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Y cayó la más oscura de las noches como cae el telón tras el último acto y las tinieblas se cernieron sobre el mundo y los fríos páramos quedaron yermos bajo la bruma, desnudos y ateridos en la más absoluta indigencia. Las almas vagaron sin rumbo a la deriva en la corriente, meciéndose en un agitado mar, ahogándose de prejuicios, naufragando en el abismo. Dolor y agonía de una orfandad súbita, el silencioso llanto desgarrador del eterno deambular en la oscuridad del alma. Débiles susurros que se lleva el viento. Los pasos cansados de recorrer una y mil veces el mismo camino polvoriento; la lucha por levantar el terrible peso de arrastrar una cruz que te doblega y te arroja contra el suelo en la extenuación de la noche más oscura. Música para descender a los abismos. Música para la Semana Santa. Ashot Danielyan, IKSRE, Raphah, Biggi Hilmars, Kyle Preston, Simon Daum, Jocelyn Pook, Joel D. Hitos, Lyndsie Alguire, Jóhann Jóhannsson, Wolfgang Amadeus Mozart, Gabríel Ólafs, Richard Einhorn, Jonathan Zalben, Skrika, Adrian Lane, Nasus, Ozbolt, Javier Sabadell, Craig Armstrong, Ryan Teague, Secret of Elements, Jeff Russo & Paul Doucett. 🎧 lostfrontier.org/dark.html#1047
durée : 00:53:29 - Certains l'aiment Fip - Révélée par sa B.O d'"Eyes Wide Shut" de Kubrick, l'artiste qui a aussi composé pour Martin Scorsese, Robin Campillo, Laurent Cantet, Sébastien Lifshitz, Alice Winocour ou Laetitia Masson, est notre invitée pour nous parler de ses collaborations.
#碎碎念01.第一次听switchfoot还在大学那时我们过着整天聚在一起唱歌弹吉他的嬉皮生活有次一个男孩唱「24片海洋 24片天空有24个人 在24个地方同时发现了自己」就一下记住了这首歌觉得switchfoot这个乐队名字很酷它是一个冲浪术语意思是当你冲向巨浪时调整方向的一个脚下动作
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (17.04.2023) - Place à notre première revue d'actualités printanières avec 4 albums sélectionnés dans le large spectre des musiques illustratives et narratives ! L'album "Tightrope" du néerlandais Michel Banabila servira de fil rouge à notre émission. Ce compositeur érudit n'a de cesse de se réinventer aux frontières de l'électronique, du néoclassique et des expérimentations ethniques. Protégée du label Real World, Jocelyn Pook offrira ensuite la bande son frissonnante d'un spectacle de danse revisitant la classique de Kipling, Le Livre de la Jungle. Puis, "Sleep : Tranquility Base" de Max Richter perpétuera son concept de "musique pour dormir" avec un soundtrack à la douceur cosmique éclairé par les notes élégantes de son orgue et la voix angélique d'une soprano. Et enfin, cette mission 226 accueillera un duo de Montréal, All Hands_Make Light, qui distille un rock brumeux aux allures de rituels psychédéliques contemplatifs.
Aprovechando que el programa de “Cuéntame un musical” estaba dedicado al musical “& Juliet”, que nos presenta una simpática historia con la pugna entre Shakespeare y su mujer Anne Hathaway para conseguir cambiar el argumento de “Romeo y Julieta”, decidimos montar unas playlists de fragmentos de bandas sonoras de películas, que han tenido las obras del escritor inglés como fuente de inspiración. En este primer programa tendremos las músicas de Angelo Francesco Lavagnino para el “Campanadas a medianoche” y el “Othelo” de Orson Welles, a Carter Burwell y sus temas para “Hamlet” y “Mackbeth”, Elliot Goldenthal con “La tempestad” y “Titus”, Ennio Morricone con Hamlet, Erich Wolfgang Korngold y Felix Mendelsshon para “El sueño de una noche de verano”, Jocelyn Pook con “El mercader de Venecia”, John Scott para “Marco Antonio y Cleopatra”, Masaru Sato para “Trono de sangre” y Miklos Rozsa para “Julio César”. El mes próximo sacaremos un segundo volumen con temas de Patrick Doyle, Toru Takemitsu, Trevor Jones y William Walton. Esperamos haber acertado con la selección 00h 00’00” Presentación 00h 01’07” Cabecera 00h 01’42” ANGELO FRANCESCO LAVAGNINO – Campanadas a medianoche 00h 01’42” Apertura festosa 00h 02’55” Intermezzo agreste 00h 06’03” Corale mistico 00h 09’13” ANGELO FRANCESCO LAVAGNINO – Othelo 00h 09’13” Chant 00h 13’15” The seed of doubt 00h 16’17” The deciver is revealed – The death of Othelo 00h 18’39” CARTER BURWELL – Hamlet 00h 18’39” Too too solid flesh 00h 21’17” Murder most foul 00h 24’28” To be or not to be 00h 27’05” The end 00h 30’24” CARTER BURWELL – La tragedia de Mackbeth 00h 30’24” Birnam wood 00h 32’48” The end of Mackbeth 00h 36’11” ELLIOT GOLDENTHAL – La tempestad 00h 36’11” O mistress mine 00h 39’12” High day too-step 00h 41’12” Full fanthom five 00h 45’18” Brave new world 00h 47’57” ELLIOT GOLDENTHAL - Titus 00h 47’57” Suite 00h 59’36” ENNIO MORRICONE – Hamlet 00h 59’36” Suite 01h 09’35” ERICH W. KORNGOLD / FELIX MENDELSSHON – El sueño de una noche de Verano 01h 09’35” Obertura 01h 16’28” JOCELYN POOK – El Mercader de Venecia 01h 16’28” With wandering steps 01h 18’34” Her gentle spirit 01h 21’24” How sweet the moonlight 01h 25’37” Bridal ballad 01h 30’08” JOHN SCOTT – Marco Antonio y Cleopatra 01h 30’08” Overture 01h 39’23” Main titles 01h 43’00” Egyptian bacchanal 01h 46’55” Eternal rest 01h 48’52” MASARU SATO – Trono de sangre (Mackbeth) 01h 48’52” Main theme 01h 52’41” MIKLOS ROZSA – Julio César 01h 52’41” Overture 01h 55’44” Prelude – Idle creatures 01h 58’40” Titanus enclosed – Caesar revenged- Caesar, now be still- Rites of burial - Finale
Studio Soundtracks celebrates International Women's Day alongside six women working in music for film, television, and video games. Chanda Dancy, Lili Haydn, Anna Drubich, Taura Stinson, Jessica Rose Weiss, and Dara Taylor all joined the program to talk about the work of six other female composers in support of their colleagues and to champion each other's work. Listen to the program to hear works by Yoko Kanno, Jocelyn Pook, Mica Levi, Laura Karpman, Anne Dudley, and Natalie Holt. You can learn more about women working in film, television, and video games through The Alliance for Women Film Composers - an organization dedicated to advocating for women composers worldwide. www.theawfc.com
Please join us as we discuss Stanley Kubrick's final contribution to the cinematic arts, "Eyes Wide Shut." This film from 1999 has layers upon layers. No one really knew how to market this opus when it was released. Erotic thriller? Psychological thriller? Other? There are certainly some erotic elements in the film, but it's about so much more. Nicole Kidman and now ex-husband Tom Cruise give Kubrick everything. This film is a dreamscape, a social critique, a tale of what it means to be bound to another human being. It is about so many things, and accordingly we have much to say. This was such an enjoyable discussion, and we hope you will join us!
As time appears to fall still between Christmas Day and New Year's Eve, Josie Long presents short documentaries and audio adventures that play with our temporal senses. Blight Created by Jocelyn Pook and John Smith Originally created for the series Sound on Film in 1996 Released on Purge Records Raven Produced by Vaida Pilibaitytė Time Stops Produced by Jules Bradley Curated by Axel Kacoutié, Eleanor McDowall and Andrea Rangecroft Series Producer: Eleanor McDowall A Falling Tree production for BBC Radio 4
You know, there's something very important that we need to do as soon as possible. F...ilmshake. Right before we ring in 2023, we're ringing every masked ounce out of Stanley Kubrick's 1999 swansong, Eyes Wide Shut. No dream is ever just a dream, but is this movie a masterpiece, or is every touch of perceived meticulous genius just a meticulous aesthetic choice made solely for the sake of aesthetics? Also, we're talking 1993's BMX Bandits, where a teenaged Nicole Kidman rides around with some bicycle blokes to fight crime. Only on Filmshake...seriously, only on Filmshake.Music Heard This Episode:"Musica Ricercata, II (Mesto, Rigido E Cerimoni Ale)" -- György Ligeti"The Dream" -- Jocelyn Pook"Masked Ball" Jocelyn Pook"Baby Did A Bad Bad Thing" -- Chris IsaakConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment
Hang your stockings by the chimney, roast some chestnuts on that open fire, and prepare yourself for a very special Twisted Christmas installment. Our annual yuletide derangement has morphed into a Geek Challenge, featuring two obviously similar films: Paul has challenged Arlo to Michael Curtiz's holly jolly classic White Christmas (1954), and in turn Arlo has thrust upon Paul Stanley Kubrick's festive psychosexual nightmare Eyes Wide Shut (1999). Paul has some harsh words for Kubrick's orgy, Arlo cringes at old-timey patriotism, and both of our boys come away filled with a little less Christmas cheer. Oh, and who is Danny Kaye again? NEXT: for our season finale, we become real boys for Guillermo del Toro's Pinocchio. BREAKDOWN 00:00:52 - Intro / Paul and Arlo's Holiday Spirit 00:11:15 - Eyes Wide Shut 01:12:40 - White Christmas 02:02:00 - Outro / Next LINKS “35 Surprising Things About 'White Christmas' That Even Movie Buffs Don't Know” by Asher Fogle and Janaya Wecker, Good Housekeeping “‘Eyes Wide Shut' at 15: Inside the Epic, Secretive Film Shoot that Pushed Tom Cruise and Nicole Kidman to Their Limits” by Amy Nicholson, Vanity Fair “Debunking the Myths Around Eyes Wide Shut, Stanley Kubrick's Final Film” by Katherine Jane Alexander, AnOther MUSIC “Baby Did a Bad Bad Thing” by Chris Isaak, Forever Blue (1995) “Masked Ball (1999 Extended Mix)” by Jocelyn Pook, Flood (1999) “Musica ricercata, II (Mesto, rigido e cerimoniale)” by Dominic Harlan, Eyes Wide Shut (1999) “The Best Things Happen While You're Dancing” by Danny Kaye, Selections from Irving Berlin's “White Christmas” (1954) GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/ Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/ US (877) 565-8860 Canada (877) 330-6366 National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/ Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/
Book Vs. Movie: Eyes Wide ShutThe 1999 Classic Stanley Kubrick Film Vs. The 1926 Short Story by Arthur Schnitzler Do you know the password? The inside password? The Margos look at the 1999 Stanely Kubrick film Eyes Wide Shut, which was released after the director's death in March and at the SAME time as The Blair Witch Project and is one of the most debated of his works. A sex drama about an impossibly beautiful couple (then married Tom Cruise and Nicole Kidman), the film explores the themes of marriage, fidelity, identity, consequences, and …masks? This is either one of the best films of Kubrick's career or the dullest. Let's get ready to discuss! Having bought the rights to the German author Arthur Schnitzler's novella Traumnovelle/Rhapsody: A Dream novel in 1968, Kubrick wanted to create a masterpiece about love, sex, and identity but often felt he was not ready to film the version in his mind. When he met Cruise and Kidman in 1996, he finally met his essential “Bill and Alice Hartford,” two extraordinarily beautiful people who can convey insecurity and lust. (He tried filming with Harvey Keitel and Jennifer Jason Leigh, but they both had to leave production when he took longer than they had time to commit to the project.) The shooting began officially in November 1996 in England as Kubrick (a Bronx native) moved there in the 1970s to avoid flying to any set. It finally wrapped in June 1998, becoming one of (if not THE) longest film production of all time. Kubrick was able to show his final version before his death, and from there, we get controversies about how “final” this version was. The 1925 original story is very close to the filmed adaptation about a couple who attend a masquerade ball and then confess/or deal with urges to confess infidelity. The masks, orgies, and walking around in a stressful state of being are similar to the 1999 film, as is much of the original dialogue. Which did we like better, the 1926 novella and the 1999 film? You have to listen to find out!!In this ep the Margos discuss:The films of the late Stanley Kubrick and why Eyes Wide Shut was so controversialCritic's reaction to the film (including Roger Eberts's outburst at an Eyes Wide Shut critic's screening) The chemistry between the leadsThe explicit sex scenes and nudityWhat is this story really about?The cast: Tom Cruise (Dr. William “Bill” Harford,) Nicole Kidman (Alice Hartford,) Sydney Pollack (Victor Ziegler,) Todd Field (Nick Nightingale,) Marie Richardson (Marion Nathanson,) Sky du Mont (Sandor Szavost,) Rade Serbedzijja (Milch,) Thomas Gibson (Carl,) Vinessa Shaw (Domino,) Fay Masterson (Sally,) Alan Cumming (Hotel Desk Clerk,) Leelee Sobieski (Milch's daughter,) Julienne Davis (Mandy,) Madison Eginton (Helena,) Abigail Good and Gary Goba (naval officer.) Clips used:“What's the second password?” Eyes Wide Shut original 1999 trailer.Dr. Bill and Alice, before the partyBill & Alice flirting at the partyAlice confessors her secret Danish crush Domino meets Dr. BillAlice has a bad dreamAlan Cumming!Mr. Milliach, after the partyDr. Bill and Alice at the endRoger Ebert in 2000Music by Jocelyn Pook and Chris Isaak Bad Bad Thing Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: Eyes Wide ShutThe 1999 Classic Stanley Kubrick Film Vs. The 1926 Short Story by Arthur Schnitzler Do you know the password? The inside password? The Margos look at the 1999 Stanely Kubrick film Eyes Wide Shut, which was released after the director's death in March and at the SAME time as The Blair Witch Project and is one of the most debated of his works. A sex drama about an impossibly beautiful couple (then married Tom Cruise and Nicole Kidman), the film explores the themes of marriage, fidelity, identity, consequences, and …masks? This is either one of the best films of Kubrick's career or the dullest. Let's get ready to discuss! Having bought the rights to the German author Arthur Schnitzler's novella Traumnovelle/Rhapsody: A Dream novel in 1968, Kubrick wanted to create a masterpiece about love, sex, and identity but often felt he was not ready to film the version in his mind. When he met Cruise and Kidman in 1996, he finally met his essential “Bill and Alice Hartford,” two extraordinarily beautiful people who can convey insecurity and lust. (He tried filming with Harvey Keitel and Jennifer Jason Leigh, but they both had to leave production when he took longer than they had time to commit to the project.) The shooting began officially in November 1996 in England as Kubrick (a Bronx native) moved there in the 1970s to avoid flying to any set. It finally wrapped in June 1998, becoming one of (if not THE) longest film production of all time. Kubrick was able to show his final version before his death, and from there, we get controversies about how “final” this version was. The 1925 original story is very close to the filmed adaptation about a couple who attend a masquerade ball and then confess/or deal with urges to confess infidelity. The masks, orgies, and walking around in a stressful state of being are similar to the 1999 film, as is much of the original dialogue. Which did we like better, the 1926 novella and the 1999 film? You have to listen to find out!!In this ep the Margos discuss:The films of the late Stanley Kubrick and why Eyes Wide Shut was so controversialCritic's reaction to the film (including Roger Eberts's outburst at an Eyes Wide Shut critic's screening) The chemistry between the leadsThe explicit sex scenes and nudityWhat is this story really about?The cast: Tom Cruise (Dr. William “Bill” Harford,) Nicole Kidman (Alice Hartford,) Sydney Pollack (Victor Ziegler,) Todd Field (Nick Nightingale,) Marie Richardson (Marion Nathanson,) Sky du Mont (Sandor Szavost,) Rade Serbedzijja (Milch,) Thomas Gibson (Carl,) Vinessa Shaw (Domino,) Fay Masterson (Sally,) Alan Cumming (Hotel Desk Clerk,) Leelee Sobieski (Milch's daughter,) Julienne Davis (Mandy,) Madison Eginton (Helena,) Abigail Good and Gary Goba (naval officer.) Clips used:“What's the second password?” Eyes Wide Shut original 1999 trailer.Dr. Bill and Alice, before the partyBill & Alice flirting at the partyAlice confessors her secret Danish crush Domino meets Dr. BillAlice has a bad dreamAlan Cumming!Mr. Milliach, after the partyDr. Bill and Alice at the endRoger Ebert in 2000Music by Jocelyn Pook and Chris Isaak Bad Bad Thing Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
The opening guest in the new series of Why Dance Matters is a star among contemporary dance artists. Akram Khan is a dancer, choreographer, director and dreamer, whose work has shaped the international landscape of dance. He came to attention early as a virtuoso in kathak, the Indian classical dance form, and at 13 appeared in Peter Brook's landmark Mahabharata. His own work explores kathak, contemporary dance and increasingly classical ballet, driving deep roots into myth and his own personal story – and our conversation is heartfelt and thoughtful, spiralling off in unexpected directions. About Akram Khan Akram Khan is one of today's most celebrated dance artists, his imaginative and highly accessible productions including XENOS, Until the Lions, DESH, Vertical Road, Gnosis and zero degrees. A magnet to world-class artists from other cultures and disciplines, he has collaborated with the National Ballet of China, Juliette Binoche, Sylvie Guillem, Kylie Minogue, Florence and the Machine, visual artists Anish Kapoor and Antony Gormley, and composers Steve Reich, Nitin Sawhney and Jocelyn Pook. He created a section of the London 2012 Olympic Games Opening Ceremony, and has developed a close collaboration with English National Ballet. He was awarded an MBE in 2005. Find out more about the work of the RAD Follow the RAD on social media, and join the conversation with host David JaysInstagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjays Sign up to our mailing list RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or make a donation. Explore Akram's work and find where Jungle Book Reimagined and Outwitting the Devil are touring at https://www.akramkhancompany.net/whats-on/ Creature premieres at the London Film Festival on 15 October and will be released in cinemas in the UK and Ireland on 24 February 2023. https://www.ballet.org.uk/onscreen/creature-film/ Hosted on Acast. See acast.com/privacy for more information.
De Peter Gregson e Iskra String Quartet a Jóhann Jóhannsson, Max Richter, Ben McElroy, Natacha Atlas con Lalon Sha o Jocelyn Pook, Daniel Herskedal y Emilie Nicolas, Ólafur Arnalds y Reykjavik Recording Orchestra oLuke Howard y la Orquesta Budapest Art. Escuchar audio
Another January! It seems only a year since the last one. It's a time for resolutions (Put off procrastinating) and listening to the radio show that somebody's talking about (probably me). This show features music by The Web, Michael Nyman, Wanda Jackson, Robyn Hitchcock, The Roamin' Jasmine, Growling Tiger, Steely Dan, Otto Gray & His Oklahoma Cowboys and Jocelyn Pook - and many others... but to find out who they are, you'll have to listen to the show (although there's a full list of the featured performers on the website...).
PRZESTRZEŃ I DŹWIĘK 177 W programie audycji Przestrzeń i Dźwięk tym razem głównie skupimy naszą uwagę na najnowszym albumie VANGELISA „Juno To Jupiter” Wśród innych artystów będziecie mogli usłyszeć miedzy innymi Tomasza PERZ, ESCOSTATIC oraz JOCELYN POOK. Zapraszam Jacek Ciołek
Min 0: INTRODUCCIÓN: “SER O NO SER” …Esa es la cuestión. Con la pandemia repuntando y las plataformas apretando, el mundo del cine vuelve a los cuarteles de invierno y se reserva las grandes bazas con las que comienza el año para fines de semana más propicios. Sólo “Scream” se atreve a romper el hielo invernal y “La Tragedia de Macbeth”, de Joel Coen, reabre el debate entre cine y plataformas con su estreno simultáneo en “Apple Tv” y en salas selectas. Min 5: FILTRO LUCHINI: MACBETH + SCREAM Un clásico revisitado a lo grande (“Macbeth”) y una saga que se estira con miedo (“Scream”). El minuto y marcador del cine pone sobre la mesa de Estamos de Cine un dilema doble y hasta triple. La crisis de estrenos en semanas grises, la crisis creativa en Hollywood (grandes como Spielberg y Coen remozando historias ya vistas) y la reflexión de Ben Afleck sobre el presente y el futuro del cine: pocas películas al año en salas y enorme y variada oferta anual en plataformas de pago. Alberto Luchini y Raquel Hernández templan su acero crítico para ponderar la primera apuesta en solitario de Joel Coen y analizan la otra vez preocupante situación del Séptimo Arte en el arranque del año. Min 35: ESPECIAL BSO UNIVERSO SHAKESPEARE “La Tragedia de Macbeth”, como lo hizo a finales de año “West Side Story”, trae de vuelta la grandeza dramática y argumental de William Shakespeare. Si algo tienen en común las películas que han bebido del genio británico es que suelen estar acompañadas de una brillante banda sonora. Nuestro experto en música de cine, Ángel Luque, nos ofrece un exquisito repaso de las piezas musicales que han dejado adaptaciones como el “Julio César” de Mankiewicz, el “Enrique V” y el “Hamlet” de Branagh, “El Mercader de Venecia” de Radford o “El sueño de una noche de verano”, de Hoffman. Épica, clasicismo, espiritualidad, efectismo y emotividad sirven para definir las piezas compuestas por grandes músicos como Miklós Rózsa, Patrick Doyle o Jocelyn Pook. Una ocasión especial para disfrutar de un programa premeditadamente shakesperiano en el que esperamos que haya más nueces (análisis, debate, información, entretenimiento y buena música) que ruido. Gracias por elegirnos. Feliz escucha.
With a list of collaborators that include the likes of Anoushka Shankar, Nitin Sawhney, Talvin Singh OBE, Kae Tempest, Jocelyn Pook, Oi Va Voi, and Bianca Gismonti, and London Contemporary Orchestra, amongst many others, Memphis-born, US-Indian Violinist/Composer, Fullbright scholar and co-founder of ensembles Quest Ensemble and Balladeste Preetha Narayanan embodies a unique musical personality which transcends multiple genres, cultures, and countries. On completion of a Masters's and a doctorate in Creative Learning at the Guildhall School of Music & Drama, the London-based artist is also a practicing Yogi and a certified yoga teacher from the renowned Krishnamacharya Yoga Mandiram institution in Chennai, India has gone on to be one of the city's most valued members of the global arts community. In this contemplative conversation we catch up for the first time since our last encounter collaborators at an intimate concert in London and riff on the experiences of growing up brown in white social paradigms, the practice of Yoga as a philosophy, and the impact broad-minded parenting from a generation less privy to labels can have on the subconscious mind and eventually the practice of an art. This episode is brought to you by: www.holisticpianoacademy.com Music by: www.everynowheremusic.com Text: www.tlwrites.com Produced by T.L. Mazumdar Recorded on a Zoom L8 mixer kindly sponsored by: https://www.sound-service.eu Connect with Preetha: http://www.preethanarayanan.com http://instagram.com/preenaraya Connect with T.L: DEBUT SOLO PIANO ALBUM Artist Website: www.everynowheremusic.com Coaching: www.holisticpianoacademy.com Instagram: https://www.instagram.com/everynowheremusic/ Spotify: https://spoti.fi/39S0dP5 Facebook: https://www.facebook.com/tlmusician Twitter: https://twitter.com/tlmazumdar
The NHB Playgroup from Nick Hern Books brings you one great play to read and discuss each month, followed by a Q&A with the writer. In this episode of The NHB Playgroup Q&A Podcast, we spoke to Frances Poet about her moving, award-winning play Adam. We were also joined by special guest Adam Kashmiry, whose story inspired the play and who starred in the premiere production. Adam was first performed by the National Theatre of Scotland at the Traverse Theatre, Edinburgh, during the Edinburgh Festival Fringe 2017, where it won a Fringe First award. It was later performed on tour around the UK, as well as in New York. It was directed by Cora Bissett, with music by Jocelyn Pook.Adam was also adapted for screen, with the film released in March 2021 and currently available to watch on BBC iPlayer. The screen adaptation was nominated in the Television Scripted category at the BAFTA Scotland Awards.See more about The NHB Playgroup here: www.nickhernbooks.co.uk/playgroup Host: Siân Mayhall-Purvis Producer: Jon Barton Executive Producer: Matt Applewhite
Friends-in-arms reveling at the intersection of classical virtuosity, existential poetics, and art-film surrealism, Seattle art-pop duo Glass Heart String Choir weaves golden lyrical threads of haute-art into their achingly beautiful orchestral tapestry. Always ambitious in their quest to create unique compositions that stand out from other string-heavy chamber-pop, their latest release California is a beautiful art-song reminiscent of Damien Rice or Joanna Newsom. The song begins in warm orchestral depths, with Williams delivering the song's hook, “Do you remember?” in delicate yet sanguine tones, setting us up for the tug-of-war between fond recollection, consolation, and sorrow that permeates the compact 2:30 song, floating upon multi-instrumentalist and producer Katie Mosehauer's elegant violin melodies and choral soundscapes suggestive of contemporary soundtrack composers Yann Tiersen and Jocelyn Pook. The 100+ string-sections and near-operatic highs of previous releases are replaced with an airy, Enya-esque choir that haunts the piano-driven bridge, and boldly carries the song forward in its latter half, bringing a soft new dimension to the traditional repertoire. The video, conceived and directed by Mosehauer, finds Glass Heart String Choir unraveling the complexities of memories and dreams, where the borders of the real world and the mythical one of our recollections are intertwined, slipping between remembrance and history. Filmed with specialty lenses that accentuate light and refract and reflect the edges of our visual field, the video serves as a metaphor for myth, hallucination, mirage; a cognate of the heart imagined, speculated, remembered, both in stunning detail and hazy, alluring beauty. Support this podcast
Friends-in-arms reveling at the intersection of classical virtuosity, existential poetics, and art-film surrealism, Seattle art-pop duo Glass Heart String Choir weaves golden lyrical threads of haute-art into their achingly beautiful orchestral tapestry. Always ambitious in their quest to create unique compositions that stand out from other string-heavy chamber-pop, their latest release California is a beautiful art-song reminiscent of Damien Rice or Joanna Newsom. The song begins in warm orchestral depths, with Williams delivering the song's hook, “Do you remember?” in delicate yet sanguine tones, setting us up for the tug-of-war between fond recollection, consolation, and sorrow that permeates the compact 2:30 song, floating upon multi-instrumentalist and producer Katie Mosehauer's elegant violin melodies and choral soundscapes suggestive of contemporary soundtrack composers Yann Tiersen and Jocelyn Pook. The 100+ string-sections and near-operatic highs of previous releases are replaced with an airy, Enya-esque choir that haunts the piano-driven bridge, and boldly carries the song forward in its latter half, bringing a soft new dimension to the traditional repertoire. The video, conceived and directed by Mosehauer, finds Glass Heart String Choir unraveling the complexities of memories and dreams, where the borders of the real world and the mythical one of our recollections are intertwined, slipping between remembrance and history. Filmed with specialty lenses that accentuate light and refract and reflect the edges of our visual field, the video serves as a metaphor for myth, hallucination, mirage; a cognate of the heart imagined, speculated, remembered, both in stunning detail and hazy, alluring beauty. Support this podcast
Episode 47 welcomes back DjAaNmIeEsL 24-06-2021 - DarkRoom Opening tracks: Aine O'Dwyer - Beansidhe Andrea Taeggi - Hyphae Thrive The Haxan Cloak - Fall Fluorescent Grey - Ritual at Oscar Grant Plaza Main - Rive Pt. 2 Also featured tracks by Patti Smith, Expressway Yo-Yo Dieting, Kate Carr, Swans, Comets On Fire, Dual Action, Mike Oldfield, Buried Alive, Fields of the Nephilim, Bauhaus, Robert Johnson,Jocelyn Pook. And more.
Contains brief strong language. Join film artist John Smith as he explores some of the major works of his career from his breakthrough film The Girl Chewing Gum, through documentary works including Blight and Home Suite, to his most recent works in the video medium including the Hotel Diaries, The Kiss and Citadel. A number of John's recent films can be found on YouTube including Dad's Stick: https://www.youtube.com/watch?v=rx2hPQ2S08k&t=25s Several more films and excerpts are available on Vimeo: https://vimeo.com/johnsmithfilms/videos And there is a DVD box set available from Lux Online, for which 50% of all sales go directly to the artist: https://luxmovingimage.square.site/product/john-smith-3-dvd-boxset/70?cp=true&sa=false&sbp=false&q=false&category_id=10 John collaborated with composer Jocelyn Pook for the film Blight. Find out more about her work here: https://www.jocelynpook.com Filmmakers discussed in this episode include: Peter Gidal Nicky Hamlyn Writers & Artists discussed in this episode include: A.L. Rees Cornelia Parker Berthold Brecht
A celebration of the Bard of Avon (and Shakespeare, too) by such diverse artists as Laura Marling, Dave Alvin, Richard Thompson, The Arrogant Worms, Emerson Lake & Palmer , Jocelyn Pook, Enrico Caruso, John Cale, Martin Carthy, Peter Blegvad, The Vienna Art Orchestra, Cleo Laine and (quelle surprise) The RSC Orchestra. So pull up a posset, fill you goblet with doublet and hose yourself down whilst you enjoy music and lyrics which celebrate our national treasure (and Shakespeare).
Con el mismo respeto que nos acercaríamos al Necronomicón, abro hoy el primer volumen de este episodio basado en la magia, la ceremonia y el misterio que envuelven a los ritos, mitos y leyendas del grimorio popular. Entra dentro del círculo de sal que he creado especialmente para este podcast y estárás a salvo de cualquier influencia maliciosa durante su escucha. Libro: Audio Relato «Hasta que cante el gallo» de Joseba Bajo https://www.ivoox.com/ep-11-hasta-cante-gallo-audios-mp3_rf_49805652_1.html Peli: La Cabaña del Bosque de Drew Goddard Serie: Penny Dreadful de John Logan y Sam Mendes Tema musical: Masked Ball de Jocelyn Pook https://open.spotify.com/track/2P9g8PWaeRkyAzvjfIEEKU Confesionario Digital: Joseba Bajo https://www.ivoox.com/podcast-teatro-robotico-misterio_sq_f1634407_1.html Vídeo Juego: Tomb Raider 1996 de Core Design y EIDOS Herramienta Digital: Whereby https://whereby.com/ Profesional Digital Recomendado: Pedro Rojas https://www.instagram.com/seniormanager/ Escucha el episodio completo en https://www.seomental.com/episodio-28-ritos-mitos-y-leyendas-vol-1 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Mark Taubert, Clinical Director, Consultant Physician & Honorary Senior Lecturer in Palliative Medicine at Cardiff University School of Medicine, talks to Sam Guglani about death, sadness, pain and loss in his work as a palliative care doctor, and about his own experience of - and feelings about - death. Mark founded TalkCPR and has a national lead role to improve public understanding on topics relevant to care in the last years of life and at the extreme ends of medicine. He has written about palliative care in The Washington Post, The Guardian, Quillette, Chicago Tribune, The Times, The Independent, The Big Issue, BBC News & HuffPost UK and appeared on BBC’s Horizon, ITV's BAFTA-winning Hospital of Hope. He has also engaged in cultural collaborations to promote debate about palliative care including ‘The Colours’, a West End show in London's Soho Theatre, a National Theatre Wales' production ‘As Long As The Heart Beats’ and has talked at the Edinburgh Fringe Festival, at Hay Literary Festival and the Science Museum in London. He featured in two palliative care themed recordings for the BBC Listening Project and his posthumous letter to David Bowie, which discussed the importance of good end of life care, went viral and has been made into a touring classical music composition and has been publicly read by, amongst others, Benedict Cumberbatch and Jarvis Cocker in locations including New York, London, Hay-on-Wye, Edinburgh and Berlin. Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. https://realworldrecords.com/releases/untold-things/
Relax your mind, inhale, an exhale. Picture yourself on a beach. Shout out to Jocelyn Pook.. ❤❤
Sam Guglani talks to journalist, essayist and literary critic Mark O’Connell, author of ‘To Be a Machine’ (Granta 2017, winner of the Wellcome Prize) and ‘Notes from An Apocalypse: A Personal Journey to the End of the World and Back’ (Granta, 2020). ‘To Be a Machine’ explores transhumanism - using machines to optimise human cognition and extend human life, and the Silicon Valley belief that the human body is an outmoded device. For advocates of transhumanism, death is ‘wrong’ - an idea which at first seems difficult but as Sam and Mark discuss, ‘the body as machine’ is not so far from the assumptions that underlie all modern medicine. Mark says “It’s both wrong and right to say we are machines - but we are not just machines. It’s a metaphor and the idea that we are spiritual is also just a metaphor. It all just reduces to language.” Mortality, what it means to be embodied, our experience of time, and how we view ourselves in relation to nature, and love - and if they are reducible to the mechanistic conceptions of the transhumanists - are topics discussed by Mark and Sam in this episode of Medicine Unboxed VOICES. “What else could it be about but love…you could argue that the meaning of life is simply to reproduce,” says Mark, “but that’s another way of talking about love.” Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. https://realworldrecords.com/releases/untold-things/ Image Richard Gilligan/LA Times https://www.latimes.com/entertainment-arts/books/story/2020-04-14/mark-oconnell-notes-from-an-apocalypse-intervew
Samantha Harvey is Reader in creative writing at Bath Spa University and is the author of four novels, 'The Wilderness', 'All Is Song', 'Dear Thief' and 'The Western Wind', and of a memoir, published in January 2020, 'The Shapeless Unease'. Her novels have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, the Walter Scott Prize and the James Tait Black Prize, and longlisted for the Man Booker Prize, the Baileys Prize, the Jerwood Fiction Uncovered Prize and the HWA Gold Crown Award. The Wilderness was the winner of the AMI Literature Award and the Betty Trask Prize, and The Western Wind won the 2019 Staunch Book Prize. In this episode, Samantha talks to Sam Guglani about ‘The Shapeless Unease’ and how an intense and disturbing experience of insomnia drove her writing and resulted in a book which was “fragmented and disjointed in terms of interest, subjects, tone, voice and register”. As Samantha says, unease is “something that runs deep in you and somehow comes into contact with your sense of self. I tried to find something that was causing my insomnia, to try and decode it…I was deep in this knot of suffering but thought ‘how can I keep finding the most perfect, apt and succinct way of expressing this…writing is the most joyous and liberating thing in the world.’” Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. https://realworldrecords.com/releases/untold-things/ Image: https://www.nytimes.com/2020/05/12/books/review/samantha-harvey-shapeless-unease.html
In this episode of Medicine Unboxed: VOICES, Sam Guglani talks to Jenn Ashworth, author of 'A Kind of Intimacy', 'Fell' and most recently 'Notes Made While Falling'. In this discussion, Jenn talks to Sam about her encounters with doctors as a child raised in a Mormon community and about the role of fiction in her understanding of the world and of illness. Jenn talks about her experience of becoming ill after the birth of her child, her feeling that she was “too ill to even want healing... to imagine that was even possible” and how she translated this into her writing. “My writing changed through being ill. Previously I wanted to use writing to speak, to communicate…afterwards it’s more about listening, a process by which I shed my layers, my armour, my certainty, my expertise - and let the world get me.” Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. realworldrecords.com/releases/untold-things/
Sam Guglani talks to Professor Dame Sue Black OBE about her early childhood experiences, how they shaped her future career and about how important her teachers have been to her - and why we have a duty to let others who have changed our lives know the impact they have had on us. Sue talks about how forensic anthropology is changing, about her work in identifying perpetrators of child sexual abuse and in war crimes investigations and about hope, optimism and how she maintains objectivity when faced with the effects of human cruelty. “Even in the most awful situations,” she says, “you can find something that says humanity is better than this.” Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. realworldrecords.com/releases/untold-things/ Image credit: BBC.
Richard Horton is Editor-in-Chief of The Lancet. He was born in London and is half Norwegian. He qualified in physiology and medicine from the University of Birmingham in 1986 and joined The Lancet in 1990, moving to New York as North American Editor in 1993. Richard was the first President of the World Association of Medical Editors and he is a Past-President of the US Council of Science Editors. He has a strong interest in global health and medicine’s contribution to our wider culture. He now works to develop the idea of planetary health – the health of human civilizations and the ecosystems on which they depend. In this episode of Medicine Unboxed VOICES, recorded before COVID-19, in a wide-ranging discussion Richard talks to Sam Guglani about his roots and formative experiences - and more recently his own illness - about the value of cooperative behaviour, about scientific publication, trust and politics, and the role of medicine as a global force for good. In a statement that prefigures the current crisis Horton says: “Every successful species has been successful not because they have tried to compete with one another and tear each other apart, but because at profound moments of stress in their evolutionary history they have cooperated”. Photograph: Richard Saker/The Observer Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. realworldrecords.com/releases/untold-things/
一枚勇闯天涯的小雪花,步步惊心历时22个小时,从意大利博洛尼亚飞回国嘉宾:小房子(对外汉语教师)主播:Amanda配乐:loving strangers(Jocelyn Pook)博洛尼亚街景博洛尼亚古老铁艺馆作品美丽的铁艺光与影的艺术诱人的甜品意大利机场满屏航班取消俄航值机全副武装的“小雪花”(图片摄影/提供:小房子)嘉宾:小房子
一枚勇闯天涯的小雪花,步步惊心历时22个小时,从意大利博洛尼亚飞回国嘉宾:小房子(对外汉语教师)主播:Amanda配乐:loving strangers(Jocelyn Pook)博洛尼亚街景博洛尼亚古老铁艺馆作品美丽的铁艺光与影的艺术诱人的甜品意大利机场满屏航班取消俄航值机全副武装的“小雪花”(图片摄影/提供:小房子)嘉宾:小房子
Deborah Bowman is Professor of Ethics and Law at St George's, University of London. In this episode of Medicine Unboxed VOICES, Deborah talks to Sam Guglani about ethics, law and the tensions between them in the context of medical ethics and about her own experience of illness. Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. realworldrecords.com/releases/untold-things/
Kit de Waal has received numerous awards for her writing including the Bridport Flash Fiction Prize 2014 and 2015, the SI Leeds Literary Reader's Choice Prize 2014 and the Kerry Group Irish Novel of the Year. Her first novel, 'My Name is Leon', was published in 2016 and shortlisted for the Costa Book Award. In this episode of Medicine Unboxed VOICES, Kit speaks with Sam Guglani about My Name is Leon and about childhood pain, loss, humanity and compassion, about 'embracing the grey' of right and wrong and about the role of literature and knowledge. Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. realworldrecords.com/releases/untold-things/
Richard Holloway was Bishop of Edinburgh and Primus of the Scottish Episcopal Church. He is the award-winning author of On Forgiveness, Looking in the Distance, Godless Morality, Doubts and Loves, Between the Monster and the Saint and Leaving Alexandria. In this episode of Medicine Unboxed VOICES, Richard speaks with Sam Guglani about ageing, his draw to and ambivalence around religion, the shared human capacity for cruelty, the vital duty towards kindness, and the possibility of hope. Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. https://realworldrecords.com/releases/untold-things/
Sarah Perry is the award-winning author of three novels—After Me Comes the Flood, The Essex Serpent and Melmoth. Her work interrogates matters of faith, science and human suffering, and she is an extraordinary storyteller. In this episode of Medicine Unboxed VOICES, Sarah speaks with Sam Guglani about her own encounter with illness and medicine, the value of fiction, the vagaries of moral judgment, and the presence of mystery in the pursuit of knowledge. Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. https://realworldrecords.com/releases/untold-things/
Danny Dorling is a social geographer and is the Halford Mackinder Professorship in Geography in Oxford. He has studied and published extensively on issues concerning housing, health, employment, education and poverty. His collaborative work on the Worldmapper project has resulted in collection of world maps or ‘cartograms’, where territories are re-sized according to a subject of interest, for instance, inequality. In this episode of Medicine Unboxed VOICES, Danny speaks with Sam Guglani about social inequality, personal and political responses to it, and its profound impact on the health and wellbeing of societies. Executive producers: Sam Guglani, Peter Thomas Music: Butterfly Song by Jocelyn Pook, vocal by Melanie Pappenheim, from 'Untold Things', Real World Records, 2001. Permission courtesy of the composer. https://realworldrecords.com/releases/untold-things/
介绍:树洞房间Vol.026投稿roomie:匿名主题:因为孤独和空虚而恋爱,是真正的爱情吗?本期主要内容:1 店长:小坑还是大坑是关键2 乙萱咨询师:爱情本无意义3 副店:不断积累的是爱情BGM:《Loving Strangers》by Jocelyn Pook爱情发生的时候,你就知道了。
介绍:树洞房间Vol.026投稿roomie:匿名主题:因为孤独和空虚而恋爱,是真正的爱情吗?本期主要内容:1 店长:小坑还是大坑是关键2 乙萱咨询师:爱情本无意义3 副店:不断积累的是爱情BGM:《Loving Strangers》by Jocelyn Pook爱情发生的时候,你就知道了。
介绍:树洞房间Vol.026投稿roomie:匿名主题:因为孤独和空虚而恋爱,是真正的爱情吗?本期主要内容:1 店长:小坑还是大坑是关键2 乙萱咨询师:爱情本无意义3 副店:不断积累的是爱情BGM:《Loving Strangers》by Jocelyn Pook爱情发生的时候,你就知道了。
介绍:树洞房间Vol.026投稿roomie:匿名主题:因为孤独和空虚而恋爱,是真正的爱情吗?本期主要内容:1 店长:小坑还是大坑是关键2 乙萱咨询师:爱情本无意义3 副店:不断积累的是爱情BGM:《Loving Strangers》by Jocelyn Pook爱情发生的时候,你就知道了。
Dried up drones, wounded song, psycho experimentation. The Seattle-based musician discusses three important albums.
JOURNALIST, PROGRAMLEDARE, FÖRFATTARE, 38 år. Född i Karlstad, bosatt i Stockholm. Sommarvärd 2009 och Vintervärd 2012. Hur kan allt fortsätta att vara precis som vanligt, trots de ständiga varningsrapporterna från klimatforskare över hela världen? Om alla vet vad som håller på att hända, varför gör ingen något? Det är dagsaktuella existentiella frågor Hanna Hellquist tar upp i sitt Vinterprat. I en del av berättelsen ligger hon i en sjö i Grums, långt borta från lägenheten i Vasastan där alla ständigt renoverar och köper nytt. Det brinner i skogen bara några kilometer bort. Ängsligt har Hanna följt rapporteringen i P4 men ändå är det här vid sjön som hon är trygg. Här kan hon odla och ha djur och därför överleva. Här växer kryddor och jordgubbar, och dvärgtaxen Ines alldeles för stora hundkoja har blivit sovplats för några höns. - När naturen är det som ger en ångest så hittar jag inte tröst i kulturen. Jag hittar bara tröst i mer natur, berättar Hanna Hellquist och påminner oss om att människor i alla tider skapat trädgårdar som en motreaktion mot dålig miljö. Hanna Hellquist knyter också an till sin uppmärksammade krönika i Dagens Nyheter i januari 2018, som handlade om hennes oro för vad hon kommer att missa här i livet om hon aldrig skaffar barn. - I krönikan som jag skrev hänvisade jag till den franska författarinnan Corinne Mayer som i sin bok No kid deklarerar att varje barn som föds i västvärlden är en ekologisk katastrof. Och hon har inte fel i det. Föräldraskapet verkar vara så paradoxalt, på många sätt men framför allt ur miljösynpunkt. Ibland när jag pratar med mina vänner som har barn så kan jag inte låta bli att undra; varför tar ni inte det här på större allvar? Hanna Hellquist landar ändå i sitt Vinterprat i att vi kan göra skillnad. Vi kan diska och återvända plastpåsar. Vi kan sätta frön i jorden och skapa gröna oaser. Vi kan sluta ta bilen när vi lika gärna kan gå. - Det här handlar inte om hur jag ska rädda världen. Eller hur jag tycker att någon annan ska rädda världen åt mig. Det handlar om hur jag ska göra för att känna att min tid på den här jorden har något slags värde. Hur jag ska förmå mig tänka några veckor längre fram än min nästa tandläkartid. Hur jag ska handskas med min egen maktlöshet. Om Hanna Hellquist Sedan flera år en av programledarna för Morgonpasset i P3. Uppskattad krönikör i bland annat Dagens Nyheter och tidningen Elle. Debuterade som författare 2009 med boken Karlstads Zoologiska och har även gett ut krönikesamlingen En tryckare på Blue Moon Bar. Har lett tv-programmen Jakten på lyckan och Jakten på det perfekta livet. Fick 2017 både Region Värmlands litteraturstipendium och Karlstads kulturstipendium till Gustaf Frödings minne. Renoverar ständigt i sitt fritidshus utanför Grums och tillbringar mycket tid där tillsammans med dvärgtaxen Ines. Producent: Elin Unnes Här är den rätta låtlistan 1. SIGNATUR: Vintergatan 2. All Out of Catastrophes, Marissa Nadler 3. Keep Your Weeds, Jex Thoth 4. The Mysterious Vanishing of Electra, Anna von Hausswolff 5. Shallow, Lady Gaga, Bradley Cooper 6. Video Games, Lana Del Rey 7. Konstiga restauranger, Jonas Lundqvist 8. Love Hurts, Gram Parsons 9. Masked Ball, Jocelyn Pook, från skivan Flood (Virgin), 06.09 10. Synthetic World, Swamp Dogg, från skivan Total Destruction to Your Mind (Alive/Bertus), 03.26 11. Take on Me, a-ha, från skivan MTV Unplugged - Summer Soltice, 04.14 12. Therell Always Be Music, Tina Turner, från skivan Tina Turns the Country on! (United Artists Records), 04.10 13. Kyss mig i slo-mo (feat. Leslie Tay), Oscar Zia, Leslie Tay, från skivan Din (Warner), 03.04
Katie Derham meets the choreographer and dancer Akram Khan as he undertakes his last performing role in a full length piece with Xenos for Sadler Wells. The programme explores Akram's background in traditional Indian Kathak dance, and looks back over his career to date, focusing on his collaborations with composers such as Nitin Sahwney, Jocelyn Pook, Steve Reich and Vincenzo Lamagna. Akram also talks about his version of Giselle, which appear in cinemas this week, and about his new piece Xenos, which receives its UK premiere next month. Continuing with the Indian dance theme, Katie's Classic Score of the Week is Ludwig Minkus's "La Bayadere".
这是新世相电台的第二个栏目,会定期和大家分享属于深夜的故事。很多时候无法给出答案的问题,或许都被你们的故事相互“解决”了。 你有什么想分享的故事吗?可以到新世相的微信公众号留下你的故事,我不敢保证每个人的故事都可以被读到。但我希望这些故事可以救你。 [背景音乐]Jocelyn Pook,Russian Red - Loving Strangers、Maurizio Filardo - Sofia、Maurizio Filardo - Angela、Lucy Wainwright Roche - The Worst Part—————————————————这是会说话的新世相倾听你的故事,做你的深夜陪伴品。如果你想看更多的故事和文章,请关注微信公众号:新世相(thefair2)
这是新世相电台的第二个栏目,会定期和大家分享属于深夜的故事。很多时候无法给出答案的问题,或许都被你们的故事相互“解决”了。 你有什么想分享的故事吗?可以到新世相的微信公众号留下你的故事,我不敢保证每个人的故事都可以被读到。但我希望这些故事可以救你。 [背景音乐]Jocelyn Pook,Russian Red - Loving Strangers、Maurizio Filardo - Sofia、Maurizio Filardo - Angela、Lucy Wainwright Roche - The Worst Part—————————————————这是会说话的新世相倾听你的故事,做你的深夜陪伴品。如果你想看更多的故事和文章,请关注微信公众号:新世相(thefair2)
Modern Classical Music Ep08 - Lush and Dramatic CompositionsTracklist:Samantha Bouquin - Contemplation #1Anne Dudley - A Stranger at my tableThe frozen vaults - A year without summerAbandoned Toys - The Witch's GardenGreg Haines - 183 timesDeleyaman - 2001Antonymes - A light from the heavensLubomyr Melnyk - A warmer placeJocelyn Pook - OutcastDer Blaue Reiter - 1st of mayhttps://twitter.com/SoundsClassical
Welcome back to Pilot Inspectors. On today's episode, we are discussing the pilot episode of the NBC sitcom series Trial & Error, starring John Lithgow and Nicholas D'Agosto. Today's intro music is the Staircase theme song by Jocelyn Pook.
There is plenty to get your ears and eyes into in April as we celebrate the creative connections between film and music through screenings and performances as a part of Filmic.Mark Cosgrove, Cinema Curator at Watershed, talks about the initial inspiration behind Filmic, some of the past highlights and what to look forward to this month – including film season Celebrating Female Composers plus live performances of the scores to Under the Skin and Koyaanisqatsi.
Modern Classical Music Ep02 - Ethereal Neoclassical MusicTracklist:Narsilion - Dreams about the eternityDavid Reyes - The magic woodsAbandoned Toys - An expanding trembleRafael Anton Irisarri - WitherSamantha Bouquin - Tale for a sunken moonLucy Claire - No.2 Fantasia on mildew3epkano - Cat StringsJocelyn Pook - Caesar's RomeDer Blaue Reiter - The last days of PripiathHior Chronik - small wondersBing & Ruth - And then it rainedDmitry Evgrafov - Peals of Thunderhttp://www.sadclassicalmusic.com/
我们的故事,可能才刚刚开始 主播:@白无常白总 @MR吉祥君(微博) 选自:《麦小姐不等位》 作者:@独居江南 背景音乐: 1.中川イサト - 星风 2.伍々慧 - Distance 3.咖啡馆 4.松井祐貴 - Memory 5.Jocelyn Pook,Russian Red - Loving Strangers 6.naomi & goro - Ran into a Bookstore
Episode 31. We have a bounty of 100% vinyl goodness to share this time out - from POLISH NIGHT MUSIC to GHOST STORY, MANIAC COP 2, LOOKER, TALES FROM BEYOND THE PALE, LUCIFER RISING, and KRAMPUS. We're delighted to welcome the composer of one of the DFC's all-time favourite scores, EYES WIDE SHUT - Jocelyn Pook. We discuss her musical education and origins (including as a sought-after 80s pop musician), and her wide-ranging career releasing solo LPs and composing for theatre, dance, film and television. Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK Theme Music by Scott Johannsson DFC Logo by Dan Cullinan December 5th 2015
Matthew Sweet is joined by composer Jocelyn Pook, whose music features in Eyes Wide Shut, Heidi and Brick Lane to talk about her work in film.
Cartoonist Alison Bechdel created an influential means of measuring the significance of the role woman play in film: Does the film contain a conversation between two women about something other than a man? Reflecting International Women's Day on Sunday, Matthew Sweet features music for films that pass the Bechdel Test. Featured scores includes "Thelma and Louise", "Gone With The Wind", "Silence Of The Lambs", "The Portrait Of A Lady", "The Princess Mononoke", "Orlando", "Annie Get Your Gun". The Classic Score of the Week is Alfred Newman's "All About Eve". Matthew also profiles scores by some of the foremost women film composers, including Lesley Barber, Lisa Gerrard, Doreen Carwithen, Rachel Portman, Anne Dudley, Jocelyn Pook, Laura Rossi and Debbie Wiseman. @bbcradio3 #womensday.
Crime writer John Harvey has no shortage of fans. His prize-winning books have sold over a million copies and have been translated and published all over the world. His Nottingham detective Charlie Resnick is now so well known – after 12 novels, two television adaptations and four radio plays – that he seems like a real person: a brooding solitary sensitive man who has a passion for ... listening to jazz. And this is where the fans come in. Because for years now they have been sending Harvey compilation tapes of the kind of jazz tracks that they think Resnick would enjoy. So no surprise to discover that his creator John Harvey has a lifelong love of jazz, conceived during a misspent youth in London jazz clubs. As part of the jazz season across Radio 2 and 3, with highlights from the London Jazz Festival, John Harvey chooses his favourite jazz tracks. The playlist includes early Billie Holliday, Thelonius Monk, James P. Johnson and Chet Baker. Harvey, who’s a fine poet as well as a crime writer, reads a moving poem about Chet Baker’s mysterious death. Other music choices include Shostakovich, Mendelssohn’s ‘Hebrides Overture’, and a Tango for corrugated iron by Jocelyn Pook. Harvey reveals that he dislikes how crime fiction has changed during the 25 years he’s been writing it: ‘There almost seems to be a competition who can have the most disgusting things in their books, and what awful things you can do particularly to female victims.’ And he talks about his decision to retire his detective Resnick, leaving him sitting on a park bench, ‘hankering after a fresh helping of Thelonius Monk`. Producer: Elizabeth Burke
Jocelyn Pook talks about the importance of the voice in music. Jocelyn Pook is one of the UK’s most versatile composers, having written extensively for stage, screen, opera house and concert hall. She has established an international reputation as a highly original composer winning her numerous awards and nominations including a BAFTA, Golden Globe, Olivier and two British Composer Awards. Often remembered for her film score to Eyes Wide Shut, which won her a Chicago Film Award and a Golden Globe nomination, Pook has worked with some of the world’s leading directors, musicians, artists and arts institutions – including Stanley Kubrick, Martin Scorsese, the Royal Opera House, BBC Proms, Andrew Motion, Peter Gabriel, Massive Attack and Laurie Anderson. Pook graduated from the Guildhall School of Music and Drama in 1983, where she studied the viola. She then embarked on a period of touring and recording with artists such as Peter Gabriel, Massive Attack, Laurie Anderson and PJ Harvey and as a member of the Communards. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories
In this final episode, Akram Khan explains the origin and development of his first full-length solo piece, the autobiographical DESH, which took him and his team of close collaborators including Tim Yip, Jocelyn Pook, Michael Hulls and Karthika Nair to Bangladesh, the homeland of his parents. He then reveals his intention to create one last solo work. In closing, he describes how the experience of choreographing a section of the London 2012 Olympic Games Opening Ceremony altered the way he looks at creation.
Remarkable Voice - Jocelyn Pook, Melanie Pappenheim and Rebecca Askew in conversation.
JOCELYN POOK is an award-winning British composer who has performed with artists including Peter Gabriel, Laurie Anderson, Mark Knopfler, 3 Mustaphas 3, PJ Harvey and as a member of the Communards. She has released several albums including Deluge (1997), Flood (1999) and Untold Things (2003). Jocelyn’s score for Stanley Kubrick’s Eyes Wide Shut received a Chicago Film Award and a Golden Globe nomination.
JOCELYN POOK is an award-winning British composer who has performed with artists including Peter Gabriel, Laurie Anderson, Mark Knopfler, 3 Mustaphas 3, PJ Harvey and as a member of the Communards. She has released several albums including Deluge (1997), Flood (1999) and Untold Things (2003). Jocelyn’s score for Stanley Kubrick’s Eyes Wide Shut received a Chicago Film Award and a Golden Globe nomination.
With Mark Lawson. Award-winning documentary maker Norma Percy's latest series, The Iraq War, investigates the events that led Britain and America to go to war with Iraq, with testimony from major players including Tony Blair, Jack Straw and key figures in the Iraqi government. Chris Mullin and Richard Ottaway MP discuss whether the series give us a new insight into how the war came about. To celebrate the centenary of Stravinsky's controversial ballet The Rite of Spring, dancer and choreographer Akram Khan has created a new interpretation of the piece with an original score by Nitin Sawnhey, Jocelyn Pook and Ben Frost. Akram Khan discusses his new work ITMOi (In the Mind of Igor) and explains how he went about following in Stravinsky's footsteps. In Cultural Exchange, in which leading creative minds share a cultural passion, historian Antonia Fraser champions J M W Turner's painting The Fighting Temeraire. Producer Olivia Skinner.