Dead-end street with only one inlet/outlet
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2 episodes with dead end street
Gospel Daily with Josh Weidmann Anger at God is a Dead-End Street, Part 2Series: Relentless Mercy: Jonah Scripture: Jonah 4:1-4 Episode: 1190
Gospel Daily with Josh Weidmann Anger at God is a Dead-End Street, Part 1Series: Relentless Mercy: Jonah Scripture: Jonah 4:1-4 Episode: 1189
Episode 242: Grime Time. The Last House on Dead End Street (1977), The New York Ripper (1982). Plus, Terrifier 3, Salem's Lot, Cuckoo, I Saw the TV Glow, and more. 22:00min - The Last House on Dead End Street 38:00min - The New York Ripper
Dead End Street's is this week's featured band for an in-studio Coffeehouse.
well fuck, it’s been’a minute! The Mummy and the Curse of the Jackals(69) and Last House on Dead End Street(73). Also all music from Tojo Yamamoto. Great stuff if you like them support them. Voicemail: 732-639-1435
This week, I'm taking a trip to a very different horror house - the Last House on Dead End Street! Will Sloan (Gold Ninja Video, the Important Cinema Club) joins us to talk about the cult film that had people sure it was snuff if it even existed, and the crazy backstory that lead to what we seen on screen, plus the movie's resurgence! We're also getting into how it plays with our cultivated sense of fiction like Funny Games, exploits Last House on the Left, and is ultimately totally unique. Don't miss out on this one! Content warning for those watching before listening: there is a pretty intense scene of animal death in Last House on Dead End Street. link to post about the show's conclusion ----more----PLUS: New bonus content for the patreon includes Round 1 of the trivia competition we held, full video of the Gremlins commentary I did with Mike Mitchell of the Doughboys and the Choose Your Own Adventure book "Track Star" being navigated with the help of the twitch chat. Sign up now so you don't miss out on this and many more great bonus episodes.
Salvation appeals to most, but some find the commitment to follow Jesus too restrictive. They prefer to live life on their own terms now and consider faith closer to life's end. On Truth For Life, Alistair Begg warns about the danger of this presumption. ----------------------------------------- • Click here and look for "FROM THE SERMON" to stream or read the full message. • This program is part of the series ‘A Study in 1 & 2 Samuel, Volume 4' • Learn more about our current resource, request your copy with a donation of any amount. • If you listened to Truth For Life on Google Podcast, you can now listen to the daily program on YouTube Music. Helpful Resources - Learn about God's salvation plan - Read our most recent articles - Subscribe to our daily devotional Follow Us YouTube | Instagram | Facebook | Twitter This listener-funded program features the clear, relevant Bible teaching of Alistair Begg. Today's program and nearly 3,000 messages can be streamed and shared for free at tfl.org thanks to the generous giving from monthly donors called Truthpartners. Learn more about this Gospel-sharing team or become one today. Thanks for listening to Truth For Life!
Salvation appeals to most, but some find the commitment to follow Jesus too restrictive. They prefer to live life on their own terms now and consider faith closer to life's end. On Truth For Life, Alistair Begg warns about the danger of this presumption. 1 Samuel 28:325 To support this ministry financially, visit: https://www.oneplace.com/donate/163/29
Salvation appeals to most, but some find the commitment to follow Jesus too restrictive. They prefer to live life on their own terms now and consider faith closer to life's end. On Truth For Life, Alistair Begg warns about the danger of this presumption. 1 Samuel 28:325 To support this ministry financially, visit: https://www.oneplace.com/donate/163/29
Some people disregard God until they're caught up in a crisis, then expect immediate answers to urgent prayers. But will God always answer? We'll find out as we look at a desperate moment in King Saul's life, on Truth For Life with Alistair Begg. ----------------------------------------- • Click here and look for "FROM THE SERMON" to stream or read the full message. • This program is part of the series ‘A Study in 1 & 2 Samuel, Volume 4' • Learn more about our current resource, request your copy with a donation of any amount. • If you listened to Truth For Life on Google Podcast, you can now listen to the daily program on YouTube Music. Helpful Resources - Learn about God's salvation plan - Read our most recent articles - Subscribe to our daily devotional Follow Us YouTube | Instagram | Facebook | Twitter This listener-funded program features the clear, relevant Bible teaching of Alistair Begg. Today's program and nearly 3,000 messages can be streamed and shared for free at tfl.org thanks to the generous giving from monthly donors called Truthpartners. Learn more about this Gospel-sharing team or become one today. Thanks for listening to Truth For Life!
Some people disregard God until they're caught up in a crisis, then expect immediate answers to urgent prayers. But will God always answer? We'll find out as we look at a desperate moment in King Saul's life, on Truth For Life with Alistair Begg. 1 Samuel 28:325 To support this ministry financially, visit: https://www.oneplace.com/donate/163/29
Some people disregard God until they're caught up in a crisis, then expect immediate answers to urgent prayers. But will God always answer? We'll find out as we look at a desperate moment in King Saul's life, on Truth For Life with Alistair Begg. 1 Samuel 28:325 To support this ministry financially, visit: https://www.oneplace.com/donate/163/29
Obviously, many of us film fans see movies in theaters througout the year, whether it be at a national chain or at an independent, arthouse theater - or both. Some of us are even hitting film festivals, special screenings, and for the truly unhinged cinephiles, film marathons. For these kind of events to happen though, there have to be some mad geniuses behind the scenes. Those people are film programmers, and they do so much for our the culture of our fandom; from tracking down film the best quality prints available, to figuring out who owns the rights, to actually making the screenings happen. A lot of times their success comes down to the sheer passion they have for these offbeat, awkward, or just downright strange and fucked up motion pictures that makes them want to pass that along to new viewers. In other words, helping new fans Discover the Horror! One of those mad geniuses is Will Morris, who is one of the programmers for the world-famous Music Box Theatre in Chicago. Will has been programming The Music Box of Horrors a 24-hour horror marathon for close to a decade now, as well as programming their yearly January Giallo festival, and much, much more. We invited Will to come on the show to not only explain a little of what he does, but why. Get ready for a fun and wild ride. Movies mentioned in the episode: 964 Pinocchio (1991), Abby (1974), Alleluia (2014), Aswang (1994), The Beyond (1981), Blood of Ghastly Horror (1967), Blue Eyes of the Broken Doll (1974), Café Flesh, Calvaire (2004), The Carrier (1988), The Children (2008), Child's Play 2 (1990), Class of Nuke ‘Em High Part II: Subhumanoid Meltdown (1991), Corruption (1983), Curucu, Beast of the Amazon (1956), The Demons (1973), Dracula, Prisoner of Frankenstein (1972), Dr. Caligari (1989), Emaneulle and the Last Cannibal (1977), Ernest Scared Stupid (1991), Evil Dead (1981), Evil Dead 2 (1987), The Exorcist (1973), Fiend with the Electronic Brain (1967), Fuck the Devil (1990), Fuck the Devil 2: Return of the Fucker (1991), Ganja & Hess (1973), Ginger Snaps (2000), The Granny (1995), Halloween III: Season of the Witch (1982), The House on Haunted Hill (1959), Last House on Dead End Street (1973), Mystics in Bali (1981), Nekromantik (1988), Jaws (1975), Jurassic Park (1993), Meet the Feebles (1989), Mirror Mirror (1990), Organ (1996), A Patch of Blue (1965), Possession (1981), Psycho a Go Go (1965), Of Unknown Origin (1983), [REC] (2007), Repulsion (1965), Roman Holiday (1953), Santet (1988), Sex Demon (2019), Shaun of the Dead (2004), The Snorkel (1958), The Tenant (1976), Tetsuo: The Iron Man (1989), The Thing (1982), Torso (1973), Vaya luna de miel (1980), When a Stranger Calls Back (1993), Witch with the Flying Head (1982), A Woman's Torment (1977) Show Notes: THe Mondo fanzine mentioned: https://www.instagram.com/themondomaniac The Music Box Theatre - https://www.musicboxtheatre.com
We've all done it. Some wallow in it. Some barely dip a toe in it. Complaining. It is not helping. Action cures what ails you. Find the written version on my blog: https://amybain.wordpress.com/2024/01/30/complaining-a-dead-end-street/ You can also follow me on Patreon for more content: patreon.com/user?u=82402425 Click the Link button on this episode and Subscribe so you don't miss the next one. Best of all Invite a friend to join us here On the Journey.
Our main feature is Immaculate. We're also reviewing Sting, You Shouldn't Have Let Me In, The Strangers, Raccoon Valley, Last House on Dead End Street, Blood Thirst, and Upgrade by Blake Crouch.
This episode runs through the classic Kinks A-sides and B-sides of the years 1966 and 1967. These appeared as singles only and never found a home on any contemporary LP, but were collected on the 1998 CD releases of Face to Face and Something Else. Among this pile of tracks are the masterpieces I'm Not Like Everybody Else, Dead End Street and Autumn Almanac. Join Adam (the Kinks guru) and Liam (the Kinks shishya) as they go through the bonus tracks and give their unvarnished opinions. Thoroughly Kinky is on social media: youtube.com/@ThoroughlyKinky instagram.com/ThoroughlyKinky/ twitter.com/KinksPodcast facebook.com/KinksPodcast
Gospel Daily with Josh Weidmann Anger at God is a Dead-End Street, Part 2Series: Relentless Mercy: Jonah Scripture: Jonah 4:1-4 Episode: 1190
Gospel Daily with Josh Weidmann Anger at God is a Dead-End Street, Part 1Series: Relentless Mercy: Jonah Scripture: Jonah 4:1-4 Episode: 1189
"Dead End Street" marked a shift in Ray Davies' songwriting. His songs began to take on a more UK-specific focus. And if not political, it was at least more socially pointed, as he sings about an out-of-work, impoverished couple who wonder, "What are we living for?" 50+ years on, many still ask that same question. "Dead End Street" (Ray Davies) Copyright 1966 Davray Music Limited. Carlin Music Corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Dead End Street" marked a shift in Ray Davies' songwriting. His songs began to take on a more UK-specific focus. And if not political, it was at least more socially pointed, as he sings about an out-of-work, impoverished couple who wonder, "What are we living for?" 50+ years on, many still ask that same question. "Dead End Street" (Ray Davies) Copyright 1966 Davray Music Limited. Carlin Music Corporation. -- Hey, now would be a great time to check out some of the other great Rock Podcasts on the Pantheon Podcasts network! Learn more about your ad choices. Visit megaphone.fm/adchoices
This is my first conversation with 2 authors at the same time, and it's fascinating - we get to hear a comparison between 2 people's approaches to their writing, which is really interesting.Harriet Tyce was born and grew up in Edinburgh. She graduated in English from Oxford University in 1994, and after gaining legal qualifications worked as a criminal barrister for nearly ten years. After leaving the law she started writing, gaining a distinction in an MA in Creative Writing (Crime Fiction) from the University of East Anglia in 2017.Harriet has written four novels, Blood Orange, The Lies You Told, It Ends At Midnight and A Lesson in Cruelty which will be published on 11 April 2024. She lives in north London with her husband, children, and two dogs.Harriet's new book A Lesson In Cruelty will be published on 11 April 2024. Bert's Books: https://bertsbooks.co.uk/product/a-lesson-in-cruelty/Waterstones: https://www.waterstones.com/book/a-lesson-in-cruelty/harriet-tyce/9781472280121Amazon: https://www.amazon.co.uk/Lesson-Cruelty-propulsive-thriller-bestselling/dp/1472280121/ref=mp_s_a_1_1?crid=XSKKBKFXTU6T&keywords=a+lesson+in+cruelty+harriet+tyce&qid=1701632496&sprefix=a+lesson+in+cr%2Caps%2C72&sr=8-1Trevor Woods's first novel, The Man on the Street, set in Newcastle's homeless community, won the Crime Writers' Association's New Blood Dagger. It was followed by One Way Street and Dead End Street. His fourth book, You Can Run, a standalone thriller set in Northumberland was published this year. Trevor teaches the Faber Academy's Crime Writing Course, is a founder member of the Northern Crime Syndicate and is a volunteer chef at the People's Kitchen, a charity that provides hot meals for around 300 people every day. You Can Run is a fast-paced, propulsive thriller about a group of armed mercenaries laying siege to a remote village in search of a young girl. They think it's an easy job but have reckoned without the elderly villagers who don't take kindly to outsiders. ‘The Thursday Murder Club meets Reservoir Dogs'He is currently working onIf you would like to show your love for the podcast, please consider buying me a coffee through BuyMeACoffee.com. This gives you an opportunity to make a small, one-off donation - you are not committed to regular payments. Making the podcast earns me no money, and in fact costs me a fair bit, but I do it for the love, and because I have such fun talking with wonderful authors. Even if you can't afford to buy me a coffee, simply letting me know that you love the podcast means a lot to me. Please take a moment to leave a star rating, write a review, or share the episode with others you know who will benefit from listening in, or you can tag me in social media when you share an episode that you love with your followers.My website is http://www.zoerichards.co.uk and you can access the FREE Mini Reboot through this link.You can find me on TwiX and Instagram as @zoerichardsukAnd finally my debut novel, Garden of Her Heart, is published 20th June 2024. You can pre-order here or if you are on NetGalley you can request an ARC (advance reader copy) here.Happy writing, and may the words flow for you.
Horror movie collectors live to find those rare movies that eluded us. These are the movies that are so obscure and bizarre that it becomes a quest to see them and pass them on to other fans. Join our guest, Roxanne Guarino (Cinema Insomnia with Mr. Lobo), author of the new zine The Craziest Movies You NeverSaw, as we discuss the growing lost media culture, legendary "Holy Grails" of horror and cult, and our own favorite cinematic lost causes. Follow Roxanne on Instagram: @basement_mind_meds Dare to go down the lost media rabbit hole of the Lost Media Wiki: https://lostmediawiki.com/Home I hope you enjoy the show! Movies, Books, and TV Shows Discussed: The Story of Vampires by Thomas G. Aylesworth (1977 Children's book) Big Bad Beetleborgs (TV Series, 1996-1998) Mad Monster Party? (1967) Short Films by Short People, “Attack of the Giant Vulture” (TV-Nickelodeon, 1995) Cuckoo Clocks of Hell (1973) aka Last House on Dead End Street (1977) Sesame Street Episode 847- with Margaret Hamilton (TV-1976) Sesame Street Short- “Cracks (aka Crack Master)” (TV-1975) Rock Odyssey (1987) Heidi's Song (1982) Mean Parents Suck/aka For Parents Only (1991) Plan 10 From Outer Space (1995) London After Midnight (1927) JoJo's Bizarre Adventure: Phantom Blood (Anime-2007) Freaks: Deleted Scenes (1932) Nighty-Night: Midnight Nightmares (1986) Happy Mother's Day, Love George/ aka Run, Stranger, Run (1973) Twice Upon a Time (1983)
On today's episode, I talk about all the fun of living on a dead end street. Give it a listen see if you agree.
Nuestro poeta, Mario Obrero, ha decidido que "Lo que toca" hoy es hablar de poesía y vejez. Después, en "El consulado", Aitor Caminero ha invitado al profesor de Historia Contemporánea de la Universidad Complutense de Madrid (UCM) José Antonio Montero, especialista en política exterior de Estados Unidos. Hablamos sobre la influencia cultural, política y económica norteamericana en España y el mundo. Y ya es miércoles y seguimos descubriendo más canciones de "La playlist de Maika Makovski". Esta semana, el protagonista es el grupo The Kinks y escuchamos: You Really Got Me, Waterloo Sunset, Powerman, Dead End Street, Lola, I Go To Sleep y Shangri-La. Escuchar audio
Y ya es miércoles y seguimos descubriendo más canciones de "La playlist de Maika Makovski". Esta semana, el protagonista es el grupo The Kinks y escuchamos: You Really Got Me, Waterloo Sunset, Powerman, Dead End Street, Lola, I Go To Sleep y Shangri-La. Escuchar audio
It was a lost film with an infamous reputation made by a cast of people using fake names...but was it real? Join me as we enter the video vault to unravel the weird, wild mystery behind one of exploitation cinema's most brutally unsettling films in The Last House on Dead End Street!Want to support the channel? https://www.patreon.com/Horrorgeek https://ko-fi.com/thehorrorgeekGet Your Horrorgeek Merch!https://horrorgeek.creator-spring.com/ Purchase The Last House on Dead End Street here (it's an easter egg on this disc)!https://amzn.to/46e3vrLPeeping Tom: https://amzn.to/46dLn10Disclaimer: this is an Amazon affiliate link. By purchasing through this link my channel will earn a referral fee. This will not make the item cost more. Amazon simply pays me for sending business to their site. It's another way you can support the channel.Listen on podcast platforms:Spotify: https://open.spotify.com/show/2Cn1lep5PYVfzxZF8tzjz9Apple: https://podcasts.apple.com/us/podcast/b-movie-babylon/id1709027230?uo=4Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy50cmFuc2lzdG9yLmZtL2ItbW92aWUtYmFieWxvbg==Amazon: https://music.amazon.com/podcasts/bb97037d-4331-478a-9498-58c58efc2033Follow me on social media!Twitter ► https://twitter.com/horrorgeekInstagram ► https://www.instagram.com/geekpocalypseFacebook ► https://www.facebook.com/mike.brackenThe Horror Geek FB group ► https://www.facebook.com/groups/11186...Blue Sky ► @horrorgeek.bsky.social
Episode 87: Special guest filmmaker/producer Ant Timpson joins us to go one fucking hour on Roger Watkin's "PCP nightmare" horror film LAST HOUSE ON DEAD END STREET aka THE CUKOO CLOCKS FROM HELL. A movie so singularly insane, many folks thought it was a real snuff film for decades... Tickets to EXP.TV's Phenomecon HALLOWEEN PARTY at the Philosophical Research Society in Los Angeles on Oct 31: https://www.prs.org/events.html Watch EXP TV: https://exptv.org/ Sign up for the OFH Patreon and gain access to our exclusive feature-length audio commentary tracks: https://www.patreon.com/onefuckinghour Follow us on – Instagram: https://www.instagram.com/onefuckinghour/ Twitter: https://twitter.com/1fuckinghour
October screamed for an episode on a soundtrack and a movie, and we landed on the hate-filled nihilism of "the Last House on Dead End Street." In the first part of the episode, we talk to Adam Higgins who released the soundtrack on LP. He tells us how the record came together and how he figured out where all the tracks came from. After he heads back to work, we get into the movie itself. It is very appropriate listening and watching for the darkest month.
In our inaugural episode, Membersonly Dave talks to HorrorHound Magazine's Editor-in-Chief Aaron Crowell about what is going on with these pesky UFOs, Art Ettinger reveals the truth of the 3 hour cut for Roger Watkins' Last House on Dead End Street, the difficulties of bleaching denim and much more!Dial into Massacre Radio at 440-941-8585 and leave a voice message for Membersonly Dave – let your voice be heard on the airwaves!Find us online at www.massacrevideo.comDon't forget to check out. . .www.subgenius.tvwww.uvmagazine.comwww.horrorhound.comFollow Membersonly Dave on Twitter and Instagram, @membersonlydave
THE LAST HOUSE ON DEAD END STREET USA, 1973 Regie: Roger Watkins Bjoern und Patrick betreten die finstere Welt der Snuff-Filme und besprechen Roger Watkins THE LAST HOUSE ON DEAD END STREET. Sie sprechen nicht nur über den Film und seinen Macher, sondern beleuchten auch ein paar andere Filme, die sich dem Snuff-Thema mehr oder weniger angenommen haben. Blog: https://antenne-traumstadt.podcaster.de/ Facebook: https://www.facebook.com/AntenneTraumstadt Musik: Carlos Ebelhaeuser (Musiker, Komponist / BLACKMAIL, THE DAMNED DON´T CRY) Link zum neuen Album von THE DAMNED DON´T CRY: https://open.spotify.com/album/3cAHZfiunmXQzsIUWuQ3cS?si=RWp72NHJRNuBtJYIIORfjQ&fbclid=IwAR1UbQ9FeQ1d9hIp-xF7zZhzafzng8lAhpeRyCADLQRXS0UPbYbxd32K7xk&nd=1
Hello all you Ed-Heads, Timbos, and Candice Canine Copulators. This week, we kick off fake-pril, a month of movies that were maybe ripping off other movies? Whatever, it's pretense enough for me. We are joined by long time friend of the show Terry McCollum. And boy howdey, is this a banger. Join us as Terry shares his tale of the facebook farter. and we dive deep into the bestiality, blackface, and deer leg blowjobs of Last House on Dead End Street. Shock and awe, Candice loves this movie, but what does that say about her? Has her time on the show changed her? Tune in next month, when we cover Seed again. You know us https://www.patreon.com/bloodybits Hit us up on twitter. You can check us out on twitter. Tim Yobo @yobogold Candice @horrorhoochie69, and me @eddietheaxe
Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. We are continuing a new multi-part series which is the brainchild of one Mr Dave Parker and this one has the potential for greatness or maximum fuckery. The Unknown Year is a chance for us to pick off movies that we probably should have seen from a randomly selected year in Letterboxd. This episode is covering Dave's pick of The Seventh Curse (1986). Intro - 0 - 3mins 15secs Promo - 3mins 15secs - 3mins 45secs The Seventh Curse - 3mins 45secs - 45mins 5secs Closing out the Show - 45mins 5secs - End The grading follows the Netflix rating style of 1 = Hated It, 2 = Didn't Like It, 3 = Liked It, 4 = Really Liked It & 5 = Loved It The Seventh Curse Duncan: 4.5 Dave: 4.5 The next episode will be Duncan's pick of The Last House on Dead End Street (1973). Our new RSS Feed: https://anchor.fm/s/13ba6ef0/podcast/rss BUY OFFICIAL TPUTS MERCH FROM http://tputscast.bigcartel.com Check out the show on Anchor, iTunes, TuneIn & on Stitcher Radio. Join our Discord Community. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.
Episode one hundred and fifty-five of A History of Rock Music in Five Hundred Songs looks at “Waterloo Sunset” by the Kinks, and the self-inflicted damage the group did to their career between 1965 and 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a nineteen-minute bonus episode available, on "Excerpt From a Teenage Opera" by Keith West. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many Kinks songs. I've used several resources for this and future episodes on the Kinks, most notably Ray Davies: A Complicated Life by Johnny Rogan and You Really Got Me by Nick Hasted. X-Ray by Ray Davies is a remarkable autobiography with a framing story set in a dystopian science-fiction future, while Kink by Dave Davies is more revealing but less well-written. The Anthology 1964-1971 is a great box set that covers the Kinks' Pye years, which overlap almost exactly with their period of greatest creativity. For those who don't want a full box set, this two-CD set covers all the big hits. And this is the interview with Rasa I discuss in the episode. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode has some mentions of racism and homophobia, several discussions of physical violence, one mention of domestic violence, and some discussion of mental illness. I've tried to discuss these things with a reasonable amount of sensitivity, but there's a tabloid element to some of my sources which inevitably percolates through, so be warned if you find those things upsetting. One of the promises I made right at the start of this project was that I would not be doing the thing that almost all podcasts do of making huge chunks of the episodes be about myself -- if I've had to update people about something in my life that affects the podcast, I've done it in separate admin episodes, so the episodes themselves will not be taken up with stuff about me. The podcast is not about me. I am making a very slight exception in this episode, for reasons that will become clear -- there's no way for me to tell this particular story the way I need to without bringing myself into it at least a little. So I wanted to state upfront that this is a one-off thing. The podcast is not suddenly going to change. But one question that I get asked a lot -- far more than I'd expect -- is "do the people you talk about in the podcast ever get in touch with you about what you've said?" Now that has actually happened twice, both times involving people leaving comments on relatively early episodes. The first time is probably the single thing I'm proudest of achieving with this series, and it was a comment left on the episode on "Goodnight My Love" a couple of years back: [Excerpt: Jesse Belvin, "Goodnight My Love"] That comment was from Debra Frazier and read “Jesse Belvin is my Beloved Uncle, my mother's brother. I've been waiting all my life for him to be recognized in this manner. I must say the content in this podcast is 100% correct!Joann and Jesse practically raised me. Can't express how grateful I am. Just so glad someone got it right. I still miss them dearly to this day. My world was forever changed Feb. 6th 1960. I can remember him writing most of those songs right there in my grandmother's living room. I think I'm his last living closest relative, that knows everything in this podcast is true." That comment by itself would have justified me doing this whole podcast. The other such comment actually came a couple of weeks ago, and was on the episode on "Only You": [Excerpt: The Platters, "Only You"] That was a longer comment, from Gayle Schrieber, an associate of Buck Ram, and started "Well, you got some of it right. Your smart-assed sarcasm and know-it-all attitude is irritating since I Do know it all from the business side but what the heck. You did better than most people – with the exception of Marv Goldberg." Given that Marv Goldberg is the single biggest expert on 1950s vocal groups in the world, I'll take that as at least a backhanded compliment. So those are the only two people who I've talked about in the podcast who've commented, but before the podcast I had a blog, and at various times people whose work I wrote about would comment -- John Cowsill of the Cowsills still remembers a blog post where I said nice things about him fourteen years ago, for example. And there was one comment on a blog post I made four or five years ago which confirmed something I'd suspected for a while… When we left the Kinks, at the end of 1964, they had just recorded their first album. That album was not very good, but did go to number three in the UK album charts, which is a much better result than it sounds. Freddie "Boom Boom" Cannon got to number one in 1960, but otherwise the only rock acts to make number one on the album charts from the start of the sixties through the end of 1967 were Elvis, Cliff Richard, the Shadows, the Beatles, the Rolling Stones, Bob Dylan and the Monkees. In the first few years of the sixties they were interspersed with the 101 Strings, trad jazz, the soundtrack to West Side Story, and a blackface minstrel group, The George Mitchell Singers. From mid-1963 through to the end of 1967, though, literally the only things to get to number one on the album charts were the Beatles, the Rolling Stones, Bob Dylan, the Monkees, and the soundtrack to The Sound of Music. That tiny cabal was eventually broken at the end of 1967 by Val Doonican Rocks… But Gently, and from 1968 on the top of the album charts becomes something like what we would expect today, with a whole variety of different acts, I make this point to point out two things The first is that number three on the album charts is an extremely good position for the Kinks to be in -- when they reached that point the Rolling Stones' second album had just entered at number one, and Beatles For Sale had dropped to number two after eight weeks at the top -- and the second is that for most rock artists and record labels, the album market was simply not big enough or competitive enough until 1968 for it to really matter. What did matter was the singles chart. And "You Really Got Me" had been a genuinely revolutionary hit record. According to Ray Davies it had caused particular consternation to both the Rolling Stones and the Yardbirds, both of whom had thought they would be the first to get to number one with a dirty, distorted, R&B-influenced guitar-riff song. And so three weeks after the release of the album came the group's second single. Originally, the plan had been to release a track Ray had been working on called "Tired of Waiting", but that was a slower track, and it was decided that the best thing to do would be to try to replicate the sound of their first hit. So instead, they released "All Day And All Of The Night": [Excerpt: The Kinks, "All Day And All Of The Night"] That track was recorded by the same team as had recorded "You Really Got Me", except with Perry Ford replacing Arthur Greenslade on piano. Once again, Bobby Graham was on drums rather than Mick Avory, and when Ray Davies suggested that he might want to play a different drum pattern, Graham just asked him witheringly "Who do you think you are?" "All Day and All of the Night" went to number two -- a very impressive result for a soundalike follow-up -- and was kept off the number one spot first by "Baby Love" by the Supremes and then by "Little Red Rooster" by the Rolling Stones. The group quickly followed it up with an EP, Kinksize Session, consisting of three mediocre originals plus the group's version of "Louie Louie". By February 1965 that had hit number one on the EP charts, knocking the Rolling Stones off. Things were going as well as possible for the group. Ray and his girlfriend Rasa got married towards the end of 1964 -- they had to, as Rasa was pregnant and from a very religious Catholic family. By contrast, Dave was leading the kind of life that can only really be led by a seventeen-year-old pop star -- he moved out of the family home and in with Mick Avory after his mother caught him in bed with five women, and once out of her watchful gaze he also started having affairs with men, which was still illegal in 1964. (And which indeed would still be illegal for seventeen-year-olds until 2001). In January, they released their third hit single, "Tired of Waiting for You". The track was a ballad rather than a rocker, but still essentially another variant on the theme of "You Really Got Me" -- a song based around a few repeated phrases of lyric, and with a chorus with two major chords a tone apart. "You Really Got Me"'s chorus has the change going up: [Plays "You Really Got Me" chorus chords] While "Tired Of Waiting For You"'s chorus has the change going down: [Plays "Tired of Waiting For You" chorus chords] But it's trivially easy to switch between the two if you play them in the same key: [Demonstrates] Ray has talked about how "Tired of Waiting for You" was partly inspired by how he felt tired of waiting for the fame that the Kinks deserved, and the music was written even before "You Really Got Me". But when they went into the studio to record it, the only lyrics he had were the chorus. Once they'd recorded the backing track, he worked on the lyrics at home, before coming back into the studio to record his vocals, with Rasa adding backing vocals on the softer middle eight: [Excerpt: The Kinks, "Tired of Waiting For You"] After that track was recorded, the group went on a tour of Australia, New Zealand, and Hong Kong. The flight out to Australia was thirty-four hours, and also required a number of stops. One stop to refuel in Moscow saw the group forced back onto the plane at gunpoint after Pete Quaife unwisely made a joke about the recently-deposed Russian Premier Nikita Khruschev. They also had a stop of a couple of days in Mumbai, where Ray was woken up by the sounds of fishermen chanting at the riverside, and enchanted by both the sound and the image. In Adelaide, Ray and Dave met up for the first time in years with their sister Rose and her husband Arthur. Ray was impressed by their comparative wealth, but disliked the slick modernity of their new suburban home. Dave became so emotional about seeing his big sister again that he talked about not leaving her house, not going to the show that night, and just staying in Australia so they could all be a family again. Rose sadly told him that he knew he couldn't do that, and he eventually agreed. But the tour wasn't all touching family reunions. They also got into a friendly rivalry with Manfred Mann, who were also on the tour and were competing with the Kinks to be the third-biggest group in the UK behind the Beatles and the Stones, and at one point both bands ended up on the same floor of the same hotel as the Stones, who were on their own Australian tour. The hotel manager came up in the night after a complaint about the noise, saw the damage that the combined partying of the three groups had caused, and barricaded them into that floor, locking the doors and the lift shafts, so that the damage could be contained to one floor. "Tired of Waiting" hit number one in the UK while the group were on tour, and it also became their biggest hit in the US, reaching number six, so on the way home they stopped off in the US for a quick promotional appearance on Hullabaloo. According to Ray's accounts, they were asked to do a dance like Freddie and the Dreamers, he and Mick decided to waltz together instead, and the cameras cut away horrified at the implied homosexuality. In fact, examining the footage shows the cameras staying on the group as Mick approaches Ray, arms extended, apparently offering to waltz, while Ray backs off nervous and confused, unsure what's going on. Meanwhile Dave and Pete on the other side of the stage are being gloriously camp with their arms around each other's shoulders. When they finally got back to the UK, they were shocked to hear this on the radio: [Excerpt: The Who, "I Can't Explain"] Ray was horrified that someone had apparently stolen the group's sound, especially when he found out it was the Who, who as the High Numbers had had a bit of a rivalry with the group. He said later "Dave thought it was us! It was produced by Shel Talmy, like we were. They used the same session singers as us, and Perry Ford played piano, like he did on ‘All Day And All Of The Night'. I felt a bit appalled by that. I think that was worse than stealing a song – they were actually stealing our whole style!” Pete Townshend later admitted as much, saying that he had deliberately demoed "I Can't Explain" to sound as much like the Kinks as possible so that Talmy would see its potential. But the Kinks were still, for the moment, doing far better than the Who. In March, shortly after returning from their foreign tour, they released their second album, Kinda Kinks. Like their first album, it was a very patchy effort, but it made number two on the charts, behind the Rolling Stones. But Ray Davies was starting to get unhappy. He was dissatisfied with everything about his life. He would talk later about looking at his wife lying in bed sleeping and thinking "What's she doing here?", and he was increasingly wondering if the celebrity pop star life was right for him, simultaneously resenting and craving the limelight, and doing things like phoning the music papers to deny rumours that he was leaving the Kinks -- rumours which didn't exist until he made those phone calls. As he thought the Who had stolen the Kinks' style, Ray decided to go in a different direction for the next Kinks single, and recorded "Everybody's Gonna Be Happy", which was apparently intended to sound like Motown, though to my ears it bears no resemblance: [Excerpt: The Kinks, "Everybody's Gonna Be Happy"] That only went to number nineteen -- still a hit, but a worry for a band who had had three massive hits in a row. Several of the band started to worry seriously that they were going to end up with no career at all. It didn't help that on the tour after recording that, Ray came down with pneumonia. Then Dave came down with bronchitis. Then Pete Quaife hit his head and had to be hospitalised with severe bleeding and concussion. According to Quaife, he fainted in a public toilet and hit his head on the bowl on the way down, but other band members have suggested that Quaife -- who had a reputation for telling tall stories, even in a band whose members are all known for rewriting history -- was ashamed after getting into a fight. In April they played the NME Poll-Winners' Party, on the same bill as the Beatles, the Rolling Stones, the Animals, the Moody Blues, the Searchers, Freddie And The Dreamers, Herman's Hermits, Wayne Fontana & The Mindbenders, the Rockin' Berries, the Seekers, the Ivy League, Them, the Bachelors, Georgie Fame & The Blue Flames, Cilla Black, Dusty Springfield, Twinkle, Tom Jones, Donovan, and Sounds Incorporated. Because they got there late they ended up headlining, going on after the Beatles, even though they hadn't won an award, only come second in best new group, coming far behind the Stones but just ahead of Manfred Mann and the Animals. The next single, "Set Me Free", was a conscious attempt to correct course after "Everybody's Gonna Be Happy" had been less successful: [Excerpt: The Kinks, "Set Me Free"] The song is once again repetitive, and once again based on a riff, structured similarly to "Tired of Waiting" but faster and more upbeat, and with a Beatles-style falsetto in the chorus. It worked -- it returned the group to the top ten -- but Ray wasn't happy at writing to order. He said in August of that year “I'm ashamed of that song. I can stand to hear and even sing most of the songs I've written, but not that one. It's built around pure idiot harmonies that have been used in a thousand songs.” More recently he's talked about how the lyric was an expression of him wanting to be set free from the constraint of having to write a hit song in the style he felt he was outgrowing. By the time the single was released, though, it looked like the group might not even be together any longer. There had always been tensions in the band. Ray and Dave had a relationship that made the Everly Brothers look like the model of family amity, and while Pete Quaife stayed out of the arguments for the most part, Mick Avory couldn't. The core of the group had always been the Davies brothers, and Quaife had known them for years, but Avory was a relative newcomer and hadn't grown up with them, and they also regarded him as a bit less intelligent than the rest of the group. He became the butt of jokes on a fairly constant basis. That would have been OK, except that Avory was also an essentially passive person, who didn't want to take sides in conflicts, while Dave Davies thought that as he and Avory were flatmates they should be on the same side, and resented when Avory didn't take his side in arguments with Ray. As Dave remembered it, the trigger came when he wanted to change the setlist and Mick didn't support him against Ray. In others' recollection, it came when the rest of the band tried to get Dave away from a party and he got violent with them. Both may be true. Either way, Dave got drunk and threw a suitcase at the back of a departing Mick, who was normally a fairly placid person but had had enough, and so he turned round, furious, grabbed Dave, got him in a headlock and just started punching, blackening both his eyes. According to some reports, Avory was so infuriated with Dave that he knocked him out, and Dave was so drunk and angry that when he came to he went for Avory again, and got knocked out again. The next day, the group were driven to their show in separate cars -- the Davies brothers in one, the rhythm section in the other -- they had separate dressing rooms, and made their entrance from separate directions. They got through the first song OK, and then Dave Davies insulted Avory's drumming, spat at him, and kicked his drums so they scattered all over the stage. At this point, a lot of the audience were still thinking this was part of the act, but Avory saw red again and picked up his hi-hat cymbal and smashed it down edge-first onto Dave's head. Everyone involved says that if his aim had been very slightly different he would have actually killed Dave. As it is, Dave collapsed, unconscious, bleeding everywhere. Ray screamed "My brother! He's killed my little brother!" and Mick, convinced he was a murderer, ran out of the theatre, still wearing his stage outfit of a hunting jacket and frilly shirt. He was running away for his life -- and that was literal, as Britain still technically had the death penalty at this point; while the last executions in Britain took place in 1964, capital punishment for murder wasn't abolished until late 1965 -- but at the same time a gang of screaming girls outside who didn't know what was going on were chasing him because he was a pop star. He managed to get back to London, where he found that the police had been looking for him but that Dave was alive and didn't want to press charges. However, he obviously couldn't go back to their shared home, and they had to cancel gigs because Dave had been hospitalised. It looked like the group were finished for good. Four days after that, Ray and Rasa's daughter Louisa was born, and shortly after that Ray was in the studio again, recording demos: [Excerpt: Ray Davies, "I Go to Sleep (demo)"] That song was part of a project that Larry Page, the group's co-manager, and Eddie Kassner, their publisher, had of making Ray's songwriting a bigger income source, and getting his songs recorded by other artists. Ray had been asked to write it for Peggy Lee, who soon recorded her own version: [Excerpt: Peggy Lee, "I Go to Sleep"] Several of the other tracks on that demo session featured Mitch Mitchell on drums. At the time, Mitchell was playing with another band that Page managed, and there seems to have been some thought of him possibly replacing Avory in the group. But instead, Larry Page cut the Gordian knot. He invited each band member to a meeting, just the two of them -- and didn't tell them that he'd scheduled all these meetings at the same time. When they got there, they found that they'd been tricked into having a full band meeting, at which point Page just talked to them about arrangements for their forthcoming American tour, and didn't let them get a word in until he'd finished. At the end he asked if they had any questions, and Mick Avory said he'd need some new cymbals because he'd broken his old ones on Dave's head. Before going on tour, the group recorded a song that Ray had written inspired by that droning chanting he'd heard in Mumbai. The song was variously titled "See My Friend" and "See My Friends" -- it has been released under both titles, and Ray seems to sing both words at different times -- and Ray told Maureen Cleave "The song is about homosexuality… It's like a football team and the way they're always kissing each other.” (We will be talking about Ray Davies' attitudes towards sexuality and gender in a future episode, but suffice to say that like much of Davies' worldview, he has a weird mixture of very progressive and very reactionary views, and he is also prone to observe behaviours in other people's private lives and make them part of his own public persona). The guitar part was recorded on a bad twelve-string guitar that fed back in the studio, creating a drone sound, which Shel Talmy picked up on and heavily compressed, creating a sound that bore more than a little resemblance to a sitar: [Excerpt: The Kinks, "See My Friend"] If that had been released at the time, it would have made the Kinks into trend-setters. Instead it was left in the can for nearly three months, and in the meantime the Yardbirds released the similar-sounding "Heart Full of Soul", making the Kinks look like bandwagon-jumpers when their own record came out, and reinforcing a paranoid belief that Ray had started to develop that his competitors were stealing his ideas. The track taking so long to come out was down to repercussions from the group's American tour, which changed the course of their whole career in ways they could not possibly have predicted. This was still the era when the musicians' unions of the US and UK had a restrictive one-in, one-out policy for musicians, and you couldn't get a visa to play in the US without the musicians' union's agreement -- and the AFM were not very keen on the British invasion, which they saw as taking jobs away from their members. There are countless stories from this period of bands like the Moody Blues getting to the US only to find that the arrangements have fallen through and they can't perform. Around this time, Wayne Fontana and the Mindbenders were told they weren't notable enough to get permission to play more than one gig, even though they were at number one on the charts in the US at the time. So it took a great deal of effort to get the Kinks' first US tour arranged, and they had to make a good impression. Unfortunately, while the Beatles and Stones knew how to play the game and give irreverent, cheeky answers that still left the interviewers amused and satisfied, the Kinks were just flat-out confusing and rude: [Excerpt: The Kinks Interview with Clay Cole] The whole tour went badly. They were booked into unsuitable venues, and there were a series of events like the group being booked on the same bill as the Dave Clark Five, and both groups having in their contract that they would be the headliner. Promoters started to complain about them to their management and the unions, and Ray was behaving worse and worse. By the time the tour hit LA, Ray was being truly obnoxious. According to Larry Page he refused to play one TV show because there was a Black drummer on the same show. Page said that it was not about personal prejudice -- though it's hard to see how it could not be, at least in part -- but just picking something arbitrary to complain about to show he had the power to mess things up. While shooting a spot for the show Where The Action Is, Ray got into a physical fight with one of the other cast members over nothing. What Ray didn't realise was that the person in question was a representative for AFTRA, the screen performers' union, and was already unhappy because Dave had earlier refused to join the union. Their behaviour got reported up the chain. The day after the fight was supposed to be the highlight of the tour, but Ray was missing his wife. In the mid-sixties, the Beach Boys would put on a big Summer Spectacular at the Hollywood Bowl every year, and the Kinks were due to play it, on a bill which as well as the Beach Boys also featured the Byrds, the Righteous Brothers, Dino, Desi & Billy, and Sonny and Cher. But Ray said he wasn't going on unless Rasa was there. And he didn't tell Larry Page, who was there, that. Instead, he told a journalist at the Daily Mirror in London, and the first Page heard about it was when the journalist phoned him to confirm that Ray wouldn't be playing. Now, they had already been working to try to get Rasa there for the show, because Ray had been complaining for a while. But Rasa didn't have a passport. Not only that, but she was an immigrant and her family were from Lithuania, and the US State Department weren't exactly keen on people from the Eastern Bloc flying to the US. And it was a long flight. I don't know exactly how long a flight from London to LA took then, but it takes eleven and a half hours now, and it will have been around that length. Somehow, working a miracle, Larry Page co-ordinated with his co-managers Robert Wace and Grenville Collins back in London -- difficult in itself as Wace and Collins and Page and his business partner Eddie Kassner were by now in two different factions, because Ray had been manipulating them and playing them off against each other for months. But the three of them worked together and somehow got Rasa to LA in time for Ray to go on stage. Page waited around long enough to see that Ray had got on stage at the Hollywood Bowl, then flew back to London. He had had enough of Ray's nonsense, and didn't really see any need to be there anyway, because they had a road manager, their publisher, their agent, and plenty of support staff. He felt that he was only there to be someone for Ray Davies to annoy and take his frustrations out on. And indeed, once Page flew back to the UK, Ray calmed down, though how much of that was the presence of Rasa it's hard to say. Their road manager at the time though said "If Larry wasn't there, Ray couldn't make problems because there was nobody there to make them to. He couldn't make problems for me because I just ignored them. For example, in Hawaii, the shirts got stolen. Ray said, ‘No way am I going onstage without my shirt.' So I turned around and said to him, ‘Great, don't go on!' Of course, they went on.” They did miss the gig the next night in San Francisco, with more or less the same lineup as the Hollywood Bowl show -- they'd had problems with the promoter of that show at an earlier gig in Reno, and so Ray said they weren't going to play unless they got paid in cash upfront. When the promoter refused, the group just walked on stage, waved, and walked off. But other than that, the rest of the tour went OK. What they didn't realise until later was that they had made so many enemies on that tour that it would be impossible for them to return to the US for another four years. They weren't blacklisted, as such, they just didn't get the special treatment that was necessary to make it possible for them to visit there. From that point on they would still have a few hits in the US, but nothing like the sustained massive success they had in the UK in the same period. Ray felt abandoned by Page, and started to side more and more with Wace and Collins. Page though was still trying to promote Ray's songwriting. Some of this, like the album "Kinky Music" by the Larry Page Orchestra, released during the tour, was possibly not the kind of promotion that anyone wanted, though some of it has a certain kitsch charm: [Excerpt: The Larry Page Orchestra, "All Day And All Of The Night"] Incidentally, the guitarist on that album was Jimmy Page, who had previously played rhythm guitar on a few Kinks album tracks. But other stuff that Larry Page was doing would be genuinely helpful. For example, on the tour he had become friendly with Stone and Greene, the managers who we heard about in the Buffalo Springfield episode. At this point they were managing Sonny and Cher, and when they came over to the UK, Page took the opportunity to get Cher into the studio to cut a version of Ray's "I Go to Sleep": [Excerpt: Cher, "I Go to Sleep"] Most songwriters, when told that the biggest new star of the year was cutting a cover version of one of their tracks for her next album, would be delighted. Ray Davies, on the other hand, went to the session and confronted Page, screaming about how Page was stealing his ideas. And it was Page being marginalised that caused "See My Friend" to be delayed, because while they were in the US, Page had produced the group in Gold Star Studios, recording a version of Ray's song "Ring the Bells", and Page wanted that as the next single, but the group had a contract with Shel Talmy which said he would be their producer. They couldn't release anything Talmy hadn't produced, but Page, who had control over the group's publishing with his business partner Kassner, wouldn't let them release "See My Friend". Eventually, Talmy won out, and "See My Friend" became the group's next single. It made the top ten on the Record Retailer chart, the one that's now the official UK chart cited in most sources, but only number fifteen on the NME chart which more people paid attention to at the time, and only spent a few weeks on the charts. Ray spent the summer complaining in the music papers about how the track -- "the only one I've really liked", as he said at the time -- wasn't selling as much as it deserved, and also insulting Larry Page and boasting about his own abilities, saying he was a better singer than Andy Williams and Tony Bennett. The group sacked Larry Page as their co-manager, and legal battles between Page and Kassner on one side and Collins and Wace on the other would continue for years, tying up much of the group's money. Page went on to produce a new band he was managing, making records that sounded very like the Kinks' early hits: [Excerpt: The Troggs, "Wild Thing"] The Kinks, meanwhile, decided to go in a different direction for their new EP, Kwyet Kinks, an EP of mostly softer, folk- and country-inspired songs. The most interesting thing on Kwyet Kinks was "Well-Respected Man", which saw Ray's songwriting go in a completely different direction as he started to write gentle social satires with more complex lyrics, rather than the repetitive riff-based songs he'd been doing before. That track was released as a single in the US, which didn't have much of an EP market, and made the top twenty there, despite its use of a word that in England at the time had a double meaning -- either a cigarette or a younger boy at a public school who has to be the servant of an older boy -- but in America was only used as a slur for gay people: [Excerpt: The Kinks, "Well Respected Man"] The group's next album, The Kink Kontroversy, was mostly written in a single week, and is another quickie knockoff album. It had the hit single "Til the End of the Day", another attempt at getting back to their old style of riffy rockers, and one which made the top ten. It also had a rerecorded version of "Ring the Bells", the song Larry Page had wanted to release as a single: [Excerpt: The Kinks, "Ring the Bells"] I'm sure that when Ray Davies heard "Ruby Tuesday" a little over a year later he didn't feel any better about the possibility that people were stealing his ideas. The Kink Kontroversy was a transitional album for the group in many ways. It was the first album to prominently feature Nicky Hopkins, who would be an integral part of the band's sound for the next three years, and the last one to feature a session drummer (Clem Cattini, rather than Avory, played on most of the tracks). From this point on there would essentially be a six-person group of studio Kinks who would make the records -- the four Kinks themselves, Rasa Davies on backing vocals, and Nicky Hopkins on piano. At the end of 1965 the group were flailing, mired in lawsuits, and had gone from being the third biggest group in the country at the start of the year to maybe the tenth or twentieth by the end of it. Something had to change. And it did with the group's next single, which in both its sound and its satirical subject matter was very much a return to the style of "Well Respected Man". "Dedicated Follower of Fashion" was inspired by anger. Ray was never a particularly sociable person, and he was not the kind to do the rounds of all the fashionable clubs like the other pop stars, including his brother, would. But he did feel a need to make some kind of effort and would occasionally host parties at his home for members of the fashionable set. But Davies didn't keep up with fashion the way they did, and some of them would mock him for the way he dressed. At one such party he got into a fistfight with someone who was making fun of his slightly flared trousers, kicked all the guests out, and then went to a typewriter and banged out a lyric mocking the guest and everyone like him: [Excerpt: The Kinks, "Dedicated Follower of Fashion"] The song wasn't popular with Ray's bandmates -- Dave thought it was too soft and wimpy, while Quaife got annoyed at the time Ray spent in the studio trying to make the opening guitar part sound a bit like a ukulele. But they couldn't argue with the results -- it went to number five on the charts, their biggest success since "Tired of Waiting for You" more than a year earlier, and more importantly in some ways it became part of the culture in a way their more recent singles hadn't. "Til The End of the Day" had made the top ten, but it wasn't a record that stuck in people's minds. But "Dedicated Follower of Fashion" was so popular that Ray soon got sick of people coming up to him in the street and singing "Oh yes he is!" at him. But then, Ray was getting sick of everything. In early 1966 he had a full-scale breakdown, brought on by the flu but really just down to pure exhaustion. Friends from this time say that Ray was an introverted control freak, always neurotic and trying to get control and success, but sabotaging it as soon as he attained it so that he didn't have to deal with the public. Just before a tour of Belgium, Rasa gave him an ultimatum -- either he sought medical help or she would leave him. He picked up their phone and slammed it into her face, blacking her eye -- the only time he was ever physically violent to her, she would later emphasise -- at which point it became imperative to get medical help for his mental condition. Ray stayed at home while the rest of the band went to Belgium -- they got in a substitute rhythm player, and Dave took the lead vocals -- though the tour didn't make them any new friends. Their co-manager Grenville Collins went along and with the tact and diplomacy for which the British upper classes are renowned the world over, would say things like “I understand every bloody word you're saying but I won't speak your filthy language. De Gaulle won't speak English, why should I speak French?” At home, Ray was doing worse and worse. When some pre-recorded footage of the Kinks singing "Dedicated Follower of Fashion" came on the TV, he unplugged it and stuck it in the oven. He said later "I was completely out of my mind. I went to sleep and I woke up a week later with a beard. I don't know what happened to me. I'd run into the West End with my money stuffed in my socks, I'd tried to punch my press agent, I was chased down Denmark Street by the police, hustled into a taxi by a psychiatrist and driven off somewhere. And I didn't know. I woke up and I said, ‘What's happening? When do we leave for Belgium?' And they said, ‘Ray it's all right. You had a collapse. Don't worry. You'll get better.'” He did get better, though for a long time he found himself unable to listen to any contemporary rock music other than Bob Dylan -- electric guitars made him think of the pop world that had made him ill -- and so he spent his time listening to classical and jazz records. He didn't want to be a pop star any more, and convinced himself he could quit the band if he went out on top by writing a number one single. And so he did: [Excerpt: The Kinks, "Sunny Afternoon"] Or at least, I say it's a single he wrote, but it's here that I finally get to a point I've been dancing round since the beginning of the episode. The chorus line, "In the summertime", was Rasa's suggestion, and in one of the only two interviews I've ever come across with her, for Johnny Rogan's biography of Ray, she calls the song "the only one where I wrote some words". But there's evidence, including another interview with her I'll talk about in a bit, that suggests that's not quite the case. For years, I thought it was an interesting coincidence that Ray Davies' songwriting ability follows a curve that almost precisely matches that of his relationship with Rasa. At the start, he's clearly talented -- "You Really Got Me" is a great track -- but he's an unformed writer and most of his work is pretty poor stuff. Then he marries Rasa, and his writing starts to become more interesting. Rasa starts to regularly contribute in the studio, and he becomes one of the great songwriters of his generation. For a five-year period in the mid-to-late-sixties, the period when their marriage is at its strongest, Ray writes a string of classic songs that are the equal of any catalogue in popular music. Then around 1970 Rasa stops coming to the studio, and their marriage is under strain. The records become patchier -- still plenty of classic tracks, but a lot more misses. And then in 1973, she left him, and his songwriting fell off a cliff. If you look at a typical Ray Davies concert setlist from 2017, the last time he toured, he did twenty songs, of which two were from his new album, one was the Kinks' one-off hit "Come Dancing" from 1983, and every other song was from the period when he and Rasa were married. Now, for a long time I just thought that was interesting, but likely a coincidence. After all, most rock songwriters do their most important work in their twenties, divorces have a way of messing people's mental health up, musical fashions change… there are a myriad reasons why these things could be like that. But… the circumstantial evidence just kept piling up. Ray's paranoia about people stealing his ideas meant that he became a lot more paranoid and secretive in his songwriting process, and would often not tell his bandmates the titles of the songs, the lyrics, or the vocal melody, until after they'd recorded the backing tracks -- they would record the tracks knowing the chord changes and tempo, but not what the actual song was. Increasingly he would be dictating parts to Quaife and Nicky Hopkins in the studio from the piano, telling them exactly what to play. But while Pete Quaife thought that Ray was being dictatorial in the studio and resented it, he resented something else more. As late as 1999 he was complaining about, in his words, "the silly little bint from Bradford virtually running the damn studio", telling him what to do, and feeling unable to argue back even though he regarded her as "a jumped-up groupie". Dave, on the other hand, valued Rasa's musical intuition and felt that Ray was the same. And she was apparently actually more up-to-date with the music in the charts than any of the band -- while they were out on the road, she would stay at home and listen to the radio and make note of what was charting and why. All this started to seem like a lot of circumstantial evidence that Rasa was possibly far more involved in the creation of the music than she gets credit for -- and given that she was never credited for her vocal parts on any Kinks records, was it too unbelievable that she might have contributed to the songwriting without credit? But then I found the other interview with Rasa I'm aware of, a short sidebar piece I'll link in the liner notes, and I'm going to quote that here: "Rasa, however, would sometimes take a very active role during the writing of the songs, many of which were written in the family home, even on occasion adding to the lyrics. She suggested the words “In the summertime” to ‘Sunny Afternoon', it is claimed. She now says, “I would make suggestions for a backing melody, sing along while Ray was playing the song(s) on the piano; at times I would add a lyric line or word(s). It was rewarding for me and was a major part of our life.” That was enough for me to become convinced that Rasa was a proper collaborator with Ray. I laid all this out in a blog post, being very careful how I phrased what I thought -- that while Ray Davies was probably the principal author of the songs credited to him (and to be clear, that is definitely what I think -- there's a stylistic continuity throughout his work that makes it very clear that the same man did the bulk of the work on all of it), the songs were the work of a writing partnership. As I said in that post "But even if Rasa only contributed ten percent, that seems likely to me to have been the ten percent that pulled those songs up to greatness. Even if all she did was pull Ray back from his more excessive instincts, perhaps cause him to show a little more compassion in his more satirical works (and the thing that's most notable about his post-Rasa songwriting is how much less compassionate it is), suggest a melodic line should go up instead of down at the end of a verse, that kind of thing… the cumulative effect of those sorts of suggestions can be enormous." I was just laying out my opinion, not stating anything as a certainty, though I was morally sure that Rasa deserved at least that much credit. And then Rasa commented on the post, saying "Dear Andrew. Your article was so informative and certainly not mischaracterised. Thank you for the 'history' of my input working with Ray. As I said previously, that time was magical and joyous." I think that's as close a statement as we're likely to get that the Kinks' biggest hits were actually the result of the songwriting team of Davies and Davies, and not of Ray alone, since nobody seems interested at all in a woman who sang on -- and likely co-wrote -- some of the biggest hit records of the sixties. Rasa gets mentioned in two sentences in the band's Wikipedia page, and as far as I can tell has only been interviewed twice -- an extensive interview by Johnny Rogan for his biography of Ray, in which he sadly doesn't seem to have pressed her on her songwriting contributions, and the sidebar above. I will probably continue to refer to Ray writing songs in this and the next episode on the Kinks, because I don't know for sure who wrote what, and he is the one who is legally credited as the sole writer. But… just bear that in mind. And bear it in mind whenever I or anyone else talk about the wives and girlfriends of other rock stars, because I'm sure she's not the only one. "Sunny Afternoon" knocked "Paperback Writer" off the number one spot, but by the time it did, Pete Quaife was out of the band. He'd fallen out with the Davies brothers so badly that he'd insisted on travelling separately from them, and he'd been in a car crash that had hospitalised him for six weeks. They'd quickly hired a temporary replacement, John Dalton, who had previously played with The Mark Four, the group that had evolved into The Creation. They needed him to mime for a TV appearance pretty much straight away, so they asked him "can you play a descending D minor scale?" and when he said yes he was hired -- because the opening of "Sunny Afternoon" used a trick Ray was very fond of, of holding a chord in the guitars while the bass descends in a scale, only changing chord when the notes would clash too badly, and then changing to the closest possible chord: [Excerpt: The Kinks, "Sunny Afternoon"] Around this time, the group also successfully renegotiated their contract with Pye Records, with the help of a new lawyer they had been advised to get in touch with -- Allen Klein. As well as helping renegotiate their contracts, Klein also passed on a demo of one of Ray's new songs to Herman's Hermits. “Dandy” was going to be on the Kinks' next album, but the Hermits released it as a single in the US and took it into the top ten: [Excerpt: Herman's Hermits, “Dandy”] In September, Pete Quaife formally quit the band -- he hadn't played with them in months after his accident -- and the next month the album Face To Face, recorded while Quaife was still in the group, was released. Face to Face was the group's first really solid album, and much of the album was in the same vein as "Sunny Afternoon" -- satirical songs that turned on the songwriter as much as on the people they were ostensibly about. It didn't do as well as the previous albums, but did still make the top twenty on the album chart. The group continued work, recording a new single, "Dead End Street", a song which is musically very similar to "Sunny Afternoon", but is lyrically astonishingly bleak, dealing with poverty and depression rather than more normal topics for a pop song. The group produced a promotional film for it, but the film was banned by the BBC as being in bad taste, as it showed the group as undertakers. But the single happened to be released two days after the broadcast of "Cathy Come Home", the seminal drama about homelessness, which suddenly brought homelessness onto the political agenda. While "Dead End Street" wasn't technically about homelessness, it was close enough that when the TV programme Panorama did a piece on the subject, they used "Dead End Street" to soundtrack it. The song made the top five, an astonishing achievement for something so dark: [Excerpt: The Kinks, "Dead End Street"] But the track also showed the next possible breach in the Kinks' hitmaking team -- when it was originally recorded, Shel Talmy had produced it, and had a French horn playing, but after he left the session, the band brought in a trombone player to replace the French horn, and rerecorded it without him. They would continue working with him for a little while, recording some of the tracks for their next album, but by the time the next single came out, Talmy would be out of the picture for good. But Pete Quaife, on the other hand, was nowhere near as out of the group as he had seemed. While he'd quit the band in September, Ray persuaded him to rejoin the band four days before "Dead End Street" came out, and John Dalton was back to working in his day job as a builder, though we'll be hearing more from him. The group put out a single in Europe, "Mr. Pleasant", a return to the style of "Well Respected Man" and "Dedicated Follower of Fashion": [Excerpt: The Kinks, “Mr. Pleasant”] That was a big hit in the Netherlands, but it wasn't released in the UK. They were working on something rather different. Ray had had the idea of writing a song called "Liverpool Sunset", about Liverpool, and about the decline of the Merseybeat bands who had been at the top of the profession when the Kinks had been starting out. But then the Beatles had released "Strawberry Fields Forever" and "Penny Lane", and Ray hadn't wanted to release anything about Liverpool's geography and look like he had stolen from them, given his attitudes to plagiarism. He said later "I sensed that the Beatles weren't going to be around long. When they moved to London, and ended up in Knightsbridge or wherever, I was still in Muswell Hill. I was loyal to my origins. Maybe I felt when they left it was all over for Merseybeat.” So instead, he -- or he and Rasa -- came up with a song about London, and about loneliness, and about a couple, Terry and Julie -- Terry was named after his nephew Terry who lived in Australia, while Julie's name came from Julie Christie, as she was then starring in a film with a Terry, Terrence Stamp: [Excerpt: The Kinks, "Waterloo Sunset"] It's interesting to look at the musical inspirations for the song. Many people at the time pointed out the song's similarity to "Winchester Cathedral" by the New Vaudeville Band, which had come out six months earlier with a similar melody and was also named after a place: [Excerpt: The New Vaudeville Band, "Winchester Cathedral"] And indeed Spike Milligan had parodied that song and replaced the lyrics with something more London-centric: [Excerpt: Spike Milligan, "Tower Bridge"] But it seems likely that Ray had taken inspiration from an older piece of music. We've talked before about Ferd Grofe in several episodes -- he was the one who orchestrated the original version of "Rhapsody in Blue", who wrote the piece of music that inspired Don Everly to write "Cathy's Clown", and who wrote the first music for the Novachord, the prototype synthesiser from the 1930s. As we saw earlier, Ray was listening to a lot of classical and jazz music rather than rock at this point, and one has to wonder if, at some point during his illness the previous year, he had come across Metropolis: A Blue Fantasy, which Grofe had written for Paul Whiteman's band in 1928, very much in the style of "Rhapsody in Blue", and this section, eight and a half minutes in, in particular: [Excerpt: Paul Whiteman, "Metropolis: A Blue Fantasy" ] "Waterloo Sunset" took three weeks to record. They started out, as usual, with a backing track recorded without the rest of the group knowing anything about the song they were recording -- though the group members did contribute some ideas to the arrangement, which was unusual by this point. Pete Quaife contributed to the bass part, while Dave Davies suggested the slapback echo on the guitar: [Excerpt: The Kinks, "Waterloo Sunset, Instrumental Take 2"] Only weeks later did they add the vocals. Ray had an ear infection, so rather than use headphones he sang to a playback through a speaker, which meant he had to sing more gently, giving the vocal a different tone from his normal singing style: [Excerpt: The Kinks, "Waterloo Sunset"] And in one of the few contributions Rasa made that has been generally acknowledged, she came up with the "Sha la la" vocals in the middle eight: [Excerpt: The Kinks, "Waterloo Sunset"] And the idea of having the track fade out on cascading, round-like vocals: [Excerpt: The Kinks, "Waterloo Sunset"] Once again the Kinks were at a turning point. A few weeks after "Waterloo Sunset" came out, the Monterey Pop Festival finally broke the Who in America -- a festival the Kinks were invited to play, but had to turn down because of their visa problems. It felt like the group were being passed by -- Ray has talked about how "Waterloo Sunset" would have been another good point for him to quit the group as he kept threatening to, or at least to stay home and just make the records, like Brian Wilson, while letting the band tour with Dave on lead vocals. He decided against it, though, as he would for decades to come. That attitude, of simultaneously wanting to be part of something and be a distanced, dispassionate observer of it, is what made "Waterloo Sunset" so special. As Ray has said, in words that seem almost to invoke the story of Moses: "it's a culmination of all my desires and hopes – it's a song about people going to a better world, but somehow I stayed where I was and became the observer in the song rather than the person who is proactive . . . I did not cross the river. They did and had a good life apparently." Ray stayed with the group, and we'll be picking up on what he and they did next in about a year's time. "Waterloo Sunset" went to number two on the charts, and has since become the most beloved song in the Kinks' whole catalogue. It's been called "the most beautiful song in the English language", and "the most beautiful song of the rock 'n' roll era", though Ray Davies, ever self-critical when he's not being self-aggrandising, thinks it could be improved upon. But most of the rest of us disagree. As the song itself says, "Waterloo Sunset's fine".
TREVOR WOOD chats to Paul Burke about his latest novel just out in paperback, DEAD END STREET, characters Jimmy, Deano and Gadge, PTSD and homelessness, The People's Kitchen, writing a new stand alone novel, the writer's journey and the editor who wanted Dog to have a girlfriend. DEAD END STREET: A group of vigilantes are carrying out a campaign of harassment against the homeless, hounding them both verbally and physically to get them off the streets.Jimmy Mullen is approached by his friend Gadge, who wants to confront the people behind it but Jimmy has finally got his life back on track. He's working at a hostel for 18 to 25-year-olds and he's reluctant to get involved in anything dodgy.Gadge decides to go it alone but is attacked by two of the vigilantes. The police find him unconscious in an alley, covered in blood. Problem is, there's a dead body in the alley too and it's his blood that Gadge is covered in. He's also got the murder weapon in his hand.Convinced that Gadge has been set up, and feeling guilty that he didn't back him up in the first place, Jimmy returns to the streets to try and find out who's behind his friend's difficulties.Unfortunately, he's about to discover that Gadge has a lot of enemies to choose from.TREVOR WOOD: has lived in Newcastle for twenty-five years and considers himself an adopted Geordie. He's a successful playwright who has also worked as a journalist and spin-doctor for the City Council. Prior to that he served in the Royal Navy for sixteen years. Trevor holds an MA in Creative Writing (Crime Fiction) from UEA. The Man on the Street, his first novel, was published to widespread critical acclaim and won the 2020 CWA New Blood Dagger. One Way Street and Dead End Street complete the trilogy.RecommendationsHelen Fitzgerald Worst Case ScenarioNeedless Alley Natalie Marlow TV - The CapturePaul Stewart's Trainspotting tour https://edinburghstreettours.co.ukInvisible Cities Charity https://invisible-cities.orgImagining Homelessness in a City of Care https://notanatlas.org/maps/Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimePaul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2022 .
When you're the follower and not the leader, you might start to question where the leader is taking you. God's people have done that down through time and maybe you're doing that right now. What if it seems God is leading you down a dead end street?
It seems doesn't it that the Government, at the moment, is hellbent on forcing change on us in so many parts of our lives. Yesterday, it was the housing intensification changes - which the Christchurch City Council snubbed its nose at. There's another one, though, that I suspect the Christchurch council - in fact, all councils around the country - might be quite excited about. The Government's “Reshaping Streets” policy will make changes to land transport rules and the Local Government Act, to allow councils to change street lay-outs and street uses for up to two years without consulting anyone first. The Government's saying the two years would be a “pilot” or a “trial” and then the councils could consult us on what we thought of it after that. It would completely turn things on their head and any council could decide it wants to make a change to the lay-out of a road or change the way a road is used, give us just two weeks' notice, keep the changes in place for two years, and then ask us what we think of it. As one commentator has been saying, it would mean those opposed to something would run out of steam after two years and the rest of us would probably just accept it and not bother with the drawn-out consultation process. Now one of the things these proposed changes would do, is allow councils to ban parents from driving to the school gate to pick-up and drop-off their kids. And they'd do this by closing streets to private vehicles during drop-off and pick-up times. Can you imagine that? And if parents started driving down side streets to get to the school, councils could extend the ban to those side streets as well. And that's just one example of how this policy would work. But, unlike the housing intensification business, it's quite likely that our local councils will love this one because councils - rightly or wrongly - are perceived as being anti-car, because they seem to love chewing up roads to build cycleways and they love to tell us that we should be taking the bus and riding a bike. The name of this government policy - Reshaping Streets - says it all, doesn't it? And councils love re-shaping streets. So maybe they won't be so quick to push back on it. Another thing this proposed policy would do is it would let councils remove car parks for two years - again with just two weeks' notice - and it'd be two years before they had to ask us what we thought of it. Just yesterday afternoon I went into town to do something but I just about gave up when it became so difficult finding somewhere to park - all because the council thinks we shouldn't be driving into town, and we should be riding our bikes or taking the bus. So there are nowhere near as many parking spaces in town as there used to be. And that's why I think councils everywhere are going to love this “Reshaping Streets” proposal the Government is pushing. Because if it goes through, they'll be able to take away even more car parks (with just two weeks' notice) and make us wait two years before we get to have a say on it. They'll be able to close the roads around schools during drop-off and pick-up time, with just two weeks' notice, and make us wait two years before asking what we think of it. In my view, calling these things “pilots” is nothing short of shifty. And, as far as I'm concerned, it will be seen by most people as ideology-gone-mad.See omnystudio.com/listener for privacy information.
The Show. The Secret Top 10 is a top 10 show where the host doesn't know the subject or the answers. The guest comes on the show picks a subject and reveals their top 10. The host has 2 minutes to guess the list before it all starts. The Guest As well as being the editor of Ultra Violent Magazine Art Ettinger has also contributed to a number of DVD/Blu-Ray releases as well as acted in a handful of films. If he isn't working on them in some sort of capacity he is most certainty watching them and has held on to a great deal of film knowledge. Video Version - https://youtu.be/8y6fq37ih2g Home Video Release Work The Last House on Dead End Street (1973) Murder-Set-Pieces (2004) Demons (1985) The Eight Immortals Restaurant: The Untold Story (1993) Madeleine: Anatomy of a Nightmare (1974) House on the Edge of the Park (1980) Dr. Lamb (1992) Partial Filmography 2018 The Final Interview 2013 The Profane Exhibit 2012 Let's Make a... Horror Movie 2011 Our Devil's Night 2007 The Screening 2003 August Underground's Mordum As Self Partial 2020 Mail Order Murder: The Story Of W.A.V.E. Productions (Documentary) 2020 Tales of the Uncanny (Documentary) 2020 Hail to the Deadites (Documentary) 2019 Beyond Horror: The History and Sub-Culture of Red Films (Documentary) 2018 His Name Was Roger: An Interview with Art Ettinger (Video documentary short) 2015 Diary of a Deadbeat: The Story of Jim Vanbebber (Documentary) 2012 Celluloid Bloodbath: More Prevues from Hell
The Show. The Secret Top 10 is a top 10 show where the host doesn't know the subject or the answers. The guest comes on the show picks a subject and reveals their top 10. The host has 2 minutes to guess the list before it all starts. The Guest As well as being the editor of Ultra Violent Magazine Art Ettinger has also contributed to a number of DVD/Blu-Ray releases as well as acted in a handful of films. If he isn't working on them in some sort of capacity he is most certainty watching them and has held on to a great deal of film knowledge. Video Version - https://youtu.be/8y6fq37ih2g Home Video Release Work The Last House on Dead End Street (1973) Murder-Set-Pieces (2004) Demons (1985) The Eight Immortals Restaurant: The Untold Story (1993) Madeleine: Anatomy of a Nightmare (1974) House on the Edge of the Park (1980) Dr. Lamb (1992) Partial Filmography 2018 The Final Interview 2013 The Profane Exhibit 2012 Let's Make a... Horror Movie 2011 Our Devil's Night 2007 The Screening 2003 August Underground's Mordum As Self Partial 2020 Mail Order Murder: The Story Of W.A.V.E. Productions (Documentary) 2020 Tales of the Uncanny (Documentary) 2020 Hail to the Deadites (Documentary) 2019 Beyond Horror: The History and Sub-Culture of Red Films (Documentary) 2018 His Name Was Roger: An Interview with Art Ettinger (Video documentary short) 2015 Diary of a Deadbeat: The Story of Jim Vanbebber (Documentary) 2012 Celluloid Bloodbath: More Prevues from Hell
What is it about the small house at the dead end of an unsuspecting street? On the outside, it looks cozy, loved and well taken care of. On the inside… an energy that can't be described lurks in the shadows. Did a family successfully call on the spirit of a deceased relative to help them fight of the spirits on their home? Watch more at: http://www.realghoststoriesonline.com/ If you have a real ghost story or supernatural event to report, please write into our podcast about the paranormal or call 1-855-853-4802! If you like the show, please help keep us on the air and support the show by becoming an EPP (Extra Podcast Person). We'll give you a BONUS episode every week as a "Thank You" for your support. Become an EPP here: http://www.ghostpodcast.com/?page_id=118 or at or at http://www.patreon.com/realghoststories
What is it about the small house at the dead-end of an unsuspecting street? On the outside, it looks cozy, loved, and well taken care of. On the inside… energy that can't be described lurks in the shadows. Did a family successfully call on the spirit of a deceased relative to help them fight of the spirits on their home? Watch more at: http://www.realghoststoriesonline.com/ If you have a real ghost story or supernatural event to report, please write into our podcast about the paranormal or call 1-855-853-4802! If you like the show, please help keep us on the air and support the show by becoming an EPP (Extra Podcast Person). We'll give you a BONUS episode every week as a "Thank You" for your support. Become an EPP here: http://www.ghostpodcast.com/?page_id=118 or at or at http://www.patreon.com/realghoststories
We're starting an extensive series on Snuff Films and on this episode we're starting at the very beginning, with Thomas Edison's exploitation films of executions and bloodsports! We also get into Charles Manson and the Family's influence on introducing the term “snuff films” into the lexicon as we know it today, as well as their influence on exploitation cinema through films like Snuff (1975) and Last House on Dead End Street (1979). Mondo documentaries and rumored footage of celebrity deaths is discussed, as well as Peeping Tom (1960) and voyeurism in cinema. We cover Faces of Death and touch on films such as Cannibal Holocaust, 8MM and the Guinea Pig Franchise. Emanuelle in America grosses Sal out, as it rightfully should. To close out this week we bring up Effects (1979) and George C. Scott in Hardcore (1979). Throughout the week we also give some recommendations on films to check out over the next week. Our sources for this episode: Killing for Culture: From Edison to ISIS - A New History of Death on Film by David Kerekes & David Slater and VHS Nasty: The Video Nasties by Tony Newton & David Bond Follow and drop us a line on the most evil Instagram and Facebook or @last3rowspodcast@gmail.com
Not Your Average Ghost Story - Will You Help Us Find Answers? Special Episode of the Law Enforcement Today Podcast! This episode is brought to you in part by Retalk.com "the new social network". We have no answers for these unusual and bizarre events that have been happening nightly while walking our dogs, at the dead end of our road. Goose bumps, strange smells, odd behavior from one of our dogs, sounds and the nightly unexplainable lights in the trees and occasionally on us. I'm a retired cop and I go by evidence and to date I have not found any explanation for this nightly events. The vast majority of the time, I feel no threat of danger but I always feel like I'm not alone with the dogs in this area. Are these bizarre and unusual nightly events explainable, paranormal or supernatural? We don't know and have not been able to figure them out. Please listen to this special episode of the Law Enforcement Today Podcast and share it to a paranormal, supernatural investigative group, or person's facebook page and be sure to tag the Law Enforcement Today Radio Show facebook page. In return for their investigation of this strange phenomenon we will definitely have them as a guest on the podcast version of our show. And may be able to have them as a guest in the nationally syndicated Law Enforcement Today Radio Show. Follow us on MeWe, Twitter, Instagram, Facebook,and on Retalk.com. In the Clubhouse app look for and follow @LetRadioShow. Background song Hurricane is used with permission from the band Dark Horse Flyer. If you enjoy the Law Enforcement Today Radio Show and Podcast, please tell a friend or two, or three about it. Never miss out on an episode of the Law Enforcement Today Podcast, AND be automatically entered in all future contests. Simply subscribe for our free email newsletter, never more than 2 issues a week sent out. Click here and scroll down about half way. Interested in being a guest, sponsorship or advertising opportunities send an email to the host and producer of the show jay@lawenforcementtoday.com. See omnystudio.com/listener for privacy information.
Jason Klamm joined us for a fun chat about Day of the Dead and Land of the Dead! We're all fans of George Romero's and the way that the series succeeds as horror movies and as allegories. What we weren't necessarily expecting? Just how well they also work as metaphor for life in a pandemic.Links Mentioned:Watch The Last House on Dead End Street: https://tubitv.com/movies/512394/the-last-house-on-dead-end-street Order Motel of the Mysteries: https://www.amazon.com/Motel-Mysteries-David-Macaulay/dp/0395284252/ref=sr_1_4?keywords=david+macaulay&qid=1639488871&sr=8-4 NOTE: There are spoilers in this episode.Next week, we'll be discussing Hellraiser and Hellbound: Hellraiser 2 (both free on Prime or Tubi)Jason KlammTwitter: https://twitter.com/jklamm Instagram: https://www.instagram.com/jasonklamm/Website: http://jasonklamm.com/ Podcast: https://danandjayscomedyhour.bandcamp.com/ All other links: https://linktr.ee/jasonklamm Follow us on social media:Twitter: https://twitter.com/PressPlayScream Instagram: https://www.instagram.com/pressplayandscream/ Website: https://pressplayandscream.buzzsprout.com/
TOPICS by TIMECODE2:12 US Air Force says a plane evacuating Afghan refugees had 5 hijackers onboard. Biden is waiving anti-terrorist immigration prohibitions to keep some “refugees”4:46 Robo-Dogs Get Weapons as Waymo Cars Keep Getting Lost on Dead End Street. The future? What could possibly go wrong? What happens when humans in military are replaced by robots?15:33 FDA wants to get rid of salt (mandating reductions), DeBlasio gets rid of Thomas Jefferson statue25:33 Listener stuck in Italy writes of conditions there and in other EU countries30:20 “No Jab, No Job” is GLOBAL Policy — 10% to be FIRED Friday in Italy. As Italians take to the streets in fury, AP labels them neo-Fascists. Governments at war with their own people, creating Greater Depression and chaos39:21 Canadian Pastor Artur Pawlowski given massive fine but no jail45:52 Biden Offers “Retail Therapy” for Broken Supply Chain. Who's writing this imbecile's script? Walmart & Target are “essential” again. He offers them as a solution to SUPPLY shortages and SHIPPING disruptions.56:03 Biden's Mandate BLUFF: 3 Parts, One is a Bluff. Listener asks: “how is Biden Exec Order a bluff”? Which companies are being coerced, which ones are cooperating unnecessarily? What are the grounds for challenging? What is the best chance of getting an exemption? 1:09:17 Record 4.3 MILLION “Quit”. They're shutting down shipping to shut down supply lines. Southwest Airlines pilot writes. CEO is a WEF (Davos) club member and this is what he has heard about how many pilots are unvaxed and refusing. Also railroad employee on company's planned vax terminations. 1:19:32 Texans who've already been fired for being unvaxed ask “what about our jobs” as GoFundMe takes away funding for lawsuit appeal by RN fired in April by Houston hospital (first in country to start firings)1:28:36 Religious Exemption WINS — in NY! So NY Dept of Education works with Union to block further challenges1:37:44 Rogan vs Sanjay Gupta? An Amazing Revelation. Gupta's account makes it sound like he won — BUT the most amazing thing was NOT what was said or debated, but what happened before the show began 1:50:14 CovidGate: FDA Hides Data, Refuses FOIA. Dr. Peter McCullough, MD sues to get info FDA is hiding. Same things we've seen with ClimateGate.1:59:47 Maine Public Health Director tries to cover up that TrumpShots have a higher death rate than COVID2:06:48 Clot Shots End Professional Athletes Careers. Brandon Goodwin, Atlanta Hawks NBA. Vinny Curry, NY Jets NFL. (Curry had cut a pro-TrumpShot PSA)2:11:22 Pfizer forces entire Brazilian town to get jab because — they want a LONG TERM study. It's still experimental after a year2:21:05 UK health data shows 90-99% safety/efficacy — BUT, the footnote says they have NO data, NO studies to support it & LOW confidence in the numbers2:45:43 Greta Thunberg uses UN's “Rights of the Child” convention to get the UN to challenge countries over her climate fantasies.Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughZelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Mail: David Knight POB 1323 Elgin, TX 78621
TOPICS by TIMECODE 2:12 US Air Force says a plane evacuating Afghan refugees had 5 hijackers onboard. Biden is waiving anti-terrorist immigration prohibitions to keep some “refugees” 4:46 Robo-Dogs Get Weapons as Waymo Cars Keep Getting Lost on Dead End Street. The future? What could possibly go wrong? What happens when humans in military are replaced by robots? 15:33 FDA wants to get rid of salt (mandating reductions), DeBlasio gets rid of Thomas Jefferson statue 25:33 Listener stuck in Italy writes of conditions there and in other EU countries 30:20 “No Jab, No Job” is GLOBAL Policy — 10% to be FIRED Friday in Italy. As Italians take to the streets in fury, AP labels them neo-Fascists. Governments at war with their own people, creating Greater Depression and chaos 39:21 Canadian Pastor Artur Pawlowski given massive fine but no jail 45:52 Biden Offers “Retail Therapy” for Broken Supply Chain. Who's writing this imbecile's script? Walmart & Target are “essential” again. He offers them as a solution to SUPPLY shortages and SHIPPING disruptions. 56:03 Biden's Mandate BLUFF: 3 Parts, One is a Bluff. Listener asks: “how is Biden Exec Order a bluff”? Which companies are being coerced, which ones are cooperating unnecessarily? What are the grounds for challenging? What is the best chance of getting an exemption? 1:09:17 Record 4.3 MILLION “Quit”. They're shutting down shipping to shut down supply lines. Southwest Airlines pilot writes. CEO is a WEF (Davos) club member and this is what he has heard about how many pilots are unvaxed and refusing. Also railroad employee on company's planned vax terminations. 1:19:32 Texans who've already been fired for being unvaxed ask “what about our jobs” as GoFundMe takes away funding for lawsuit appeal by RN fired in April by Houston hospital (first in country to start firings) 1:28:36 Religious Exemption WINS — in NY! So NY Dept of Education works with Union to block further challenges 1:37:44 Rogan vs Sanjay Gupta? An Amazing Revelation. Gupta's account makes it sound like he won — BUT the most amazing thing was NOT what was said or debated, but what happened before the show began 1:50:14 CovidGate: FDA Hides Data, Refuses FOIA. Dr. Peter McCullough, MD sues to get info FDA is hiding. Same things we've seen with ClimateGate. 1:59:47 Maine Public Health Director tries to cover up that TrumpShots have a higher death rate than COVID 2:06:48 Clot Shots End Professional Athletes Careers. Brandon Goodwin, Atlanta Hawks NBA. Vinny Curry, NY Jets NFL. (Curry had cut a pro-TrumpShot PSA) 2:11:22 Pfizer forces entire Brazilian town to get jab because — they want a LONG TERM study. It's still experimental after a year 2:21:05 UK health data shows 90-99% safety/efficacy — BUT, the footnote says they have NO data, NO studies to support it & LOW confidence in the numbers 2:45:43 Greta Thunberg uses UN's “Rights of the Child” convention to get the UN to challenge countries over her climate fantasies.
This episode features singer/songwriter Freya Wolf from Godreaman. Freya discovered the band whilst they were still performing in Aberdare as Tragic Love Company and was even booked to play with the band.
Dan and I had a three hat experience with the great Heather Drain (@mondoheather) talking about the sometimes beautiful and always dangerous work of the late Roger Watkins. We talked about as much as we could squeeze in within two hours and we could have easily have gone another two. On this episode we cover 'Last House on Dead End Street', 'Her Name was Lisa', 'Pink Ladies', 'Corruption', 'American Babylon' and more. Much thanks to Heather for helping us discover what a truly unique and brilliant force Watkins was. You can find Heather's writing and recommendations on her website www.mondoheather.com Heather can also be found on Twitter at @mondoheather
I keep thinking about an essay I read in the book All I Really Need to Know I Learned in Kindergarten by Robert Fulghum. He writes about how he lived at the dead end of a dead-end street, two blocks long, at the bottom of a hill in north Seattle. At the top of the hill, two big yellow and black signs declared: STREET ENDS. And at the end of the street where Fulghum resided, another big sign with stripes and reflectors stated the obvious: DEAD END. More in this week's post. --- Support this podcast: https://anchor.fm/another-world-is-probable/support
sent $$$ this week to Lavender Angels in Sacramento.instagram.com/p/CSRdoronpLL“A queer-identity, antifascist affinity group focused on community safety and protection without policing. To support our work, it takes a community. It is a symbiotic relationship of a need that must be filled, and those who fill it. We currently operate our mutual aid water distros and our community defense patrols, where we provide KYR material, access to medical assistance and a myriad of other community defense tools. This work is expensive, but it’s necessary. Do your part, share donate and support to the cause. It takes all of us to keep us safe.”DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun(intro by omar)Lawn “Rats” Blood on the TracksItasca “Wet Meadow” Morning FlowerJo Passed “Millennial Trash Blues” Their Primetough boy “reflect” my friend, waterParlor Walls “Neuromancer” EXOThe Young Sinclairs “Dead End Street” This is the Young SinclairsStef Chura “Sour Honey” Degrees b/w Sour HoneyLisa/Liza “Encounters” Barn Coat EPBitchen Seahorse “Megalodon” Bitchyyyn Seahorse E.P. 2018Weird Radicals “Agoraphobic” Flight of FancyShamir “Room” RoomBaby Jessica “Where Body” Naked SolidarityPreening “PO Box” Greasetrap FrisbeeRob Magill “Love To Those Who Say!” From The Year 1842Ovef Ow “Hootie Hottie” Crash The PartyPurpur Spytt “A Fake Vision Of Me” Nitpick & SplitMan Made Hill “Garbage Police” FINGERTIPSecretary Legs “Windblown and Well Versed” Cool MythsNo thank you “Space To Grieve” All It Takes To Ruin It AllWomb “When the Night Breaks Up” Like Splitting the Head From the Body
Tons of new music featuring these artists: Kitchen Sink # 114 Playlist Submotile – Cyanotic (Sonic Day Codas, new, Irish-Italian shoegaze duo of Daniela Angione and Michael Farren) Bellavista – Dream Quest (new single, SF dream pop) Denise Le Menice – Heart (2018 single from former member of Dream Rimmy, Perth musician Ali Flintoff) Break 1 Eleventh Dream Day – Cracks In My Smile (new, Since Grazed, first album in 6 years from Rick Rizzo and Janet Bean, Illinois indie rock) The Loft – Like (from Pete Astor’s 80s group, from the new collection on Cherry Red called Ghost Trains & Country Lanes) Black Tambourine – I Was Wrong (from s/t, Mike Schulman’s old band, DC indie pop, 2010 Slumberland compilation) Cheap Star – Wish I Could See (new single, Geneva Switzerland project of Rémi Vaissiere with help from some friends: Jon Auer, Brendan Benson, Brian Young) Lavender Blush – Sundays (new single, SF dream pop) The Kinks – Dead End Street (2014 Remastered Version, The Anthology 1964-1971) Break 2 The Coral – Vacancy (new, Coral Island, UK psych pop) Beachy Head – All Gone (s/t, Christian Cavill from Slowdive collaborating with various friends, including Ryan Graveface, Steve Clarke, and Rachel Goswell) JAIALAI – For Today (new, As Sweet As I Was EP, Miami psych rock) Grazer – Nostalgia Seed (new single, Melbourne based dream pop) Lucid Express – Well Wave (from forthcoming s/t, Hong Kong shoegaze) There’s Talk – A Slow Return (new, Great Falls EP, Oakland dream gaze) Break 3 Adult Books – Holiday (new, Grecian Urn, LA post punk) The Cure – Signal To Noise (B-side from Cut Here single, also on Join the Dots: B-Sides and Rarities 1978-2001) Cold Cave – Promised Land (single from Fate in Seven Lessons, forthcoming release, LA darkwave) Last Ice – End (new, from s/t, collaboration between bloody knives and We Are Parasols, dark wave) White Ring – Light Hours Linger (new, Show Me Heaven, NYC based dark wave used to be Witch House, changed their style) Mint Julep – Pulse (new, In a Deep and Dreamless Sleep, Portland OR dream pop, Keith and Hollie Kenniff) VVOLVES – Well-Loved Tales (new, title track from new release, UK post punk) Break 4 Graywave – Like Heaven (new, Planetary Shift EP, solo project of UK shoegaze artist Jess Webberley) Peach Gardens – Sunset Drive (new single, Moscow dream pop) doused – Again (new, Murmur full length, Philly shoegaze) The Baltic – Fortitude (new, Archipelago, LA band renamed itself to drowsy, shoegaze) Shine – Shine (new, Stare Into the Sun EP, Seattle shoegaze) Un.Real – Sun Like Star (new single, from P.R. shoegazers) New Candys – Begin Again (from forthcoming Vyvyd, Venetian psych) Velvet Sunset – Drive Me (new single, Parisian shoegaze) Break 5 Echodrone – View Master (new, Resurgence, SF shoegaze)
I'm back! This episode's selection of films come recommended from the fine folks of Cherry Bomb, a local dive bar here in San Diego. Tonight's picks are: In The Shadow of Kilimanjaro, Last House on Dead End Street, Inner Depravity, and Baby Blood.
The Last Season v Porno on the roulette, we breakdown Christmas movies A Christmas Carol (2019) and Scrooged, and chat The Dark and The Wicked, Freaky, Tenet, Don't Panic, Silent Madness, Last House on Dead End Street, Lord of the Rings: Fellowship of the Ring, Lord of the Rings, The Two Towers, and much more!
Immer wieder werden in Songs Strassen besungen. DJ Pesa hat seine liebsten Strassen-Songs mitgebracht. Von «The Streets of San Francisco» zu den «Streets of London», von der «Baker Street» bis «Across 110th Street» und von der «Dead End Street» bis zur «Strass won i dran wohne».
As the Philistines gathered their forces, King Saul was alone and desperate. Afraid for his life, he inquired of the Lord, but after years of ignoring God’s word, Saul received no answer. He then disguised himself and consulted a medium, only for an apparition of Samuel to tell him of his impending death. As Alistair Begg explains, Saul’s hopeless situation reflects our natural condition apart from Christ. If we hear God’s voice today, we must not harden our hearts. Bible passages: 1 Samuel 28:3-25
A new MP3 sermon from Truth For Life - Alistair Begg is now available on SermonAudio with the following details: Title: August 23, 2020: Living on Dead-End Street Subtitle: Messages from Truth For Lif Speaker: Alistair Begg Broadcaster: Truth For Life - Alistair Begg Event: Sunday Service Date: 8/23/2020 Bible: 1 Samuel 28:3-25 Length: 44 min.
A new MP3 sermon from Truth For Life - Alistair Begg is now available on SermonAudio with the following details: Title: August 23, 2020: Living on Dead-End Street Subtitle: Messages from Truth For Lif Speaker: Alistair Begg Broadcaster: Truth For Life - Alistair Begg Event: Sunday Service Date: 8/23/2020 Bible: 1 Samuel 28:3-25 Length: 44 min.
As the Philistines gathered their forces, King Saul was alone and desperate. Afraid for his life, he inquired of the Lord, but after years of ignoring God's word, Saul received no answer. He then disguised himself and consulted a medium, only for an apparition of Samuel to tell him of his impending death. As Alistair Begg explains, Saul's hopeless situation reflects our natural condition apart from Christ. If we hear God's voice today, we must not harden our hearts.
Song-List:Allegaeon – Roundabout (Yes Cover)Sorcerer – The Hammer of WitchesLion Trail – The Cave (Where Spirits Hide)Saxon – 747 (Strangers in the Night)Armored Saint – Reign Of FireSinnery – Showing TeethIron Reagan – Miserable FailureDefiance – Product of SocietyFatal – Down Into OblivionEdge of Sanity – DarkdayKataklysm – It Turns to RustSpawn Of Evil – We Are Here!Nile – Annilihilation of the WickedOrbit Culture – Open EyeTomorrow’s Rain – In The Corner of A Dead End Street (ft. Greg Macintosh & Sakis Tolis)Rob Lundgren – Hero Of The Day (Metallica Cover)Metallica & San Francisco Symphony – All Within My HandsDream Escape – Million Dollars (Noa Kirell Cover)Ignea – Disenchantment We’re Metalist Magazine’s show on Zerock radio.Some useful links:https://www.facebook.com/MetalistMagazine/Find us on Spotify:https://open.spotify.com/show/7oMESIIrxoBLQ2ckFVRshe?si=zdxg1sjFSlK-x3aYPNPR5gOur official website:http://metalist.co.il/
UNLOCK THE FULL EPISODE HERE: https://www.patreon.com/posts/124-last-house-38204294 Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
We are taking it back to 1973 to talk about the Rodger Watkins THE LAST HOUSE ON DEAD END STREET (The Fun House, Cuckoo Clocks of Hell). This movie had a layer of mystery surrounding it for 20 plus years. Rumors of it being a product of the Mexican Mafia, to it being a legit snuff film made their way around until the year 2000. We also touch on our normal bands and movies we've been checking out. You should check em out too. Either way, crack a cold one and tune in.
Quote (Jan. 8, 2020): "Failure is a Detour, Not a Dead-End Street." (Zig Ziglar)"Be very careful, how you live, not as unwise but as wise, making the most of every opportunity, because the days are evil." (Eph. 5:5)Let's make the most of ever opportunity God has blessed us with and DON'T BE AFRAID of failure because failure is only a detour and God has it under control. Sometimes failure might be a key ingredient for him to put us where we need to be. Let us go out and be lights, glorifying his name, allowing failures to shape us rather than bring us down.
Proverbs 1:24 Because I have called and you refused to listen, have stretched out my hand and no one has heeded, 25 because you have ignored all my counsel and would have none of my reproof, 26 I also will laugh at your calamity; I will mock when terror strikes you, Outstretched Hands On A Dead End Road To be slighted, insulted, mocked, called crazy and even evil when you are trying to help someone and show them love is a difficult thing. To keep on calling with stretched out hand saying: Turn around! When Wisdom calls out she reminds me of Hank Snow and Bob Dylan who sang: You’re going “Ninety miles an hour down a dead end street”. So stop and turn around won’t you!!! Wisdom stretches out her hand and yells: The bridge is out!!! The fool hearted person thinks “did I hear something? It was only the wind”, or "it must have been that crazy lady again"; and they continue speeding down the steep hill not paying attention to Wisdom's words. As Wisdom has stretched out her hand beckoning us, Jesus who was insulted, mocked, called crazy, told he had a demon, whipped and crucified, extended his hands on a cross as he died for our trespasses; then getting the last word over death for all who listen to him as he rose in victory on the third day. God is a just judge and whether you think him foolish fiction refusing his love or whether you believe his words and find hope in him. His final say for you life will be seen in how you respond to his only begotten Son Jesus Christ. Do you see his hands outstretched for you. He wants to get your attention. Right now he says child, you’re going 90 miles an hour down a dead end street. You’re coming up on calamity. It’s right up ahead! Hurry! Turn around… turn from sin toward me… Trust me. Trust in my righteousness for your soul. Will you see Jesus as a crazy lunatic or the good news your soul needs?
CinePsyEP214 The Last House On Dead End Street The story behind the scenes of the film may be far more interesting and disturbing than the film itself these days, however in its 1977 debut, four years after its troubled production, The Last House On Dead End Street became its own urban legend and shocked the entirety of 42nd Street. A film filled to the brim with anger and vitriol spewing as much contempt and rage as possible in 78 mins of screen time, The Last House On Dead End Street is certainly the kind of film one would easily mistake for being real in the hey day of sleaze. Cort and Matt discuss all of this and more and create several clips that will be just horrifying out of context. Spotify: https://open.spotify.com/show/0PhshKRtKhh4ESfKhrer6s?si=7M_fLKDsRomBgiowA0WWOA iTunes: https://itunes.apple.com/us/podcast/cinema-psyops/id1037574921?mt=2 Stitcher: http://www.stitcher.com/podcast/cinema-psyops Google Play Music: https://play.google.com/music/m/Ij7cs3a2qml6bz2lajomirqcngi?t=Cinema_PSYOPS Cinema PSYOPS Main page: http://www.legionpodcasts.com/cinema-psyops/ Email feedback to Matt: psyopmatt@gmail.com. Cort : cinemapsyopscort@gmail.com Find on twitter Cort: @Cort_PSYOP Matt: @psyopmatt Join the FaceBook group: https://www.facebook.com/groups/1616282625298374/ Instagram: cinema_psyops Flick Chat Group code: cinemapsyops
CinePsyEP214 The Last House On Dead End Street The story behind the scenes of the film may be far more interesting and disturbing than the film itself these days, however in its 1977 debut, four years after its troubled production, The Last House On Dead End Street became its own urban legend and shocked the entirety of 42nd Street. A film filled to the brim with anger and vitriol spewing as much contempt and rage as possible in 78 mins of screen time, The Last House On Dead End Street is certainly the kind of film one would easily mistake for being real in the hey day of sleaze. Cort and Matt discuss all of this and more and create several clips that will be just horrifying out of context. Spotify: https://open.spotify.com/show/0PhshKRtKhh4ESfKhrer6s?si=7M_fLKDsRomBgiowA0WWOA iTunes: https://itunes.apple.com/us/podcast/cinema-psyops/id1037574921?mt=2 Stitcher: http://www.stitcher.com/podcast/cinema-psyops Google Play Music: https://play.google.com/music/m/Ij7cs3a2qml6bz2lajomirqcngi?t=Cinema_PSYOPS Cinema PSYOPS Main page: http://www.legionpodcasts.com/cinema-psyops/ Email feedback to Matt: psyopmatt@gmail.com. Cort : cinemapsyopscort@gmail.com Find on twitter Cort: @Cort_PSYOP Matt: @psyopmatt Join the FaceBook group: https://www.facebook.com/groups/1616282625298374/ Instagram: cinema_psyops Flick Chat Group code: cinemapsyops The post CinePsyEP214 The Last House On Dead End Street appeared first on Legion.
Parker White joins Josh Berman, Freedle Coty, and Conor Smith to discuss 2011’s After Dark, including Parker's pet squirrel, filming backcountry lines at night, and his mom’s reaction to the movie. Go watch the movie for free at www.podcast.level1.ski to get the most out of this podcast. Intro track: “Dead End Street” - The Kinks. First aired 9-15-19.
Originally Released: Jan 2011 On the "Exploited Cinema" feed Jdog & Bat32 are back once again. The cold winter and bad connections tried to keep them down, but of course nothing can kill Exploited Cinema. This week's episode is a bit of a wild card. In OBSCURE: the boys are dishing up a greasy double feature. Ilsa: She Wolf of the SS (1975) & Last House on Dead End Street (1977). In VHS VAULT: they have a highly underrated film starring John Saxon and Burt Young, Blood Beach (1981). So get ready for a journey into the world of sleazy snuff films and horny Nazis!!! _______ Please help spread the word and leave us ratings and reviews on itunes, Google Play, Stitcher, and YouTube! Also, follow the Official Revival House feed for all of our shows in one place. _______ LEAVE US A MESSAGE ON THE REVIVAL HOTLINE!! 1-602-399-7280 Exploited Cinema Links: Blog - http://exploitedcinema.blogspot.com/ RSS Feed - http://feeds.feedburner.com/RH/EC Itunes - https://podcasts.apple.com/us/podcast/exploited-cinema/id1468805041 Google Play - https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&apn=com.google.android.music&link=https://play.google.com/music/m/Iuj2ye6sflslocaabrtgfsyszje?t%3DExploited_Cinema%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16 Stitcher - https://www.stitcher.com/s?fid=427176&refid=stpr Spotify - https://open.spotify.com/show/1U3BUbRBAN7bcssR3VxonX Weird World Publishing - www.weirdworldpublishing.com Sleaze Fiend Magazine Facebook - www.facebook.com/sleazefiendmagazine Canadian Assault Magazine - http://www.canadianassault.com/ _______ Revival House Links: Official - https://www.revival-house.net Teespring - https://teespring.com/stores/apparel-39?page=1 Reddit https://www.reddit.com/r/RevivalHouse/ Youtube - https://www.youtube.com/revivalhouse Twitch - https://www.twitch.tv/revivalhousenetwork Twitter - https://twitter.com/TheRevHouse Facebook - https://www.facebook.com/TheRevHouse/ Instagram - https://www.instagram.com/revivalhousenetwork/ RSS Feed (Revival House) - http://feeds.feedburner.com/revivalhouse Itunes (Revival House) - https://itunes.apple.com/us/podcast/revival-house/id1316864493?mt=2 Google Play (Revival House) - https://play.google.com/music/m/I76z5v443fw742cqv2kfl66qiru?t=Revival_House Stitcher (Revival House) - https://www.stitcher.com/podcast/revival-house-2 Spotify (Revival House) - https://open.spotify.com/show/3Djss5ACcF4lkYH0lK5iKW?si=uSwnEoSjRAK5p8wYa-CjdQ
Originally Released: Jan 2011 On the "Exploited Cinema" feed Jdog & Bat32 are back once again. The cold winter and bad connections tried to keep them down, but of course nothing can kill Exploited Cinema. This week's episode is a bit of a wild card. In OBSCURE: the boys are dishing up a greasy double feature. Ilsa: She Wolf of the SS (1975) & Last House on Dead End Street (1977). In VHS VAULT: they have a highly underrated film starring John Saxon and Burt Young, Blood Beach (1981). So get ready for a journey into the world of sleazy snuff films and horny Nazis!!! _______ Please help spread the word and leave us ratings and reviews on itunes, Google Play, Stitcher, and YouTube! Also, follow the Official Revival House feed for all of our shows in one place. _______ LEAVE US A MESSAGE ON THE REVIVAL HOTLINE!! 1-602-399-7280 Exploited Cinema Links: Blog - http://exploitedcinema.blogspot.com/ RSS Feed - http://feeds.feedburner.com/RH/EC Itunes - https://podcasts.apple.com/us/podcast/exploited-cinema/id1468805041 Google Play - https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&apn=com.google.android.music&link=https://play.google.com/music/m/Iuj2ye6sflslocaabrtgfsyszje?t%3DExploited_Cinema%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16 Stitcher - https://www.stitcher.com/s?fid=427176&refid=stpr Spotify - https://open.spotify.com/show/1U3BUbRBAN7bcssR3VxonX Weird World Publishing - www.weirdworldpublishing.com Sleaze Fiend Magazine Facebook - www.facebook.com/sleazefiendmagazine Canadian Assault Magazine - http://www.canadianassault.com/ _______ Revival House Links: Official - https://www.revival-house.net Teespring - https://teespring.com/stores/apparel-39?page=1 Reddit https://www.reddit.com/r/RevivalHouse/ Youtube - https://www.youtube.com/revivalhouse Twitch - https://www.twitch.tv/revivalhousenetwork Twitter - https://twitter.com/TheRevHouse Facebook - https://www.facebook.com/TheRevHouse/ Instagram - https://www.instagram.com/revivalhousenetwork/ RSS Feed (Revival House) - http://feeds.feedburner.com/revivalhouse Itunes (Revival House) - https://itunes.apple.com/us/podcast/revival-house/id1316864493?mt=2 Google Play (Revival House) - https://play.google.com/music/m/I76z5v443fw742cqv2kfl66qiru?t=Revival_House Stitcher (Revival House) - https://www.stitcher.com/podcast/revival-house-2 Spotify (Revival House) - https://open.spotify.com/show/3Djss5ACcF4lkYH0lK5iKW?si=uSwnEoSjRAK5p8wYa-CjdQ
In this episode of Flip Side we shortly discuss current film news, we then do a Todd Sheets Retrospective. Our special guest Todd Sheets joins us as we discuss his career from Prehistoric Bimbos to Bonehill Road. We then close the show with our review of Clownado and Last House on Dead End Street. We also have two special announcements from Skyline owner Joe Gaudin(aka Joe God-In) that you're not going to want miss. So please join Kurtis, Harrison, and Charlie as we talk all things cult/exploitative cinema. Films Mentioned This Episode: Clownado, Last House on Dead End Street, Crawl, High Tension, Hills Have Eyes 2004, Force Awakens, Lion King 2019, Alligator, Lord of The Rings, Beats of Rage FP2, Lieutenant Jangles, A Clockwork Orange, Dirty Harry, Watchmen, V for Vendetta, Banana Splits Movie, Godzilla King of The Monsters 2019, Godzilla King of The Monsters, Gojira, Godzilla Vs King Kong, Godzilla Vs Megalon, Jeepers Creepers 1-3, Godzilla 2014, Godzilla Vs Destrayah, Scary Stories To Tell in The Dark, The Evil of 1237, Blood Of The Undead, Blood of the Undead: The Unwanted, Prehistoric Bimbos in Armageddon City, Zombie Rampage, Nightmare Asylum, Goblin, Dominion, Mad House, Terror Toons, Savage Streets, Zombie Bloodbath, Phantasm, Zombie Bloodbath 2, Moonchild, Violent New Breed, Fear of the Dark, Whispers in Gloom, House of Forbidden Secrets, Hi-Eight, Sleepless Nights, Hi-Death, Frankenstein Created Bikers, Lost Faith, Dreaming Purple Neon, Dead Things, Bonehill Road, Corruption, Stage Fright, Cuckoo Clocks From Hell, Manson Family, Dead Beat at Dawn, Silent Night Deadly Night, Cannibal Holocaust, The Tough Ones, Ballad of Marshall Stack,
Hello everyone, and for this episode of BTK, Luke and I are checking out "Last House On Dead Street", which is a film that has existed for many, many years almost entirely in bootleg form. Ok, to be honest, this movie isn't totally awesome, but it was recently farted onto DVD so I figured "why not?". Its a movie that was pretty ahead of its time, and certainly is about as heartless as they come so its right at home on this cold and dead little show. Have fun with it. Music On This Episode (in order of appearance); “Another Dead End (For Another Dead Man)”-Hypocrisy “[Dead End]”-Red Harvest
The Kinks – der ud over Ray Davies bestod af lillebror Dave på guitar, Pete Quaife på bas (afløst i 1969 af John Dalton) og Mick Avory på trommer – udsendte i perioden 1964 til 1971 en røvfuld stildannende singler på pladeselskabet Pye, heriblandt klassikere som ”You Really Got Me”, ”Sunny Afternoon”, ”Waterloo Sunset” og ”Lola”. Det blev også til ni lp’er i perioden, ikke mindst mesterværkerne Face to Faceog The Village Green Preservation Society. I processen skabte gruppen den lyd og attitude, der i 1990erne kaldtes Britpop.At denne Raymond Douglas Davies er en af 60’er-rockens vigtigste og mest velformulerede sangskrivere, er hævet over enhver tvivl. Her hyldes han og The Kinks med en stribe kanoniserede klassikere suppleret med nogle af værternes personlige favoritter. Playliste:You Really Got Me (1964) Tired of Waiting for You (1965)See My Friends (1965)Where Have All the Good Times Gone (1965) A Dedicated Follower of Fashion (1966)I’m Not Like Everybody Else (1966) Lead vocal: Dave DaviesSunny Afternoon (1966)Too Much on My Mind (1966)Dead End Street (1966)Waterloo Sunset (1967)Death of a Clown (1967) Lead vocal: Dave DaviesDavid Watts (1967)No Return (1967)Autumn Almanac (1967)Days (1968)Big Sky (1968)Phenomenal Cat (1968)Shangri-La (1969)Victoria (1969)Lola (“Cherry Cola Version”, 1970)God’s Children (1971)Foto af The KinksCredit: Sanctuary Records
Welcome to another episode of Growing with Ryan. On this episode I’m joined by Greg as usual, as we go over and discuss our times, both up and down, at our old apartment. Con lords, insects in walls, rats under floors and broken windows from above. So sit back, take a toke, take a sip, whatever it is you need to relax as we continue to grow here at Growing with Ryan. --- Support this podcast: https://anchor.fm/gwr/support
Filmen där regissören lär ha knarkat upp 2/3 av filmens budget och i efterföljande tjackpsykos skapat en USA:s grindhouse-epoks mest sinnessjuka och sunkiga filmer. Gästerna är experter på ämnet, Art Ettinger och John Walter Szpunar.
Join us next year for our next Water To Wine Gathering, June 13-15, 2019. Register now at www.watertowinegathering.com.
Join us next year for our next Water To Wine Gathering, June 13-15, 2019. Register now at www.watertowinegathering.com.
Scripture: Jeremiah 29:11-13
Scripture: Jeremiah 29:11-13
Scripture: Jeremiah 29:11-13
Dan knows important people, Steve Buscemi's alter egos, babysitting in the House on Dead End Street, the Nuclear Question, trolling the spirit world on Clinton Road, Dylan is visited by an apparition after reading the Necronomicon, and Rob's memories of a childhood haunted by a hidden room under his bed. Music by Mattia Cupelli and Menephra.
The gates have been stormed at the H4H compound! And the result is our first Wretched Round Table, a discussion between four listeners and myself! Listen in as Dan Strauss, Doug Lipski, Kris Zimmerman, and Timothy Gruscinski share their passions and their stories around the "First Kiss" and more. We talk about horror in movies and in culture, and our own personal connection to the art form. This show has always been about starting conversations around horror and I'm honored that I was able to spend some time talking with some folks who share my love affair with all things horror-related. Stay Hellbent! If you like the show, please consider writing a review on iTunes or Google Play. It really helps. Thanks a lot for listening. You can now subscribe to the Hellbent for Horror podcast now available on iTunes, Google Play, PlayerFM, and Stitcher. You can keep up with Hellbent for Horror on iTunes @iTunesPodcasts iTunes link: https://itunes.apple.com/us/podcast/hellbent-for-horror/id1090978706 Google Play link:https://play.google.com/music/listen#/ps/Ibsk2i4bbprrplyvs37c6aqv2ny Stitcher link: http://www.stitcher.com/podcast/hellbent-for-horror?refid=stpr For you, the listeners of Hellbent for Horror, Audible is offering a free audiobook download with a free 30-day trial to give you the opportunity to check out their service. To download your free audiobook today, go to: http://www.audibletrial.com/HellbentForHorror #horror #horrorpodcast #hellbentforhorror "Wretched Roundtable" Movie List Dead-Alive (1992) Hellraiser Franchise (1987-2017) Suspiria (1977) Alien Abduction: Incident in Lake County (1998) Sleep Tight (2011) We Are What We Are (2010) The Walking Dead Series (2010-2017) People Shouldn’t Play with Dead Things (1973) Deathdream (1974) Black Christmas (1975) Porky’s (1982) A Christmas Story (1983) Nightbreed (1990) Burnt Offerings (1976) Last House on Dead End Street (1977) Friday the 13th (1980) Last House on the Left (1972) Maniac (1980) Psycho (1960) Dawn of the Dead (1978) The Dark Crystal (1982) The Last Unicorn (1982) Charade (1963) Alien (1979) Jaws (1975) Super8 (2011) Coraline (2009) Night of the Living Dead (1968) The Descent (2005) Martyrs (2008) The Thing (1982) American Werewolf in London (1981) The Fly (1986) The Howling (1981) Poltergeist (1982) Gremlins (1984) Banshee Chapter (2013) Drag Me to Hell (2009) Paranormal Activity (2007) Army of Darkness (1992) Sleepaway Camp (1983) Going to Pieces: The Rise and Fall of the Slasher Film (2006) Bay of Blood (1971) Irreversible (2002) Inside (2007) The Devil’s Rejects (2005) Alien Resurrection (1997) The Shining (1980) The Shining -TV miniseries (1997) Salem’s Lot (1979) Jerusalem’s Lot (2004) Masters of Horror (2005-2007) Neon Demon (2016) Starry Eyes (2014) Valhalla Rising (2009) Under the Shadow (2016) A Girl Walks Home Alone at Night (2014) The Invitation (2015) Hush (2016) Oculus (2013) The Wailing (2016) The Host (2006) The Blackcoat’s Daughter/February (2015 -unreleased as of yet) The Witch (2015) The Monster (2016) The Strangers (2008) They (2002) Funny Games (2007) Funny Games (1997) The Vanishing/ Spoorloos (1988) The Vanishing (1993) In Fear (2013)
We talk CARNIVAL OF SOULS (1962) and LAST HOUSE ON DEAD END STREET (1972) in an episode centered around one shot horror auteurs. Subscribe on Itunes at: https://itunes.apple.com/ca/podcast/the-important-cinema-club/id1067435576?mt=2
This episode of Horrorhound Radio is the 3rd chapter in our "Summer of Shock" episodes! We pick up in mid 1977 with Last House on Dead End Street and conclude with 1980's The Shining! So grab your pen and paper, cause Horrorhound Radio is taking you to summer school of extreme cinema! Also in this episode is an exclusive guest announcement for Horrorhound Weekend in Indianapolis this September 9th-11th!
Is life a dead-end street? Sometimes it seems to be, especially when we don't reach our goals or when we reach our goals but don't feel fulfilled in our achievement. More than one person in the Bible became so discouraged with life that he either wanted to die or wished he had never been born. This list of discouraged souls includes Moses, Elijah, Job, Jeremiah and Jonah. Even the great apostle Paul despaired of life during a particularly tough time in his life (2Cor. 1:8-11). Perhaps the basic problem is that life confronts us with too many mysteries we can't understand and too many puzzles we can't solve. For life to be truly satisfying, it has to make sense. When it doesn't make sense, we get troubled or frustrated. If people can't see that they have a purpose in life, especially when they go through deep suffering, they start to question God and even wonder if life is worth living. In Ecclesiastes 6, Solomon discusses three of life mysteries: riches without enjoyment ( 1-6), work without satisfaction (7-9), and questions without answers (10-12). You don't want to miss this important look at life's issues.
PODCAST: 02 Jun 2013 01 - Granite Mills - Cordelia’s Dad - Spine 02 - The Light Dragoon - Malinky - Last Leaves 03 - Wicked Serpent - Fay Hield and the Hurricane Party - Orfeo 04 - House - Loudon Wainwright III - 10 Songs for the New Depression 05 - Kanturk Polka/Joe Burke’s Polka - Patrick Street - Corner Boys 06 - Higher Germany - Hladowski and C Joynes - The Wild Wild Berry 07 - Going to German - Have Mercy - Have Mercy 08 - Three Score and Ten - The Watersons - Early Days 09 - The Bleacher Lassie of Kelvinhaugh - Emily Smith - Too Long Away 10 - The Dodger - Spider John Koerner - What’s Left of Spider John Koerner 11 - Broken Youth - Pauline Alexander - Thoughts for the Masses 12 - The Hungry Fox - Bob and Ron Copper - Good People Take Warning 13 - Silver Dagger - Louise Jordan - Born to Wander 14 - Talking with my Father - Dougie MacLean - Who Am I 15 - The Barren Rocks of Aden - Simon Mayor - Music from a Small Island 16 - Bratach Bana - Mouth Music - Mouth Music 17 - Drunkard’s Daughter - Diana Jones - Museum of Appalachia Recordings 18 - Dead End Street - The Mighty Doonans - The Mighty Doonans
20130501-Wed-PM - Prov 16:25 - Bible Baptist Church - www.www.bbcbyesville.com
20130501-Wed-PM - Prov 16:25 - Bible Baptist Church - www.www.bbcbyesville.com
20130501-Wed-PM - Prov 16:25 - Bible Baptist Church - www.bbc-kjv.com
So many folks confuse security with predictability, stagnation, lack of creative flow, and resisting change and growth. Join Rev. Heidi today for a transparent talk with a man who proved the place of "true security" is not in the outer but being committed to listening and following one's heart. Wilson Smith did that literally; he'd worked for years as a security guard (the pun is intended)! After a prosperity course at Unity with yours truly, Wilson knew his life was too precious to choose outer "security" over "inner knowing." Wilson summoned up all the vitality of his soul and resigned from a job that was not his anymore. He is now busy creating a one-man show called Saturday Night on a Dead End Street. He has also resurrected his poignant and moving poetry, about which he'd carried a story given to him by others that his poetry was too "out there." One of the many things I've learned from Wilson is "out there" is the only way the unique, irreplaceable you is supposed to live!
Halloween is days awau so check out Part 2 of our Halloween Week Podcast with Me and Mike Scondotto as we discuss West Memphis 3, Last House on a Dead End Street, hipster, the Youth of Today Reunion and movie suggestions for the upcoming Halloween Weekend. I must apologize for the trail-off; we actually ran out of card space on my trusty Zoom recorder. Nonetheless, it was a pretty cool conversation for a Monday night.
Shawn and Chris kick off their premiere show with guest hosts Steven A. Grainger for a look 'The Last House on the Left' and Andy Copp for 'Last House on Dead End Street'. Can you dig it ?
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