Podcasts about film media

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Bureaucratic Archaeology: State, Science and Past in Postcolonial India (Cambridge UP, 2022) presents a novel ethnographic examination of archaeological practice within postcolonial India, focusing on the Archaeological Survey of India (ASI) as a site where scientific knowledge production intersects with state bureaucracy. Through granular analysis of ASI's quotidian operations, this monograph demonstrates how archaeological micro-practices materially influence the construction of political and religious identities, while simultaneously serving as empirical evidence in India's highest judicial proceedings. This unprecedented study illuminates the epistemological ecology of postcolonial knowledge production from within the bureaucratic apparatus itself. As the first book-length investigation of archaeological practice beyond the Euro-American tradition, it reveals how non-Western archaeological theory and methodology generate distinct forms of knowledge, thereby expanding our understanding of archaeology's role in postcolonial state formation. About the Author: Ashish Avikunthak is a distinguished scholar working at the intersection of archaeology, cultural anthropology, and avant-garde filmmaking. He is Professor of Film Media at the University of Rhode Island's Harrington School of Communication, where his research bridges theoretical and practical approaches to cultural production. His experimental films have been exhibited internationally at prestigious institutions including Tate Modern, Centre Georges Pompidou, and Pacific Film Archive, as well as major film festivals such as Rotterdam and Locarno. About the Host: Stuti Roy has recently completed her MPhil in Modern South Asian Studies at the University of Oxford.

Eric Stark is a co-founder and President of Slate, a US-based company that simplifies social content creation for brands, making the process much faster. Winners of the 2022 ISC Sports Tech Company of the Year, they've been in business now for almost five years. Eric makes no secret of the fact that his business journey began as an NFL fan first and foremost. He rose through the NFL to become Director of International Marketing and Content Stratgey and also, Manager of International Content Strategy. His CV includes time with the San Francisco 49ers and the Kansas City Chiefs. But having worked for multiple teams, along with a business partner, he spotted a gap in the market and Slate was born. Eric gained a Bachelor of Arts Degree in Film & Media studies from UC Santa Barbara in 2012.   Eric Stark on getting into the Digital Sports Media Industry: "My first role out of college was with the NFL in a digital media capacity. I will say I joined the company and was interested in the role because of the NFL side not because of the digital media side and it was a good pairing because I quickly fell in love with the digital media side and specifically, how digital media and sports come together and that started my career. I have been in the digital media and sports world ever since, but really, I was just an NFL fan who had a best friend in college with a sister who worked at the NFL and I wouldn't stop bugging her, every other week, to say in touch and then an internship opened up and I got an interview and the rest went from there!"   Eric Stark on Slate's USP: When we started, it was about speed for sure. We started as a mobile editing tool only, and it really was about speed of turnaround, especially when you are in person at an event. But there is a need for all social teams across industries to just be more nimble. Yes, speed is part of that, but really it's just about being able to have an idea and to easily execute it and create content. There's a higher volume of social content that every brand needs to create and there are more platforms than ever that these brands need to create content for. That's only increasing and the need for short-form video content is only increasing and it's not easy to create this content. Teams have to use several different editing tools currently, like Premier and we are trying to make it easier for those teams to create that content without it having to pass through so many hands."   Eric Stark on where Slate goes in the future: "We are starting to grow more with college athletics in the US. A lot of universities are using Slate for their athletic programmes and a lot of them that aren't, I think will start using it eventually. Outside the US, we do have some Premier League Clubs and some other international football clubs and rugby and other sports that are popular in Europe and elsewhere, but there is still a lot of room for us to grow. I am getting more interested in Premier League and international soccer and did a lot of work there when I worked at the NFL with different teams in the Premier League and I think that sport continues to have a really bright future in the US and we are seeing it grow more and more. With the Premier League on NBC and the World Cup coming soon and I live in Portland, Oregon right now, a city which really cares about it's MLS team, so that sport continues to interest me and it's something I will follow."

Welcome, Alyssa Botelho a writer, director, producer, and actor. She was born and raised in Fairhaven, Massachusetts. Her passion for unearthing untold stories from the past and breathing life into them through the art of filmmaking is what drives her to create. Alyssa's style is a blend of suspense, mystery, and existentialism. It's all woven together with a thread of humor that provides a multi-dimensional richness to her narratives. She first learned filmmaking at Fairhaven High School and went on to the University of Rhode Island where she graduated in 2021 with a 4.0 GPA. Alyssa Botelho also garnered the University Academic Excellence Award in Film/Media, and the Dean's Excellence Award in Management. A decorated filmmaker, Alyssa Botelho's achievements have been celebrated on both the state and national levels, with a notable emphasis on her "Best Director" and "Best Short Fiction" awards from the National Academy of Television Arts & Sciences - New England Colleges/Universities Chapter (commonly referred to as “Student Emmys”). Her latest film project is Sweet Freedom, a film revolving around the incredible true life of Polly Johnson, a legendary abolitionist who lived and fought for freedom in New Bedford, Massachusetts. The Artists Index's cofounder, documentarian, and podcast host, Ron Fortier, talks to Alyssa Botelho about her background, passions, and future. The Artists Index uses Zoom to accommodate our guests' schedules and to allow them to remain in the comfort of their homes, especially those who no longer live on the South Coast of Massachusetts. Our home base and studio are located at Spectrum Marketing Group in Howland Place in New Bedford. If you would like to be a guest on  The Artists Index or have a suggestion, please let us know! The In-Focus Podcasts are up close and personal conversations with the makers, performers, supporters, and cultural impresarios of the remarkable creative community of South Coast Massachusetts including New Bedford, Dartmouth, Fairhaven, Westport, and beyond. Thank you to our sponsors:   Heavenly Spirits 20 Patterson Brook Road West Wareham, MA 02576  508 947-9973

Interview with imagineNATIVE Film + Media Arts Festival executive director Naomi Johnson at their press launch (Sep 15, 2023) during #TIFF23 • PR by Ally LaMere-Shedden of Route 504 PR Brought to you by:https://amazon.com/shop/sparkthegenius Please click there before every time you shop on Amazon, to support me for free!https://neo.cc/refer/G4K6B5Z9 Canadians get $50 for signing up for the free Neo cash back credit card and free high interest money account at that special link. Follow my Instagram. For a free gift card, sign up for TikTok here then follow my TikTok. Subscribe to my YouTube. Click follow at my Amazon page. SHOP MY MERCH: Buy my shirts at my Amazon Merch. DEALS FROM MY SPONSORS: Free trial of Amazon Prime. Free online speed dating --- Send in a voice message: https://podcasters.spotify.com/pod/show/sparkthegenius/message

In this episode, I sit with Rayna Lountzis Rayna is an entrepreneur, and a mother currently engaged in her Doctoral degree in film studies. She has not been diagnosed with any particular neurodiversity but suspects she has symptoms of ADHD. Her self-development journey started 3 years ago after which she also started her company, "Rayna Arts" last year. Rayna focuses on self-image because she believes authenticity is crucial. Authenticity involves showing up as yourself always, irrespective of the environment. She had to start removing the false ideas about herself to find happiness and a sense of fulfillment. Due to her neurodiversity, Sarah also has difficulty being herself completely but strives every day to attain the kind of freedom that comes with authenticity. Rayna works on a project called "Evolution Film" which addresses mental health and disability quality in the film industry. Most of the members are neurodivergent and from various backgrounds.The "Evolution Film" Project started with filling up the gaps in screenwriting jobs. The latest research shows that 9 out of 10 people in the film industry are either struggling with mental health or are disabled. However, some have not disclosed this due to the stigma. It should be noted that the nuance surrounding mental health often leaves a stereotyped picture of insanity. However, this is not always the case with mental health as there are mental health issues with not very obvious presentations. People need to understand that mental health conditions just need treatment like any other ailment without the stigma. A change of perspective can also be beneficial; shifting focus from what is undesirable to what is desired, while putting aside all the struggle, traumas, and emotions to reveal our true selves.Take Away from Evolution Film:  Events coming up on the 3rd of May and 19th of July are available on the website”. www.powervibe.club and www.evolutionfilm.orgCheck out "Care and Well-being in the Film Industry" on Eventbrite!Date: Wed, May 3 • 13:00 BST https://www.eventbrite.com/e/care-and-well-being-in-the-film-industry-tickets-615795239137?aff=eandAddressing Mental Health Symposium: www.amh23.org or to prSupport the showJoin, support, and access exclusive episodes now.Sarah is offering a six-week coaching program for neurodivergent and neurotypical professionals who want to improve their career prospects, business development and support with the PRINCE2 practitioner exam. A one-hour free session. ● Connect with Sarah via email (hello@divineenigma.org), YouTube (@divineenigma338) Instagram (@divineenigma) ● Join Sarah's waitlist● Join Sarah's 6-week coaching: https://divineenigma.org/product/6-week-coaching-plan/ NeuroEnigma Membership if you'd like to support this independent podcast, click for free ebook Producer & Host: Sarah Music: “She Royalty” by Amaro & “Whistle” by Lukas Got Lucky

Mehreen Jabbar comes on The Pakistan Experience to discuss the Media, Film and Drama Industry of Pakistan; from the good old days of PTV to the current film Industry, Mehreen Jabbar talks about her 30 years in the Pakistan Media Industry. Mehreen Jabbar is a Pakistani film and television director known for works like Ramchand Pakistani, Harjai, Doraha, Dobara Phir Se, and Ek Jhooti Love Story. Find out this and more on this week's episode of The Pakistan Experience: https://www.youtube.com/watch?v=oXMrYmPtDW8 The Pakistan Experience is an independently produced podcast looking to tell stories about Pakistan through conversations. Please consider supporting us on Patreon: https://www.patreon.com/thepakistanexperience To support the channel: Jazzcash/Easypaisa - 0325 -2982912 Patreon.com/thepakistanexperience And Please stay in touch: https://twitter.com/ThePakistanExp1 https://www.facebook.com/thepakistanexperience https://instagram.com/thepakistanexpeperience The podcast is hosted by comedian and writer, Shehzad Ghias Shaikh. Shehzad is a Fulbright scholar with a Masters in Theatre from Brooklyn College. He is also one of the foremost Stand-up comedians in Pakistan and frequently writes for numerous publications. Instagram.com/shehzadghiasshaikh Facebook.com/Shehzadghias/ Twitter.com/shehzad89 Chapters: 0:00 Education, early work, audiences, industry growth 11:49 Writing and adaptations, pre production and direction 22:07 TV industry, sound design 31:32 Talent, film bans, previous projects 46:21 Brooklyn, dialogue, comedy writing, characterisation 1:00:37 Exposition, screenwriting, Better Call Saul, comedy acting 1:08:20 Audience Questions

The Ph.D. Podcast Project features the diverse and groundbreaking research conducted by current and recent Yale graduate students. In interviews by their graduate peers, graduate researchers discuss what motivates them, their innovations and research process, and the unusual challenges they have faced in their journey. OCS Podcasts (full episode list) – https://ocs.yale.edu/podcast

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work.  But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work. In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy. Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Selamat datang kembali di Nona Chats - seri di mana kita berbicara dari hati ke hati dengan Nona yang sangat inspiratif dari berbagai bidang. Di sini kita berbicara tentang segalanya, termasuk kehidupan pribadi mereka, perjalanan karir mereka, healthy habits mereka, dan tentu saja cerita menstruasi mereka. --- Nona Chats with Kyku: Untuk episode ini, kami berbicara dengan Anastasia Herzigova Mustikandarina (yang juga dikenal sebagai Kyku). Kyku adalah pemeran film dan model di Indonesia. Kyku juga merupakan finalis Puteri Indonesia pada tahun 2015 yang mewakili DKI Jakarta. Follow Raden Prisya di @kykuu --- Nona Woman: Website: www.nonawoman.com Instagram: @nonawoman Youtube: Nona Woman Nona Woman Mobile App: Apple App Store: Download Free Google Play Store: Download Free

imagineNATIVE Film + Media Arts Festival announced its programming for National Indigenous History Month for June 2022. We get the lowdown on what we can expect with Programming Manager, Kaitlin Tomaselli.

Dans Media Crash, Valentine Oberti de Médiapart et Luc Hermann de Premières Lignes racontent les coulisses des grands médias et enquêtent sur les pressions, les censures et les auto-censures. Au micro de Radio Campus, Luc Hermann décrit les conditions de réalisation de ce documentaire et les enjeux qu'ils soulèvent. Invité : Luc Hermann, président – producteur – journaliste de Premières Lignes TV

'Pre-making drag: RuPaul's Drag Race spoiler fandom and queer temporal imagination': https://www.ejumpcut.org/currentissue/Donovan-RuPaulFans/index.html Katie's presentation "Miss Americana & The Heartbreak of Being a Good Girl": https://www.youtube.com/watch?v=AuB2JZhLYq0 Sean's Twitter: twitter.com/mrseanmdonovan Support us on Patreon ($5 monthly) for two bonus episodes every month: patreon.com/thearchers Connect with us on Twitter: twitter.com/TheArchersPod As we approach the two year anniversary of the release of Taylor Swift's documentary, "Miss Americana", Katie and Madyson asked Queer Film, Television, and Media Scholar Sean Donovan to share his analysis after watching it for the first time. Firstly, Katie reveals that Shakira is a lesbian. Sean offers a less biased perspective on the film's themes of isolation and its unfinished nature. They discuss the irony of Taylor craving privacy while being on camera, and how the film contradicts itself more than once. Katie and Madyson sprinkle in some queer analysis of the song Miss Americana & The Heartbreak Prince. This podcast is not affiliated with Taylor Swift, her companies, or affiliated companies. All opinions are our own. --- Support this podcast: https://anchor.fm/thearchers/support

Today we have Ashish Avikunthak with us on Audiogyan. Ashish has been making films for the past 25 years. His films have been showcased worldwide in film festivals, galleries and museums. He holds Ph.D. in Cultural and Social Anthropology from Stanford University and has earlier taught at Yale University. He is now an Associate Professor in Film/Media at Harrington School of Communication, University of Rhode Island. In this episode, Ashish talks about filmmakers and film artists. Kedar also throws some light on Etcetera, an artistic film by Ashish.Follow on Ashish Avikunthak Twitter -https://twitter.com/aavikunthakFollow Kedar Nimkar on Twitter https://twitter.com/nimkarkedarFollow Audiogyan on Twitter- https://twitter.com/audiogyanYou can listen to this show and other awesome shows on the new and improved IVM Podcast App on Android: https://ivm.today/android or iOS: https://ivm.today/iosYou can check out our website at http://www.ivmpodcasts.com

Introducing a new show segment called Asian Voices Youth Radio Podcast that empowers our next generation of API Creatives & Leaders. Hosted by twin brothers, Ausdon and Josdon Thong. Asian Youth Voices features younger generation of API entrepreneurs, filmmakers and artists with topics ranging from TV and film content, music, media arts and pop culture. In this episode, Ausdon and Josdon talks about their childhood and life experiences growing up in the US, and how some of the television and film content had made a big impact in their lives involving their educational and future career choices. Ausdon is a graduate from California State University of Fullerton with a degree in Cinema & TV Arts with a focus in Screenwriting. Being passionate about movies and television since he was younger, and noticing that there wasn't much representation of Asian Americans in mainstream media, he made a conscious decision to be a filmmaker. Ausdon currently hosts his own produced true crime podcast on Spotify and in development of a new horror anthology podcast. His goals are to improve his craft on acting and become a director and producer in the future. Josdon Thong is an alumni of California State University of Northridge. He graduated in the spring of 2020 and his field of study was in the Cinema & Television Arts, specifically in Screenwriting. As an aspiring screenwriter, Josdon has written a number of stories that he'd like to share with the world on the big screen one day. He's currently producing, writing and voice acting in two fictional, audio drama podcasts. Josdon's dream is to someday produce his own animation film for the big screen and win an Oscar. 

If Genesis, according to British comedian and fan, Al Murray "were the progressive rock band who progressed", then Peter Gabriel, once solo, would be the one who progressed the most. Who would have thought listening to early Genesis would eventually take the listener to Senegal, Armenia, South Africa and beyond via the artistic endeavors of their former vocalist? This is a journey through Peter Gabriel's solo albums, his live recordings and soundtrack compositions. During his forty-year plus solo career, Gabriel has become a worldwide pop star with his early, self-titled albums and his seminal 1986 record 'So'. He's had hit singles throughout his career, including "Big Time" and the poignant "In Your Eyes". He also helped pioneer video creativity with the song "Sledgehammer". In doing so, he's reached beyond his progressive rock background to achieve a level of respect that other musicians from that genre could only dream about. You may have heard many of these songs before, but there's always something new to be found by digging in the dirt. This is the prefect guide to his music for new listeners and long term fans alike. Graeme Scarfe is a freelance writer. He was born in the 1960's, educated in the comprehensive system in the 1970's & 1980's and graduated from Bournemouth University in the 1990's. He's worked as a music journalist, sound recordist, stand-up comedian and Film & Media lecturer. He wrote the original screenplay for the 1999 British Horror film "Lighthouse" and the comedy novels "Arable Farm" and "Seagulls on Speed". Grame is married with two children and lives in Sussex. Purchase a copy of "Peter Gabriel: Every Album, Every Song" through Sonicbond Publishing: https://burningshed.com/store/sonicbond/graeme-scarfe_peter-gabriel-on-track_bookVisit Graeme Scarfe's website: https://www.seagullsonspeed.co.uk/about-1Also visit Burning Shed's website: https://burningshed.comSongs Discussed In This Episode: https://open.spotify.com/playlist/2P0IxwoKj89sUa0AeQpAf4?si=e9e04bcf52834556The Booked On Rock Website: https://www.bookedonrock.comFollow The Booked On Rock with Eric Senich:FACEBOOK: https://www.facebook.com/bookedonrockpodcastTWITTER: https://twitter.com/bookedonrockContact The Booked On Rock Podcast:thebookedonrockpodcast@gmail.comSupport Your Local Bookstore! Find your nearest independent book store here: https://www.indiebound.org/indie-store-finderThe Booked On Rock Theme Song: “Whoosh” by Crowander [ https://freemusicarchive.org/music/crowander]

Ryan Turner is a director, editor and writer based out of LA and a former classmate of mine in the Film & Media program at UC Santa Barbara. We sat down to catch up on his recent work, which includes forming a new production company, finishing in the top-3 of the Doritos Super Bowl commercial contest a few years back, directing Richard Branson in a commercial, his creative approach to directing, and what it's like to audition babies for acting roles. Check out more from Ryan at ryanturnerproductions.com and @director.ryanturner on Instagram!

Dharma talk on "Mindful TV/Film Media Binging" with guest teacher Rosamaria Segura. InsightLA, Long Beach, Sunday Sit, July 25th, 2021.

Annelise comes from a background as an independent producer, with training at such prestigious institutions at the Canadian Film Centre (Producer's Lab) and Banff Centre for the Arts (Electronic and Film Media). Since 1995 she has been working in the field of online marketing and has always been an avid gamer and consumer of digital content. She works extensively with government organizations and production companies in the film, television and interactive industries in North America. Her focus is helping content creators and storytellers to use the power of online language and data to define, find, attract and engage their audiences and work toward strategic and sustainable digital business models. She has sat on the Interactive Fund jury for BC Film + Media, the Experimental Stream jury for the CMF has taught across the country on behalf of such organizations as Telefilm Canada, the Canadian Film Centre, Women in Film, and the National Screen Institute, and is a highly sought after speaker for media festivals and conferences.  Annelise has developed and implemented marketing strategies and gathered and analyzed online data for digital and screen media products as diverse as social TV apps, transmedia experiences, webisode series, feature films, television series and production companies themselves. She has worked with over 30 filmmaking teams as an instructor or Digital Marketing Expert for the Telefilm Talent to Watch Program (formerly Micro-Budget Production Program). Her ground-breaking online course Becoming a Storypreneur has been taught to media storytellers across Canada and in conjunction with Boost Hbg in Sweden. Websites:  https://www.storypreneursunite.com https://veria.ca Follow Annelise on these social media platforms: Twitter Facebook Instagram LinkedIn

In the Season 2 finale, Daniel and Kim reflect on the past 29 episodes and discuss how their thoughts have evolved throughout the course of the show. Additionally, they discuss the importance of having open and honest conversations about the media they love, and their fears about going into the entertainment industry. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The latest installment of tt stern-enzi's Truth & Reconciliation project podcast Critical Reflections. Unfiltered conversations on representation and race.

Rod M. Sherwood III is the Co-Founder, Co-Chairman & Chief Executive Officer for Cinémoi NA (including CineMoiWorld) and Chairman of Multivision Media International. Mr. Sherwood III is better known for his executive roles in the entertainment industry, working with DIRECTV, Westwood One, helping with the syndication and distribution of programming to over 5,000 radio stations and 165 TV stations across the USA.Rod M. Sherwood III has been involved in some of the largest companies in the world in different sectors, including the automobile sector as General Manager, Process Improvement at Chrysler, the tech sector as EVP & CFO and Head of Internal Operations for Loudcloud/Opsware, Inc. with Marc Andreessen and Ben Horowitz; the space sector as President of Spaceway, SVP of Operations & CFO – Hughes Telecommunications and Space Company, among others. Rod M. Sherwood III Interview Focus:1. Can you give us an introduction from you - background, overview, education?2. How did you start your career? 3. Career highlights4. Can you share some of your experience in the multiple companies, organisations that you would love to share with us?5. After decades working with such massive companies in media and tv, radio, how do you see the present state of content industries?6. How do you see the future of the film industry?7. How do you see the way the world of Silicon Valley and Hollywood have been in their own boxes and connecting?8. You touched the media connections with fashion and consumer media with the CineMoiWorld. Can you tell us about that?9. One of your quotes is “Well I think it's important to understand the key driving point behind a company. First, have a very clear sense of priorities and have them in sequence. Don't try to do everything at once, but definitely drive forward; then understand what untimely makes a difference in terms of success, whether it is programming content, marketing or promotions of the various programs.” What other areas do you want to share with us of your vision?10. How do you see the technology world and shift between tech and media and society at large? About Dinis Guarda profile and Channelshttps://www.openbusinesscouncil.orghttps://www.dinisguarda.com/https://www.intelligenthq.comhttps://www.hedgethink.com/https://www.citiesabc.com/https://twitter.com/citiesabc__Dinis Guarda's 4IR: AI, Blockchain, Fintech, IoT - Reinventing a Nation https://www.4irbook.com/Intelligenthq Academy for blockchain, AI courses on https://academy.intelligenthq.com/

In this week's episode we discuss Meghan Markle's new interview, mental health in film/tv/media, the Dr. Seuss controversy celebrate Women's History Month and Social Worker Month

It's a new era of human wearables and Brokoslaw Laschowski, a University of Waterloo PhD candidate, discusses the research to develop exoskeleton legs. Next, we delve into the new all-inclusive electric car subscription and this innovative model from Onto with CEO Rob Jolly. Plus, we talk to Nicholas Lembo, Head of Growth for the Americas at Wise, about saving and sharing money around the world, across borders and currencies. Brent Lang, the Executive Editor of Film & Media at Variety Magazine, reveals how streaming service content dominated Oscar wins and how this might signal demand for more diversity in content. In Socially Speaking, we discuss how low you can go when it comes to the internet. Find out more information from our guests here: University of Waterloo Motion Research Group Onto Brent Lang @ Variety Magazine You can also find both AmberMac and Michael B on Twitter. 

Denise Parkinson is currently Global Entertainment Director for OneFootball She has more than 20 years’ experience in all aspects of marketing and distribution in the British and international film distribution industry. She began her career at the legendary Palace Pictures, followed by roles at United Pictures and more than a decade as head of film at Emap. Other recent roles include director of international marketing for Europe, the Middle East and Africa for Disney, ABC and ESPN, and global entertainment director for Yahoo. Join us for a discussion of film media, being a BAFTA voter and attending Cannes. You can find Denise @deniseparkinson. Follow our socials @sheplansherfuture and check out www.sheplansherfuture.com for a FREE cashflow forecast.

On this podcast Facebook COVID-19, Film, HR5736: Introduced in House (05/10/2012) Anthony Michael Hall Smith-Mundt Modernization Act of 2012 - Amends the United States Information and Educational Exchange Act of 1948 to authorize the Secretary of State and the Broadcasting Board of Governors to provide for the preparation and dissemination of information intended for foreign audiences abroad about the United States, including about its people, its history, and the federal government's policies, through press, publications, radio, motion pictures, the Internet, and other information media, including social media, and through information centers and instructors. (Under current law such authority is restricted to information disseminated abroad, with a limited domestic exception.) Authorizes the Secretary and the Board to make available in the United States motion pictures, films, video, audio, and other materials prepared for dissemination abroad or disseminated abroad pursuant to such Act, the United States International Broadcasting Act of 1994, the Radio Broadcasting to Cuba Act, or the Television Broadcasting to Cuba Act. Amends the Foreign Relations Authorization Act, Fiscal Years 1986 and 1987 to prohibit funds for the Department of State or the Board from being used to influence public opinion or propagandizing in the United States. (Under current law such provision applies to the United States Information Agency [USIA].) Applies such prohibition only to programs carried out pursuant to the United States Information and Educational Exchange Act of 1948, the United States International Broadcasting Act of 1994, the Radio Broadcasting to Cuba Act, and the Television Broadcasting to Cuba Act. States that such provision shall: (1) not prohibit the Department or the Board from providing information about its operations, policies, programs, or program material, or making such information available to members of the media, public, or Congress; (2) not be construed to prohibit the Department from engaging in any medium of information on a presumption that a U.S. domestic audience may be exposed to program material; and (3) apply only to the Department and the Board and to no other federal department or agency.

In this HCI "Forbes Feature" Podcast episode, where Dr. Jonathan H. Westover explores Amy Blaschka's recent Forbes article, "The One Thing That's Sabotaging Your Career Growth." Check out the video here: https://youtu.be/MoKMAJhpdg4. See the related Forbes article here: https://www.forbes.com/sites/amyblaschka/2019/12/16/stop-doing-the-one-thing-thats-sabotaging-your-career-growth/?sh=698b41665e66 Video Overview: "You know those amazing business and thought leaders we all admire? The ones we place high upon a pedestal, touting their business acumen and wisdom?  Spoiler alert: they're not perfect, nor do they try to be. In fact, eschewing perfection in favor of progress might be the secret to their success.  Here are three ways you can stop trying to be “perfect” in your career, and instead, make progress." Amy Blaschka (https://www.linkedin.com/in/amyblaschka/) has made a career offering “stories as a service.” From her degree in film to her three decades spent branding products, places, and people, to founding her strategic writing practice, Amy has always understood the power of weaving a compelling tale. She helps leaders craft their stories to communicate and connect better through concise and compelling ghostwritten social media posts. Amy also writes engaging, original, and authentic Career Stories for her clients, positioning them for success and changing how others perceive, pay, partner with, and promote them. In all her work, Amy provides her clients clarity of messaging to strengthen their personal brands and thought leadership. A longtime Leadership Contributor for Forbes, Amy covers personal transformation and its impact on career growth. She also regularly creates and shares original content on her active social media channels. Her career spans several decades and industries, but her goal has always been the same: to help her clients identify and communicate their strengths in a creative and highly appealing manner. Before founding her strategic writing practice, she spent a decade in the marketing and communications industry, beginning her career at Young & Rubicam Advertising and culminating as a branding consultant for international firms Landor Associates and Enterprise IG. During this time, she partnered with her clients to create, renew, and strengthen their brands. She then applied her branding expertise to the world of travel and tourism, where for over fifteen years, she led and advised destination marketing organizations in California. Her engagement within the tourism industry led to her involvement with the California Travel Association, where she served on its Executive Committee and board, as Chair of its annual conference, and leader of its statewide Ambassador Council. Her love of telling a compelling story can be traced back to her college years. She earned a Bachelor of Arts degree in Film & Media from the University of California, San Diego with a minor in Communications. Ranked in the Top 10 Performance Management Podcasts: https://blog.feedspot.com/performance_management_podcasts/ ; Ranked in the Top 10 Workplace Podcasts: https://blog.feedspot.com/workplace_podcasts/ ; Ranked in the Top 15 HR Podcasts: https://blog.feedspot.com/hr_podcasts/ ; Ranked in the Top 15 Talent Management Podcasts: https://blog.feedspot.com/talent_management_podcasts/ ; Ranked in the Top 15 Personal Development and Self-Improvement Podcasts: https://blog.feedspot.com/personal_development_podcasts/ ; Ranked in the Top 30 Leadership Podcasts: https://blog.feedspot.com/leadership_podcasts/

[Special Web Broadcast] Melissa Johns - Festival Digital + Interactive Coordinator and Kaitlynn Tomaselli - Digital + Interactive Coordinator for the imagineNATIVE Film + Media Arts Festival interactive programming running October 21 - 25, 2020 online Moment of Truth airs weeknights at 7:00 on ELMNT FM in Toronto and Ottawa and streaming online at elmntfm.ca

Just as it appeared the Pac-12 was prepared to join the rest of the Power 5 conferences this fall, the outlook is more gloomy with COVID outbreaks in Boulder and Eugene. Brad and Eric discuss how this could be what drops the curtain on Commissioner Larry Scott's run with the conference. South Point Casino Resort Sports Marketing Director Jimmy Vaccarro (14:54 on podcast) previewed Thursday Night Football, Lions-Cardinals Sunday in Glendale and the college football weekend which begins to ramp up on Saturday with the SEC starting. Plus, azcentral/Gannett Chief Film & Media Critic Bill Goodykoonz (34:55 on podcast) Skyped in to talk about the upcoming election and much more.

In this listener-suggested episode, Jared, Michael, and Joe share their top five favorite television shows, books, video games, and albums. No movies!

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah's documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode we speak with Bo Ruberg, who is Assistant Professor at UC Irvine in Film & Media. Their interdisciplinary research crosses media studies, queer studies, the Digital Humanities, cultural studies, and an engagement with computational fields. From 2015-2017, Bo served as a Provost’s Postdoctoral Scholar in the Interactive Media & Games Division and a member of the Society of Fellows at the University of Southern California. In 2015, Bonnie received their Ph.D. in Comparative Literature from UC Berkeley in conjunction with the Berkeley Center for New Media and the Department of Women and Gender Studies. Prior to entering academia, they worked as a technology journalist, reporting on tech, video games, sex, and gender from 2005 to 2009. We discuss their books "Videogames Have Always Been Queer" (tiny.cc/e0zkjz) and the forthcoming "Queer Games Avant-Garde" (http://tiny.cc/2yzkjz). “Keywords in Play” is a monthly interview series about game research supported by Critical Distance and the Digital Games Research Association. As a joint venture, “Keywords in Play” expands Critical Distance’s commitment to innovative writing and research about games while using a conversational style to bring new and diverse scholarship to a wider audience. Our goal is to highlight the work of graduate students, early career researchers and scholars from under-represented groups, backgrounds and regions. The primary inspiration comes from sociologist and critic Raymond Williams. In the Preface to his book Keywords: a vocabulary of culture and society, Williams envisaged not a static dictionary but an interactive document, encouraging readers to populate blank pages with their own keywords, notes and amendments. “Keywords in Play” follows Williams in affirming that “The significance is in the selection”, and works towards diversifying the critical terms with which we describe games and game culture. Please consider supporting Critical Distance at https://www.patreon.com/critdistance Production Team: Darshana Jayemanne, Zoyander Street, Emilie Reed. Audio Direction and Engineering: Damian Stewart Double Bass: Aaron Stewart    

Erika Alexander is an actress, writer & co-founder of Color Farm Media. She’s well known for her role as the iconic character Maxine Shaw, Attorney-at-Law in the 90s sitcom Living Single. She was a regular as Cousin Pam in The Cosby Show & appeared in the Oscar-winning film Get Out (2017). Full show notes & timestamps: https://www.creatorlab.fm/erika-alexander-actress-get-out-cosby-show/    Here are five things to listen out for:   Childhood – her candid experience growing up as a child actor from the age of 14, her relationship with her parents & how this impacted her throughout her life.  Being the “other” – feeling like an outsider when she first had some success Importance of Diversity in Film & Media – how she’s approaching this challenge with Color Farm Media, why it’s important to hire the best people regardless, but find a balance to tell diverse stories Role of Therapy – how she dealt with depression, navigated lows and the importance of mental health The Future – hip-hop in Bollywood, collaborations of color, the projects she’s working on with Lionsgate & the importance of long-form conversations Time Stamps: 2:32 – Introduction of Erika 4:45 – Her role on Living Single 8:38 – Erika’s childhood 12:15 – Was Erika always outgoing? 15:36 – The “look at me” gene 18:26 – First time acting 23:12 – Erika’s mom’s influence 25:46 – Becoming famous and losing her family 27:31 – Religion and belief when growing up 30:40 – Early pain struggle & depression 32:40 – Being the “other” in the family 36:45 – Ways to cope with parent pain 41:05 – Therapy and mental health 50:41 – Race and misrepresentation in work 51:52 – Race is an illusion 54:13 – Color Farm Media & it’s mission 57:06 – Ben Arnon help & info 61:17 – Current work 66:25 – Black Lightning 71:53 – Making diversity authentic 77:02 – Importance of diverse writers 82:25 – How to change in industry 85:33 – “I’m a badass at acting” 93:00 – Collaborations of color 95:50 – Hire the best writer, but include all 98:14 – The impact of long-form conversation 101:56 – Looking to the future

I Want to Believe – Episode 13 PODCAST NOTES: On the Trail of… Champ Source: smalltownmonsters.com Small Town Monsters began as an independent film series exploring lost and bizarre history around the United States. Focusing on small town folklore, our team tells stories through the words and experiences of those who were most affected by them - residents and witnesses. On the Trail of… Champ On the trial of…Champ chronicles North America’s most infamous lake monster, affectionately known as “Champ”. Centuries of lore, sightings and mystery surround this creature as well as the lake it calls home. Shot on location at Lake Champlain, Vermont/New York, USA, On the trail of…Champ dives deep into the rich history of the region in connection with Champ, as well as Champ’s cultural impact in many of the rural communities that border the lake. Various eyewitnesses of the creature recall their encounters, including Sandra Mansi, who in 1977 took a photo of the creature considered by some to be the best evidence for any lake monster. Katy Elizabeth of Champ Search, as well as Scott Mardis & William Dranginis, comprise of research teams using different methods and state of the art technology to document and prove the existence of monsters in Lake Champlain. Their hunt for the creature takes them from the deep waters of the lake to its winding rivers and primeval swamps and marshlands. While definitive proof of Champ is yet to be claimed, the monster has certainly succeeded in captivating the hearts and minds of many people, whether witnesses, researchers or fascinated locals. These are their stories…on the trail of Champ. Director Aleksandar Petakov From IMDB - Aleksandar was born in 1993 during the last year of Apartheid in South Africa to parents that fled civil war in the former Yugoslavia. Interested in filmmaking from a young age Aleksandar filmed home movies for years before pursuing Film & Media in High School and College, as well as History and Political Science. His love of film, global events, history and even Cryptozoology have merged together to allow him to create unique short films, in particular documentaries. Aleksandar is a 2015 Quinnipiac University graduate with a BA in Film, Video & Interactive Media. Sandra Mansi Photo https://goo.gl/images/U66JGi Penobscot “Lake Monster” Video https://youtu.be/Atg7cPaoVU8 Buy the DVD https://shop.smalltownmonsters.com/products/onthetrailofchamp NOW streaming everywhere!   Extra Links: UFOs Over Maine Book on Amazon Otherworldly Encounters Book on Amazon UFO Over Starks Audio Theater Nomar on Facebook I Want to Believe on Instagram I Want to Believe on Patreon    

Ep. 313 | Originally aired: April 14, 2018 The documentary filmmaker has for her canvas the broad sweep of human experience. Kendall Moore has turned her lens on issues as diverse as AIDS patients in Africa and polluted air in an office building. Kendall Moore is an award-winning documentary filmmaker and a Professor in the departments of Journalism and Film Media at the University of Rhode Island. Learn more. 

Saul Zaentz was a Hollywood producer who won three Academy Awards for Best Picture: "The English Patient," "Amadeus," and "One Flew Over The Cuckoo’s Nest." He died in 2014, leaving behind a foundation that, among other things, established a new film incubator at Johns Hopkins University. Launched in March with a $1 million grant, the Saul Zaentz Innovation Fund in Film and Media supports prospective filmmakers and audio/visual artists who submit ideas for projects and get some mentoring before going into production. We hear about some of the fellows and their unique projects from Roberto Busu243u-Garcu237ua, director of the fund and the Hopkins Master of Arts in Film ---- Media program.Links:http://articles.latimes.com/2014/jan/04/entertainment/la-et-mn-saul-zaentz-oscar-winning-producer-dead-at-92-20140104http://zaentzfund.com/http://krieger.jhu.edu/film-media/directory/roberto-buso-garcia/

Where film meets music and media innovations

Where film music meets media innovation

The Third Eye Cinema podcast returns with our (official) 90th episode, as we catch up with one of our very first guests and interviews and discuss his newest venture! Back in late 2011, we'd met with Mike Raso of EI Entertainment, Retro-Seduction Cinema, Shock-O-Rama, Camp Motion Pictures and many more sub-labels of indie film goodness.  Aired as the second week of our brand spanking new podcast in January of 2012, we covered everything from SOV to classic sexploitation directors to the pending decline and fall of home media. Now a good 6 years, nearly 100 podcast episodes (not including nearly 200 episodes of sister podcast At Eye Level and a good 50 of Weird Scenes Inside the Goldmine, among others) and thousands of pages of print reviews of film, music, literature and audio drama later, we've come full circle, once again meeting up with Mike to catch up on what he's been up to all this time, his exciting new Blu-Ray restorations and discoveries of previously lost films in the Joe Sarno archive and partnership with Something Weird video to reissue and restore films from the likes of Doris Wishman and Barry Mahon, the changes and ongoing travails of the home media industry in the nigh decade since and much more! Join us for a Hendrixian "Slight Return", as we circle back, catch up and update listeners on the lay of the land here in mid-2017... Week 90 Mike Raso, Joe Sarno and Film Media - Slight Return