Podcasts about alan pakula

What a delight to have not one but TWO pals join us this week, The B-Side hosts Dan Mecca and Conor O'Donnell! Naturally, we're going back to forgotten films from the 1990s with director Alan Pakula's final film, The Devil's Own. The film starred Brad Pitt as an IRA member hiding out in America opposite Harrison … Continue reading "329 – The Devil's Own (with Dan Mecca and Conor O'Donnell!)"

Ethan is joined for an insightful discussion about Dharma Art with Academy Award-winning film editor and Buddhist meditator Andrew Buckland. They discuss the practice of filmmaking and creativity more generally, as well as Andrew's path, the film A Complete Unknown, the Bob Dylan biopic which was Andrew's latest editing project. Finally, they discuss why working in the film profession sometimes feels like "A Cesspool of Ego." Check out all the cool offerings at our sponsor Dharma Moon, including the Yearlong Buddhist Studies program (The first 6-Week module, Entering The Path, is open to all and starts January 28, 2025) and  Mindfulness Meditation Teacher Training. About Andrew Buckland ACE: Andrew is an Academy Award winning film editor who won the Oscar for his work on FORD v FERRARI alongside Michael McCusker ACE.   He received his B.F.A. in Film from Purchase College and landed his first job on Alan Pakula's THE DEVIL's OWN as an apprentice editor. Since then Andrew has been a part of the editorial teams on many high-profile films including Mike Nichol's CLOSER and CHARLIE WILSON'S WAR. Andrew subsequently directed two documentary films THE LONG WALL HOME and SOMOS WICHI, which won the 2012 Documentary Expose Award at The Peace OnEarth Film Festival, Chicago USA. Andrew began his collaboration with James Mangold on KNIGHT AND DAY and THE WOLVERINE, and later edited FORD v FERRARI, and INDIANA JONES AND THE DIAL OF DESTINY. Other credits include Co-Editing Tate Taylor's THE GIRL ON THE TRAIN and Additional Editing GET ON UP. His most recent collaboration with James Mangold is editing A COMPLETE UNKNOWN.  

Editors - Andrew Buckland ACE and Scott Morris A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris came into James Mangold's latest film being almost completely unknown to one another.  Aside from mutual acquaintances, the two had never worked together or even met prior to this film.  In spite of this, their combined talents tackled a big film that featured forty live performances and an aggressive post schedule. Co-written and directed by James Mangold, A COMPLETE UNKNOWN takes place in the early 1960s, when 19-year-old Bob Dylan arrives in New York with his guitar and revolutionary talent, destined to change the course of American music.  Forming his most intimate relationships during his rise to fame, he grows restless with the folk movement, making a controversial choice that reverberates worldwide. ANDREW BUCKLAND, ACE Andrew Buckland ACE is an Academy Award winning film editor who won the Oscar for his work on FORD v FERRARI alongside Michael McCusker ACE.  He received his B.F.A. in Film from Purchase College before transitioning into editing. Landing his first job on Alan Pakula's THE DEVIL'S OWN, Andrew has been a part of the editorial teams on many high-profile films including Mike Nichol's CLOSER and CHARLIE WILSON'S WAR.  Andrew subsequently directed two documentary films THE LONG WALL HOME and SOMOS WICHI, which won the 2012 Documentary Expose Award at The Peace On Earth Film Festival, Chicago USA.  Andrew began his collaboration with James Mangold on KNIGHT AND DAY and THE WOLVERINE, and later edited FORD v FERRARI, and INDIANA JONES AND THE DIAL OF DESTINY. Other credits include Co-Editing Tate Taylor's THE GIRL ON THE TRAIN and Additional Editing GET ON UP. SCOTT MORRIS Scott Morris is a film editor with over 10 years' experience. He has collaborated with directors James Mangold, James Gray, Adam McKay and Gareth Edwards. In 2022 he was named one of Variety's top 10 Artisans To Watch.  His last film, THE CREATOR was nominated for two Oscars. His previous collaborations with James Gray on ARMAGEDDON TIME and AD ASTRA were selected for competition in the Cannes and Venice film festivals respectively. Ad Astra went on to be nominated for an Oscar. He worked as an additional editor on Adam McKay's film, DON'T LOOK UP. It was nominated for 4 Oscars, including Best Film Editing for Hank Corwin. Scott is a graduate of Emerson College and represented by CAA. Editing A COMPLETE UNKNOWN In our discussion with A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris, we talk about: The sounds of the city, the sounds of the sixties Nuance, nuance and more nuance Finding humanity in the cutting room Making the film "sing" Editors as voice extras The Credits Visit Extreme Music for all your production audio needs Listen to Andrew talk about his Oscar-winning work on FORD v FERRARI with Mike McCusker Check out Scott Morris' podcast for THE CREATOR Hear Andrew talk about what it was like cutting INDIANA JONES AND THE DIAL OF DESTINY Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Two films that deal with dramatic endings to leaderships. One is about the scandal that brought down US president Richard Nixon, the other is about the events that lead to the dismissal of Australian Prime Minister Gough Whitlam. One won four Oscars and the other three Logies. Yes, today we're looking at Alan Pakula's All The President's Men and Kennedy/ Miller's TV Series' The Dismissal.

Seguimos obsesionados con Se Presume Inocente al grado que revisitamos la película de Alan Pakula, de 1990, con Harrison Ford. Algo similar pasó con Tornados, fuimos al cine a ver la segunda parte con -Daisy Edgar Jones y Glen Powell- y aprovechamos para retomar la primera, Tornado, de 1996. Hablamos de Entra en Mi Vida, la nueva película de José Manuel Cravioto, sobre una mujer que empieza su carrera como influencer, con Paulino Goto y Ximena Sariñana y aprovechamos para clavarnos en el mundo de los “creadores de contenido”. Por primera vez (quizá en la historia) los dos hicimos la tarea del #BrujasCinemaClub y nos pusimos darks, con Drácula, de Bram Stoker. Aprovechando el estreno de su película, las tres recomendaciones de la semana corren a cargo de José Manuel Cravioto cuya banda por cierto se llama"Los Tempestades" echenle oído en las plataformas de música. Esperen nuestra tercera temporada muy pronto.

GGACP celebrates the 50th anniversary (released June 14, 1974) of Alan Pakula's classic paranoia thriller "The Parallax View" (also featuring podcast guest Paula Prentiss) with this ENCORE of a conversation and critical analysis from 2015. In this episode: Warren Beatty takes on the Warren Commission! Billy (“you can call me ‘Ray'”) Saluga “joins” the cast of SNL! The enigma of Randy Quaid! And Gilbert sings the praises of "The Last Detail"! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we revisit an episode that seems more relevant today than back when we released it in 2019. This film about the Watergate investigations has aged finer still over the past 5 years.. All The President's Men (1976), directed by Alan Pakula.

I am joined by Brynn of the Generation Loss and Beep Beep Lettuce to discuss our first ever triple feature. This includes all three of Alan Pakula's "Paranoia Trilogy." We start with Klute, which features an oscar winning performance by Jane Fonda; The Parallax View staring Warren Beaty and then end with All the President's Men, with Dustin Hoffman and Robert Redford. Brynn: Twitter: https://twitter.com/kinematografi Stay Inside Music: https://twitter.com/StayInsideMusic Left of the Projector  Patreon: https://www.patreon.com/LeftoftheProjectorPod Letterboxd: https://boxd.it/5T9O1 Subscribe: https://leftoftheprojector.com Instagram: https://instagram.com/leftoftheprojectorpod TikTok: http://tiktok.com/@leftoftheprojectorpod --- Support this podcast: https://podcasters.spotify.com/pod/show/leftoftheprojector/support

With the betrayal of Watergate and the release of the Pentagon Papers, America in the 1970's was a haunted, disillusioned society, and much of that stress can be seen in the films of the period. But MG argues that, even in a decade that brought us Apocalypse Now and Three Days of the Condor, no director was more plugged into this paranoid zeitgeist than Alan Pakula! Join us for his twin masterpieces, Klute and The Parallax View!

GGACP congratulates actor Matthew Modine on the phenomenal success of “Oppenheimer” (yay, movie theaters!) by revisiting this unforgettable and wildly entertaining interview from 2021. In this episode, Matthew talks about the awkwardness of sex scenes, the unpredictability of chimps and the cruel fate of "Cutthroat Island" and looks back on his working relationships with Robert Altman, John Schlesinger and Stanley Kubrick. Also, Bruce Dern bumps off The Duke, Wallace Shawn stars in "12 Angry Men," Oliver Reed shows off a very special tattoo and Matthew and Gilbert co-star in the unforgettable "Funky Monkey." PLUS: Jiminy Glick! Ray Walston! "Jesus Was a Commie"! The cinema of Alan Pakula! The poetry of R. Lee Ermey! And Matthew remembers the legendary Albert Finney! Learn more about your ad choices. Visit megaphone.fm/adchoices

Reviews reviews reviews, hey ho, let's GO! That said I'm still not a Ramones fan, though I like about 2 songs, whatever. Love them or hate em, let's kick off another round of 70's movie reviews. Today's offering starts off with a 1970 made for TV movie which later did get a theatrical release titled (The Tribe). Here the dad from a Christmas story, hates that the marines are now taking draftee's. He also hates hippies, especially one played by Jan Michael Vincent. Set a course for zaniness here on the military base. So great to see Darren McGavin play a drill Sargent. Seems unlikely but I heart it very much. Lets move on to (Walkin g stick 1970). Here we have Samantha Eggar as Deborah a cool person who is used for crime by this asshat. I believe it's called a love con. Lots of 70's London in this and she figures out asshat in the end, oops spoiler. I can't really figure out how the whole spoiler thing fits into our lil pod, I do know that I'd like to assume you've seen it and wanna hear our take, but also we could be turning you on to some great films so I'll keep spoilers to a minimum. Let's advance now to level 3 with (11 Harrowhouse 1974) and can Candice Bergen, Charles Gordon, and James Mason, make this jewel heist film NOT dull as dishwater. See Ma, no spoilers, HA. Ok next up is (Green Eye's 1977) No spoilers but we love us some Paul Winfield, and this made for TV movie about a very sweet man with a cool mom, trying to do right and cope with what happened in nam, that I've been searching for forever and is now on you tube, is flipping amazing!!!! Also it deals with a very under talked subject in film, and that's our war orphans. Along comes another made for t.v. movie that is finally available on you tube, and that's (Perfect Gentlemen 1978). So much amazing stuff going into this one, Lauren flipping Bacall, Ruth Flippin Gordon, Sandy flipping Dennis, with a script by Nora flipping Ephron. It's quite a feat that this doesn't seem to exceed the sum of it's parts. Oops spoiler. It is good though, and you can always listen, if you want to know more. Finally today we have (Starting Over 1979) this is also a film that has a lot of awesome goin into it. Screenplay by Mary Tyler Moore and the Simpson's creator James Brooks, Murphy flipping brown, Jill Clayburgh, Charles Durning, Francis Sternhagen, the expert directing of Alan Pakula, and even Burt flipping Reynolds. Lets hear it folks. I think this one delivers, but I may sadly be alone in that assessment, but I'm writing this SO , it's the best and is loved by all. He he, I'm having a bit of fun today, thank you dear listers for your time, please tell your friends and or write us a review. Love us or hate us we'll take the feedback form, today only. Seriously though , thanks.

Hey, Q-Balls!We're back this week with a movie I swore I'd never watch again and a movie I have watched more times than I can count: A CLOCKWORK ORANGE & THE PARALLAX VIEW. We talk a whole lot about A CLOCKWORK ORANGE and I talk a little bit about THE PARALLAX VIEW.After a long Christina & Quinn Chat wherein we discuss Quinn's birthday, favorite childhood authors, ouija boards, meditation, progress vs. perfection, midlife and quarter-life crises, feeling jealous of young, talented people, and the differences in our personalities, we do get into it (Skip to minute 23:53 if you want to get right to the movies).Content Warning for A CLOCKWORK ORANGE. Violence including sexual violence.There are two sexual assaults depicted in the movie and we talk about knowing your limits when it comes to content vs. condemning art if you bail on it.We had a nice ramble about the plot, Malcolm MacDowell's face, Kubrick's calling cards and techniques, low-budget techniques used in the film, the design and costuming, and the many misuses of power demonstrated in the film.Of course, we have lots of Trivia and Letterboxd goodness! Thanks, for listening, WoHos & Q-Balls!Stuff we spoke about on the podcast:Anne of Green Gables IS on Scribd.com. I'm downloading it now!Paul Zindel's book WAS called The Undertaker's Gone Bananas (but is NOT on Scribd.com).According to an Interview at The Washington Post, Joseph Heller said, "The way 'Catch-22' began is that I'd just turned 30, and one day I decided maybe I was ready to write a novel".https://www.washingtonpost.com/archive/lifestyle/1984/10/08/catching-up-with-joseph-heller/34a76576-696f-415b-b1d7-efb0c398f065The Evolution of Horror covers THE LAST HOUSE ON THE LEFT & A CLOCKWORK ORANGEApple or SpotifyI couldn't find any specific artist who used mouths for eyes. Apparently, it is an Instagram filter. Who knew? I didn't.A Clockwork Orange GlossaryOf course, I meant that obscure indie film by a guy named Quentin Tarantino? RESERVOIR DOGS. (Cue rolling eyeball emoji).At time marker 1:50:13 (I KNOW!), I talk about THE PARALLAX VIEW, a film that, for me, has everything: Fantastic cinematography, political intrigue, a paranoid rage-filled, and down-on-his-luck investigative reporter with luxurious '70's hair, an assassination plot, an amazing cast including a glorified cameo by Paula Prentiss, shadows, surveillance/voyeurism, a homophobic small town sheriff, an awkward joke from a pretty woman, and connections (Get in touch and tell me how solid you think they are) to KILL LIST and A CLOCKWORK ORANGE. I hope you will give this film your time. It holds a special place in my heart.We discussed THE KILLING on Episode 37. We discussed KILL LIST on Episode 93.Are you still reading this, You Sweet WoHo? Bless Your Heart. We love that for you!J/K, We really do love you! DON'T go into the basement!--Christina Interstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-Media

Kevin is joined by veteran producer Monica Levinson to discuss producing award-winning blockbusters and giving back.Monica Levinson, ProducerMonica Levinson is a renowned film and television producer known for her exceptional range and versatility in the industry. From the critically-acclaimed drama Trial of the Chicago 7 to the blockbuster comedy Borat, Levinson's productions have received both popular and critical acclaim. She is a highly respected member of the film community, as a member of the Producers Branch of the Academy of Motion Picture Arts and Sciences, the Producers Guild of America, and the Directors Guild of America. Additionally, Levinson is a dedicated advocate for diversity and inclusivity in the film industry and has established a training program for underrepresented groups on the films she produces, and regularly mentors young and emerging filmmakers.Working with legendary producers (5:14)Monica talks about her early years in the film industry, where she got her start working with legendary filmmakers like Alan Pakula, Sidney Lumet, and Michael Mann. She cites her work with Alan Pakula as a defining moment in her career, as it was then that she fell in love with the entire process of film production, from pre-production to post-production.Early work on Zoolander with Ben Stiller (7:13)Monica recounts her experiences working on the set of Zoolander and the challenges of producing the film within budget constraints. She credits her work on Zoolander  with Ben Stiller as a major stepping stone in her career and believes it led to her being recommended to Sacha Baron Cohen and eventually producing the successful film Borat.A raucous test screening of Borat (12:24)Kevin and Monica talk about an early test screening of Borat and the audience reaction to “that scene.”Working with Sacha Baron Cohen and spending the night in jail (14:25)Levinson shares what it was like working with Sacha Baron Cohen, and giving him the freedom to let the creative process flow on Borat. She recounts the story of being arrested while filming Borat.Turning Thanksgiving Dinner into a documentary (24:41)Kevin asks Monica to talk about her recent documentary, The Stories of Us, an intimate portrayal of her family, her Jewish roots, and her upbringing.Test screening her new project with Bill Burr (31:57)Kevin asks Monica to share a time that an audience test screening led to a significant change in one of her films. Monica talks about her new project with Bill Burr, Old Dads, and how the audience response led to a reshoot.Giving back (40:13)Kevin and Monica delve into the topic of diversity and inclusivity in the industry, with a focus on Monica's efforts to advocate for and mentor underrepresented groups. Monica shares her advice for young and emerging filmmakers and highlights some of the projects she is currently working on that aim to empower and promote women within the industry. Host: Kevin GoetzGuest: Monica LevinsonProducer:  Kari CampanoFor more information about Monica Levinson:Instagram: https://www.instagram.com/monlevla/Twitter: https://twitter.com/monlevFor more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenE

Welcome to CRITICALLY RECLAIMED, where film critics William Bibbiani and Witney Seibold catch up on older movies one or both of them have never seen before, as chosen by YOU, our listeners! Because YOU demanded it, this week William Bibbiani and Witney Seibold investigate Alan Pakula's Oscar-winning thriller KLUTE, starring Jane Fonda as a sex worker who's stalked by a serial killer, and Donald Sutherland as a private detective on the hunt for the madman. Want to vote for future episodes of CRITICALLY RECLAIMED? All you gotta do is subscribe on Patreon! Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! And if you want soap, be sure to check out M. Lopes da Silva's Etsy store: SaltCatSoap! Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more! Support the show: https://www.patreon.com//criticallyacclaimednetworkSee omnystudio.com/listener for privacy information.

Phil and Dave discuss another special relationship as Phil takes 1976's All the President's Men. Woodward and Bernstein took down Nixon and Robert Redford and Dustin Hoffman take those roles and create amazing characters with brilliant performance. Gordon Willis shot this gorgeous movie and Alan Pakula directs it perfectly. Sadly, the content is still relevant all these later but this movie is a towering achievement and worth spending your time. Phil talks about becoming interested in Journalism, Nixon and newspaper movies and Dave finds the tone, atmosphere and performances to be compelling.

Carolyn Petit returns as special guest to lead our discussion of the 1970s on the penultimate episode of our “Hollywood by the Decade” series. She selected two acclaimed films to focus our discussion. From 1971, Alan Pakula's KLUTE, in which Jane Fonda plays a sex worker who teams up with an investigator (played by Donald Sutherland), to search for a missing person who'd once been a client of hers. In Paul Mazursky's 1978 film AN UNMARRIED WOMAN, Jill Clayburgh stars as an Upper West Sider who navigates dating, friendships, and parenting an independent teenage daughter in the aftermath of an unexpected divorce. Two disparate films about female characters directed by men, but connected by a very 1970s focus on character with glimpses into their inner thoughts and lives.Links Mentioned:Angelica Jade Bastién's Criterion Collection essay about An Unmarried Woman: https://www.criterion.com/current/posts/6975-an-unmarried-woman-the-business-of-being-a-woman“Everyone is Beautiful and No One is Horny”: https://bloodknife.com/everyone-beautiful-no-one-horny/Find Carolyn:twitter.com/carolynmichelleFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

Join Brett and Kyle as they discuss Alan Pakula's 1982 film Sophie's Choice starring Meryl Streep.

What is a common denominator between Harlan Marks, Amy Steel, Christopher Walken, Richard Dreyfuss, Sela Ward, and Chris Cooper? We all have been acting students of Harlan's Episode 11 guest, his real-life Kominsky, Bob McAndrew. Bob's teaching draws from a wide range of sources but primarily from the legendary Wynn Handman. A film acting coach, he has worked with directors John Huston, Alan Pakula, and Luc Besson. He's taught internationally - in New York, Los Angeles, London, Paris, Barcelona, Madrid, and Buenos Aires. Here is a partial list of actors he's coached or taught - Raul Julia, Christopher Walken, Chris Cooper, Sela Ward, John Stamos, Gloria Reuben, David Paymer, Corbin Bernsen, Tom Selleck, Sam Elliot, and Jon Lindstrom. Harlan can personally attest that his techniques and coaching give actors the tools to explore, let go of tension and build a strong character, all of which allow actors to take risks and feel confident in those risk choices. --- Send in a voice message: https://anchor.fm/harlan-marks/message

This episode is dedicated to the 1976 political drama centered around the Watergate scandal. The film was directed by Alan Pakula and stars Dustin Hoffman and Robert Redford. There will be spoilers!

Gilbert and Frank are joined by actor and filmmaker Matthew Modine ("Full Metal Jacket," "Birdy," "Married to the Mob") for a wildly entertaining and frequently hilarious conversation about the viciousness of film critics, the awkwardness of sex scenes, the unpredictability of chimps, the cruel fate of "Cutthroat Island" and his working relationships with Robert Altman, John Schlesinger and Stanley Kubrick. Also, Bruce Dern bumps off The Duke, Wallace Shawn stars in "12 Angry Men," Oliver Reed shows off a very special tattoo and Matthew and Gilbert co-star in the unforgettable "Funky Monkey." PLUS: Jiminy Glick! Ray Walston! "Jesus Was a Commie"! The cinema of Alan Pakula! The poetry of R. Lee Ermey! And Matthew remembers the legendary Albert Finney! Learn more about your ad choices. Visit megaphone.fm/adchoices

A film where Jane Fonda isn't named Klute! Kyle tries to secretly record people. Dave tries to become a better actor. The Machine is hopeful to throw somebody out a window. Jennifer Sanford joins the conversation in order to not self destruct. Jennifer Sanford hosts a podcast called Conservative Like Me: https://www.jennifersanford.ca/podcastShe also co-hosts, along with Kyle, the new podcast Somebody Date Jenn and Kyle: https://www.somebodydatejennandkyle.comYou can also follow Jenn on Twitter: https://twitter.com/thejennsanfordYou can follow us on Letterboxd to see the entire list of movies we've talked about: https://letterboxd.com/kdvstm/Watch the trailer for Klute here: https://youtu.be/3S4rxnjwFDgOur sponsors this week are:  Park Power - https://parkpower.ca - your friendly, local utilities provider in Alberta. Offering Internet, Electricity, and Natural Gas with low rates, awesome service, and profit-sharing with local charities. Pod Power - With Pod Power, our sponsors are making it possible for us to amplify the voices of Albertans and Alberta podcasters. This episode, Edmonton Community Foundation is helping us give a Pod Power shout out to Is This For Real? - https://isthisforreal.ca/podcast - a podcast about living as a Black person in Edmonton. Each season will centre around a different facet of Black life in the city. Send feedback to kyleanddavevsthemachine@gmail.comKyle and Dave vs The Machine is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comKeep up to date with Kyle and Dave vs The Machine by following its social media channels: Twitter: https://twitter.com/kdvstmInstagram: https://www.instagram.com/kdvstm/YouTube: https://www.youtube.com/channel/UCEZKUfH0IOp-lH5OQdIpvLwPatreon: https://www.patreon.com/kdvstmThis week the Machine printed out: 01000100 01101111 01101110 00100111 01110100 00100000 01100110 01100101 01100101 01101100 00100000 01100010 01100001 01100100 00100000 01100001 01100010 01101111 01110101 01110100 00100000 01101100 01101111 01110011 01101001 01101110 01100111 00100000 01111001 01101111 01110101 01110010 00100000 01101101 01101001 01101110 01100100 00101110 00100000 01001001 00100000 01110011 01101111 01110010 01110100 00100000 01101111 01100110 00100000 01101011 01101110 01100101 01110111 00100000 01111001 01101111 01110101 00100000 01110111 01101111 01110101 01101100 01100100 00101110 00100000 01000101 01110110 01100101 01110010 01111001 01100010 01101111 01100100 01111001 00100000 01100001 01101100 01110111 01100001 01111001 01110011 00100000 01100100 01101111 01100101 01110011 00101110★ Support this podcast on Patreon ★

John DeNicola is an American songwriter and producer. He is best known for co-writing the song "(I've Had) The Time of My Life", for which he won both an Academy Award and a Golden Globe Award, as well as receiving a Grammy nomination, in 1988. In 1989 he was the co-winner of ASCAP Awards' "Most Performed Songs from Motion Pictures" for "Time of My Life" as well as for "Hungry Eyes", another song from the film. Listen in as John tells Joseph about his latest release and the early days of analog recording.

How does one become a tech privacy attorney and a musician? How do you go to Mumbai to find your way? This is the story of Alan Chapell. Growing up on the multi-ethnic streets of Stamford, Connecticut, Alan Chapell was exposed to a multitude of music – playing piano and trumpet before the age of six and at age 15 recording with the legendary producer Jimmy ienner (Dirty Dancing, KiSS, etc) Along with his musical success, Alan has carved out a niche as an attorney . . . advising tech companies on privacy issues. When the producers of HBO's Silicon Valley consider creating a character to lampoon your role in the tech space, you know you've made it.

Richard Humann is a Brooklyn-based neo-conceptual artist whose work has been included in the Venice Biennale, represented the United States in the 2017 Karachi Biennale in Pakistan, and has had multiple national and international solo gallery and museum exhibitions. Richard was born and raised in the Lower Hudson Valley region of New York State. He divides his time between Brooklyn and Woodstock, NY. This podcast is not about art, it's about being an artist. Listen to Joseph and Richard talk it up.

Franke Previte: Academy Award and Grammy award winning songwriter, singer, talks with Joseph about his early childhood, selling cars in his driveway to earn money and how (I've Had) The Time of My Life and Hungry Eyes were written and how they found their way in movie Dirty Dancing.

Joseph met Diana at a SAG-AFTRA workshop and have been friends since. Diana is an actor, voice actor and producer. Known for her recurring roles on "The Young and the Restless" and "Days of Our Lives", she has also done a number of TV Commercials. She began working in Group ADR in 2010, on "Eureka", and has been heard on "Alphas", "Defiance", "Code Black", "Quantico", "Midnight Texas", "Into The Dark" and more. The daughter of an avionics mechanic from Sri Lanka and a Danish mother, Diana's unusual ethnic background has granted her a strong sense of culture. Her love of travel began at a young age and she's been to over 30 countries. www,dianalansleen.com

Bill Schnee is an internationally renowned producer, engineer, and mix master. He has received over 125 gold and platinum records and more than 50 Top 20 singles that run the gamut from Barbra Streisand to The Jacksons, Rod Stewart to Steely Dan, and Whitney Houston to Dire Straits. This is my conversation with Bill about his journey and his art. Check out Bill's new book: Chairman at the Board: Recording the soundtrack of a Generation

Today's guest is Nashville music producer, singer, songwriter Aaron Ruiz. Aaron is an artist who has had hundreds of songs placed in tv shows. Joseph and Aaron talk about the work it takes to stay present, dealing with negative self talk and accepting that we are not in control of whether a song is a success or not. www.aaronandandrew.com https://soundcloud.com/skyline-brigade

Meridith and Joseph have a podcast (Are You Waiting For Permission) dedicated to those of us who have stood on the edge, waiting for others to give us permission to pursue our dreams. Today, Joseph interviews Meridith and Joseph about their creative journeys as actors, coaches and podcasters.

Today Cathy and Joseph wrap up their conversation. We learn of Cathy's acting opportunities; how she drove 3 hours each way for her auditions and how she views her creative process.

This week, Cathy and Joseph continue their conversation. We hear how Cathy moved forward with her education and started modeling. We also learn of the one woman who positively impacted her life.

Cathy is a first generation Vietnamese American born and raised in Seattle, WA. To say that Cathy grew up under difficult circumstances is an understatement. Her story is one of hard work, perseverance and survival. Cathy graduated with a degree in psychology from the University of Washington all the while working as a genetic researcher at the Fred Hutchinson Cancer Research Center. She earned her second degree in Graphic Design & Illustration. Cathy worked her way through various design specialties for Fortune 500 companies and found her sweet spot as an e-commerce User Experience (UX) / Product Designer. Cathy has appeared in GRIMM, LEVERAGE and is a recurring guest star for a series to be announced soon as well as a recurring guest star on an animated series. www.cathyvu.com

Thomas Laub is a producer currently represented on Broadway with David Byrne's American Utopia (Special Tony Award). Past work includes Slave Play (Tony Nomination), Seven Deadly Sins, and the site-specific Myths & Hymns. Upcoming: Douglas Carter Beane's Fairycakes, Selina Fillinger's POTUS, and Plaza Suite starring Matthew Broderick and Sarah Jessica Parker. Founder of Runyonland Productions and entertainment revenue management firm Standing Room Theatrical Solutions.

Katie Leigh is a voice actress, best known for her roles as Sunni Gummi in Disney's Adventures of the Gummi Bears, Zuzu in Poppy Cat, Alex in the first two seasons of Totally Spies!, and as Connie Kendall in the Focus on the Family radio program Adventures in Odyssey since 1987. This is her story.

Today's episode you'll hear Joseph talk about his decision to change markets - from NYC to Los Angeles; how a scoring rejection caused to him to reconsider his dreams and how he received the opportunity to compose the underscore music for American Sniper.

Powerful organizations shrouded in secrecy, pulling strings from the shadows, snuffing out all who would dare expose the truth to an unsuspecting populace… It's hard not to love conspiracy thrillers, and 1970s movie theaters were chock full of them. This week, the Sordid Cinema crew is taking a look at one of the best, the second in director Alan Pakula's ‘Paranoia' trilogy, The Parallax View. Clearly taking inspiration from real-life political assassinations, the story features an intrepid reporter investigating a shadowy corporation that appears to be recruiting and training deadly operatives to ‘remove' political obstacles. But don't worry about getting bogged down in plot details — there are too many car chases, bar fights, bomb threats, and boat explosions to distract from what's really happening. Join Rick, Simon, and Patrick as they explain just what makes The Parallax View such a solid thriller, including the masterful cinematography, excellent staging, and overall likability of star Warren Beatty (even if someone thinks he should have been replaced). But can you trust a film that doesn't answer all the questions? We may never know exactly what's goin on, but there's a lot of fun in trying to figure it out. For all this and more, have a listen! Listen on LinkTree | Amazon | Spotify | iTunes | Podbean | YouTube | Listen Note | iHeartRadio | Pandora Follow Sordid Cinema on Twitter

For the first episode of Pivot Point in year two, Joseph continues with an exploration of his own journey. This Pivot Point explores his years in Nashville, his time working at Belmont Church, his unsuccessful production company and how he dealt with difficulties in his personal life. This two-part series starts where he left off in bonus episode #4. Want to know more about his earlier journey? Listen to bonus episodes 1 - 4 in year 1.