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49 episodes with terry manning
2 episodes with terry manning
2 episodes with terry manning
2 episodes with terry manning
2 episodes with terry manning
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Text us about this show.Into The Music is putting a bow on 2024 with the Year End Wrap show. No interviews, just a lot of great music that dropped this past year by Into The Music guests. Included are tunes by Matty Day, The Mascot Theory, Terry Manning with Billy F. Gibbons, Eric Hagen, Fryman Project, The Tom Thiel Trio, The Kurt Gunn Band, Tyler Sj., Project X, The Tourmaliners, Luma Knotty with Cujo The Poet, Copper Box, 7000apart, and Showoff. Plus we take a li'l glimpse into 2025 with the debut of Michael Grabner's forthcoming single, "Haul Me Away."Thanks for listening to Into The Music! Going into 2025, your support of the show by sharing it on your socials, with a tip via Buy Me A Coffee, or subscribing is critical. Any support is greatly appreciated and helps the show thrive. Happy New Year!!Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2024 by Project X Productions. All ...
Text us about this show.Terry Manning has a long and stellar history in the music business. His résumé reads like a Who's Who because of the sheer number of artists he's worked with over the past sixty-plus years. If you're a soul music fan, Terry worked on hits by Otis Redding, Al Green, Sam & Dave, and more. Classic rock fan? Albums like Led Zeppelin III, ZZ Top's Eliminator, and Big Star's #1 Record list Terry as engineer. Terry's worked in a wide variety of genres at studios like Stax Records, Ardent Studios, Compass Point Studio, and currently Sonic Ranch Studio and his talents aren't just in music, but he's an outstanding photographer, writer, athlete, and more. In other words, Terry's one-of-a-kind and on this episode of Into The Music we find out why.For more about Terry, make sure to visit terrymanning.com and themanninggallery.com."It's You (Beacon)" performed by Terry Manningwritten by Terry Manning℗ 2015 Lucky Seven Records under exclusive license to ECR Music Group. Used with permission of Terry Manning."I Am The Cosmos" performed by Terry Manningwritten by Chris Bell℗ 2019 Lucky Seven Records under exclusive license to ECR Music Group. Used with permission of Terry Manning."What's The Use?" performed by Terry Manningwritten by J.P. Richardson and Terry Manning℗ 2020 Lucky Seven Records under excluSupport the Show.Visit Into The Music at https://in2themusic.com or https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsT...
Text us about this show.If you aren't already taking notice of The Mascot Theory, now is a great time to do so. Erik Kjelland is the band's vocalist, writer, rhythm guitarist, and harmonica player and he's here to talk about the band's incredible new album, Every Sign of Life. The Mascot Theory is on an upward trajectory that shows zero sign of changing anytime soon thanks in part to adjustments the band made in their sound and personnel. Add to the mix the production prowess of industry legend Terry Manning (Led Zeppelin, ZZ Top, Joe Walsh, Stax Records, Big Star, etc.) and you have an album that stands far above the rest. Don't just take our word for it. Erik gives us the behind-the-scenes stories that will have you yearning for a good dose of The Mascot Theory."Coming Home," "Stone Cold," and "Andromeda" performed by The Mascot Theorywritten by Erik Kjelland℗ 2024 Stone After Stone Records. Used with permission of Erik Kjelland.Support the Show.Visit Into The Music at https://in2themusic.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Producer: Rob MarnochaRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie AngelThis podcast copyright ©2024 by Project X Productions. All rights reserved.
"Eliminator" by ZZ Top is a seminal album that seamlessly blends blues, rock, and electronic elements, delivering a unique sound that defined the 1980s rock scene. Released in 1983, it's a masterclass in gritty guitar riffs, infectious grooves, and catchy hooks, highlighted by hits like "Sharp Dressed Man," "Gimme All Your Lovin'," and "Legs." The album's sleek production, courtesy of engineer Terry Manning, combined with Billy Gibbons' raw vocals and blistering guitar work, Dusty Hill's solid basslines, and Frank Beard's tight drumming, creates an irresistible sonic experience. "Eliminator" not only solidified ZZ Top's status as rock icons but also left an indelible mark on music history, influencing countless artists across genres. With its iconic cover art featuring the Eliminator car and its timeless blend of blues and rock, this album remains a cornerstone of ZZ Top's legacy.Listen to the album: SpotifyApple MusicCheck out Taking It DownLinks:Official websiteContactSupport us on PatreonDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience. Support this podcast at — https://redcircle.com/polyphonic-press1229/donations
Buckle up, besties. We're going on a roadtrip down memory lane. This week we recap the 2002 movie Crossroads, staring Zoe Saldana, Terry Manning, and OFCOURSE Britney Spears. There's magic to these early 2000s movies that we wish we could bubble it up, wether it be reminiscing on the trauma that era imposed on us, or losing your V card to a felon...it's all fun and games until Dad flies in looking for you. Don't miss this hilarious recap of this coming of age story slash Britney Spears concert.
jD, Dan from London, Pete and Tim are joined by a very special guest on this episode that is dedicated to the new reissue of Phantom Power for its 25th anniversary.And make sure to listen to the VERY END!Transcript:[0:05] On August 31st, 2023, The Tragically Hip dropped the first track from the Phantom.[0:12] Power 25th Anniversary box set, a song called Bumblebee.I will always remember this day because my friends Dan from London, Pete and Tim were in Toronto for our big live finale and the four of us were off to Kingston to visit the Bad Houseand sightsee the tragically hip scenes in Kingston.The first thing we did inside the car was fire up Bumblebee.It was so odd to hear something so familiar but so new to my ears.I hadn't heard this melody or these bending guitar licks before and I wanted more.[0:53] Lucky for us there are several other tracks included on this box set.Songs we either hadn't heard, or maybe we've heard snips and pieces of in live performances, or maybe on a bootleg.And of course there are complete song ideas that wound up on Gord's first solo record, Coke Machine Glow.There is also a fantastic live show from Pittsburgh, demos, and alternate versions of songs that did make the final cut.In essence, this is an exciting time to be a hip fan.Although we are all collectively gutted that we'll never see our boys on stage again, as long as I've been a hip fan, I've clamored for these songs that somehow wound up on the cuttingroom floor.And I'm sure you have too.[1:41] Today we'll get a sense of what Dan, Pete, and Tim think of the Reissue and we'll speak with a very special guest about the making of this spectacular box set and so much more.So sit back, relax, and let's start getting hip to the hip.Track 4:[2:23] Hey, it's Shadeen here and welcome back to Getting Hip to the Hip.This is an out-of-sequence bonus, episode for everyone.We are going to be talking today about the box set of Phantom Power, and I am joined as always by my friends Pete and Tim, and today's special guest again, Dan from London. How's itgoing, everybody?Well, Dan got his ears lowered, looks like Dan got his ears lowered.Yeah, I lost some hair over the course of the last thing, yeah.He was shorn. Maybe it was his younger brother stepping in. Yeah.[3:07] So fellas, when we last left off and we talked about Phantom Power, I recall the conversation really revolving around fireworks.You guys both really loved that song.Something On was a little underwhelming for you.You got into Poets, you thought that was a good kickoff and here we are just like six months after, not even six months, like four months after releasing that episode and The TragicallyHip goes out and releases a 25th anniversary box set of Phantom Power.So we thought it would be cool to get the band back together and talk about that for a little bit.And we'll be joined by a very special guest who we won't reveal quite yet.Is there anything that in particular, Pete or Tim, you remember about your experience with the record, thinking back, and Dan, for you following one of them, what was your experiencewith the record in general?[4:24] Um, it's funny because I went back and I found my notes from the original and it's it's just crazy to look at.It's like it's a it's a time it's a time capsule because, yeah, there were certain songs that was like, this is good.And like and now I look at, like, some of the songs that I was.[4:44] You know, Gugu and Gaga over and I love fireworks, but I mean, by by and far, you know, Bob Cajun is probably one of the most just, I mean, it's on loop in my home.So many, so many days. She also listens to it as well, right?Oh, yeah, she absolutely loves that song. We're listening to the live version today, we went for a hike.[5:07] And Cherrigan Falls. Poets is like, I think didn't, didn't, goodness, 50 Mission, didn't they?They came out with Poets when they played the live event.That song just, I had like one line written for that song. And this is the line, this is how sad it is. Dig it.Verse phrasing is key to the song. Lines go to the next measure.Layers and guitars. Nice. Now I'm just like, I hear that song.And I just fucking stop what I'm doing. And I just like, I fucking love that song.It's crazy how this album grew on me like a fucking virus. It's amazing.Timmy? Great. Yeah. Great, great question, JD, for sure.I mean, there's still a few on it that I'm not a super fan of, just to start off being negative here.Like, the rules to me is still a yawner, you know, but like, I kind of dig Chagrin Falls more than I did last time.I don't think I was anti, but in Emperor Penguin, I've read so many times across platforms that people love Emperor Penguin, and that song's slowly growing on me too. It's one of myfaves.There's still some really good ones in there.[6:31] Thompson Girl I could still live without. That's another one that grew on me, Timmy. I feel you, but I grew on it.With the new songs, and this is a question for a few minutes ahead, but somebody asked with the new songs, are any of those potential replacements for what's on the original?Oof. So yeah, that got me thinking a little bit.Tim, why do you always have to embroil things in controversy?I mean, that just is a controversial question.I mean, probably because of aliens, I guess. Oh, stop it.[7:15] Dan, what did you think of Phantom Power? I mean, Phantom Power is an absolute solid album.It's just a kicker, isn't it? I mean, I always love something on, I think it was the first track I got into off the album and I still absolutely love it. I think that song kicks ass.Something about the bass drum and the bass just driving it and the timing is just fantastic.Obviously, yeah, Bob Cajun.That always used to come on at a certain point on my commute when I was arriving at a certain station and I now still have overwhelming feelings when I pull into that station.[8:02] I can't believe how big a song can be, how overwhelmingly amazing a song can be.But yeah, I mean, the other stuff, I mean, Escape is at hand, I think, is just my favorite track on the album.You know, again, it's a whole other different story and different sentiment that it carries.And I don't know, I think that is a Bob Cajun and Escape is at hand, I think that just works a genius.And I can't say much more than that.Yeah. You know, the loss related with Escape Is At Hand is so relatable for me. And probably everybody.But I tend to live with you, Dan.I think Escape At Hand is... There's something about that song that just hits home, I think, probably for most people.[8:58] Maybe not sociopaths. I don't know. Maybe not.I think, Dan, you hit on the point. It's crazy how songs, even if you listen to them and enjoy them, it's like they get to a point where you've listened to them so many times, and perhaps thesame situation, like you said, pulling into that particular tube station or whatever it is, that maybe you don't hear it for a while, but then you hear it again, And, and just like a flood ofmemories and images come back.Just weird how the human brain works, man. I mean, this summer, we were go, go ahead.I mean, I just, I was just gonna say also in terms of that as well, it's the same station that I come into, I used to come into every time Fiddler's Green came on as well.So there's a time in all the albums where some of this stuff happens.[9:49] That's cool. That's cool. So have any of you guys had a chance to listen to the bonus tracks or the outtakes or the live show or any of it?And if you haven't, that's cool.All of it. All of it? Yeah. Yeah.I'm just happy to have more live music from these guys.For the obvious reason. It's a nice sounding show. So I read some kind of critique, so it's not the best sounding live show they played. I mean, who cares?I'm just happy to have more live music. That's an easy go-to wherever I am, in the car, on a plane, whatever.So as far as the new songs go? Yeah, back to your question.Yeah, I dig most of them. What's the best of the bunch? Eh, I don't know, I'm not there yet, I wouldn't say I'm there yet, I kinda like them all for different reasons.[10:52] Vegas Strip may be the least, but I like all these songs. I haven't gotten to it yet.It's my least favorite, but I still really like it.Yeah, like Songwriters Cabal isn't my favorite, but I love that song.Mystery, just lastly. Mystery is kind of a phenomenal ending to this group of songs.It's just this somber kind of tearjerker.Yeah, that was that was a happy listen. Joy meant either you fellas dabble.[11:31] I dabbled today and a couple of days last week, not yesterday, but I think Thursday and Friday in the fly stuff, which I concur with Timmy, I just love the live shit and I don't give afuck If it was a, you know, if it was a tape recorder jammed behind a, you know, bathroom stall and you got it picked it up in the background.It's just cool to hear this band live, but I loved it. Um, of the new tunes.I agree. I'm not there yet, but I, I got, um, I did hear bumblebee a lot when that came out, cause that dropped first, if I'm not mistaken, right. It dropped the day we went to Kingston.Kingston.So we got to it on the way to Kingston. That was fun. That's right.But I would say of the new tracks, I think the strongest one is Insomniacs. Me too.I just think it's very brawling, fucking harking back, just cool, fucking, just has that cool, easy, fucking hip, early shit to it.Early feels to it. Yeah, you know, has the road apples feel to it or something.Yeah, yeah, yeah, yeah, I agree with that. I like that too. I could be swayed.[12:50] Okay. Dan? Yeah, and I mean for me, I've listened to the extra tracks.I mean, I still love Bumblebee.[13:04] There's something about that with the guitar bends, that like, I mean, I think we next sort of hear those kind of guitar bends on my music at work.Something very similar happens towards the end of that, doesn't it?But in terms of the live stuff, there's a few little things going on in there.I mean, obviously, when you get down to 100th Meridian, there's a kind of improvised extract of Bumblebee in there, which is fantastic.And also, in the Chagrin Falls live version, he breaks into Born Free, but in the alternate version of Chagrin Falls, he's singing Chagrin Falls with a Born Free kind of lilt to it.So there's these kind of little parallels between some of the stuff that's been chosen, I think.Yeah, so maybe that's the reasons for some of those selections.Yeah. To you for choosing this live this light those like cuts you mean I Think so. Yeah.Yeah. Yeah, there's definitely some some thread woven throughout.Yeah Too bad. We don't have anybody to ask We might get some insight from our special guest Yeah, we should kick to him right now.We'll go to a song and then we'll come in with our special guest Johnny fucking thing.Track 6:[17:35] Hello, hello, hello, hello, I hear you guys now. There we go. Oh good. Am I good?Am I good? Yeah Hello Hi johnny Good doing well Sorry about that Hi, that's my fault. Not yours.I'll take full credit for that We're just waiting for one more to join Okay, he's uh in the waiting room now.Oh, there he is amazing how everything just Clicked and then johnny came on because we were having some severe problems, Dan, can you hear us? Yeah, absolutely. Awesome. Can youhear me? Yeah. Grant.[18:18] How you doing technically there, Danny? Good. Can you hear me?I can hear you. I can see you.Perfect. So then are you done? Are you done taking the McDonald's in London?London? London. Yeah. Yeah. My dad, my dad's hometown. He's from Woolwich.Woolwich, really? Yes. Oh yeah. South of the river. And we got to Canada and some friends would say, are you from London, Ontario or London, England?And my dad would just shoot back, he'd go, there's only one, London.Ooh. Although they have a Thames where the Canadian one. Ooh. Anyway.[18:59] That's beautiful. Isn't there in London, Missouri or something, too? There's a London... Oh, they're all over the place.Yeah. What's the deal with that? What's the deal?I think there's one in India also. You can't throw a shoe without hitting a London, is basically what you're saying. Yeah.All right. Well, let's get things on the road here.Johnny, just a brief introduction. We've ran a podcast from May 2, 4 to Labor Day this summer, where I took my friends that have never heard of the hit before. One is in Spain, Malaga.One is in Portland, Oregon. That's Tim and that's Pete, who is from Spain.And then Dan is from London.And we took them through a record a week, starting with the Baby Blue record and working up to Man-Machine Poem and just.[19:54] Inculcated them into the world of Tragically Hip.We ended up with a big party at the end downtown at the Rec Room.We raised like almost four grand for Donnie Wenjack.Oh that's amazing. Incredible.Yeah, so that's our story. I'm sorry I had to get the The music stuffed down your throat like that.[20:19] Can you imagine doing it, Johnny, like of a band that you've never heard of, right?And I've heard of you guys, but like never heard of you guys. I mean, I never heard it.But it's crazy how we did get it literally shoved down our throats.And now we were going back today talking about Band and Power, about what our first reactions were for it.And even compared to now, how much everything's just grown on us.It's just like, and we're diehard fans now, but go back a year from today, we didn't know. That's incredible.Wow. It's crazy, man. Thanks for sticking with it. It's not always easy.My Spotify algorithm is still totally convoluted, but a lot of a lot of hit playing in there.So Johnny, let's start at the start and get to know a little bit about you as the drummer of The Tragically Hap.And youngest member of The Tragically Hap. That's right, that's right. It's a dig.[21:27] It's Gord Sinclair's birthday today, right? It is indeed.Yes. Yes. I had dinner with him and Paul the other night in Toronto, and we had a nice evening.And, you know, we're 40 years young next year.I was in high school when we started, and I guess here we are.Wow. Wow. Who, before you got into the band and as you guys were forming, um, you know, your sound and your, you know, cadence, who were your big influences?I've, I know Stuart Copeland came up at one point. Oh, without a doubt.Yeah. I've heard a story about an exam or something like that, that you missed.That's correct. Yeah, that's correct. Uh, and we later ended up working with Hugh Padgham, the great British producer. and Synchronously was coming out and it came out on the daybefore my.[22:29] My math exam for Mrs.Griffordy and Lynn got this record and I listened to it.I'd heard Every Breath You Take on the radio, but then when I heard Synchronicity II and just the blistering drumming of Stuart, I just had to drink it all in.I remember making the decision. I was like, I can listen to this record, I can study for the exam.If I don't study for the exam, I'm going to summer school, which I did.And then I took one day off to go see them at the Olympic Stadium in Montreal, but it was worth it because that was, that was really my education was living, eating and breathing.And if you were a drummer in the eighties, who, uh, the guy, he was instantly identifiable by a snare drum.Um, just the hit one snare drum, there was Stuart Copeland.So, And this was an era of drum machines, don't forget, this was Len drums and sequencers, and I loved all that stuff too, absolutely did, but to be on the radio, and Stuart was it, he was,and I'm still finding things out about him, that he held the drumstick between two fingers, he didn't hold it, he held it up here.[23:48] Instead of the two fingers, which is the traditional way to hold the drumsticks.But he invented a way to play and invented a kit, which was a sound, you know.And he really, I can't say enough things about Stuart Copeland.Yeah, he's amazing. But I'll also listen to Alan White of Yes, who was fantastic. and of course, you know, Neil Peart, Bob Rush.That's a pretty good pedigree.Well, you try and take a little bit from each guy, you know, you don't want to be a lab rat. You don't want to copy them.You want to just take all the little things you like the right hand from this guy, this snare drum from that guy, the bass drum.And of course, the great I saw him the other day, the Manu Katché, Peter Gabriel's drummer, who is the Picasso on the drums. He has hands down, Art Picasso on drums.High praise. Dan?Yeah, so yeah, those are your sort of past influences. But who do you enjoy listening to now? Who does it for you now?Well, it's really funny because what's on my turntable right now is Heavy Weather by.[25:12] Weather Report and I'm listening to Jaco Pastorius.I'm trying to get as much of him into me because he was the guy really, you know. You hear Geddy Lee talk about him, you hear.So I'm listening to a lot of bass players these days and loving it.So that's what's going on.[25:36] I gotta I gotta ask you, just because you mentioned synchronicity, this is just a this is just a note.And if you didn't know it, then I think we brought it up with Paul.But do you know that that record had 33 different covers?[25:53] I did, yes I did. I didn't know that I thought it had.I thought it had. Well, I guess it would because each guy was sort of on one of the strips and it changed.But I didn't know there were 33. 32 or 33. But yeah, it was when I found and some some versions are rarer than others. But that record is.And that song Mother is just nuts. And isn't Stewart Copeland singing that song?No, that song is Andy Summers, and I heard a story, they did part of it in the Moran Heights in Montreal and the engineer asked Hugh if he could bump himself off a cassette in the day.In those days there was no internet so it was cool. The engineers usually got to be able to do that.Here's a record I'm working on, just happens to be with the police.And he asked Hugh Padgham if he could leave that song off.A lot of people hated it. It's a hard song to listen to if you're not into the record. You know, what went into the trash bin was I Burned For You, that was slated to go on that record.And think about how that would have, you know, from Sting's soundtrack work, would have changed that record. Totally.[27:22] I'm a little curious of then and now also, when you first started playing drums, I raised a drummer.I have a 21 year old who plays drums.Awesome. Actually, yeah, the past year or so he's been out of the country and he's been more focused on DJing, techno of all things.But he's, you know, can hear kind of a drummer influence. But anyways, you know, we got him on hand drums early and drum lessons early.And I lived through, you know, a drum set in the basement.Just anywhere you went in my house, you had to go outside or take a call.It was just, you know, what was it like for you in your early years playing drums? Like what pushed you over to the drum set or being interested in it? And...Conversely, do you still play now? Do you still have access to a drum set or a drum set at home?[28:13] Great questions. Number one, my brothers had a friend who had a drum set and they said to me, they went and got the snare drum and they said, we'll get you the snare drum.And after a year, if you're still playing, we'll go get the rest of the drum kit.And I'm still playing. And so they Then I had an eye injury, which for three weeks I had both eyes sort of closed off with cotton batting.And it was a really weird, weird accident.I still, when I'm explaining it to people, my dad was on the phone.He was a pediatric cardiologist and he was talking to the hospital and we were at a friend's house.And it had this jar of erasers and pens and pencils and elastics and he was talking and I remember he had his hand on my head like that and I grabbed an elastic band and a pen, and I shotthe pen into my eye and yeah it was very bizarre I thought it was shooting at the other end so it went right in and I remember my dad saying to my mom don't touch it leave it leave it andshe was trying to pull it out and so I went in and my sense of hearing was heightened.[29:33] I could hear my dad walk down the hall after he had his morning rounds.I could hear the cadence of his footstep and so you know for that three weeks where I was unable to see, it just kicked that.At about seven years old into a different gear for me. I started hearing rhythm everywhere.As you do with your indicator of your car, to industrial sounds, trucks backing up. I can put a rhythm into it.Like your son, his, like you're saying about drumming, and now he's DJing, his internal clock is always going as a drummer because that's where it started. Absolutely.Yeah. So it's the same. Drummers are that way. You just pick those things up.And then second question. No, I'm not playing. I'm kind of doing what your son is doing with drum machines.But I have two drummers in the house, two nine-year-old boys.[30:29] And one is a lefty. And I would set a kit up for him and then my other son, Finn, and then I would forget about Willie.And then, so I just said, well, I'm going to set it up on the left for you because he has a great acoustic kit, a set of Gretsch 1960s.And now I play left because I'm not the drummer that I'm not, you know, I'm not that drummer anymore. So now I'm discovering all kinds of new things about playing on the left side, andleft-handed drummers I find are way more creative.It's funny you mentioned that because we often notice when I've gone to shows with my son, we'll just say immediately that guy's left-handed.You just see it like that. That's very cool.Ringo was left-handed, they say, and that's why no one could ever duplicate the way he got around the kit.Yeah. His left hand pushed his right hand, I think.Phil Collins, Ian Pace, they're not good drummers.They're incredible drummers. Those two guys for me, Ian Pace and Phil Collins.Phil Collins, the stuff that I listened to today, and I'm like, how is he doing that?How is he doing that? He was incredible.He really was. He is incredible.[31:48] Johnny, you've been hard at work on the Phantom Power reissue, the box set, the amazing box set.I got it last week, and it was so fun to open and just touch the vinyl, and the book that's inside is really wonderful.I'm just, I'm so curious what a project like that.[32:17] Entails like from a from a time perspective. And I know you guys are hard at work on another one for next year.Like, when does that begin? And what does that process even look like?Like, is it just climbing Everest or what?It's really fun. It's really great therapy for us.You know, we get to talk about the past and if one guy doesn't remember it, someone else will.We have weekly calls and it's fun.We didn't do any therapy after Gord passed away and we really should have.We have just all kind of dealt with things and I think really right now that this is our therapy.I'm in Toronto, so that's where the tapes are. I'm very happy to do it and we're digitizing things and Phantom Power was a different one because it was in different formats.It was on D88, little digital tapes.[33:11] DAT machines were around and kicking at that time.We also had our 2-inch machine and then Pro Tools, the dreaded Pro Tools was coming in.Well, you didn't have to make a decision and you could have a hundred tracks on something and and I was like the you know There was such economy when we were going to tape andAnd I really liked that.So, you know, if you look at the early records, we're still I, Think there's the most that we used was 18 tracks You know Don Smith would consolidate things and that was really a goldenperiod So, it's not as daunting as you think, it's been fun, it's been fun, it's been a discovery.[34:00] You know, to listen to some of those tracks and hear Gord Downie speaking in between takes is really these beautiful moments.So yeah, it's been a lot of fun.Robbie is in charge of the box set, putting it all together.So he's doing all of that stuff.And you know, Gord and Paul are very involved in it. But they have solo careers too.So, um, you know, uh, but we are, we're all together on this.Uh, it's not me, uh, just doing, um, the tape stuff there. They're involved in it too. Very cool.Yeah. I mean, I was going to ask in terms of the project from the offset, uh, you know, when you're going through the tapes and covering all of these tracks and these, these different takesof the tracks that you have, what, what shape, you know, with those tracks in, did they require a lot of work to get them up to spec, or was there anything that was kind of left off that was,you regard as pretty good, but it was still a bit too rough around the edges to include?[35:04] Well, if we did any editing back in the day, if it was tape, we would do chunk editing.We would take the ending of one, with the hip, we would play a tune, it'd be great, be great and we would get close to the end and then we'd anticipate the ending and I'd make the otherguy speed up so we get to it and then our producer would say well the ending of this one's good so let's take the last four bars so there we go there's the track.So they were in pretty good shape you know the tape that we got was really forgiving.The crazy thing is I heard about the Rolling Stones going back and doing stuff that they did in the early 60s.And the early 60s tape actually lasted better than the stuff they made in the 80s.They had to do very little to get them back into shape, which is cool.You got to bake them in what essentially is an easy bake oven for tapes at a low temperature and it just sucks all the humidity out.And so record companies are obviously very well prepared to do all that sort of stuff and then it's just digitizing them.But when you first have a go through the tape after it's been baked and it's coming off the head and going through a board at the studio, it never sounds better.You know and they shoot it over to Pro Tools and they say now we have it We've have it and I always say well it sounded better a few minutes ago when it was going through the machineand so, Yeah Tape is king.We lived in the Golden Age. We really did in the in the 80s and 90s When you when you still were spinning tape.[40:59] So I imagined with coming across tapes, you guys did so much work, you know, in the recording process that I imagined it was just so fun to go through. It has been.It was, you know, but, you know, talk about Bob Cajun being an example.We only really have two versions of that.[41:23] And Gord Sinclair and I had a conference and we were like, well, we can play that again and we can play it better. And we were like, yeah, let's do it.And so the version you hear is the demo version, really.It's just we said we would go back and address it later. I think we went on tour and then it was Steve Berlin listening to it, which was really cool because he he recognized you can't beatyour demo.And that's what bands try and do.And he was so smart with it. And he said, I'll let you play it again.But you're not going to beat this. It's just there's a vibe there.And Gordon and I were like, we're going to beat it. We're going to do it. And we never did.And so I always loved that, that he did that because as a producer, I wouldn't have done that.And I would have screwed it up if I was producing that record.And he had the brainpower and the knowledge and he'd made so many great records before that he just, he let us play it, but we never beat it.It's our biggest song, too. Well, we were talking before, I absolutely love that song.That song is the soundtrack of this past summer for my wife and I.You jammed it down her throat. Oh, yeah. She drank the Kool-Aid, man.Let me tell you. She sure did.I've tried. We're getting there.[42:46] That's the pocket of that song, in my opinion, and this is my opinion, and if Robbie was here, I'd maybe change it just to be sweet to him, but it's you and Gord.It's just that the pocket's so tight with that.But you said something earlier about tape, and I want to just touch on it real quick because you were talking about how they have Pro Tools and this and that, and how you would havemade a different decision with Bob Cajun.But we cut a record in this last March, our band, we did our second record.And the engineer was using Cubase, which is just another version of Pro Tools or whatever.You've got a million, you can do a million tracks. But like he was like, no, you're going to do this many. And I'm like, no, I don't like that.He's like, nope, that's it.Yeah, because you get to a point to where you could just you just go crazy.And you could do 25, 30 tracks, you know, on one take or 25, 30 takes.And it's just it's stupid at that point.You've got to appreciate the moment that it is, you know, whether it's, you know, you're never better than your demo, like you said. You know? Yeah.And and I don't know, I guess.[44:01] There was, and not to get off the topic of, of, of, of Phantom Power, but for me, and I know we all had this, this reaction.We felt like I felt like In Between Evolution was the Johnny Faye record.[44:17] Really? Yeah, and there's... I don't remember that record, really.Well, yeah, there's a specific thing. That's crazy because there there's at the end of certain songs, there's little, you know, hi-hat touch, there's a rimshot, there's just little sprinkles of youthat is the last sound you hear on multiple tracks and or, or the beginning of a track.And I'm like, I wonder if there's something to this, but they must have just been the take that you guys did and it's taking up, maybe so.That was confusing record.Well, it's interesting about the tape to dress the tape thing.Yeah. And you have limitations. You got to make decisions.Uh, and you know, and I didn't say that I read Keith Richard's book and he was like, give me eight tracks and I'll write you a hit.And, you know, when they went to 16, he was like, man, okay, but I can still do it. Nay. And it's true.Um, you know, that, that the a hundred guitar tracks or whatever, the layering and, and, uh, it's just, you know, it goes, just lets up on records, John Bonham.I worked with a guy named Terry Manning and he had, John Bonham got very upset with him because Terry Manning said to me, I was the guy who put the third microphone on thedrums, he didn't like that, he only wanted two.[45:36] Only wanted two. So yeah, Inbetween Evolution was, we worked with Adam Casper, he was fantastic, obviously he's a guy who worked with Pearl Jam and we were very chuffedabout working for him, with him.And we seemed to move around studios a lot.For me that was a little bit confusing, so I never knew what we really had in the can.And it was in Seattle, where I love. I absolutely love Seattle.And so that was cool to be there. But yeah, I don't sort of...It's just a record that's easy to associate with you.And I think at that time too, we were looking at videos. I remember talking about this video I saw of you.You were so in the friggin zone playing live.You broke a cymbal and somebody just came like middle of the song.You just kept going along, replace cymbal.That would be Mike Cormier. He was my drum check and he was amazing.He could tell when they were broken. He sort of mid-song and he'd say, should I wait for the end of the song? I was like, no, just get rid of it.[46:44] Yeah, you know, we're going through something now where we're going back even further and with Up To Here.And a question was asked earlier about is there some songs that were left off?And there was a song that was left off, Up To Here, and it's called Wait So Long. and it was a really, really special song.Our producer and his manager and some people at the record company really thought that that was the lead track.[47:15] It ended up being Blow It High Dough, I believe.Or New Orleans is sinking. But Wait So Long is a great track, and that will come out next year.Oh, that's exciting. We have a mix of it and everything from Don Smith, so that's fully intact.So when we looked through the tapes and thought, oh, what do we need to remix?There was that one, you know, the lettering. It was like, okay, we got that one.So that'll be great to get out.You know, hear what people think about that. So one of our go ahead, Judy.So I have an ammo system set up at home. So I've been listening to the mix and Dolby Atmos.And I'm just curious about how that works when you're when you're doing a mix of that because there are instrumentations and sounds that I've never heard in those songs before.And now all of a sudden, they're they're shooting over my head.And it's, it's really fucking tremendous. It's a great way to experience music.But I just wonder what it's like.Do you have a mixer that just takes care of that?Because I noticed there was there's three writing credits for mixers on the Yeah, on the album.So I'm just curious if one is just for Dolby Atmos, sir.Yeah, well, we had a guy in the first couple, I think he did Road Apples.[48:43] And his name is Rich Chicky, and you might know him because he's done all the Rush stuff.He's like the Rush in-house guy for Atmos.Since then, we've had our key engineer, Mark Braykin, has been doing the Atmos stuff because he built an Atmos room.[49:00] You're right on this one. Phantom Power has a lot of stuff. I was sitting in the back of the room when they were mixing that and it's like there's some backwards guitars and somestuff that just goes out and it makes sense.I'm not gonna lie, I'm not the hugest fan of, I get it, you know, let's send the hi-hat into outer space, changes the groove, changes the groove for a five-piece band, we're not gonna lie.[49:29] On an album like Road Apples, which Rich did, and he did a great job.I just don't get it. On Phantom Power, which would be the closest thing that we would ever have to Dark Side of the Moon, I get it.You sit in the back of the room and hear the backwards guitar or stuff swirling around. It's cool.But I know people want this in their headphones, but I guess I'm a little bit like Monomix guy.I don't mind that either. I love it. I love that. Yeah.Dan? I'm with you, Joni.[50:04] Coming back to the other aspect of the box set, which is the live recordings, I mean, what criteria do you sort of use for selecting the live recording?I mean, out of the three that have been, you know, re-released.[50:18] Obviously one was the Horseshoe, but the other two have been from, like, American venues.Would you perhaps, like, choose the American gigs because they might be lesser known to a predominant Canadian audience?Or, I don't know, how do you choose? We pick a gig that has fewer clams in it and less mistakes.We just kind of really, we really do.We did a live record called Live Between, it was way back in the day, and we argued about this.We had really sort of a good old fashioned fight about it.And Gord Downie wanted one from this place called the 40 Walk Club, which we'd listened to and it was a great, great version.It was a great night.And it's where REM, I think, got their start.And so we were sort of between that and another couple.[51:12] And then we ended up picking Detroit because it sounded good.Um, I think that's kind of what we go on when we're, we're picking these, um, these live, uh, albums and Gord Sinclair's son, um, is the one who really goes through them and says, there'ssomething here.He knows the hip really well. And so he really kind of directs us.So there's so many tapes out there. Um, and so he, he sort of says this one, um, from, uh, Chicago second night, a house of blues.This, this one's got something there. And so Colin Sinclair is really in charge of that.I don't think any other guy in the hip can take credit for it.[51:52] Can I just ask as well then, so what percentage of hip shows do you think were actually recorded, you know, documented?[52:00] It would depend on the period. One tour we went out with D88 machines, other eras we let people tape, like Fish Show or Grapevold Head, we would set up a little area where theycould get stuff off the board.That was cool. And there were some remote stuff, not a ton of 24-track, tape stuff. We would do stuff for Westwood One.Most of this stuff is going to be in-house, or a record company generated through a live truck, Usually in LA or New York, we have one coming up from a show we did in the States forRecord Day next year.Not a ton. There's not a ton. Two scoops in this session. That's great.That are coming out?[53:05] You mentioned Zeppelin too. I was going to ask you about Hedley Grange, but I forgot what I was going to say. You know where Bonham did that thing with the, for, for, um.[53:16] When the levee breaks, you know, yeah, they put the mics up on the stairs. God, that's so cool.But, but no, that was Jimmy. That was Jimmy Page. That was Jimmy Page doing that.He engineered page based on that. That's that's such a it's such a I mean, never in in history. Can anybody recreate that sound? I mean, it's just so cool.No, the sound of like a double bass almost, but people people don't understand that there's the economy of it.If you worked with one of These older guys, I always say that Don Smith was like Rudy Van Gelder, he got it.He knew, he kept on coming into the studio, back in the control room.He would make the live room, the studio sound, the control room sound like the live room. And he was constantly tweaking like that.[54:02] The guitar, if you listen to the Zeppelin, it's all the stuff that's implied in the chords I think.The drums are what everything is hanging off of. The guitars are really quite small, you know, you know, there's these these bands that came out in the 80s that were trying to be likeZeppelin, use 24 microphones on the drums.It sounded horrible, you know, and for John Bonham, it was just the way he played. He was really good.Incredible jazz sensibilities, an incredible groove. And he was able to move, you know, all four of those guys were spectacular.We went on the road with them. We went on the road with them, Paige and Plant, through the States, and it was incredible.[54:49] Yeah. Never a nicer, never a nicer guy than Robert Plant. He was so, so nice.Oh, yeah. That's that's, that's, that's amazing.Yeah, I'm a huge, I'm a huge Zep fan. But I just got to ask you real quick about the song Fireworks.Is there, there's got to be some Rush influence in that. I just hear so much like spirit of the radio in that tune.It's just such a, I think that when that song, when we heard that song on this record, Tim and I both, I was like, that was for our first favorite song on this record. Oh, that's sweet.[55:26] Don Smith's mix on the box set is really interesting.Because for Phantom Power, where we mixed it three different times.Yeah, I mean, Neil, I got to meet him a couple of times.He was obviously a huge influence and I would say, yeah, yeah.I went trick or treating as him one year. I crank called him.[55:50] Oh my gosh, amazing. Love Rush, man, love Rush.J.D. be mindful of the of the clock too on the thing. You're on mute.Yeah, we can't hear you, J.D.Oh, sorry about that, guys. I was just going to say we've got a minute 45 left of this session before it cancels out.So, Tim, if you've got a quick one and then we'll bid adieu.Well, I just had one of our pod listeners asked about Bumblebee and basically was like, why didn't this make the album?You know, this it could fit in there so well. So just a quick comment on that.And yeah, yeah, that was one that was that was on on the list.And I think it just, we just sort of Gord Sinclair was putting the sequences together for that.And it just for us, there was just something maybe missing. It's really great.[56:46] And I love the line when the moon's a water balloon.It just is so great. That's so Gord. You know, yeah.And I look at every time I look up at a supermoon and it looks like a water balloon. I think it's very cool.Well, it made the box set. So that's, yeah, that's important.Yeah. Well, Johnny, we really want to thank you so much for your time.It means a lot. And thank you gents for, for all your promotion to the hip. Our pleasure.Keep ramming, keep ramming it.Hopefully not your family. They love it too. It happens.Track 1:[57:29] Thanks for listening to Getting Hip to the Hip. Please subscribe, share, rate and review the show at gettinghiptothehip.com.Find us on Twitter and Instagram at gettinghippod.And join our Facebook group at facebook.com slash groups slash fully and completely.Questions or concerns? Email us at JD at getting hip to the hip.com.We'd love to hear from you.Track 6:[58:25] I can't wait for the music at work box set as well, just so you know, just so you know, we're dying for that one. Oh yes, please, please.I'll tell you, I'll tell you the one that I was listening to last night and the demos are really great and and I'm really pushing for this one is in violet light.Oh yes. Yeah. In violet light. The demos were just incredible.Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Esta semana, en Islas de Robinson, recuperamos otra "sesión de arqueología". Suenan: CARGOE - "HORSES AND SILVER THINGS" ("CARGOE", 1972) / TERRY MANNING - "CHOO CHOO TRAIN" ("HOME SWEET HOME", 1970) / FLAMIN' GROOVIES - "HEADIN' FOR THE TEXAS BORDER" ("FLAMINGO", 1970) / MC5 - "LOOKING AT YOU" ("BACK IN THE USA", 1970) / J. GEILS BAND - "WHAT'S YOUR HURRY" ("J. GEILS BAND", 1970) / THE GUESS WHO - "MINSTREL BOY" ("CANNED WHEAT", 1969) / CARL PERKINS & NRBQ - "SORRY CHARLIE" ("BOPPIN' THE BLUES", 1970) / MERLE HAGGARD - "WHATEVER HAPPENED TO ME" ("I'M A LONESOME FUGITIVE", 1967) / COUNTRY JOE MCDONALD - "TONIGHT I'M SINGING JUST FOR YOU" ("TONIGHT I'M SINGING JUST FOR YOU", 1970) / JOHN STEWART - "MOTHER COUNTRY" ("CALIFORNIA BLOODLINES", 1969) / MICHAEL NESMITH - "CONTINUING" ("PRETTY MUCH YOUR STANDARD RANCH STASH", 1973) / PAUL SIEBEL - "PRAYER'S SONG" ("JACK KNIFE GIPSY", 1972) /Escuchar audio
Sarah Vaughan [00:36] "Hey Naughty Papa" Sassy Mercury Wing MGW 12237 1962 (originally released in 1956) Hey now. Evidently this one was written by Hoagy Carmichael? Here Sarah is backed by Hal Mooney and his Orchestra. Subway [02:51] "Jupiter" Satellites Soul Jazz Records SJR 157-12 2007 Beep boop boop beep. Jerry Byrd [08:27] "Cold Cold Heart" Satin Strings of Steel Monument SLP 8033 1965 Getting very aloha with Hank's classic. Glen Campbell [11:06] "Lonesome Jailhouse Blues" A Satisfied Mind Pickwick SPC-3134 1971 A repackaging of the Glen's Capitol Records 1966 album Big Bluegrass Special. Bee Gees [14:28] "Jive Talkin'" Saturday Night Fever (The Original Movie Sound Track) RSO RS-2-4001 1977 Sometimes you just have to go with the hit. Oh wait, they're all hits. The Hot Dogs [18:13] "Feel Real Fine" Say What You Mean Ardent Records ADS-2805 1973 A great little gem of a Big Star adjacent album. Digging this track by Terry Manning. Tom Jones [21:12] "Come to Me" Say You'll Stay Until Tomorrow Epic PE 34468 1977 That's right, the theme song from The Pink Panther Strikes Again (https://youtu.be/vH4-8qR79WY?si=t1IrFzJuuVfkDknP&t=7) (Edwards, 1976). You know, the one with the castle in Bavaria? My brothers and I went with my mother to see this one in the theaters instead of staying home and watching Super Bowl XI (Raiders v Vikings) (https://en.wikipedia.org/wiki/Super_Bowl_XI). Daniel Ocko [24:07] "The Guitar Player" Great Ghost Stories Troll Records 50-002 1973 Oops... right genre, wrong cover. The record is Great Ghost Stories but the sleeve is Scary Spooky Stories. Harry Nilsson [31:27] "Gotta Get Up" Schmilsson RCA LSP 4515 1971 (1979 reissue) Aleatoric glissando. Look it up. Rafael Kubelik conducting the Chicago Symphony Orchestra [33:51] "Schoenberg: 5 Pieces for Orchestra, Op. 16 - Peripetia" Shoenberg/Bartok - 5 Pieces for Orchestra, Op. 16/Music for Stringed Instruments, Percussion, and Celesta Mercury MG-50026 1953 blah Pete Townshend [36:04] "Squeezebox" Scoop ATCO Records 7 99063-1-F 1983 A pretty solid demo from a compilation full of Who demos. Scott Walker [38:34] "Amsterdam" Scott (Aloner) Smash Records SRS 67099 1967 Alright, so I'm cheating a little on this one too. The US release of Walker's first album, Scott, was titled Aloner. But I didn't have this album when we were running through Albums that begin with the letter A as in Alpha. It's really difficult to pick just one song to play here. My instinct wanted to go with "The Lady Came from Baltimore (https://youtu.be/7gFECZErdBY?si=Pi-CIpL5RRu22aA7)" but the atmosphere of his cover of Brel's "Amsterdam" (https://youtu.be/-Z0UGGvb4sQ?si=2SIFvLXn7CvA80UT) is so good. Siouxsie & the Banshees [43:21] "Mirage" The Scream Polydor POLD 5009 1978 The amazing debut album from Siouxsie and the Banshees. A pretty remarkable effort front to back. The version of "Mirage" that appears on this album gains a little polish but still retains the energy of the Peel Session version the year before (https://youtu.be/0S_vlZg7xBQ?si=1NqDL9OM6OhrSn50). Judas Priest [46:11] "The Hellion/Electric Eye" Screaming for Vengeance Columbia FC 38160 1982 One of the greatest 1-2 punches in album opening history. You know exactly what you are in store for. Fourteen year-old me was completely enthralled with the sound of this album. Hap Palmer [50:31] "Sweetwater Springs" Sea Gulls... Music for Rest and Relaxation Activity Records AR 584 1978 Woof. File under Easy Listening. Why do I feel the sudden urge to make a macrame plant hanger? Will Oldham [52:15] "Sapele" Seafarers Music Drag City DC261 2004 Music to accompany a documentery by. Music behind the DJ: "Cold Cold Heart" by Lawrence Welk and Orchestra
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations. Terry Manning is an American photographer, composer, singer-songwriter, multi-instrumentalist, record producer, audio engineer, and visual artist. In a career spanning more than 50 years, he has worked with Led Zeppelin, Iron Maiden, Bryan Adams, ZZ Top, the Tragically Hip, Zeno, Jay Boy Adams, Booker T. & the MG's, Shakira, Isaac Hayes, Otis Redding, Rhino Bucket, Johnny Winter, the Fabulous Thunderbirds, Big Star, Johnny Taylor, Jason and the Scorchers, the Staple Singers, Molly Hatchet, George Thorogood, Al Green, Widespread Panic, Shania Twain, Joe Cocker, Joe Walsh, and Lenny Kravitz, among others.
ZZ Top producer Terry Manning returns this week to tell us about the making of the band's massive comeback album Eliminator. Billy Gibbons is lucky his risky bet that merging blues with new wave would be successful paid off because all signs point that it wouldn't. The album spawned four huge hits like "Legs", "Sharp Dressed Man" and "Gimme All Your Lovin'" and went on to sell about 20 million copies, not to mention confirming their legendary status. Terry discusses helping Billy fulfill his vision and the challenges involved. Enjoy!
On the 3rd Episode of Shout It Out Loudcast's sidecast, The Zeppelin Chronicles, our hosts, Tom & Zeus, along with SIOL sidekick Murph and Jay Scott from The Hook Rocks podcast, review the 1970 album, "Led Zeppelin III." Led Zeppelin III often referrred to as the "acoustic album," has been often misunderstood. Filled with many acoustic offerings, the album still boasts several hard hitting classic Led Zeppelin songs, like Immigrant Song, Celebration Day and Out On The Tiles. After a grueling tour schedule Robert Plant and Jimmy Page decided to go to a cottage without running water or electicity in Bron-Yr-Aur, Wales. The two work on their songwriting with only acoustic guitars and a tape recorded. The results are the classic acoustic numbers on Led Zeppelin and other songs that would filter onto future Led Zeppelin releases. The band felt free to do whatever music they so desired. Led Zeppelin III was not only filled with rockers, but folk songs, ballads and perhaps their signature blues song, the classic, "Since I've Been Loving You." Although Led Zeppelin III went to Number 1 in the USA and the UK and went 6 times platinum in the United States, the album is still overlooked and definitely underratted, Led Zeppelin III is an album from a band with no limits to their musicianship or their lyrics and still on the ascension! The Zeppelin Chronicles breaks down Led Zeppelin III SIOL style. The guys discuss their connection with the album, the background of the album, the album cover and finally the songs. They rank the songs, then rank the album and album cover against the two previous Led Zeppelin albums reviewed. So tune in, follow, download and subscribe or face the "Hammer Of The Gods!" For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network
On the 3rd Episode of Shout It Out Loudcast's sidecast, The Zeppelin Chronicles, our hosts, Tom & Zeus, along with SIOL sidekick Murph and Jay Scott from The Hook Rocks podcast, review the 1970 album, "Led Zeppelin III." Led Zeppelin III often referrred to as the "acoustic album," has been often misunderstood. Filled with many acoustic offerings, the album still boasts several hard hitting classic Led Zeppelin songs, like Immigrant Song, Celebration Day and Out On The Tiles. After a grueling tour schedule Robert Plant and Jimmy Page decided to go to a cottage without running water or electicity in Bron-Yr-Aur, Wales. The two work on their songwriting with only acoustic guitars and a tape recorded. The results are the classic acoustic numbers on Led Zeppelin and other songs that would filter onto future Led Zeppelin releases. The band felt free to do whatever music they so desired. Led Zeppelin III was not only filled with rockers, but folk songs, ballads and perhaps their signature blues song, the classic, "Since I've Been Loving You." Although Led Zeppelin III went to Number 1 in the USA and the UK and went 6 times platinum in the United States, the album is still overlooked and definitely underratted, Led Zeppelin III is an album from a band with no limits to their musicianship or their lyrics and still on the ascension! The Zeppelin Chronicles breaks down Led Zeppelin III SIOL style. The guys discuss their connection with the album, the background of the album, the album cover and finally the songs. They rank the songs, then rank the album and album cover against the two previous Led Zeppelin albums reviewed. So tune in, follow, download and subscribe or face the "Hammer Of The Gods!" For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network
Welcome back to Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome back to Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 49, Josh and Sierra wrap up the last homestand and discuss how being called a circus is a compliment. They look towards the MN State Fair and how it affects the staff as well as the ballpark. They talk about the attempts at promotions (wins and fails) for the homestand and some of promo nights that did to didn't work out. Sierra talks about her dentist, Josh talks about his physical, and they both discuss the missing potatoes story. They end the episode with Ice Ice Baby, sung by the ushertainers and Brian Kelly.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome back to Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 48, Josh and Sierra (and Tater!) get into the long homestand. They talk about some of the organic promos they got to do this week like the dinosaur challenge, the piñata debacle, and the special promo nights from the last week. Sierra discusses the ceremonies from the last week, including the Millar ceremony going off without a hitch, the last Copa day, and they get into the next set of games. Josh shares yet another miscommunication between the two of them and shares his least favorite promo moment from the homestand. They end the episode with Turn It Blue, by Glory Daze.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 46 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 46, Josh and Sierra get into the late nights and long weeks that they're going through right now. They talk about languages and accents, and plan on learning a new language during the offseason. Josh explains how whether a promotion fails or not, the entertainment enhances experiences overall. They discuss The 2022 Corn Incident and the chaos that can happen after a promotion. They close it out with a rundown of upcoming games and Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome back to Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 45, Josh and Sierra catch up after the 4th, decompressing from fan complaints and comments. They discuss the failed Sun Country promo, the failed ball drop promo, and somehow don't talk about the failed corn promo. It's gearing towards the end of the season, so they talk about the interns leaving soon, how the staff winds down after homestands, and Joey's own podcast idea. They close the episode with Out of Swine, by Brian Kelly.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Hey Guys! so I have some exciting news for you. My next music video is getting worked on as we speak. the videographer is figuring out what additional footage needs to be shot for the longer version of the song we re recorded. other then that, no other music related news for me at the moment. if something comes up for me by next week I will be sure to let you all know about that. for now, as per usual fashion, I did something quite different this week for the podcast vs what I did last week. I dug into Chicago Soul again and reviewed quite a gem of a record. here's the link to that song just in case you wanted to listen to it: https://www.youtube.com/watch?v=g14VdGTDt64 Don't forget to follow me & reach out to me on Instagram @ Tik Tok as well right here: https://www.instagram.com/iheartoldies/ https://www.tiktok.com/@iheartoldies Please do check out the last EP I put out last year as well. i put a lot of hard work into this EP and I think you'll really enjoy it. here's the link and definitely let me know your thoughts on it at samltwilli@icloud.com: https://distrokid.com/hyperfollow/samlwilliams/turquoise-apricot don't forget to also check out the two interviews I did last year with Honk Magazine and ShoutoutLA. hopefully I'll do more interviews soon. I reveal a lot about myself in these interviews, and you will definitely learn a lot about me after reading them. hope you enjoy them, definitely let me know whatcha think of them at samltwilli@icloud.com: https://shoutoutla.com/meet-sam-l-williams-musician-songwriter-podcast-host/ https://honkmagazine.com/sam-l-williams-talks-about-his-career-path-influence-and-new-music/ don't forge to also check out the premium subscription version of this podcast. here you'll be able to find all of these super cool interviews that I"m doing, plus you'll get a sneak peak of my next EP. here's the link just in case you are interested in signing up for it. I have two cool interviews coming out soon. one with Terry Manning, the other with Don Dannemann: https://themillennialthrowbackmachine.supercast.com don't forget to also check out the official Spotify and Youtube playlists for this podcast. here you'll be able to find all of the songs I have talked about on my show so far including from some past interviews before they went premium. If you have any suggestions for songs I should talk about next on my podcast that I haven't yet, please send those ideas to me at samltwilli@icloud.com, you can also reach out to me with your song ideas I should cover on IG @iheartoldies: https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj7Nf also please do check out the official Redbubble Merch Store for this podcast. here you'll be able to find all of the really cool and great looking online merch for this podcast. and if you like the logo and would like to let me know your thoughts on the logo and the prices of each item in the store, please do email me at samltwilli@icloud.com or you can also reach out to me on IG @iheartoldies: https://www.redbubble.com/people/60ssam95/works/36806158-keep-things-groovy?asc=u&ref=recent-owner please do also check out my last music video. trust me, the next one is on the way and it will come out soon. if you liked this music video, please email me at samltwilli@icloud.com, you can also reach out to me on Instagram and Tik Tok @iheartoldies: https://www.youtube.com/watch?v=LTbmSoW6RyY If you fell in love with this song and you have never heard it before and your a millennial/Gen Z person and you discovered this song through me, please do email me at samltwilli@icloud.com, you can also reach out to me on Instagram and Tik Tok @iheartoldies. more exciting music updates for you guys soon. things are happening.
For the 50th anniversary of Big Star's iconic debut, #1 RECORD, we take a detailed look at how it was made. After Chris Bell, Andy Hummel and Jody Stephens had taken recording classes from Ardent Studios owner, John Fry, they began to learn the art of recording. John Fry generously allowed them to use the studio during the night as they recorded under the names, Icewater and Rock City. Meanwhile, Alex Chilton had quit the Box Tops and was living in New York City before deciding to return to his hometown of Memphis. Chris Bell invited him to join the band as they began recording what would become #1 RECORD. In this episode, Big Star drummer, Jody Stephens describes being a teenager caught under the spell of his bandmates' talents and the creative environment of Ardent Studios. Engineer/keyboardist, Terry Manning, reflects on his close friendships with Chris Bell, Alex Chilton and the Big Star clique, and his contributions to #1 RECORD. Holly George-Warren, author of A Man Called Destruction: The Life and Music of Alex Chilton, from Box Tops to Big Star to Backdoor Man, discusses Alex Chilton's unlikely journey of being the 16-year-old lead singer of a hit group to learning to be a songwriter and an independent person. Rich Tupica, author of There Was a Light: The Cosmic History of Chris Bell and the Rise of Big Star, describes Chris Bell's sonic vision for #1 RECORD as well as his deterioration in the aftermath of the failure of its release. From wanting to be the Memphis Beatles to endless hours of recording through the night to bringing motorcycles into the studio to Alex discovering a new voice to the Bell/Chilton collaboration and rivalry to the distribution disaster, we'll hear the stories of how the album came together.
Welcome to Episode 44 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 44, Josh and Sierra (and Tater) look at some feedback they've received during a homestand. They've gotten positive and negative comments, so they talk through them and respond to a few. Sierra talks about a strange DM she got and Josh shares a story about his parent's dog. It's a short but sweet episode this week, and they wrap it up with a quick game of FMK for promotions and ballpark food. They close it out with The Super Mario Bros Theme Song, made with sounds from around the ballpark.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 43 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 43, Josh and Sierra talk through everything: the youth baseball field renovation, spotlight games, and other events around the ballpark. They look back on the homestand's promo wins, promo fails, weather, and the baseball happening on the field. Josh shares what put him in a good mood and Sierra explains why the Saints have some restrictions on promotions. They wrap up the episode with plans for the next podcast and Let's Duel, sung by Nerd. And Joey really hopes she didn't forget to bleep anything out.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 42 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 42, Josh and Sierra catch up after a long homestand and a few days off. This is another actual promotions episode! They discuss their least favorite contestants from the promos, as well as having to navigate the relationships with the opposing teams. Josh talks about communication between him and Sierra, they discuss an interesting anthem singer, and Sierra catches us up on life around the ballpark. And Sierra invents a new word! They wrap up the episode with one more look back at the homestand, upcoming events, and listening to Saints Fan in Paradise by Shark.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 41 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 41, Josh and Sierra talk about their zodiac signs and their horoscopes! Sierra tells us about spotlight games, what goes into them, and softball chants. Josh tells a joke that goes over super well, and they chat about normal life (whatever that is). They get ready for the next few weeks between promotions, videos, Sun Country flights, and pocket scheduling. They end the episode with P.Y.T. (Piggy Young Thing) sung by Chef.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 40 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 40, Josh and Sierra take a look back at the week and some of the failed promotions (and contestants). Sierra vents about some contestants in particular and Josh discusses the lead-up and execution to Siego's marathon that was completed during the game. They start prepping for the 12-game homestand, as well as the community events and big promotional events the Saints have going on. They wrap up the episode with I Wanna Piece of Bacon, sung by Brian 'White Shoes' Kelly.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 39 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 39, Josh and Sierra actually talk about promotions! And the weather. And the tarp. They talk about all the mishaps during the week, and some of the things that went right. Sierra talks about some of the things that made the week better, and Josh shares his thoughts on Nashville. They look ahead and try to stay optimistic for the next week. They end the episode with a throwback to Hello sung by Seigo.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 38 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 38, Josh and Sierra take a look forward at the first week of our first two-week homestand, from weather to updated promotions. Josh shares his debacle of trying to find hand warmers in a Cabela's. We debate what artists are "Classic Country" depending on what generation you are, and don't really find a conclusion. They get ready for the upcoming nightly promotions and play a few more rounds of Would You Rather. Try and guess what word is redacted from the title of the episode! They end the episode with a throwback to Friends In Lowertown sung by Al Aboard.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 37 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 37, Josh and Sierra catch up on how the first homestand went, from promos to weather to new ushertainers. They start to fill out their Saints Bingo (Singo) card, and manage to fill 6 spaces after just one homestand. As they preview the next homestand, they hope for slightly warmer weather. Sierra shares her feelings on autographs and they look forward to being more attentive, patient, and having fun this homestand. They end the episode with a throwback to You're My Best Friend sung by the Entertainment Team.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 36 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 36, Josh and Sierra talk about the stresses and anxieties they're feeling before the first homestand of this season but the excitement of a new year and new promotions. Sierra talks about what goes into planning a game every night, and Josh talks about his arts and crafts nights. They play Beanboozled (it does not end well) and Sierra shares a story about rotten eggs while Josh gets sentimental. Josh talks about a van and Sierra wraps it up with an idea for Will You Bail. They end the episode with a throwback to a Commercial Jingles mashup.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 35 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 35, Josh and Sierra talk about leading up to the season opener, working with the players, and the meet the team picnic. They preview some updated promotions and promos that never made it to the field, what's going into new promos, and some videos that are in the works. Josh and Sierra wrap up with mango plants and mango meat. They end the episode with a throwback to Smells Like Saints Baseball by Andrew Crowley.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 34 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 34, Josh and Sierra weigh in on "The Slap," a clearly drunk fan, and CO2 bottles. Sierra shares a story about a study on giving drowning mice hope. They talk about building the cars for a new promo. They work together to create "Singo," a bingo board for the season, using Ushertainers, Fans, Players, Contestants, and Interns. Play along with us throughout the season! They play a round of Busch Lightning Round and end the episode with Coach's Everyone Advance Now. Bonus during the episode: see if you can hear Tater trying to escape his room).Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 33 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 33, Josh and Sierra start the episode with March Madness (mostly Duke), ballpark prep, and drowning. There's lots of promotions to get ready, so they go through some of the items and promos they're working on. Sierra's throat does that weird thing, Josh plays corn trivia, and they chat with a past intern on the phone. They end the episode with I Need A Lawyer by Joshua Will.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 32 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 32, Josh and Sierra swap some stories about horrifying world records and they debate how many people they can fit in one pair of underpants. They attempt to play Mad Gab, discuss the tv shows they're watching (and avoiding) right now, and their March Madness brackets. Sierra shares her memorable moment from last season involving her phone, a downpour, and a gator. They end the episode with a throwback to Josh Will Did It by Dawn Under. Belle of the Ballpark, and Brian Kelly.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 31 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 31, Josh and Sierra give an update on the Jimmy John's situation from last week. Josh shares his awkward goodbye story and hugging the GM of the Saints. Sierra teases some more promos and they briefly talk about past promo items they've gotten rid of. They do dramatic readings of lyrics, invite Sisqó to a Saints game, and throw out some ideas for an intro video song. They end the episode with a throwback to Ode to Saints by The Chef.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 30 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 30, Josh and Sierra start off the episode discussing a possible promotional night and the Jimmy John's debacle. They talk about why on-field promotions are difficult to plan but what some new promos might look like while doing "crotch math." Sierra's shares the story of her Miami taxi ride and the Miami airport. Josh reminisces on his adventures in the Yucatan Peninsula. They wrap up the episode with Coach's The Mojo Dance.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 29 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 29, Josh and Sierra discuss how busy it is at the ballpark these days. They talk about the brainstorming process, give some pre-previews of a few promos, and their experiences with forgetting tickets. Josh shares a story about his time in court and Sierra tells why she had to walk across 35W. They wrap up the episode with Dawn Under's Outback Road.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
On episode 143 the hosts are joined by Mark Rubel from The Blackbird Acadamy. Mark has taught audio, music technology, music business, and The History of Rock tothousands of students at various colleges and universities since 1985. They discuss his work in audio forensics used for legal cases determining if music was sampled or not. Mark talks about his passion for teaching, the difference between live and recording engineers, how the teaching process has evolved, and more.Mark is also in the process of writing a book called " Great American Recording Studios of the 1970' & 60's" This episode is sponsored by Audix and Allen & Heath.Join our Discord Server and our Facebook GroupMark Rubel has taught audio, music technology, music business, and the history of rock to thousands of students since 1985 at various colleges and universities. Before becoming the Director of Education for The Blackbird Academy, he served as Audio and Recording Director and Instructor at Eastern Illinois University's $70 million Doudna Arts Center.Since 1980, Mark has produced thousands of recordings at his Pogo Studio in Champaign, IL (now located in Nashville) and elsewhere, for such clients as Hum, Alison Krauss, Rascal Flatts, Jeff Coffin, Henry Kaiser, Fall Out Boy, Ludacris, Adrian Belew, Luther Allison, Jay Bennett, Melanie, Ian Hobson, Henry Butler, and many more. For the Wall to Wall/Ellnora Guitar Festival, he recorded Los Lobos, Calexico, Ani DiFranco, The National, Junior Brown, Derek Trucks, Taj Mahal, Bill Frisell, and many others.Mark has been in the same rock and roll band since 1980. He serves as a panelist, moderator, lecturer, workshop leader, and recording judge at numerous audio conferences, including national and regional Audio Engineering Society Conferences, the Tape Op, Potluck, and Welcome to 1979 Conferences, SXSW, and many more. He is a frequent guest on recording shows, podcasts, and in documentaries. Mark is on the national board of SPARS (the Society of Professional Recording Services) and belongs to NARAS, AES, ASCAP, and EARS.Mark Rubel also works as a consultant and legal expert witness in the fields of audio and copyright. He writes for such publications as Tape Op and Mix Magazine, interviewing Dave Cobb, Terry Manning, and the legendary Les Paul. Mark is currently writing a history of recording studios of the 1960s–70s for Rowman and Littlefield: “The Great American Recording Studios.”The Signal To Noise podcast series on ProSoundWeb is hosted by Live Sound/PSW technical editor Michael Lawrence and pro audio veterans Kyle Chirnside , Chris Leonard, and Sam Boone
Welcome to Episode 28 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 28, Josh and Sierra discuss Valentine's Day and long hours at the ballpark. They jump into a game of Family Feud, covering souvenirs, karaoke, and lying on resumes. Josh tells us about everything that went down at his wedding. Sierra shares her story about insurance fraud and dating red flags. They wrap up the episode with Belle of the Ballpark's Mu-Donna.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 27 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 27, Josh and Sierra start the episode talking about commercials, insurance and workouts. They jump into a version of the "Newlyweds" game to see how well they know each other and themselves. Secrets are spilled, superpowers are chosen, and favorite jokes are told. They wrap up the episode by listening to "Twitter Boi," a Friday Night Fireworks song from last season.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Terry Manning may not be a household name but he's had an incredible journey that started at the age of 13 when he sat in with Bobby Fuller at a Junior High Dance. From there he went to work at the legendary STAX RECORDS when he was just 15 years old! We couldn't possibly cover everything so some things we talk about in this hour and a half interview are : Bobby Fuller, Stevie Nicks, Stax Records, Jimmy Page, Led Zeppelin III, NME magazine, Martin Luther King Jr., Chris Blackwell (founder of island records), Photography and more! It's an interview you have to hear to believe Terry's incredible stories. A man who seemed to be at the right place at the right time and more than once. ABOUT TERRY: Terry Manning is a music producer, songwriter, photographer, recording engineer and artist known for work in rock, rhythm and blues, and pop music genres. Manning began in the music industry in El Paso, Texas, where he played guitar and sang with several local bands, notably The Wild Ones, and on a couple of occasions sat in with his friend Bobby Fuller. Upon leaving El Paso, he moved to Memphis, Tennessee, where he worked for years at both Stax Records and Ardent Studios as an engineer and producer, recording and mixing such artists as Isaac Hayes, Ike & Tina Turner, Booker T. & The MG's, Eddie Floyd, Al Green, Rufus Thomas, Sam & Dave, Billy Eckstine, Otis Redding, The Boxtops, Percy Sledge, The Staple Singers, Johnnie Taylor, Leon Russell, Ronnie Milsap, and many others. Manning was a principal part of Stax owner Al Bell's production team for The Staple Singers, responsible for such hit records as “Respect Yourself,” “I'll Take You There,” and "Heavy Makes You Happy.” In 1970, Manning licensed release of his own solo album, Home Sweet Home, on Stax's Enterprise label (re-released with extra tracks by Sunbeam in 2006, and in original configuration on Four Men With Beards vinyl label in 2012). Later working as an independent, Manning produced or engineered recordings by Joe Cocker, Wattstax, Alex Chilton, Big Star, James Taylor, Leon Russell, Led Zeppelin, ZZ Top, Jason & The Scorchers, Rhino Bucket, George Thorogood and The Destroyers, Joe Walsh, Johnny Winter, The Rainmakers, The Fabulous Thunderbirds, Molly Hatchet, The Angels, Johnny Diesel and The Injectors, Lenny Kravitz, Jimmy Buffett, Shakira, Crash Test Dummies, Shania Twain, Bryan Adams, Widespread Panic, and many others. In the mid 1980s Manning moved to London, and worked for a year out of Abbey Road Studios. As a photographer, Manning began with black and white in the mid-1960s, capturing street scenes and topics of his interest. He has continued his photography to this day. Adding color photography to his repertoire in the1970s, Manning amassed a large collection of private works over the following years. With the beginning of Gallery and Museum presentations in 2015, Manning's photography is now being presented in Exhibitions across the US, as well as world locations. Musically, he also photographed Chuck Berry, Terry Reid, Steppenwolf, Janis Joplin, Jimi Hendrix, Dusty Springfield, Procol Harum and many other musical artists of the rock period as both an independent and as a writer/photographer for New Musical Express. Manning was one of the last to photograph his acquaintance, Dr. Martin Luther King, Jr., on the day before the tragic assassination. 1991 saw him founding Lucas Engineering, a boutique audio company which makes professional audio recording gear; this company expanded in 2008, adding microphones to their arsenal of products. Lucas Microphones, under Manning's guidance, have since become amongst the top high end recording devices in the audio world. In 1992, Chris Blackwell of Island Records fame sought out Manning as a partner to revitalize Blackwell's famous Compass Point Studios in Nassau, Bahamas, which Manning operated successfully for over 20 years. Manning's newest music as an artist are the 2021 single "What's the Use", the ECR Music Group/Lucky Seven Records releases of Manning's newest (2019) live album “Playin' In Elvis' House,” 2015's “Heaven Knows,” an emotional look into human emotion, and “West Texas Skyline,” A Tribute To Bobby Fuller, released in October 2013. Be sure to visit Terry's website's at: (www.terrymanning.com and www.themanninggallery.com) Jim and Mike Talk Music can be found on Podbean, Spotify, Apple Podcasts, Iheart Radio, Pandora and almost anywhere you listen to podcasts. You can also view a portion of the video interview with Terry on YouTube (search Jim and MIke Talk Music to find our channel) Thank you for listening! COYRIGHT CLAIM: The songs "What's the Use", "I Ain't Got You", "Let Her Dance" and "West Texas Skyline" used with permission from Terry Manning.
Welcome to Episode 26 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 26, Josh and Sierra breakup and discuss how to know if Sierra likes you as a person. They start their Saints alphabet again, sharing stories from around the ballpark and giving a behind the scenes glance at the little things that make the Saints, the Saints. They wrap up the episode by listening to a Friday Night Fireworks song from last season.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 25 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 25, Josh and Sierra catch up after a week by discussing one of Josh's Christmas bits, coffee, and Josh's book. They start a ABC's of St. Paul Saints and get through the letter M, taking turns sharing their ideas for each letter. They wrap up the episode by listening to a Friday Night Fireworks song from last season.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 24 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 24, Josh and Sierra talk about locker rooms and differences of Midway and CHS Field. They discuss "The Wordle Incident," Sierra tells us her true feelings during intern interviews, and she shares some of her favorite answers. Josh plays a game, they consider potential costumes for next season, and they wrap up the episode by answering personality questions.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 23 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 23, Josh and Sierra catch up and Sierra tells a story about trip to the gas station, Josh talks about a swim meet, and he shares a story about coughing up glitter. They talk about goldfish driving cars, the promo schedule, and debate whether it's "B-Dubs" or "BW3." The episode wraps up with a Saints-ified version of Cards Against Humanity.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 22 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 22, Josh and Sierra talk about their plans for season apparel, Eastern medicine, and doctors. Sierra takes a look at past pocket schedules and they reminisce on past theme nights while she quizzes Josh on sponsors. They talk about the hall of fame of promotional nights, and wrap up the episode discussing the Largest Game of Twister.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 21 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 21, Josh and Sierra finally "turn 21" and celebrate by attempting to shotgun a beer. They talk about their 21st birthdays and pitch some promo ideas to each other. They play a version of Say What/Watch Ya Mouth, discuss their cavities, and talk about some more promos. They wrap up the episode with their New Years resolutions!Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 20 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 20, Josh and Sierra talk about Christmas movies, future video series, and how to keep pushing the boundaries. Josh quizzes Sierra on where clichés come from and they realize a lot of them are a lot more gruesome than you think. They talk about misheard phrases and what they actually are, and wrap up the episode with a quick holiday game (and continuing to hype episode 21).Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 19 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 19, Josh and Sierra catch up after Sierra's time in Florida for the Winter Meetings. They discuss their favorite fonts, their reactions and opinions on "corporate sayings," and parts of the interviews that Sierra has been conducting. Josh overshares and they wrap up with some attempts at dad jokes.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 18 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 18, Joshua and Sierra talk about sponsored promotions, giveaways, and what goes into breaking records. They quiz each other on promo sponsors, between inning trivia, and old promotions. They wrap up the episode talking about "Florida Man" headlines and planning their 21st episode!Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 17 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 17, Josh and Sierra discuss potential future promotions and a new Ushertainer. They talk about their volunteer experience and ABBA (just listen, it'll make sense). Sierra talks about the winter meetings and they wrap up the episode with their idea for Episode 21.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 16 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Vice President, Brand Marketing and Experience, Sierra Bailey.In Episode 16, Sierra and Josh discuss the interviews that Sierra has been conducting, as well as personal interview stories from over the years. They give you tips for a good interview, red flags, and notable interns at the Saints. Sierra talks about her injury playing ping pong and all the random sports she learned to play. They wrap up the episode finally learning our social media handle and where to find us.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 15 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 15, Josh and Sierra play "Would You Rather?" and debated their answers. Some are game and promotion related, but they still manage to cover scales, MASH, and centaurs. What would you rather choose?Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 14 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 14, Josh and Sierra discuss unruly fans and promotions. They cover fans who delayed games, had strange requests, and overall left lasting impressions. They wrap up the episode talking about sunrise lamps, what they want to do next week, and creating Josh's new email.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 13 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 13, Josh and Sierra catch up after Josh's return from the UK and Sierra talks about her recent promotion. They talk about their Halloween costumes, the end-of-season meetings, and some strange items that have been flushed down the toilet at the ballpark. Josh brings up ANOTHER strange game show, and they wrap up the episode by playing a "guess what melted candy is in the diaper" game.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 12 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 12, Josh shares his nickname in high school and how he got it, they swap stories about certain areas around the ballpark, and Sierra reminisces about her time at Midway. Josh tells Sierra about a very...interesting Japanese game show, and they wrap up the episode discussing the upcoming staff meetings and some life updates before Josh heads off to Europe.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 11 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 11, Josh timelines his part-time jobs throughout his life. From fast food to copywriting, he shares his stories of finding out what he loves to do and how he ended up at the St. Paul Saints. Sierra drops some updates for her fantasy team, and they wrap up the episode trying beer jelly beans.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 10 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 10, Josh and Sierra talk about some childhood moments and...various illnesses? They look at the way they communicate with each other, gameday interns, and Giant Duck Duck Gray Duck. They talk about the difficult parts of being part of the entertainment team, and wrap up the episode discussing the future of the podcast.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 9 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 9, Josh and Sierra actually talk about baseball! They discuss some of the promotions throughout the summer and talk about the bittersweet ending of the season. They bring some special drinks to try, and wrap up the episode by discussing what the future might bring for promotions.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 8 of Funny In Theory, a podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey.In Episode 8, Josh and Sierra open up the episode talking about zodiac signs. Josh talks about his banana milk, they discuss dried fish and how to cook it, and what to do with open innings and promotional days. They wrap up the episode with a cliffhanger story from Josh...Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 7 of Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 7, Josh and Sierra talk about the their opinions on bees, and Josh tells Sierra about his bidet. They talk about the extensive list of Sierra quotes that are dubbed "Baileyisms" and what might be the context behind them. They wrap up the episode by talking about the memories that create the family at the field.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 6 of Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 6, Josh and Sierra talk about the State Fair booth, switching up a promotion, and what pregame looks like. Josh brings up his favorite theme night and Sierra talks about the highlights of theme nights over the years. They wrap up the episode discussing Rally Squirrel (again).Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 5 of Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 5, Josh and Sierra recap Saints Night at Target Field and discuss how our promotions are not theater and can't be overly scripted. Josh brings up his can opener story (again), and Sierra talks about how although the staff may be feeling a bit burnt out, we still need to have a positive attitude to put on a good show for the fans.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 4 of Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 4, Josh and Sierra discuss former St. Paul Saints manager, George Tsamis, and what it was like working with him, his "George-isms", and how he understood the importance of promotions to the Saints. They also talk about our Game Day and Full-Time Interns and how they are another reason the Saints are able to pull off the promotions. They talk about what the Saints look for in interns and some of the different jobs they have. After that, they wrap up the podcast with a brief discussion about the one and only Rally Squirrel. Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
Welcome to Episode 3 of Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 3, Josh and Sierra discuss that while Fun Is Good, it can also be a lot of work. From all the planning that goes on in the off-season (yes, we do work in the off-season) all the way up until first pitch. They talk about promotions that didn't work and have gone wrong, how they take ideas from sponsors and try to make them fun, and how things have changed from Midway Stadium to CHS Field.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
We're baaack! We liked doing the first episode so much that we decided to do another one. If this is your first time listening, welcome, this is Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 2, Josh and Sierra discuss what exactly promotions are and the importance of visuals on the field. They look at the July 4th game and the interesting start we had. Then they take a detour and talk about how cows are born before getting back on track and highlighting some of our most visuals on-field promos this season. It's a fun one!Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
We made it! The first official episode of Funny In Theory, a brand new podcast from the St. Paul Saints that goes behind the scenes of the St. Paul Saints Entertainment Team with Entertainment Director, Joshua Will, and Director of Marketing & Promotions, Sierra Bailey. In Episode 1, Josh and Sierra cover a wide variety of topics, starting with coming up with a name for the podcast. Which, if you're reading this, you already know what it is. The rest of the episode goes over what promotions with the St. Paul Saints are, how the Saints come up with promotions, how they have evolved over the years from Midway Stadium to CHS Field, who the Ushertainers are, and more.Make sure to subscribe to the podcast so you never miss an episode. Rate us, and follow us on social media @funnnyintheory. Yes, that's three n's in funny because the regular spelling wasn't available and we didn't want to use underscores.Produced by Jordan Lynn and Joey SkareIntro/Outro Song:"House of Fun"Written and performed by Nicholas David & Andrew CrowleyMastering by Terry Manning
With a career spanning over 5 decades, Terry Manning is an accomplished audio engineer, producer, multi-instrumentalist, singer-songwriter, composer, and photographer. Terry got his start as a teenager in the legendary Memphis music scene at Stax Records and Ardent Studios. He has worked with the likes of Led Zeppelin, ZZ Top, Otis Redding, The Staple Singers, Shakira, Joe Walsh, Lenny Kravitz, Shania Twain, and Bryan Adams - not to mention his quintessential role in Big Star’s debut album, #1 Record. Listen in as Terry sits down with John, Stewart, and special guest host Bill (William) Wittman to discuss what it's like to be on both sides of the talkback mic as a musician and producer, running a destination studio in the Bahamas, his longtime friendship with Jimmy Page, and the making of Led Zeppelin III. For the full experience, watch this interview on our YouTube or at gearclubpodcast.com
NEWS TikTok blowing up with Gen-Z What makes music so universal? GUEST Producer/engineer/photographer Terry Manning - Part 2 My guest on the podcast this week is part 2 with the legendary Terry Manning, who’s had successful careers as a record producer, audio engineer, photographer, composer, singer-songwriter, multi-instrumentalist, and visual artist. Over his career, Terry has worked on some huge hits with Led Zeppelin, ZZ Top, Otis Redding, Joe Walsh, Shania Twain, Al Green, Lenny Kravitz and many more. He’s also worked as a photojournalist for New Musical Express and has photographed Chuck Berry, Procol Harum, Jimi Hendrix, Dusty Springfield, as well as capturing Martin Luther King Jr on film the day before his assassination. In part 2 of our interview, we spoke about the inside story on the making of ZZ Top's biggest hits, his time at the legendary Compass Point Studio, his photography career, being an audio gear manufacturer, and much more. On the intro I’ll take a look at TikTok blowing up with Gen-Z, and what makes music universal. Enjoy the show! var podscribeEmbedVars = { epGuid: 'https://bobbyoinnercircle.com/?p=2846', rssUrl: 'https://bobbyoinnercircle.com/feed/podcast/', backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
NEWS Trends in the hits on the Billboard Hot 100 chart The best song tempo to study to GUEST Producer/engineer/photographer Terry Manning - Part 1 Terry Manning has had successful careers as a photographer, composer, singer-songwriter, multi-instrumentalist, record producer, audio engineer, and visual artist. Over his career, Terry has worked with Led Zeppelin, ZZ Top, Otis Redding, Joe Walsh, Shania Twain, Al Green, Lenny Kravitz and many more. He’s also worked as a photojournalist for New Musical Express and has photographed Chuck Berry, Procol Harum, Jimi Hendrix, Dusty Springfield, as well as capturing Martin Luther King Jr on film the day before his assassination. During Part 1 of the interview we spoke about being hired at Stax Records by Steve Cropper, the difference between American and English engineers, working with Otis Redding, his relationship with Jimmy Page and Led Zeppelin, and much more. Part 2 comes next week. var podscribeEmbedVars = { epGuid: 'https://bobbyoinnercircle.com/?p=2840', rssUrl: 'https://bobbyoinnercircle.com/feed/podcast/', backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
Terry Manning is a music producer, songwriter, recording engineer and artist known for work in rock, rhythm and blues, and pop music genres. Manning began in the music industry in El Paso, Texas, where he played guitar and sang with several local bands, notably The Wild Ones, and on a couple of occasions sat in with his friend Bobby Fuller. Upon leaving El Paso, he moved to Memphis, Tennessee, where he worked for years at both Staxx Records and Ardent Studios as an engineer and producer, recording and mixing such artists as Isaac Hayes, Ike & Tina Turner, Booker T. & The MG's, Eddie Floyd, Al Green, Rufus Thomas, Sam & Dave, Otis Redding, Leon Russell, The Boxtops, Percy Sledge, Johnnie Taylor, Ronnie Milsap, and many others. Later, working as an independent, Manning produced or engineered recordings by Joe Cocker, James TaylorLed Zeppelin, ZZ Top, Joe Walsh, Johnny Winter, The Fabulous Thunderbirds, Lenny Kravitz, Jimmy Buffet, Shakira, Shania Twain, Bryan Adams, and many others. Terry now resides in El Paso, Texas with his wife Janet, where they both have embraced the southwest lifestyle of raising horses, donkeys, goats and dogs. To say Terry has lived a multi-layered life would be an understatement! Rock On, Terry, Rock On!
Music producer/engineer Terry Manning catches-up with Amy Wright to talk about his early years at Stax and Ardent Studios, and his more than 20 years at The Studio! at Compass Point in the Bahamas where he recorded some of the biggest acts and albums of all time. See omnystudio.com/listener for privacy information.
Það er enginn gestur í kvöld en við fáum lag frá vini þáttarins kl. 19.45, óskalagasíminn opnar kl. 20.00 og plata þáttarins sem við heyrum amk. þrjú lög af er Tres Hombres, þriðja plata ZZ Top sem kom út 1973. Og svo klukkan 21.10 skiptum við yfir í Hörpu á tónleika með Skítamóral, en þeir eru að hita sig upp fyrir 30 ára afmælistónleika sem fara fram í Eldbog 16. Júní nk. Í kvöld eru þeir að máta sviðið og öllum íslendingum er boðið. Tónleikarnir eru í beinni á Rás 2 og á Rúv2. En Tres Hombres er skemmtileg plata. Bandið fékk upptökumanninn Terry Manning til að vinna hana með sér en upptökustjóri var skráður umboðsmaður sveitarinnar, Bill Ham. Tres Hombres er spænska og þýðir; Þrír menn. Í ZZ Top voru og hafa alltaf verið þrír menn, sömu þrír; Billy F. Gibbons (gítar), Frank Beard (trommur) og Dusty Hill (bassi). Tres Hombres er platan sem vakti athygli á ZZ Top um allan heim. Hún kom út í júlí 1973 og náði 8. Sæti Billborad listans, og lagið La Grange fór hæst í 41. sæti smáskífulista Billboard. Billy Gibbons hefur sagt að þessi plata hafi breytt öllu fyrir hljómsveitina - þarna hafi þeim opnast ótal dyr sem hafi staðið þeim opnar allar götur síðan. Þeyr - Life transmission Vintage Caravan - Reflections Led Zeppelin - Rock?n roll Nirvana - You know you?re right Iron Maiden - The Evil that men do Stone the Crows - Big Jim Salter Primal Scream - It?s alright - it?s ok SÍMATÍMI The Undertones - Teenage kicks ZZ Top - Master of sparks Rush - Tom Sawyer (óskalag) Tommy Bolin - People people (óskalag) Wolfmother - Woman (óskalag) Elvis Presley - Burning love (óskalag) ZZ Top - Jesus just left Chicago Bruce Springsteen - Badlands Pond - Eleganst design (óskalag) Rookie - Hold on tight Neil Young & Crazy Horse - Over and over SKÍTAMÓRALL Í ELDBORG Heima Aldrei ein Myndir Drakúla Sælan Ennþá (Birgitta Haukdal) Tell me (Birgitta Haukdal) Hún Silicon Þú ert ein af þeim Æði Þú veist hvað ég meina mær Skjóttu mig í nótt Þegar ykkur langar (Viktor) Fljúgum áfram Farin Aldrei ein
Það er enginn gestur í kvöld en við fáum lag frá vini þáttarins kl. 19.45, óskalagasíminn opnar kl. 20.00 og plata þáttarins sem við heyrum amk. þrjú lög af er Tres Hombres, þriðja plata ZZ Top sem kom út 1973. Og svo klukkan 21.10 skiptum við yfir í Hörpu á tónleika með Skítamóral, en þeir eru að hita sig upp fyrir 30 ára afmælistónleika sem fara fram í Eldbog 16. Júní nk. Í kvöld eru þeir að máta sviðið og öllum íslendingum er boðið. Tónleikarnir eru í beinni á Rás 2 og á Rúv2. En Tres Hombres er skemmtileg plata. Bandið fékk upptökumanninn Terry Manning til að vinna hana með sér en upptökustjóri var skráður umboðsmaður sveitarinnar, Bill Ham. Tres Hombres er spænska og þýðir; Þrír menn. Í ZZ Top voru og hafa alltaf verið þrír menn, sömu þrír; Billy F. Gibbons (gítar), Frank Beard (trommur) og Dusty Hill (bassi). Tres Hombres er platan sem vakti athygli á ZZ Top um allan heim. Hún kom út í júlí 1973 og náði 8. Sæti Billborad listans, og lagið La Grange fór hæst í 41. sæti smáskífulista Billboard. Billy Gibbons hefur sagt að þessi plata hafi breytt öllu fyrir hljómsveitina - þarna hafi þeim opnast ótal dyr sem hafi staðið þeim opnar allar götur síðan. Þeyr - Life transmission Vintage Caravan - Reflections Led Zeppelin - Rock?n roll Nirvana - You know you?re right Iron Maiden - The Evil that men do Stone the Crows - Big Jim Salter Primal Scream - It?s alright - it?s ok SÍMATÍMI The Undertones - Teenage kicks ZZ Top - Master of sparks Rush - Tom Sawyer (óskalag) Tommy Bolin - People people (óskalag) Wolfmother - Woman (óskalag) Elvis Presley - Burning love (óskalag) ZZ Top - Jesus just left Chicago Bruce Springsteen - Badlands Pond - Eleganst design (óskalag) Rookie - Hold on tight Neil Young & Crazy Horse - Over and over SKÍTAMÓRALL Í ELDBORG Heima Aldrei ein Myndir Drakúla Sælan Ennþá (Birgitta Haukdal) Tell me (Birgitta Haukdal) Hún Silicon Þú ert ein af þeim Æði Þú veist hvað ég meina mær Skjóttu mig í nótt Þegar ykkur langar (Viktor) Fljúgum áfram Farin Aldrei ein
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