Podcasts about Croatian

Play Episode Listen Later Jul 13, 2025

Playlist: Ivo Djovani Viskovic - Uranit cu rano jaSlavko Pavlovic - Bistricka MajkaVera Svoboda - Hrvatica ja sam mladaRujno vino Band - Volim te zivote

Wine Talks with Paul Kalemkiarian

How to Capture Emotion on the Page

#AmWriting

Play Episode Listen Later Jul 11, 2025 58:37

One of the writing skills I am asked about the most is, “How do I get emotion on the page?” People ask this no matter what genre they are writing, because no one wants to produce a manuscript that is flat and unengaging. Emotion is the key, but figuring out how to inspire your reader to feel something is a tricky thing to learn and an even trickier thing to master.In her debut novel, Slanting Towards the Sea (Simon & Schuster, July 2025), Lidija Hilje has mastered it. The story feels so raw and so real—and English is not even Lidija's first language! It's a remarkable achievement. I'm excited to speak with Lidija about her path to publication and how she figured out how to get the emotion of her characters onto the page.Links from the Pod:Article from Jane FriedmanGuide on Literary Fiction from LidijaLidija's website: www.lidijahilje.comAuthor Accelerator book coaches Barbara Boyd and Nita CollinsHey everyone, it's Jenny Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach, which is to say, someone who makes money, meaning, and joy out of serving writers, I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Transcript below!EPISODE 456 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach—which is to say, someone who makes money, meaning, and joy out of serving writers—I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. That's bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. Alright, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.Jennie NashHey writers, I'm Jennie Nash, and this is the Hashtag AmWriting podcast, the place where we talk about writing all the things; short things, long things, fiction, nonfiction, pitches, and proposals. Today I'm talking with Lidija Hilje, the author of the novel Slanting Towards the Sea. And what we're talking about is how to capture emotion on the page—the most elusive thing in the entire writing universe. Lidija lives in Croatia. She's a former lawyer who I know because she became a book coach through Author Accelerator. This is her first novel, and it's something else. As a longtime book coach, it's really hard for me to read for pleasure anymore, because it's so hard not to see the writer at work and the seams of the creation. But Slanting Towards the Sea—I saw none of that. I fell wholly into the story and became lost in it; the olive trees and the sea, the pain of these people and this love triangle, and also just the love that they had for life and each other. It's almost unbearably raw—the way life itself can feel sometimes. And yet, since I know Lidija and her story to becoming a writer, I also know how much work it took to create this feeling and emotion. I'm so excited to speak with Lidija today, and so excited for people to hear about her and her story. So welcome, Lidija. Thanks for coming onto the podcast.Lidija HiljeThank you so much for having me and for this incredible introduction. I'm so honored.Jennie NashWell, before we get started, I want to read the jacket copy for Slanting Towards the Sea, so that our listeners can hear the bones of the story that you wrote. Is that okay if I read it for our listeners?Lidija HiljeAbsolutely. Thank you so much.Jennie NashOkay.Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona's dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona's life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life's disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited wife, Marina. But when a new man enters Ivona's life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved. Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.That's it! What a—what a—what a summary, right? So I want to start by talking about the genre of this book, Lidija. As a book coach, you specialize in helping people write literary fiction. And you're extremely articulate about defining exactly what it is. And I'd like to just start there, by talking about how you see this novel, where it's positioned and, um, and your sense of it in, as a—in the genre, um, categories, if you will. Um, and I'll share with our listeners before you answer that English is not your first language—which is something we're going to talk about from a writing perspective, but just from a listening perspective, to give people some context for that. So let's talk about—let's talk about genre.Lidija HiljeYeah, well, genre is one of my favorite topics as a book coach, and so naturally it is something I love talking about. So the first book I ever wrote, which is now safely shelved in a drawer at the bottom of a drawer, was women's fiction. And the reason why it was women's fiction was that because I was learning how to write, I was learning how to weave a story together. And in doing so, I was trying to find some commonalities in stories—like how stories work, how you develop them, how you develop a character arc, how you wrap it up towards the end. And—but my intention always was to write literary. I was just not very good at doing it. And so I kind of—like all the feedback that I got throughout my—from developmental editors—it was like geared towards kind of channeling the book towards women's fiction. And this is something that really still strikes me as a book coach: how different it is to coach literary fiction as opposed to genre fiction, which is more formulaic. So basically, that first book is safely shelved. And when I started writing this book, I was working really hard at trying to make it not be formulaic. And actually, one of the book coaches from our community helped me. I had a conversation with Barbara Boyd where I outlined my story for her, and she said there was this moment where I kind of did something in my outline…what could basically be called a cop-out—so that… I killed a character, basically, so that the…you know, that the book would close neatly, right? And so she called me out on it and said—because I talked to her specifically because she coaches literary fiction but didn't like or coach women's fiction—and I thought that perspective was something I needed. And so she said, "Why are you killing that character?” And that was the wake-up moment for me, because that was the moment when I realized that in doing so, that was the typical moment where a writer kind of goes toward the genre. And where the interesting thing in the literary fiction genre lies is exploring, you know, what happens when you don't kill the character—when you don't take the easy way out. And so, genre-wise, what I, you know—I run a book club for writers, and we read a lot of literary fiction. And so, I was constantly trying to figure out, like, what is it about these books that, you know, define genre? And in studying these books, there are several things, and I could talk about this, I guess, for centuries, but I'll try to...Jennie NashI—I love it. Let's do it.Lidija HiljeSo basically, in literary fiction, there are many things that genre fiction also has. There are themes, there are character arcs—you know, a character might grow, though not necessarily. But basically, it's much less clear than in genre fiction. In genre fiction, for instance, you have—especially in women's fiction—you will have a woman who is shy and then she becomes confident toward the end. Or you have a horrible, you know, self-obsessed character who learns their lesson toward the end of the book. It's really clear-cut. The reader can latch on to what the problem is without thinking too much about it. And literary fiction does the opposite. It fans out a little bit. It touches on many different things that kind of seem unrelated, but they are related. And this is a problem in writing it, as well as coaching it, because as a coach or as a writer, you have to be aware of all these things. You have to beware of how these things tie together so that you have the idea of this through line that goes throughout the story, whereas the reader might not be catching on as fast but does have the confidence that you, as the writer, are going to get them there, if that makes sense.Jennie NashOh, it makes so much sense. So when you were working on—I actually remember reading some opening, maybe the opening chapters of the novel that has been shelved. When I read those pages, they struck me as if they had that feeling of literary fiction. Was that your intention with that novel as well?Lidija HiljeYes, it was. It was just that I was unable to... I came to writing late. I mean, I was always a writer in the sense that I was always writing something, but I came to writing fiction and specifically books very late. It was 2017 when I started writing that book in Croatian. And the first, you know, contact with any craft or writing happened in 2019 when I finished the draft and I translated that book into English, and I started looking for ways of pub... you know, publishing that book and realized that the first draft is not the last draft. Like that was the—like it was—sometimes it's so funny to think like how recently I didn't know anything about publishing or writing at all. So basically, I did want that book to be literary fiction. I always wanted to do, you know, to write the type of fiction that I wrote in Slanting [Slanting Towards the Sea], and obviously I hope to, you know, hone my craft in the future, but it wasn't—it wasn't on that level. And the first developmental editor that I worked with in 2019, she was giving me all the logical advice that you can give someone, which is... hone the character arc you are telling here, show, you know, all those things that we tell our clients when we work with them as book coaches. But what it did is it completely stripped the literary part from it, and it made me write in scene, which is not how literary fiction is written. You know, like, one of the differences between commercial fiction and literary fiction is that you don't necessarily write in scenes. You write in summaries, and you write in postcards, which is the type of a scene that goes deeper instead of forward, if that makes sense. So you're not kind of—nothing changes for the protagonist, the protagonist doesn't realize anything, they don't decide on a new course of action, nothing new happens, but the reader's understanding of the character happens. And this is also true when you're looking at the character arc on the, you know, scope of the whole novel. Like in literary fiction, it will often be that, you know, that the character doesn't change much in terms of, like what I said before—she was shy and she stopped being shy, right? It will just be that the reader's understanding of the character deepens. And so my first book was an attempt at literary fiction, but it was not an execution. You know, the execution didn't really match that, and I feel like the advice that I got from my early developmental editor was just kind of trying to put me in the confines of commercial fiction. Which is... you know... understandable. You know, and I'm great— I'm even, like, today—I'm grateful for it because you first have to learn how to walk and then you can run, right? So I did have to go through the process of learning how to write a good scene, of learning how not to tell, of learning how to hide the seams that you—that you were talking about—you need to hide your fingerprints as a writer. And that was my learning book. I learned a lot from writing it, but by the time I was done with it, it was not—it didn't—it was not a bad book, and I got a lot of full requests for it, but it was not—it did not end up being what I had hoped for it.Jennie NashSo, in 2017, when you started that book, you said you came to writing late. Do you mind sharing where you were in your life, if you want to share your age or what you were doing in your life, just to give us some context for what you mean by that—by coming to it late?Lidija HiljeSo yeah, so 2017 was one of the hardest years in my life, I think. I think it's just the moment where I was around 35, I think. I would have to do the math, but mid-30s. And I had just been fired for the second time after my second maternity leave. And, you know jobs in my profession, which is—I was an attorney—were scarce, and I opened my own law firm. And I sat there in my law office, you know, a woman working as an attorney in Zadar, Croatia. It was not, you know, I was not having like flocks of clients, you know, going through the door. And you had to sit there from 8am to 4pm, which is our work time. And I had, um, ii had um... I started writing basically to pass the time. And I was writing just the scenes that I was interested in that, you know, brought me joy and then I, you know, wrote the intermittent scene, and the book grew and grew. And by the time I had finished it, which was a year and a half later, you know, it became... It just became a thing that I was—it took over it took over my whole life. I could not, you know and financially it was a difficult time for us as well. We had reached—my husband and I, like I said mid 30's—and we had kind of peaked career wise here in Croatia. So basically, what people don't understand about Croatia is that even if you're a brain surgeon, or if you're a lawyer, or if you're a programmer—like my husband—the money you make is not much more than the average wage. And so, you know, we were at the top of our game professionally, but not earning enough to make ends meet. And so we had started thinking about moving to Ireland basically, which is the, you know, IT hub for the... in Europe. And in thinking about it, I was sitting in my law office and I was basically crying my eyes out thinking if I go there, I'm going to be stripped of my identity as an attorney. I had been working toward that for basically 15, 20 years. And in trying to get over that pain of working towards something that in Ireland, it's not going to mean anything because, you know, the legal system is so very different and my use of language was not, you know, it's still not really good. Like professional English is not the same as this spoken English, you know, everyday English. And so, in kind of trying to accept that we are going to move and I'm going to be stripped of that identity as a lawyer, I was, in a way, you know, to make it easier for myself, I started accepting all the things that I didn't want to look at, which is I hated my job.Jennie NashRight, right.Lidija HiljeI loved being in a courtroom, like that was a good part of it. But everything else, you know, the intellectual part of it, like thinking about law, applying law to a certain case was interesting to me. But everything else was horrible. And so, once I accepted that, and my husband got a job, you know, like working for... as a freelancer for an outside company, and we could stay in Croatia, I was like, "And what am I going to do now? I can't go back to being a lawyer." And so, because his wage was a little bit more than, you know, for the first time, he could afford for me to go, you know, to take a year off and to see what I could do. And so, for a while, I interned at a foreign literary agency—that didn't go anywhere. Then I wrote, you know, a copy for a startup that didn't end up, you know, paying me. So that was kind of like—I was at the end of my rope by the, you know, toward the end of that year. And then I encountered the Author Accelerator program for book coaches, and I had during that year I had connected with writers and I have realized that basically the legal knowledge really translates beautifully into book coaching. So it was kind of like, you know, working on a story, or if you're working on a case, or working on a book, it's kind of a similar thing, similar logic applies. And so it was a… you—you know, it was, I know I'm mixing a little bit the books coaching and legal and, you know, writing careers...Jennie NashNo, it's fascinating.Lidija HiljeBut they are so intertwined in my life, yeah.Jennie NashI mean, it's fascinating the way that you trained yourself on story, basically. And I remember the conversation when you approached Author Accelerator, because you were nervous about being able to meet the requirements of our program because of your language—that English is not your first language. But I, I mean, we have a system whereby it's you try it, you know, if—if you'd meet the requirements, you meet them and if you don't, you don't. And it struck me that your grasp of story was so profound. That I didn't know... you know, it was one conversation about your grasp of the written language. But, um, you were... you were very nervous about your ability to do the work of book coaching in another language. And it's just interesting from where we sit now, so I want to circle back to the book itself and the novel and what you accomplished in it, because it really does have the thing that so many writers are always trying to do, and they talk about it—it is so elusive. Which is this capturing this feeling, emotion, letting the reader sit in the mirror of what those characters are feeling, and you feel it your own self, and that it, you know, when it, when it works, it's, it's like a magic trick. And it strikes me that you came at that very deliberately. It was not accidental. Is that fair to say? Would you believe that?Lidija HiljeI think I always wanted to write about... I always wanted to write quiet stories. And for quiet stories to work, you have to make the quiet things loud in a way. And the loud things are the emotions. And so yes, yes, it was always my goal. I was not always good at it... in writing emotion. But yeah, like during that process of writing that first book, I struggled with it a lot. I struggled with what I guess happens a lot of the time when we are writing is that we're trying very hard for the reader to see things the way we are seeing them. And this counter-intuitively causes the very reverse effect. You know the reader—is the more you're trying to make them listen to you, the more you're trying to, you know, impose your view of things on them, the more they resist. So the trick is basically, and I'll make it sound very easy, it's not easy at all to execute, but the trick is to kind of, you know, to try to find a way and to deliver that emotion without judgment. Like, this is what I'm feeling, or this is what my character is feeling. And not trying to explain it, not trying to get compassion, not trying to get the reader to feel anything. Like, you're just putting things out in the ether, and you're allowing the reader to do their own math. And this is something you can do in literary fiction, which is more open-ended, right? And the readers of genre fiction, I do need more hand-holding in that sense that they will not maybe work as hard as the literary reader. So yeah, I did work very hard. And, you know, the first book, the “shelved” book, really got to a point where I couldn't do that work anymore. But when I started Slanting [Slanting Towards the Sea]… the literally... the first scene in Slanting [Slanting Towards the Sea], came out the way it did. Like that's…Jennie NashOh wow!Lidija HiljeIt didn't change. We had this meeting of writing friends and one of them said, let's exchange, like, let's read 500 new words and I was not working on anything. I had been focusing on book coaching at that moment—that was 2021. And I went to the moment in that room when she is thinking about her ex-husband, you know, when the protagonist is thinking about her ex-husband, and it just came out the way it is. I don't think I changed basically more than three words since that scene came out the way it is. And so...Jennie NashOh, that's amazing. I want to... I want to read some of the lines from that opening scene, if I can, to give the readers... I mean the listeners a sense of what we're talking about. So here's how Slanting Towards the Sea begins.I open his socials and sift through his photos. I know their sequence like I know the palm of my hand. Better even, because I can never memorize what my palm looks like, how the life line twirls into the love line, how it begins tight and uniform, but then turns ropey. It scares me to look at it, to trace the lines, to see where they might lead me in years to come. But I know Vlaho's photos by heart.And it goes on from there. It's, it's just, it's so haunting. And, and the whole, the whole novel is, is that, has that feel to it. So when did you, when did you know that with this story you had it? You knew with the other one that you couldn't get it back, or that it wasn't going to happen. When did you begin? Was it after the sharing of that scene where you thought, oh, I've got this?Lidija HiljeI knew that I could write a scene, but there's a difference, you know, a postcard. I would call this a postcard. This is the typical example of a postcard, a scene where nothing changes for the protagonist and she doesn't understand anything new, but it kind of deepens the reader's understanding of, you know, her situation. So I knew I could write it, which is something I struggled with, with the first book, but I—there's a long road from doing one good postcard and then, you know, writing an entire book, which in literary fiction you have this additional, you know, challenge. You do a ratio basically of normal scenes and summaries, and postcards, and you have to maintain that ratio throughout the book. So, um, yeah for the... relatively early in the book I had submitted that first scene for some competitions. And I got great feedback. It won a critique match, writing a competition in the literary fiction category. And it was long listed in the BPA Pitch Prize in the UK. So I knew that... you know... you know... that the opening of the book was working. So that was good. But from then on, it was such a struggle, because you read the book, and so you know, it has dual timelines; it spans 20 years. I was struggling so bad trying to figure out whether I should do, you know, the past in flashbacks? Whether I should alternate timelines? How do I set this massive story up, which has, you know, the past, and, you know, the present, which happens over a span of... I don't know... five or six months in the present timeline. So I struggled with it a lot. But the thing that I struggled with the most was accountability. So basically, for the first year and a half—for the first year—I wrote, I think, maybe 150 pages. They were not very well set up. I was unsure of them, and I would always push the book backwards to work on client stories. And so what really changed the game for me was when I—I have this program that I run in summertime and one of our book coaches was in that program, Nita Collins. And after the program ended, we partnered up. And so she was my accountability—you know partner, as well as…you know, feedback giver and cheerleader and all the things. And so, you know, I still struggled with how to set up all the things and how to build up the narrative, which I think is really hard for people to coach literary fiction, because you can basically only offer solutions that are kind of geared towards tropey, right? So the author really does have to do all the work, in that sense, but she was absolutely instrumental in terms of me getting the pages down and just seeing if the pages hit the mark or didn't, why they didn't, you know, talking to her, just voicing, talking about the book. And so this went on for a year and within one year I had a full first draft and from then on it was a quick revising process and within three months I had three agent offers. So it was a fast process from then on, from having the first draft, to getting an agent.Jennie NashWell, big shout out to Nita Collins and the Author Accelerator community. I love that a connection happened for you guys. It's really beautiful the way you describe it. So can you explain why you decided it was time to go out to agents? With the first book you decided... this is not going to go anywhere. I'm putting it aside. And with this one, very soon after you finished the first draft, you decided to pitch. What was that decision-making process like for you?Lidija HiljeSo I want to be completely honest. I didn't shelve the first project because I thought it was not, I could not get it to a level. I was convinced that it was on a level, and I had pitched it, but I had been rejected over 100 times. So basically the industry decided for me that it wasn't going to happen. And one of the things that was really hard for me in that first book is that I set it in the US, which I've never been to the US. So it made it very difficult, but I felt like if I set the book in Croatia, I would, like the cultural perspective would overpower the quiet narrative. And I thought that I couldn't do it. And so I, you know, in Slanting [Slanting Towards the Sea], this is the base of the book. Like, it's, you know, I've found a way to weave the cultural perspective as seamlessly as I could. But the pitching process—I basically... I had the first draft done when I had decided to pitch the book. It was a little bit—to be honest, I was a little bit hasty. I had applied for The Muse & the Marketplace conversation with agents. You could...Jennie NashLike the speed dating.Lidija HiljeYeah, like the speed dating. And so I purchased a few tickets for that. And this was done for two reasons. The first one was to, you know; give myself a goal to work towards—to kind of make it all go faster. And the second goal was to see how the industry looks at this. And if there are any issues that they have with the, you know, with the book or with how it's set up, I would rather know sooner than later. And so, because they were reading not just the pages—they were reading, like, 10 pages, a synopsis, and a query letter—which I would also wholeheartedly recommend writing during the writing phase. Preferably, you know, toward the end of the first draft, you would have to do the pitching materials, because they inform so much of... they make you really focus on what the book is about and kind of drawing out the themes and the plot and kind of parsing all those things out. So I told myself: if I go there, and if I get some, you know the best thing that could happen is I could get some full requests. The worst thing that could happen was they will tell me that I'm not there, that my writing is not there, and that the and/or that the book doesn't hold together. And so what happened is, I was... I had just finished my first draft, but I knew that the ending wasn't right. I had the wrong ending. So I knew I had to rewrite the last third of the book, at least. And I went on to that conference, and out of five agents I had talked to, four had requested a full manuscript—toward, like, when I had it. So it was a huge, you know, confidence builder, and that summer I really, really—I can't, it's really amazing what happened—I just, I was so energized, and I just, you know, I don't know, it's like a visit from the muse, even though it's just work. But it felt—I felt very inspired, and I completely rewrote the book, basically, and that gave it the ending that it needed to have, which was also one of the fights against the genre confinements which I had kind of put on myself. So yeah, so that was the decision that I should be doing that, and at the same time, I wanted to be, like, 100% sure that when I sent the manuscript out, it would be finished—that it would be the best that I can make it by myself, you know, and, you know, for Nita to read it, for a couple of beta readers that I've really trusted—and they have the same taste in books that I do—to read it. And only with that feedback was I really ready to send it out to agents.Jennie NashSo—the—we'll get to what happened with the agents in a minute. But I want to return to something that you said about the culture of Croatia and the role that it has in the story, and you called it foundational. And it really feels both the setting of the country, meaning the land, there's... there's a lot you write about, um, the sea, and the food that comes from the sea, and the winds that travel, um, both on the sea and on the land, and there's olive trees that play a large part in this story. So there is a lot about the country itself, and then there's, there is a lot about the, the culture and the, the changing bureaucracies and politics and things that are going on. And it's interesting that you spoke in your own life about contemplating leaving the country, because your characters at some key points, contemplate leaving as well. So there's—there was very much about the constraints of the world of this place, and that's part of what the, you know, it's interesting that you talk about it as your concern was that it would overwhelm the story, but it's part of, for me, what the container in which that emotion happened. It felt not separate from the story, but a really critical component of it. The way these characters lived on the land, and in this place, and what that allowed them to do,—or to be—or not be and how they bumped up against it. It was... It's really like you have a historian's grasp of that, your world, was that something you were conscious of while you were writing as well?Lidija HiljeYes. I was always worried about writing, you know, a Croatian perspective. Like that was always a big concern for me because I, you know, when you're looking at literature and what interests readers, it's either, you know, the book set in the UK and US, which is kind of the clear narrative, it doesn't, it's, it's a pervasive culture that we all understand when it kind of becomes invisible, or, you know, a background noise, it doesn't really affect the narrative. Whereas the other interesting things that readers, when they want to travel somewhere, they will want to go somewhere exotic, you know, whether it's Nigeria or, you know, Eastern Asia, Japan, China, you know? So it felt like Croatia is different, but not different enough, you know? And so it's, it's kind of like almost like it makes the reader constantly forget that they're in Croatia, while at the same time kind of jarring them when you remind them of the differences, and this was one of the, one of the, you know, key points of my work with Nita, was when she would just notice things like, what is, you know, what is the, why are there, there are no dividers in the hospital between the beds? And it's just like... and now I realize that I have to explain how our hospitals look like, and it's not like yours. Or the difference in the tides, which in America are, you know, over, over, I don't know how many feet, and in Croatia they're just, um, and we talked about it when you were here in Zadar as well. So it's just like, it's very similar to America, but not quite. And that was very frustrating at times to try to depict. But on the other hand, in writing Ivona, I wanted to, I feel, I have felt and still feel a lot of frustration with my country. I love it, but I have been planning, like there have been multiple, you know, periods in my life when I had hoped to leave, just because how frustrating it is to live here sometimes with the bureaucracy and just the way the mentality is here and everything. So basically in writing her story, I wanted to air out those grievances in a way. To give them voice, to examine them, to see what they are, and like everything, you know, it's not black or white, it's the way we are here, and it's also the way I am, you know. I notice this when I interact with people from other areas, and they say that us Croats and, you know, Balkan people are very, you know, always like, always complaining about something, which is true, we are. And so, yeah, so it's difficult. It's difficult because I wanted that to be a part of the story. And at the same time, you know, there, you know, there is the possibility of the American reader who doesn't see that it's a part of the culture here, basically. That they could look at Ivona, and say, you know, why does she just not snap out of it?Jennie NashHmm…Lidija HiljeAnd, you know, it's almost like saying to me to snap out of the issues that I had as I was like, trying, you know, like banging my head against the wall, trying to get my career going, and t's not working. Like whatever you're, you're trying—like it's easier for me to make it in the US, never having set a foot there, than in Croatia.Jennie NashRight.Lidija HiljeI mean, my book is being published in the US; it's still not being published in Croatia, just for the record. So it's really hard, and it's really hard to make that a part of the book, but not have it, like, weigh the book all the way down. So it was a process. It's like all the things you try and miss and, you know, sometimes you go overboard, and then you have to pull back, and you have to be careful not to go too deeply into your own experience and just feel that the character is separate from you, and obviously she has some different issues than I had and a different occupation, but a lot of her grievances are mine as well.Jennie NashWell, that yearning and, can… I guess confusion really does come across. The how will I, how will I live? How will I love? How will I spend my days? I mean, these are the questions of our life, and they're the questions of this character in—as she goes through what she's experiencing. That they're, they're both mundane questions and, and, you know, the most profound. And, and the way you capture it... I mean, that was just to circle back to my initial idea of talking about how to capture emotion on the page, you know, which is the work of a novel. That's what it's for. That's its point. And it's just so hard to do. And you just did it on so many levels in a language that's not your first. And it really is just extraordinary and moving. And in preparing to talk to you today, I read a lot of the early reviews—people who got advanced readers copies, 'cause the book comes out in July, 2025, and we're speaking a few months before that time. So it's not fully out in the world, but it's enough that, um, I can see that reaction rippling through the readers and, and certainly through the, um, professional, um, colleagues and, you know, who've blurbed the book. But this idea of it being—the word people kept using was “moving.” And there was a lot of words like “tender” and “haunting,” you know, people really felt what it sounds like you intended them to feel. So how, from where you sit now, how does that—how does it feel to have gotten that feedback from some of the writers you admire? And to know that it did… it works doing what you want it to do? How does that feel?Lidija HiljeOh, it's, it's impossible to talk about that because I guess I'm typically Croatian in the way that it's easier for me to sit in my failures than to sit in my successes. So it's absolutely incredible. I mean, when you get a blurb from Claire Lombardo, who is, you know, I absolutely adore her books and I think she's insanely talented, you know, and for her, you know, she used the words “humane,” and that really—I was so moved by that. So my… kind of my goal is for, for people to see the humanity in these, these characters. And so it's really, it's really amazing. It's, it's beyond, you know, some of the, you know, I got really great blurbs from authors I really, really deeply admire: Thao Thai, Nguyễn Phan Quế Mai, Amy Lin, and Madeline Lucas, and as well, you know, Claire Lombardo, whom I mentioned. It's really incredible. It's so life affirming for me, you know, to be able to do that. But like I said, it's always, you know, when I'm reading the reviews, which I probably shouldn't be doing, I'm always focusing on the few that are not—just not feeling it. And then I have to remind myself it's not—this is not a book for anyone, for just everyone. And it's, you know, it's a journey. It's still, like you said, early days. I'm learning to be an author, to grow an even thicker skin in that sense. But yeah, it did feel great to get those beautiful reviews. And I'm so grateful to them for reading and donating their time to me.Jennie NashI mean, it's so not fair what I want to say. It's so not fair. But I want to ask anyway. Quite a few of the reviews said they can't wait for your next book, which, you know, it's like you're not a machine. You've just done this one. But are you thinking about that? Are you… do you have thoughts about that?Lidija HiljeYeah, I am trying to work on my new book. But, you know, I'm admiring the writers who put out a book a year. That's definitely not going to be me. There's an insane amount of work in putting the book out. You know, there's invisible work that goes behind the screen, you know, that people don't see, but it's happening and it takes up a lot of time. And there's also this emotional, you know, it's, it's—it's difficult sitting in, like… you're trying to make this your career. You wrote your heart on the paper and you're offering it to the world. And now you're suspended in this period when you put it out and you're waiting to see how it's received, whether someone tramples on it or whether it's upheld. And so it's a difficult, emotionally difficult place to be in, and I'm one of those writers who struggle to create when I'm not, you know, when I'm feeling… when I'm feeling stressed. So work on my second novel is going slowly. I've gotten to page 100, but then I realized it needed, you know, I needed to make some changes, so I'm back to page 30. So it's a, you know, it's a—it's a process. I think, you know, writing literary fiction takes time. It takes self-examination; it takes a lot of reading of other people who have done it successfully—the type of novel that you're trying to execute. So, so yeah, I'm trying to work on it, but, um, but it may, it may be a while.Jennie NashAll right. I know—that's why it wasn't fair to even ask. Um, so back to… I just want to pick up the story back to—you got the three or the four, um, agent requests, and you, you finished the novel, and, um, and you pitched to them. Can you just share what all unfolded? Because… it was pretty extraordinary.Lidija HiljeSo, basically, what happened was I didn't pitch all the four agents that had requested the pages. I had the first querying experience, which is what I said—you know 100 rejections. I took a long, hard look at it and realized that many of the time I was querying the wrong agents, genre-wise, which, you know, I was not aware of at the time. So a lot of those rejections were basically because I was querying a women's fiction book to literary agents. And that was one thing. And the other thing is… I was pretty, you know, unselective with whom I was querying the first time around. And the second time around, I was really intentional with the type of agent and their reputation and the connections within the industry—you know, just much more aware, approaching it much more professionally in terms of, you know, just wanting a good fit that would actually be able to do something for me, you know, to sell the book. And so a friend who had, you know, she had given me a referral to her agent—that didn't pan out. I gave that agent a month, an exclusive. And when that didn't pan out, I basically sent the query to my now agent, Abby Walters, at CAA. And, you know, it was a form on the website. I didn't even write her an email. It was just a form. So I didn't think that anyone would read it, basically. And I got—quickly I got like five or six requests, right out of the gate, those maybe first 10 days. And by the end of the second week I had gotten an offer of representation from Abby. And I followed up with the rest of the agents. The total, uh, the total number of, uh, full requests ended up being, I think, maybe nine out of 20, 25 queries. And, uh, I got three offers of representation, um, from fantastic agents. And, uh, deciding was hell. I was—I was—it was horrible to be in a position where you had to say no to an agent that you admire and that you would genuinely love to work with, but you know, for some reasons I chose Abby and I'm really happy with working with her. She's fantastic. I—I, you know, love her to death. And yeah, so that was the story of getting an agent. It was—it was—it was pretty quick and painless, I have to say, the second time around.Jennie NashRight, from 100 rejections with the first one to—to nine full requests and three offers on—on this one, that's an extraordinary swing, for sure. And I love the—the way that you approached it the second time with that intention. It just says everything about the kind of person and writer you are, and the book landed with Simon & Schuster and will be coming out soon, and I can't wait to share it with our listeners. It's a beautiful, beautiful novel. I just—I cherished reading every page, and we had the really great good fortune of my taking a vacation to Croatia and coming to your town and meeting you and walking through the town with you, and I treasure that for so many reasons. But having read the book, I felt like I could taste it and see it in a really special way, having had a tour of your city with you. So that, for me, was just a special—a special part of it too.Lidija HiljeThank you so much, Jennie. But actually, you kind of were a part of that, because when I thought about the places where Ivona would take a seer to, you know, to see, I had our tour in my—you know, on my mind, because I was thinking, like, what would she show someone who's from another place? Like, where would she take him? And it wouldn't be the things I showed you. I mean, I showed you some of the big things that you have to see when you're here. But I took you to the places that are more intimate to me, like more personally important to me.Jennie NashYeah.Lidija HiljeAnd so this is—this is what's behind the scene where she shows him her school. And, you know, so, yeah… you know, real life.Jennie NashOh, that's amazing. That's amazing. Well, yeah, I did get to see where you went to school and where the law office was. And—and one of the things that's really stayed with me was we went to a bookstore and it… Um, and it—just knowing what your life in books has been, Lidija, and how you've studied them and how you've worked to become a writer of the caliber that you are. And that bookstore was so small, and it had mostly books in Croatian, and it was not anything like the kind of bookstore that one would think would spark a major literary career. And it… that just has stuck with me, because you—you made your own bookstore, right? You found your own literary community. You found your own career and way, and it's just been a joy to watch and to cheer you on. And thank you for coming and talking with us today.Lidija HiljeThank you so much for having me, and all the encouragement over the years. I'm really grateful for that as well.Jennie NashAll right, well, until next time, for our listeners—keep your butt in the chair and your head in the game. Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

This Author Walked Away from Law—and Won Big

MomAdvice Book Gang

Play Episode Listen Later Jul 11, 2025 64:29

Lidija Hilje shares how her debut novel, Slanting Towards the Sea, and her own journey is shaped by second chances and the courage it required to begin again.Lidija Hilje brings a rare and powerful perspective to her fiction. After a decade working in Croatian courts, she left the legal field to write in English as her second language and to coach other writers through their own stories. We discuss how that radical life change shaped both her novel and her coaching philosophy.In today's Book Gang episode, Lidija joins me for a profoundly moving and insightful conversation about her first novel, Slanting Towards the Sea. In this week's warm and expansive episode, we discuss:How writing in a second language and through a bicultural lens shaped the emotional and narrative depth of Slanting Towards the SeaThe novel's quiet but powerful thread on broken governmental systems, and how we see the differences and parallels between our American and Croatian experiencesHow Lidija's former legal career informs her current work as a book coach, and how she helps authors clarify and complete the stories they feel called to tellBONUS BOOK LIST: This week, you can set sail with these 34 sea books. From shipwreck survival stories to coastal mysteries, oceanic fantasies, and sweeping seaside romances- this book list has a little something for everyone!Meet Lidija HiljeLidija Hilje is a Croatian writer and certified book coach. After earning a law degree, she spent a decade practicing law in Croatian courts before transitioning to book coaching, and writing in English as her second language. Her writing has appeared in The New York Times and other outlets. She lives in Zadar, Croatia, with her husband and two daughters. SLANTING TOWARDS THE SEA is her first novel.Mentioned in this episode:Browse the 2025 MomAdvice Summer Reading Guide (with ads) or download the 48-page reading guide ($7) to support our show. If you are a show patron, please check your inbox for your copy as part of your member benefits. Thank you for supporting my small business! Download Today's Show TranscriptJoin the July Book Club Chat (Husbands & Lovers)BONUS BOOK LIST: 34 Sea Books (upcoming titles, new releases, and backlist selections to browse)Slanting Towards the Sea by Lidija HiljeThe Maid on NetflixBookshop.org pays a 10% commission on every sale and matches it with 10% to support independent bookstores.Connect With Us:Join the Book Gang PatreonConnect with Lidija Hilje on Instagram or her WebsiteConnect with Amy on Instagram, TikTok, or MomAdviceGet My Happy List NewsletterGet the Daily Kindle Deals NewsletterBuy Me a Coffee (for a one-time donation)

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Violet Grgich on Wine as Emotion, Heritage & Rebellion | Wine Talks with Paul K

Play Episode Listen Later Jul 10, 2025 48:26 Transcription Available

Proper winemaking takes humility. It takes a story. It takes risk. And I guess risk is relative. when you come from nothing or next to nothing and you plot a path and execute a path, that comes from and takes humility. Mike Grgich landed in Saint Helena with $32 dollars sewed in his shoe and landed in front of a faceless hotel. He wasn't sure at the point what to do next and certainly wasn't aware of what was to become of him. Sitting with Violet Grgich is in itself sitting with humility. Such a desirable trait in a human being. She immediately draws you in to her outlook on life; perhaps a piece of her fathers outlook. The Grgich name might conjure visions of Napa Valley legend, but Violet Grgich proves she's every bit as fascinating as the myth she continues. In this unforgettable conversation, you'll traverse the triumphant, tumultuous journey of her father, Mike Grgich—the man behind the “Judgment of Paris”—from a small, impoverished Croatian village to the heart of California winemaking, with $32 literally sewn into his shoe and ambition sewn into his soul. Violet unspools the invisible threads connecting generations: the hard-won wisdom passed from father to daughter, the unwavering commitment to tradition and authenticity, and the belief that the story in every bottle is as important as the wine itself. Along the way, you'll uncover why organic, regenerative farming isn't just a marketing phrase at Grgich Hills, but a living, breathing value system; how a winemaker's hands-off approach reveals complexity in the glass; and why, despite decades of technological advances, the heart of great wine remains thrillingly elemental. Violet's reflections on the emotional power of wine—its capacity to conjure memories, ignite conversation, and bind friends—will linger with you long after, as will her thoughts on the shifting tides of generations, changing tastes, and why she's certain that, in the end, every age group rediscovers honest wine. You'll step behind the cellar door to meet the people, the terroir, and even the family spirit that defines Grgich Hills—learning not only the story of a vineyard, but how wine, at its best, transforms a simple moment into something infinite. By the end, you'll know not just how Grgich wines are made, but why they matter, and why the real taste of wine is the taste of a hard-won, beautifully lived life. Grgich Hills Estate (Violet Grgich's winery) https://www.grgich.com Napa Valley Vintners Association https://www.napavintners.com Apple Inc. (referenced as the employer of Paul K's daughter) https://www.apple.com Robert Mondavi Winery https://www.robertmondaviwinery.com Chateau Montelena https://www.montelena.com Hills Bros. Coffee (referenced due to Austin Hills) https://www.hillsbros.com St. Helena Hotel (historical mention, no current operational website found) Pepperdine University (Violet's MBA alma mater) https://www.pepperdine.edu #WineTalks #podcast #NapaValley #VioletGrgich #PaulK #GrgichHills #JudgmentofParis #winemaking #winehistory #organicfarming #regenerativeagriculture #wineemotion #immigrantstories #familylegacy #Chardonnay #CabernetSauvignon #wineinnovation #naturalwine #wineeducation #winebusiness #wineryexperiences

FULL SHOW: Brooke Banned from Bar, Alexis Croatian Vacation + Golden Pick Up Line (7/9/25)

Brooke and Jubal

Play Episode Listen Later Jul 9, 2025 66:45 Transcription Available

FULL SHOW: Wednesday, July 9th, 2025 Curious if we look as bad as we sound? Follow us @BrookeandJeffrey: Youtube Instagram TikTok BrookeandJeffrey.comSee omnystudio.com/listener for privacy information.

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„Lagani hrvatski“ – epizoda 203. Marginalizirani češće žrtve seksualnog uznemiravanja

english news croatian macquarie university rtve epizoda hrvatski

Play Episode Listen Later Jul 9, 2025 7:57

This is „Easy Croatian“ – a weekly podcast brought to you by SBS Croatian and the Croatian Studies Centre at Macquarie University. “Easy Croatian” is intended for those who want to brush up on their Croatian. News is written in simpler and shorter sentences and read at a slower pace. Before we move on to the feature, you will hear some of the more complex vocabulary and expressions, followed by their English translations. The transcript, as well as a short quiz, can be found below.

FULL SHOW: Brooke Banned from Bar, Alexis Croatian Vacation + Golden Pick Up Line (7/9/25)

98.3 The Coast

Play Episode Listen Later Jul 9, 2025 86:41

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„Lagani hrvatski“ – epizoda 203. Marginalizirani češće žrtve seksualnog uznemiravanja

Easy Croatian - Lagani hrvatski

Play Episode Listen Later Jul 9, 2025 7:57

english news croatian macquarie university rtve epizoda hrvatski

Borna Sosa: Medical Complete

Back Of The Nest (CPFC Podcast)

Play Episode Listen Later Jul 8, 2025 58:10

Palace are soaring into the transfer market once again! In this episode, Borna Sosa: Medical Complete, we dive into the Croatian wing-back's imminent arrival at Selhurst Park. We break down what he brings to the squad, how he fits into Glasner's system, and what this signing says about Palace's ambitions.Support this show http://supporter.acast.com/holmesdaleradio. Hosted on Acast. See acast.com/privacy for more information.

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Comic talent: meet the illustrators making their mark on Marvel and DC

レアジョブ英会話 Daily News Article Podcast

Play Episode Listen Later Jul 7, 2025 2:32

From the ruins of war to the pages of Marvel and DC, Croatian artists have built stories as powerful as the ones they illustrate. They have now built a reputation within the popular world of comic books. Few fans are aware that some of these iconic characters originate from a small Balkan nation with a limited comic book market of its own. For years, Croatian illustrators have quietly made their mark at top publishers like Marvel and DC Comics, crafting the visual worlds of heroes known and loved by millions. It's an unlikely success story born not in flashy studios, but amid the upheaval of war and economic uncertainty. Before the breakup of Yugoslavia in the early 1990s, comics were a staple of youth culture in the region. From that era emerged a generation of Croatian artists who would later earn international acclaim in an industry far from home. “We've always had great talent. But as the market declined significantly in our country, these talented individuals—thanks to their skill and excellence—were forced to seek opportunities abroad. … There's no secret to their success, these are simply top-notch cartoonists,” explains Marko Šunjić, founder of Fibra, a Croatian comic book publisher. Dalibor Talajić, a former clarinet teacher, traded music for illustration and never looked back. Today, his résumé includes titles such as Deadpool, X-Men, Avengers, and The Hulk. “Ever since I was a kid, I was dreaming about superhero comics, about doing superhero comics. Marvel, DC, that was eventual goal. Unless you're a genius, which I'm not, you start small. So, I was firstly published in a couple of small publishers, but I was persistent… And it took me, let's say, 15 years to break the ice, to appear in the foreign market, in the American market. But after that, only two years, it took to get to Marvel,” says Talajić. Being a comic book artist, he says, is a dream come true—a rewarding but extremely demanding job. Behind every issue are weeks or even months of work, sleepless nights, and a constant run with deadlines. This article was provided by The Associated Press.

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Hrvatski Radio (Croatian) - Episode July 6, 2025

Play Episode Listen Later Jul 6, 2025

Playlist: Grupa Marinero - Zabavni mixPero Nikolin - Daleko je DomovinaMilan Bacic - KukavicaMarko Perkovic Thompson - Ako neznas sto je bilo

Alone in the South Passage - A Star Wars Podcast

The Dogs Always Know: Michael Madsen Tribute, Street Fighter and Running Man Remakes, Denis Villeneuve's Bond, Swan Song Movie Review

Play Episode Listen Later Jul 4, 2025 86:31

Send us a textThe boys are back from holiday and can now regale us of their Croatian odyssey. In short, Hutch was mainly sat by the pool, but at least Steff took some culture in.It's also a bumper news week, as we discuss a couple of remakes of “beloved” movies and a new entry in a classic franchise. We also mark the sad passing of actor Michael Madsen.It's 2021's Swan Song being reviewed this week, and after Steff figured out the right movie to watch, discussion can begin. Is it light on the sci-fi? Yes. But is it light on the thrills? Also yes. But there's lots to enjoy as well.We round off the week with our usual trip down Last Chance Cinema lane, before finishing with a jaunt along Picking Next Week's Film To Review avenue.You can contact us at:podcast@2ndchancecinemaclub.comWe can be found on:Instagram - @2ndchancecinemaclub

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Retzlaff Out, Lyons In, Guest Jared Price on Krešimir Ćosić, John Bytheway Reflects on Y's Best Year

Y’s Guys Podcast

Play Episode Listen Later Jul 1, 2025 125:04

On this special Y's Guys Independence Week episode, hosts Dave McCann and Blaine Fowler lead a packed show filled with BYU headlines and patriotic celebration. They kick things off with breaking football news: Jake Retzlaff has officially entered the transfer portal after a rocky offseason involving pending legal matters and a 7-game honor code suspension. His departure clears the way for a fresh QB competition among McCae Hillstead, Treyson Bourguet, and Bear Bachmeier—while also symbolizing a firm message from BYU leadership that standards still matter. In contrast to Retzlaff's exit, the program is buzzing with excitement after securing 5-star quarterback Ryder Lyons, the highest-rated BYU commit in over 15 years.Guest Jay Drew, BYU beat writer for the Deseret News, joins the show to break down the quarterback shuffle, the impact on preseason rankings, and how Lyons' commitment places BYU in the upper echelon of 2026 recruiting classes. With Big 12 Media Days around the corner and no preseason poll expected this year, the next few weeks are critical for BYU's momentum heading into fall camp on July 29.In a fascinating second interview, Jared Price, President of Eddy and the man behind the global success of Ancestry's DNA program, shares stories from his mission in Croatia—where he followed in the spiritual footsteps of BYU basketball legend Kresimir Cosic. Price helped translate the Book of Mormon into Croatian, continuing a project Cosic had started decades earlier. He also discusses his switch from tech innovation to leadership at Eddy and his deep personal and professional connection to BYU.The show wraps with John Bytheway, who reflects on faith, patriotism, and what it means to be a Cougar fan during this momentous year. From Sweet 16 basketball and national championships in cross country to the recruiting haul of LDS stars Brock Harris, Ryder Lyons, and McKay Madsen, John highlights the values and legacy that set BYU apart. With Stadium of Fire, Balloon Fest, and the Grand Parade just days away, the episode feels like a love letter to Cougar Nation and the American spirit. Hosted on Acast. See acast.com/privacy for more information.

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#878 - Tom Luongo & Alex Krainer

Shaun Newman Podcast

Play Episode Listen Later Jun 30, 2025 102:22

We discuss USA/Iran, Russia/Ukraine and the ants in the jar. Tom Luongo is a former research chemist, amateur dairy goat farmer, libertarian, and economist whose work can be found on Zero Hedge and Newsmax Media. He hosts the Gold Goats ‘n Guns Podcast.Alex Krainer is a Croatian national, former hedge fund manager, author and contributing editor at Zero Hedge. To watch the Full Cornerstone Forum: https://open.substack.com/pub/shaunnewmanpodcastGet your voice heard: Text Shaun 587-217-8500Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionWebsite: www.BowValleycu.comEmail: welcome@BowValleycu.com Use the code “SNP” on all ordersProphet River Links:Website: store.prophetriver.com/Email: SNP@prophetriver.com

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Last Word On Travel: Dubrovnik

The Last Word with Matt Cooper

Play Episode Listen Later Jun 30, 2025 10:30

Known as the Pearl of the Adriatic, Dubrovnik is an affordable choice for a European short trip.From the boat tours, day trips, sunset cocktails and walking the city's famous walls, Travelexpert.ie Sarah Slattery ran through the best of what the Croatian city has to offer.To catch the full conversation, press the ‘play' button on this page.

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From Croatia With Love 29-06-2025

From Croatia With Love

Play Episode Listen Later Jun 30, 2025 29:17

The programme is mostly spoken in Croatian and is filled with music, news, and current events from within the Croatian community in Wellington and around the world. Sponsored by the Croatian Cultural Society of Wellington.

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Hrvatski Radio (Croatian) - Episode June 29, 2025

playlist croatian hrvatska hrvatski

Play Episode Listen Later Jun 29, 2025

Playlist: Hrvoje Hegedusic - Za mog kumaNHT - Cvati ruzo mojaBruno Zebic - Treca dobMeri Cetinic - Sretna ce biti HrvatskaIzvorni Dar - Kad te stvari cine tuznimMarko Perkovic Thompson - Sine mojDamir Kovacicek - Ubija tisina

Captain von Trapp's World War I Service

World War I Podcast

Play Episode Listen Later Jun 26, 2025 28:09

2025 marks the 60th anniversary of the release of The Sound of Music, an enormously successful Hollywood film with fans all over the world. As with any story Hollywood translates to the silver screen, the film is a mix of fact and fiction. What is not fiction, however, is that the leading male protagonist, Captain Georg von Trapp, had served in the Austro-Hungarian Navy and was a decorated veteran of World War I. To explore this fascinating history, the World War I Podcast hosted Johanna II von Trapp and Shela Gobertina von Trapp, Co-Founders of the Georg & Agathe Foundation, and Boris Blazina, Historian at the Institute of Lexicography in Zagreb, Croatia, and editor of the Croatian translation of Georg von Trapp's 1935 WWI memoir published.Learn more about the Georg & Agathe Foundation and Captain von Trapp's military service: Georg & Agathe FoundationHave a comment about this episode? Send us a text message! (Note: we can read texts, but we cannot respond.) Follow us: Twitter: @MacArthur1880 Amanda Williams on Twitter: @AEWilliamsClark Facebook/Instagram: @MacArthurMemorial www.macarthurmemorial.org

„Lagani hrvatski“ – epizoda 202. - Srčani ritam u neredu

Easy Croatian - Lagani hrvatski

Play Episode Listen Later Jun 26, 2025 6:52

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„Lagani hrvatski“ – epizoda 202. - Srčani ritam u neredu

Play Episode Listen Later Jun 26, 2025 6:52

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INSIGHT: Croatian defender Jakov Medic signs for Norwich City from AFC Ajax | The Pink Un

The PinkUn Norwich City Podcast

Play Episode Listen Later Jun 25, 2025 12:41

Connor Southwell (@cjsouthwell1902) is joined by football commentator Dan O'Hagan (@danohagan) to discuss Norwich City's fifth first-team summer signing. *** With thanks to our podcast sponsor - First Bus. ** Picture: Alamy *** You can also hear the Pink Un Podcast on Norwich's Community radio station, Future Radio 107.8FM. *** To get in touch with the podcast now and in future, send any comments and questions into the crew with an email to norfolksport@archant.co.uk or get in touch with us @pinkun on Twitter, where our direct messages are open. And if you're interested in sponsoring the pod, or placing an advert in one of our shows, email connor.southwell@newsquest.co.uk ALSO FIND US AT THE FOLLOWING: Subscribe: pinkun.com/podcast Twitter: twitter.com/pinkun Facebook: fb.me/thepinkun Instagram: instagram.com/the_pinkun Find more details on how you can sign up to Pink Un+ here: https://www.pinkun.com/pinkunplus/ #ncfc #norwichcity #norwich

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Hrvatski Radio (Croatian) - Episode June 22, 2025

Play Episode Listen Later Jun 22, 2025

Playlist: Dusko Lokin - Dobro jutro DalmacijoMarina Jakesic - Ako casa pukne

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From Croatia With Love 22-06-2025

From Croatia With Love

Play Episode Listen Later Jun 22, 2025 28:51

„Lagani hrvatski“ – epizoda 201. - Idemo na snijeg!

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Play Episode Listen Later Jun 19, 2025 7:35

‘This is Where I Should Be': Inside the Front Lines of EW in the Russo-Ukrainian War

From the Crows' Nest

Play Episode Listen Later Jun 18, 2025 53:31

In this episode of From the Crows' Nest, host Ken Miller gets insight into the front lines of the war in Ukraine with today's guest, Jack de Santis. The Croatian-born drone pilot with the Ukrainian military, is also an engineer and businessman, and is the founder of Omira AI — a company that specializes in counter-EW communications technology. Ken and Jack are also joined by FTCN regular guest, retired USAF Colonel, author and journalist, Jeffrey Fischer.Jack tells Ken that his approach to electronic warfare was born from what he saw as a volunteer for the Ukrainian army. Jack's experience as a drone pilot and engineer before the conflict allowed him to step into the front lines of the Russo-Ukrainian war. But it's what Jack saw during a Russian artillery bombardment of Ukrainian forces that led to a new understanding of the conflict: the Ukrainian military needs better EW tools to do the job.To learn more about today's topics or to stay updated on EMSO and EW developments, visit our homepage.We also invite you to share your thoughts, questions, or suggestions for future episodes by emailing host Ken Miller at host@fromthecrowsnest.org.

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Kristina M. Serrano (Spoken Label, June 2025)

Spoken Label

Play Episode Listen Later Jun 18, 2025 31:41

Making her long overdue return today to Spoken Label (Author Podcast) is Kristina M. Serrano.Kristina M. Serrano graduated from Cape Fear Community College with an Associate's Degree in Arts, as well as a BFA in Creative Writing Fiction and a Certificate in Publishing from The University of North Carolina Wilmington, landing on the dean's and chancellor's lists. She was the Executive Editor and Prose Editor of an online literary magazine, and, while in college, had the privilege of singing the national anthem at four large events. Slow Echoes is her first published novel, but she has dozens of unfinished YA fantasy and paranormal romance novels stored away for a rainy day.Slow Echoes, her book we talk about mostly is described as "Selk Baioumi is Croatian. She's also Egyptian. And American. Despite her vast heritage, the only family she has known is her mom and late grandfather. Other than that, the closest relationship she has is her friendship with her boxing/kickboxing instructor, Cliff. And she's perfectly happy with her life, until two new men show up in her cozy hometown of Snow Hill, Maryland. The first, Whistler, an ill-reputed boxer with a paranormal secret. The second, Zahid, the Egyptian father who'd left her mother the day after Selk was born. Zahid's return brings the truth about Selk's ancestry and promises of death for many, including Whistler, the not-so-bad boy who's stolen her heart with his dry smile and effortless empathy. In order to obliterate those promises, Selk and Whistler must enter and survive an alternate Egypt where crocodiles swim in venom, stained-glass labyrinths come to life, and mummies can slow your every move, even speech—if overprotective Cliff doesn't kill Whistler first."Slow Echoes is available on Amazon and all of the usual places.Kirstina's website is: https://kristinamserrano.wixsite.com/

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S2 E7 | Talking Walking Dead | Dead City

Chewing the Fat with Jeff Fisher

Play Episode Listen Later Jun 16, 2025 28:34

Talking Walking Dead: Dead City Season Two, Episode Seven… Titled: “Novi Dan, Novi Početak" Croatian phrase "New day, new beginning" With myself Jeff Fisher, Jason Buttrill & Maximus Fisher SHOW DESCRIPTION: Negan and Maggie go on harrowing journeys and face unexpected challenges. Each week we discuss the latest episode and what the future may and should hold. We also discuss all things Dead. Email the show chewingthefat@theblaze.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Hrvatski Radio (Croatian) - Episode June 15, 2025

Play Episode Listen Later Jun 15, 2025

Playlist: Krunoslav Kico Slabinac - Otiso je otac moj polakoSasa Jakelic - Pismo caliMPS Bace - Neboj se dadoDavor Magusic - Kad dusa mir pronadjeLidija Percan - Da mi tebe Istro niAid Rifatbegovic - San o ocuOliver Dragojevic - Oprosti mi pape

The Travel Hacking Mom Show

132. Greece and Croatia with Kids: Megan's Points and Miles Strategy

Play Episode Listen Later Jun 10, 2025 55:58

Taking your family with young kids to Greece and Croatia might seem daunting, but with strategic use of points and miles, it can become an unforgettable adventure. Travel Mom Squad's Director of Operations, Megan, shares how she planned an ambitious spring break trip that included iconic destinations like Santorini's blue domes and Croatia's stunning national parks. From finding family-friendly Airbnbs in prime locations to navigating border crossings and rental cars, Megan demonstrates that international family travel doesn't have to break the bank. Tune in to hear about her practical approach to family travel and learn how to turn your dream destination into family-friendly adventure too! You'll Discover: Why booking vacation rentals can be more cost-effective than hotels for families of five. How to navigate border crossings between Croatia and Bosnia with minimal stress. Which Greek and Croatian destinations work best with children. Tips for driving and parking in Croatian cities with a rental car. How to plan an efficient multi-city European itinerary during a short school break. You can find links to everything Megan mentioned in this episode plus the transcript and more here: travelmomsquad.com/132 Ready to get started with NEARLY FREE travel? Click here for the exact offers we would sign up for this month: travelmomsquad.lpages.co/bestoffers/ The Travel Mom Squad is also on YouTube! You can watch this episode here: youtube.com/@travelmomsquad Let us know what you want to hear on the podcast by sending us a DM on Instagram: instagram.com/travelmomsquad

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Wine Review: Zlatan Otok Plavac Mali, 2019 | w/ Guest Host Ellen Lainez from The Wine Consul

Stop Wasting Your Wine

Play Episode Listen Later Jun 10, 2025 70:34

This week we pop open the 2019 Zlatan Otok Plavac Mali from Hvar, Croatia. Joining us is guest host Ellen Lainez, a wine educator and founder of The Wine Consul. Her work brings wine education to life through hands-on experiences and training across the hospitality industry.We dive into five things you need to know about Croatian wine. Then we fire up a round of Pick Your Poison to keep things fun.So, pour yourself your favorite glass of Croatian wine if you've got one. If not, this episode might convince you to fix that.Show Notes:Connect with Ellen The Wine Consul!The Wine Consul on Instagramhttps://www.instagram.com/thewineconsul/The Wine Consul Websitehttps://thewineconsul.com/The Wine Consul on YouTubehttps://www.youtube.com/@thewineconsul4117Connect with the show. We would love to hear from you!Stop Wasting Your Wine on Instagramhttps://www.instagram.com/stopwastingyourwine/Stop Wasting Your Wine on YouTubehttps://www.youtube.com/@StopWastingYourWineThe Stop Wasting Your Wine Websitehttps://stopwastingyourwine.com/Chapters00:00 - Intro03:01 - Wine Interview: Ellen Lainez25:41 - Tonight's Wine: Zlatan Otok, Plavac Mali, 201930:42 - Wine Discussion - Aromas and Flavors45:44 - Learning Segment52:20 - Review01:00:46 - Game: 'Pick Your Poison' 01:10:14 - Outro

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Hrvatski Radio (Croatian) - Episode June 8, 2025

Play Episode Listen Later Jun 8, 2025

Playlist: TS Ravnica - Uvenut ce ruza bjelaKl Boduli - Jute san se zajubijaMladen Kvesic - Sveti AnteHistri - Stari dome mojMeri Cetinic - Lipi grade moj

The Curb | Culture. Unity. Reviews. Banter.

St Kilda Film Festival Interview: Kat Dominis on building the award-winning short film Unspoken

Play Episode Listen Later Jun 4, 2025 53:32

I remember sitting in the Mercury at the Adelaide Film Festival and watching Unspoken and getting to see a rare talent emerge on screen in the form of Kat Dominis. Her lead performance left me moved, shaken, and stunned by the depth of emotions she presented on screen. As the credits rolled, I saw she was the co-writer of this award-winning short film, a credit she shares with Mariana Rudan and director Damian Walshe-Howling. Unspoken is a story about family, it's a story about division, and it's a story built on intergenerational trauma.Kat plays Marina, a Croatian born young woman living with her family in 1979. She's in a secret relationship with a white Aussie man, with the two keeping the relationship hidden from her parents. Marina's brothers also live under the same house, with the two brothers falling into the political unrest that unfurls on the streets of Sydney in the form of protests and demonstrations. Acting as a thematic layer to Unspoken is the true story of the Croatian Six; six Croatian-Australian men who were sentenced to 15 years jail in 1981 for a conspiracy to bomb several sites in Sydney.Much of the evidence that was used in the trial of the Croatian Six was fabricated, with the men being set up as part of a sting operation by the Yugoslav foreign intelligence service. The weight of this event sits in the background of Unspoken, with tensions emerging throughout the film between family members, between Croatian-Australians and white Australians, and between girlfriend and boyfriend.Underpinning this tension is that stunning central performance from Kat Dominis who commands the screen with a guiding, lived-in understanding of the weight of her characters lives and the societal and political upheaval they're undergoing. As Marina, Kat presents the conflicted nature of wanting to fit in to a new culture while also trying to navigate the familial heritage of her homelands culture. In this regard, Unspoken becomes a universal story that many migrant families can relate to, especially from the frequently xenophobic landscape of Australian culture and society.These notions, and a lot more, are explored in this expansive interview with Kat Dominis, recorded ahead of Unspoken's screening at the St Kilda Film Festival on 7 June. Unspoken has screened nationally around Australia, and took home the Grand Prix at the Clermont-Ferrand Short Film Festival earlier this year, a rare achievement for an Australian film. Less prestigious, but notable still, is that Unspoken featured in my personal Best Australian Films of 2024 list. It marks the grand arrival of actor-turned-director Damian Walshe-Howling, of producer and co-writer Mariana Rudan, and of course, Kat Dominis as actor, co-writer, and producer. It's a stunning filmic achievement.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends. Hosted on Acast. See acast.com/privacy for more information.

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#402: Pero Ljubic, Jesus Salate, Victor Guillin, Premier League Play-Offs Review

The Weekly Dartscast

Play Episode Listen Later Jun 4, 2025 85:46

Alex Moss and Burton DeWitt are back with a new episode after the Premier League Darts play-offs! The boys start this week's show with a look back at last week's Premier League finale at The O2 and discuss whether Luke Humphries' latest major title puts him in the top 10 of all time, and if Luke Littler was missing some match sharpness going into the play-offs with his recent absence from the ProTour. Pero Ljubic (13:45) calls in ahead of making his PDC World Cup of Darts debut for Croatia next week. The new PDC tour card holder chats through his time in darts so far, as well as his previous successes as a chess player, winning 200+ soft tip tournaments, his first experiences playing on a big stage on the European Tour, why he skipped Q-School last year, becoming only the second Croatian to win a PDC tour card at Q-School this year, and recently ending his wait for a first ProTour win of the season. Alex and Burton then reflect on the European Tour action in Leverkusen this past weekend, discussing the Premier League 2026 prospects of the champion Nathan Aspinall and the runner-up. The boys then switch their focus to this upcoming weekend and the final block of Women's Series events before the cut off for the Women's World Matchplay. Jesus Salate and Victor Guillin (55:50) join the show ahead of making history as the first team from Argentina to play in the PDC World Cup of Darts next week. The history-making pair, who both live in Spain, talk through how they both got introduced to darts, meeting each other last year and deciding to enter this year's CDLC World Cup Qualifiers as their first pairs tournament together, going seven darts into a nine-dart leg during the qualifier, winning the World Cup qualifier to earn a big stage PDC debut, their plans for the rest of 2025 and much, much more. The boys finish off the show with a dip into the mailbag to answer your listener questions. Join the Darts Strava King group on Strava *** This podcast is brought to you in association with Darts Corner - the number one online darts retailer! Darts Corner offers the widest selection of darts products from over 30 different manufacturers. Check out Darts Corner here: UK site US site Check out Condor Darts here: UK site Set up an account and enjoy a flutter on the darts by opening an account on the kwiff website or via their app (iOS / Android). 18+. Terms and conditions apply. Begambleaware.org – please gamble responsibly. *** Sponsorship available! Want your business advertised on the show? Email weeklydartscast@gmail.com for more details and a free copy of our new sponsor brochure! *** Enjoy our podcast? Make a one-off donation on our new Ko-Fi page here: ko-fi.com/weeklydartscast Support us on Patreon from just $2(+VAT): patreon.com/WeeklyDartscast Thank you to our Patreon members: Phil Moss, Gordon Skinner, Connor Ellis, Dan Hutchinson

#863 - Alex Krainer & Rebekah Koffler

Shaun Newman Podcast

Play Episode Listen Later Jun 4, 2025 86:17

We discuss all things Russia/Ukraine.Alex Krainer is a Croatian national, former hedge fund manager, author and contributing editor at Zero Hedge. Rebekah is a Russian-born U.S. intelligence expert who served as a Russian Doctrine & Strategy specialist in the Defense Intelligence Agency. Working with the DIA and the CIA's National Clandestine Service, she has led "red" teams during war games and advised senior Pentagon officials. She has delivered classified briefings to top U.S. military commanders, NATO ministers, the directors of the CIA and DIA, the White House National Security Council, and senior congressional staff. She also wrote Putin's Playbook: Russia's Secret Plan to Defeat America. To watch the Full Cornerstone Forum: https://open.substack.com/pub/shaunnewmanpodcastGet your voice heard: Text Shaun 587-217-8500Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionWebsite: www.BowValleycu.comEmail: welcome@BowValleycu.com Use the code “SNP” on all ordersProphet River Links:Website: store.prophetriver.com/Email: SNP@prophetriver.com

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St Kilda Film Festival Interview: Kat Dominis on building the award-winning short film Unspoken

Awards Don't Matter

Play Episode Listen Later Jun 4, 2025 53:32

australia australian acting acast aussie mercury award winning blue sky grand prix short films unspoken croatian yugoslav underpinning st kilda film festival

#88 Dr. Sascha Sajer discusses Inuspheresis

Podcast for Healing Neurology

Play Episode Listen Later Jun 2, 2025 44:20

Dr. Sascha Sajer is an experienced physician specializing in Physical Medicine, Rehabilitation, and Functional Medicine, with over 30 years of expertise in clinical practice, medical consultancy, and healthcare management. After earning his medical degree from the Medical University of Vienna, Dr. Sajer completed his specialization in Physical Medicine and Rehabilitation. He further enhanced his expertise by obtaining an MBA in Health Management from Middlesex University, London, and an accredited Functional Medicine Certification (IFMCP) from The Institute for Functional Medicine (IFM) in the USA. Dr. Sajer is the owner and Medical Director of Revisalut GmbH, where he focuses on functional medicine and integrative healthcare. His previous leadership roles include serving as the Medical Director for the Dr. Dr. Wagner Group, overseeing nine wellness centers and five rehabilitation clinics, as well as leading the Department of Physical Medicine and Rehabilitation at the Evangelistic Hospital of Vienna. With an internation background, he is fluent in English and German, a native Croatian speaker, and proficient in French, Dr. Sajer is also passionate about sports, sailing, photography, and the arts.Agenda Topics : 1. What is Inuspheresis & where is it under the broader umbrella of apheresis? 2. What is the history & development of inuspheresis? 3. What is your background in getting started with inuspheresis as a therapeutic option? For which conditions? 4. What comes out in the effluent? Do you do toxicity testing before/ after treatments? 5. For which patients is inuspheresis appropriate? Contraindications?6. How you do build programs- like how many treatments/ how often/ when to repeat? What other services are typically recommended alongside inuspheresis? 7. What are some of your favorite research papers about this Inuspheresis? What research are you looking forward to seeing up & coming?

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Hrvatski Radio (Croatian) - Episode June 1, 2025

playlist croatian hrvatsku hrvatski

Play Episode Listen Later Jun 1, 2025

Playlist: Bjonda - Domovino moja dalekaMarko Perkovic Thompson - Zemlja herojaMarko Perkovic Thompson - Molitva za HrvatskuIvo Djovani Viskovic - Hrvatska zemljoMilo Hrnic - Kome bi sumilo

Simon Greblo

random Wiki of the Day

Play Episode Listen Later Jun 1, 2025 1:32

rWotD Episode 2950: Simon Greblo Welcome to Random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Sunday, 1 June 2025, is Simon Greblo.Simon Greblo (also Šimun Greblo, Simon Greblić) (ca. 1472 - after 1539) was a Croatian priest, intellectual, Glagolitic writer and scribe. He was one of the most noted connoisseurs of the Glagolitic alphabet at the end of the 15th century. Greblo is generally considered the brightest Croatian copyist of his day. His calligraphy has been especially praised. While not an original author, his knowledge of cultural and literary interests of the day, taste and acumen in making literary choices have been noted.This recording reflects the Wikipedia text as of 01:15 UTC on Sunday, 1 June 2025.For the full current version of the article, see Simon Greblo on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kendra.

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Catholic, Croatian, and Living in New York: Tatjana Mustac

The Morning Blend with David and Brenda

Play Episode Listen Later May 29, 2025 25:32

Tatjana Mustac host a podcast where she shares her culture and faith while living in New York. Sarah talks with Tatjana about this unique perspective.Listen to Tatjana's podcast:https://creators.spotify.com/pod/profile/tatjana-musta/For more information on Mladifest:https://www.eventbrite.com/e/new-york-mladifest-2025-tickets-1110905079999Subscribe to the Morning Blend on your favorite podcast platform.Find this show on the free Hail Mary Media App, along with a radio live-stream, prayers, news, and more.Look through past episodes or support this podcast.The Morning Blend is a production of Mater Dei Radio in Portland, Oregon.

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„Lagani hrvatski“ – epizoda 199. Šteti li umjetna inteligencija okolišu?

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Play Episode Listen Later May 29, 2025 6:36

Hrvatski Radio (Croatian) - Episode May 25, 2025

Play Episode Listen Later May 25, 2025

Playlist: Vera Svoboda - Marijo Svibnja kraljiceMate Bulic - Evo Ana opet jorgovanaMladen Kvesic - 30-ti SvibnjaDamir Ra - Domovina u srcuDusko Kulis - Sretan Rodjendan

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Good Morning Thailand EP.873 | Bangkok Scam Hotspot, Croatian Busted for Illegal Tours, Navy Seizes Boats

Good Morning Thailand

Play Episode Listen Later May 22, 2025 23:09

Today we're going to be talking about the potential collapse of Pattaya's dining sector, a Croatian and a Russian facing arrests in separate incidents, and a little later the brutal killing of Myanmar rebels at the hand of Indian forces.

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Episode 150 - LLC Mobitel Dialogue + we learn all about Picigin!

Let’s Learn Croatian

Play Episode Listen Later May 19, 2025 27:16

Send us a textDobar Dan!HAPPY 150 EPISODES PRIETELJIE!So great we made it this far.. Uncle Mike and Tony D have a new Mobitel dialogue for you. Plenty of new versatile vocabulary and conjugations coming your way. You will be able to add these new and useful phrases to your next Croatian conversation.DJ MOE gets us ready for hot summer beach days with a super fun water game called Picigin.Fun pod ahead, see you there!_LLC TeamVisit our website: https://www.letslearncroatian.com/We have a YouTube channel: https://youtube.com/c/LetsLearnCroatianLLC Merch Store: https://www.letslearncroatian.com/llc-storeKeep the content flowing, donate to the LLC: https://www.letslearncroatian.com/llc-supporters-pageBuy the LLC a Cup of Coffee: https://www.buymeacoffee.com/infoKX Collaborate with LLC: https://www.letslearncroatian.com/become-a-sponsorDo you FaceBook, we do: https://www.facebook.com/llcpod/?__tn__=-UC*FWe even do Instagram: https://www.instagram.com/llcpod/?hl=enTeeDee's Soapshttps://www.teedeessoaps.comHello LLC Prieteljie!We launched a Buy Me a Coffee supporters page. Here's your opportunity to become an LLC Members. Lots of incentives, including: an LLC Members Only Magnet, automatic entrance to any LLC Member Only raffles & prizes and access to the LLC Members Only page on our website, where we upload new content monthly.Click on the link below.https://www.buymeacoffee.com/infoKXHvala, Bog!Support the show

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Köln return to the Bundesliga, Dortmund clinch top four and Müller bids farwell

Futbolgrad Network

Play Episode Listen Later May 18, 2025 36:57

Following a mad final matchday in both the Bundesliga, and 2. Bundesliga, Manu is joined by Matt Ford to break it all down from the RheinEnergieStadion in Köln. The two kick off the show recapping 1. FC Köln's return to the Bundesliga. They then move on to chat about Borussia Dortmund's remarkable comeback under Niko Kovac. Is the Croatian the coach of the season? Then they chat about Bayern Munich and their final game against Hoffenheim. Was the press unfair criticizing the team's trip to Ibiza? Enjoy!

Hrvatski Radio (Croatian) - Episode May 18, 2025

Play Episode Listen Later May 18, 2025

Playlist: Kemal Monteno i Dusan Svilar - Nekako s proljecaMPS Bace - Procvjetala grana jorgovanaIvan Martic - Garevo mojeKata Krnic - Hrvatska mojaHRT-A strana - Ulica jorgovanaMarko Perkovic Thompson - Sliku Bleiburga

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#846 - Luongo Krainer Armstrong

Shaun Newman Podcast

Play Episode Listen Later May 12, 2025 97:18

This was a chat in the hotel room the morning after the Cornerstone Forum. The discussion focuses on all things geopolitics. Tom Luongo is a former research chemist, amateur dairy goat farmer, libertarian, and economist whose work can be found on Zero Hedge and Newsmax Media. He hosts the Gold Goats ‘n Guns Podcast.Alex Krainer is a Croatian national, former hedge fund manager, author and contributing editor at Zero Hedge. Martin Armstrong is the CEO of Armstrong Analytics and is renowned for his economic forecasting model, the Economic Confidence Model, which has notably predicted major market events. He has advised governments and financial institutions worldwide, offering insights into market trends, currency movements, and geopolitical impacts on the economy. Get your voice heard: Text Shaun 587-217-8500Substack:https://open.substack.com/pub/shaunnewmanpodcastSilver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit Union: Website: www.BowValleycu.comEmail: welcome@BowValleycu.com Prophet River Links:Use the code “SNP” on all ordersWebsite: store.prophetriver.com/Email: SNP@prophetriver.com

Hrvatski Radio (Croatian) - Episode May 11, 2025

Play Episode Listen Later May 11, 2025

Playlist: Suncica Istuk - Vrati nas majkoPlavi Dim - Nasa mila matiGoran Ivanovic - Ej godineDrago Flincec - Pjesma majci