Podcasts about south minneapolis

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

Hear how some convenience retailers are creating pop-culture moments at their stores and within their community. Hosted by: Jeff Lenard About our Guest: Lonnie McQuirter, Director of Operations, 36 Lyn Refuel Station Lonnie leads 36 Lyn Refuel Station, an independently owned, community-focused fuel station in South Minneapolis, MN. He is a member of the NACS Board of Directors and its Executive Committee.

Minnesota Department of Public Safety Commissioner Bob Jacobson joined Vineeta on The WCCO Morning to outline the work and the reaction of Troopers and the general public.

Minnesota Department of Public Safety Commissioner Bob Jacobson joined Vineeta on The WCCO Morning to outline the work and the reaction of Troopers and the general public.

Minneapolis city attorneys will be in court Wednesday afternoon in an attempt to stop property owner Hamoudi Sabri from allowing a homeless encampment on parking lots he owns. Earlier this week, a shooting at the encampment on Sabri's property in South Minneapolis left seven people hurt, including three who were critically injured. To learn more about the city's response to homelessness, MPR News host Nina Moini talks with Enrique Velázquez, director of regulatory services in Minneapolis.

From Amy:Ten years ago this month, I started my 21st year of teaching with painful confirmations that my career was on its last legs: betrayal by people in power and a frozen right shoulder (my dominant side) that made it hard to write on the board.I didn't know how or when I would make the leap to the life of a working creative. But I knew I had run out of options in my longtime school district.It turned out to be two things. First: I had to leave. When the semester ended in January, I did. My body insisted I do so. Certain people made sure it happened… some who didn't have my back, some who absolutely did. Thanks to them, even (especially) in that fearful passage, I experienced HOPE.Second: After my escape, I kept hope alive by cobbling together activities in person and online, including a book revision cohort that met around a dining room table in South Minneapolis, led by an occasional mentor of mine. I got admitted by promising to finish my manuscript in time for my critique, several months in. That's where I met Keri Mangis, also processing the end of a dream.When my book's turn came to be read, my draft was done, but I backed out for reasons that boil down to a still-raw and reactive nervous system. Of that group, I only trusted Keri to read my draft.And when we reached the milestone of being published—our respective book launch parties—you better believe we were there for each other.I pulled oracle cards, doing readings for guests at Keri's February 2020 launch, just before the world shut down. And of course I was going to podcast about Keri's TEDx Talk experience this summer.See, every time I get to witness Keri's path or she mine, we both have something to offer and we both take something away. I feel a bit more courageous. Every time, without fail. This time as well. Keri's talking about menopause: One life period ending, a promising period starting. Her TEDx idea is to celebrate that passage with women.I'm here for the celebration.And we'll both keep walking.Keri Mangis is more than just an author and speaker—she's a guide for those seeking deeper meaning and transformation in a chaotic world. With over 20 years of experience as a wholeness advocate and spiritual teacher, Keri understands the frustration of feeling stuck and disconnected. Through her writing and teachings, Keri helps people break free from limiting beliefs to rediscover their true essence and align with their core values. Her spiritual and personal growth studies and certifications have run the gamut over the years from yoga, Ayurveda, energy work, and meditation. Most recently, she has taken on studying Alchemy, Jungian Psychology, archetypes, and rites of passage. Her writing has appeared in Spirituality and Health Magazine, Star Tribune, Elephant Journal, and others. Her first book, Embodying Soul: A Return to Wholeness, received multiple awards, including the 2020 IPA award for Mind, Body & Spirit and the 2020 Readers' Favorite Gold Medal in Non-Fiction Spiritual and Supernatural. She is currently working on her second book, an illuminating exploration of personal and collective transformation that will empower readers to evolve their consciousness for an uncertain future.Keri's Links:BookInstagramFacebook Amy Hallberg is the author of Tiny Altars: A Midlife Revival and German Awakening: Tales from an American Life. She is the host of Courageous Wordsmith Podcast and founder of Courageous Wordsmith Circle for Real-Life Writers. As an editor and writing mentor, Amy guides writers through their narrative journeys—from inklings to beautiful works, specifically podcasts and books. A lifelong Minnesotan and mother of grown twins, Amy lives in the Twin Cities with her husband and two cats. Get Amy's Books and AudiobooksLearn about Courageous Wordsmith Circle for Real-Life WritersWork with Amy 1:1

The head of EMS for Hennepin Healthcare joined Vineeta to recap the amazing job that everyone did under dire circumstances last week.

The head of EMS for Hennepin Healthcare joined Vineeta to recap the amazing job that everyone did under dire circumstances last week.

It happened in an instant and the reaction has been felt across the globe. Find out more on the WCCO Morning News with Vineeta Sawkar

The Sawkar Salute: People from all over the country come to help South Minneapolis full 63 Tue, 02 Sep 2025 15:22:29 +0000 n7hM0KeqJqUhJlZW8FtN7i0WocLPWfN3 news The Morning News with Vineeta Sawkar news The Sawkar Salute: People from all over the country come to help South Minneapolis Vineeta Sawkar brings you the day's most important and impactful news stories, talks with the news-makers and influencers we need to hear from, and brightens your day with fun anecdotes and stories along the way. Add in the latest weather, traffic, and sports…it's the best way to start the day! 2024 © 2021 Audacy, Inc. News False https://

The Sawkar Salute: People from all over the country come to help South Minneapolis full 63 Tue, 02 Sep 2025 15:22:29 +0000 n7hM0KeqJqUhJlZW8FtN7i0WocLPWfN3 news The Morning News with Vineeta Sawkar news The Sawkar Salute: People from all over the country come to help South Minneapolis Vineeta Sawkar brings you the day's most important and impactful news stories, talks with the news-makers and influencers we need to hear from, and brightens your day with fun anecdotes and stories along the way. Add in the latest weather, traffic, and sports…it's the best way to start the day! 2024 © 2021 Audacy, Inc. News False https://

It happened in an instant and the reaction has been felt across the globe. Find out more on the WCCO Morning News with Vineeta Sawkar

Bradley & Dawn interview Jim Keenen of P.O.R. Emotional Wellness as we try to navigate our response to the terrible shooting that happened at Annunciation School and Church in South Minneapolis on August 27, 2025.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jason starts the show sharing some personal accounts tied to yesterday's mass shooting at the Annunciation Catholic School's church in South Minneapolis. Today, Jason will be bouncing back and forth between conversation grappling with what we experienced yesterday and our normally scheduled State Fair programming. Jason and Congresswoman Angie Craig sit down to parse through what our community experienced yesterday and what we can do to help. Topics of discussion include: Potential gun legislation Balancing constitutional rights The minimization of mass shootings by our country Mainstream extremism Sharing cookies with republicans (she does it every year) Would you like Jason's face to wake you up in the morning Jason is joined by Craig Schmidt to talk about a special beer they're slinging called “A Face for Radio” that features Jason's face. Plus, Minnesota Twins players Kody Clemens & Luke Keaschall on their State Fair favorites

In The Lead, we hear from an 8th grader who was helping other students as shots rang out at the Annunciation Catholic School's church in South Minneapolis yesterday and a man who arrived at the scene to help and calm wounded children. Then, Greg Swan stops by to explain the internet to wrap things at the fair.

Marc Cox talks with WCCO's Steve Simpson about the tragic school shooting at Annunciation Parish in South Minneapolis, where two people were killed and 17 injured, including 14 children. The gunman fired through stained glass windows during morning mass, using multiple weapons. While all the injured are expected to survive, the community is reeling, with vigils and support pouring in across the Twin Cities. Steve also discusses questions about security at schools and religious institutions, and the ongoing police investigation into the shooter's motive

We thank Vincent for his bravery and creating space to share his story with us today. Chad is joined by local restauranter Vincent Francoul to talk about what happened in the mass shooting at the Annunciation Catholic School's church in South Minneapolis. His daughter Chloe attends the school. Vincent details his experience learning that something was wrong and rushing to the school yesterday to find and retrieve his daughter. He talks about the humanity he's seen on display in his community amidst this trauma.

Jon Bream joins The Chad Hartman Show to kick off the third and final hour of the program. Jon Bream is celebrating a giant milestone at the Star Tribune. Chad asks if he ever considered working at another paper. Jon says no, covering Prince from the start to the end of his career was something he knew to stick around for. They discuss the early days of covering Prince in the late 1970's, the performances he saw that stood out the most, guardedness certain artists had during interviews and how unlikely it would be to get an interview for a newspaper with a musical artist today. Susie then drops by the studio to provide a news update as another press conference for information about the mass shooting at the Annunciation Catholic School's church in South Minneapolis. Then, Jason DeRusha joins Chad at the WCCO Radio Booth at the State Fair to parse through their thoughts on yesterday and who they're feeling empathy for at this moment. They tee off on people who are worried about enhancing their brands on the back of tragedies like we experienced yesterday.

A conversation with former Major League Baseball umpire Tim Tschida to start the second hour of The Chad Hartman Show. Chad asks his thoughts on when we will see robots take over behind the plate, Tim doesn't think it will happen. They chat about how professionals make the difficult look so easy. “There's no such thing as a routine play” says Tim. Chad then asks if Tim thinks Bob Manfred (Commissioner of MLB) is good or bad for their sport. Tim thinks too many suits have infiltrated the brass of the league and that they think they know everything. He also offers some names who he thinks would be a better fit for the Commissioner job. Chad is joined by local restauranter Vincent Francoul to talk about what happened in the mass shooting at the Annunciation Catholic School's church in South Minneapolis. His daughter Chloe attends the school. We thank Vincent for his bravery and creating space to share his story with us today. Vincent details his experience learning that something was wrong and rushing to the school yesterday to find and retrieve his daughter. He talks about the humanity he's seen on display in his community amidst this trauma.

It was around 8:55 Wednesday morning when news began to break of a school shooting in South Minneapolis - we recap the events as they unfolded with Adam and Jordana who had to pivot into a different mode to provide the latest developments - we get their perspective on how that went down!

It was around 8:55 Wednesday morning when news began to break of a school shooting in South Minneapolis - we recap the events as they unfolded with Adam and Jordana who had to pivot into a different mode to provide the latest developments - we get their perspective on how that went down!

Jason and Dan begin the second hour of today's show discussing Minneapolis Mayor Jacob Frey's comments about thoughts and prayers earlier. He's catching some heat. Jason notes that it's almost become a catchphrase with a touch of cynicism. Jason is then joined by a couple of kids from 4H who have brought their llamas by the WCCO Radio booth. Joe Tamburino stops by to provide legal analysis of today's tragedy. They explore multiple layers and questions stemming this morning's mass shooting at the Annunciation Catholic School's church in South Minneapolis.

Its a tragic day for the Minneapolis and Minnesota community. Two children killed and 17 others in a mass shooting at the Annunciation Catholic School's church in South Minneapolis. Jason opens up with the show with hope and love for our aching community. Jason reviews what we know at this time about the investigation and the alleged shooter. Don Shelby joins Drivetime live from the Minnesota State Fair to process and discuss extremism rising in our country. Don touches on the impact tragedies like today have on those reporting and covering the stories. Don says feeling deeply despaired isn't something new, but people taking that out on others instead of just themselves is.

Jason is joined live at the Fair by Joe Tamburino to provide legal analysis of today's tragedy. They explore multiple layers and questions stemming this morning's mass shooting at the Annunciation Catholic School's church in South Minneapolis. They touch on the legal purchase of the weapons by the suspected gunman, who else could be held responsible, tracking guns and how rhetoric numbs us to signs of disturbing anger.

It's a shortened third hour with the Twins set to face off against the Blue Jays. Headlines and Page 2 featuring audio from the scene of the mass shooting in South Minneapolis and Wolves news.

Card DeSharks kicks off the 2pm hour as it always does each Friday. Liz from South Minneapolis and Patty from Robbinsdale compete in Minnesota's fastest growing radio game!

On this episode of A One Pint Stand, I sat down with Chip Walton, one of the creators and hosts of Chop & Brew, and Digital Content Producer for RahrBSG at BlackStack Brewing to chat all about homebrew and how Chop & Brew came to be. We had a great time and Chip shares some incredible insights about the homebrew industry and where it is headed.  Cheers!This episode is proudly sponsored by Northbound Smokehouse & Brewpub, a South Minneapolis craft beer spot that has amazing eats, well-crafted beer and cocktails, and a vibe that will make you want to become a regular.  If you liked the show and want to support the A One Pint Stand, consider joining our Patreon.  There is some great bonus content that our Patreon supporters enjoy that give a fun peek behind the scenes.

In this episode, I'm joined by three incredible women from the Prometheus Homeopathic Institute—Desirée Brazelton, Rebecca Beringer, and Meredith Salmi-Bydalek—as we explore what it truly takes to become a confident, connected, and thriving homeopath. We dive into the challenges new practitioners face, from charging for services to navigating isolation post-graduation, and how PHI's unique hybrid model and strong community focus help students stay in practice. Our guests share their deeply personal journeys into homeopathy, highlighting the diverse paths that lead people to this healing art. We also discuss the school's exciting new offerings, including an acute certification program and an upcoming retreat in Greece, all designed to support both new and seasoned homeopaths in their growth. This episode is a powerful reminder of the importance of mentorship, collaboration, and believing in your own worth as a practitioner. Episode Highlights: 03:06 - How We Found Homeopathy 06:51 - Why Prometheus Was Created 09:23 - Why Homeopaths Need Each Other 15:42 - Mentorship Beyond the Classroom 20:30 - Clinic Experience That Prepares 23:28 - Confidence Through Practice, Not Perfection 28:32 - Homeopathic Provings at PHI 31:46 - Engaging the Homeopathy Community 37:30 - PHI's Greece Study Trip 41:20 - Upcoming Programs and Events at PHI 47:14 - Growth Beyond the Curriculum 50:08 - Learning to Charge Your Worth About my Guests: Desirée Brazelton, CCH, is a Classical Homeopathic Practitioner based in South Minneapolis, MN, serving clients locally and around the world. As the Founder and CEO of Prometheus Homeopathic Institute, she is a passionate educator and visionary committed to guiding students through the transformative journey of becoming homeopaths. Her writing on homeopathy and conscious parenting has been featured in publications such as Homeopathy Today, and she has spoken at leading conferences including the Minnesota Homeopathic Association Conference and the Joint American Homeopathic Conference. Desirée lives with her husband, three daughters, and a lively crew of pets—including dogs, chickens, and a guinea pig—in a PassivHaus designed for sustainable living. Rebecca Beringer, CCH, is the Clinical Director of Prometheus Homeopathic Institute and a full-time Classical Homeopathic Practitioner based in Appleton, WI, serving clients both nationally and internationally since 2009. A graduate of the Northwestern Academy of Homeopathy, Rebecca also holds degrees in Anthropology and Religious Studies, bringing a rich interdisciplinary perspective to her work. Her diverse teaching background spans homeopathy, wellness, religion, fitness, and working with at-risk youth, alongside service on multiple educational boards. As a mentor, Rebecca is passionate about meeting students where they are and supporting their personal and professional growth throughout their homeopathic journey. Meredith Salmi-Bydalek, CCH, is a Certified Classical Homeopath based in Minneapolis, MN, with a deep commitment to individualized, natural healing. A graduate of the three-year professional program at Prometheus Homeopathic Institute, Meredith holds a Master's in Public Policy from the University of Minnesota–Twin Cities and a B.A. with Honors in Art History from the University of Wisconsin–Madison. Before transitioning to homeopathy in 2022, she worked in policy and research supporting individuals with intellectual and developmental disabilities. Meredith brings her strengths as a passionate community builder and advocate to her homeopathic practice, working with clients of all ages and backgrounds. Her own healing journey began with her children and evolved into a full family commitment—including their dog—to holistic care. She lives in the Minneapolis area with her husband, three children, and pup, and enjoys gardening, reading, and camping in her spare time. Find out more about Desirée Website: https://www.desireebrazelton.com/ Find out more about Rebecca Website: https://www.healingwayhomeopathy.com/ Find out more about Meredith Website: https://www.meredithsb.com/ If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode. Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/ Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom                

DOWNLOAD "THE POWER OF TOO MUCH," our FREE modern-day grimoire that helps you reclaim your intensity, your magic, and your voice: https://babephilosophy.comJOIN OUR BABE CHAT, a FREE call with our awesome community: https://stan.store/babephilosophy/p/join-our-free-community-call 

This episode features MN music stalwart Randy Casey along with Nate Westgor (aka 'Willie' of Willies American Guitars). They both joined to talk about a great show coming up this weekend. Sunday night (6/15) at The Parkway Theater in South Minneapolis it's a special Father's Day celebration of the legendary Joey Molland of Badfinger. We hear some great stories about Joey and hear all about the wicked all-star lineup of featured musicians playing this event. Enjoy!

She's back! Annie Enneking (Annie and The Bang Bang, Glass) makes her 4th visit to the SmartStartMN Studio in scenic South Minneapolis. Annie is reliably insightful, funny and brings so much amazing enegy to everything she does. She's also a fight director, so she can help you kick someone's ass without actually kicking their ass. So great to have her back in. Enjoy!!

A Biden-appointed judge blocks the deportation of the family of a terror suspect accused of firebombing a pro-Israel rally in Boulder. Protesters riot in South Minneapolis over what they thought was an immigration raid, but it was actually a federal criminal investigation. Elon Musk calls President Trump's Big Beautiful Bill a “disgusting abomination” as it faces scrutiny in the Senate. A witness in Sean "Diddy" Combs' criminal trial testifies that he dangled her over a 17-story balcony and called himself "the devil." Fake Journalist George Clooney waxes poetic about the parallels between the McCarthy era and today. Tax Network USA: Call 1-800-958-1000 or visit https://TNUSA.com/MEGYN to speak with a strategist for FREE todayLean: Visit https://TakeLean.com & use code MK20 for 20% off

As the scene clears out, Susie Jones joins Chad to share details and discuss what happened today as federal police showed up at a Mexican restaurant in South Minneapolis.

A busy hour begins with Susie Jones joining to share details and discussion about federal police raiding a South Minneapolis restaurant earlier today. Later, Chad reflects on the life and impact of Vikings legend Jim Marshall after learning of his passing and we share a brief visit with Jamie Yuccas.

Community organizer Tommy McBrayer joins Adam and Jordana.

Jeanette Rupert, Jeanelle Austin and Butchy Austin grew up around 38th Street and Chicago Avenue in Minneapolis and all took action in different ways following the murder of George Floyd. They shared with MPR News how their activism has impacted them and their communities in the time since.

Join the conversation with Sam Oldixon, an architect whose designs are as robust in social purpose as they are in beauty. From his roots in South Minneapolis to reservations in northern Minnesota, Sam's journey is more than just a tale of professional success; it's a narrative woven with threads of community upliftment and justice. His role as CEO of Full Circle Indigenous Planning and Design LLC is not merely a title, but a mission statement, underlining his commitment to fostering Indigenous spaces that resonate with cultural pride and resilience.This episode peels back the layers of architecture to reveal its potent role in the curation of cultural heritage within Indigenous communities. We discuss the balancing act of honoring traditional values through sustainable practices while engaging in the art of modern innovation. Sam imparts his wisdom on how the thoughtful design of communal spaces can serve as heartbeats of cultural activity, pulsing with the life and values of the people they were created for. It's a celebration of spaces that do more than function—they tell stories, preserve legacies, and inspire.Looking ahead, we tackle the future of Indigenous architecture and the ripple effects of environmental justice in urban planning. With insights gleaned from Sam's time at the Harvard Graduate School of Design, we consider the influence of strategic urban planning in nurturing the relationship between Indigenous communities and their environments. The dialogue branches into mentorship's critical role in shaping future architects and planners, as well as the intriguing potential of artificial intelligence in the design process. Our exchange is enriched with visions of fostering dignity and creating spaces that reflect the vibrant tapestry of Indigenous culture. Contact the Future Construct Podcast Produced by BIM Designs, Inc! BIM Designs, Inc.: minority-owned, US-based, union-signatory preconstruction technology firm, offering turnkey BIM modeling, laser scanning, coordination management, and other VDC solutions to the AEC industry. Schedule a free consultation: sales@bimdesigns.net. Subscribe to our weekly blog and our Future Construct Podcast Suggest a podcast guest

In this episode of the Journey of My Mother's Son podcast, I talk with fellow author, Mark Connor. Mark Connor is a Boxing Trainer and a Writer from Saint Paul, Minnesota. His first book, It's About Time (Millions of Copies Sold for Dad), is a saga wrapped around a package of poems, guarded by angels. Through an autobiography reading like a novel, he weaves together a story of love, family, and life with twenty poems running through it, sharing his growth in the Catholic faith, the influence of Irish heritage in his hometown's American identity, his exploration of Lakota tradition within the urban American Indian community, and his understanding of how truth found in different spiritual approaches can lead others—as it led himself back—to its fullness in the revelation of Christ. Mark Connor grew up in Saint Paul, calling himself the product of a “mixed marriage,” because his father—a combat wounded Vietnam veteran—grew up across the street from St. Columba parish in the Midway district, while his mother—a school teacher who later became a lawyer—came from the Holy Rosary parish “across the border, in South Minneapolis.” Born in Minneapolis and raised in Saint Paul, he began boxing at age 10, at the Mexican American Boxing Club on the city's East Side, the area of the city from which he formed his understanding of the world, anchoring his perception of direction to the family house and the rising of the sun outside his bedroom window.  He had 102 amateur fights, made it to three national tournaments, and competed against some of the nation's top world class boxers. He became the Upper Midwest Golden Gloves lightweight champion at 17 and traveled to the Olympic Training Center in Colorado Springs, CO, two days after graduating high school, competing in the 1987 trials for the Pan American Games. Raised in the East Side parish of St. Pascal Baylon, where he attended first through sixth grade, Mark's father, a graduate of [Bishop] Cretin High School in Saint Paul, insisted Mark and his brother, David (13 days less than one year older than Mark), each attend its rival, St. Thomas Academy, in suburban Mendota Heights, from 7th through 12th grade, an all-boys Catholic Military high school. Having begun writing seriously at 16 and starting college at 18, Mark began an internal struggle between the academic path and boxing, spending one and a half years, respectively, at three schools—Regis University in Denver, Co., the University of St. Thomas in Saint Paul, and the University of Minnesota in Minneapolis—earning his BA in English from the University of Minnesota. He was inactive as a boxer for only one and a half of those years, but never felt he was able to reach his potential while emersed in study, so upon graduation, he continued Boxing. Mark boxed competitively for two and half more years, then, deciding not to follow his gym mates—two of whom became world champions—in a professional boxing career, and believing it was already late in life to join the military, he went on an adventure, driving to Seattle, WA, securing a job on a salmon fishing boat headed to Southeast Alaska. A Year later, instead of returning to the commercial fisherman's life, he traveled with a friend to a Lakota Sundance ceremony on the Rosebud reservation, leading eventually to a job at Aín Dah Yung (Our Home) Center, a Native American Indian temporary emergency homeless shelter for youth aged 5 to 17, in Saint Paul. Within this setting, continuing to write freelance articles and periodically working on fiction and poetry, he eventually began a personal training service and worked with both competitive and recreational boxers, as well professionals and amateurs, wrote about boxing, and contemplated his faith. While recognizing that truth, goodness, and beauty are indeed present in the faith traditions of the indigenous community of friends welcoming him, as both a guest and a relative, he eventually reembraced the beauty, goodness, and truth of his Catholic faith and has since attempted to responsibly discern God's will for him, according to his legitimate talents and desires. Within that sincere effort, at the end of September, 2019, his father, who'd been patiently guiding him, died from a heat attack, just before America—and the world—appeared to enter a new era of chaos within which we are attempting to stabilize ourselves. Mark wrote the first lines of his book, It's About Time (Millions of Copies Sold for Dad) the day his father died, Monday, September 30, 2019. However, over the next year, as his country went through the impeachment and acquittal of a president, endured the trauma of an economic shutdown over a mysterious virus coming from a lab leak in China, and his beloved Twin Cities blew up in fiery riots, Mark worked when he could (the Boxing gyms and churches were closed due to Governor's orders), helped his mother who was diagnosed with a fatal heart disease, and daily mourned his father. He helped protect American Indian buildings with American Indian Movement (AIM) Patrol, and he eventually got part-time work as a bouncer, working bar security when restaurants were allowed to reopen. But he didn't do much until, as Christmas 2020 approached, he resolved that in the coming year he would do something with which his father would be happy. Organizing himself and setting his goal, he began writing the book his father—who'd nagged Mark about always insisting he was a writer yet never publishing a book—was never to see published in his earthly lifetime. Beginning the daily process of writing on February 9, 2021, Mark completed the first draft of It's About Time (Millions of Copies Sold for Dad) just before Easter on the Monday of Holy Week, March 29, 2021. In this book he tells the tale of his search for a meaningful life, appreciating the gift of God's love that life actually is, and how he sees now that the guardian angels were always guiding him and his family through it all. A contract with a humble little local publisher was severed over editorial differences on Christmas Eve, 2022, so Mark relied on his father's gift, his high school education, accepting help from his St. Thomas Academy contacts, specifically his literary advisor, Dan Flynn (Author of Famous Minnesotans: Past and Present) and legal advisor Kelly Rowe, and Mark's classmate, Tony Zirnhelt, and the book won the 2024 Irish Network Minnesota Bloomsday Literary Award and was published, through Connemara Patch Press, on Father's Day, June 16. Unfortunately, Mark's mother, who'd read the manuscript, never saw it in print, having collapsed in his arms and died October 22, 2023. Yet Mark continues on in hopeful and confident prayer that she—Mrs. Nanette Jane Connor—is watching over him, as she promised she would, next to his father—Robert J. Connor—while gazing perpetually into the Beatific Vision of the face of God. To find out more about Mark, you can check out his website at https://boxersandwritersmagazine.com/.

Don't miss this deep dive into Target's dystopian mass surveillance police partnership. I spoke with South Minneapolis activist and freelance journalist Marjaan Sirdar about his astounding findings after completing a 12-part investigative series titled 21st Century Jim Crow in the North Star City: How Target Corp., the City of Minneapolis, and Hennepin County Created a Domestic Spy Program that Rolled Back Civil Rights on its Black Population.We discuss Target's high-tech forensics labs, its broad surveillance of anyone who even enters its stores or parking lots, and its partnership with law enforcement to surveil and police Black and homeless youth and adults around their stores. We also dive into Target's role in the wrongful conviction of 15-year-old Madhi Ali, who has already spent half his life in prison for a triple homicide he did not commit. LINKS:21st Century Jim Crow in the North Star City Madhi Ali's storyPeople Powered PodcastCALLS TO ACTION:-PROTECT YOUR DATA, AVOID TARGET AND DELETE TARGET APP-PUSH FOR EXPANDED DEMANDS FOR THE TARGET BOYCOTT:   -Divest from policing   -Divest from funding prosecutors & city attorneys   -Transparency regarding uses of customer data   -Divest from its massive surveillance apparatus   -Call for exoneration of Madhi Ali   -Expunge Downtown 100 + the geo-restriction lists-PUT PRESSURE ON TARGET TO MEET ABOVE DEMANDS-CONTACT HENNEPIN CO ATTORNEY'S OFFICE (612)348-5550 citizeninfo@hennepin.us Request review of cases Target has touched-PETITION: Target, stop funding police!-MADHI ALI PETITION-WRITE TO MADHI ALI, j-pay: OID #236437Support the showCocktails & Capitalism is an anticapitalist labor of love, but we could use your help to make this project sustainable. If you can support with even a dollar a month, that would really help us continue to educate, agitate, and amplify the voices of those who are working to dismantle capitalism and create a better world. https://www.patreon.com/cocktailsandcapitalismFollow us on Instagram and TwitterSome episodes on YouTube. Subscribe & enjoy! Cheers!

Ok, I've started to embody my transness. Now what?Today we meet Seth Anderson-Matz and we're talking about the queer book that saved his life: The Nearest Exit May Be Behind You by S. Bear Bergman. And Bear joins us for the conversation!Seth Anderson-Matz is a queer & trans community organizer and minister. He has lived and worked in the Twin Cities area all his life, and currently resides in South Minneapolis with his wife (Jenn), one big dog (Roxie), one tiny dog (Saul), and one weird cat (Lucy).S. Bear Bergman is the author of nine books, founder of Flamingo Rampant press, and frequent consultant in equity and inclusion to business and government. Bear began his work in equity at the age of 15, as a founding member of the first ever Gay/Straight Alliance and has continued to help organizations and institutions move further along the pathways to justice ever since.Alternately unsettling and affirming, devastating and delicious, The Nearest Exit May Be Behind You is a collection of essays on gender and identity that is irrevocably honest and endlessly illuminating. With humor and grace, these essays deal with issues from women's spaces to the old boys' network, from gay male bathhouses to lesbian potlucks, from being a child to preparing to have one. It offers unique perspectives on issues that challenge, complicate, and confound the "official stories" about how gender and sexuality work.Connect with Seth and Bearinstagram: @s.andersonmatzwebsite: sbearbergman.cominstagram: @bearbergmanbluesky: @sbearbergman.bsky.socialOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your own copy of The Nearest Exit May Be Behind You: https://bookshop.org/a/82376/9781551522647Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1It's a new year, so we hope you enjoy our new format and theme song. Be sure to support us on Patreon, buy the books we feature on the show through our bookshop, or read them through Quatrefoil Library's free e-library. Links in the shows and on our website. Support the show

It's a familiar tale: a family moves into a new house that turns out to be visited by the spirits of those who lived there many years earlier. “Ghost of a Chance,” a new podcast by the Minnesota Star Tribune, is not a ghost story. But it brings to life the story of the former residents of reporter Eric Roper's house, which he bought in South Minneapolis in 2020. Harry and Clementine Robinson were in the first generation of their families born free in the United States. When they moved into the house in 1919, they were among just a few Black families to own a home in that part of the city. They moved out just a few years later, in 1940. In the series, Roper and producer Melissa Townsend explore how the reasons for the Robinson's move — and what happened next — connect to a larger story of segregation that exists in the city today.For more, MPR News host Nina Moini talked with Roper and Greg McMoore, a community historian in South Minneapolis.

Tuesday is the start of the Minnesota Legislative session. Both chambers gaveled in at noon, but House Democrats were not there. MPR News correspondent Peter Cox has the latest updates from the Capitol.A Twin Cities journalist moved into a century-old house in South Minneapolis and found an irresistible story.Plus, there has been a recent development in a proposed pipeline route through a site sacred to many tribal nations. A Native American artist talks about the importance of pipestone and the area where it is found.And it was painful for many Vikings fans to watch Monday night's game. We get a rundown of the disappointing end to their season and other Minnesota sports updates.The Minnesota Music Minute was Tres Leches by Purple Funk Metropolis and Marah in the Mainsail by Bone Crowd was the Song of the Day.

Democrats in the Minnesota House are attempting to block Republican control when the legislative session begins Tuesday. The DFLers took their oaths of office early. It's just one of the many unusual circumstances to the start of session. We broke down what it all means.It's been a year since the city of Minneapolis evicted hundreds of unhoused people from various encampments in South Minneapolis. Camp Nenookaasi organizers joined the show for an update.An organization supporting Asian American business leaders across Minnesota joins the program to talk about a $2.5 million grant they received from philanthropist Mackenzie Scott. A Native American cultural teacher joined the show to talk about the importance of traditional seasonal storytelling.Our Minnesota Music Minute was “Bad Day” by Gully Boys and the Song of the Day was “See a Little Light” by Bob Mould.

Twin Cities Hip Hop Hero, MaLLy is back with an incredible new album called “The Sweetest of It All”. He reflects on balancing childhood life in crack-era South Minneapolis, with private school education. The album was produced by DJ Last Word, and it's available to preorder now. This one feels special. This episode is sponsored by Zakat Foundation and BetterHelp. To get 10% off your first month of therapy, visit https://www.betterhelp.com/travelers Hear episodes early and ad-free, plus get access to exclusive music, videos, speeches, and bonus content by Brother Ali: https://www.brotherali.com/join Buy Travelers Podcast merchandise: https://www.brotheralistore.com/collections/travelers-podcast

This episode of A People's Theology is sponsored by United Theological Seminary of the Twin Cities. Receive a $1,000 scholarship when you apply and are admitted: unitedseminary.edu/apeoplestheology Use this link to register for Q Christian Fellowship Conference 2025 and use the discount code "THEOLOGY" to receive 10% off your ticket. Watch full episodes of A People's Theology: youtube.com/@APeoplesTheology Mason chats with Rabbis Ariana Katz and Jessica Rosenberg. They talk about Anti-Zionist Jewish theology, why they are in support of Palestinian liberation, and the radical Jewish tradition. Guest Bios: Rabbi Ariana Katz is the founding rabbi of Hinenu: The Baltimore Justice Shtiebl, a warm and joyful congregation in Baltimore, Maryland. She is a graduate of the Reconstructionist Rabbinical College. Rabbi Jessica Rosenberg is an organizer, activist, and writer based in South Minneapolis. She is a graduate of the Reconstructionist Rabbinical College and core organizer of the Radical Jewish Calendar project. Check out their book here. Get connected to Mason: masonmennenga.com Buy merch of your favorite tweet of mine: masonmennenga.com/store Patreon: patreon.com/masonmennenga Twitter: @masonmennenga Facebook: facebook.com/mason.mennenga Instagram: masonmennenga Learn more about your ad choices. Visit megaphone.fm/adchoices

After several shootings over the weekend in South Minneapolis, there has been a lot of tension between the police department and the city council when it comes to the department needing to do more but therein lies the issue of the department not having enough help to handle the constant chaos that occurs through the city. So we talked to Minneapolis City Council Member of Ward 11 Emily Koski and she shared her thoughts on the issue and the tensions that have risen between the parties.

Minneapolis police arrested a Minneapolis man early this morning after he allegedly shot his neighbor on Wednesday. That was after the shooting victim reported threats of physical violence from his neighbor at least 19 separate times since April.City leaders put pressure on MPD who said not enough was done to prevent the shooting that resulted in serious injuries to the victim.MPR News host Nina Moini spoke with Council Member Emily Koski about the incident.

A group of city councilmembers say the mayor and police department should have done more to prevent a recent shooting in South Minneapolis. A man was shot by his neighbor after he had reported threats of violence for several months.Student groups at the University of Minnesota are asking the administration to lift the suspensions of 11 students who were arrested last week. We talk to university President Rebecca Cunningham about this — plus, the upcoming legislative session. It's been another tough year for local news around the country. But more and more communities are putting hope in online news sources — including several in the metro area. Plus, the latest in Minnesota sports.