Podcast appearances and mentions of Ernest Chausson

durée : 01:29:37 - Relax ! du mardi 21 janvier 2025 - par : Lionel Esparza - Quelle année que 1896 ! Puccini nous offre sa Bohème, Ernest Chausson écrit son Poème, Saint-Saëns joue son 5e concerto et Strauss fait parler Zarathoustra...

durée : 01:29:37 - Relax ! du mardi 21 janvier 2025 - par : Lionel Esparza - Quelle année que 1896 ! Puccini nous offre sa Bohème, Ernest Chausson écrit son Poème, Saint-Saëns joue son 5e concerto et Strauss fait parler Zarathoustra...

Componist Ernest Chausson overleed op 10 juni 1899 in Limay, op slechts 44-jarige leeftijd. Hij was op dat moment op vakantie met zijn gezin. Tijdens het afdalen van een hellende weg op zijn fiets verloor hij plotseling de controle en botste tegen een muur. Hij was op slag dood. In de eerste aflevering van seizoen 6 van de AVROTROS en NPO Klassiek-podcastserie ‘Klassieke Mysteries' duiken Eloise Davis en Ab Nieuwdorp in het werk, het leven én de dood van componist Ernest Chausson. Wat gebeurde er écht op die fatale dag in 1899? Waarom verloor een ervaren fietser als Chausson ineens de controle op een weg die hij goed kende? En waarom schreef hij vaker over zijn voorgevoel dat hij vroeg zou sterven? Was het ongeluk een tragische samenloop van omstandigheden of speelde er iets duisterders mee? Klik hier (https://open.spotify.com/playlist/55AuWIlCQLkWEDkFKjKaqc) om naar de speellijst te gaan op Spotify met alle muziek uit deze aflevering.

durée : 00:58:10 - Une heure, un compositeur : Ernest Chausson - par : Aurélie Moreau - Né à Paris, Chausson a exploré divers domaines comme la littérature, la peinture, et le droit avant de se consacrer pleinement à la musique. Sa carrière, malheureusement interrompue par une chute de vélo en 1899, a laissé un héritage de compositions passionnées et expressives.

durée : 01:28:25 - En pistes ! du lundi 25 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin aux côtés d'Emilie et Rodolphe, les compositeurs Lucas Ruiz de Ribaya, Antonio Soler, Camille Saint-Saëns, Claude Debussy, Robert Schumann, Ernest Chausson et Ignace Paderewski. En pistes !

Synopsis Back in Bach's day, there were churchmen aghast at the thought that composers were trying to sneak flashy opera music into Sunday services. Church music was meant to be simple, austere, and, well , not “operatic.” So what would they have made of the three “church parables” – mini-operas, really, composed in the 20th century by the great English composer Benjamin Britten? The third of these, The Prodigal Son, debuted on today's date in 1968 at St. Bartholomew's Church in Orford, England. All three impart Christian values and were meant for church performance – scored for a handful of soloists, modest choir, and a small ensemble that would fit in front of and on either side of a church altar where church music was normally performed. But operas they are, and Britten himself let the “o” word slip when he commented in a 1967 interview that he was (quote), “doing another church opera to go with the other two, Curlew River and The Burning Fiery Furnace, to make a kind of trilogy.'” Britten took these mini-operas seriously, and dedicated The Prodigal Son to his new friend, the Soviet composer Dmitri Shostakovich, who in turn would dedicate his 14th Symphony to Britten. Music Played in Today's Program Benjamin Britten (1913 - 1976) The Prodigal Son Peter Pears, tenor; John Shirley-Quirk, baritone; Robert Tear, tenor; Bryan Drake, baritone; English Opera Group Orchestra; Benjamin Britten, conductor. Decca 425713 On This Day Births 1904 - German-born American musical composer Frederick Loewe, in Berlin; 1913 - Soviet composer Tikhon Khrennikov, in Elets (Julian date: May 28); 1960 - English composer Mark Anthony Turnage, in Grays, Essex; Deaths 1899 - French composer Ernest Chausson, age 44, after a bicycle accident near Limay; 1918 - Italian opera composer and librettist Arrigo Boito, age 76, in Milan; 1934 - British composer Frederick Delius, age 72, in Grez-sur-Loing, France; 1964 - American composer Louis Gruenberg, age 75, in Los Angeles; Premieres 1732 - Handel: opera "Acis and Galetea" (in an English/Italian version), in London at the King's Theater in the Haymarket, at the request of Princess Anne (Gregorian date: June 21); 1865 - Wagner: opera "Tristan and Isolde," in Munich at the Hoftheater, conducted by Hans von Bülow; 1921 - Stravinsky: "Symphonies of Wind Instruments" (in memory of Claude Debussy), in London at Queen's Hall, with Serge Kousevitzky conducting; Three days earlier, on June 7, 1921, Stravinsky had attended the British premiere of the concert version of his ballet score "The Rite of Spring," also at Queen's Hall, with Eugene Goossens conducting; 1939 - Bliss: Piano Concerto (with Solomon the soloist) and Vaughan Williams: "Five Variants of Dives and Lazarus," at Carnegie Hall by the New York Philharmonic, with Sir Adrian Boult conducting; These works (Along with Bax's Seventh Symphony, which premiered the previous day) were all commissioned by the British Council as part of the British Exhibition at 1939 World's Fair; 1941 - Poulenc: first public performance of Concerto for Organ, Strings and Timpani, in Paris; 1968 - Britten: church opera "The Prodigal Son," in Orford Church, near Aldeburgh. Links and Resources On Britten

Seine Werke sind selten im gängigen Repertoire zu finden, und lange Zeit waren die skurrilen Umstände seines Todes mehr im allgemeinen Gedächtnis verhaftet als seine Kompositionen. Dabei gilt Ernest Chausson, der eigenwillige Komponist mit seiner unverwechselbaren Tonsprache, heute als Wegbereiter des Impressionismus. Katharina Neuschaefer hat ihn im heutigen ZOOM näher unter die Lupe genommen.

Un día como hoy, 10 de junio: Acontece: 1865: en Alemania, Richard Wagner estrena Tristán e Isolda. Nace: 1819: Gustave Courbet, pintor francés (f. 1877). 1922: Judy Garland, cantante y actriz estadounidense (f. 1969). Fallece: 1799: Chevalier de Saint-Georges, músico y compositor francés. 1899: Ernest Chausson, compositor francés. 1918: Arrigo Boito, poeta y compositor italiano. 1949: Sigrid Undset, escritora noruega, premio nobel de literatura en 1928. Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Am 3. Mai ist die Sopranistin Hanna-Elisabeth Müller zu Gast im Technikum im Münchner Werksviertel. Bei der BRSO-Konzertreihe "Watch this space" singt sie Lieder von Ernest Chausson. Wir haben mit ihr im Vorfeld gesprochen.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vandaag sluiten we deze week vol serenades af. Dat doen we met een serenade van Ernest Chausson, oorspronkelijk geschreven voor zang en piano, maar Ab vond een mooie uitvoering voor cello en piano. Chausson is vooral bekend van zijn vele liederen. Naast muziek hield hij zich ook bezig met literatuur en uit zijn schetsboek blijkt dat hij ook als tekenaar een groot talent was. Zijn ouders wensten eigenlijk dat hij ging werken als advocaat, maar Chausson trok zijn eigen plan en dook verder in de muziek. 

The IMS Masterclasses, which take place every Spring in Cornwall, are the beating heart of the IMS. They were originally conceived by our two founders Sándor Végh and Hilary Tunstall-Behrens, over fifty years ago in 1972.  Since then, every year, we bring over 100 young musicians to Cornwall for two, 10-day courses which run over 3 weeks. The interviews and lessons in this episode were recorded on location in Spring 2022 and we hear from just a few of the many students, professors, and class pianists we've hosted over the course of our rich 50-year history. Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: Vashti Hunter Jonian Ilias Kadesha Pablo Hernán Benedí Rita Wagner (Recorded in 2012 with Jean-Sélim Abdelmoula, piano, performing Schubert, Sonata in B flat.) Steven Isserlis Sophia Rahman Catherina Lee Thomas Riebl Edgar Francis Guilherme Marques Caldas Claus Christian Schuster Stephanie Tang Clarissa Bevilacqua David Welton Music in order of appearance: Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Henry Purcell, Three Fantasias in Three Parts. Performed by the Caerus Ensemble: Jonian Ilias Kadesha, violin; Pablo Hernán Benedí, viola and Vashti Mimosa Hunter, cello. Ernest Chausson, Poème. Performed by Catherina Lee, violin and Sophia Rahman, piano. Benjamin Britten, Lachrymae. Performed by Edgar Francis, viola and Eglė Staškutė, piano. Rebecca Clarke, Sonata for Viola and Piano. Performed by Guilherme Marques Caldas, viola and Eglė Staškutė, piano. Fritz Kreisler, Recitativo and Scherzo Caprice.  Performed by Clarissa Bevilacqua, violin. Ludwig van Beethoven, Sonata for Cello and Piano in G minor.  Performed by Tim Posner, cello and Sophia Rahman, piano. Narrator: Samuel West. @exitthelemming  Series Producer: Melissa FitzGerald  @Melissafitzg Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Instagram @ims_pc Twitter @ims_pc www.i-m-s.org.uk

Nacen: 1855, Ernest Chausson. 1873, Johannes Vilhelm Jensen. 1920, Federico Fellini. Fallecen: 1875, Jean-François Millet. 1913, José Guadalupe Posada. 1993, Audrey Hepburn. 2014, Claudio Abbado. Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2021

Synopsis In the hands of a great performer, the violin can sing with the personality and intensity of a great opera singer. Pyrotechnics may dazzle, but nothing moves an audience as much as when a great violinist "sings" through his instrument. On today's date in 1896, a French audience in Nancy must has been so moved when the great violinist Eugène Ysaÿe gave the first performance of this music: the Poème for Violin and Orchestra by Ernest Chausson. In addition to famous artists like Manet and Degas, Chausson counted among his friends many of the great musicians of his day, including the great violinist Ysäye. Although they admired his work, Chausson was not always appreciated by the public. But when Ysaÿe premiered Chausson's Poème in Paris in 1897, the applause went on and on. Used to just the opposite reaction, Chausson was stunned by his success, and, while thanking Ysaye profusely, kept repeating to himself: "I just can't believe it!" Two modern-day violinists, Joshua Bell and Pamela Frank, were the inspiration for this songful contemporary work by Aaron Jay Kernis. Titled Air for Violin, it was originally composed for violin and piano, and premiered in 1995 by Joshua Bell. The following year, Pamela Frank and the Minnesota Orchestra premiered a new version of Air for violin and orchestra. Music Played in Today's Program Ernest Chausson (1855-1899) Poème, Op. 25 Isaac Stern, violin; Orchestre de Paris; Daniel Barenboim, conductor. CBS/Sony 64501 Aaron Jay Kernis (b. 1960) Air for Violin Minnesota Orchestra; David Zinman, conductor. Argo 460 226

„Secret Love Letters“, das ist der Titel des neuen Albums der georgischen Geigerin Lisa Batiashvili, das am 19. August bei der Deutschen Grammophon erschienen ist. Zum ersten Mal ist damit eine Aufnahme zusammen mit einem amerikanischen Ensemble entstanden, dem Philadelphia Orchestra unter der Leitung von Yannick Nézet-Séguin. Es ist eine CD, die von der Liebe erzählt, von verbotener Liebe oder auch von vergangener Liebe. Herzstück der Produktion ist das erste Violinkonzert von Karol Szymanowski, außerdem finden sich Werke von Ernest Chausson, César Franck und Claude Debussy auf dem Album. Die Star-Geigerin spricht über ihr neues Album „Secret Love Letters“, über die von ihr gegründete Lisa Batiashvili Foundation und über ihr Heimatland Georgien. Auch wird Lisa Batiashvili über die Stimmung in der Kulturbranche nach zwei Jahren Pandemie sprechen. Fürchtet sie, jetzt vor dem neuen Saisonbeginn, Auftritte im Konzertsaal vor nur mager besetzten Rängen? Oder steuert sie ihr innerer Kompass zuversichtlich durch die fragile allgemeine Lage? Mit Lisa Batiashvili beteiligt sich NDR Kultur à la carte an dem NDR Themenschwerpunkt „Neustart Kultur – ohne Publikum?“.

Multi Grammy-winning violinist Hilary Hahn joins us to talk about her album Paris – a musical love letter to the city she has been visiting and performing in since her teenage years. Alongside the masterful and vibrant Prokofiev Violin Concerto No. 1, Hilary plays a sumptuous classic: Ernest Chausson's Poème for violin and orchestra. Also on the album, two gorgeous serenades written for Hilary by Einojuhani Rautavaara – the last pieces the celebrated Finnish composer wrote before his death in 2016. (photo credit: OJ Slaughter/Deutsche Grammophon)

Ai microfoni di Unica Radio ospitiamo la violinista Anna Tifu per raccontare il concerto che sabato 14 maggio la vedrà protagonista al Teatro Doglio di Cagliari insieme al pianista Giuseppe Andaloro. Dopo due anni di assenza dai palcoscenici cagliaritani, torna a esibirsi nel capoluogo sardo la violinista Anna Tifu, protagonista, insieme al pianista Giuseppe Andaloro di un concerto straordinario che si terrà al Teatro Doglio sabato 14 maggio alle ore 21. Il concerto si inserisce nell'ambito della programmazione di Teatro Doglio ed è realizzato con la collaborazione di Compagnia B e del LEI Festival. Tifu e Andaloro sono reduci da un applauditissimo concerto tenutosi a fine marzo nello storico Teatro Regio di Parma. Vincitrice nel 2007 del prestigioso concorso internazionale George Enescu di Bucharest, Anna Tifu è considerata una delle migliori interpreti della sua generazione. All'età di 12 anni, debutta alla Scala di Milano con il Concerto n.1 di Max Bruch. Viene ammessa, all'età di 17 anni, al Curtis Institute di Philadelphia. Si è esibita con alcune tra le più prestigiose Orchestre Nazionali ed Internazionali come l'Orchestra Nazionale di Santa Cecilia, Orchestra Nazionale della RAI di Torino, Orchestra del Teatro Carlo Felice di Genova, Orchestra del Teatro La Fenice di Venezia, Simòn Bòlivar Orchestra del Venezuela, George Enescu Philarmonic, per citarne alcune, e ha collaborato con direttori del calibro di Yuri Temirkanov, Gustavo Dudamel , Diego Matheuz, Ezio Bosso, David Afkham, Mikko Franck, Jonathon Heyward. Tra gli impegni più prestigiosi ricordiamo concerti al George Enescu Festival di Bucharest con l'Orchestra RAI di Torino e Juraj Valcuha, concerto con Gustavo Dudamel e la Simòn Bòlivar Orchestra del Venezuela, inaugurazione della Stagione a Genova, Teatro Carlo Felice dove, per l'occasione, si è esibita con il famoso violino Guarneri del Gesù detto “IL CANNONE” appartenuto a Niccolò Paganini, inaugurazione a Venezia, Teatro La Fenice con Diego Matheuz, concerto inaugurale della Stagione Fondazione Società dei Concerti di Milano dove è regolarmente invitata, concerto allo Stradivari Festival di Cremona, dove si è esibita in uno spettacolo insieme all'Etoile Carla Fracci, concerti all'Auditorium Parco della Musica di Roma insieme a Yuri Temirkanov e l'Orchestra dell'Accademia di Santa Cecilia e l'inaugurazione della Stagione a Parigi, con l'Orchestra Filarmonica di Radio France, diretta da Mikko Franck. Recente è il suo debutto per la casa discografica Warner Classics, in duo con il pianista Giuseppe Andaloro. Anna Tifu è stata testimonial della campagna pubblicitaria 2011 di Alitalia, assieme a Riccardo Muti, Giuseppe Tornatore ed Eleonora Abbagnato. Suona il violino Antonio Stradivari “Marèchal Berthier” 1716 ex Napoleone e il violino Carlo Bergonzi “Mischa Piastro” 1739 della Fondazione Canale di Milano. Molto suggestivo il programma del concerto che consente ai due musicisti di poter esprimere al meglio le doti tecniche e esecutive e che prevede la Sonata in Sol maggiore di Ravel, la Fantasia op. 131 di Robert Schumann, Il Poeme di Ernest Chausson e la Tzigane, ancora di Ravel. Sul palco del Teatro Doglio la Tifu sarà accompagnata dal pianista d'eccezione Giuseppe Andaloro, ospite di importanti festival, presso le più prestigiose sale del mondo e, come solista, di orchestre quali la London Philharmonic, Nhk Symphony Tokyo, Philharmonische Camerata Berlin. Ha collaborato con direttori del calibro di Vladimir Ashkenazy, Gianandrea Noseda, Andrew Parrott, e con artisti quali Sarah Chang, Giovanni Sollima, Sergej Krylov, John Malkovich. Ha al suo attivo numerose incisioni discografiche: il suo ultimo album Cruel Beauty nel 2013, edito da Sony, è una world première di musiche italiane del tardo Rinascimento e del primo Barocco, per la prima volta registrate con un pianoforte moderno. Info biglietti su questo link.

As a young man, Ernest Chausson studied law, and was admitted to the bar. But music was his great love, and instead of practicing law he enrolled at the Paris Conservatory.

The Bard Music Festival has been committed, since its inception, to reviving important but neglected operas. This year's immersion in “Nadia Boulanger and Her World” presents the first fully staged American production of "King Arthur," the only opera by Boulanger's compatriot and close contemporary Ernest Chausson. The production is directed by Louisa Proske and will run for four performances (two of which will also stream online), anchored by the American Symphony Orchestra and Bard Festival Chorale under the leadership of festival founder and co-artistic director Leon Botstein. Baritone Norman Garrett sings the title role opposite Grammy-winning mezzo-soprano Sasha Cooke as Guinevere. Sasha Cooke has been called a “luminous standout” ( New York Times ) and “equal parts poise, radiance and elegant directness” ( Opera News ). She is sought after by the world's leading orchestras, opera companies, and chamber music ensembles for her versatile repertoire.

Un día como hoy, 10 de junio: Acontece: 1865: en Alemania, Richard Wagner estrena Tristán e Isolda. Nace: 1819: Gustave Courbet, pintor francés (f. 1877). 1922: Judy Garland, cantante y actriz estadounidense (f. 1969). Fallece: 1799: Chevalier de Saint-Georges, músico y compositor francés. 1899: Ernest Chausson, compositor francés. 1918: Arrigo Boito, poeta y compositor italiano. 1949: Sigrid Undset, escritora noruega, premio nobel de literatura en 1928. Una producción de Sala Prisma Podcast. 2021

durée : 01:56:54 - En pistes ! du vendredi 21 mai 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour annoncer le week-end, Claude Debussy avec Arthur Schoonderwoerd ; Ernest Chausson par le Quatuor Parisii et Philippe Bianconi ; Szymanowski interprété par la pianiste Joanna Domanska ; Beethoven sous les doigts de Jean-Nicolas Diatkine et Schubert par Ilker Arcayurek et Simon Lepper. - réalisé par : Lionel Quantin

Musikalische Paris-Huldigungen gibt es viele. Jetzt hat die US-amerikanische Geigerin Hilary Hahn einen sehr aparten Versuch unternommen, der „Stadt der Liebe“ die Referenz zu erweisen – mit Werken von Sergej Prokofiev, Ernest Chausson und Einojuhani Rautavaara. SWR2-Kritikerin Christine Lemke-Matwey hat das neue Album angehört und attestiert der Geigerin „Sicherheit in der Farbwahl und Intonation“.

durée : 00:24:56 - Ernest Chausson, Poème pour violon et orchestre - par : Anne-Charlotte Rémond - Le "Poème pour violon et orchestre" d'Ernest Chausson est son unique concerto. Né de l'amitié indéfectible entre le compositeur et le violoniste Eugène Ysaÿe, dédicataire de l'oeuvre, le violoniste crééra cette référence du répertoire du violon à Nancy en 1896. - réalisé par : Claire Lagarde

Violinist Hilary Hahn has just released her newest recording of music by Ernest Chausson, Sergei Prokofiev and Einojuhani Rautavaara. She begins her conversation with WRCJ’s Peter Whorf explaining why her latest disc is entitled Paris…

Multi Grammy-winning violinist Hilary Hahn joins us to talk about her album Paris – a musical love letter to the city she has been visiting and performing in since her teenage years. Alongside the masterful and vibrant Prokofiev Violin Concerto No. 1, Hilary plays a sumptuous classic: Ernest Chausson's Poème for violin and orchestra. Also on the album, two gorgeous serenades written for Hilary by Einojuhani Rautavaara – the last pieces the celebrated Finnish composer wrote before his death in 2016. (photo credit: OJ Slaughter/Deutsche Grammophon)

Multi Grammy-winning violinist Hilary Hahn joins us to talk about her album Paris – a musical love letter to the city she has been visiting and performing in since her teenage years. Alongside the masterful and vibrant Prokofiev Violin Concerto No. 1, Hilary plays a sumptuous classic: Ernest Chausson's Poème for violin and orchestra. Also on the album, two gorgeous serenades written for Hilary by Einojuhani Rautavaara – the last pieces the celebrated Finnish composer wrote before his death in 2016. (photo credit: OJ Slaughter/Deutsche Grammophon)

Nacen: 1855, Ernest Chausson. 1873, Johannes Vilhelm Jensen. 1920, Federico Fellini. Fallecen: 1875, Jean-François Millet. 1913, José Guadalupe Posada. 1993, Audrey Hepburn. 2014, Claudio Abbado. Una producción de Sala Prisma Podcast. 2021

Violinist Shaun Lee-Chen talks about Chausson’s Poeme, the original cycling hipsters, and old recordings. Useful links:Spotify playlist for Shaun’s pieces Spotify playlist for main pieces Spotify playlist for final question pieces  Other useful links:Ernest Chausson’s Poeme Violinist, Eugene Ysaye Maurice Ravel’s Tzigane Violinist, Jascha Heifetz For a deep dive nerd out on 19th-century ways of performing, you can check out Emma’s Masters thesis here: https://www.researchcatalogue.net/view/561381/563632  Support Shaun:Shaun playing *viola* in a duet with Christian Li playing violin Australian Brandenburg Orchestra Shaun’s position as lecturer at the University of Western Australia Shaun playing on the UWA Conservatorium of Music Youtube channel  Get in touch with us!DONATE: PayPal.Me/OutsideMusicBox Facebook: @MusicBoxConcerts Instagram: @musicboxconcerts Twitter: @OutsideMusicBox Email: concerts.musicbox@gmail.comWebsite: www.musicboxconcerts.com

Louis Vierne (1870-1937) en Gustave Samazeuilh (1877-1967) zijn ook voor muziekkenners geen huishoudnamen. De eerste heeft vooral bekendheid verworven met zijn prachtige symfonische orgelwerken. De tweede was behalve componist een bekend criticus, die onder andere een monografie over zijn leraar Ernest Chausson heeft geschreven. In zijn eindexamenjaar bij Widor aan het conservatorium voltooide Vierne zijn […]

durée : 00:58:21 - Comme Beethoven, ils n'ont écrit qu'un seul opéra - par : Aurélie Moreau - Paul Dukas, Franz Liszt, Claude Debussy, Bela Bartok, Ernest Chausson, Robert Schumann et Ludwig van Beethoven ont un point commun : celui de n'avoir composé qu'un seul opéra. - réalisé par : Louise Loubrieu

Esbjerg Ensemble har skabt en aften med musik af franske komponister og komponister, som opsøgte og slog følge med deres franske kolleger. Musik af Guillaume Connesson, Kaija Saariaho, Reynaldo Hahn og Ernest Chausson. Esbjerg Ensemble. (Syddansk Musikkonservatorium 19. november). Vært: Klaus Møller-Jørgensen. www.dr.dk/p2koncerten

MOZART, BEETHOVEN & MAS explores the music of France in the 20th century, today presenting the works of ERNEST CHAUSSON

MOZART, BEETHOVEN & MAS explores the music of France in the 20th century, today presenting the works of ERNEST CHAUSSON

A música vocal é o tema deste episódio, apresentado por nosso contrabaixista Rossini Parucci e nossa harpista Clémence Boinot. A conversa entre os dois costura obras de Ravel, Chausson e Fauré escritas para vozes e orquestra. Ouvimos neste podcast excertos do Requiem de Faure, com o King's College Cambridge; trechos de "Três poemas de Stéphane Mallarmé” de Ravel, com Anne Sofie von Otter; e "Poema do amor e do mar, op. 19” de Ernest Chausson, com Jessye Norman e a Orquestra Filarmônica de Monte Carlo.

durée : 00:58:26 - Ernest Chausson intimidé par Beethoven - par : Aurélie Moreau - Au-delà de sa passion pour Wagner, c'est la découverte de Beethoven, dont il avait transcrit pour piano les plus beaux quatuors, qui permit à Chausson de découvrir un univers de rêves et d’illusion romantique qu’il sut parfaitement traduire dans sa musique de chambre. Focus dans le van Beethoven. - réalisé par : Olivier Guérin

Claire Huangci ist die Pianistin des Trio Machiavelli, das im SWR Studio Kaiserslautern seine Debüt-CD mit Werken von Ernest Chausson und Maurice Ravel aufgenommen hat. Im Gespräch erzählt sie, wie es ist, wenn drei starke Persönlichkeiten zusammen proben.

Maurice Ravel und Ernest Chausson - das vielleicht beliebteste Klaviertrio überhaupt und ein Klavierquartett, das leider kaum jemand kennt. Beide Werke sind großartig. Und beide werden vom Trio Machiavelli, zu dem zwei Sieger beim ARD-Musikwettbewerb gehören, auch entsprechend gespielt. Kammermusik, mon amour!

Vox Satanae – Episode 472 – 135 Minutes – Week of May 04, 2020 This week we hear works by Carl Gottfried Loewe, Ernest Chausson, Marcel Tyberg, and George Crumb.

Ep. 227. Lunes 20/01/2020, con Mario Mora y Ana Laura Iglesias | Vuelve El Ático para traerte toda la actualidad musical, hoy con 5 noticias musicales que han llamado nuestra atención en este 2020. Para ello, realizamos una ronda informativa que pasa por Viena, Madrid, Cambridge, Oviedo y Granada. Además, repasamos las redes sociales y celebramos el aniversario de Ernest Chausson.

Ep. 227. Lunes 20/01/2020, con Mario Mora y Ana Laura Iglesias | Vuelve El Ático para traerte toda la actualidad musical, hoy con 5 noticias musicales que han llamado nuestra atención en este 2020. Para ello, realizamos una ronda informativa que pasa por Viena, Madrid, Cambridge, Oviedo y Granada. Además, repasamos las redes sociales y celebramos el aniversario de Ernest Chausson.

Panelen jublar igång säsongen med högsta betyg till den franske tonsättaren Ernest Chausson, gläds åt den smöriga folktonen hos Aram Chatjaturjan men anser att en enda inspelning av Eddan räcker. Veckans skivor: CHAUSSON Symfoni och sångcykel av Ernest Chausson Nationalorkestern i Lille Véronique Gens, sopran Alexandre Bloch, dirigent Alpha C441 Betyg: 5 - en totalfemma! KHACHATURIAM - CELLO CONCERTO  Cellokonsert m.m. av Aram Chatjaturjan Torleif Thedéen, cello Staatsorchester Rheinische Philhamonie Daniel Riaskin, dirigent CPO 555007-2 Betyg: 4 JEAN-EFFLAM BAVOUZET PLAYS SCHUMANN Pianomusik av Robert Schumann Jean-Efflam Bavouzet, piano CHAN 20081 Betyg: 3 JÓN LEIFS - EDDA II - THE LIVES OF THE GODS Oratorium i sex delar av Jón Leifs, op. 42 Islands symfoniorkester Hermann Bäumer, dirigent Schola Cantorum, kör Sångare: Hanna Dóra Sturludóttir, Elmar Gilbertsson, Kristinn Sigmundsson BIS-2420 Betyg: 3 Musikrevyn möter: Världscellisten Truls Mörk - "Cellon är ett uttrycksinstrument" Tankarna går lätt till sång när man ser den norske cellostjärnan Truls Mörk spela. Han andas in innan varje fras som om han tog luft för att sjunga den. Från och med i höst är Truls Mörk är ny artist in residence i Berwaldhallen i Stockholm. Musikrevyns Jack Lantz träffade honom och pratade om kopplingen mellan sång och cellomusik och varför det är så jobbigt att resa med cellon. Johans bästa: Succéartad Korngold-opera på dvd Musikrevyns programledare Johan Korssell väljer sina favoriter ur den aktuella skivutgivningen. Den här veckan gläds han åt att Erich Wolfgang Korngolds magnum opus "Das Wunder der Heliane" äntligen har fått den vokala och orkestrala strålglans som det förtjänar. Nu kommer nämligen regissören Christof Loys omtalade uppsättning från Deutsche Oper i Berlin på dvd.

Par Fabienne Stahl, chargée de la mission valorisation et rayonnement des collections au musée Maurice Denis. Les Nabis ont été profondément imprégnés par la musique. Passionnés par Beethoven, éblouis par l'art de Wagner, ils ont été étroitement liés au monde musical de leur temps, nouant de fécondes amitiés avec des musiciens et compositeurs, tels Ernest Chausson, Claude Debussy ou Claude Terrasse. L'inspiration musicale, sensible de leurs débuts à leur maturité, trouve sa pleine expression dans les décors, dont le plafond de la salle du Théâtre des Champs-Élysées est un des exemples majeurs.

Der frühverstorbene Ernest Chausson schuf mit seiner Symphonie in B-Dur einen Höhepunkt der französischen Symphonik. Auch Chaussons "Gedicht von der Liebe und dem Meer" ist ein Meisterwerk an der Schwelle von Spätromantik zum Impressionismus. Alexandre Bloch und das Orchestre National de Lille musizieren die traurig-schönen Werke auf einer Veröffentlichung des Labels Alpha klangfarbenschwelgerisch.

Donald Macleod explores the friendships, influences and struggles in the life and work of Ernest Chausson. Amédée-Ernest Chausson grew up in Paris during a period of great political, social and economic upheaval in France, from the outbreak of the Franco-Prussian War to the advent of the Third Republic. His family, however, was materially little affected, profiting from their involvement in Napoleon’s remodelling of the medieval city into wide open boulevards. Living a bourgeois lifestyle amongst the salon society of the mid-nineteenth century, they boasted an extensive art collection in their family mansion, where Chausson later remained with his wife and children. Supported by a private income unlike most of his creative peers, he was able to devote himself to composing with no financial pressure. But Chausson’s life wasn’t without a care in the world. Critics saw him as a dilettante, and his relatively small output reflects the agonies of doubt in his mind. He battled to find his own voice at a time when Wagner had cast a long shadow over French music - his only opera took almost ten years to complete. This struggle for artistic recognition was only just turning a corner when he died unexpectedly at the age of 44 in 1899. In this episode, Donald Macleod looks at the cultural advantages of Chausson’s family circle, fostering his passion for art which he indulged at home and on his travels. He uncovers Chausson’s musical friendships with Debussy and Franck, and his struggles to create – the torment of writing a symphony, and how enchanted forests, myths and legends inspired his rare forays into the world of theatre. Music featured: Pièce for cello (or viola) and piano, Op 39 Sérénade italienne; Les papillons; La dernière feuille, (7 Melodies, Op 2) La caravane Serres chaudes, Op 24 Poème for violin and orchestra L’aveu; Apaisement, Op 13 Andante and Allegro Viviane, op 5 Piano Trio in G minor, Op 3 (4th mvt) Symphony in B flat, Op 20 (3rd mvt) Sicilienne, Op 21 4 Mélodies, Op 8 Symphony in B flat, Op 20 (1st mvt) Poème de l’amour et de la mer, Op 19 La Nuit, Op 11 Chanson perpetuelle, Op 37 Soir de Fête, Op 32 Piano Quartet in A major Op 30 (1st mvt) La Légende de Sainte-Cécile, Op 22 (Act 3 Finale) Dans la forêt du charme et de l’enchantement, Op 36 no 2 Excerpts from La Tempête; La Légende de Ste Cécile; Le roi Arthus For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Chausson: https://www.bbc.co.uk/programmes/m000092k And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Mit nur 44 Jahren wird der französische Komponist Ernest Chausson Opfer einer unausgereiften Technik und kommt während seines Sommerurlaubes ebenso überraschend wie tragisch ums Leben.

Waar liggen de grenzen van de klassieke muziek: jazz, world, experimental, en welke klassieke componisten zaten graag op de fiets? Presentatie: Aad van Nieuwkerk

Celebrando su cuadragésima quinta temporada musical, el Ensemble Musica Camerata Montréal presentará este próximo 14 de marzo algunas obras de los maestros franceses Camille Saint-Saëns y Ernest Chausson. Para esta ocasión, los artistas que se presentarán en la escena de la Capilla Histórica del Buen Pastor, en Montreal, serán el violinista Luis Grinhauz, el violonchelista Sylvain Murray, la pianista Berta Rosenohl, y tendrán como invitado al violinista Victor Fournelle-Blain.

Jessa Runciman speaks to Taylor Strande about her decision to become a soprano, the vocal challenges of performing chamber music (especially at a high altitude), and her emotional connection to Ernest Chausson's "Chanson Perpétuelle." Strande's performance of the work at Rolston Recital Hall follows.

Ernest Chausson, der eigenwillige Komponist mit seiner unverwechselbaren Tonsprache, gilt heute als Wegbereiter des Impressionismus.

Walter-Küne: Fantasy on Tchaikovsky’s Eugene OneginChausson: Concerto in D Major for violin, piano, and string quartet, Op. 21Had circumstances been different, Ernest Chausson might well have become one of the most important French composers to bridge the Romantic and modern eras. Chausson led a comfortable upper-class life, studying law at his father’s encouragement prior to taking up composition in his early 20s. He studied with Massenet and then Franck at the Paris Conservatory, and made rapid progress. Still, there was no pressure on Chausson to make a living as a musician, and his output was modest. Chausson did leave behind a number of works that have found a foothold in the repertoire, among them the chamber piece on today’s program. Though it is a work for six instruments, Chausson’s odd title is far more fitting a name than “sextet”. The violin and piano are clearly the stars here, with the quartet acting like a miniature orchestra. Before the Chausson, you will hear Walter-Küne’s Fantasy on Tchaikovsky’s Eugene Onegin. A professor at the St. Petersburg Conservatory, Walter-Küne composed a number of fantasies on operatic themes, a number of which remain favorites with harpists today.