Podcasts about Tritone

Download the free guide “5 Spells Every Composer Needs.” These spells are interval-based composition techniques that work like magic. In this guide, Frank explains five of his most-used spells with examples so you can implement them in your compositions right away. https://musicintervaltheory.academy/spells/ In this episode of The Music Interval Theory Podcast, Frank challenges the traditional view of the 12 musical intervals and introduces a fresh, practical approach for composers. By grouping intervals into just six core personalities — plus one wildcard tritone — you'll learn how to simplify your composing process and gain deeper control over tension, emotion, and movement in your music. This mindset shift helps you connect theory with real-world composing in a fun, intuitive way.

E dopo i conti sulle pensioni dell'apertura, andiamo in Casa Messaggero con le giornate del nostro quotidiano arrivate al clou con l'accensione del videomapping sul palazzo di via del Tritone come ci spiega l'ideatore e vicedirettore Alvaro Moretti, quindi il commento di Mario Ajello che riguarda il coraggio dei partiti di rinnovarsi a partire proprio dall'età, con l'inviata Claudia Guasco ci occupiamo invece di export e di un traguardo da 700 miliardi l'anno, dall'economia alla cronaca con l'inviata Valeria di Corrado e un caso di assurda burocrazia per la morte di una neonata, l'ampia pagina dedicata allo spettacolo parte dall'America con Anna Guaita e il nuovo destino per la diretta degli Oscar, con l'esperta di cinema del Messaggero Gloria Satta vi sveleremo i dettagli del nuovo film di Checco Zalone, quindi la storia di sport di Massimo Boccucci che ci racconta di uno scandalo del calcio, oggi con il Messaggero c'è l'inserto gratuito MoltoFuturo, da Giampiero Valenza le anticipazione sui contenuti tra cui il primo italiano sulla Luna.

Welcome to Printing Money Episode 34, or “The one where they got back ahead of the curve.” Troy Jensen (Managing Director, Cantor Fitzgerald) returns for back-to-back appearances in the name of delivering to you, the listener, analysis as timely as possible. Herein, Danny and Troy review Q3 2025 3DP/AM public market earnings, but this episode was recorded just a week after Formnext 2025, so the conversation starts with a review of the 3DP/AM industry's largest annual tradeshow. Large format polymer, LPBF Metals, China, Defense, Aerospace, and High-Temp FFF are all keywords. Next comes the classical Q3 2025 analysis. The number of significant pureplay public 3DP/AM firms has gotten smaller, and with Nano Dimension (NNDM) currently in limbo, its earnings become less relevant and the number is even smaller.  Stratasys' entrance into metal AM, 3D Systems' healthcare and defense segments, scaling manufacturing at Materialise, and gross margins at Velo all get due coverage. Happy holiday season, and please enjoy Episode 34 and check out our previous episodes too. This episode was recorded December 2, 2025. Timestamps: 00:12 – Welcome to Episode 34, and welcome back to Troy Jensen (Cantor Fitzgerald) 00:35 – Formnext 2025 impressions: A touch of optimism, with strength in metals, aerospace & defense, and from China. 04:01 – Ultra low-cost LPBF: China's biggest 3DP competition comes from within? 06:10 – Nikon SLM Solutions (Nikon: 7771.JP) shows off momentum, brings massive printer to Formnext 07:40 – EOS flexes, launches its M4 Onyx metal printer at Formnext 09:15 – nLIGHT and Dyndrite help power EOS 10:39 – XACT Metal had a busy booth at Formnext 11:42 – HP (HPQ) launches a high-temp FFF 3D printer at Formnext, looking to expand lines through consolidation? 14:21 – Carbon raises $60M 17:24 – Caracol raises $40M Series B 19:38 – Formlabs demonstrating healthy growth 20:55 – Stratasys (SSYS) Q3 2025 earnings analysis 22:41 – Stratasys invests in Tritone, dipping into metals 26:00 – 3D Systems (DDD) Q3 2025 earnings analysis 28:06 – Materialise (MTLS) Q3 2025 earnings analysis 31:10 – “In Europe, Olive is the new green” 33:10 – Velo3D (VELO) Q3 2025 earnings analysis 35:06 – Thanks again to Troy and thank you all for listening! Disclaimer: This content is for informational purposes only, you should not construe any such information or other material as legal, tax, investment, financial, or other advice. Nothing stated on this podcast constitutes a solicitation, recommendation, endorsement, or offer by the hosts, the organizer or any third-party service provider to buy or sell any securities or other financial instruments in this or in any other jurisdiction in which such solicitation or offer would be unlawful under the securities laws of such jurisdiction.  The information on this podcast is of a general nature that does not address the circumstances and risk profile of any individual or entity and should not constitute professional and/or financial advice. Referenced transactions are sourced from publicly available information. Danny Piper is a registered representative of Finalis Securities LLC, member FINRA/SIPC. This material has been prepared for information and educational purposes only, and it is not intended to provide, nor should it be relied on for tax, legal, or investment advice. Investors should consult with their own tax, legal, and financial professionals before investing. Real estate investments are generally highly risky. They can be volatile, unpredictable, illiquid, and are subject to ebbs and flows and market shifts. Investors also risk the loss of all principal investments.

Madness has become their own institution in the UK. There's an entire culture built around their every move, like a ska version of Jimmy Buffett. Sometimes even legends need a break and to just "make music with their friends" and that's what bassist Mark Bedford has done. "Bedders" has paired up again with mates Simon Charterton and Terry Edwards of 2-Tone band the Higsons to release a new album, Tritone, under their side project The Near Jazz Experience. The NJE's music is an instrumental blend of jazz and funk and makes for easy on the ears listening. Bedders joins us this week to discuss how this band satisfies his creative urges and the state of the mighty Madness. Enjoy!  Music | The Near Jazz Experience The Hustle Podcast | creating podcasts | Patreon

Il protagonista di questa puntata di "Pillole di Sanremo" è Bresh che debutta a Sanremo 2025 con il brano "La tana del granchio".Bresh, con il suo stile rilassato e legato alla natura, richiama Tritone, figlio di Poseidone. C'è un'energia marina e fluida nella sua musica, che sembra scorrere senza sforzo.Iscrivetevi alla nostra Lega del Fantasanremo "Hit charters sanremesi": https://fantasanremo.com/league?id=676e98afdc99bd1a959ad852Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/pillole-di--4800610/support.

The Curse of the 9th Symphony, Verdi's Huanted Opera and the Principal Flutist Eaten by The Orchestra Board; just a few of the spooky stories on this week's Halloween Special as I dress up as a haunted Rudi Völler and sip on a cocktail.Happy Samhain everyone, go practice your scales xInline G Merch:Inlineg.myshopify.comInline G Patreon:patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - Halloween's Irish Roots09:40 - MacBeth to Forza18:24 - The Tritone and The Devil21:42 - The Curse of the 9th27:12 - Baker's Vibrato and ChatGPT31:06 - Flute Cannibalism Hosted on Acast. See acast.com/privacy for more information.

There's a new Doctor in town! This week, we're watching series 14 (I refuse to call it season 1) episode 2, "The Devil's Chord"! The Fifteenth Doctor and his new friend Ruby Sunday the Living Christmas Girl or Something are heading to 1963 to meet the Beatles. What will happen when their music sounds as bad as it does sometimes? How will they cope when they face their toughest foe yet: an actual American actor? Sam | Jordan Cohost | Tumblr | Bluesky | Patreon | Discord | YouTube

Un buongiorno agli e alle SvejersI giornali di oggi martedì 3 settembre 2024 sono letti da Cecilia Ferrara. Su Repubblica si parla dei cancelli che si alzano per impedire ai senza fissa dimora di dormire nelle aiuole dalle mura Aureliane a piazza Dogali.Sul Corriere si dà conto delle nuove licenze di taxi e dei ricorsi degli ausiliari. Sul Tempo, ma non solo, i ritardi e gli avanzamenti dei lavori del Giubileo con la relazione del subcommissario Marcos. E sul Messaggero si parla di affitti alle stelle - singole a oltre 500 euro - ma per il quotidiano di via del Tritone è segno di una città dinamica. Sveja è un progetto di comunicazione indipendente supportato da Fondazione Charlemgane con il programma per Roma Periferia Capitale e da Lush. A domani con Ciro Colonna!Vuoi sostenerci con una piccola donazione? Ora basta un click!Foto Luca Dammicco

When I turned twenty-one in 1994, I embarked on a 500 mile solo hike on the Pacific Crest Trail across the state of Washington.  The Tread of My Soul is a memoir-meets-travelogue written from the trail.  Originally self published and shared with only a handful of family and friends, I recently dusted off the manuscript with the intention of sharing it with a new generation, on the 30th anniversary of its completion. Among black bears, ravens and Indian paintbrush, I grappled with the meaning of life while traversing the spine of the Cascade range with a handful of pocket edition classics in tow. Quotes from sacred texts, poets, and naturalists punctuate a coming of age tale contemplated in the wilderness.What follows is Part 1 of the book, squared off into four long Substack posts. For this first post, I'm also exclusively including Pacific Crest Trail Soundwalk, featuring a binaural field recording captured while hiking the first few miles on the Pacific Crest Trail up out of the Columbia Gorge in Washington. (If you haven't already, feel free to tap that play button at the top of the post.) The 26-minute composition cycles a triad of parts inspired by the letters PCT: part one in Phrygian mode (in E), part two in the key of C, and part three with Tritone substitutions. The instrumentation is outlined with Pianet electric piano, and colored in with synthesizer and intriguing pads built with a vaguely Appalachian mood in mind. It's on the quieter side, in terms of wildlife, but all in all, I think it compliments the reading. It concludes with a pretty frog chorus so, like the book, I'm making it unrestricted, in the hope of enticing some readers to stick with it to the end. If you prefer, you can find The Tread of My Soul in ebook format available for free right now on Apple Books or Amazon Kindle Store (free with Kindle Unlimited, points, or $2.99). If you read it and like it, please feel free to leave a review to help others find it. Thank you. So, without further ado, here we go:The Tread of My SoulComing of Age on the Pacific Crest Trailby Chad CrouchACT 1(AT RISE we see TEACHER and STUDENTS in an art studio. It is fall term; the sun is just beginning to set when class begins. Warm light washes the profiles of eight classmates. The wood floors are splashed with technicolor constellations of paint.)TEACHERHello. Welcome to class. I find role taking a tiresome practice so we'll skip over that and get to the assignment. Here I have a two-inch square of paper for you. I would like you to put your soul on it. The assignment is due in five minutes. No further explanations will be given.STUDENT #1(makes eye contact with a STUDENT #4, a young woman. She wears a perplexed smile on her face.)TEACHERHere you go.                                    (hands out squares of paper.)(People begin to work. Restlessness gives way to an almost reverence, except STUDENT #5 is scribbling to no end. The Students' awareness of others fades imperceptibly inward.  Five minutes pass quickly.)TEACHERTeacher: Are you ready? I'm interested to see what you've come up with.                                    (scuffle of some stools; the sound of a classroom reclaiming itself.)TEACHERWhat have you got there?STUDENT #1Well, I used half of the time just thinking. I was looking at my pencil and I thought…                                    (taps pencil on his knee, you see it is a mechanical model)this will never do the trick. The idea of soul seemed too intense to be grasped with only graphite. So 1 poked a pin sized hole in the paper and wrote:                                    (reading voice)“Hold paper up to sun, look into hole for soul.” That's all the further I got.TEACHER                                    (looking at student #2)And you?STUDENT #2                                    (smiles)Um, I didn't know what to do so all I have is a few specks where I was tapping my pen while I was thinking. This one…                                    (she points to a dot)is all, um, all fuzzy because I was ready to draw something and I hesitated so the ink just ran…(Students nod sympathetically. Attention goes to STUDENT #3)STUDENT #3I couldn't deal with just one little blank square.                                    (holds paper up and flaps it around, listlessly)So I started dividing.                                    (steadies and turns paper to reveal a graph.)Now, I have lots of squares in which to put my soul in. I think of a soul as being multifaceted.TEACHEROkay.  Thank you.  Next…                                    (looking at student #4)STUDENT #4                                    (without hesitation)I just stepped on it.(holds paper up to reveal the tread of a shoe sole in a multicolor print.)The tread of my soul.•     •     •            The writing that follows seems to have many of the same attributes as the students' responses to the problem posed in the preceding scene. While I have a lot more paper to work with, the problem remains the same: how do I express myself?  How do I express the intangible and essential part of me that people call a soul?  What is it wrapped up in?  What doctrines, ideologies and memories help give it a shape?            I guess I identify mostly with Student #4. Her shoe-print “Tread of My Soul” alludes to my own process: walking over 500 miles on The Pacific Crest Trail from Oregon To Canada in the Cascade Mountain Range in Washington. In trying to describe my soul I found that useful to be literal. Where my narrative dips into memoir or philosophy I tried not to hesitate or overthink things.  I tried to lay it all out.            Student #1's solution was evident in my own problem solving in how I constantly had to look elsewhere; into nature, into literature, and into symbology to even begin to bring out the depth of what I was thinking and feeling. Often the words of spiritual classics and of poetry are seen through my writing as if looking through a hole. I can only claim originality in where I poke the holes.            As for Student #2, I am afraid that my own problem solving doesn't evoke enough of her charm. For as much as I wanted to be thoughtful, I wanted also to be open and unstudied, tapping my pen. What I see has emerged, however, is at times argumentative. In retrospect I see that I had no recourse, really. My thoughts on God and Jesus were molded in a throng of letters, dialogues, experiences, and personal studies prior to writing this.Finally, in the winter of my twenty-first year, as I set down to transcribe this book, I realize how necessary it was to hike. Student #3 had the same problem. The soul is complex and cannot fit into a box. Hiking gave me a cadence to begin to answer the question what is my soul? The trail made me mindful. There was the unceasing metaphor of the journey: I could only reach my goal incrementally. This tamed my writing sometimes. It wandered sometimes and I was at ease to let it. I had more than five minutes and a scrap of paper. I had each step.•     •     •            The Bridge of the Gods looks like a behemoth Erector set project over the Columbia River spanning the natural border of Washington and Oregon. My question: what sort of Gods use Erector sets?  Its namesake actually descends from an event in space and time; a landslide. The regional natives likely witnessed, in the last millennium, a landslide that temporarily dammed the Columbia effectually creating a bridge—The Bridge of the Gods. I just finished reading about why geologists think landslides are frequent in the gorge. Didn't say anything about Gods. How we name things, as humankind, has something to do with space and time doesn't it? Where once we call something The Bridge of the Gods it has been contemporarily reduced to landslide. We have new Gods now, and they compel us to do the work with erector sets. Or perhaps I mistook the name: It doesn't necessarily mean Gods made it. Perhaps Gods dwell there or frequent it. Or maybe it is a passageway that goes where the Gods go. It seems to me that if the Gods wanted to migrate from, say, Mt. Rainier in Washington to Mt. Hood in Oregon, they would probably follow the Cascade Ridge down to the Bridge of the Gods and cross there.            If so, I think I should like to see one, or maybe a whole herd of them like the caribou I saw in Alaska earlier this summer, strewn across the snow field like mahogany tables. Gods, I tend to think are more likely to be seen in the high places or thereabouts, after all,The patriarchs and prophets of the Old Testament behold the Lord face to face in the high places. For Moses it was Mount Sinai and Mount Nebo; in the New Testament it is the Mount of Olives and Golgotha. I went so far as to discover this ancient symbol of the mountain in the pyramid constructions of Egypt and Chaldea. Turning to the Aryans, I recalled those obscure legends of the Vedas in which the Soma—the 'nectar' that is in the 'seed of immortality' is said to reside in its luminous and subtle form 'within the mountain.' In India the Himalayas are the dwelling place of the Siva, of his spouse 'the Daughter of the Mountain,' and the 'Mothers' of all worlds, just as in Greece the king of the gods held court on Mt Olympus.- Rene Daumal, Mount Analogue            These days Gods don't go around making landslides every time they want to cross a river, much less perform a Jesus walking on the water miracle. That would be far too suspicious. Gods like to conceal themselves. A popular saying is "God helps those who help themselves." I think if Moses were alive today, Jehovah would have him build a bridge rather than part the waters.            Someone said, "Miracles take a lot of hard work." This is true.•     •     •Day 1.Bridge of the Gods.Exhausted, I pitch my tent on the side of the trail in the hot afternoon and crawl into to take a nap to avoid the annoying bugs.My sweat leaves a dead person stamp on the taffeta floor.Heavy pack.  A vertical climb of 3200 ft.Twelve miles. I heaved dry tears and wanted to vomit.Dinner and camp on a saddle.Food hard to stomach.View of Adams and gorge.            Perhaps I am a naive pilgrim as I cross over that bridge embarking on what I suppose will be a forty day and night journey on the Pacific Crest Trail with the terminus in Canada. My mother gave me a box of animal crackers before my departure so I could leave “a trail of crumbs to return by.” The familiar classic Barnum's red, yellow and blue box dangles from a carabineer of my expedition backpack            As I cross over the bridge I feel small, the pack bearing down on my hips, legs, knees, feet. I look past my feet, beyond the steel grid decking of the bridge, at the water below.  Its green surface swirls. I wonder how many gallons are framed in each metal square and how many flow by in the instant I look?How does the sea become the king of all streams?Because it is lower than they!Hence it is the king of all streams.-Lao-tzu, Tao Teh Ching            On the Bridge of the Gods I begin my quest, gazing at my feet superimposed on the Columbia's waters flowing toward the ocean. Our paths are divergent. Why is it that the water knows without a doubt where to go; to its humble Ocean King that embraces our planet in blue? I know no such path of least resistance to and feel at one with humankind. To the contrary, when we follow our paths of least resistance—following our family trees of religion, learning cultural norms—we end up worshipping different Gods. It is much easier for an Indian to revere Brahman than it is for I. It is much easier for me to worship Christ than it is for an Indian. These paths are determined geographically and socially.             It's not without trepidation that I begin my journey. I want to turn from society and turn to what I believe to be impartial: the sweeping landscape.            With me I bring a small collection of pocket books representing different ideas of the soul. (Dhammapada, Duino Elegies, Tao Teh Ching, Song of Myself, Walden, Mount Analogue, and the Bible.) It isn't that I want to renounce my faith.  I turn to the wilderness, to see if I can't make sense of it all.            I hike north. This is a fitting metaphor. The sun rises in the east and arcs over the south to the west. To the north is darkness. To the north my shadow is cast. Instinctively I want to probe this.•     •     •Day 2.Hiked fourteen miles.Three miles on a ridge and five descending brought me to Rock Creek.I bathed in the pool. Shelves of fern on a wet rock wall.Swaths of sunlight penetrating the leafy canopy.Met one person.Read and wrote and slept on a bed of moss.Little appetite.Began another ascent.Fatigued, I cried and cursed out at the forest.I saw a black bear descending through the brushBefore reaching a dark campsite.            I am setting records of fatigue for myself. I am a novice at hiking. Here is the situation: I have 150 miles to walk. Simple arithmetic agrees that if I average 15 miles a day it will take me 10 days to get to the post office in White Pass where I have mailed myself more food. I think I am carrying a sufficient amount of food to sustain my journey, although I'm uncertain because I have never backpacked for more than three consecutive days. The greatest contingency, it seems, is my strength: can I actually walk 15 miles a day with 60 pounds on my back in the mountains? Moreover, can I continue to rise and fall as much as I have? I have climbed a vertical distance of over 6000 feet in the first two days.            I begin to quantify my movement in terms of Sears Towers. I reason that if the Sears Tower is 1000 feet, I walked the stairs of it up and down almost 5 times. I am developing a language of abstract symbols to articulate my pain.            I dwell on my condition. I ask myself, are these thoughts intensified by my weakness or am I feeding my weakness with my thoughts?            I begin to think about God. Many saints believed by impoverishing their physical self, often by fasting, their spiritual self would increase as a result. Will my spirit awake as my body suffers?            I feet the lactic acid burning my muscle tissue. I begin to moan aloud. I do this for some time until, like a thunderclap, I unleash voice in the forest.            I say, "I CAN'T do this,” and "I CAN do this," in turn. I curse and call out "Where are you God? I've come to find you." Then I see the futility of my words. Scanning the forest: all is lush, verdant, solemn, still. My complaint is not registered here.And all things conspire to keep silent about us, half out of shame perhaps, half as unutterable hope.- Rainer Maria Rilke, Duino Elegies            I unstrap my pack and collapse into heap on the trail floor, curled up. I want to be still like the forest.            The forest makes a noise: Crack, crack, crack.            I think a deer must be traversing through the brush. I turn slowly to look in the direction of the sound. It's close. Not twenty yards off judging from the noise.            I pick myself up to view the creature, and look breathlessly. It's just below me in the ravine. Its shadowy black body dilates subtly as it breathes. What light falls on it seems to be soaked up, like a hole cut in the forest in the shape of an animal. It turns and looks at me with glassy eyes. It claims all my senses—I see, hear, feel, smell, taste nothing else--as I focus on the bear.And so I hold myself back to swallow the call note of my dark sobbing.Ah, whom can we ever turn to in our need?Not angels, not humans and already the knowing animals are aware that we are really not at home in our interpreted world.- Rainer Maria Rilke, Duino Elegies            Remembering what I read to do when encountering a bear, I raise my arms, making myself bigger. "Hello bear," I say, "Go away!"            With the rhythm of cracking branches, it does.•     •     •Day 3.Hiked thirteen miles.Descended to Trout Creek, thirsty.Met a couple en route to Lake Tahoe.Bathed in Panther Creek.Saw the wind brushing the lower canopy of leaves on a hillside.A fly landed on the hairs of my forearm and I,Complacent,Dreamt.            I awake in an unusual bed: a stream bed. A trickle of clear water ran over stones beneath me, down my center, as if to bisect me. And yet I was not wet. What, I wonder, is the significance of this dream?            The August sun had been relentless thus far on my journey. The heat combined with the effort involved in getting from one source of water to the next makes an arrival quite thrilling. If the water is deep enough for my body, even more so:I undress... hurry me out of sight of land, cushion me soft... rock me in billowy drowse Dash me with amorous wet...- Walt Whitman, Song of Myself            There is something electrifying and intensely renewing about swimming naked in a cold creek pool or mountain lake.I got up early and bathed in the pond; that was a religious exercise, and one of the best things I did. They say that characters were engraven on the bathing tub of King Tching-thang to this effect; "renew thyself completely each day; do it again and again and forever again."- Henry David Thoreau, Walden            Is bathing, then, a spiritual exercise?            When I was baptized on June 15, 1985 in the tiled pool of our chapel in the Portland suburbs, I thought surely as I was submerged something extraordinary would happen, such as the face of Jesus would appear to me in the water. And I did do it—I opened my eyes under water— but saw only the blur of my pastor's white torso and the hanging ferns that framed the pool. I wondered: shouldn't a ceremony as significant as this feel more than just wet? I'm guessing that most children with exposure to religion often keep their eyes open for some sort of spectacular encounter with God, be it to punish or affirm them. (As a child, I remember sitting in front of the television thinking God could put a commercial on for heaven if he wanted to.)            Now, only ten years after I was baptized, I still keep my eyes open for God, though not contextually the same, not within a religion, not literally.            And when I swim in a clear creek pool, I feel communion, pure and alive. The small rounded stones are reminders of the ceaseless touch of water. Their blurry shapes embrace me in a way that the symbols and rites of the church fail to.I hear and behold God in every objectYet I understand God not in the least.-Walt Whitman, Song of Myself            And unlike the doctrines and precepts of organized religion, I have never doubted my intrinsic bond to water.And more-For greater than all the joysOf heaven and earthGreater still than dominionOver all worlds,Is the joy of reaching the stream.- Dhammapada, Sayings of the Buddha•     •     •Day 4.Hiked fourteen miles. Climbed to a beautiful ridge.Signs, yellow and black posted every 50 feet: "Experimental Forest"Wound down to a campground where I met three peopleAs I stopped for lunch."Where does this trail go to?" he says. "Mexico," I say."Ha Ha," says he.Camped at small Green Lake.            My body continues to evolve. My hair and fingernails grow and grow, and right now I've got four new teeth trying to find a seat in my mouth.            I turned twenty-one on August sixth. On August sixth, 1945 a bomb was dropped on Hiroshima. The world lost more people than it made that day. When I was born, I suspect we gained a few.            I'm an adult now, and I'm not sure where it happened or why. I wonder if someone had to stamp something somewhere because of it? A big red stamp that says "ADULT".  It was a blind passage for me—just like those persons who evaporated at ground zero on August sixth, 49 years ago.            I do feel like I just evaporated into adulthood. I am aware of the traditional ceremony of turning twenty-one. Drinking. Contemporary society commemorates becoming an adult with this token privilege. Do you have any idea how fast alcohol evaporates? I am suggesting this: One's response to this rite rarely affords any resolution or insight into growth. Our society commemorates the passage from child to adult with a fermented beverage.            I wanted to more deliberate about becoming an adult. Hence the second reason (behind a spiritual search) for this sojourn into the wilderness. I took my lead from the scriptures:And he was in the desert forty days... He was with the wild animal and the angels attended him.- Mark 1:13            Something about those forty days prepared Jesus for what we know of his adult life.I also took my lead from Native Americans. Their rite of passage is called a vision quest, wherein the youth goes alone into the depth of nature for a few days to receive some sort of insight into being.            I look around me. I am alone here in the woods a few days after my birthday. Why? To discover those parts of me that want to be liberated. To draw the fragrant air into my lungs. To feel my place in nature.…beneath each footfall with resolution.I want to own every atom of myself in the present and be able to say:Look I am living. On what? NeitherChildhood nor future grows any smaller....Superabundant being wells up in my heart.- Rainer Maria Rilke, Duino Elegies•     •     •Day 5.Hiked to Bear Lake and swam.Saw over a dozen people. Eighteen miles.Watched raven fly from tree and listened.Found frogs as little as my thumbnail.Left Indian Heaven.            Surprise.  My body is becoming acclimated to long distance hiking. I know because when I rest it is a luxury rather than a necessity.            The light is warmer and comes through the forest canopy at an acute angle from the west, illuminating the trunks of this relatively sparse old growth stand. I am laying on my back watching a raven at his common perch aloft in a dead Douglas fir.            It leaps into its court and flap its wings slowly, effortlessly navigating through the old wood pillars. The most spectacular sense of this, however, is the sound: a loud, slow, hollow thrum: Whoosh whoosh, whoosh....  It's as if the interstices between each pulse are too long, too vacant to keep the creature airborne. Unlike its kind, this raven does not speak: there are no loud guttural croaks to be heard.            Northwest coastal tribes such as the Kwakiutl thought the croaks of a raven were prophetic and whoever could interpret them was a seer. Indeed, the mythic perception of ravens to be invested with knowledge and power is somewhat universal.           My raven is silent. And this is apt, for I tend to think the most authentic prophecies are silent, or near to it.Great sound is silent.- Lao Tzu, Tao Teh Ching            The contour of that sound and silence leaves a sublime impression on me.•     •     •Day 6.Hiked twelve miles.Many uphill, but not most.Met several people.One group looked like they were enjoying themselves—two families.I spent the afternoon reading my natural history book on a bridge.Voles (forest mice) relentlessly made efforts to infiltrate my food bag during the night.            I am reading about how to call a tree a “Pacific Silver Fir” or an “Engelmann Spruce” or “Western Larch” and so on. If something arouses my curiosity on my walk, I look in my natural history book to see if it has anything to say.            Jung said, "Sometimes a tree can teach you more than a book can."            Siddhartha Gautama, the Buddha was enlightened beneath a fig tree.            I read that a 316-year-old Ponderosa Pine east of Mt. Jefferson bears scars from 18 forest fires. Surely that tree taught us one thing a book couldn't.  All things are clues. Everything is part of a complex tapestry of causality.            The grand design behind these mountains has something to do with plate tectonics. Beneath me the oceanic plate is diving beneath the continental at twenty to sixty degrees putting it well under the coastline to where it partially melts and forms magma. This has been happening for millions of years. Every once and a while this magma channels its way up to the surface, cools and turns into igneous rock. Again and again, this happens. Again and again, and yet again until a mountain is made; a stratovolcano.            Meanwhile, on top, water, glaciers, wind, and sun are trying to carry the mountains away grain by grain. Geologic time is as incomprehensible as it would be to imagine someone's life by looking at his or her gravestone. These mountains are gravestones.            Plants fight to keep the hillsides together. Plants and trees do. But every summer some of those trees, somewhere, are going to burn. Nature will not tolerate too much fuel. New trees will grow to replace those lost. Again and again. Eighteen times over and there we find our tree, a scarred Ponderosa Pine in the tapestry.            And every summer the flowers will bloom. The bees will come to pollinate them and cross-pollinate them: next year a new color will emerge.            And every summer the mammals named homo-sapiens-sapiens will come to the mountains to cut down trees, hike trails, and to put up yellow and black signs that read Boundary Experimental Forest U.S.F.S. placed evenly 100 yards apart so hikers are kept excessively informed about boundaries.            Here I am in the midst of this slow-motion interplay of nature. I walk by thousands of trees daily. Sometimes I see just one, sometimes the blur of thousands. It is not so much that a tree teaches me more than a book; rather it conjures up in me the copious leagues of books unwritten. And, I know somewhere inside that I participate. What more hope could a tree offer?  What more hope could you find in a gravestone?•     •     •Day 7.Hiked twenty miles in Alpine country near Mt Adams.More flowers—fields of them. Saw owl. Saw elk.Wrote near cascading creek.Enjoyed walking. Appetite is robust.Camped at Lave Spring.Saw six to ten folks.Didn't talk too much.            Before I was baptized, during the announcements, there was a tremendous screech culminating in a loud cumbf! This is a sound which can be translated here as metal and glass crumpling and shattering in an instant to absorb the forces of automobiles colliding.            In the subsequent prayer, the pastor made mention of the crash, which happened on the very same corner of the chapel, and prayed to God that He might spare those people of injury.            As it turns the peculiarly memorable sound was that of our family automobile folding into itself, and it was either through prayer or her seat belt that no harm came to my sister who was driving it.            Poor thing. She just was going to get some donuts. Do you know why? Because I missed my appointment with baptism. There is time in most church services when people go to the front to (1.) confess their sin, (2.) confess their faith in Christ as their only personal savior, and (3.) to receive Him. This is what is known as the “Altar Call”. To the embarrassment of my parents (for I recall the plan was for one of them to escort me to the front) the Alter Call cue—a specific prayer and hymn—was missed and I sat expectant till the service end. The solution was to attend the subsequent service and try harder.            I don't recall my entire understanding of God and Jesus then, at age eleven, but I do remember arriving at a version of Pascal's reductive decision tree that there are four possibilities regarding my death and salvation:1. Jesus is truly the savior of mankind and I claim him and I go to heaven, or2. Jesus is truly the savior of mankind and I don't claim him and I end up in hell, or3. Jesus isn't the savior of mankind and I die having lived a somewhat virtuous life in trying to model myself after him, or4. Jesus isn't the savior of mankind and I didn't believe it anyhow.            My sister, fresh with an Oregon drivers license, thought one dose of church was enough for her and, being hungry, went out for donuts and failed to yield.Cumbf!            Someone came into the chapel to inform us. We all went out to the accident. The cars were smashed and askew, and my sister was a bawling, rocking little lump on the side of the street. We attended to her, calmed her, and realized there was yet time for me to get baptized. We went into the church and waited patiently for the hymn we had mentally earmarked and then I was baptized. I look back on the calamities of that day affectionately.Prize calamities as your own body.- Lao Tzu, Tao Teh Ching            Those events that surrounded the ritual decry a ceremony so commonplace one often misses the extraordinariness of it; of humanity; the embarrassment of my parents; the frustration and impetuous flight of my sister; and the sympathy and furrowed brow of our pastor. These events unwind in my head like a black and white silent film of Keystone Cops with a church organ revival hymn for the soundtrack.  There was something almost slapstick about how that morning unfolded, and once the dust had settled and the family was relating the story to my grandmother later that day, we began to find the humor in it. Hitting things and missing things and this is sacred. All of it.Because our body is the very source of our calamities,If we have no body, what calamities can we have?- Lao Tzu, Tao Teh Ching            Most religions see the body as temporal and the soul as eternal. Hence, 13th century monks cloistered themselves up denying their bodies space and interaction that their souls might be enhanced.            I see it this way: No one denies their bodily existence, do they? Look, your own hand holds this book. Why do you exist? You exist right now, inherently, to hold a book, and to feel the manifold sensations of the moment.            If this isn't enough of a reason, adjust.            I've heard it said, "Stop living in the way of the world, live in the way of God."            My reply: "Before I was baptized, I heard a cumbf, and it was in the world and I couldn't ignore it.  I'm not convinced we would have a world if we weren't supposed to live in the way of it."Thanks for reading Soundwalk! This is Part One of my 1994 travelogue-meets-memoir The Tread of My Soul. This post is public so feel free to share it.Read: Part 1, Part 2, Part 3, Part 4. Or find the eBook at Apple Books or Amazon Kindle Store. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

Over the last few decades, Apple has produced some of the most recognizable sounds ever made. In this episode, the Apple design team pulls back the curtain on their sound design philosophy and process, from the evolution of the classic “Tritone” alert, to the surprising origins of the Apple Watch sounds, to the inspiration behind the latest notification tones. Featuring Billy Sorrentino, Hugo Verweij and Kelly Jacklin. Sign up for Twenty Thousand Hertz+ to get our entire catalog ad-free. If you know what this week's mystery sound is, tell us at mystery.20k.org. Follow Dallas on Instagram, TikTok and LinkedIn. Watch our video shorts on YouTube, and join the discussion on Facebook. This episode is brought to you by BetterHelp. Get 10% off your first month at betterhelp.com/20k. Find the right doctor, right now at zocdoc.com/20k. Claim your $75 sponsored job credit at indeed.com/hertz. Get a free Netsuite KPI Checklist at netsuite.com/20k. Episode transcript, music, and credits can be found here: www.20k.org/episodes/the-sound-of-apple Learn more about your ad choices. Visit megaphone.fm/adchoices

Un Mondiale (l'ennesimo) carico di medaglie, e lo sguardo rivolto ai Giochi di Parigi2024. Tutto questo ha costruito la classe, il talento, la determinazione di Giorgio Minisini, fenomeno del nuoto artistico italiano e Mondiale. Ai Mondiali degli sport acquatici di Doha, in Qatar, il 27enne romano ha conquistato l'oro nell'individuale programma libero (primo titolo individuale della sua straordinaria carriera), dopo l'argento individuale nel programma tecnico. Medaglie che sono arrivate malgrado la delusione del sesto posto nella prova del duo misto tecnico, quando proprio un suo errore è costato il podio alla coppia che forma con la 19enne Susanna Pedotti. Ripartendo da quanto accaduto a Doha, Giorgio Minisini racconta il suo passato e il suo futuro oggi a Olympia.

Dan, Greg and Shari. Greg La Follette is back on California Wine Country with Steve Jaxon and Dan Berger. He is now the winemaker at Marchelle Wines. Greg has been on CWC several times before, the most recent is this episode from May 25, 2022 when he came in with his label at the time, GLF Wines. Greg's special guest is Shari Gherman, co-founder & President of the American Fine Wine Competition. Participation in their competition is by invitation, and they invited several of Greg's wines. They have a vetting committee that only admits the best wines. His wines were “off the charts” and won lots of gold medals, scored over 90 points and collected some best of class awards. This particular Chard is a 2021 and won a double gold and 95 points. Tritone means it comes from three counties (not the musical term) including Santa Barbara, Mendocino and Sonoma counties. Dan likes it because it has great flavor and also great acidity, to accompany food. That's different than the Colmbard, which is more for drinking. Click the logo to visit our sponsor Bottle Barn online for the coolest bargains on wine, beer and spirits. The Vine Whisperer Greg La Follette is the “vine whisperer” and the “cellar magician” as Steve says. He has worked 68 vintages on 5 continents, is a former seminarian and biochemist. Because of the research technique called HPLC that he was trained in, he found a job looking at antibiotics but when the Aids effort began his skills were needed there, for the next four years. He also worked with André Tchelistcheff, who resurrected California wine after Prohibition. Georges de la Tour had started Beaulieu and went to the Pasteur Institute in Paris and asked the director who the best student was. It was André so Georges hired André to come to California where he trained decades of winemakers like Greg. This next wine is a Pinot Noir called Fourth Act. Greg's winemaker Evan named is for Greg, as this is the fourth winery that he has owned. This is their blend wine. Dan says it smells exactly like a great Pinot Noir, lots of fruit flavors. Shari points out that it also got a double gold and 95 points at her competition. It also got one at Dan Berger's International Competition last month, it got best of class and best of show.

Learning the Blues from the Masters, Part 3 - Joel Frahm My transcription and analysis of the incredible Joel Frahm's solo on 'After Supper'.   01:50 - Whole solo 04:50 - 1st Chorus (Blues scale, simple lines) 11:39 - 2nd Chorus (Diminished scale, Tritone substitution, Lydian dominant) 18:42 - 3rd Chorus (More blues scale, Tritone substitution, Perfect ending) The transcription pdf (in Bb, Eb and Concert) is available on my website www.mirkoguerrini.com  Subscribe to my channel. Gear used in this video: Audio-Technica ATH-E40 Professional In-Ear Monitor Headphones  https://amzn.to/4aAGrXE AKG 414XLII Multipattern Condenser Microphone https://amzn.to/3XErFZB Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps https://amzn.to/3TZpv3C

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on June 26th, 2020, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #159, we look at the amazing Tritone Substitute, but in a very different setting than most of us are used to seeing it. Join Jeff, John Coltrane, and Dexter Gordon as we look at the Triton Sub on a "II" chord. It's a super hip sound, and a great concept and option to be aware of. Let's dig in!Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on June 5th, 2020, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #156, Jeff dives into Tritone Subs . . . what are they, why should we care, and how do we use them? All good questions, and he has some good answers for you. Plus, a super-hip Johnny Griffin lick from a great Thelonious Monk album. Nice!!Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

Remington and Jeana get into the Devil's Tritone, the lyrical breakdown of ”The Girl from Ipanema” & “Sympathy for the Devil”, the mythology of selling your soul, Pluto in Leo, Capricorn / Cancer dynamics, music notes of parenting, and a deep dive into the Chariot and Devil cards of the Tarot.PLUS: Young Remington's run in with a High Satanic Priestess named Bianca Jagger, Olivia Wilde's sexy salad dressing, West Side Story, Richard Prince's Instagram art and more.Gathering of the Sacred Star (July 27—30th) | BOOK NOWUSE THE CODE: SACREDSTAR23 & save $200

Finalmente quelle di Ultima de-Generazione hanno fatto una cosa buona: si sono spogliate. Ma contro il fossile.Parenzo si chiede, ma a cosa serve questo programma?"Io, Parenzo voglio bene a Gasparri"Massimiliano da Roma e i viaggi a Trevignano. Poi è un Giordaniano di ferro. Inchieste, inchieste, inchieste. Ordine, ordine, ordine.Maurizio Ruggiero e l'uranismo. Bambalau commenta i fatti del giorno tra Francia e Italia. La Meloni... gli piace!Miriam Falco commenta quanto successo oggi in Via del Tritone. "I bambini che nascono saranno fritti".Poi si prende gli applausi parenziani dando del vecchio a Cruciani.Don Joystick Patrizio Coppola e la pedofilia. Ma anche Parenzio.Il nostro amante di prostitute, Giovanni da Padova, racconta la storia deludente appena avvenuta.Annarita Briganti... commenta il fattaccio.

Award-winning British composer Tamsin Jones joins the podcast to discuss the Renaissance choral work “Innsbruck, ich muss dich lassen” by Heinrich Isaac, and shares two choral works of her own--one of which is inspired by and includes the melody from “Innsbruck, ich muss dich lassen”. Melody: “Innsbruck, ich muss dich lassen” Wikipedia: https://en.wikipedia.org/wiki/Innsbruck,_ich_muss_dich_lassen https://youtu.be/rI712ZGflAQ Composer / Songwriter: Heinrich Isaac (ca. 1450–1517) Duration: 1:28:25 Intro and guest questions – 0:00 Pre-discussion about “Innsbruck, ich muss dich lassen” – 13:46 Review of the melody – 18:15 Lisa shares – 1:03:28 Guest Composer:  Tamsin Jones Website: https://tamsinjones.co.uk/ Twitter: https://twitter.com/TamsinJones17 Tamsin Jones: Noel: Verbum Caro Factum Est (Chamber Choir Ireland, 2020): https://youtu.be/jwbwanPnT2g Music Mentioned in this Episode: Melody from the Theme from Bagpuss: https://youtube.com/clip/UgkxMXIVDkbqYQDLnQpLr1a1GwBwGbACmjoK Bagpuss (Playlist of Episodes): https://www.youtube.com/watch?v=Ki_FGayUGDY&list=PLLhOnau-tupR9j5yizKawnOF7fLkDKL4e Arvo Pärt – Tintinnabuli: https://youtu.be/m6xEktSFhe0 Arvo Pärt – Spiegel im Spiegel: https://youtu.be/JxYZu9piR64 Arvo Pärt – Für Alina: https://youtu.be/auD7AlDrHgI Arvo Pärt – Cantus in memoriam Benjamin Britten: https://youtu.be/TVZZgfXNFW8 Arvo Pärt – Magnificat: https://youtu.be/TJ0cd15DZWg John Tavener – The Lamb: https://youtu.be/Jp1Eq4nfnKc John Tavener – Song for Athene: https://youtu.be/tK3bIQxMMEg Eric Whitacre conducts “Leonardo Dreams of His Flying Machine”: https://youtu.be/nsLiivVgxmM Definitions in this Episode: Mixolydian Mode: https://en.wikipedia.org/wiki/Mixolydian_mode Half Cadence: https://en.wikipedia.org/wiki/Cadence#Half_cadence Wabi-sabi: https://en.wikipedia.org/wiki/Wabi-sabi Tritone: https://en.wikipedia.org/wiki/Tritone Recorded:  October 21, 2022 using Riverside.FM https://Riverside.FM  Musical score for reference created using FREE Musescore software: https://www.musescore.org Video of musical score for reference created using Musescore Online: https://www.musescore.com Melodology Podcast on Patreon: https://www.patreon.com/melodypodcast

Topics: Treefort, Paul Bowles, The Sheltering Sky, Last Works, Web Of Connection, Valis, Mother Goose, Ziggy, Synchronicity, 42 Clues, The Next Day, Rock 'n' Roll Suicide, Intention, Composition, Resolution, Tritone, Modal, Theater, Loving The Alien, Art, Th...

Conducono la puntata 447 Ilaria e Giuliana!Iniziamo scoprendo le ultime novità per quanto riguarda terapie a base di sostanze psicotrope, anche dette droghe. In particolare, è stato scoperto un nuovo meccanismo molecolare delle sostanze psichedeliche. Piccola nota: la psilocibina non si trova nel peyote, come erroneamente detto durante la puntata, bensì nei funghetti allucinogeni. Nel peyote invece c'è la mescalina.Per approfondire: https://pubmed.ncbi.nlm.nih.gov/36795823/Puntata 301: Con l'aiuto del sole, vincerò!Ilaria si smaterializza e ricompare nell'esterna, in cui intervista Luca Soattin, research associate all'università di Manchester. Luca ci racconta la sua ricerca sulla conduttività cardiaca e una sua recente scoperta sulle cellule pacemaker del nodo atriale. Tutto quello che succede in un battito di cuore.Per approfondire: https://www.frontiersin.org/articles/10.3389/fphys.2021.592229/Infine sfatiamo qualche mito sul letargo degli animali: per esempio, è vero che il letargo è un lungo sonno? E gli uomini? Abbiamo letto un titolo che dice “Anche l'uomo va in pseudo-letargo, d'inverno dorme di più“, ma sarà proprio così? Infine parliamo del meccanismo per cui, quando suona la sveglia, ahimé di solito ci svegliamo…Per approfondire:– https://www.raiplay.it/video/2023/01/Superquark-piu-Nutrirsi-digiunando-1642c9ee-f310-428d-972f-10bdfc4a0c21.html– https://www.frontiersin.org/articles/10.3389/fnins.2023.1105233/– https://pubmed.ncbi.nlm.nih.gov/36754050/Ah, dimenticavamo… in questo episodio c'è una barza veramente brutta che vi tornerà utilissima se vedete qualcuno vestito da Sirena (o Tritone)!Alla prossima!

Flutist & Star Wars music researcher Samantha Tripp returns to the show to talk about the rich sonic environment of Dagobah! This is EMPIRE STRIKES BACK Minutes 41-45. Discussion Guide: 0:00 - Hello there! 4:27 - How do you feel about the Asteroid Field concert arrangement? 16:15 - Violin articial harmonics at the end of the Asteroid Field. 20:12 - Flute harmonics. 29:20 - Semitonal Slip. 36:22 - Muted trombones. 43:07 - Two layers of glissando. 48:03 - The can-can? 50:45 - Dagobah reverb. The rich sonic environment of Dagobah. 54:21 - The music telling us not to be worried about Artoo. 59:35 - Ridiculously high piccolo tutti that would be hard to do in tune. Smart orchestration choice that brings in the Eb clarinet. 1:07:30 - Sinewy, slurred string line that makes the 16th notes sound like syncopated 8th notes. 1:13:18 - An added rest in the Droids theme. 1:27:12 - Tritone at the end of the Dagobah music foreshadowing/leading into the Imperial March. 1:35:20 - Music demarcating the status difference between Vader and Piett. 1:41:48 - Imperial March and the flat submediant. 1:48:48 - The Imperial March's invariance. 2:00:50 - Listener question about potential bias toward British composers. 2:14:10 - Ben Burtt's Dagobah sound design. 2:19:54 - Recap of the 4 sections in these minutes. 2:21:36 - SWMM Questionnaire. Things to Check Out: John Williams Conference - https://johnwilliams.sciencesconf.org/ Bartók: Romanian Folk Dances (arr. for violin) - https://youtu.be/MVt85w21MoQ?t=108 (queued up to the artificial harmonics section) Offenbach: Orpheus in the Underworld (Can-Can starts at 6:58) - https://youtu.be/vEnW5_GTooI Score: A Film Music Documentary - https://www.score-movie.com/ "Essay for Strings" (John Williams) - https://youtu.be/L3Jd9ysG314 "Essay for Orchestra No. 1" (Samuel Barber) - https://youtu.be/8ZkB-hHGqWw Edward Elgar "Symphony No.1 " (2. Mov.) https://youtu.be/y4TI8yxKhRE Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: End of 4M3 "The Asteroid Field" 5M1 "Crash Landing" Musical Themes: 11a. Han & Leia (A Section) 28) Semitonal Slip 1a. Main Theme (A Section) 13. Droids 10a. Imperial March (Theme) Where are we in the soundtrack(s)?: "The Asteroid Field" "Arrival on Dagobah" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? New answer: Texture. Motion. Thematic. Solo season answer: Powerful, evocative, grandiose ANH season answer: Powerful, evocative, grandiose 2. What's something related to Star Wars music or sound that you want to learn more about? New answer: More about the behind-the-scenes people: recording engineers, music editors, orchestra librarians, contractors, etc. Solo season answer: Musician stories from recording the sequel films, particularly The Rise of Skywalker. ANH season answer: What was it like for the musicians recording the original trilogy, particularly the first film? Did they realize that they were playing something so iconic? 3. What's a score or soundtrack you're fond of besides anything Star Wars? New answer: The Shape of Water (Alexandre Desplat)  Solo season answer: The Shape of Water (composed by Alexandre Desplat) ANH season answer: Spider-Man: No Way Home (composed by Michael Giacchino) --------------- Guest: Samantha Tripp Recursive References and In-Universe Instances of the Imperial March (MaMI conference presentation by Samantha Tripp and Frank Lehman) - https://www.youtube.com/watch?v=lYV7O3uSZn0  YouTube channel: https://www.youtube.com/channel/UC3hiwYy5oTsb50N-kxRhonA ANH 23: Trench Run Tension (Minutes 111-115 with Samantha Tripp) - https://youtu.be/7VgkV0f5GwE Solo 3: Imperial March Diegesis (Minutes 11-15 with Samantha Tripp) - https://youtu.be/Kj9EAuzCY68 ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

What makes scary music scary? We can only SPOOKULATE! Join us as we examine some well known scary scores in the classic music and cinematic genres. We will discuss some reoccurring themes, such as the dreaded "Dies Irae". We will discuss reoccurring intervals, such as the minor 2nd and the tritone. Grab you pop corn and maybe don't listen all by yourself. MWAHAHAHAHAHA!!!

The epic of boating (A presentation by Luca Cottini, PhD)* The joy of a boat ride. From Dante to the 21st century* #boating as a #storytelling metaphor and a long-lasting craft* Four generations of #boat making. The Riva story from Sarnico to the world. From racing to luxury* The vision of a bold entrepreneur. The synthesis of wood craft and American engine technology* Carlo Riva's transformation of the boat into an object of lifestyle. Celebrities and glamour* The historic Riva models (Tritone, Sebino, Florida) and the myth of Aquarama* The collaboration between Riva and Lamborghini. The Aquarama #278 * Re-inventing global #yachting, The International Tourist Port in the Tigullio Gulf* A long-lasting legacyCheck out all the other episodes in the content library and make sure to join the newsletter of the show at www.italianinnovators.com. Don't forget to leave your comment here below and subscribe to the YouTube channel. Thanks for listening!

Send us a textWhen is a dominant chord not a dominant chord?When it's a tritone substitution!We try to demystify this term and speak about its use in jazz harmony.

When is a dominant chord not a dominant chord?When it's a tritone substitution!We try to demystify this term and speak about its use in jazz harmony.

The Tritone, a combination of two specific notes, is known as the Devil's Interval, but why is it so evil? And what does it sound like? We play it for you and bring on the brimstone. Join the discussion at facebook.com/groups/homespunhaints

For the first episode of our season on the dark arts (no Harry Potter), join Allison and Chris as they literally and figuratively set the tone for this show and discuss the Devil's Interval, also known as the tritone. This discordant series of notes features heavily in music throughout the centuries, and has carried with it the reputation of being banned by the Catholic church during the medieval period for its ability to inspire lasciviousness, perniciousness, and possibly even summon Lucifer himself.And as a couple of middle-aged folks are wont to do, they spend a little time reminiscing about ska and Gregorian chants.Credits:Graphics -- Nathaniel DicksonMusic -- Spencer MorelockAdditional Info:Adam Neely's Video on The Devil's Interval

Another in our series of music theory podcasts, this time we focus on the whole tone scale. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or hexatonic scales. A single whole tone scale can also be thought of as a "six-tone equal temperament". Some early instances of the use of the scale in jazz writing can be found in Bix Beiderbecke's "In a Mist" (1928) and Don Redman’s "Chant of the Weed" (1931). In 1958, Gil Evans recorded an arrangement that gives striking coloration to the "abrupt whole-tone lines"of Redman's original. Wayne Shorter's composition "JuJu" (1965), features heavy use of the whole tone scale, and John Coltrane's "One Down, One Up" (1965), is built on two augmented chords arranged in the same simple structure as his earlier tune "Impressions"However, these are only the most overt examples of the use of this scale in jazz. A vast number of jazz tunes, including many standards, use augmented chords and their corresponding scales as well, usually to create tension in turnarounds or as a substitute for a dominant seventh chord. For instance a G7 augmented 5th dominant chord in which G altered scale tones would work before resolving to C7, a tritone substitution chord such as D♭9 or D♭7♯11 is often used in which D♭/G whole tone scale tones will work, the sharpened 11th degree being a G and the flattened 7th being a C♭, the enharmonic equivalent of B, the major third in the G dominant chord.Art Tatum and Thelonious Monk are two pianists who used the whole-tone scale extensively and creatively. Monk's "Four in One" (1948) and "Trinkle-Tinkle" (1952) are fine examples of this.

What's in a name? Remington is joined by guest co-host Libby a.k.a. OSLEE Music, and they discuss the potential banality of past lives, personal experiences of the creative process, and being born into the devil's tritone of unresolved tension.Other topics include: physical astrology and numerology, the polarity between Leo and Aquarius, Remington's theories of predictive programming, and the bullshit of “it wasn't meant to be.”Follow Libby on IG: @oslee_musicListen to Oslee Music here:BANDCAMPSPOTIFYAPPLE MUSIC Support our Sponsor:WAVEBLOCK

Play some BIG chords with both hands. Daily lessons at https://jazzpianodaily.com

Add tritones to your blues progressions! Daily lessons at https://jazzpianodaily.com

Learn how to master your tritones! Daily lessons https://jazzpianodaily.com

Learn how to master your tritones! Daily lessons https://jazzpianodaily.com

Learn how to master your tritones! Daily lessons https://jazzpianodaily.com

For singers in the soprano range (C4 - C6). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the soprano range (C4 - C6). 100 Intervals: ascending and descending perfect fourths, tritone and perfect fifths. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the alto range (F3 - F5). 100 Intervals: ascending and descending perfect fourths, perfect fifths and tritones. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the alto range (F3 - F5). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the alto range (F3 - F5). 100 Intervals: ascending and descending P5, min6, maj6, min7, maj7, octave. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the tenor range (C3-C5). 100 Intervals: ascending and descending perfect fourth, tritone and perfect fifth. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the tenor range (C3-C5). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the soprano range (C4 - C6). 100 Intervals: ascending and descending perfect fourths, tritone and perfect fifths. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the soprano range (C4 - C6). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the alto range (F3 - F5). 100 Intervals: ascending and descending perfect fourths, perfect fifths and tritones. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the alto range (F3 - F5). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the bass range (E2 - D4). 100 Intervals: ascending and descending perfect fourths, tritones and perfect fifths. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the bass range (E2 - D4). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4 How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the bass range (E2 - D4). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4 How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

For singers in the tenor range (C3-C5). 100 Intervals: ascending and descending min2, maj2, min3, maj3, P4, #4. How to practice: The starting note will play twice before playing the first and second note of the interval. During this time, imagine the interval in your head and really hear it. Once the two notes have, prepare to sing both the start note and the interval. Do at least 5 minutes a day for good results.

Master Skywalker throws his lightsaber out the door, porgs jump all over it, Chewbacca breaks into Luke's hut, we see Jedi tchotchkes, and Snoke says mean things to Kylo Ren, who ultimately smashes his ridiculous mask into a smoldering heap. Joining me today is fellow nerd Ralph Apel from Casino Skunk! Episode highlights: How porg sounds were made  The scene with Luke's Force accoutrements The use of tritones... the devil's interval? Imperial March cameo 3 progressively angry Kylo Ren themes (piano demonstration) and the symbolism therein A discussion on scores vs soundtrack versions Galaxy's Edge sound secrets Ralph Apel is at casinoskunk.com, and @casinoskunk on Twitter, Instagram, YouTube, and Patreon. Star Wars Music Minute is on Instagram @starwarsmusicminute, and Chrysanthe is on Twitter @chrysanthetan and Instagram at @chrysanthetan. If you have questions or suggestions, email podcast@starwarsmusicminute.com or (new!) fill out this quick form.