Podcasts about pazz

Enrollment closes soon for Ari's Take Academy! Save 10% with code NMB and enroll: https://aristakeacademy.com/Glenn McDonald was Spotify's data alchemist and the creator of the music exploration site Every Noise at Once. He writes things for people about how humanity and technology co-exist, and things for computers about how to cope with not being human. He wrote a weekly music review column called The War Against Silence for ten years, tabulated the Village Voice's Pazz & Jop music critics' poll for several years, and was part of the music-intelligence start-up The Echo Nest, which was eventually acquired by Spotify.He believes that music is the thing humans do best, and that bringing all the world's music together online is one of the greatest cultural achievements of his lifetime. His book explaining why is being published by Canbury Press in 2024.This week, Ari and Glenn McDonald discuss his role as a data alchemist and his work on the Every Noise at Once genre map. McDonald shares insights into the creation and maintenance of the Every Noise genre map, which categorizes over 6,000 genres and subgenres. He also discusses the evolution of Spotify playlists, from editorial to personalized, and the impact of algorithmic programming. They explore the impact of algorithmic recommendations on artists and fans, as well as the challenges of detecting fraud and bot attacks.Chapters00:00 Introduction and Background08:30 Creating the Every Noise Genre Map19:54 Personalized Playlists and Algorithmic Programming32:25 Fans Also Like and its Evolution37:06 The Challenges of Algorithmic Recommendations41:30 The Limitations of Detecting Fraud47:56 The Mystery of Sudden Streaming Spikes01:00:19 Glenn McDonald's Book and Future PlansSubscribe to The New Music Business: https://aristake.com/new-music-business-podcast/Ari's Take Academy: https://aristakeacademy.comWatch more discussions like this: https://bit.ly/3LavMpaConnect with Ari's Take:Website: https://aristake.comInstagram: https://www.instagram.com/aristake_TikTok: https://www.tiktok.com/@aris.takeX: https://twitter.com/ArisTakeThreads: https://www.threads.net/@aristake_YouTube: https://www.youtube.com/user/aristake1Connect with Ari Herstand:Website: https://ariherstand.comInstagram: https://instagram.com/ariherstandX: https://twitter.com/ariherstandYouTube: https://youtube.com/ariherstandConnect with Glenn McDonald :Every Noise: everynoise.comFuria: furia.comX: https://twitter.com/glenn_mcdonaldLinkedIn: https://www.linkedin.com/in/glenn-mcdonald-ab3b36/Edited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's Take Hosted on Acast. See acast.com/privacy for more information.

Lucinda Williams' fifth album, released in the summer of 1998, not only cemented the artist as a bonafide songwriting juggernaut, but it solidified her place among America's best storytellers. "Car Wheels on a Gravel Road" would go on to be named The Village Voice's Pazz & Jop (critics) Album of the Year, and to date it is among Rolling Stone's top 500 albums of all time. And for good reason. Williams bemoans (and even moans) about love and loss in songs like "Right In Time," Lake Charles" and "Can't Let Go." And she brilliantly illustrates pain in the title track and also on tunes like "Drunken Angel," "Concrete and Barbed Wire" and more. Williams also captures the Deep South about as good anybody before or since. And because of that, this album is truly "2 Kool 2 Be 4-Gotten."

"Jamming with Legends: Derek Trucks & Remembering James Casey"Larry Mishkin begin with a discussion about a recent Phish concert featuring a special guest appearance by Derek Trucks, during which they performed songs like "Golden Age," "First Tube," and "Possum." They reflect on the unique chemistry between Derek Trucks and Trey Anastasio and how it elevated the performance.The second part of the episode is a tribute to James Casey, a talented saxophonist who recently passed away at the age of 40 due to colon cancer. They mention his contributions to the jam band community and his ability to harmonize and play alongside iconic musicians like Trey Anastasio and Phil Lesh. Larry share heartfelt messages from Trey Anastasio, Bill Kreutzmann, and Billy Strings, highlighting James Casey's remarkable musical talents and the impact he had on those who worked with him..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  Derek Trucks walked out on stage at Saratoga Springs Performing Arts Center (“SSPAC”) on August 26th and that is just too good to ignore.  So three songs from that show with Derek Trucks playing along. Also, James Casey died at 40 from colon cancer.  Amazing musician, tremendous Sax player and great singer.  Played as part of the “brass” section for Trey Anastasio Band along with Jennifer Hartwick and Natalie Cressman.  The same brass section also toured with Phil Lesh and Friends - I just saw them with James this past March at the Salt Shed in Chicago (I did not know he was sick).  Second set of songs from three of his performances, two vocal and one playing sax. Phish with Derek Trucks8/26/2023                Saratoga Springs Performing Arts Center (“SPAC”) INTRO:                  Golden Age3:14 – 4:31Phish w Derek Trucks Live - YouTube                 Song was written and first performed by TV On The Radio, first single from their album Dear Science, released on August 26, 2008. SPIN magazine rated it the 8th best song of the year.                 Phish began covering the song in 2009                First played on November 27, 2009 at Times Union Center (Pepsi Arena/MVP Arena) in Albany, NY                To date played 70 times, with this performance being the most recent (Dick's is still to come so by Monday, this may be incorrect)                 TV on the Radio (TVOTR[2][3]) is an American rock band from Brooklyn, New York, formed in 2001. The band consists of Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops), and Jaleel Bunton (drums, bass, vocals, loops, guitars). Gerard Smith (bass, keyboards, loops) was a member of the band from 2005 until his death in 2011.TVOTR has released five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014), alongside several EPs.                 The band's third album, Dear Science, was released on September 23, 2008, on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone,[8]The Guardian,[9]Spin,[10]The A.V. Club,[11]MTV,[12]Entertainment Weekly,[13]Pitchfork Media's readers' poll,[14] as well as the Pazz and Jop critic's poll.[15] It was also named the second best album of 2008 by NME and the fourth best by Planet Sound. SHOW #1:           First Tube:20 – 1:38Phish with Derek Trucks - First Tube. Saratoga Springs 8/26/23 #phish #derektrucks - YouTube  “First Tube,” is the 12th and final track on the band's 2000 album, Farmhouse Anastasio led a performance by a one-off band called 8 Foot Fluorescent Tubes on April 17, 1998, at the original Higher Ground in Winooski, just outside Burlington, Vermont. The show was the first time Anastasio performed in public with Lawton and Markellis, who were joined by guitarist/vocalist Tom Lawson of The Pants, saxophonist Dave Grippo, trombonist James Harvey and vocalist Heloise Williams of Viperhouse.“First Tube” was seemingly named for its placement as the first song played at the 8 Foot Fluorescent Tubes show, which also saw the premieres of future Phish/TAB songs “Sand,” “Mozambique” and “Last Tube.” Trey, Tony and Russ would go on to form the first incarnation of the Trey Anastasio Band which made its debut — back at the Higher Ground — in February 1999. That concert again featured “First Tube” as part of the setlist.The same TAB trio was also the lineup on Trey's first solo tour in May 1999. By the end of that acoustic/electric tour, “First Tube” was a full-on show-stopper that highlighted many electric second sets. Along with fellow 8 Foot Fluorescent Tubes original “Mozambique,” “First Tube” made its Phish debut on September 9, 1999, in Vancouver, British Columbia.One of two instrumentals on Farmhouse — along with “The Inlaw Josie Wales” — “First Tube” earned Phish a Grammy Award Nomination for Best Rock Instrumental Performance in 2001. Nominated alongside Peter Frampton, Kenny Wayne Shepherd and Joe Satriani, Phish lost to Metallica, Michael Kamen and the San Francisco Symphony's “The Call of Ktulu” First Tube” was played by Phish four times when they returned in 2003 but not at all in 2004, the year that began a second break lasting until 2009. Since coming back from the second hiatus, “First Tube” has remained a staple of both Phish concerts and Trey solo shows  SHOW #2:           Possum53:40 – 55:09Phish w Derek Trucks Live - YouTube The Man Who Stepped into Yesterday (often abbreviated as TMWSIY) is a 1987 concept album written by Trey Anastasio, the guitarist and lead vocalist of the American rock band Phish, as his senior thesis while attending Goddard College. Composed in 1987, the thesis included an essay piece and collection of songs (recorded by Phish) relating an epic tale from the band's fictional land of Gamehendge. On the album, the story of Gamehendge is told in nine parts, with short spoken narration in between. The saga can be compared to rock concept album projects like The Doors' Celebration of the Lizard or Rush's 2112 suite.The story's primary protagonist is Colonel Forbin. Other major characters include Tela, the "jewel of Wilson's foul domain" and the "evil" Wilson himself. Several of the album's spoken narrative sections are accompanied by background music borrowed from sections of the Phish songs "Esther" and "McGrupp and the Watchful Hosemasters". The final track, "Possum", is the only song on the album not written by Anastasio, having been written by former Phish member Jeff Holdsworth and later added to the Gamehendge cycle.Jeff Holdsworth is a musician who was a founding member of the rock band Phish.[1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar. Holdsworth left the band in 1986 after graduating from UVM to pursue a career in electrical engineering, shortly before the band recorded their debut self-produced album, The White Tape, though he had played on some of the demo recordings (done in a dorm room) that would later be re-recorded for that album. His songs "Possum" and "Camel Walk" continue to be Phish live show favorites.  James Casey                       ARTICLE Show #3:             Dear PrudencePhil & Friends (Casey singing)  Rick Mitarotonda (Goose), John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John MoloMarch 17 2023Capitol Theater3:12 – 4:36Phil Lesh & Friends - Dear Prudence - Feat. Rick Mitarotonda (Goose) + James Casey (TAB) - 3/17/23 - YouTube Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartneypartnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi.[2] Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on "Back in the U.S.S.R." and the tensions that typified the sessions for the White Album. Dear Prudence" has received praise from music critics, with many praising its lyrics and the band's performance. Lennon later selected it as one of his favourite songs by the Beatles. The song has been covered by many artists, including the Jerry Garcia Band, Ramsey Lewis and Siouxsie and the Banshees, whose version was a top-five hit in the UK in 1983. SHOW #4:           No Men In No Man'sTAB (Casey Sax solo)11.19.2022Reading PA:55 – 2:03TAB's James Casey…Smokin Sax Solo. NMINML. 11/19/2022. Reading, PA - YouTube Written by Trey and Tom Marshall (American lyricist, keyboardist and singer-songwriter best known for his association with Trey Anastasio from Princeton Day School in New Jersey and the rock band Phish.[1] He has been the primary external lyricist for Phish during their career (1983–2004, 2009–present), with songwriting credits for more than 95 originals. In addition to his songwriting work, Marshall also fronts the rock band Amfibian and hosts the Phish podcast Under the Scales.[2] Marshall is the co-founder of Osiris, a podcast network in partnership with Jambase.) From Phish album Big Boat, released October 7, 2016 First played by Phish on July 21, 2015 at Les Schwab Amphitheater in Bend, Oregon (debuted with Blaze On and Shade, next they broke out Mercury)Last played (excluding Dick's) July 30, 2023 at MSG67 times OUTRO:                Touch of GreyPhil & Friends (Casey singing) Grahame Lesh, John Medeski, Rick Mitarotonda, John Molo, James Casey, Natalie Cressman, Jennifer Hartswick10.22.2022Capitol Theater3:44 – 5:16James Casey, Touch of Grey, Phil Lesh & Friends 10/22/22 - YouTube Written by Jerry and Robert Hunter,First played in September 15, 1982 at the Cap Center, Landover MarylandLast on July 9, 1995 at Soldier Field, ChicagoPlayed 211 times 

With a stellar golfing career behind him, Craig Parry has gone full circle. Literally. As a five year old he was drawing golf holes and he's back at, only now with 23 wins around the world under his belt and a lifetime of golfing experience. And a correction - Pazz did win the Australian Open in 2007. Apologies... Hosted on Acast. See acast.com/privacy for more information.

Pazz confianza, esperanza, fe, amor...

C'è la delusione della sfida con la Virtus ma anche l'orgoglio della prestazione europea. È possibile trovare un equilibrio o nelle due competizioni saremo radicalmente diversi? Intanto Shabazz Napier costringe Nico a sfoderare il trespolo…

The lyrical content in music has a massive influence on the culture. But when all the messaging in music becomes the same, it can start to deteriorate the very culture it comes from. G $pazz breaks down how the current messaging in Hip Hop is affecting the culture at large. Aired on YouTube Oct. 31, 2022 Connect with G $pazz: IG: https://www.instagram.com/_spazzgod_/

Episode Summary

apresentação Jardel Almeida , entrevistados Pazzé e Robbinho #diadorock #garagemnacional #rocknacional

S-pazz (live from Djoon) by Djoon

One hour with Pazz one on one interview gives us all a great insight into his professional and personal lifeWinner of 23 tournaments worldwideWon one Australian Open, two Australian Masters and one Australian OpenPlayed and practiced a lot with Tiger and tells some great storiesLed the US Masters after 54 holesPlayed in final group 99 Open Championship with Van De Velde when he had the melt down on the 72nd holeTalked with Jack Nicklaus about course design and offered some advice on changes to Muirfield VillageOne of Australian sports true gentlemen 

In this episode, we listen to Arrested Development's quadruple-platinum hip-hop album of 1992, featuring the singles "People Everyday", "Mr. Wendal", and "Tennessee". We have a good time. Show notes: 1992 Village Voice Poll: http://robertchristgau.com/xg/pnj/pjres92.php Robert Christgau's accompanying essay: http://robertchristgau.com/xg/pnj/pj92.php "Pazz & Jop #1 Singles" playlist https://open.spotify.com/playlist/4zIrQrrJMdeNxL0jKuLXaj?si=a836bdb7a5324fbd Arrested Development's Acclaimed Music page http://acclaimedmusic.net/artist/Arrested%20Development.htm SPIN Magazine January 1993 Cover Story, by Randall Kenan https://books.google.com/books?id=hcbFj_1xS7QC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Songfacts interview with Speech https://www.songfacts.com/blog/interviews/speech-of-arrested-development AV Club article on Arrested Development's disappearance from hip-hop history https://www.avclub.com/in-1992-arrested-development-looked-like-the-future-of-1798233540 LA Weekly article on Arrested Development's disappearance from hip-hop history https://www.laweekly.com/why-have-arrested-development-been-written-out-of-hip-hop-history/ The "Mr. Wendal/Baba Oje" scene from The Venture Brothers: https://www.reddit.com/r/venturebros/comments/dsthll/the_mr_wendalbaba_oje_scene_always_hits_me_real/ Jesse's early 90s "alternative" hip-hop playlist https://open.spotify.com/playlist/4A4s9GJhdxS23BOPnaRvV6?si=8dcad327ec7a49a8

Welcome to the first episode of The Dustbin, a bonus show in the Steady Diet of Music universe in which we examine albums that received notable critical acclaim in their time, but have since fallen out of favor. Do they deserve to be rediscovered by modern listeners, or should they remain in the dustbin of musical history? In this first episode, we discuss Graham Parker & The Rumour's "Squeezing Out Sparks", a 1979 album with the dubious honor of having—by a considerable margin—fewer Spotify plays than any other winner of the Village Voice's "Pazz & Jop" poll. Does its combination of tightly-wound rock arrangements and surly, adenoidal vocals still worth listening to today? Join your hosts Brandon and Jesse as we discuss. Content warning: A discussion of "You Can't Be Too Strong", a strikingly unsympathetic song about abortion, from 25:40 to 34:05. Also, I (Jesse) am annoyed with myself for referring to the anti-choice faction as "pro-life" at one point. Old framings die hard. Links: Squeezing Out Sparks on Spotify https://open.spotify.com/album/4ZImzDF35hQWiN5FdAqQbN?si=-Hcof087SD6mhgMMm5j8oA&dl_branch=1 Squeezing Out Sparks on Apple Music https://music.apple.com/gb/album/squeezing-out-sparks/1442237876 Graham Parker-related clips from "This is 40" https://youtu.be/Uf71beU8dPs The 1979 Pazz & Jop Critics' Poll http://robertchristgau.com/xg/pnj/pjres79.php Squeezing Out Sparks on Acclaimed Music http://acclaimedmusic.net/album/A455.htm Donate to ActBlue's Texas Abortion Funds https://secure.actblue.com/donate/abortionfund Next month's album is Arrested Development's "3 Years, 5 Months and 2 Days in the Life Of...". Write into steadydietofmusicpodcast@gmail.com with your take on the album, and we'll quote from it on the next show!

Episode 123: Time to close out our look at the Village Voice Pazz and Jop Polls, this time with 1988 and 1989. Sonic Youth and Tracy Chapman were some of the big winners in 1988. Do you remember hearing "Fast Car" for the first time? But like, really heard it? 1989 winners include Neil Young, with a song that Joe is absolutely FEELING. Next, in Just a Bit Outside, two iconic rock acts barely hit the Hot 100 in 1980 with a couple of songs that don't get much play in this day and age. Were they underrated?? You be the judge. 

Gilberto Gil, Partido em 5, Jorge Ben, Chico Science, entre muitas outras referências. O músico e compositor Maurício Pazz fala um pouco sobre suas influências musicais, literárias e poéticas.Tema de abertura:Referência (Toinho Melodia e Rodolfo Gomes) interpretada por Toinho Melodia e Conjunto Picafumo

Episode 119: Joe and Kari are back on the Pazz and Jop scene! Which albums and singles topped the polls in 1986 and 1987? 1986 was a big year for Paul Simon's Graceland as well as the music that inspired him, and 1987 saw Prince at the top with an album that took many forms before it was ultimately released to the public. // Just a Bit Outside -- a Happy Days guest star and a Wild Cherry offshoot try their best to hit the Top 40, with varying results. 

Episode 118: First in Tidbits, a follow-up of sorts to our HRT80's Court segment featuring Elvis Costello // Pazz and Jop -- picking back up in 1984, Joe and Kari run down the winners of the Pazz and Jop poll in 1984 and 1985. Bruce Springsteen and Talking Heads were the big winners on the album side, and hip hop pioneers Run DMC and Doug E. Fresh scored big on the singles side // Songs That Time Forgot -- Kari and Joe picked a few new wave/electronic acts to single out. 

First Half, Strictly Soccer. For some it doesn't happen in their lifetimes, for us we have been blessed to see 4 of them with Italy. If you don't love soccer, feel free to skip ahead to the 2nd half of the podcast, where we go back to our normal cugin thing. Thank you all for 2k listens!! Tant amore for you all! Social Media: @CuginPodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode 114: Joe and Kari are back to discuss the results of the Village Voice Pazz and Jop Poll from 1982 and 1983. Just like last time, there are some artists that don't get many Top 40 hits, but are they worthy?? Elvis Costello, X and Grandmaster Flash are a few of the artists that find some love from the critics. // Hey Remember the 80's Court: A recent Stereogum article highlights the similarities between "Wild Wild West" and "Pump It Up" -- Joe and Kari take it to the courts to decide -- Did Escape Club rip off Elvis Costello?? Short answer: Yes. Long answer: Yes, but Elvis is guilty too!!

Episode 112: Tidbits: Duran Duran has a new song! It's...something! // Pazz and Jop: The Village Voice runs a poll of the best songs and albums of the year, and it's quite different from the Top 40!! Joe and Kari take a look at how it came to be. Some interesting pics for the early 80's, including the Clash, Laurie Anderson, Pylon, and other acts that Casey Kasem didn't really discuss. // That's Not a Number One Hit...THIS is a Number One Hit -- Julian Lennon was still hitting the charts in Australia after his run of US and UK hits dried up. And it's a good one! Now You're In Heaven when you tune into the newest episode!

Matt and Tim looked at the significance of Public Enemy back in the Fear of a Black Planet episode and they re-up that discussion here in the context of the predecessor, 1988's It Takes a Nation of Millions. That album was released during a quietly, and as we discuss catastrophically, consequential year. It also topped 1988's Pazz and Jop list. Matt presents two other top five albums from that poll in Tracy Chapman's self-titled debut (you probably know "Fast Car" and nothing else) and Midnight Oil's Diesel and Dust (you probably know "Beds are Burning" and nothing else), which came in third and fourth, respectively. In addition to the accolades, both albums also speak to the particular tensions of 1988. But which most embodies the year?

BLOCCO 1: INTRO x DOME DAMA x #viaphone LA PAZZ & RAH DEB x

Pe'tte La clip è tratta da "Chille va pazz pe'tte" di Ciro Rigione all right reserved

We're doing something a little bit different this week. Instead of doing a singles or albums chart like we usually do, we're going to tackle an end of the year critics' list. The Pazz & Jop Best Albums of 1997. Join us as we discuss albums from Radiohead, Yo La Tengo, Belle and Sebastian, The Notorious B.I.G., The Wu-Tang Clan, and many many more...

@bad_advice_ @Trifalgar.c @Pazz_b

@bad_advice_ @Trifalgar.c @Pazz_b

@bad_advice_ @Trifalgar.c @Pazz_b

ENTORNO JAZZ | DE-PAZZ - DE CAPO En el programa de hoy escuchamos 'De Capo' el fantástico álbum de la banda alemana de nu-jazz con la STUBA Philharmonie

@bad_advice_ @Trifalgar.c @Pazz_b

@bad_advice_ @Trifalgar.c @Pazz_b Featuring Bradz

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@bad_advice_ @Trifalgar.c @Pazz_b Featuring Kai

@bad_advice_ @Trifalgar.c @Pazz_b

Dall'Ex-OPG Je So' Pazz di Napoli il professor Barbero tiene un'incontro dal tipo "In nome del Popolo Sovrano", a tema potere, sovranità e rivoluzione. Video originale: https://www.youtube.com/watch?v=MQF4TdEUslUTwitter: https://twitter.com/barberopodcastFacebook: https://facebook.com/barberopodcastInstagram: https://instagram.com/barberopodcastMusic from https://filmmusic.io - "Bossa Antigua" by Kevin MacLeod (https://incompetech.com) licensed with CC BY (http://creativecommons.org/licenses/by/4.0/)

Dall'Ex-OPG Je So' Pazz di Napoli il professor Barbero tiene un'incontro dal tipo "In nome del Popolo Sovrano", a tema potere, sovranità e rivoluzione. Video originale: https://www.youtube.com/watch?v=MQF4TdEUslUTwitter: https://twitter.com/barberopodcastFacebook: https://facebook.com/barberopodcastInstagram: https://instagram.com/barberopodcastMusic from https://filmmusic.io - "Bossa Antigua" by Kevin MacLeod (https://incompetech.com) licensed with CC BY (http://creativecommons.org/licenses/by/4.0/)

ON AIRRadioimmaginaria RavennaHei ragazzii! È finalmente arrivata la festa che tutti aspettavamo per starcene a casa qualche giorno da scuola: Halloween! Siamo qui per parlarvi di come festeggiare, ma anche di una buonissima notizia per l'ambiente!#OkkinSu www.radioimmaginaria.it

AMY RIGBY is a songwriter, musician and performer. Her most recent album The Old Guys was voted one of the top 100 albums of 2018 in the Pazz & Jop US music critics’ poll. Her memoir Girl To City is newly out She plays her songs all over the world and writes online at diaryofamyrigby.wordpress.com. She lives with her husband and sometime duet partner Wreckless Eric in New York’s Hudson Valley. When she isn’t touring, she pours beer and sells books at The Spotty Dog in Hudson.How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you'll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. Join Rachael's Slack channel, Onward Writers.Rachael's author assistant Ed can be reached at edwardgiordano@gmail.com and he's ace! See acast.com/privacy for privacy and opt-out information.

Track List: (0:00): Jay-Z – The Prelude X BAXDEW - GENEVE 2050 (2:42): GLOUTON - What U Know (6:23): LIA$ - THIS IS NOT HOW I DO IT (8:51): mh – wickedgame (11:08): Re_V - CHANGE UP w/ DESTRO & sxlvr (14:03): GROUF$ - BALLIN (16:14): PHONKCOTIC – COUNTERFEIT (18:22): Oddwin - Yes Indeed (20:08): LIA$ - I KNOW WHAT U WANT (22:23): an_tnio - POLKA DOT w/ dattpurpp (25:04): vahybz - dirty pop (26:26): alex - i get the bag (29:04): KAYA - HOW WE DO (31:05): namzzo. - WITH MY GLOCK (32:43): WINTER X TRE FLIP - RUN IT UP (34:32): NIMBUS2k.✰ - MENTALLY DERANGED (36:52): Mxko - After You w/ISVVC (39:05): SCAREDY - POP DA PIN (41:05): eenkay - CIG AFTER LOUD (42:53): N9 - sky high (45:04): ZappBeats - ANOTHER STANDOFF w/ LIA (46:08): l v k s - bitch im a lil babe (47:41): beatsbyVL$ - eye for an eye (48:54): CHALEUR - RUNNIN UP A CHECK (49:52): kiishou - all night (51:23): KVN$ - swang (52:45): VILLAIN - DRANK POTION (54:31): t1e.6k - 2 LATE w/ NGK999 (56:33): ✨YUNG KYUUBII✨ - MAESTRO (58:50): WINTER - MAKE A MOVE (1:01:01): DJ Per Ohlin ✪ - LOST TIME (1:02:56): Owlymane - DO WHAT I WANT (1:05:22): ROLAND JONES - TRAPPIN DIRT MIXXX (1:09:14): THriste - COCAINA HEAVILY COCAINA SHAWTY (1:10:55): prodascend - BIRDS EYE VIEW w/NegativeMindzMusic (1:12:46): overslept – luxuries (1:13:55): GIMBIT - ONE BY ONE w/ Destro (1:17:02): DJ HASHEY - ICE ON MY WRIST (1:18:53): DJ HASHEY - BACK THEN (STILL TIPPIN) (1:21:47): baccyard - BITCH U A THOT AINT TRICKN (1:24:17): ZappBeats - THIS TOWN AIN’T BIG ENOUGH FOR US w/ iNFMS (1:25:49): DESTRO – RIDERS (1:26:59): SKANK MANE – ROMANCE (1:28:21): Franklin Would - My Kinda Luck (1:29:39): PAZZ - você fazendo (1:31:25): superior. - TIME TO SHINE (1:34:05): sans - reel it in (1:36:00): pandi – 3005 (1:39:56): pandi - feels like summer (dmndstr. slowed edit) (1:42:21): LAKIM - drippage_drownage (1:44:47): Barack Obama - Executive Compensation | Feb 4, 2009 (1:45:35): Dick Gregory - The Secret Society Of Twisted Storytellers “Self Progression” is a monthly mix series dedicated to myself, my team, the Bay Area, and anyone else that can relate. If you hear something you like, *PLEASE* check out the artist(s), *DON'T* just listen to this mix. Thanks for listening! - こいつ - (Koitsu)

Guerra! Tutta la Grecia s'armò: più di mille navi coi loro guerrieri furono pronte a partire. Ma il re Ulisse, non voleva andare a combattere. S'era sposato da circa un anno e mezzo, e lasciare la sua bella e buona moglie Penelope e il suo bimbo Telemaco gli dispiaceva. Aveva fatto di tutto per evitare la guerra; se Menelao era stato imprudente la colpa non era davvero del re di Itaca! Pensando a tutte queste cose, il re Ulisse si persuadeva di avere già compiuto il suo dovere verso Menelao, e cercava il modo di lasciar partire gli altri e rimanere a casa. Trovò un'astuzia che gli parve buona. Continue reading

Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics. In 2014, the LA Times called it "the most important pop album of the last 40 years.""Mirror in the Bathroom" is a single by British ska band The Beat released as a single in 1980 from their debut album I Just Can't Stop It (also released in 1980). It reached number 4 in the UK Singles Chart Dennis Emmanuel Brown CD (1 February 1957 – 1 July 1999) was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums Brown had further success himself with a discomix of "How Could I Leave You", a version of The Sharks' rocksteady standard "How Could I Live" See acast.com/privacy for privacy and opt-out information.

Kraftwerk - Anthony Rother - Trans Europa Express Edit By Mr Mr Turner Fre DL Here >> https://hypeddit.com/track/sc/i1jjjs In 2014, the LA Times called it "the most important pop album of the last 40 years." Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. Musically, it saw the group's development away from their earlier krautrock style, with a focus on sequenced electronic rhythms, minimalism, and occasionally manipulated vocals. The themes of the songs include celebrations of the titular Trans Europ Express and the difference between appearance and image. Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics.

Doug and Kirk look at how 1977 was a watershed year for popular music. Show notes: ECM Records Now Available on Apple Music Eagles: Hotel California Billy Joel: The Stranger Sex Pistols: Never Mind The Bollocks, Here’s The Sex Pistols The Clash: The Clash (UK version) The Clash: Give ’em Enough Rope The Clash: The Clash (US version) Four Manchester bands we owe to the Sex Pistols’ Lesser Free Trade Hall gig 40 years ago Elvis Costello: My Aim is True Elvis Costello: Less Than Zero > Radio, Radio on Saturday Night Live Saturday Night Fever Episode #76 – Mirror Balls and Polyester: Looking Back at Disco Music Grateful Dead Movie The Hobbit Abba: The Movie Episode #59 – 1967 and the Summer of Love 100K+ Descend Upon Central New Jersey For Grateful Dead Show On This Date In 1977 Photos from Englishtown 1977 Grateful Dead: Dick’s Picks Vol. 15, Raceway Park, Englishtown, NJ, 9/3/77 Beach Boys Turn Central Park Into California Dreamin' (New York Times) Sha Na Na Aerosmith: Walk This Way Run-DMC: Walk This Way Fleetwood Mac: Rumours Meatloaf: Bat out of Hell 40 Years Ago: Bruce Springsteen Settles 10-Month Lawsuit with Manager Mike Appel Talking Heads: Talking Heads: 77 Television: Marquee Moon Marquee Moon (Wikipedia) The 1977 Pazz & Jop Critics Poll Okay, I’m not going to link to every album in the Chritsgau list… “Heroes” (Wikipedia) Laserium Our next tracks: Kirk: Tangerine Dream: Encore Doug: Eric Clapton: Slowhand If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.

The All You Can Hear Ear Buffet makes a triumphant return after technical glitches ixnayed our last show. Episode 6 promises to be a jam-packed episode: of course we'll delve into the week in concerts and reveal this week's bounty of new album releases. Plus, we'll spazz over the Pazz and Jop 2013 Finalists and see how copacetic my top 15 was to theirs. We'll discuss the highs and lows of Sunday's Grammy festivities. Plus, lotsa album reviews from acts both national (Shelby Lynne, Brendan Benson, Damien Jurado and maybe more) and regional (The Sugar Pups and Cowboy Winter).