POPULARITY
Time Magazine, CNN, Media Images & Reporting Reflect the Colors of Change.This Week I Take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. In Remembrance of Jimmie Lee Jackson & The Late Honorable John Lewis (D,GA).In 2025, We are STILL Fighting the Good Fight for Voter's Rights for ALL.I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!!I have attended events Remembering the History, People & Sacrifice.The Fight for Justice Continues Today in 2025 as People Take to the Streets to Voice their Opinions to Help Bring About Change.My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney Esq., then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67.In 1965,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital.His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices.© 2025 Building Abundant Success!!© 2025 All Rights Reserved Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBAS Spot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
Time Magazine, CNN, Media Images & Reporting Reflect the Colors of Change.This Week I Take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. In Remembrance of Jimmie Lee Jackson & The Late Honorable John Lewis (D,GA).In 2025, We are STILL Fighting the Good Fight for Voter's Rights for ALL.I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!!I have attended events Remembering the History, People & Sacrifice.The Fight for Justice Continues Today in 2025 as People Take to the Streets to Voice their Opinions to Help Bring About Change.My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney Esq., then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67.In 1965,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital.His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices.© 2025 Building Abundant Success!!© 2025 All Rights Reserved Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBAS Spot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
THE WAIT IS ALMOST OVER (We Promise)!!! But BEFORE We kick off Season 7 Next week with 3 shows in a row, we have some unfinished business to take care of...Whatever became of "The Genre-Mat"? Who is this Efficency Guy? and Why don't I appear until the Very End of this? Answers to most of these questions will be revealed...and then casually dismissed, I'm sure! ALSO STARRING: Joan Bishop Andrew Dick Darren Marlar ...and INTRODUCING Joeseph Kent as "Agent Swatt" SPONSORED BY: Dave's Archives RetroCIRQ Kier's Nostalgia Corner Kev The Ripper and (of Course) our Patrons
A message from the VERY END of the Bible, bringing conviction and hope!
Includes a HIP HOP song I wrote about our guest. I was introduced to him by our mutual friend Damian Lewis, he's starred in award winning films and he became close friends with Hollywood actor Tom Hardy who's since been nominated for an Academy Award. They've acted together and even set up a theatre company together. My guest's also a stand up comedian who's performed with stars like Harry Hill, Stephen Merchant and Russell Howard. I run with him and I wrote a rap about our guest DAVID WHITNEY that you can hear at the beginning of this episode. There's also a crazy song at the VERY END of the outro after I have done ALL of my spoken outro. Please follow and subscribe to BEST OF LONDON for links on all the platforms and social media click here: https://linktr.ee/bestoflondon E-mail: ben@lifemac.com Each week I ask a guest 7 questions including what's your best London venue, event, place to eat, area and London Lifehack. You'll find out the best things to do and places to go. You can follow David Whitney here: https://www.instagram.com/whitneycomedy His website is here: https://www.davidwhitney.org/ I read and reply to all your emails. Songs and music by Ben Holland Thanks also to Marshall Mathers and Mr K West Best of London is presented and produced by Ben Holland and Ben Afleck. Best of London Instagram/x is @bestolondon with NO F Ben's instagram @benpodz click here: https://www.instagram.com/benpodz Ben's TikTok @bentiktoks click here: https://www.tiktok.com/@bentiktoks Follow and subscribe to BEST OF LONDON for links on ALL the platforms including apple podcasts, amazon music, audible, instagram, twitter/x and Facebook, please click here: https://linktr.ee/bestoflondon . . BEST OF LONDON logo and artwork by Bob Magill of recolodesign.com. If you or your company would like to work with him email: bob@recolodesign.com - he's a talented, patient and good natured designer/publisher with decades of experience who I whole-heartedly recommend.
Some snippets from our after-show chatter on Episode 2.We talk about Eondor.We talk about how, scientifically, NO ONE should be able to count over 238.We talk about playing cool and safe games for everyone who wants to play.And there is a bit of chatter about the male reproductive system.So hang out if you don't mind. Otherwise we are excited to see you back next week with our next main episode.When I first uploaded this episode it was over 2 hours long. Stay tuned to THE VERY END (25.ish) if you dare to hear what I heard when I "Checked the Chatter!"
Time Magazine, CNN, Media Images & Reporting Reflect the Colors of Change.This Week I Take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. In Remembrance of Jimmie Lee Jackson & The Late Honorable John Lewis (D,GA).In 2024, We are STILL Fighting the Good Fight for Voter's Rights for ALL.I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!!I have attended events Remembering the History, People & Sacrifice.The Fight for Justice Continues Today in 2020 as People Take to the Streets to Voice their Opinions to Help Bring About Change.My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney Esq., then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67.In 1965,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital.His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices.© 2024 Building Abundant Success!!© 2024 All Rights Reserved Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBAS Spot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
Welcome back to the Crypto Trends Podcast! In episode 5, hosts Robert Croak and Armando Pantoja dive into one of the most pressing questions in crypto right now: where is Bitcoin NOW relative to its overall cycle… To help shed light on this question, Robert and Armando begin by breaking down the most recent news in crypto, as well as Bitcoin's price action! From there, they offer valuable resources such as “The Wall Street Cheat Sheet” and the “Crypto Total Market Cap Chart,” and demonstrate how they use these charts to assess where crypto is relative to its overall market cycle. To cap off this episode, Robert and Armando answer the top questions asked by the AMAZING followers, so be sure to watch until the VERY END! Don't miss out on the valuable strategies and tips shares in this episode! Tune in now to stay ahead in the world of crypto!
EP:76 I am so incredibly excited to have Connie Zak on who is the CEO and co founder of sunlighten saunas, and I can't thank you enough for being here. And I think this is going to be so informative to our listeners. Because as they all know, and I've spoken about it a lot, I now have a sauna from you all. And it's been a huge part of my healing journey for my Hashimotos. Connie Zack is a co-owner of Sunlighten, a leading company in infrared sauna manufacturing and infrared light therapy. Motivated by the positive impact of infrared saunas on her brother's health, Connie, alongside her husband, has dedicated over 24 years to advancing the benefits of infrared light worldwide, with Sunlighten operating in 13 countries and running an award-winning day spa in Kansas City. Their mission is to enhance wellness through infrared technology, focusing on innovation and meaningful relationships. Join up as we discuss what is infrared, and is it safe + what are some of the main health benefits? Make sure to listen to the VERY END for an exclusive offer to get your very own sunlighten sauna!
jD, Dan from London, Pete and Tim are joined by a very special guest on this episode that is dedicated to the new reissue of Phantom Power for its 25th anniversary.And make sure to listen to the VERY END!Transcript:[0:05] On August 31st, 2023, The Tragically Hip dropped the first track from the Phantom.[0:12] Power 25th Anniversary box set, a song called Bumblebee.I will always remember this day because my friends Dan from London, Pete and Tim were in Toronto for our big live finale and the four of us were off to Kingston to visit the Bad Houseand sightsee the tragically hip scenes in Kingston.The first thing we did inside the car was fire up Bumblebee.It was so odd to hear something so familiar but so new to my ears.I hadn't heard this melody or these bending guitar licks before and I wanted more.[0:53] Lucky for us there are several other tracks included on this box set.Songs we either hadn't heard, or maybe we've heard snips and pieces of in live performances, or maybe on a bootleg.And of course there are complete song ideas that wound up on Gord's first solo record, Coke Machine Glow.There is also a fantastic live show from Pittsburgh, demos, and alternate versions of songs that did make the final cut.In essence, this is an exciting time to be a hip fan.Although we are all collectively gutted that we'll never see our boys on stage again, as long as I've been a hip fan, I've clamored for these songs that somehow wound up on the cuttingroom floor.And I'm sure you have too.[1:41] Today we'll get a sense of what Dan, Pete, and Tim think of the Reissue and we'll speak with a very special guest about the making of this spectacular box set and so much more.So sit back, relax, and let's start getting hip to the hip.Track 4:[2:23] Hey, it's Shadeen here and welcome back to Getting Hip to the Hip.This is an out-of-sequence bonus, episode for everyone.We are going to be talking today about the box set of Phantom Power, and I am joined as always by my friends Pete and Tim, and today's special guest again, Dan from London. How's itgoing, everybody?Well, Dan got his ears lowered, looks like Dan got his ears lowered.Yeah, I lost some hair over the course of the last thing, yeah.He was shorn. Maybe it was his younger brother stepping in. Yeah.[3:07] So fellas, when we last left off and we talked about Phantom Power, I recall the conversation really revolving around fireworks.You guys both really loved that song.Something On was a little underwhelming for you.You got into Poets, you thought that was a good kickoff and here we are just like six months after, not even six months, like four months after releasing that episode and The TragicallyHip goes out and releases a 25th anniversary box set of Phantom Power.So we thought it would be cool to get the band back together and talk about that for a little bit.And we'll be joined by a very special guest who we won't reveal quite yet.Is there anything that in particular, Pete or Tim, you remember about your experience with the record, thinking back, and Dan, for you following one of them, what was your experiencewith the record in general?[4:24] Um, it's funny because I went back and I found my notes from the original and it's it's just crazy to look at.It's like it's a it's a time it's a time capsule because, yeah, there were certain songs that was like, this is good.And like and now I look at, like, some of the songs that I was.[4:44] You know, Gugu and Gaga over and I love fireworks, but I mean, by by and far, you know, Bob Cajun is probably one of the most just, I mean, it's on loop in my home.So many, so many days. She also listens to it as well, right?Oh, yeah, she absolutely loves that song. We're listening to the live version today, we went for a hike.[5:07] And Cherrigan Falls. Poets is like, I think didn't, didn't, goodness, 50 Mission, didn't they?They came out with Poets when they played the live event.That song just, I had like one line written for that song. And this is the line, this is how sad it is. Dig it.Verse phrasing is key to the song. Lines go to the next measure.Layers and guitars. Nice. Now I'm just like, I hear that song.And I just fucking stop what I'm doing. And I just like, I fucking love that song.It's crazy how this album grew on me like a fucking virus. It's amazing.Timmy? Great. Yeah. Great, great question, JD, for sure.I mean, there's still a few on it that I'm not a super fan of, just to start off being negative here.Like, the rules to me is still a yawner, you know, but like, I kind of dig Chagrin Falls more than I did last time.I don't think I was anti, but in Emperor Penguin, I've read so many times across platforms that people love Emperor Penguin, and that song's slowly growing on me too. It's one of myfaves.There's still some really good ones in there.[6:31] Thompson Girl I could still live without. That's another one that grew on me, Timmy. I feel you, but I grew on it.With the new songs, and this is a question for a few minutes ahead, but somebody asked with the new songs, are any of those potential replacements for what's on the original?Oof. So yeah, that got me thinking a little bit.Tim, why do you always have to embroil things in controversy?I mean, that just is a controversial question.I mean, probably because of aliens, I guess. Oh, stop it.[7:15] Dan, what did you think of Phantom Power? I mean, Phantom Power is an absolute solid album.It's just a kicker, isn't it? I mean, I always love something on, I think it was the first track I got into off the album and I still absolutely love it. I think that song kicks ass.Something about the bass drum and the bass just driving it and the timing is just fantastic.Obviously, yeah, Bob Cajun.That always used to come on at a certain point on my commute when I was arriving at a certain station and I now still have overwhelming feelings when I pull into that station.[8:02] I can't believe how big a song can be, how overwhelmingly amazing a song can be.But yeah, I mean, the other stuff, I mean, Escape is at hand, I think, is just my favorite track on the album.You know, again, it's a whole other different story and different sentiment that it carries.And I don't know, I think that is a Bob Cajun and Escape is at hand, I think that just works a genius.And I can't say much more than that.Yeah. You know, the loss related with Escape Is At Hand is so relatable for me. And probably everybody.But I tend to live with you, Dan.I think Escape At Hand is... There's something about that song that just hits home, I think, probably for most people.[8:58] Maybe not sociopaths. I don't know. Maybe not.I think, Dan, you hit on the point. It's crazy how songs, even if you listen to them and enjoy them, it's like they get to a point where you've listened to them so many times, and perhaps thesame situation, like you said, pulling into that particular tube station or whatever it is, that maybe you don't hear it for a while, but then you hear it again, And, and just like a flood ofmemories and images come back.Just weird how the human brain works, man. I mean, this summer, we were go, go ahead.I mean, I just, I was just gonna say also in terms of that as well, it's the same station that I come into, I used to come into every time Fiddler's Green came on as well.So there's a time in all the albums where some of this stuff happens.[9:49] That's cool. That's cool. So have any of you guys had a chance to listen to the bonus tracks or the outtakes or the live show or any of it?And if you haven't, that's cool.All of it. All of it? Yeah. Yeah.I'm just happy to have more live music from these guys.For the obvious reason. It's a nice sounding show. So I read some kind of critique, so it's not the best sounding live show they played. I mean, who cares?I'm just happy to have more live music. That's an easy go-to wherever I am, in the car, on a plane, whatever.So as far as the new songs go? Yeah, back to your question.Yeah, I dig most of them. What's the best of the bunch? Eh, I don't know, I'm not there yet, I wouldn't say I'm there yet, I kinda like them all for different reasons.[10:52] Vegas Strip may be the least, but I like all these songs. I haven't gotten to it yet.It's my least favorite, but I still really like it.Yeah, like Songwriters Cabal isn't my favorite, but I love that song.Mystery, just lastly. Mystery is kind of a phenomenal ending to this group of songs.It's just this somber kind of tearjerker.Yeah, that was that was a happy listen. Joy meant either you fellas dabble.[11:31] I dabbled today and a couple of days last week, not yesterday, but I think Thursday and Friday in the fly stuff, which I concur with Timmy, I just love the live shit and I don't give afuck If it was a, you know, if it was a tape recorder jammed behind a, you know, bathroom stall and you got it picked it up in the background.It's just cool to hear this band live, but I loved it. Um, of the new tunes.I agree. I'm not there yet, but I, I got, um, I did hear bumblebee a lot when that came out, cause that dropped first, if I'm not mistaken, right. It dropped the day we went to Kingston.Kingston.So we got to it on the way to Kingston. That was fun. That's right.But I would say of the new tracks, I think the strongest one is Insomniacs. Me too.I just think it's very brawling, fucking harking back, just cool, fucking, just has that cool, easy, fucking hip, early shit to it.Early feels to it. Yeah, you know, has the road apples feel to it or something.Yeah, yeah, yeah, yeah, I agree with that. I like that too. I could be swayed.[12:50] Okay. Dan? Yeah, and I mean for me, I've listened to the extra tracks.I mean, I still love Bumblebee.[13:04] There's something about that with the guitar bends, that like, I mean, I think we next sort of hear those kind of guitar bends on my music at work.Something very similar happens towards the end of that, doesn't it?But in terms of the live stuff, there's a few little things going on in there.I mean, obviously, when you get down to 100th Meridian, there's a kind of improvised extract of Bumblebee in there, which is fantastic.And also, in the Chagrin Falls live version, he breaks into Born Free, but in the alternate version of Chagrin Falls, he's singing Chagrin Falls with a Born Free kind of lilt to it.So there's these kind of little parallels between some of the stuff that's been chosen, I think.Yeah, so maybe that's the reasons for some of those selections.Yeah. To you for choosing this live this light those like cuts you mean I Think so. Yeah.Yeah. Yeah, there's definitely some some thread woven throughout.Yeah Too bad. We don't have anybody to ask We might get some insight from our special guest Yeah, we should kick to him right now.We'll go to a song and then we'll come in with our special guest Johnny fucking thing.Track 6:[17:35] Hello, hello, hello, hello, I hear you guys now. There we go. Oh good. Am I good?Am I good? Yeah Hello Hi johnny Good doing well Sorry about that Hi, that's my fault. Not yours.I'll take full credit for that We're just waiting for one more to join Okay, he's uh in the waiting room now.Oh, there he is amazing how everything just Clicked and then johnny came on because we were having some severe problems, Dan, can you hear us? Yeah, absolutely. Awesome. Can youhear me? Yeah. Grant.[18:18] How you doing technically there, Danny? Good. Can you hear me?I can hear you. I can see you.Perfect. So then are you done? Are you done taking the McDonald's in London?London? London. Yeah. Yeah. My dad, my dad's hometown. He's from Woolwich.Woolwich, really? Yes. Oh yeah. South of the river. And we got to Canada and some friends would say, are you from London, Ontario or London, England?And my dad would just shoot back, he'd go, there's only one, London.Ooh. Although they have a Thames where the Canadian one. Ooh. Anyway.[18:59] That's beautiful. Isn't there in London, Missouri or something, too? There's a London... Oh, they're all over the place.Yeah. What's the deal with that? What's the deal?I think there's one in India also. You can't throw a shoe without hitting a London, is basically what you're saying. Yeah.All right. Well, let's get things on the road here.Johnny, just a brief introduction. We've ran a podcast from May 2, 4 to Labor Day this summer, where I took my friends that have never heard of the hit before. One is in Spain, Malaga.One is in Portland, Oregon. That's Tim and that's Pete, who is from Spain.And then Dan is from London.And we took them through a record a week, starting with the Baby Blue record and working up to Man-Machine Poem and just.[19:54] Inculcated them into the world of Tragically Hip.We ended up with a big party at the end downtown at the Rec Room.We raised like almost four grand for Donnie Wenjack.Oh that's amazing. Incredible.Yeah, so that's our story. I'm sorry I had to get the The music stuffed down your throat like that.[20:19] Can you imagine doing it, Johnny, like of a band that you've never heard of, right?And I've heard of you guys, but like never heard of you guys. I mean, I never heard it.But it's crazy how we did get it literally shoved down our throats.And now we were going back today talking about Band and Power, about what our first reactions were for it.And even compared to now, how much everything's just grown on us.It's just like, and we're diehard fans now, but go back a year from today, we didn't know. That's incredible.Wow. It's crazy, man. Thanks for sticking with it. It's not always easy.My Spotify algorithm is still totally convoluted, but a lot of a lot of hit playing in there.So Johnny, let's start at the start and get to know a little bit about you as the drummer of The Tragically Hap.And youngest member of The Tragically Hap. That's right, that's right. It's a dig.[21:27] It's Gord Sinclair's birthday today, right? It is indeed.Yes. Yes. I had dinner with him and Paul the other night in Toronto, and we had a nice evening.And, you know, we're 40 years young next year.I was in high school when we started, and I guess here we are.Wow. Wow. Who, before you got into the band and as you guys were forming, um, you know, your sound and your, you know, cadence, who were your big influences?I've, I know Stuart Copeland came up at one point. Oh, without a doubt.Yeah. I've heard a story about an exam or something like that, that you missed.That's correct. Yeah, that's correct. Uh, and we later ended up working with Hugh Padgham, the great British producer. and Synchronously was coming out and it came out on the daybefore my.[22:29] My math exam for Mrs.Griffordy and Lynn got this record and I listened to it.I'd heard Every Breath You Take on the radio, but then when I heard Synchronicity II and just the blistering drumming of Stuart, I just had to drink it all in.I remember making the decision. I was like, I can listen to this record, I can study for the exam.If I don't study for the exam, I'm going to summer school, which I did.And then I took one day off to go see them at the Olympic Stadium in Montreal, but it was worth it because that was, that was really my education was living, eating and breathing.And if you were a drummer in the eighties, who, uh, the guy, he was instantly identifiable by a snare drum.Um, just the hit one snare drum, there was Stuart Copeland.So, And this was an era of drum machines, don't forget, this was Len drums and sequencers, and I loved all that stuff too, absolutely did, but to be on the radio, and Stuart was it, he was,and I'm still finding things out about him, that he held the drumstick between two fingers, he didn't hold it, he held it up here.[23:48] Instead of the two fingers, which is the traditional way to hold the drumsticks.But he invented a way to play and invented a kit, which was a sound, you know.And he really, I can't say enough things about Stuart Copeland.Yeah, he's amazing. But I'll also listen to Alan White of Yes, who was fantastic. and of course, you know, Neil Peart, Bob Rush.That's a pretty good pedigree.Well, you try and take a little bit from each guy, you know, you don't want to be a lab rat. You don't want to copy them.You want to just take all the little things you like the right hand from this guy, this snare drum from that guy, the bass drum.And of course, the great I saw him the other day, the Manu Katché, Peter Gabriel's drummer, who is the Picasso on the drums. He has hands down, Art Picasso on drums.High praise. Dan?Yeah, so yeah, those are your sort of past influences. But who do you enjoy listening to now? Who does it for you now?Well, it's really funny because what's on my turntable right now is Heavy Weather by.[25:12] Weather Report and I'm listening to Jaco Pastorius.I'm trying to get as much of him into me because he was the guy really, you know. You hear Geddy Lee talk about him, you hear.So I'm listening to a lot of bass players these days and loving it.So that's what's going on.[25:36] I gotta I gotta ask you, just because you mentioned synchronicity, this is just a this is just a note.And if you didn't know it, then I think we brought it up with Paul.But do you know that that record had 33 different covers?[25:53] I did, yes I did. I didn't know that I thought it had.I thought it had. Well, I guess it would because each guy was sort of on one of the strips and it changed.But I didn't know there were 33. 32 or 33. But yeah, it was when I found and some some versions are rarer than others. But that record is.And that song Mother is just nuts. And isn't Stewart Copeland singing that song?No, that song is Andy Summers, and I heard a story, they did part of it in the Moran Heights in Montreal and the engineer asked Hugh if he could bump himself off a cassette in the day.In those days there was no internet so it was cool. The engineers usually got to be able to do that.Here's a record I'm working on, just happens to be with the police.And he asked Hugh Padgham if he could leave that song off.A lot of people hated it. It's a hard song to listen to if you're not into the record. You know, what went into the trash bin was I Burned For You, that was slated to go on that record.And think about how that would have, you know, from Sting's soundtrack work, would have changed that record. Totally.[27:22] I'm a little curious of then and now also, when you first started playing drums, I raised a drummer.I have a 21 year old who plays drums.Awesome. Actually, yeah, the past year or so he's been out of the country and he's been more focused on DJing, techno of all things.But he's, you know, can hear kind of a drummer influence. But anyways, you know, we got him on hand drums early and drum lessons early.And I lived through, you know, a drum set in the basement.Just anywhere you went in my house, you had to go outside or take a call.It was just, you know, what was it like for you in your early years playing drums? Like what pushed you over to the drum set or being interested in it? And...Conversely, do you still play now? Do you still have access to a drum set or a drum set at home?[28:13] Great questions. Number one, my brothers had a friend who had a drum set and they said to me, they went and got the snare drum and they said, we'll get you the snare drum.And after a year, if you're still playing, we'll go get the rest of the drum kit.And I'm still playing. And so they Then I had an eye injury, which for three weeks I had both eyes sort of closed off with cotton batting.And it was a really weird, weird accident.I still, when I'm explaining it to people, my dad was on the phone.He was a pediatric cardiologist and he was talking to the hospital and we were at a friend's house.And it had this jar of erasers and pens and pencils and elastics and he was talking and I remember he had his hand on my head like that and I grabbed an elastic band and a pen, and I shotthe pen into my eye and yeah it was very bizarre I thought it was shooting at the other end so it went right in and I remember my dad saying to my mom don't touch it leave it leave it andshe was trying to pull it out and so I went in and my sense of hearing was heightened.[29:33] I could hear my dad walk down the hall after he had his morning rounds.I could hear the cadence of his footstep and so you know for that three weeks where I was unable to see, it just kicked that.At about seven years old into a different gear for me. I started hearing rhythm everywhere.As you do with your indicator of your car, to industrial sounds, trucks backing up. I can put a rhythm into it.Like your son, his, like you're saying about drumming, and now he's DJing, his internal clock is always going as a drummer because that's where it started. Absolutely.Yeah. So it's the same. Drummers are that way. You just pick those things up.And then second question. No, I'm not playing. I'm kind of doing what your son is doing with drum machines.But I have two drummers in the house, two nine-year-old boys.[30:29] And one is a lefty. And I would set a kit up for him and then my other son, Finn, and then I would forget about Willie.And then, so I just said, well, I'm going to set it up on the left for you because he has a great acoustic kit, a set of Gretsch 1960s.And now I play left because I'm not the drummer that I'm not, you know, I'm not that drummer anymore. So now I'm discovering all kinds of new things about playing on the left side, andleft-handed drummers I find are way more creative.It's funny you mentioned that because we often notice when I've gone to shows with my son, we'll just say immediately that guy's left-handed.You just see it like that. That's very cool.Ringo was left-handed, they say, and that's why no one could ever duplicate the way he got around the kit.Yeah. His left hand pushed his right hand, I think.Phil Collins, Ian Pace, they're not good drummers.They're incredible drummers. Those two guys for me, Ian Pace and Phil Collins.Phil Collins, the stuff that I listened to today, and I'm like, how is he doing that?How is he doing that? He was incredible.He really was. He is incredible.[31:48] Johnny, you've been hard at work on the Phantom Power reissue, the box set, the amazing box set.I got it last week, and it was so fun to open and just touch the vinyl, and the book that's inside is really wonderful.I'm just, I'm so curious what a project like that.[32:17] Entails like from a from a time perspective. And I know you guys are hard at work on another one for next year.Like, when does that begin? And what does that process even look like?Like, is it just climbing Everest or what?It's really fun. It's really great therapy for us.You know, we get to talk about the past and if one guy doesn't remember it, someone else will.We have weekly calls and it's fun.We didn't do any therapy after Gord passed away and we really should have.We have just all kind of dealt with things and I think really right now that this is our therapy.I'm in Toronto, so that's where the tapes are. I'm very happy to do it and we're digitizing things and Phantom Power was a different one because it was in different formats.It was on D88, little digital tapes.[33:11] DAT machines were around and kicking at that time.We also had our 2-inch machine and then Pro Tools, the dreaded Pro Tools was coming in.Well, you didn't have to make a decision and you could have a hundred tracks on something and and I was like the you know There was such economy when we were going to tape andAnd I really liked that.So, you know, if you look at the early records, we're still I, Think there's the most that we used was 18 tracks You know Don Smith would consolidate things and that was really a goldenperiod So, it's not as daunting as you think, it's been fun, it's been fun, it's been a discovery.[34:00] You know, to listen to some of those tracks and hear Gord Downie speaking in between takes is really these beautiful moments.So yeah, it's been a lot of fun.Robbie is in charge of the box set, putting it all together.So he's doing all of that stuff.And you know, Gord and Paul are very involved in it. But they have solo careers too.So, um, you know, uh, but we are, we're all together on this.Uh, it's not me, uh, just doing, um, the tape stuff there. They're involved in it too. Very cool.Yeah. I mean, I was going to ask in terms of the project from the offset, uh, you know, when you're going through the tapes and covering all of these tracks and these, these different takesof the tracks that you have, what, what shape, you know, with those tracks in, did they require a lot of work to get them up to spec, or was there anything that was kind of left off that was,you regard as pretty good, but it was still a bit too rough around the edges to include?[35:04] Well, if we did any editing back in the day, if it was tape, we would do chunk editing.We would take the ending of one, with the hip, we would play a tune, it'd be great, be great and we would get close to the end and then we'd anticipate the ending and I'd make the otherguy speed up so we get to it and then our producer would say well the ending of this one's good so let's take the last four bars so there we go there's the track.So they were in pretty good shape you know the tape that we got was really forgiving.The crazy thing is I heard about the Rolling Stones going back and doing stuff that they did in the early 60s.And the early 60s tape actually lasted better than the stuff they made in the 80s.They had to do very little to get them back into shape, which is cool.You got to bake them in what essentially is an easy bake oven for tapes at a low temperature and it just sucks all the humidity out.And so record companies are obviously very well prepared to do all that sort of stuff and then it's just digitizing them.But when you first have a go through the tape after it's been baked and it's coming off the head and going through a board at the studio, it never sounds better.You know and they shoot it over to Pro Tools and they say now we have it We've have it and I always say well it sounded better a few minutes ago when it was going through the machineand so, Yeah Tape is king.We lived in the Golden Age. We really did in the in the 80s and 90s When you when you still were spinning tape.[40:59] So I imagined with coming across tapes, you guys did so much work, you know, in the recording process that I imagined it was just so fun to go through. It has been.It was, you know, but, you know, talk about Bob Cajun being an example.We only really have two versions of that.[41:23] And Gord Sinclair and I had a conference and we were like, well, we can play that again and we can play it better. And we were like, yeah, let's do it.And so the version you hear is the demo version, really.It's just we said we would go back and address it later. I think we went on tour and then it was Steve Berlin listening to it, which was really cool because he he recognized you can't beatyour demo.And that's what bands try and do.And he was so smart with it. And he said, I'll let you play it again.But you're not going to beat this. It's just there's a vibe there.And Gordon and I were like, we're going to beat it. We're going to do it. And we never did.And so I always loved that, that he did that because as a producer, I wouldn't have done that.And I would have screwed it up if I was producing that record.And he had the brainpower and the knowledge and he'd made so many great records before that he just, he let us play it, but we never beat it.It's our biggest song, too. Well, we were talking before, I absolutely love that song.That song is the soundtrack of this past summer for my wife and I.You jammed it down her throat. Oh, yeah. She drank the Kool-Aid, man.Let me tell you. She sure did.I've tried. We're getting there.[42:46] That's the pocket of that song, in my opinion, and this is my opinion, and if Robbie was here, I'd maybe change it just to be sweet to him, but it's you and Gord.It's just that the pocket's so tight with that.But you said something earlier about tape, and I want to just touch on it real quick because you were talking about how they have Pro Tools and this and that, and how you would havemade a different decision with Bob Cajun.But we cut a record in this last March, our band, we did our second record.And the engineer was using Cubase, which is just another version of Pro Tools or whatever.You've got a million, you can do a million tracks. But like he was like, no, you're going to do this many. And I'm like, no, I don't like that.He's like, nope, that's it.Yeah, because you get to a point to where you could just you just go crazy.And you could do 25, 30 tracks, you know, on one take or 25, 30 takes.And it's just it's stupid at that point.You've got to appreciate the moment that it is, you know, whether it's, you know, you're never better than your demo, like you said. You know? Yeah.And and I don't know, I guess.[44:01] There was, and not to get off the topic of, of, of, of Phantom Power, but for me, and I know we all had this, this reaction.We felt like I felt like In Between Evolution was the Johnny Faye record.[44:17] Really? Yeah, and there's... I don't remember that record, really.Well, yeah, there's a specific thing. That's crazy because there there's at the end of certain songs, there's little, you know, hi-hat touch, there's a rimshot, there's just little sprinkles of youthat is the last sound you hear on multiple tracks and or, or the beginning of a track.And I'm like, I wonder if there's something to this, but they must have just been the take that you guys did and it's taking up, maybe so.That was confusing record.Well, it's interesting about the tape to dress the tape thing.Yeah. And you have limitations. You got to make decisions.Uh, and you know, and I didn't say that I read Keith Richard's book and he was like, give me eight tracks and I'll write you a hit.And, you know, when they went to 16, he was like, man, okay, but I can still do it. Nay. And it's true.Um, you know, that, that the a hundred guitar tracks or whatever, the layering and, and, uh, it's just, you know, it goes, just lets up on records, John Bonham.I worked with a guy named Terry Manning and he had, John Bonham got very upset with him because Terry Manning said to me, I was the guy who put the third microphone on thedrums, he didn't like that, he only wanted two.[45:36] Only wanted two. So yeah, Inbetween Evolution was, we worked with Adam Casper, he was fantastic, obviously he's a guy who worked with Pearl Jam and we were very chuffedabout working for him, with him.And we seemed to move around studios a lot.For me that was a little bit confusing, so I never knew what we really had in the can.And it was in Seattle, where I love. I absolutely love Seattle.And so that was cool to be there. But yeah, I don't sort of...It's just a record that's easy to associate with you.And I think at that time too, we were looking at videos. I remember talking about this video I saw of you.You were so in the friggin zone playing live.You broke a cymbal and somebody just came like middle of the song.You just kept going along, replace cymbal.That would be Mike Cormier. He was my drum check and he was amazing.He could tell when they were broken. He sort of mid-song and he'd say, should I wait for the end of the song? I was like, no, just get rid of it.[46:44] Yeah, you know, we're going through something now where we're going back even further and with Up To Here.And a question was asked earlier about is there some songs that were left off?And there was a song that was left off, Up To Here, and it's called Wait So Long. and it was a really, really special song.Our producer and his manager and some people at the record company really thought that that was the lead track.[47:15] It ended up being Blow It High Dough, I believe.Or New Orleans is sinking. But Wait So Long is a great track, and that will come out next year.Oh, that's exciting. We have a mix of it and everything from Don Smith, so that's fully intact.So when we looked through the tapes and thought, oh, what do we need to remix?There was that one, you know, the lettering. It was like, okay, we got that one.So that'll be great to get out.You know, hear what people think about that. So one of our go ahead, Judy.So I have an ammo system set up at home. So I've been listening to the mix and Dolby Atmos.And I'm just curious about how that works when you're when you're doing a mix of that because there are instrumentations and sounds that I've never heard in those songs before.And now all of a sudden, they're they're shooting over my head.And it's, it's really fucking tremendous. It's a great way to experience music.But I just wonder what it's like.Do you have a mixer that just takes care of that?Because I noticed there was there's three writing credits for mixers on the Yeah, on the album.So I'm just curious if one is just for Dolby Atmos, sir.Yeah, well, we had a guy in the first couple, I think he did Road Apples.[48:43] And his name is Rich Chicky, and you might know him because he's done all the Rush stuff.He's like the Rush in-house guy for Atmos.Since then, we've had our key engineer, Mark Braykin, has been doing the Atmos stuff because he built an Atmos room.[49:00] You're right on this one. Phantom Power has a lot of stuff. I was sitting in the back of the room when they were mixing that and it's like there's some backwards guitars and somestuff that just goes out and it makes sense.I'm not gonna lie, I'm not the hugest fan of, I get it, you know, let's send the hi-hat into outer space, changes the groove, changes the groove for a five-piece band, we're not gonna lie.[49:29] On an album like Road Apples, which Rich did, and he did a great job.I just don't get it. On Phantom Power, which would be the closest thing that we would ever have to Dark Side of the Moon, I get it.You sit in the back of the room and hear the backwards guitar or stuff swirling around. It's cool.But I know people want this in their headphones, but I guess I'm a little bit like Monomix guy.I don't mind that either. I love it. I love that. Yeah.Dan? I'm with you, Joni.[50:04] Coming back to the other aspect of the box set, which is the live recordings, I mean, what criteria do you sort of use for selecting the live recording?I mean, out of the three that have been, you know, re-released.[50:18] Obviously one was the Horseshoe, but the other two have been from, like, American venues.Would you perhaps, like, choose the American gigs because they might be lesser known to a predominant Canadian audience?Or, I don't know, how do you choose? We pick a gig that has fewer clams in it and less mistakes.We just kind of really, we really do.We did a live record called Live Between, it was way back in the day, and we argued about this.We had really sort of a good old fashioned fight about it.And Gord Downie wanted one from this place called the 40 Walk Club, which we'd listened to and it was a great, great version.It was a great night.And it's where REM, I think, got their start.And so we were sort of between that and another couple.[51:12] And then we ended up picking Detroit because it sounded good.Um, I think that's kind of what we go on when we're, we're picking these, um, these live, uh, albums and Gord Sinclair's son, um, is the one who really goes through them and says, there'ssomething here.He knows the hip really well. And so he really kind of directs us.So there's so many tapes out there. Um, and so he, he sort of says this one, um, from, uh, Chicago second night, a house of blues.This, this one's got something there. And so Colin Sinclair is really in charge of that.I don't think any other guy in the hip can take credit for it.[51:52] Can I just ask as well then, so what percentage of hip shows do you think were actually recorded, you know, documented?[52:00] It would depend on the period. One tour we went out with D88 machines, other eras we let people tape, like Fish Show or Grapevold Head, we would set up a little area where theycould get stuff off the board.That was cool. And there were some remote stuff, not a ton of 24-track, tape stuff. We would do stuff for Westwood One.Most of this stuff is going to be in-house, or a record company generated through a live truck, Usually in LA or New York, we have one coming up from a show we did in the States forRecord Day next year.Not a ton. There's not a ton. Two scoops in this session. That's great.That are coming out?[53:05] You mentioned Zeppelin too. I was going to ask you about Hedley Grange, but I forgot what I was going to say. You know where Bonham did that thing with the, for, for, um.[53:16] When the levee breaks, you know, yeah, they put the mics up on the stairs. God, that's so cool.But, but no, that was Jimmy. That was Jimmy Page. That was Jimmy Page doing that.He engineered page based on that. That's that's such a it's such a I mean, never in in history. Can anybody recreate that sound? I mean, it's just so cool.No, the sound of like a double bass almost, but people people don't understand that there's the economy of it.If you worked with one of These older guys, I always say that Don Smith was like Rudy Van Gelder, he got it.He knew, he kept on coming into the studio, back in the control room.He would make the live room, the studio sound, the control room sound like the live room. And he was constantly tweaking like that.[54:02] The guitar, if you listen to the Zeppelin, it's all the stuff that's implied in the chords I think.The drums are what everything is hanging off of. The guitars are really quite small, you know, you know, there's these these bands that came out in the 80s that were trying to be likeZeppelin, use 24 microphones on the drums.It sounded horrible, you know, and for John Bonham, it was just the way he played. He was really good.Incredible jazz sensibilities, an incredible groove. And he was able to move, you know, all four of those guys were spectacular.We went on the road with them. We went on the road with them, Paige and Plant, through the States, and it was incredible.[54:49] Yeah. Never a nicer, never a nicer guy than Robert Plant. He was so, so nice.Oh, yeah. That's that's, that's, that's amazing.Yeah, I'm a huge, I'm a huge Zep fan. But I just got to ask you real quick about the song Fireworks.Is there, there's got to be some Rush influence in that. I just hear so much like spirit of the radio in that tune.It's just such a, I think that when that song, when we heard that song on this record, Tim and I both, I was like, that was for our first favorite song on this record. Oh, that's sweet.[55:26] Don Smith's mix on the box set is really interesting.Because for Phantom Power, where we mixed it three different times.Yeah, I mean, Neil, I got to meet him a couple of times.He was obviously a huge influence and I would say, yeah, yeah.I went trick or treating as him one year. I crank called him.[55:50] Oh my gosh, amazing. Love Rush, man, love Rush.J.D. be mindful of the of the clock too on the thing. You're on mute.Yeah, we can't hear you, J.D.Oh, sorry about that, guys. I was just going to say we've got a minute 45 left of this session before it cancels out.So, Tim, if you've got a quick one and then we'll bid adieu.Well, I just had one of our pod listeners asked about Bumblebee and basically was like, why didn't this make the album?You know, this it could fit in there so well. So just a quick comment on that.And yeah, yeah, that was one that was that was on on the list.And I think it just, we just sort of Gord Sinclair was putting the sequences together for that.And it just for us, there was just something maybe missing. It's really great.[56:46] And I love the line when the moon's a water balloon.It just is so great. That's so Gord. You know, yeah.And I look at every time I look up at a supermoon and it looks like a water balloon. I think it's very cool.Well, it made the box set. So that's, yeah, that's important.Yeah. Well, Johnny, we really want to thank you so much for your time.It means a lot. And thank you gents for, for all your promotion to the hip. Our pleasure.Keep ramming, keep ramming it.Hopefully not your family. They love it too. It happens.Track 1:[57:29] Thanks for listening to Getting Hip to the Hip. Please subscribe, share, rate and review the show at gettinghiptothehip.com.Find us on Twitter and Instagram at gettinghippod.And join our Facebook group at facebook.com slash groups slash fully and completely.Questions or concerns? Email us at JD at getting hip to the hip.com.We'd love to hear from you.Track 6:[58:25] I can't wait for the music at work box set as well, just so you know, just so you know, we're dying for that one. Oh yes, please, please.I'll tell you, I'll tell you the one that I was listening to last night and the demos are really great and and I'm really pushing for this one is in violet light.Oh yes. Yeah. In violet light. The demos were just incredible.Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
jD, Dan from London, Pete and Tim are joined by a very special guest on this episode that is dedicated to the new reissue of Phantom Power for its 25th anniversary.And make sure to listen to the VERY END!Transcript:[0:05] On August 31st, 2023, The Tragically Hip dropped the first track from the Phantom.[0:12] Power 25th Anniversary box set, a song called Bumblebee.I will always remember this day because my friends Dan from London, Pete and Tim were in Toronto for our big live finale and the four of us were off to Kingston to visit the Bad Houseand sightsee the tragically hip scenes in Kingston.The first thing we did inside the car was fire up Bumblebee.It was so odd to hear something so familiar but so new to my ears.I hadn't heard this melody or these bending guitar licks before and I wanted more.[0:53] Lucky for us there are several other tracks included on this box set.Songs we either hadn't heard, or maybe we've heard snips and pieces of in live performances, or maybe on a bootleg.And of course there are complete song ideas that wound up on Gord's first solo record, Coke Machine Glow.There is also a fantastic live show from Pittsburgh, demos, and alternate versions of songs that did make the final cut.In essence, this is an exciting time to be a hip fan.Although we are all collectively gutted that we'll never see our boys on stage again, as long as I've been a hip fan, I've clamored for these songs that somehow wound up on the cuttingroom floor.And I'm sure you have too.[1:41] Today we'll get a sense of what Dan, Pete, and Tim think of the Reissue and we'll speak with a very special guest about the making of this spectacular box set and so much more.So sit back, relax, and let's start getting hip to the hip.Track 4:[2:23] Hey, it's Shadeen here and welcome back to Getting Hip to the Hip.This is an out-of-sequence bonus, episode for everyone.We are going to be talking today about the box set of Phantom Power, and I am joined as always by my friends Pete and Tim, and today's special guest again, Dan from London. How's itgoing, everybody?Well, Dan got his ears lowered, looks like Dan got his ears lowered.Yeah, I lost some hair over the course of the last thing, yeah.He was shorn. Maybe it was his younger brother stepping in. Yeah.[3:07] So fellas, when we last left off and we talked about Phantom Power, I recall the conversation really revolving around fireworks.You guys both really loved that song.Something On was a little underwhelming for you.You got into Poets, you thought that was a good kickoff and here we are just like six months after, not even six months, like four months after releasing that episode and The TragicallyHip goes out and releases a 25th anniversary box set of Phantom Power.So we thought it would be cool to get the band back together and talk about that for a little bit.And we'll be joined by a very special guest who we won't reveal quite yet.Is there anything that in particular, Pete or Tim, you remember about your experience with the record, thinking back, and Dan, for you following one of them, what was your experiencewith the record in general?[4:24] Um, it's funny because I went back and I found my notes from the original and it's it's just crazy to look at.It's like it's a it's a time it's a time capsule because, yeah, there were certain songs that was like, this is good.And like and now I look at, like, some of the songs that I was.[4:44] You know, Gugu and Gaga over and I love fireworks, but I mean, by by and far, you know, Bob Cajun is probably one of the most just, I mean, it's on loop in my home.So many, so many days. She also listens to it as well, right?Oh, yeah, she absolutely loves that song. We're listening to the live version today, we went for a hike.[5:07] And Cherrigan Falls. Poets is like, I think didn't, didn't, goodness, 50 Mission, didn't they?They came out with Poets when they played the live event.That song just, I had like one line written for that song. And this is the line, this is how sad it is. Dig it.Verse phrasing is key to the song. Lines go to the next measure.Layers and guitars. Nice. Now I'm just like, I hear that song.And I just fucking stop what I'm doing. And I just like, I fucking love that song.It's crazy how this album grew on me like a fucking virus. It's amazing.Timmy? Great. Yeah. Great, great question, JD, for sure.I mean, there's still a few on it that I'm not a super fan of, just to start off being negative here.Like, the rules to me is still a yawner, you know, but like, I kind of dig Chagrin Falls more than I did last time.I don't think I was anti, but in Emperor Penguin, I've read so many times across platforms that people love Emperor Penguin, and that song's slowly growing on me too. It's one of myfaves.There's still some really good ones in there.[6:31] Thompson Girl I could still live without. That's another one that grew on me, Timmy. I feel you, but I grew on it.With the new songs, and this is a question for a few minutes ahead, but somebody asked with the new songs, are any of those potential replacements for what's on the original?Oof. So yeah, that got me thinking a little bit.Tim, why do you always have to embroil things in controversy?I mean, that just is a controversial question.I mean, probably because of aliens, I guess. Oh, stop it.[7:15] Dan, what did you think of Phantom Power? I mean, Phantom Power is an absolute solid album.It's just a kicker, isn't it? I mean, I always love something on, I think it was the first track I got into off the album and I still absolutely love it. I think that song kicks ass.Something about the bass drum and the bass just driving it and the timing is just fantastic.Obviously, yeah, Bob Cajun.That always used to come on at a certain point on my commute when I was arriving at a certain station and I now still have overwhelming feelings when I pull into that station.[8:02] I can't believe how big a song can be, how overwhelmingly amazing a song can be.But yeah, I mean, the other stuff, I mean, Escape is at hand, I think, is just my favorite track on the album.You know, again, it's a whole other different story and different sentiment that it carries.And I don't know, I think that is a Bob Cajun and Escape is at hand, I think that just works a genius.And I can't say much more than that.Yeah. You know, the loss related with Escape Is At Hand is so relatable for me. And probably everybody.But I tend to live with you, Dan.I think Escape At Hand is... There's something about that song that just hits home, I think, probably for most people.[8:58] Maybe not sociopaths. I don't know. Maybe not.I think, Dan, you hit on the point. It's crazy how songs, even if you listen to them and enjoy them, it's like they get to a point where you've listened to them so many times, and perhaps thesame situation, like you said, pulling into that particular tube station or whatever it is, that maybe you don't hear it for a while, but then you hear it again, And, and just like a flood ofmemories and images come back.Just weird how the human brain works, man. I mean, this summer, we were go, go ahead.I mean, I just, I was just gonna say also in terms of that as well, it's the same station that I come into, I used to come into every time Fiddler's Green came on as well.So there's a time in all the albums where some of this stuff happens.[9:49] That's cool. That's cool. So have any of you guys had a chance to listen to the bonus tracks or the outtakes or the live show or any of it?And if you haven't, that's cool.All of it. All of it? Yeah. Yeah.I'm just happy to have more live music from these guys.For the obvious reason. It's a nice sounding show. So I read some kind of critique, so it's not the best sounding live show they played. I mean, who cares?I'm just happy to have more live music. That's an easy go-to wherever I am, in the car, on a plane, whatever.So as far as the new songs go? Yeah, back to your question.Yeah, I dig most of them. What's the best of the bunch? Eh, I don't know, I'm not there yet, I wouldn't say I'm there yet, I kinda like them all for different reasons.[10:52] Vegas Strip may be the least, but I like all these songs. I haven't gotten to it yet.It's my least favorite, but I still really like it.Yeah, like Songwriters Cabal isn't my favorite, but I love that song.Mystery, just lastly. Mystery is kind of a phenomenal ending to this group of songs.It's just this somber kind of tearjerker.Yeah, that was that was a happy listen. Joy meant either you fellas dabble.[11:31] I dabbled today and a couple of days last week, not yesterday, but I think Thursday and Friday in the fly stuff, which I concur with Timmy, I just love the live shit and I don't give afuck If it was a, you know, if it was a tape recorder jammed behind a, you know, bathroom stall and you got it picked it up in the background.It's just cool to hear this band live, but I loved it. Um, of the new tunes.I agree. I'm not there yet, but I, I got, um, I did hear bumblebee a lot when that came out, cause that dropped first, if I'm not mistaken, right. It dropped the day we went to Kingston.Kingston.So we got to it on the way to Kingston. That was fun. That's right.But I would say of the new tracks, I think the strongest one is Insomniacs. Me too.I just think it's very brawling, fucking harking back, just cool, fucking, just has that cool, easy, fucking hip, early shit to it.Early feels to it. Yeah, you know, has the road apples feel to it or something.Yeah, yeah, yeah, yeah, I agree with that. I like that too. I could be swayed.[12:50] Okay. Dan? Yeah, and I mean for me, I've listened to the extra tracks.I mean, I still love Bumblebee.[13:04] There's something about that with the guitar bends, that like, I mean, I think we next sort of hear those kind of guitar bends on my music at work.Something very similar happens towards the end of that, doesn't it?But in terms of the live stuff, there's a few little things going on in there.I mean, obviously, when you get down to 100th Meridian, there's a kind of improvised extract of Bumblebee in there, which is fantastic.And also, in the Chagrin Falls live version, he breaks into Born Free, but in the alternate version of Chagrin Falls, he's singing Chagrin Falls with a Born Free kind of lilt to it.So there's these kind of little parallels between some of the stuff that's been chosen, I think.Yeah, so maybe that's the reasons for some of those selections.Yeah. To you for choosing this live this light those like cuts you mean I Think so. Yeah.Yeah. Yeah, there's definitely some some thread woven throughout.Yeah Too bad. We don't have anybody to ask We might get some insight from our special guest Yeah, we should kick to him right now.We'll go to a song and then we'll come in with our special guest Johnny fucking thing.Track 6:[17:35] Hello, hello, hello, hello, I hear you guys now. There we go. Oh good. Am I good?Am I good? Yeah Hello Hi johnny Good doing well Sorry about that Hi, that's my fault. Not yours.I'll take full credit for that We're just waiting for one more to join Okay, he's uh in the waiting room now.Oh, there he is amazing how everything just Clicked and then johnny came on because we were having some severe problems, Dan, can you hear us? Yeah, absolutely. Awesome. Can youhear me? Yeah. Grant.[18:18] How you doing technically there, Danny? Good. Can you hear me?I can hear you. I can see you.Perfect. So then are you done? Are you done taking the McDonald's in London?London? London. Yeah. Yeah. My dad, my dad's hometown. He's from Woolwich.Woolwich, really? Yes. Oh yeah. South of the river. And we got to Canada and some friends would say, are you from London, Ontario or London, England?And my dad would just shoot back, he'd go, there's only one, London.Ooh. Although they have a Thames where the Canadian one. Ooh. Anyway.[18:59] That's beautiful. Isn't there in London, Missouri or something, too? There's a London... Oh, they're all over the place.Yeah. What's the deal with that? What's the deal?I think there's one in India also. You can't throw a shoe without hitting a London, is basically what you're saying. Yeah.All right. Well, let's get things on the road here.Johnny, just a brief introduction. We've ran a podcast from May 2, 4 to Labor Day this summer, where I took my friends that have never heard of the hit before. One is in Spain, Malaga.One is in Portland, Oregon. That's Tim and that's Pete, who is from Spain.And then Dan is from London.And we took them through a record a week, starting with the Baby Blue record and working up to Man-Machine Poem and just.[19:54] Inculcated them into the world of Tragically Hip.We ended up with a big party at the end downtown at the Rec Room.We raised like almost four grand for Donnie Wenjack.Oh that's amazing. Incredible.Yeah, so that's our story. I'm sorry I had to get the The music stuffed down your throat like that.[20:19] Can you imagine doing it, Johnny, like of a band that you've never heard of, right?And I've heard of you guys, but like never heard of you guys. I mean, I never heard it.But it's crazy how we did get it literally shoved down our throats.And now we were going back today talking about Band and Power, about what our first reactions were for it.And even compared to now, how much everything's just grown on us.It's just like, and we're diehard fans now, but go back a year from today, we didn't know. That's incredible.Wow. It's crazy, man. Thanks for sticking with it. It's not always easy.My Spotify algorithm is still totally convoluted, but a lot of a lot of hit playing in there.So Johnny, let's start at the start and get to know a little bit about you as the drummer of The Tragically Hap.And youngest member of The Tragically Hap. That's right, that's right. It's a dig.[21:27] It's Gord Sinclair's birthday today, right? It is indeed.Yes. Yes. I had dinner with him and Paul the other night in Toronto, and we had a nice evening.And, you know, we're 40 years young next year.I was in high school when we started, and I guess here we are.Wow. Wow. Who, before you got into the band and as you guys were forming, um, you know, your sound and your, you know, cadence, who were your big influences?I've, I know Stuart Copeland came up at one point. Oh, without a doubt.Yeah. I've heard a story about an exam or something like that, that you missed.That's correct. Yeah, that's correct. Uh, and we later ended up working with Hugh Padgham, the great British producer. and Synchronously was coming out and it came out on the daybefore my.[22:29] My math exam for Mrs.Griffordy and Lynn got this record and I listened to it.I'd heard Every Breath You Take on the radio, but then when I heard Synchronicity II and just the blistering drumming of Stuart, I just had to drink it all in.I remember making the decision. I was like, I can listen to this record, I can study for the exam.If I don't study for the exam, I'm going to summer school, which I did.And then I took one day off to go see them at the Olympic Stadium in Montreal, but it was worth it because that was, that was really my education was living, eating and breathing.And if you were a drummer in the eighties, who, uh, the guy, he was instantly identifiable by a snare drum.Um, just the hit one snare drum, there was Stuart Copeland.So, And this was an era of drum machines, don't forget, this was Len drums and sequencers, and I loved all that stuff too, absolutely did, but to be on the radio, and Stuart was it, he was,and I'm still finding things out about him, that he held the drumstick between two fingers, he didn't hold it, he held it up here.[23:48] Instead of the two fingers, which is the traditional way to hold the drumsticks.But he invented a way to play and invented a kit, which was a sound, you know.And he really, I can't say enough things about Stuart Copeland.Yeah, he's amazing. But I'll also listen to Alan White of Yes, who was fantastic. and of course, you know, Neil Peart, Bob Rush.That's a pretty good pedigree.Well, you try and take a little bit from each guy, you know, you don't want to be a lab rat. You don't want to copy them.You want to just take all the little things you like the right hand from this guy, this snare drum from that guy, the bass drum.And of course, the great I saw him the other day, the Manu Katché, Peter Gabriel's drummer, who is the Picasso on the drums. He has hands down, Art Picasso on drums.High praise. Dan?Yeah, so yeah, those are your sort of past influences. But who do you enjoy listening to now? Who does it for you now?Well, it's really funny because what's on my turntable right now is Heavy Weather by.[25:12] Weather Report and I'm listening to Jaco Pastorius.I'm trying to get as much of him into me because he was the guy really, you know. You hear Geddy Lee talk about him, you hear.So I'm listening to a lot of bass players these days and loving it.So that's what's going on.[25:36] I gotta I gotta ask you, just because you mentioned synchronicity, this is just a this is just a note.And if you didn't know it, then I think we brought it up with Paul.But do you know that that record had 33 different covers?[25:53] I did, yes I did. I didn't know that I thought it had.I thought it had. Well, I guess it would because each guy was sort of on one of the strips and it changed.But I didn't know there were 33. 32 or 33. But yeah, it was when I found and some some versions are rarer than others. But that record is.And that song Mother is just nuts. And isn't Stewart Copeland singing that song?No, that song is Andy Summers, and I heard a story, they did part of it in the Moran Heights in Montreal and the engineer asked Hugh if he could bump himself off a cassette in the day.In those days there was no internet so it was cool. The engineers usually got to be able to do that.Here's a record I'm working on, just happens to be with the police.And he asked Hugh Padgham if he could leave that song off.A lot of people hated it. It's a hard song to listen to if you're not into the record. You know, what went into the trash bin was I Burned For You, that was slated to go on that record.And think about how that would have, you know, from Sting's soundtrack work, would have changed that record. Totally.[27:22] I'm a little curious of then and now also, when you first started playing drums, I raised a drummer.I have a 21 year old who plays drums.Awesome. Actually, yeah, the past year or so he's been out of the country and he's been more focused on DJing, techno of all things.But he's, you know, can hear kind of a drummer influence. But anyways, you know, we got him on hand drums early and drum lessons early.And I lived through, you know, a drum set in the basement.Just anywhere you went in my house, you had to go outside or take a call.It was just, you know, what was it like for you in your early years playing drums? Like what pushed you over to the drum set or being interested in it? And...Conversely, do you still play now? Do you still have access to a drum set or a drum set at home?[28:13] Great questions. Number one, my brothers had a friend who had a drum set and they said to me, they went and got the snare drum and they said, we'll get you the snare drum.And after a year, if you're still playing, we'll go get the rest of the drum kit.And I'm still playing. And so they Then I had an eye injury, which for three weeks I had both eyes sort of closed off with cotton batting.And it was a really weird, weird accident.I still, when I'm explaining it to people, my dad was on the phone.He was a pediatric cardiologist and he was talking to the hospital and we were at a friend's house.And it had this jar of erasers and pens and pencils and elastics and he was talking and I remember he had his hand on my head like that and I grabbed an elastic band and a pen, and I shotthe pen into my eye and yeah it was very bizarre I thought it was shooting at the other end so it went right in and I remember my dad saying to my mom don't touch it leave it leave it andshe was trying to pull it out and so I went in and my sense of hearing was heightened.[29:33] I could hear my dad walk down the hall after he had his morning rounds.I could hear the cadence of his footstep and so you know for that three weeks where I was unable to see, it just kicked that.At about seven years old into a different gear for me. I started hearing rhythm everywhere.As you do with your indicator of your car, to industrial sounds, trucks backing up. I can put a rhythm into it.Like your son, his, like you're saying about drumming, and now he's DJing, his internal clock is always going as a drummer because that's where it started. Absolutely.Yeah. So it's the same. Drummers are that way. You just pick those things up.And then second question. No, I'm not playing. I'm kind of doing what your son is doing with drum machines.But I have two drummers in the house, two nine-year-old boys.[30:29] And one is a lefty. And I would set a kit up for him and then my other son, Finn, and then I would forget about Willie.And then, so I just said, well, I'm going to set it up on the left for you because he has a great acoustic kit, a set of Gretsch 1960s.And now I play left because I'm not the drummer that I'm not, you know, I'm not that drummer anymore. So now I'm discovering all kinds of new things about playing on the left side, andleft-handed drummers I find are way more creative.It's funny you mentioned that because we often notice when I've gone to shows with my son, we'll just say immediately that guy's left-handed.You just see it like that. That's very cool.Ringo was left-handed, they say, and that's why no one could ever duplicate the way he got around the kit.Yeah. His left hand pushed his right hand, I think.Phil Collins, Ian Pace, they're not good drummers.They're incredible drummers. Those two guys for me, Ian Pace and Phil Collins.Phil Collins, the stuff that I listened to today, and I'm like, how is he doing that?How is he doing that? He was incredible.He really was. He is incredible.[31:48] Johnny, you've been hard at work on the Phantom Power reissue, the box set, the amazing box set.I got it last week, and it was so fun to open and just touch the vinyl, and the book that's inside is really wonderful.I'm just, I'm so curious what a project like that.[32:17] Entails like from a from a time perspective. And I know you guys are hard at work on another one for next year.Like, when does that begin? And what does that process even look like?Like, is it just climbing Everest or what?It's really fun. It's really great therapy for us.You know, we get to talk about the past and if one guy doesn't remember it, someone else will.We have weekly calls and it's fun.We didn't do any therapy after Gord passed away and we really should have.We have just all kind of dealt with things and I think really right now that this is our therapy.I'm in Toronto, so that's where the tapes are. I'm very happy to do it and we're digitizing things and Phantom Power was a different one because it was in different formats.It was on D88, little digital tapes.[33:11] DAT machines were around and kicking at that time.We also had our 2-inch machine and then Pro Tools, the dreaded Pro Tools was coming in.Well, you didn't have to make a decision and you could have a hundred tracks on something and and I was like the you know There was such economy when we were going to tape andAnd I really liked that.So, you know, if you look at the early records, we're still I, Think there's the most that we used was 18 tracks You know Don Smith would consolidate things and that was really a goldenperiod So, it's not as daunting as you think, it's been fun, it's been fun, it's been a discovery.[34:00] You know, to listen to some of those tracks and hear Gord Downie speaking in between takes is really these beautiful moments.So yeah, it's been a lot of fun.Robbie is in charge of the box set, putting it all together.So he's doing all of that stuff.And you know, Gord and Paul are very involved in it. But they have solo careers too.So, um, you know, uh, but we are, we're all together on this.Uh, it's not me, uh, just doing, um, the tape stuff there. They're involved in it too. Very cool.Yeah. I mean, I was going to ask in terms of the project from the offset, uh, you know, when you're going through the tapes and covering all of these tracks and these, these different takesof the tracks that you have, what, what shape, you know, with those tracks in, did they require a lot of work to get them up to spec, or was there anything that was kind of left off that was,you regard as pretty good, but it was still a bit too rough around the edges to include?[35:04] Well, if we did any editing back in the day, if it was tape, we would do chunk editing.We would take the ending of one, with the hip, we would play a tune, it'd be great, be great and we would get close to the end and then we'd anticipate the ending and I'd make the otherguy speed up so we get to it and then our producer would say well the ending of this one's good so let's take the last four bars so there we go there's the track.So they were in pretty good shape you know the tape that we got was really forgiving.The crazy thing is I heard about the Rolling Stones going back and doing stuff that they did in the early 60s.And the early 60s tape actually lasted better than the stuff they made in the 80s.They had to do very little to get them back into shape, which is cool.You got to bake them in what essentially is an easy bake oven for tapes at a low temperature and it just sucks all the humidity out.And so record companies are obviously very well prepared to do all that sort of stuff and then it's just digitizing them.But when you first have a go through the tape after it's been baked and it's coming off the head and going through a board at the studio, it never sounds better.You know and they shoot it over to Pro Tools and they say now we have it We've have it and I always say well it sounded better a few minutes ago when it was going through the machineand so, Yeah Tape is king.We lived in the Golden Age. We really did in the in the 80s and 90s When you when you still were spinning tape.[40:59] So I imagined with coming across tapes, you guys did so much work, you know, in the recording process that I imagined it was just so fun to go through. It has been.It was, you know, but, you know, talk about Bob Cajun being an example.We only really have two versions of that.[41:23] And Gord Sinclair and I had a conference and we were like, well, we can play that again and we can play it better. And we were like, yeah, let's do it.And so the version you hear is the demo version, really.It's just we said we would go back and address it later. I think we went on tour and then it was Steve Berlin listening to it, which was really cool because he he recognized you can't beatyour demo.And that's what bands try and do.And he was so smart with it. And he said, I'll let you play it again.But you're not going to beat this. It's just there's a vibe there.And Gordon and I were like, we're going to beat it. We're going to do it. And we never did.And so I always loved that, that he did that because as a producer, I wouldn't have done that.And I would have screwed it up if I was producing that record.And he had the brainpower and the knowledge and he'd made so many great records before that he just, he let us play it, but we never beat it.It's our biggest song, too. Well, we were talking before, I absolutely love that song.That song is the soundtrack of this past summer for my wife and I.You jammed it down her throat. Oh, yeah. She drank the Kool-Aid, man.Let me tell you. She sure did.I've tried. We're getting there.[42:46] That's the pocket of that song, in my opinion, and this is my opinion, and if Robbie was here, I'd maybe change it just to be sweet to him, but it's you and Gord.It's just that the pocket's so tight with that.But you said something earlier about tape, and I want to just touch on it real quick because you were talking about how they have Pro Tools and this and that, and how you would havemade a different decision with Bob Cajun.But we cut a record in this last March, our band, we did our second record.And the engineer was using Cubase, which is just another version of Pro Tools or whatever.You've got a million, you can do a million tracks. But like he was like, no, you're going to do this many. And I'm like, no, I don't like that.He's like, nope, that's it.Yeah, because you get to a point to where you could just you just go crazy.And you could do 25, 30 tracks, you know, on one take or 25, 30 takes.And it's just it's stupid at that point.You've got to appreciate the moment that it is, you know, whether it's, you know, you're never better than your demo, like you said. You know? Yeah.And and I don't know, I guess.[44:01] There was, and not to get off the topic of, of, of, of Phantom Power, but for me, and I know we all had this, this reaction.We felt like I felt like In Between Evolution was the Johnny Faye record.[44:17] Really? Yeah, and there's... I don't remember that record, really.Well, yeah, there's a specific thing. That's crazy because there there's at the end of certain songs, there's little, you know, hi-hat touch, there's a rimshot, there's just little sprinkles of youthat is the last sound you hear on multiple tracks and or, or the beginning of a track.And I'm like, I wonder if there's something to this, but they must have just been the take that you guys did and it's taking up, maybe so.That was confusing record.Well, it's interesting about the tape to dress the tape thing.Yeah. And you have limitations. You got to make decisions.Uh, and you know, and I didn't say that I read Keith Richard's book and he was like, give me eight tracks and I'll write you a hit.And, you know, when they went to 16, he was like, man, okay, but I can still do it. Nay. And it's true.Um, you know, that, that the a hundred guitar tracks or whatever, the layering and, and, uh, it's just, you know, it goes, just lets up on records, John Bonham.I worked with a guy named Terry Manning and he had, John Bonham got very upset with him because Terry Manning said to me, I was the guy who put the third microphone on thedrums, he didn't like that, he only wanted two.[45:36] Only wanted two. So yeah, Inbetween Evolution was, we worked with Adam Casper, he was fantastic, obviously he's a guy who worked with Pearl Jam and we were very chuffedabout working for him, with him.And we seemed to move around studios a lot.For me that was a little bit confusing, so I never knew what we really had in the can.And it was in Seattle, where I love. I absolutely love Seattle.And so that was cool to be there. But yeah, I don't sort of...It's just a record that's easy to associate with you.And I think at that time too, we were looking at videos. I remember talking about this video I saw of you.You were so in the friggin zone playing live.You broke a cymbal and somebody just came like middle of the song.You just kept going along, replace cymbal.That would be Mike Cormier. He was my drum check and he was amazing.He could tell when they were broken. He sort of mid-song and he'd say, should I wait for the end of the song? I was like, no, just get rid of it.[46:44] Yeah, you know, we're going through something now where we're going back even further and with Up To Here.And a question was asked earlier about is there some songs that were left off?And there was a song that was left off, Up To Here, and it's called Wait So Long. and it was a really, really special song.Our producer and his manager and some people at the record company really thought that that was the lead track.[47:15] It ended up being Blow It High Dough, I believe.Or New Orleans is sinking. But Wait So Long is a great track, and that will come out next year.Oh, that's exciting. We have a mix of it and everything from Don Smith, so that's fully intact.So when we looked through the tapes and thought, oh, what do we need to remix?There was that one, you know, the lettering. It was like, okay, we got that one.So that'll be great to get out.You know, hear what people think about that. So one of our go ahead, Judy.So I have an ammo system set up at home. So I've been listening to the mix and Dolby Atmos.And I'm just curious about how that works when you're when you're doing a mix of that because there are instrumentations and sounds that I've never heard in those songs before.And now all of a sudden, they're they're shooting over my head.And it's, it's really fucking tremendous. It's a great way to experience music.But I just wonder what it's like.Do you have a mixer that just takes care of that?Because I noticed there was there's three writing credits for mixers on the Yeah, on the album.So I'm just curious if one is just for Dolby Atmos, sir.Yeah, well, we had a guy in the first couple, I think he did Road Apples.[48:43] And his name is Rich Chicky, and you might know him because he's done all the Rush stuff.He's like the Rush in-house guy for Atmos.Since then, we've had our key engineer, Mark Braykin, has been doing the Atmos stuff because he built an Atmos room.[49:00] You're right on this one. Phantom Power has a lot of stuff. I was sitting in the back of the room when they were mixing that and it's like there's some backwards guitars and somestuff that just goes out and it makes sense.I'm not gonna lie, I'm not the hugest fan of, I get it, you know, let's send the hi-hat into outer space, changes the groove, changes the groove for a five-piece band, we're not gonna lie.[49:29] On an album like Road Apples, which Rich did, and he did a great job.I just don't get it. On Phantom Power, which would be the closest thing that we would ever have to Dark Side of the Moon, I get it.You sit in the back of the room and hear the backwards guitar or stuff swirling around. It's cool.But I know people want this in their headphones, but I guess I'm a little bit like Monomix guy.I don't mind that either. I love it. I love that. Yeah.Dan? I'm with you, Joni.[50:04] Coming back to the other aspect of the box set, which is the live recordings, I mean, what criteria do you sort of use for selecting the live recording?I mean, out of the three that have been, you know, re-released.[50:18] Obviously one was the Horseshoe, but the other two have been from, like, American venues.Would you perhaps, like, choose the American gigs because they might be lesser known to a predominant Canadian audience?Or, I don't know, how do you choose? We pick a gig that has fewer clams in it and less mistakes.We just kind of really, we really do.We did a live record called Live Between, it was way back in the day, and we argued about this.We had really sort of a good old fashioned fight about it.And Gord Downie wanted one from this place called the 40 Walk Club, which we'd listened to and it was a great, great version.It was a great night.And it's where REM, I think, got their start.And so we were sort of between that and another couple.[51:12] And then we ended up picking Detroit because it sounded good.Um, I think that's kind of what we go on when we're, we're picking these, um, these live, uh, albums and Gord Sinclair's son, um, is the one who really goes through them and says, there'ssomething here.He knows the hip really well. And so he really kind of directs us.So there's so many tapes out there. Um, and so he, he sort of says this one, um, from, uh, Chicago second night, a house of blues.This, this one's got something there. And so Colin Sinclair is really in charge of that.I don't think any other guy in the hip can take credit for it.[51:52] Can I just ask as well then, so what percentage of hip shows do you think were actually recorded, you know, documented?[52:00] It would depend on the period. One tour we went out with D88 machines, other eras we let people tape, like Fish Show or Grapevold Head, we would set up a little area where theycould get stuff off the board.That was cool. And there were some remote stuff, not a ton of 24-track, tape stuff. We would do stuff for Westwood One.Most of this stuff is going to be in-house, or a record company generated through a live truck, Usually in LA or New York, we have one coming up from a show we did in the States forRecord Day next year.Not a ton. There's not a ton. Two scoops in this session. That's great.That are coming out?[53:05] You mentioned Zeppelin too. I was going to ask you about Hedley Grange, but I forgot what I was going to say. You know where Bonham did that thing with the, for, for, um.[53:16] When the levee breaks, you know, yeah, they put the mics up on the stairs. God, that's so cool.But, but no, that was Jimmy. That was Jimmy Page. That was Jimmy Page doing that.He engineered page based on that. That's that's such a it's such a I mean, never in in history. Can anybody recreate that sound? I mean, it's just so cool.No, the sound of like a double bass almost, but people people don't understand that there's the economy of it.If you worked with one of These older guys, I always say that Don Smith was like Rudy Van Gelder, he got it.He knew, he kept on coming into the studio, back in the control room.He would make the live room, the studio sound, the control room sound like the live room. And he was constantly tweaking like that.[54:02] The guitar, if you listen to the Zeppelin, it's all the stuff that's implied in the chords I think.The drums are what everything is hanging off of. The guitars are really quite small, you know, you know, there's these these bands that came out in the 80s that were trying to be likeZeppelin, use 24 microphones on the drums.It sounded horrible, you know, and for John Bonham, it was just the way he played. He was really good.Incredible jazz sensibilities, an incredible groove. And he was able to move, you know, all four of those guys were spectacular.We went on the road with them. We went on the road with them, Paige and Plant, through the States, and it was incredible.[54:49] Yeah. Never a nicer, never a nicer guy than Robert Plant. He was so, so nice.Oh, yeah. That's that's, that's, that's amazing.Yeah, I'm a huge, I'm a huge Zep fan. But I just got to ask you real quick about the song Fireworks.Is there, there's got to be some Rush influence in that. I just hear so much like spirit of the radio in that tune.It's just such a, I think that when that song, when we heard that song on this record, Tim and I both, I was like, that was for our first favorite song on this record. Oh, that's sweet.[55:26] Don Smith's mix on the box set is really interesting.Because for Phantom Power, where we mixed it three different times.Yeah, I mean, Neil, I got to meet him a couple of times.He was obviously a huge influence and I would say, yeah, yeah.I went trick or treating as him one year. I crank called him.[55:50] Oh my gosh, amazing. Love Rush, man, love Rush.J.D. be mindful of the of the clock too on the thing. You're on mute.Yeah, we can't hear you, J.D.Oh, sorry about that, guys. I was just going to say we've got a minute 45 left of this session before it cancels out.So, Tim, if you've got a quick one and then we'll bid adieu.Well, I just had one of our pod listeners asked about Bumblebee and basically was like, why didn't this make the album?You know, this it could fit in there so well. So just a quick comment on that.And yeah, yeah, that was one that was that was on on the list.And I think it just, we just sort of Gord Sinclair was putting the sequences together for that.And it just for us, there was just something maybe missing. It's really great.[56:46] And I love the line when the moon's a water balloon.It just is so great. That's so Gord. You know, yeah.And I look at every time I look up at a supermoon and it looks like a water balloon. I think it's very cool.Well, it made the box set. So that's, yeah, that's important.Yeah. Well, Johnny, we really want to thank you so much for your time.It means a lot. And thank you gents for, for all your promotion to the hip. Our pleasure.Keep ramming, keep ramming it.Hopefully not your family. They love it too. It happens.Track 1:[57:29] Thanks for listening to Getting Hip to the Hip. Please subscribe, share, rate and review the show at gettinghiptothehip.com.Find us on Twitter and Instagram at gettinghippod.And join our Facebook group at facebook.com slash groups slash fully and completely.Questions or concerns? Email us at JD at getting hip to the hip.com.We'd love to hear from you.Track 6:[58:25] I can't wait for the music at work box set as well, just so you know, just so you know, we're dying for that one. Oh yes, please, please.I'll tell you, I'll tell you the one that I was listening to last night and the demos are really great and and I'm really pushing for this one is in violet light.Oh yes. Yeah. In violet light. The demos were just incredible.Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Black Panther: Wakanda Forever. Join Matthew Rushing and John Mills on their journey through the MCU as we reach the penultimate entry in Phase 4 with the second film for the Black Panther. Chapters Dealing With Loss (00:02:43) Performances (00:08:11) So Much New (00:09:36) The Effects (00:28:27) A Question (00:32:49) The Very End (00:35:10) Ratings (00:39:03) Rankings (00:42:26) Hosts Matthew Rushing and John Mills Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) John Mills (Producer) Social Twitter: @The602Club Instagram: @the602clubtfm
Black Panther: Wakanda Forever. Join Matthew Rushing and John Mills on their journey through the MCU as we reach the penultimate entry in Phase 4 with the second film for the Black Panther. Chapters Dealing With Loss (00:02:43) Performances (00:08:11) So Much New (00:09:36) The Effects (00:28:27) A Question (00:32:49) The Very End (00:35:10) Ratings (00:39:03) Rankings (00:42:26) Hosts Matthew Rushing and John Mills Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) John Mills (Producer) Social Twitter: @The602Club Instagram: @the602clubtfm
This JUST IN, a war ship, the world's biggest worship is headed to Israel from the United States, but will it make a pit stop in Iran? Some people are saying the US might have their hands in multiple pots of being helping hands. I'm not sure , but could this be the biggest gaslighting vehicle to sail the ocean blue to date? I'm not sure but we're gonna talk about that and so much more within this podcast episode. You know the drill, sit this one out till the VERY END, there are many candid surprises that pop up throughout this Episode! So just sit back, relax, and enjoy the show. (2Thessalonians 2:9-12, 1 Thessalonians 5:3 John 10:30 John 14:6)
Mary & Blake discuss PART 2 of what YOU had to say about Outlander episode 7.08 "Turning Points". In this episode, why a show needs to adhere to its own established rules, how this episode specifically calls back to Sassenach, and you get to hear Mary's story about Blake's new nemesis -- the Trader Joe's Guy. You definitely want to stay to the absolute VERY END of this episode... SUBSCRIBE TO OUTLANDER CAST: AN OUTLANDER PODCAST Apple Podcasts | YouTube | Spotify CONNECT WITH MARY & BLAKE Like Our Facebook Page | Join Our Facebook Group | Join The #NerdClan | Follow On Twitter | Follow On Instagram UNLOCK BONUS EPISODES, PREMIUM PODCASTS & MORE -- www.JoinTheNerdClan.com This episode of Outlander Cast is brought to you by WeeBox Use checkout code "CAST10" for 10% off any purchase and be sure to tell them Mary & Blake sent you. Sign up HERE for Blake's Book Club: VOYAGER CHECK OUT THE BEST MERCH ON THE PLANET: THE MARY & BLAKE STORE Shop for all of our podcasts, sayings, and listener inspired designs in one easy place. *NEW ARRIVALS EVERY WEEK* Be sure to follow all of our other podcasts at MaryandBlake.com including: This Is Us Too: A This Is Us Podcast The MCU Diaries: Essays On Marvel Television Podcast Bridgerton With Mary & Blake: A Bridgerton Podcast Keep Calm And Crown On: The Crown Podcast Minute With Mary: A Younique Network Marketing Podcast Rise Up!: A Hamilton Podcast The Leftovers Podcast: The Living Reminders The North Remembers: A Game Of Thrones Podcast Wicked Rhody: A Podcast About Rhode Island Events and Life You've Been Gilmored: A Gilmore Girls Podcast ParentCast: A Podcast For New Parents Outlander Cast: An Outlander Podcast The Potterverse: A Harry Potter Podcast The Last Kingdom With Mary & Blake: A Podcast For The Last Kingdom House Of The Dragon With Mary & Blake: A Podcast For House Of The Dragon The Rings Of Power With Mary & Blake: A Rings Of Power Podcast Check out all of our blogs at MaryandBlake.com including: Mary & Blake's Blog The MCU Diaries The Handmaid's Diaries Minute With Mary Outlander Cast Blog A huge thank you to all of our members at the #NERDCLAN for helping to make this podcast possible. EXECUTIVE PRODUCERS SuzyQ, Joanne Felci, Nadra Assaf, Siobhan M. O'Connor, Katy Valentine, Maryanne St. Laurent, Sara Zoknoen, MD, Martha, Anne Gavin, Bobbi Franchella, Peg Cumbie, Dana Mott-Bronson, Kirstie Wilson CO - PRODUCERS Kristina Mann, Candace Galbraith, Jennifer L. Dominick, Whitney Robins, Tina Schneider, Sharon Stevenson-Kelley, Barbara Falk, Keelin Dawe, Meredith Bustillo, ASSOCIATE PRODUCERS Louan, Laura Dassrath, Suzanne Moss, Sarah Dietderich, Brenda Lowrie, Dianna Anderson, Stephanie Holm, Tracy Enos, Jeffrey Zellan, Shonna Chapman, Dianne Karpowicz, Candy Hartsock, Carolyn Needham, Patricia Barron Tardio, Angie Leith, Karen Snelling, Christine Milleker, Marilyn L. Neenan
Oftentimes, our ego can cloud our judgment. As entrepreneurs, we want our businesses to grow and we make the necessary sacrifices to do so (sometimes at the expense of our sanity)! But we know in the long game of business – especially at the higher levels – intentional and steady wins the race. Emily Countryman is no stranger to hustling to build her business, but now it's a different type of growth. As the founder and CEO of Shift, Set, Go – a renowned group of weight-loss clinics in the Northwest that also now features its own product line, she has navigated the ever-changing wellness landscape for years. Today she has a unique model based on some big decisions that she shares in this interview. In this episode of Reward, The Trust founder Ali Brown sits down with our founding member Emily to not only to unlock her secret of big growth so quickly, but how she primed herself perfectly to jump into this new phase with more intention than ever before. AND… be sure to listen to the VERY END to hear Emily's BOLD business move that allowed her to grow her business by several franchisees! (Hint: Jenny Craig's demise was her gain.) On this episode of the #REWARDPodcast, you'll hear: Emily's ah-ha moment that allowed her to shift from ego-driven to intention-based business decisions How that success can come from doing what you love, making decisions that feel good, and staying true to your values How shutting down one of her brick-and-mortar locations during the pandemic forced Emily to dive into the expansive world of online training How Emily chose a unique schooling alternative for her kids, and how it's teaching them entrepreneurial skills Ali's advice on what metrics *really* matter in your business (this may surprise you) And, go learn more about The Trust and Emily! Learn more about The Trust – our modern, premier network for 7+8-figure women entrepreneurs Follow The Trust on Instagram Follow The Trust on Linkedin Learn more about Shift, Set, Go Follow Emily on Instagram Connect with us on social using the hashtag #RewardPodcast and share your key takeaways from this episode!
Love Does Pt5 - Love Continues to the Very End. Message by Luke Bates at The Red Door Community Church.
Time Magazine, CNN, Media Images & Reporting Reflect the Colors of Change.This Week I Take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. In Remembrance of Jimmie Lee Jackson/Selma Marches. Bloody Sunday & The Late Honorable John Lewis (D,GA).In 2023, We are STILL Fighting the Good Fight for Voter's Rights for ALL.I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!!I have attended events Remembering the History, People & Sacrifice.The Fight for Justice Continues Today in 2023 as People Take to the Streets to Voice their Opinions to Help Bring About Change.My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney, then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67.In 1965 ,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital.His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices.© 2023 Building Abundant Success!!© 2023 All Rights Reserved Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBAS Spot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud
It's "Special Guest Appearance" time at the Unnamed Automotive Podcast as Sami and Benjamin are joined by automotive journalist and content creator Michael Banovsky! Michael, from speedster.news and mayidriveyourcar.com is here to talk about cars, city planning, public transportation, and more! This week's episode also includes Benjamin's review of a 2023 BMW X3 M Competition, a luxury SUV with 503 horsepower, three-sport modes, a variety of transmission settings and the least winter-ready snow tires we've ever seen. At $80k, is this BMW X3 going to hit up a track on the way to the grocery store, or is it just drag racing everyone at the stop-light? Then as the guys close the podcast, we get into a deep discussion about snacks and treats, so don't stop listening to the VERY END! Thanks and see you all next week!
"To the Very End"Hebrews 3:7-19To Give Online:https://faithlife.com/tbc-wj/give
The school year may still feel somewhat fresh and new, but did you know? The end is near! No, not necessarily the end of this school year. The Very End. What does this mean? Jesus made it clear that there will be a harvest of souls at the end of time when he comes back. None of us knows exactly when that day will be. That's why our mission of changing lives with the good news of Jesus is ongoing, necessary, and urgent even to the very end. But the good news is Jesus hasn't left us on our own until then. If he did, it would be almost impossible to carry on through the inevitable difficult days we face here on earth. But remember, this isn't mission impossible. It's mission possible! The Great Commission is our Co-mission with Jesus who leaves these words of promise ringing in our ears as we go out into the harvest field of this world, “And surely I am with you always, to the very end of the age.”Support the show
The school year may still feel somewhat fresh and new, but did you know? The end is near! No, not necessarily the end of this school year. The Very End. What does this mean? Jesus made it clear that there will be a harvest of souls at the end of time when he comes back. None of us knows exactly when that day will be. That's why our mission of changing lives with the good news of Jesus is ongoing, necessary, and urgent even to the very end. But the good news is Jesus hasn't left us on our own until then. If he did, it would be almost impossible to carry on through the inevitable difficult days we face here on earth. But remember, this isn't mission impossible. It's mission possible! The Great Commission is our Co-mission with Jesus who leaves these words of promise ringing in our ears as we go out into the harvest field of this world, “And surely I am with you always, to the very end of the age.”Support the show
In today's episode I'm joined by TWO guests in Chris and Jayden to chat about our different opinions regarding GM George Paton's final roster cuts and whether or not we thought waiving Seth Williams and other young players was the right decision. We also talk about Russell Wilson's insane pay day and whether or not HC Nathaniel Hackett should have played him during the pre-season. Stay tuned and listen till the VERY END to hear our keys to victory against the Seattle Seahawks week 1. GREAT EPISODE!
It's Ordinary Time, Proper 16 in the Church Calendar Our general order comes from the Book of Common Prayer (1979) Daily Office and Scripture readings from the Revised Common Lectionary. We'll sing the song “Jesus Lover of My Soul” by Daniel Grul, John Ezzy, and Steve McPherson. We'll then offer a Prayer of Confession. We'll … Continue reading "Until the Very End – Morning Prayer and Worship"
Edited By Jay Saint G Back for another round with all of our fellow #NerdCageLIVE and Friends to tackle and determine once in for all.... WHO ARE THE MOUNT RUSHMORE OF ACTION STARS? Intro: 00:00 @TitanGoji! 00:34 @Tattness : 01:47 Dion of @Off The Beaten Podcast + Life 03:10 @MadMike54 : 04:41 Wes of Reel Talk #1: 06:17 Josh Burris of @Movie Aficionados 08:09 Anthony Marquez: 10:46 @General Fisk Vegas : 11:33 @Pretty Guardian 13:06 Wes Of Reel Talk: 15:04 @Toasty Studios : 16:02 Jay's Halftime: 18:30 Eli Racks of @New York Revival : 20:51 Wes Of Reel Talk #3: 2 2:21 Matthew Farden: 23:52 Chris of @Kamidogu : 24:43 @Yoko Higuchi of @Resistance Pictures : 26:29 Derek "The One Who Nerds: 27:43 Wes of Reel Talk #4 30:00 Joe: 31:02 S tay til the VERY End for a good Laugh! Some additional songs used: "Back The Fuck Up" Written By Fear Factory released by RoadRunner Records "Domination" Written By Pantera released by ATCO Records "Eye Of Tiger" Written by Survivor Covered By @Guitar Tab Lab "Simon Says" written by Pharoahe Monch released by Rawkus Records "Come Together" Written By The Beetles, covered by Soundgarden released by A&M Records Music from "Mortal Kombat 1,2,3,4" written by Dan Forden The greatest hangout spot for all things NERD Culture is over on the Facebook Discussion group known as NERDCAGE NATION! Join over in the link below: https://www.facebook.com/groups/516827829468308 Every Tuesday we play old school and new school games on TWITCH! https://Twitch.TV/NerdCageLive For updates check out our Twitter: https://Twitter.com/Nerd_Cage and on Instagram: https://Instagram.com/Nerd_Cage Logo and Banner designed by Michael Long. Animated Intro and Outro created by Roy Miles "NerdCage LIVE Intro", "NerdCage LIVE Outro", "'NerdCage LIVE on Twitch" and "NerdCage LIVE & Friends" Voiced and Produced by Matthew Farden. Written and edited by Jay Saint G. "Rage In The Cage" Voiced and Produced by Matthew Farden, Written by Jay Saint G visual intro by Jay Saint G with music provided by White Bat Audio. If you want Matthew Farden to voice YOUR work check out his website at: www.matthewfarden.com Music provided by Bensound at www.bensound.com "Rage In The Cage" and "LIVE on Twitch" Bedmusic by Max Brhon - "Humanity" [NCS Release] you can find it here: https://youtu.be/OJhqsUnKUWw Audio Only Podcasts for NerdCage LIVE Available below: Podbean: nerdcagelive.podbean.com Spotify: https://open.spotify.com/show/5D6nUQE8PwgEolfLVahyYK Stitcher: https://www.stitcher.com/s?fid=547026&refid=stpr TuneIn: tunein.com/podcasts/Media--Entertainment-Podcasts/NerdCage-Live-p1337681/?topicId=149341541 Audible: https://www.youtube.com/watch?v=1PvjRIkwIl8 Apple Podcasts: https://podcasts.apple.com/us/podcast/nerdcage-live/id1520077541 iHeartRadio: https://www.iheart.com/podcast/269-nerdcage-live-68316953/ Also now on Pandora! https://www.pandora.com/podcast/nerdcage-live/PC:41155 Write a review of our show here on Podchaser: https://www.podchaser.com/podcasts/nerdcage-live-1312112
Included in this episode: 1. Doctors in Anti-Abortion States Now Have No Idea When They're Allowed to Save a Pregnant Person's Life 2. Shinzo Abe's Formidable Legacy in Japan and the World 3. Shinzo Abe Rewrote Japan's Place in the World. And Remained a Power Broker Until the Very End 4. Russia Angers the World With Space Station War Propaganda .
During this Lenton season, we continue our sermon series, titled Including the Excluded. This week, on Palm Sunday, Pastor Will Kendust discusses the story of Jesus talking with criminals. Tune in to this week's sermon, Reaching Out Until the Very End with Pastor Will Kendust. Scripture: Luke 23: 32-43
Hey everyone WE. ARE. BACK. and with the first very special themed episode — ALL BEATLES!!! Thanks right, ALL SIX SONGS ARE BY THE FAB FOUR! With covers by The Melvins, The Four Tops, Ella Fitzgerald, and more! Listen to my engineer, Dr. Paul Bertolino and talk shop about John, Paul, George, and Ringo.And be sure to listen to the VERY END of this episode a full-circle moment!!! **And please Keep your suggestions coming, send them to DJCrystalClear@me.com, and please leave a fab review on iTunes!
Time Magazine, CNN, Media Images & Reporting Reflect the Colors of Change.This Week I Take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. In Remembrance of Jimmie Lee Jackson & The Late Honorable John Lewis (D,GA).In 2022, We are STILL Fighting the Good Fight for Voter's Rights for ALL.I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!!I have attended events Remembering the History, People & Sacrifice.The Fight for Justice Continues Today in 2020 as People Take to the Streets to Voice their Opinions to Help Bring About Change.My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney, then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67.In 1965,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital.His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices. © 2022 Building Abundant Success!!© 2022 All Rights Reserved Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBAS Spot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBAS
The squad gets naughty and reviews Rowan's picks, SILENT NIGHT, DEADLY NIGHT 1 & 2 (1984/1987). Listen to find out if we award this film a NAY, OKAY, YAY or SLAY! Also listen to the end for a BIG ANNOUNCEMENT and the VERY END for an unfortunate event.Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)* www.cartographme.comSupport the show (https://www.patreon.com/Itslayspodcast)
On this episode: Ode and Maurice discuss the passing of DMX, Usher's Currency, Diddy's hypocrisy, The return of The Talk, the Dark Triad Personality quiz, and much more. DMX Dead at 50 a Week After Star Suffered Heart Attack: 'A Warrior Who Fought Till the Very End': https://people.com/music/dmx-dead-age-50-after-suffering-heart-attack/ No, Usher didn't tip strip-club dancers with fake money: https://www.insider.com/usher-fake-money-strip-club-dancers-tip-explained-debunked-2021-4 USHER FLAMED ON INTERNET FOR ALLEGEDLY THROWING FAKE “USH BUCKS” AT STRIP CLUB: https://thesource.com/2021/04/13/usher-flamed-on-internet-for-allegedly-throwing-fake-ush-bucks-at-strip-club/ Diddy Elicits Torrent of Twitter Responses After Posting Open Letter to Corporate America: https://www.billboard.com/articles/columns/hip-hop/9553412/diddy-open-letter-corporate-america-reactions-criticism Nets' Kyrie Irving Claps Back on Dennis Schröder N-Word on Twitter After Lakers Game Ejection: https://www.bet.com/news/sports/2021/04/12/kyrie-irving-dennis-schroder-n-word-reaction-twitter-lakers-game-ejection.html The Talk Returns Minus Co-Host Sharon Osbourne — Watch Sheryl Underwood's Message to Viewers: https://tvline.com/2021/04/12/the-talk-returns-sharon-osbourne-controversy-video/ Dark Triad: https://openpsychometrics.org/tests/SD3/
Maybe working in philanthropy is like attending a large Thanksgiving family gathering. There are folks you dearly love, folks you put up with, and folks who need a bit of a talking to. Kris Putnam-Walkerly knows this as well as anyone. She is a philanthropic advisor with a long history in the field, and she isn't afraid to tell Uncle Irving that he needs to straighten up and fly right (so to speak). Kris's new book Delusional Altruism: Why Philanthropists Fail To Achieve Change and What They Can Do To Transform Giving addresses the long list of things that prevent philanthropists from succeeding in their work. It's a firm but kind look at how to make a difference. Eric spoke with Kris about her career, her book, and her advice to her colleagues about how to avoid the many pitfalls that philanthropists can avoid as they seek to transform their giving practices. (And if you stick around to the VERY END, you can hear the Let's Hear It theme song performed by its creator John Allee complete with lyrics!)
Maybe working in philanthropy is like attending a large Thanksgiving family gathering. There are folks you dearly love, folks you put up with, and folks who need a bit of a talking to. Kris Putnam-Walkerly knows this as well as anyone. She is a philanthropic advisor with a long history in the field, and she isn't afraid to tell Uncle Irving that he needs to straighten up and fly right (so to speak). Kris's new book Delusional Altruism: Why Philanthropists Fail To Achieve Change and What They Can Do To Transform Giving addresses the long list of things that prevent philanthropists from succeeding in their work. It's a firm but kind look at how to make a difference. Eric spoke with Kris about her career, her book, and her advice to her colleagues about how to avoid the many pitfalls that philanthropists can avoid as they seek to transform their giving practices. (And if you stick around to the VERY END, you can hear the Let's Hear It theme song performed by its creator John Allee complete with lyrics!)
This week the fellas discuss whether it's fair to state music videos have fallen off since the 90's/early 2000s. Also, we discuss our top 5 album covers of all time. Happy Father's Day to all the dads out there! Lastly, listen until the VERY END if you wish to hear some hilarious blooper footage. Be sure to tune in!
The Essential Oil Revolution –– Aromatherapy, DIY, and Healthy Living w/ Samantha Lee Wright
I don't know who needs to hear this but surviving is NOT the same as living. You deserve to feel good, move well, and think clearly, no matter what age you are. I sat down with Tim James this week to talk about that: good health. Tim had chronic eczema, brain fog, and digestive distress for years. It wasn't until he visited a wellness center to support a friend with cancer that he realized how much better his life could be.Since then, Tim has spent his time helping others find their way to better health. His advice covers everything from essential oils toothpaste, to intermittent fasting, to supplements.If you're ready for some practical and actionable steps you can take to heal your body and live better, this episode is for you! Give it a listen now or share it with a friend!You can find Tim's and his products at Chemicalfreebody.com. Use Code REVOLUTION for 5% off his store. (It's at the VERY END of the checkout process) See full show notes for this episode HERE. Leave us a review while you're there.Lookin' for some podcast goodies? I've got ya covered! Shop our t-shirts, swag, and other popular products HERENew to essential oils? Here is my free guide to help you demystify this topic FREE Essential Oils Guide.Our website is www.RevolutionOilsPodcast.comView hundreds of Essential Oil Recipes in our DIY DugoutSign up for my PODCAST NEWSLETTER and you'll get FREE tips on how to live a healthier, more balanced life! Say hello on social. Use the Hashtag #essentialoilrevolutionpodcast so I know you're a friend!FacebookInstagramGrab yourself a freebie here! ---> https://linktr.ee/samleewrightThank you to our amazing sponsors.Heard about a product you'd like to try? View our list of sponsors HERE and help us keep this podcast 100% free!FAQs:Who is Samantha Lee Wright?Which brand of oils do you recommend and why?Is it safe to ingest essential oils? (And other safety concerns)Are essential oils safe for cats? (See safety section)Hey! Thanks for listening. Send me a message & tell me what you think about the show. Leave a review so others can find the show more easily too.xo,Sam
Podcast: Light on Life Season Eight Episode Twenty-Three. Man is a love product of a love God. He was created in love. Man is sustained by love. And, when He comes to know Jesus as His personal Savior, the very love of God is shed abroad in his heart. By that very love of God, we live and move and have our being. […] The post Why It’s Important to Walk in Love to the Very End appeared first on emeryhorvath.com. Related posts: Your Powerful Victory Over Satan the Murderer [Podcast] How to Let the Love of God Dominate Your Life What is the Hidden Power of the Hebrew Alphabet?
If you are like me you tell yourself, I don't know enough about what's going on in the middle east to address this war without sounding Anti Semitic. Nah, I digress children are being dying and I must address the ugly elephant in the middle eastern room. PRESS PLAY and stick around till the VERY END!
Der Zeitgeist spukt, die Wilde 13 wildert, und die Glorreichen 7 feiern Helloween – in der 13. Episode des METAL HAMMER überschlagen sich die Ereignisse! Das pandemische Podcast-Duo Zahn/Kessler arbeitet sich an der Aufgabe ab, zur Feier des Tages 13 Metal-Alben mit einer Dreizehn im Titel zu finden. Ob das klappt, wenn es schon zur Herausforderung wird, weiter als bis Zehn zu zählen? Mystisch wird es bei der Betrachtung der Releases der Woche: Der Zeitgeist geht um bei den neuen Alben von Caliban, The Very End, Myles Kennedy, Dordeduh, Scar Of The Sun, Jess And The Ancient Ones und Debauchery. Freude und Leid liegen nah beieinander in diesem Internet: Während die Kombination aus Metal und Lego für grenzenlosen Spaß sorgt, ziehen Sabaton und Accept mit ihren jüngsten wenig fan-freundlichen Aktionen den Ärger auf sich. Doch das Beste kommt zum Schluss: Helloween sind wieder da, in voller Mannschaftsstärke! METAL HAMMER zelebriert das Reunion-Album des Jahres in der ausführlichen aktuellen Titelgeschichte. Einen Teil daraus bekommt ihr hier zu hören: Autorin Katrin Riedl taucht mit Rückkehrer Kai Hansen tief ein in die Geschichte aus Trennung, Versöhnung und des magischen neuen Albums HELLOWEEN.
Time Magazine, CNN, Media Images & Reporting Reflect the Colors of Change. This Week I Take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. In Remembrance of Jimmie Lee Jackson & The Late Honorable John Lewis (D,GA) I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!! I have attended events Remembering the History, People & Sacrifice. The Fight for Justice Continues Today in 2020 as People Take to the Streets to Voice their Opinions to Help Bring About Change. My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney, then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67. In 1965,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital. His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices. © 2021 Building Abundant Success!! © 2021 All Rights Reserved Join On Me Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBAS Join Me @ Spot Me on Spotify: https://tinyurl.com/yxuy23ba
The Boys Back & Love is in the Air!!!2021 Was Already Off To A Weird Start So We Had To Let The Year Get Settled Before We Hit Y'all With Some New Content. Fret Not As We Here Now, 1 Episode Away From 50. Since V Day Is Fastly Approaching (Yes You Read That Correctly) We Discuss Love Languages, Vulnerability, and Much Much More! From Our Hearts To Your Ears! OH, Make Sure You Listen Till the Very End....You Never Know What We Got In Our Hoodies. (Wink Wink)Its Still A Panoramic So Now More Than Ever, Happiness is Rich, Health is Wealth, Kindness is Currency, and A Peace of Mind is The Real Bag! Stay Safe Family. We Love Y'all!
ALL under the Power of SIN! and the DEVIL, unless we REPENT, to turn away from our ignorant rebellious ways, for ALL have fallen short in the sight of GOD ALMIGHTY the Creator of Heaven and Earth, ELOHIM EL SHADDAI, in JESUS CHRIST THE LORD. ALL in NEED of GOD's SAVING GRACE through JESUS CHRIST ALONE, our Savior, LORD and Eternal KING - JESUS. It is your Time to know the TRUTH for your TOTAL Deliverance and Salvation of your Soul. Powerful Confessions for YOU Precious souls in the Land of the Living - GOD LOVES YOU TOO. From the LOVE of GOD in our FAITH in JESUS CHRIST THE LORD, this is for YOU, receive the POWERFUL WISDOM for your TOTAL FREEDOM in JESUS name. YOU are Loved and Precious in the Sight of GOD, and it is our sinful nature, rebellious physical nature that has made us to ignore GOD's TRUTH, and try to fight against his TRUTH, now take hold of this opportunity for the Salvation of your soul, your family and children if you have, as you take hold of this truth in your Heart by FAITH in Jesus CHRIST our ONLY Salvation and LORD. LISTEN to the VERY END to Possess the POWERFUL inspirations released for to Empower and put you over in the VICTORY of JESUS our returning KING. Remember, Being GOOD Will NOT SAVE YOU - YOU MUST KNOW THIS! JESUS CHRIST THE LORD is the ONLY WAY, TRUTH and LIFE, accepted, believed and Living by FAITH in Jesus Christ, following taking the first BOLD Steps of FAITH in the Finished Works of JESUS CHRIST for our Salvation is the ONLY WAY to be considered GOOD in the Sight of GOD, through our FAITH Alone in JESUS CHRIST we become righteous in the Sight of GOD; and through Living through his HOLY Faith, LOVE and HOPE in JESUS CHRIST, our HOPE in LIFE and Toward GOD are made acceptable before GOD into our Eternal Citizens and Children of the MOST HIGHT GOD in JESUS name. You are included Precious Soul - Its time to take hold of this inspired TRUTH from the POWER and LIGHT of GOD's WORD by FAITH in JESUS. BE BLESSED. Welcome to Kinsman Podcast. Connect and Follow in Faith. Kinsman Podcast is committed to inspiring souls/ Living souls willing to Listen, while we’re still among the Living. For in death is silence evermore. This Podcast is driven by Faith in Jesus Christ the LORD. You are welcome to support Kinsman Podcast by Clicking this Link anchor.fm/boaz-kinsman/support ; ALL Proceeds will go toward growing Kinsman Podcast. Be Blessed. For a one time support paypal.me/boazkinsman Thank You and May God Show Greater Grace on Your Life and Family. Twitter - twitter.com/boazkinsman FOLLOW, SUBSCRIBE and SUPPORT - Don't Forget to Download KINSMAN PODCAST on itunes/Apple Podcast/ Anchor on itunes and other Podcasting Platforms. Also welcome to SUBSCRIBE to KINSMAN PODCAST - YOUTUBE CHANNEL. This Episode is released in the POWER & Authority of JESUS CHRIST, my LORD and Personal Savior - My Eternal Returning KING, He is coming SOON, ACT NOW, BELIEVE the GOSPEL - GOODNEWS of GOD's KINGDOM through JESUS CHRIST the LORD. PEACE in JESUS name. --- Send in a voice message: https://anchor.fm/boaz-kinsman/message Support this podcast: https://anchor.fm/boaz-kinsman/support
Powerful Confessions for YOU - The unbelieving, uncertain, double minded souls in the Land of the Living - GOD LOVES YOU TOO. From the LOVE of GOD in our FAITH in JESUS CHRIST THE LORD, this is for YOU, receive the POWERFUL WISDOM for your TOTAL FREEDOM in JESUS name. YOU are Loved and Precious in the Sight of GOD, and it is our sinful nature, rebellious physical nature that has made us to ignore GOD's TRUTH, and try to fight against his TRUTH, now take hold of this opportunity for the Salvation of your soul, your family and children if you have, as you take hold of this truth in your Heart by FAITH in Jesus CHRIST our ONLY Salvation and LORD. LISTEN to the VERY END to Possess the POWERFUL inspirations released for to Empower and put you over in the VICTORY of JESUS our returning KING. Remember, Being GOOD Will NOT SAVE YOU - YOU MUST KNOW THIS! JESUS CHRIST THE LORD is the ONLY WAY, TRUTH and LIFE, accepted, believed and Living by FAITH in Jesus Christ, following taking the first BOLD Steps of FAITH in the Finished Works of JESUS CHRIST for our Salvation is the ONLY WAY to be considered GOOD in the Sight of GOD, through our FAITH Alone in JESUS CHRIST we become righteous in the Sight of GOD; and through Living through his HOLY Faith, LOVE and HOPE in JESUS CHRIST, our HOPE in LIFE and Toward GOD are made acceptable before GOD into our Eternal Citizens and Children of the MOST HIGHT GOD in JESUS name. You are included Precious Soul - Its time to take hold of this inspired TRUTH from the POWER and LIGHT of GOD's WORD by FAITH in JESUS. BE BLESSED. Welcome to Kinsman Podcast. Connect and Follow in Faith. Kinsman Podcast is committed to inspiring souls/ Living souls willing to Listen, while we’re still among the Living. For in death is silence evermore. This Podcast is driven by Faith in Jesus Christ the LORD. You are welcome to support Kinsman Podcast by Clicking this Link anchor.fm/boaz-kinsman/support ; ALL Proceeds will go toward growing Kinsman Podcast. Be Blessed. For a one time support paypal.me/boazkinsman Thank You and May God Show Greater Grace on Your Life and Family. Twitter - twitter.com/boazkinsman FOLLOW, SUBSCRIBE and SUPPORT - Don't Forget to Download KINSMAN PODCAST on itunes/Apple Podcast/ Anchor on itunes and other Podcasting Platforms. Also welcome to SUBSCRIBE to KINSMAN PODCAST - YOUTUBE CHANNEL. This Episode is released in the POWER & Authority of JESUS CHRIST, my LORD and Personal Savior - My Eternal Returning KING, He is coming SOON, ACT NOW, BELIEVE the GOSPEL - GOODNEWS of GOD's KINGDOM through JESUS CHRIST the LORD. PEACE in JESUS name. --- Send in a voice message: https://anchor.fm/boaz-kinsman/message Support this podcast: https://anchor.fm/boaz-kinsman/support
We Must First Recognize that We Are ALL Born Sinners in Need of GOD's Grace in Jesus From the LOVE of GOD in our FAITH in JESUS CHRIST THE LORD, this is for YOU, receive the POWERFUL WISDOM for your TOTAL FREEDOM in JESUS name. YOU are Loved and Precious in the Sight of GOD, and it is our sinful nature, rebellious physical nature that has made us to ignore GOD's TRUTH, and try to fight against his TRUTH, now take hold of this opportunity for the Salvation of your soul, your family and children if you have, as you take hold of this truth in your Heart by FAITH in Jesus CHRIST our ONLY Salvation and LORD. LISTEN to the VERY END to Possess the POWERFUL inspirations released for to Empower and put you over in the VICTORY of JESUS our returning KING. Remember, Being GOOD Will NOT SAVE YOU - YOU MUST KNOW THIS! JESUS CHRIST THE LORD is the ONLY WAY, TRUTH and LIFE, accepted, believed and Living by FAITH in Jesus Christ, following taking the first BOLD Steps of FAITH in the Finished Works of JESUS CHRIST for our Salvation is the ONLY WAY to be considered GOOD in the Sight of GOD, through our FAITH Alone in JESUS CHRIST we become righteous in the Sight of GOD; and through Living through his HOLY Faith, LOVE and HOPE in JESUS CHRIST, our HOPE in LIFE and Toward GOD are made acceptable before GOD into our Eternal Citizens and Children of the MOST HIGHT GOD in JESUS name. You are included Precious Soul - Its time to take hold of this inspired TRUTH from the POWER and LIGHT of GOD's WORD by FAITH in JESUS. BE BLESSED. Welcome to Kinsman Podcast. Connect and Follow in Faith. Kinsman Podcast is committed to inspiring souls/ Living souls willing to Listen, while we’re still among the Living. For in death is silence evermore. This Podcast is driven by Faith in Jesus Christ the LORD. You are welcome to support Kinsman Podcast by Clicking this Link anchor.fm/boaz-kinsman/support ; ALL Proceeds will go toward growing Kinsman Podcast. Be Blessed. For a one time support paypal.me/boazkinsman Thank You and May God Show Greater Grace on Your Life and Family. Twitter - twitter.com/boazkinsman FOLLOW, SUBSCRIBE and SUPPORT - Don't Forget to Download KINSMAN PODCAST on itunes/Apple Podcast/ Anchor on itunes and other Podcasting Platforms. Also welcome to SUBSCRIBE to KINSMAN PODCAST - YOUTUBE CHANNEL. This Episode is released in the POWER & Authority of JESUS CHRIST, my LORD and Personal Savior - My Eternal Returning KING, He is coming SOON, ACT NOW, BELIEVE the GOSPEL - GOODNEWS of GOD's KINGDOM through JESUS CHRIST the LORD. PEACE in JESUS name. --- Send in a voice message: https://anchor.fm/boaz-kinsman/message Support this podcast: https://anchor.fm/boaz-kinsman/support
If YOU CONFESS in your MOUTH and BELIEVE in YOUR HEART - POWER UNLEASHED FOR YOUR FREEDOM From the LOVE of GOD our Heavenly Father in our FAITH in JESUS CHRIST THE LORD, this is for YOU, receive the POWERFUL WISDOM for your TOTAL FREEDOM in JESUS name. YOU are Loved and Precious in the Sight of GOD, and it is our sinful nature, rebellious physical nature that has made us to ignore GOD's TRUTH, and try to fight against his TRUTH, now take hold of this opportunity for the Salvation of your soul, your family and children if you have, as you take hold of this truth in your Heart by FAITH in Jesus CHRIST our ONLY Salvation and LORD. LISTEN to the VERY END to Possess the POWERFUL inspirations released for to Empower and put you over in the VICTORY of JESUS our returning KING. Remember, Being GOOD Will NOT SAVE YOU - YOU MUST KNOW THIS! JESUS CHRIST THE LORD is the ONLY WAY, TRUTH and LIFE, accepted, believed and Living by FAITH in Jesus Christ, following taking the first BOLD Steps of FAITH in the Finished Works of JESUS CHRIST for our Salvation is the ONLY WAY to be considered GOOD in the Sight of GOD, through our FAITH Alone in JESUS CHRIST we become righteous in the Sight of GOD; and through Living through his HOLY Faith, LOVE and HOPE in JESUS CHRIST, our HOPE in LIFE and Toward GOD are made acceptable before GOD into our Eternal Citizens and Children of the MOST HIGHT GOD in JESUS name. You are included Precious Soul - Its time to take hold of this inspired TRUTH from the POWER and LIGHT of GOD's WORD by FAITH in JESUS. BE BLESSED. Welcome to Kinsman Podcast. Connect and Follow in Faith. Kinsman Podcast is committed to inspiring souls/ Living souls willing to Listen, while we’re still among the Living. For in death is silence evermore. This Podcast is driven by Faith in Jesus Christ the LORD. You are welcome to support Kinsman Podcast by Clicking this Link anchor.fm/boaz-kinsman/support ; ALL Proceeds will go toward growing Kinsman Podcast. Be Blessed. For a one time support paypal.me/boazkinsman Thank You and May God Show Greater Grace on Your Life and Family. Twitter - twitter.com/boazkinsman FOLLOW, SUBSCRIBE and SUPPORT - Don't Forget to Download KINSMAN PODCAST on itunes/Apple Podcast/ Anchor on itunes and other Podcasting Platforms. Also welcome to SUBSCRIBE to KINSMAN PODCAST - YOUTUBE CHANNEL. This Episode is released in the POWER & Authority of JESUS CHRIST, my LORD and Personal Savior - My Eternal Returning KING, He is coming SOON, ACT NOW, BELIEVE the GOSPEL - GOODNEWS of GOD's KINGDOM through JESUS CHRIST the LORD. PEACE in JESUS name. --- Send in a voice message: https://anchor.fm/boaz-kinsman/message Support this podcast: https://anchor.fm/boaz-kinsman/support
Jeremy is filled with rage over a computer issue. Ashley gets VERY honest. Erik has a new song and the gang breaks down a gem from 2019 "The Lodge". OH and we play Jeremy's Song at the VERY END and its a strait banger.
Merry Christmas to you! Do you have traditions for the holiday season? Are there certain special things you do each year? Well, there is something really, really important that I don't want you to forget. In this episode, I discuss the 2 most important things you need to remember during this Christmas season! Make sure to listen to the VERY END of this episode for a special treat!
This week, Nate sat down with his former personal finance professor Barry Hawn to chat all things money. Barry shares his past ventures, things he learned and what its like to teach money at the post secondary level. It really is a fun and informative interview that we know you guys will love so listen to the VERY END!
Arriving back to the states has C.O. wondering whether he has entered an episode of the twilight zone with the likes of the Corona virus and BLM fallout...The fellas also discuss their personal successes with the publishing of their books, “Memoirs from Within” by Clyde Oliver and “Til the Very End” by Dr. Stewart Proctor --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/coandthedoctor/message Support this podcast: https://anchor.fm/coandthedoctor/support
Competition Alert! Coach Adam Bilodeau (@billyduke33) is back along with Haley Jones (@haleynothailee) making her podcast debut. They have devised a competition in response to the "Belts, Wraps, & Straps" episode where they will be performing the following workout for time:"Billy Jones"For time:30 Pull Ups20 Chest to Bar Pull Ups10 Muscle UpsHaley will be going sans chalk, Adam will be using chalk. We will live-stream this on the @betterfasterpodcast instagram this Friday at 12:00 PM (ET).Be sure to stick around to the VERY END of the episode where Adam discusses the science of chalk and the hookgrip.Join the Patreon!patreon.com/betterfastercasesSupport the show (http://paypal.me/betterfasterpod)
This Week I take Time to Reflect & Just Breathe. Also Reflect of Things Happening in Our World. Time Magazine's, CNN, & Media Images & Reporting Reflect the Colors of Change. I have been Blessed to Meet, Learn, Train & Work along side of Several Civil Rights Icons. On of them was the Late The Honorable John Lewis (D,GA) who Fought & Marched in 2020 to the Very End!! I have attended events Remembering the History, People & Sacrifice. The Fight for Justice Continues Today in 2020 as People Take to the Streets to Voice their Opinions to Help Bring About Change. My Guest this Week was asked to join the Selma March in Alabama in 1965 by Dr. Martin Luther King. His name: Joseph Cooney, then a newly ordained Priest. He also worked with SCLC in the Voters Registration Summers of 1966-67. In 1965,State Troopers Clashed with Citizens marching to Montgomery, Alabama to petition the state for African-American's Right to Vote. Many lives would change in this fight. Some lives both Black & White lost. The March from Selma to Montgomery was inspired by the death of Jimmie Lee Jackson was a civil rights activist in Marion, Alabama, and a deacon in the Baptist church. On February 18, 1965, while participating in a peaceful voting rights march in his city, he was beaten by troopers and shot by Alabama State Trooper John Bonard Fowler Jackson was unarmed and died eight days later in the hospital. His death was part of the inspiration for the Selma to Montgomery marches in March 1965, a major events in the American Civil Rights Movement that helped gain Congressional passage of the Voting Rights Act of 1965. This opened the door to millions of African Americans being able to vote again in Alabama and across the South, regaining participation as citizens in the political system for the first time since the turn of the 20th century, when they were disenfranchised by state constitutions and discriminatory practices. © 2020 Building Abundant Success!! © 2020 All Rights Reserved Join On Me Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBAS Join Me @ Spot Me on Spotify: https://tinyurl.com/yxuy23ba
Dean - O - Files and I celebrate my 100th. episode, since it's his fault for making this show a thing in the first place... We discuss our love for cats, the creative process, Dean's intro to art, being content with not being the best at things, crypto and the death of fiat, protecting your privacy, practicing law in a free society, and then some. Stay tuned for the VERY END of the show for a special surprise ;-) Keep up with @DeanOFiles My lovelies: @mail_bomb @PeterRQuinones @scotthortonshow @Antiwarcom @SallyMayweather @CrowdFundedGov @BroHistoryPod @BitingBulletPod @jenniferm_q @WKPAnCap @Kyaaale @LibertyMugs @FAGCAST @TastingAnarchy @EricTheRed79 @UnknownLone @SLLPodcast @elaprise @IKCtribe @ChloeAnagnos
Welcome back hourlies! Just the Jacob here today with all sorts of news about Disney Plus shows, Rise of the Skywalker trailer, Kingdom Hearts mangas, Gamestop cutting employees, Mario Kart Tours, and a Megaman Zero Collection. Website: http://justanotherhour.podbean.com Email: justanotherhourpodcast@gmail.com Youtube: https://www.youtube.com/channel/UC03IT5O2xeEevIErwHPgFpw Twitter: @JAHgamingpod Instagram: @JAHgamingpod Music by DJ Cutman http://djcutman.music.com Featuring: Diggin Till the Very End, VOL IV
The CHRILLCAST Ep. #16 [Feat. Steven Crowder*] "CHRILLCAST PLUS" #CHRILLCAST #LouderWithCrowder #StevenCrowder #TheQuartering #Activision #CrashTeamRacing Chris and Will discuss the following Topics: 1. CHRILLCAST PLUS Announcement 2. Latest Pickups / Currently Playing / Games, Books, Movies etc. 3. Activision (Lies, Microtransactions, General Discussion) 4. EA and Star Wars 5. Board Game Discussions Coming Soon (Ep. 17?) 6. Halo Infinite (Rumors and General Discussion) 7. Pokemon Sword and Shield Controversy 8. Nintendo Switch Pro Model *- - IMPORTANT - - IMPORTANT - - IMPORTANT - -* *The Steven Crowder clip is at the VERY END of the video, and is followed by a clip from TheQuartering. *- - IMPORTANT - - IMPORTANT - - IMPORTANT - -* Please LIKE, COMMENT & SUBSCRIBE! ---------------------------------------------------------------------------------------------------------- Our YouTube Channels: The CHRILLCAST https://www.youtube.com/channel/UCzKD-dI8ChVl64pLdACL9Gg The CHRILLCAST PLUS https://www.youtube.com/channel/UCcJX3JC4DS6czuieFc33nYg AMBIENT UNBOXING https://www.youtube.com/channel/UCZO4mJA9FJrFBnSUmY6NzrA ---------------------------------------------------------------------------------------------------------- Our Podcast Links: iTunes Podcast: https://podcasts.apple.com/us/podcast/the-chrillcast/id1477643460 Google Play: https://play.google.com/music/podcasts/portal/u/1#p:id=playpodcast/series&a=1352605196 Spotify: https://open.spotify.com/show/0Q9MALPnHmg5EEpeTLVvH0?si=FK5n2rg_Sme_NBmd0L2SqA Tune In: https://tunein.com/podcasts/Sports--Recreation-Podcasts/The-CHRILLCAST-p1243784/ Anchor.FM https://anchor.fm/chrillcast ---------------------------------------------------------------------------------------------------------- OTHER LINKS: Facebook https://www.facebook.com/CHRILLCAST Twitter: https://www.twitter.com/CHRILLCAST Reddit: https://www.reddit.com/r/CHRILLTUBE
Er ist ein Szenemacher vor und hinter den Kulissen: Ex-Night In Gales Frontman Björn Gooßes kennt man heute zum einen über seine Bands Harkon und The Very End, vor allem aber als Designer von großartigen Artworks unter dem Banner Killustrations. Zusammen mit zwei befreundeten Künstlern stellt er seine Arbeit derzeit als Künstler-Kollektiv "Painted In Blood" auf zahlreichen Festivals aus. Ich wollte ein wenig mehr über seine Arbeit erfahren und schloß mich mit ihm telefonisch kurz.
So Coryn and I have known each other for about 3 minutes of our lives and we sit down to have a trusting, meaningful conversation about life in recovery and it’s AWESOME!! Ego is not your Amigo! Coryn says she walks through life now with grace and dignity...sounds like values EVERY father hopes for his daughter to possess. I know that’s an image I have in my mind for my daughter. Coryn lights up when she speaks about her brother Bryan...this dude seems like an awesome brother and I can tell how much she cares for him. She’s quite frank in saying that service work helps her to stay alive...AMEN! We both agree that Small groups are very important and meaningful to us. She says she is an alcoholic because she has an allergy to booze and she can’t take one sip of alcohol in safety...she TRULY BELIEVES THIS!! We talk about our experience with drugs and being an addict and what it looks like for her. Drugs are a part of both of our stories and hopefully someone out there can be helped by listening to the honest conversation we have about drugs during this podcast episode. Coryn gracefully shares her story and she is really great at communicating. It’s truly a JOY to spend time with her. This is her story....enjoy ! - - - Play until the Very End for a couple out takes from the recording
In this installment of April's Fools, Dan and Jon wax poetic about 1992's Brain Donors, a Marx Brothers homage set in the ballet world. Not only do they brainstorm sequels, prequels, etc, but stay tuned until the VERY END for a GREAT surprise.Next Episode: ¡Three Amigos!
This episode covers part 3 of the 4-part HBO series. For our take on Part 1, [go here!](https://www.truecrimeobsessed.com/episodes/77-the-case-against-adnan-syed-part-1) For our take on Part 2, [go here!](https://www.truecrimeobsessed.com/episodes/78-the-case-against-adnan-syed-part-2) **And stay tuned till THE VERY END of the episode to hear a preview of our interview with Rabia Chaudry. ** In part 3, Adnan’s 2016 appeal draws to a close, his family and attorneys brace for a ruling that could result in a new trial and hope for an acquittal 20 years after Hae Lee’s murder. **AND GET READY FOR MIND BLOWING NEW INFORMATION TO BE PRESENTED IN REAL TIME TO JEN AND CHRISTY--INFORMATION THAT COULD COMPLETELY DESTROY THE STATE'S THEORY OF THE CASE! ** Directed by Academy Award nominee Amy Berg, "The Case Against Adnan Syed" explores the 1999 disappearance and murder of 18-year-old Baltimore County high school student Hae Min Lee, and the subsequent conviction of her ex-boyfriend, Adnan Syed, a case brought to global attention by the hugely popular "Serial" podcast. * * * **[Looking for more TCO?](https://www.patreon.com/TrueCrimeObsessed)** To hear our brand new interview with **Rabia Chaurdry**, our interview with **Asia Mcclain**, and our episode-by-episode coverage of **"Serial,"** [become a TCO Patron for just $5 per month!](https://www.patreon.com/TrueCrimeObsessed) You'll instantly get all this PLUS over 60 other full bonus episodes including our episode-by-episode coverage of **"The Jinx," "Making A Murderer," and "The Staircase." [Join Here!](https://www.patreon.com/TrueCrimeObsessed)** [COME TO OUR PRIDE SHOW! ](https://www.ticketcentral.com/online/default.asp?doWork%3A%3AWScontent%3A%3AloadArticle=Load&BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Aarticle_id=A74DEEBB-2C77-46E7-AF9E-71AAC002452B&BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Apromocode_access_code=TCOPRIDE) Come hang with us in NYC on the 50th Anniversary of The Stonewall Riots! It will be one of our most special and memorable live shows to date! [Get tickets here!](https://www.ticketcentral.com/online/default.asp?doWork%3A%3AWScontent%3A%3AloadArticle=Load&BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Aarticle_id=A74DEEBB-2C77-46E7-AF9E-71AAC002452B&BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Apromocode_access_code=TCOPRIDE) **To learn about our sponsors AND GET OUR PROMO CODES,** **[Click here!](https://www.truecrimeobsessed.com/get-our-promo-codes)** This Week's Palate cleanser is "Otto Titsling" from the film Beaches.
On this episode of The Wanger Show, the boys breakdown the travesty that was Super Bowl whatever number it was, the L one, right? They talk about the game overall, the halftime show that completely missed the opportunity to deliver a great callback to a great show/song and some of the trailers, kind of. The best part, however, the VERY END of the show which was a shit storm and it was hilarious. Christian also talks about how great Resident Evil 2 truly as and basically talks about the series overall and how amazing it is. He also briefly discusses True Detective season 3. Two of the boys saw Velvet Buzzsaw and give you their takes on the film and Brian talks about Wayne BECAUSE NO ONE IS TALKING ABOUT WAYNE ON YOUTUBE. And to top off the rest of the show, they answer questions from their Discord. YOU KNOW WHAT YOU DID ALEX.
Happy New Year Choisters! Oh How I've missed you!! 'Tis a new season of Choi Says!! So excited! I hope you all had a great time with your loved ones and got to relax a little and get away from the daily hustle… We are back full force! This week, I talk about the importance of gratitude and the benefits it can have on you. _*****Sorry about the Robot Voice in TWO SPOTS on this episode! Please excuse my robot voice on 3:24-3:38 and at the VERY END!!! Just trying to keep you on your toes!*****_ Below are a couple of great articles I mention in the episode. Please make sure you take the time to read it! [](https://greatergood.berkeley.edu/article/item/why_gratitude_is_good)[Robert Emmons - Why Gratitude is Good [Greater Good]](https://greatergood.berkeley.edu/article/item/why_gratitude_is_good) [](ttps://www.forbes.com/sites/amymorin/2014/11/23/7-scientifically-proven-benefits-of-gratitude-that-will-motivate-you-to-give-thanks-year-round/#79073b21183c)[Amy Morin - 7 Scientifically Proven Benefits of Gratitude [Forbes]](https://www.forbes.com/sites/amymorin/2014/11/23/7-scientifically-proven-benefits-of-gratitude-that-will-motivate-you-to-give-thanks-year-round/#79073b21183c) I am so extremely thankful for all of you and your support. Let's have an AMAZING and FULFILLING 2019 with LOTS OF GRATITUDE!!!!
What do you do... when the work you love is created by a racist? Or when a work is misogynistic? We dip our toe into the new criticism to talk about the role between creative works, their creators, and fans in fandom... and hopefully aren't problematic ourselves along the way! It's the holidays, which means we are taking a break, AND making time to plan for a great new season! Next season starts next week with a 100th episode extravaganza! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
Do fans really vote with their dollars, in terms of endorsing creator behaviour? And can fans just enjoy a thing without projecting criticism (positive or negative) onto it? We're going to try to argue one way or the other (well, we'll definitely succeed at the arguing part). It's the holidays, which means we are taking a break, AND making time to plan for a great new season! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
To celebrate the 300th episode of The JV Club, JV is joined by Say Hi’s Eric Elbogen! Eric, of course, is the reason for the very existence of The JV Club’s theme song, “Back Before We Were Brittle!” Before some excessive mutual fawning (don’t worry- it’s at the VERY END), Eric and JV talk living rooms, first guitars, and the indignities of class team presentations in this special 300th Episode Non-Boy-of-Summer!
Long ago in a distant land, we, the Nickscast, reminisced about the changing landscape of anime fandom from time immemorial to the present, and, in particular, the rivalry of subtitled and dubbed anime... and why it was never about either format. We're back with new content and a new season starting next week! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
When you've got nothing else to argue about, why not be pedantic on the internet? For once, T and Z are not arguing against each other but instead, trying to dig into the etymological and psychological distinction between Anime fan and Otaku. G avoids bringing up Japanimation... crap. We're taking a short break between seasons, but the content still keeps coming! All this in 15 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
When you've got nothing else to argue about, why not be pedantic on the internet? For once, T and Z are not arguing against each other but instead, trying to dig into the etymological and psychological distinction between Anime fan and Otaku. G avoids bringing up Japanimation... crap. We're taking a short break between seasons, but the content still keeps coming! All this in 15 minutes or less! Sources Opening music, "Diggin' til the Very End" by Dj CUTMAN used under CC BY-NC-SA 3.0 Ending music, "Bounty Hunter" by Dj CUTMAN used under CC BY-NC-SA 3.0
How exactly does one find themselves sitting on a toilet in Japan, looking back on a life of Sailor Moon, Akira Toriyama, and Chrono Trigger? We have quite the story to tell as Nick G and Greg talk about growing up as a fan of Chrono Trigger, its influence on Greg's life, and a little bit about Dragonball, Final Fantasy, and Akira Toriyama along the way! ## Where can I learn more about Greg Werner? If you want to learn more about Greg Werner and his work, you can check out: - YouTube: [ochimusha108](http://youtube.com/ochimusha108) - Twitter: [@ochimusha108](https://twitter.com/ochimusha108) - One Piece Podcast: [onepiecepodcast.com](http://www.onepiecepodcast.com/) - One Piece Official Website: [one-piece.com/special/greg](https://one-piece.com/special/greg) ## What is [the Race Against Time (IV)](http://raceagainsttime.io)? > Now in its fourth year running, the Race Against Time is an annual charity marathon to raise money for the Alzheimer Society of Canada by beating the SNES classic, Chrono Trigger, as many times as possible in 24 hours. This year, the event is running every week until August 11 and 12 for the main event (see website for detailed schedule). > > Alzheimer's is a terrible disease that slowly robs those afflicted of their memories, and, eventually, their very sense of being. We are racing to help preserve those memories of loved ones and for a cure to stop it once and for all! > > All donations go directly to the Alzheimer Society of Canada. You can donate right now at [raceagainsttime.io/donate](http://raceagainsttime.io/donate)! ## Sources - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
How exactly does one find themselves sitting on a toilet in Japan, looking back on a life of Sailor Moon, Akira Toriyama, and Chrono Trigger? We have quite the story to tell as Nick G and Greg talk about growing up as a fan of Chrono Trigger, its influence on Greg's life, and a little bit about Dragonball, Final Fantasy, and Akira Toriyama along the way! Where can I learn more about Greg Werner? If you want to learn more about Greg Werner and his work, you can check out: YouTube: ochimusha108 Twitter: @ochimusha108 One Piece Podcast: onepiecepodcast.com One Piece Official Website: one-piece.com/special/greg What is the Race Against Time (IV)? > Now in its fourth year running, the Race Against Time is an annual charity marathon to raise money for the Alzheimer Society of Canada by beating the SNES classic, Chrono Trigger, as many times as possible in 24 hours. This year, the event is running every week until August 11 and 12 for the main event (see website for detailed schedule). > > Alzheimer's is a terrible disease that slowly robs those afflicted of their memories, and, eventually, their very sense of being. We are racing to help preserve those memories of loved ones and for a cure to stop it once and for all! > > All donations go directly to the Alzheimer Society of Canada. You can donate right now at raceagainsttime.io/donate! Sources Opening music, "Diggin' til the Very End" by Dj CUTMAN used under CC BY-NC-SA Ending music, "Bounty Hunter" by Dj CUTMAN used under CC BY-NC-SA
Is this action, adventure, or... romance? Whatever genre this is, its definitely a podcast, and T and Z are at each others throats defending some very (unimportant) opinions about what genres are and if they're still needed (they are not). All this in 30 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
Is this action, adventure, or... romance? Whatever genre this is, its definitely a podcast, and T and Z are at each others throats defending some very (unimportant) opinions about what genres are and if they're still needed (they are not). All this in 30 minutes or less! Sources Opening music, "Diggin' til the Very End" by Dj CUTMAN used under CC BY-NC-SA Ending music, "Bounty Hunter" by Dj CUTMAN used under CC BY-NC-SA
Super AntiChrist Boogeyman! The Abomination that causes Desolation! The Beast! The Rebuilt Temple in Jerusalem! All these thing bring forth images of the End of Days. True. But they are not the End, but the transition to a new beginning. Sadly, many Christians read Yeshua's words in Matthew 24 and lack the crucial background to understand exactly what Yeshua is referring to. The Sign of the Beginning of the End, the Sign of the Middle of the End, and the Sign of the Very End - the Sign of the Son of Man. Be prepared to be challenged in your traditional church thinking!
At the outset of this season, we narrowly missed the chance to have Andy on the show to talk about fans of ReBoot (as he suggested the topic in the first place!) but now, all is right with the world as G and Z dig a bit deeper into ReBoot fandom with him! All this in... under an hour? Not bad! ## Where can I learn more about Andy? You can learn more about Andy Spiteri through his work at [Zelda Dungeon](https://www.zeldadungeon.net)! Or, you can listen to the [Champion's Cast](http://pod.zeldadungeon.net/), Zelda Dungeon's podcast that comes out every week. Haven't got enough Andy?? Check him out on Twitter: [@Spiteri316](http://twitter.com/spiteri316) **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
If elected, T will ensure that all fans, no matter what they believe, will be able to walk around with Dakimakura in public, without being ridiculed. If Z is elected, only the true fans will be allowed to follow their manifest destiny in the world of fandom. G eats a sandwich. Pandemonium ensues? This week, we're talking about how far fandom has (or hasn't) come into the mainstream and what any of that means! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
What if you were listening to the latest episode in Dolby Surround 11.1 (that's right, this one goes to 11.1)!? Well, probably nothing, but we're sure someone out there would care. This week, we're talking about ~~the highest~~ super high definition displays, and unearthing why folks care so much about 4k resolution! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
Out of all the games on all the consoles in all the world, this one walked onto mine. This week, we're talking about the re-release of the remastered _Secret of Mana_! Why did Square Enix release it over its contemporaries? And what's the deal with video game re-releases anyway? All this in 20 minutes or less! **Sources** - ["Ringing Phone Sound"](http://soundbible.com/1868-Ringing-Phone.html) by Mike Koenig used under [CC BY 3.0](https://creativecommons.org/licenses/by/3.0/) - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
We're kind of done with the LNC's antics. The reign of Kryssie continues even though it seems like one of their own will be walking out of the abyss and into obscurity this Wednesday. Brett and Danielle recap the week, wonder what Jason is even doing here and try to apply some psychological theories to what's going on in the house. Also, be sure to listen to the VERY END as your valiant hosts make a plea for America to find its lost Julie Chen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Week 6 of the high school football season is here, and we breakdown some critical match-ups on both sides of the river! Who can make sense of the Western Big 6?!? Can Moline continue winning ways vs. Quincy? Bettendorf & Assumption continue to roll along, and an important district showdown between North Scott and Clinton. Geneseo and Sterling on a NIB-12 collision course, the Three Rivers and the Lincoln Trails may be two of the best small school conferences in the state, and Louisa-Muscatine riding high off upset win! And if you're a Mid County Cougars fan, listen to the VERY END! See ya on the sidelines! Twitter and Instagram- @TheScoreWQAD
I missed you, did you miss me?Make sure you listen to the VERY END end of this episode - especially if you've been hired to work in a coworking space. We want to hear from you...and this episode explains why.Previous episodes and links mentioned in this episode:http://coworkingweekly.com/http://coworkingafrica.com/Live from Coworking EuropeWhat happened when I realized I needed to hire help at Indy HallOh pretty please, would you leave a review on iTunes?Reading your reviews make my day, and I want to get back in the routine of reading some reviews on the show. So if you're as excited that the show is back as I am to BE back...drop a quick review in iTunes? THANK YOU!!hugs & high fives,-Alex Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
01 – Jessie Galante – “Go On Rain On Me” 02 – Sweet Venom – “Umbrella” 03 – Lisa Redford – “Call Me” 04 – August 83 – “Pages In Between” 05 – Kathleen Kolman – “Until the Very End” 06 – Jeanne Marie Boes – “A Seasoned Heart (live)” 07 – Veronica Clayton – “I Can Feel It” http://bit.ly/wr-plug-37 (Active at 00:00 PST on Wed. Feb. 16th 2011)
Alderpod #26 – Chapter 23: Betrayal in the Key of G I am just about back on a biweekly schedule again with the remaining chapters of The Aldersgate! This is cause for celebration. Up to Chapter 23 already, which is a scarce six from the Very End. How’d that happen? I hope you do enjoy! […]
Meandering Mouse and Meandering Mouse Club TV-(AUDIO and VIDEO) Disney Park Fun
**Headphones A Must** Be Sure to listen to the VERY END of this one. It's time for some live from Walt Disney World Meanderings!! This has to be my all-time favorite live in the park meandering show as it covers Disney's Animal Kingdom at night along with a walk around The World Showcase promenade for some reviews of The Food and Wine Festival. That's right, it's your chance to drink and eat your way around the world with The Meandering Mouse. This show ends with the best recording I've ever captured of Illuminations: Reflections of Earth. It's an wonderful piece of audio that you will really enjoy. At the VERY END of this show you'll hear me get stopped in the park by a fan once again...great stuff!! It was really windy at The Animal Kingdom that night and I was turning my head quite a bit while narrating....I apologize for that but the material more than makes up for it...trust me on this. Thanks to everyone that has made donations to The Meandering Mouse and The Disney Podcast Network thru the show website! Website at: www.meanderingmouse.com Email: podcast@meanderingmouse.com - Voice Mail: 713-893-3866 - Discuss at The Disney Podcast Network: www.disneypodcastnet.com
Aller guten Dinge sind (mindestens) Drei. Im Eternity Metal Podcasts gibts heute feinste Kost von- Execrate (www.execrate.de)- The Very End (www.theveryend.net)- Bleeding Horizon (www.bleeding-horizon.tk) und- Legacy Of Hate (www.legacyofhate.at)Diesmal zwar wieder etwas kürzer, aber Metal technisch mit nicht weniger herausragendem Stuff. Turn up the Volume and listen to the hard side!
Out of all the games on all the consoles in all the world, this one walked onto mine. This week, we're talking about the re-release of the remastered _Secret of Mana_! Why did Square Enix release it over its contemporaries? And what's the deal with video game re-releases anyway? All this in 20 minutes or less! **Sources** - ["Ringing Phone Sound"](http://soundbible.com/1868-Ringing-Phone.html) by Mike Koenig used under [CC BY 3.0](https://creativecommons.org/licenses/by/3.0/) - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
If elected, T will ensure that all fans, no matter what they believe, will be able to walk around with Dakimakura in public, without being ridiculed. If Z is elected, only the true fans will be allowed to follow their manifest destiny in the world of fandom. G eats a sandwich. Pandemonium ensues? This week, we're talking about how far fandom has (or hasn't) come into the mainstream and what any of that means! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
How exactly does one find themselves sitting on a toilet in Japan, looking back on a life of Sailor Moon, Akira Toriyama, and Chrono Trigger? We have quite the story to tell as Nick G and Greg talk about growing up as a fan of Chrono Trigger, its influence on Greg's life, and a little bit about Dragonball, Final Fantasy, and Akira Toriyama along the way! ## Where can I learn more about Greg Werner? If you want to learn more about Greg Werner and his work, you can check out: - YouTube: [ochimusha108](http://youtube.com/ochimusha108) - Twitter: [@ochimusha108](https://twitter.com/ochimusha108) - One Piece Podcast: [onepiecepodcast.com](http://www.onepiecepodcast.com/) - One Piece Official Website: [one-piece.com/special/greg](https://one-piece.com/special/greg) ## What is [the Race Against Time (IV)](http://raceagainsttime.io)? > Now in its fourth year running, the Race Against Time is an annual charity marathon to raise money for the Alzheimer Society of Canada by beating the SNES classic, Chrono Trigger, as many times as possible in 24 hours. This year, the event is running every week until August 11 and 12 for the main event (see website for detailed schedule). > > Alzheimer's is a terrible disease that slowly robs those afflicted of their memories, and, eventually, their very sense of being. We are racing to help preserve those memories of loved ones and for a cure to stop it once and for all! > > All donations go directly to the Alzheimer Society of Canada. You can donate right now at [raceagainsttime.io/donate](http://raceagainsttime.io/donate)! ## Sources - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
Do fans really vote with their dollars, in terms of endorsing creator behaviour? And can fans just enjoy a thing without projecting criticism (positive or negative) onto it? We're going to try to argue one way or the other (well, we'll definitely succeed at the arguing part). It's the holidays, which means we are taking a break, AND making time to plan for a great new season! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
At the outset of this season, we narrowly missed the chance to have Andy on the show to talk about fans of ReBoot (as he suggested the topic in the first place!) but now, all is right with the world as G and Z dig a bit deeper into ReBoot fandom with him! All this in... under an hour? Not bad! ## Where can I learn more about Andy? You can learn more about Andy Spiteri through his work at [Zelda Dungeon](https://www.zeldadungeon.net)! Or, you can listen to the [Champion's Cast](http://pod.zeldadungeon.net/), Zelda Dungeon's podcast that comes out every week. Haven't got enough Andy?? Check him out on Twitter: [@Spiteri316](http://twitter.com/spiteri316) **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
When you've got nothing else to argue about, why not be pedantic on the internet? For once, T and Z are not arguing against each other but instead, trying to dig into the etymological and psychological distinction between Anime fan and Otaku. G avoids bringing up Japanimation... crap. We're taking a short break between seasons, but the content still keeps coming! All this in 15 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
What if you were listening to the latest episode in Dolby Surround 11.1 (that's right, this one goes to 11.1)!? Well, probably nothing, but we're sure someone out there would care. This week, we're talking about ~~the highest~~ super high definition displays, and unearthing why folks care so much about 4k resolution! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
Long ago in a distant land, we, the Nickscast, reminisced about the changing landscape of anime fandom from time immemorial to the present, and, in particular, the rivalry of subtitled and dubbed anime... and why it was never about either format. We're back with new content and a new season starting next week! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
Is this action, adventure, or... romance? Whatever genre this is, its definitely a podcast, and T and Z are at each others throats defending some very (unimportant) opinions about what genres are and if they're still needed (they are not). All this in 30 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA](https://creativecommons.org/licenses/by-nc-sa/3.0/)
What do you do... when the work you love is created by a racist? Or when a work is misogynistic? We dip our toe into the new criticism to talk about the role between creative works, their creators, and fans in fandom... and hopefully aren't problematic ourselves along the way! It's the holidays, which means we are taking a break, AND making time to plan for a great new season! Next season starts next week with a 100th episode extravaganza! All this in 20 minutes or less! **Sources** - Opening music, ["Diggin' til the Very End"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/) - Ending music, ["Bounty Hunter"](http://music.djcutman.com/album/volume-iv) by Dj CUTMAN used under [CC BY-NC-SA 3.0](https://creativecommons.org/licenses/by-nc-sa/3.0/)
The Nation is back doing it how we do focusing on washing your asses properly, AEW TV, Rich kills AEW for the Pac/Page disaster, Double Or Nothing Preview, Kabuki Warriors Rant by James at the VERY END after Rich's wrap up, Kofi vs Seth vs Becky, Alexa's Injuries, & Lars For patreon subscribers. There was an error in recording SIDELINED. Please contact Rich to let him know what he can substitute for it. Support this podcast at — https://redcircle.com/social-suplex-podcast-network/donations