Podcasts about incus

Storms caused by updrafts, they've become of special interest to NASA. In fact, it has a special program called the Investigation of Convective Updrafts or INCUS. It's made some awards recently to launch measurement satellites. Joining me with an update, the manager of NASA's weather program, Will McCarty. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Storms caused by updrafts, they've become of special interest to NASA. In fact, it has a special program called the Investigation of Convective Updrafts or INCUS. It's made some awards recently to launch measurement satellites. Joining me with an update, the manager of NASA's weather program, Will McCarty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Filling in for Jason Wald today with all jazz selections. brianturnershow.com, eastvillageradio.comPHILIP COHRAN & THE ARTISTIC HERITAGE ENSEMBLE - Unity - Philip Cohran And The Artistic Heritage Ensemble (1969, re: Aestuarium, 2001)MELVIN JACKSON - Cold Duck Time Pts 1 &2 - Funky Skull (Limelight, 1969)ROB MAZUREK / EXPLODING STAR ORCHESTRA - White River - Live at the Adler Planetarium (International Anthem, 2024)MONK MONTGOMERY - Journey To the Bottom - Bass Odyssey (Chisa, 1971)DAVID MURRAY - Shout Song - V/A: Wildflowers 4: The New York Jazz Loft Sessions (Douglas/Casablanca, 1976)THE THIRD WAVE - Maiden Voyage - Here and Now (1970, re: Crippled Dick Hot Wax, 1999)LES DOUBLE SIX - Early Autumn - Les Double Six (Columbia, 1962)BUDDY MORROW & HIS ORCHESTRA - Staccato's Theme - V/A: Crime Jazz: Music In The First Degree (Rhino, 1997)FRANÇOIS TUSQUES -  Nous Allons Vous Conter... - V/A: Mobilisation Générale: Protest and Spirit Jazz from France (1970-1976) (Born Bad, 2013)JOE HENDERSON & ALICE COLTRANE - Air - The Elements (Milestone, 1974)STEVE MACKAY & THE RADON ENSEMBLE - Sans Frontiers (live on my old WFMU Show) - Tunnel Dinner (Qbico, 2006)CHARLES LLOYD - Moon Man - Moon Man (Kapp, 1970)JOSEPH BOWIE / LUTHER THOMAS - I Can't Figure Out (Whatcha Doin To Me) - I Can't Figure Out (Whatcha Doin To Me) (Moers Music, 1979)EDDIE GALE - Black Rhythm Happening - Black Rhythm Happening (1969, re: Water Music, 2003)KAHIL EL'ZABAR'S RITUAL TRIO w/PHAROAH SANDERS - Africanos/Latinos - Africa N'da Blues (Delmark, 2000)JOHNNY DYANI QUARTET - Dorkay House - Mbizo (Steeplechase, 1982)DON CHERRY / OKAY TEMIZ - Istanbul - Turkish Theater 1970 (Cazplak, 2024)LOL COXHILL -  Feeback / Vorblifa Exit - Ear of the Beholder (Dandelion, 1971)COMPANY - Za'id - Company 2 (Incus, 1977)

Neben eurem Feedback besprechen wir auch die Zusammenhänge von UEFI, Secure Boot und Windows-/Linux-Dualboot-Systemen. Das OpenSteetMap-Projekt feiert 20-jähriges Bestehen, während Serpent OS als neue Linux-Distribution erscheint. Vanilla OS wird nach langer Entwicklungszeit in Version 2 veröffentlicht. Debian schraubt am Solver der Paketverwaltung und uBlock Origin stellt die Chrome-Version des beliebten Addons ein. Die Community freut sich über die erste Alpha von Pop!_OS 24.04, die auch den COSMIC-Desktop enthält. Die Fedora-Community stellt mit Ramalama ein weiteres KI-Werkzeug vor während Manjaro an einem Immutable-Ableger arbeitet.

We reveal how we turned our humble LAN into a public server farm, all while keeping our IP address under wraps and our ISP blissfully unaware.Sponsored By:Core Contributor Membership: Take $1 a month of your membership for a lifetime!Tailscale: Tailscale is a programmable networking software that is private and secure by default - get it free on up to 100 devices! 1Password Extended Access Management: 1Password Extended Access Management is a device trust solution for companies with Okta, and they ensure that if a device isn't trusted and secure, it can't log into your cloud apps. Support LINUX UnpluggedLinks:

The battle for code forges is heating up. We chat about HexOS' big promises and get excited about Meshtastic.

Der April war vor allem von der omnipräsenten XZ-Lücke geprägt, die wir im Detail besprechen müssen. Bedeutend erfreulicher war euer zahlreiches Feedback sowie die aktuelle Forgejo-Vorabversion. Canonical bietet fortan bis zu 12 Jahre Support für LTS-Versionen, beginnend ab Ubuntu 14.04. Betas von Ubuntu, AlmaLinux und Red Hat Enterprise Linux wollen getestet werden, während Xen-Kund:innen mit gesteigerten Kosten rechnen müssen. Die angekündigten Redis-Forks zeigen erste Entwicklungen und Incus erreicht die LTS-Version 6.0.

De raigambre europea y originada en Gran Bretaña, conecta con el free jazz, la música académica contemporánea, la experimental y la vanguardia que se gesta también en Estados Unidos. Si el jazz se ha calificado muchas veces como “el sonido de la sorpresa”, esta sería una “música sin memoria”._____Has escuchadoBarcelona. Esterri / Derek Bailey y Agustí Fernández. Derek Bailey, guitarra; Agustí Fernández, piano. Hopscotch Records (2001)Monoceros / Evan Parker. Evan Parker, saxofón soprano solo. Incus (1978)Solos. Ejié / Seijiro Murayama. Seijiro Murayama, caja (snare drum) sola. Zerojardins (2009)Todos los animales se reúnen en un gran gemido. Huracán de púrpura / Truss. Ferran Fages, guitarra acústica; Alejandro Rojas-Marcos, clavicordio; Bárbara Sela, flautas. Inexhaustible Editions (2020)Winter. Aconite / Wade Matthews & Alfredo Costa Monteiro. Wade Matthews, síntesis digital; Alfredo Costa Monteiro, objetos amplificados. Copy For Your Records (2011)_____Selección bibliográficaALONSO, Chefa, Improvisación libre: composición en movimiento. Dos Acordes, 2010*—, Enseñanza y aprendizaje de la improvisación libre. Propuestas y reflexiones. Editorial Alpuerto, 2014*BAILEY, Derek, La improvisación: su naturaleza y su práctica en la música. Ediciones Trea, 2010*BARZEL, Tamar, “‘We Began from Silence': Toward a Genealogy of Free Improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977”. En: Experimentalism in Practice: Music Perspectives from Latin America. Editado por Ana R. Alonso-Minutti, Eduardo Herrera y Alejandro L. Madrid-González. Oxford University Press, 2018*BEN-TAL, Oded y Caroline Wilkins, “Improvisation as a Creative Dialogue”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 21-39*BOSSEUR, Jean-Yves, Musique et contestation: la création contemporaine dans les années 1960. Minerve, 2019*CANONNE, Clément, “Improvisation collective libre et processus de création musicale: création et créativité au prisme de la coordination”. Revue de Musicologie, vol. 98, n.º 1 (2012), pp. 107-148*—, “Focal Points in Collective Free Improvisation”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 40-55*—, “Du concept d'improvisation à la pratique de l'improvisation libre”. International Review of the Aesthetics and Sociology of Music, vol. 47, n.º 1 (2016), pp. 17-43*CORBETT, John, A Listener's Guide to Free Improvisation. University of Chicago Press, 2016COSTA, Rogério, “Free Musical Improvisation and the Philosophy of Gilles Deleuze”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 127-142*DENZIER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury, 2021*GALIANA, Josep Lluís, “De la naturaleza de la improvisación libre: elementos esenciales para su identificación y diferencias con la composición escrita”. Itamar: Revista de Investigación Musical: Territorios del Arte, n.º 4 (2018), pp. 26-49*—, Emociones sonoras: de la creación electroacústica, la improvisación libre, el arte sonoro y otras músicas experimentales. EdictOràlia, 2020*HOYER, Timo, Anthony Braxton: Creative Music. Wolke Verlag, 2022IRETA SÁNCHEZ, Iván Tadeo, La improvisación libre en solo: una aproximación fenomenológica y una proposición de análisis. Tesis doctoral, Universitat Autònoma de Barcelona, 2019MATTHEWS, Wade, Improvisando: la libre creación musical. Turner, 2012*MOLINA ALARCÓN, Miguel, “Auscultando la improvisación libre a la deriva”. En: Quartet de la Deriva. La improvisación libre y la teoría de la deriva. Editorial Obrapropia, 2012MUNÁRRIZ ORTIZ, Jaime, “Del lienzo en blanco al playback. Modelos de improvisación libre en el arte tecnológico”. Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imagen, n.º 14 (2019-2020), pp. 51-67NOGLIK, Bert, “La música improvisada europea”. En: Hurta Cordel. Festival Internacional de Música Improvisada. La Casa Encendida, 2008OLEWNICK, Brian, Keith Rowe: The Room Extended. Powerhouse Books, 2019PIEKUT, Benjamin, “Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-1975”. Journal of the American Musicological Society, vol. 67, n.º 3 (2014), pp. 769-824*PRÉVOST, Edwin, “Free Improvisation in Music and Capitalism: Resisting Authority and the Cults of Scientism and Celebrity”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Routledge, 2009*ROD, Johannes, Free Jazz and Improvisation on Vinyl, 1965-1985. Rune Grammofon, 2014SBORDONI, Alessandro et al., Free Improvisation: History and Perspectives. Libreria Musicale Italiana, 2018SALADIN, Matthieu, Esthétique de l'improvisation libre: expérimentation musicale et politique. Les Presses du Réel, 2014*SANSOM, Matthew, “Imaging Music: Abstract Expressionism and Free Improvisation”. Leonardo Music Journal, vol. 11 (2001), pp. 29-34*TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018ZULIAN, Claudio, “La experiencia del colectivo de improvisación libre: músicas de vanguardia, free jazz y músicas alternativas”. En: Alter (músiques) natives. Generalitat de Catalunya, Departament de Cultura, 1995 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

100 Folgen FoL! Im Februar wollen zahlreiche CVEs besprochen werden, einige davon sehr kritisch. Podman 4.9 und Incus 0.5 erscheinen. Fedora versieht einige atomare Desktops mit neuen Namen. Forgejo mutiert zum Hard Fork und mit Freenginx gibt es neben Angie einen weiteren Nginx-Fork. Canonical verschiebt Ubuntu Core Desktop auf unbestimmte Zeit und verärgert auch mit neuem Ubuntu Pro-Marketing. Raspberry Pi Ltd. denkt über einen Börsengang nach. Mozilla bekommt eine neue CEO, während VMware den kostenlosen ESXi-Hypervisor einstellt.

Wie jedes Jahr fanden im Februar gleich zwei spannende Open Source-Events in Belgien statt: die FOSDEM und das CfgMgmtCamp. Während sich das erste Event an eine breite Masse an Open Source-Enthusiast:innen und -Entwickler:innen richtet, beschäftigt sich das deutlich kleinere CfgMgmtCamp vor allem mit Infrastruktur-Automatisierung und Cloud-Themen. Für uns waren beide Veranstaltungen ein persönliches Novum - in dieser Folge besprechen wir (Niklas Werker, Mar Sydymanov und Gino Naumann) unsere Eindrücke. Hinweis: Entschuldigt bitte unsere Tonprobleme bei der ersten Hälfte unseres Recaps. Interferenzen durch zu viel WLAN-Geräte haben uns hier einen Strich durch die Rechnung gemacht - wir geloben Besserung!

Doc Searls, Dan Lynch, and Jonathan Bennett talk about what happens when open source companies get too big for the licenses that helped them get there, and how their communities are dealing with that. Red Hat recently changed its source code distribution rules, prompting other vendors like Oracle, SUSE, and CIQ to form the Open Enterprise Linux Association in response. What are the implications of these changes, and do Red Hat's actions violate the GPL? Canonical's tight control over the LXD container management project, pulling it back in-house from the open source community which led to a community fork being created called Incus. Companies like MongoDB and Hashicorp are moving away from open source licenses towards "source available" licenses like the Business Source License (BSL) that restrict commercial use. There are growing concerns around using AI-generated code from tools like GitHub Copilot, and whether copyright and licensing restrictions carry over. Apple reverses its stance on right-to-repair, with Apple throwing its support behind a California right-to-repair bill. iFixit and Public Knowledge have been hit with a DMCA violation for creating a device that interacts with a McDonald's ice cream machine. Hosts: Doc Searls, Dan Lynch, and Jonathan Bennett Download or subscribe to this show at https://twit.tv/shows/floss-weekly Think your open source project should be on FLOSS Weekly? Email floss@twit.tv. Thanks to Lullabot's Jeff Robbins, web designer and musician, for our theme music. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: kolide.com/floss

Doc Searls, Dan Lynch, and Jonathan Bennett talk about what happens when open source companies get too big for the licenses that helped them get there, and how their communities are dealing with that. Red Hat recently changed its source code distribution rules, prompting other vendors like Oracle, SUSE, and CIQ to form the Open Enterprise Linux Association in response. What are the implications of these changes, and do Red Hat's actions violate the GPL? Canonical's tight control over the LXD container management project, pulling it back in-house from the open source community which led to a community fork being created called Incus. Companies like MongoDB and Hashicorp are moving away from open source licenses towards "source available" licenses like the Business Source License (BSL) that restrict commercial use. There are growing concerns around using AI-generated code from tools like GitHub Copilot, and whether copyright and licensing restrictions carry over. Apple reverses its stance on right-to-repair, with Apple throwing its support behind a California right-to-repair bill. iFixit and Public Knowledge have been hit with a DMCA violation for creating a device that interacts with a McDonald's ice cream machine. Hosts: Doc Searls, Dan Lynch, and Jonathan Bennett Download or subscribe to this show at https://twit.tv/shows/floss-weekly Think your open source project should be on FLOSS Weekly? Email floss@twit.tv. Thanks to Lullabot's Jeff Robbins, web designer and musician, for our theme music. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: kolide.com/floss

On FLOSS Weekly, Jonathan Bennett discusses the Incus Project with Doc Searls and Dan Lynch. For more, check out FLOSS Weekly: https://twit.tv/floss/747 Hosts: Doc Searls, Jonathan Bennett, and Dan Lynch You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/ Sponsor: GO.ACILEARNING.COM/TWIT

Doc Searls, Dan Lynch, and Jonathan Bennett talk about what happens when open source companies get too big for the licenses that helped them get there, and how their communities are dealing with that. Red Hat recently changed its source code distribution rules, prompting other vendors like Oracle, SUSE, and CIQ to form the Open Enterprise Linux Association in response. What are the implications of these changes, and do Red Hat's actions violate the GPL? Canonical's tight control over the LXD container management project, pulling it back in-house from the open source community which led to a community fork being created called Incus. Companies like MongoDB and Hashicorp are moving away from open source licenses towards "source available" licenses like the Business Source License (BSL) that restrict commercial use. There are growing concerns around using AI-generated code from tools like GitHub Copilot, and whether copyright and licensing restrictions carry over. Apple reverses its stance on right-to-repair, with Apple throwing its support behind a California right-to-repair bill. iFixit and Public Knowledge have been hit with a DMCA violation for creating a device that interacts with a McDonald's ice cream machine. Hosts: Doc Searls, Dan Lynch, and Jonathan Bennett Download or subscribe to this show at https://twit.tv/shows/floss-weekly Think your open source project should be on FLOSS Weekly? Email floss@twit.tv. Thanks to Lullabot's Jeff Robbins, web designer and musician, for our theme music. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: kolide.com/floss

On FLOSS Weekly, Jonathan Bennett discusses the Incus Project with Doc Searls and Dan Lynch. For more, check out FLOSS Weekly: https://twit.tv/floss/747 Hosts: Doc Searls, Jonathan Bennett, and Dan Lynch You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/ Sponsor: GO.ACILEARNING.COM/TWIT

Doc Searls, Dan Lynch, and Jonathan Bennett talk about what happens when open source companies get too big for the licenses that helped them get there, and how their communities are dealing with that. Red Hat recently changed its source code distribution rules, prompting other vendors like Oracle, SUSE, and CIQ to form the Open Enterprise Linux Association in response. What are the implications of these changes, and do Red Hat's actions violate the GPL? Canonical's tight control over the LXD container management project, pulling it back in-house from the open source community which led to a community fork being created called Incus. Companies like MongoDB and Hashicorp are moving away from open source licenses towards "source available" licenses like the Business Source License (BSL) that restrict commercial use. There are growing concerns around using AI-generated code from tools like GitHub Copilot, and whether copyright and licensing restrictions carry over. Apple reverses its stance on right-to-repair, with Apple throwing its support behind a California right-to-repair bill. iFixit and Public Knowledge have been hit with a DMCA violation for creating a device that interacts with a McDonald's ice cream machine. Hosts: Doc Searls, Dan Lynch, and Jonathan Bennett Download or subscribe to this show at https://twit.tv/shows/floss-weekly Think your open source project should be on FLOSS Weekly? Email floss@twit.tv. Thanks to Lullabot's Jeff Robbins, web designer and musician, for our theme music. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: kolide.com/floss

First up in the news: LXD-Linux Containers Forks LXD Project as "Incus", Indian Defense Services are Switching to Linux, Mint's birthday coming up, Messaging Layer Security, State of Solus, Alarm raised over MozillaVPN, EFF launches the TOR University Challenge, news on OpenZFS and ZFSBoot, and Devuan 5 is here In security and privacy: SkidMap and Downfall Then in our Wanderings: Bill and Majid have cloudy days Download

The Two Bobs episode 222 for Monday, August 7, 2023: What are The Bobs drinking? Rob enjoyed a KBS Blueberry from Founders. https://foundersbrewing.com/our-beer/kbs-blueberry/   Robert nursed a Chocolate Peanut Butter Cup Porter from Campanology. https://untp.beer/WnVP9    Follow us on Untapped at @RobFromTTB and @lowercaserobert or we'll pelt you with frozen bananas. Robert will no longer be flying with American Airlines. This week's CRAZY NEWS has led to several less indictments than our former President faced this week. Police in Pennsylvania are searching for a woman throwing frozen bananas at cars. They've resorted to using spiked blue shells to track down the suspect. (That's a Mario Kart reference, for our halfwit listeners. We're assuming that's the majority of you.) https://www.wfmz.com/news/area/berks/police-search-for-person-throwing-frozen-bananas-at-cars-in-tilden/article_94b415c6-2c05-11ee-9732-7ff504191bb3.html  A zoo in China is battling claims that one of their bears is actually a man in a costume. https://www.ladbible.com/community/weird/china-zoo-bear-man-costume-634029-20230731  A man in Australia was chaaaarged with riding his lawnmower while drunk. https://www.theguardian.com/australia-news/2023/jul/27/queensland-lawn-mower-man-ride-joyride-drunk-ride-on  Two Florida Women® were arrested after an altercation in which a woman's ear was bitten off. https://www.foxnews.com/us/florida-women-arrested-after-july-4-fight-in-which-womans-ear-bitten-off  A couple found out they're siblings after 62 years of marriage and don't give a fuck what you think about it. https://dailynewsreported.com/positive-affirmations/couple-finds-out-theyre-siblings-after-62-years-of-marriage-and-dont-give-a-fck-what-you-think-about-it/  Please share the show with your friends, and don't forget to subscribe! Visit www.thetwobobs.com for our contact information. Thanks for listening! Leave us a message or text us at 530-882-BOBS (530-882-2627) Join us on all the social things: Follow us on Twitter Check out our Instagram Follow Rob on Untappd Follow Robert on Untappd The Two Bobs Podcast is © The Two Bobs.  For more information, see our Who are The Two Bobs? page, or check our Contact page.  Words, views, and opinions are our own and do not represent those of our friends, family, or our employers unless otherwise noted.  Music for The Two Bobs was provided by JewelBeat.  

AM Ventures portfolio company Incus is developing a method to use lithography metal manufacturing to make small accurate metal parts. What kind of applications work for its technology? How is the company going to grow its business? How do they stack up against binder jet, bound metal, and powder bed fusion? We have an open conversation with Dr. Gerald Mitteramskogler, Incus CEO and founder, about all of this. We also discuss his journey in 3D printing and the future of his firm.

In der Mittagsfolge begrüßen wir heute Arno Held, Managing Partner bei AM Ventures, und sprechen mit ihm über den erfolgreichen Abschluss des Venture Capital Fonds in Höhe von 100 Millionen Euro. AM Ventures ist ein Risikokapitalunternehmen, welches Startups im Bereich des industriellen 3D-Drucks unterstützt, die innovative Ansätze der Fertigung aufweisen und Nachhaltigkeitsaspekte fördern, wie beispielsweise die Verringerung des Bedarfs an energie- und ressourcenintensiver Herstellung. Neben der monetären Investition unterstützt der VC die Unternehmen mit dem globalen Netzwerk und einem Pool aus Industrieveteranen mit jahrzehntelanger Erfahrung. Der Risikokapitalfonds von AM Ventures wurde im Jahr 2021 in Starnberg gegründet. Der VC hat Büros in München und im koreanischen Busan. Seit der Gründung wurden über 20 Jungunternehmen in 7 Ländern auf 3 Kontinenten mit einer Ticketgröße zwischen 500.000 Euro und 3 Millionen Euro unterstützt. Nun hat AM Ventures bekanntgegeben, dass der Venture Capital Fonds bei dem angestrebten Ziel von 100 Millionen Euro abgeschlossen wurde. Zu den Investoren gehören Family Offices, Vermögensverwalter, KMUs, multinationale Konzerne und Startup-Gründer. Im Jahr 2021 leitete der Risikokapitalgeber drei Finanzierungsrunden bei MetShape, Headmade Materials und Scrona. Zudem gab es auch eine Beteiligung an vier Folgefinanzierungsrunden mit bestehenden Portfoliounternehmen. Zu diesen zählte zum Beispiel eine Series-C-Finanzierungsrunde in Höhe von 50 Millionen US-Dollar von Lightforce Orthodontics und eine Serie A in Höhe von 8,5 Millionen AU-Dollar für Conflux Technology. Zum weiteren Portfolio gehören u.a. Vectoflow, Additive Drives, Lithoz, Dye Mansion, Cubicure, Sintratec, Incus, Exmet, Elementum, Spectroplast, 3Yourmind und Additiveworks. AM Ventures möchte mit den zur Verfügung stehenden Mitteln sein Portfolio erweitern und den industriellen 3D-Druck weltweit voranbringen. One more thing wird präsentiert von OMR Reviews – Finde die richtige Software für Dein Business. Wenn auch Du Dein Lieblingstool bewerten willst, schreibe eine Review auf OMR Reviews unter https://moin.omr.com/insider. Dafür erhältst du einen 15€ Amazon Gutschein.

"Putting Your Malleus, Incus, and Staples to Good Use" Luke 9:28:36 CCLI License: #11037195

On The Space Show for Wednesday, 1 December 2021: Aussie movers and shakers: Self-profiles by some of Australia's space industry's leaders. Australian based Saber Astronautics has signed a deal with private U.S. spaceflight company Axiom Space to create an Australian presence on the International Space Station. Ben Greene, Group CEO, Electro-Optics Systems, Canberra on 'Sovereign Space Situational Awareness Capabilities'. Planet Earth - Episode 28: DSCOVR; INCUS; Landsat 9; Tropics Pathfinder; algal blooms.

L'improvvisazione radicale europea emerge con una fisionomia distinta rispetto a quella del free jazz d'oltre Atlantico nel corso degli anni sessanta. Nel 1970 tre capiscuola di questo filone, il sassofonista Evan Parker, il chitarrista Derek Bailey, entrambi britannici, e il batterista Han Bennink, olandese, incidono The Topography of the Lungs: prima uscita della Incus, etichetta fondata - in un'ottica di autogestione - proprio da Parker e Bailey assieme al batterista britannico Tony Oxley, The Topography of the Lungs viene subito riconosciuto come una pietra miliare dell'improvvisazione europea. E tuttavia The Topography of the Lungs, primo album del trio, rimane anche l'ultimo: negli anni successivi in effetti Bailey, Bennink e Parker hanno occasione di suonare assieme in contesti più ampi, ma raramente si producono invece come trio, e non registrano mai un altro album. E' in particolare Bailey, con la sua concezione rigorista dell'improvvisazione, che tende a sfuggire a gruppi con una configurazione fissa. Questo spiega l'importanza di Topographie Parisienne, pubblicato nel 2019 dalla francese Fou Records, un cofanetto di quattro cd, che documentano una serata dell'aprile 1981 al Dunois, glorioso locale parigino: ben tre ore e mezzo di musica, con due solo di Evan Parker, diversi duo nelle tre combinazioni possibili, e soprattutto due brani in trio di oltre quaranta minuti ciascuno, che rappresentano l'unica altra consistente testimonianza, oltre a The Topography of the Lungs, del trio di questi tre maestri.

L'improvvisazione radicale europea emerge con una fisionomia distinta rispetto a quella del free jazz d'oltre Atlantico nel corso degli anni sessanta. Nel 1970 tre capiscuola di questo filone, il sassofonista Evan Parker, il chitarrista Derek Bailey, entrambi britannici, e il batterista Han Bennink, olandese, incidono The Topography of the Lungs: prima uscita della Incus, etichetta fondata - in un'ottica di autogestione - proprio da Parker e Bailey assieme al batterista britannico Tony Oxley, The Topography of the Lungs viene subito riconosciuto come una pietra miliare dell'improvvisazione europea. E tuttavia The Topography of the Lungs, primo album del trio, rimane anche l'ultimo: negli anni successivi in effetti Bailey, Bennink e Parker hanno occasione di suonare assieme in contesti più ampi, ma raramente si producono invece come trio, e non registrano mai un altro album. E' in particolare Bailey, con la sua concezione rigorista dell'improvvisazione, che tende a sfuggire a gruppi con una configurazione fissa. Questo spiega l'importanza di Topographie Parisienne, pubblicato nel 2019 dalla francese Fou Records, un cofanetto di quattro cd, che documentano una serata dell'aprile 1981 al Dunois, glorioso locale parigino: ben tre ore e mezzo di musica, con due solo di Evan Parker, diversi duo nelle tre combinazioni possibili, e soprattutto due brani in trio di oltre quaranta minuti ciascuno, che rappresentano l'unica altra consistente testimonianza, oltre a The Topography of the Lungs, del trio di questi tre maestri.

On this episode of the podcast Luke sat down with Managing Director of Incus Performance Chris Ruddock. Incus performance is a sports engineering company developing premium wearable technology and analytics for Swimming & Triathlon sports. Chris spoke his background in performance engineering, the Incus Nova product, Alistair Brownlees' involvement in the company amongst other topics.

Happy Milk Chocolate Day. Share this episode with a loved one.

1. Incus ft. D Flect & Arcus: Solstice Jazz 2. Break: I Need 3. Macca & Loz Contreras: Thinking Of You 4. Macca & Loz Contreras: Ghosts 5. LSB: Swerved 6. Ill Truth & Satl ft. Charli Brix: In Your Soul (Lenzman rmx) 7. Macca & Loz Contreras: The Dream 8. Native Alliance: Second Flight 9. Total Science & FD: 3 Way 10. Break & Kyo: Chimes 11. Break & Kyo: Past North 12. DJ Marky: Hard Hands (Late Night) 13. Arcatype: Space Age 14. Echo B: High Hopes 15. Hydro & War: At The End Of The Day 16. NBX: Spices B 17. Meen: Trying Not To Love You 18. Green Vibes: Tonight (VIP) 19. Joint Stock Galaxy: Two Little Mice 20. Decline: Oasis 21. Glacier: Remember Us 22. Sander Lite: Liquid Steps 23. Macca & Loz Contreras: Feel My Soul 24. Nuvertal: Just A Man 25. Decrese: Crazy Fire 26. Vecster: Mira ft. Vekin 27. ShockOne: Til Dawn 28. Sub Focus: Solar System 29. Grafix: Acid Generation 30. InsideInfo ft. Rhymestar: Airwaves 31. Dimension ft. Cameron Hayes: Devotion 32. Enei ft. Anastasia: Limits 33. dRamatic & Terraform: Action 34. Junk Mail: Lord Terror 35. Camo & Krooked: Loa 36. Neonlight: Uhrwerk 37. TC ft. Jakes: Hype Ting 38. Sub Focus: Siren 39. Simon V: Cloudspotter 40. Monty & Visages ft. Benabu: Limbo 41. Clipz: Down 4

We're back! Alek, Neal, Josh, Nate, and Mara have all made it to the other side of the Step 1 exam. We took a few weeks off for studying and recovering but we are happy to be back, and this time with some new Medicus team members! Meet Rasa and Dave, fellow med students here to help us create new Medicus content to bring to you each week. On this episode we recap our experiences with the USMLE Step 1. Interesting follow-up to our discussion: https://www.usmle.org/pdfs/incus/InCUS_summary_report.pdf?fbclid=IwAR274hc3u3Rz5u9U8RN5JasYwDPP9wMU-nwkT5l60U4IiJ5Ne7S4t3QmD7U www.medicuspodcast.com | medicuspodcast@gmail.com | Donate: http://bit.ly/MedicusDonate

This "best of" episode features double bassist and contemporary music pioneer Bert Turetzky.  Enjoy, and check out the original episode from 2016 here. About Bert Turetzky Bertram Turetzky has been a distinguished clinician and pedagogue for over three decades, giving master classes, seminars, and workshops nationally and internationally. His knowledge of repertoire, performance style, and his unique approach to technical, psychological, and physical problems has made him a highly sought-after teacher. His master classes have been referred to as "life-altering." Turetzky has been a featured contrabass soloist in the music centers of the United States, Europe, Latin America and Australia. The response to his many concerts, recordings, lectures, writings and his unique sonic vocabulary has taken the contrabass from it's traditional role to assume the position of a major solo instrument. More than 300 compositions have been written for, performed by, and recorded by Turetzky, making him one of the few performers, in all of music history, to have created a large and impressive repertoire of music for his instrument. He is is a prolific recording artist and has recorded for Nonesuch, Finnador, Son Nova, Desto, Music and Art, Incus, 9 winds, Advance, Vanguard, New World, and others as soloist, improvisor, chamber player, Jazz player, orchestra player, and Klezmer artist. He is also an acclaimed scholar/researcher in the fields of Jazz History, 18th Century Chamber Music and the author of many reviews, articles and the now classic book "The Contemporary Contrabass." After the success of his book, Turetzky was named co-editor of "The New Instrumentation Series" [UC Press]. He is also a published composer, editor, transcriber and arranger of music for his instrument. His compositions are published, reviewed and recorded. Turetzky has also received many awards for composition from ASCAP plus grants from the NEA and Meet the Composer as well as many commissions. Contrabass Conversations is sponsored by: The Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. The Bass Violin Shop The Bass Violin Shop offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! The Chromatic Endpin A straight endpin only lets you balance the bass one way. The Chromatic Endpin opens up many possibilities.You can feel more of the bass's weight, make it feel light as a feather, or anywhere in between. When the bass is balanced, you stand comfortably on two feet with a neutral spine. The instrument feels lighter, is easier to hold, and you're more comfortable.

Episode 1 is all about animal tracking! Josh and Justin discuss the basics of tracking (place, pattern, and print), offer some simple resources and suggestions for the beginning tracker, and go for a walk on a snowy day to find some tracks. Later, we observe on an opossum carcass with School Programs Coordinator Kate "Ladybird" Jordan; students had witnessed a Red-tailed Hawk attack it the day prior, and we check out the aftermath. Finally, we go for a jaunt with Discovery Semester students for Natural History Interpretation, and talk about more animal signs with naturalist Doug Wentzel, including pileated woodpecker holes and porcupine scat! Although this winter may be winding down and giving way to spring, the mud that accompanies the melting snow is another great medium to look for tracks! There's never a better time to start discovering than the present. (Approx. 19 minutes)

Transcript -- A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged.

A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged.

Transcript -- A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged.

A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged.

A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged

Transcript -- A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged

A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged

Transcript -- A fun, easy introduction to the scale of noise pollution and what kind of exposure leaves the ear irreparably damaged