Podcast appearances and mentions of Brad Guigar

In a recent interview for the National Cartoonists Society, Greg Evans (the creator of the newspaper comic strip "Luanne") spoke about painting a single wall in his studio red. Mel Lazarus, creator of the syndicated strips "Momma" and "Miss Peach," told him that the color red was proven to increase creative thoughts. This resulted in one burning question for the cartoonists assembled to watch the interview: "DID IT WORK!?"Today's ShowCreativitySusan MacTaggart's Personal AffirmationUsing copyrighted music lyrics in a comicSummaryIn this episode, cartoonists Dave Kellett and Brad Guigar discuss various topics related to creativity, including the significance of the color red in creative spaces and personal superstitions that influence their creative processes. They explore the humorous aspects of creativity and the shared experiences of cartoonists while also celebrating the 40th anniversary of the comic strip 'Luanne'. In this conversation, Dave Kellett and Brad Guigar explore the complexities of creativity, discussing the psychological effects of color, the challenges of maintaining a consistent creative output, and various strategies to overcome creative blocks.In the second half, after Susan MacTaggart drops by to share a personal affirmation for a lucky ComicLab backer, they also touch on the importance of legal considerations in creative projects, particularly when referencing existing works. The dialogue is filled with humor and personal anecdotes, making it relatable for artists and creators alike. In this conversation, Dave Kellett and Brad Guigar delve into the intricacies of copyright, fair use, and the ethical considerations surrounding using creative works. They discuss the historical context of copyright, the importance of seeking permission to use others' intellectual property, and the complexities of navigating licensing agreements. The conversation emphasizes the need for artists to respect the rights of their peers while also understanding the legal landscape that governs creative works.TakeawaysThe song 'Piña Colada' has bizarre lyrics that reflect on relationships.The color red is believed to boost creativity, as shared by cartoonist Greg Evans.Creativity is often difficult to pin down and can be influenced by environment.Many artists have personal rituals or superstitions that help trigger creativity.Getting bored can lead to creative breakthroughs, as distractions are removed.Having a specific workspace can enhance focus and creativity.The importance of context in understanding creativity is emphasized.Superstitions can be seen as strategies for fostering creativity.The discussion highlights the shared experiences of cartoonists in their creative journeys.The episode humorously addresses the absurdity of certain creative beliefs. Creativity can be influenced by environmental factors like color.Consistency in creativity is a challenge for many artists.Finding personal strategies for creativity is essential.Boredom can lead to unexpected creative breakthroughs.Starting the creative process is often the hardest part.Engaging with interesting people can spark new ideas.Reading old work can help reconnect with your creative voice.Deadlines can reduce fear and encourage action in creativity.Legal considerations are crucial when referencing other artists' work.Your art has intrinsic value, regardless of external validation. Copyright gives artists control over their work.Fair use allows limited use of copyrighted material.Seeking permission is crucial when using others' work.Ethical considerations are as important as legal ones.The complexities of copyright can be daunting for creators.Documentaries often fall under fair use but still require permissions.Artists may feel protective over their creations.Licensing agreements can be complicated and vary widely.Understanding copyright is essential for all creators.Navigating permissions can be a lengthy process. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Where's the line between an autobiographical comic and a semi-autobiographical one — between "based upon" and "inspired by"? And when does the whole thing veer directly into fiction?? Plus... Dave Kellett shares real numbers from his recent Kickstarter, and we arrive at a jaw-dropping conclusion: Bluesky is it.The Webcomics Handbook will publish a visual breakdown of Dave's analytics on April 14th.Today's showWhere to draw the line on an autobio comicMalignant ProcrastinationSusan MacTaggart's Personal AffirmationDave shares actual numbers from his KickstarterThe Wrong Way Show: Toy Story's WoodySummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share insights on navigating autobiocomics, exploring the balance between fiction and fact in storytelling. The conversation highlights the significance of making personal stories compelling and meaningful for audiences. In this conversation, Dave Kellett and Brad Guigar explore the intricacies of storytelling in comics, mainly focusing on autobiographical narratives. They discuss the importance of engaging and meaningful stories, emphasizing that readers seek entertainment and context in narratives. The duo also addresses the common issue of procrastination among creators, urging them to take action and start their projects, regardless of the fear of failure. They highlight that creativity thrives on making choices and moving forward rather than getting bogged down in details.After Susan MacTaggart drops by to share a personal affirmation for one of ComicLab's $10 backers, Dave Kellett discusses the success of Kellett's recent Kickstarter campaign for his book 'Anatomy of Dogs'. He and Brad explore the sources of backers, the impact of social media platforms like Blue Sky, and the importance of converting followers into actual supporters. The discussion highlights the effectiveness of Kickstarter as a platform for creators and the changing landscape of social media engagement. In this conversation, Dave Kellett and Brad Guigar discuss the intricacies of running a successful Kickstarter campaign, the impact of social media on funding, and the importance of maintaining quality in production. They share insights on financials, the long-term benefits of Kickstarter projects, and how to build a sustainable career as an independent cartoonist. The discussion emphasizes the need for careful planning and the value of mental health in the creative process.TakeawaysSmall acts of kindness can have a lasting impact.Every interaction with fans can create memorable moments.Autobiocomics need to be engaging, not just factual.Never let the truth hinder a good story.Context and meaning are crucial in storytelling.It's essential to make personal stories relatable.Readers care more about the story than the facts.Becoming a writer means crafting meaningful narratives. Give yourself the leeway to make your story interesting.Readers care about the entertainment value of a story.Autobiographical comics often lack excitement and meaning.Injecting fiction can enhance storytelling.Stories should have a purpose for the reader's life.Procrastination can hinder creative aspirations.Start with small segments of your story to gain momentum.Character designs will evolve; start drawing.Don't let the fear of failure prevent you from creating.Every choice made in storytelling contributes to the overall narrative.This was my most successful Sheldon Kickstarter ever.I did not use Twitter at all.Blue Sky works for reaching backers.The second source was my Patreon for Drive.You need to be able to convert those readers into backers.Those numbers are fake numbers on social media.Kickstarter is a must-use for cartoonists.The highest percentage of backers came from Kickstarter sources.I was afraid to leave Twitter and Instagram.The impact of social media on crowdfunding is significant. The utility of Kickstarter must remain intact for success.Social media platforms can significantly impact funding outcomes.Quality production is crucial for maintaining a good reputation.Kickstarter profits can be amortized over several years.Building a mailing list from backers is essential for future campaigns.Mental health can improve by choosing the right social media platforms.Planning ahead for stretch goals is vital to avoid pitfalls.Every Kickstarter project contributes to a larger career strategy.Quality materials enhance customer loyalty and future sales.Understanding financials helps in making informed decisions. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As they attempt to save the marriage of one of their listeners, Brad and Dave consider the best path for a cartoonist who wishes to pursue a master's degree. Would a Master's in Fine Arts be the right choice, or would a Master's in Business Administration be the better option? Considering the expense, perhaps the best choice is to avoid both! After grappling with that dilemma, Susan MacTaggart stops by to share a personal affirmation with a member of the ComicLab community.Today's ShowIs a Master's Degree in comics worthwhile?Susan MacTaggart's AffirmationUPDATE: Brad and Dave's Wikipedia pagesMixing word-balloon stylesSummaryIn this episode, the hosts discuss the importance of education for cartoonists, debating the merits of pursuing a Master's in Fine Arts (MFA) versus a Master's in Business Administration (MBA). The discussion highlights the value of writing skills in comics and the necessity of understanding business principles in today's publishing climate. In this episode, the hosts delve into the intersection of art and marketing, discussing the value of formal education, such as an MFA, in developing a creative career. They explore the importance of self-teaching versus structured learning, emphasizing personal growth and the impact of higher education on career paths. The conversation also touches on community engagement through personal affirmations and mid-show updates, culminating in discussing word balloon techniques in comics. In this episode, Brad Guigar and Dave Kellett delve into the intricacies of comic storytelling, focusing on the use of word balloons and their aesthetic implications. They discuss the evolution of comic communication, the philosophy behind how comics convey messages, and the unique structure of two-panel comics. The conversation highlights the balance between visual elements and text, exploring how these components enhance storytelling in comics.TakeawaysEducation in the arts should focus on writing, not just drawing.An MFA may not provide the specific skills needed for comics compared to an MBA.Understanding business and marketing is crucial for independent cartoonists today.Higher education can provide a shortcut to knowledge that would take years to learn otherwise.Not all education needs to have a direct financial return on investment.The subjective nature of art can complicate grading in MFA programs.Scholarships can help alleviate the financial burden of higher education.Choosing between an MFA and an MBA depends on personal career goals and interests. The art itself is not enough; marketing plays a crucial role.An MFA can provide valuable insights into salesmanship and marketing.The experience gained from an MFA depends on the student's openness to feedback.Many successful cartoonists do not have an MFA, indicating it's not essential for success.Self-teaching can be as effective as formal education, depending on the individual's learning style.Personal growth and happiness can come from pursuing higher education, even if it doesn't directly impact career success.Community engagement is vital for creators, as seen in the personal affirmations segment.Word balloon techniques vary based on the comic's style and background complexity.The hosts share humorous anecdotes about their Wikipedia pages, highlighting the challenges of self-presentation.The conversation emphasizes the importance of adapting techniques to fit the evolving art style. Word balloons can affect the aesthetics of a comic.Using a floater can conserve space in a panel.Breaking up dialogue into multiple balloons improves readability.Floaters can convey whispers or asides effectively.Aesthetics sometimes dictate the choice between word balloons and floaters.The history of word balloons reflects the evolution of comic art.Comics often rely on a visual punchline that follows a setup.Two-panel comics can exist in greeting cards and other formats.The construction of comics can influence how they are perceived.The philosophy of comic communication is complex and evolving. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

When does a running gag stop being funny — and where does it start, for that matter? Cartoonists Brad and Dave must first agree on what a running gag is! Next, they'll talk about aesthetics — in other words, how does one develop their editorial eye? Finally, Dave reviews his accounting from last year's San Diego Comic-Con and discusses how it influences his decisions for this year's show.Today's ShowWhen does a running gag go too far?Developing an editorial eyeUPDATE: San Diego Comic-Con numbersSummaryIn this episode of Comic Lab, hosts Dave Kellett and Brad Guigar explore the nuances of humor in comics, focusing on the use of running gags and tropes. They discuss the importance of timing, audience familiarity, and the subjective nature of humor. The conversation also delves into the challenges of building an audience in webcomics and the significance of developing an editorial eye for creators. Through various examples, they highlight how running gags can engage audiences while cautioning against overuse. In the next topic, Brad Guigar and Dave Kellett discuss the importance of critical reading and learning from excellent and poor comic industry works. They emphasize the need for creators to develop an editorial eye by consuming a wide range of content, understanding audience expectations, and being open to honest feedback. The episode finally touches on the economic realities of attending comic conventions, particularly San Diego Comic-Con, and how creators can navigate the changing landscape of the comic industry.TakeawaysRunning gags can enhance humor but must be used wisely.Timing and audience familiarity are crucial in comedy.The rule of threes is a guideline for running gags.Developing an editorial eye takes time and practice.Reading a variety of comics helps improve your craft.Surprise is a key element in effective humor.Character-driven comedy can create memorable running gags.Webcomics require a different approach to running gags than print comics.Familiarity can trigger emotional responses beyond humor.The balance of surprise and familiarity is essential in comedy. Reading with a critical eye is necessary for creators.Learning from both great and poor works is valuable.Understanding why certain choices are made in storytelling is crucial.Diverse reading helps inform your creative process.Feedback is vital, but discernment is necessary to know what to take.Comic conventions can be economically challenging for creators.The landscape of comic creation has changed significantly over the years.Creators must adapt to modern audience expectations.Honest feedback can be hard to accept but is necessary for growth.Networking at conventions should be weighed against potential losses. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Social media has convinced an entire generation of creators to focus on numbers — followers, subscribers, likes, shares, and other engagement metrics. However, focusing on numbers can often lead an artist to make bad decisions.Today's ShowFocusing on numbersLimiting comments on BSkyUPDATE: Hoganmag.comLost the Kickstarter mojoComic book vs graphic novelSummaryIn this conversation, Dave Kellett and Brad Guigar discuss recent updates on Blue Sky, a social media platform, and how it offers a healthier commenting environment. They emphasize the importance of quality followers over quantity, sharing insights from their own experiences with Kickstarter campaigns and the ineffectiveness of traditional social media platforms like Twitter and Instagram. The conversation concludes with a focus on engagement metrics and the need for creators to prioritize passionate followers rather than simply chasing numbers. In this conversation, Dave Kellett and Brad discuss the importance of building the right audience for comics, emphasizing the shift from merely increasing follower counts to fostering passionate engagement. They explore the challenges of navigating social media changes, the necessity of embracing change in the webcomics industry, and the emotional toll of crowdfunding campaigns like Kickstarter. The discussion culminates in advice for rekindling motivation and finding joy in the creative process amidst uncertainty. In this conversation, Brad and Dave explore the emotional and practical aspects of running Kickstarter campaigns, the importance of market testing, and the structural elements that contribute to a successful project. They also discuss the significance of listening to one's inner voice during creative endeavors and reflect on the differences between comic books and graphic novels, emphasizing the evolution of sequential art.TakeawaysOrganizing your workspace can be a form of avoidance.Blue Sky's new commenting features promote a healthier online environment.Quality followers are more valuable than a large follower count.Kickstarter success can be achieved without relying on traditional social media.Engagement metrics should focus on passionate followers, not just numbers.Turning off public comments can improve mental well-being for creators.Social media platforms should be evaluated based on their effectiveness for business.Creators should prioritize platforms that allow for direct engagement with their audience.The herd mentality in social media can lead to poor decision-making. Building the right audience is crucial for success.Focusing on passionate engagement is more important than follower counts.Social media platforms can change, and so should your strategy.Embrace change as a constant in the webcomics industry.Kickstarter campaigns can be emotionally exhausting but are part of the process.It's natural to feel doubt after a failed campaign.Finding joy in the creative process is essential for motivation.You are not alone in your struggles as a creator.Being pragmatic about social media is key to success.Every upheaval in the industry can lead to new opportunities. Challenges can ignite motivation and creativity.Finding personal motivation is key to success.Kickstarter serves as a valuable market testing tool.Emotional tolls are part of the creative process.Structuring your Kickstarter effectively can lead to better outcomes.Listening to your inner voice can guide your decisions.Evaluating past projects helps in future planning.The distinction between comic books and graphic novels is significant.Comic books are often seen as disposable, while graphic novels are more permanent.Creative paths may need reevaluation based on market feedback. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad and Dave discuss finding the right balance between visual and verbal. Dave asks if too much worldbuilding is an excuse to avoid actually writing the story. And a listener asks if it's a good idea to approach your Patreon as a customer-service job.Today's showVerbal vs. VisualUPDATE: DogKickstarter.comUPDATE: The Wrong Way Show draws ShrekWorldbuilding vs. actual writingIs Patreon like a customer service job?SummaryIn this episode, cartoonists Dave Kellett and Brad Guigar delve into a discussion about the art of storytelling in comics, focusing on the balance between visual and verbal elements. The hosts explore how to effectively convey humor and plot points, emphasizing the importance of skill development in the medium of comics. In this conversation, Brad and Dave explore the intricacies of comic creation, emphasizing the importance of self-critique, the challenges of world-building versus storytelling, and the value of short stories in honing writing skills. They also discuss the excitement and strategies behind running a successful Kickstarter campaign, highlighting community engagement and personal anecdotes. In this conversation, Brad and Dave explore the intersection of customer service skills and creative work, particularly in the context of managing a Patreon. They discuss the importance of empathy, professionalism, and the balance between listening to customer feedback and maintaining creative integrity. Personal anecdotes from their early jobs provide insight into the skills that can be transferred to creative endeavors while emphasizing that the customer's perspective should not dictate creative decisions.TakeawaysGardening can be a therapeutic hobby during tough times.Citrus grafting allows for the creation of unique fruit varieties.The balance between visual and verbal storytelling is crucial in comics.Some jokes are best conveyed visually, while others require words.Skill development is a continuous journey for comic creators.Reviewing past work helps identify growth and areas for improvement.Visual humor can create a more substantial impact than verbal humor in specific contexts.Understanding the audience's expectations is key to compelling storytelling.Experimentation is essential for growth in creative fields.Creating a compelling narrative often requires a mix of both visuals and text. Self-critique is essential for growth in comic creation.Bravery in execution can lead to improvement.World-building should not overshadow storytelling.Short stories are crucial for developing writing skills.Engaging with the community can enhance project visibility.Mistakes are part of the learning process in comics.Visual and verbal storytelling require different approaches.Kickstarter campaigns can be exhausting but rewarding.Feedback from peers is invaluable for improvement.The act of writing reveals the true nature of a story. Short stories allow for experimentation in world building.Customer service skills are valuable in managing Patreon campaigns.Empathy and professionalism are key in customer interactions.It's important to assume the best intentions from customers.Never listen to one reader; always consider the audience as a whole.The customer's always wrong when it comes to creative decisions.Feedback from patrons should inform, not dictate, creative choices.Maintaining creative integrity is essential for artists.Personal experiences shape our understanding of customer service.Rhetoric plays a powerful role in communication and engagement.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A listener seeks writing advice. How can you motivate readers to engage with a story that has an unhappy ending? Additionally, Dave's new DogKickstarter.com, tips for responding to inquiries from "civilians," and the importance of personal branding when posting on social media.Today's ShowHow to write an unhappy endingUPDATE: DogKickstarter.comQuestions from civiliansPosting politics on social mediaSummaryIn this conversation, Dave Kellett and Brad Guigar explore the importance of character wants and needs in storytelling, and how to create satisfying yet unhappy endings that resonate with audiences. In this conversation, Dave  and Brad discuss various narrative techniques in storytelling, particularly focusing on how to engage audiences through subverting expectations, making journeys worthwhile, and crafting satisfying character arcs. They also touch on the importance of unhappy endings that feel earned, using examples from popular films. Additionally, they share insights on Kickstarter strategies for comic artists, emphasizing the significance of tracking engagement and adapting to audience responses. In this conversation, Brad and Dave explore the complexities of social interactions, particularly in the context of pursuing creative careers. They discuss the importance of understanding the motivations behind casual conversations and the superficial nature of social niceties. The dialogue shifts to the challenges of engaging with audiences on social media, especially regarding political discourse, and the pitfalls of seeking validation through online engagement. They emphasize the value of building a passionate audience over merely chasing numbers, and the dangers of slacktivism, where social media activity gives a false sense of accomplishment without real-world impact.TakeawaysWriting a tragedy involves the same principles as other stories.Character Wants and Needs are crucial in storytelling.Foreshadowing can create a sense of inevitability in narratives.Emotional hooks are essential for audience engagement.Not all stories need a happy ending to be satisfying.Catharsis can come from tragic outcomes.Characters can have bittersweet endings that resonate emotionally.The choice of where to end a story defines its genre.  Cinematic guilty pleasures can be surprisingly engaging.Subverting audience expectations can enhance storytelling.The journey in a narrative is as important as the ending.Unhappy endings can be satisfying if they feel earned.Character arcs should lead to emotionally satisfying conclusions.Kickstarter strategies can significantly impact project success.Tracking engagement helps identify effective promotional channels.Building a narrative involves using the same principles for different outcomes.Friendship and collaboration can enhance creative projects.Understanding audience expectations is key to effective storytelling. You don't need to justify yourself to others.Most people are just trying to be polite.Engagement on social media doesn't always translate to meaningful connections.It's okay to keep conversations superficial with strangers.Building a passionate audience is more valuable than a large one.Political posts can alienate potential fans.Slacktivism can give a false sense of accomplishment.Focus on your brand and what you want to communicate.Real-world actions are more impactful than social media posts.Everyone is navigating life awkwardly, regardless of age.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

What are independent comic creators' most reliable revenue streams — and which are the worst? Brad ranks them from top to bottom, and Dave shares his own experiences with each. Also, the guys share the strategy that's making Patreon's "Collections" feature a solid income generator.Today's showWebcomics Revenue Streams Ranked Best to WorstUPDATE: USPS Ground AdvantageUPDATE: Patreon Collections Should you include credits for digital fontmakers in books?SummaryCartoonists Dave Kellett and Brad Guigar delve into the various income streams available to comic creators, comparing crowdfunding platforms like Patreon and Kickstarter, and discussing the importance of commissions, freelance work, and merchandise sales. The conversation wraps up with a light-hearted mention of Comic-Con income and the challenges comic creators face in the industry. In the mid-show updates, Dave Kellett and Brad discuss the significance of USPS Media Mail for shipping and the recent developments in Patreon Collections amidst economic uncertainties. Brad and Dave discuss the economic challenges facing creators, particularly in light of rising costs and potential trade wars. They explore strategies for adapting to these changes, such as adjusting Patreon tiers to accommodate supporters' financial situations. The conversation then shifts to the often-overlooked topic of font credit in comics, questioning why font designers are not acknowledged in the same way as letterers. They emphasize the importance of recognizing the contributions of font creators and suggest that doing so could set a new standard in the industry.TakeawaysPatreon is a top income stream for creators.Kickstarter offers big swings in income.Digital commissions can be lucrative.Physical rewards on Patreon can be problematic.Sales of printed merchandise are important.Comic-Con can be a significant income source.Understanding income streams is crucial for success. Comic-Con can be profitable but comes with risks.Digital merchandise sales can provide better profit margins.Diverse income streams are crucial for financial stability.Merchandise sales often yield lower profits due to costs.Day jobs are a valid source of income for many artists.Media mail is essential for affordable shipping of books.Patreon collections can be a surprising revenue source.Economic challenges may impact artists' income streams.Understanding costs is vital for convention profitability.Experimenting with new income strategies is important.  Economic challenges are impacting creators' income.Adjusting Patreon tiers can help retain supporters.Hedging bets is a smart strategy in uncertain times.Font credit in comics is often overlooked.Acknowledging font designers could elevate the industry.Younger creators often follow the practices of established ones.Listing fonts used in comics could become a new norm.Digital lettering has changed how fonts are accessed.Creators should consider the impact of tariffs on their work.Engaging with supporters through lower tiers can maintain connections.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad Guigar has categorized the information shared by creative individuals into three groups. Dave Kellett has a couple of his own to contribute. Of the five, only one is useful. Identifying the others can help you avoid making some significant mistakes.Today's showTypes of information creative people shareUPDATE: Brad Guigar celebrates 25 years in comicsStory pacingSummaryIn this episode, Brad and Dave discuss the information shared among creative individuals, categorizing them into facts, marketing, and herd mentality. The discussion highlights the importance of discerning between genuine facts and marketing tactics. Dave suggests the list should include misinformation and bad actors in the creative community. In this episode, Dave Kellett and Brad Guigar discuss the realities of book signings, networking, and celebrating milestones in one's career, particularly in the comic industry. They share personal anecdotes about their experiences and reflect on the mental health benefits of recognizing achievements. The conversation then shifts to writing advice, focusing on story pacing, exposition, and actionable strategies for aspiring writers to improve their craft.TakeawaysSharing information among creatives is essential for growth and learning.Facts are verifiable truths that can help guide creative decisions.Marketing often skews perceptions and can lead to poor decision-making.Herd mentality can mislead creatives into following trends without critical thinking.Misinformation can come from well-intentioned but uninformed sources.Bad actors exist in the creative community, and caution is necessary.Understanding the difference between marketing and facts is crucial for success.Social media is primarily a marketing tool for many creators.  Book signings often don't attract large crowds.Celebrating career milestones can boost mental health.Reflecting on past achievements can provide motivation.Each page of a comic should be satisfying on its own.Writers should focus on manageable story lengths.Use visuals effectively to enhance storytelling.Avoid information dumps in storytelling.Create tension through micro-tension techniques.Leave breadcrumbs for readers to follow in the narrative.     You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

This week's episode is sponsored by Hogan's Alley magazine! We'll discuss those moments in our careers when we said, "F*** me! That actually worked!" Also, a listener writes in to say that they want to take our advice and make the jump to Bluesky, but it causes too much anxiety.SponsorHogan's Alley magazine sponsors this week's episode!  In the next issue, they'll cover the Tijuana Bibles and much more! Get your copy now!Today's ShowHogan's Alley magazine"F*** me! That actually worked!"UPDATE: Diamond Comics DistributorsUPDATE: The Wrong Way"Bluesky stresses me out!"SummaryIn this episode, Dave and Brad are pleased to welcome the sponsorship of Hogan's Alley Magazine! The conversation starts with  a discussion about unexpected successes in the comics industry, sharing personal anecdotes and insights on what works in webcomics and the importance of niche topics. In this conversation, Dave Kellett and Brad discuss their evolving experiences with monetization in the comic industry, reflecting on their initial skepticism towards various platforms like T-shirts, advertising, and crowdfunding. They share personal anecdotes about their misjudgments regarding new technologies and trends, emphasizing the importance of humility and adaptability in their careers. Two mid-show updates touch on the recent bankruptcy of Diamond Comics Distributors and their new show, The Wrong Way. In this conversation, Brad and Dave discuss the challenges and anxieties surrounding social media for artists, particularly in building an online presence while focusing on their craft. They explore the importance of self-promotion, the consequences of delaying engagement with social media, and the potential of new platforms like Blue Sky. The discussion emphasizes the need for artists to balance their creative work with the realities of marketing and audience building while addressing the mental health aspects of sharing their work online.TakeawaysHogan's Alley Magazine is a significant resource for comic history.Niche topics in webcomics can lead to unexpected success.Webrings can significantly boost site traffic and engagement.Comics history is often overlooked but is vital for understanding the medium.The internet favors focused, passionate content over general interest.Understanding your audience is key to successful cartooning.Comics can be both serious and joyful, reflecting their cultural impact. T-shirts as a monetization strategy were initially surprising.Advertising proved to be a lucrative avenue for comics.Skepticism towards Kickstarter was common in its early days.Technological advancements can change the way comics are created and consumed.Vertical scrolling comics have become a preferred format for mobile readers.Humility is crucial in recognizing when to adapt to new trends.Keeping an eye on peers can lead to valuable learning opportunities.The bankruptcy of Diamond Comics marks a significant moment in the industry.Independent comics are evolving beyond traditional distribution methods.Embracing discomfort can lead to growth and new opportunities. Focus on improving your craft before engaging on social media.If social media causes anxiety, it's okay to wait.Blue Sky is currently a growing platform for audience building.Social media fatigue is a common issue for artists.Self-promotion is essential for making a living from art.Building an audience takes time and effort.Sharing your work gets easier with practice.Consider the consequences of delaying social media engagement.It's important to find a balance between art and marketing.Artists can impact the world even as a hobby. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Join us this week as we welcome back Brad Guigar to the show! It's been a bit since we had Brad with us but as always he was fantastic to talk to and we cover everything from the state of modern NSFW art to truck nuts because that's just how we roll!

We're heading into a year promising significant upheaval — in business, social media, publishing, and more. But, after twenty-five years of self-publishing, cartoonists Dave Kellett and Brad Guigar have learned an important lesson: Discomfort is crucial in growing as an artist — and as a businessperson.Today's showEmbrace discomfortListifications on Bluesky —  https://bsky.app/profile/listifications.appSummaryIn this conversation, cartoonists Dave Kellett and Brad Guigar explore the importance of discomfort in personal and artistic growth, emphasizing that taking risks is essential for creativity. The duo reflects on their experiences in the comic industry, discussing the challenges of adapting to change and the innovator's dilemma faced by established artists. They conclude with insights on the necessity of continuous learning and adaptation in a rapidly evolving landscape. In this conversation, Dave and Brad discuss the challenges and opportunities of innovation in creative careers, emphasizing the importance of embracing discomfort and taking risks. They explore various strategies for creative growth, including collaboration and mentorship, and share insights on navigating social media dynamics, particularly with new platforms like Blue Sky. The discussion highlights the significance of being proactive in one's career and the emotional complexities of online interactions.TakeawaysDiscomfort is essential for growth as artists and individuals.Creativity thrives in uncomfortable situations.It's important to embrace change and adapt in the comic industry.The innovator's dilemma can hinder progress in established fields.Continuous learning is crucial for long-term success.Taking risks can lead to new opportunities and growth.Complacency can be detrimental to artistic development.Understanding the market is key to adapting one's work.Creativity is a superpower that can be harnessed through discomfort. Innovation can be hindered by comfort in established success.Bill Holbrook exemplified foresight in adapting to new media.Taking risks in creative projects can lead to personal fulfillment.Exploring new art methods can rejuvenate creativity.Collaboration can enhance productivity and creativity.Embracing discomfort is essential for growth in any career.Social media dynamics require careful navigation to maintain presence.Understanding audience reactions on social media is crucial.Mentorship can provide fresh perspectives and energy.Planning for future projects can prevent stagnation in creativity.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Start your webcomic using the latest platforms, monetization methods, and social media strategies. If you're launching a new comic in 2025, this episode has all the information you'll need to get it off the ground! How to start a webcomic in 2025Don't try to “game” your readership. Write about what YOU likeBuilding readership takes time and consistency. Creating for love is essential in the early years. Focus on writing as the core of comic creation. Focus on creating comics for the love of the craft. The first comics may only be seen by you; embrace the process.Mistakes in the early stages are recoverable.CopyrightOwn and control your workYou do NOT need to be on Webtoon/TapasSocial media presence is important for comic creators. Today, that's Bluesky and Substack. ComicLab has Collections that provide strategies for each platform** They're free to members and available at a one-time fee for others.Be active on social media to build your audience. Four CsHow many updates FCSPersistence is key; it's a marathon, not a sprint. If you need a schedule to post regularly, set a schedule and stick to it. Don't rush into monetization; it takes time to build a following. Starting on Patreon or Kickstarter too soon is a common problem that derails a lot of creators.Develop your aesthetic by studying good comics.You don't need a website immediately, but you'll need one eventually. Start planning now.Seek honest feedback to improve your work.Reach out to other comics creators who are doing stuff that's similar to yours and build networks.Do it for loveSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar discuss the importance of passion in creating comics, the challenges of building a readership, and the necessity of starting your comic journey despite fears and anxieties. The conversation emphasizes the value of maintaining independence as creators and finding an audience that resonates with your unique themes rather than chasing trends. They address the challenges and strategies for comic artists navigating social media. They emphasize the importance of choosing the right platforms, such as Blue Sky and Substack, over TikTok for comic promotion. The hosts introduce the 'Four C's' of social media—Content, Curation, Commercial, and Kindness—as essential for building an audience. They also share acronyms like SWIG and FCS to guide effective promotion and posting frequency. The conversation concludes with a reminder that building a successful comic takes time and persistence, likening it to a marathon rather than a sprint. In this episode, Brad Guigar and Dave Kellett discuss the essential steps for starting a webcomic in 2025. They emphasize the importance of focusing on the craft before monetization, developing a unique aesthetic, and the necessity of having a personal website. The hosts also highlight the value of networking, seeking feedback from peers in the comic community, and navigating the evolving landscape of social media and comic publishing.TakeawaysCreating comics should stem from personal passion, not trends.Building a readership is a gradual process that requires time and consistency.Mistakes in the early stages of comic creation are normal and recoverable.Your comic's idea is less important than your unique execution of it.Independence in comic creation allows for greater control over your work.Social media platforms are evolving; choose wisely for engagement.Focus on writing as the core of comic creation.Engagement and growth are key metrics for success in comics.Don't let fear of theft prevent you from sharing your work. TikTok may not be suitable for comic artists.Blue Sky and Substack are better platforms for engagement.Social media requires a balance of content, curation, and kindness.Persistence is crucial for building an audience.Curation can enhance networking opportunities.Promote by saying why your work is good.Frequent, consistent, and significant updates are key.Avoid rushing into monetization too soon.Missing updates is forgivable; focus on quality instead.Building a crowd is essential before seeking funding. Focusing on early monetization can distract from improving your craft.Having a small number of Patreon backers can lead to poor decision-making.It's crucial to develop your aesthetic by studying successful comics.A personal website is essential for maintaining control over your work.Networking with other comic creators can provide valuable feedback.Feedback from peers is more beneficial than casual opinions from non-creators.The comic landscape is evolving, and adaptability is key.Do it for the love of comics to sustain motivation.There are more opportunities in comics now than ever before.Building a community around your work can enhance your growth as an artist. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Cartoonists Brad Guigar, Dave Kellett and Kevin McShane are teaming up on a new show — The Wrong Way! We'll teach you how to draw your favorite cartoon characters without getting sued over copyright theft! Along the way, we'll share tips, tell stories, and roast each other mercilessly. Pay attention and you might learn how to draw The Wrong Way!Today's ShowWrong wayClever vs funnySummaryIn this episode, Brad Guigar and Dave Kellett introduce fellow cartoonist Kevin McShane,  announce their new YouTube show, 'The Wrong Way,' where they draw beloved characters in a legally safe manner. The conversation delves into the creative process behind the show, the dynamics of their friendship, and how they engage with their audience through Patreon, offering insights into the art of cartooning and the importance of community. In this conversation, the hosts delve into various themes surrounding their creative process, the audience for their new show, and the importance of learning from each other. They discuss the technical aspects of drawing, the competitive spirit that drives them to improve, and the launch of their new project, The Wrong Way Show, including its crowdfunding strategy. The conversation culminates in a discussion about the nuances of humor writing, specifically the difference between cleverness and funniness. In this conversation, the hosts explore the nuances of humor, particularly the distinction between cleverness and funniness. They discuss the importance of surprise in humor, the different levels of humor, and how experience shapes a comedian's ability to write effectively. The dialogue emphasizes the need for continuous improvement and the role of audience feedback in developing comedic skills.TakeawaysThe Wrong Way Show aims to teach drawing techniques while entertaining.Friendship and camaraderie enhance the creative process.Engaging with the audience is crucial for building a community.Patreon offers a platform for deeper interaction with fans.The creative process involves trial, error, and humor.Constructive critique is essential in artistic growth.The show combines entertainment with educational content.Collaboration among artists can lead to innovative ideas. The deeper content on Patreon includes art supplies and business philosophies.The Wrong Way Show is aimed at both beginners and experienced artists.Learning from each other's techniques enhances the creative process.Using new tools can be a challenge but also an opportunity for growth.The competitive spirit among the hosts drives them to improve their work.Crowdfunding is essential for projects that require significant time and effort.Building an audience over years allows for successful project launches.The difference between clever and funny is crucial in humor writing.Cleverness is intellectual, while funniness is visceral and felt in the gut.The Wrong Way Show promises to be a fun and engaging experience for viewers. Funny transcends cleverness and evokes genuine laughter.Improv training is invaluable for honing comedic skills.Learning to analyze comedy can diminish the enjoyment of it.Cleverness is intellectual, while funniness is instinctual.Surprise is a key element that elevates humor.Puns can be effective if they have double meanings.Writers must push beyond cleverness to achieve true humor.Experience and practice are crucial in comedy writing.Writing humor is different from being funny in real life.Continuous self-assessment is essential for growth in comedy. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A ComicLab member complained about following too many people on Bluesky. It was too difficult for them to cultivate a feed that suited their interests! This brought up a topic that has Dave and Brad divided: Are you on social media for business or pleasure?Today's ShowYou're not on social media to readUPDATE: Spice Rack Comics webring (NSFW) — special thanks to Matt Sowers at RCSI PublishingUPDATE: Dave and Brad's transposed faces Started too soon on PatreonSummaryIn this engaging conversation, Dave Kellett and Brad Guigar explore various themes related to comics, social media, and community building. They discuss the challenges of navigating Bluesky Starter Packs and the innovative idea of reviving web rings to foster community among comic creators. Their humorous banter and differing perspectives provide valuable insights for aspiring cartoonists and social media users. In the following conversation, they explore the dynamics of collaboration in creative projects, particularly focusing on establishing a webring for cross-promotion among cartoonists. They discuss the importance of lists, group agreements, and the balance between individual creativity and collective efforts. The conversation also delves into the challenges of managing a Patreon account, the significance of audience building, and the lessons learned from past experiences in comic creation. Ultimately, they emphasize the value of growth and learning from one's creative journey.TakeawaysAn authoritative accent can shape perceptions.Social media should be used strategically, not just for reading.Starter packs can lead to overwhelming follow lists.Curating your social media feed is essential for focus.Building a community is crucial for comic creators.Webrings can enhance cross-promotion among creators.Engagement on social media can lead to audience growth.Being selective with follows can prevent overwhelm.Humor and personality can enhance social interactions.Experimenting with new strategies can yield positive results. Collaboration can enhance creativity but comes with challenges.A webring can be a powerful tool for cross-promotion.Clear agreements are essential in group projects.The benefits of collaboration can outweigh the costs.It's important to have a process for ad approval in a web ring.Patreon should be approached with a focus on audience building first.Reflecting on past experiences can lead to growth.There is no such thing as wasted time in creative pursuits.Learning from mistakes is crucial for future success.Evaluating your creative direction is important after years of work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As we begin a new year, cartoonists Dave Kellett and Brad Guigar make their predictions for 2025 and share their goals for the next twelve months.PredictionsDAVE: Business planning anxietyBRAD: Because of Dave's prediction, the winners will be people who help address that anxiety. (That's us!) Be the distraction/escape people need; they won't forget you. DAVE: Bluesky at 50M by the end of the yearBRAD: Substack gains prominence — rises to Kickstarter/Patreon levelsDAVE: we'll all be playing reactionary, whack-a-mole life choices for the first two years of the trump admin. Until the midterm elections, when it might calm slightly. BRAD: AI will go mainstream and start to gain acceptance among artists and writersDAVE: Kickstarter and Patreon continue to be market leaders. No change on the horizon for thatBRAD: Printing is on the decline under tariffs. And we might be working with small US printers to do smaller books.DAVE: in publishing, YA & kids will continue to dominate the career path of published cartoonists. BRAD: Non-social media options will grow, hopefully including RSSDAVE: Webtoons might begin to fall apart in the US market. Their Hollywood goals are not working, and they were playing the long game toward THAT in terms of accumulating debt DAVE: I will have to raise prices on all my books. Or cut features in my books. No more metallic foils, spot gloss, or bookmarks…you're just getting a bare-bones book. GoalsBRAD: SurviveDAVE: SurviveBRAD: EiAD v3 or Webcomics HandbookDAVE: ANATOMY OF DOGS Kickstarter BRAD: Build Spice Rack Comics into an example of what you can do with the webring / collective concept. Suggest that this is the time to start building quasi-collectives.DAVE: Triple down on Bluesky in the 4-6 years before enshittification BRAD: Lean into KDP for After Dark booksDAVE: Triple down on BlueskyDAVE: Launch and start building THE WRONG WAY. I have been planning it for over a year. DAVE: Focus on one of the few things I can control: my family's happiness and health. Outlive the fuckers and try not to let them steal my joy. I find solace in friendships at Alaska Camp and SDCC. DAVE: if we can't do books, do we do more smaller Quickstarter?DAVE: Is this the time to start on Substack?SummaryIn this episode, the hosts discuss a range of topics, including a personal quest for a long-lost book, Wimpy the Wellington, predictions for the comic industry in 2025, the anxiety surrounding business planning for cartoonists, and the evolving role of cartoonists in providing relief during turbulent times. They also explore the rise of new platforms like Blue Sky and Substack and the potential mainstream acceptance of AI in the creative fields. In this conversation, Brad Guigar and his co-host discuss the evolving role of AI in creative processes, emphasizing its potential as an assistant rather than a replacement for artists and writers.They make predictions for 2025, including the impact of tariffs on print publishing, the continued dominance of YA and kids' books, and the uncertain future of Webtoons in the U.S. market. The discussion also touches on the concept of 'shrinkflation' in publishing, where features may be reduced due to economic pressures.Ultimately, both hosts express a shared goal of survival in a changing industry landscape. In this episode, the hosts discuss their goals and predictions for 2025, focusing on the importance of social media platforms like Blue Sky, the launch of a new project called The Wrong Way, and the innovative approach of Spice Rack Comics. They also touch on adapting to market changes, personal goals, and the significance of community support in the creative industry.TakeawaysCartoonists have a significant impact on their audience's mental health.Business planning in the comic industry is becoming increasingly complex.The rise of platforms like Blue Sky may change social media dynamics.Substack is poised to become a major player in content monetization.Anxiety will be a common theme in the coming years for creators.AI's acceptance in the creative industry is on the horizon.The importance of community and support among creators is paramount.Predictions for the future can help guide current decisions.The role of humor and distraction in art is vital during tough times. AI will be used as a writing assistant, not a replacement.Ethically sourced AI can enhance creative processes.Print publishing is expected to contract significantly due to tariffs.YA and kids' books will continue to dominate the market.Webtoons may struggle in the U.S. market moving forward.Shrinkflation will affect the features of published books.Survival is the primary goal for creators in 2025.Economic changes will force a reevaluation of publishing strategies.The creative industry must adapt to new market dynamics.The future of comics relies on navigating these challenges. Tripling down on Blue Sky is a strategic move for growth.The Wrong Way project is set to launch in 2025.Spice Rack Comics aims to innovate web rings and promote collaboration.Adapting to market changes is crucial for sustainability.Personal goals should focus on what can be controlled.Community support is essential for success in creative fields.Digital income sources are becoming increasingly important.Maintaining joy and personal happiness is a priority.Nostalgia can be a refuge during uncertain times.Building a supportive network can enhance creative endeavors. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

At the beginning of the year, Dave and Brad made a series of predictions and set some personal goals for the year. The year is over, and it's time to see how they fared.Predictions for 2024BRAD: Twitter will crash in 2023 2024DAVE: Social media will remain distributed over five or six platformsBRAD: Web users will begin to pivot away from social mediaDAVE: Patreon will move closer to an IPOBRAD: Kickstarter will remain #1 by continuing to avoid mentioning blockchainDAVE: SDCC will return to normal after an abnormal '23... and profits will plummet for creatorsThings we DIDN'T see coming!AI snuck up on us in 2024 — No one predicted that!Bluesky snuck up on us, too!Goals for 2024DAVE: Launch "Pickles" Kickstarter in Jan/Feb, launch "Drive 4" Kickstarter in summerBRAD: In Q1, Kickstart an Evil Inc book paired with an After Dark edition. Kickstart another book — Webcomics Handbook, Evil Inc After Dark or collection of single-panel comics — in Q2/Q3DAVE: Prepare for a 5-15% sales drop at Comic-Con InternationalBRAD: Personal appearances, including SDCC and NCSDAVE: ComicLab Across AmericaBRAD: Use NON-social-media alternatives to drive Patreon.DAVE: Revisit KIndle Direct PublishingBRAD: Start prepping website for a post-Patreon futureDAVE: Build the ComicLab Patreon to 500 members   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad Guigar, creator of Evil Inc., has been putting his comics on the Web for over 20 years, and this week he's here to talk about how he made that his day job, the challenges of promoting your work in a changing media environment, how making an erotic comic (his Patreon-only spinoff Evil Inc. After Dark) … Continue reading #825 Brad Guigar talks promoting your webcomic, even (especially?) if it's NSFW!

A father is concerned that comics no longer reach kids, suggesting that video games are the better value measured by engagement time. What can we do to reverse this trend? On today's showHow can comics reach kids?UPDATE: Buffer (see addendum below)How can I avoid Trump's tariffs? (see other addendum below)AddendumOne day after we recorded the drop that explained that Buffer did not support video uploads, they made an announcement. You guessed it — they've added that functionality. They still do not support adding content moderation labels.Other addendumDuring the campaign, President Trump made tariffs a large part of his platform. He pitched a wide range of tariffs and scenarios. He suggested a tariff of between 60 and 100% on goods imported from China, a tariff on cars imported from Mexico that ranged from 100% to 200%, he threatened John Deere with a 200% tariff if they outsourced to Mexico. During our discussion, we took the worst-case scenario — 200%. On Nov. 26, Trump solidified his economic plans, promising executive orders on Day One that would levy a 25% tariff on imports from Mexico and Canada with an additional 10% tax on Chinese imports. The upshot of the conversation remains the same: These costs will be passed along to American consumers and businesspeople (like us), and you would be wise to build these additional expenditures into any Kickstarter campaigns you have planned for 2025.SummaryIn this conversation, the hosts explore how parents can encourage reading among kids, the value of libraries, and community initiatives to promote access to books. In this conversation, Brad Guigar and Dave Kellett discuss the evolving landscape of social media, particularly focusing on the emerging platform Blue Sky. They share their experiences with various social media platforms, emphasizing the importance of adapting to changes and seizing opportunities for audience engagement. The discussion also touches on the potential of illustrated novels as an alternative storytelling medium, considering the labor-intensive nature of comics and the desire to share narratives more efficiently. In this conversation, Brad Guigar and ComicLab discuss the complexities of transitioning from comics to illustrated novels, emphasizing the importance of writing skills alongside illustration. They also delve into the potential impact of tariffs on printing costs, particularly for small publishers relying on overseas printing. The discussion highlights the challenges and realities of both creative and business aspects in the comic industry.TakeawaysComics and graphic novels aimed at kids are a thriving print publishing sector. Parents play a crucial role in fostering a love for reading in their children.Libraries are vital community resources that provide free access to books.Engagement with comics should not be measured solely by cost-effectiveness.Community initiatives like book exchanges can enhance access to literature.Encouraging kids to read requires active participation from parents.The comics industry is successfully reaching young audiences today.Creative solutions exist for parents to provide books without breaking the bank. Engagement on Blue Sky is currently very high.Deleting old social media accounts can be liberating.Scheduling posts is crucial for maximizing engagement.Blue Sky offers a unique opportunity for audience building.Social media fatigue is a common concern among creators.The landscape of social media is constantly changing.Illustrated novels could be a viable alternative to comics.It's important to adapt to new platforms quickly.Community moderation tools are essential for a healthy environment.Creators should always be on the lookout for new opportunities. You can be very successful in an illustrated novel situation.Writing is as complex as illustrating.Dunning-Kruger effect applies to perceptions of writing difficulty.Novelists can spend years honing their craft.Transitioning to a new art form requires significant time investment.Tariffs can drastically increase printing costs.Small publishers may struggle with rising costs due to tariffs.Navigating printing options requires careful consideration.Expect uncertainty regarding tariffs in the current political climate.Reshoring the printing industry is a complex challenge. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Writing humor takes a lot of time and patience. We'll discuss ways to persevere.SummaryIn this episode, Brad Guigar and Dave Kellett share insights on the creative process of writing humor, emphasizing that humor can be both an inherited trait and a learned skill. The conversation highlights the necessity of trial and error in developing a comedic voice and the various factors influencing one's ability to be funny. In this conversation, the hosts discuss the journey of mastering humor and comedy writing. They emphasize the importance of practice, analysis, and the willingness to learn from unfunny attempts. The hosts share practical tips for writing jokes, the significance of active watching in comedy, and the necessity of obsession with the craft. They also address the challenges some may face in writing humor and encourage aspiring comedians to find their unique path in the genre. In this conversation, the hosts discuss the emergence of Blue Sky as a promising social media platform, contrasting it with their experiences on Twitter and other platforms. They explore the emotional challenges of leaving behind established accounts, the importance of engagement, and the sunk cost fallacy that often prevents users from moving on. The discussion emphasizes the need to focus on platforms that bring joy and meaningful connections, ultimately advocating for a shift towards Blue Sky.TakeawaysWriting humor is a long-term process.Not everyone has an innate sense of humor.Trial and error is essential in humor writing.Humor can be developed through practice.A supportive environment fosters comedic skills.Personal experiences shape one's comedic voice.Learning from past failures is crucial.Engagement with the audience is key to success. Writing humor requires a long journey of trial and error.Analyzing unfunny work is crucial for improvement.Active watching of comedy can enhance joke-writing skills.Practice writing jokes daily to develop your craft.Improv classes can help students understand humor dynamics.Reading and analyzing successful comics can provide insights.Books on comedy writing can be helpful but may not suit everyone.Obsession with humor is essential for long-term success.You can't get worse at writing humor if you keep practicing.Finding joy in the process is critical to becoming a better comedian. Blue Sky is gaining traction as a new social media platform.Engagement on Blue Sky is significantly higher than on Twitter.The emotional weight of deleting social media accounts can be heavy.The sunk cost fallacy can prevent users from moving on from old platforms.It's essential to focus on platforms that bring joy and engagement.Many interesting creators are migrating to Blue Sky.The hosts emphasize the importance of audience engagement for success.Deleting old accounts can be a liberating decision.Social media should be a source of joy, not frustration.Building a community on new platforms is essential for growth.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

What happens when your story gets too big for you to handle? Are you the right person for the job? (And if not you, then who??)On Today's Show:In over your headUPDATE: It was FCS all along Crossbar i technicalityAdvice to your older selfSummaryIn this episode, the hosts discuss the challenges creators face, particularly when tackling complex themes such as systemic injustice in long-term comic projects. The hosts emphasize the importance of pushing through creative doubts and the value of learning from mistakes in the writing process. In this conversation, they explore the complexities of creativity, mainly focusing on the challenges creators face after a hiatus. They discuss the importance of embracing imperfection, the role of confidence in storytelling, and the value of completing projects. The dialogue emphasizes that it's normal to feel doubt and that taking breaks can be beneficial. Ultimately, they encourage creators to follow their instincts and permit themselves to explore new directions in their work.In this episode, Brad Guigar and Dave Kellett revisit a previous discussion about the frequency of comic updates, introducing the concept of FCS (Frequent, Consistent, Significant) as a guiding principle for creators. They delve into the nuances of typography in comics, particularly the use of the crossbar I, and emphasize the importance of clarity in communication. The conversation takes a philosophical turn as they explore what advice they would give to their future selves, reflecting on the nature of change and the importance of embracing it as artists. In this episode, the hosts explore the themes of establishment in the cartooning world, the importance of embracing change, and the value of taking risks. They reflect on the advice they would give to their younger selves, emphasizing the need to cultivate joy and not let life's challenges steal it away. The conversation also touches on the cyclical nature of life experiences and the lessons learned from past regrets.TakeawaysSteven Seagal movies can provide unexpected comfort during tough times.The absurdity of Seagal's later films highlights a decline in quality.Long-term projects can lead to self-doubt about creative abilities.It's important to seek permission from oneself to pivot in creative projects.Tackling heavy themes in comics requires courage and skill development.Backing away from challenges may hinder growth as a writer.Learning from mistakes is a crucial part of the writing process.The hosts encourage embracing creative challenges despite fears.Systemic injustice is a complex theme that requires careful handling.Humor can be found in the most unexpected places, even in bad movies. You can't expect purity from yourself.Mistakes help you become a better writer.Consider the reasons behind your creative hiatus.Social change comes from many small actions.Confidence can wane, and that's okay.Finishing a project has intrinsic value.Taking breaks can help clarify your creative direction.Art is never truly finished until the artist says so.It's normal to feel doubt about your work.Follow your heart and pursue what excites you.FCS stands for Frequent, Consistent, Significant updates.Two updates a week can enhance audience engagement.The crossbar I rule aids in clarity of communication.Typography choices impact the readability of comics.Clarity of communication should guide lettering choices.Change is a constant in an artist's journey.Embrace the evolution of your artistic style.Reflecting on past decisions can inspire future creativity.Maintaining a connection with your audience is crucial.Enjoy the present and acknowledge your achievements. We often feel like we're still figuring things out, regardless of our experience.Establishment is a perception; we must keep building our audience.Change is necessary for growth, even if it's uncomfortable.Advice to younger selves often revolves around reassurance and encouragement.Taking risks is crucial; regrets often stem from missed opportunities.Improv offers immediate feedback that cartooning lacks.Life experiences tend to repeat themselves in different forms.Cultivating joy is essential, especially during tough times.The wisdom of older selves often reflects universal truths.You miss 100% of the shots you don't take. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Does an aspiring comics artist/writer need a college degree? And, if so, which degree is best? Next, a listener asks why Brad publishes his weekly comics page in half-page increments.What schools do we recommend ?Why does Brad publish twice a week?Substack and BlueskySummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the importance of higher education for aspiring cartoonists, debating the merits of specialized degrees versus a broader liberal arts education. They emphasize the significance of writing in comics, the value of community colleges, and the necessity for aspiring artists to actively create comics during their education. The episode concludes with a discussion on the optimal update frequency for comic creators, highlighting the balance between reader engagement and creative output. In this conversation, Brad Guigar and his co-host discuss the nuances of storytelling in comics, emphasizing the importance of finding a 'sweet spot' in panel structure and update frequency. They explore the challenges of conveying narratives in short formats, particularly in the context of webcomics, and the need to adapt to new platforms and formats for compelling storytelling. The discussion also touches on the evolving landscape of comic publishing, including the potential of platforms like Substack and Bluesky.TakeawaysRamekins can elevate home dining experiences.Education is crucial for aspiring cartoonists.Writing is the backbone of successful comics.A liberal arts education provides a broad perspective.Community colleges offer valuable opportunities.Creating comics during college is essential.The frequency of updates can impact reader engagement.Specialized degrees may not be necessary for comic artists.Critical thinking skills are vital in education.Experience often outweighs degree prestige in job markets. Finding a sweet spot in storytelling is crucial.Panel structure significantly impacts narrative pacing.Short formats can hinder storytelling effectiveness.Adapting to new comic formats is essential for success.Webcomics require a different approach than traditional comics.Engaging the audience is key to retaining readers.Two updates a week can enhance audience interaction.Using social media effectively can boost comic visibility.Exploring new platforms can open up opportunities for creators.Understanding the limitations of formats helps in storytelling. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How do you explain to someone that you're a professional cartoonist? More importantly — should you even try?! Also, Dave and Brad share details about the software they use, and Brad extolls the virtues of a Patreon content exchange.On Today's Show...How do you explain to people that you're a professional cartoonist?What software is best for comics?Take a break this holidayPatreon content exchangeSummaryIn this conversation, Brad Guigar and Dave Kellett discuss the challenges of explaining their profession as cartoonists to others, as well as the misconceptions surrounding the field. Next, they explain the significance of using the right software for comic creation. They emphasize the need for cartoonists to be aware of the technical aspects of their work, particularly when it comes to color formats and printing. Brad Guigar and Dave Kellett emphasize the advantages of tools like Clip Studio Paint and Adobe products. They also highlight the significance of taking breaks during the holiday season to recharge creatively. The conversation shifts to strategies for Patreon content exchanges, where they share insights on effectively reaching out to other creators and the benefits of collaboration in building audiences.TakeawaysExplaining the profession of cartooning can be challenging.Many people don't believe cartooning is a viable career.Using the right software is crucial for comic creation.Procreate has limitations for professional comic artists.CMYK vs. RGB is an essential distinction for printing.Cartoonists often face misconceptions about their work.The number of professional cartoonists is quite limited.It's essential to enjoy and embrace being a cartoonist. Robust software provides better control over comic creation.Clip Studio Paint excels in paneling and drawing processes.Adobe products are preferred for final layout and printing.Taking breaks during the holidays is essential for creativity.Patreon content exchanges can enhance audience engagement.Networking in real life can facilitate collaboration opportunities.Cross-promotion is a valuable strategy for creators.It's essential to under-promise and over-deliver to Patreon backers.Familiarity with tools leads to better results in comic creation.Long-term strategies yield better audience growth than short-term tactics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

When comic creators try to market their comics, they often confuse what their comic is about with who it's for. Cartoonists Dave Kellett and Brad Guigar offer some guidance on making compelling promotions that work. In the show's second half, the boys have a devil of a time talking about angel investing.SummaryIn this episode, Brad Guigar and Dave Kellett explore how comic creators can broaden their audience beyond niche markets, emphasizing the significance of themes and relationships in storytelling. The conversation highlights the need for creators to identify their comic's appeal and engage with a broader audience.In this conversation, the hosts explore the concept of angel investing, particularly in the context of cartoonists and creative industries. They discuss the nature of angel investing, the challenges cartoonists face in securing funding, and the potential roles that angel investors could play in their careers. The conversation also delves into alternative funding models like Kickstarter and Patreon and the importance of marketing versus production in growing a creative business. Ultimately, the hosts reflect on their experiences and the realities of managing growth in the comic industry. In this episode, the hosts delve into the complexities of comic creation, discussing the balance between marketing and content production, the impact of hiring assistants, and the challenges of delegating creative tasks. They explore the dynamics of collaboration in writing and the potential growth opportunities for their podcast, ComicLab, while acknowledging the realities of success and the risks involved in expanding their creative endeavors.TakeawaysCommunity engagement is crucial for comic creators.Your comic's audience can extend beyond niche interests.Identifying themes in your work can broaden its appeal.Marketing should focus on storytelling rather than just genre.Romance writers effectively use tropes to engage readers.Understanding relationships in your comic can enhance its depth.Creators should not limit themselves to specific reader demographics.Exploring broader human experiences can attract diverse audiences.Angel investing is often misunderstood as purely altruistic.Investors expect a return on their investment, which can complicate creative endeavors.Cartoonists may not have apparent uses for large sums of angel investment.Kickstarter and Patreon serve as modern alternatives to traditional angel investing.Hiring an assistant or marketing professional could be beneficial for growth.Understanding the costs of production is crucial for cartoonists.Marketing is essential for expanding reach and attracting new readers.Creative professionals often feel limited by their audience size.The animation industry presents unique challenges for cartoonists.Growth strategies should be tailored to individual business models. Marketing and content creation are interdependent.Hiring an assistant can significantly enhance productivity.The host is often the bottleneck in creative processes.Delegating inking is challenging due to personal attachment.A writer's room could invigorate the creative process.Growth opportunities exist but come with risks.More resources can lead to more problems.Collaboration can lead to better creative outcomes.The podcast could evolve with additional funding.Realistic expectations are crucial for success. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

When a listener asks about Kickstarter strategy, the ComicLab guys are divided! Dave favors the traditional webcomics approach. Build your audience by posting the comic online, then monetize that engagement with a Kickstarter. Brad likes this, but he could also see using Kickstarter's strengths in Discovery to build the audience through a series of smaller campaigns that lead to a big one.SummaryIn this conversation, Brad Guigar and Dave Kellett explore various aspects of creating and promoting comics, including the importance of audience engagement, the role of webcomics, and practical strategies for using platforms like Patreon and Kickstarter. They discuss the significance of consistent content release versus binge releases, emphasizing the emotional connection built through regular engagement with readers. The conversation also touches on personal anecdotes and humorous references, making it both informative and entertaining for aspiring comic creators.In the second half of the show, Brad Guigar and Dave Kellett discuss various topics related to comic creation, including the joys of attending the Alaska Comics Camp, the potential of drawing Q&A sessions for Patreon, the nuances of live streaming for community versus audience building, and strategies for overcoming comic paralysis. They emphasize the importance of community engagement, the legal considerations of using names in drawings, and the creative processes involved in writing and drawing comics.TakeawaysThe concept of reality can sometimes feel simulated.Building an audience takes time and consistent effort.Sharing work for free can help monetize later through crowdfunding.Webcomics has a proven track record for audience engagement.Regular content release fosters deeper emotional connections with readers.Patreon should focus on ongoing support rather than one-time rewards.Binge reading can be appealing, but regular updates build stronger relationships.Marketing archived work is essential for ongoing engagement.Kickstarter can be used effectively for audience building.The emotional bond with readers is strengthened through consistent storytelling.Alaska Comics Camp is a unique experience for cartoonists.Drawing Q&As can enhance community engagement on Patreon.Avoid using patrons' names in drawings to prevent legal issues.Live streaming can serve both community and audience-building purposes.Comic paralysis may stem from a disconnect between writing and drawing.Consider introducing time between writing and drawing to refresh creativity.Not all drawn content is suitable for reuse in books.You might be a writer who illustrates rather than a cartoonist.Train your brain to associate writing with drawing to overcome paralysis.It's okay to explore other creative avenues if comics don't fit. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

After years of listening to Brad and Dave extoll the virtues of self-publishing, a ComicLab listener signed with a corporate publisher. Poor sales and paltry marketing left them dissatisfied, so of course, they wrote in with one burning question: Who should I sign with next? Also, should you ever explain a joke?TopicsThe first publisher was a disappointment... and we want to try it againillustrated novelsUPDATE: The USPTO has canceled Marvel and DC‘s trademark filing for superhero Should you EXPLAIN A JOKE when someone says, “I don't get it?"SummaryIn this episode of Comic Lab, hosts Brad Guigar and Dave Kellett discuss the intricacies of publishing comics, publishers' expectations, and the benefits of self-publishing. They delve into the importance of audience engagement, the challenges of explaining jokes, and the recent trademark changes in the comic industry. The conversation emphasizes the need for creators to focus on their craft and the passion behind their work rather than getting bogged down by negative feedback or industry norms.TakeawaysPublishers may not fulfill their promotional responsibilities.Self-publishing can be more beneficial than traditional publishing.Building a passionate audience is more important than sheer numbers.Explaining a joke often diminishes its impact.Every audience member has a different understanding of humor.The quality of your work is paramount to its success.Don't let negative feedback derail your confidence as a creator.Trademark laws can significantly impact the comic industry.Engagement with your audience is crucial for success.Creativity thrives when you focus on your passion. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

BlueSky is beginning to feel like Twitter did ten years ago! Engagement is up, conversations are happening, and follower counts are rising — with actual people! Is it too good to be true? Also, encouraging your readers to take a hand in writing your comic may be good community building... but is it good writing?On today's showUPDATE: Is BlueSky IT? Collaborative storytelling — letting your readers become writers Is word-of-mouth better than social media?Patreon or Substack?Business adviceSummaryIn this conversation, Brad Guigar and Dave Kellett explore the emerging social media platform Blue Sky, sharing their experiences and predictions about its potential growth. Next, they tackle the topic of reader input in storytelling, debating its merits and drawbacks in the creative process.In the second half, Brad Guigar and Dave Kellett discuss the effectiveness of social media versus personal outreach for comic creators, emphasizing the scalability of social media. They explore the historical context of the printing press as a metaphor for reaching larger audiences today through digital platforms. The conversation shifts to comparing Patreon and Substack for monetization, with a consensus that Patreon currently offers more reliable performance. Finally, they provide insights on starting a business as a comic creator, highlighting the importance of understanding legal structures and the practicality of beginning as a sole proprietor.TakeawaysBlue Sky is gaining traction as a new social media platform.Engagement metrics on Blue Sky are outperforming Twitter for some users.Reader input can enhance storytelling but may dilute the author's voice.Ownership of creative work is crucial for artists and writers.Too many opinions can lead to bland storytelling.Listening to the audience is essential, but the creator's vision should prevail.Social media should be used to foster genuine connections.Predictions about social media trends can be bold and insightful.Social media can reach a larger audience than personal outreach.Personal outreach has scalability limits that can hinder growth.The printing press analogy illustrates the importance of scalability in reaching audiences.Patreon is currently more effective for monetization than Substack.Substack has potential but lacks Patreon's established user base.Creating comics is the core of a creator's work, not just social media content.A business plan is only necessary if seeking a loan for a business.Starting as a sole proprietor is a practical approach for new creators.Legal structures can be complex; consult an accountant for advice.Don't overcomplicate your monetization strategy with too many platforms. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Cartoonists Dave and Brad share some thoughts with a young humor writer trying to find their Funny. Also: Is BlueSky pulling ahead in the social-media race?Today's show:Writing jokes fasterUPDATE: Patreon opens recommendations for NSFW creatorsUPDATE: TikTok court case moves forwardPutting social media into perspectiveMaking drawing fun againSummaryIn this conversation, Brad Guigar and Dave Kellett explore the challenges of writing comedy and the importance of developing a personal editorial eye. They emphasize the need for creators to trust their instincts and navigate feedback from others while recognizing the natural evolution of creativity over time.They share updates on Patreon and TikTok, the latter facing ongoing legal challenges.In the show's second half, the hosts discuss the challenges of engaging with social media as a creative professional, emphasizing the emotional toll it can take. They share strategies for managing social media presence, including minimizing platforms and focusing on genuine interactions.The conversation shifts to finding joy in the creative process, advocating for breaks to prevent burnout, and maintaining a passion for art.TakeawaysThe interaction between humans and robots is becoming more complex.Creativity often slows down as one's skills improve.Feedback from friends and family can be both helpful and limiting.Developing a personal sense of humor is crucial for writers.The honeymoon phase of creativity eventually gives way to routine work.Trusting your editorial eye is essential for growth.External opinions can hinder creative expression.A good editor should help refine ideas, not just judge them.The future of social media is uncertain, especially for platforms like TikTok.Understanding the creative process is critical to long-term success.Social media can feel like a chore for many creators.It's essential to focus on platforms that work for you.Genuine interactions can be more impactful than crafted posts.Taking breaks can help rejuvenate creativity.The emotional load of social media can be heavy.Blue Sky is emerging as a favorable platform for engagement.Minimizing social media presence can reduce stress.Creativity should be fun, not just a job.Finding joy in art is essential for sustainability.Momentum in creative work can be rebuilt after a break. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Having wrapped up his 16th Kickstarter, cartoonist Dave Kellett shares some insights about setting realistic expectations, avoiding paid advertising, and the death of social media. Also: recent innovations by both Kickstarter and Patreon show considerable promise for the crowdfunding platforms.SummaryIn this conversation, the hosts discuss the emotional rollercoaster of running a Kickstarter campaign, and the ineffectiveness of online advertising. In this part of the conversation, Brad and Dave discuss their experiences with different social media platforms and the effectiveness of their efforts to promote their work. They emphasize the importance of building a community and engaging with fans rather than relying on paid advertising. They also share their insights on the performance of different platforms, such as Twitter, Instagram, and Patreon, and how they have adjusted their marketing strategies accordingly. Additionally, they discuss the new features introduced by Patreon, including Autopilot, which allows creators to offer targeted discounts to free members to encourage them to upgrade to paid memberships. In this episode, Brad and Dave discuss new features and updates on Patreon, including moving free members to paid memberships, related posts, paid posts and collections, discounts on merchandise, and gift memberships. They also emphasize the importance of competition and innovation in the creator space. On today's showUPDATE: Although it was his 2nd highest out of 16, this recent Kickstarter had Dave facing unforeseen amounts of depression and stress due to his unrealistic expectations. of all time. UPDATE: We've always said advertising is useless, and Dave proved it's (still) accurate UPDATE: This recent Kickstarter showed Dave it's time to get off Twitter and Threads.Kickstarter late pledges have finally been addressed with a new feature upgrade.New Patreon features show some much-needed innovationTakeawaysManaging expectations is essential when running a Kickstarter campaign to avoid unnecessary anxiety and disappointment.Comparing oneself to others can steal joy and lead to negative emotions.Online advertising may not always yield the desired results and can waste money. Building a community and engaging with fans is more effective than paid advertising on social media platforms.Different platforms have varying levels of effectiveness in promoting and monetizing creative work.Creators should focus on platforms that perform well for them and adjust their marketing strategies accordingly.Patreon has introduced new features, such as Autopilot, which allows creators to offer targeted discounts to free members to encourage them to upgrade to paid memberships. Patreon now allows creators to move free members to paid memberships, increasing the potential for revenue growth.The new related posts feature on Patreon helps creators engage their audience and promote content from their archives.Paid posts and collections on Patreon allow creators to monetize their content and offer exclusive access to their audience.Patreon's discounts on merchandise and upcoming gift memberships further enhance the platform's offerings for creators and supporters.Competition in the creator space drives innovation and encourages platforms like Patreon to improve and introduce new features continuously. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Attending this year's National Cartoonists Society conference and Reuben Awards has changed Dave's bucket list. He wants one of those danged trophies! (And so does Brad.) Also, after Dave looks at the analytics from his recent Kickstarter, he decides to leave Twitter and Instagram once and for all.On Today's ShowUPDATE: ComicLab stingersDave's new Bucket ListUPDATE: Dave's Kickstarter convinces him to leave both Twitter and InstagramUPDATE: Patreon's AutopilotToo many different comics?Pen name for a teacher? Taking a break to build up your bufferMade with Human Intelligence iconsArtificial IntelligenceSummaryIn this episode, Brad and Dave discuss their bucket list goals for their comics careers and the importance of leaving a legacy. Dave reveals his desire to win the Reuben Award and an Eisner, sell a book with high sales, and be invited to Angoulême or Japan as a guest. They also discuss the effectiveness of social media platforms for promoting their work. In the next half hour of the conversation, the hosts discuss Patreon's new Autopilot feature, which sends discounts to selected free members who seem likely to upgrade. They also talk about the importance of picking a lane and building a brand as a cartoonist and the benefits of using a pen name when transitioning to a new career. The hosts advise against switching between different comic genres and styles, as it can make it challenging to build an audience. They also recommend removing old comics that didn't gain traction and focusing on creating high-quality, well-branded work. The conversation explores using AI in creative work and the implications of labeling work as 'not made with AI.' The hosts discuss using pen names and the creative freedom it allows. They also touch on the challenges of typography on curved surfaces and the potential hypocrisy of artists when it comes to AI. They discuss AI's short-term and long-term impact on the creative industry.TakeawaysTechnical difficulties can be frustrating, but finding solutions and recording is essential.Having goals and aspirations in your comics career, such as winning awards or achieving high book sales, can provide motivation and a sense of accomplishment.Creators often desire to leave a legacy, which can be achieved through awards, book sales, and recognition from peers.Different social media platforms have varying levels of effectiveness for promoting comics, and it's crucial to find the ones that work best for you.Sharing your goals and aspirations with others can help hold you accountable and provide support and encouragement.Patreon's Autopilot feature sends discounts to free members who are likely to upgrade, improving the free-to-paid membership upgrade rate.Picking a lane and building a brand is vital for cartoonists to attract and retain an audience.Using a pen name can be beneficial when transitioning to a new career, such as becoming a public school teacher.Switching between different comic genres and styles can make it challenging to build an audience.Taking down old comics that didn't gain traction and focusing on creating high-quality, well-branded work can help build momentum and attract readers. Using a pen name can provide creative freedom and allow exploring different themes and styles.Typography on curved surfaces can be challenging and requires advanced skills.Artists may have hypocritical views on AI, being against its use in certain areas but accepting it in others.The short-term impact of AI in the creative industry may involve a crash-and-burn scenario due to wasted VC money, but in the long term, AI is here to stay.The ethical sourcing of AI is an essential consideration for its acceptance in creative work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

In the final installment of a three-part series on the National Cartoonists Society conference and Reuben Awards celebration, cartoonists Dave Kellett and Brad Guigar sit down over a couple of tasty adult beverages and share stories and reflections on this year's event. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellett and Brad Guigar take their podcast on the road, recording this episode live at the Comic-Con Museum in San Diego as part of the National Cartoonists Society conference and Reuben Awards celebration! They were joined on stage by Danesh Mohiuddin, Hilary B. Price, and Tauhid Bondia to discuss the pressing issues facing cartoonists in the years to come. On today's show:How are you addressing artificial intelligence?What's working on social media?What are your plans for the next five years?What does retirement look like?Danesh MohiuddinDanesh Mohiuddin is a Canadian Cartoonist from India. He grew up in Dubai on a regular dose of MAD Magazine and European comics. He now lives in Toronto and illustrates and writes children's books and graphic novels. His latest is Princess Pru and the Ogre and the Hill. Clients include Scholastic, Oxford University Press, Owl Kids, and Kids Can Press. He's also a history buff and loves traveling.Hilary B. PriceHilary Price is a cartoonist, storyteller, and speaker. Her comic strip Rhymes with Orange appears in newspapers internationally. The National Cartoonists Society has awarded her the Best Newspaper Panel Cartoon award four times, and she was just named Cartoonist of the Year in August 2024.Hilary graduated from Stanford University and, at the age of 25, became the youngest-ever female syndicated newspaper cartoonist. Aside from this year's Reuben Award, other shiny trophies include an Inkpot Award for Career Achievement from the San Diego Comic-Con International and the Elzie Segar Award from the National Cartoonists Society for making a unique and outstanding contribution to the profession of cartooning. Hilary teaches at the Center for Cartoon Studies in Vermont and shares stories on NPR's The Moth.Tauhid BondiaTauhid Bondia is a cartoonist and illustrator from Kentucky. He has been creating comics online for 15 years, and loves drawing and telling stories as much as ever. Tauhid is the creator of the syndicated comic strip Crabgrass, which appears in about 800 newspapers across the US and Canada, as well as two books. The comic features themes of friendship and taps into a sense of childhood nostalgia that people of all ages seem to respond to. Tauhid's goal is to draw the strip for as long as he is physically able to, or as long as it continues to make people smile. Whichever comes first. He previously wrote and illustrated A Problem Like Jamal, a comic about a young brother named Jamal Marcus trying to navigate life and middle school in a modern era. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellett and Brad Guigar take their podcast on the road, recording this episode live at the Comic-Con Museum in San Diego as part of the National Cartoonists Society conference and Reuben Awards celebration! They were joined on stage by Maria Scrivan, Hector Cantu, and Dana Simpson to discuss the pressing issues facing cartoonists in the years to come. On today's show:How are you addressing artificial intelligence?What's working on social media?What are your plans for the next five years?What does retirement look like?Maria ScrivanMaria Scrivan is a New York Times bestselling author and award-winning syndicated cartoonist.The first book in her graphic novel series, Nat Enough (Scholastic/Graphix), launched on April 7th, 2020, became an instant New York Times bestseller. It was followed by Forget Me Nat, Absolutely Nat, Definitely Nat, Nat for Nothing, and All is Nat Lost. Nat a Chance will be available in Spring 2025. She is also a contributor to Marvel's Super Stories, which was released in October 2023. Her books have been translated into Italian, French, German, Spanish, Catalan, Hebrew, Korean, Russian, Turkish, and Greek. Maria's comic, Half Full, is syndicated by Andrews McMeel and available on GoComics.com/half-full. For the past ten years, it has appeared daily in newspapers nationwide, including the LA Times.Hector CantuHector had numerous submissions to Mad magazine successfully rejected before the age of 12. In 2000, he launched “Baldo” with Carlos Castellanos. The strip appears in more than 200 newspapers through Andrews McMeel Syndication. Hector currently lives with his wife in the Dallas/Fort Worth area, and is founder of Texas Cartoonists, the Texas Chapter of the National Cartoonists Society.Dana SimpsonDana Claire Simpson, a native of Gig Harbor, Washington, first caught the eyes of devoted comics readers with the internet strip Ozy and Millie. After winning the 2009 Comic Strip Superstar contest, she developed the strip Phoebe and Her Unicorn (originally known as Heavenly Nostrils), now syndicated in newspapers worldwide.There are nineteen Phoebe and Her Unicorn books, including the newest, Unicorn Crush. Ozy and Millie have two books also. All told, Simpson has sold over four million books.Her books have appeared on the New York Times bestseller list and won the Washington State Book Award and the Pacific Northwest Book Award. She lives with her spouse and her cat in Santa Barbara, California. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellett discusses the three phases of art. First, you're just trying to make it work. Then, you try to make it right. And after you've mastered those, you can begin to make it fast.On today's show:Make it work, make it right, make it fastUPDATE: Danielle Corsetto's lettering tipsUPDATE: Substack Notes adviceUPDATE: KDP and Global ComixSummaryThe hosts discuss the stages of artistic development in comics, starting with making it work, then making it right, and finally making it fast. They compare this progression to the process of building a shelf, where you start by making it functional and then refine it over time. They estimate that it takes about 3-5 years to make it work, 10-15 years to make it right, and even longer to make it fast. They emphasize the importance of putting in the time and effort to reach each stage of development. In this part of the conversation, Brad and Dave discuss the different stages of their careers in comics and how they have evolved over time. They talk about the importance of making it right before making it fast and how their skills and speed have improved over the years. They also discuss the idea of never being as good as their heroes but striving to be the best version of themselves.Additionally, they share a lettering tip from Danielle Corsetto and discuss the potential of Substack. Brad and Dave discuss their experiences with Substack and Kindle Direct Publishing (KDP) in this conversation. Brad shares his positive experience with Substack, highlighting its features and the potential for audience growth. They also discuss the drawbacks of KDP, including discoverability issues and the difficulty of dealing with Amazon. Brad recommends Global Comix as an alternative platform for building an audience. The conversation concludes with a discussion of upcoming projects and the excitement for the future.TakeawaysThe process of artistic development in comics involves three stages: making it work, making it right, and making it fast.Making it work is about creating a functional comic while making it right involves refining the details and improving the quality.Progressing through each stage takes time and effort, with estimates of 3-5 years to make it work, 10-15 years to make it right, and even longer to make it fast.Putting in the work and consistently creating comics is essential for growth and improvement as an artist. It is important to focus on making it right before trying to make it fast.Skills and speed improve over time with practice and experience.Strive to be the best version of yourself rather than trying to be as good as your heroes.Consider flipping and printing the artwork on the back to create perfect hand-lettered original art.Substack has the potential to be a valuable platform for comic creators. Substack offers a great platform for artists to share their work and build an audience.KDP may not be the best option for indie creators due to discoverability issuesGlobal Comix is a promising alternative platform for building an audienceIt's important to focus on creating joyful and engaging content on social media platforms  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Apple has initiated a plan to take 30% of all transactions made through the Patreon iOS app. That has caused creators to panic, spreading misinformation and making poorly thought-out claims. Many people trying to explain the situation to their backers got their facts wrong, hurting their own revenue. Dave and Brad sit down and sort out the facts from the friction.On today's show:Dave's Comic-Con report: 5% drop in sales after a 38% rise in the previous yearPatreon and the iOS appUPDATE: Kangaroo wienersHand lettering tipsSummaryIn this episode, Dave and Brad discuss their recent experiences at Comic-Con and other conventions. They talk about the success of their booths, the impact of new products, and the excitement of meeting fans. They also touch on the importance of maximizing booth space and creating a visually appealing display. The conversation segues into a discussion about the National Cartoonist Society and the potential for future convention appearances. Overall, the episode highlights the joy and satisfaction of participating in conventions as creators.In the next part of the conversation, Brad and Dave discuss Patreon's payment system for iOS users and share tips on traditional lettering. Brad recalls using an Ames lettering guide, while Dave explains his process of using a digital font that resembles his handwriting. They emphasize the importance of clarity and readability in lettering and suggest techniques such as flipping the artwork to identify and fix issues.TakeawaysConventions like Comic-Con allow creators to connect with fans and sell their merchandise.Maximizing booth space and creating an appealing display can enhance the overall experience for attendees.New products and exclusives can generate excitement and boost sales at conventions.The National Cartoonist Society offers opportunities for members to showcase their work at conventions.Meeting fans and receiving positive feedback can be a rewarding experience for creators. San Diego Comic-Con is a fun event, but exhibiting there can be expensive and may not be recommended for everyone.Patreon has announced changes to its payment system for iOS users. New memberships purchased through the iOS app will now be subject to Apple's 30% fee.Creators have the option to eat the cost of the fee or encourage new subscribers to join through the desktop version of the Patreon website.The conversation takes a humorous turn as Brad and Dave discuss kangaroos with multiple vaginas, highlighting the fascinating and sometimes bizarre aspects of biology. Confusion over a scene in a movie can lead to humorous conversations.Traditional lettering techniques include using an Ames lettering guide or a reference font.Clarity and readability are key in hand letteringDeveloping a personal style in lettering takes timeSupporting Comic Lab on Patreon helps sustain the show   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad and Dave discuss using rewards and add-ons in a Kickstarter campaign. Then, they tackle the problem of whether your dialogue should feature proper English or your character's "natural" speech.Today's showKickstarter mistake — confusing rewards with add-onsCheck out Dave's Kickstarter at Newdrivebook.comShould you write in proper English?UPDATE: Reuben Awards — two live ComicLab shows on Thursday, Aug. 22How to start at the very beginningSummaryIn this conversation, Brad and Dave discuss their experiences with building Lego sets and building a gaming PC. They also talk about the importance of structuring Kickstarter rewards and add-ons, and the psychology behind offering choices to backers. They emphasize the need to make a profit on add-ons and to account for them in the Kickstarter goal. They also mention the upcoming live shows at the National Cartoonist Society Reuben Awards and discuss the possibility of future speaking engagements. In this part of the conversation, Brad and Dave discuss the balance between writing in proper English and writing dialogue that sounds natural. They emphasize the importance of considering the audience and the potential reach of the comic. They also discuss the use of slang and specific language choices, highlighting the need to make slight modifications to appeal to a wider audience. They stress the importance of using punctuation properly, especially in comedy, where timing is crucial. They also provide advice for aspiring comic creators, encouraging them to start making comics and to seek opportunities for publication, even if it means facing potential embarrassment.TakeawaysBuilding LEGO sets and a gaming PC can be challenging and require attention to detail.When structuring Kickstarter rewards, it's important to offer a variety of options and price tiers to appeal to different backers.Add-ons can be a profitable addition to a Kickstarter campaign, but it's crucial to ensure they are priced to make a profit.Digital rewards can be a significant source of income for a Kickstarter campaign and have the advantage of no shipping costs.Live shows and speaking engagements can be exciting opportunities for cartoonists to connect with their audience and expand their reach. When deciding on the language and dialogue choices for your comic, consider the audience and potential reach of your comic.Making slight modifications to appeal to a wider audience can help you reach more readers.Proper punctuation is crucial, especially in comedy, as it affects timing and delivery.Start making comics and learn from your mistakes. Seek opportunities for publication to improve your craft.Embrace the potential for embarrassment as a learning experience and a way to improve your skills. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

As Brad Guigar travels to Bad Axe, Michigan, to spend a fun-filled week with his family, Kevin McShane steps in to talk comics with Dave Kellett. In this conversation, David and Kevin discuss various topics related to comics, including their experiences with "Love Is" comics at their weddings, the potential future advancements in comic-making technology, and different marketing strategies for sharing comics. They explore the idea of using VR technology to create a more immersive drawing experience, the enduring appeal of 2D comics, and the importance of building an audience through platforms like mailing lists and social media. Kevin discusses the various social media platforms he uses to share his comics, including Facebook, Instagram, Reddit, Mastodon, Twitter, and Imgur. He explains that Imgur is like a nicer version of Reddit and that he uses it to drive traffic to his website. David is intrigued by Imgur and asks Kevin for a pitch on why he should be posting there. Kevin explains that Imgur started as an image hosting service for Reddit and has a social media aspect to it. They also discuss their motivations for posting on social media and the validation they seek from likes and engagement. They explore the idea of creating books and the number of comics needed for a book. They also discuss the possibility of changing their approach to comics if compensation wasn't a factor. They end the conversation by addressing a question from a listener who creates gardening advice cartoons and wonders if she should reduce the number of panels to cater to social media attention spans. In this final part of the conversation, David and Kevin discuss the different types of content that perform well on social media, including informative, emotional, and aspirational content. They also provide advice on interviewing other creators, emphasizing the importance of research and making the interviewee feel comfortable. The hosts share funny anecdotes about their experiences with interviews and express their pride in not discussing AI in the conversation.THIS WEEK"Love Is" comics at WeddingsThe Future of Comic-Making Technology: VR and AI The Enduring Appeal of 2D ComicsBuilding an Audience: Mailing Lists and Social MediaNavigating Social Media PlatformsBalancing Panel Count for Social Media The Power of Different Content TypesInterviewing Other CreatorsAvoiding AI in Comics Technology DiscussionsFunny Anecdotes from Interview ExperiencesTAKEAWAYSLove Is comics can add a unique and nostalgic touch to weddings and other events.The future of comic-making technology may involve advancements in VR and AI.2D comics have a timeless appeal and can survive alongside other forms of media.Building an audience through platforms like mailing lists and social media is crucial for sharing and promoting comics. Kevin uses various social media platforms to share his comics and drive traffic to his website.Kevin recommends Imgur for sharing comics. It allows linking and has a nicer community than Reddit.Both Kevin and David seek validation through likes and engagement on social media.The number of comics needed for a book can vary, but it's important to have a substantial amount of quality content.If compensation wasn't a factor, Kevin would quit his day job to dedicate more time to creating comics.Reducing the number of panels in a comic may compromise the usefulness of the content, so it's important to find a balance that works for the creator's goals and the audience's attention spans. Different types of content perform well on social media, including informative, emotional, and aspirational content.When interviewing other creators, it's important to do thorough research and ask unique and engaging questions.Making interviewees feel comfortable and creating a safe space for them to share is crucial for a successful interview.Avoiding discussions about AI in the context of comics technology can be refreshing and indicative of the current fatigue with AI.The hosts share funny anecdotes about their experiences with interviews, highlighting the importance of building rapport and creating a relaxed atmosphere. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Show note: Unfortunately, we had some daunting technical difficulties during this recording session, so we had to switch to Zoom to record half of the show.As Dave Kellett recovers from a successful San Diego Comic-Con, Scott Kurtz steps in to help Brad talk about making a graphic novel. In the second half, the two spill some tea over early webcomic history. THIS WEEKHow to make a graphic novelWebcomic history"Table Titans Club" is available at Target stores nationwide, along with Amazon, Barnes & Noble, and your local bookstore! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

SHOW NOTE: Brad's microphone had some technical difficulties this week. Please excuse the momentary dip in sound quality. This week, we're talking about the right way to use a sketchbook. Also, is it a good idea to abandon social media completely and replace it with blogging?SUMMARYThe hosts discuss the different ways they use sketchbooks and emphasize that there is no right or wrong way to use them. They encourage listeners to use sketchbooks in a way that feels comfortable and authentic to them. They also caution against comparing one's own sketchbook to the highlight reels of other artists on social media. The hosts share their personal experiences with sketchbooks and offer insights into their own creative processes. In this part of the conversation, Brad and Dave discuss the role of sketchbooks in their creative process and the challenges of single-panel comics. In this episode, they also explore the idea of using personal blogs as an alternative or supplement to social media. While they acknowledge the decline in social media's utility, they emphasize the importance of maintaining a presence on multiple platforms to reach both existing and potential readers. They suggest forming cross-promotional networks and support groups to supplement social media efforts. Overall, they recommend a balanced approach that includes blogging, social media, and other strategies to engage and grow an audience.TAKEAWAYSThere is no right or wrong way to use a sketchbook; use it in a way that feels comfortable and authentic to you.Don't compare your sketchbook to the highlight reels of other artists on social media; everyone's sketchbook is filled with mistakes and experiments.Sketchbooks can be used for writing, doodling, experimenting with dialogue, and working out story beats.The quality of the paper or the type of binding doesn't matter; what matters is how you use the sketchbook.Don't be afraid to tear out or discard pages in your sketchbook if you're not happy with them.Your sketchbook should reflect your unique creative process and experimentation. Sketchbooks are valuable tools for brainstorming and generating ideas, especially for single-panel comics.While social media's utility has declined, it is still important to maintain a presence on multiple platforms to reach both existing and potential readers.Blogging can be a useful supplement to social media, but it should not replace it entirely.Consider forming cross-promotional networks and support groups to expand your reach and engage with new readers.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Sometimes, it seems as if the more your skills improve, the longer it takes to get something done! Shouldn't it be the other way around?! Also... what's the most polite way to tell a comic-con shopper to just stop reading and BUY the danged comic?ON TODAY'S SHOWHow to get better faster and faster betterSites with links to webcomicsStop reading and BUY it!SUMMARYIn this conversation, Brad and Dave discuss speeding up the sketching phase in comics. They also talk about the availability of websites that collect links to independent webcomics, and they suggest creating a collective or list of similar comics to promote each other's work. They also caution against relying solely on top webcomic lists or joining Webtoons or Tapas. In the next part of the conversation, the hosts discuss strategies for dealing with people who read comics at conventions without buying them. They share their own approaches, including offering a free sketch, providing a map to the booth, and letting a crowd build. They emphasize the importance of allowing people to take their time to fall in love with the comic and not pressuring them into making a purchase. They also highlight the psychological effect of having a crowd at the booth, which can attract more people. The hosts conclude by reminding listeners to focus on creating a positive and comfortable experience for potential readers.TAKEAWAYSImproving sketching speed takes time and practice, and it's natural for it to slow down as you become more skilled and focused on quality.Consider the value of spending extra time on the sketching phase to produce higher-quality artwork.Webrings are a 20-year-old concept and not the same as what the listener is looking for.Top webcomic lists and joining webtoons or tapas may not be the most effective ways to promote independent webcomics.Consider creating your own collective or list of similar comics to promote each other's work.Maintaining your own list or ring allows you to have more control and ownership over your promotion efforts. At conventions, people should be allowed to take their time reading comics without being pressured to make a purchase.Offer incentives like free sketches or maps to the booth to encourage potential buyers.Letting a crowd build at the booth can attract more people and create a positive psychological effect.Focus on creating a comfortable and enjoyable experience for potential readers.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave and Brad share proven strategies for building your audience on Substack. Also: What are the best approaches for dummy lettering — lettering that's supposed to be unreadable?TODAY'S SHOWHow to get new sign-ups on SubstackUPDATE: Get your exclusive ComicLab pin at Dave Kellett's booth (#1228) during Comic-Con InternationalUPDATE: The National Cartoonists Society's Reuben Awards will feature TWO live ComicLab showsUPDATE: ComicLab's social-media videosDummy letteringSUMMARYThe hosts discuss Substack and how to bring in new subscribers. They emphasize that the strategies for growth on Substack are similar to those used on other platforms, such as Mailchimp. They recommend using the embeddable sign-up widget and creating a compelling landing page with a "hero post." They also discuss the importance of pinning posts and keeping the sign-up form visible. Overall, they highlight the need for consistent sharing of high-quality work and engaging with the audience. In this part of the conversation, Brad and Dave discuss the use of pop-ups on websites and the importance of offering incentives to encourage sign-ups. They also emphasize the power of confidently promoting your work and using Substack Notes to engage with the community. Brad shares his strategies for maximizing content across different platforms and encourages planning and goal-setting. They also mention their upcoming appearances at San Diego Comic-Con and the National Cartoonist Society's Reuben Awards Week. Finally, they explore the topic of creating unreadable but clear signs in comics and the use of fake alphabets. They provide tips on how to create believable alien or fantasy languages that reinforce the mood of the species or world.TAKEAWAYSStrategies for bringing in new subscribers on Substack are similar to those used on other platformsUse the embeddable sign-up widget and create a compelling landing page with a hero postPin important posts on the landing page and keep the sign-up form visibleConsistently share high-quality work and engage with the audience. Consider the use of pop-ups on your website, but be mindful of the timing and presentation to avoid a bait-and-switch feeling.Offer incentives, such as free e-comics, to encourage sign-ups and engage with your audience.Confidently promote your work and communicate why it's good, using the language of Pride and Joy.Utilize Substack Notes as a social media platform to share your posts and engage with the community.Maximize your content by repurposing it across different platforms and embedding it in blogs or websites.Plan and set goals for your content creation and promotion, and aim for consistency and efficiency.Join industry events like San Diego Comic-Con and the National Cartoonist Society's Reuben Awards Week to network and showcase your work.Being able to laugh at oneself is important in podcasting and in life.Creating unreadable but clear signs in comics can add an otherworldly element.When creating fake alphabets, it's important to consider the mood and characteristics of the species or world.Starting with basic shapes and visual systems can help in creating believable alien or fantasy languages.Lettering can reinforce the mood and world of a comic.QUOTE OF THE SHOW"Nothing says delicious like lettuce that's been sitting next to a thousand-degree oven for hours on end and then brought to your door by a stoner." — Dave Kellett You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Have you ever wanted to just quit? When all seems lost... when you're all out of hope... when you're about to give up, just remember... it can always get worse. Dave and Brad talk about surviving those dark nights of the soul and finding a little light.ON TODAY'S SHOWWhen to throw in the towelUPDATE: Get your exclusive ComicLab pin at Comic-Con International, Booth #1228SUMMARYIn this episode, Brad and Dave discuss moments in their careers when they felt frustrated and wanted to give up. They share their experiences of comparing themselves to other cartoonists and feeling jealous of their success. They also talk about the importance of defining success on their own terms and finding satisfaction in their own work. They highlight the value of perseverance and the ability to adapt and try new things when faced with challenges. In this episode, Brad and Dave discuss their experiences of wanting to throw in the towel as cartoonists. They talk about their challenges with ad revenue and ad blockers, and the fear of failure and returning to a day job. They share how they found new paths and opportunities by writing books, teaching, and exploring different formats. They emphasize the importance of persistence and the willingness to consider new directions. They also discuss the need to redefine success and find fulfillment in the process of creating, rather than relying on external validation or awards.TAKEAWAYSComparing yourself to others can lead to frustration and feelings of inadequacy. It's important to define success on your own terms and focus on your own growth and progress.Perseverance is key in overcoming challenges and setbacks in your career. Keep working and improving, and success will come in its own time.Don't be afraid to try new things and explore different creative avenues. Starting a new project or taking a different approach can reignite your passion and lead to new opportunities.Find satisfaction in the process and the journey of being a cartoonist. Enjoy the work you create and the progress you make rather than solely focusing on external validation or recognition.Remember that success looks different for everyone. Don't compare your journey to others, and celebrate your own achievements and milestones along the way. Facing challenges and wanting to quit is a common experience for cartoonists.Ad revenue and ad blockers can significantly impact a cartoonist's income.Fear of failure and the need to go back to a day job can be demoralizing.Exploring new paths and opportunities can lead to unexpected success.Persistence and a willingness to consider new directions are key to overcoming challenges.Redefining success and finding fulfillment in the creative process is important.External validation and awards are not the only measures of success. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave and Brad each realize they must raise their rates on their individual Patreon campaigns. This results in a surprising bout of Impostor Syndrome for Brad that nearly immobilizes him — if not for a meaningful intervention from a trusted friend.SHOW NOTESRaising rates on PatreonUPDATE: Get your exclusive ComicLab enamel pin at Comic-Con International at Booth #1228UPDATE: ComicLab LIVE at NCSWhen is it OK to use regional colloquialisms and idioms?SUMMARYBrad and Dave discuss Brad's decision to raise the rates on his Patreon and the Imposter Syndrome he experienced throughout the process. In this conversation, Dave and Brad discuss their experiences and anxieties around raising prices for their Patreon campaigns. They share their strategies for communicating the price increase to their backers and managing the potential backlash. They also discuss the importance of building a supportive community and focusing on the positive feedback rather than the negative. Despite their initial fears, both Dave and Brad found that the price increase had a positive impact on their income. They also highlight the need for clear communication with Patreon support and the potential issues with the platform's automatic emails.In the second half of the show, Dave reminds listeners that they can get their exclusive ComicLab pins at his booth (#1228) at Comic-Con International in San Diego next month. Brad and Dave also announce their upcoming Comic Lab LIVE events at the National Cartoonists Society (NCS) weekend. They also address a question from a Patreon backer about using colloquialisms and idioms in a comic without alienating the audience. They suggest using contextual clues and handholding to introduce regionalisms and discuss the trade-off between writing for a specific audience and reaching a broader global audience. The conversation explores the consequences of artistic choices and the importance of understanding the audience. They discuss the potential strategies for reaching a niche Scottish audience or a broader global English-speaking audience. The idea of providing contextual clues and explanations within the comic is considered but ultimately dismissed. The hosts also engage in humorous banter about Wales.TAKEAWAYSRaising rates on Patreon can be a difficult decision, but it's important to consider the value you provide and the impact of inflation.Imposter syndrome can arise when making changes or asking for more from your audience, but it's important to remember your worth and the value you bring.Changing measurement systems, such as switching from the English system to the metric system, can be challenging but may offer benefits in terms of simplicity and consistency. Raising prices for a Patreon campaign can be anxiety-inducing, but it is important to communicate the reasons for the increase and the value backers receive.Building a supportive community can help mitigate potential backlash and negative feedback.Anxieties and imposter syndrome are common among artists, but it is important to recognize your worth and ask for what you deserve.Clear communication with Patreon support is crucial, as there may be issues with automatic emails and rate locking for annual subscriptions.Brad and Dave will be hosting two ComicLab LIVE events at the NCS weekendWhen using colloquialisms and idioms, provide contextual clues and introduce them gradually to help the audience understandConsider the trade-off between writing for a specific audience and reaching a broader global audienceNiche audiences can be valuable and can sustain a successful careerChoose your battles when it comes to using regionalisms and consider the potential limitations on audience growth Artistic choices have consequences, so it's important to be honest about the potential outcomes.Understanding the audience and their cultural context is crucial for effective communication.Leaning into Scottish culture and targeting a niche Scottish audience can be a valid strategy.Providing contextual clues and explanations within a comic may work for long-form stories but not for short, punchline-driven humor comics.Humorous banter and light-hearted moments can add entertainment value to a conversation. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Marvel/Scholastic illustrator Asia Simone (Instagram, Twitter)shares her experience of illustrating a "Moon Girl & Devil Dinosaur" book, navigating the world of YA graphic novel publishing, and... surviving Brad's studio! Next, a listener asks... "Should I jump to Cara?"TODAY'S SHOWSpecial guest Asia SimoneShould I jump to Cara?San Diego Comic-Com 2024Breaking the 4th WallEDITOR'S NOTEDuring the show, Brad and Dave insisted that Jim Davis rarely breaks the Fourth Wall in "Garfield." They were demonstrably wrong.SUMMARYIn this conversation, Brad Guigar, Dave Kellett, and Asia Simone discuss various topics related to live streaming, collaboration, and Asia's career as an artist. They also touch on Asia's experience working on a Marvel Scholastic book. The conversation is filled with humorous moments and insights into the creative process. Asia Simone discusses her journey into the comic book industry, including how she got scouted for a job at Marvel and Scholastic. She emphasizes the importance of doing the work you want to do and constantly striving for improvement. Asia also talks about the challenges of meeting deadlines and the importance of craftsmanship. She shares her hopes and fears for the future, including the fear of losing momentum and the hope of networking and exploring new opportunities. Asia advises aspiring artists to start small and not put too much pressure on themselves to create big, epic projects.Next, Dave and Brad express their frustration with Instagram and their skepticism about the long-term success of Cara. They also caution against jumping on every new platform. In an update, they emphasize the importance of considering the cost and profitability of exhibiting at Comic-Con. In this part of the conversation, Dave and Brad discuss the potential drop in attendance at San Diego Comic-Con and the impact it may have on their sales. They also address a question from a Patreon backer about breaking the fourth wall in comics. Dave shares his perspective on breaking the fourth wall, mentioning that he is more willing to do it in his comic strip Sheldon compared to his other comic, Drive. Brad talks about his experience with breaking the fourth wall in his previous comic, Greystone Inn, and why he chooses not to do it in his current comics. They discuss the balance and considerations of using meta humor in comics.TAKEAWAYSIce cream trucks are a rare sight in Los Angeles, leading to envy from Dave towards Brad in Philadelphia.Asia Simone's art style is modern, western, animation-inspired, and often incorporates wacky facial expressions and poses.Asia Simone learned about paneling, bubbling, and story structure while interning with Brad Guigar.When giving a price for artwork, if the client is enthusiastic and quickly accepts, it may be an indication that the price is too low.Asia Simone landed a job with Marvel Scholastic through online postings and was given a test to illustrate a page from a Moon Girl and Devil Dinosaur issue.Working on a Marvel Scholastic book required Asia Simone to adhere to a specific style and be on model throughout the project. Do the work you want to do and constantly strive for improvement.Meeting deadlines is important for building relationships in the industry.Start small, and don't put too much pressure on yourself to create big, epic projects.Collaboration and networking are key to success in the industry.Don't settle for 'good enough' - aim for excellence in your work.Stay motivated by constantly exploring new opportunities and projects.Be open to working with others and be willing to learn from them.Don't fear the future of the industry, but instead embrace the challenges and adapt to changes.Maintaining momentum is crucial for continued success.Focus on craftsmanship and delivering high-quality work.Take advantage of social media to promote your work and connect with others in the industry.The success of new social media platforms like Kara is uncertain, and it's important to consider the platform's longevity and reliability before investing time and effort into it.Instagram's performance in terms of promoting Kickstarters and Patreon campaigns has been disappointing for Dave, leading him to delete his posts and consider leaving the platform.Exhibiting at San Diego Comic-Con can be a costly investment, and it's important to have realistic expectations about profitability.It's advisable to start with regional comic conventions before considering exhibiting at larger events like Comic-Con.The absence of a Hollywood presence at Comic-Con in 2020 resulted in a more focused and profitable experience for Dave.It's important to be cautious about the potential degradation of platforms as they grow and attract venture capital.Consider the trade-offs between reliable platforms owned by large companies and newer platforms that may be more community-focused but less stable.Protecting artwork from AI scraping on social media platforms like Kara can be time-consuming and may degrade the quality of the images. The potential drop in attendance at conventions like San Diego Comic-Con can impact sales for independent creators, and it's important to be prepared for the possibility of lower sales.Breaking the fourth wall in comics can be a humorous technique, but it should be used sparingly and in a way that fits the tone and style of the comic.The decision to break the fourth wall depends on the depth and realism of the characters and storylines in the comic. More iconic and simplistic comics may be more suitable for fourth wall breaks.Breaking the fourth wall involves maintaining the suspension of disbelief, not relying on it as a crutch for punchlines, and preserving the integrity of the storytelling.Comic strips, especially those with a joke-a-day format, may be more forgiving of fourth-wall breaks than comics with deeper storylines.ASIA SIMONEAsia Simone can be found on Instagram, Twitter, and her website. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Substack is one of the few social-media newcomers that actually produces visible results. It delivers audience-building, reader retention, advanced messaging, intelligent analytics, savvy promotion, and discovery. Better yet, it has a user interface that's a joy to use. So why are so many cartoonists perplexed by it? Brad and Dave do a deep dive into this new platform and offer strategies for using it effectively.ON TODAY'S SHOWSubstack user guideHow much worldbuilding should you do when you start?SUMMARYDave and Brad enter into a discussion about Substack and audience building. Brad discusses his experience with Substack, the user interface, audience growth, and the potential for monetization. The conversation also covers the ethical considerations of moving email lists, the importance of owning the list, and the potential implications of platform control over content. Additionally, the discussion delves into the promotional aids and analytics provided by Substack, as well as the use of AI for transcription and promotional video creation. The conversation covers a detailed exploration of Substack and its features, including email network outreach, social media called Notes, restacking, and recommendations. The discussion also delves into the topic of monetization on Substack and its comparison to Patreon. The conversation provides valuable insights and considerations for creators looking to leverage Substack effectively.In this episode, Brad and Dave also discuss the updates on their Patreon memberships and the concept of world-building in comics. They share their perspectives on the balance between world-building and storytelling and the importance of curiosity and reading in becoming better writers. The conversation also touches on the idea of 'anti-social media' and humorously explores the concept of an anti-social media platform.TAKEAWAYSAccidentally locking his wife in a hotel room in Ireland, Dave shares a humorous anecdote that sets the stage for a conversation about Substack and audience building.Brad's experience with Substack highlights the user interface, audience growth, and the potential for monetization, providing valuable insights for creators.The ethical considerations of moving email lists and the importance of owning the list are discussed, shedding light on the implications of platform control over content.The promotional aids and analytics provided by Substack, as well as the use of AI for transcription and promotional video creation, offer valuable tools for creators to enhance their content and engagement. Substack offers two main features: email network outreach and social media called Notes, each serving different purposes for creators.Restacking and recommendations on Substack are important for audience engagement and community building.Monetization on Substack can be approached strategically, with considerations for the creator's primary platform and audience focus.The conversation provides valuable insights and considerations for creators looking to leverage Substack effectively. Balancing world building and storytelling is essential for creating engaging and coherent comic narratives.Curiosity and reading play a significant role in improving writing skills and understanding the nuances of storytelling.The concept of 'anti-social media' can be a humorous and thought-provoking topic for creators and readers alike. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A new father asks if his baby will change how he writes. "Hey, Comics Dads, I'm worried," he says. "Hey, Worried, we're Comics Dads," we reply. And then Dave invites Brad to pull his finger. After they discuss the effects of parenthood on creativity, a friendly zinester writes in to take Brad to task over his dismissal of zines as "nutty."ON TODAY'S SHOWHow does fatherhood affect writing?UPDATE: Google's AI meltdownUPDATE: Zines are not "nutty"UPDATE: Dave may have been wrong about Patreon's free membership tier"Why is my audience so small?"CHAPTERS00:00 Parenthood and Writing: Impact and Misconceptions20:24 Navigating Parenthood: Challenges and Joys22:20 The Evolution of Humor: From Wit to Dad Jokes25:00 The Importance of Socializing for Personal Growth32:30 AI and Social Media: Implications for Users38:13 Navigating Social Media Privacy and Bulk Deletion40:27 The Impact of Government Action on Data Protection42:05 Reconsidering Patreon's Free Membership Tier52:22 The Value of Passionate Readership and Audience GrowthSUMMARYThe conversation covers the topic of parenthood and its impact on creativity and writing. It explores the fear of change in writing tone, the influence of life milestones on writing, and the misconceptions about parenthood. The discussion also delves into the broadening of horizons and empathy through parenthood, and the impact on character development in writing. The conversation covers various topics related to fatherhood, humor, and socializationThen  the hosts deliver an update on the impact of AI on social media. The hosts share personal experiences and insights on these subjects, providing valuable perspectives for listeners. The conversation covers topics related to social media privacy, Patreon's free membership tier, and the growth of an audience for comics. It delves into the challenges of bulk deleting content on Instagram, the impact of government action on data protection, and the reconsideration of Patreon's free tier. The hosts also discuss the significance of passionate readership and the gradual growth of an audience.TAKEAWAYSParenthood can influence a writer's perspective and writing style, but it doesn't necessarily mean a shift to saccharine or toothless content.Life milestones, such as parenthood, bring about changes in a writer's approach and perspective, leading to a broader and more empathetic understanding of characters and storytelling.Misconceptions about parenthood, such as the fear of losing personal interests and creative pursuits, can be dispelled through a balanced approach to time management and a deeper appreciation for the human experience.Parenthood broadens a writer's horizons and empathy, allowing for a deeper understanding of character viewpoints and moral codes, ultimately enhancing the quality of writing and storytelling. The initial months of parenthood may be challenging, but the long-term benefits are rewarding.Humor evolves over time, and dad jokes are a natural expression of finding joy in everyday moments.Socializing is essential for maintaining wit and humor, and it contributes to personal growth.The impact of AI on social media platforms like Instagram raises concerns about privacy and user experience. Bulk deleting content on social media platforms can be challenging and time-consuming.Government action is crucial for protecting user data from exploitation by large tech companies.Reconsidering the value of Patreon's free membership tier can lead to a change in perspective and understanding of its potential benefits.Passionate readership is more valuable than audience size, and it can contribute to the gradual growth of an audience for comics and other creative content.     You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

After six weeks of working on their comic, a listener asks how soon they can expect to make a living doing this — and gets an earful from Brad and Dave.  Plus, Brad and Dave share more of their picks for Reuben Award nominees.In this episode, Brad and Dave discuss the importance of having realistic expectations and enjoying the creative process when making comics. They share their own experiences of how long it took them to see financial success and build an audience. They caution against starting a Patreon too soon and making decisions based solely on trying to gain more backers. They emphasize the need to focus on the love of creating and the joy of storytelling rather than solely focusing on financial success. Overall, they encourage the listener to have patience and enjoy the journey of creating comics.Also, Brad and Dave explore the potential impact of AI on search engine optimization and the web ecosystem. Next, they discuss the importance of giving artists creative freedom when commissioning art.  The conversation touches on the challenges of communication between commissioners and artists, as well as the spectrum of visual thinking. The hosts share personal anecdotes and insights, highlighting the need for clear communication and understanding between both parties involved in a commission.ON TODAY'S SHOWIt's Friday; am I famous yet?UPDATE: More Reuben picksUPDATE: Google's new AI search is gonna kill a lotta websitesCommissioning original artTAKEAWAYSBuilding an audience and achieving financial success in comics takes time, often several years.Having realistic expectations and not solely focusing on financial goals is important.Enjoying the creative process and the love of storytelling is crucial for long-term success.Starting a Patreon too soon can lead to disappointment and creative compromises.Focus on improving your craft and building a small, dedicated audience before seeking financial support.Patience and perseverance are key in the journey of creating comics. When commissioning art, it's important to find a balance between providing enough detail and allowing the artist creative freedom.Clear communication is key in ensuring that both the commissioner and the artist are on the same page.Understanding the artist's style and approach is crucial when commissioning art.The impact of AI on search engine optimization and the web ecosystem is a topic of concern and uncertainty.The spectrum of visual thinking varies among individuals, and it's important to be aware of different perspectives and preferences.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How much of your work would you consider "top tier?" Fifty percent? Twenty percent? And speaking of the top tier, Brad and Dave share a partial list of people they think should be nominated for a Reuben Award this year.In this episode, Brad and Dave discuss the ratio of their work that they consider to be top-tier. They also talk about the benefits of posting comics panel by panel. Next, they share their lists of cartoonists who should be considered for the golden Reuben Award. They also touch on the ethical dilemma of selling redrawn original art and the importance of original art in the collector's market.ON TODAY'S SHOWHow much work is "top tier"?Posting panels vs pagesWho would Brad & Dave pick for the Reuben Award?Redrawing pages to sell as originals?TAKEAWAYSPickleball is a fun and inclusive game that can be enjoyed by people of all ages.The ratio of top-tier work to average work varies for each cartoonist, but striving for improvement over time is important.Posting comics panel by panel is beneficial for mobile readers and helps capture new readers.The Reuben Award is a prestigious recognition in the cartooning industry. Nominations are based on the best work of the year.Sarah Anderson, the creator of Sarah's Scribbles, should be a strong contender for the Reuben Award due to her consistent and unique voice in the industry. The hosts discuss their top picks for cartoonists who should be considered for awardsThey mention Dana Simpson, Phoebe and Her Unicorn, Tauhid Bondia with Crabgrass, Asher Perlman, Darren Bell, Jonathan and Elizabeth from War & Peas, and several manga cartoonistsThey also touch on the ethical dilemma of selling redrawn original art and the importance of original art in the collector's marketCHAPTERS00:00:00 Introduction and Pickleball00:06:07 Striving for Improvement in Your Work00:28:49 Nominations for the Rubin Award00:32:38 Sarah Anderson: A Strong Contender for the Reuben Award00:34:25 Top Picks for Cartoonists Who Should Be Considered for Awards00:49:36 The Ethical Dilemma of Selling Redrawn Original Art   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We've all heard successful creators complain that younger hopefuls "just don't want to do the hard work." They disregard the complicated nature of achieving their status and dismiss aspiring novices on the basis of one single factor. Survivorship bias is undoubtedly a result of flawed reasoning. ...But is it bad advice?Brad and Dave discuss survivorship bias in the creative community and its impact on success. They acknowledge that survivorship bias exists but argue that it is not the sole determinant of success. They emphasize the importance of hard work, honing skills, and making adjustments based on feedback. They also discuss external factors that can impact a creative career, such as personal circumstances and societal biases. The hosts share their own experiences and offer advice for aspiring creators. In this part of the conversation, the hosts discuss the importance of perseverance and being consistent in order to achieve success in comics.Also, they also address the question of working below one's artistic skill level and offer advice on finding a style that balances speed and quality. The hosts then share their thoughts on the transition from traditional to digital art, including the benefits and drawbacks of each. Finally, they discuss the value of selling original art and the potential challenges of leaving a legacy through physical artwork.ON TODAY'S SHOWSurvival biasWorking below your artistic skill levelLeaving original art in favor of digitalCHAPTERS00:00:00Introduction: Dumpster Pools in Philadelphia00:05:37Chapter 1: Understanding Survivorship Bias00:13:06Chapter 2: The Importance of Hard Work and Skill Development00:22:52Chapter 4: Challenging Survivorship Bias and Acknowledging Others' Struggles00:26:57Chapter 5: Advice for Aspiring Creators: Listen, Learn, and Adapt00:31:03Perseverance and Consistency00:34:31Working Below Your Skill Level00:46:24Transition to Digital Art00:48:08Selling Original Art00:56:29Leaving a Legacy Through ArtworkTAKEAWAYSSurvivorship bias exists in the creative community, but it is not the only factor that determines success.Hard work, honing skills, and making adjustments based on feedback are crucial for success.External factors, such as personal circumstances and societal biases, can impact a creative career.It is important to be aware of survivorship bias and not dismiss the challenges faced by others.Listening to advice from experienced creators and being open to course corrections can increase the chances of success. Perseverance and consistency are key to achieving success in comics.Finding a balance between speed and quality is important when working below your artistic skill level.Transitioning from traditional to digital art offers benefits in terms of control and quality.Selling original art can be a way to generate income and share your work with others.Leaving a legacy through physical artwork may not always be practical or desired by loved ones. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How did Brad and Dave know when they'd "made it"? ALSO: Now that you have a website with a blog... what do you write??Brad shares a heartwarming story about his dad's induction into the Michigan High School Bowling Hall of Fame. They discuss the concept of 'making it' as a cartoonist and the different definitions of success. They also address the challenges of rating one's comic in terms of age appropriateness and content warnings. In this part of the conversation, the hosts discuss how to handle sensitive content on websites and social media platforms. They mention using content warnings, marking sensitive posts, and utilizing tools provided by social media platforms. They also talk about the importance of considering the audience's age range and the different standards and gradations of content in various mediums. In the second part of the conversation, they discuss the use of blogs on websites and how they have evolved over time. They mention the historical use of blogs for SEO purposes and the shift towards social media for quick and easy sharing. They suggest using blogs to share a variety of content, including transcripts of comics, reposts of social media content, and updates on Patreon or other platforms. They emphasize the importance of not overthinking blog content and using the four C's: content, commercial, curation, and kindness.ON TODAY'S SHOW:When did we know we had "made it"?Content warnings and age ratingsWP Shortcodes PluginUPDATE: Alaska Comics CampWhat should I do with my blog?Jack Conte's SXSW speechCHAPTERS00:00:00 Introduction:  Brad's Heartwarming Story00:07:29 The Definition of 'Making It' as a Cartoonist00:11:13 Navigating Age Appropriateness and Content Warnings in Comics00:44:30 The Evolution of Blogs00:49:27 Using Blogs to Share ContentTAKEAWAYSThe concept of 'making it' as a cartoonist is subjective and can vary from person to person.Financial stability is often key to feeling like you've 'made it' as a cartoonist.There is no universal standard for rating comics in terms of age appropriateness and content warnings.Considerations for rating your comic include societal norms, personal values, and the expectations of different platforms.Content warnings can be placed on the cover of your book, the top of your website, or your social media profile page. Consider using content warnings and marking sensitive social media posts to allow readers to view or avoid certain content.Take advantage of built-in tools on social media platforms to flag sensitive content and provide warnings.Be mindful of your audience's age range and consider the different standards and gradations of content in various mediums.Use blogs on websites to share a variety of content, including comic transcripts, reposts of social media content, and updates on Patreon or other platforms.Don't overthink blog content; use the four Cs: content, commercial, curation, and kindness. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.