Podcasts about wattstax

For our 50th episode (

Référence au terme « soul food », la cuisine du Sud des USA, chez les Noirs bien sûr. On rappelle que c’est le Black History Month même s’il touche à sa fin (février). Au menu, pour commencer, Bodycount et Eazy E, Klymaxx, Lyn Collins par la suite. On embraye avec les Bar Kays au festival Wattstax, Public […] L'article Maggot Brain – Nourriture de l’âme est apparu en premier sur Radio Campus Tours - 99.5 FM.

durée : 00:56:01 - Affaires sensibles - par : Fabrice Drouelle - Chronique du black power - réalisé par : Fabrice Laigle

Jams Of The Year, consacré à l'année exceptionnelle de 1983. Plongez dans une année vibrante et riche en sons avec une sélection soigneusement curée de 12 titres, représentant chacun un mois de l'année. De la soul au funk, du rap au R&B, cet épisode promet une exploration musicale fascinante et nostalgique.Les titres de l'année 1983 :Janvier : Glenn Jones - "I Am Somebody"Glenn Jones, ancien chanteur de gospel floridien, s'affirme avec ce morceau inspirant issu de son EP Everybody Loves A Winner. La chanson, qui inclut un extrait du discours de Jesse Jackson au festival Wattstax de 1972, parle de confiance et d'estime de soi.Février : Mary Jane Girls - "All Night Long"Produit par Rick James, ce girl group emblématique débute avec un groove irrésistible, rappelant les sonorités de Keni Burke. Le single s'impose rapidement comme un classique avec sa basse entraînante et ses paroles séduisantes.Mars : The Isley Brothers - "Between The Sheets"Cette ballade quiet storm marque une étape cruciale dans l'évolution du R&B contemporain. Samplée par de nombreux artistes hip-hop, elle reste une référence incontournable de l'époque.Avril : D-Train - "Music"D-Train, duo formé par James Williams et Hubert Eaves, offre un mélange unique de funk et d'électro-disco avec ce hit, démontrant une fois de plus leur influence sur la scène dance.Mai : Al Jarreau - "Boogie Down"Al Jarreau, avec son style vocal unique et ses influences jazz, atteint de nouveaux sommets avec ce morceau dynamique extrait de l'album Jarreau, produit par Jay Graydon.Juin : Surface - "Falling In Love"Ce premier single du groupe Surface, avec Karen Copeland au chant, s'impose comme un hit boogie particulièrement apprécié au Royaume-Uni, annonçant la future renommée du groupe.Juillet : Herbie Hancock - "Rock It"Produit par Bill Laswell, ce morceau révolutionnaire mélange punk, funk, jazz et hip-hop. Herbie Hancock y intègre des techniques de scratch, créant un succès international.Août : Lionel Richie - "All Night Long (All Night)"L'ex-membre des Commodores continue son ascension en solo avec ce tube planétaire tiré de l'album Can't Slow Down, faisant de Lionel Richie une superstar mondiale.Septembre : Shannon - "Let the Music Play"Shannon, avec ce morceau, marque l'histoire de la musique électronique de club, mélangeant électro-disco, hip-hop et funk pour créer le "Shannon sound" distinctif.Octobre : Curtis Hairston - "I Want You (All Tonight)"Premier single de Curtis Hairston, ce titre dance produit par Greg Radford ouvre la voie à une carrière prometteuse, bien que trop brève.Novembre : Stephanie Mills - "How Come U Don't Call Me Anymore?"Stephanie Mills reprend ce titre poignant de Prince avec une version rythmique et cuivrée, démontrant toute la profondeur de son talent vocal.Décembre : James Ingram - "Yah Mo Be There"En collaboration avec Michael McDonald, ce hit du premier album solo d'Ingram, produit par Quincy Jones, fusionne habilement R&B et pop, marquant le début d'une brillante carrière solo.À propos de Jams Of The Year :Animé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast célébrant les meilleures musiques des années passées, un titre par mois. Chaque épisode offre une plongée détaillée dans une année spécifique, explorant les hits et les artistes qui ont marqué l'époque. Avec des genres allant du funk à la soul, du rap au R&B, le podcast est un incontournable pour les amateurs de musique et les nostalgiques.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

The Paris Olympics kicks off Friday, starting the countdown until the games come to Los Angeles in 2028. During the 2028 games, the L.A. Memorial Coliseum will again host the track and field and Para Athletics events, making it the only stadium in history to host these competitions for three different Olympic Games. To celebrate this milestone, we want to revisit the Coliseum's history and replay this episode from 2023…during the stadium's centennial year! #147: The Los Angeles Memorial Coliseum is one of several L.A. landmarks hitting the century mark this year, and we thought it'd be fun to take a look back on them as we celebrate our one-year anniversary of How To LA this September. We explored The Biltmore Hotel downtown (if you haven't listened to that episode already) and we'll be featuring the story behind the Hollywood sign pretty soon. When it comes to the L.A. Coliseum (the "memorial" in the full name refers to the fact that the stadium is a memorial to the Americans who served in WWI) there's no denying that it has a rich history. For example, it played a role in the desegregation of the NFL, and it will soon be the first location to ever host three Olympic Games. But the stadium's history goes way beyond sports. Guests: Frank Guridy, Professor of History and African American and African Diaspora Studies at Columbia University, and author of the forthcoming book, "The Stadium: An American History of Politics, Protest, and Play" William Deverell, Historian at USC and Director of the Huntington-USC Institute on California and the West Marina Fote, Assistant to the General Manager, Los Angeles Memorial Coliseum The performances from Wattstax in this episode are Carla Thomas singing "Pick Up the Pieces" and The Bar-Kays performing "Son of Shaft/Feel It"

In the 1960s and 1970s, the Memphis sound was everywhere: Sam and Dave, Otis Redding, Carla Thomas, Isaac Hayes — the list goes on. Not only did the Memphis sound (a.k.a. Memphis soul) bring an amazing range of musical talent to the world, it also shined a light on the unsung city of Memphis, Tennessee and on a remarkable record company called Stax Records. In her expansive HBO docuseries “STAX: Soulsville, U.S.A.”, director Jamila Wignot (“Ailey”) goes inside the recording studio and widens her lens to look at the deep cultural impact that the musicians and executives of Stax had on American culture.   Joining Ken on the pod, Jamila discusses what drew her into this epic, constantly surprising story of a small record label that grew to be one of the centers of the music world — only to see the entire enterprise come to a tragic end. How did Stax records become a magnet for Black musicians and producers and a beacon for experimentation and improvisation in popular music? In what ways did Stax, with its interracial musical acts, break down racial barriers, while, at the same time, fall short in confronting the issue of race in the South? And what made the 1972 Wattstax concert in Los Angeles, with over 100,000 mostly Black fans, the “most badass thing” you can imagine? This docuseries is stacked with one fascinating, enlightening story after another.   “STAX: Soulsville, U.S.A.” is streaming on max.    Follow: @jamilaw on Instagram @topdocspod on Instagram and twitter/X   Hidden Gem: “Pumping Iron”   The Presenting Sponsor of "Top Docs" is Netflix.

David is joined by Richard Doyle and first-time guest James Merritt to talk about this engaging concert/documentary featuring Isaac Hayes, Richard Pryor, The Staples Singers, and an all-star cast of Black musical artists that performed at the LA Coliseum in August 1972.

David is joined by Richard Doyle and first-time guest James Merritt to talk about this engaging concert/documentary featuring Isaac Hayes, Richard Pryor, The Staples Singers, and an all-star cast of Black musical artists that performed at the LA Coliseum in August 1972.

As March arrives and madness descends upon us all, so too does a new episode of L.A. Meekly. This month we're talking docs and going over a handful of documentaries about Los Angeles that we feel captures something about the city be it donuts, music, gangs or, perhaps...madness.

We interview Danny A Thomas of Con Funk Shun to discuss the beginnings of legendary funk band Con Funk Shun, its roots as Project Soul, playing to 100,000 people at Wattstax with Rufus Thomas and so much more. We also welcome special guest Mark Anthony of the Upscale Band who is playing the backing band for Danny's Con Funk Shun Revue.

Pacific St Blues & AmericanaJuly 16, 202322. The Staple Singers / I'll Take You There (Live at Wattstax) 23. Mike Farris / When Mavis Sings 24. Selwyn Birchwood / Horns Beneath Her Halo25. Kristone Kingfish Ingrahm / 662 26. The Rolling Stones / I Gotta Go 27. Billy Boy Arnold / Play With Fire28. The Rolling Stones / Rough Justice 29. Johnny Winter / Let It Bleed 30. Joe Bonamassa / Blues Deluxe31. Deanna Bogart / Cause We've Ended as Lovers 32. Jeff Beck / Stratus 33. Matt Whipkey /  Michelle 34. Keb Mo / Love in Vain 35. Cash Box Kings / Hot Little Mess 36. Lucinda Williams / Rock and Roll Heart 

PLAYLIST Pacific St Blues & AmericanaApril 30, 20231. Albert King / I'll Play the Blues for You (Live at Wattstax)2. SRV / Chitlins Con Carne 3. JoAnne Shaw Taylor / Then There's You 4. Stephen Monroe / Nothing Much to Say5. The Allman Brothers / Don't Keep Me Wonderin'6. Marcus King / Blues Worse Than I Ever Had7. Josh Hoyer / Green Light 8. Keb Mo / Get Together9. Bernard Allison / So Excited10. Buddy Guy / Hammer & Nail 11. Taj Mahal / Gee Baby, Ain't I Good for You12. Jimmy Witherspoon / In the Evening When the Sun Goes Down33. Tedeschi Trucks Band / Playing with My Emotions34. Bonnie Raitt / When We Say Goodnight 35. Matt Whipkey / Michelle (My Belle)36. Govt Mule feat Ruthie Foster & Ivan Neville / Dreaming Out Loud 

durée : 00:56:06 - Very Good Trip - par : Michka Assayas - Ce soir, on va se replonger un demi-siècle en arrière, au cœur d'un événement tout à fait exceptionnel. Un concert unique, donné en plein air, devant plus de cent mille personnes, un dimanche d'été en 1972 à Los Angeles.

This is the energy that you need! 01- Nik West - Cotton Candy 02- John Kasandra & Rufus Thomas - Rufus Thomas Entrance (Live at Wattstax) 03- Rufus Thomas - The Breakdown (Live at Wattstax) 04- Jungle Fire - Together (feat. Jamie Allensworth) 05- Night Owls - I Only Have Eyes For You (feat. Chris Dowd & Tippa Lee) 06- Dina Ögon - Pumpan 07- Alexis Evans - Let Them Loose 08- Floki Sessions - Mardi Gras Day 09- Greg Spero - Twinkles 10- The Bahama Soul Club - The Rooster Calls (feat. Josephine Nightingale) 11- Ric Wilson, Chromeo & A-Trak - Pay It No Mind 12- RTN - Funkadelic 13- MonoNeon - QUILTED! (feat. George Clinton) 14- Durand Jones - Lord Have Mercy 15- The Sextones - You're So Fine 16- The Bamboos - Midlife Glow (feat. Ozay Moore) 17- Mister T. - Basic Jam 18- Prince Street Bodega - Glory

durée : 00:07:38 - La chronique de Djubaka - par : Julien Deflisque - Aujourd'hui, Djubaka nous parle de Wattstax, un festival mythique organisé au Los Angeles Coliseum en 1972. Craft Records propose "Soul'd Out : The Complete Wattstax Collection", un coffret qui réunit l'intégralité des chansons du festival ainsi que celles du Summit Club.

In honor of MLK Day, we turn to 1972, when 100,000 people gathered at the LA Memorial Coliseum to commemorate the seventh anniversary of the Watts Rebellion in Los Angeles to help heal the community. The gig featured some of the greatest artists on Stax Records, The Staples Singers, The Bar-Kays, and Carla Thomas, to name a few. And, of course, the iconic Isaac Hayes headlined the night. Today we share a previously unreleased version of the soul-funk anthem “Theme From Shaft (Live At Wattstax, Los Angeles, CA / August 20, 1972 / Version 1),” from the forthcoming release Soul'd Out: The Complete Wattstax Collection, out Feb. 24. 

Si aujourd'hui, on ne dénombre plus les festivals tant il y en a, fut un temps, dans les années 70 et 80, où l'on pouvait encore les compter. Un temps surtout où chaque rassemblement musical était unique, au point de marquer l'histoire de son empreinte indélébile. On pense à Woodstock bien sur, mais aussi Monterey, Newport, Altamont, Mont-de-Marsan, Harlem, Donington, l'Île de Wight, le concert pour le Bangladesh, le Live Aid, Lollapalloza, Glastonbury et Wattstax… hein ? Pardon ? Quel Festival ?… le festival de Wattstax… connais pas… C'est bien le problème… Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mel Stuart talks about Gene Wilder, making Willy Wonka & the Chocolate Factory, and casting Richard Pryor in Wattstax.

This week we're highlighting an interview Bruce Miller did with Ryan White, the director of Good Night Oppy. The film, which documents NASA's Mars rover Opportunity, is in theaters now and will land on Amazon Prime on November 23rd. It's an unexpectedly moving movie that Bruce has short-listed for his Oscar pool, and we thought we'd take the opportunity to hash out some of the other great documentaries this year, what it is that makes a great non-fiction film or series, and since Bruce also recently had a chat with the 'Documentary Now!' creators we give some shine to that consistently brilliant satirical deconstruction of the genre. Where to watch: Good Night Oppy (theaters now, Prime on Nov. 23) ‎Original Cast Album: Company (1970) ‎Wattstax (1973) ‎Grey Gardens (1975) ‎Hoop Dreams (1994) ‎Wisconsin Death Trip (1999) ‎Grizzly Man (2005) ‎Man on Wire (2008) ‎Icarus (2017) Wormwood (2017) ‎Free Solo (2018) ‎The Last Dance (2020) ‎My Octopus Teacher (2020) Summer of Soul (2021) Sidney (2022) ‎The Redeem Team (2022) Recent articles by Bruce Miller: 'Weird' finds a great way to tell Al Yankovic's story 'Top Gun: Maverick' might we worth inviting home for Thanksgiving Sioux City Journal remembers Jerry Lee Lewis: When 'Great Balls of Fire' told his story 'The White Lotus' is still the place to be It's great to see George Clooney and Julia Roberts back together but 'Ticket' is no paradise Follow the show: Twitter: https://twitter.com/StreamdNScreend Instagram: https://www.instagram.com/streamedandscreened Facebook: https://www.facebook.com/StreamedAndScreened Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, an entertainment reporter for multiple decades who is now the editor of the Sioux City Journal, Jared McNett, a reporter for the Sioux City Journal, and Chris Lay, the podcast operations manager for Lee Enterprises.See omnystudio.com/listener for privacy information.

In this episode we welcome the very engaging Robert Gordon "all the way from" his hometown of Memphis and ask him to talk about the music of his city from Sun and Stax to Alex Chilton and Big Star.Robert tells us about his childhood, along with the blues epiphany that was watching Furry Lewis support the Rolling Stones on the Memphis leg of their 1975 U.S. tour. Moving on to Stax, we look back at a great 1988 interview Robert did with the Memphis Horns' Andrew Love and Wayne Jackson — and then forward to the Wattstax festival, staged in L.A. 50 years ago this summer.Clips from the week's new audio interview — Tony Scherman asking Billy Gibbons about Robert Johnson — afford us the perfect excuse not just to discuss ZZ Top and their imminent new album but to revisit our guest's exhaustive 1991 essay on the "plundering" of Delta blues legend Johnson's estate.Mark talks us through a selection of newly-added library pieces about Frankie Lymon, Alma Cogan, San Francisco's Trips festival, Syreeta, Gang of Four and Lester Bowie's Brass Fantasy. In the absence of a vacationing Jasper, Barney wraps things up with quotes from articles about rock scribe R(ichard) Meltzer, the Specials and — circling back to Stax — Booker T. Jones recalling co-writing Albert King's brooding 'Born Under a Bad Sign' with William Bell...Many thanks to special guest Robert Gordon; the 25th anniversary edition of It Came From Memphis is published by Third Man Books and available now. Visit his website at therobertgordon.com.Pieces discussed: The Memphis Horns, The plundering of Robert Johnson, It Came From Memphis, Wattstax, Wattstax, Wattstax, Billy Gibbons audio, Frankie Lymon, Andrew Loog Oldham, Syreeta, Punk magazine, XTC, Lester Bowie's Brass Fantasy, Alma Cogan, Trips Festival, Sly Stone, Gang of Four, Richard Meltzer, The Specials and Booker T. Jones.

In this episode we welcome the very engaging Robert Gordon "all the way from" his hometown of Memphis and ask him to talk about the music of his city from Sun and Stax to Alex Chilton and Big Star.Robert tells us about his childhood, along with the blues epiphany that was watching Furry Lewis support the Rolling Stones on the Memphis leg of their 1975 U.S. tour. Moving on to Stax, we look back at a great 1988 interview Robert did with the Memphis Horns' Andrew Love and Wayne Jackson — and then forward to the Wattstax festival, staged in L.A. 50 years ago this summer.Clips from the week's new audio interview — Tony Scherman asking Billy Gibbons about Robert Johnson — afford us the perfect excuse not just to discuss ZZ Top and their imminent new album but to revisit our guest's exhaustive 1991 essay on the "plundering" of Delta blues legend Johnson's estate.Mark talks us through a selection of newly-added library pieces about Frankie Lymon, Alma Cogan, San Francisco's Trips festival, Syreeta, Gang of Four and Lester Bowie's Brass Fantasy. In the absence of a vacationing Jasper, Barney wraps things up with quotes from articles about rock scribe R(ichard) Meltzer, the Specials and — circling back to Stax — Booker T. Jones recalling co-writing Albert King's brooding 'Born Under a Bad Sign' with William Bell...Many thanks to special guest Robert Gordon; the 25th anniversary edition of It Came From Memphis is published by Third Man Books and available now. Visit his website at therobertgordon.com.Pieces discussed: The Memphis Horns, The plundering of Robert Johnson, It Came From Memphis, Wattstax, Wattstax, Wattstax, Billy Gibbons audio, Frankie Lymon, Andrew Loog Oldham, Syreeta, Punk magazine, XTC, Lester Bowie's Brass Fantasy, Alma Cogan, Trips Festival, Sly Stone, Gang of Four, Richard Meltzer, The Specials and Booker T. Jones.

LMG and AMC discuss HBO Max's Succession, Minx, Julia, Starstruck, Rothaniel, Summer of Soul vs. WattStax, the slap heard 'round the world, and much much more on this candid discussion that also includes a Black icon's "gay panic defense" and the Bitter Betties and Bens who won't let Ciara and Russell live in marital bliss. Listen, follow, share!

Arran de la reedició del còmic "Friday Foster, un icono del black power" conversem amb David Moreu, periodista cultural, sobre la rellevància de la mítica heroïna afroamericana, dibuixada pel català Jordi Longarón entre 1970 i 1975. A partir d'aquí ens endinsem en l'univers cinematogràfic blaxploitation americà, posant l'accent en el paper del segell Stax, tot rememorant el festival Wattstax de Los Angeles.

EP 12. All 70s Funk this episode… Tracklist: (00:00) – UFOs - The Undisputed Truth (03:04) – Jungle Jazz - Kool and The Gang (07:36) – Drop It in the Slot - Tower Of Power (10:38) – Get Down - The Kay-Gees (14:45) – What so Never the Dance - The House Guests(feat Bootsy Collins) (18:26) – My Love Is Hot (Caliente) - Lalomie Washburn (21:55) – Son Of Shaft/Feel It (Medley) - The Bar-Kays (31:01) – Good Feel - The Kay-Gees (34:52) – Dance Across the Floor - Jimmy 'Bo' Horne (37:30) – Upstairs On Boston Road (Part 2) - Sammy Gordon (40:06) – Time To Get It Together - Marvin Gaye (43:58) – Disco Party in the Street - Mastermind (48:02) – Dynamite - Shotgun (51:07) – Party Down Part 1 - Little Beaver (54:11) – Kissing My Love - Afrique (57:01) – Everything I Do Gonna Be Funky - O'Donel Levy Songs in this mix (or ones like them) can be found in the ”Underground Funk (Afro soul, 70s, beats, breaks, stones Throw)” playlist on Youtube, Spotify and Deezer Cover is The Bar Kays at Wattstax 1972 PODCAST INFO: – Apple Podcasts: https://podcasts.apple.com/ie/podcast/pure-techno-underground/id1527885709 – Amazon Music: https://music.amazon.com/podcasts/0e6c9c92-07e6-499f-939d-db64ad8a3d20 – YouTube: https://youtube.com/playlist?list=PLMniNzct9KeblWL-oKL4Pc9m3yFkRzhFT – Pocket Casts: https://pca.st/podcast/9b009de0-c16d-0138-e716-0acc26574db2 – Stitcher: https://www.stitcher.com/s?fid=564416 – TuneIn: http://tun.in/pj0lb CONNECT: – Underground Funk PL on Youtube: https://www.youtube.com/playlist?list=PLMniNzct9Kea6tS0LvYMAk_iw4IvrPH30 – Underground Funk PL on Spotify: https://spoti.fi/2GXHpDa – YouTube: https://www.youtube.com/diplomaticenjoy – Instagram: https://www.instagram.com/diplomaticenjoy – Diplomatic Enjoy: https://www.diplomaticenjoy.com

Terry Manning may not be a household name but he's had an incredible journey that started at the age of 13 when he sat in with Bobby Fuller at a Junior High Dance. From there he went to work at the legendary STAX RECORDS when he was just 15 years old! We couldn't possibly cover everything so some things we talk about in this hour and a half interview are : Bobby Fuller, Stevie Nicks, Stax Records, Jimmy Page, Led Zeppelin III, NME magazine, Martin Luther King Jr., Chris Blackwell (founder of island records), Photography and more! It's an interview you have to hear to believe Terry's incredible stories.  A man who seemed to be at the right place at the right time and more than once.   ABOUT TERRY: Terry Manning is a music producer, songwriter, photographer, recording engineer and artist known for work in rock, rhythm and blues, and pop music genres.   Manning began in the music industry in El Paso, Texas, where he played guitar and sang with several local bands, notably The Wild Ones, and on a couple of occasions sat in with his friend Bobby Fuller. Upon leaving El Paso, he moved to Memphis, Tennessee, where he worked for years at both Stax Records and Ardent Studios as an engineer and producer, recording and mixing such artists as Isaac Hayes, Ike & Tina Turner, Booker T. & The MG's, Eddie Floyd, Al Green, Rufus Thomas, Sam & Dave, Billy Eckstine, Otis Redding, The Boxtops, Percy Sledge, The Staple Singers, Johnnie Taylor, Leon Russell, Ronnie Milsap, and many others. Manning was a principal part of Stax owner Al Bell's production team for The Staple Singers, responsible for such hit records as “Respect Yourself,” “I'll Take You There,” and "Heavy Makes You Happy.”   In 1970, Manning licensed release of his own solo album, Home Sweet Home, on Stax's Enterprise label (re-released with extra tracks by Sunbeam in 2006, and in original configuration on Four Men With Beards vinyl label in 2012).   Later working as an independent, Manning produced or engineered recordings by Joe Cocker, Wattstax, Alex Chilton, Big Star, James Taylor, Leon Russell, Led Zeppelin, ZZ Top, Jason & The Scorchers, Rhino Bucket, George Thorogood and The Destroyers, Joe Walsh, Johnny Winter, The Rainmakers, The Fabulous Thunderbirds, Molly Hatchet, The Angels, Johnny Diesel and The Injectors, Lenny Kravitz, Jimmy Buffett, Shakira, Crash Test Dummies, Shania Twain, Bryan Adams, Widespread Panic, and many others.   In the mid 1980s Manning moved to London, and worked for a year out of Abbey Road Studios.   As a photographer, Manning began with black and white in the mid-1960s, capturing street scenes and topics of his interest. He has continued his photography to this day. Adding color photography to his repertoire in the1970s, Manning amassed a large collection of private works over the following years. With the beginning of Gallery and Museum presentations in 2015, Manning's photography is now being presented in Exhibitions across the US, as well as world locations. Musically, he also photographed Chuck Berry, Terry Reid, Steppenwolf, Janis Joplin, Jimi Hendrix, Dusty Springfield, Procol Harum and many other musical artists of the rock period as both an independent and as a writer/photographer for New Musical Express. Manning was one of the last to photograph his acquaintance, Dr. Martin Luther King, Jr., on the day before the tragic assassination.   1991 saw him founding Lucas Engineering, a boutique audio company which makes professional audio recording gear; this company expanded in 2008, adding microphones to their arsenal of products. Lucas Microphones, under Manning's guidance, have since become amongst the top high end recording devices in the audio world.   In 1992, Chris Blackwell of Island Records fame sought out Manning as a partner to revitalize Blackwell's famous Compass Point Studios in Nassau, Bahamas, which Manning operated successfully for over 20 years.   Manning's newest music as an artist are the 2021 single "What's the Use",  the ECR Music Group/Lucky Seven Records releases of Manning's newest (2019) live album “Playin' In Elvis' House,” 2015's “Heaven Knows,” an emotional look into human emotion, and “West Texas Skyline,” A Tribute To Bobby Fuller, released in October 2013.   Be sure to visit Terry's website's at: (www.terrymanning.com and www.themanninggallery.com) Jim and Mike Talk Music can be found on Podbean, Spotify, Apple Podcasts, Iheart Radio, Pandora and almost anywhere you listen to podcasts.   You can also view a portion of the video interview with Terry on YouTube (search Jim and MIke Talk Music to find our channel)   Thank you for listening!   COYRIGHT CLAIM: The songs "What's the Use", "I Ain't Got You", "Let Her Dance" and "West Texas Skyline" used with permission from Terry Manning.

Dave and Alonso discuss two eagerly-awaited films screening in both theaters and at home. Subscribe (and review us) on Apple Podcasts, follow us @linoleumcast on Twitter, Instagram, and Facebook, do I do. Join our club, won't you? This episode is brought to you by AmberPetty.com: You know what's not fun? Googling “how to start writing” and getting ten thousand articles with conflicting advice. You know what is fun? Amber Petty's free Start Writing Session! In 60 minutes, you'll get the details of how to start writing, and most importantly, you'll start writing in class.  If The Artist's Way is collecting dust on your shelf, this workshop is a wonderful way to find out where to pitch your stories, learn what editors are looking for, and get inspired to keep writing. And it's free! The last workshops are this week! Find the date that works for you and sign up for free at AmberPetty.com/Linoleum Dave's DVD pick of the week: IN A LONELY PLACE Alonso's streaming pick of the week: WATTSTAX  

Weston's biggest solo hits were "Take Me in Your Arms (Rock Me a Little While)" (R&B #4, Pop #50, 1965, later covered by The Isley Brothers, Blood, Sweat & Tears and The Doobie Brothers, and "Helpless" (R&B #13, Pop #56, 1966, previously recorded by The Four Tops on their Second Album LP). Her biggest claim to fame was singing the classic hit "It Takes Two" with Marvin Gaye in 1966 and her later recording of the Black National Anthem, "Lift Every Voice and Sing". It was the success of "It Takes Two"  She and her then-husband William "Mickey" Stevenson both atMGM Records. Weston cut a couple of singles for MGM, "I Got What You Need," and "Nobody," which went largely unnoticed due to lack of airplay and promotion. She made an album for the label, This Is America, which included her popular version of the Black National Anthem, "Lift Every Voice and Sing." This was released as a single and featured in the movie Wattstax. All the money from the single was donated to the United Negro College Fund.

Weston's biggest solo hits were "Take Me in Your Arms (Rock Me a Little While)" (R&B #4, Pop #50, 1965, later covered by The Isley Brothers, Blood, Sweat & Tears and The Doobie Brothers, and "Helpless" (R&B #13, Pop #56, 1966, previously recorded by The Four Tops on their Second Album LP). Her biggest claim to fame was singing the classic hit "It Takes Two" with Marvin Gaye in 1966 and her later recording of the Black National Anthem, "Lift Every Voice and Sing". It was the success of "It Takes Two"  She and her then-husband William "Mickey" Stevenson both atMGM Records. Weston cut a couple of singles for MGM, "I Got What You Need," and "Nobody," which went largely unnoticed due to lack of airplay and promotion. She made an album for the label, This Is America, which included her popular version of the Black National Anthem, "Lift Every Voice and Sing." This was released as a single and featured in the movie Wattstax. All the money from the single was donated to the United Negro College Fund.

In this episode we invite beloved pop-rock singer-songwriter Marshall Crenshaw to reminisce about his long career, from the 40-year-old Shake single 'Something's Gonna Happen' to the documentary film he's producing about Dylan/Zappa/Velvets producer Tom Wilson. Along the way, Barney, Mark & Jasper ask Marshall about his Michigan upbringing, playing John Lennon in Beatlemania, signing to Warner Bros. Records, and his great influence Buddy Holly.Holly pops up in a clip from the week's new audio interview, a 1990 conversation with sometime Cricket Sonny Curtis, who tells John Tobler about his friendship with Buddy, the Clash's version of his timeless 'I Fought the Law' and the mysterious 1966 death of fellow Texan singer Bobby Fuller. Yet another Texan, the aforementioned Mr. Wilson, offers the perfect excuse to discuss Bob Dylan, the Velvet Underground and the Mothers of Invention.From there, we say goodbye to another deep Southerner, R&B legend Lloyd ('Lawdy Miss Clawdy') Price, referencing Wayne Robins' fascinating 2013 interview with the 80-year-old "Mr. Personality". Mark guides us through his favourite library additions of the week, including interviews with Carly Simon, Lamont Dozier and Mel & Kim, and Jasper concludes the episode with passing remarks on Wattstax, Björk and Charles Aznavour.Many thanks to special guest Marshall Crenshaw; visit his website at http://marshallcrenshaw.com/, and back the Kickstarter for the Tom Wilson documentary.Rock's Backpages is part of the Pantheon podcast network.Pieces discussed: Marshall Crenshaw by Iman Lababedi, Marshall Crenshaw by Laura Fissinger, Sonny Curtis audio, Lloyd Price by Bill Millar, Lloyd Price by Wayne Robins, Tom Wilson, Carly Simon, Lamont Dozier, The Replacements, Mel & Kim, Shaun Ryder, Wattstax, Björk and Charles Aznavour.

In this episode we invite beloved pop-rock singer-songwriter Marshall Crenshaw to reminisce about his long career, from the 40-year-old Shake single 'Something's Gonna Happen' to the documentary film he's producing about Dylan/Zappa/Velvets producer Tom Wilson. Along the way, Barney, Mark & Jasper ask Marshall about his Michigan upbringing, playing John Lennon in Beatlemania, signing to Warner Bros. Records, and his great influence Buddy Holly. Holly pops up in a clip from the week's new audio interview, a 1990 conversation with sometime Cricket Sonny Curtis, who tells John Tobler about his friendship with Buddy, the Clash's version of his timeless 'I Fought the Law' and the mysterious 1966 death of fellow Texan singer Bobby Fuller. Yet another Texan, the aforementioned Mr. Wilson, offers the perfect excuse to discuss Bob Dylan, the Velvet Underground and the Mothers of Invention. From there, we say goodbye to another deep Southerner, R&B legend Lloyd ('Lawdy Miss Clawdy') Price, referencing Wayne Robins' fascinating 2013 interview with the 80-year-old "Mr. Personality". Mark guides us through his favourite library additions of the week, including interviews with Carly Simon, Lamont Dozier and Mel & Kim, and Jasper concludes the episode with passing remarks on Wattstax, Björk and Charles Aznavour. Many thanks to special guest Marshall Crenshaw; visit his website at http://marshallcrenshaw.com/, and back the Kickstarter for the Tom Wilson documentary. Rock's Backpages is part of the Pantheon podcast network. Pieces discussed: Marshall Crenshaw by Iman Lababedi, Marshall Crenshaw by Laura Fissinger, Sonny Curtis audio, Lloyd Price by Bill Millar, Lloyd Price by Wayne Robins, Tom Wilson, Carly Simon, Lamont Dozier, The Replacements, Mel & Kim, Shaun Ryder, Wattstax, Björk and Charles Aznavour.

SOUNDTRACK SOUL Episode 15 features the first ever official soundtrack mix from the phenomenal NYC-based top producer and selector DJ SPINNA!!!! This exclusive sixty-minute action-packed set features two dozen rare and classic blaxploitation soundtrack vibes from Weldon Irvine, Marvin Gaye, The Blackbyrds, Curtis Mayfield, Edwin Starr, Willie Hutch, Roy Ayers, Joe Simon, Johnny Pate, the Bar-Kays and more. DJ Spinna is something of an anomaly in music. A humbling example of what it takes to truly succeed within the framework of multiple fields. With a steadfast work ethic, an obsessively extensive vinyl library and the willingness to pursue the full extents of his roots (Funk, Soul R&B and Jazz), foundation (Hip-Hop) and future (Electronic/Dance music) without any restraints It's true that there are other like-minded DJ/Producers in the world comparable to DJ Spinna, but for the most part, they choose a genre and master it. Ask them to flip another variety with the same intense knowledge and sleek-savvy and you'll be hard pressed to find someone that can do it to Spinna's extent.  We are thrilled to have the first ever official soundtrack mix from the mega-talented worldwide superstar selector. For more information about DJ SPINNA check out www.djspinna.com and follow him on Instagram @djspinna   See omnystudio.com/listener for privacy information.

In this episode we invite beloved pop-rock singer-songwriter Marshall Crenshaw to reminisce about his long career, from the 40-year-old Shake single 'Something's Gonna Happen' to the documentary film he's producing about Dylan/Zappa/Velvets producer Tom Wilson. Along the way, Barney, Mark & Jasper ask Marshall about his Michigan upbringing, playing John Lennon in Beatlemania, signing to Warner Bros. Records, and his great influence Buddy Holly.Holly pops up in a clip from the week's new audio interview, a 1990 conversation with sometime Cricket Sonny Curtis, who tells John Tobler about his friendship with Buddy, the Clash's version of his timeless 'I Fought the Law' and the mysterious 1966 death of fellow Texan singer Bobby Fuller. Yet another Texan, the aforementioned Mr. Wilson, offers the perfect excuse to discuss Bob Dylan, the Velvet Underground and the Mothers of Invention.From there, we say goodbye to another deep Southerner, R&B legend Lloyd ('Lawdy Miss Clawdy') Price, referencing Wayne Robins' fascinating 2013 interview with the 80-year-old "Mr. Personality". Mark guides us through his favourite library additions of the week, including interviews with Carly Simon, Lamont Dozier and Mel & Kim, and Jasper concludes the episode with passing remarks on Wattstax, Björk and Charles Aznavour.Many thanks to special guest Marshall Crenshaw; visit his website at http://marshallcrenshaw.com/, and back the Kickstarter for the Tom Wilson documentary.Rock's Backpages is part of the Pantheon podcast network.Pieces discussed: Marshall Crenshaw by Iman Lababedi, Marshall Crenshaw by Laura Fissinger, Sonny Curtis audio, Lloyd Price by Bill Millar, Lloyd Price by Wayne Robins, Tom Wilson, Carly Simon, Lamont Dozier, The Replacements, Mel & Kim, Shaun Ryder, Wattstax, Björk and Charles Aznavour.

In this episode we invite beloved pop-rock singer-songwriter Marshall Crenshaw to reminisce about his long career, from the 40-year-old Shake single 'Something's Gonna Happen' to the documentary film he's producing about Dylan/Zappa/Velvets producer Tom Wilson. Along the way, Barney, Mark & Jasper ask Marshall about his Michigan upbringing, playing John Lennon in Beatlemania, signing to Warner Bros. Records, and his great influence Buddy Holly. Holly pops up in a clip from the week's new audio interview, a 1990 conversation with sometime Cricket Sonny Curtis, who tells John Tobler about his friendship with Buddy, the Clash's version of his timeless 'I Fought the Law' and the mysterious 1966 death of fellow Texan singer Bobby Fuller. Yet another Texan, the aforementioned Mr. Wilson, offers the perfect excuse to discuss Bob Dylan, the Velvet Underground and the Mothers of Invention. From there, we say goodbye to another deep Southerner, R&B legend Lloyd ('Lawdy Miss Clawdy') Price, referencing Wayne Robins' fascinating 2013 interview with the 80-year-old "Mr. Personality". Mark guides us through his favourite library additions of the week, including interviews with Carly Simon, Lamont Dozier and Mel & Kim, and Jasper concludes the episode with passing remarks on Wattstax, Björk and Charles Aznavour. Many thanks to special guest Marshall Crenshaw; visit his website at http://marshallcrenshaw.com/, and back the Kickstarter for the Tom Wilson documentary. Rock's Backpages is part of the Pantheon podcast network. Pieces discussed: Marshall Crenshaw by Iman Lababedi, Marshall Crenshaw by Laura Fissinger, Sonny Curtis audio, Lloyd Price by Bill Millar, Lloyd Price by Wayne Robins, Tom Wilson, Carly Simon, Lamont Dozier, The Replacements, Mel & Kim, Shaun Ryder, Wattstax, Björk and Charles Aznavour.

This episode of Pulling Focus aired on WPPM in Philadelphia on March 21, 2017. This is an all music episode built around the theme of great concert films. It features jazz. Latin, RnB, ska, bluegrass and Rock n Roll from films like Stop Making Sense, Jazz on a Summer's Day, Dave Chappelle's Block Party, Wattstax, Woodstock and The Last Waltz and featuring artists Dinah Washington, Buena Vista Social Club, Talking Heads, David Bowie, The Selector and more.

The 2020 National Film Registry list Suspense (1913) Kid Auto Races at Venice (1914) Bread (1918) The Battle of the Century (1927) With Car and Camera Around the World (1929) Cabin in the Sky (1943) Outrage (1950) The Man with the Golden Arm (1955) Lilies of the Field (1963) A Clockwork Orange (1971) Sweet Sweetback's Baadasssss Song (1971) Wattstax (1973) Grease (1978) The Blues Brothers (1980) Losing Ground (1982) Illusions (1982) The Joy Luck Club (1993) The Devil Never Sleeps (1994) Buena Vista Social Club (1999) The Ground (1993-2001) Shrek (2001) Mauna Kea: Temple Under Siege (2006) The Hurt Locker (2008) The Dark Knight (2008) Freedom Riders (2010) Find out more at https://registry-a-podcast.pinecast.co

L'écrivain Guy Darol a consacré récemment un livre à Wattstax, le festival qu'on a surnommé le Woodstock noir et qui a eu lieu à Los Angeles en aout 1972, pour commémorer les émeutes de Watts de 1965. Une programmation éclectique qui va de Rufus Thomas à Isaac Hayes en passant par Albert King sera la moindre des particularités de cette entreprise. Visite en musique. « I am somebody » cette semaine dans Bon Temps Rouler.          Playlist :    Killing Floor - Albert King - Music From The Wattstax Festival & Film Various The Three Of Me - William Bell - This Is Where I Live Who's Makin' Love - Johnnie Taylor - Chronicle: The 20 Greatest Hits The Breakdown - Rufus Thomas - Music From The Wattstax Festival & Film Various I Like What You're Doing To Me - Carla Thomas - Music From The Wattstax Festival & Film Various Behind Closed Doors - Little Milton - Enrichissant Son Blues De Soul Theme From Shaft - Isaac Hayes - Stax 50th Anniversary. Celebration Hearsay - Soul Children - Stax 50th Anniversary. Celebration Respect Yourself (Demo) - Mack Rice & Luther Ingram - Faith And Grace: A Family Journey 1953-1976 Respect Yourself - The Staple Singers - Stax 50th Anniversary. Celebration Lift Every Voice & Sing  - Kim Weston - Music From The Wattstax Festival & Film (Disc 1) Hey Little Girl - Little Sonny - New King Of The Blues Harmonica / Hard Goin' Up Knock On Wood - Eddie Floyd - Music From The Wattstax Festival & Film (Disc 1)  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

As broadcast August 20, 2020.  We remembered a massive music event which happened on this date in 1972 in LA, where Stax Records threw a concert to remember the 7th anniversary of the Watts Riots in 1965.  After this we moved into a mish-mash of older & newer, or at least older & newer tunes that were all put out in 2018 for our first hour.  Moving past 9pm, Kimmers joined us for our Critical Mass Thursday, where we showcased old French chansons, some more contemporary Greek music, and some Portuguese fado, amongst others.#feelthegravityTracklisting:Part I & II (00:00)The Staples Singers – Respect YourselfBlue Material – PersonalRonald Langestraat – In The Middle of The NightThe Rebels of Tijuana – Et le blizzard s'estompeGitkin – Tail ChaserKhruangbin – Dearest AlfredDivino Nino – MariaRudy de Anda – Los CanariosGinger Root – JeanieHoly Hive – Embers to AshCochemea – Chito's Song Part III & IV (57:10)Vladimir Presnyakov – Girlfriend MashaConki feat Anthony Lazaro – Coffee CupConki feat Mark Wilkinson – I'm On FireNila Cara – Je Vous Deteste Les HommesBourvil – C'etait BienJean Gabin – Maintenant Je SaisJoao Braga – Babel e SiaoIonica Aranea – Sia BenedettuRocco Franceso Gennaro feat Ionica Aranea – FurtunaPaolo Russo Trio – FilastroccaChet Baker – Let's Get Lost 

durée : 01:55:12 - Totalement soul - par : Thierry Jousse - Ce soir, dans Retour de Plage nous sommes complètement soul. Avec, une attention particulière pour Little Richard et Bill Withers, deux figures essentielles qui nous ont quitté récemment. Sans oublier le mythique festival de Wattstax. - réalisé par : Vivian Lecuivre

I basically spent this episode ranting about all the continued protests going on around the country. I gave some shout outs to some people that have made a positive impact on the world like the woman who has just been elected as Ferguson's first Black mayor. Also the young Black homeless man who graduated as valedictorian from his high school. I also discuss working while Black and the Black out Tuesday that occured. I wrap up the episode discussing the Black leaders I've been watching on Youtube in addition a brief review of Insecure and a film about a Black music festival from the 70s called Wattstax. Enjoy!

Insights are shared of the history of The Memphis Sound, Stax Records and the importance of professionalism within the music industry.  Kurt KC Clayton shares wisdom from his 30 plus years in the positions of Music Director, Songwriter, Producer, Publisher and Performer. His advice to modern day independent artists is truly inspiring.

Wanda Vaughn shares stories of growing up in Chicago, Illinois with her family where her and her sisters learned to cultivate their natural artistry from their father in church. We learn how Wanda and her sisters created their undeniable "Emotions" singing style and how this style took them to the top of the charts, under the umbrella of the music masters Maurice White, David Porter and Isaac Hayes. Wanda talks about her pride in traveling and performing with her daughters Wyann and Wendi as most recent Emotions group. 

Lonzo talks about his experience as a kid during the Watts riots

En este capítulo, viajamos al mes de agosto de 1972 en la ciudad de Los Ángeles, para entender qué fue y por qué tuvo lugar el festival ¨Wattstax¨ conocido como el Woodstock Negro, al que asistieron más de 110.000 personas. Un festival social que reclamaba identidad, igualdad de derechos y oportunidades, y el respeto a las raíces afroamericanas. Una historia de conflictos raciales y brutalidad policial contra las minorías que aún permanece con cierta vigencia en EEUU. Booker T Jones, el reverendo Jesse Jackson, Mohamed Ali, James Brown, el humorista Richard Pryor, The Staple Singers, Rufus Thomas, Isaac Hayes y Madonna. Todo esto y mucho más, en 30 minutos de PLAY. brumapodcast.com

Special guest Charles Baty joins us on this week’s Truth About Vintage Amps podcast! Twice a month, guitar amp guru Skip Simmons fields your questions on vintage tube amp buying, restoration and repair. Co-hosted by the Fretboard Journal’s Jason Verlinde. Submit your guitar amp questions to Skip here: podcast@fretboardjournal.com or by leaving us a voicemail or text at 509-557-0848. Some of the topics discussed on this episode: 1:37 Charles Baty (Little Charlie & The Nightcats! Little Charlie & Organ Grinder Swing!) joins in: Termites, Spanish rice and amp tips from the road 43:09 Movie recommendations: Wattstax; Theremin: An Electronic Odyssey 44:16 Skip plays a gig 46:30 This week’s sponsor: Grez Guitars 46:55 Robert Keeley (!) calls in on Dean's Echoplex woes (from TAVA 21) 50:24 A '68 Fender Vibrolux reissue with a wonky footswitch 54:16 Replace a two-prong cord with a three-prong cord 57:29 "Getting to 'no' you;" "Suzie Q," the Instant Pot, mashed potatoes and hot dogs 1:04:10 An amp with a noisy front plate 1:06:27 Instrumental music picks (Leo Kottke, Nels Cline), Skip's early music influences 1:12:19 Future TAVA interviews plans 1:14:25 "Why we don’t replace all vintage electrolytic capacitors" video (link: https://youtu.be/GMNQDoFpYQY) 1:18:00 Robben Ford's Dumble-modified Fender Super Reverbs 1:24:29 Why don't amps have no-speaker protection? 1:31:53 AC568 Bassman amps, Fender grounding plates, sources of hiss, the 500 pF Baffler 1:37:55 Music picks: Erkin Koray's 'Elektronik Turkular' (YouTube link) and Bloodstone's "Natural High" (YouTube link) 1:39:07 Bogen PA heads and Harvey Mandel's fuzz tone 1:43:43 Replacing drop capacitors in Victoria amps 1:49:47 Canada, part one: a Traynor YGL-3, Mark III with no input signal 1:53:14 Canada, part two: Sleeper Canadian amps (Garnet, Traynor, Johnson); check out the Corry Boys 1:57:00 An (almost) free vintage speaker (act fast) 1:58:15 Coffee in a can updates  

Après avoir évoqué le casting, l'équipe de tournage et de production, la pré-production et l'évolution du scénario de La Conquête de la Planète des Singes, il est temps de rentrer dans le vif du sujet !!! Cornelius and Zira - Ep #12 part2 - Conquest of the Planet of the Apes Alors, si vous prenez le train en route avec cet épisode, je vous conseille bien évidemment de commencer par [la première partie de l'épisode] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-12-part1-conquest-of-the-planet-of-the-apes) Autre point très important, il s'agit de la deuxième partie d'un épisode consacré au 4è film de la saga, forcément, on va faire des spoilers !!! Dans cette deuxième partie, nous évoquons les scènes marquantes des deux premiers tiers du film ainsi que son caractère dystopique et les parallèles à faire avec le Civil Rights Movement et les émeutes de Watts. Sont cités dans cette deuxième partie les épisodes de podcast suivants = [Le Hors-Série de 24FPS consacré à Blade Runner] (https://djpod.com/24fps/24fps-hs-blade-runner) [L'épisode de Geeks & Légendes consacré à Ulysse] (http://geeks-et-legendes.fr/?p=418) [Le Hors-Série de Geeks & Légendes consacré à Achilles, Agony & Ecstasy in Eight Parts de Manowar] (http://geeks-et-legendes.fr/?p=426) Dans cette deuxième partie, nous faisons également référence à deux livres, Planet of the Apes as American Myth – Race and Politics in the Films and Television Series d'Eric Greene et Bright Eyes, Ape City : Examining the Planet of the Apes Mythos de Rich Handley et Joseph F. Berenato On vous parle également du film Wattstax qui peut se voir en entier [ici] (http://www.dailymotion.com/video/x33r4mw) Et sinon, pour ceux que ça intéresse, la marque de t-shirt dont je parle dans l'épisode, c'est Teepublic (je suis sûr qu'ils apprécieront cette magnifique pub que je leur fait!!!) S'il manque quoi que ce soit, si vous n'êtes pas d'accord avec nous, si vous souhaitez des précisions ou si vous voulez nous récompenser avec du raisin, ne soyez pas timides et n'hésitez pas à sortir de votre ghetto et nous envoyer des commentaires de la page FB du podcast ou sur le compte Twitter du podcast ou même par e-mail corneliusandzirapodcast(at)gmail(dot)com ! Vous pouvez visiter le site de Geeks & Légendes et y retrouver tous leurs épisodes. Vous pouvez également contacter Master Fred sur Twitter @geek_et_legende. Quant aux autres épisodes de Cornelius & Zira, ils sont disponibles sur podCloud, iTunes et même [YouTube] (https://www.youtube.com/channel/UC3ejaZPIN2Gt4qWVhdAag9A) – et plus particulièrement les épisodes consacrés à la saga POTA. L'épisode consacré à La Planète des Singes, le roman de Pierre Boulle L'épisode où l'on vous explique comment est née la saga L'épisode consacré à Planet of the Apes, le film de 1968, qui peut s'écouter tout en regardant le DVD, comme des commentaires audio, mais qui peut aussi s'écouter comme un épisode classique... La première partie de l'épisode consacré à Beneath the Planet of the Apes... [La deuxième partie de l'épisode consacré à Beneath the Planet of the Apes] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-5-part2-beneath-the-planet-of-the-apes) [L'épisode où Master Fred et Dr. Zaius font les fan boys et vous expliquent pourquoi la saga POTA est la meilleure de tous les temps] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-6-pota-pota-pota) [La première partie de l'épisode consacré à Escape from the Planet of the Apes] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-8-part1-escape-from-the-planet-of-the-apes) [La deuxième partie de l'épisode consacré à Escape from the Planet of the Apes] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-8-part2-escape-from-the-planet-of-the-apes) [L'épisode consacré à Revelations, le roman qui précède War for the Planet of the Apes] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-10-war-for-the-planet-of-the-apes-revelations) [L'épisode consacré à la novélisation de War for the Planet of the Apes] (http://docteur-zaius.lepodcast.fr/cornelius-and-zira-ep-number-11-war-for-the-planet-of-the-apes-official-movie-novelization) Bonne écoute et à bientôt les spartiates !!!

Gretjen Clausing of PhillyCAM's Pulling Focus brings depth, insight and discipline to the Mission plus good vibrations with a beat as she joins the Men in a review of WATTSTAX, the celebratory concert film featuring Issac Hayes, the Staple Singers, Richard Pryor and a funky chicken called Rufus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gretjen Clausing of PhillyCAM's Pulling Focus brings depth, insight and discipline to the Mission plus good vibrations with a beat as she joins the Men in a review of WATTSTAX, the celebratory concert film featuring Issac Hayes, the Staple Singers, Richard Pryor and a funky chicken called Rufus. --- Send in a voice message: https://anchor.fm/black-tribbles/message

A while back, Brian asked Brian if he'd explored anything more to follow up on our Isaac Hayes - Hot Buttered Soul episode. Brian finally answers that question with The Dramatics debut album Whatcha See Is Whatcha Get. volcanovinyl@gmail.com @volcanovinyl #vv056

In Episode 6 of The Cinescope Podcast, Chad talks with Ethan about one of his favorite movies, Willy Wonka & the Chocolate Factory! Show Notes Willy Wonka & the Chocolate Factory on iTunes Willy Wonka & the Chocolate Factory soundtrack on iTunes Stats Released June 30, 1971 Dir. Mel Stuart (If It's Tuesday, This Must Be Belgium, Running on the Sun: The Badwater 135, documentaries Four Days in November, Wattstax) Written by Roald Dahl (author of Charlie and the Chocolate Factory) with rewrites/additional scenes by David Seltzer Music by Leslie Bricusse (“You Only Live Twice” w/ John Barry, worked with John Williams on “Can You Read My Mind (Love Theme)” from Superman, “When You're Alone” from Hook, “Somewhere in my Memory” from Home Alone, and “Christmas at Hogwarts” from Harry Potter and the Sorcerer's Stone) and Anthony Newley (together won the Academy Award for Best Original Score for Wonka and also wrote songs “Feeling Good,” “Goldfinger”, musicals Stop the World - I Want to Get Off and The Roar of the Greasepaint - The Smell of the Crowd) Starring (Gene Wilder as Willy Wonka, Jack Albertson as Grandpa Joe, Peter Ostrum as Charlie, and also starring Roy Kinnear, Julie Dawn Cole, Leonard Stone, Denise Nickerson, Dodo Denney, Paris Themmen, Ursula Reit, Michael Bollner, and Diana Sowle) Contact Ethan Twitter Facebook Website Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Ethan Small.

Aired: 7/21/13 This week we'll spend the hour with RAFE ESQUITH, who's been teaching fifth graders in LA's Hobart Elementary public school for nearly thirty years. Now a teacher of teachers, he recently returned from doing that in China. I first learned of Rafe's work in 2005, when POV the PBS film series pitched me a documentary, THE HOBART SHAKESPEARIANS, about the full Shakespeare productions that his students - most from families where English is not the primary language - perform each year. The film was directed by MEL STUART, a wonderful director of at least two landmark films - the 1971 Willy Wonka & the Chocolate Factory with Gene Wilder and 1973's WATTSTAX concert film of funky music and Black Power. Mel Stuart passed away a little less than a year ago. And he is missed. In September 2005, introducing my interview with Rafe and Mel about the film , I said this: Documentaries may be giving us what we hunger for. March of the Penguins, Mad Hot Ballroom and The Hobart Shakespeareans are documentaries about goodness, dedication, and purpose, and whether penguins or fifth graders, they're about respect and treating others well. Each of these films made me giggle, and each brought me to tears. There's something joyfully and painfully touching when we see the life force in action with purpose. When so much is going wrong, from Iraq to New Orleans, I think we need to see these things. Eight years later, Rafe Esquith continues to leads fifth graders at one of the nation's largest inner-city grade schools through an uncompromising curriculum of English, mathematics, geography and literature. His classroom mottos are "Be nice. Work hard." and "There are no shortcuts." Despite language barriers and poverty, many attend outstanding colleges. Esquith expects the best from these kids no matter what their backgrounds, and he backs up that expectation by giving them the educational resources to defy the odds.