Yes, we just got a tidy. Little vignette, and that’s all we needed.  Dion  Yep. Quite a long vignette really explaining like how they fit into the world and how suddenly the the brokers of World Peace and everyone looks up to them and they’re the world’s family.  Quinny  Yep.  Jill  Yeah, I kind of love it.  Dion  I mean, OK.  Jill  They’re. They’re paragons.  Quinny  Yeah. And we, the the important thing to note is that we’re in a different world here we are in. We’re not in the regular Marvel Universe. We are in a weird kind of quasi 60s future pop, yeah, different reality.  Speaker  Mm-hmm.  Speaker 3  It’s.  Dion  It’s 60s futurism, so it’s just it’s there’s a divergent.  Speaker  Hmm.  Dion  From our history to where it has ended up in this Earth history, and I’m I dig it, I dig the style, imagine in the 60s if four people got shot into space and came back and had all these powers and solved a bunch of problems.  Speaker  Hmm.  Dion  And a bunch of other things happen. That’s how that kind of goes. It’s like, yeah, well, you know.  Quinny  Yeah. And the difference.  Speaker  I mean.  Quinny  Not actually stated what year this is, is it?  Dion  No, no, it’s just the different earth.  Quinny  Yeah, right.  Dion  And what that is. But people don’t have.  Jill  Yeah, it could be current day 2. 616 Earth we don’t.  Quinny  Yeah, yeah.  Jill  Know that’s just what this earth.  Dion  Yeah. Looks like there’s big. There’s big kind of LED screens, but no cell phones.  Speaker  Slide.  Peta  Yep, well, it’s kind of like they’ve kind of gone. We don’t need to put energy into making TV screens flat. We’ll just have giant non flat TV screens and faster than light space travel. Yeah, yes. But we’re gonna do with that extra energy.  Dion  There’s there’s like.  Quinny  No.  Dion  You know. Yeah.  Peta  We don’t need to put energy into like inventing MP threes. We’ll just keep records. Yeah, yeah, yeah, yeah. And teleporting.  Dion  Yeah. Yeah, yeah, yeah, yeah.  Peta  Think of what we could have done as humanity.  Quinny  I didn’t know.  Dion  Exactly all of our computerisation goes on tape.  Jill  Yeah, I mean. Yeah, we invented cassettes and then CD’s and then digital format music. And now we’re back to ******* records again.  Quinny  So yeah, but they just didn’t bother leaving the the records. Yeah, because they realized it was the the superior format from the start, especially if you print them in.  Dion  Yes. Gold. And if you haven’t got a troop of players in your lounge room. You know, yeah. Eventually we’ll get to there, won’t we, like? Oh, this is my 9 musicians that follow me around and. Play music to me.  Speaker  Yeah.  Quinny  Yeah. I mean, yeah. Karina and Casper both kind of make the point. It’s very jetsons.  Dion  Yeah. And that’s kind of great because that’s very familiar to the people who knew fantastic for for when they were growing up based on the cartoon, which is the the sort of.  Peta  So jetsons.  Dion  The carry over of where people would sit from the Saturday morning kind of cartoon and. You know it it it sets the tone that everyone could easily get into and I went, I’m here. I immediately know what’s going on. It has a different Marvel logo, it has a different kind of a soundtrack. It’s setting itself in a in a particular period and I was like, I’ll go with this. This is totally different to every ******* thing else. This isn’t a dark and gritty reboot. This isn’t. Anything really to do with the rest of the Marvel Universe? Yeah, kinda. Which makes me happy. And I was like, I’ll go with this. I’m immediately just going to be like, all right, what do you got?  Jill  Yeah. I think the thing that’s so immersive about it is the visual language that they’ve lent into so strongly and so thoroughly like the the set design and production. All the set pieces, the costumes, everything like that was like. Beautiful, like there was such attention to detail and there was not like a wasted moment on screen. It was so interesting that we’re talking about like, how like futuristic retro it is but. Like the. Costuming wasn’t futuristic. That was still like grounded in 60s fashion.  Speaker  Hmm yeah.  Dion  I had a really good time just watching the sets and the costumes. I was like they have actually paid a lot of detail to the costuming, not only of the signature folk, but the people around them too. Looked sharp as ****, I gotta say.  Quinny  And.  Jill  Yeah, like the the space suits and their hero suits were were still like. Grounded within like that 60s, like retro futuristic style, but had like the the strong 60s fashion elements as well in terms of like the textures of the fabrics and things that they used but the the colour theory throughout was fantastic and yeah just the the visual language that they. Used in this film was just so Cohen.  Peta  It’s a joy for. The arts, hmm.  Dion  Joy for the eyes until we get to the failure of the film.  Quinny  Wow. Jesus. OK, so, so just a reminder folks, the deal also sat through Superman and huffed.  Speaker  Go further on.  Dion  I did. I did half. He did half I wanna also. Caveat that I did see Fantastic Four, but beforehand I had.  Speaker 6  So.  Dion  To watch. Beforehand I had to win. The Avatar trailer 17 times. I don’t. I don’t know how to explain that in terms of everything else, but I had to sit through the Avatar trailer. Too many ******* times, and that may have influenced my decision. And how I enjoyed that film slightly too many times.  Jill  Anyway, yeah, it’s almost like they strapped you to that chair and made you watch them 17 times.  Dion  They kind of did. Yeah. You know, because you know, as we all know, in those kind of cinema things, the seats are gold. And if you leave one, you’re done. It’s going coming back but anyway.  Speaker 3  Yeah.  Dion  OK, enough of that. Fantastic for what? What are your first four impressions?  Quinny  I just wanna know why you’re getting ready to throw it.  Speaker 2  Hello.  Quinny  Under the bus. To you ohh.  Speaker 2  No, no.  Quinny  Like there have been a couple of times that you’ve already kind of started. Coming out of. Swinging. I wanna know why the big.  Speaker  There is.  Dion  Rubber punches out. Well, first, I mean, we all hate John Krasinski. And. No, I’m just joking. That’s. Three just threw that out there for.  Peta  Come on for John Krasinski. And he’s not like.  Jill  He can’t even defend himself.  Quinny  He’s such a nice guy. Everybody talking.  Dion  About, I’m talking about how effusively I love the costuming, the design, the aesthetic, the way that it just kind of moves the story along really, really quickly. It throws in some amazing nods and references to the historical stuff, like there’s covers of famous Fantastic Four issues thrown in very quickly. I know you’ve got.  Quinny  Oh my God, that made me so happy.  Dion  Classic villains like Mole Man and the Red Ghost. Yeah. Ish red. Red ghost off.  Speaker 3  Well, sort of.  Dion  Like all of that stuff is kind of great. Herbie is amazing. The fantastic car, which I think often gets ignored. Quinny  Yeah.  Jill  Uh-huh.  Dion  In, in a lot of, this is part of the fun about the Fantastic Four is all of the bits and pieces that Reed comes up with. That’s all kind of themed Herbie, as I said. Yeah. And he was.  Quinny  Great. OK. Does everybody know the history of why Herbie exists?  Jill  No.  Quinny  OK, this is my my favorite stupid piece of ******* history. So in the 60s, when the Fantastic Four was being turned into a cartoon, they went OK we’re going to do the Fantastic Four and the standards people of America went hang on. One of the characters is on fire.  Speaker  Tell.  Quinny  We can’t have a children’s TV show where the children want to emulate the heroes and have a character be on fire. Why not so? In the 60s cartoon of Fantastic Four. Johnny Storm is removed entirely and is replaced by Herbie. This is where Herbie came from. Wow.  Speaker  Oh. Yeah.  Quinny  So the fact that, like the fact that he’s in the movie is ******* hilarious. But his history is even better.  Jill  That’s wild.  Quinny  And I’m pretty sure he actually talked in the animated series, but yeah, and didn’t just make bleeps and.  Speaker 6  Wheels. I like the Droid vibe it was.  Dion  Didn’t. Yeah, it didn’t sound like. Yeah, it didn’t sound like a 60s frickin B.  Speaker  Yeah.  Dion  I just. I just remembered something. Thing when we get this Sue storm into the proper Marvel Universe, she’s going to have to come up against Namor, yes.  Quinny  Hmm.  Dion  And and that’s a lot of that’s a that’s a whole. Jean Grey, Wolverine, Cyclops thing going to happen right there anyway. That’s right.  Jill  That’s something we can work on.  Dion  Later. Yeah, there’s a lot of smart in that one anyway, yeah.  Speaker  Yes.  Quinny  And apparently on on the set all the time, Vanessa Kirby is like, So what? What’s going on with Namal? Pedro’s like, for ***** sake, right?  Dion  Here she knows what’s going on. She gets all the cast members.  Quinny  Mm-hmm.  Speaker 3  Yeah.  Dion  Yeah. Look, I. Had a great time with it, like, you know, really good introductions to quick introductions to characters. Everyone got a little bit of ability to show who they were as characters very rapidly. Like, you didn’t have to pay to. Much there, but I also really appreciated how much they felt like a family and they felt caring and it was showing them in a particular way, which it wasn’t like, oh, these are conflicted people. They don’t know how to, you know, where’s the drama? I mean, the drama isn’t in the family. The drama is external forces. And I think they got that really well because there was a really cool vibe to sort of be like ohh this is, this is cool kind of family like like I I would take children to watch it and be like see, this is how you’re nice to each other. You don’t have to hit each other. You know.  Quinny  Don’t set each other on fire.  Dion  Don’t set each other on fire. Try stop working so hard.  Quinny  Pete Jew talk to me.  Jill  Oh my God. Ohh feels like so long ago but it was only Friday.  Dion  Four days ago that you saw it.  Jill  Ohh my goodness, I really liked the film. I had a good time. I saw it well. I mean, all the things that I said about the costume and set design and all that stuff was just fabulous. I thought like the story pacing was good. Like they they got to the point and they, you know they executed ABC. You know, here’s what’s happening. Here’s our problem. And here’s how we overcome. It, like they did that. UM. I thought the action bats were good. But again, I’m just not getting my **** blown off. Guys. The jet film. We’re back to the **** rating scale. OK0 **** means it was ******* amazing because they blew them both off, but two **** is bad because it doesn’t mean that I didn’t like the movie.  Quinny  Back to. Rating system.  Jill  It just didn’t **** **. Way and it made me start to think that there was something wrong with me. Like am I not finding enjoyment out of these movies anymore? Like is it becoming passe? Is it like over saturation? Like what’s the issue? I think what the issue is is that too many movies. Are just safe. They’re in a safe zone. They do what they do on the box and they do no more than that.  Speaker  Hmm.  Jill  I’m not getting any like thrill, danger, excitement from these movies anymore. It feels really middle of the road and pedestrian and that’s not to say that Fantastic Four was a bad movie. It was a good movie because it did its job, but it didn’t go above and beyond. And become an exceptional film. And I just, I feel that way about Superman as well. That was not exceptional to me, and it just kind of feels like every time we go and see a big blockbuster, I come out like feeling it was it was middling level.  Speaker  Yes.  Quinny  I agree, but I want to keep Pete’s. Take on it? Sure.  Peta  I think it’s very well constructed, beautifully made. Film, I mean, we’ve talked about the production design and the look of it already, which is great. You know, we’ve talked about the the structure which is logical and probably better constructed than Superman. And and I do think it’s funny that I’ve kind of liked the exposition. Free tool here that I hated so much and electric state, same tool, different vibe. It’s it’s easy to get into and you want it to be because there are some plot points that that, that require a very high level of suspension of disbelief. Even for a comic book movie, you know, usually I I I I try to give the the Budweiser and the ********* like. A bit of a break in in certain genres, but I struggled a bit with a couple of the plot points that very much drove some parts of the story. Because it was a bit wibbly wobbly. Sciency want see? Yes. Yeah, like, don’t.  Jill  Get into the proton stream, but get into the proton stream, yeah.  Dion  Yeah, you’re Superman.  Peta  That was and, and I think the issue is I I I get I I have a tendency to get a little bit distracted if I can’t. If that suspension of disbelief gets interrupted, and I think that these particular plot points were distracting enough that even though I was enjoying the film, I still. Got kind of. Kicked out of this story a. Little bit by thinking? Yeah, but Nah.  Quinny  Are these things that need to be talked about in spoilery territory or?  Peta  Ohh, everything needs to be talked about in spoiler territory. It’s it’s just and if they weren’t plotted drivers.  Dion  OK, alright, fair enough.  Peta  It would have felt a little bit different as well, but it it did kind of feel like as well constructed and entertaining and beautiful as the film is. I kind of agree with Jill that you kind of I didn’t personally come out of the end of it going like. **** yeah. Amazing superhero film. It was just kind of like, ohh, that was like really well constructed and good looking and entertaining. And yeah, Pedro.  Quinny  I I have, I agree very much with with everything you guys have said. My biggest problem with it is that. The movie didn’t have its next gear up like all the way through it puddled along at an enjoyable kind of pace. It was doing what was needed, you know, things were kind of getting, you know, you had your action beats and stuff like that. But then when you get to your climax. It doesn’t have the next gear, it can’t shift it back a cog. And really. Go ****. Let’s go. It didn’t have that it, you know, the the climax I kind of was like and oh, OK, right. We’re done. ****. OK. Huh. And that’s. Kind of implementing of the whole film that it’s really well made as as we’ve all said, well made, well shot, lovely costumes, lovely everything.  Jill  Great performances, everybody was on their a game.  Quinny  But nothing that made me go ****. That was a moment. Like, you know, there was nothing. There was no moment like.  Speaker  Yeah.  Quinny  The thors hammer. With that, America, there was no kind of really emotional beat of.  Speaker  Yeah.  Quinny  Vision saying you know that love is just pain. You know, whatever. I can’t even remember the quote. But you know those those those really like deep seated moments that make you go ohh. That got me right in the heart.  Speaker  Hmm.  Peta  Which Thunderbolts did for me, and that, you know, I. I guess if if if you’re going to hold it up against superhero films we’ve seen this year from a.  Speaker  Hmm.  Peta  Is it a good movie?  Speaker  Hmm.  Peta  Mm-hmm. You know, well-rounded perspective, I would still put Thunderbolts ahead of this, regardless of how beautifully. Thought out the world was.  Quinny  Yeah, like there, there were lovely moments and their lovely ideas. I love the idea of the whole world pulling together to go **** we’ve got. Eight months to build something or, you know, and we’re all going to pull in this together and we’re all going to come together over something. It’s a great concept, but it just never felt like it had those that, that personal danger of what we saw in Thunderbolt and. A lot of people who are doing the, which one did you like more, Superman or or fantastic? 4. I personally thought the Superman took more risks. You know, it was weirder. It was.  Peta  Well, it was more. It was more current in in its messaging and the. The risks that it. Was taking in that messaging as well, and I think also you kind of.  Dion  Hmm.  Peta  This is a bit of an imbalance, I suppose in the rate that one escalates because you can kind of attempt to escalate the stakes to the highest possible point and the escalate them so high that the audience cannot believe. That. That jeopardy is going to come to pass in that context, which actually, which actually kind of destroys that moment, is kind of gotta be like a believable, worst case scenario that they’re facing. Not like, well, of course, they’re trying to find a way to avert that. There’s gonna be a little part of you that’s like.  Quinny  Hmm.  Peta  Ohh, they might fail, which I kind.  Speaker  Hmm.  Peta  Of felt in this.  Quinny  Yeah, yeah. Yeah, like.  Peta  Otherwise, you don’t feel the jeopardy, you know, the way that you should.  Speaker  Hmm.  Quinny  Yeah, and and I don’t know, I feel like something like Superman has has more of a an alter kind of vision behind it. Like, you know, that felt like James Gunn saying something and his whole thing about found family and his whole thing about being outsiders and, you know, he. He has a particular thumbprint that is all over that. This one I couldn’t tell you. A thumbprint it was.  Peta  Which is funny because it is tonally and structurally much more consistent.  Quinny  Absolutely.  Jill  Yeah, it’s a. Package. Yeah, it has an aesthetic and it, you know, executes that, but yeah.  Quinny  Yeah. And and like.  Jill  There’s there’s special sauce.  Quinny  Yeah. And and I don’t. Know what it is because. I was wanting to get excited. I was super wanting to get excited and it just never quite hit me. And even when big things happened, I was like.  Jill  Karina made a good point that she thought we were going to see them fail. Based on what we saw in the post credit scene of Thunderbolts and I want to make a point where I kind of wish that that scene never existed because it coloured my expectations.  Speaker  Hmm.  Jill  This film I was going in.  Quinny  Yes, I’m.  Peta  I forget what that scene.  Jill  Was ohh that’s actually it was it was there. There was like ohh we can. We’re picking up something on our radar and then they zoom into space and they see the Fantastic Four ships flying through space and that bit. Yeah. Yeah. So I had a different expectation of what I was expecting in this film. And so I’m like.  Speaker 6  It’s just.  Dion  Just a a rocket ship in the sky. Kind of, or if it is, we don’t know.  Jill  Just on the edge of my seat the whole time, thinking. Well, how are they gonna get to our earth? When are we gonna see that? When are we gonna see that? And. And I’m like, so I wasn’t in the moment with everything else that was happening because I was anticipating something else to.  Quinny  Yeah. Yeah. And and maybe that’s that, that other cog that.  Speaker  Happen.  Quinny  I was expecting. Maybe that’s the the the next thing up is that you know, they do like, fail or they do something that that then took it to a different level.  Speaker  Yeah.  Jill  That causes them to and then this is how we get to this moment. But like now that we’re not going to have The Avengers doomsday film until another 18 months.  Quinny  Jill  I’m like, wow, how are they going to get our butts in the seats for that one?  Quinny  Yeah.  Jill  Because after watching this movie, I’m like. Ah, I don’t really know where we’re going.  Quinny  Neller.  Peta  At the end, do you feel safe now with your opinion to share?  Dion  I mean, my opinion is based on Fantastic Four and how I enjoyed this movie or didn’t.  Quinny  Which is a really difficult thing to do to to take the movie entirely on its own. Yeah, been its own value and.  Speaker 2  What?  Quinny  So aside from my expectation, aside from the other movie I watched a week and a half before, yeah, aside from.  Dion  Yeah.  Quinny  All of that, yeah.  Dion  Look there. This is the thing. Like I I really like to to throw this through. I really enjoyed Thunderbolts because it broke expectations that I had. I was there for it to say, what are you gonna do with this? And I was. Like wow, that is a great movie. I had certain expectations about Superman or I was wondering what was going to go, and I felt it wasn’t as good as I thought. It’s going. And I went to Fantastic Four. Saying how is this going to go? And I thought, yeah, I had a little bit of the same thing the the ending. Thing towards the end and some of the reasoning and stuff I was a bit like oh, this doesn’t make sense and I don’t understand where it does or doesn’t fit and I feel like they’re going to have to for some reason do another one in that universe for some reason. And I’m just a bit confused. I feel like it just kind of didn’t. You’re right, had that. Where’s that gear? Where’s the gear? Range. Where does it go up? Where do the stakes get bigger? Where does it become really important? But really I liked it because it. Was you can see across the entire movie from start to finish. It was a love letter to the time of the original Fantastic Four. Like all of the Kirby, all of the weird stories are just written into it. So it is made with a lot of reverence and a lot of love. And I really liked that because there was good messaging that was in there.  Speaker  Hmm.  Dion  The execution or some of the reasoning is just I don’t know how this fits. In the rest, like I love that it’s an outsider film, but I also don’t then. But what’s are we are we going to follow these people? Is that the point or is it just having a second one? Like I don’t. Know like it’s another Fantastic Four is like.  Quinny  Yeah.  Dion  Will we see him?  Jill  Yeah. Are we making this movie just to make a sequel? Just so we can make? Money.  Quinny  Yeah. Well, or are we making this one just because we needed to have a really good bad guy for the MCU. We’ve already announced who that bad guy. So we really had to have this film before doomsday could happen.  Jill  Yeah. There’s a lot of very upset people in. Our screening at the end of this movie.  Quinny  Yeah, yeah, there was.  Dion  Yeah, Speaking of bad guys, how do we feel about the villain aspects of this one?  Speaker  Hmm.  Jill  I was curious to how I would ever see Galactus executed on film, and I think it. Up to a point, it was well done.  Dion  Is it? Is it better than the giant cloud?  Speaker 6  Ohh yeah, we don’t need.  Dion  So the.  Jill  Some amorphous cloud like I want to see an actual Galactus and like how?  Dion  So.  Jill  Do you do? That I mean, especially after we had the Eternals where, you know, we have things God like beings in space, it’s like, OK, well now how do we make a Galactus?  Speaker  Hmm.  Jill  That was really cool, but then there was a moment where I thought it was. Not cool. Maybe I’ll talk about that in sport.  Dion  How? How did you feel about Charlotte Owl?  Jill  I thought it was sick. I’m like, yeah, let’s go back to the original Silver Surfer. Yeah. People will be surprised to know the original Silver Surfer was not a dude.  Quinny  I I knew that Michelle label was an alternate, but I didn’t realize that. Jill  I think the original Silver Surfer was a woman, and then it was her lover that begged Galactus to trade places with her.  Quinny  Yeah, yeah. Entry.  Dion  Interesting, yeah.  Jill  And disappointed we didn’t get the what if Aunt May was the Herald for Galactus and we didn’t get the golden oldie.  Dion  What are you talking about? Marisa? To me, isn’t that old?  Quinny  I I think.  Speaker 3  No.  Quinny  I think there were there were sequences in there watching the the Silver Surfer surfing through.  Speaker  Ohh.  Quinny  Like Kirby Crackle, ******* cosmic power surfing through black holes where I was like, **** yeah, this is cool. You know, surfing around curving laser beams and ****. I was like.  Dion  Well, grab. Yeah.  Speaker 3  Yes.  Dion  ******* hell yeah, that’s that’s the weird success stuff. That was the bitter.  Speaker  Hmm.  Dion  Was like, oh, this is great. Like, how do you put the Silver Surfer in? Why does it doesn’t even make sense. And it’s like, yeah, it does. If you lean into that. Crazy kind of 60s vibe that it originally was about. It’s like, yeah, I’m just gonna surf, like, through cosmic waves, man, it’s. Like. Cool. That’s fun. Yeah, it helps if you take LSD.  Quinny  Hmm.  Speaker  Yeah.  Dion  You know.  Quinny  Like there was something so ******* cool with all of that visual stuff. Yeah, that up until now, we’ve never really gotten because the only other time we’re seeing the Silver Surfer, he was on Earth, so it didn’t have that real cosmic kind of.  Dion  Maybe. He was the T1000 man.  Jill  Thing, yeah.  Speaker  Hmm.  Dion  He just kind. Of morphed around as needed for the plot.  Quinny  Your thoughts on on the Silver Surfer?  Peta  Neutral. Cool. I I don’t have a lot of feelings about the Silver Surfer as a character, but I thought she was. I thought it it was cool execution.  Dion  Yeah.  Quinny  Hmm. Yeah, look cool. And I like the the human eyes too. I thought that was kind of cool. Yeah, cause you I feel like you still need something to latch onto for a motion, yeah.  Speaker  Mm-hmm.  Quinny  I thought that was smart.  Speaker  And. Look, there’s look.  Dion  There’s lots of fun stuff in there. Standouts for me. I I I need to say I really annoyed that they didn’t rename it the fantastic six because to be honest, there are 6 characters in this movie. By the end of it, you’re watching it like there’s not just four, there’s more. Who you’re following through with, which was a bit of a surprise because I was like, OK, right. You’re just going to lean very heavily into the entire thing. Sure. I really. Kirby, I love that they went into galactic space because that’s kind of that’s that kind of that’s really fun. Like Reed Richards is that kind of character who, you know, is your prototypical 50s, you know, American Americanized painting, you know, of, like, it’s a pipe and slippers and, you know. Dad’s home.  Jill  Yeah. The Norman Rockwell. Yes. Please looking forward.  Dion  Yeah, absolutely. 100% The Rockwell and it it. But presented in that very conservative way, but he’s not a conservative. Like you know, it’s kind of like I’m just going to learn how to fold matter and bend this, and then we’re going to space. All right, everyone, safety third. Let’s go. That’s kind of Reed riches. Like he built a thing called the Ultimate Nullifier. And it kills anything in the known Marvel Universe. And then he’s just like ohh someone.  Quinny  He’s.  Dion  Like.  Speaker  Like.  Dion  ******** Reed, you know like.  Quinny  One thing you you said to me afterwards too.  Jill  Yeah, I mean. He just casually solved teleportation in this.  Dion  Yeah, yeah.  Jill  Film or whatever.  Quinny  Whatever. Whatever one thing you said to me too, and I agreed like they’ve always struggled to get Reed Richards powers looking good on screen. Like it’s very hard to do stretchy guy without it looking dumb, but one of the things that is kind of sad is that in the.  Dion  Yes.  Quinny  The comics and everything. Quite often you’ll see him, and that stretchiness of his body is a. Is. A all about echoing who he’s mentally. Yeah. So his arms are over here. You know, riding on the blackboard and his other arms over here, smoking a pipe and his head is, you know, stretched out over here, looking at the, you know, out the window or something like that. And there wasn’t much of that. It was very much like, this is traditionally handsome Pedro.  Peta  Yeah.  Jill  It’s it’s tiny. Yeah, it’s a tiny bit like he was doing. A little bit of the blackboard. Stuff and the catching things, but.  Speaker 6  Yeah, I don’t.  Jill  I don’t think we really got to see him actually use his powers much in the film as a whole.  Quinny  Nope. Nope.  Dion  It’s very, very expensive to animate Pedro Pascal.  Peta  It’s it’s a dump power.  Speaker 3  Pete. Pete, in there, it’s true.  Jill  I mean, it might be a time you. Would change your mind.  Speaker  Yeah.  Speaker 3  Blubbering time, no.  Quinny  Should we rate it because we are, we’re going on a.  Peta  Yes, yes.  Quinny  Long time. Ohh good.  Jill  Oh my goodness. I don’t know. I’m gonna pick a number.  Dion  How many tips off Jim?  Speaker 6  Yeah, the tip scale. Yeah, yeah, yeah.  Jill  Yeah. The two tip film, but.  Quinny  I mean, I’m gonna. I will change the rating system if I have to, but it’s gonna really.  Dion  I had some I had some issues with it, but I did enjoy. I had a fun time. I’m gonna give it a 75. No 70. I’m gonna go 70. Sorry. I’m. I’m back down a little bit mainly because I really loved.  Quinny  On the website.  Dion  The scenic I love the the the characters together. They didn’t quite mesh as much and I felt like some of them were lost like I think Ben Grimm’s the thing.  Speaker 6  Hmm.  Dion  Totally kind of lost in the hole as much to do. No, I I didn’t get enough of that thing because one of the most important things I know about Ben Grimace, he’s the real heart of the team. And while that was great, like I loved, you know, uncles, you’ve got uncles going on there. I loved it. You know, Johnny and and Ben are totally down for, you know, being uncles. I just thought he got a little bit lost and I have big issues with some of the purple headed warrior of the lactose, which I’ll talk about in spoilers, but yeah, overall fun time. Not a long time.  Quinny  Fair enough, Pete. Number.  Peta  I’m going to say I’m going to say I’m going to say 76 because I do think that it was. Really well put together but. The the I mean I’ll have some stuff to say when we spoil some things. Yeah, I’ll try to keep it brief. Actually, there was one point I think I said to you guys that I’d nearly walked out of there with more tips. Than I started with.  Quinny  I’m still wanting to know how that works.  Peta  Luckily, luckily I I didn’t have to go full rage out on it.  Quinny  So I’m very impressed.  Peta  Umm. But yeah, it’s just those kinds of like those those plot points that that just didn’t quite work for me were just a little bit kind of too conveniently driving the plot. And I didn’t quite buy even in the world of the story, that really kind of helped me back from from. Losing any tips at all?  Quinny  So so number of tips is 2. Hmm but. Peta  Ohh, also the young Kelly’s Uncanny Valley baby was distressed.  Quinny  Though apparently that they had a live baby on set 99% of the time.  Peta  In some shots, I was gonna say you, but you can tell the. Shots that aren’t, yeah.  Dion  Yeah, yeah. Babies don’t look like babies on screen. You gotta pay. They yeah.  Peta  I mean, either it was a fully uncanny valley baby or they were doing something to kind of make the baby look like it was looking, but there was something. Yeah. And whenever whenever Ben Grimm’s holding the baby, it’s like. That ain’t no real.  Jill  Baby, what number did you give it, Pete, 7676.  Dion  Yeah, we all know.  Quinny  And Dion, still at 70, isn’t.  Dion  He. Yes, I’m still there.  Quinny  Yeah, Dan, how many tips have you got left by?  Dion  The way? Yeah, just one tip.  Quinny  Wanted.  Jill  Only go off 1.  Dion  I only want it. Yeah, I mean, well. I mean, I don’t know. It’s moved. Maybe the **** moved like it. It’s not in the same place it started out, but it hasn’t gone completely off. It’s around the side visiting the armpit.  Jill  You can’t. But I gave Superman.  Quinny  I can probably look it up if you want.  Jill  Yeah.  Peta  See, I just kind of take it on a mood basis. It’s on a day by day basis.  Dion  Briefly.  Quinny  Hmm.  Dion  Phil was right. I mean, I think. One of the telling things long rated.  Peta  Never compare my ratings for one movie to another movie.  Quinny  Superman 65.  Speaker  Oh.  Dion  While while Jill is thinking, I mean it’s fair enough. Remember, she only saw it like 4 days ago and it feels like.  Jill  OK, here’s the weird thing though. Like after I watched Superman, I kind of wanted to see it again, but I don’t know if that was to try and enjoy it more or like to get the things that I didn’t really get about it. But this one I’m not really like in a rush to go back. To the movie for it.  Quinny  Hmm.  Jill  But. I did like it more than Superman. Then. I think I’m going to give it. 69.  Speaker 3  Nice.  Dion  Nice.  Jill  It was just a nice movie.  Quinny  Yeah, 69 and still 2 tips.  Peta  Yeah.  Dion  Quinny, what have you.  Quinny  Yeah. Got. I’m very similar to you know, I’m I’m probably I’m probably more in line with the pizza like. Yeah, 70. I’m going to go 77. I don’t know why. Yeah. Actually.  Peta  Just feels like a 77.  Speaker  Vibe.  Quinny  Like I I was a bit more warm on Superman whereas this. Like it’s it’s a perfectly fun, pleasant film. Like there’s nothing wrong with it, but it also just to me, felt like it. Was. Didn’t have much, particularly to say. Other than you know, wouldn’t it be nice if we could all work together and yeah. But also, maybe that’s what we needed at the moment is something that wasn’t too dangerous or whatever and. I don’t know. Yeah, it’s it’s 77 for me, but I just find it so.  Dion  Weird. We’ve, we’ve, we’ve, we’ve focused a lot on the non spoilery side and we’re running rapidly running out of time. So let’s go to the dinner clip to find out why they’re all such a nice blending together, then come back and see how much we. Can jam pack into spoil it section?  Peta  Leave if you haven’t seen it, because I’m going to spoil the very, very, very end of the film.  Speaker  Dion  Pete is thrown down. Here you go, alright?  Speaker 5  What are you doing? You mean what am? I. Doing and then you’re gonna ruin your appetite. I’m hungry, but never late for Sunday dinner. Should we wait?  Speaker  I guess you’re late. What I what do you?  Speaker 5  Mean. What do you mean? What do I mean?  Speaker  You’re late for dinner. Ohh yes we are. We’re late for. By single minute.  Speaker 5  Dinner. Yes, we were just just had to.  Speaker  Some aloe iodine on my shoulder. We got. Do his shoulder and.  Speaker 5  Why is that breakfast cereal in the dinner table? Why are you being?  Speaker  Weird. Not not being. Acting. Weird. Well, I’m doing that weird thing with your face, so. Oh, we don’t know what you’re talking about.  Speaker 5  Are you pregnant?  Speaker  Jimmy at the pregnant.  Speaker 5  Yes, yes.  Speaker  You know, I know he just cannot.  Speaker 1  That have you looked at your husband’s face?  Speaker  Keep his secret.  Speaker 5  What, really, yeah.  Speaker 2  What you are going to be the best mom? Oh, my God.  Speaker  And you are going. To be the best dad. Just kidding. You are out of your depth, but we. We’re going to be the best uncles ever. OK, we should eat.  Dion  Oh, there you go. Yes, that is exactly the kind of thing that we loved about the film. It’s really nice. Spoiler logos up, Pete. Destroy away. Oh, wait. Sorry. She has been there at the beginning. She will be there at the end. We here. Peter.  Quinny  ETA.  Peta  It’s not even my biggest complaint. It’s just that there was a moment at the end where I was like, I am going to have to have another full on rant about killing off female characters via self sacrifice and doing it to two female characters in one scene. UM.  Quinny  Thank God.  Peta  They recovered. They did recover. They recovered from it a bit and it didn’t really feel like it wasn’t going to recover. But for a moment there I was like, oh, oh, we are going to throw down.  Jill  I don’t believe you didn’t realise the magic baby was gonna save the day.  Speaker 3  Sacrifice.  Peta  I did. It did, but there was a part of me that was kind of like you better ******* not.  Dion  Yeah, yeah, there was a little bit of that was it? It’s like, don’t you ******* dare? Jesus Christ, he’s not a. Defibrillator. He’s a baby.  Jill  I mean, you don’t have a. Magic mcguffin. The whole time and then not? Yeah.  Speaker 3  Yeah.  Dion  True, although, but as as we all.  Peta  My biggest my my bigger complaints.  Dion  Know Franklin Richards. The monster.  Peta  My bigger complaints were were the iffy plot points like I’m like, correct me. I’m not a linguist, but I’m pretty sure you cannot translate an entire language with three words like I don’t. I don’t know that that’s possible. The Rosetta Stone had more than than than 3 words.  Speaker 3  Yeah. Hmm.  Dion  Now.  Peta  I I don’t see how I don’t see how.  Dion  Important to understand that this is in the Universe 8 to 8 where things can exist a little differently and they are not this bog standard and it was one of those.  Peta  Oh.  Speaker 6  But it’s it’s.  Jill  Things are like super.  Peta  It’s not the kind of plot point that you can explain away in your brain with that kind of reasoning like it’s not, but.  Dion  It has to be because that’s why I was. I was ******** about it and I yelled at Quinney until it came up to the thing. It’s like, but it’s not the real Galactus. And I’m like. Oh yeah, **** everything in this movie is not the real one from our universe. What? I’m getting angry at can easily be retconned by an executive who doesn’t like the feedback form.  Speaker  Yeah. Yeah, yeah. Yeah.  Jill  But this is also a universe where Reed is a super genius that can solve teleportation and like, move a planet. That’s.  Speaker  Hmm.  Peta  It just like the jump between ohh, I’ve managed to do it to an egg.  Jill  Come on.  Peta  Let’s do it to a planet. Nothing will go wrong. I actually, I almost thought that, like, that’s where it was gonna get interesting. Like, that was gonna be this universe is snap moment when they, like, accidentally. Left half the people behind or something.  Quinny  That that’s what I that’s. What I was kinda hoping for like.  Jill  Yeah, there weren’t really many stakes.  Quinny  No, I ******* love the idea of them actually going *******. We’re gonna teleport the whole planet and.  Dion  And ******* it.  Quinny  Up what? Could something goes wrong like they they go to the wrong place or they find themselves in the ******* negative zone.  Jill  Like that ******* DC convergence where the two planets had to merge together.  Peta  Or and that’s the thing.  Dion  They do. How did they do faster than life travel, but. Not work out how radar. Exists stop the fact that Silver Surfer was coming to blow up all of their teleportation machines that that shaped.  Quinny  Me. She’s very fast.  Peta  And in your hand it just kind of looked like a regular size spaceship. I don’t know why they couldn’t have just muted it or something like it’s like felt like a lot of like ohh The thing is coming very slowly. This is the only thing we can think of.  Dion  That was my big ***** point that I will get my big boy britches on and have a whinge about. Galactus’s ******* world eating ship is just a giant space grinder and. And I didn’t like that because if you’re gonna go to, like the extent that they went to, which was really curvy, whole super 60s kind of thing.  Speaker  Right.  Dion  Make the spaceship ******* weird. Make it the giant machines that don’t. You don’t understand the purpose of what they do like. Have something that’s in there.  Speaker 3  Hmm.  Jill  Yeah. What happened to like the? Big straw that he just shoves in the. Planet and like sucks it up like.  Dion  Yeah, all of that. But I mean, just like have the weird like, Kirby was great for drawing like. Contraptions that you love on the contraption, and they don’t. You don’t know why or how they work, or they have like extra bits that go off and they crackle with energy that you don’t understand how it sort of goes. He didn’t care about making it look well built. He cared about making something cool and stupid. And then they put Galactus. Fair enough, looked pretty good, you know, for a big.  Quinny  I look I. Liked big man collectors. I was down.  Jill  For that, yeah. I didn’t like how his. Height fluctuated with convenience.  Peta  Say he wasn’t that big in the end. Though was he he? He looked.  Jill  The lost, yeah.  Dion  A bit of juice out the back of the tube and then he got a bit.  Quinny  Maybe.  Speaker 6  So then he went and shrunk a bit.  Dion  Yeah. Yeah, yeah. Yeah, yeah, yeah, yeah, yeah.  Quinny  OK, let’s go with that, yeah.  Jill  He’s like ohh, now he can fit in this big circle on the ground that he like, would have Godzilla crushed the moment ago.  Dion  Crush. Sure.  Peta  Confused if planet size or if Godzilla size.  Dion  Yeah. Also how would sue push if 2?  Quinny  Because her push is not based on size, it’s based on willpower.  Dion  No, but push, baby. Ohh no. OK, recover. Push, galactus. Big baby. Oh, no much.  Peta  Is is based on magic mummy power?  Quinny  Yeah, yes, yeah. Like that. That big kind of finale stuff. I was like when he started to climb back out. I was like, ohh. OK now.  Dion  No. Well.  Quinny  We’re gonna get some shoes.  Jill  Yeah, I was like. Oh ****, I jumped.  Quinny  Yeah. Yeah. I was like, ******* sweet. Great. OK, now we’re gonna really ******* now, now we’re gonna wrap it up, but Nope. That’s just that’s it. Cool. Everybody get home. I would love to have seen them do something real. ******* ballsy. I would have loved to have seen them lose the earth, you know? Yeah. So that that’s why this Fantastic Four, like instead of. Yeah, that’s the run like this.  Jill  On the run on the. Sleeper on.  Peta  I’m not sure that Marvel is doing its answer to the trolley problem properly.  Quinny  Why not teleport the ******* baby and the family to another end of the universe, or to a different ******* dimension or whatever?  Jill  Because they answered that in the slack with pocket holes does.  Speaker  Yeah. Yes.  Dion  I mean. I look I I I I really got that like I enjoyed the bit where they were like, no, this is it honestly. Like we we we may be the people that everyone looks up to on the Earth and that’s a bit problematic to put that much. Responsibility. On four people who were there, but at least they always did it with heart, honesty, integrity and overall admission of failure. To the world.  Speaker  Hmm.  Dion

Defibrillators save lives—if you can find them. The push to put them on Google Maps. PJ and Ger O'Dea from the National Ambulance Service join the campaign to make them easy to find on Google. Hosted on Acast. See acast.com/privacy for more information.

Part 2, we are back with the chapters 11-20. Wowzer this is getting intense. I really hope yall are enjoying this.Whiskey_lore.comPatreon.com/the_whiskeyshamanBadmotivatorbarrels.com/shop/?aff=3https://www.instagram.com/zsmithwhiskeyandmixology?utm_source=ig_web_button_share_sheet&igsh=MWZ4dGp2MzlucjVvdw==Tennessee whiskey boasts a rich history, dating back to the late 18th century when Scottish, Scots-Irish, and Irish immigrants brought their distilling practices to the state, though initially focusing on rye. Whiskey production flourished, and after a period of decline due to prohibition, it saw a revival, with many smaller distillers emerging today. A key element of Tennessee whiskey is the Lincoln County Process, which involves filtering through maple charcoal for a smoother flavor. Early Days and Expansion:Immigrant Origins:As Scottish, Scots-Irish, and Irish immigrants settled in the frontier, they brought with them their traditional distilling practices, primarily using rye. Growing Popularity:Whiskey consumption increased, and many farmers found that converting their corn into whiskey was profitable. Early Distilleries:Tennessee was home to numerous licensed distilleries by the end of the 19th century, with over 700 registered. The Lincoln County Process:The practice of filtering whiskey through maple charcoal, known as the Lincoln County Process, was pioneered as early as 1825 by Alfred Eaton in Lynchburg, Tennessee. Nearest Green and Jack Daniel:Nathan "Nearest" Green, an enslaved distiller, is credited with teaching Jack Daniel the art of whiskey making and the importance of the charcoal filter. Green's expertise, passed down through generations of enslaved people, is now recognized as a crucial element in the creation of Tennessee whiskey. Prohibition and Revival:Statewide Prohibition:.Opens in new tabTennessee experienced both national and statewide prohibition, which nearly wiped out the whiskey industry, with only a few distilleries like Jack Daniel's and George Dickel surviving.The Post-Prohibition Era:.Opens in new tabFollowing the repeal of prohibition, Tennessee saw a resurgence of whiskey production, with Jack Daniel's being the first distillery to reopen.Modern Tennessee Whiskey:.Opens in new tabToday, Tennessee whiskey enjoys a revival, with many smaller distillers emerging and offering tours to visitors. Distinction from Bourbon:The Lincoln County Process:.Opens in new tabTennessee whiskey is distinguished from bourbon by the inclusion of the Lincoln County Process, where whiskey is filtered through maple charcoal before aging, resulting in a smoother flavor profile. Other Distilleries:.Opens in new tabGeorge Dickel is another iconic Tennessee whiskey distillery that also underwent a revival after prohibition. Tennessee has long been a leader in producing distilled spirits. As our nations early founders moved west, they carried with them the craft of whiskey.  Fortunately for Tennessee, the land, water, and climate is nearly perfect for the production of whiskey.  So make whiskey we did.Tennessee was a leading producer of distilled spirits even prior to the Civil War. In fact, Tennessee made so much whiskey, that the then Confederate government of Tennessee outlawed whiskey production in order to field and supply the army. This was the nation's first act of prohibition.  Following the Civil War, Tennessee quickly rebuilt its distilled spirits industry.  In 1908 Tennessee had hundreds of registered distilleries across the state.  Unfortunately for Tennessee and enthusiasts of fine spirits everywhere, Tennessee again led the way in prohibition in 1910, banning the production of whiskey ten years ahead of the Federal ban in 1920.

Charlotte, the Sage of Abby HillBased on the work of BradentonLarry, in 6 parts.  Listen to the Podcast at Explicit Novels.The Sage and  a Kind of Good-Bye"The Sage is ready to see you now," said Wei, the tall Asian man who they had learned was the Abbot of the brown-robed monks – or the Order of Record Keepers, as they called themselves.Don gently urged Nicole to release his cock from her mouth and promised they would get back to playing soon. As he tied his grey robe about himself, Don saw that Toshia, who had been riding up and down on Alan's lap only a moment before was also hurrying to make herself "presentable". After waking up hours ago, and the following, almost routine, morning sex (Well, that's definitely the right way to start the day, particularly when you wake up sandwiched between two naked, sexy women! Don thought to himself with a happy smile), they had had a bite of breakfast and been asked to wait until they were called for. While they learned a little bit more about the Order, most of the morning was spent in lazy sexual play. It was now shortly after midday, and at least two of them were quite eager to meet this person whom they had been awaiting, and had gone to such lengths to find.They followed Wei to the foot of a winding staircase and proceeded up. At the top, behind a modest door, they were admitted to a good sized study, complete with shelves filled with row upon row of books. Windows all around the room let bright sunlight in. There were a few comfortable chairs, and a nice desk, behind which, in a brown robe, sat a middle aged woman with thick, dark brown hair falling down around her shoulders. She was apparently reading the last page of a stack of typed material.Wei gestured to a set of chairs that had been drawn into a circle of four, and said, "Please, make yourself comfortable, she will be right with you."Sure enough, right after he had closed the door behind himself but before they could get comfortable in their chairs, the woman looked up at them and smiled. "Hello," she said as she stood up and came around the desk. "You're obviously Don, and I'm guessing you're Toshia and you're Nicole.""That's right, and you're 'the Sage'?" Toshia asked."That's what they call me," she smiled as she sat down in a high-backed chair."I admit, I was expecting someone a bit ... more wizened," Don smiled."Well, it's really just a title, like 'the Crone', though I suspect the similarities end about there. You can call me Charlotte if you prefer.""Pleased to meet you, Charlotte," Toshia said."Likewise," Charlotte smiled again. "I know you must have many questions, but let me just say, I've just finished reading your various reports, and I've enjoyed them very much. Our scribes are chosen for their skill at asking the right sorts of questions and their ability to flesh out the stories they're given, but in this case they've had very good material to work with. The three of you have had some very interesting adventures. I particularly enjoyed reading about your encounter with the Bull, Toshia.""So, everyone who comes here looking for you tells their story and you read it?" Nicole asked."Yes, that's right. I confess, my personal 'kink' is to get off reading about, and sometimes watching, the exploits of others. I would have finished reading your reports earlier, but I had to keep stopping to masturbate.""Wouldn't it have been more efficient for us to just tell you directly?" Nicole asked with a twinkle in her eye that the Sage seemed to miss."Well, yes, but there are two problems with that," Charlotte answered. "One, we keep all the stories, as a record and a source of study...""You could just have someone type it up as we told you," Toshia pointed out.Charlotte nodded, "That's quite true, but then the narrator would be bristling with questions for me, which would slow things down and cause all kinds of complications.""Is that the second problem?" Don asked."No, the second one is that there seems to be some benefit to having each person tell his or her own story, and then comparing them.""How have our stories diverged?" Don wanted to know."Well, I've only just read the three of them, and haven't had hardly any time to think about them, but Don's way of looking at your time here in Eros involves a lot of digressions and interconnections, while Toshia's is more straight-forward. Nicole's is actually rather journalistic."Don could see that Nicole had half a mind to object to this, but he cut in with, "OK, but what's the point of all this anyway?"Charlotte the Sage frowned slightly and said, "I assume you mean the record-keeping?""Well, for now, yes.""At some point, long ago, the first Sage decided that one way of trying to make sense of the whys and wherefores of Eros was to start recording the experiences of people who, like him, remembered their lives before waking up here.""And, has it helped?" Toshia asked."Well, it certainly makes for some stimulating reading," Charlotte laughed. Then she added, "It definitely has served to build up some generalizations that seem to be helpful.""Such as?" Don prodded."Every single person who has come here, to this Abbey, and this goes back for 450 Erosian years, has spoken English rather fluently. Now, the only people who we interview are those who remember their lives prior to waking up here, but none of them has ever reported meeting anyone who doesn't speak English. This suggests that either the people who don't remember spoke English before they arrived here, were somehow rewired to speak English upon being brought over, or are native Erosians. This all seems to strongly suggest that whomever or whatever is responsible for selecting people for Eros speaks English, and that seems quite surprising and noteworthy to me.""So, which is it, were they brought here or are they natives?" Nicole asked."They were brought," Don said quietly, remembering his and Toshia's visit to the Library in the Manor."Well, the evidence does suggest that," Charlotte nodded. "They seem to have various personality traits and interests that wouldn't make sense for native Erosians, for one thing.""That's what I was thinking," Don added."Also, some people have actually met people they recognized or even knew quite well from Earth, but who seemed to have no memory of that other life.""That must have been bizarre," Toshia said."It has sometimes been ... awkward, to say the least," nodded Charlotte."All of this is very interesting, but you mentioned whomever, or whatever, is selecting people from Earth – English speaking people from Earth," Don said as he leaned forward. "Who or what is doing this, and why? What's the point of it all?"Charlotte smiled again, "I honestly can't say. I admit that the question puts me in a philosophical frame of mind. Imagine if I asked you what the point of it all was on Earth. Anyway, there are theories, of course. Some Sages have thought that we were being held prisoner here as lab rats, running countless experiments on human sexuality, others that there is some power, or powers, who feed off human eroticism, or who have lost the ability to generate it for themselves – the ultimate voyeurs. There seems no question that there's some intelligence behind it, though.""Why do you think so?" Toshia asked."Well, it only selects people who are quite dissatisfied with their Earthly sex lives." Charlotte held up her hand to forestall Toshia's objection. "The fact that it is very hard to sort out exactly what counts as such dissatisfaction seems to lend weight to this consideration. No doubt, Toshia would hesitate to say that she was dissatisfied in any way with Sarah, but it seems clear from reading her story that she would hardly think of the sex life she was having before as being satisfying now. Almost every single person who has found his or her way here has thought that being brought to Eros was a wonderful gift, which has led some to speculate that this was some kind of heaven."Don couldn't resist scowling at this notion, and Charlotte noticed. "I don't buy that either," she said with a smile. "On the other hand, it's the best afterlife I've ever heard of. Going back to the question of intelligence, one of the most telling bits of evidence is the two of you, Don and Toshia."After taking a moment to scowl thoughtfully at this suggestion, Toshia asked, "What do you mean?""As far as our records indicate, the two of you are unique. No pair of friends has ever woken up together like you have. Before you ask, I have absolutely no idea what that might mean. Perhaps it's for the purposes of one of those psycho-sexual experiments."There was a moment of silence before Don decided to ask, "What's up with the black robed figures?""The Watchers," Charlotte nodded. "Another indication that there is some kind of intelligent process going on. After 450 years of accumulating data, there has never been anyone – anyone recorded, anyway – who has managed to talk to, or even catch hold of, one of those bastards. They watch for a bit; then, when you think you're going to get your hands on one, they're gone.""Is it science or magic?" Toshia asked."I'm inclined to follow Arthur C. Clarke on this one and say I don't really know that there's a difference in this context.""There are so many questions," Don muttered, shaking his head. "How many people remember their lives? What's the distribution of their wheres and whens? Is there anything they all have in common besides being sexually frustrated?""Is there a way to get home again?" Toshia asked resolutely.Charlotte, knowing this was the issue that had motivated them in seeking her out, turned to Toshia with a serious expression and said, "Yes, or so it would seem anyway. There are apparently at least two ways. The first is to become bored with life in Eros. It seems that when that happens you will simply go missing, and it's presumed that you return to your Earthly life. As to the other, more proactive, way, the lake outside is the headwater of a river that runs several hundred kilometers to an ocean or a sea – we haven't been able to get anyone to engage in any kind of systematic exploration. Along the coastline to the left of mouth of river...""To the left facing the sea?" Don asked."Yes," Charlotte smiled again. "Go down the river, then turn left, and proceed along the coast, until you find a place called the Grotto of Ishtar, or just the Grotto. There, according to two people who have accompanied others seeking to leave, you'll find a way to return home."Toshia looked like she was ready to head off immediately, but a couple of concerns occurred to Don. He said, "I'm troubled by something: how can anyone here know that people return home safely? And, now that I'm saying that, how did the Scholar know that time moves differently here in Eros? It doesn't seem to make sense that we could know these things unless someone has been able to return home and then come back.""Very good, Don," Charlotte nodded, and Don found himself thinking that she must have been a teacher back on Earth. She explained, "There seems to be a way to go back and forth between Eros and Earth more or less at will. One of the more enterprising people who have visited the Abbey several times, a Stephanie Ayers, found someone with this ability and talked to him at great length. She then tracked down two more people, and in doing so was able to confirm these rumors and suppositions.""How are they able to do it?" Don asked intently."Stephanie says they have 'magic rings' that allow them to 'decide' to wake up in either Eros or Earth; or, should that be 'on'?""Where do they get those rings, and what do they look like?""I cannot answer the first, Don, but apparently they are simple rings of a shiny black material, something like hematite."Don sat back in his chair. That sounds familiar! After a moment of reflection, he smiled broadly and said, "I think I've seen someone with one of those, and I'm pretty sure I can find her again."Charlotte gave Don a long look and said, "I can guess what you have in mind, Don, but I should warn you that these ring people are not only very possessive of their rings, but also very evasive about how they came to acquire them. Stephanie hasn't been able to get any useful information so far, and she's been at this a while."Toshia brought the discussion back to the main topic with, "I wanted to ask another question – our flying carpet stopped working and several hundred kilometers is a long way – do you know of any way to make the trip quicker?""Well, yes," Charlotte answered, "I would take the riverboat.""The riverboat?""Yes, there's a riverboat that goes from the Resort down to the city on the coast, Rendezvous, and back. You might have to wait for it sometime, it doesn't keep to a schedule very well, but it docks just outside of the Resort, through the gate opposite the one you used to come here.""Wait," Don cut in, "there's a city?""Well, it's a town, really, but it's the biggest one in Eros as far as I know."This prompted what felt like a dozen questions in Don's mind, starting with those of economics. He was still having a hard time coming to grips with the weirdness of how Eros worked."Thank you for your time, Charlotte," Toshia was saying.Although Don wanted to interject with, "Are we leaving already?" he realized how important it was for Toshia to stay on the task of returning to Sarah, so he set aside the questions he was dying to ask and stood, saying, "Thank you very much." Nicole followed suit.The Sage stood up as well, and said, "If you decide to stay longer in Eros, please feel welcome to return to the Abbey anytime."Don smiled warmly at this suggestion, and thought it was a bit odd that he was leaving this attractive, intelligent woman without having had the pleasure of, well, pleasuring her. Eros had definitely altered his way of thinking.At the foot of the winding staircase, Wei met them with one of his smiles and their clothing. Once they had changed, Wei led them back to the entrance-exit. The other "monks" seemed particularly scarce. Similarly, the huge guardian of the bridge was nowhere to be seen as they crossed it.Toshia set the pace down the trail for the Resort. She was clearly in a hurry to get on the road, or river, as the case may be, to this Grotto of Ishtar. Don kept up with her easily, but also kept an eye on Nicole, who didn't walk as fast as Don and Toshia even when they weren't hurrying. He could tell that something was troubling the pretty young woman, but his own mind was still bustling with too many questions for him to ask her what was on her mind. Still, he wasn't surprised when, as they came around the last corner and saw the Resort's gate ahead, Nicole asked them to stop for a moment."I thought I should tell you this before we found the others," Nicole said, taking a moment to sit down on a nearby rock."What is it?" Toshia said with obvious and honest concern."I'm not going back," Nicole said. "Well, not yet. I'm going to wait until I'm tired of this place. I don't really have anybody back home to hurry back to, Toshia, and I fucking love it here. I'd come along to make sure you get to the Grotto safely, but it sounds like you and Don will be able to do that without me. I don't think you'll be able to shake Shelonda anyway, but you might want to consider leaving Victor and Amy here at the Resort. You know the rest of Eros isn't so nice and friendly, and this place is safe."Don smiled at Nicole and said, "It's been great having you along with us for this long.""If they're right about time, we'll all wake up 'tomorrow' and email each other," Nicole smiled with a bit of sadness. "Well, allowing for the date difference, that is. You better come visit me, Professor."Don laughed, and said, "Of course! I'm already looking forward to it.""You can come stay with us in Florida," Toshia smiled. Don could see a tear in her eye.He decided to make things a bit easier on them all by changing the subject, "You know, she has a good point about the others."Toshia seemed to fasten upon this line of thought, saying, "Well, Shelonda's going to be very hurt if we don't allow her to come with us, I think.""I'm not sure we're in any position to allow or disallow her, actually," Don said."True," Toshia nodded. "So, the most we can do is encourage her to stay here. Probably that's the most we can do for all of them.""We could suggest that they need to stay here to keep an eye on Nicole," Don mused.Nicole laughed, and said, "Oh, I'm sure I'll be quite alright here.""And, what happens if Nicole does eventually get tired of this place and goes missing?" Don nodded. "Do people who don't remember their past lives do that? Damn, I should have thought of asking that earlier."

Episode 6: Caves What does the settlement of a cave say about the state of the inhabitants? Why does Odo love doing secret meet-ups in a cave? How does Sisko try to change the Jem'Hadar loyalty to the Vorta? Why do the Jem'Hadar love the glowing circle cave prisons? What does the layout of the cave in “The Siege Of AR-558” say about Starfleet? Join Ashlyn and Rhianna as we discuss these questions and more in the second part of this Deep Space Nine episode. This is the sixth episode of the Caves series, where Ashlyn and Rhianna talk about the caves episode in every Star Trek show, discussing every Star Trek series. SPOILER WARNING: Star Trek Deep Space Nine Next week, we'll jump the Delta Quadrant to review the first half of the Voyager Caves episodes. DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #203: New customers are like razor-toothed gree-worms. They can be succulent, but sometimes they bite back. Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series, Lower Decks and the Short Treks. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

ALSO: Statehouse deal on property tax... Skies threaten to soak Mardi GrasSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The fellas explore the newest release from Nearest Green Distillery, Nearest Green Tennessee Whiskey. They talk taste, palate and pro tips on ordering cocktails when you are out and about. Pour one up and vibe with them as they pour one up. Stay Black and Keep it Brown.Instagram: @dablackandbrownpodcast @my_government_name_is @agbk06 @delvinj33 @wsky.n.jojoYouTube: https://youtube.com/@blackandbrownpodcast2036Merch: www.dablackandbrown.com

The latest on federal government layoffs, DOGE attacking waste, plus the morning's biggest stories and breaking news on the FULL Bob Rose Show Friday 2-21-25

NASA watches the Sun nearly non-stop with a fleet of solar observatories.

Ok, I've started to embody my transness. Now what?Today we meet Seth Anderson-Matz and we're talking about the queer book that saved his life: The Nearest Exit May Be Behind You by S. Bear Bergman. And Bear joins us for the conversation!Seth Anderson-Matz is a queer & trans community organizer and minister. He has lived and worked in the Twin Cities area all his life, and currently resides in South Minneapolis with his wife (Jenn), one big dog (Roxie), one tiny dog (Saul), and one weird cat (Lucy).S. Bear Bergman is the author of nine books, founder of Flamingo Rampant press, and frequent consultant in equity and inclusion to business and government. Bear began his work in equity at the age of 15, as a founding member of the first ever Gay/Straight Alliance and has continued to help organizations and institutions move further along the pathways to justice ever since.Alternately unsettling and affirming, devastating and delicious, The Nearest Exit May Be Behind You is a collection of essays on gender and identity that is irrevocably honest and endlessly illuminating. With humor and grace, these essays deal with issues from women's spaces to the old boys' network, from gay male bathhouses to lesbian potlucks, from being a child to preparing to have one. It offers unique perspectives on issues that challenge, complicate, and confound the "official stories" about how gender and sexuality work.Connect with Seth and Bearinstagram: @s.andersonmatzwebsite: sbearbergman.cominstagram: @bearbergmanbluesky: @sbearbergman.bsky.socialOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your own copy of The Nearest Exit May Be Behind You: https://bookshop.org/a/82376/9781551522647Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1It's a new year, so we hope you enjoy our new format and theme song. Be sure to support us on Patreon, buy the books we feature on the show through our bookshop, or read them through Quatrefoil Library's free e-library. Links in the shows and on our website. Support the show

On the surface of the Sun, spots appear and fade in a predictable cycle, like a great clock in the sky. In medieval Russia, China, and Korea, monks and court astronomers recorded the appearance of these dark shapes, interpreting them as omens of things to come. In Western Europe, by contrast, where a cosmology originating with Aristotle prevailed, the Sun was regarded as part of the unchanging celestial realm, and it took observations through telescopes by Galileo and others to establish the reality of solar imperfections. In the nineteenth century, amateur astronomers discovered that sunspots ebb and flow about every eleven years--spurring speculation about their influence on the weather and even the stock market. Exploring these and many other crucial developments, Pierre Sokolsky provides a history of knowledge of the Sun through the lens of sunspots and the solar cycle. He ranges widely across cultures and throughout history, from the earliest recorded observations of sunspots in Chinese annals to satellites orbiting the Sun today, and from worship of the Sun as a deity in ancient times to present-day scientific understandings of stars and their magnetic fields. Considering how various thinkers sought to solve the puzzle of sunspots, Sokolsky sheds new light on key discoveries and the people who made them, as well as their historical and cultural contexts. Fast-paced, comprehensive, and learned, The Clock in the Sun: How We Came to Understand Our Nearest Star (Columbia UP, 2024) shows readers our closest star from many new angles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the surface of the Sun, spots appear and fade in a predictable cycle, like a great clock in the sky. In medieval Russia, China, and Korea, monks and court astronomers recorded the appearance of these dark shapes, interpreting them as omens of things to come. In Western Europe, by contrast, where a cosmology originating with Aristotle prevailed, the Sun was regarded as part of the unchanging celestial realm, and it took observations through telescopes by Galileo and others to establish the reality of solar imperfections. In the nineteenth century, amateur astronomers discovered that sunspots ebb and flow about every eleven years--spurring speculation about their influence on the weather and even the stock market. Exploring these and many other crucial developments, Pierre Sokolsky provides a history of knowledge of the Sun through the lens of sunspots and the solar cycle. He ranges widely across cultures and throughout history, from the earliest recorded observations of sunspots in Chinese annals to satellites orbiting the Sun today, and from worship of the Sun as a deity in ancient times to present-day scientific understandings of stars and their magnetic fields. Considering how various thinkers sought to solve the puzzle of sunspots, Sokolsky sheds new light on key discoveries and the people who made them, as well as their historical and cultural contexts. Fast-paced, comprehensive, and learned, The Clock in the Sun: How We Came to Understand Our Nearest Star (Columbia UP, 2024) shows readers our closest star from many new angles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

On the surface of the Sun, spots appear and fade in a predictable cycle, like a great clock in the sky. In medieval Russia, China, and Korea, monks and court astronomers recorded the appearance of these dark shapes, interpreting them as omens of things to come. In Western Europe, by contrast, where a cosmology originating with Aristotle prevailed, the Sun was regarded as part of the unchanging celestial realm, and it took observations through telescopes by Galileo and others to establish the reality of solar imperfections. In the nineteenth century, amateur astronomers discovered that sunspots ebb and flow about every eleven years--spurring speculation about their influence on the weather and even the stock market. Exploring these and many other crucial developments, Pierre Sokolsky provides a history of knowledge of the Sun through the lens of sunspots and the solar cycle. He ranges widely across cultures and throughout history, from the earliest recorded observations of sunspots in Chinese annals to satellites orbiting the Sun today, and from worship of the Sun as a deity in ancient times to present-day scientific understandings of stars and their magnetic fields. Considering how various thinkers sought to solve the puzzle of sunspots, Sokolsky sheds new light on key discoveries and the people who made them, as well as their historical and cultural contexts. Fast-paced, comprehensive, and learned, The Clock in the Sun: How We Came to Understand Our Nearest Star (Columbia UP, 2024) shows readers our closest star from many new angles. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the surface of the Sun, spots appear and fade in a predictable cycle, like a great clock in the sky. In medieval Russia, China, and Korea, monks and court astronomers recorded the appearance of these dark shapes, interpreting them as omens of things to come. In Western Europe, by contrast, where a cosmology originating with Aristotle prevailed, the Sun was regarded as part of the unchanging celestial realm, and it took observations through telescopes by Galileo and others to establish the reality of solar imperfections. In the nineteenth century, amateur astronomers discovered that sunspots ebb and flow about every eleven years--spurring speculation about their influence on the weather and even the stock market. Exploring these and many other crucial developments, Pierre Sokolsky provides a history of knowledge of the Sun through the lens of sunspots and the solar cycle. He ranges widely across cultures and throughout history, from the earliest recorded observations of sunspots in Chinese annals to satellites orbiting the Sun today, and from worship of the Sun as a deity in ancient times to present-day scientific understandings of stars and their magnetic fields. Considering how various thinkers sought to solve the puzzle of sunspots, Sokolsky sheds new light on key discoveries and the people who made them, as well as their historical and cultural contexts. Fast-paced, comprehensive, and learned, The Clock in the Sun: How We Came to Understand Our Nearest Star (Columbia UP, 2024) shows readers our closest star from many new angles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On the surface of the Sun, spots appear and fade in a predictable cycle, like a great clock in the sky. In medieval Russia, China, and Korea, monks and court astronomers recorded the appearance of these dark shapes, interpreting them as omens of things to come. In Western Europe, by contrast, where a cosmology originating with Aristotle prevailed, the Sun was regarded as part of the unchanging celestial realm, and it took observations through telescopes by Galileo and others to establish the reality of solar imperfections. In the nineteenth century, amateur astronomers discovered that sunspots ebb and flow about every eleven years--spurring speculation about their influence on the weather and even the stock market. Exploring these and many other crucial developments, Pierre Sokolsky provides a history of knowledge of the Sun through the lens of sunspots and the solar cycle. He ranges widely across cultures and throughout history, from the earliest recorded observations of sunspots in Chinese annals to satellites orbiting the Sun today, and from worship of the Sun as a deity in ancient times to present-day scientific understandings of stars and their magnetic fields. Considering how various thinkers sought to solve the puzzle of sunspots, Sokolsky sheds new light on key discoveries and the people who made them, as well as their historical and cultural contexts. Fast-paced, comprehensive, and learned, The Clock in the Sun: How We Came to Understand Our Nearest Star (Columbia UP, 2024) shows readers our closest star from many new angles.

Volexity founder Steven Adair joins the Claroty Nexus Podcast to discuss the Nearest Neighbor Attack, a unique attack carried out by Russia's APT 28 against a high-value target in an attempt to gain intelligence on Ukraine prior to the start of the war in February 2022. APT 28 was able to compromise the Wi-Fi network of its target without being in physical proximity of it. They did so by remotely compromising neighboring organizations, accessing their Wi-Fi networks—creating a daisy-chain of breaches and compromises—until they were able to reach their target. Volexity's blog contains additional technical details. Listen to every episode of the Nexus Podcast here. 

Podcast: Nexus: A Claroty Podcast (LS 32 · TOP 5% what is this?)Episode: Volexity's Steven Adair on the Nearest Neighbor AttackPub date: 2024-12-09Get Podcast Transcript →powered by Listen411 - fast audio-to-text and summarizationVolexity founder Steven Adair joins the Claroty Nexus Podcast to discuss the Nearest Neighbor Attack, a unique attack carried out by Russia's APT 28 against a high-value target in an attempt to gain intelligence on Ukraine prior to the start of the war in February 2022. APT 28 was able to compromise the Wi-Fi network of its target without being in physical proximity of it. They did so by remotely compromising neighboring organizations, accessing their Wi-Fi networks—creating a daisy-chain of breaches and compromises—until they were able to reach their target. Volexity's blog contains additional technical details. Listen to every episode of the Nexus Podcast here. The podcast and artwork embedded on this page are from Claroty, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

I'm joined by guests Stephan Livera, Rijndael & Ben Carman to go through the list.Housekeeping (00:05:29) Bitcoin Black Friday (00:06:05) AnchorWatch gains Lloyd's of London Coverholder statusMajor/Urgent Vulnerability Disclosures(00:10:25) Krux releases security fix for AES-CBC encryption flawBitcoin • Software Releases & Project Updates (00:16:05) Bitcoin-script-hints(00:17:14) BDK(00:17:38) BTCPay Server(00:19:53) Nunchuk Desktop(00:20:20) Proton Wallet(00:23:58) Bitcoin Keeper(00:24:40) Nix Bitcoin(00:25:09) Krux(00:26:49) RoboSats(00:26:57) Bitkey App(00:31:07) RewindBitcoin(00:35:15) Umbrel(00:35:32) ESP-Miner(00:35:36) Boltz web-app• Project Spotlight(00:35:43) Wallet Dev Kit(00:35:51) ScriptLab(00:36:04) Mempal(00:36:44) Debifi(00:37:41) Dart-bip85 package(00:37:45) Descriptors Go(00:37:47) Tick-tock-tui App(00:37:56) Awesome-Bitcoin-guide(00:38:30) BitAxe HAS Dashboard(00:38:39) Radpool(00:38:43) SatadelicaVulnerability Disclosures(00:39:16) Nearest neighbor attack - Exploiting nearby Wi-Fi for covert access(00:39:27) New Ghost Tap attack exploits NFC mobile payments(00:39:38) Graykey partially unlocks iPhones with iOS 18/18.0.1, from iPhone 12 to 16 series(00:40:38) OverSecured finds seven flaws in Android and Google Pixel, affecting millions of users(00:41:03) Apple urgently patches vulnerabilities affecting macOS and iOS(00:41:32) Decades-old security flaws in Ubuntu's Needrestart Package(00:41:48) Chinese man arrested in Bangkok for operating from a van-based SMS blaster(00:42:28) Five dollar wrench attackPrivacy & Other Related Bitcoin Projects• Software Releases & Project Updates(00:42:53) SimpleX(00:43:06) Signal• Project Spotlight(00:43:28) DeFlockLightning & L2(+)• Project Spotlight(00:43:56) Phoenix Server Lightning Wallet(00:44:32) Cashu Brrr(00:45:08) SING4SATS• Software Releases & Project Updates(00:45:44) Primal(00:47:27) LND(00:48:05) CDK Cashu Development Kit(00:48:36) Phoenix Wallet(00:48:47) Zeus(00:49:56) Nutstash(00:49:59) Nutshell(00:50:07) Fountain(00:50:10) Breez SDK(00:50:14) Lnp2pBot(00:50:17) BoardWalk(00:50:19) Geyser(00:50:20) Aqua Wallet(00:50:47) Clams RemoteNostr • Project spotlight (00:50:52) NDK Mobile(00:50:55) Olas(00:51:26) Knox(00:51:32) Nostraut(00:51:35) Ezdvm(00:51:40) Futr(00:51:45) Nosey(00:51:49) Nos2x for Firefox• Software Releases & Project Updates(00:52:00) GifBuddyBoosts(00:52:30) Shoutout to top boosters Chris, podconf & btconboardNews & Noteworthy• Bitcoin(00:55:05) Chaincode Labs launches the 2025 BOSS program• Nostr(00:55:49) Kagi HQ joins Nostr• Business & Finance(00:57:06) Block, Inc. unveils Proto(00:57:11) Casa introduces Casa Enterprise(00:57:30) Swan Bitcoin sues former law firm for conflict of interest in Tether case• Tradfi(00:57:46) Revolut X expands to 30 European countries(00:57:58) Newmarket Capital, launches Battery Finance• Funding(00:58:06) OpenSats announces long term support and educational grants• Mining(00:58:12) Russia bans winter digital currency mining in Siberia• Privacy(00:58:40) U.S. Congress critiques Tornado Cash and urges for stricter regulations(00:58:44) Chinese government employees are selling citizen data for profit(00:59:20) Mullvad VPN cancels remaining PayPal subscriptions and aligns with privacy-focused policy• Cryptography(01:00:59) Two mathematicians break an 18-year record with an elliptic curve of rank 29• Events(01:01:22) SATS'N'FACTS, Bitcoin Technical Unconference(01:01:26) Hackalajara, Guadalajara's first Bitcoin-focused hackathon(01:01:39) Bengaluru BitDevs SummitReads:(01:01:46) Here's a list of our top recently published readsLinks & Contacts: Website: https://bitcoin.review/ Substack: https://substack.bitcoin.review/ Twitter: https://twitter.com/bitcoinreviewhq NVK Twitter: https://twitter.com/nvk Telegram: https://t.me/BitcoinReviewPod Email: producer@coinkite.com Nostr & LN: ⚡nvk@nvk.org (not an email!) Full show notes: https://bitcoin.review/podcast/episode-88

‘If you know the name — they're in the game!' - back by popular request it's Miri AF! https://miriaf.co.uk/ ↓ ↓ ↓ Brand Zero is a small skincare and wellbeing business based in Nailsworth in the heart of Gloucestershire, with a strong eco-friendly, zero-waste, cruelty-free ethos. Brand Zero sells a range of wonderfully soothing natural skincare, haircare, toothcare and wellbeing products, mostly hand made, with no plastic packaging or harsh chemicals. All our products are 100% natural and packaged in recyclable or compostable tin, paper or glass. Discount code: JAMES10 www.brandzeronaturals.co.uk ↓ ↓ ↓ James and Dick's CHRISTMAS Special 2024 Featuring Dick. And James. And quite possibly some Special Guests, if we can be arsed. Also: Dick is threatening to play his bass! Not included in ticket price but available so you don't starve/die of thirst: nice pizzas out of wood-fired ovens; street food. Tickets cost £25. Location is: My neck of the woods. Northants. Nearest stations, Banbury/Long Buckby. Junction 11 of M40. Saturday, 30th November 2024. Starts at 5pm https://jamesdelingpole.co.uk/Christmas2024/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk x

In this week's round-up of the latest news in online speech, content moderation and internet regulation, Mike and Ben cover:Spanish newspaper La Vanguardia follows The Guardian in quitting Elon Musk's X due to disinformation and ‘disturbing content' (Fortune)Bluesky attracts millions as users leave Musk's X after Trump win (Reuters)Advertisers set to return to X as they seek favour with Elon Musk and Donald Trump (Financial Times) The plan to ban children under 16 from social media (The Times) Should smartphones be banned in schools? (Financial Times) Facebook and Instagram to Offer Subscription for No Ads in Europe (Facebook) An update on political advertising in the European Union (Google)Facebook's Algorithms Think a Small English Community Is Up to No Good (Gizmodo)Phony X accounts are meddling in Ghana's election (Rest of World)Sockpuppet network impersonating Americans and Canadians amplifies pro-Israel narratives on X (DFR Lab)This episode is brought to you with financial support from the Future of Online Trust & Safety Fund. Ctrl-Alt-Speech is a weekly podcast from Techdirt and Everything in Moderation. Send us your feedback at podcast@ctrlaltspeech.com and sponsorship enquiries to sponsorship@ctrlaltspeech.com. Thanks for listening.

In probably one of the most important Delingpod's in a long time, writer Simon Elmer outlines the shocking realities of the UN's policy of ‘migration replacement'. https://architectsforsocialhousing.co.uk — — — — Here is the link for this week's product https://nutrahealth365.com/ ↓ ↓ ↓ James and Dick's CHRISTMAS Special 2024 Featuring Dick. And James. And quite possibly some Special Guests, if we can be arsed. Also: Dick is threatening to play his bass! Not included in ticket price but available so you don't starve/die of thirst: nice pizzas out of wood-fired ovens; street food. Tickets cost £25. Location is: My neck of the woods. Northants. Nearest stations, Banbury/Long Buckby. Junction 11 of M40. Saturday, 30th November 2024. Starts at 5pm https://jamesdelingpole.co.uk/Christmas2024/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk x

Fawn Weaver On Nearest Green's Story, Entrepreneurial Tips, Not Having A Mentor  + MoreSee omnystudio.com/listener for privacy information.

Fawn Weaver On Nearest Green's Story, Entrepreneurial Tips, Not Having A Mentor  + MoreSee omnystudio.com/listener for privacy information.

James and Dick compete to decide ‘who is the best Christian', which brother had the best recent holiday excursion and James's sudden career-changing aspirations. ↓ ↓ ↓ Here is the link for this week's product https://nutrahealth365.com/ ↓ ↓ ↓ James and Dick's CHRISTMAS Special 2024 Featuring Dick. And James. And quite possibly some Special Guests, if we can be arsed. Also: Dick is threatening to play his bass! Not included in ticket price but available so you don't starve/die of thirst: nice pizzas out of wood-fired ovens; street food. Tickets cost £25. Location is: My neck of the woods. Northants. Nearest stations, Banbury/Long Buckby. Junction 11 of M40. Saturday, 30th November 2024. Starts at 5pm https://jamesdelingpole.co.uk/Christmas2024/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk x

James and Dick's CHRISTMAS Special 2024 Featuring Dick. And James. And quite possibly some Special Guests, if we can be arsed. Also: Dick is threatening to play his bass! Not included in ticket price but available so you don't starve/die of thirst: nice pizzas out of wood-fired ovens; street food. Tickets cost £25.  Location is: My neck of the woods. Northants. Nearest stations, Banbury/Long Buckby. Junction 11 of M40. Saturday, 30th November 2024. Starts at 5pm https://jamesdelingpole.co.uk/Christmas2024/

The Power of Flocking: The Seven Nearest…   In this episode, Bishop Michael Hunn applies the concept of 'flocking' as described by adrienne maree brown in her book 'Emerging Strategy' to live in the Episcopal Church.  By examining how birds, bees, and fish use flocking for defense, energy conservation, and resource finding, the video draws parallels to church congregations. It proposes an innovative approach where each church member focuses on connecting with the seven people nearest to them, fostering a deeper, more connected community. The idea extends to diocesan levels, encouraging clergy and church leaders to maintain regular, intentional connections with their peers. This transformative model aims to strengthen the church's unity and efficacy, aligning with early Christian practices.   00:00 Introduction to Flocking 01:02 Flocking in Nature 01:33 Flocking and Energy Conservation 02:00 Flocking for Resource Finding 02:51 Applying Flocking to Church 03:00 The Seven Connections Concept 04:01 Implementing the Concept in Congregations 05:56 Diocesan Level Connections 07:53 Broader Implications and Conclusion 09:10 Preview of Next Video

This week a slight departure as Chris Diamond returns to take a leisurely meander through the world of British comedy, randomly choosing from a selection of topics (such as Who Was The Fifth Goon?) and pondering upon the genius (or otherwise) of such performers as Kenneth Williams, Michael Bentine, Bob Monkhouse, Arthur English, Hinge & Bracket, Bernard Manning and Spike Milligan, plus shows such as 15 Stories High, The Good Life, One Foot In The Grave, Blackadder, Nearest & Dearest, French & Saunders and Rising Damp.

At one point or another, every person in the spirits industry is almost certain to have their career altered, influenced, or shaped by personal relationships. On a business-to-business level, many brands the Park Street Insider Podcast has hosted over the years echo similar sentiments around the crucial role partnerships have played in their trajectory. No brand is constructed in a vacuum, and the long-term success of each is often tied to the quality of partnerships they form with the companies around them at every stage of development. The value of strong brand partnerships is perhaps no more evident than through the brand-building journey of Chris Montana, co-founder of Du Nord Social Spirits. Hailing from Minnesota, Du Nord's growth was boosted by its ability to carefully align with the right partners. Being the first business to graduate from the Nearest & Jack Advancement Initiative, a partnership between Jack Daniel's and Uncle Nearest to increase diversity in the American whiskey industry, Chris was able to leverage this partnership into another: a deal with Delta Airlines. So land a deal with the number one airline in the U.S. and you've made it, right? For Chris, Du Nord found itself in a scenario a bit like when the dog catches the car, having attained a major value-add and needing to learn on the fly how to navigate it. Chris is joined by Andres Correa to piece together how Du Nord was able to attract and navigate the challenges that came with a major partnership with Delta Airlines. Featured Guests:Chris Montana, Co-Founder, Du Nord Social SpiritsMentioned in this episode:Du Nord Social SpiritsDelta AirlinesNearest & Jack Advancement InitiativeMore from Park Street.Want to stay in the know about new episodes from the podcast? Sign up for episode email alerts. Sign up for our Daily Industry Newsletter.Sign Up for our Monthly Newsletter.Check out Park Street's Guide to Getting Started in the U.S. MarketFollow us for more industry insights onLinkedIn FacebookTwitterInstagram

On the surface of the Sun, spots appear and fade in a predictable cycle, like a great clock in the sky. In medieval Russia, China, and Korea, monks and court astronomers recorded the appearance of these dark shapes, interpreting them as omens of things to come. In Western Europe, by contrast, where a cosmology originating with Aristotle prevailed, the Sun was regarded as part of the unchanging celestial realm, and it took observations through telescopes by Galileo and others to establish the reality of solar imperfections. In the nineteenth century, amateur astronomers discovered that sunspots ebb and flow about every eleven years—spurring speculation about their influence on the weather and even the stock market. Exploring these and many other crucial developments, Pierre Sokolsky provides a history of knowledge of the Sun through the lens of sunspots and the solar cycle. He ranges widely across cultures and throughout history, from the earliest recorded observations of sunspots in Chinese annals to satellites orbiting the Sun today, and from worship of the Sun as a deity in ancient times to present-day scientific understandings of stars and their magnetic fields. Considering how various thinkers sought to solve the puzzle of sunspots, Sokolsky sheds new light on key discoveries and the people who made them, as well as their historical and cultural contexts. Fast-paced, comprehensive, and learned, Clock in the Sun: How We Came to Understand Our Nearest Star (Columbia UP, 2024) shows readers our closest star from many new angles. Garima Garg is a New Delhi based journalist and author. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this month's episode, Brandon is joined by comedian/host Vince Chang to discuss the incredible history of Nathan "Nearest" Green who is the first African-American master distiller on record in the United States and also the creator of the "Jack Daniels" whiskey recipe!DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Vince ChangHosts:Brandon Collins"Drunk Black History" is recorded at LaVarro Productions in Long Island City. You can book their space using this link.  "Drunk Black History" is a production of Casa de Collins LLC. Music by Slot-A. 

In this week's episode, we're re-airing one of our top episodes from last year with Fawn Weaver. Fawn is a serial entrepreneur and NYTimes bestselling author, and when she learned about the story of Uncle Nearest Green — the slave who taught Jack Daniel how to distill whiskey — she decided to create a company that would bring his legacy to life.After learning about Uncle Nearest and Jack Daniel's interconnected history, Fawn followed the story down to Tennessee, which led her to purchase the 300-acre farm in Lynchburg, Tennessee, where Nearest taught Jack how to distill. She initially thought of honoring Nearest's story with a book or movie, but decided the best way to preserve his legacy was with a bottle of the best Tennessee whiskey she could make. With no background in distilling, she threw herself into an industry mostly dominated by white men and a few major corporations. Since they launched, Uncle Nearest Premium Whiskey has become the fastest growing whiskey brand in US history, and has over $100+ million in revenue.In our conversation, Fawn discusses the importance of confidence in leadership and success, and what we can all do today to build more confidence in our lives. She shares her early life challenges, from homelessness to suicidal thoughts, and how she overcame the toughest of times and the biggest learnings she had along the way. Fawn talks about the serendipity around her launching her business and the biggest factors that have helped create the incredible growth they've seen, and so much more.In this episode, we'll talk to Fawn about:* How Fawn has cultivated her confidence in the darkest of times. [03:09]* Faith's role in Fawn's confidence. [04:58]* Practical approach to how Fawn overcomes any fear in her life. [06:23]* Handling bad days; giving herself space and having a pray-first approach in everything. [10:16]* Fawn's most impactful experience: Leaving home at 15, third homeless shelter [15:55]* Fawn's perspective on boundaries and outgrowing people. [26:24]* The pivotal moment when Fawn learned about Uncle Nearest and Jack Daniel's interconnected history and how it inspired her journey. [30:46]* Fawn's whiskey venture epiphany without prior experience. [39:50]* Having an all-women leadership team in a male-dominated spirits industry. [42:10]* Early brand awareness tactics and business growth factors. [46:52]* Fawn's experience fundraising and how she managed the rejections early on. [50:41]* Finding the gem inside failure and how it builds confidence and strength. [57:07]* The importance of knowing your "Why” when it comes to starting a business. [59:07]This episode is brought to you by beeya: * Learn more about beeya's seed cycling bundle at https://beeyawellness.com/free to find out how to tackle hormonal imbalances. * Get $10 off your order by using promo code BEHINDHEREMPIREFollow Yasmin:* Instagram: https://www.instagram.com/yasminknouri/* Website: https://www.behindherempire.com/Follow Fawn:* Website: https://unclenearest.com/* Instagram: https://www.instagram.com/unclenearest/* Instagram: https://www.instagram.com/fawn.weaver/ Hosted on Acast. See acast.com/privacy for more information.

Our Designated Drinker knows that a brand is only as good as the story and people behind it. Brielle Caruso is re-joining us at our virtual bar to talk about her role as CMO for Nearest Green Distillery, home of the Godfather of Tennessee Whiskey and the 7th most visited distillery in the world. Nearest Green Distillery is also home to The Humble Baron, which contains the world's longest bar at 518 linear feet - it's so big that it takes at least 18 bartenders to staff! The Humble Baron is celebrating their first anniversary, and Brielle is making sure that their code of love, honor, and respect is at the forefront of the whiskey family that they've built.  Looking for the best cocktail to accompany you while you listen? Then head over to our library of libations for the right recipe to get you in the mood. Don't forget to follow, download and review to share your thoughts about the show!  Get the featured cocktail recipe: Old Fashioned Julep **********************************  The Designated Drinker Show is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, we craft human connections through intelligent, engaging and informative content.  Also in the Missing Link line-up of podcasts, is Rodger That—a podcast dedicated to guiding you through the haze of dementia led by skilled caregivers, Bobbi and Mike Carducci.   Now, if you are looking for a whole new way to enjoy the theater, check out Between Acts—an immersive audio theater podcast experience. Each episode takes you on a spellbinding journey through the works of newfound playwrights—from dramas to comedies and everything in between. 

In 2016, Fawn Weaver became fixated on a New York Times article telling the little-known story of Nearest Green, a formerly enslaved man who taught Jack Daniel—yes, that Jack Daniel—how to make Tennessee whiskey. After diving deeper into the story, Fawn ended up purchasing the farm in Lynchburg, Tennessee where Nearest had taught Jack how to distill; and she began meeting the descendants of both men. She eventually decided the best way to preserve Nearest's legacy was with a bottle of the best Tennessee whiskey she could make. With no background in distilling, she threw herself into the insular world of spirit-making, an industry mostly dominated by white men. In the eight years since Fawn first discovered his story, Uncle Nearest Premium Whiskey has become one of the fastest-growing whiskey brands in the world, and one of the most awarded American whiskeys.This episode of How I Built This was produced by Liz Metzger and edited by Neva Grant. Research help from Claire Murashima, with music by Ramtin Arablouei. You can follow HIBT on X & Instagram, and email us at hibt@id.wondery.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join hosts Kylo Ri, DJ Lloyd Willin', Deuce Touché, and David Rough as they discuss the Latest Emmy Award Winners, Joe Biden's Dinner with a Black Family, Pascal Siakam to Indiana, Fredo Bang, Lil Dicky's "Penith", Umi's "Talking to the Wind", #RaisingKanan Recap, the NFL Divisional Round, and much more! For all things PreGame Podcast visit www.livefromthepregame.com For exclusive content and experiences check out the PreGame Podcast on Patreon by visiting http://patreon.com/thepregamepodcast Secure Your Business Loan at www.bankable.org DOWNLOAD. LISTEN. WELCOME TO THE PREGAME.