Podcast appearances and mentions of Zack Fox

Recorded back in September, Smilez is joined by special guest @Project.Sham , who educates him on the realities of living with sickle cell, the promising new curative options available, and the critical role of blood donations. They dive into all things blerd, discussing the hit Netflix show Supacell, anime, and DreamCon, along with Shamonica's group @Geeky.Girls.Dallas . The conversation also touches on love and relationships, with Shamonica sharing her experiences as a newlywed and Smilez opening up about his engagement. They discuss concerts they've attended and Shamonica introduces Smilez to her favorite artists, Teezo Touchdown and Zack Fox. Don't miss this fun and informative episode! Purchase a Music Mpulse Shirt: https://www.inaudibleraucous.com/shop⁠ ⁠ Subscribe and Follow:⁠ YouTube: https://www.youtube.com/@inaudibleraucouspodcast2731/videos⁠

After undergoing facial-reconstructive surgery, Edward becomes fixated on an actor in a stage production based on his former life. That's the setup for A Different Man starring Sebastian Stan, written and directed by Aaron Schimberg. All that and a discussion of best plays-within-films from movie history. The Wrap's Kristen Lopez joins us! What's Good:Alonso - Kelly Bishop, The Third Gilmore GirlDrea - zackfox.comKristen - finally ready to start Spooky SeasonIfy - Ranting for a good cause (fundraising for Ysabel Jorado campaign) ITIDIC:Major Cineplexes Plan $2 Billion UpgradeMagic: the Gathering Animated Series Hits the Restart Button with New ShowrunnerSaiorse Ronan Could Make Oscar HistoryStaff Picks:Alonso - In the SummersDrea - Rez BallKristen - The Wild RobotIfy - The Substance kristenklopez.comTicklish BusinessPlugs!See In The SummersWatch Rez BallWatch Hollywood BlackWatch The Mirror GameSee Alonso in Dallas with The Last of Sheila (9/26)Watch Drea's A New York StoryFollow us on BlueSky, Twitter, Facebook, or Instagram  Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

On this episode of The Danny Brown Show, Zack Fox and Mandal stop by to talk about DJing, BBQing, and IHOP Spaghetti. They also discuss terrible foods, bad fan art, wildlife, Chappell Roan, and something called CocaCola Salad, which looks disgusting. The two guests also help Danny answer questions about scream yoga, a cheating ex, and getting pooped on by a girl in bed. Other topics include: beavers, public executions, pizza pants, and Sandra Bullock looking like Michael Jackson. It's a banger. Enjoy! The Danny Brown Show Ep. 120 https://xdannyxbrownx.com https://store.ymhstudios.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Unlock the full episode here: https://www.patreon.com/coldpod Jason Voltaire aka Martyn Bootyspoon is a Montreal based DJ and producer. His latest EP 'Bingo!' is out now on Fools Gold Records. Jason sat down with us to discuss Ozempic, Chief Keef, Toronto crowds, being one degree of separation from OVO goons, the 'Grimes world domination years', the infamous Torn Curtain police raid, taking a break from Montreal, Bar Bruno, the origin of the Martyn Bootyspoon persona, Sinjin Hawk, Korova Bar, 2010's Mile End dudes, academia bros, McGill house parties, beefing with someone named 'Young Bootyspoon', A Club Called Rhonda, Zack Fox, 'serious dance music', John Waters, laughing during 'Anatomy of a Fall', Varg2tm, Dance Mania, Ghettotech, Chloe Wise, Brat Green brain rot, Space Jam, The O.C., summer 2015, Blog House, Ibiza, bottle service music, Fools Gold Records, Le Chateau, Electric Circus, The Strokes, David Lynch, treating Twitter as a diary, stealing memes and more! Martyn Bootyspoon Josh McIntyre Austin Hutchings ---- COLD POD

This week is the series finale of I Know That's Right. For this last ep, Taryn runs through what she knows is right about women's basketball, Abbot Elementary, and Zack Fox. It's been real, y'all. We'll be seeing ya!Follow Taryn: @_TARYNitUP Hosted on Acast. See acast.com/privacy for more information.

Hey Lil Mommas! Instead of Thursday's Motherf*ckin Mini Episode, we will be releasing the My Momma Told Me Live in LA early. Enjoy!  Send your conspiracy theories, music drops, and more to mymommapod@gmail.com FOLLOW + SUBSCRIBE ON ALL PLATFORMS FOR ALL HILARIOUS AND PROBLEMATIC TALKS: INSTAGRAM: https://www.instagram.com/mymommatoldmepod/ YOUTUBE: https://www.youtube.com/channel/UCm1wMf8iYG-imuTwqje2PNg TIKTOK: https://www.tiktok.com/@mymommatoldmepod?lang=en MY MOMMA TOLD ME MERCH IS NOW AVAILABLE! Get your items before the busy holiday season. Visit mymommatoldme.merchcentral.com Bye, bitch! See omnystudio.com/listener for privacy information.

"Poor Things" (1:32), the heavily anticipated film from Yorgos Lanthimos starring Emma Stone has finally hit theaters. We've also been watching other things (19:30) and spend some time to catch up, including: Scott Pilgrim Takes Off, Leave the World Behind, May December, Project Greenlight, When Evil Lurks, I'm a Virgo, Fionna & Cake, and Young Love. Also the nominations for the 2024 Golden Globes (57:53) have been released and feel a little different this time around so we had to take the time to acknowledge them and give some early predictions. The 2023 Game Awards (1:36:03) also happened this past weekend and we take the time to discuss some of the highlights from the show. (Song: Jesus Is The One (I Got Depression) x Zack Fox)

Tickets are available now for YMH's new special event, 69 Minutes! Get your tickets at https://69minutes.ymhstudios.comOn this episode of The Danny Brown Show, Zack Fox stops by to talk about his love for rap, working on new projects, and having too much swag. He and Danny answer questions about an ugly boyfriend, being in the friend zone, and the best chicken wings. They also discuss the DJ Envy scandal, Bitcoin, and gatekeeping. Other topics include: the Detroit Zoo, Jordan Poole, free climbing, and Certified Trapper. We also get some fun freestyles and another White People Shit segment. Enjoy!You got a question or freestyle you want to send Danny's way? Hit him up at danny@thedannybrownshow.com or leave him a voicemail at (512)522-9256Danny@TheDannyBrownShow.com(512)522-9256https://xdannyxbrownx.comhttps://store.ymhstudios.com/

Scrump and Drew talk the music of Snoop Dogg, Usher, Alicia Keys, Drake, The Frights, Zack Fox, MF DOOM, Danger Mouse, Talib Kweli, Austin Lucas, Dropkick Murphy's, Three 6 Mafia, Kenny Loggins and more! Drop It Like It's Hot-Snoop Dogg ft Pharrell Williams My Boo-Usher ft Alicia Keys Danger Zone-Kenny Loggins Ridin Spinners-Three 6 Mafia ft Lil' Flip The Shoe Fits-Drake Crust Bucket-The Frights faro-Zack Fox Old School-DANGERDOOM ft Talib Kweli Alone In Memphis-Austin Lucas Cruel-Dropkick Murphy's Patreon Merchandise   Sponsors: Manscaped Use promo code: PWTCAST to get 20% off AND Free shipping   Social Media: Twitter Instagram 

Hey Lil Mommas! My Momma Told Me live episodes are available on the first Friday of every month on Diamond Bonus. Live episodes will become available to the public two weeks later.  Send your conspiracy theories, music drops, and more to mymommapod@gmail.com FOLLOW + SUBSCRIBE ON ALL PLATFORMS FOR ALL HILARIOUS AND PROBLEMATIC TALKS: INSTAGRAM: https://www.instagram.com/mymommatoldmepod/ YOUTUBE: https://www.youtube.com/channel/UCm1wMf8iYG-imuTwqje2PNg TIKTOK: https://www.tiktok.com/@mymommatoldmepod?lang=en Bye, bitch! See omnystudio.com/listener for privacy information.

Eric and comedian/rapper Zack Fox talk about bombing while performing in the Blackest room in Detroit and the whitest room in Salt Lake City, the complications of mixing live music and comedy, and witnessing friends attempt stand-up comedy for the first time. A story involving Dave Chappelle giving sage advice and eventually being ditched for cocaine in a parking lot. Molly may possibly be the only drug to get you through the Comedy Store. Zack eventually wants to take Rhino pills and Eric tells stories about Viagra. An existential crisis sinks in when the guys realize all the dumb stuff they have sent and typed over text. Rate and Review Bombing with Eric Andre here!Do you like listening to Bombing and want extended conversations with more bombing stories every week? Then check out Big Money Players Diamond, a new subscription available exclusively on Apple Podcasts, where you can get exclusive material from all my interviews for the show, plus 100% ad-free episodes every week. See omnystudio.com/listener for privacy information.

Langston and David answer an email about smoking weed during pregnancy leaves babies with dark lips. Dates and special guests are announced for the Fluoride and Barbicide Tour. Send your conspiracy theories, music drops, and any problematic talks to mymommapod@gmail.com We are now on YouTube! Listen & Watch episodes of My Momma Told Me. Subscribe to the channel here! Want to follow the craziness of Black conspiracy theories? We're on Instagram at @mymommatoldmepod My Momma Told Me is going out tour! Find your nearest city here and get your tickets.See omnystudio.com/listener for privacy information.

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Thundercat's music education and evolution, from 1. Messing with his dad's Billy Cobham records with his brother Ronald → 2. Growing up with two musician parents, and going to gigs with his dad → 3. Befriending Kamasi Washington and their teacher Reggie Andrews taking them under his wing → 4. Forming the Young Jazz Giants and gigging all over town, including at Laker games → 5. Joining a boy band and touring Europe as a teenager → 6. Playing in Suicidal Tendencies and learning how to be tough on stage → 7. Being encouraged to make his own records by his friend Flying Lotus Thundercat (Stephen Bruner) is a multiple Grammy Award-winning bassist, vocalist, producer, and composer from Los Angeles. His most recent album, It Is What It Is, released in the spring of 2020, won Best Progressive R&B Album at the 63rd Grammy Awards and features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole, Pedro Martins, and Zack Fox. Thundercat produced the record with his longtime partner Flying Lotus. That album followed Bruner's game-changing third album, Drunk (2017), which completed his transition from virtuoso bassist to bona fide star and cemented his reputation as a unique voice that transcends genre. Previous releases include The Golden Age of Apocalypse (2011) and Apocalypse (2013), followed by EP The Beyond / Where The Giants Roam featuring the modern classic “Them Changes.” He was later “at the creative epicenter” (per Rolling Stone) of the 21st century's most influential hip-hop album, Kendrick Lamar's To Pimp a Butterfly, which earned him a Grammy for his collaboration on the track “These Walls.” He has continued to collaborate with Lamar, in addition to recent collaborations with Silk Sonic (Bruno Mars and Anderson .Paak), Haim, H.E.R., and Kaytranada, as well as contributing bass and vocals for “Black Gold,” the theme song of Netflix's anime series Yasuke (scored by Flying Lotus), and an original song for the final season and soundtrack of HBO's Insecure. In addition to music, Thundercat recently made his acting debut with a recurring role as The Modifier in the Star Wars series The Book of Boba Fett, appeared as the face of recent fashion/brand campaigns with Kerwin Frost x Beats and Salehe Bembury x New Balance, and was a guest at Paris Fashion Week and other events from Spanish luxury designer Loewe. The name Thundercat refers to the cartoon he's loved since childhood and an extension of his wide-eyed, vibrant, often superhuman approach to his craft.  Follow Silverlake Conservatory of Music at @silverlake_conservatory  For more information on Parallel, visit parallel.la Follow Cadence13 at @cadence13 Follow Thundercat at @thundercatmusic Follow Flea at @flea333 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On our new weekly lightning round mini ep with JID, we're fucking around with microphones that look like dicks vs. dicks that look like microphones, food seasoned by white people vs. white barbers, OnlyFans, country music, J. Cole, Zack Fox, death by Stick, taking money from the public school system, Leonardo DiCaprio, DMs leaking and much more. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

Shoutout all the creamy villains. This week, the boys are kicking it with rapper JID. JID was kind enough to host us in his hotel room to talk mixing the Rick with the Issey, what the hell is up with pigeons, where to blow a bag in NYC, the best cities to perform in, his love of breakfast beans, touring with his boy Smino, how nice he is at Madden, the best wings in Atlanta, beating the dense lyrical allegations, making bangers just because he can, fangirling out drunk on Lil Wayne, being starstruck around Jay-Z, Dreamville superlatives, giving Young Nudy his flowers, dialed in headband specs, being homeless but still dripping, Zack Fox's genius, Mac Miller convincing him to collab with Imagine Dragons, begrudgingly coming around to TikTok, being a clue on Jeopardy!, fans doing the most, upcoming music that might surprise us and much more on this lean and mean episode of The Only Podcast That Matters™. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

Rapper/comedian/raconteur Zack Fox from the computer and the TV is here. Join the Patreon for early access to weekly uncut video episodes plus Patreon exclusive bonus episodes. https://www.patreon.com/thebrandonjamelshow https://www.youtube.com/@thebrandonjamelshow Brandon LIVE DATES: SEATTLE 3/24 - 3/25 @ Laughs Comedy Club: https://laughscomedyclub.com/event/comedian-brandon-wardell/ PORTLAND 5/2 - 5/3 @ Helium Comedy Club: https://portland.heliumcomedy.com/events/70994 WASHINGTON DC 6/2 @ 9:30 Club: https://www.930.com/e/brandon-wardell/ JAMEL LIVE DATES: LOS ANGELES 4/15 @ THE GLENDALE ROOM  LOS ANGELES  EVERY 1ST WEDNESDAY @ THE CLUBHOUSE

This week in Atlanta, supporters of an environmental movement to defend the Atlanta Forest are having a Week of Action against "cop city," following the January police killing of queer, Indigenous-Venezuelan Forest defender Manuel Teran aka Tortuguita. Over this past weekend, a group of protestors engaged in property damage of construction infrastructure around a security outpost adjacent to the RC field where a music festival was being hosted. The festival featured appearances from artists like Zack Fox and Faye Webster. 35 protesters were arrested during the festival and 23 accused of domestic terrorism, including a legal observer from the Southern Poverty Law Center who was representing the National Guild of Lawyers.  Our digital producer Zachary Bynum got the chance to speak with participants who'd been taking part in the week of action.  You can listen to our other segments on cop city below: Cop City Cop City: Forest Defender Killed Cop City: Welcome to RIOTSVILLE, USA Editor's Note: We reached out to the Atlanta Police Foundation for comment.  If we hear back from them, we will be sure to post their comments on our website.

This week in Atlanta, supporters of an environmental movement to defend the Atlanta Forest are having a Week of Action against "cop city," following the January police killing of queer, Indigenous-Venezuelan Forest defender Manuel Teran aka Tortuguita. Over this past weekend, a group of protestors engaged in property damage of construction infrastructure around a security outpost adjacent to the RC field where a music festival was being hosted. The festival featured appearances from artists like Zack Fox and Faye Webster. 35 protesters were arrested during the festival and 23 accused of domestic terrorism, including a legal observer from the Southern Poverty Law Center who was representing the National Guild of Lawyers.  Our digital producer Zachary Bynum got the chance to speak with participants who'd been taking part in the week of action.  You can listen to our other segments on cop city below: Cop City Cop City: Forest Defender Killed Cop City: Welcome to RIOTSVILLE, USA Editor's Note: We reached out to the Atlanta Police Foundation for comment.  If we hear back from them, we will be sure to post their comments on our website.

It's the end of the world as Tom knows it. Juice is an optimist, Nevin Sharma decides to grow 6 feet tall, Zack Fox talks movies, and Nik Cartwright talks about losing it all in Vegas after teleporting into the studio.  #comedy #gambling #podcast #jokes #globalwarming #climatechange #vegas #poker

On our new weekly lightning round mini ep with Zelooperz, we're fucking around with ATL rapper drip vs. the 2000s hi-hop archetype, ghostwriting for Jack Harlow, generic Live Laugh Love art, playing Yung Gravy 1-on-1, being handcuffed to Danny Brown for a year, only listening to the mixtapes of dudes who slide into your DMs, white barbers vs. white-owned restaurants, being swagless, Zack Fox, never painting again and much more. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

We're addicted to getting fly. This week, the boys are kicking off their LA run with artist and rapper Zelooperz. Z was gone of the shrooms, but still kind enough to host us in this apartment and studio to talk his shit about why you should never call yourself underrated, getting whooped by his step dad for jacking his clothes, the brands most represented in his closet, cornball red flags that might surprise you, Vivienne Westwood grails, why Danny Brown is the best mentor, his undisputed title as Bruiser Brigade's best-dressed, how his buddy Zack Fox pulled him out of depression, a taste of all the new music we can expect next year, how a whiteboard can change your life, a extreme case of E-40 standom, staying up all night with Earl Sweatshirt, Spotify battles with your boo, the current theme of cunnilingus in his fine art, pulling up to styling gigs with U-Hauls full of heaters, his hilarious reaction when mentioning both Elon Musk and Joe Biden, making no new friends in LA, missing nothing about Detroit, coming up with new TF merch off top in literal seconds and much more on this psychotic and psilocybin-friendly episode of The Only Podcast That Matters™. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

On this special episode of the High and Low Basketball podcast, Ike Amaechi is joined by Mitch Orsatti to share a soundtrack of songs that best describe the seasons of 10 NBA teams and also talk about the drama unfolding in Minnesota. Also, check out the High and Low YouTube channel for bonus content. Talk to us in High and Low's Facebook group.Music featured on the episode is brought to you by Lyve of the Enjoy Music Group and Sonny Rocwell of The Goodness. Additional music this week produced by Nicolay. Edited by Vonn August. Executive Producer is Ikenna Agu. Follow High and Low on Instagram and TikTok/Twitter @morehighandlow.High and Low at Vonn+Abrahammhttp://www.vonnabrahamm.com/high-low-podcastHigh and Low Merchhttp://www.vonnabrahamm.com/storeJoin on us on Discordhttps://discord.gg/MXu9bXMcInstagramhttps://www.instagram.com/gethighandlow/https://www.instagram.com/ikenna.andthepeople/https://www.instagram.com/savage_decepticon/https://www.instagram.com/sean_khantroversy/https://www.instagram.com/esteban_roy/Twitterhttps://twitter.com/morehighandlowhttps://twitter.com/IkennaCesarhttps://twitter.com/thirstyvillainhttps://twitter.com/KhantroverseyHigh and Low websitehttp://www.vonnabrahamm.com/high-low-podcastTikTokhttps://www.tiktok.com/@morehighandlowInstagramhttps://www.instagram.com/gethighandlow/Twitterhttps://twitter.com/morehighandlow

Cory and Judith review Season 2 Episode 1 of Abbott Elementary Resources: https://en.wikipedia.org/wiki/Abbott_Elementary New: https://shadowandact.com Niggas You Should Knows: Tyler James Williams: https://en.wikipedia.org/wiki/Tyler_James_Williams Zach Fox - https://en.wikipedia.org/wiki/Zack_Fox

Steelo Brim & Chris Reinacher are joined by comedian, musician & artist Zack Fox to talk about the news of the week. This week, they cover Row Vs Wade being overturned, grub hub vs the police, comfortable policians, Amazon's AI mimicing dead voices, a florida teen who broke in and threw a party, a monkey in a bulletproof vest, Michael Jackson, superhuman strength, and more. Alahna Jade reads the facts.   

On a whim we decided to the album review for Young Hot Ebony 2 by Father and see what we thought. This is The "Classic" Quest podcast the show where we break down Hip Hop albums track by track giving thoughts on each and every song. Holden Stephan Roy & Chris Chrome are here with our thoughts on each song and look forward to your comments. 00:00 Why we chose to review Father, cover and album title talk 05:03 Chapel Hill Heists 11:46 What Won't He Do? 17:06 Pay N Spray 21:41 Flim Flam 25:58 I Keep Dat Pump Action 31:00 Let's Kick His Ass! (Ft. Zack Fox, Archibald Slim) 37:03 Vickey's Sermon 41:19 Bounty 45:22 Conquer & Provide (With meltycanon) 49:24 Horsepower 52:51 Only Built 4 Hermès Links (Ft. Tony Shhnow) 56:50 Bichon Frise - Young Hot Ebony 2 album review grade reveal Make sure to check out Father - Young Hot Ebony 2 on YouTube and do your own review https://www.youtube.com/watch?v=KEavh3-jiI8&list=OLAK5uy_mtfz8-XPURieDkuVU8IyWR5Ix33iDsIdg Discover Holden Stephan Roy's Linktree: https://linktr.ee/behindthatsuit  

Listener request month rolls on with the weirdest movie we have ever covered, Flying Lotus's Kuso from 2017. Leigh explains surrealism to Britt while she attempts to explain just what is going on in this flick!--- Kuso (2017) is directed by Flying Lotus (credited as Steve) starring: Iesha Coston, Zack Fox, George Clinton, Buttress, Oumi Zumi, Busdriver, Tim Heidecker, and Hannibal Buress.---- Our theme Song BBQ MANIAC was written and performed by John Brennan, used with permission. You can listen and purchase all of Johns music at https://shopjb.bandcamp.com/---   Find us on Patreon for bonus episodes and more fun!

Rob Gordon is a DJ, musician and one of Canada's most elusive and influential drummers. Rob sat down with the boys on a balmy Tuesday night to discuss Djing vs performing, Zack Fox, William Basinski, feeling the room, alienation, Erics Trip, drawing a line between yourself and your creativity, non linear performance, nihilistic artists, tension and release, feeling compelled to make good work, Arca, Elysia Crampton, creating your own universe, the death of magic, not having social media, parenting, Rob flips the pod on its head and interviews us, his day job as an exterminator, a TV show staring LA Timpa, spiders, drumming, quitting music, childhood, self realization, duality, reverence and much more! Josh McIntyre Austin Hutchings ---- Cold Pod https://patreon.com/coldpod

This is episode #002 of the FuturePerfect Podcast where we talk with compelling people breaking new ground in art, media, and entertainment. This podcast is produced by FuturePerfect Studio, an extended reality studio creating immersive experiences for global audiences. Episodes are released every two weeks, visit our website futureperfect.studio for more details.The text version of this interview has been edited for length and clarity. Find the full audio version above or in your favorite podcast app.This week we interview Team Rolfes, a digital performance and image studio led by Sam and Andy Rolfes. The studio specializes in figurative animation, VR puppetry, and mixed reality collage. They create works across multiple formats, including livestream improvisational comedy, live motion capture animation on large festival stages and in underground rave bunkers, print design for fashion collections, album covers and music videos. They have collaborated with Lady Gaga, Danny Elfman, Danny L Harle, Nike, Netflix, Adult Swim and performed at music festivals across the world. On June 4th, 2022, they will premiere their live 3D musical 3-2-1 RULE at Carriageworks in Sydney, Australia. The work is being developed together with writer and net artist Jacob Bakkila and artist songwriter Lil Mariko.I first encountered your work as an online video in 2020 as a part of the Lunchmeat Festival of electronic music and art based in Prague. I think it was called Sam Rolfes 360° AV experience. I watched it on my Oculus headset and the work was so exhilarating, but also disconcerting and humorous at the same time. It was like a fever dream complete with moving walls, objects melting, spaces constantly changing sizes, and yet was extremely beautiful. For me, the work exemplified this intriguing in-betweenness that you embrace: part puppet show, theme park ride, sculpture, live performance, gaming, and installation. And this makes absolute sense because you've been making experiences across media and genres for a very long time.You were both originally trained in painting and fine art. How did you get from there to the work that you're doing now?Sam Rolfes: Yes, Andy and I both come from a painting background. Our mom was a painter. She ran a little 3D studio when we were kids. She had these big huge books on Blender and 3ds Max laying around.Andy Rolfes: It was a long path back to 3D. We played around with 2D a lot more. We read about musculature systems in the 3D books and wondered how in the world people can even set this stuff up.SR: There was also a lot about wireframes. When we were kids 3D was just kind of boring. It felt like math and I didn't want to do math I just wanted to make a cool race car. AR: Yeah a lot of math. I remember making a sword in Blender when I was 12. It's a pretty linear shape, but it was the most taxing process. So I went back to 2D. I could just play with a plane and an abstraction and it was more fun.These 3D tools, along with game engines and other design software, have become some of the most significant toolsets for conceptualizing and building your work. What happened in terms of your training where you suddenly realized you needed to leave painting and watercolor and shift into 3D?SR: I don't remember how I came across it, but I came across ZBrush, a 3D sculpting program where you can mash things around like digital clay. That was the big aha moment for me. A lot times it hides (honestly oftentimes to its detriment) the mathy elements and we found that it was actually in keeping with our painting background where it allows for semi-improvisation, but with an impressionistic sculptural object. Andy started playing more with Maya and Blender as well. And we both slowly got into it just because it was fun.AR: I went through the whole watercolor track and was doing semi-pro photography and developing an interest in photogrammetry. As I was seeing Sam play around with ZBrush, I got into it and jumped back into 3D. I actually went back to 3ds Max. I was putting photogrammetry scans in there and throwing grass around and rendering that out and realized it had gotten way better. And I started bringing in my 2D stuff and playing with ways to collage that in. I played around with that and Cinema 4D before I ended up going back to ZBrush.SR: This was in tandem with the 2012 to 2016 era of internet art and post internet art. There were a lot of people doing 3D art. They would kind of kludge something together in Maya and make it shiny and spin around. And that stuff still exists to some extent these days, but was increasingly present in Chicago where I was living at the time. I had just moved back from Austin after being there for a year after graduating art school. I was starting to do more show flyers and stuff like that and I was trying to find whatever scene existed in Chicago. You wouldn't know it because none of the people would actually hang out in person, but a lot of interesting things in the glitch scene and post internet scene were coming out of Chicago. I was trying to engage with this new community and was finding our perspective within that. I realized we could take a different approach because of our painting background. All these other people were coming more from a digital art or computer science background. They had an art game program at SAIC where I went to school, but I was so turned off by it because everybody was making these white box gallery experiences and they were all the same. That was one reason why it took me a while to get into Unreal Engine. I was still traumatized by having to virtually walk through all these terribly designed spaces. And then I started doing music videos. Our first one was for this group Amnesia Scanner. And I started using ZBrush as a live visual performance tool and did visuals for shows. I would make characters for every musician performing. There's no real rigging in ZBrush, but I managed to make the characters bounce around like marionettes. From there I got a bit of an understanding of realtime performance.And then Amnesia Scanner kind of blew up on the internet. We don't reach out to musicians like this, but I just like sent them an email. They're very mysterious and I didn't know where they were based. I sent them an email that was in four different languages that was like, please let's work together. And they responded to me. So I spent two months with an initial dev trying out both Unity and Unreal. And Unreal ended up being better.I got in contact through a friend of a friend with this guy Eric Anderson, who was running a three-story punk venue in Chicago called The Keep. We met and he had a prototype Oculus Rift. This was back in 2015 or something like that. And I went to this DIY spot and then stayed there for a week and we just banged out this crazy video. I just palmed the prototype Oculus headset to do the camera. There was no sequencer and there was nothing rendered in Unreal. This was all recorded. I exported it all and took it to my painting mentor's place and uploaded it to his 12 year old daughter's gaming computer. And it took like 24 hours for it to load on that computer and then we performed it there and just recorded it straight from the screen. It felt good enough that we kind of just kept running with it for everything after that.So in terms of music, your past works have a long dialogue with rave culture, hyperpop, and new forms of media that circulate on the internet. Tell us more about that dialogue and how it informs some of your current work.AR: I was kind of plugged into, or at least aware of, both vaporwave and glitch and everything in between that, like the acerbic visuals and everyone realizing 3D is a lot more approachable. The communities I've engaged with have definitely been varied and scattered. It's a lot of pulling things together and trying to figure out what works. Up until recently not many friends or people I've know have directly engaged with 3D. But I show them what I'm working on and try to connect different communities together and see how we can work together.SR: And more recently you've been more active in the visual artist communities than I have. I've been more interested in those rave cultures. I have a long career of DJing and producing. I've been in the turntable scene, the glitch hop scene, the witch house scene, and now it's hyperpop. It all ends up being the same. The through line is just experimentalism basically. It's just like a certain amount of interest in a new sound.Hyperpop is an interesting illustration of this to talk about because it's this weird thing where underground culture was made mainstream and at the same time, at least initially, was not diluted upon becoming mainstream. I guess this has happened all the time, but it's the most recent occurrence that I participated in. Hyperpop is this weird sound that somehow a ton of people know about and it became a meme and a joke because of course it was gonna be. But watching that dynamic was very interesting. We've had a long history with different music scenes. Both me performing as a DJ, but also us doing stage performances with musicians on big festival stages with mocap (motion capture) VR performances that are kind of accompaniments to their music. We've got an opera and a kind of a 3D musical in the works right now. But where it all started was album covers and then music videos. It was about participating in those communities and finding a way to, as visual artists, be a part if it more than just fans, but actually help shape the ideas and shape where everything is going. What are the ideas you're shaping? What's the content and the substance of what you're trying to shape right now?SR: Generally we try and get in and maybe expand the visual dynamic range. With a lot of experimental approaches, especially in the music scenes, it ends up being a lot about vibe or the nerdy tech or kind of esoteric stuff. For us, we can use all these esoteric tech tools, but use them hopefully for a compelling overarching narrative.And I'm sure we'll talk more about the performative aspects of our work with using digital tools. But in these electronic scenes it ends up losing a certain humanity. A lot of it for us has been trying to reconnect to this live, in-the-moment feeling. Our work is trying to hit the same subconscious feeling of being in the moment and having all these things happening rather than have some kind of contrived tech demo construction or something.AR: Especially nowadays where people are like—oh yeah I need to touch grass. We want to somehow bring that back to the digital and think how can we make this more physical? We're combining that with strong motivations and guiding lights in theater, performance, athletics, heavy physicality. And we're thinking what can we really do with having our bodies fling around, often literally, and have that cascade and become a deeper narrative that also has its own motivations of speaking to the community or wherever our eyes are fixated at the moment.Performance in front of a live audience is super central to you guys. Give us a sense of the infrastructure you need to build in order to create one of your dynamic realtime performances. How does it work compositionally, dramaturgically and technically? What does it take to put together and create a realtime dynamic performance in front of a live audience.SR: Right now, one of our projects is this stage adaptation for this short film, this bigger thing 3-2-1 RULE that's going to debut in Australia in a month. That one is going to be significantly more structured and quality controlled beforehand rather than being a crazy thing where it's incredibly improvisational. Often times each show is purpose built to a certain extent. Most of our projects inherit worlds and characters and assets from previous projects, but they they build on each other. We'll have a collection of scenes that are modular and existing in the same world. Each one is setup for a specific type of camera shot and a specific type of motion capture or VR mechanic.AR: Before we get into designing the motion, we also have to figure what the arc of the performance is. What's the energy, what modes want to fit where? Is this going to be a soft moment or is it going to be more excitable? We chart the long arc and mini arcs of the scene.SR: Oftentimes we're not able to meet with the musicians until we get to whatever country we're going to. Prior to meeting them we set up these modular scenes, each with their arc in terms of mechanics and scene dynamic. We have a whole collection of things and plug them together to an extent. Because the performances are so improvisational, it's kind of like acting the part of a good DJ who's watching the audience, watching the musicians, listening, and deciding what's right in the moment.We work this way when we're making music videos as well. Where we build the environment in VR and then kind of feel out where the choreography of a scene is supposed to go. This big Australian debut of 3-2-1 RULE is going to be pretty regimented. We're going to have everything planned, but there's still going to be a fair amount of improvisation since it's all realtime. I would never want to cut out the potential for those kind of magical moments to happen.It sounds like 3-2-1 RULE is a very important transitional project for you where you're in control of the narrative and you're not in service of some other musicians. Tell me where the title 3-2-1 RULE comes from and give me a sense of what you're producing.SR: The name comes from this backup strategy in tech where you're supposed to have three backups. I'm gonna get this wrong, but one is local, one is on the cloud, and one is offsite. The staged work is an adaptation of a short film and will eventually be either a feature film or a playable game. It's one of the major projects for us this year. It's kind of a parody of both the metaverse stuff and the contemporary moment. But also a way to talk about memory and people's relationships and history together on the internet and what happens when you use the cloud platforms as a prosthetic brain or a prosthetic memory where you're offloading moments together. The work follows these gig economy workers who respond to listings posted on an app that gathers memories for people in a metaverse space. If someone wants to remember the best day they ever had or the way their dad danced around when he made breakfast they would use this app and the gig economy workers dive in and play these genre parody games to unlock the memory for them. The conceit is that AI can obviously go in and scan your brain or scan the internet and grab this stuff, but it could never recreate the senses that really make up the core of what the memory is. So you have these gig economy workers who kind of chemically collage and assemble these things together for their clients.The stage adaptation served the dual function of giving us an excuse to start building out everything for this broader narrative project really fast. And to start developing this format that's closer to a musical. The debut in Australia will be with the musician Lil Mariko, but the idea is that we would put this on all over the world, and it could be any musician friend that would star in this role. It might be customized for each musician a bit. There are moments where there's narrative and there are moments were they could just perform their songs. This is kind of our pitch for a new performance format that could be replicated elsewhere and could really bring variety to the music performance world. Because I mean I love music shows. I love venues. I love playing them. I love going to them. I'm at them all the time. But I'm sick of music shows and the format has hardly changed. There exists this potential to unite all these different formats including visuals, sound, music, and narrative. And it takes a little more work. But I think we might be good people to try it out.You're working with writer and social network artist Jacob Bakkila. What is he bringing to the work?SR: We initially brought Jacob in on our now defunct Netflix project we were developing. He has a whole career of performing as bots on the internet or doing genre parody things and all these satirical things that are really brilliant. The project was going really well, but there was too much red tape and it got canceled. But we were talking afterward about working together and we had a kernel of the idea for 3-2-1 RULE. He said, okay I think I can do this and went away for a few days and came back with the base concept for 3-2-1 RULE. And it just threaded the needle between stuff that our team had already been working on for our game and other projects. I work directly with Jacob on the broader concepts and the story and where it goes, but he can churn out hilarious writing very quickly. It's a mishmash of different online references from every generation and he's so conversant in that kind of dialogue that he can make it feel genuinely realistic. He's able to sit in this incredibly online space that I feel is very essential to this story. He just generally knows how to fit everything together in a very nice way and was able to bring the emotion to the project.Do you have a sense of what you want the audience to experience? What do you want them to come away with? What kind of impact do you want to have on them?SR: Maybe it varies a bit between the live show, the eventual short, and then whatever the final big project is. I want it to be jarring, but funny. I want it to reflect upon our online relationships and what we've given up in terms of community, interpersonal dialogue, memory and moments together. How much are we sacrificing for platforms?Would it be safe to say that you obviously have a fraught relationship with these platforms? You've experimented in these spaces, you draw inspiration from these spaces, you post in these spaces, and simultaneously, you're frustrated and critical of these spaces. SR: We're participating in them because there really is no alternative. I have friends who are making their own distributed web3 based platforms like people doing Channel and people doing other projects, like more horizontal lefty things here and there. But they still have to promote it on platforms because that is just where all this stuff exists. So much of our stuff, especially if it has any narrative, does have a platform critical element to it because I can't think of anything else to comment on. It feels so absurd to be forced to fit this art that we do, that could take so many different forms, into a box that's 1080 by 1080 pixels and lasts a minute. There's always been constraints to art, but with platforms it's not a meritocracy, and the best stuff does not rise to the surface. The platforms themselves do not promote things that are in keeping with the value system of anybody within their right minds. It promotes things that will do well on the platform for its own good. I don't think that's a healthy thing for an artistic community, or for an artist, or for anything. I think most people recognize this to an extent. In a sense, critiquing it and putting it in my little skits is just coping. It's like acknowledging it, but I only have so much ability to actually do anything about it. It's also just generally frustrating with the moment we're in. The trick is speaking to that moment and then not getting too trapped in the Twitter style riffing on the discourse of the day. That stuff will do better, it is incentivized because you will get better metrics and the platforms want that kind of momentary ephemeral thing. But then if you go back a week later, it doesn't hit the same. So that's also a trap. Having things be somehow engaging with the contemporary moment, acknowledging where we are right now, and what our relation is to these platforms and to the economy and to how they have basically become the air we breath. Doing that and then also figuring out how you have it be something that lasts longer than 10 minutes is always a struggle artistically.In all of our discussion we haven't touched on the literal politics of the day. I mean, we haven't talked about Ukraine, we haven't talked about Russia. We haven't talked about the elections. We haven't talked about any of that. What's your relationship to these events and the work you're doing? Is it something you avoid, something you engage with, or something you don't wanna participate in?SR: All the political discourse, at least between the conservative and liberal sphere, I don't give a s**t about. My interest is in the working class relation to their power, and collective bargaining and what we can do about it. I have opinions about imperialism and being against it and what the US should be doing abroad. But a much more tangible thing to engage with is union and platform issues.AR: It feels more actionable. Stuff that doesn't feel like beating the same drum. We're not trying to be Beeple where we just do modern day political cartoons.SR: That's that momentary discourse thing I'm talking about where it's like oh, I'm going to make an Elon thing. Like who cares?AR: It feels far too ephemeral. And there's a time in place for that, the political art.SR: And I have done some stuff like that, I mean I've thrown Zuckerberg into some s**t, but I don't know.AR: But that's also trying to keep things contemporary and keeping with a sense of immediacy. I feel like we usually try to tie things down to more. Not really universal, well sort of universal because working class issues are fairly universal outside of maybe the top 1%. But try to speak to the broader issues, and try to speak more to the individual themselves rather than trying to talk to political issues that will come and go all the time. Even if they don't seem like they ever go away.SR: Talking about the news of the day and making art about the news of the day is both a symptom of a broader issue that is very much not the discourse in the mainstream media or however you wanna phrase it. Not to sound like too much like a post-left guy, but it's a liberal trap to make your art about an issue that is being discussed by the media that you have no control over. It's a liberal trap in that it is a culture war fabrication that art can change the world. Like if we make the most moral Disney movie, then everybody will be good. It ignores people's relation to their labor and all these other things. It's like, if we have no more bad villains who do problematic things on TV, then everybody's gonna be okay. And I think a lot of artists end up in that trap, feeling the push to have to make work about things like this. Both because it's incentivized by the platform, and because again it's the churn of the daily discourse you're supposed to plug into. And just morally they feel like oh, I have to be saying something. And I'm not saying that my stuff is not cope because there's a left version of this that is just cope too. But it's just like posting on Twitter. It's not doing anything. We've all been trained to be cultural commentators. All we are doing is quote tweeting people endlessly while the same structural system continues. And I just have no interest in participating in that. It's entertainment at the end of the day and it's entertainment for some people and my stuff is entertainment for lefty types and I'm not necessarily accomplishing anything more, but I at least think that the topics that I'm interested in maybe are more realistically accomplished.AR: I usually just look to the actual items. I just made an artwork for the Queer Museum of Digital Art, which is part of the whole web3 sphere. They're trying to fundraise.SR: Just to clarify, I was not talking about that kind of stuff. I'm not saying that fundraising's bad or anything like that.AR: I know. I know. For Ukraine or other huge issues, I'm just going to donate or help however I can. If sharing something might help connect one or two other people, I'm aware of my presence as a node within this whole network. If i'm one of a thousand other people sharing this, but there are three other people in my network who didn't see this it's cool if it's actionable. Not if it's just hot takes.SR: That community building is also way more important than making art about it. Communities can make art and have that steer people in a certain direction. Just to self roast a little bit, if I made the most perfectly leftist take down of whatever, that doesn't accomplish anything either. So making these alternative structures, not to get into dual power talk, but building community structures that exist outside of these platform capital dependent things, I think is the most important thing.What communities are you working with specifically?SR: I have yet to start helping them really in a way that I can give myself credit for, but Jaded is a new organization. It's some people from the Black Socialists in America, Zack Fox, and a bunch of comedians have started this artist co-op and community. They're building a venue, they're going to be funding scripts, they just debuted this podcast they're doing. Black Socialists in America also have all these other projects like The Dual Power App, which helps give people tools for building co-ops and horizontal things and community structures that don't rely on basic finance capital. They are a great example.And then Channel, I did some work for them. They're a web3 venture. I don't want to over explain their thing because I will probably do a bad job. They've done a lot of platform critical work, podcasts, and they're a bunch of lefty artists. But from time to time they would get shadowbanned. And they are still, regardless of how critical they are, dependent on these platforms to a certain extent. They're working to untether that. In the same way that people are tethered to their jobs because they can't get universal healthcare, they have to stay at the job for healthcare. To give themselves a life raft or a way to untether from that toxic situation, the idea is that basically their followers are on the chain so that they can move to whatever platform. You don't lose followers when you jump somewhere else. It's a first step towards an alternative platform structure or an alternative community structure that does not rely on passing through AWS and Google and relying on this huge stack from just a couple companies. Both of them, Channel and Jaded are awesome examples, and we help where we can.That's great. This really helps fill in a whole other part of your practice that I'm learning more and more about all the time. So I'm super excited to hear you talk about that.We have so many things in common and we have some really interesting overlapping happening between Team Rolfes and FuturePerfect Studio. It's very exciting and I can't wait to see more of your work and have more conversations with both of you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit futureperfect.substack.com

The mockumentary sitcom on ABC has just completed its first 13-episode season. The finale is titled Zoo Balloon, because it takes place during a field trip to the zoo and involves a hot air balloon. Jordan Temple is credited as the writer, Randall Einhorn the director. The show stars Quinta Brunson, Janelle James, Tyler James Williams, Lisa Ann Walker, Sheryl Lee Ralph, Chris Perfetti, and Zack Fox along with a bunch of elementary school kids. On Today's Episode, we talk about our likes and dislikes on the finale. Have a great weekend! 

ok wait wait, before you scroll past: this is somehow still a fun episode.i know, that sounds bad, and it might actually be bad, but it's true lmao ANTSY PRODUCTS: https://antsyproducts.com/Use code "BIGBOY" for 10% off your purchase! Aya Lehman: https://twitter.com/ayalhmnKevin Cookman: https://twitter.com/KevinCookmanContact/Mailbag: ayavsthebigboys@gmail.com A Merry-Go-Round Magazine Podcast: https://merrygoroundmagazine.com/Support Merry-Go-Round Magazine!: https://www.patreon.com/mgrm 

It's Episode 5 and the final verdict is Future's a good friend. Will and Dominique also break down Abbott Elementary (shout out season 2, shout out Zack Fox in general) and why going back to your ex isn't that toxic, it's only toxic if you leave after bumping into them at a Super Bowl party with 500 of your closest friends.

What up what up. New Yeat album and Tony is getting a graphics card. Extra thicc eppy for y'all. We hope you enjoy :) Still time to grab tickets for Jaded Forum LIVE w/Zack Fox here https://www.seetickets.us/event/Jaded-ForumLive/465102 Join the discord and become part of the Woke 'n' Boke Friendship Militia!! https://discord.gg/g3VX57g9UB​​ Subscribe to our YouTube! and please send us your questions at wokenbokepodcast@gmail.com and don't forget to follow our socials on instagram @wokenbokepodcast @moschinodorito @narboogledoof @maxsandza, as well as on twitter @wokenbokepod @moschinodorito @unclechuzz @narboogledoof. Also catch the three of us streaming all the time on twitch.tv/moschinodorito, twitch.tv/uncle_chuzz, and twitch.tv/narboogledoof. Theme song by Noods: https://noods.bandcamp.com/album/blush Thanks for listening!!

Goooooooood morning bokers we have a very ON TIME episode here and we think you're going to like it we go over our thoughts on the latest Jackass movie as well as our reaction to the reality of NFTs. We hope you enjoy :) Still time to grab tickets for Jaded Forum LIVE w/Zack Fox here https://www.seetickets.us/event/Jaded-ForumLive/465102 Join the discord and become part of the Woke 'n' Boke Friendship Militia!! https://discord.gg/g3VX57g9UB​​ Subscribe to our YouTube! and please send us your questions at wokenbokepodcast@gmail.com and don't forget to follow our socials on instagram @wokenbokepodcast @moschinodorito @narboogledoof @maxsandza, as well as on twitter @wokenbokepod @moschinodorito @unclechuzz @narboogledoof. Also catch the three of us streaming all the time on twitch.tv/moschinodorito, twitch.tv/uncle_chuzz, and twitch.tv/narboogledoof. Theme song by Noods: https://noods.bandcamp.com/album/blush Thanks for listening!!

Hey everyone sorry for the late ep but like the Lannisters we always pay our debts. Just Max and I this week. Very chill conversation. We hope you enjoy :) Still time to grab tickets for Jaded Forum LIVE w/Zack Fox here https://www.seetickets.us/event/Jaded-ForumLive/465102 Join the discord and become part of the Woke 'n' Boke Friendship Militia!! https://discord.gg/g3VX57g9UB​​ Subscribe to our YouTube! and please send us your questions at wokenbokepodcast@gmail.com and don't forget to follow our socials on instagram @wokenbokepodcast @moschinodorito @narboogledoof @maxsandza, as well as on twitter @wokenbokepod @moschinodorito @unclechuzz @narboogledoof. Also catch the three of us streaming all the time on twitch.tv/moschinodorito, twitch.tv/uncle_chuzz, and twitch.tv/narboogledoof. Theme song by Noods: https://noods.bandcamp.com/album/blush Thanks for listening!!

Hey yall! Big announcement. I am going to be doing a live discussion and after party in Brooklyn with Zack Fox, Yedoye Travis, and Z. Links to tickets are here: https://www.seetickets.us/event/Jaded-ForumLive/465102 This episode is very chill and fun. We talk about the origins of YouTube, the internet, iPhones, etc. (which is something we've discussed many times over but oh well). We also get a pretty funny email from a fan that we named this episode after. We hope you enjoy :) Join the discord and become part of the Woke 'n' Boke Friendship Militia!! https://discord.gg/g3VX57g9UB​​ Subscribe to our YouTube! and please send us your questions at wokenbokepodcast@gmail.com and don't forget to follow our socials on instagram @wokenbokepodcast @moschinodorito @narboogledoof @maxsandza, as well as on twitter @wokenbokepod @moschinodorito @unclechuzz @narboogledoof. Also catch the three of us streaming all the time on twitch.tv/moschinodorito, twitch.tv/uncle_chuzz, and twitch.tv/narboogledoof. Theme song by Noods: https://noods.bandcamp.com/album/blush Thanks for listening!!

Calls start at 26:40. In this episode I am joined by rapper/comedian Zack Fox who is known for his collaborations with Thundercat and Flying Lotus, writing on the 5th season of The Eric Andre Show, and for making great music on his own.We talk to callers about the pros and cons of having a sugar mama, how to find someone to try pegging with, how to live more in the present, and a lot of other stuff. We also talk about which pokemon is the sexiest. It's a good episode. Ok. I am a gecko. USE CODE GECKO FOR 20% OFF AT WWW.SHEATHUNDERWEAR.COMFollow Zack on Twitter here: https://twitter.com/zackfox

Intro: "Jesus Is The One (I Got Depression)" by Zack Fox & Kenny Beats - https://tinyurl.com/wk3hawhz The pod boys have Emeke and Summer on to have our Year End Wrap Up for 2021. What event stood out to you the most? This week's bulletins: Will: "Magic" by Nas - https://music.apple.com/us/album/magic/1600726189 Nick: "It Is What It Is" by Thundercat - https://music.apple.com/us/album/it-is-what-it-is/1494467036 Tev: "Spider-Man: No Way Home" - https://www.youtube.com/watch?v=JfVOs4VSpmA Emeke: "An Evening with Silk Sonic Radio" - https://music.apple.com/us/curator/an-evening-with-silk-sonic-radio/1573950933 Summer: "The Book of Boba Fett" - https://www.youtube.com/watch?v=F5AluatK094 Make sure to follow up on the socials to stay notified of all new episodes & other news! Instagram: @OuttaPocketDocket Twitter: @PocketDocketPod Email: OuttaPocketDocket@gmail.com OPD Discord: https://discord.gg/uEsPmmEes6 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/outtapocketdocket/message

It's time for episode 101! We have our brother and friend of the show Digby back. Listen in as we say RIP to Desmond Tutu (14:00), Megan Thee Graduate (18:59), Kim Potter found guilty (26:46), James Franco breaks silence on allegations (34:18), Leo asks a question about sex ed (55:30), Spider-Man: No Way Home (1:09:24), Danny talks Resident Evil: Welcome To Raccoon City (1:37:32), Digby talks reading Saga/Will (1:55:21), Leo/Danny talk Christmas reading gifts (2:00:32), Danny talks Naraka Blade Point (2:11:12), Chris talks playing Deathloop (2:13:11), Jay-Z's verzuz claims  (2:21:21), and more! We also talk/feature (2:38:57) music from Denzel Curry & ZillaKami, Rich DietZ, Lil Dicky & GaTa, The Alchemist, Cleen, and Nas. Our intro/outro music is "Jesus Is The One (I Got Depression)" by Zack Fox & Kenny Beats. JOIN OUR DISCORD SERVER! Link in bio on IG or: https://discord.gg/VEHKKbVQXK Digby on IG: @cdigby3 Danny on IG: @therealdanko Danny on Twitter: @bulldozerdanko Danny on Twitch: twitch.tv/bulldozerdanko Leo on FB/IG/TT/Twitter: @iamdjbrute Leo's music: soundcloud.com/iamdjbrute Digby on IG @cdigby >>> www.djbrute.com

We talk about our first impressions of the new Zack Fox album. He did not deserve these beatsssss   Check out the video version on our Youtube channel here: https://www.youtube.com/channel/UCaXJwMl2HWRhXCOmcf5Y8dg

We open up today's show addressing inconsistency.. jokingly, Saweetie's Mc Donalds collabs, Meg's Hottie Sauce sounding like slang for an uncurable STD, and Zack Fox (0:25). We envision what our live show could be like (10:01) Kyle Rittenhouse case (27:59) Astroworld (35:26) The American Government is being taken to court by the UN for genocide toward black and indigenous people (50:57) Thanksgiving 2021 (1:01:26) Wu-Tang The American Saga (1:05:13) Fulop wins, the Jersey City that knew is going to be gonna completely in the next 4 years (1:12:47) Mr.B Announces GEM Radio x For The Stress Collaboration to share the top 25 albums of the year (1:34:51) Kanye on Drink Champs (1:37:09) New York City Rap currently according to Mr.B (1:49:40). Executive Produced by Mr.B, Black Madonna, Blu, and TreyTopics by BluProduced by Frankie Metalz at The Dojo JCTheme Song: "4thamind" by Streetiebaby Support the Show by copping merch at goldeneramg.com

Welcome to the Decibel Boost Podcast album roundup for the month of October 2021. As the month of spooky Christmas has now wound

It's time for episode 93! Check is out as we talk about A.V. winds strike again (6:25), Meek Mill's cover art controversy (10:07), Havana Syndrome (26:16), Card Mom Liz Mair dragged on Twitter (33:35), our new segment: Clown College Graduates (44:45), Jamie Costa's "ROBIN Test Footage" (59:53), The Problem w/ Jon Stewart (1:07:50), Buffy The Vampire Slayer comics (1:16:41), DC Fandome (1:18:50), the Animal Crossing 2.0 update (1:34:56), and more! We also talk/feature music (1:41:02) from Adele, Summer Walker, tstewart, Of The Trees, Kid Vincent, Elderbrook, Zack Fox, Santana, Coldplay, FINNEAS, and Purple Disco Machine. Our intro/outro music is Mick Jenkins "What Am I To Do." Help Hurricane Ida Victims!!! https://weather.com/news/news/2021-08-30-hurricane-ida-how-to-help HELP HAITI!!! https://newsone.com/4185489/haiti-earthquake-how-to-help/ JOIN OUR DISCORD SERVER! Link in bio on IG or: https://discord.gg/VEHKKbVQXK Danny on IG: @therealdanko Danny on Twitter: @bulldozerdanko Danny on Twitch: twitch.tv/bulldozerdanko Leo on FB/IG/TT/Twitter: @iamdjbrute Leo's music: soundcloud.com/iamdjbrute Twitch.tv/iamdjbrute >>> www.djbrute.com

Zack Fox is a movie director, producer, writer, improviser for The Everlasting Improv-ers, and a stand up comedian. Zack has produced several films such as: Sea Salt Wind, and The Spirit of the Cinema; the latter I had a supporting role in. In this episode we talk about how Zack got started in the film industry, what got him started in improvisation, and where he wants his passions to take him.

Not much to say about this episode, Y0ungist had an unexpected issue come up right before recording time, so I called up Jimjam to chop it up about various music/life topics. We talk about a plethora of things, including: Zack Fox, rapper homies, and Zune mp3 players. Join us (or not I completely understand)!

On this episode of Jenkins and Jonez, Mike, John, and Tyler dive into Meyers Leonard's anti-Semitic comment (1:33), which is more likely; another Steph or another LeBron (9:47), and they talk with comedian, rapper, and internet sensation Zack Fox (18:20). Please support a dear friend of the Jenkins and Jonez circle who has suffered a tragedy to their family. Find more information on how to support them; click here. Be sure to follow John, Tyler and Mike on Twitter and stay up to date with the latest from The Volume right here! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.

Intro: "Jesus is the one (I got depression)" by Zack Fox & Kenny Beats - https://music.apple.com/us/album/jesus-is-the-one-i-got-depression/1468028581?i=1468028582 MERRY CHRISTMAS! It's holiday time yet again with the docket. The boys invite Emeke and Summer back to talk about what qualifies as a Christmas movie, their favorite/least favorite holiday songs, and what they are looking forward too for the holidays. Next week will be our New Years episode, make sure to tune in. This weeks Bulletin: Will: G4TV - https://www.youtube.com/user/G4TV Nick: "Indigo" by River Tiber - https://music.apple.com/us/album/indigo/1111703643 Tev: "Jingle Bells (A Hip Hop Carol) by Kyle Massey - https://music.apple.com/us/album/jingle-bells-a-hip-hop-carol/1445880307?i=1445880839 Summer: "The Mandolarian" - https://youtu.be/eW7Twd85m2g Emeke: "Headspace" by Nicole Row - https://music.apple.com/us/album/headspace/1542562964?i=1542562967 We all hope you have a great holiday & weekend! Be safe! Make sure to follow up on the socials to stay notified of all new episodes & other news! Instagram: @OuttaPocketDocket Twitter: @PocketDocketPod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/outtapocketdocket/message

One of the positive stories of the COVID-19 pandemic is the resurgence of the drive-in movie theater. Chris Holmes from the RiverRun International Film Festival and Zack Fox from Marketplace Cinemas in Winston-Salem discuss how they've helped to bring the joy of film back to our community, even as movie theaters are shut down. Buy tickets for the drive-in here: https://mpcwsdrivein.simpletix.com/ Support RiverRun here: https://riverrunfilm.com/riverrun-2020-merch-sale/See omnystudio.com/listener for privacy information.

Boondocks makes a come back, Birthday Bash weekend shenanigans, is Fathers Day underrated, and OJ cutting up on Twitter? Just press play... Song: "Jesus Is The One" Zack Fox and Kenny Beats @DJQevlar @IAmKentel @RodneyRocko @UnFWitable @4amCulture

The internet's most irreverent instigator, Zack Fox (aka @corduroycondom on Soundcloud), stops by to tell the tale of a heist that could only happen in Edgewood, Atlanta, Georgia. In Zack's own words, "It's a hood version of a Guy Ritchie flick."