Podcasts about british pop

En información de El Esto, mueren dos excampeones de patinaje artístico en accidente aéreo de Washington, por otra parte, Senado concluye sorteo para integrar la lista de candidatos a jueces y magistrados del PJF, en los espectáculos, muere la cantante Marianne Faithfull, la “reina” del British Pop y musa de los Rolling Stones Hosted on Acast. See acast.com/privacy for more information.

Welcome to The Money Trench. In this episode, Mark is joined by author, journalist and fellow podcaster, Miranda Sawyer. Exploring themes from her new book, Uncommon People: Britpop and Beyond in 20 Songs, the conversation digs into Britpop's enduring legacy, moving past the Blur vs. Oasis rivalry into stories about Pulp, Suede, and more, while also examining how the era's stars coped with sudden fame. Miranda also reflects on her journey into music journalism, from landing her first role at Smash Hits to writing for iconic magazines like Q and Loaded. We discuss the rise and continued importance of music journalism, the challenges of working in indie music as a woman, and why the prominence of bands in the alternative scene has faded. Find out more - Uncommon People: Britpop and Beyond in 20 Songs NEWSLETTER Sign up HERE for the TMT newsletter - featuring each week's hottest music industry stories. PPL  The Money Trench is sponsored by the PPL who celebrate their 90th year in business this year. KEEP UP TO DATE For the latest podcast and music business updates, make sure to follow us on:  Instagram: @the_money_trench LinkedIn: The Money Trench Website: The Money Trench GET IN TOUCH If you have any feedback, guest suggestions or general comments? We'd love to hear from you! - Get in touch here! Thanks to our partners PPL  Earth/Percent Tom A Smith Aimless Play Fourth Pillar Sennheiser Junkhead Studio Tape Notes Executive Producer: Mike Walsh Producer: Tape Notes 

British rock and pop in the 1960s became a force to be reckoned with. There were famous bands like the Beatles, The Rolling Stones, The Who, The Kinks and artists like Lulu and Petula Clark. Why did this explosion of new pop music happen in Britain in that decade? Skidmore College Professor Emeritus Gordon Ross Thompson has written on just that subject!

Gina & Matty are coming in hot with Star Watch straight from Tinseltown including the news that controversial breakdancer Rachel ‘Raygun' Gunn was spotted was a massive British popstar.Plus, Matty has a story about a man in Florida. Yeah, we'll leave you to piece that one together.Listen via the Star Player app.Follow us @ginaandmatty on Instagram and Facebook. See omnystudio.com/listener for privacy information.

This week's guest, Nik Thakkar, aka NEO 10Y, was born same date that Freddie Mercury died - coincidence or reincarnation? You decide in this week's episode. Sarah and NEO 10Y chat about what it's like living his pop star fantasy, his vegan activism, taking 8 grams of mushrooms for a British reality show and growing up queer - among other things. About NEO 10Y NEO 10Y is a recording artist, media personality, and spiritual revolutionary from London. His purpose is to help manifest a protopian dimension of peace on planet Earth, through the expansion of love energy. He makes consciousness-expanding alternative pop, designed to amplify our collective connection with oneness, tapping into Vedic philosophies of peace with his Indian ancestry. NEO 10Y's sound is a cohesive blend of cinematic-grunge and industrial-R&B, with lyrics written through the lens of self-realization, and philosophies of love and curiosity. NEO 10Y is an independent artist with AWAL, and directs and produces their own hyper reality music videos; the more contentious of which have gone viral. His work has been featured by Billboard, Paper, COLORS, Dazed, BBC, The Evening Standard, Rolling Stone, them, CLASH, Earmilk, Notion, Noctis, L'Officiel, GQ, Gal Dem, Interview Magazine, plus major Spotify, Apple and TiDAL playlists including Glitch, Cosmic Playlists, misfits 2.0, TRANSCEND, Discover Weekly, Your Daily Mix and more.

Here are a few links: https://www.youtube.com/watch?v=TGNz0IW8vQw https://www.theguardian.com/music/2022/apr/08/who-killed-the-klf-the-film-drummond-cauty-did-not-want-you-to-see https://www.scotsman.com/whats-on/arts-and-entertainment/why-did-the-klf-burn-aps1-million-in-cash-on-a-scots-island-1463441 

Join @The Buzz Knight for this episode of Takin A Walk with Tom Bailey from Thompson Twins. Tom Bailey is an English singer, songwriter, musician, composer and record producer and the lead vocalist for the band Thompson Twins. The band came into prominence in the early 1980's with their new wave sound that led to multiple chart hits like Doctor! Doctor!, Hold Me Now, Love on your side and many others.  Thompson Twins' Tom Bailey are co-headlining The Totally Tubular Festival this summer. If you have questions, comments or suggestions, share them at buzz@buzzknightmedia.com. Connect with Buzz on Twitter @The BuzzKnight and Instagram @takinawalkpodcast. Like this show? Leave us a review here. ReviewSee omnystudio.com/listener for privacy information.

Join @The Buzz Knight for this episode of Takin A Walk with Tom Bailey from Thompson Twins. Tom Bailey is an English singer, songwriter, musician, composer and record producer and the lead vocalist for the band Thompson Twins. The band came into prominence in the early 1980's with their new wave sound that led to multiple chart hits like Doctor! Doctor!, Hold Me Now, Love on your side and many others.  Thompson Twins' Tom Bailey are co-headlining The Totally Tubular Festival this summer. If you have questions, comments or suggestions, share them at buzz@buzzknightmedia.com. Connect with Buzz on Twitter @The BuzzKnight and Instagram @takinawalkpodcast. Like this show? Leave us a review here. ReviewSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Very few people have experienced Gary Barlow's level of success and fame. He's the lead singer of the nineties British pop band Take That, he's won 6 Ivor Novello Awards for song writing & composing, sold more the 50 million albums and filled stadiums of screaming fans across the world! But despite all this, as we've come to learn, he's one of the nicest, most genuine people going around. In this episode, Gary shares his experience of rising to such fame, and what happens when he lost it. He opens up about the devastating burden of jealousy between him and bandmate Robbie Williams, his journey with disordered eating, the loss of his daughter Poppy and the love of his life, the one constant through it all - his wife. So sit back and pour yourself a cup of vulnerabilitea, this is a big one. To buy tickets to Take That's upcoming tour of Australia and New Zealand visit: https://bit.ly/3INExGA. To watch this full episode on YouTube, follow this link: https://bit.ly/4crzmJT To hear Ryan's episode on shame & jealousy, mentioned in this episode, follow this link: https://link.chtbl.com/D_21alUg To hear Hamish Blake's episode on his friendship with Ryan & Hugh, follow this link: https://link.chtbl.com/IppXW33h. To listen to Gina Chick's episode, follow this link https://link.chtbl.com/Ginachick. The Robbie Williams documentary is available on Netflix: https://bit.ly/493WWta. For film recommendation ‘Salt Burn' follow this link: https://apple.co/3x3GvQp. To purchase your own set of Vulnerabilitea House Cards, follow this link: https://bit.ly/3PBFlkR If you or someone you love is experiencing disordered eating, we recommend the following organisations: The Butterfly Foundation https://bit.ly/48YCSZe Eating Disorders Families Australia https://bit.ly/3TLU7J5 Uncovery https://bit.ly/3x4IOCO This episode with Gary Barlow includes a discussion about disordered eating and a conversation about a child who was delivered still born. If this feels like too much for you right now, please come back to this episode when you're feeling ready.The Imperfects is not a licensed mental health service and is not a substitute for professional mental health advice, treatment or assessment. The advice given in this episode is general in nature, but if you're struggling, please see a healthcare professional, or call lifeline on 13 11 14.See omnystudio.com/listener for privacy information.

Dua Lipa's Future Nostalgia saw the singer spearheading a disco & 80s revival in pop music, while figuring out how to promote her album during the uncertainty of the Covid-19 pandemic. Hear about how she kicked off with "Don't Start Now", the creative process and inspiration behind her concept album, and the game-time decision to push up the release date amidst International lockdowns. Discussions topics include "Levitating", her remix album, Moonlight Edition re-release, and Studio 2054 livestream concert. Plus, what does this all mean for her upcoming "Houdini"-led third studio album? 

Curt Jones has had a successful career beginning in the Mid to Late ‘70s as a Lead member, Vocalist, Songwriter Guitarist of Atlantic/Cotillion Records legendary group, Slave. "Just a Touch of Love and "Stone Jam" albums.In the 1980s - Curt Co-founded with Steve Washington and Collaborated on the funky and diversified R&B grooves led by Salsoul Records' group - Aurra, with the powerful and dynamic vocalist, Starleana Young and a host of talented musicians from the Slave family, producing Hits "Are You Single & Make Up Your Mind" and many more.Late 1980s - Aurra became Deja, delivering the #1 Billboard® R&B/Top 10 British Pop chart hit, “You & Me Tonight”. In addition, the album also reached the Top 20 plateau on Billboard®'s R&B album charts. Deja's final album was Made To Be Together. Starleana went solo and was replaced by Mysti Day, of Houston, TX. This album was produced by Teddy Riley, and also scored tremendously in the Top 20 on Billboard®'s R&B charts. Remarkably, Deja registered eight Top 20 R&B singles from 1985-1990, with significant international success.Fast forward through the 90s, Curt had a successful touring schedule internationally and domestically as well as a successful writer and producer, Co-Producing the album "Back to the Island" for the Baha Men on Atlantic Records. From early 2000 to current, Curt has released 3 solo CD's and produced and released his wife Ceci Jones' first solo project entitled "Levels of Love". She currently performs with the "Curt Jones and Aurra" show as his lead female vocalist."Musicians Reveal with Joe Kelley" Podcast BioRock and Roll Hall of Famer Prince featured the "Upper Room with Joe Kelley and Gi Dussault" on his official website www.npgmusicclub.com. This is the first radio show to have ever received that honor. "Musicians Reveal with Joe Kelley" has been on the radio airwaves since 1982. Joe Kelley and Gi Dussault co-host the show and are well-respected in the music business as creative air personalities and supporters of independent musicians . Our web site is located at www.musiciansreveal.com . The show features creative music in funk, R&B, jazz, blues, rock, hip-hop, latin, and gospel. In addition, Joe Kelley has interviewed renowned musicians such as Victor Wooten, Sheila E. , Foley, Robin Duhe, Jef Lee Johnson, Jellybean Johnson, Monte Moir, Rhonda Smith, Bernie Worrell, Cyndi Lauper, Michael Bland, Larry Graham, Chris Frantz and Tina Weymouth, Steve Smith, St. Paul Peterson, JD Blair, Tori Ruffin, Kat Dyson, Eric Person, actor Jeff Daniels, Junior Giscombe, John Scofield, EC Scott, John Blackwell, Mystic Bowie, and many others.

Marty Wilde (born Reginald Leonard Smith) is an English singer and songwriter who was among the first generation of British pop stars to imitate American rock'n'roll. He began performing under the name Reg Patterson until he was spotted by impresario Larry Parnes who subsequently changed his name to Wilde. From mid 1958 to the end of 1959, Marty was one of the leading British rock singers, along with Tommy Steele and Cliff Richard. His backing group, the Wildcats featured Big Jim Sullivan on lead guitar, and Brian Locking and Brian Bennett (drums) who later joined The Shadows. Marty appeared regularly on TV and his fan base grew exponentially. He met and married Joyce who was one of The Vernons Girls who also appeared as TV show regulars. The courtship was highly public but, after the marriage, Wilde's popularity as a teen idol declined. Marty moved partly into all-round entertainment, appearing in musicals such as the West End production of Bye Bye Birdie and films. He enjoyed success as a songwriter in the late 1960s and early 1970s. He has written countless songs for other recording artists including Tom Jones, Status Quo, Lulu, Adam Faith, Joe Brown, The Casuals, Mac & Katie Kissoon, Kim Wilde, Roxanne Wilde, Peter Shelley, Hot Chocolate and Capricorn In the early 1970s, Marty reinvented himself, changing his music style to Glam Rock and became known as 'Zappo'. The singles he released under this name never charted and he reverted back to Marty Wilde shortly after. Later on, as songwriter and/or record producer, he masterminded a string of 1980s hits for his daughter Kim Wilde. His son, Ricki Wilde also gained some notice in the music industry, working mainly in promotion and A&R. Today Marty Wilde is 84 years old. Like many of his contemporaries, he continues to perform with nostalgia tours in the UK and beyond and is just as passionate about making music as he ever was. He was appointed MBE for Services to Popular Music in the UK 2017 New Year's Honours List and celebrates a rare feat – securing eight consecutive decades of British singer/songwriter success on the Official Singles and Albums Charts Marty joins us this week to look back over his career and regales us with many 'behind the scenes' stories. If you'd like to learn more about Marty Wilde and songs like "Endless Sleep" "Donna" and "A Teenager in Love" head for his website here I hope you enjoy Marty Wilde's lifestory.

Quiz #174 - Get ready to test your general knowledge with 10 challenging quiz questions in this week's Pub Quiz. Questions include, "The famous waterfall Niagra Falls marks a natural border between which two countries?" and "William Hartnell was the first actor to portray which famous British sci-fi character in 1963?" Send me a message on Twitter if you'd like a shout out or have a burning trivia question you'd like me to ask. Don't forget to follow me on social media and spread the podcast goodness by sharing it with your friends and family. Cheers! Pete  If you have an Alexa say, "Alexa, Play Pub Quiz" If you have a Google Assistant say, "Hey Google, Talk to Pub Quiz" Subscribe to Pete's Pub Quiz for 20 more questions every week for even more entertainment! Subscribe to Pete's Pub Quiz for 20 more questions every week for even more entertainment!Don't forget to enter our Golden Question competition for your chance to win £100! https://hugo.fm/pub-quiz-golden-questions

Lloyd Cole unpacks his wonderful new album On Pain (earMUSIC) and explains how he's trying to put the soul back into the machine.  Stewart Copeland, drummer, composer, and co-founder of The Police, returns to the podcast to explain how and why has reworked many of his former band's songs on his recently released album, Police Deranged For Orchestra (Shelter/BMG). Angela Cuddy and Janice Morro, both teachers at Marshwood Great Works School in Maine, tell us how their fifth graders staged their very own Record Store Day at the school, with help from Bull Moose and Third Man Records. And RSD's Carrie Colliton compares notes with Paul on the differences between the Fourth of July and Canada Day (July 1). For more information about RSD go to RecordStoreDay.com. Written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Sponsored as always by Tito's Handmade Vodka, Dogfish Head Craft Brewery, and Crosley turntables. Thank you for listening to our podcast, please subscribe wherever you get podcasts, and by all means tell your friends about us!   

Frizz and Bob celebrate Pride with a little faith and a lot of Dimple Pinch. We get "quite wacky" as we listen to the chart-topping debut album from solo artist George Michael, Faith. We dig into Wham! rap, the chokehold George had on the world with a pair of ripped jeans and a leather jacket, the astounding person behind the persona, and the importance of the harsh and beautiful journey to accepting and loving yourself. 

Evan and Amanda bring you the story behind "(What's the Story) Morning Glory?" by Oasis. Listen now to find out how the group's second album became so popular that it ushered in the way of British Pop in the 90s. Find us on instagram! @worstpodonmars Find us on Facebook! Send us an email! worstpodonmars@gmail.com

In Part 2, we continue the discussion on the golden age of electronic pop in a deeper dive on bands and synthesizers with host Lyndsey Parker (Yahoo Music Entertainment Editor) and guests musician, arranger, composer, record producer and founding member of Human League and Heaven17, Martyn Ware and author of "Listening to the Music the Machines Make: Inventing Electronic Pop (1978-1983)," Richard Evans.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When we think of the quintessential music of the '80s, we think of the sound of synthesizers. It's the music that sounded like the future then and years later it sounds like it now. In Part 1, join host Lyndsey Parker (Yahoo Music Entertainment Editor) and this week's guests musician, arranger, composer, record producer and founding member of Human League and Heaven 17, Martyn Ware and author of "Listening to the Music the Machines Make: Inventing Electronic Pop (1978-1983)," Richard Evans, as they discuss the golden age of electronic pop.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michael Cragg, one of the best writers around on all things pop, releases his book, Reach for the Stars: Fame, Fallout and Pop's Final Party, on Thursday, March 30th.A celebration of British pop between 1996 and 2006, it takes in Steps, S Club 7, Blue, 5ive, Mis-Teeq, Hear'Say, Busted, Girls Aloud, McFly, Craig David and Atomic Kitten, among countless others, and gives that scene – that moment – the contextualisation it so sincerely deserves. It's a truly great book, and I think, what follows, is a great conversation about it... and a fair bit more besides. Watch this episode here: https://www.youtube.com/watch?v=w4OqyIC0FR8&t=8s Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

Quiz #137 - We have 10 new questions for you this week including "The Battle of the Somme during WW1 saw the first use of what military technology?" and "How many teeth does an adult human have?" It's going to be a great one. Send me a message on Twitter if you want a shout out or you have a question you think I should ask. Cheers! Pete

27. The Animals‘Animal Tracks'In the early 60s, a hugely important British band, from Newcastle, would form. The Animals were part of the culturally phenomenal British Invasion of the US. Along with the likes of The Beatles, The Kinks, The Hollies and more, they brought their British Pop over to the States and left their mark. But one aspect of The Animals was very different to their counterparts; their music had strong influences from already popularised American music styles. From Blues to R&B, Rock N Roll to Motown and Gosepl to Doo-Wop - The Animals left their mark on both sides of the pond by incorporating these different genres into one hybrid style and executed their British-American music to perfection.Laz & Felipe take a different approach this episode and go through some of The Animals' greatest hits from the ‘The Singles Plus' album and talk about the differing styles, influences, lyrical meanings and genres they hear from song to song! (In this way, the episode playlist has been structured like so: 1) Animals song 2) Original version of that song [where available] 3) Other earlier or notable covers of the song [where available] 4) Stylistic examples of other songs that we hear)LONG LIVE ROCK ‘N' ROLL - Follow the Podcast on Social Media: https://linktr.ee/longlivernrpod- Get in touch and/or leave us a review: longliverocknrollpodcast@gmail.com- Episode 27 Playlist: https://open.spotify.com/playlist/3aLQEOzUCf13Ww2H75Y9nz?si=c3406aa0675e4d29- Portishead - S.O.S (ABBA Cover): Portishead - SOS- Podcast Music by GeriArt, NaturesEye, astrofreq, Twisterium from Pixabay- Podcast Art by Ross Davidson (@ross_feelshame)

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher's Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022.

Michael launched his career as Executive Assistant to British director David Yates while he helmed films from the Harry Potter Franchise and The Legend of Tarzan. Additional on-set experience includes Focus Features' The Darkest Hour. Before relocating to the U.S., Michael was a Creative Executive at London-based independent production company Unlimited Pictures where he oversaw development, film financing opportunities and the annual Cannes Film Festival engagements. An Honors graduate of the University of the Arts, London, Michael holds a Bachelor's degree in Theatre & Dance History. His other interests include international travel and all things ancient Egypt, including the study of Egyptian hieroglyphs. Follow @michael_Berendt or to keep up with the incredible work GTDI is doing @UniversalGTDI Check out That Pop Culture Show here on this channel with new episodes debuting on Fridays. That Pop Culture Show is around table talk show with celebrity guests, collectors and experts talking about and celebrating pop culture. Join hosts Kody Frederick and Jason DeBord with guests from the world of pop culture, including film, television, rock 'n' roll, sports, contemporary and street art, comic books, geek culture and more. Each episode features a profile of the guest, a discussion of current pop culture topics, and a close look at an artifact of collectable the guest has brought in to share. This includes in-depth looks at prized pieces of memorabilia, works related to their careers, or any other interesting artifact that has meaning to them in their lives. Please like and subscribe to support our efforts to celebrate pop culture.Also Watch this via our YouTube Channel @ 

Phil & Jake are joined by returning friend (and author) Eirinie Carson to rank the British Pop group Spice Girls, the outfits that the British call shell suits, and British food on the List of Every Damn Thing.Follow Eirinie on Instagram (@eirinieeee) and Twitter (@Eirineee), and read her columns on Mother Mag. Her upcoming book The Dead Are Gods will be published by Melville House. If you have something to add to the list, email it to list@everydamnthing.net (or get at us on Twitter, Instagram and Facebook).SHOW NOTES: The Spice Girls are, of course: Victoria Adams aka Victoria Beckham aka Posh Spice, Geri Halliwell aka Ginger Spice, Melanie C aka Sporty Spice, Mel B aka Scary Spice and Emma Bunton aka Baby Spice. Was there a sixth Spice Girl? Kind of. Michelle Stephenson was briefly part of the group that would go on to become the Spice Girls. At the time of this writing, we can't provide a link to Lady Camden from Ru Paul's Drag Race because it would risk spoiling the season finale for ourselves. Lucy Pinder is, as Wikipedia tells us, a British actress, TV personality and former glamour model. Shes also joins Eirinie for going on "holiday" (aka vacation). Phil at some point got it into his head that she was a right-wing ideologue and it broke the spell she had over him. It's probably for the best, even if it wasn't true! We talk about the Spice Girls songs “Wannabe” and “2 Become 1”. The video featuring them in leather outfits is for the song "Say You'll Be There". 2 Live Crew are filthy Miami rappers who legally laid the foundation for all filthy rappers that followed. Mogul did an excellent series about them. We get into a little Chubby Checker discussion, including his songs “The Twist” and “Let's Twist Again”. Phil tells us about Don't Knock the Twist , is a movie that features Checker with a lot of associated acts including Dee Dee Sharp, who sings Mashed Potato time, one of Phil's favorites. Phil likes anything where the song tells you "It's the latest" or "it's the greatest" and Mashed Potato time does both. Robbie Williams is the cheeky chappie from Stoke. Harry Styles is Hazza? Dolly Parton is the Backwoods Barbie. Hank Williams is the Hillbilly Shakespeare. Phil mentions the 2013 Morgan Spurlock 3-D documentary about One Direction, This Is Us but then gets confused as to whether it exists or not. It does. Phil mentions the youtube video "A Scouser Tries The Wigan Kebab and Smack Barm Pea Wet" in which a guy from Liverpool travels 17 miles to Wigan to enjoy Smack Barm Pea Wet which is a roll with a potato that's been batter dipped and deep fried, served with the liquid that peas sit in.  Turkey Twizzlers were a UK meat product that used to be served to children at schools until celebrity chef Jamie Olive raised a fuss about them. Bovril is a beef broth concentrate, formerly known as Johnston's Fluid Beef. Phil remembers a guy saying it's served hot in a disposable cup. Kit-Kat is a candy that originates in England but really hit its stride in Japan where they make many variant flavors and generally appreciate the brand. Lucozade is a sports drink, roughly akin to Gatorade that was originally sold at pharmacies. Kebab stands are places where you can buy kebabs. Phil said we don't really have them in America but it's not really true. In his old neighborhood in Queens they were all over. Phil mentions a shocking ad for breakfast in a can he saw in a lad mag. He was unable to find images because when people are preserving and scanning lad mags, their priority is the photos of Lucy Pinder or Lucy Collett and then when that's done they'll eventually get around to the horrifying pictures of canned sausage and eggs. The product was probably ​​Hunger Breaks' All Day Breakfast. ALSO DISCUSSED IN THIS EPISODE:fishing * Spice World * Destiny's Child  * TLC * Jessica Rabbit * K-Pop * girl power * British politics * Margaret Thatcher * Britney Spears * Flat-Earthers * British Imperialism * spices * Simon Cowell * volcanoes * pickles * backpacking * “I'm Scum” by Idles * tracksuits * Tommy Bahama shirts * zipper jeans worn with no underwear * no-show socks * commandos * fast fashion * plastic straws * chip shop chips *  English breakfast * bangers & mash * toad in the hole * bubble & squeak * haggis * Irn-Bru * burritos * pieBelow are the Top Ten and Bottom Top items on List of Every Damn Thing as of this episode (for the complete up-to-date list, go here).TOP TEN: Dolly Parton - person interspecies animal friends - idea sex - idea bicycles - tool coffee - beverage Clement Street in San Francisco - location Prince - person It's-It - food Doctor Doom - fictional character Cher - person BOTTOM TEN:277. Hank Williams, Jr - person278. British Royal Family - institution279. Steven Seagal - person280. McRib - food281. Hoarders - TV show282. death - idea283. war - idea284. cigarettes - drug285. QAnon - idea286. transphobia - ideaTheme song by Jade Puget. Graphic design by Jason Mann. This episode was produced & edited by Jake MacLachlan. Show notes by Jake MacLachlan & Phil Green.Our website is everydamnthing.net and we're also on Twitter, Instagram and Facebook.Email us at list@everydamnthing.net. 

On this weeks episode of 'The Moments That Made Me' We are joined by the beautiful Rachel Stevens. Rachel was a member of British Pop group S Club 7, TV Personality, actress and businesswomen. So join Roxie as she talks with Rachel ,as she takes us through her three defining moments. See acast.com/privacy for privacy and opt-out information.

This episode reflects back on The Kinks legacy of brilliant British Pop music featuring the talented songwriting genius of Ray Davies. His legacy of songs has touched rock audiences for almost 60 years now. He is a true music Legend in the same sense that John Lennon, Paul McCartney Pete Townshend and Mick Jagger are. This episode skims the surface of his musical inventiveness. Also:Listen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/View and purchase wonderful art by Patricia Rodriguez at:patriciarodriguez (tigerbeearts.com)Tarot card readings by Kalinda available atThe Mythical Muse | FacebookI'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

  David is all alone …. with the love and requests of thousands of listeners  ♥ ♥ ♥ Sue has abandoned him, temporarily losing her mind to the world of... LEARN MORE The post FNL – 80s British Pop appeared first on David and Sue.

Today, I'm inspired by a well-known British Pop band, Oasis, and their song, Wonderwall. Tomorrow, I'll tell you how I found this song because when I heard it after the Fury/Wilder fight, I wasn't able to Shazam it. Thank you for listening! -Budd RIGIL -- Paperback and eBook now on AMAZON! SUPPORT ME ON KO-FI :) Twitter: @BuddHansenVD Facebook: TheDigest Instagram: BuddWrites www.VehicleDigest.net VehicleDigest, LLC

On this episode Emily asks Preston to "Spice Up Your Life!" Listen in on our conversation as we predict the "plot" (its a stretch) to the British Pop band move Spice World. And help us answer the question... did Victoria Beckham EVER learn how to smile? Who knows?! Enjoy!!! And Follow us @What's Your Movie? --- Send in a voice message: https://anchor.fm/whatsyourmovie/message Support this podcast: https://anchor.fm/whatsyourmovie/support

#318 Summer holidays Week 2: Jim Reeves British Pop Chart Hits - 2 (1960 - 1972)And Other Songs by Jim Reeves

#317 Summer holidays Week 1: Jim Reeves British Pop Chart Hits - 1 (1960 / 1972) by Jim Reeves

For this bonus solo episode with Steve we go back to 1960s Great Britain and alternate between British Blues and British Pop.  You'll hear great songs from the likes of The Yardbirds, Cat Stevens, Fleetwood Mac, Sandie Shaw, The Rolling Stones, Freddie & The Dreamers, John Mayall & The Bluesbreakers, The Hollies, Spencer Davis Group, Gerry & The Pacemakers, The Animals, Lulu, Savoy Brown, The Kinks, The Jeff Beck Group, The Troggs, Free, Genesis, The Pretty Things, The Zombies, Small Faces, The Fortunes, The Birds and Dusty Springfield.   On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!  

Harvey Brownstone conducts an in-depth interview with Peter Cunnah and Al Mackenzie of British Pop/Rock and Dance Band, D:ReamD:Ream is an Irish/English pop rock and dance group. They had a UK No. 1 hit with "Things Can Only Get Better" in 1994 as well as eight more top 40 hits.[1] They released three albums, two of which reached the UK top five.[1] The group had an all-male line-up which varied in number, but mainly centred on lead singer Peter Cunnah. The live band included keyboard player Brian Cox, who is now a renowned cosmologist and a television presenter; although Cunnah, as the only official member, normally played keyboards (along with all other instruments) on studio recordings. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com http://www.d-ream.co.uk/https://www.facebook.com/d.ream.co.uk/#d-ream  #harveybrownstoneinterviews

No matter what hemisphere you're in, a solstice is upon us. And what better way to ring it in than with a heart-to-rabbit heart on British pop music's sacred moon child, Florence Welch (and, of course, her Machine).In Cycle 7's premiere episode, Andy and Drew are accompanied by Sydney drag monarch Peach Fuzz (aka Anthony Severino) to tackle the band's debut offering Lungs. From the celestial rapture of "Cosmic Love" to the vigorous uproar of "Kiss With a Fist", the trio share their elemental experiences of the album and examine why us queer folks are so attracted to the esoteric.Light a candle, drape yourself in chiffon and get ready to howl at the night sky because, bitch, the dog days ain't over. Visit our online home at auralfixationpodcast.com, follow us on Instagram and Twitter, or go old school and email us at auralfixationpodcast@gmail.com. You can follow Andy on @andrewdoyouthinkyouare, Drew on @with.all.drew.respect, and Peach at @peachykween_. And don't forget to check out this episode's big, blue, beautiful playlist.Our big gay thanks to Anthony Garvin and the team at Forbes Street Studios in Sydney.  Finally, we would like to acknowledge the Gadigal of the Eora Nation, the traditional custodians of the land this podcast episode was recorded on, and we pay our respects to Elders past, present and emerging.

I have uploaded five podcasts thus far based on my three in-depth interviews with Tom Jones. In this clip from the 1992 interview, Tom revealed for the first time that he was propositioned by record producer Joe Meek and that he at one point thought that performing sexual favours for men was "the only way" to break into Britsh showbusiness" in london and decided "if so, I am headed back to Wales."  

Music on My Mind podcast #2 John RobbOur second episode features musician and journalist John Robb in conversation with hosts Stuart Hobday and Guy Martin. The discussion covers everything from the emergence of punk to the power of music journalism and the contemporary music industry, with nods to glam rock, the merits of the Fender Telecaster, and Jeff Wayne's War of the Worlds along the way. You can find out more information on this, and our forthcoming podcasts at https://reelconnections.co.uk/projects/#momm John is the award-winning indie music mainstay, frontman of punk rock band Goldblade and bassist and vocalist in post punk band The Membranes. He is the author of a number of best-selling books including The Stone Roses and the Resurrection of British Pop, and Punk Rock – An Oral History.John is a journalist, TV presenter, regular TV and radio pundit as well as the boss of one of the UK's top 5 music culture websites ‘louderthanwar.com'. He was the first person to interview Nirvana and The Stone Roses and invented the term ‘Britpop'. John Robb is the co-curator of Louder Than Words Festival.Music on My Mind is a project that aims to connect people through their shared love of rock and pop music and encourage positive discussion around men's mental health.The project is supported by the National Lottery Community Fund and led by Reel Connections in partnership with Norfolk Library Service and the 12th Man, a campaign that aims to help all men talk more openly about mental health. John's Spotify PlaylistTo accompany the show, John compiled this very special playlist for our enjoyment.https://open.spotify.com/playlist/2nbbWm97Yr9sss0EVldFmX?si=psoAutLiSuWmiTFpFT7uIgLouder Than Warhttps://louderthanwar.com/

It's the Season 2 Finale! Do you like British Pop music? You will love this episode!

Thank you for listening to episode 26 of The Classic Manny Show, hosted by yours truly. I am joined with Nikki Onafuye, who is the creator of the showbiz news blog The Nikki Diaries, a Journalist, as well as Social Media Executive for BBC Three. Make sure to subscribe, rate the podcast and use #TCMSHOW to join the conversation.   CLASSIC FAVE We share our favourite British Pop classics, as well as our favourite Pop culture/showbiz moments.   LATEST RELEASES & TRENDING TOPICS We discuss singles from Lucky Daye, August Twelfth, Shae Universe, as well as VanJess' EP. We also discuss the ‘Framing Britney Spears' documentary as well as the Netflix Original ‘Malcolm and Marie' starring the incredible Zendaya and John David Washington.   DISCUSSION We get to know more about Nikki – discovering her love for pop culture as well as journalism, how she got her foot in the Journalism industry, her achievements, her experience in the industry as a Black woman and more.   FOLLOW/SUPPORT NIKKI / THE NIKKI DIARIES ON SOCIAL MEDIA Website – https://nikkidiaries.wordpress.com/ Twitter – https://twitter.com/niknaks_x https://twitter.com/thenikkidiaries Instagram – https://www.instagram.com/niknaksx https://www.instagram.com/thenikkidiaries_   FOLLOW ME ON SOCIAL MEDIA @THECLASSICMANNY / @TCMANNYHQ Twitter – https://twitter.com/THECLASSICMANNY https://twitter.com/tcmannyhq Instagram – https://www.instagram.com/theclassicmanny https://www.instagram.com/tcmannyhq/   For enquires – theclassicmanny@yahoo.com To send questions, dilemmas or inspiring stories - https://curiouscat.me/TCMANNYHQ

Rock Against Trafficking: Saving Lives Through the Power of Music with Gary Miller Rock Against Trafficking is a non-profit 501c3 charity driven by seasoned music industry veterans who are taking action to end human trafficking on a global scale. With growing awareness and support from the media and public officials, we continue to see an increase in anti-trafficking task force initiatives worldwide — many businesses are providing training to their employees to help identify traffickers and victims in their tracks. With over 600 rescues so far this year, our network of affiliates is hard at work but we need your help! Gary Miller is a British Pop and Rock music producer, songwriter, composer, and guitarist. Gary worked for the London production house Stock Aitken Waterman as producer and songwriter and was later part of the Metrophonic team. He is best known for his work with David Bowie for the album Heathen, Katy Perry, Donna Summer, Lionel Richie, Kylie Minogue, Bananarama, and Simply Red. Miller started his music career during the 1980s as a guitarist, touring with Sir Elton John and Nik Kershaw all across Europe and the US. In 1989, Miller was Musical Director for Deon Estus on George Michael's Faith Tour. During his long-spanning career, he was also MD and guitarist for the 30-year reunion tour for British Pop duo Bros, twin brothers Matt and Luke Goss, in 2017. The Bros Live 2017 Tour filled The O2 arena in London two nights in a row. Miller additionally founded the Rock Against Trafficking foundation which records and releases album projects to raise money and awareness to fight human trafficking. The first Rock Against Trafficking album "Set Them Free", which was produced by Miller, features Police and Sting covers performed by various well-known artists, such as the rock band Journey, Heart, Carlos Santana, Slash, Julian Lennon, Ellis Hall, and En Vogue. Most recently Gary has achieved a #1 record across several UK charts with Rozalla's “I Feel It Slipping Away”. More about Rock Against Trafficking at https://rockagainsttrafficking.org    Learn more about your ad choices. Visit megaphone.fm/adchoices

Wir starten das Podcast-Jahr mit unserem traditionellen Jahresrückblick und reden in knapp 3 Stunden über die Musik, die ihr in den nächsten Wochen (nach)hören werdet.Mit erneut aufgehübschter Technik (die leider bei Christian Krachs Tonspur trotzdem in der zweiten Hälfte ein paar Störungen nicht ganz vermeiden konnte) knöpfen wir uns die Musik des abgelaufenen Jahres noch einmal vor und nennen unsere liebsten Songs (30 pro Nase, mit nur einer halben Handvoll echten Überschneidungen) sowie Alben (hier nur die Top 10, weil der Motor nicht mehr zu schaffen in der Lage war). Natürlich gibt es name dropping u.a von Mario Barth, Atze Schröder und Mickey Krause sowie hanebüchen-peinliche Imitationen von Dieter Thomas Heck, Joachim Witt und Udo Lindenberg. Einige kühne Behauptungen sind in den Shownotes klarer oder richtig gestellt, diesmal sind die Lügen aber bei weitem nicht so dreist wie üblich. Hier die begleitenden Playlisten und Listen, die ihr aus Spoilergründen eventuell auch erst NACH dem Hören ansehen solltet, aber hey, ist ein freies Land. Christians Top 50 Songs 2020 im Popblog Christians angesprochene "Playlisten des Jahres", sortiert nach Geographie: United States & Canada · British Pop · Around the world Motors unsortierte "Best of 2020"-Songlist (gibt es auch für alle anderen Jahre ab 1963), die dann auch einzelne Künstler mehrfach führt. Max Riegers inspirierende Liste unsortiert, ungefiltert 2020 Photo by Kelly Sikkema on UnsplashTitelsong by: Herrmann Kant Vorgeplänkel 01:40 Western-Soundtracks (nicht wirklich) 02:30 Charlie Sheen war nicht in Young Guns 2, aber dafür Christian Slater (selbe Initialen) neben Emilio Estevez. Lou Diamond Phillips und Kiefer Sutherland. Er war aber in Teil 1, den wir wohl beide im Kopf hatten, als wir eigentlich von 2 sprachen. 03:00 Verweis auf den Halbjahresrückblick 2020, den man als Referenz hören kann 03:45 Die besten Songs des Jahres (jeweils Top 30) - Methodik und Rechtfertigung 10:00 Es geht wirklich los mit Platz 30-26 25:00 Platz 25-21 28:45 Yacht Rock. Der Monty Python Sketch ist verständlicherweise (Verschwörung!) nicht online zu finden. Aber Motor hat trotzdem recht. Der Hintergrund zum Charakter. Mehr Beweise? Wie spracht man Yacht im British, wie im US English aus. 36:00 Der Einstiegssong für This is the Kit, der dem Motor nicht einfällt, ist Moonshine Freeeze vom gleichnamigen Album von 2017 39:00 Culk ist wohl kein echtes Wort und hat auch keine tiefere Bedeutung nach Aussage der KünstlerInnen. 41:00 Platz 20-16 50:00 Superdanke von den Cockbirds gibt es bei Spotify, Caroline Hitler nur bei YouTube. Letzteres ist auch der Song mit der Studentensau. COCKBIRDS - Caroline Hit*** (auf: "Letztversorgung Bad Kleinen") 59:00 Platz 15-11 72:00 Platz 10-6 76:00 Der Ursprung des Künstlernamens Oneohtrix Point Never ist - genau wie von Motor gemutmaßt - eine Parodie des Bostoner Senders Magic 106.7. Respekt. 80:00 Der gesuchte Flowerpornoes-Hit war Ich will numal irgendwohin 85:00 Der Geburtsname von Masha Qrella ist Mariana Kurella. Auf der 2019er EP Day after Day war tatsächlich bereits ein deutschsprachiger Song, Christian Krach hat Recht. Der Verlag. 87:00 Die Alabama Shakes wurden in Athens, Alabama gegründet. 94:00 Platz 5-1 99:00 Die erwähnte Callahan/Oldham-Story war im Jahresrückblick des Musikexpress im Januar 2021. Es gibt wohl eine ganze Reihe von Coverversionen der beiden von Stevie Wonder bis Billie Eilish. 110:00 Sleaford Mods vs IDLES hat Christian im Popblog dokumentiert ebenso wie IDLES vs Fat White Family 116:00 Mystery of Love war das gesuchte Sufjan Stevens Stück aus "Call me by your name" 121:00 Das Strokes-Konzert 2003 war in der Arena Berlin 129:00 Fazit zu den Songs des Jahres 131:00 Die Alben des Jahres (jeweils Top 10). Christian nennt aber zunächst noch die Plätze 23 bis 11. 141:00 Es sind NEUN Tracks auf dem Thurston Moore Album 158:00 Musikexpress: #1 Black Is, #4 Rise - Rolling Stone (de): #9 Rise, #11 Black Is 163:00 Idee: Die 3 (30) jahrgangsbesten Alben aus heutiger Sicht auf motorhorst.de. 177:00 Schlammpeitziger stammt wohl eher aus dem Mouse On Mars als aus dem The Notwist-Umfeld. Für Depeche Mode remixte Schlammpeitziger den Track Freelove. 191:00 Schmähkritik-Klassiker: Martin Büsser über die Sterne-EP "Fickt das System". Gedroppte Namen: Markant, Martin Waldmann, Joachim Hentschel, Torsten Groß, Lenny Berger.Alle Folgen im Überblick gibt es unter www.motorhorst.de/podcast

David Hepworth tells the story of the British rock bands – from the Beatles and Rolling Stones to Led Zeppelin – who took the United States by storm in the 1960s Author and broadcaster David Hepworth tells us about his latest book, Overpaid, Oversexed and Over There, which documents how a wave of skinny, pale, long-haired musicians from Blighty became the toast of 1960s America, heralding in a cultural revolution. See acast.com/privacy for privacy and opt-out information.

Why are we covering ‘Legends of the Fall' on this podcast? Why would we put ourselves through a 2 hour and 12 minute Oscar-baiting historical epic featuring a long-haired Brad Pitt? Because our guest, international male model Joseph Culp (IG: model_joseph_culp) picked it, that's why. Joe helps Jenn, Samantha, and Sadie sift through the three brothers in this 36th episode of ‘You Should See The Other Guy,' But mostly, we talk about Bart the Bear, what Facebook would look like during the Civil War, Brad Pitt's failed journalism career, the British Pop invasion, and more. At one point, Joe says, “Death is the other guy,” and honestly that just feels like the perfect summation of this entire podcasting endeavor.

What is the link between Dear Prudence by The Beatles, and Iggy Pop's The Passenger? Find out in the third full-length episode of The Chain. The Banshees for Beginners playlist can be found here: https://open.spotify.com/playlist/05wbOmjQVyzoKSRjlHz1R6 Keep up with The Chain on social media - @TheChainPod on Twitter and @TheChainPod on Instagram. You can also find Britt on Twitter, Instagram and Facebook. Featured in this episode: Siouxsie Sioux and Steven Severin on Pop Formule Rock Family Trees: Banshees and Other Creatures The Sex Pistols on Today Queens of British Pop (and here's more of Shirley Manson raving about Siouxsie for NME) Iggy Pop on 120 Minutes

In the 1960’s the British Pop band Manfred Mann had many hits. One of my favorites they did is called The Mighty Quinn, but they might be more well-known for another song they covered in 1964. This song would eventually hit #1 on the Billboard Hot 100 of that year. It’s called Doo Wah Diddy and the lyrics are…… Continue reading Evening = Revelation 17, The Mystery Woman (Part 1)

In the 1960’s the British Pop band Manfred Mann had many hits. One of my favorites they did is called The Mighty Quinn, but they might be more well-known for another song they covered in 1964. This song would eventually hit #1 on the Billboard Hot 100 of that year. It’s called Doo Wah Diddy and the lyrics are…… Continue reading Evening = Revelation 17, The Mystery Woman (Part 1)

Still looking for book suggestions, still figuring out how to podcast, still quarantined.

Rock Talk With Mitch Lafon presents revered British pop icon, Peter Noone (recorded at the end of 2019). Peter discusses his extensive yearly touring schedule, being a music enthusiast, the beginnings of Herman's Hermits, songwriting, The Beatles & more, finding their place in a crowded radio marketplace, lyrics then and now, personal choice, working on Broadway, The Tremblers, a Farewell tour, his love of music, Casablanca Records, Neil Bogart, Tom Petty, Jimmy Page & John Paul Jones playing on Herman's Hermit songs and much much more. On getting started in music: "I started off as an enthusiast of music. I bought records and went to see live music. I knew lots of people who were in groups that played in their sister's attic and the little local nightclubs. One day, I found myself in a band where I was not just and enthusiast, but a participant." On a possible Farewell Tour: "I'm more like Mick Jagger. Arrogantly believing that I can pull it off for at least another ten years... Music is my hobby. When I hang up the phone with you, I'm going to play some music. That's what I do. When I'm in my car driving to a gig, I listen to music. Some people listen to the world news. I don't. I listen to music. And enjoy it, and smile and sing along and dislike and love and all of those things. So, why would I want to stop doing that?"  On Neil Bogart: "I don't know how good he was at business, but he was a great character." On Coronation Street, he jokingly says, "I was in it in 1961 and it's still the number one show in England even without me in it."  Get your MITCH MERCH here: https://loudtrax.com/Mitch  Twitter: @mitchlafon Instagram: @mitch_lafon Subscribe to Rock Talk With Mitch Lafon for exclusive content and interviews. COMING SOON: mitchlafon.com Support the show.

WARNING: this episode of Talk Art contains strong language! Russell & Robert meet legendary English artist Caroline Coon. We discuss 50 years of painting in Ladbroke Grove, feminism, her longterm political activism, the importance of being socially conscious, decriminalising sex work, growing up in Kent, punk rock, managing The Clash & writing for Melody Maker in the 1970s. We explore the influence of artist Pauline Boty who helped found British Pop art, and was the only female painter in the movement, inheriting Boty's paints after her early death at the age of 28, and we consider the lasting power of painting but also ceramics and artworks made by hand. Her first solo exhibition ‘Caroline Coon: The Great Offender' was held in 2018 at The Gallery Liverpool, followed by her current first solo London exhibition at TRAMPS (running until 22nd December 2019) curated by artist Peter Doig & curator Parinaz Magadassi. The works span the 1980’s to 2019, demonstrating how Coon, in her explicit social and political commentary, has made art that rebels against binary conceptions of gender and challenges orthodoxy in ways that are particularly relevant today. The exhibition travels to TRAMPS New York, in Spring 2020. Art historian Maria Elena Buszek, in her catalogue essay for the exhibition, writes: “Artist, writer and activist Caroline Coon is one of the towering ‘disappeared’ women of her generation; she was a catalyst and witness to some of the most critical moments of art, music, and politics, only to see her participation muted and marginalised, and her male contemporaries canonised.” Learn more at www.TrampsLtd.com and www.CarolineCoon.com Special thanks to Martin Green. See acast.com/privacy for privacy and opt-out information.

Deeper Than Music London UK Partner UK Final Cut Film Reviews Interviews British Pop Artist Sophia Mina.About Sophia Mina:Sophia Mina is an artist from North London of Greek Cypriot & Chinese Heritage. Her music is rooted in pop and commercial RnB, with cutting edge Urban beats, underpinning strong melodies and honest lyrics. Her influences include Christina Aguilera, JoJo, Ariana Grande and Aaliyah. Sophia studied at the Institute of Contemporary Music and has been evolving as an exciting new artist since 2014, with some mighty mentoring from the amazing Jess Glynne when she first started out. Her debut single “Where’s Love” on London based Deep Stack Records, hit the top 10 in the Music Week Pop chart, with her follow up single "Turn It Up” hit top 10 in the Music Week Upfront Club Chart, firmly placing her as a force majeure on the Uk club scene, with some great remix packages proving a favourite for DJ’s.Sophia works with many fellow writers and producers on club collaborations and production of her own material including; Giannii Milano, Lewi White, Rawz Artilla, Michael Antoniou, JPL, DirtySaj, Dukus, and Syon.She recently had her Official EP launch party at Tape last year for her second EP "Fly". Since then has completed Amy’s Yard, Capital Xtra's Music Potential Program and Wax Lyrical. She's is also now a mental health advocate, youth ambassador for Tileyard Impact and a representative for The Roundhouse, where she will be having her launch party 10th August in the Hub Space, Sophia's go to creative spot.

Welcome back to Don’t Alert The Stans! For this week’s episode, Eden, Sope and Nicolas discuss whether the MOBOs have gradually become out of touch with UK urban culture, following the announcement that there will be no awards ceremony this year. They also divulge into the controversial debacle between Ella Mai, DJ Mustard and Jacquees regarding ‘Trip’. With no trepidation, the guys evaluate whether MNEK’s comments about straight black men hold any true weight regarding the underperformance of his album ‘Language’. Sprawling and tangential, it leads into a candid conversation about the landscape for black British male artists as a whole. Not one to miss! Remember to RATE, REVIEW AND SUBSCRIBE! Not one to miss! Remember to RATE, REVIEW AND SUBSCRIBE! Enjoy! Don't forget to tweet us your thoughts on the episode at #DATSPOD! Rate and review us on Soundcloud and Anchor Follow us on: Twitter - @datspod Instagram - @datspod Anchor – @datspodcast Email – datspod@gmail.com --- Send in a voice message: https://anchor.fm/datspodcast/message

Staying in England this week, but we're talking about a very interesting fella with a big heart, leftist politics, and a Tascam 4-track recorder.

British pop star Dua Lipa was named the UK's most streamed woman of 2017 by Spotify, and when Bruno Mars brought his mammoth 24K Magic tour to New Zealand last month, he handpicked her as his supporting act.

This British family band had a whole slew of hits, so why don't we ever hear about them? We hit the highlights of their numerous hits this week and take time to fawn over many of their outfits, too.

We're back to the Regal as Tilt, Tyler and Gary enjoy another three British pop movies, this time of a slightly later vintage.

We continue our look at British pop on the big screen with three early 60s attractions: What A Crazy World, Live It Up and It's Trad Dad.

We're back! Tilt and Gary return for a new season with the swinging sounds of 1950s British pop via three films: Rock You Sinners, Six-Five Special and Expresso Bongo.

This week, Max is here for the music and Danielle is here for the celebrity opinions as we discuss short-lived British act Eighth Wonder. We'll explore the ups and downs of their brief career, from Grade-A dancepop to Take-It-Or-Leave-It film noir jazzpop.

Breathe in, breahthe out, and step with us through a very British boy band experience.

For the first time in its history, British popular music became radically politicised in the mid 1970s as a result of the rise of far right racist groups in Britain. This radicalism lasted long into the 1980s, ending with the advent of New Labour. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/explaininghistory.

For the first time in its history, British popular music became radically politicised in the mid 1970s as a result of the rise of far right racist groups in Britain. This radicalism lasted long into the 1980s, ending with the advent of New Labour. See acast.com/privacy for privacy and opt-out information.

This is the first out of four episodes about the UK underground psych and prog. In this first episode we are focusing on the early psychedelia scene in 1967-68. As with the pop cultural development in the US, psychedelia really becomes big in the UK around 1966-67 and many of the R&B and beat band would be turned on by psychedelia and completely transform their style during this period of time. The early British psychedelia is usually very pop oriented with strong emphasis on melodies but would soon develop into more heavy psych and progressive with more complex song structures, as we will hear in later episodes. This is the beginning of a whole range of styles that would be dominating the rock music in the 70s. Giles, Giles and Fripp – The Cheerful Insanity of Giles, Giles and Fripp (Deram) 1967- How Do They Know Dantalian’s Chariot (Columbia) 1967-Mad Man Running Through the Fields Skip Bifferty – s/t (RCA-Victor) 1967-Yours For At least 24Art – Supernatural Fairy Tales (Island) 1967Wimple winch (Fontana 1967)-Atmosphere Mike Stuart Span (Jewel) 1968-Children of Tomorrow

Audio recording. This study day in March 2013 explored issues raised by the major Roy Lichtenstein retrospective at Tate Modern

Audio recording. This study day in March 2013 explored issues raised by the major Roy Lichtenstein retrospective at Tate Modern

Audio recording. Richard Thomas offers a unique insight into the curatorial processes behind the Lichtenstein: A Retrospective exhibition at Tate Modern

  The show starts off discussing British Pop from the 60′s, then the guys discuss their weekend plans, tales of parking lot fury, waterslide parks, the show “Girls”, and a ton more random topics.  There is an employment update, and the show ends with the catalogue of Billy Joel.

Born in Bradford, artist David Hockney's work has been shown around the globe. Now 75, his recent exhibition at London's Royal Academy, 'The Bigger Picture' had people queuing round the block to look at his latest collection of Yorkshire landscapes - epic in scale and ambition. Accompanying his paintings, were a collection of pictures he'd drawn on an I-pad - still experimenting in his eighth decade. He launched on to the British Pop art scene in the sixties, left London to live in America and he enjoys a creative career which has seen him at the forefront on art and artistic technology. The New Elizabethans have been chosen by a panel of leading historians, chaired by Lord (Tony) Hall, Chief Executive of London's Royal Opera House. The panellists were Dominic Sandbrook, Bamber Gasgoigne, Sally Alexander, Jonathan AGar, Maria Misra and Sir Max Hastings. They were asked to choose: "Men and women whose actions during the reign of Elizabeth II have had a significant impact on lives in these islands and/or given the age its character, for better or worse". Producer Sarah Taylor.