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Beyond the bamboo trees and deep in the jungle of the Tiki Lounge in Pittsburgh, PA's Southside neighborhood, the 14-year tradition of @2steptues lives on. 2 Step Tuesday was founded by Miaa Rigby to shine a light on the sounds of UK Garage in the Pittsburgh music scene and DJ culture with their weekly party traveling around the city. This mix is a live recording from this party. In this special guest mix, PGH Beat Night founder, DJ, and producer NOCASINO, takes you on a journey through 2-step and gospel house selections with groove-worthy tracks that made it into the pot. Let him know if you're feeling this and want more. Enjoy. ---- Follow N0CASINO ◊ Soundcloud: @no-casino ◊ Instagram: https://www.instagram.com/nocasino ◊ SoundClick: https://www.soundclick.com/nocasino ---------- Follow https://MSYH.FM » Visit us at MSYH.FM » https://twitter.com/MSYHFM » https://instagram.com/MSYH.FM » https://facebook.com/MSYH.FM » https://mixcloud.com/MSYHFM ---------- Follow Make Sure You Have Fun™ ∞ www.MakeSureYouHaveFun.com ∞ https://twitter.com/MakeSureYouHave ∞ https://instagram.com/MakeSureYouHaveFun ∞ https://facebook.com/MakeSureYouHaveFun
A new story chased by our best friends at the Weekly Bugle. Written and Produced by Julie Hoverson Cast List Leona - Robyn Keyes Theo "Smoothie" Walsh - Henry Mark Chief - Julie Hoverson Forsythe Dickman III - Mark Olson Farmer Hadley - Garr Godfrey Daisy - Cailean Evedus Bartender - Charles Austin Miller Desk Clerk - Brown Monkey's Old dude Second Demon - Sherman bear Reporters - Bryan, Wes, and Uncle Randy of Drunken Zombie, plus Brown Monkey Music by John Woodward Editing and Sound: Julie Hoverson Cover Design: Les Clay "What kind of a place is it? Why it's a familiar newsroom, can't you tell?" ******************************************************************** A Telegram ...to Satan! Cast: Leona Theo "Smoothie" Walsh Chief Forsythe Dickman III Reporters Farmer Hadley Daisy LuLu Reporters OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's a tabloid bullpen, can't you tell? MUSIC Scene 1. SOUND PEOPLE ON PHONES, moving through the room REPORTER JUNE How many mummies? [dubious] Uh... we can't send a photographer for less than eight. REPORTER BOB So can we quote you on the health benefits of nude white water rafting? REPORTER KATHY We just want to give you a chance to tell your side of the story, doctor... REPORTER FRED And when the wax was ripped away, it left an image of jesus in your chest hair? Scene 2. CHIEF Shut the door. SOUND DOOR SHUTS THEO Where's Leona? CHIEF She'll be here in a minute. Wanted to say something to you first… just the two of us. THEO [a little worried] Yeah? CHIEF You're a cute young guy, Theo... THEO [starting to panic] Uh... CHIEF You seeing anyone right now? THEO I'm kind of ...married to the news. CHIEF I know the feeling. THEO Uh...! CHIEF It's a nice sentiment, but you can't let the news rule your life, sweetheart. THEO Uh. When is Leona gonna get here? CHIEF What are you doing on Friday night? THEO Uh... Uh... I ... CHIEF Cause my niece really really needs someone to take her to her senior prom, and I figure if you're married to the news, you're about as safe as they get. THEO [relieved] Oh! ah! I can clear Friday night. CHIEF It's either you or Forsythe Dickman the third, and I really don't want that greasy bastard within a city block of my poor little Aida. THEO Who? CHIEF But you didn't hear that from me. SOUND DOOR OPENS THEO Dickman? DICKMAN Yeah. THEO [gasp] Oh! I thought it would be Leona. SOUND DOOR SHUTS CHIEF Smoothie Walsh, meet Forsythe Dickman the third. His grandpa just picked up half the business. DICKMAN Things are gonna run a little different around here. THEO Oh. Is that good? CHIEF [insincere] Sure it is. We're just tickled to death to have some new blood in at the managerial level. SOUND DOOR OPENS LEONA Oh. SOND DOOR SHUTS AGAIN THEO Leona--? She left. CHIEF Musta forgot something. DICKMAN Is that Leona Pope? [chuckle nastily] I think she remembered something. THEO Should I ...go? CHIEF No, I was about to drop a lead on you. DICKMAN I hope you have something good. CHIEF Oh, are you staying? DICKMAN Gramps wants me to learn the tabloid business from the very bottom. So yeah, I'm staying. MUSIC Scene 3. AMB ROOF SOUND LIGHTER, SMOKING THEO [off] Leona? LEONA Are you alone? THEO Uh, yeah. LEONA Come on up, then. THEO That's a little far out on the ledge, isn't it? LEONA It's the only place for miles around that's far enough from a door to legally smoke. THEO Oh. [beat] We have an assignment. LEONA We as in you and me, or is there more "we" than I'm aware of? THEO Uh, no. Were you expecting someone? LEONA [sigh] I'll come down. MUSIC Scene 4. SOUND IN CAR LEONA What's the story? THEO I was about to ask you the same thing. LEONA [grr] The story we're supposed to go and get. THEO Oh! Cattle mutilation. It's a bit of a drive. LEONA And Dickman? THEO No. He's got a story of his own. LEONA Which is? THEO [a bit envious] The Weed-Whacker killer. LEONA Figures. Dickman gets the latest serial sensation and we get cow guts. THEO Well, it's actually-- LEONA That jackass gets everything he wants. Almost. THEO Sounds like you have a history. LEONA Used to have an entire curriculum. THEO Huh? LEONA [getting annoyed] History. Chemistry. Biology... [disgusted] Drama. MUSIC Scene 5. AMB FARM LEONA Bucolic. THEO I've never been on a farm before! LEONA I've worked hard to avoid them myself. HADLEY Hallooo! You must be the folks from the World Bugle! THEO Must we? Ah, yes. We must! I mean, that's us! LEONA [flat] Show us the cows. HADLEY I'm Mr. Hadley, and this is Lulu. LULU [goat] Maaaa. LEONA Don't try and tell me that's a cow. HADLEY No, no. Lulu's a goat. They're better than dogs. They can stand guard, fetch, and they're very loyal GOAT Maaa. LEONA You tell him. Show us the cows. HADLEY She can even fetch – here. THEO A ball? Should I throw it? HADLEY Nah – just hold it up. Fetch Lulu! LULU MAAA! SOUND THUMP THEO Ow. HADLEY And now she gets the ball. Just a little goat humor. SOUND BRUSHING OFF, GETTING UP THEO [sigh] Tell us all about this problem you're having with your cattles being... mutilated. LEONA Cattle is already plural. HADLEY Come along and you can see for yourself. THEO Ew? I mean - it's been a couple of days. Won't they be a bit ... ripe? LEONA [musing] Really quick shutter. THEO What? LEONA Catches all the flies in mid-flight. THEO Ewwww.. HADLEY Oh, are you thinking my cows are dead? Oh. No. Come on. MUSIC Scene 6. LEONA [stunned] And WHEN did this happen? THEO How many are there? HADLEY Five. Bessie, Buttercup, Wilamina, Miss Amoorica, and Fred. LEONA You have a cow named Fred? HADLEY She's had a hard life. THEO And all five of them have these... HADLEY Big tattooed triangles. Yep. LEONA Does it go underneath, too, or just end there? HADLEY Nope. Each one has her entire left flank covered in this...ink. THEO And it's not just paint? HADLEY Nope. LEONA Humh. Punk cows. Next thing you know, they'll be going for nipple piercings. THEO That would really be -- LEONA [trying not to laugh] An udder mess. THEO Ew. This doesn't look like something that happened overnight. HADLEY Nope. Someone's a-sneaking in each night and doing it. LEONA And they got THIS much done before you noticed? HADLEY What can I say? I'm a right-sided milker. MUSIC Scene 7. SOUND WALKING IN MUD THEO Ah, nature. LEONA One thing you can say for nature. It stinks. THEO That's the smell of life! LEONA No, it's the smell of the cowpie you just stepped in. THEO Ew. Hey look! Someone's coming! LEONA Is it Lulu? THEO No! [excited] It looks like a girl! LEONA Can't you tell? DAISY [off, calling] He-ey! THEO Hiya! LEONA [hissed, hinting] Interview. Witness. Stay on task. THEO What? SOUND SLAP THEO Right. Hello, miss--? DAISY [running up, panting] I'm Daisy! THEO Yeah? LEONA [hissed] Does she live near here? THEO Do you--? DAISY I'm just one farm over. THEO Oh. Good. LEONA Does she know anything about the cows? DAISY Huh? THEO HuH? LEONA Tell you what. We're gonna play blindfold questions. DAISY That sounds like fun! THEO What? [muffled] Hey, what are you doing? [clear again] But I can't see anything now! LEONA That's the idea. DAISY Who are you folks anyway? I never got a chance to-- THEO We're from the World Bugle. Investigating the cows. DAISY Oh! The tattoos? THEO Yeah. Are they happening at your farm too? LEONA Turn to the left, just a bit. THEO Huh? LEONA You're talking to her shoulder. THEO Ah. DAISY Well, no, ain't no one else in the valley having the same problem. And no one can figure out how it's happening, nohow! THEO No one knows how he's doing it? DAISY He? Do you know who it is? THEO Just reporter shorthand. Playing the odds. [serious sounding] Most of these kind of... uh "perps" are male. 82%, in fact. LEONA Nice fake. DAISY Wow! THEO Not that we rule anyone out. You could even be the one doing this. DAISY Not me! I can't even draw a cow. [sudden interest] Who's that? LEONA Who? Shit! My turn for the blindfold. SOUND WHIP OF FABRIC THEO [Baffled] Leo? What? Why are you tying that over your whole face? LEONA [muffled] Shut up! DICKMAN [coming on] Finally some sign of life out here in the hinterlands. DAISY I dunno where hinter's land is. Is he new around here? THEO [getting it] Oh! Hi, Mr. Dickman. DICKMAN You can call me Ace, kid. THEO [chummy] And you can call me Theo, Ace. LEONA [muffled] "Smoothie" THEO Shh. DAISY Can I call you Ace too? You look kinda familiar. Have we ever met? DICKMAN So, kid, who's the chick in the turban? THEO Oh, she's my new ... intern. Uh, she's -uh- devout. Can't show her face. DAISY But she had it off-- LEONA [zhagareet - high pitched warble] THEO [running over] We're very equal-opportunity at the world bugle, you see. DAISY Say, you look kinda like Clint Eastwood. Are you related to Clint Eastwood? DICKMAN [ignoring Daisy] Does she speak English, at least? THEO Only to people she's been... properly introduced to. It's very ...protective. DICKMAN Doesn't make for much of a reporter. THEO [warming to his lie] That's why she's learning to take photographs instead. [talking loud and slow like he's talking to someone foreign] Take picture now? Show? LEONA [muttered and muffled] I got something to show you-- THEO [snap] Jasmine? Take picture! LEONA [sort of vaguely pakistani] oh, yess. Picture take i. SOUND SNAP DICKMAN Hey! You didn't need a flash! It's broad daylight! Right in my damn eyes. SOUND SNAP LEONA Many apologies! DAISY Wanna take a picture of me? DICKMAN [stalking closer] Hey! That camera - it looks kinda familiar. THEO [covering] Oh! They all look alike. LEONA [panicking] uh -- No more talk. Time to pray. SOUND DROP TO THE GROUND LEONA [muttering, muffled] THEO You better not bother her now. She gets these breaks a - a bunch of times every day. It's freedom of religion, man. DICKMAN I'm sure I've seen her before. And she ain't no -- THEO ACE! Don't use that kind of language! [whispered] You could get us sued! LEONA [MUTTERS LOUDER] DAISY Can she take a picture of ME when she gets up? MUSIC Scene 8. AMB QUIET HOTEL ROOM THEO That was kind of... LEONA Mortifying? THEO Well... You don't know much about other cultures, do you? LEONA I only had to fool him, and he knows less. [annoyed] It's kind of like if you and I ever run into a lion - I don't have to outrun the lion... I just have to outrun you. THEO Are there a lot of lions in - [getting it] Ohhh... [moment of awkward silence] LEONA I suppose you're wondering about all this. THEO No. LEONA It's the most embarrassing episode of my life. THEO Oh. I wouldn't want to pry. LEONA Back when I was young and foolish. THEO [astonished] You were young? LEONA And that disgusting hunk of manhood swept me off my girlish feet... THEO [getting a bit weirded out] girlish? LEONA He was so confident... THEO Uh, Leona... LEONA So self assured... THEO Come on, Leona. LEONA And when he walked away that dark and stormy morning, leaving me lying in a puddle of my own tears... THEO Please stop. LEONA [snarl] He walked away with the best scoop I'd ever had. THEO [relieved sigh] Oh! LEONA That's why you can't tell him anything about our story. Not one iota. THEO Why would I, I don't plan to-- LEONA He'll knock on the door any minute now. SOUND KNOCK THEO Wow! LEONA Take him to the bar. THEO But what do I do? LEONA Get him drunk. Keep him talking. SOUND DOOR CHAIN LEONA [sharp whisper] Oh, and while you're distracting him— THEO Distracting? LEONA Yeah. See if you can steal his story! MUSIC Scene 9. AMB BAR DICKMAN This is the life, eh? Just us guys. Us reporters. No one understands the loneliness… THEO Uh, yeah. DICKMAN The mantle of responsibility we don every day-- THEO Really? DICKMAN Our responsibility to the public! To keep them informed. THEO Oh! Is that why your – uh – family bought into the World bugle? DICKMAN Nah. Grandad just loves Ratboy. THEO Oh. [trying to be subtle] So...how goes it with the weed-whacker? DICKMAN [suspicious] Hey – you trying something? THEO No! Just thought… uh… I might be able to [uncertain] Help? DICKMAN I don't need any help. THEO But I might have heard something. A lead. DICKMAN [skeptical] Reeeeally? THEO Oh, yeah. [warming to it] I overheard something. Recently. About –uh – [lost, then bright idea] about someone buying a lot of weed whackers! DICKMAN Really? And what could possibly make you think that he would need more than one weed whacker? THEO He? DICKMAN Playing the odds. 82% of these perps are male, you know. THEO Oh, yeah. I know. DICKMAN [intimidating] But what made you say that? THEO Its just what I heard! Really! DICKMAN [relenting] Cuz that's a detail the police have insisted on keeping back from the public. THEO Oh! MUSIC HOTEL CLERK May I help you? LEONA [talking in a fake deep voice] Package for Mr. Dickmam. What room is he in? HOTEL CLERK I can accept that for him. LEONA No. uh – it's special delivery. From the head office. HOTEL CLERK I can page him. LEONA Can't wait. Must stay… refrigerated. Plus, he's probably out on assignment-- HOTEL CLERK I think he's just over in the bar. LEONA [sigh, drops the voice] Fifty bucks? SOUND MONEY SLAPPED ON TABLE, SCOOPED UP HOTEL CLERK [low response] Here's the spare key. Have a nice day! MUSIC Scene 10. AMB BAR THEO --And he woke up with a donkey's head! DICKMAN What, like in the bed next to him? THEO No, this is Shakespeare, not the Godfather! Like his head was a donkey's head. DICKMAN [musing] Shakespeare WAS the original godfather. I think you might have a story there. THEO Still not as good as yours! DICKMAN When you been in the biz as long as I have… SOUND PHONE RINGS, ANSWERED BARTENDER No, sorry. We don't serve those here. DICKMAN [nasty laugh] Must be talking about your “sidekick.” THEO Ew! BERTENDER Oh, someone NAMED Smoothie. I'll check. [up] Is there a-- THEO [quick, sharp] It's for me! DICKMAN Smoothie? THEO Code name. Top secret. [to phone] Yeah? Yeah! Oh yeaaaaahhhhh. SOUND HANGS UP DICKMAN Yeah? THEO Yeah. Gotta go. The –uh- cows came home. MUSIC Scene 11. AMB NIGHT, PASTURE THEO We always seem to end up outside in the dark waiting for dangerous people. LEONA That's where the stories are. THEO Did you find out anything? LEONA Just that he's got nothing. [chuckles] THEO Isn't that bad for the paper? I mean, they still need stories! LEONA Puppy. [gasp] Look! THEO Lights! Is it aliens? LEONA Coleman. THEO Who's Coleman? LEONA A lamp. It's just the farmer. He must have the same idea we do. THEO We do? LEONA To keep watch until the vandal shows up. THEO Would this fall under vandalism? Hmm… I guess cows count as property. LEONA Shh! Look! THEO He's just going in to check on them. SOUND Mooooo THEO That didn't sound happy. LEONA They're cows. They don't really “do” happy. THEO Hey, where's Lulu? LEONA Lulu? THEO The goat- he said she follows him everywhere. LEONA I dunno. Sleeping? THEO Let's get closer to the barn. MUSIC Scene 12. AMB BARN THEO [whispering] I told you there was something wrong with a man who would leave his goat behind! LEONA If I had a nickel for every time I've heard… SOUND Bzz. Mooooo! THEO [standing up] How dare you! LEONA Oh, boy. HADLEY/DEMON Who dares disturb me at my work. THEO Uh… does he sound different? LEONA I'll be in the bushes – uh – stall. HADLEY/DEMON Come forward, mortal. THEO uh-- LEONA He means you. [uh - pushing him] SOUND PUSH, HE STUMBLES FORWARD THEO [whisered] What do I do? LEONA Interview him. It. Nah, think of it as a him – less scary that way. HADLEY/DEMON What do you want? THEO [gulp] I -- want to hear your side of the story! HADLEY/DEMON Story? THEO Uh, clearly you're doing something here – and very artistically, I might add – but I can't imagine a … s-something, such as yourself doing it for no reason. You must have a … a purpose. The people want to know! LEONA [hissed] step to the left! THEO Huh? LEONA You're blocking my shot! HADLEY/DEMON You think you will shoot me? Muhahahaha! Mortal bullets will have no effect! THEO no! no! not shot shot. Just picture shot. LEONA [whispered] Stay in the light - in case he eviscerates you. HADLEY/DEMON Pictures, yes. I make pictures too. THEO Right! What are they for? HADLEY/DEMON For? They are a summoning! When the ring is complete, he will come! THEO [shock and awe] Satan? HADLEY/DEMON [matter of fact] Nonsense, he's much too busy. That's why I'm here. [demony again] NO! It is the renegade that I am here to summon. I have been placed in his path and he will be mine! SOUND CAMERA CLICKS HADLEY/DEMON [petulant] If some people will go away and leave me to my work. THEO maybe we can help? LEONA [whispered] Ixnay! Otnay our Objay! HADLEY/DEMON Help? You? THEO I mean, if you will spend a little time maybe telling us more about what you're doing? HADLEY/DEMON Hmm…. [thinks long] Which do you think is my good side? MUSIC Scene 13. AMB OUTSIDE, DAY THEO We should tell him! He must have been drugged, or delusional, or sleepwalking! LEONA [assured] Possessed. THEO or sleepwalking. LEONA Possessed makes for a better story. THEO Oh. LEONA Did you have the mini recorder with you? THEO Uh, no. LEONA Dammit Smoothie! THEO I did ... something else with it. LEONA What? THEO Let me see if it worked first. LEONA [sigh] whatever. What's important is to figure out what questions to ask this demon possessor when we talk to him tonight. THEO Tonight? LEONA Meanwhile, we can get some quality time with the girls. THEO Girls? You mean like Daisy? LEONA No, I mean like Fred. MUSIC Scene 14. AMB BARN SOUND Moos THEO Oh, those girls. LEONA Shh. You'll put them off. THEO What are we doing here? LEONA Getting glamour shots. What else? Move that one in behind the one with the white ear. THEO Why don't we ask farmer Hadley to help with this? I don't know anything about cow maneuvers. DICKMAN [off, hding] [Laughs] LEONA [starts to laugh, then cuts it off with a snarl] THEO Holy cow! LEONA Five of them. Come out, Dick. DICKMAN Leona? And here I thought you'd converted. THEO Maybe I should leave you two alone? LEONA Yeah. I'm a transformer. {nyea-uh-uh-ow – transformer noise] Just call me optimus kick your ass. THEO Help me out, Fred, They're not listeneing. SOUND MOO, LICK THEO Ew. [up] We should go back to the – things to do – back at the hotel? LEONA No. I want to know why this notorious poacher is hanging around our story? Could it be because he's stumped on his own? DICKMAN Im never stumped. I'm [thinks, then nasty triumph] I'm multitasking! LULU [outside] Maaaaa THEO Hey guys, here comes Lulu! Better be nice. DICKMAN Who's LuLu? Is she that dishy Barbie in the teensy cutoffs from yesterday? LEONA [chuckles] Nah, she's even more perfect for you. DICKMAN [suggestive] Hot, stupid and has a great story? LEONA [taking it personally] I was never hot – I mean, I was never STUPID! SOUND DOOR OPENS THEO [loudly, trying to break up the fight] Oh, Farmer Hadley! Lulu! How nice to see you both! LEONA Here Dickman. Hold this. Lulu, fetch! LULU Maaaa! DICKMAN What's with the ball? Ow! SOUND THUMP, BODY DROP MUSIC Scene 15. AMB BARN, NIGHT THEO He said he'd explain the whole thing tonight. LEONA Smacks of super villain rhetoric. THEO Huh? LEONA You know, all that “Before I kill you, Mister Bond” crap. THEO Kill? HADLEY/DEMON Oh, yes, I am here to kill. THEO [gasp!] LEONA [gasp] I'll be in the hayloft. HADLEY/DEMON {chuckles] I thought you might like a sound bite for your show. THEO Uh, we're print news. HADLEY/DEMON Too bad. That would have been sweet. THEO But we do have a website! LEONA But he wasn't recording. HADLEY/DEMON [disgruntled] Well, stay out of my way, then. THEO You said tonight you would reveal all. LEONA I'll get the wide angle lens. HADLEY/DEMON Tonight I will return an escaped soul back to hell!!! LEONA Is his name Dickman? HADLEY/DEMON He's not an escapee. But we have him on our radar. THEO Ew. LEONA Good. HADLEY/DEMON No, this is a soul that escaped and is even now cutting a swath across the country! THEO and LEONA [unison] The weed-whacker!? LEONA [musing] Scooping him is almost better than sending him to hell… HADLEY/DEMON These cows are the living, breathing summoning spell. Watch as I circle them up, nose to tail-- LEONA Facing widdershins, I see. THEO Huh? LEONA Anti-clockwise? THEO Oh. HADLEY/DEMON It's a satanic thing. THEO Ahh. LEONA Omigod! HADLEY/DEMON [slightly offended] Please! LEONA Just an interjection. I see it all now! I relaly do need to get up into the hayloft! THEO Why? HADLEY/DEMON Why don't you both go up there and observe? THEO Uh, okay. LEONA Come on! SOUND CLIMBING LADDER HADLEY/DEMON [begins the chant] loren ipsum dolar sit amat… THEO What am I supposed to see? LEONA Look down! SOUND SNAPPING PHOTOS, THROUGHOUT THEO Uh...Cows. LEONA and? THEO Oh! Oh, wow! When they're all in a circle like that, with the tattooed triangles on the inside, it makes-- LEONA A pentagram. Yeah. Trippy. SOUND DOOR OPENS, OFF THEO Did you hear that? LEONA Hear what? SIOUND CAMERA STILL CLICKING AWAY THEO I'll go check. LEONA [absorbed in her work] Yeah, yeah. SOUND CREAKING AS THEO MOVES THEO [muttered] I think it was over … here? DICKMAN [muffled a bit, dictating] Investigating strange noises in the barn, hoping that the killer was hiding out, I courageously – no, scratch that – with no thought for my own safety, just the safety of the world, I pressed on. THEO [to self] Oh, heck! [quiet, calling] Leona? LEONA [snapped hiss] Busy. THEO Oh, boy… SOUND OTHER DOOR SLAMS OPEN HADLEY/DEMON [Cuts off in mid-sentence] [dramatic] You! WW DEMON [dramatic] Yes, it is I! HADLEY/DEMON [matter of fact] I'm here to take you home, Jerry. WW DEMON I don't wanna. HADLEY/DEMON Too bad. Get in the box. WW DEMON [huffy sigh] Fine. But I'm going because I want to and not because you told me to. HADLEY/DEMON Yup. Just like the last four times. whatever. SOUND SORT OF A WHISTLY NOISE DICKMAN Is that it? HADLEY/DEMON Yeah. Why? DICKMAN Seems anti-climactic. HADLEY/DEMON Who do I look like? Peter Jackson? Gotta go, then. [to Leona] One mor pic before I drop this carcass? SOUND CLICK DICKMAN [stunned] You! LEONA [sneering] You! THEO Uh, guys--! SOUND WEIRD SWIRLY NOISE DICKMAN This is my story, Leo. But I'll let you in as my photographer. THEO Guys??? LEONA I'll give you a shot. But not from my camera! SOUND WEIRD SWIRLY NOISE GETS LOUDER THEO I'll be in the bushes. SOUND WEIRD SWRILY EXPLOSION Scene 16. EXPLOSION TURNS INTO "on tape" SOUND CLICK, turns off CHIEF [concerned] Is Leona's film okay? THEO Oh, yeah. It was the weirdest thing, too - no one was actually hurt, but they all had this weird blackout period. I guess I got away early enough to miss most of it, but even I don't rmember everything on the tape. CHIEF Waitaminute - didn't you say in there somewhere that you didn't have your recorder on you? THEO Uh, yeah... SOUND DOOR OPENS, LEONA ENTERS LEONA Here's those photos. SOUND SLAPS THEM DOWN CHIEF [going through] yeah, yeah. Yeah - OHHH! Nice goat. Yeah, yeah. Cute. Holy crap! LEONA [chuckles] THEO Hwat - what was that? CHIEF I take it this compromising picture of Forsythe Dickman the third has some little part in why you got his story without him arguing at all? LEONA [overly innocent] Nah - he just admitted that it was all one story from the beginning, and since we did all the work-- THEO [confidential] It was really hard, getting the goat to stand still for the picture! CHIEF you didn't- uh - I mean, that poor goat! LEONA Nah, once we got her into the tutu - it's all in the lighting. THEO Was harder to dress Dickman. CHIEF Well, get out of here and write up your story-- My personal shopper Pierre is gonna be in here any minute - Wednesday is intimates. LEONA Going. Now. SOUND THEY RUSH OUT Scene 17. REPORTER FRED Oh, please, you're the fourth Hitler sighting this week! REPORTER KATHY Are you sure these tiny people who appear when you drink from your magic bottle aren't just ...uh... D-Ts? REPORTER BOB And you're willing to wear that fur suit and infiltrate the secret hideout? Do you know the paw-shake? SOUND HANG UP PHONE REPORTER JUNE [excited yell] Aliens are landing in Branson!!! They're demanding tickets for Dolly! END
Here's everything you need to know to become a successful music producer.▶️ Get the gems you need to start creating beats and earn a passive income. Watch the free workshop, it's less than 30 minutes. The Producers Blueprint ▶️ https://www.aspireproducerslab.comToday on Platinum Lyrics and Beats we're going to talk about how to choose the best beat selling platform.OK, We have our dope beats ready! We produced them and they are mixed and mastered and we made sure we copyrighted and registered them online.Now we are looking to putting them on the web, share them with the world, and make some passive income. But we want to pick the best beat selling platform. This wouldn't be so difficult if we only had one site to choose from. But if you google beat selling websites, you'll see about 15 to 20 platforms pop up.You got Airbit (My favorite right now) Beatstars, SoundCloud, Distro kid, and SoundClick just to name a few.They all do pretty much the same thing but some of them have features that stand out and are a must have.I will share with you the top three features you must have that would be most valuable to you when choosing your own beat selling website.Let's get it!In this episode you'll learn:Why choose a beat selling website that will collect email addresses is so important Why choosing a site that is user-friendly can be beneficial Why choosing a platform that promotes your beats to other media outlets is keyI hope this adds value. - Treboey
Sometimes "reality" TV takes it one step too far. Sometimes two steps. Sometimes a flying leap. WARNING: IMPLIED VIOLENCE AND TORTURE Written and Produced by Julie Hoverson Cast List Announcer - Frankenvox Alison - Beverly Poole Bart - Michael Faigenblum Carl - Mike Campbell Debbie - E. Vickery Ms. Sheldon - Sharon Delong Tanya - Tanja Milojevic Mom - Shayla Conrad-Simms Dad - Reynaud LeBoeuf Son - Eli Nilsson Fred - Joel Harvey Bob - Glen Hallstrom Helen - Helen Edwards June - Shelbi McIntyre Kathy - Kim Poole Additional Voices - Russell Gold; Julie Hoverson Music by Brian Bochicchio (Seraphic Panoply) Show theme: Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson Cover Design: Brett Coulstock "What kind of a place is it? Why it's right here, right now, can't you tell?" ************************************************************************ IDIOT BOX Cast: [Opening credits - Olivia] TV Announcer Alison, chipper Bart, sullen Carl, upbeat, hearty Debbie, nervous, angry underneath Ms. Sheldon, executive producer Tanya, in the sound booth Family - mom, dad, teenage son Bar - Fred, Bob, Helen Dorm - June, Kathy OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's right here, right now, can't you tell? MUSIC SOUND THEME MUSIC ANNOUNCER last week, in the record-breaking debut of The Box, we were introduced to our four contestants: ALISON [chipper] I'm Alison, from Santa Monica. Hi, mom! CARL [hearty] Carl, from Atlanta - home of the Cartoon Channel!! DEBBIE [nervous] Debbie, from Salem. Uh, Oregon. [quickly] Salem Oregon. BART [sullen] Bart, Minneapolis [disgusted sigh]. ANNOUNCER The rules are on the screen now for all you viewers out there, to cover the formalities. They are also available on our website at [spelled out superfast] w-w-w-dot-s-k-i-n-n-e-r-i-d-i-o-t-b-o-x-dot-com. AMB FAMILY LIVING ROOM SOUND CHIPS EATEN FROM BAG ANNOUNCER [TV] And after this brief message, we'll show you the results of last week's voting. SOUND CLICK OF REMOTE SOUND POPCORN POPPING IN MICROWAVE MOM [off] You better not have turned that off, hun! SOUND MICROWAVE DINGS DAD Just muted. Sick of all these ads for freaking erectile dysfunction. If anything's going to give a guy man-trouble, it's having to watch all those damn ads. SOUND POURING POPCORN INTO BOWL SON Ew, dad. T-M-I. MOM [coming in, munching popcorn] The one I hate is that smiling guy. His wife just looks so scared all the time. Almost as creepy as the King. SON Am I adopted? Please say yes. DAD Ooops, back on! ANNOUNCER [TV] Did everyone vote? MOM I certainly did! SON Mom? [disgusted noise] Why? ANNOUNCER [TV] The voting is closed, the tabulations have been made, and the scores are coming up on the screen now. MOM [over the announcer] Why not? I want that nice young girl - the blonde - to win. She's very wholesome. ANNOUNCER [TV] And it looks like today Alison has been selected! MOM [satisfied] There! ANNOUNCER We have Alison in the studio now - let's see how she takes it. SOUND LIGHT MUSIC, ON THE TV SEGUES INTO REALITY ANNOUNCER Hello Alison! Say hi to everyone! ALISON Hi! Hi mom! Dad! ANNOUNCER How's the first week been treating you? ALISON This place is great! ANNOUNCER Throughout the show, we'll be showing some of the fun you four have been having. Now, why don't you tell me what you think of your new friends? ALISON Oh, wow - everyone's really great. ANNOUNCER Don't you find Bart a bit... isolated? ALISON He's just self-contained. I'm sure he's a good guy, he just doesn't open up real easily. ANNOUNCER And Debbie? ALISON She's shy - a lot like my sister. Hi Vickie!! ANNOUNCER [chuckles] That's great. ALISON And Carl - well, he's a blast. He's always thinking up great stuff to do. ANNOUNCER Yesterday you had sole access to the Dairy Dan Amusement park. ALISON Oh, man - that was awesome! They closed the gates and we got to ride all the rides all day long - no lines, no crowds! Woo! ANNOUNCER You've been chosen. ALISON Woo! [stumbles] I - What? What? SOUND CONTROL BOOTH ANNOUNCER [TV] Please step into the box. ALISON [TV - gasp, then steels herself] Right. [somewhat bitter] Thanks America. SHELDON That's the shot - tight in on 2, now 3 - yes! Keep her face centered until she shuts the door. TANYA Got it. SHELDON Okay, keep the volume low on that. It's early yet - don't want to wear out the viewers... SOUND [TV] ELECTRIC SHOCK NOISE, SOMEWHAT BRIEF ALISON [TV - short scream] ANNOUNCER [TV] We'll be right back after the break to find out what today's challenge will be. AMB DORM ROOM JUNE Omigod! Omigod! Did you see that? KATHY [distracted] Hmm? No but I sure heard it - did they just do what I think they did? JUNE They just shocked the crap out of the blonde chick! KATHY Was there actually crap? JUNE [duh] She was in the box. Shh. It's coming back on. SOUND TV TURNS UP ANNOUNCER [TV] We'll be right back with more of The Box after these messages. SOUND SOUND DOWN AGAIN JUNE I hate when they do that. KATHY Shock someone? JUNE No, have the logo come up and make you think the show is back on. KATHY Yeah, that's much worse. JUNE You know what I mean! It was totally mean that they shocked her - she's the one who got the most votes! KATHY Isn't that what everyone was voting for? JUNE No! At least, I don't think so - I mean, I thought it was voting for who would win something cool. I ...voted for her. KATHY You actually voted? JUNE On the website, yeah. KATHY Of course there's a website. Maybe you should read the fine print. JUNE Oh, oh! It's back on! Jeez, look at her poor hair! SOUND TV UP ANNOUNCER [TV] Back to the interview room, to hear from Alison. ANNOUNCER [real] Before we go on, I need to point out, this is the only time you can choose to leave the show. Are you prepared to stay? ALISON [gulps, then quiet] Yes. [clears her throat, louder] Yes. [very shaky] That wasn't so bad. ANNOUNCER Excellent. Now I believe you recently graduated from college, Alison. What did you get your degree in? AMB BAR ALISON [TV] I'm a liberal arts major, with a minor in art history. FRED So she's unemployed, eh? ANNOUNCER [TV] And you are engaged to be married? BOB Too bad. All the cute ones are taken. Even with that weird hairdo. SOUND TV SWITCHED TO SPORTS FRED Hey, we were watching that! HELEN Why? It's awful, letting them mess with people on TV like that! FRED [scornful] It's not real. BOB Course it is - it even has a website! HELEN Puh-leez. Lots of things have websites that aren't real. BOB Name one. HELEN Pamela Anderson's boobs. FRED She got you there, pal. BOB C'mon - just switch it back long enough to see what today's challenge is? Please? HELEN Ya big softie, you. SOUND TV CHANGES BACK ANNOUNCER [TV] Carl, you got the second most votes this week - Do you have anything to say to the viewers at home? Obviously you're doing something right, to get so many votes. CARL [TV] I think it's just my sunny personality, Bob. People like winners, and I am a winner. AMB LIVING ROOM SON Weiner. MOM Language! SON [dismissive noise] Doesn't that dipstick know that most votes gets zapped? DAD Maybe he doesn't - they might not tell THEM everything, either. Makes sense. Why else would they be so excited? SON But that sucks! That sucks big time! Here they are, trying to be all cool and get people to vote for them, and they're like masterminding their own torture or something. DAD It's just a game, No one really gets hurt. MOM Well, I was kind of upset that Alicia-- SON Alison. MOM Yes, that she got shocked. I didn't know that voting for her would do that. I kind of feel bad now. SON Well, don't vote for her next time. MOM I certainly won't! ANNOUNCER [on TV] Well, we've spoken to two of our four contestants, and the voting is open for the halftime winner. Go on line now or text to-- SOUND TV MUTES, AMB/DORM SOUND COMPUTER KEYS KATHY What are you doing? JUNE Voting. KATHY Vicious much? JUNE No! I - I just don't want her to have to get shocked again. Damn! It only lets me choose one of those two - not the other guy. KATHY So you want to see him get shocked? JUNE Well, no, but I like him the least. KATHY Just cause you don't think he's cute. SOUND ONE LAST KEY JUNE Um, there. KATHY So who'd you vote for? JUNE The guy - the nice one - of course. I like him, too, but I don't want her to get shocked again. SOUND TV UP AGAIN ANNOUNCER [TV] Regular text messaging fees apply. And now‑‑ SOUND OMINOUS MUSIC ROLLS IN ANNOUNCER [TV, ominous] The moment in the spotlight. Will it be Alison or Carl? The voting closes in three minutes, so hurry up and make your vote count - if the lines are overloaded, make sure and try back - but be quick. [normal] While we wait, let's watch some clips from the preliminary interviews with the other two contestants. MUSIC ANNOUNCER [TV] And what are you studying? DEBBIE [TV] I'm - um - a poli sci major. FRED So she's gonna end up unemployed too. BOB Whatever happened to good old trade schools? FRED They're still around - just the trades aren't. You seen any cobblers in the U.S. of A recently? Nope. It's all farmed out to Pakistan and Koala Lumper. HELEN Lumpur. FRED Sez you. HELEN I can turn it off, you know. BOB Yeah - see now Helen here's got a job that can't be farmed out - long as there's guys like us, there's always gonna be bars, eh? FRED Until they invent a mixology robot. BOB Hey, the lights are flashing on the screen, must be something important. SOUND TV TURNED UP. SOUND OMINOUS MUSIC INTENSIFIES ANNOUNCER [TV; evil "suspense" pacing] And the one who got the most halftime votes. Will it be Alison, our stoic liberal arts major? JUNE Yes, yes - come on come on!!! ANNOUNCER [TV] Or Carl, who tutors children with learning disabilities. MOM Oh, that's awful! SON Awful? That he works with retarded kids? MOM [almost a whisper] That I voted for him. ANNOUNCER [TV] And the one who got the most votes in the 8-minute half-time poll was-- SOUND HEAVY DRUMBEAT ANNOUNCER [TV] Was-- SOUND HEAVY DRUMBEAT KATHY Look at how much she's sweating! JUNE You'd sweat too if you just got shocked! ANNOUNCER [TV] is -Carl! JUNE Whew! KATHY Shh. Let's see what happens. ANNOUNCER [TV] This means that at the end of tonight's show, Carl will be up against the second half winner in a showdown to see who gets a million dollars sent to the charity of their choice. HELEN Waitaminute - she gets shocked and he gets a chance to win big bucks? That's so not fair! FRED That's the way it is. Women always getting the short stick. HELEN Especially when they're dating you, eh? BOB [laughs, tried to stop] FRED Yeah, yeah - you can joke now, but I'll give you 70-30 odds that the other winner is that other guy. BOB The grouch? FRED Yup. Is it a bet? BOB Fifty bucks? FRED Whoah, whoah! Let's not get carried away here, now. MUSIC - OPENING THEME, PLAYS FOR A MOMENT ANNOUNCER Entering week five of The Box, you can see the ratings posted for our four contenders. [hushed] Last week, it looked as though Debbie had finally broken-- DEBBIE [TV] I hate it! I hate you all! You can all just go and-- SOUND LONG SERIES OF BLEEPED WORDS SOUND ZAPPING AND SCREAMING UNDER NEXT LINE ANNOUNCER But after her trip to the box, she refused to cry off. DEBBIE [TV] [breathing heavily and gulping] No [gasp] way! [gasp] You don't [gasp] get rid of me [long shaky breath] that easily. [sob] ANNOUNCER And now, a new week - and what was this week's challenge? STUDIO AUDIENCE Fasting! ANNOUNCER Yes, fasting. Whoever could go the longest without eating even a single bite of food got a free pass this week‑‑ ANNOUNCER [TV] --and we'll find out who managed that in just a moment - after a few words from our sponsors. SOUND CLICK, SOUND OFF JUNE [urging] C'mon Debbie! KATHY Debbie? Hah. She's got no body fat to start with. Bart has a much better chance of surviving-- JUNE Don't say that! You just like him cause you know I don't! KATHY I root for the underdog. It's a principal. And no one likes that poor bastard. JUNE If no one likes him, how come Debbie's the one always getting shocked, huh? [almost a sob] Huh? ANNOUNCER [TV] Let's bring our four contestants out on stage to hear who's going to be free and clear for another week. Alison-- SOUND MUSIC UP, DOOR OPENS, SHAKY FOOTSTEPS ANNOUNCER [real] Alison, how are you feeling? ALISON [trying to be perky] Not too bad. I made it almost three whole days on nothing but water. ANNOUNCER But then you lost it? ALISON [heavy sigh] Yeah, I had to give in and get something. [resigned] I figured fine - just put me in the box. At least that eventually ends. ANNOUNCER Thank you, Alison. Now go over to the isolation booth while we talk with each of your friends. ALISON [venomous] Friends? Hah! ANNOUNCER [TV, confidential] She needs to learn to be careful about trading today's pain for tomorrow's - what she doesn't know is we've [ramping up] turned the voltage up another notch! AUDIENCE [TV, CHEERS] HELEN This just keeps getting worse. It has to be against the law. BOB Oh, come on. They signed waivers, didn't they? Plus, it's all fake - like wrestling. Seriously. Even if they did do this stuff, they have to have doctors and all on staff - make sure no one really gets hurt. SOUND UNWRAPPING AND OPENING A FORTUNE COOKIE FRED Hey, listen to this - "Those who cannot remember the past are condemned to repeat it." BOB Figures the Chinese would think of that first. FRED Nah. The Chinese didn't make that up. HELEN Then who did say it? FRED [immediate] Thomas Jefferson. BOB I don't think so. FRED Yeah? And who do you think it was? BOB Some Greek philosopher or other. [idea] Julius Caesar! HELEN You guys make your bet, I'll call Jonesy on the next commercial and he can google it. SOUND TV TURNS UP ANNOUNCER [TV] So Bart, you made it the longest without eating - you have any special tips for the viewers out there on how you did it? BART [real] Huh? ANNOUNCER Any tips? We'll give you a minute - these moments of uncertainty are just further proof that our show is live and unedited. While Bart ponders this, I'll recap - Alison gave into her craven need for food first, followed by Carl and Debbie - in a virtual photo finish, where Debbie held out for one millisecond longer than Carl. Good going Debbie! BART I hate you. ANNOUNCER Hmm? What's that? BART I hate you and all you stand for. ANNOUNCER Do I hear an opt-out coming? For those of you just tuning in, during this episode and this episode alone, any of our four contestants can opt out at any time - not just immediately following a trip into the Box. So Bart, are you-- SOUND A BEEP TRIES TO CUT HIM OFF ON THE FIRST WORD BART Fuck you! You can't get rid of me that easily. BART [TV] I don't care how many times you drug me and try to get me to bow down to the corporate machine! You and all you people at home - you are sadistic bastards, but I'm here for the long haul - And when I finish, whether I win or not, I will be traveling around the country demanding the pound of flesh each and every one of you bastards owe me!!! KATHY For god's sake, turn it off. JUNE No, he's making a valid point. We shouldn't be party to this. KATHY The very act of watching it validates it. JUNE No. I'm only doing this to bear witness. KATHY The advertisers don't care. They just want to you to watch. JUNE Well, I won't vote any more. KATHY Then you can't complain when your favorite gets zapped. JUNE [upset] Oh hell! ANNOUNCER [TV] Well, that was very enlightening. Before you out there start emailing and phoning - please refer to clause 42 slash 8 slash F, subsection I-I-I, paragraph y, where it sets out the game's rules covering mental illness or defect. Thank you, and good night! SOUND TV TURNED OFF HELEN Anyone checked out the big pools? FRED What do you mean? HELEN There's huge bets all over the place - everyone guessing who's gonna last the longest. BOB Well, no one's washed out yet. FRED They're a tough bunch of kids, but I bet I could make it on that show. Age does bring wisdom. BOB To who? FRED You're too young to remember this, but I was a P-O-W in nam [rhymes with "ham"]. I been through it all. Torture, deprivation, brain washing. HELEN They sure got yours squeaky clean. SOUND DRINKS WHOLE BEER DOWN. BOB Ahhh. MUSIC ANNOUNCER This week, week 9 of The Box, we might just lose a second contestant. ANNOUNCER [TV] Alison, you've spent three days in this jacuzzi - brought to us courtesy of Big Joe's cut-rate pools and spas. Now, people might think this was fun, but of course, you can't fall asleep or you might drown! ALISON [TV, parched, delirious] You suck, Bob. FRED Friend of yours? BOB You wish. ALISON [TV] Get me out. ANNOUNCER [TV] You do know that whomever leaves their jacuzzi first goes directly into the box? ALISON [TV] No! I want out! OUT! I can't - you can't make me stay here! JUNE They can't, can they? KATHY How much you wanna bet she signed something that says they can? JUNE That's illegal! KATHY Being stupid and greedy? Nah. They'd run out of prisons. Unless you subscribe to the idea that our whole world is a prison. JUNE [very upset] Don't talk like that - look at that poor girl! They're just dragging her across the stage! KATHY Wow. I wouldn't'a thought it would take three guys to handle her, after all the crap she's been through. ALISON [TV - screaming weakly and struggling] ANNOUNCER [TV] It is understood, under the rules, that the clemency episode has run out and, once again, the only time you can opt out is right after a session in the box-- SON If she's all wet, wouldn't that make the shock worse? DAD At least her hair doesn't end up all weird since they shaved her head after that challenge last week-- SON Three weeks ago. DAD Really? Anyway, they probably compensate somehow. MOM Are you sure? DAD [unsure] Well... They can't really hurt her - that would be... ANNOUNCER [TV] Oh, and - I've just got a word from the producer! We've got a three minute vote - so grab your phones! ANNOUNCER [real] Now this will cost one dollar per vote, so make yours count! Dial the studio number and hit 1 if you want us to let Allison forfeit and leave now, push 2 if you think we should hold her to the rules. And voting opens [beat, then TV] Now! SHELDON Start the positive counter. TANYA On it. Running. NARRATOR [TV] The positive votes will tally right here on the corner of the screen, and if, after the vote closes, there are more positive than negative votes, Alison will immediately leave the studio - damper but wiser... BOB Man, I wish I was in Vegas. FRED Nah - you know what's going to happen. The odd's'll be crap. HELEN Course. They'll let her go. FRED You gotta lotta faith in people, babe. Nah. I'll give you 10 to 1 she's gonna ride the lightning. BOB [incredulous] "Ride the lightning?" FRED You know - old sparky. The electric chair? Man where have you been? BOB Considering no one's been executed in an electric chair in this state for - um - help me out Helen-- HELEN 50 years. BOB 50 years. FRED Really? HELEN How the hell'm I supposed to know? BOB Well, whatever - a long time. HELEN Actually, I think this state always hanged people. FRED Hung. BOB The countdown! 5 - 4 - JUNE 3-2- MOM [almost breathless] One. ANNOUNCER [TV] All votes are in, and as you can see, we had a regular landslide of support for our dear friend Allison here. we have 4 million six hundred seventy two thousand, three hundred and forty-two votes for clemency. Good for you everyone! We'll show the other side, right after this-- SOUND TV OFF DAD No way! MOM You can't ! SON I won't watch any more of this. This is brutal. MOM [angry] Don't you dare! How can we not ... find out? SON No. MOM Just until they announce it - we don't have to watch ...if she... SON Gets it? SOUND REMOTE THROWN ONTO TABLE SON You do what you want. I'll be in the garage. SOUND [after a moment] TV CLICKS ON COMMERCIAL [something] KATHY I bet the commercials for this cost top dollar. Like superbowl ads. JUNE How can you just be so snarky - that girl could die! KATHY Nah. They can't do that. It would be illegal. JUNE Not normally, but remember when that guy had a stroke on "Danger Island" last year? The family sued, but the waiver made it perfectly legit. KATHY And that wasn't even that exciting. ANNOUNCER [on TV] For those just tuning in, we have perky little Allison in the Box, awaiting your verdict. [continues under] Does she take the next shock, or have you tipped toward clemency for this poor girl? SHELDON Give them the split picture. TANYA Before and after? SHELDON Uh-huh. [grim] Show them what they did. ANNOUNCER [on TV] The negative votes have been tallied. SOUND DRUM ROLL, OMINOUS MUSIC ANNOUNCER [ON TV] And we had 4 million six hundred seventy two thousand, three hundred and forty-two votes to let her go. BOB I'm still saying they'll let her off. FRED Nope. You already lost that twenty, pal. HELEN Shh! ANNOUNCER [TV] The negative count is seven million three hundred-- SOUND TV OFF KATHY Did you vote? JUNE Yes. [beat] Twenty times. KATHY [shrug] You can't beat the bastards. JUNE But if everyone just voted a few more times... KATHY Three million more times. JUNE How can people be so horrible? SOUND [NEXT DOOR TV] SCREAMING PEOPLE [laughing] SOUND POUNDING ON WALL JUNE [yelling at them] How can you be so horrible?? KATHY They're drunk. Didn't you see the sign? JUNE [half a sob] Sign? KATHY The one that said "come to gary's room, get drunk and watch The Box"? JUNE [down] No. KATHY Look, turn it on. You'll see she's not dead or anything, then you'll feel better. JUNE But what if she's not? I mean, what if she is? I mean-- KATHY [sigh] Then you'll know. SOUND [beat, then] TV TURNS ON SOUND [on TV] AMBULANCE SIRENS JUNE [sob] MOM [sob] Her poor parents! DAD Don't worry so much - she's not dead. MOM She was for 43 seconds. DAD That doesn't even count these days - happens all the time on House. MOM [very upset] But this is real! SOUND [on tv] MUSIC UP ANNOUNCER [tv] And we'll be checking in with Allison as soon as she regains consciousness to confirm her wish to opt out. For now, the game comes down to Bart and Carl. ANNOUNCER Don't forget - no matter what happens, the game's big final episode is in two weeks. SOUND CAMERA OFF SHELDON Nicely done. ANNOUNCER It's really wearing me thin. SHELDON Almost over. And after today's vote, there's no way the station can afford to cancel us. ANNOUNCER [sigh, then grudging] Two more shows. SHELDON [with meaning] And then we announce the results. MUSIC - OPENING THEME, PLAYS FOR A MOMENT AMB NOISY BAR BOB [ordering] Another one. FRED Packed tonight. SOUND DRINK SET DOWN HELEN It's the finale. FRED [tired] Oh, yeah. That. BOB Bottom's up! HELEN Slow down, or I'm gonna have to pour you into a cab. SOUND CAR KEYS SLAPPED ONTO THE BAR, SCOOPED UP SOUND GLASS SET DOWN HARD BOB Ahhh. CROWD ROAR OF EXCITEMENT HELEN Hold on! I'll get it. SOUND TV SOUND UP MUSIC FANFARE ANNOUNCER It's the night we've all been waiting for. The night the final results are announced. And we will have an ultimate winner. Let's recap what the winner will walk away with. SOUND VOLUME DOWN SOUND DOOR OPENS KATHY Oh, you're not watching that, are you? [sneer] I thought you decided it wasn't worth it! JUNE [shell shocked] I can't not watch! I have to know! KATHY Look, let's go to the library or something. JUNE No! I would die of suspense! KATHY It's not-- SOUND TV VOLUME COMES UP KATHY [sigh] I'm not staying. SOUND DOOR CLOSES ANNOUNCER And the contest comes down to our two finalists, Bart and Carl. They have endured amazing hardship to make it this far. Do you have anything you want to say to the people at home, Bart? BART You still suck and you always will. Every single one of you! Every person who just sits by and supports this shit! ANNOUNCER [still jovial] And yet, you have continued to play our sick little games - as you call them - despite being offered chance after chance to leave. BART Hah! I don't plan to fucking let you win, you scumbags! ANNOUNCER Well said. And you, Carl, do you have anything for the audience? CARL [mumbles] ANNOUNCER Speak up? CARL [vague, reciting] We are the music makers, and we are the dreamers of dreams. Sitting by lone sea-- lone sea.... the sea. The sea. See see oh playmate, come out and play with me.... [fades out] ANNOUNCER There you have it, folks. And now we go to our man in the street interviewer, Tanya. Take it away! TANYA Thank you. I'm in a major metropolitan center here, asking people on the street what they think of the Box. ANNOUNCER If they're outside right now, instead of glued to their sets, they must not think much of it. BOTH [fake laugh] SOUND TV OFF SOUND EATING MOM What? Don't you dare! DAD Hey, we were watching that! SON Are you enjoying this? MOM Enjoying? DAD What do you mean? SON All this shit they've put those people through! You can barely tell them apart now, after they've been starved and had their heads shaved. They look like concentration camp victims! MOM But - but this is the last show! DAD What does it matter if we watch or don't watch? SOUND THROWING DOWN A REMOTE SON Do what you want. I'll just hope for a six-car pileup. Maybe you'll trade up. SOUND DOOR OPENS AND SHUT SOUND REMOTE TAKEN, TV ON ANNOUNCER And for tonight, the big surprise is-- SOUND DRUM ROLL, OMINOUS MUSIC ANNOUNCER Two boxes! SOUND CANNED CHEERING ANNOUNCER One for each of you. While we get them all set, here's a word from our sponsor! AMB BAR CROWD Buzzing "two boxes?" BOB [slurry] Whaddaya think they've got up their shleeves? FRED They're gonna kill one of those boys. HELEN [confidential] I heard that girl Allison is in a private clinic, barely alive. FRED Where'd you--? HELEN Internet. BOB [sarcastic] Yeah. Then it's probably true. SOMEONE Turn it up! HELEN Got it! SOUND TV UP ANNOUNCER And now. The moment of truth! All the votes have been tallied. As you can see, we have Bart over here in the red box-- SOUND CANNED APPLAUSE ANNOUNCER [tv] --and Carl over there in the blue. SHELDON close up on Bart, camera 2. Yeah, baby, clench that jaw. Now cut to that trickle of sweat on Carl's face. Nice. TANYA Back to the announcer? SHELDON One more second, and - yes! ANNOUNCER [tv] And now, with the votes tallied, we will find out who you out there have selected as the big winner, and who has to take the big penalty. ANNOUNCER [real] But first, we caught each of our contestants here on secret camera last night. Let's see what they were doing on the penultimate night. SOUND QUICK JAB OF STATIC VOICE [tv] ...need to get out now. You don't understand what they have planned for tomorrow. It's so much worse! AMB BAR BOB Who the hell izzat? BART [TV] [scoff] Worse? Worse how? HELEN Don't know. FRED Look at that announcer fellow - he's surprised too. HELEN [half a chuckle] Serves him right. ANNOUNCER [tv] Sorry - we should have screened that clip before playing it. Let's go over to Carl's shot. CARL [tv] Yea though I walk through the valley of the shadow of death, I shall--[cuts out suddenly] ANNOUNCER [tv] And that's all the time we have for that. And now the moment of truth. Carl or Bart? You held their fate in your hands. SOUND COMMERCIAL COMES ON UNDER MOM [coming in] Where's Kyle? Have you seen Kyle? DAD [mesmerized] He'll be back. Just ... went out to a friend's house. Probably. MOM You should turn that off and find him! DAD We can look in ten minutes just as easily as we can look now! MOM This is our son! DAD It's almost over! SOUND OMINOUS MUSIC ON TV ANNOUNCER [tv] And now. The final countdown. MOM Five minutes. SOUND SHE SITS ANNOUNCER [tv] This has been quite a journey for everyone - and we would like to thank you all for your support and participation. BOB Support? I'd shoot that stupid bastard if I had a chance. And a gun. HELEN You're not the only one, but a lot of people paid a lot of money into that damn show. ANNOUNCER [tv] --making us the highest rated network series ever-- FRED yeah, and even WE count for ratings, since we happen to be watching it. BOB [steaming into an alcoholic rage] Then let's not watch it! SOUND SLAMS GLASS ON BAR, LIQUID SLOSHES FRED Calm down, pal. BOB No! Is this what our world has come to? This crap?? SOUND THROWS BEER GLASS AT TV, TV DIES, BUT OTHER SET PLAYS ON IN THE BACKGROUND CROWD [Shocked silence] FRED Great, one down, only seven hundred million TV sets to go. HELEN I'll put it on your tab. CROWD [chatter begins again] ANNOUNCER [tv] --will definitely be returning for a second season, starting next fall-- SOUND DOOR OPENS ANNOUNCER [tv] --and we're looking at celebrity contestants. TANYA [tv] That will be a whole new ballgame. KATHY Sorry, didn't know it was still on. JUNE [distraught] Stay. Please. KATHY Ugh. Why? JUNE Because I don't think I'll make it otherwise. KATHY Make what? ANNOUNCER [tv] And now for the final outcome. MOM Yes? DAD About time. ANNOUNCER [tv] the final results. FRED Don't call the police. I'll get him home. HELEN Yeah. This time. ANNOUNCER [tv] What we've all been working toward. JUNE [crying] Can't they just say it? TV, MUSIC SWELLS, THEN CUTS OUT SUDDENLY JUNE What? HELEN Shit, must have blown the circuit. DAD The electricity's still on! KATHY Is there something wrong with your TV? MOM No! It's practically new! FRED Come on. Quitting time, pal. SOUND TEST PATTERN NOISE, THEN MUSIC SUDDENLY CUTS BACK IN ANNOUNCER Thank you all for participating in our experiment. MOM [gasp] ANNOUNCER As you can see, all of our actors are in perfect health. JUNE [sob] How could they--? KATHY Bastards. ANNOUNCER We would love to hear your reactions to this show. Please feel free to leave us a message at www-dot- SOUND TV SWITCHES OFF HELEN [last call voice] Allright. That's it. CLOSER [NOTE: George Santayana, author of the quote.]
HELP SUPPORT NEW EPISODES! Patreon: https://www.patreon.com/19Nocturne Ko-Fi: https://ko-fi.com/a_d_infinitum Next month (May 2022) will be one of the following (contact us through twitter or facebook or email to vote!): A. Deadeye Kid prequel B. Fatal Girl, season 2, episode 1 C. Something else entirely Ko-fi votes count for every dollar donated!!! TALK THE TALK Written by Julie Hoverson, sound mixing by Neil Gowland CAST Lydia Farnsworth - Julie Hoverson Thomas Farnsworth - JD Lauriat (Haunted House Flippers) Alice White - Shannon Perry (OZ-9) Phone - Pete Lutz (Narada Radio) Judge - Russell Gold Foreman - Jay Langejeans D.A. - Kerr Lordygan Guard - Jimmy Robbins Couch - Chris Hart Elevator - Cary Michael Ayers Lighter - Richard Hand Lamp - Boyd Barrett Sink - Blythe Renay Gun - Thomas Rippert Closet - Joe Griffin WHISPERS Erin Suminsby James C. Taylor Ruya Telhami Julie Hoverson David S. Dear Fiona Thraille *************************************************************** TALK THE TALK Cast: Olivia Lydia Farnsworth Thomas Farnsworth Alice White Judge Foreman D.A. Guard Phone Couch Elevator C Lighter Lamp Sink Gun Closet MUSIC OLIVIA Why, it's a courtroom, can't you tell? Where else would you find... a murderer? Scene 1. LYDIA [condescending, replying to a question] Lydia Farnsworth - Everyone here knows that. ... Yes, yes. ... I killed him. It was self-defense. He was planning to kill me. ... [hesitant, lying] An anonymous phone call. [narrating] Of course I can't say who told me - everyone would think I was utterly insane. When it started, Icouldn't even understand it, much less believe - how could I convince anyone else? MUSIC Scene 2. STING LYDIA [narrating] I know I am a joke. An older woman, rich and prominent, married to a much younger - well, a youngerman. And I'm not THAT old - 40 isn't really, and everyone says I look more like 35. But he looks 29 - which he is - so ... tongues will wag. SOUND Tom screams, long, distant and echoey. LYDIA Oh, that was later. Tom almost never screams. TOM [screams, but happily] Hey! SOUND ROULETTE WHEEL. TOM Didja see that? Boy oh boy, if I could bottle that! LYDIA [purring] You're a lucky man. TOM [interested] We-e-ell.... I guess I am. Hey Kitten, wanna help make a rich man poor again? MUSIC Scene 3. UNDER LYDIA [narrating] It was that moment that I fell for him. He didn't know who I was, but he wanted to give me a treat. I kept it up for a while, pretending to be just another secretary on vacation, not letting on. I felt so guilty, letting him pay for all those dinners, the gifts... TOM Kitten, this necklace is just aching to be around your neck. Hear it? [silly voice] Hey lady, take me home, I love you.... LYDIA [narrating, suddenly struck by something] Oh. [beat] No, no - never mind. TOM Don't you know that everything has a voice? Listen to the wind - it calls your name to me, telling me I gotta keep hold of you. Whattaya say, Kitten? Wanna make it permanent? MUSIC UNDER LYDIA [narrating, shaken] Yes, he DID say things like that - perhaps that was why... [beat] Tom worked late a lot - particularly after I told him I was - we were - wealthy. It was like he felt he had to make up for something. He never even introduced me to his family - just said he grew up dirt poor. I think he was ... ashamed. TOM [filter] Sorry, Kitten, but I gotta really burn some oil on this one. You understand, right? LYDIA Of course. [narrating] What else could I say, it was so sweet of him to worry. To want to make me proud. Scene 4. SOUND Candlestick phone hangs up. Footsteps walk away. PHONE [Male voice, filter] He's cheating on ya. LYDIA [panicked, slightly distant] What? Who? PHONE [filter] The husband. Tom. He calls HER all the time when you're out. You want her number? LYDIA Who is this? Where are you? PHONE [filter] Right over here, where I always am. LYDIA [getting more agitated] I don't see anyone! Is this some kind of game? SOUND Footsteps, hesitant, then dashing about. PHONE [filter] I wanted to show my appreciation, see, for not throwing me over when the new model came out - LYDIA What? Where are you? SOUND Door opens. LYDIA [muffled slightly] Hello? Where...? PHONE [filter] No one understands a classic any more. SOUND Door slams. LYDIA [sobbing] This is not funny! I don't know who you are, but you can just get out! PHONE [filter, very close] I'm right here. Look down. LYDIA [quavering] Wha-a-at? [relieved] Oh, the line must still be open. SOUND Candlestick phone picked up, taken off the hook, tap of cradle. LYDIA [loudly] This is not funny, whoever you are. I don't... SOUND Dial tone - continues in background until stated. LYDIA What...? PHONE [filter] I'm not ON your phone, lady. ... I AM your phone. SOUND Clatter of phone hitting floor, dial tone continues, but distant. PHONE [filter] Hey! I'm trying to help you here! LYDIA Nooo! SOUND Phone is kicked across floor. SOUND Dial tone stops. LYDIA [breathing hard] SOUND hesitant footsteps, continuing. PHONE [Unintelligible, distant whisper] LYDIA [whispered] How can you be talking? PHONE [whispered, wavering] Closer, come closer. LYDIA I'm... I'm sorry I kicked you. PHONE [moans, slightly closer] LYDIA Are you ... all right? PHONE [whispering] I gotta ... you need to hear this. SOUND Phone picked up from floor. LYDIA Yes, I'm listening. PHONE [shouting] Don't DO that! SOUND Phone hits floor again. MUSIC UNDER LYDIA [narrating, matter of fact] I felt so bad. But it wasn't hurt. They really built those old phones to last. And what it toldme...! PHONE Sunset 1-1-9-7. I don't know who she is, but what he says to her - whoo-wee. Scene 5. LYDIA [narrating] But how could I tell anyone? My PHONE spoke to me? I told THEM I got an anonymous call. And of course, the phone never used a name, so it wasn't precisely a LIE... TOM Kitten, I'm home! LYDIA Oh, yes. Tom. The phone line lothario. [calling away] Darling, was it a good meeting? TOM The best. [SOUND: KISS] Not better than coming home, though. LYDIA [neutral] Of course. TOM Oh, you're not mad, are you kitten? It's important that I do my time at the office, don't you see? Show everyone - show you - that I'm not just a... a... PHONE Gold digger. LYDIA What? TOM You know, a social climber. PHONE Gi-go-lo. LYDIA Did you hear that? TOM What? If it's the Joneses and their idiot record player again... LYDIA No. It's nothing. LYDIA [narrating] It wasn't nothing, of course. Soon, other supposedly inanimate objects began to have their little piece to say... Scene 6. SOUND water running SINK [cheery] Almost out of soap! And my drain will clog if you don't stop him from washing down his coffee grounds! LYDIA Him? SINK [significant, like a hint] Him. LYDIA [narrating] After the initial shock wore off, it was so EASY to listen. SOUND Click of light being turned on. LAMP [high squeaky voice] On! Better? LYDIA [startled] What? LAMP Are you going to read? Knit maybe? HE likes the dark. Especially when she's here. SOUND Light switched off. LAMP [voice now low] Off. Yep. Just like that. LYDIA [narrating] At first I thought I was crazy, but then I realized - if I was crazy, how could I know all the things they were telling me? SOUND plumping up pillows COUCH [seedy voice, out the corner of the mouth] I know who she is. SOUND Plumping stops, Lydiasits on couch. COUCH Hey, I didn't ask you to sit on me! LYDIA Oh! Who is she? COUCH I would recognize her from behind better, if you catch my drift... LYDIA You mean she actually sat on you - I mean on MY COUCH? COUCH You don't have to rub it in. LYDIA [narrating] I had to have it out with her. I COULDN'T just let this - this farce - go on, right under my nose and behind my back! PHONE Sunset 1-1-9-7? You got it. SOUND Phone dials. LYDIA What'll I say? PHONE I could tell you what HE says... SOUND Phone picks up. LYDIA Shut up! ALICE [filter] Well! SOUND Slams phone down. LYDIA This is hopeless. How can I find a person from her phone number? PHONE All you need is a good story. COUCH [off mike] I know a couple of good stories... PHONE & LYDIA Shut UP! LAMP [high squeaky voice] You tell 'em! Scene 7. SOUND Phone is dialed. Picked up. ALICE [filter] Hello? LYDIA [brisk, but clearly reading] Telegram for Sunset 1-1-9-7 - May I have your name please? ALICE [filter] White. Alice White. [concerned] A telegram? LYDIA Good. Miss White, can you confirm your address, in case we need to forward a copy to your home? ALICE [filter] What's the message? LYDIA I have to confirm your address, miss. The message is marked urgent. ALICE [filter, more worried] 24 Topham drive, floor 6. Now what-? SOUND phone hangs up. LYDIA & PHONE collapse into giggles. COUCH & LAMP laugh too. SINK [far off mike] What? What's so funny? MUSIC Scene 8. UNDER LYDIA [narrating] I went. I had to. I needed to see this cuckoo's egg. Alice White. What a name - plebian, that's what I call it. Strictly middle class. AND the elevator was broken in her building. SOUND Buzzer, door opens. LYDIA Alice- ALICE [friendly] -- White. And you? LYDIA [narrating] She was horrible. Horribly perfect - buttermilk complexion, flaxen hair... She should have been a dairymaid in one of those travel posters for Holland or Sweden - one of those places with dirndls and windmills and tulips. ALICE Can I help you? LYDIA [narrating] At least I had my story straight this time - my phone is VERY handy with a lie. [to Alice] I am here seeking donations to the Mid-Town Orphanage. Can you spare anything? [Narrating] From the looks of her - the threadbare, out of fashion dress, the tatty carpet in the hall, she was sure to laugh in my face- ALICE Oh, gosh... [going away] I'm sure I've got something. Hmm... here! [coming back] Can you maybe use this? LYDIA [numb] A lighter? ALICE I think it's real gold, and I don't smoke. I couldn't think what to do with it. LYDIA Won't... your husband... be annoyed? ALICE [giggles] Got none. Not yet. It was sort of a present - kind of like for emergency money, but I'd feel bad just selling it or throwing it out, but this sounds like a real good cause. LYDIA [narrating] I walked away with the gold lighter in my hand - the gold lighter I GAVE him for our honeymoon... LIGHTER [British accent] I say, don't I know you? LYDIA [narrating] I waited until we were alone. [to lighter, whispered] How did you get THERE? LIGHTER [whispering] Oh, this is jolly exciting, just like Scotland Yard... LYDIA Answer me! LIGHTER If you must take that tone! Young Thomas gifted me to her. I see almost as much of him here as I ever saw in his flat. LYDIA MY flat. LIGHTER Oh, like that is it? Well well well... MUSIC Scene 9. UNDER LYDIA [narrating] It was all true. And she was so darned NICE I couldn't even hate her. Just HIM. I felt like a character in a bad drama - the cheated wife. So alone... But I wasn't alone, you see. I had all of THEM. SOUND Door shuts, footsteps. LYDIA [off mike] Dear? Are you home? SOUND phone hanging up. TOM [on mike] You bet, Kitten! LYDIA Oh, good. I was afraid you'd forgotten-- PHONE You asked me to let you know if anything interesting happened? LYDIA ...our anniversary? PHONE He was just talking to ... HER. TOM Now what kind of a husband would that make me? PHONE A heel. [admonishing] On your anniversary. LYDIA [shaky] I need to ... to powder my... SOUND footsteps running away TOM Hunh. Women. PHONE You can say that again. SOUND door slams. NEW SCENE_9.5 LYDIA [crying] Oh, Tom! CLOSET Psst, over here. LYDIA What? Over where, Who is--? CLOSET I'm the one with the suits hanging in my rear, whaddaya think? LYDIA [sighs] Oh. [sniffs] SOUND footsteps LYDIA [weakly] Yes? CLOSET Check the top shelf. [annoyed] On his side! SOUND door opens. Boxes shift. Something metal is picked up. LYDIA A gun? When did Tom get a gun? TOM [off mike, muffled] Kitten, honey? We need to get shuffling. Are you powdered enough yet? LYDIA [calling] Almost! [whispered] When? Tell me! CLOSET What am I, a calendar? I don't know dates from donuts. LYDIA [frustrated noise] CLOSET But what I DO know is that that piece of hardware wasn't in me until... yesterday. LYDIA Yesterday? TOM [muffled, off mike] Kitten? I'm coming in! LYDIA Don't you dare! SOUND doorknob rattles, Lydia's running footsteps, door slams shut. LYDIA I'm - I'm wrapping your present, darling. You've got to give me a moment. TOM [pleased] Ohhhh. All right, I can wait. I hope it's a lighter - I've only been hinting ever since I lost that great one you gave me before. SOUND Gun cocks. LYDIA [muttered] I should give him the same one - see how he laughs at that. SOUND Footsteps back to closet. Boxes shift. LYDIA I think it was ... [grunt of effort] about there. GUN HEY!!! What are you, crazy? Never leave me lying around cocked! I could go off! MUSIC Scene 10. STING LYDIA [narrating] I thought about it for a long time. About the gun. About what it meant - being in Tom's closet and all. And I wondered if he could possibly be planning what I might think he was planning.... Even if he did intend to kill me, could I do something about it? Get him before he got me? I LOVED Tom. And he'd always been so sweet... PHONE Yeah, yeah, that's what they all say. What you need is gumption, sweetheart. LYDIA Just because he's cheating doesn't mean he's planning to ... to-- PHONE To buy a gun? Too late. What else do you think he's NOT planning to do? LYDIA He wouldn't - couldn't - hurt me. Any more than I could hurt him-- SOUND door opens TOM Oh, hi! [puzzled] Hello? Kitten, who're you talking to? LYDIA [easily] Just the phone, dear. SOUND short smooch. LYDIA [narrating] I was getting rather good at lying. Almost as good as the phone - now, THERE was a champion. I guess it came from hearing all those lies... All the time. TOM [talking on phone] Bob? Listen, it's me, Tom Farnsworth. Yes, from Farnsworth & Wilson. Now, we need to talk... PHONE [over Tom, whispered] Funny, Bob's usually a fella's name... LYDIA [reacts] PHONE He's getting worse. You need to DO something. TOM [continues under Phone] Yes, that's right - tomorrow for lunch. ... Dinner instead? I think I can... Let me just check. [to Lydia] Kitten, can you spare me for dinner tomorrow? Big client... LYDIA [long beat] Of course. Dear. I have someone I really need to talk to anyway. [narrating] The next night, I knew where to find him. Unfortunately, I couldn't take any of my ... friends ... with me - except the lighter, and that accent was getting on my nerves. LIGHTER I say! Scene 11. LYDIA [snorts] But when you're like me, there's always someone around to answer questions... ELEVATOR ...about five minutes ago? Yeah, I know the guy. He's a regular. Sometimes I even take him up. LYDIA Are you working today? ELEVATOR [huffy] Whaddaya mean? I'm always working! LYDIA But the sign... ELEVATOR The super puts the sign up to save electricity - cheapskate. Now, if youknow how to run me up... LYDIA [deflated] I'm not sure... ELEVATOR Step in, it's pretty much automatic. SOUND elevator gate slides open ELEVATOR See the button there.... MUSIC UNDER LYDIA It's funny how every THING I ever talked to wanted to be so helpful, when all the people around me weren't. The elevator even gave me a little tip... ELEVATOR That little knob right there - that's what keeps the door shut when I'm not around. The spring pushes it out - and then, when I come up, it gets pushed in, and voila...! You don't want the door comin' open up here when I'm in the basement, eh? LYDIA Oh, no. SOUND DISTANT BELL. ELEVATOR Whoops! That's me. Would ya' get the door? I gotta go, sweetheart. LYDIA Oh? Oh, certainly. SOUND ELEVATOR DOOR CLOSES. LYDIA I crept down the hall, ever so quiet. SOUND door opens TOM [off] ...right back - just need - [on mike] Oh. Lydia. LYDIA [deep breath] You needn't worry. I'm leaving. SOUND Sharp footsteps TOM Lydia. Kitten. It's not what you think! SOUND Tom's footsteps rush to catch up to her. LYDIA Stay away from me, Tom. TOM Just stop! LYDIA [reacts as Tom grabs her] Uh! Let go of me! SOUND Slight struggle. Lydia's footsteps running. LYDIA I had only one chance...I ran for the elevator. But the gate wouldn't open! I pushed and pushed-- SOUND Elevator door opens. Lydia's footsteps stop, Tom's footsteps catch up. TOM Let me-- LYDIA No! Let go! [sound of exertion, pushing him away] SOUND Tom's footsteps stagger, then... LYDIA Oh, no! It's NOT--! TOM [screams as he did at beginning] LYDIA And that was that. I tried to stop him from going over. At least I think I did, but it WAS my fault. ALICE [coming on mike, breathless] What...? Where's Tom? You're that lady-- LYDIA Tom? He's MY husband! How dare you-- ALICE [panicking] What have you done to Tom? Where's my brother? MUSIC Scene 12. UNDER LYDIA [narrating] And that's why I'm here. If he was cheating on me, I would have fought harder. Could have gotten away. But the look on that girl's face... My own sister-in-law. TOM [screams again] LYDIA Yes, and poor Tom. SOUND Gavel hits twice D.A. Your name please? LYDIA [condescending] Lydia Farnsworth - Everyone here knows that. D.A. And you are testifying in your own behalf of your own free will? LYDIA [testy] Yes, yes. D.A. You are on trial for the murder of your husband, Tom Farns- LYDIA I killed him. It was self-defense. I thought he was planning to kill me. D.A. What led you to think your husband had such designs? LYDIA [hesitant, lying] An anonymous phone call. [narrating] I suppose I could have admitted everything, made a plea for mercy on the grounds of insanity, but I-- TOM [screams again] LYDIA [narrating] I simply couldn't get Tom out of my head. I don't know how all these murderers do it, just kill people and walk away. SOUND Gavel bangs JUDGE Has the jury reached a verdict? FOREMAN We find the defendant ... guilty. LYDIA [resigned] I was relieved, actually. I believed I could face anything, since I would never really be alone. Even the judge's gavel had a kind word. ...Though not the judge. JUDGE For your heinous crimes, I hereby sentence you to death. CROWD [Reaction, gasps] MUSIC Scene 13. STING LYDIA I suppose it was only right - and I really had no reason to go on living, without [SOUND: same scream] Tom. Funny how I look back and see how badly mistaken we all were. It's far too easy to blow things right out of proportion. SOUND footsteps, cutlery set on plate. GUARD You done with that? LYDIA Yes, thank you. It was ... surprisingly tasty. GUARD It's time, then. Come on. SOUND jail door opens, footsteps slowly walk. VOICES [Whispers begin comforting at the start, build.] LYDIA [whispered] Thank you. Thank you all so much. GUARD What? LYDIA Nothing. [narrating] Everything is so encouraging, telling me how brave I am. I'm not brave, really, just ... just tired. GUARD Stop. SOUND KEYS JINGLE. LYDIA Such a relief, really. And then... I'll be with Tom. SOUND LOCK UNLOCKS. Scene 14. WHISPERS [fade out] LYDIA I didn't notice it immediately. My mind was miles away, thinking about how I would make it up to him - he'd certainly understand, about how it was really an accident and all. SOUND SQUEAKY DOORKNOB TURNS. LYDIA But the voices were gone. Even when I closed my eyes and concentrated, there was nothing. It left me feeling ... very ... alone. Oh, well, it wouldn't be for long. SOUND [DISTANT, OFF MIKE] PHONE RINGS. GUARD Stay here. LYDIA What? Of course. I've nowhere to go. SOUND FOOTSTEPS, phone picked up LYDIA Once I rejoined Tom, everything would be all right. I wouldn't NEED them - my friends - any more. Just him. GUARD [behind and under Lydia] Yeah? Who? LYDIA That's why I let it get this far. Fired my lawyer. Made no defense. Admitted everything. GUARD [behind and under] Uh-huh? Got it. LYDIA Just to bring me to this moment. And I wasn't afraid - no matter what this room, this horrible room, might have to say, I was ready. SOUND FOOTSTEPS COME BACK LYDIA And it wouldn't take long. Not long at all, they say. And then, [happy sigh] Tom. GUARD Come on. SOUND KEYS JINGLE LYDIA Well, it's about time. Isn't everyone waiting? GUARD [beat] Not any more, lady. SOUND LOCKING DOOR LYDIA You're an idiot. Open this door. GUARD I may be an idiot, but you're a loon. [beat] That was the governor. You've been commuted. Come on back... LYDIA [gasp, then sharp] Don't talk nonsense. [plaintive, ending in a wail] No! I can't be left all alone! You simply have to kill me! MUSIC
Hi Fans. I'm back on the scene and now we are flying with Spaceship Atlantis through the universe. Follow me... Wherever we go. There is also music on Soundclick https://www.soundclick.com/artist/default.cfm?bandID=1466885 --- Send in a voice message: https://anchor.fm/tom-4tune04/message
Rob Mitchell (Stage name) Deep Transit is a composer/producer and singer, songwriter. DC. VA, and MD. Deep Transit will be releasing a brand new "LP". "Everything a rhythm" release sometime 2021. The artist has release 3 singles that will be featured in the upcoming LP. Rob will be releasing another Single soon. Deep Transit has 10 # 1 hits through outlets like Radio Airplay. Soundclick.com. and other press releases. music Rob is a solo artist that has been recording dance music EDM/Hip hop/Electronic on a part-time basics for years. His latest "LP" is a mix of Hip Hop/Rap/and electronic. There are a couple of Instrumental tracks on the upcoming "LP" such as the #1 hit "Just Breathe" Deep Transit just release "Just looking at the sunset November 2020. Deep Transit- Is inspired by Chicago deep house music/Tech house of the '90s . As well as Hip hop/Rap. and R&B. Rob is also inspired by artist like Larry Heard and Herbie Hancock.
Tune in 2 “In Tune" Friday night for Mighty #MAGAMusic Night on @PatriotsInTune where new talent is showcased and the spotlight always shines on Pro Patria artists all across America & the world. Hosted by Toots Sweet & the lovely Jewels Jones aka “Dee Jay Double Jay”. Tonight's musical guest(s): GERALD CRAIG ~&~ NITEMARE817 GERALD CRAIG LINKS: BLOG: https://congabongos.fun/ YOUTUBE:https://www.youtube.com/channel/UCaRgSKGNqO09D_GODwlTblg GAB: https://gab.com/geraldcraig GETTR: @SimonCrager NITEMARE817 LINKS: SOUNDCLOUD: https://Soundclick.com/NiteMare817 GAB: https://Gab.com/NiteMare817 CASH APP: https://cash.app/$NiteMare817 BITCHUTE: https://Bitchute.com/NiteMare817 PATRIOTS IN TUNE channel hosted by Toots Sweet and the lovely Jewels Jones. Mon, Tues, Thurs, Fri 7:00pm ET/4:00pm PT & Catturd Wednesdays from 12:00pm ET/9:00am PT VISIT: PatriotsInTune.net or PatriotsInTune.com Join The Mighty200+ PIT Crew in Live Chat! Get in the chat! dlive: https://dlive.tv/PatriotsInTune Twitch: https://twitch.tv/patriotsintune Facebook: https://facebook.com/patriotsInTune Access all platforms from our website https://PatriotsInTune.net or https://PatriotsInTune.com dlive - CloutHub 145-Twitch - FB Donate To Us! PayPal: https://www.paypal.me/PatriotsInTune Patreon: https://www.patreon.com/PatriotsInTune ***Disclaimer: The opinions and views of our guests DO NOT necessarily reflect the opinions and views of the "Patriots In Tune" channel.
I first heard Digital Negative in early May of this year. The music takes me back to a time when synthesizers had that new analog smell and to a world that didn't understand their impact until much later in the 90's. Like its predecessors, Digital Negative is exactly what you'd expect: Angry throbbing dissonance, lyrics that question everything, and beats for days. Who knew this synthetic style of music would be so important to us?When Daniel and Richard aren't playing music for us, they're thinking about it. These guys are deeper than you'd expect and when you hear their story, you'll agree that you probably knew it all along. Don't be intimidated. Sit down, pull the veil off your eyes and ears and fall head first into the creations by this skewed dynamic duo.This is my oddball chat with the makers of something new, yet inspired by the old. This is Digital Negative on the Rockstar Superhero Podcast.Time Codes:1:40 No idea what's going on5:10 COVID is the great equalizer10:20 Influences and the vibe of Frontline Assembly15:10 The "artist's window"19:00 Collecting thoughts on sinister commerce23:30 Bookended by the uninteresting things28:50 Music for films like Fight Club34:20 Meeting a long time ago. 38:30 Richard went away for awhile44:00 Soundclick gave access to the other POVs48:50 Talking about reprehensible viewpoints52:30 The removal of disagreements through violence57:30 Extreme music and the politics behind it1:02:40 Cassette tapes and the creativity of packaging1:07:40 The song directions were dictated by samples1:12:20 A robot built from scrap metal1:16:40 Unable to figure out lyrics and their meanings1:20:00 The promotional moment for Digital NegativeMusic provided by Digital Negative - "Strange Loop" found on Digital Negative EP/Cassette - Copyright 2021 Digital Negative & Hostile 1 Tapes - All Rights Reserved.Subscribe to both shows here: https://bit.ly/3airCvhWanna be on the show? Go here: https://calendly.com/rockstarsuperheroinstituteThe Rockstar Superhero Podcast examines the personal lives and creative careers of your favorite classic rock artists. We are obsessed with understanding the inner workings of the music business and all that it takes to remain in the public eye for as long as possible. Join us as we pursue conversations with legends and legends in the making.The Rockstar Superhero Radicals podcast was created to connect you directly to people, professional and private, who have lived lives worth discussing and offer solutions to our listeners, one heart at a time. If you are seeking truth and purpose beyond yourself, the Radicals podcast is for you.Copyright 2021 Rockstar Superhero Podcast - All Rights ReservedBecome a supporter of this podcast: https://www.spreaker.com/podcast/rockstar-superhero--4792050/support.
NXT 49 review (S4E8) - January 25, 2011 Welcome back to our mid-season premiere and our 2 year anniversary!! To celebrate the occasion we are joined by our good friend Ryan “Ry-Guy”! He joins us for the NXT review and we chat a bit about our childhood wrestling memories. On this episode’s main event, we get all the rookies competing in a Fatal Four Way Elimination match! No spoilers but there is also an interesting twist at the end of the match as well! Find out what happened and thank you so much for supporting us throughout the last 2 years, we really appreciate it! :) Email Us Email us any of your questions regarding NXT, the current product or anything else! We'd love to hear from you! Subscribe on YouTube Follow us on IG Follow us on Twitter ----more---- Check out Ryan's beats on his official Soundclick page! KUNG-FUzion's Soundclick
This episode's sponsor Aureal - Evolving podcasting one upvote at a time. => https://aureal.one Aureal proposal for continued development, marketing and open sourcing! => https://peakd.com/me/proposals/163 We never mention this, but our #1 fan, who is always in the chat and sometimes makes it to show before we do has his own site. =>https://www.kwaqua.com/ Pepe LePew Cancelled => https://www.washingtonpost.com/arts-entertainment/2021/03/09/pepe-le-pew/ And Miss Piggy? => https://movieweb.com/miss-piggy-canceled-pepe-le-pew/ Man dies with 3hr Erection => https://www-health-com.cdn.ampproject.org/v/s/www.health.com/condition/infectious-diseases/coronavirus/priapism-causes-erection-in-covid-patient?amp=true&_gsa=1&_js_v=a6&usqp=mq331AQHKAFQArABIA%3D%3D#amp_tf=From%20%251%24s&aoh=16156675394349&referrer=https%3A%2F%2Fwww.google.com&share=https%3A%2F%2Fwww.health.com%2Fcondition%2Finfectious-diseases%2Fcoronavirus%2Fpriapism-causes-erection-in-covid-patient => https://youtu.be/bQPekRmh-so - Johnny shaves his winter coat Gemini - You can now find me and the show on Gemini! => https://bonehead.flounder.online/ - Web proxy => gemini://bonehead.flounder.online/ - Gemeni browsers -> https://gemini.circumlunar.space/ - About Gemini => https://flounder.online/ - Flounder => https://soundclick.com/unklebonehead - Unkle Bonehead's Soundclick profile =>https://soundclick.com/johnnygearjammer - Johnny Gearjammer's Soundclick profile --- Send in a voice message: https://anchor.fm/landp/message
Now Live KAYLEE LYNN STEIN. in Woli Ley Tay, now on IheartRadio. SoundCloud, Bandcamp, and Soundclick. more includes Facebook, Ok.ru, and YouTubehttps://www.soundclick.com/music/songInfo.cfm?songID=14151243 HipHop - Hip Hop GeneralPrevious peak charts position #108Previous peak charts position in subgenre #49Stephanie Brogan- 2020 Sony Music EntertainmentNovember 30, 20201 version uploaded:MP3 6.3 MB • 192 kbps bitrate • 4:33 minutesStory behind the songwoli ley tay es dalba te Dla mniehe prefers to lie too much to me
è d'alba by kaylee lynn steinhttps://soundcloud.com/kaylee-coughlin-698801527/e-dalbahttps://www.soundclick.com/music/songInfo.cfm?songID=14156051
Triza started out DJing and selling beats online on SoundClick at a young age of 14 . He eventually moved to Atlanta where he got under the impactful mentorship of people like Rico Love and Usher. He had the opportunity to do records with Chris Brown, Justin Bieber, and artists of the like. At the same time, Triza began his journey of entrepreneurship by dabbling in eCommerce, setting up online stores to sell sneakers and his girlfriend's beauty supplies.Now, Triza divides up his time between making beats in the studio, co-hosting Sound Oracle's UnQuantized Podcast, and running a online market place for leading industry producers to sell their sound kits. Today, he’s going to talk about the beginning of his journey, the symbiotic relationship of industry networking and online business, and the key mistakes he's learned along the way.Key Takeaways:00:37 The story of Triza01:45 Building your own business, freedom and entrepreneurship02:51 From Soundclick to eComm business, DJ’ing and making beats05:01 The importance of being early adopter06:32 Using skills outside music to network in music industry11:31 What does “give value first” actually means?12:15 Transferring eComm skills to music15:03 Creating business which you care about15:54 Task delegation, first hire and productivity21:33 First steps to get a VA, tracking your time & tools25:32 Prioritizing & plan your tasks28:52 Treating your music career is a business30:23 What worked for Triza?32:41 Learning the concept & modeling what works34:35 Beat Traffic Blueprint36:24 Free + Shipping funnels, increasing value of your product37:50 Overcoming objections and what makes people buy40:41 The beauty of working together42:55 This is a collaboration game45:20 Giving value first47:13 Your introduction determines a lot!49:11 Connect with TrizaAdditional Resources:Sign up for a FREE producer training at: https://midimoney.com/goConnect with Triza.: @triza--SUBSCRIBE to our YouTube:http://bit.ly/MidiMoneyYT--Please subscribe, rate, and review our podcast. Thank you for your support!
Have you ever thought about how Twitch could be an exciting platform to show off your beat making skills? I’m sure you will after this episode. Please help me welcome my guest for today - the incredible SuperStar O!As many of you know, SuperStar O is a multi-platinum international music producer and songwriter. He’s been selling beats for over a decade and making them since the days of MySpace.Besides his work as a music producer, he’s also a very ambitious entrepreneur. In the music industry, his main focus is on selling kits and industry placements.On top of that, he’s just an unbelievably good dude, and I’m so glad to have him on the show! I couldn’t wait to pick his brain for ideas on marketing, business, and overall thoughts on how to grow as a producer. He’s always thinking up new ways to innovate and regularly outdoes himself with every new project.One of the most exciting things about his journey is how he leveraged Twitch to grow his brand. We talked about the current state of the platform, the benefits of doing long-form streaming, and how it’s helped him develop a more intimate relationship with his community.Also on this episode, we talk about why having the right mindset is key to success and discuss the most important factors for building momentum.Key Takeaways:SuperStar O’s backstory and his journey in the music industry (1:12)His experience of selling music with SoundClick (4:54)Building a list and creating his own traffic (6:40)Why you need to innovate constantly (9:07)How did SuperStar O use Twitch to grow his brand? (10:52)Don’t fixate on the numbers, do this instead… (13:46)SuperStar O’s insights about what performs well on Twitch for music producers (17:04)Why you should reinvest your earnings back into your community (examples) (21:40)The full breakdown of the Twitch business model for producers (23:08)How does SuperStar O come up with new ideas for his business? (27:41)Why you should never fear failure and embrace it instead (31:22)You gotta be in love with the journey (34:38)We can all benefit from having a side-hustle (38:33)Starting a CBD company (42:19)Secrets to developing a mindset for success (46:49)How to build momentum (53:47)Why is growing as part of a community so much easier (55:59)Additional Resources:Sign up for a FREE producer training at https://midimoney.com/goConnect with SuperStar O: @superstaro--SUBSCRIBE to our YouTube:http://bit.ly/MidiMoneyYT--Please subscribe, rate, and review our podcast. Thank you for your support!
Uno Hype has been making music since he was 8 years old. By that measure he's already got almost 20 years of chops under his belt. It puts him in a unique standing amongst his peers as someone who began learning in an analog world (on pause tapes nonetheless!) and grew into the digital realm. He's been uploading music online since Soundclick; heads will remember this predates even Myspace. He's been grinding for years now and, with all the right weaponry aligned, 2020 was primed to be his big statement year. There were SXSW plans, a tour lined up, album ready, all the things. Then, of course, COVID hit and delayed everyone's plans slightly. But Uno has been releasing consistently strong singles for months now, and with a new record surely locked and loaded in the holster, there's no doubt you'll be hearing a lot more of him soon. Tune in to hear us talk about sending demos to labels when he was a child, his collab with the late great Capital Steez, and the gems he picked up from his high school rap group.-Lee See acast.com/privacy for privacy and opt-out information.
In Pair O' News Show 1, Chris and Chad talk about a small town where you can get your fill of a whole slew of paranormal experiences. After that, is AI going to take over the world? Or at least the whole of music and photography? Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Find us on YouTube at www.youtube.com/c/PairONormalGuys The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/
Episode 51 - In this episode we talk about Mammoths and Idaho in the Pair O' News Stories. Then we talk about possible scenarios to time travel. Somewhere in there Chris goes on a rant about conspiracy theories as well. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Find us on YouTube at www.youtube.com/c/PairONormalGuys The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
In Episode 4 on The Millionaire Student Show, Sashin Govender dissects the Pain (Past), Price (Journey) and Prize (Result) of Soulja Boy. He's been nominated for 14 awards such as Best New Artist, Social Verified Award, Best Hip-Hop Dance, Favorite Male Singer to only name a few, including a including a Grammy nominee. His real name is DeAndre Cortez Way better known as Tell 'Em or simply Soulja Boy. ABOUT SOULJA BOY : Soulja Boy was born in humble beginnings in Chicago and then moved to Atlanta at the age of six years old. He then became the musician, record producer, actor and entrepreneur we know of today. In November 2005 he started uploading his songs on the websites such as SoundClick and My Space. In September 2007, his debut single Crank that peaked at number one on the Billboard Hot 100 and sold three million digital copies. The single was initially self-published to the Internet, and later became a number-one hit in the United States for seven weeks. Forbes listed him at number 18 of Hip-Hop Cash Kings for 2010 whilst he earned more than $7 million that year at 19 years old. His official YouTube channel has accumulated well over 1.5 billion views and more than 2.5 million subscribers. ORDER YOUR COPY OF SASHIN'S BECOMING THE MILLIONAIRE STUDENT E-BOOK ▶︎ https://www.WinWithSashin.com/EBook ABOUT SASHIN GOVENDER & THE MILLIONAIRE STUDENT ▶︎ www.WinWithSashin.com/About CLAIM YOUR FREE GIFT FROM SASHIN 4 PILLARS TO MASTERY AUDIO SERIES (VALUED AT $555) ▶︎ www.WinWithSashin.com SUBSCRIBE FOR DAILY VIDEOS ▶︎ www.WinWithSashin.com/YouTube CONNECT WITH SASHIN ON : ▶︎ INSTAGRAM → www.WinWithSashin.com/Instagram ▶︎ FACEBOOK → www.WinWithSashin.com/Facebook ▶︎ TWITTER → www.WinWithSashin.com/Twitter ▶︎ TIK TOK → www.WinWithSashin.com/TikTok
Kaylee releases her hit new single. now on Soundclick.ep ya di to mi a - I feel so goodhttps://www.soundclick.com/music/songInfo.cfm?songID=14070566
Episode 50 - In this episode, we talk about all manner of things with Monsters Among Us Podcast host Derek Hayes. Listen in as we talk about podcasts, television shows, and Derek's recently funded Kick Starter campaign. Then we delve into the Mirrored Men... Find Derek online at: Monstersamonguspodcast.com Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Find us on YouTube at www.youtube.com/c/PairONormalGuys The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
Episode 49.5 - In this episode we talk about a swamp monster and stationary sasquatches in the news. Then get ready for the Big Muddy Monster! Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Find us on YouTube at www.youtube.com/c/PairONormalGuys The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
Episode 49 - In this episode we talk about monkey men and crazy Russians in the news. After that get ready for all about the Mongolian Death Worm!! Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
After witnessing a suicide and her Grandpa death. Kaylee Stein releases. E Si A Ostia.Now at, SoundClick, get your copy Today.https://www.soundclick.com/music/songInfo.cfm?songID=14020784now on Audio Mackhttps://audiomack.com/song/kaylee-lynn-stein/e-si-a-ostia
Episode 48 - In this episode we talk about a bunch of completely random, unrelated items. Utter randomness at it's best. Corona virus, ketchup, 45s, and at some point Chad does talk about a dogman story from Kentucky. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
#Music, #92.3, #audio, #audiomack, #click, #cloud, #iheart, #kaylee, #kbqs, #ksjo, #lynn, #mack, #morse, #music, #nsew, #podcast, #radio, #sound, #soundclick, #soundcloud98.7 кбpc Сакраменто и в98.7 кбpc-ч д-1 Сан-ФранцискоВеб-сайтhttps://radiosen.wixsite.com/kbqsplayer.fmhttps://player.fm/series/987-dkbqsслушать все песни Кейли. идти к.https://www.soundclick.com/KayleeLSteinСейчас на Castboxhttps://castbox.fm/channel/107.5-KBQS-id2200902Сейчас на Spotifyhttps://open.spotify.com/show/0Hh3sJullYatQoi7fBND6uСейчас на ITuneshttps://podcasts.apple.com/us/podcast/107-5-kbqs/id1481117465Сейчас на Iheart Radiohttps://www.iheart.com/podcast/966-1075-kbqs-47002846/Сейчас на Googlehttps://podcasts.google.com/?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMjMxMTE2Ni9lcGlzb2Rlcy9mZWVkDeezerhttps://www.deezer.com/us/show/538032
#Music, #audio, #audiomack, #click, #cloud, #eta, #hit, #iheart, #kaylee, #kbqs, #lynn, #mack, #morse, #noe, #nsew, #radio, #single, #sound, #soundclick, #soundcloud, #spreaker#NSEW #Morse #Eta #Noe #Hit #Single92.3 KSJO is now on Tunein via KBQS go tohttps://tunein.com/podcasts/Music-Podcasts/987-KBQS-Sacramento-p1287777/to listen, Login is required.To Buy go to. | Чтобы купить перейти к.https://audiomack.com/song/kaylee-lynn-stein/eta-noeto purchase your set or album. Please note that the albums are still in the works.купить свой сет или альбом. Пожалуйста, обратите внимание, что альбомы все еще в работах.https://audiomack.com/song/kaylee-lynn-stein/ya-anto-niНедавно выпущен. NSEW Morse в я анто ни.from Russian to English. (I am not.) я анто ни.98.7 кбpc Сакраменто и в98.7 кбpc-ч д-1 Сан-ФранцискоВеб-сайтhttps://radiosen.wixsite.com/kbqsСейчас на TuneInhttps://tunein.com/podcasts/Music-Podcasts/987-KBQS-Sacramento-p1287777/слушать все песни Кейли. идти к.https://www.soundclick.com/KayleeLSteinСейчас на Castboxhttps://castbox.fm/channel/107.5-KBQS-id2200902Сейчас на Spotifyhttps://open.spotify.com/show/0Hh3sJullYatQoi7fBND6uСейчас на ITuneshttps://podcasts.apple.com/us/podcast/107-5-kbqs/id1481117465Сейчас на Iheart Radiohttps://www.iheart.com/podcast/966-1075-kbqs-47002846/Сейчас на Googlehttps://podcasts.google.com/?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMjMxMTE2Ni9lcGlzb2Rlcy9mZWVkDeezerhttps://www.deezer.com/us/show/538032
#NSEW #Morse #Eta #Noe #Hit #SingleTo Buy go to. | Чтобы купить перейти к.https://audiomack.com/song/kaylee-lynn-stein/eta-noeto purchase your set or album. Please note that the albums are still in the works.купить свой сет или альбом. Пожалуйста, обратите внимание, что альбомы все еще в работах.https://audiomack.com/song/kaylee-lynn-stein/ya-anto-niНедавно выпущен. NSEW Morse в я анто ни.from Russian to English. (I am not.) я анто ни.98.7 кбpc Сакраменто и в98.7 кбpc-ч д-1 Сан-ФранцискоВеб-сайтhttps://radiosen.wixsite.com/kbqsСейчас на TuneInhttps://tunein.com/podcasts/Music-Podcasts/987-KBQS-Sacramento-p1287777/слушать все песни Кейли. идти к.https://www.soundclick.com/KayleeLSteinСейчас на Castboxhttps://castbox.fm/channel/107.5-KBQS-id2200902Сейчас на Spotifyhttps://open.spotify.com/show/0Hh3sJullYatQoi7fBND6uСейчас на ITuneshttps://podcasts.apple.com/us/podcast/107-5-kbqs/id1481117465Сейчас на Iheart Radiohttps://www.iheart.com/podcast/966-1075-kbqs-47002846/Сейчас на Googlehttps://podcasts.google.com/?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMjMxMTE2Ni9lcGlzb2Rlcy9mZWVkDeezerhttps://www.deezer.com/us/show/538032
We must start cooling the planet. Walter Jehne and Cindy Eiritz explain how to restore the Earth s hydrological cooling system AND restore the “soil carbon sponge” offering resilience to global heating. The Soil Carbon Sponge is porous, well-aggregated soil rich in plant roots, diverse life forms, nutrient availability, air, and often holding lots of water. Building up the Soil Carbon Sponge draws down massive amounts of CO2 from the atmosphere AND regenerates our soils AND enhances agricultural productivity and human health. Walter describes how forests can be managed so that logs and other fuel on the forest floor is rotted down by fungi assisted by the nitrogen in animal poo and wee and other animal activity like the 150 holes a padymelon can dig in a night . Guests: Walter Jehne is an internationally known Australian soil microbiologist and climate scientist. Founder of Healthy Soils Australia and Founder/Director of Regenerate Earth Cindy Eiritz: Strategic Director, Regenerate earth Music: Encounter by the River : Dar Shelton find more here on Soundclick Transcript: [follow the link to Soils for Life website who have made a two page transcript of the interview:https://soilsforlife.org.au/wp-content/uploads/2020/01/Earth-Matters-Interview-Transcript.pdf Links Regenerate Earth A short paper by Walter Jehne: "The practical drawdown of 20 billion tonnes of carbon back into soils annually, to rehydrate bio-systems and safely cool climates" Regenerate earth Facebook Page 4 per 1000 initiative: https://www.4p1000.org/ Earth Matters #1221 was produced by Bec Horridge
Become a Patron! Andrew Baschyn is a bit of a legend here in Minneapolis. With 30 years of music-making behind him, and a set of both new and re-releases about to hit, he's been super active. So I was very pleased to get to visit his studio, have a chat, and get to know a little bit more about the man behind Baschyn Musik. What's interesting is the surprising number of people I've interviewed whose stories start in Iowa! In Andrew's case, it started there, but really came together in Chicago - where he got to experience 'juice bars', DJs, a broad variety of musical styles and some great music stores. This led to his embrace of gear, and his love affair with the E-mu Emulator III. Andrew is a big fan (it holds a prominent place in his studio), but is equally adept at working with MPC's, analog synths of all sorts, and Waldorf synths in particular. He is also massively into analog effects, with racks and racks of old Roland rack-mount effects, tape echos, spring reverbs, flangers and phase-shifters, all running through a pristine Toft board. This place is set up for a beautiful, thick sound. All of this is pretty useless, though, if you don't get music to come out of it. While his career is not so easily searched (we talk about it in the interview - his most prolific work period was in-between print and web publicity, so much of his work is somewhat undocumented), there are a few things to peek at: The Baschyn Musik YouTube channel: www.youtube.com/baschyn A SoundClick location for Autonomous: https://www.soundclick.com/artist/default.cfm?bandID=314758&content=songs Andrew's Instagram: https://www.instagram.com/baschyn/ The Baschyn Musik Facebook Connection: https://www.facebook.com/baschyn.andrew Check out his work, enjoy our discussion, and have a great week! [ddg]
Episode 47 - In this episode we talk about the big events coming up in the area. Then, in some news stories, we talk about Bigfoot in Indiana and another victim of the Pope Lick Monster. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
Episode 46 - In this episode we talk about some upcoming conventions, and then go over some Nessie news and Bigfoot getting shot at in Kentucky. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
Episode 45 - In this episode we talk about our extended absence and what it took to bring us back. Get ready for some doomed-to-fail Naruto-running into top secret military installation talk that naturally leads to discussion about predatory reptiles hopped up on flushed illegal drugs. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
(Aired Dec 3, 2018) WeedGrower.com, CheapAmmo.com, CT.com - Get into the minds of the Sherpas with the DomainSherpa Review! In this show we discuss what the Sherpas recently bought and sold: WeedGrower.com, CheapAmmo.com, CT.com, An investor's portfolio is appraised: jConsole.com, SoundClick.org, Wvmp.com..., and some great domains going to auction soon that might be perfect for newer investors.
Episode 44 - In this episode we talk about another big furry encounter and a vanishing island in the news. After the break we talk about a few of the more popular examples of the Abe Vigoda effect. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
Show 003 - In this show, Chris and Chad have a chat with the CryptoKid, Colin Schneider. Recorded at the 2018 Mothman Festival in Point Pleasant, West Virginia. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Subscribe to our YouTube channel at YouTube.com/c/PairONormalGuysParanormalPodcast The music for Pair ‘O Normal Guys B.S. is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Metaphysical"
Episode 43 - In this lost episode recorded almost a year ago, Chris and Chad talk about Yetis and the connection between Bigfoot and the Ouija board in the news. After the break, the many mysteries of Mount Shasta are revealed. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Subscribe on YouTube at: YouTube.com/c/PairONormalGuysParanormalPodcast The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm”
Show 002 - In this show Chris and Chad talk to the curators of the creepy, Kyle and Zach from the International Paranormal Museum and Research Center in Somerset, KY. Listen to tales of haunted dolls, a haunted mannequin, and a cursed whiskey bottle! Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Subscribe on YouTube at YouTube.com/c/PairONormalGuysParanormalPodcast The music for Pair ‘O Normal Guys B.S. is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Metaphysical"
Episode 42 - In this episode there is talk of Pterosaur sightings and Nessie being a money maker in the news. After the break we talk about Tulpas. Our friend Carrie sits in again on the show. No, really. She does. Listen till the end. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ Find our YouTube channel at YouTube.com/c/PairONormalGuysParanormalPodcast.com The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” News: ‘Pterodactyl’ Spotted in Texas https://bit.ly/2S07qnl Loch Ness Monster Worth $53 Million, Helps Sales of Loch Ness Absinthe https://bit.ly/2P4qmCt
SuperStar O Interview on the Producergrind Podcast. SuperStar O stopped by the office for an exclusive talk about his come up & the early days of the online beat game. He talked about his humble beginnings where he was often homeless periodically throughout highschool which was one of the reasons he dropped out. He talked about how he started his journey as a rapper/artist but found his true love in making beats. He was one of the producers that was early on soundclick so he found success fairly quickly compared to how long it takes to go from 0 to successful in today's online beat selling market. He talked about linking up with the other OG's like Vybe Beatz, Johnny Juliano & more during a period he refered to as "The Golden Age of Selling Beats Online" SSO dropped a lot of game on branding yourself as a producer as well as staying ahead of trends like when he transitioned from soundclick to his own website. We tapped into SuperStarO's spiritual side when he shared his nightly routine of bath's & reading. He even gave a recommendation of his favorite book "The Alchemist." There are crazy amounts of gems for producers and artists in this interview. Special shoutout to SuperStar O for pulling up for this podcast as well as our VIP Studio Session 3 in Atlanta with Sonny Digital, Dun Deal & More. Producergrind Merch: http://bit.ly/ProducergrindMerch Sound Kits: http://bit.ly/ProducergrindKits 0:26 O Talks about his journey to becoming a producer 3:21 Give us a time frame for when all this happened 4:11 Was being a producer always your goal? 4:40 O Talks about his inspirations 6:03 How long did it take you to start making money off beats? 7:02 Finding out about his first placement with Jim Jones 7:55 Johnny Juliano telling him to hop on SoundClick 8:38 Was there much money you put into SoundClick Promo? 9:47 Downfall of SoundClick 10:58 O Talks his next steps after SoundClick and building his own website 12:07 Using Instagram to promote your image in 2018 13:26 Importance of brand image 14:43 Best advice for branding yourself as an up and coming producer 17:35 DM'ing Links to music through social media 20:21 Learning the game through trial and error 22:00 Common mental mistakes people make 24:02 Making the mistake of pursuing money over passion 25:34 Staying focused and hungry even after the money comes 28:02 Having the right people around you to keep you in check 28:52 Book recommendations for producers and to anyone that wants to be on the path of success (The Alchemist) 30:20 What's your daily routine like? 31:51 Bubble Baths for the win!! 34:38 Not falling into laziness or losing focus while working from home 36:53 Finding a workflow that works with your personality 38:10 Would you consider yourself more of an entrepreneur or an artist? 38:53 Artists linking up with more business savvy people and vise versa 39:55 Overrated/Underrated - (40:46) Starting a beat store in 2018 - (41:55) Fortnite - (46:37} Akai Fire MPC - (48:51) Analog Gear - (52:55) Moving to a major city for music 55:55 What would be your first steps as a producer if you were moving to Atlanta? 57:00 YOU GOTTA WIGGLE!!! 57:53 O talks about his crazy car collection 1:04:14 Selling 300+ Exclusive beats to an app company 1:07:10 Superstar O talks about his relationship with weed 1:20:00 O tells us a funny story 1:23:11 Advice for young people coming out of high school that want to take the entrepreneurial route 1:33:42 Social Media Drops Listen to this Podcast on iTunes: http://bit.ly/ProducergrindPodcast Hosted By @ceodylan @carrington_hill @producergrind Special Guest @superstaro Directed by @cookitupkayo @Samo_ent #ProducergrindPodcast
Show 001 - In this, the first show, Chad and Chris have a chat with Seth Breedlove, the mastermind of Small Town Monsters. Listen in as the Swiss Army Knife of Talent himself tells tales of being the grumpy old man of cryptid documentaries, spins yarns on the emotional strains of editing, and gives harrowing accounts of.... buying diapers! Recorded at Cryptid Con 2018 in Frankfort, Kentucky. A very special thanks to Mr. William Blanchard for delivering another outta this word track for the theme song of the B.S. shows. You truly are a musical genius, sir! Visit us online at www.paironormalguys.com Find us on YouTube at www.youtube.com/c/PairONormalGuysParanormalPodcast Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys B.S. is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Metaphysical"
Episode 41 - In this episode Alien abductions and rocket men show up in the news, there is talk about PONG B.S. in the Pair O' Nouncement board, and after the break a lot of talk about the Puckwudgie. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” News: Miami Herald Endorses Candidate Who Says She Was Taken By Space Aliens https://bit.ly/2Mr3GMj Steam-Powered Rocketman Runs For Governor on Flat Earth Platform https://bit.ly/2OwSU7y
Episode 40 - In this episode we talk about two bipedal sightings in the news. In the Pair O' Nouncement board we talk about Crytid Con and some very (potentially) exciting PONG updates. Listen, won't you? Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” Check out Cryptid Con! www.cryptidcon.com News: Florida Family Calls Sheriff Over Bigfoot Encounter https://bit.ly/2oEe5G9 New York Couple Encounters Humanoid on Road https://bit.ly/2wIGZbX
Today on the podcast, we're talking to Bryant Walker AKA Koncept Beats. Koncept got his start leasing beats on Soundclick and was one of the early successes of the "internet producer" era. Making over $30k per year while studying at college full time, he was able to carve out an amazing life for himself even before being approached by Universal Records for a publishing deal. Nowadays, Bryant runs 9th Avenue Media, a full service marketing and production agency that brings creative content to small business owners of all types. By using his creative expertise, he helps businesses get the results they need quickly. Listen to Bryant as he shares his story and provides insight to all of us pursuing creative careers. For more insights, you can follow Bryant on Instagram @BryantEWalker
Episode 39 - In this episode Chad talks about Dogman and Kangarooman?? sightings. In the Pair O' Nouncement board we talk about CryptidCon coming up and Krafternoon. After the break we talk about some really big bones. By the way...we both survived. Just listen, you'll get it. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” Visit Krafternoon at https://www.etsy.com/shop/KrafternoonGifts2
Episode 38 - In this episode we talk about a really hungry snake and some (fake) UFO fragments in the news. After the break we go full Salvo again and talk about "To Catch a Cryptid". Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” News: Bits of Famous, Lost (and Fake) "Flying Saucer" Turn Up in British Science Museum https://bit.ly/2lkLbZU 7-Meter-Long Python Swallows Indonesian Woman https://yhoo.it/2t4wazE
Episode 37 - In this episode we unveil the name of the new segment. In the news we talk about a Dogman and Bigfoot sighting. After the break, we talk about two hoaxes in the crytozoological world; The Georgia Bigfoot Hoax and The Ray Wallce Hoax. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” The Cryptid ABCs kids book Kickstarter https://kck.st/2F2RUiJ News: Men See Humanoid With 'Wolf Head' in Arkansas https://bit.ly/2JZuheF Couple Sees 'Bigfoot' in Northern Ohio https://bit.ly/2HOyLnt
Episode 36 - In this episode we talk about some werewolf sightings in the news. After the break we talk about a Bigfooty, werewolf creature: the Crosley Monster. Our friend Carrie sits in on the show. Oh, and Seth...we're sorry. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” Break music is from "Discovery" News: North Carolina Woman Claims "Werewolf" Sighting https://bit.ly/2E335ra "Werewolf" Seen in New York State https://bit.ly/2J19838
Episode 35 - In this episode we talk about some Cuban fast food attacks, and Chad wonders what it would be like to be a Bigfoot in a tree in the Pair O' News stories. After the break we talk about some spooky stuff in Lawrenceburg, Kentucky. Visit us online at www.paironormalguys.com Email us at theguys@paironormalguys.com Like us on Facebook at www.facebook.com/paironormalguys/ The music for Pair ‘O Normal Guys is by William Blanchard. His awesome music can be found on Soundclick and Soundcloud. Follow him on Facebook too! www.facebook.com/williamblanchardsoundtrack/ Theme music is from “Eye of the Storm” Music for the break is from "Eleven Decades" News: US Diplomats in Cuba... http://bit.ly/2CsmXD6 State of California Sued... http://bit.ly/2FG6Xkb
Click on the title above to play the show, right click to download.We're back. Tony was bullied into it by Zoetrope. Dave will return next week.Lots of chit/chat,, feel free to FF, and some great home recorded songs.Dave King - Whatcha Gonna Do davekingmusic.comThe Cracks - Be My Friend Tonight SoundclickBluster - Let it Go www.blusterband.comAndrew Richardson - Uhura https://soundcloud.com/fabkebabThe forum to discuss the show can be found here Home Made Hit Show Forumemail your songs to homemadehitshow@gmail.com
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