Podcasts about assu

I forced my Co Host Kimmy! ( @KrashedCosplay ) a local One Piece Hater! to rank every One Piece opening from We Are! to ASSU! Check out our podcast!  @moonpiecepodcast !0:00 Krashed Cosplay!2:29 OP1 "We Are" by Hiroshi Kitadani 4:26 OP2 "Believe" by Folder5 6:06 OP3 "Hikari E" by The Babystars7:16 OP4 "Bon Voyage!" by Bon-Bon Blanco 8:02 OP5 "Kokoro no Chizu" by BOYSTYLE 8:58 OP6 "Brand New World" by D-5111:34 OP7 "We Are!" by Straw Hat Pirates 12:52 OP8 "Crazy Rainbow" by Tackey & Tsubasa 16:04 OP9 "Jungle P" by 5050 17:20 OP10 "We Are" by TVXQ 19:58 OP11 "Share the World" by TVXQ 21:01 OP12 "Kaze wo Sagashite" by Straw Hat Crew and Mari Yaguchi 23:16 OP13 "One Day" by The Rootless 25:00 OP14 "Fight Together" by Namie Amuro 26:32 OP15 "We go!" by Hiroshi Kitadani 27:40 OP16 "Hands Up!" by Kouta Shinzato 29:21 OP17 "Wake up!" by AAA 30:40 OP18 "Hard Knock Days" by GENERATIONS from EXILE TRIBE 32:04 OP19 "We can!" by Kishidan and Hiroshi Kitadani 33:35 OP20 "Hope" by Namie Amuro 34:58 OP21 "Super Powers" by V6 36:27 OP22 "OVER THE TOP" by Hiroshi Kitadani 37:53 OP23 "DREAMIN' ON" by Da-iCE 40:40 1000 EP Special "We Are!" by Hiroshi Kitadani 43:10 OP24 "PAINT" by I Don't Like Mondays. 44:27 OP25 "THE PEAK" by SEKAI NO OWARI 46:05 OP26 "Uuuuus!" by Hiroshi Kitadani 51:37 Final ThoughtsSubscribe to the Moon Piece Podcast!https://www.youtube.com/@moonpiecepodcastFollow Me On All Socials:Instagram: https://www.instagram.com/therealcroc/Tiktok: https://www.tiktok.com/@thefakecrocTwitter: https://twitter.com/TheFakeCrocOutro Song: Izzy Man - Greatnesshttps://music.apple.com/us/album/grea...https://open.spotify.com/track/24BvZh...LEGAL:Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.#onepiece #onepieceopening #animeopeningSupport the show

ਅਸੁਨਿ ਪ੍ਰੇਮ ਉਮਾਹੜਾ ਕਿਉ ਮਿਲੀਐ ਹਰਿ ਜਾਇ ॥ ਮਨਿ ਤਨਿ ਪਿਆਸ ਦਰਸਨ ਘਣੀ ਕੋਈ ਆਣਿ ਮਿਲਾਵੈ ਮਾਇ ॥ ਸੰਤ ਸਹਾਈ ਪ੍ਰੇਮ ਕੇ ਹਉ ਤਿਨ ਕੈ ਲਾਗਾ ਪਾਇ ॥ ਵਿਣੁ ਪ੍ਰਭ ਕਿਉ ਸੁਖੁ ਪਾਈਐ ਦੂਜੀ ਨਾਹੀ ਜਾਇ ॥ ਜਿੰਨ੍ਹ੍ਹੀ ਚਾਖਿਆ ਪ੍ਰੇਮ ਰਸੁ ਸੇ ਤ੍ਰਿਪਤਿ ਰਹੇ ਆਘਾਇ ॥ ਆਪੁ ਤਿਆਗਿ ਬਿਨਤੀ ਕਰਹਿ ਲੇਹੁ ਪ੍ਰਭੂ ਲੜਿ ਲਾਇ ॥ ਜੋ ਹਰਿ ਕੰਤਿ ਮਿਲਾਈਆ ਸਿ ਵਿਛੁੜਿ ਕਤਹਿ ਨ ਜਾਇ ॥ ਪ੍ਰਭ ਵਿਣੁ ਦੂਜਾ ਕੋ ਨਹੀ ਨਾਨਕ ਹਰਿ ਸਰਣਾਇ ॥ ਅਸੂ ਸੁਖੀ ਵਸੰਦੀਆ ਜਿਨਾ ਮਇਆ ਹਰਿ ਰਾਇ ॥੮॥  ਅਰਥ: ਹੇ ਮਾਂ! (ਭਾਦਰੋਂ ਦੇ ਘੁੰਮੇ ਤੇ ਤ੍ਰਾਟਕੇ ਲੰਘਣ ਪਿੱਛੋਂ) ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ (ਮੇਰੇ ਅੰਦਰ ਪ੍ਰਭੂ-ਪਤੀ ਦੇ) ਪਿਆਰ ਦਾ ਉਛਾਲਾ ਆ ਰਿਹਾ ਹੈ (ਮਨ ਤੜਫਦਾ ਹੈ ਕਿ) ਕਿਸੇ ਨਾ ਕਿਸੇ ਤਰ੍ਹਾਂ ਚੱਲ ਕੇ ਪ੍ਰਭੂ-ਪਤੀ ਨੂੰ ਮਿਲਾਂ। ਮੇਰੇ ਮਨ ਵਿਚ ਮੇਰੇ ਤਨ ਵਿਚ ਪ੍ਰਭੂ ਦੇ ਦਰਸਨ ਦੀ ਬੜੀ ਪਿਆਸ ਲੱਗੀ ਹੋਈ ਹੈ (ਚਿੱਤ ਲੋਚਦਾ ਹੈ ਕਿ) ਕੋਈ (ਉਸ ਪਤੀ ਨੂੰ) ਲਿਆ ਕੇ ਮੇਲ ਕਰਾ ਦੇਵੇ। (ਇਹ ਸੁਣ ਕੇ ਕਿ) ਸੰਤ ਜਨ ਪ੍ਰੇਮ ਵਧਾਣ ਵਿਚ ਸਹੈਤਾ ਕਰਿਆ ਕਰਦੇ ਹਨ, ਮੈਂ ਉਹਨਾਂ ਦੀ ਚਰਨੀਂ ਲੱਗੀ ਹਾਂ। (ਹੇ ਮਾਂ!) ਪ੍ਰਭੂ ਤੋਂ ਬਿਨਾ ਸੁਖ ਆਨੰਦ ਨਹੀਂ ਮਿਲ ਸਕਦਾ (ਕਿਉਂਕਿ ਸੁਖ-ਆਨੰਦ ਦੀ) ਹੋਰ ਕੋਈ ਥਾਂ ਹੀ ਨਹੀਂ। ਜਿਨ੍ਹਾਂ (ਵਡ-ਭਾਗੀਆਂ) ਨੇ ਪ੍ਰਭੂ-ਪਿਆਰ ਦਾ ਸੁਆਦ (ਇਕ ਵਾਰੀ) ਚੱਖ ਲਿਆ ਹੈ (ਉਹਨਾਂ ਨੂੰ ਮਾਇਆ ਦੇ ਸੁਆਦ ਭੁੱਲ ਜਾਂਦੇ ਹਨ, ਮਾਇਆ ਵੱਲੋਂ) ਉਹ ਰੱਜ ਜਾਂਦੇ ਹਨ, ਆਪਾ-ਭਾਵ ਛੱਡ ਕੇ ਉਹ ਸਦਾ ਅਰਦਾਸਾਂ ਕਰਦੇ ਰਹਿੰਦੇ ਹਨ– ਹੇ ਪ੍ਰਭੂ! ਸਾਨੂੰ ਆਪਣੇ ਲੜ ਲਾਈ ਰੱਖ। ਜਿਸ ਜੀਵ-ਇਸਤ੍ਰੀ ਨੂੰ ਪ੍ਰਭੂ ਖਸਮ ਨੇ ਆਪਣੇ ਨਾਲ ਮਿਲਾ ਲਿਆ ਹੈ, ਉਹ (ਉਸ ਮਿਲਾਪ ਵਿਚੋਂ) ਵਿੱਛੁੜ ਕੇ ਹੋਰ ਕਿਸੇ ਥਾਂ ਨਹੀਂ ਜਾਂਦੀ, (ਕਿਉਂਕਿ) ਹੇ ਨਾਨਕ (ਉਸ ਨੂੰ ਨਿਸਚਾ ਆ ਜਾਂਦਾ ਹੈ ਕਿ ਸਦੀਵੀ ਸੁਖ ਵਾਸਤੇ) ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਤੋਂ ਬਿਨਾ ਹੋਰ ਕੋਈ ਥਾਂ ਨਹੀਂ ਹੈ। ਉਹ ਸਦਾ ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਪਈ ਰਹਿੰਦੀ ਹੈ। ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ ਉਹ ਜੀਵ-ਇਸਤ੍ਰੀਆਂ ਸੁਖ ਵਿਚ ਵੱਸਦੀਆਂ ਹਨ, ਜਿਨ੍ਹਾਂ ਉੱਤੇ ਪਰਮਾਤਮਾ ਦੀ ਕਿਰਪਾ ਹੁੰਦੀ ਹੈ।8। BAARAH MAAHAA ~ THE TWELVE MONTHS: MAAJH, FIFTH MEHL, FOURTH HOUSE:ONE UNIVERSAL CREATOR GOD. BY THE GRACE OF THE TRUE GURU: In the month of Assu, my love for the Lord overwhelms me. How can I go and meet the Lord? My mind and body are so thirsty for the Blessed Vision of His Darshan. Won't someone please come and lead me to him, O my mother. The Saints are the helpers of the Lord's lovers; I fall and touch their feet. Without God, how can I find peace? There is nowhere else to go. Those who have tasted the sublime essence of His Love, remain satisfied and fulfilled. They renounce their selfishness and conceit, and they pray, “God, please attach me to the hem of Your robe.” Those whom the Husband Lord has united with Himself, shall not be separated from Him again. Without God, there is no other at all. Nanak has entered the Sanctuary of the Lord. In Assu, the Lord, the Sovereign King, has granted His Mercy, and they dwell in peace. || 8 || --- Support this podcast: https://podcasters.spotify.com/pod/show/gsjhampur/support

Deputado federal João Maia anuncia chapa da oposição --- Send in a voice message: https://podcasters.spotify.com/pod/show/annaruthdantas/message

Neste episódio estou à conversa com a Sandrina Ferreira e o Tiago Ferreira sobre uma viagem ao Egipto que começou em Hurghada (الغردقة‎) e terminou no Cairo (القاهرة). A Sandrina e o Tiago têm um projecto chamado Wise Travellers, onde partilham as suas experiências de viagem, sempre com a sustentabilidade em mente. Durante a nossa conversa, falámos, entre tantas outras coisas, sobre: o Deserto Branco e como é dormir lá; as magníficas Pirâmides de Gizé; o trânsito caótico do Cairo; os templos de Luxor; um passeio de barco em Assuão; a gastronomia do Egipto; os transportes (autocarros e comboios); os preços praticados e custo de vida. Referências mencionadas no episódio: Magic Carpet Travel Egypt: https://magiccarpetegypt.com/ Onde encontrar a Sandrina e o Tiago (The Wise Travellers): Site: https://www.thewisetravellers.com/ Facebook: https://www.facebook.com/thewisetravellers Instagram: https://www.instagram.com/wise_travellers/ Transcrição do episódio: https://mundoindefinido.com/podcast-ep-39/ Boas aventuras! ---- Mundo Indefinido é um podcast onde falamos sobre viagens, para conhecermos diferentes perspectivas do nosso mundo. Site: https://mundoindefinido.com/ Instagram: https://www.instagram.com/mundoindefinido/ E-mail: contacto@mundoindefinido.com

Following the ongoing NLC and TUC nationwide strike and other affiliates bodies such as ASSU has become encumbered, where lecturers  were restricted from class rooms and other academic activities.Are these students healed from the last eight months strike?In this episode of our Daily Podcast, we are looking at how students are affected with ongoing NLC strike

Roy L Hales/ Cortes Currents - The city of Campbell River intends to remove the Campbell River Art Gallery's (CRAG) tax exemption, and will not allow the gallery to make a presentation at the October 12 council meeting where the final decision will be made. At the September 28 meeting, Councillor Ron Kerr moved to have the CRAG's exemption and that of the Vancouver Island Mental Health Society removed because of their ‘bad behaviour.' There was no one available to comment when Cortes Currents phoned the Vancouver Island Mental Health Society In an interview with Cortes Currents, Sara Lopez Assu, Executive Director of the CRAG states the city demanded the gallery tell the homeless people sleeping outside of their doors to leave. “I have no vested interest in allowing people to sleep in our entrances,” she explained. Assu does not intend to confront the homeless people. The RCMP advised her that it would be dangerous for gallery's staff, who are all women, to do so. The gallery's board of Directors told city council they are tennants of the Centennial Building, whose responsibility ends at the door. Instead of hostility, the gallery developed relationships with the people sleeping at their door. This includes telling them, “We need to open at 10 AM, please make sure that you're packed up. Please don't leave any messes for us.”  While the city will not allow the gallery to make a presentgtion, 142 of the hundreds of letters defending it are in the correspondeance section of the October 12 meeting. The first letter is from a woman expressed her astonishment that council is granting a 50% exemption to a golf course, while ‘stripping all of the exemptions for the two organizations that are actually being proactive in providing services and addressing solutions to help mitigate the ‘downtown issues.' That is followed by someone writing, “I was very disappointed to read that the Campbell River Art Gallery may have their entire tax exemption removed. To deem such an important part of our community ‘a bad neighbour' and ‘having an extreme detrimental effect on businesses and visitations downtown' is outrageous.” The third correspondent states, “There is a large community of artists and art supporters who are shocked at this decision. The Gallery will suffer and its existence will be jeopardized by the impact of a large tax bill. The CRAG is an incredible asset to the art and culture scene in Campbell River and surrounding area. Its importance cannot be overstated as it encourages and educates local artists, local and surrounding populations, and visitors through art exhibits, art lectures, and special events.” In a post thanking the community for its support, the gallery alludes to coverage by the CBC, Times Colonist, and CHEK News. It also states, “For those interested in learning more about the CRAG's Permissive Tax Exemption loss, in the caption is a link to an interview with our Executive Director. The link leads to her interview with Cortes Currents. https://cortescurrents.ca/campbell-river-moves-to-remove-tax-exemptions-from-the-art-gallery-and-mental-health/

Roy L Hales/ Cortes Currents - At their September 28 Council meeting, the city of Campbell River took the first steps towards removing the tax exemptions from the Campbell River Art Gallery (CRAG) and Vancouver Island Mental Health. Councillor Ron Kerr made the motions, which were approved, with only Councillor Tanille Johnston voting in opposition. City staff informed council this was a change of direction which affected the budget and there would need to be a second meeting before the exemptions can be removed. This has been scheduled for October 12.  
“It looked like it was going to be a pretty standard third reading on September 28th. Maybe an hour and a half into the meeting, my phone exploded with messages from folks that were watching the meeting saying, 'Sara, you need to watch this. They're coming after the CRAG,'” Sara Lopez Assu, Executive Director of the CRAG, subsequently informed Cortes Currents. “It completely surprised us. It felt a bit like an ambush because at this point we have no recourse. We submitted a request to present to the City Council at the October 12th meeting, where the final vote will occur. That request has been denied. So there seems to be no interest in engaging in any kind of dialogue with us.” 
It was already after 4 PM and there was no one available to comment, when Cortes Currents phoned Vancouver Island Mental Health. 
Kerr explained the rationale for his actions against the Art Gallery and Mental Health at the September 28 council meeting: 
“Their behaviour has been very poor neighbourly to the surrounding businesses and is having an extreme detrimental effect to our downtown businesses and visitations in our downtown area.”    
“We've got limited ways of letting these organizations know and changing their behaviour, but we certainly don't need to give them tax deferrals if they're not working with us.” 
Assu claims, “Council is obviously misguided in both their perceptions of us and of whether or not this is a solution to anything other than punish an organization which they may not align with in terms of personal values.”   She has received hundreds of supportive letters and emails since the meeting, “We've received them from private businesses down Shoppers Row, the Library, the Tidemark, museums and art galleries across the country and professional artists that we've worked with from across the country. They see the work that we do and see value in the contributions that we bring to this community.” 
At the council meeting, Councillor Tanille Johnston said she had not been privy to the city's ‘in camera' (i.e. - private) meetings on this issue, but, “There are roles and responsibilities for our bylaw officers and it's not necessarily the role and responsibility of a business owner or a not-for-profit society owner to be doing bylaw role and responsibilities.  I would love to understand better where you're coming from Councillor Kerr, in regards to some of the comments you made.” 
“Our gallery has been getting some pretty awesome recognition in some pretty big spaces for the work that they're doing. I think their engagement with certain populations is actually keeping people off of the street and putting them into spaces and places where they can and do meaningful work that is helping them with their journey and trying to get to a better place.” 
Councillor Ben Lanyon supported Kerr's motion, “I'm aware of some bylaw enforcement and correspondence that pertains to this issue.  There was a lot of pushback against our own city staff, after they requested the Art Gallery Executive Director take certain actions on the property downtown next to Spirit Square. I'm aware of a general attitude in favour of allowing camping in the awnings on city owned property, that is provided at zero cost to the art gallery, despite the city's requests to the contrary.”

ਅਸੁਨਿ ਪ੍ਰੇਮ ਉਮਾਹੜਾ ਕਿਉ ਮਿਲੀਐ ਹਰਿ ਜਾਇ ॥ ਮਨਿ ਤਨਿ ਪਿਆਸ ਦਰਸਨ ਘਣੀ ਕੋਈ ਆਣਿ ਮਿਲਾਵੈ ਮਾਇ ॥ ਸੰਤ ਸਹਾਈ ਪ੍ਰੇਮ ਕੇ ਹਉ ਤਿਨ ਕੈ ਲਾਗਾ ਪਾਇ ॥ ਵਿਣੁ ਪ੍ਰਭ ਕਿਉ ਸੁਖੁ ਪਾਈਐ ਦੂਜੀ ਨਾਹੀ ਜਾਇ ॥ ਜਿੰਨ੍ਹ੍ਹੀ ਚਾਖਿਆ ਪ੍ਰੇਮ ਰਸੁ ਸੇ ਤ੍ਰਿਪਤਿ ਰਹੇ ਆਘਾਇ ॥ ਆਪੁ ਤਿਆਗਿ ਬਿਨਤੀ ਕਰਹਿ ਲੇਹੁ ਪ੍ਰਭੂ ਲੜਿ ਲਾਇ ॥ ਜੋ ਹਰਿ ਕੰਤਿ ਮਿਲਾਈਆ ਸਿ ਵਿਛੁੜਿ ਕਤਹਿ ਨ ਜਾਇ ॥ ਪ੍ਰਭ ਵਿਣੁ ਦੂਜਾ ਕੋ ਨਹੀ ਨਾਨਕ ਹਰਿ ਸਰਣਾਇ ॥ ਅਸੂ ਸੁਖੀ ਵਸੰਦੀਆ ਜਿਨਾ ਮਇਆ ਹਰਿ ਰਾਇ ॥੮॥ ਅਰਥ: ਹੇ ਮਾਂ! (ਭਾਦਰੋਂ ਦੇ ਘੁੰਮੇ ਤੇ ਤ੍ਰਾਟਕੇ ਲੰਘਣ ਪਿੱਛੋਂ) ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ (ਮੇਰੇ ਅੰਦਰ ਪ੍ਰਭੂ-ਪਤੀ ਦੇ) ਪਿਆਰ ਦਾ ਉਛਾਲਾ ਆ ਰਿਹਾ ਹੈ (ਮਨ ਤੜਫਦਾ ਹੈ ਕਿ) ਕਿਸੇ ਨਾ ਕਿਸੇ ਤਰ੍ਹਾਂ ਚੱਲ ਕੇ ਪ੍ਰਭੂ-ਪਤੀ ਨੂੰ ਮਿਲਾਂ। ਮੇਰੇ ਮਨ ਵਿਚ ਮੇਰੇ ਤਨ ਵਿਚ ਪ੍ਰਭੂ ਦੇ ਦਰਸਨ ਦੀ ਬੜੀ ਪਿਆਸ ਲੱਗੀ ਹੋਈ ਹੈ (ਚਿੱਤ ਲੋਚਦਾ ਹੈ ਕਿ) ਕੋਈ (ਉਸ ਪਤੀ ਨੂੰ) ਲਿਆ ਕੇ ਮੇਲ ਕਰਾ ਦੇਵੇ। (ਇਹ ਸੁਣ ਕੇ ਕਿ) ਸੰਤ ਜਨ ਪ੍ਰੇਮ ਵਧਾਣ ਵਿਚ ਸਹੈਤਾ ਕਰਿਆ ਕਰਦੇ ਹਨ, ਮੈਂ ਉਹਨਾਂ ਦੀ ਚਰਨੀਂ ਲੱਗੀ ਹਾਂ। (ਹੇ ਮਾਂ!) ਪ੍ਰਭੂ ਤੋਂ ਬਿਨਾ ਸੁਖ ਆਨੰਦ ਨਹੀਂ ਮਿਲ ਸਕਦਾ (ਕਿਉਂਕਿ ਸੁਖ-ਆਨੰਦ ਦੀ) ਹੋਰ ਕੋਈ ਥਾਂ ਹੀ ਨਹੀਂ। ਜਿਨ੍ਹਾਂ (ਵਡ-ਭਾਗੀਆਂ) ਨੇ ਪ੍ਰਭੂ-ਪਿਆਰ ਦਾ ਸੁਆਦ (ਇਕ ਵਾਰੀ) ਚੱਖ ਲਿਆ ਹੈ (ਉਹਨਾਂ ਨੂੰ ਮਾਇਆ ਦੇ ਸੁਆਦ ਭੁੱਲ ਜਾਂਦੇ ਹਨ, ਮਾਇਆ ਵੱਲੋਂ) ਉਹ ਰੱਜ ਜਾਂਦੇ ਹਨ, ਆਪਾ-ਭਾਵ ਛੱਡ ਕੇ ਉਹ ਸਦਾ ਅਰਦਾਸਾਂ ਕਰਦੇ ਰਹਿੰਦੇ ਹਨ– ਹੇ ਪ੍ਰਭੂ! ਸਾਨੂੰ ਆਪਣੇ ਲੜ ਲਾਈ ਰੱਖ। ਜਿਸ ਜੀਵ-ਇਸਤ੍ਰੀ ਨੂੰ ਪ੍ਰਭੂ ਖਸਮ ਨੇ ਆਪਣੇ ਨਾਲ ਮਿਲਾ ਲਿਆ ਹੈ, ਉਹ (ਉਸ ਮਿਲਾਪ ਵਿਚੋਂ) ਵਿੱਛੁੜ ਕੇ ਹੋਰ ਕਿਸੇ ਥਾਂ ਨਹੀਂ ਜਾਂਦੀ, (ਕਿਉਂਕਿ) ਹੇ ਨਾਨਕ (ਉਸ ਨੂੰ ਨਿਸਚਾ ਆ ਜਾਂਦਾ ਹੈ ਕਿ ਸਦੀਵੀ ਸੁਖ ਵਾਸਤੇ) ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਤੋਂ ਬਿਨਾ ਹੋਰ ਕੋਈ ਥਾਂ ਨਹੀਂ ਹੈ। ਉਹ ਸਦਾ ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਪਈ ਰਹਿੰਦੀ ਹੈ। ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ ਉਹ ਜੀਵ-ਇਸਤ੍ਰੀਆਂ ਸੁਖ ਵਿਚ ਵੱਸਦੀਆਂ ਹਨ, ਜਿਨ੍ਹਾਂ ਉੱਤੇ ਪਰਮਾਤਮਾ ਦੀ ਕਿਰਪਾ ਹੁੰਦੀ ਹੈ।8। BAARAH MAAHAA ~ THE TWELVE MONTHS: MAAJH, FIFTH MEHL, FOURTH HOUSE: ONE UNIVERSAL CREATOR GOD. BY THE GRACE OF THE TRUE GURU: In the month of Assu, my love for the Lord overwhelms me. How can I go and meet the Lord? My mind and body are so thirsty for the Blessed Vision of His Darshan. Won't someone please come and lead me to him, O my mother. The Saints are the helpers of the Lord's lovers; I fall and touch their feet. Without God, how can I find peace? There is nowhere else to go. Those who have tasted the sublime essence of His Love, remain satisfied and fulfilled. They renounce their selfishness and conceit, and they pray, “God, please attach me to the hem of Your robe.” Those whom the Husband Lord has united with Himself, shall not be separated from Him again. Without God, there is no other at all. Nanak has entered the Sanctuary of the Lord. In Assu, the Lord, the Sovereign King, has granted His Mercy, and they dwell in peace. || 8 || --- Send in a voice message: https://podcasters.spotify.com/pod/show/gsjhampur/message

TSE nega recurso para ASSU --- Send in a voice message: https://podcasters.spotify.com/pod/show/annaruthdantas/message

Meguilat Esther III 9-10 « Assuérus se rallie au projet d'extermination » by Rav David SHOUSHANA

Assuérus est fou! by Rav David SHOUSHANA

Chris Karpman, Sun Devil Source Publisher, joins Burns and Gambo to discuss the wild state of both ASSU football and MBB. See omnystudio.com/listener for privacy information.

We're back with the first episode of our third season! In this episode, Jolie chats with ASSU Student Advisor Gavin Nowlan about how to make the most of your time on campus, and some of the services ASSU provides! Got a question? Email us at students.assu@utoronto.ca or Jolie: jolie@assu.ca

Sonny Assu was raised in North Delta, BC, over 250 km away from his ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.

instagram: @horst_pohlenz // @horst.garage // @just.the.driver.club tiktok: @horst.garage // @just_the_driver twitter: @HorstPohlenz

Após 11 anos de construção, a grande represa de Assuã através do rio Nilo no Egito foi concluída em 21 de julho de 1970. Mais de 3 mil metros até sua crista, a enorme represa acabou com o ciclo inundação-estiagem na região do rio Nilo e permitiu a exploração de uma energia renovável. Contudo, provocou controvertido impacto ambiental.Veja a matéria completa em: https://operamundi.uol.com.br/historia/37102/hoje-na-historia-1990-e-construida-a-represa-de-assua-a-maior-do-rio-nilo----Quer contribuir com Opera Mundi via PIX? Nossa chave é apoie@operamundi.com.br (Razão Social: Última Instancia Editorial Ltda.). Desde já agradecemos!Assinatura solidária: www.operamundi.com.br/apoio★ Support this podcast ★

Arrêté en mai dernier, Jacques Bouthier, fondateur du groupe de courtage en assurances Assu 2000 est accusé d'avoir violé au moins une fille mineure et d'avoir monté un réseau de prostitution et de traite de mineures. Selon les témoignages recueillis par TelQuel, la ville de Tanger, où il séjournait souvent, était son “terrain de chasse” de prédilection. Dans Le Scan, le podcast actu de TelQuel, Landry Benoit reçoit Manal Zainabi, journaliste auteur du dossier "Affaire Jacques Bouthier : sur la piste d'un prédateur sexuel à Tanger". 

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Le 17 mai, Jacques Bouthier, PDG et fondateur d'Assu 2000, est mis en examen notamment pour viols sur mineures et traite d'êtres humains. A l'origine de l'affaire, une femme de 22 ans, originaire du Maroc, qui porte plainte contre l'homme d'affaires. Selon son récit, il l'aurait hébergée dans un appartement en région parisienne dès 2016, alors qu'elle était mineure, en contrepartie de prestations sexuelles rémunérées. Depuis la révélation de l'affaire, Assu 2000 est dans la tourmente. Plusieurs anciennes salariées du groupe au Maroc se disent également victimes du chef d'entreprise, qui les aurait harcelé sur leur lieu de travail. Face à ces témoignages accablants, Jacques Bouthier, placé en détention provisoire, décide de démissionner le 24 mai. Code source raconte l'affaire qui met en cause le désormais ex-PDG d'Assu 2000 avec Ronan Folgoas et Nicolas Jacquard, journalistes au service police-justice du Parisien. Ecoutez Code source sur toutes les plateformes audio : Apple Podcast (iPhone, iPad), Google Podcast (Android), Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Ambre Rosala - Préparation : Raphaël Pueyo - Production : Sarah Hamny, Thibault Lambert et Lolla Sauty Hoyer - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network, Epidemic Sound - Identité graphique : Upian - Archives : RTL, BFM TV. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

President Buhari has appealed to ASSU to end the strike in the interest of students and the Nation, other stake holders are also appealing to ASSU, how do we break this deadlock? --- Send in a voice message: https://anchor.fm/jay-fm-podcast/message

100 days do waka, we still dey carry go

Chit chat with Dolapo

Hey favorite, it still the Spirituality series, do I decided to bridge it with a little chit chat.... Trust you will enjoy it... See you at the order side✌️

No fuel, really poor electricity, Assu strike, banditry and a lot others have been  going on all at once in the country.Are we going forward or backward?In this episode of Nigeria Daily, we will be looking at why Nigeria is the way it is

Barahmaha Pada-8: Month of Assu

The academic staff union of Nigeria, yesterday on February 14th confirmed that there would be a one month warning strike, thereby pausing all Higher educational activities in Nigeria, on today's episode, I'll be interviewing various students who voiced out mixed reactions on the action of the Union, how will this affect you?

O músico Mû Mbana subiu ao palco do Thêatre du Châtelet, em Paris, este domingo, no âmbito do início da Temporada Cruzada França-Portugal. O cantor, compositor e multi-instrumentista apresentou canções do seu disco "mais guineense", INÊN, e esteve à conversa com a RFI.  Foi uma viagem à Guiné-Bissau através de uma voz intemporal e cordas de instrumentos tradicionais. O músico Mû Mbana foi um dos artistas lusófonos a subir ao palco do Thêatre du Châtelet, em Paris, este domingo, e transformou a sala num espaço de poesia e murmúrio, de contemplação e espanto. O cantor, poeta, compositor e multi-instrumentista apresentou canções do seu trabalho "mais guineense": INÊN. Estava simplesmente acompanhado pelos sons do simbi, bënsuni e tonkorongh, instrumentos que ele resgatou de séculos passados e que fazem agora parte da sua história. Essa história começou quando era muito menino, com apenas três ou quatro anos. Era uma vez…    RFI: A primeira frase da sua biografia na sua página web explica: “Tudo começou quando tinha três anos: antes das notícias da rádio, punham uma música de balafon que me fazia dançar”… Foi mesmo assim que tudo começou? Mû Mbana, Músico: Começou comigo e a minha família a darmo-nos conta que eu tinha uma certa conexão com a música porque eu era pequeno e cada vez que soava essa sintonia eu dançava. A minha família ria-se. Era engraçado, era um miúdo de três ou quatro anos a curtir com uma música que é uma sinfonia que se põe antes das notícias. Do meu despertar interno e externo quanto à minha conexão com a música, acho que esta é a memória mais antiga, a primeira que tenho. Nasceu na ilha de Bolama, nos Bijagós, cresceu num mundo pleno de música, mas foi para a Europa para estudar arte em Portugal e acabou por formar-se na música, de forma académica, em Barcelona… Conte-nos um pouco destas escolhas…. Fui da Guiné para Lisboa, morei em Portugal vários anos e estudei um pouco a construção civil, o desenho técnico da arquitectura e depois decidi estudar música. Estive a ponto de ir para o Hot Club de Jazz, em Lisboa, mas afinal foi para o Taller de Músics de Barcelona para estudar Harmonia Moderna, linguagem musical e tudo isso. Tinha necessidade de ter ferramentas a nível de composição para poder ampliar a minha capacidade como compositor. Pelo caminho, fez 20 anos de pesquisa só para resgatar instrumentos tradicionais da Guiné-Bissau, algo que transpôs para a sua música. A sua música é uma fusão das sonoridades do passado com as novas tendências? É mesmo assim. Toco esses instrumentos, o simbi, bënsuni, tonkorongh , e toco a minha música actual, uma música que eu incarno agora, neste momento, como alguém que vive no tempo presente. Eu sinto-me confortável sendo o que sou no momento presente. Isso não me impede de recuar no tempo e interpretar músicas tradicionais – música antiga da Guiné ou da África Ocidental de compositores clássicos, antigos mesmo. Mas as minhas composições refletem tudo o que eu adquiri até aqui, até hoje. Evidentemente quem ouve vai ouvir música de um músico africano da Guiné, mas vai notar que esse músico talvez tenha vivido uma experiência um pouco mais ampla do que simplesmente um músico que toca música tradicional da Guiné e instrumentos tradicionais com aquela linguagem estritamente tradicional. Falou-me dos instrumentos tradicionais, vemos aqui o simbi, o bënsuni e o tonkorongh. Que instrumentos são estes? Esse simbi que está aí é um simbi do povo balanta – porque há vários simbis. É um instrumento grande que só se pode tocar sentado e é para acompanhar a voz, para acompanhar a dança, para acompanhar histórias. É o meu instrumento, para mim é o instrumento de cordas com o qual me conecto mais para acompanhar a minha voz. São instrumentos antigos, muito antigos. Aqui na Europa quando falam de música antiga pensam no Barroco. Nós, quando falamos de música antiga, pensamos no Egipto antigo, ou seja, estamos a falar cinco mil anos, seis, sete, dez…porque esses instrumentos estão gravados nas pedras de Gizé e de Assuã e todos os lugares onde o nosso povo viveu e construiu civilizações antigas. São instrumentos que contam muitas histórias. E que histórias é que você conta nas suas músicas? São histórias poéticas, são histórias de vida, são histórias políticas, são reivindicações? Hؘá tudo isso e mais. Há histórias do dia-a-dia, comuns, como uma mulher casada, uma dona de família, uma matriarca que a certa altura da sua vida tem um amante e fala dessa vivência. Histórias também de alguém que se procura fora de si até uma certa altura dar-se conta que fora não encontra o que realmente está à procura e tem que voltar a olhar para dentro e buscar dentro de si porque é o caminho mais perto, afinal, para se encontrar. Todas essas histórias acontecem nas minhas músicas. Evidentemente que também tem histórias de amor e observações de beleza do que existe. Há questões existenciais também, postas na primeira pessoa, mas também um convite à reflexão conjunta. Há muitas questões, há muitas histórias contadas no que eu canto. Editou vários discos, o INÊN será talvez o mais guineense dos seus discos? Exactamente. Eu voltei à Guiné [para o fazer] e foi o meu décimo disco - INÊN quer dizer dez, mas também quer dizer mãos porque era uma reflexão também sobre o poder transformador das mãos. Tudo o que concebemos, as mãos acabam por materializar e executar. Foi o meu primeiro disco apresentado na Guiné. Primeiro fiz uma apresentação oficial do INÊN na Guiné-Bissau e depois no resto do mundo. Há outro disco que nos faz viajar muito até à Guiné-Bissau, o Nô Tchon… É muito guineense esse disco, mesmo tendo músicos de jazz à volta, o grande contrabaixista Javier Colina e o flautista Juan Carlos Aracil. É um disco muito guineense, muito, muito mesmo na sua essência. É o mais recente publicado, mas tenho agora vários discos acabados mas ainda não publicados. Então, o que vamos ter em breve? Tenho uma trilogia, um disco em três volumes gravado em Dezembro de 2019 em São Paulo. Tenho um outro disco gravado com o Mauricio Caruso, um guitarrista de São Paulo que mora em Santiago de Compostela e tenho dois discos meus a solo que também estão prontos. Tenho ainda um outro disco de música electrónica, com o DJ Panko que está pronto. Estou com cinco discos nas mãos por lançar. Um disco electrónico vai então aliar um ritmo altamente contemporâneo a um ritmo altamente ancestral, um pouco como os Tinariwen. Como é que fez essa aliança? É uma aliança fácil de fazer. O electrónico tem todo esse leque de sons que, a priori, parecem estranhos, mas todos esses sons já existem na natureza e há muitos instrumentos que fazem esses sons, só que quando é expressado de forma sintética parece novo. É um casamento muito interessante, esse casamento entre voz humana com sons electrónicos. Eu e o DJ Panko entrámos nessa viagem e estamos nela já há muitos anos, só agora é que decidimos tirar um disco.   Na sua música, temos as cordas dos instrumentos tradicionais, temos a sua poesia, temos a sua voz, temos uma componente muito melódica. Como é que o Mû Mbana descreve a sua música? Eu não sou a pessoa indicada para descrever a minha música. Eu faço a música, eu vivo a minha música, mas muito poucas vezes oiço a minha música. Eu oiço a minha música só quando estiver metido numa produção e a trabalhar numa produção. Depois disso, fico tão exausto e cansado que já não consigo nem ouvir. Preciso de uma distância de mais de dez anos para ouvir a minha música e ficar tranquilo, sem a julgar, e só a ouvir como um ouvinte, como quem ouve a música para viajar com ela. Mas estou consciente que tento sempre estar presente, não consigo tocar uma música só porque ela soa bem e as pessoas gostam. Se eu nesse momento não estiver a sentir essa vibração que essa música transmite, não toco. Tenho que viver aquilo, aquilo tem que fazer vibrar as minhas células todas, senão não a consigo incarnar. Se eu não estiver pronto para chorar uma música ou rir uma música, não a posso cantar só porque é bonita ou porque as pessoas gostam ou porque teve êxito. A sua música, como disse, está muito ancorada aos sentimentos, às sensações, mas também está muito agarrada à terra. Ela comporta alguma mensagem política também? Comporta muitas vezes. Neste momento, a Guiné-Bissau está a viver novamente uma situação muito delicada. Está preocupado? Evidentemente que estou preocupado. Eu cheguei há nove dias da Guiné-Bissau. Quando houve isso, eu estava lá, estava no meio da cidade a circular. Estou preocupado evidentemente. O problema político da Guiné e o que se deu lá agora há uma semana é só um reflexo da grande crise que a Humanidade vive actualmente – quando falo actualmente, temos de recuar bastante até aqui, não é actualmente hoje neste ano de 2022, falo de há 50 anos para trás, como observador da história, falo de tudo isso. Andamos numa crise profunda, existencial, a humanidade inteira. Todos os Presidentes da República que temos actualmente, com excepção de um ou dois, são empregados de multinacionais que estão a cumprir serviço e são marionetas. Portanto, a crise pela qual passa a humanidade actualmente é algo de muito mais profundo. O golpe na Guiné é uma coisa muito superficial e não pode ser visto como a parte mais grave do problema guineense, o problema guineense é uma coisa muito mais profunda. O que significa para si apresentar o seu trabalho em Paris? É a primeira vez que venho a Paris tocar e defender um projecto meu. Já estive duas vezes anteriores que vim para uma gravação de um disco do Silvano Miquelino que é um produtor brasileiro e percussionista e outra vez vim para a homenagem do Rémy Kolpa Kopoul, da Radio Nova, no Cabaret Sauvage, éramos muitos artistas. Esta é a terceira vez e é a vez em que venho realmente mostrar o meu trabalho à cidade de Paris, ao público francês e habitantes de Paris e é muito importante para mim. Aliás, é de extrema importância para mim porque eu estou consciente que Paris é a meca para a música africana em geral, para a arte africana em geral e para a arte em geral. Participa no Théâtre du Châtelet no evento chamado “Mosaïque de Voix Lusophones”. Em França, quando se fala em lusofonia, muita gente franze o sobrolho porque não conhecem a palavra. Para si é importante alargar a Temporada Portugal-França à lusofonia? Eu acho muito importante até porque a língua oficial da Guiné é o português, em Angola, Cabo Verde, Moçambique, São Tomé e Brasil também. E nós que herdámos o português ainda trabalhamos com a língua portuguesa, temos uma relação com a língua portuguesa que não se pode negar mesmo não sendo portugueses. Eu próprio às vezes levanto-me e escrevo em português, mesmo não sendo a minha língua principal com a que penso e sonho e murmuro dentro de mim. Mas faço muita coisa em português, trabalhei muito para a língua portuguesa. Fiz um disco inteiro que se chama Casa Lua que é uma homenagem a uma poetisa alentejana que mora em Lisboa que é a Ana Patrício e esse disco ainda permanece oculto para o público português. Fazemos muito pelo desenvolvimento da língua portuguesa e pela expansão da língua portuguesa. Somos parte dessa expansão porque o português foi até à Guiné e devido a isso nós entrámos nesse universo lusófono. Então é importante que os eventos culturais que tenham a ver com a lusofonia nos tenham em conta, mesmo que depois nesses eventos nós não façamos nada em português. Mas que não nos excluam porque ainda somos parte do universo lusófono.  

Guillaume Bourin - Est 1.1-22 DESCRIPTION : Le roi Assuérus est l’homme le plus puissant de toute la terre. Personne ne peut rivaliser en grandeur, en richesse, et en gloire. Mais sa grandeur ne tient qu’à un fil… Que fera-t-il lorsque l’Histoire se retournera contre lui ? Plan : (1) Combien est grande la gloire d’Assuérus ! (2) …mais sa femme n’est pas d’accord… (3) …et le monde entier va découvrir qu’il est bien petit. Questions de compréhension : (1) Qui est réellement cet Assuérus ? (2) Quelles sont les circonstances historiques des festivités décrites des v. 1 à 8 ? (3) En quoi le refus de la reine Vashti est-il si important pour l’ensemble du récit ? (v. 9-12) (4) Quelles sont les traces d’ironies discernables dans ce texte ?

Sonny Assu is a local Indigenous artist based out of Campbell River. Sonny Assu has had his artwork accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery and much more other impressive intakes. Sonny has a chat with Tchadas about his recent pop-art, reconciliation and his motivation for success. Check out Sonny's work at www.sonnyassu.com

The Sangrand Hukamnama Sahib from Sri DARBAR SAHIB AMRITSAR INCLUDING translations in PUNJABI AND ENGLISH audioਅਸੁਨਿ ਪ੍ਰੇਮ ਉਮਾਹੜਾ ਕਿਉ ਮਿਲੀਐ ਹਰਿ ਜਾਇ ॥ ਮਨਿ ਤਨਿ ਪਿਆਸ ਦਰਸਨ ਘਣੀ ਕੋਈ ਆਣਿ ਮਿਲਾਵੈ ਮਾਇ ॥ ਸੰਤ ਸਹਾਈ ਪ੍ਰੇਮ ਕੇ ਹਉ ਤਿਨ ਕੈ ਲਾਗਾ ਪਾਇ ॥ ਵਿਣੁ ਪ੍ਰਭ ਕਿਉ ਸੁਖੁ ਪਾਈਐ ਦੂਜੀ ਨਾਹੀ ਜਾਇ ॥ ਜਿੰਨ੍ਹ੍ਹੀ ਚਾਖਿਆ ਪ੍ਰੇਮ ਰਸੁ ਸੇ ਤ੍ਰਿਪਤਿ ਰਹੇ ਆਘਾਇ ॥ ਆਪੁ ਤਿਆਗਿ ਬਿਨਤੀ ਕਰਹਿ ਲੇਹੁ ਪ੍ਰਭੂ ਲੜਿ ਲਾਇ ॥ ਜੋ ਹਰਿ ਕੰਤਿ ਮਿਲਾਈਆ ਸਿ ਵਿਛੁੜਿ ਕਤਹਿ ਨ ਜਾਇ ॥ ਪ੍ਰਭ ਵਿਣੁ ਦੂਜਾ ਕੋ ਨਹੀ ਨਾਨਕ ਹਰਿ ਸਰਣਾਇ ॥ ਅਸੂ ਸੁਖੀ ਵਸੰਦੀਆ ਜਿਨਾ ਮਇਆ ਹਰਿ ਰਾਇ ॥੮॥  ਅਰਥ: ਹੇ ਮਾਂ! (ਭਾਦਰੋਂ ਦੇ ਘੁੰਮੇ ਤੇ ਤ੍ਰਾਟਕੇ ਲੰਘਣ ਪਿੱਛੋਂ) ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ (ਮੇਰੇ ਅੰਦਰ ਪ੍ਰਭੂ-ਪਤੀ ਦੇ) ਪਿਆਰ ਦਾ ਉਛਾਲਾ ਆ ਰਿਹਾ ਹੈ (ਮਨ ਤੜਫਦਾ ਹੈ ਕਿ) ਕਿਸੇ ਨਾ ਕਿਸੇ ਤਰ੍ਹਾਂ ਚੱਲ ਕੇ ਪ੍ਰਭੂ-ਪਤੀ ਨੂੰ ਮਿਲਾਂ। ਮੇਰੇ ਮਨ ਵਿਚ ਮੇਰੇ ਤਨ ਵਿਚ ਪ੍ਰਭੂ ਦੇ ਦਰਸਨ ਦੀ ਬੜੀ ਪਿਆਸ ਲੱਗੀ ਹੋਈ ਹੈ (ਚਿੱਤ ਲੋਚਦਾ ਹੈ ਕਿ) ਕੋਈ (ਉਸ ਪਤੀ ਨੂੰ) ਲਿਆ ਕੇ ਮੇਲ ਕਰਾ ਦੇਵੇ। (ਇਹ ਸੁਣ ਕੇ ਕਿ) ਸੰਤ ਜਨ ਪ੍ਰੇਮ ਵਧਾਣ ਵਿਚ ਸਹੈਤਾ ਕਰਿਆ ਕਰਦੇ ਹਨ, ਮੈਂ ਉਹਨਾਂ ਦੀ ਚਰਨੀਂ ਲੱਗੀ ਹਾਂ। (ਹੇ ਮਾਂ!) ਪ੍ਰਭੂ ਤੋਂ ਬਿਨਾ ਸੁਖ ਆਨੰਦ ਨਹੀਂ ਮਿਲ ਸਕਦਾ (ਕਿਉਂਕਿ ਸੁਖ-ਆਨੰਦ ਦੀ) ਹੋਰ ਕੋਈ ਥਾਂ ਹੀ ਨਹੀਂ। ਜਿਨ੍ਹਾਂ (ਵਡ-ਭਾਗੀਆਂ) ਨੇ ਪ੍ਰਭੂ-ਪਿਆਰ ਦਾ ਸੁਆਦ (ਇਕ ਵਾਰੀ) ਚੱਖ ਲਿਆ ਹੈ (ਉਹਨਾਂ ਨੂੰ ਮਾਇਆ ਦੇ ਸੁਆਦ ਭੁੱਲ ਜਾਂਦੇ ਹਨ, ਮਾਇਆ ਵੱਲੋਂ) ਉਹ ਰੱਜ ਜਾਂਦੇ ਹਨ, ਆਪਾ-ਭਾਵ ਛੱਡ ਕੇ ਉਹ ਸਦਾ ਅਰਦਾਸਾਂ ਕਰਦੇ ਰਹਿੰਦੇ ਹਨ– ਹੇ ਪ੍ਰਭੂ! ਸਾਨੂੰ ਆਪਣੇ ਲੜ ਲਾਈ ਰੱਖ। ਜਿਸ ਜੀਵ-ਇਸਤ੍ਰੀ ਨੂੰ ਪ੍ਰਭੂ ਖਸਮ ਨੇ ਆਪਣੇ ਨਾਲ ਮਿਲਾ ਲਿਆ ਹੈ, ਉਹ (ਉਸ ਮਿਲਾਪ ਵਿਚੋਂ) ਵਿੱਛੁੜ ਕੇ ਹੋਰ ਕਿਸੇ ਥਾਂ ਨਹੀਂ ਜਾਂਦੀ, (ਕਿਉਂਕਿ) ਹੇ ਨਾਨਕ (ਉਸ ਨੂੰ ਨਿਸਚਾ ਆ ਜਾਂਦਾ ਹੈ ਕਿ ਸਦੀਵੀ ਸੁਖ ਵਾਸਤੇ) ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਤੋਂ ਬਿਨਾ ਹੋਰ ਕੋਈ ਥਾਂ ਨਹੀਂ ਹੈ। ਉਹ ਸਦਾ ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਪਈ ਰਹਿੰਦੀ ਹੈ। ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ ਉਹ ਜੀਵ-ਇਸਤ੍ਰੀਆਂ ਸੁਖ ਵਿਚ ਵੱਸਦੀਆਂ ਹਨ, ਜਿਨ੍ਹਾਂ ਉੱਤੇ ਪਰਮਾਤਮਾ ਦੀ ਕਿਰਪਾ ਹੁੰਦੀ ਹੈ।8। BAARAH MAAHAA ~ THE TWELVE MONTHS: MAAJH, FIFTH MEHL, FOURTH HOUSE: ONE UNIVERSAL CREATOR GOD. BY THE GRACE OF THE TRUE GURU: In the month of Assu, my love for the Lord overwhelms me. How can I go and meet the Lord? My mind and body are so thirsty for the Blessed Vision of His Darshan. Won't someone please come and lead me to him, O my mother. The Saints are the helpers of the Lord's lovers; I fall and touch their feet. Without God, how can I find peace? There is nowhere else to go. Those who have tasted the sublime essence of His Love, remain satisfied and fulfilled. They renounce their selfishness and conceit, and they pray, “God, please attach me to the hem of Your robe.” Those whom the Husband Lord has united with Himself, shall not be separated from Him again. Without God, there is no other at all. Nanak has entered the Sanctuary of the Lord. In Assu, the Lord, the Sovereign King, has granted His Mercy, and they dwell in peace. || 8 || || --- Send in a voice message: https://anchor.fm/gsjhampur/message

durée : 00:02:56 - Pourquoi ? Comment ? FB Picardie - par : Annick Bonhomme

This is the last episode for the year 2020, were we talked about: Corona vaccine, National identification number, Assu strick and lots more. You can contact voice out Nigeria by mail : infovoiceoutnaija@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/voiceoutnigeria/message

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In this episode we will be discussing with a Nigerian about his wonderful experience in Ghana and will Adeola and Phillip will shed more light on the issues bedeviling Nigeria

Thanks to shanta Katipamula for the interview! Here's some great adviceon working with administrators, and some tips for the future.

Thanks to Chris Middleton for the interview! Highlights: What can someone bring to the ASSU by working in community centers first, and vice versa? How do Chris and Vianna plan to acknowledge current events to promote racial justice? Why should we self-advocate while the campus compact is in effect? Why should people stay involved with student advocacy? How and why should people emphasize civic engagement?

The apostle John answers a really common question that most Christians ask themselves at some point: “How do I KNOW that I’m saved?” & “How do I KNOW that I know God?” [2:3]. John’s answer: “we keep His commands”. You know you know God if you do what He says, if you keep His word. And John goes on to explain what that looks like lived out: you will love others. There are plenty of things that are complicated and beyond our grasp of understanding, but I don’t think John’s teaching here is one of them. Comprehension is generally not our problem with living this out - motivation is. We aren’t convinced that the effort is worth the inconvenience of obedience. But it is, for the sake of Christ. Many of us are looking for assurance of salvation, and John is revealing 2 great principles: obedience and love. These are proofs of a person who is abiding in Christ. The sins of God's children are forgiven because of the atoning work of Christ, and so that they might live for Christ – for His name’s sake, so they could now go live differently than they were before. Regardless of gender or age, every believer has the privilege & responsibility to lead younger believers. Every believer has the privilege of assurance and the responsibility of engaging.

The apostle John answers a really common question that most Christians ask themselves at some point: “How do I KNOW that I’m saved?” & “How do I KNOW that I know God?” [2:3]. John’s answer: “we keep His commands”. You know you know God if you do what He says, if you keep His word. And John goes on to explain what that looks like lived out: you will love others. There are plenty of things that are complicated and beyond our grasp of understanding, but I don’t think John’s teaching here is one of them. Comprehension is generally not our problem with living this out - motivation is. We aren’t convinced that the effort is worth the inconvenience of obedience. But it is, for the sake of Christ. Many of us are looking for assurance of salvation, and John is revealing 2 great principles: obedience and love. These are proofs of a person who is abiding in Christ. The sins of God's children are forgiven because of the atoning work of Christ, and so that they might live for Christ – for His name’s sake, so they could now go live differently than they were before. Regardless of gender or age, every believer has the privilege & responsibility to lead younger believers. Every believer has the privilege of assurance and the responsibility of engaging.

SANGRAND HUKAMNAMA  ਅਸੁਨਿ ਪ੍ਰੇਮ ਉਮਾਹੜਾ ਕਿਉ ਮਿਲੀਐ ਹਰਿ ਜਾਇ ॥ ਮਨਿ ਤਨਿ ਪਿਆਸ ਦਰਸਨ ਘਣੀ ਕੋਈ ਆਣਿ ਮਿਲਾਵੈ ਮਾਇ ॥ ਸੰਤ ਸਹਾਈ ਪ੍ਰੇਮ ਕੇ ਹਉ ਤਿਨ ਕੈ ਲਾਗਾ ਪਾਇ ॥ ਵਿਣੁ ਪ੍ਰਭ ਕਿਉ ਸੁਖੁ ਪਾਈਐ ਦੂਜੀ ਨਾਹੀ ਜਾਇ ॥ ਜਿੰਨ੍ਹ੍ਹੀ ਚਾਖਿਆ ਪ੍ਰੇਮ ਰਸੁ ਸੇ ਤ੍ਰਿਪਤਿ ਰਹੇ ਆਘਾਇ ॥ ਆਪੁ ਤਿਆਗਿ ਬਿਨਤੀ ਕਰਹਿ ਲੇਹੁ ਪ੍ਰਭੂ ਲੜਿ ਲਾਇ ॥ ਜੋ ਹਰਿ ਕੰਤਿ ਮਿਲਾਈਆ ਸਿ ਵਿਛੁੜਿ ਕਤਹਿ ਨ ਜਾਇ ॥ ਪ੍ਰਭ ਵਿਣੁ ਦੂਜਾ ਕੋ ਨਹੀ ਨਾਨਕ ਹਰਿ ਸਰਣਾਇ ॥ ਅਸੂ ਸੁਖੀ ਵਸੰਦੀਆ ਜਿਨਾ ਮਇਆ ਹਰਿ ਰਾਇ ॥੮॥  ਅਰਥ: ਹੇ ਮਾਂ! (ਭਾਦਰੋਂ ਦੇ ਘੁੰਮੇ ਤੇ ਤ੍ਰਾਟਕੇ ਲੰਘਣ ਪਿੱਛੋਂ) ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ (ਮੇਰੇ ਅੰਦਰ ਪ੍ਰਭੂ-ਪਤੀ ਦੇ) ਪਿਆਰ ਦਾ ਉਛਾਲਾ ਆ ਰਿਹਾ ਹੈ (ਮਨ ਤੜਫਦਾ ਹੈ ਕਿ) ਕਿਸੇ ਨਾ ਕਿਸੇ ਤਰ੍ਹਾਂ ਚੱਲ ਕੇ ਪ੍ਰਭੂ-ਪਤੀ ਨੂੰ ਮਿਲਾਂ। ਮੇਰੇ ਮਨ ਵਿਚ ਮੇਰੇ ਤਨ ਵਿਚ ਪ੍ਰਭੂ ਦੇ ਦਰਸਨ ਦੀ ਬੜੀ ਪਿਆਸ ਲੱਗੀ ਹੋਈ ਹੈ (ਚਿੱਤ ਲੋਚਦਾ ਹੈ ਕਿ) ਕੋਈ (ਉਸ ਪਤੀ ਨੂੰ) ਲਿਆ ਕੇ ਮੇਲ ਕਰਾ ਦੇਵੇ। (ਇਹ ਸੁਣ ਕੇ ਕਿ) ਸੰਤ ਜਨ ਪ੍ਰੇਮ ਵਧਾਣ ਵਿਚ ਸਹੈਤਾ ਕਰਿਆ ਕਰਦੇ ਹਨ, ਮੈਂ ਉਹਨਾਂ ਦੀ ਚਰਨੀਂ ਲੱਗੀ ਹਾਂ। (ਹੇ ਮਾਂ!) ਪ੍ਰਭੂ ਤੋਂ ਬਿਨਾ ਸੁਖ ਆਨੰਦ ਨਹੀਂ ਮਿਲ ਸਕਦਾ (ਕਿਉਂਕਿ ਸੁਖ-ਆਨੰਦ ਦੀ) ਹੋਰ ਕੋਈ ਥਾਂ ਹੀ ਨਹੀਂ। ਜਿਨ੍ਹਾਂ (ਵਡ-ਭਾਗੀਆਂ) ਨੇ ਪ੍ਰਭੂ-ਪਿਆਰ ਦਾ ਸੁਆਦ (ਇਕ ਵਾਰੀ) ਚੱਖ ਲਿਆ ਹੈ (ਉਹਨਾਂ ਨੂੰ ਮਾਇਆ ਦੇ ਸੁਆਦ ਭੁੱਲ ਜਾਂਦੇ ਹਨ, ਮਾਇਆ ਵੱਲੋਂ) ਉਹ ਰੱਜ ਜਾਂਦੇ ਹਨ, ਆਪਾ-ਭਾਵ ਛੱਡ ਕੇ ਉਹ ਸਦਾ ਅਰਦਾਸਾਂ ਕਰਦੇ ਰਹਿੰਦੇ ਹਨ– ਹੇ ਪ੍ਰਭੂ! ਸਾਨੂੰ ਆਪਣੇ ਲੜ ਲਾਈ ਰੱਖ। ਜਿਸ ਜੀਵ-ਇਸਤ੍ਰੀ ਨੂੰ ਪ੍ਰਭੂ ਖਸਮ ਨੇ ਆਪਣੇ ਨਾਲ ਮਿਲਾ ਲਿਆ ਹੈ, ਉਹ (ਉਸ ਮਿਲਾਪ ਵਿਚੋਂ) ਵਿੱਛੁੜ ਕੇ ਹੋਰ ਕਿਸੇ ਥਾਂ ਨਹੀਂ ਜਾਂਦੀ, (ਕਿਉਂਕਿ) ਹੇ ਨਾਨਕ (ਉਸ ਨੂੰ ਨਿਸਚਾ ਆ ਜਾਂਦਾ ਹੈ ਕਿ ਸਦੀਵੀ ਸੁਖ ਵਾਸਤੇ) ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਤੋਂ ਬਿਨਾ ਹੋਰ ਕੋਈ ਥਾਂ ਨਹੀਂ ਹੈ। ਉਹ ਸਦਾ ਪ੍ਰਭੂ ਦੀ ਸਰਨ ਪਈ ਰਹਿੰਦੀ ਹੈ। ਅੱਸੂ (ਦੀ ਮਿੱਠੀ ਮਿੱਠੀ ਰੁੱਤ) ਵਿਚ ਉਹ ਜੀਵ-ਇਸਤ੍ਰੀਆਂ ਸੁਖ ਵਿਚ ਵੱਸਦੀਆਂ ਹਨ, ਜਿਨ੍ਹਾਂ ਉੱਤੇ ਪਰਮਾਤਮਾ ਦੀ ਕਿਰਪਾ ਹੁੰਦੀ ਹੈ।8। BAARAH MAAHAA ~ THE TWELVE MONTHS: MAAJH, FIFTH MEHL, FOURTH HOUSE: ONE UNIVERSAL CREATOR GOD. BY THE GRACE OF THE TRUE GURU: In the month of Assu, my love for the Lord overwhelms me. How can I go and meet the Lord? My mind and body are so thirsty for the Blessed Vision of His Darshan. Won't someone please come and lead me to him, O my mother. The Saints are the helpers of the Lord's lovers; I fall and touch their feet. Without God, how can I find peace? There is nowhere else to go. Those who have tasted the sublime essence of His Love, remain satisfied and fulfilled. They renounce their selfishness and conceit, and they pray, “God, please attach me to the hem of Your robe.” Those whom the Husband Lord has united with Himself, shall not be separated from Him again. Without God, there is no other at all. Nanak has entered the Sanctuary of the Lord. In Assu, the Lord, the Sovereign King, has granted His Mercy, and they dwell in peace. || 8 || || --- Send in a voice message: https://anchor.fm/gsjhampur/message Support this podcast: https://anchor.fm/gsjhampur/support

Notes: Thanks to Vianna Vo for the interview. One professor gets a mention. Highlights: What is the executive committees program? What is the executive branch and how is it structured? Why are telehealth services important to Stanford community members, and what is being done by the ASSU to expand telehealth services? Why is empathy from the administration important for students? How do you find motivation, and why should you consider taking a class S/NC instead of for a letter grade? Note: Vianna is now President. At the time of this episode's publication, this was not the case. This podcast is powered by Pinecast.

Continuando nossa jornada pelo Egito. Depois de chegarmos a cidade de Assuã, fomos visitar boa parte dos templos ao sul do Egito é a fronteira com o Sudão! Começamos a subir o Rio Nilo, indo ao Vale dos Reis, Vale das Rainhas, Templos de Deus e uma das rainhas mais famosas do Império Egípcio, a Rainha Hatshepsut. Chegando até a cidade de Luxor, cruzar a Península do Sinai, mergulhar em lugares inesquecíveis, subir o Monte Sinai e finalmente chegar a cidade de Petra na Jordânia. Isso e muito mais no Cueca Apertada!

Качество: 320 KBs (No Jingles) Поддержка работы... Donate... 25 - 50 руб Сбербанк... 2202 2003 1411 1244 1. Bahh Tee feat. Lucaveros - Не Любовь 2. Джоззи - Мне Бы Летать 3. Kavabanga Depo Kolibri - Рассвело 4. Marushova - Дым от Сигарет 5. ASSU - Плачу 6. Женя Mad feat. Katya Tu - Кипяток 7. Daasha feat. Тимоха Сушин - Любишь Меня 8. RELFY - Сильно 9. Mizantrope & Элби - Что Ты Знаешь Обо Мне? 10. Коля Кировский - Найду Другую 11. Lina Lee & Керил - Не Дружу С Головой 12. Mull3 - Хотел Сказать 13. Feduk & Mishlawi - Исповедь 14. Sunami - Я Влюбился В Неё, Мама 15. Андрей Леницкий - Покажи Свои Глаза 16. Tsoy - Позови Меня с Собой 17. Misty - Камин (Jony & Emin Cover) 18. Pakalena - Футболки 19. SHENA? - Пришелец 20. Manizha - Начало 21. Fisherman - Я Так Не Хочу Уходить

Качество: 320 KBs (No Jingles) Поддержка работы... Donate... 25 - 50 руб Сбербанк... 2202 2003 1411 1244 1. Bahh Tee feat. Lucaveros - Не Любовь 2. Джоззи - Мне Бы Летать 3. Kavabanga Depo Kolibri - Рассвело 4. Marushova - Дым от Сигарет 5. ASSU - Плачу 6. Женя Mad feat. Katya Tu - Кипяток 7. Daasha feat. Тимоха Сушин - Любишь Меня 8. RELFY - Сильно 9. Mizantrope & Элби - Что Ты Знаешь Обо Мне? 10. Коля Кировский - Найду Другую 11. Lina Lee & Керил - Не Дружу С Головой 12. Mull3 - Хотел Сказать 13. Feduk & Mishlawi - Исповедь 14. Sunami - Я Влюбился В Неё, Мама 15. Андрей Леницкий - Покажи Свои Глаза 16. Tsoy - Позови Меня с Собой 17. Misty - Камин (Jony & Emin Cover) 18. Pakalena - Футболки 19. SHENA? - Пришелец 20. Manizha - Начало 21. Fisherman - Я Так Не Хочу Уходить

Contemporary art trickster, Sonny Assu discusses his pop-subversive strategies.

Prophéties sur la Perse et la Grèce. Gabriel dit à Daniel que trois rois sortiront de Perse. Ils seront suivis du quatrième roi, qui sera le plus riche de tous et provoquera les Grecs. Après Cyrus, trois rois exercent successivement le pouvoir sur la Perse : Cambyse (530-522 avant J.-C.), Smerdis (522 avant Jésus-Christ), et Darius 1er (522-486 avant Jésus-Christ). Le quatrième roi est Xerxès, mentionné dans le livre d’Esther sous le nom d’Assuérus. Il est très riche (Est 1.1-7) et mobilise une vaste armée pour envahir la Grèce, comme l’avait prédit la prophétie. Mais malgré sa puissance, il est repoussé par de vaillants soldats grecs en petit nombre.  Emission présentée par Murielle Victoire et le pasteur Daniel Jennah Crédit (Habillage audio) : Musique proposée par La Musique Libre Nicolai Heidlas - Drive : youtu.be/-4sbuID9fwM Nicolai Heidlas : @nicolai-heidlas

Interdire le protoxyde d'azote, était-ce une bonne idée ? Et comment lutter efficacement contre les assuétudes ? C'est le thème du face à face de Toujours + d'Actu ce lundi, avec Bruno Valkeneers du centre Transit, et Vincent De Wolf (MR), bourgmestre d'Etterbeek.

Interdire le protoxyde d'azote, était-ce une bonne idée ? Et comment lutter efficacement contre les assuétudes ? C'est le thème du face à face de Toujours + d'Actu ce lundi, avec Bruno Valkeneers du centre Transit, et Vincent De Wolf (MR), bourgmestre d'Etterbeek.

The Mix Crew presents a unheard Mixionary Word of the Day by Darynda Jones. Then, Kelsey and the rest of the Mix Crew chat about celebrities who are hot, and some that are not. Kyle awkwardly stands by to give his opinion on the jaw-lines of said celebrities.

This week, a full cast hosts the Relatively Round Table! Ken Der takes A Deeper Look with ASSU Senator Sarah Saboorian '22 into the Campus Climate Survey results (https://bit.ly/2Xg1klI) in addition to addressing safety concerns with the recent incidents of sexual assault on campus, and strategies that the University and ASSU have embarked upon to resolve the issue. Then, Gillian Brassil returns to the show to discuss recent trends in journalism and the ethical dilemmas that journalists may face. And, as always, news of the week from Ken Der and Ishan Gandhi of the Stanford Daily! Find us (most) anywhere you listen to podcasts, and be sure to follow us on Twitter @relativelyround!

Arrêt des travaux. Les « peuples du pays » écrivirent des lettres accusatrices contre les Juifs et leur travail d’abord à Darius (Esdras 5 et 6), puis au roi Xerxès (Assuérus) ainsi qu’à Artaxerxès. Ils firent tout ce qui était en leur pouvoir pour faire cesser les travaux à Jérusalem.  Emission présentée par Murielle Victoire et le pasteur Daniel Jennah. Crédit (Habillage audio) : Musique proposée par La Musique Libre Nicolai Heidlas - Drive : youtu.be/-4sbuID9fwM Nicolai Heidlas : @nicolai-heidlas

Ken Der is in the studio and takes a Deep Dive into the White Plaza Town Center Project and other efforts to improve student social life on campus with Associate Vice President of Campus Engagement and project leader Matthew Tiews. Ken Der also Spotlights newly elected ASSU Executives Erica Scott and Isaiah Drummond, who speak about their backgrounds, experiences, and goals as Execs. Plus, headlines and news stories of the week from Gillian Brassil, The Stanford Daily, and Stanford Journalism student and Peninsula Press reporter Conor Richards--who has a look at animal rights activism. For more information about the White Plaza Town Center Project and to become involved with the effort, visit the Stanford Town Center Website at https://stanford.io/2HiH9f4 And, as always, find us (most) anywhere you listen to podcasts, and be sure to follow us on Twitter @relativelyround! (Cover image by stanforddaily.com)

Gillian Brassil takes the reins this week and brings a summary of the top 10 most viewed stories from the Stanford Daily during Winter Quarter, and engages in coversation with Gabe Rosen--a three-term Senator from the Associated Students of Stanford University--about his experiences as a Senator. She also interviews Peninsula Press Reporter and Stanford Journalism Master's student Conor Richards about his investigation into the Medical Board of California. Follow us on Twitter @relativelyround for news, programming updates, information about guests, and links to each week's episode!

This week on Just Koryzma I am joined by Shanyaa Assu! She is a supervior at Best Buy! She tells me about getting the job and some of her favourite moments of being there! We talk about her aspiring to become a model, she tells me about he favourite photoshoot, and one where she came across a cougar!

Gol de Fessin - ABC 1 x 0 Assu - Sétima Rodada da Copa Cidade do Natal 2018. Rádio Rural de Natal. Narração: Freire Neto Operação e Produção: Heliton Valter e Fagner Bispo.

Check out this ~ sneak peak ~ of the ASSU’s groovy new podcast: Room 1068. ……… This episode is hosted by Bosibori Moragia and Priyanka Sharma, produced by Kaitlyn Simpson, and edited by Priyanka Sharma, with music production help from Gavin Nowlan. Thank you to Ayisha Lineo Gariba for designing our logo, and a shout-out to Katie Jensen for hosting the super helpful Inclusive Podcast Workshops in Toronto. Find Ayisha on http://ayishagariba.com/

For more than 120 years, thousands of Aboriginal Children in British Columbia were sent to Indian Residential (boarding) Schools that were funded by the Federal Government and run by the churches. The first residential schools were established in the 1840s and the last residential school closed in 1996. For over 100 years, until 1948, Residential School was compulsory by law for status Indians under 16 years of age. Mortality rates at residential schools ranged from 30% – 60% and included epidemics of tuberculosis from poor living conditions, compulsory sterilization as well as nutritional and other experiments. In March 1998, the Government made a Statement of Reconciliation – including an apology to Aboriginal people who were sexually or physically abused while attending residential school. In September of 2013 the Truth and Reconciliation Commission of Canada hosted a National Conference in Vancouver, September 18 – 21 ( http://www.trc.ca ).

O Presidente Lula comentou as recentes conquistas do Rio Grande do Norte que motivou a sua vinda a Natal na semana passada para a assinatura dos atos respectivos: - Decreto que regulamenta e autoriza a concessão do aeroporto de São Gonçalo do Amarante; - Decreto que autoriza o funcionamento da ZPE de Macaíba e de Assu

Convidada de honra do Presidente, Wilma fala sobre a importante agenda que inclui a inauguração da Unidade de Pronto Atendimento à Saúde - UPA de Pajuçara (ZN de Natal), entrega de 90 tratores para agricultura familiar, 76 ambulâncias para interiorização do SAMU e assinatura de decretos criando as ZPE's de Macaíba e de Assu, bem como a que regulamenta a concessão do Aeroporto de São Gonçalo do Amarante.