Podcast appearances and mentions of tamara lindeman

Musician and climate activist Tamara Lindeman talks about the Canadian folk band's latest record, Humanhood.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A (relatively) in-depth analysis of Canadian folk band The Weather Station in (just under) fifteen minutes. Formed in 2006, The Weather Station is fronted by Tamara Lindeman.Their debut album The Line was released in 2009 and their seventh album, Humanhood, was released in 2025.In this episode I am in discussion with Dr. Andrew Webber.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

In this week's episode, Rosalyn is joined by Tamara Lindeman of The Weather Station. Tamara reflects on how climate grief has shaped her music, a theme that emerged with her previous album Ignorance. She discusses her latest record, Humanhood, which explores themes of personal disconnection and healing, while continuing to resonate with the emotional weight of climate grief and broader political tensions. Tamara also shares her perspective on the current political climate and its impact on touring, speaking candidly about the emotional burden of climate change—particularly on younger generations—and offering thoughtful insights into how artists can balance their roles as advocates. Overall, it's a powerful and timely conversation about art's role in expressing complex emotions, creating connection, and sparking action in the face of an uncertain future.Tamara's recommendations for climate organizations, thinkers and speakers include: 350.org, Environmental Defence, Nature Conservancy Canada, Music Declares Emergency, Bill McKibben and Dr. Ayana Elizabeth Johnson.Buy, download or listen to The Weather Station's latest record, Humanhood.Find The Weather Station online:Website & Upcoming ShowsInstagramFacebookAbout The Weather StationThe Weather Station — the project of Toronto based songwriter Tamara Lindeman — returns with new album Humanhood on January 17th via Fat Possum Records.  The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others.  Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork).  Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance.  The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries.  Nominated for three Juno Awards, a Socan Songwriting Award, and shortlisted for the Polaris Prize, her albums have made a mark both critically and conceptually.______________If you're interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

Call it “brain fog,” call it “attention economy burnout,” call it the dregs of late capitalism: however you label it, Tamara Lindeman has been feeling it. With “Neon Signs,” our favorite song from her 2025 album as The Weather Station, Humanhood—out now on Fat Possum Records—she gives names and shapes to the sense of dread so many of us feel permeating our daily existence.  “I've gotten used to feeling like I'm crazy—or just lazy,” she sings in her signature flinty voice at the start of the song, articulating the ennui of being stuck in a cosmic rut. Unending conflict, climate anxiety, and the always-on buzz of the internet—all of it has rendered so many of us inert. But the pulsing piano, swirling flutes and strings, and insistent beat do powerful work here, adding forward motion to Lindeman's existential angst. A protest song of a stripe, “Neon Signs” feels like a spiritual update of The Who's “We Don't Get Fooled Again”—a cautionary tale wrapped up in defiance. Untangling the politics of want and need, of trust and fear, of lust and genuine connection, Lindeman wanders a glittering landscape in which every flashing light demands notice and every notification could single doom. Is cutting through all that noise possible? “Neon Signs” doesn't make it clear, but Lindeman tips her hand in favor of the possibility of human flourishing in spite of it all—if only we can get honest with ourselves: “I swear to god I saw real love once/But nothing needs you so badly as a lie, so lonely, drifting, unmoored from real life/if nobody believes it all it can do is die.” This week on Transmissions, she joins host Jason Woodbury to discuss Humanhood—the album, sure, but also the concept of what makes us human. We're so pleased to share this talk with you.

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Tamara Lindeman makes music as The Weather Station and she is my guest on this episode of That's How I Remember It. Tamara just released a fantastic record called Humanhood, which comes follows 2021's breakthrough Ignorance and its 2022 companion How Is It That I Should Look at the Stars. We talked about the making of Humanhood, climate grief, trusting musicians, winds vs. synths, and making music so you can go on tour. I thought this was a really great conversation, and I'm excited to be able to share it here. Listen and subscribe! 

The Canadian singer-songwriter Tamara Lindeman, a.k.a. The Weather Station, is known for making music that confronts climate change and the damage we've inflicted on our planet. Just a few days ago, Tamara released her new album, “Humanhood,” which chronicles a difficult mental health period in her life when she felt like she had lost her sense of self. She sits down with Tom Power to discuss the record and why she turns to music to make it through tough times.

You know how every now and then, an album comes along that just gets into your bones, and it's hard to describe just how grateful you are it exists? (If you don't know that feeling, I'm sorry, but keep searching for it). Tamara Lindeman working as The Weather Station has make two such records I feel that way about; 2019's “Ignorance” and 2025's “Humanhood”, released on January 17th. “Humanhood” is a brave, striking and beautiful piece of work that just keeps on giving back, the more you mine it. It's not designed for casual listening; the level of nuance involved, the little interludes between songs, and it's lyrical themes of self-identity in crisis, set against grander concerns about the environment and the post-truth era we find ourselves in, deserve your full attention. It's the sort of album where a different moment or detail might hit your each time you go back to it. It can't imagine it being topped this year. Our conversation takes in everything from depersonalisation disorder and OCD, to taking photos of the sky, unrealistic roles for teenagers and in movies, Canadian rock-band Our Lady Peace, and quietly making the greatest album of 2025. Let me know what you think on Instagram @sendingsignalspodcast

Nach dem Grosserfolg des letzten Albums «Ignorance» (im Februar 2021 Sounds! Album der Woche) folgte bei Tamara Lindeman der Crash. Das siebte Album «Humanhood» musste aus dem Loch einer chronischen Depersonalisationsstörung entstehen. Aber: Alles halb so wild, versichert Lindeman im Sounds!-Interview. Also, das Songwriting sei ihr zwar noch nie so schwer gefallen wie für das siebte The Weather Station-Album, wer nun allerdings jeden Stein der Platte umdreht um nach Details über Lindemans aktuellen Gesundheitszustand zu suchen, macht sich damit keinen Gefallen: «Wenn ich wirklich glauben würde, dass jedes Lied, das ich schreibe, ein Stück meines Lebens ist, das nun fix in Stein gemeisselt ist, dann könnte ich wohl nie wieder einen Song schreiben», sagt die Musikerin aus Kanada über ihr neustes Album. Weitere Themen unseres Gesprächs: Wie ein Telefonat mit einer guten Freundin Lindeman zum Weinen gebracht hat und nun zum Herzstück des Albums wurde, sowie ihre Liebe zu The Blue Nile und Talk Talk. «Humanhood» ist das neue Sounds! Album der Woche. Bis und mit Freitag gibt's jeden Abend Vinyl zu gewinnen – nur live in der Sounds!-Radiosendung. +++ PLAYLIST +++ · 22:54 – MORE THAN LIFE von THE HORRORS · 22:48 – WWW SHE HOT von UCHE YARA · 22:46 – ORLANDO IN LOVE von JAPANESE BREAKFAST · 22:42 – SAD MAKEUP von YUKIMI · 22:39 – CRUSH von ALEX NAUVA & GALLERY OF NOISE · 22:35 – COOK & EFFY von KILLOWEN & FRANKIE STEW AND HARVEY GUNN · 22:32 – ANKLES von LUCY DACUS · 22:28 – BRING AN END von BUTLER, BLAKE & GRANT · 22:23 – SNOWFLAKES von DROPKICK · 22:19 – BLEIB AM LEBEN von TOCOTRONIC · 22:16 – STRETCH THE STRUGGLE von BRIA SALMENA · 22:12 – TIME WAITED von MY MORNING JACKET · 22:08 – GET BY von KATE TEAGUE · 21:57 – WINDOW von THE WEATHER STATION · 21:53 – DUM DUM GIRL von TALK TALK · 21:47 – TINSELTOWN IN THE RAIN von THE BLUE NILE · 21:41 – MIRROR von THE WEATHER STATION · 21:36 – HARD DRIVE von CASSANDRA JENKINS · 21:26 – IRREVERSIBLE DAMAGE von THE WEATHER STATION · 21:18 – NEON SIGNS von THE WEATHER STATION · 21:15 – BODY MOVES von THE WEATHER STATION · 21:04 – ROBBER von THE WEATHER STATION

What's starting to interest me is stories of resilience for a post-carbon world. What are we going to need for our emotional well-being? It's going to be a different world, not long from now. If we do this, and we must do this, this transition has to happen and there's going to be a sense of loss and sacrifice and challenge, not just with what's happening externally from a climate point of view, but in how we're going to have to make changes to our lives and reorient our energies in terms of our advocacy. I feel like there's an opportunity for artists - I'm more connected to the film and television sector and the documentary community - but throughout the system, to be able to provide realistic and yet reassuring narratives about what the upside of all this might be.This bonus episode is dedicated to the memory of media producer, art and climate champion and cultural impact leader Tracey Friesen, who passed away on Monday, January 6, 2025 in Vancouver. I offer my deepest condolences to Tracey's family and her countless friends and colleagues. I'm still on break from producing new episodes of conscient. I'm mostly meditating these days but also taking courses such as Surviving the Future.I'm to think through how podcasts such as this one, can be most useful future forward. More on this later. For now, while I'm on break, I thought it would be interesting to publishing a series of ENCORE or replay episodes drawn from previous seasons of conscient.I actually got the idea my fellow podcaster Alice Irene Whittaker whose created a REPLAY series drawn from her Reseed podcast and it's a good listen. I recommend any episode but in particular Episode 8 - Reflecting Climate Grief Through Music with Tamara Lindeman.  And I'm going to start on a sad note, but also one celebrating the life of Tracey Friesen. You'll hear, once again, e85 tracey friesen – narratives of resilience for a post carbon world which I recorded in 2021.For those of you who don't know Tracey, let me provide context this way. I'll read you an excerpt from a newsletterissued by the Story Money Impact organization in Vancouver that Tracey founded in 2019 and which is now run by Sue Biely. This excerpt will give you an idea of their appreciation of Tracey: Tracey was a gifted community-builder and mentor – equal parts fearless, wise, and energetic – with an insatiable curiosity. Her forthrightness left no doubt about where she stood when it came to fighting for social and environmental justice. She was a visionary tactician who recognized a gap in Canada's documentary sector, so she rolled up her sleeves and researched and published her 2016 book about impact producing,Story, Money, Impact: Funding Media for Social Change. Tracey's book became the catalyst that set this organization into motion.Thank you Sue and the team at Story, Money, Impact for that. I first met Tracey on September 21, 2021 at a event called Processing the federal election during a climate emergencyorganized by the Climate Emergency Unit. Stacey was impressive. Shortly after we collaborated on the mission circle of SCALE, the Sectoral Climate Arts Leadership for the Emergency network. We later became friends and often went for long walks in Ottawa or Vancouver to strategize about art and climate action but also the challenges of day-to-day life: supporting elders, being a parent, figuring out what to do… Tracey was a compassionate listener and a very wise advisor.  I loved the way she understood and advocated for the power of storytelling, and I think her words will be important to us in the future. I hope we can continue her good work amplifying the voices of artists. Here's another excerpt:We do need the scientists, and we do need all of the work being done across all of the important social issues that are happening right now. And we really do need the storytellers and to validate that their story driven, narrative driven, emotionally driven pieces of work will help to touch people now to change their behavior or will help to soothe or reassure or be with them in the world post transition.Let's go back in time: 2021 with the COVID pandemic in full swing. Tracey and I are sitting, meditation style, in her living room in Vancouver. Heads up that in this episode you'll also hear excerpts from conscient podcast e26 klein – rallying through art and e54 garrett – empowering artists in between our conversation.Finally, for your convenience, I've also added a complete transcript of the episode on the episode web site including links to the events and organizations that Tracey mentions during our exchange.  *END NOTES FOR ALL EPISODESHey conscient listeners, Thanks for your presence. Season 5 of this podcast is now completed. I'll be back with season 6 on art and culture in times of crisis, collapse and renewal (to be confirmed) sometime in 2025. Background on the conscient podcast I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back and be present.In parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those in need of a calm presence'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also, please note that a complete transcript of most conscient podcast and balado conscient episodes from season 1 to 5 is available on the web version of this site: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast or my social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on November 18, 2024

Tamara Lindeman vuelve con 'Neon Sings', una primera canción de 'Humanhood', el álbum que publicará como The Weather Station el 17 de enero. Y vuelve a dónde lo dejó en 'Ignorance', el trabajo más importante de su carrera y con el que sentó las bases de un sonido más ornamentado y una lírica que toma ideas sencillas y cotidianas para elevarlas a verdades universales.Playlist:The Weather Station - Neon SignsNilüfer Yanya - Just A WesternMount Eerie - I Saw Another BirdXiu Xiu - Maestro One ChordJamie xx - The Feeling I Gest From YouBen Böhmer - RustMaribou State, Holly Walker - OthersideBaiuca, CARLANGAS - MonteVisoÁngeles Toledano - MAMÁ, TENÍAS RAZÓNMaestro Espada - LirioWet - RosyBaba Stiltz, Okay Kaya - I Believe In Lovepablopablo, Helado Negro - Lejos de MásTeo Planell - Canción en MurciaSen Senra - Un Cielo AzulJudeline - zarcillos de plataEscuchar audio

We speak with Tamara Lindeman, the renowned songwriter otherwise known as “The Weather Station.” We hear about her experience as the resident artist aboard the Students on Ice expedition in Labrador.

Tamara Lindeman is a musician from the band, The Weather Station. Their latest album is HOW IS IT THAT I SHOULD LOOK AT THE STARS.---The Generative Benefits of Investigating Your Shame with Heather Radke Call Zak on the advice show hotline @ 844-935-BEST---Wanna help Zak continue making this show? Become a Best Advice Show Patron @ https://www.patreon.com/bestadviceshow---Share this episode on IG @BestAdviceShow

A la mayor parte de la gente no le interesa la religión. Muchos están cansados de ella. Les parece algo molesto y controlador, que limita tu libertad y pone sobre ti una carga difícil de soportar. Jesús sentía algo parecido respecto a la religión de su tiempo. Se enfrenta de hecho con ella. Mantiene un conflicto continuo con los fariseos e interpretes de la ley, a los que acusa de hipocresía con las palabras más duras del Evangelio (Lucas 12:37-12:3). A Natalie Laura Merling se la conoce como Weyes Blood desde 2003. El nombre viene de la novela "Sangre sabia" de la escritora sureña convertida al catolicismo, Flannery O´Connor. Esta joven cantautora de Santa Mónica (California) creció en una familia pentecostal en Pensilvania, aunque ahora no se considera cristiana, pero le parece que hace falta "Algo en lo que creer" (Something To Believe 2019). Quien sigue cantando cada domingo en la iglesia es un joven músico afroamericano llamado Marlon Cooper, que en 2002 hizo una canción sobre las palabras de Jesús que hablan del ojo como lámpara del cuerpo (Lucas 12:33-36), "El espejo" (The Mirror 2022). Es en esa Luz en la que quiere todavía caminar todavía Cliff Richard (Walking In The Light 1979), aunque últimamente parezca haber perdido el camino en la oscuridad de la confusión que acompaña muchos momentos de nuestra vida. "Una extraña entre nosotros" (1992) es una sorprendente película de Sidney Lumet, que combina su origen judío con el ámbito neoyorquino de todas sus historias en el peculiar mundo de la comunidad ortodoxa jasidica, que rechaza el sionismo del estado de Israel. Presenta a una joven Melanie Griffith como una detective de homicidios, hija de un policía divorciado y compañera de otro herido al ir a detener a unos traficantes de droga, que tiene que infiltrarse en este grupo tan cerrado, para descubrir al autor de un asesinato. Escuchamos algunos diálogos de la versión doblada al castellano con los comentarios de José de Segovia sobre fragmentos de la banda sonora original, que hizo el autor de "El violinista en el tejado", Jerry Bock, así como otros temas de música "klezmer" del grupo judío polaco Kroke. Historias como esta nos muestran que la religión no puede acabar con el mal, que nos acompaña en secreto, Sobre ello canta el poeta judío y músico canadiense Leonard Cohen (In My Secret Life) en su álbum de 2001 con "Diez nuevas canciones". Aunque te lo guardes todo para ti (Keep It All To Myself 2017), como dice la cantautora canadiense Tamara Lindeman (más conocida como The Weather Station), Jesús nos advierte que no hay nada oculto que no haya de saberse (Lucas 12:1-3). Su juicio pondrá todo en evidencia cuando Él venga (He Is Coming 1978), nos recuerda el dúo de "hippies" judíos, Lamb, que comenzó la música verdaderamente mesiánica en 1972 con una maravillosa trilogía de discos que reflejan la auténtica fe cristiana que encontraron en la Revolución por Jesús, Joel Chernoff y Rick "Levi" Coghill.

Building better mental health is something we could all stand to work on. The good news? You're definitely not alone. This week we're unpacking mental health with podcasts that uplift, investigate and validate. We all know the grief that comes from losing someone you love, but have you ever experienced climate grief? It's the feeling of hopelessness as the climate crisis continues to worsen. But for one Canadian musician, out of those feelings of fear, sadness and angst came artistic inspiration. We'll hear the conversation with folk band The Weather Station in a clip from Reseed. Plus, treatment for mental health has experienced a lot of innovation in the last century. That evolution continues as the Toronto facility "Remedy" researches the use of MDMA to treat post-traumatic stress disorder (PTSD). We'll share why the early results have researchers and patients so excited. The themes in this episode may be triggering for some listeners. If you or someone you know is in crisis, help is available. In Canada, you can call the Suicide Prevention Service at 1-833-456-4566. In the US, you can call the National Suicide Prevention Lifeline at 1-800-273-8255. Or contact the Crisis Text Line by texting TALK to 741-741. Featuring: Terrible, Thanks for Asking: Grief comes with so much judgment. Everybody is sure that there's a right way to do it, and only for a certain length of time. If our grief doesn't neatly fit into a category, we worry that it's illegitimate. Erin knows this judgment very well. She's a widow … or is she? Reseed: Music can help us make sense of, and deeply feel, our climate grief. Tamara Lindeman's acclaimed album Ignorance about climate grief struck a chord with citizens and critics. Performing as The Weather Station, Lindeman's 2021 poetic, thoughtful, and highly danceable album was named album of the year by The New Yorker and Uncut. Tamara joins Alice Irene Whittaker, the host of Reseed, for a conversation that starts with climate grief before spanning to art, selfhood, rootlessness, connection, and the heartbreaking beauty of birds. WTF Marc Maron: Zazie Beetz and Marc were in three things together - Joker, the Netflix series Easy, and the new animated film The Bad Guys - but they're only now meeting each other for real. That makes for a good opportunity to interrogate their respective anxiety issues and compare their coping strategies. Zazie and Marc also talk about her German heritage, why she's not an LA person, and how she sees her work on Atlanta as being part of an overall reflection of Donald Glover's real life story. Depresh Mode: We're seeing the effects of prolonged work-from-home jobs and from employers who are doing little or nothing to address burnout. We're seeing a blurring of lines between job and life, an old work system we're never going back to, and people who just can't take it anymore. They're quitting their jobs, often with no new job to go to, because they are flat out done. Depresh Mode host John Moe speaks with Jennifer Moss, a burnout expert who fought burnout herself when writing her book, The Burnout Epidemic: The Rise of Chronic Stress and How We Can Fix It. Mental Health Comedy Podcast: Comedian Dave Holmes talks honestly about being diagnosed and learning to deal with ADHD. As a kid growing up in the 70's and 80's, he'd get messages from teachers about not living up to his potential. The overall solution was "don't be like that." And the road from that place to where he is now, has many steps. Now it's prioritizing self care, nutrition, exercise, sleep etc. And that there are days when it is difficult to focus, and on those days there are other creative ways to deal. And not every day is a great day. Sickboy: Dr. Anne Wagner is a clinical psychologist and treatment development researcher in Toronto, Canada. For more, visit: http://www.cbc.ca/radio/podcastplaylist

Jack Johnson brings his Hawaiian vibes to eTown this week. Also joining in on the musical front is Tamara Lindeman of The Weather Station. And Nick converses with Jeff Orlowski, the director/producer of the documentary film, Chasing Coral. That's all this week... on eTown!   Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more!   Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/

Food prices going up? So are greenhouse gases from those grocery store fridges! And just one look at exotic foods got Tamara Lindeman penning new climate songs. A brewing battle over deep sea mining. And the Canadian ties to Somalian drought.

Shara Nova, a classically trained vocalist and self-taught multi-instrumentalist who records dazzling, shapeshifting music as My Brightest Diamond, has always felt like an outsider.  Over the course of many albums, she has resisted the conventions of genre, blending elements of rock, art pop, and chamber music into a sound totally her own. SIGN UP FOR SHARA'S NEWSLETTER HERE!---Support TBAS by becoming a patron!!!!---Call Zak with your advice @ 844-935-BEST---IG: @bestadviceshow & @muzacharyTWITTER: @muzacharybestadvice.show---PAST ADVICE FROM BRILLIANT MUSICIANSSlowing Down with Katie Crutchfield of WaxahatcheeBeing Close with Michael FrantiNot Knowing with Merrill Garbus of Tune-YardsPlanting Seeds with Matt Berninger of  The NationalFacing the Truth with Tamara Lindeman of The Weather StationSharing from a Deep Well of Knowledge with Daniel Messé of HemPower Hour with Jon London

Welcome to Roadcase!!  We are super-psyched to go North of the Border for this episode with Canadian artist, Tamara Lindeman of The Weather Station.  Tamara combines superb musicianship with elegant and profound lyrical content on her many stunning albums. The Weather Station's latest release, "How Is It That I Should Look At The Stars," is a lovely work of subtle and striking spareness highlighting Tamara's prolific songwriting. Recorded in three days, March 10-12, 2020, exactly on the cusp between pre-Covid and Covid times, it is designed to be the companion piece to The Weather Station's critically acclaimed 2021 release, "Ignorance." Tamara is an artist with intention -- be it her early life as an actor on stage and TV, or in her current role as a poet, lyricist and gorgeous vocalist. Tamara is truly a Renaissance Woman wearing a multitude of different hats and enchanting her legion of fans along the way.  So make sure to catch a ride on the Roadcase bus for this exciting episode with the super-intriguing Tamara Lindeman of The Weather Station. It's gonna be a great ride!For more information: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

Tamara Lindeman is a musician from the band, The Weather Station. Their latest album is HOW IS IT THAT I SHOULD LOOK AT THE STARS.---INVESTIGATING YOUR SHAME WITH HEATHER RADKE---To offer your own advice, call Zak @ 844-935-BEST----Instagram Facebook Twitter See acast.com/privacy for privacy and opt-out information.

In 2021, Tamara Lindeman, who performs as The Weather Station, released the climate-focused Ignorance, one of the year's most acclaimed albums. Thirteen months later, she is releasing a companion album, How Is It That I Should Look at the Stars. She has described the new release as "the moon to [Ignorance's] sun." Lindeman joins us for a Listening Party.

Alex Robert Ross talks to Tamara Lindeman, a.k.a. The Weather Station, about the pain of broken political promises and the daunting task of fitting global themes into the quiet, personal songs of her new album How Is It That I Should Look At The Stars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Big Blue creator Gyimah Gariba tells us why he thinks it's important to include kids in the climate change conversation by illustrating how caring for one another leads to caring for the planet. Elizabeth L. Cline, the author of Overdressed: The Shockingly High Cost of Cheap Fashion, talks about the current state of the sustainable fashion movement. Tamara Lindeman of The Weather Station discusses her latest album, Ignorance, which sees her grapple with climate grief over the destruction of our environment. Raising Dion creator Dennis Liu talks about his vision for a more diverse superhero world and how the TV series will push the envelope in its new second season.

Music can help us make sense of, and deeply feel, our climate grief. Tamara Lindeman's acclaimed album Ignorance about climate grief struck a chord with citizens and critics. Performing as The Weather Station, Lindeman's 2021 poetic, thoughtful, and highly danceable album was named album of the year by The New Yorker and Uncut. Tamara joins Alice Irene Whittaker, the host of Reseed, for a conversation that starts with climate grief before spanning to art, selfhood, rootlessness, connection, and the heartbreaking beauty of birds.   Tamara Lindeman emerged from Toronto's vibrant folk scene, and as The Weather Station, she has released five albums and toured extensively across Europe, the US, Canada, and Australia.  She has been nominated for a Juno, a Socan Award, and shortlisted for the Polaris Prize, and garnered extensive praise from Pitchfork, The New Yorker, The Guardian, Rolling Stone and The New York Times. Our climate change narratives are often overfull of information and despair. Our human souls also require art and stories, and our climate movement needs storytellers, artists, and musicians. Art, stories and music don't need to have the answers to the climate breakdown we are facing - there are other mediums for that, and we need to push for those answers and solutions - but art, stories, and music do have this role to play in helping us process, dream, imagine, feel, connect, release, and grieve. In a time of climate chaos, art can help us to dream of a different world while connecting with each other. Enter a giveaway for a vinyl copy of Ignorance on Instagram at @AliceIreneWhittaker. Learn more about Reseed at reseed.ca.  

Musician Tamara Lindeman of The Weather Station often writes songs that lean into deep emotions. This can be seen in her 2021 album, Ignorance, which included songs about love, loss, and feelings around the looming climate crisis. She explains why taking on our feelings can be the best way to handle them.

durée : 00:54:52 - Very Good Trip - par : Michka Assayas - Ce soir, dans Very Good Trip c'est simple, la joie et la plénitude vont vous envahir, grâce à des voix exclusivement féminines. Des voix d'exception bien sûr !

Tamara Lindeman is a musician from the band, The Weather Station. Their latest album is Ignorance. INVESTIGATING YOUR SHAME WITH HEATHER RADKE To offer your own advice, call Zak @ 844-935-BESTFollow us on: Instagram Facebook Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Why Not Both is an exploration of how our multiple passions shape our identity, hosted by musician and therapist Pam Shaffer and produced by writer and photographer Laura Studarus. For our fourth season, we partnered up with Under The Radar to explore the lives of musicians, writers, actors, and creatives. The dramatic irony of releasing a record written for live performance during a time when we were all stuck indoors was not lost on Tamara Lindeman, the writer and leader of The Weather Station. If anything, it gave her more opportunity to communicate directly with her listeners about the amply evident effects of climate change on our society through her newsletter, where she chatted with fans and friends alike about the best ways to stay present and address the cataclysmic shifts of our time. This year was a sneak preview of what's to come and as Tamara illuminates, it's imperative that we turn towards a collective creative mindset. Thanks again for listening! Make sure to subscribe, leave us a nice review, and hang out with us on Insta and Twitter. You can also support us on Patreon. --- Support this podcast: https://anchor.fm/why-not-both/support

Segon disc per a la banda liderada per la cantant Tamara Lindeman, "Ignorance", en qu

Amanda Petrusich describes herself as a “die-hard fan” of folk music, but not when it feels precious or sentimental. That's why she loves the Weather Station, whose songs, she thinks, “could take a punch to the face.” A solo project of the songwriter and performer Tamara Lindeman, the Weather Station's new album, “Ignorance,” focusses on the theme of climate grief: Lindeman was responding to a devastating report by the Intergovernmental Panel on Climate Change about the consequences of elevated carbon levels for human societies. If that sounds heady, Lindeman tells Petrusich that it may be her heritage. “There's this thread in Canadian music of philosophical songwriting, and that's how I like my lyrics to be. I like them to be about ideas as well as stories. . . . Most people want songs that just tell a story; they don't want the complicated ideas. But I do.”   The Weather Station performs “Robber” and “Tried to Tell You,” with Evan Cartwright on percussion and Karen Ng on saxophone.    This segment originally aired February 5, 2021.

For the 25th anniversary of I Shot Andy Warhol, Canadian filmmaker Mary Harron talks about the film's legacy, Andy Warhol's life and work, and her personal fascination with Valerie Solanas — the woman who shot Warhol in 1968. Author and editor Kwame Mbalia discusses his inspiring new book Black Boy Joy, an anthology of 17 stories that celebrate Black boyhood, written by acclaimed Black male and non-binary contributors. Actor and comedian Louie Anderson reflects on his role in the Zach Galifianakis comedy-drama series Baskets, and reveals the role his own family plays in helping him develop his comedic material. Toronto singer-songwriter Tamara Lindeman of The Weather Station talks about her new album, Ignorance, which sees her grapple with climate grief over the destruction of our environment.

For over a decade, Tamara Lindeman has been expanding the depth and breadth of the music she makes as The Weather Station. For her latest record, 'Ignorance,' Lindeman not only pushes the limits of the folk genre tag she's often categorized under but also gets thematically spacious with a major focus on not just the physical but psychological impacts of climate change. The album couldn't have come at a better time, with the ramifications of climate change more severe this summer than ever.  Recorded March 17, 2021. Robber  Loss Parking Lot Tried To Tell You Subdivisions Watch the full Live on KEXP session on YouTube Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

For over a decade, Tamara Lindeman has been expanding the depth and breadth of the music she makes as The Weather Station. For her latest record, 'Ignorance,' Lindeman not only pushes the limits of the folk genre tag she's often categorized under but also gets thematically spacious with a major focus on not just the physical but psychological impacts of climate change. The album couldn't have come at a better time, with the ramifications of climate change more severe this summer than ever. Troy Nelson connects those dots on the latest episode of Live on KEXP. Recorded March 17, 2021. Robber  Loss Parking Lot Tried To Tell You Subdivisions Watch the full Live on KEXP session on YouTube Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

With The Weather Station's fifth album, Ignorance, Tamara Lindeman's lyricism is as sharp as ever, but she's also expanded her sound, leaving the purely folk realm to explore more experimental territory.

Episode 10 of This Is Not Happening finds us sticking with female artists but switching from the UK to Canada with the Weather Station's Ignorance.  Tamara Lindeman's group released its 5th album in 2021, and it marks another progression from folk-tinged songwriting to full-blown grown-up pop that touched on so many of our big influences. We all went on a journey with this, with Joey at the helm. We also put together an 'inspired by' playlist to sit with the album.  In the second part of the show, we jumped off the deep end by picking a new track, secret santa-style for each other! Here's the longlist, but the four we chose are:David - Nolan chose: Brother Ali - Sensitive. Guy - Joey chose: Howlin' - Bind Joey - David chose: Charlotte Adigery - Bear With Me (And I'll Stand Bare Before You)  Nolan - Guy chose: Vagabon - Water Me Down (Pancy Remix)April's album of the month and all our playlists, new music and discussions from the past decade or more can be found on our blog at www.thisisnothappening.net, which runs alongside the podcast choices and much, much more. So check them out so to see what we 're talking about and if you like it, we'd love to hear from you. Socials are below. Episode #11 will be digging into the kaleidoscopic debut from Genesis Owusu: Smiling With No Teeth . An Australian-Ghanaian whose melting-pot influences have created one of the most fascinating and memorable albums of the year. Coming to you before the end of May. This Is Not Happening:Created by Joey, Nolan, Guy and David.Produced and Edited by Guy and Nolan.Twitter: @thisisnothapngInstagram: @thisisnothappeningpodEmail: thisisnothappeningpodcast@gmail.comReviews: www.ratethispodcast.com/thisisnothappening

earth day, life fleeing the equator, only 3% of Earth’s nature remains fully intact, coal miners union backs shift from coal, music climate activism, women blockchain leaders, Google / Youtube meets "social tokens" and the "creator economy"

Episode 40 features two humble artists whose music paints grand cinematic pictures. Robin Pecknold talks about Fleet Foxes gorgeous new album Shore (out now via Anti), while Tamara Lindeman discusses Ignorance, the moody and mysterious new one from The Weather Station (out now on Fat Possum). As always, RSD's Carrie Colliton drops by with all the Record Store Day News. Brought to you by Dogfish Head Craft Brewery, Tito's Handmade Vodka, Kino Lorber, and MVD. Go to RecordStoreDay.com for all the latest RSD news. Rate us, review us, and subscribe to us wherever you get podcasts.

Við kynnumst ensku tónlistarkonunni Arlo Parks í Rokklandi vikunnar. Hún er tvítug frá vestur London ? tónlistarkona og ljóðskáld og alveg stórskemmtileg. Hún er reyndar hálf Nígerísk, að einum fjórða frá Chad og einum fjórða frösnk. Mamma hennar var fædd í París og hún lærði frönsku áður en hún lærði Ensku. Fyrsta stóra platan hennar kom út fyrir skemmstu og við heyrum nokkur lög af henni í þættinum. The Weather Station er folk-músík hljómsveit sem er leidd af 36 ára gamalli konu sem heitir Tamara Lindeman. Og þessi hljómsveit sem samanstendur af fólki sem hún Tamara hefur safnað í kringum sig sendi nýlega frá sér plötu sem heitir Ignorance og er stór skemmtileg. Við heyrum nokkur lög af henni í þættinum í dag og kynnumst The Weather Station. Paul McCartney og Bítlarnir í ýmsum búningum eru líka fyrirferðamiklir í þættinum í dag, og Paul Weller, Angelique Kidjo, Yemi Alade, Moby og fleiri koma líka við sögu.

Við kynnumst ensku tónlistarkonunni Arlo Parks í Rokklandi vikunnar. Hún er tvítug frá vestur London ? tónlistarkona og ljóðskáld og alveg stórskemmtileg. Hún er reyndar hálf Nígerísk, að einum fjórða frá Chad og einum fjórða frösnk. Mamma hennar var fædd í París og hún lærði frönsku áður en hún lærði Ensku. Fyrsta stóra platan hennar kom út fyrir skemmstu og við heyrum nokkur lög af henni í þættinum. The Weather Station er folk-músík hljómsveit sem er leidd af 36 ára gamalli konu sem heitir Tamara Lindeman. Og þessi hljómsveit sem samanstendur af fólki sem hún Tamara hefur safnað í kringum sig sendi nýlega frá sér plötu sem heitir Ignorance og er stór skemmtileg. Við heyrum nokkur lög af henni í þættinum í dag og kynnumst The Weather Station. Paul McCartney og Bítlarnir í ýmsum búningum eru líka fyrirferðamiklir í þættinum í dag, og Paul Weller, Angelique Kidjo, Yemi Alade, Moby og fleiri koma líka við sögu.

Við kynnumst ensku tónlistarkonunni Arlo Parks í Rokklandi vikunnar. Hún er tvítug frá vestur London ? tónlistarkona og ljóðskáld og alveg stórskemmtileg. Hún er reyndar hálf Nígerísk, að einum fjórða frá Chad og einum fjórða frösnk. Mamma hennar var fædd í París og hún lærði frönsku áður en hún lærði Ensku. Fyrsta stóra platan hennar kom út fyrir skemmstu og við heyrum nokkur lög af henni í þættinum. The Weather Station er folk-músík hljómsveit sem er leidd af 36 ára gamalli konu sem heitir Tamara Lindeman. Og þessi hljómsveit sem samanstendur af fólki sem hún Tamara hefur safnað í kringum sig sendi nýlega frá sér plötu sem heitir Ignorance og er stór skemmtileg. Við heyrum nokkur lög af henni í þættinum í dag og kynnumst The Weather Station. Paul McCartney og Bítlarnir í ýmsum búningum eru líka fyrirferðamiklir í þættinum í dag, og Paul Weller, Angelique Kidjo, Yemi Alade, Moby og fleiri koma líka við sögu.

Jules Buckley mixes classical playlists for music-loving guests. This week, Jules is joined by Canadian singer-songwriter Tamara Lindeman aka The Weather Station. Tamara's playlist: Carl Philipp Emanuel Bach - Violin Sonata in C minor (2nd mvt) Anna von Hausswolff - Theatre of Nature Erik Satie - Sylvie (from 3 melodies) Arnold Schoenberg - Verklarte Nacht (4th mvt) Gerard Pesson/Brahms - Nebenstuck [after Johannes Brahms] David Gamper/Deep Listening Band - Deep Hockets Classical Fix is a podcast aimed at opening up the world of classical music to anyone who fancies giving it a go. Jules Buckley is a Grammy-winning conductor, arranger and composer who pushes the boundaries of almost all musical genres by placing them in an orchestral context, and has earned himself a reputation as a 'pioneering genre alchemist' and 'agitator of musical convention'. He leads two of the world’s most versatile and in-demand orchestras - the Heritage Orchestra and the Metropole Orkest - and over the past nine years he has been responsible for some of the most groundbreaking BBC Proms, including the Ibiza Prom, 1Xtra's Grime Symphony, The Songs of Scott Walker, Jacob Collier and Friends, and tributes to Quincy Jones, Nina Simone and Charles Mingus. In 2019, Jules joined the BBC Symphony Orchestra as Creative Artist in Association.

Some musicians write songs after a lovers’ quarrel or an encounter with a great work of art. Tamara Lindeman was compelled to write after reading an article about a fossil fuel company. “Ignorance”, is the majestic fifth album by Canadian singer songwriter’s folk project the Weather Station. She spoke to FRANCE 24's Eve Jackson about how it explores the personal implications of the climate crisis: human existence encroaching on nature and generations robbed of a sustainable future.

The Weather Station’s Tamara Lindeman on all the fuss about her great new album Ignorance, making different music, climate change and people, lip syncing, new music, future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Live at Massey Hall, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

The Weather Station mastermind Tamara Lindeman talks with Kyle Meredith about Ignorance, her new LP that finds the folk artist taking on a new beat-driven, piano led set of songs. The Toronto-based songwriter talks about the local avant-garde jazz scene that she includes herself in, writing cinematically, and the complex arrangements that fill out this poppier set. Lindeman also dives into the themes of climate change, truth, trust, and how they intersect with personal statements while speaking on a global scale. She also previews her forthcoming live streaming event. Follow on Facebook | Podchaser | Twitter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tamara Lindeman and Julia Jacklin are spending the pandemic thousands of miles away from each other, but you’d never know if from the closeness of this Talkhouse chat. Lindeman, who’s based in Canada, just released her fifth album as The Weather Station—and Ignorance is already making waves. It got the coveted Best New Music designation from Pitchfork, as well as a five-star review in The Guardian, both well deserved. Jacklin, who’s from Australia, finished touring her last album, Crushing, not long before the lockdown hit. Here, they discuss the ins and outs of how much they share in their songs, what they’re looking forward to when normalcy returns, and Joni Mitchell. This episode was produced by Kevin O’Connell. The Talkhouse Podcast theme was composed and performed by The Range.

Amanda Petrusich describes herself as a “diehard fan” of folk music, but not when it feels precious or sentimental. That’s why she loves the Weather Station, whose songs, she thinks, “could take a punch to the face.” A solo project of the songwriter and performer Tamara Lindeman, the Weather Station’s new album, “Ignorance,” focusses on the theme of climate grief: Lindeman was responding to a devastating report by the Intergovernmental Panel on Climate Change about the consequences of elevated carbon levels for human societies. If that sounds heady, Lindeman tells Petrusich that it may be her heritage. “There’s this thread in Canadian music of philosophical songwriting, and that’s how I like my lyrics to be. I like them to be about ideas as well as stories. . . . Most people want songs that just tell a story; they don’t want the complicated ideas. But I do.”   The Weather Station performs “Robber” and “Tried to Tell You,” with Evan Cartwright on percussion and Karen Ng on saxophone. 

«Entschuldigung, aber für mich klingt das wie Joni Mitchell, die über die Musik von The War on Drugs singt», liest man von einem wenig überzeugten Internet-User unter einem der vielen überwältigenden Reviews, die Tamara Lindeman zurzeit für ihr fünftes Album erhält. Dabei ist doch gerade das eines der besten Argumente für dieses Album! Ein Album, für das Lindeman sämtliche Folk-Fesseln der Vergangenheit endgültig ablegen konnte, erzählt uns die in Toronto lebende Musikerin im exklusiven Interview. Fertig aufgenommen wurde «Ignorance» übrigens schon seit 2019. Im Pandemiejahr kümmerte sich The Weather Station stattdessen um den visuellen Auftritt des Albums. Herausgekommen sind ein paar fantastische Videoclips, z. B. zum Song «Robber» . «Ignorance» ist unser Album der Woche – und gibt's jeden Abend ab 22h ein Mal pro Sendung auf CD zu gewinnen. Wer zum richtigen Zeitpunkt anruft, gewinnt.

«Entschuldigung, aber für mich klingt das wie Joni Mitchell, die über die Musik von The War on Drugs singt», liest man von einem wenig überzeugten Internet-User unter einem der vielen überwältigenden Reviews, die Tamara Lindeman zurzeit für ihr fünftes Album erhält. Dabei ist doch gerade das eines der besten Argumente für dieses Album! Ein Album, für das Lindeman sämtliche Folk-Fesseln der Vergangenheit endgültig ablegen konnte, erzählt uns die in Toronto lebende Musikerin im exklusiven Interview. Fertig aufgenommen wurde «Ignorance» übrigens schon seit 2019. Im Pandemiejahr kümmerte sich The Weather Station stattdessen um den visuellen Auftritt des Albums. Herausgekommen sind ein paar fantastische Videoclips, z. B. zum Song «Robber» . «Ignorance» ist unser Album der Woche – und gibt's jeden Abend ab 22h ein Mal pro Sendung auf CD zu gewinnen. Wer zum richtigen Zeitpunkt anruft, gewinnt.

Musician Dave Grohl talks about the Foo Fighters' new album Medicine at Midnight, what it was like performing at U.S. President Joe Biden's inaugural celebration, and how music saved him after the death of his friend and former Nirvana bandmate Kurt Cobain. On this week's q This music panel, A. Harmony and Vivek Shraya discuss the backlash facing rising country music star Morgan Wallen after he used a racist slur in a video that surfaced this week. Toronto singer-songwriter Tamara Lindeman of The Weather Station describes what her new song Loss means to her. Montreal-based ambient musician Nick Schofield tells us the story behind his song Mirror Image off his brand new album Glass Gallery, sharing how the song was inspired by the National Gallery of Canada and why it's a perfect mid-winter listen. Schitt's Creek co-creator and star Dan Levy talks about the beloved sitcom's series finale, the massive impact of the show, and the importance of making art based in kindness and respect.

Toronto singer-songwriter Tamara Lindeman of The Weather Station talks about her new album Ignorance, which sees her grapple with climate grief over the destruction of our environment. Canadian filmmaker Kelly Fyffe-Marshall opens up about her highly publicized experience with racial profiling and how she channelled that trauma into a new short film, called Black Bodies. Viggo Mortensen discusses his new film Falling — which he wrote, directed and co-stars in — about a gay man who must care for his ailing, irritable and homophobic father.

Tamara Lindeman joins us this week on Transmissions for a conversation about Ignorance, her lush and sweeping new album as The Weather Station. Lindeman is the kind of songwriter who dares to write about big topics, like identity and global climate change, but the new album finds her exploring those concepts over deeply rhythmic jazz and pop-influenced compositions. It's out Friday, February 5 on Fat Possum Records. Lindeman joined us from her home in Ontario, to discuss the pandemic, the information overload of daily life, and how she's come to embrace the performative side of artistic practice.

The Weather Station's 2015 record Loyalty features eleven songs with that most laudable quality of sounding like they are being sung directly to the listener, and recorded in a small quiet room. Which is all the more remarkable for the fact that the album was actually made in a large tumbledown French chateau outside of Paris. But the intimacy captured on the record is no accident. It's the sound of The Weather Station principal Tamara Lindeman and just two multi-instrumentalist accomplices, who make every guitar flourish and drum rattle sound purposeful and in-its-place. The huge, hushed emotional terrain of the record is as sweeping and rolling as Lindeman's Canadian homeland, with songs like "Way It Is, Way It Could Be" inviting the listener like an open road.  Setlist: "Shy Women", "Floodplain", "Way It Is, Way It Could Be"

Tamara Lindeman (a.k.a. The Weather Station) joined q's Tom Power to talk about one of the leading issues in the upcoming federal election: climate change.

Tamara Lindeman has received rave reviews for her music, and the quality of her songwriting. If you don't recognize the name, it's probably because, on stage, she goes by the name 'The Weather Station'. We caught up with Tamara Lindeman at home in Toronto to for an in-depth conversation about her music and her upcoming appearance at the 2019 Roots North Music Festival in Orillia on Saturday April 27. For more information visit http://theweatherstation.net. Photo Credit: Shervin Lainez. Music: The Weather Station “Thirty”, “Complicit” and “Impossible” from “The Weather Station” (2017, Outside Music).

Episode 436 of Folk Roots Radio features an in-depth length interview with Tamara Lindeman. You may not recognize the name, but if we tell you that, for music, she goes by the name 'The Weather Station', we're sure you’ll know who she is. A fabulous Canadian musician, Tamara Lindeman is already turning heads with the quality of her songwriting. The Weather Station will be headlining the 2019 Roots North Music Festival in Downtown Orillia ON on Saturday April 27. It’s a great interview, and definitely worth sticking around for. Visit the Roots North Music Festival online at http://rootsnorthmusic.ca. We also check out new music from Tomato Tomato, Mother Banjo, Ross Falzone, Michael Jerome Browne and Dave Gunning. Check out the full playlist on the website: http://folkrootsradio.com/folk-roots-radio-episode-436-feat-the-weather-station-more-new-releases/

Länsi-Suomen Romanit Ry. on Satakunnan alueella toimiva romanikulttuurin yhdistys, joka on perustettu keväällä 2017. Yhdistyksen kantavia voimia on Lindemanin pariskunta, joista Allan Lindeman toimii yhdistyksen puheenjohtajana ja Tamara Lindeman hallituksen jäsenenä. Porissa asuva pariskunta pohtii Romano miritsin haastattelussa yhdistystoiminnan merkitystä. Allan Lindeman kertoo myös työstään lastensuojelun parissa ja siitä, kuinka hän oli nähnyt monien huostaanotettujen lapsien hyötyvän tukiperheiden luona vierailemisesta. Tästä syntyi ajatus, että Lindemanit voisivat toimia tukiperheenä huostaanotetuille romanilapsille, jotka lastensuojelun seurauksena joutuvat kasvamaan ilman oman kulttuurisen viiteryhmänsä tukea. Pariskunta myös pohtii, mitä romaniperheellä olisi annettavanaan pääväestön lapselle, joka saisi tukiperheekseen romaniperheen. Toimittajana Jaakko Laakso.

The Weather Station and Jennifer Castle have recorded a pair of songs together for the third edition of the Polaris Cover Sessions, sponsored by Stingray Music. Included here is The Weather Station’s “I Tried to Wear the World (feat. Jennifer Castle)." Stingray Music host and Polaris juror Zachary Monson spoke to Castle and The Weather Station’s Tamara Lindeman about their musical partnership.

Welcome to Talking Tunes by Girls Are Awesome where we deconstruct female music artists and the processes around one specific song. This episode is hosted by producer and songwriter Vakle. In this episode we're talking to Canadian artist Tamara Lindeman - the woman behind The Weather Station, who gives us a tour of the writing and recording process of her song You And I (On The Other Side Of The World). Besides talking about the track, she also shares her experience producing folk music, she takes about microphones and how to stand up for yourself as a new producer. Find her at www.theweatherstation.net People she mentions: Ben Whitely - Bass Don Kerr - Drummer Afie Jurvanen - Piano Ben Boye - Keys Nathan Salsburg - Guitar Howard Bilerman - ingeneer Gear mentioned: Cakewalk Sonar, Logic, Neumann U67, Royer R-122, Fender Twin Reverb amp. Find us at girlsareawesome.com or instagram.com/girlsareawesome  Vakle can be found on instagram.com/vakle_music

Tamara Lindeman has recorded as the Weather Station for four albums running, but 2017's self-titled release felt a little more like a statement of purpose, a re-assertion of her identity under that moniker. On this episode, Lindeman plays three new songs solo and talks through the new songs as well as her evolution as a songwriter, guitarist and arranger. Songs performed are "You & I (On the Other Side of the World)," "Impossible" and "Free." Engineered by Jon Valley. Recorded on February 14, 2018 at KDHX in St. Louis, Missouri.

Tamara Lindeman discusses the latest and critically-acclaimed self-titled album by the Weather Station, which is available via Paradise of Bachelors and Outside Music. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Hello Fresh Canada, and Planet of Sound. 

This week featuring new tracks from IsKwé, ChessClub, Young Galaxy, and more, as well as an interview I conducted with Tamara Lindeman of The Weather Station when she was in Chicago in 12/17 at The Hideout.Follow this link for this week's playlist: https://goo.gl/5i9yFcAlso WNUR's annual phoneathon & fundraiser is happening from 3/5/18 - 3/14/18 so if you wish to support non-profit community radio please feel free to stop by https://catalyzer.northwestern.edu/project/9549

Tamara Lindeman is a captivating singer and vivid lyricist who operates under the moniker the Weather Station. Currently based in Toronto, Lindeman has been a member of notable bands like Entire Cities, Bruce Peninsula, and Marine Dreams and she has collaborated with Baby Eagle, Bahamas, Doug Paisley, Siskiyou, and more. She recently released a beautiful […]