Podcasts about Waiting for You

This episode features a conversation with Charlie Romano and Harold Hodge Jr  about their new musical, Call Me From The Grave. Call Me From The Grave explores the life and myth of the legendary Blues guitar player, Robert Johnson. In Greenwood, Mississippi, a young sharecropper, Robert, dreams of becoming a Bluesman. When his loving girlfriend, Virginia, becomes pregnant, Robert puts his dreams on hold to build a life and a family with her. However, Robert's life comes crashing down when Virginia dies of complications in childbirth and their newborn son is taken into the exclusive custody of her unapproving father. Feeling he has failed as a husband, father, and a musician, Robert is at his lowest when he is approached by the Devil. Robert exchanges his soul for the music career he has always dreamt of, on the condition that he never returns home. As the years go by, Robert gains all the fame and renown that he is promised. However, after learning that the people he loves are in need back home, Robert must choose between his fame and his family. This episode features demo recordings of the songs “A Soul Ain't Free” performed by Xavier Washington and Danielle Yvonne James and “Waiting For You” performed by Me'lena Laudig. Connect with Charlie Romano: Website: https://www.charlieromano.com/ Instagram: @charlieromanomusic Connect with Harold Hodge Jr: Instagram: @haroldemort Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

"I'm always writing and always creating. I relate to the world by writing," Eva Hendricks of Charly Bliss told me on the podcast. Besides songwriting, she's written a YA novel and is a big journaler. Heck, Hendricks even gets inspired while she's hanging laundry! And when those songs are close to fruition, they need to be perfect: Hendricks estimates that she wrote 50 different verses for the new song "Waiting For You."The new Charly Bliss album Forever is out on Lucky Number Records.

Showoff singer Chris Envy joins the show this week to discuss the bands new ep Haverstraw, why timing is everything, taking signs from the universe, working with the likes of John Feldmann and Mark Trombino, fall touring plans and much more!SHOWOFFhttps://thebandshowoff.bandcamp.comhttps://linktr.ee/thebandshowoffhttps://www.instagram.com/Showoffbandhttps://www.facebook.com/ShowoffMusichttps://www.manickatrecords.comPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Nick Power brings you another 2 hours worth of the very BEST Soul Kandi Music you could ask for. Listen, Love, Play LOUD & Share! Tommy Glasses – “You” (Original) [unquantize Recordings] Shane D – “Give Me The Night” (Extended) [Stereo Flavas] Tom Conrad – “Waiting For You” (Original) [Adaptation Music] Steevie Milliner & DJ […] The post Soul Kandi Radio Show 18th May 2024 appeared first on SSRadio.

Jack Grisham joins the show this week to discuss the new T.S.O.L. album A-Side Graffiti, creating things for nobody but yourself and the dangers of pandering, how Grant Hart changed how Jack writes, sequencing an album that was never meant to be an album and much more JACK GRISHAM/T.S.O.L.https://www.jackgrisham.comhttps://www.instagram.com/tsol_officialhttps://www.instagram.com/jackgrishamphotohttps://www.facebook.com/TsolOfficialPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.

ON-AIR! This is #PRR598 by Nicky Romero! On this week's episode we've got many brand new tracks by the likes of John Summit, Laidback Luke, ARTBAT and Armin van Buuren to name a few! DØBER is back on our #ProtocolSpotlight with his tune “Waiting For You”! Tracklist: 1. Nico De Andrea & Marcus Santoro feat. Joyia - Nowhere 2. Jack Wins, Caitlyn Scarlett - Lost Without You (Tom Jame Remix) 3. Mohtiv - More Than Friends 4. Rob Laniado - Vibing 5. Protocol Spotlight: DØBER - Waiting For You 6. Galoski, Yaksa - Can't Get Enough 7. Hyperbits, Vintage & Morelli - Noire 8. Throwback Track: Stadiumx & Taylr Renee - Howl At The Moon 9. Eddy Black & Bad Influence - Fever 10. Melsen - Feel The Rush 11. Laidback Luke & Gian Varela - Hit It Back 12. ARTBAT & Armin Van Buuren - Take Off 13. The Temper Trap - Sweet Disposition (John Summit & Silver Panda Remix) 14. Sick Individuals - Atmosphere 15. Nicky Romero & Deniz Koyu & Jaimes - Tomorrow Comes 16. KDH - Hard To Hold

Welcome to the FBCC Sunday Service I Bienvenidos al Servicio Dominical de FBCCFirst Bilingual Christian Church is Waiting For You, Where Jesus Is The Center Of Our Lives. La Primera Iglesia Cristiana Bilingüe espera por ti, donde Jesus es el centro de nuestras vidas.

This is the first of a four week series where we attempt to reimagine advent through the lens of Sit Club. This week, we take a hard look at what the concept of "hope" using the practice of Tonglen as our guide. Anit, Kris and Johanna read three poems. Heavy by Mary Oliver Eagle Poem by Joy Harjo Everything is Waiting For You by David Whyte Davin also mentions the On Being podcast interview with Nick Cave: https://onbeing.org/programs/nick-cave-loss-yearning-transcendence/ --- If you would like to join live, please visit: SIT CLUB If you would like to donate to Davin as an energetic exchange for these offerings, please do so here: DONATE -- Born out of the pandemic, Sit Club began in September of 2020 and continues every Sunday morning at 10am CT. Typically an hour in length, an intimate group of all ages, genders and races, from all over the world gathers on Zoom to sit in guided meditation, contemplate a reading and then share in conversation. Each gathering is centered around a spiritual theme chosen and guided by Davin. Youngs Buddhism is often the framework through which the readings and practices are approached, but no particular religious or philosophical ideology is subscribed to. There are no requirements, special skills or abilities that are necessary to attend. Just an open heart and a desire to connect with a community of seekers.

Gaea Star Crystal Radio Hour #547 is an hour of improvised, visionary acoustic music featuring The Gaea Star Band with Mariam Massaro on vocals, Native flute, Celtic harp, acoustic guitar, 4- and 8-string ukulele and mandolin, Bob Sherwood on piano and bass guitar and Craig Harris on congas and Native drums.  Today's show begins with the dramatic, autumnal “Seasons Come and Seasons Go”, an evocative piece featuring an inspired vocal and native flute conversation from Mariam.  “The Melody Of Life” is a pretty, sparse, uplifting piece set to Craig's crisp, tight congas and electronically treated piano from Bob. Mariam's light, dancing vocal lifts the piece as it leans further into the realms of modal raga.  “Bluejays Calling” is a deep, driving song enhanced with overdubs from the band; harmonica and vocals from Mariam, bass guitar from Bob and congas from Craig, creating a tight, punchy bottom-heavy mix.  “When You Touch Me” is a gorgeous love song from the “Smooth Sailin' Love Songs” album as is “Waiting For You” which is completely reimagined as a minor 50's flavored ballad that burns slowly into an intense, fiery climax.  “Goddess, Goddess” is another complete reboot of one of Mariam's finer songs, equally languid and patiently, potently sensual.  “The Merkabus Song” is styled as a classic hippie song about a music-powered spaceship and today's show concludes with “Listen To The Elders”, a story-song that floats in on waves of Celtic harp and fundamental Native drum. Learn more about Mariam here: http://www.mariammassaro.com

Sound Wave Podcast 106 October 2023 hosted by SVOY Tracklist: 01. Doradice. - Tunnel (DP-6 Remix) 02. Alexey Union - Transylvania 03. Serge Devant - This Moment 04. Alexey Union - Acacia 05. Serge Devant - Third Planet 06. Ralf Urland - Activity (Dave Pad Remix) 07. Ricky Sinz - Peace Of Mind 08. DP-6 feat. Mikha Kombu - Wind Games 09. Serge Devant - Hot Circuit 10. Vintage Culture, Bhaskar & Meca feat. The Vic - Tina 11. Gruuve - Loko 12. Oravla Ziur - Work Hard 13. Luca Bisori - I'm Waiting For You

On the final evening of his birthday weekend, Oz links up with the crew to celebrate in completely chaotic fashion (more about that on Patreon) while waxing poetic about community, talking briefly about new music, the cancelling of Winning Time & the pattern of Black shows fading away and the worthlessness of NFTs. Also, an all new installment of Drakewatch, your listener letters and the Top 3 STFUs. Pour Up! Song of the Week: Majid Jordan- "Waiting For You" (feat. Naomi Sharon)

We've been Waiting For You!Join us as we dig deep into Oingo Boingo's archives with two unreleased songs from 1983's Good For Your Soul recording sessions: Waiting For You and Into The Fire (previously known as All The Pieces).We explore the themes of toxic behavior, debate a polarizing misheard lyric (is it oven or other?!?), and look at the differences among the different versions.Let's jump Into The Fire!Song Clips:“Just Another Day” - Oingo Boingo, Dead Man's Party (1985)Fan-Supplied Content:“Goodbye-Goodbye” - The Mystic Knights of the Oingo Boingo, bootleg demo“A Cappella Ditty” - The Mystic Knights of the Oingo Boingo, bootleg demo“Hold Me Back” - Oingo Boingo, bootleg demo“Waiting For You” - Oingo Boingo, bootleg demo (various versions) “Into The Fire” - Oingo Boingo, bootleg demo (various versions)(Various cleaned up versions of Waiting For You & Into The Fire, supplied by Ian Johnson)The Oingo Boingo Secret Appreciation Society Podcast is produced/hosted by Robynne Winchester & produced/edited by Matt Ellsworth. Patreon is operated by Adam Burr.Please note: The music and film clips included in this podcast (listed above) fall under the "Fair Use Doctrine" as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, parody, and education.WEBSITEOingo Boingo Secret Appreciation SocietySUPPORTBuy Us A Coffee!Patreon

Let go of control and surrender to the transformative power of writing as guest Brent Perkins shares his journey from a corporate career to embracing his passion, inspiring aspiring writers to find fulfillment in the unpredictable world of publishing."Just be happy with the fulfillment that you get from [writing]."  - Brent PerkinsResourceswww.3xBold.comwww.PapercutsSuck.comNo More Mister Nice Guy by Robert GloverThe Kin of ATA are Waiting For You by Dorothy BryantAbout Brent "I spent the first half of life building a career around achievement, reaching C-Suite status, traveling the world, speaking, launching new technologies, and building businesses. After a 7 year journey that led through some dark places, plant medicine journeys, and eye-opening realizations, it became evident that nothing external was ever going to fill the void. As the reality of divorce after 18 years of marriage sunk in, I began to see the grind for what it truly was, bringing clarity to what really matters in life. Beginning with a divine 'tap on the shoulder', I stepped out of corporate America, put everything else on hold, and wrote my first book.'Papercuts: The Art of Self Delusion,' set to launch in the summer of 2023, paves the road for others to break free from victimhood and embrace a life of integrity. It has allowed me to bring my passion for a life well-lived, and well-traveled, to help others integrate and build healthy rituals around being bold in body, mind, and spirit. My home base is in Phoenix, AZ, I am the father of two amazing teenage daughters and am an active member of Front Row Dads - a mastermind and charitable community that prioritizes a family first, business second mindset."

When Catherine Miller became a mum to twins, she decided her hands weren't full enough so wrote a novel with every spare moment she managed to find. By the time the twins were two, Catherine had a two-book deal with Carina UK. There is a possibility she has aged remarkably in that time. Her debut novel, Waiting For You, came out in March 2016.Catherine was a NHS physiotherapist, but for health reasons (Uveitis and Sarcoidosis) she retired early from this career. As she loved her physiotherapy job, she decided if she couldn't do that she would pursue her writing dream. It took a few years and a couple of babies, but in 2015 she won the Katie Fforde bursary, was a finalist in the London Book Fair Write Stuff Competition and highly commended in Woman magazine's writing competition. Soon afterwards she signed with Carina. Soon after that, she collapsed in a heap and was eventually revived by chocolate.Since then she's become an internationally bestselling novelist and hasn't found a week that didn't require revival by chocolate. She is one eighth of The Romaniacs – a group of writing friends who've supported each other since meeting through The Romantic Novelists' Association's New Writers' Scheme.Her latest novel is THE DAY I LOST HER:As I stare at the girl, I feel my heart pound inside my chest. There she is, my daughter, right in front of me after all this time. I have to reach her, to hold her, before I lose her all over again…I have experienced what no mother should: I have lost my child. Many years ago, after my divorce, my daughter moved in with her father, and then went missing…For years, I searched everywhere for my darling girl, but she had vanished without a trace. But even on my darkest days, when my heart felt truly broken, I kept a hope alive inside – a hope that my little girl would, one day, find her way back to me.And now, standing in front of me, so close I could touch her, is a young woman who looks just like my beloved Tilly. I've been reminded of her so many times over the years, but this is different. The curve of her face, the sound of her voice…But just as my heart leaps with unimaginable joy, she disappears into the crowd and I lose sight of her. I can't believe she has gone before I had the chance to reach her.As I desperately scan the faces around me, my heart pounding in my chest, I realise I am certain that she was my little girl, back after all these years. But why would she seek me out now, just to vanish all over again? And how can I find her? Because no matter how much time has passed, she will always be my little girl… And I will do whatever it takes to hold her in my arms once more.An absolutely unputdownable and gripping story about one mother's quest to find her little girl. Fans of Jojo Moyes, Jodi Picoult and Diane Chamberlain will be hooked on this emotional book until the very final page.BUY IT HERE: https://amzn.to/45qfFxyHey! We have spent 3 years using StreamYard. You can see how much we love its features, and how we can make it look great for live streaming. We are huge fans and they are constantly improving their service. Check it out with our link and we could earn from referrals!https://streamyard.com/pal/d/4835638006775808This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5445493/advertisement

Никита создал сеть переводчиков и с кем как не с ним нам поговорить о работе переводчиков в 2023 году.где найти переводчика, особенно хорошегокак сформировать сеть переводчиковсейчас рынок заказчика или переводчикакто лучше переводит: у кого родной китайский или русскийу кого из них какие проблемыпримеры сложностей перевода и сравнение с английскимза сколько (времени) надо искать переводчиков и гдеэлектронные переводчики тогда и сейчас и в будущемрасценки на услуги переводчиковМузыка: 周杰倫 Jay Chou【等你下課 Waiting For You (with 楊瑞代 Gary)】Laowaicast выходит каждый вторник:Мы есть на всех основных платформах, в Apple Podcasts, Google Podcasts, на Яндекс.Музыке и Spotify.Для вопросов и пожеланий: we@laowaicast.ruПоддержите проект: Patreon (в долларах), Boosty (в рублях), 爱赞助 (в юанях)

A fourth #1 on the dance charts for Anabel Englund in a little over a year. Pretty amazing!Anabel shares how her smash “Waiting For You” with Yotto came together. And what it was like performing at her first festival back, Day Trip LA. Plus she gives great advice on why you should be willing to get out of your comfort zone.Anabel also takes on #FinkysFirsts!Find out about:Her first songHer first performanceHer first time mixingThe first person she's gonna thank when she wins her first awardFollow: @AmericasDance30 on all socials!Count down the biggest dance songs in the country every week with Brian Fink on America's Dance 30; listen on dance stations around the world!AmericasDance30.com

If You Are Seeking Inspiration...Where Are You Looking? So many people keep wandering through life SAYING things like: "I just want to be inspired!"" or "I'm looking for a sign!" But... Where are their eyes? Locked on a screen or staring at their shoes. In this episode, I share ways to become more aware of the inspiration that is out there...WAITING FOR YOU.

Join Rebecca as she and Shamina Taylor talks about " Wealth is Waiting For You". ____________________________________________________________________ Shamina Taylor, Esq. transitioned from real estate attorney to wealth expert and spiritual mentor. She experienced a pivotal moment in her life where she had an identity crisis and left behind the life she had created, in order to find herself. In just 12 months, she built a million-dollar cash business and is now dedicated to helping successful and powerful women become very wealthy and be in touch with their feminine energy so that they can live their best life. She's been outspoken and determined all her life, and is constantly improving and evolving herself. She recognizes healing is a never-ending journey and recalls her experience dealing with some of her own past traumas. You'll finish with a refreshed mindset after listening to this interview, which carries a very empowering message for all women out there.     Follow Shamina on Instagram and download her FREE content: @shaminataylor Reach out to her on Facebook: https://www.facebook.com/shamina.a.taylor ____________________________________________________________________ Check out my FREE Live webinar, the 3 MUST HAVE Secrets to Communicating with Narcissists RIGHT HERE Learn more about the SLAY Your Negotiation with Narcissists program right here:  www.rebeccazung.com/slay Read the transcript of this episode right here. ____________________________________________________________________ For more information on REBECCA ZUNG, ESQ. visit her website www.rebeccazung.com and follow her on Instagram: @rebeccazung and YouTube!   GRAB YOUR FREE CRUSH MY NEGOTIATION PREP WORKSHEET RIGHT HERE!   SUBSCRIBE TO MY YOUTUBE CHANNEL RIGHT HERE. PREORDER YOUR COPY OF REBECCA'S NEW BOOK, SLAY THE BULLY: HOW TO NEGOTIATE WITH A NARCISSIST AND WIN RIGHT HERE  THIS WEEK'S SPONSOR INFORMATION:   ❤️ Better Help On Line Therapy: If you are struggling and need help, check out the resources at Better Help right here for online therapy. Please seek the help and support you deserve. https://www.betterhelp.com/RebeccaZung   We receive commissions on referrals to BetterHelp. We only recommend services that we trust.

Episode one hundred and fifty-five of A History of Rock Music in Five Hundred Songs looks at “Waterloo Sunset” by the Kinks, and the self-inflicted damage the group did to their career between 1965 and 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a nineteen-minute bonus episode available, on "Excerpt From a Teenage Opera" by Keith West. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many Kinks songs. I've used several resources for this and future episodes on the Kinks, most notably Ray Davies: A Complicated Life by Johnny Rogan and You Really Got Me by Nick Hasted. X-Ray by Ray Davies is a remarkable autobiography with a framing story set in a dystopian science-fiction future, while Kink by Dave Davies is more revealing but less well-written. The Anthology 1964-1971 is a great box set that covers the Kinks' Pye years, which overlap almost exactly with their period of greatest creativity. For those who don't want a full box set, this two-CD set covers all the big hits. And this is the interview with Rasa I discuss in the episode. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode has some mentions of racism and homophobia, several discussions of physical violence, one mention of domestic violence, and some discussion of mental illness. I've tried to discuss these things with a reasonable amount of sensitivity, but there's a tabloid element to some of my sources which inevitably percolates through, so be warned if you find those things upsetting. One of the promises I made right at the start of this project was that I would not be doing the thing that almost all podcasts do of making huge chunks of the episodes be about myself -- if I've had to update people about something in my life that affects the podcast, I've done it in separate admin episodes, so the episodes themselves will not be taken up with stuff about me. The podcast is not about me. I am making a very slight exception in this episode, for reasons that will become clear -- there's no way for me to tell this particular story the way I need to without bringing myself into it at least a little. So I wanted to state upfront that this is a one-off thing. The podcast is not suddenly going to change. But one question that I get asked a lot -- far more than I'd expect -- is "do the people you talk about in the podcast ever get in touch with you about what you've said?" Now that has actually happened twice, both times involving people leaving comments on relatively early episodes. The first time is probably the single thing I'm proudest of achieving with this series, and it was a comment left on the episode on "Goodnight My Love" a couple of years back: [Excerpt: Jesse Belvin, "Goodnight My Love"] That comment was from Debra Frazier and read “Jesse Belvin is my Beloved Uncle, my mother's brother. I've been waiting all my life for him to be recognized in this manner. I must say the content in this podcast is 100% correct!Joann and Jesse practically raised me. Can't express how grateful I am. Just so glad someone got it right. I still miss them dearly to this day. My world was forever changed Feb. 6th 1960. I can remember him writing most of those songs right there in my grandmother's living room. I think I'm his last living closest relative, that knows everything in this podcast is true." That comment by itself would have justified me doing this whole podcast. The other such comment actually came a couple of weeks ago, and was on the episode on "Only You": [Excerpt: The Platters, "Only You"] That was a longer comment, from Gayle Schrieber, an associate of Buck Ram, and started "Well, you got some of it right. Your smart-assed sarcasm and know-it-all attitude is irritating since I Do know it all from the business side but what the heck. You did better than most people – with the exception of Marv Goldberg." Given that Marv Goldberg is the single biggest expert on 1950s vocal groups in the world, I'll take that as at least a backhanded compliment. So those are the only two people who I've talked about in the podcast who've commented, but before the podcast I had a blog, and at various times people whose work I wrote about would comment -- John Cowsill of the Cowsills still remembers a blog post where I said nice things about him fourteen years ago, for example. And there was one comment on a blog post I made four or five years ago which confirmed something I'd suspected for a while… When we left the Kinks, at the end of 1964, they had just recorded their first album. That album was not very good, but did go to number three in the UK album charts, which is a much better result than it sounds. Freddie "Boom Boom" Cannon got to number one in 1960, but otherwise the only rock acts to make number one on the album charts from the start of the sixties through the end of 1967 were Elvis, Cliff Richard, the Shadows, the Beatles, the Rolling Stones, Bob Dylan and the Monkees. In the first few years of the sixties they were interspersed with the 101 Strings, trad jazz, the soundtrack to West Side Story, and a blackface minstrel group, The George Mitchell Singers. From mid-1963 through to the end of 1967, though, literally the only things to get to number one on the album charts were the Beatles, the Rolling Stones, Bob Dylan, the Monkees, and the soundtrack to The Sound of Music. That tiny cabal was eventually broken at the end of 1967 by Val Doonican Rocks… But Gently, and from 1968 on the top of the album charts becomes something like what we would expect today, with a whole variety of different acts, I make this point to point out two things The first is that number three on the album charts is an extremely good position for the Kinks to be in -- when they reached that point the Rolling Stones' second album had just entered at number one, and Beatles For Sale had dropped to number two after eight weeks at the top -- and the second is that for most rock artists and record labels, the album market was simply not big enough or competitive enough until 1968 for it to really matter. What did matter was the singles chart. And "You Really Got Me" had been a genuinely revolutionary hit record. According to Ray Davies it had caused particular consternation to both the Rolling Stones and the Yardbirds, both of whom had thought they would be the first to get to number one with a dirty, distorted, R&B-influenced guitar-riff song. And so three weeks after the release of the album came the group's second single. Originally, the plan had been to release a track Ray had been working on called "Tired of Waiting", but that was a slower track, and it was decided that the best thing to do would be to try to replicate the sound of their first hit. So instead, they released "All Day And All Of The Night": [Excerpt: The Kinks, "All Day And All Of The Night"] That track was recorded by the same team as had recorded "You Really Got Me", except with Perry Ford replacing Arthur Greenslade on piano. Once again, Bobby Graham was on drums rather than Mick Avory, and when Ray Davies suggested that he might want to play a different drum pattern, Graham just asked him witheringly "Who do you think you are?" "All Day and All of the Night" went to number two -- a very impressive result for a soundalike follow-up -- and was kept off the number one spot first by "Baby Love" by the Supremes and then by "Little Red Rooster" by the Rolling Stones. The group quickly followed it up with an EP, Kinksize Session, consisting of three mediocre originals plus the group's version of "Louie Louie". By February 1965 that had hit number one on the EP charts, knocking the Rolling Stones off. Things were going as well as possible for the group. Ray and his girlfriend Rasa got married towards the end of 1964 -- they had to, as Rasa was pregnant and from a very religious Catholic family. By contrast, Dave was leading the kind of life that can only really be led by a seventeen-year-old pop star -- he moved out of the family home and in with Mick Avory after his mother caught him in bed with five women, and once out of her watchful gaze he also started having affairs with men, which was still illegal in 1964. (And which indeed would still be illegal for seventeen-year-olds until 2001). In January, they released their third hit single, "Tired of Waiting for You". The track was a ballad rather than a rocker, but still essentially another variant on the theme of "You Really Got Me" -- a song based around a few repeated phrases of lyric, and with a chorus with two major chords a tone apart. "You Really Got Me"'s chorus has the change going up: [Plays "You Really Got Me" chorus chords] While "Tired Of Waiting For You"'s chorus has the change going down: [Plays "Tired of Waiting For You" chorus chords] But it's trivially easy to switch between the two if you play them in the same key: [Demonstrates] Ray has talked about how "Tired of Waiting for You" was partly inspired by how he felt tired of waiting for the fame that the Kinks deserved, and the music was written even before "You Really Got Me". But when they went into the studio to record it, the only lyrics he had were the chorus. Once they'd recorded the backing track, he worked on the lyrics at home, before coming back into the studio to record his vocals, with Rasa adding backing vocals on the softer middle eight: [Excerpt: The Kinks, "Tired of Waiting For You"] After that track was recorded, the group went on a tour of Australia, New Zealand, and Hong Kong. The flight out to Australia was thirty-four hours, and also required a number of stops. One stop to refuel in Moscow saw the group forced back onto the plane at gunpoint after Pete Quaife unwisely made a joke about the recently-deposed Russian Premier Nikita Khruschev. They also had a stop of a couple of days in Mumbai, where Ray was woken up by the sounds of fishermen chanting at the riverside, and enchanted by both the sound and the image. In Adelaide, Ray and Dave met up for the first time in years with their sister Rose and her husband Arthur. Ray was impressed by their comparative wealth, but disliked the slick modernity of their new suburban home. Dave became so emotional about seeing his big sister again that he talked about not leaving her house, not going to the show that night, and just staying in Australia so they could all be a family again. Rose sadly told him that he knew he couldn't do that, and he eventually agreed. But the tour wasn't all touching family reunions. They also got into a friendly rivalry with Manfred Mann, who were also on the tour and were competing with the Kinks to be the third-biggest group in the UK behind the Beatles and the Stones, and at one point both bands ended up on the same floor of the same hotel as the Stones, who were on their own Australian tour. The hotel manager came up in the night after a complaint about the noise, saw the damage that the combined partying of the three groups had caused, and barricaded them into that floor, locking the doors and the lift shafts, so that the damage could be contained to one floor. "Tired of Waiting" hit number one in the UK while the group were on tour, and it also became their biggest hit in the US, reaching number six, so on the way home they stopped off in the US for a quick promotional appearance on Hullabaloo. According to Ray's accounts, they were asked to do a dance like Freddie and the Dreamers, he and Mick decided to waltz together instead, and the cameras cut away horrified at the implied homosexuality. In fact, examining the footage shows the cameras staying on the group as Mick approaches Ray, arms extended, apparently offering to waltz, while Ray backs off nervous and confused, unsure what's going on. Meanwhile Dave and Pete on the other side of the stage are being gloriously camp with their arms around each other's shoulders. When they finally got back to the UK, they were shocked to hear this on the radio: [Excerpt: The Who, "I Can't Explain"] Ray was horrified that someone had apparently stolen the group's sound, especially when he found out it was the Who, who as the High Numbers had had a bit of a rivalry with the group. He said later "Dave thought it was us! It was produced by Shel Talmy, like we were. They used the same session singers as us, and Perry Ford played piano, like he did on ‘All Day And All Of The Night'. I felt a bit appalled by that. I think that was worse than stealing a song – they were actually stealing our whole style!” Pete Townshend later admitted as much, saying that he had deliberately demoed "I Can't Explain" to sound as much like the Kinks as possible so that Talmy would see its potential. But the Kinks were still, for the moment, doing far better than the Who. In March, shortly after returning from their foreign tour, they released their second album, Kinda Kinks. Like their first album, it was a very patchy effort, but it made number two on the charts, behind the Rolling Stones. But Ray Davies was starting to get unhappy. He was dissatisfied with everything about his life. He would talk later about looking at his wife lying in bed sleeping and thinking "What's she doing here?", and he was increasingly wondering if the celebrity pop star life was right for him, simultaneously resenting and craving the limelight, and doing things like phoning the music papers to deny rumours that he was leaving the Kinks -- rumours which didn't exist until he made those phone calls. As he thought the Who had stolen the Kinks' style, Ray decided to go in a different direction for the next Kinks single, and recorded "Everybody's Gonna Be Happy", which was apparently intended to sound like Motown, though to my ears it bears no resemblance: [Excerpt: The Kinks, "Everybody's Gonna Be Happy"] That only went to number nineteen -- still a hit, but a worry for a band who had had three massive hits in a row. Several of the band started to worry seriously that they were going to end up with no career at all. It didn't help that on the tour after recording that, Ray came down with pneumonia. Then Dave came down with bronchitis. Then Pete Quaife hit his head and had to be hospitalised with severe bleeding and concussion. According to Quaife, he fainted in a public toilet and hit his head on the bowl on the way down, but other band members have suggested that Quaife -- who had a reputation for telling tall stories, even in a band whose members are all known for rewriting history -- was ashamed after getting into a fight. In April they played the NME Poll-Winners' Party, on the same bill as the Beatles, the Rolling Stones, the Animals, the Moody Blues, the Searchers, Freddie And The Dreamers, Herman's Hermits, Wayne Fontana & The Mindbenders, the Rockin' Berries, the Seekers, the Ivy League, Them, the Bachelors, Georgie Fame & The Blue Flames, Cilla Black, Dusty Springfield, Twinkle, Tom Jones, Donovan, and Sounds Incorporated. Because they got there late they ended up headlining, going on after the Beatles, even though they hadn't won an award, only come second in best new group, coming far behind the Stones but just ahead of Manfred Mann and the Animals. The next single, "Set Me Free", was a conscious attempt to correct course after "Everybody's Gonna Be Happy" had been less successful: [Excerpt: The Kinks, "Set Me Free"] The song is once again repetitive, and once again based on a riff, structured similarly to "Tired of Waiting" but faster and more upbeat, and with a Beatles-style falsetto in the chorus. It worked -- it returned the group to the top ten -- but Ray wasn't happy at writing to order. He said in August of that year “I'm ashamed of that song. I can stand to hear and even sing most of the songs I've written, but not that one. It's built around pure idiot harmonies that have been used in a thousand songs.” More recently he's talked about how the lyric was an expression of him wanting to be set free from the constraint of having to write a hit song in the style he felt he was outgrowing. By the time the single was released, though, it looked like the group might not even be together any longer. There had always been tensions in the band. Ray and Dave had a relationship that made the Everly Brothers look like the model of family amity, and while Pete Quaife stayed out of the arguments for the most part, Mick Avory couldn't. The core of the group had always been the Davies brothers, and Quaife had known them for years, but Avory was a relative newcomer and hadn't grown up with them, and they also regarded him as a bit less intelligent than the rest of the group. He became the butt of jokes on a fairly constant basis. That would have been OK, except that Avory was also an essentially passive person, who didn't want to take sides in conflicts, while Dave Davies thought that as he and Avory were flatmates they should be on the same side, and resented when Avory didn't take his side in arguments with Ray. As Dave remembered it, the trigger came when he wanted to change the setlist and Mick didn't support him against Ray. In others' recollection, it came when the rest of the band tried to get Dave away from a party and he got violent with them. Both may be true. Either way, Dave got drunk and threw a suitcase at the back of a departing Mick, who was normally a fairly placid person but had had enough, and so he turned round, furious, grabbed Dave, got him in a headlock and just started punching, blackening both his eyes. According to some reports, Avory was so infuriated with Dave that he knocked him out, and Dave was so drunk and angry that when he came to he went for Avory again, and got knocked out again. The next day, the group were driven to their show in separate cars -- the Davies brothers in one, the rhythm section in the other -- they had separate dressing rooms, and made their entrance from separate directions. They got through the first song OK, and then Dave Davies insulted Avory's drumming, spat at him, and kicked his drums so they scattered all over the stage. At this point, a lot of the audience were still thinking this was part of the act, but Avory saw red again and picked up his hi-hat cymbal and smashed it down edge-first onto Dave's head. Everyone involved says that if his aim had been very slightly different he would have actually killed Dave. As it is, Dave collapsed, unconscious, bleeding everywhere. Ray screamed "My brother! He's killed my little brother!" and Mick, convinced he was a murderer, ran out of the theatre, still wearing his stage outfit of a hunting jacket and frilly shirt. He was running away for his life -- and that was literal, as Britain still technically had the death penalty at this point; while the last executions in Britain took place in 1964, capital punishment for murder wasn't abolished until late 1965 -- but at the same time a gang of screaming girls outside who didn't know what was going on were chasing him because he was a pop star. He managed to get back to London, where he found that the police had been looking for him but that Dave was alive and didn't want to press charges. However, he obviously couldn't go back to their shared home, and they had to cancel gigs because Dave had been hospitalised. It looked like the group were finished for good. Four days after that, Ray and Rasa's daughter Louisa was born, and shortly after that Ray was in the studio again, recording demos: [Excerpt: Ray Davies, "I Go to Sleep (demo)"] That song was part of a project that Larry Page, the group's co-manager, and Eddie Kassner, their publisher, had of making Ray's songwriting a bigger income source, and getting his songs recorded by other artists. Ray had been asked to write it for Peggy Lee, who soon recorded her own version: [Excerpt: Peggy Lee, "I Go to Sleep"] Several of the other tracks on that demo session featured Mitch Mitchell on drums. At the time, Mitchell was playing with another band that Page managed, and there seems to have been some thought of him possibly replacing Avory in the group. But instead, Larry Page cut the Gordian knot. He invited each band member to a meeting, just the two of them -- and didn't tell them that he'd scheduled all these meetings at the same time. When they got there, they found that they'd been tricked into having a full band meeting, at which point Page just talked to them about arrangements for their forthcoming American tour, and didn't let them get a word in until he'd finished. At the end he asked if they had any questions, and Mick Avory said he'd need some new cymbals because he'd broken his old ones on Dave's head. Before going on tour, the group recorded a song that Ray had written inspired by that droning chanting he'd heard in Mumbai. The song was variously titled "See My Friend" and "See My Friends" -- it has been released under both titles, and Ray seems to sing both words at different times -- and Ray told Maureen Cleave "The song is about homosexuality… It's like a football team and the way they're always kissing each other.” (We will be talking about Ray Davies' attitudes towards sexuality and gender in a future episode, but suffice to say that like much of Davies' worldview, he has a weird mixture of very progressive and very reactionary views, and he is also prone to observe behaviours in other people's private lives and make them part of his own public persona). The guitar part was recorded on a bad twelve-string guitar that fed back in the studio, creating a drone sound, which Shel Talmy picked up on and heavily compressed, creating a sound that bore more than a little resemblance to a sitar: [Excerpt: The Kinks, "See My Friend"] If that had been released at the time, it would have made the Kinks into trend-setters. Instead it was left in the can for nearly three months, and in the meantime the Yardbirds released the similar-sounding "Heart Full of Soul", making the Kinks look like bandwagon-jumpers when their own record came out, and reinforcing a paranoid belief that Ray had started to develop that his competitors were stealing his ideas. The track taking so long to come out was down to repercussions from the group's American tour, which changed the course of their whole career in ways they could not possibly have predicted. This was still the era when the musicians' unions of the US and UK had a restrictive one-in, one-out policy for musicians, and you couldn't get a visa to play in the US without the musicians' union's agreement -- and the AFM were not very keen on the British invasion, which they saw as taking jobs away from their members. There are countless stories from this period of bands like the Moody Blues getting to the US only to find that the arrangements have fallen through and they can't perform. Around this time, Wayne Fontana and the Mindbenders were told they weren't notable enough to get permission to play more than one gig, even though they were at number one on the charts in the US at the time. So it took a great deal of effort to get the Kinks' first US tour arranged, and they had to make a good impression. Unfortunately, while the Beatles and Stones knew how to play the game and give irreverent, cheeky answers that still left the interviewers amused and satisfied, the Kinks were just flat-out confusing and rude: [Excerpt: The Kinks Interview with Clay Cole] The whole tour went badly. They were booked into unsuitable venues, and there were a series of events like the group being booked on the same bill as the Dave Clark Five, and both groups having in their contract that they would be the headliner. Promoters started to complain about them to their management and the unions, and Ray was behaving worse and worse. By the time the tour hit LA, Ray was being truly obnoxious. According to Larry Page he refused to play one TV show because there was a Black drummer on the same show. Page said that it was not about personal prejudice -- though it's hard to see how it could not be, at least in part -- but just picking something arbitrary to complain about to show he had the power to mess things up. While shooting a spot for the show Where The Action Is, Ray got into a physical fight with one of the other cast members over nothing. What Ray didn't realise was that the person in question was a representative for AFTRA, the screen performers' union, and was already unhappy because Dave had earlier refused to join the union. Their behaviour got reported up the chain. The day after the fight was supposed to be the highlight of the tour, but Ray was missing his wife. In the mid-sixties, the Beach Boys would put on a big Summer Spectacular at the Hollywood Bowl every year, and the Kinks were due to play it, on a bill which as well as the Beach Boys also featured the Byrds, the Righteous Brothers, Dino, Desi & Billy, and Sonny and Cher. But Ray said he wasn't going on unless Rasa was there. And he didn't tell Larry Page, who was there, that. Instead, he told a journalist at the Daily Mirror in London, and the first Page heard about it was when the journalist phoned him to confirm that Ray wouldn't be playing. Now, they had already been working to try to get Rasa there for the show, because Ray had been complaining for a while. But Rasa didn't have a passport. Not only that, but she was an immigrant and her family were from Lithuania, and the US State Department weren't exactly keen on people from the Eastern Bloc flying to the US. And it was a long flight. I don't know exactly how long a flight from London to LA took then, but it takes eleven and a half hours now, and it will have been around that length. Somehow, working a miracle, Larry Page co-ordinated with his co-managers Robert Wace and Grenville Collins back in London -- difficult in itself as Wace and Collins and Page and his business partner Eddie Kassner were by now in two different factions, because Ray had been manipulating them and playing them off against each other for months. But the three of them worked together and somehow got Rasa to LA in time for Ray to go on stage. Page waited around long enough to see that Ray had got on stage at the Hollywood Bowl, then flew back to London. He had had enough of Ray's nonsense, and didn't really see any need to be there anyway, because they had a road manager, their publisher, their agent, and plenty of support staff. He felt that he was only there to be someone for Ray Davies to annoy and take his frustrations out on. And indeed, once Page flew back to the UK, Ray calmed down, though how much of that was the presence of Rasa it's hard to say. Their road manager at the time though said "If Larry wasn't there, Ray couldn't make problems because there was nobody there to make them to. He couldn't make problems for me because I just ignored them. For example, in Hawaii, the shirts got stolen. Ray said, ‘No way am I going onstage without my shirt.' So I turned around and said to him, ‘Great, don't go on!' Of course, they went on.” They did miss the gig the next night in San Francisco, with more or less the same lineup as the Hollywood Bowl show -- they'd had problems with the promoter of that show at an earlier gig in Reno, and so Ray said they weren't going to play unless they got paid in cash upfront. When the promoter refused, the group just walked on stage, waved, and walked off. But other than that, the rest of the tour went OK. What they didn't realise until later was that they had made so many enemies on that tour that it would be impossible for them to return to the US for another four years. They weren't blacklisted, as such, they just didn't get the special treatment that was necessary to make it possible for them to visit there. From that point on they would still have a few hits in the US, but nothing like the sustained massive success they had in the UK in the same period. Ray felt abandoned by Page, and started to side more and more with Wace and Collins. Page though was still trying to promote Ray's songwriting. Some of this, like the album "Kinky Music" by the Larry Page Orchestra, released during the tour, was possibly not the kind of promotion that anyone wanted, though some of it has a certain kitsch charm: [Excerpt: The Larry Page Orchestra, "All Day And All Of The Night"] Incidentally, the guitarist on that album was Jimmy Page, who had previously played rhythm guitar on a few Kinks album tracks. But other stuff that Larry Page was doing would be genuinely helpful. For example, on the tour he had become friendly with Stone and Greene, the managers who we heard about in the Buffalo Springfield episode. At this point they were managing Sonny and Cher, and when they came over to the UK, Page took the opportunity to get Cher into the studio to cut a version of Ray's "I Go to Sleep": [Excerpt: Cher, "I Go to Sleep"] Most songwriters, when told that the biggest new star of the year was cutting a cover version of one of their tracks for her next album, would be delighted. Ray Davies, on the other hand, went to the session and confronted Page, screaming about how Page was stealing his ideas. And it was Page being marginalised that caused "See My Friend" to be delayed, because while they were in the US, Page had produced the group in Gold Star Studios, recording a version of Ray's song "Ring the Bells", and Page wanted that as the next single, but the group had a contract with Shel Talmy which said he would be their producer. They couldn't release anything Talmy hadn't produced, but Page, who had control over the group's publishing with his business partner Kassner, wouldn't let them release "See My Friend". Eventually, Talmy won out, and "See My Friend" became the group's next single. It made the top ten on the Record Retailer chart, the one that's now the official UK chart cited in most sources, but only number fifteen on the NME chart which more people paid attention to at the time, and only spent a few weeks on the charts. Ray spent the summer complaining in the music papers about how the track -- "the only one I've really liked", as he said at the time -- wasn't selling as much as it deserved, and also insulting Larry Page and boasting about his own abilities, saying he was a better singer than Andy Williams and Tony Bennett. The group sacked Larry Page as their co-manager, and legal battles between Page and Kassner on one side and Collins and Wace on the other would continue for years, tying up much of the group's money. Page went on to produce a new band he was managing, making records that sounded very like the Kinks' early hits: [Excerpt: The Troggs, "Wild Thing"] The Kinks, meanwhile, decided to go in a different direction for their new EP, Kwyet Kinks, an EP of mostly softer, folk- and country-inspired songs. The most interesting thing on Kwyet Kinks was "Well-Respected Man", which saw Ray's songwriting go in a completely different direction as he started to write gentle social satires with more complex lyrics, rather than the repetitive riff-based songs he'd been doing before. That track was released as a single in the US, which didn't have much of an EP market, and made the top twenty there, despite its use of a word that in England at the time had a double meaning -- either a cigarette or a younger boy at a public school who has to be the servant of an older boy -- but in America was only used as a slur for gay people: [Excerpt: The Kinks, "Well Respected Man"] The group's next album, The Kink Kontroversy, was mostly written in a single week, and is another quickie knockoff album. It had the hit single "Til the End of the Day", another attempt at getting back to their old style of riffy rockers, and one which made the top ten. It also had a rerecorded version of "Ring the Bells", the song Larry Page had wanted to release as a single: [Excerpt: The Kinks, "Ring the Bells"] I'm sure that when Ray Davies heard "Ruby Tuesday" a little over a year later he didn't feel any better about the possibility that people were stealing his ideas. The Kink Kontroversy was a transitional album for the group in many ways. It was the first album to prominently feature Nicky Hopkins, who would be an integral part of the band's sound for the next three years, and the last one to feature a session drummer (Clem Cattini, rather than Avory, played on most of the tracks). From this point on there would essentially be a six-person group of studio Kinks who would make the records -- the four Kinks themselves, Rasa Davies on backing vocals, and Nicky Hopkins on piano. At the end of 1965 the group were flailing, mired in lawsuits, and had gone from being the third biggest group in the country at the start of the year to maybe the tenth or twentieth by the end of it. Something had to change. And it did with the group's next single, which in both its sound and its satirical subject matter was very much a return to the style of "Well Respected Man". "Dedicated Follower of Fashion" was inspired by anger. Ray was never a particularly sociable person, and he was not the kind to do the rounds of all the fashionable clubs like the other pop stars, including his brother, would. But he did feel a need to make some kind of effort and would occasionally host parties at his home for members of the fashionable set. But Davies didn't keep up with fashion the way they did, and some of them would mock him for the way he dressed. At one such party he got into a fistfight with someone who was making fun of his slightly flared trousers, kicked all the guests out, and then went to a typewriter and banged out a lyric mocking the guest and everyone like him: [Excerpt: The Kinks, "Dedicated Follower of Fashion"] The song wasn't popular with Ray's bandmates -- Dave thought it was too soft and wimpy, while Quaife got annoyed at the time Ray spent in the studio trying to make the opening guitar part sound a bit like a ukulele. But they couldn't argue with the results -- it went to number five on the charts, their biggest success since "Tired of Waiting for You" more than a year earlier, and more importantly in some ways it became part of the culture in a way their more recent singles hadn't. "Til The End of the Day" had made the top ten, but it wasn't a record that stuck in people's minds. But "Dedicated Follower of Fashion" was so popular that Ray soon got sick of people coming up to him in the street and singing "Oh yes he is!" at him. But then, Ray was getting sick of everything. In early 1966 he had a full-scale breakdown, brought on by the flu but really just down to pure exhaustion. Friends from this time say that Ray was an introverted control freak, always neurotic and trying to get control and success, but sabotaging it as soon as he attained it so that he didn't have to deal with the public. Just before a tour of Belgium, Rasa gave him an ultimatum -- either he sought medical help or she would leave him. He picked up their phone and slammed it into her face, blacking her eye -- the only time he was ever physically violent to her, she would later emphasise -- at which point it became imperative to get medical help for his mental condition. Ray stayed at home while the rest of the band went to Belgium -- they got in a substitute rhythm player, and Dave took the lead vocals -- though the tour didn't make them any new friends. Their co-manager Grenville Collins went along and with the tact and diplomacy for which the British upper classes are renowned the world over, would say things like “I understand every bloody word you're saying but I won't speak your filthy language. De Gaulle won't speak English, why should I speak French?” At home, Ray was doing worse and worse. When some pre-recorded footage of the Kinks singing "Dedicated Follower of Fashion" came on the TV, he unplugged it and stuck it in the oven. He said later "I was completely out of my mind. I went to sleep and I woke up a week later with a beard. I don't know what happened to me. I'd run into the West End with my money stuffed in my socks, I'd tried to punch my press agent, I was chased down Denmark Street by the police, hustled into a taxi by a psychiatrist and driven off somewhere. And I didn't know. I woke up and I said, ‘What's happening? When do we leave for Belgium?' And they said, ‘Ray it's all right. You had a collapse. Don't worry. You'll get better.'” He did get better, though for a long time he found himself unable to listen to any contemporary rock music other than Bob Dylan -- electric guitars made him think of the pop world that had made him ill -- and so he spent his time listening to classical and jazz records. He didn't want to be a pop star any more, and convinced himself he could quit the band if he went out on top by writing a number one single. And so he did: [Excerpt: The Kinks, "Sunny Afternoon"] Or at least, I say it's a single he wrote, but it's here that I finally get to a point I've been dancing round since the beginning of the episode. The chorus line, "In the summertime", was Rasa's suggestion, and in one of the only two interviews I've ever come across with her, for Johnny Rogan's biography of Ray, she calls the song "the only one where I wrote some words". But there's evidence, including another interview with her I'll talk about in a bit, that suggests that's not quite the case. For years, I thought it was an interesting coincidence that Ray Davies' songwriting ability follows a curve that almost precisely matches that of his relationship with Rasa. At the start, he's clearly talented -- "You Really Got Me" is a great track -- but he's an unformed writer and most of his work is pretty poor stuff. Then he marries Rasa, and his writing starts to become more interesting. Rasa starts to regularly contribute in the studio, and he becomes one of the great songwriters of his generation. For a five-year period in the mid-to-late-sixties, the period when their marriage is at its strongest, Ray writes a string of classic songs that are the equal of any catalogue in popular music. Then around 1970 Rasa stops coming to the studio, and their marriage is under strain. The records become patchier -- still plenty of classic tracks, but a lot more misses. And then in 1973, she left him, and his songwriting fell off a cliff. If you look at a typical Ray Davies concert setlist from 2017, the last time he toured, he did twenty songs, of which two were from his new album, one was the Kinks' one-off hit "Come Dancing" from 1983, and every other song was from the period when he and Rasa were married. Now, for a long time I just thought that was interesting, but likely a coincidence. After all, most rock songwriters do their most important work in their twenties, divorces have a way of messing people's mental health up, musical fashions change… there are a myriad reasons why these things could be like that. But… the circumstantial evidence just kept piling up. Ray's paranoia about people stealing his ideas meant that he became a lot more paranoid and secretive in his songwriting process, and would often not tell his bandmates the titles of the songs, the lyrics, or the vocal melody, until after they'd recorded the backing tracks -- they would record the tracks knowing the chord changes and tempo, but not what the actual song was. Increasingly he would be dictating parts to Quaife and Nicky Hopkins in the studio from the piano, telling them exactly what to play. But while Pete Quaife thought that Ray was being dictatorial in the studio and resented it, he resented something else more. As late as 1999 he was complaining about, in his words, "the silly little bint from Bradford virtually running the damn studio", telling him what to do, and feeling unable to argue back even though he regarded her as "a jumped-up groupie". Dave, on the other hand, valued Rasa's musical intuition and felt that Ray was the same. And she was apparently actually more up-to-date with the music in the charts than any of the band -- while they were out on the road, she would stay at home and listen to the radio and make note of what was charting and why. All this started to seem like a lot of circumstantial evidence that Rasa was possibly far more involved in the creation of the music than she gets credit for -- and given that she was never credited for her vocal parts on any Kinks records, was it too unbelievable that she might have contributed to the songwriting without credit? But then I found the other interview with Rasa I'm aware of, a short sidebar piece I'll link in the liner notes, and I'm going to quote that here: "Rasa, however, would sometimes take a very active role during the writing of the songs, many of which were written in the family home, even on occasion adding to the lyrics. She suggested the words “In the summertime” to ‘Sunny Afternoon', it is claimed. She now says, “I would make suggestions for a backing melody, sing along while Ray was playing the song(s) on the piano; at times I would add a lyric line or word(s). It was rewarding for me and was a major part of our life.” That was enough for me to become convinced that Rasa was a proper collaborator with Ray. I laid all this out in a blog post, being very careful how I phrased what I thought -- that while Ray Davies was probably the principal author of the songs credited to him (and to be clear, that is definitely what I think -- there's a stylistic continuity throughout his work that makes it very clear that the same man did the bulk of the work on all of it), the songs were the work of a writing partnership. As I said in that post "But even if Rasa only contributed ten percent, that seems likely to me to have been the ten percent that pulled those songs up to greatness. Even if all she did was pull Ray back from his more excessive instincts, perhaps cause him to show a little more compassion in his more satirical works (and the thing that's most notable about his post-Rasa songwriting is how much less compassionate it is), suggest a melodic line should go up instead of down at the end of a verse, that kind of thing… the cumulative effect of those sorts of suggestions can be enormous." I was just laying out my opinion, not stating anything as a certainty, though I was morally sure that Rasa deserved at least that much credit. And then Rasa commented on the post, saying "Dear Andrew. Your article was so informative and certainly not mischaracterised. Thank you for the 'history' of my input working with Ray. As I said previously, that time was magical and joyous." I think that's as close a statement as we're likely to get that the Kinks' biggest hits were actually the result of the songwriting team of Davies and Davies, and not of Ray alone, since nobody seems interested at all in a woman who sang on -- and likely co-wrote -- some of the biggest hit records of the sixties. Rasa gets mentioned in two sentences in the band's Wikipedia page, and as far as I can tell has only been interviewed twice -- an extensive interview by Johnny Rogan for his biography of Ray, in which he sadly doesn't seem to have pressed her on her songwriting contributions, and the sidebar above. I will probably continue to refer to Ray writing songs in this and the next episode on the Kinks, because I don't know for sure who wrote what, and he is the one who is legally credited as the sole writer. But… just bear that in mind. And bear it in mind whenever I or anyone else talk about the wives and girlfriends of other rock stars, because I'm sure she's not the only one. "Sunny Afternoon" knocked "Paperback Writer" off the number one spot, but by the time it did, Pete Quaife was out of the band. He'd fallen out with the Davies brothers so badly that he'd insisted on travelling separately from them, and he'd been in a car crash that had hospitalised him for six weeks. They'd quickly hired a temporary replacement, John Dalton, who had previously played with The Mark Four, the group that had evolved into The Creation. They needed him to mime for a TV appearance pretty much straight away, so they asked him "can you play a descending D minor scale?" and when he said yes he was hired -- because the opening of "Sunny Afternoon" used a trick Ray was very fond of, of holding a chord in the guitars while the bass descends in a scale, only changing chord when the notes would clash too badly, and then changing to the closest possible chord: [Excerpt: The Kinks, "Sunny Afternoon"] Around this time, the group also successfully renegotiated their contract with Pye Records, with the help of a new lawyer they had been advised to get in touch with -- Allen Klein. As well as helping renegotiate their contracts, Klein also passed on a demo of one of Ray's new songs to Herman's Hermits. “Dandy” was going to be on the Kinks' next album, but the Hermits released it as a single in the US and took it into the top ten: [Excerpt: Herman's Hermits, “Dandy”] In September, Pete Quaife formally quit the band -- he hadn't played with them in months after his accident -- and the next month the album Face To Face, recorded while Quaife was still in the group, was released. Face to Face was the group's first really solid album, and much of the album was in the same vein as "Sunny Afternoon" -- satirical songs that turned on the songwriter as much as on the people they were ostensibly about. It didn't do as well as the previous albums, but did still make the top twenty on the album chart. The group continued work, recording a new single, "Dead End Street", a song which is musically very similar to "Sunny Afternoon", but is lyrically astonishingly bleak, dealing with poverty and depression rather than more normal topics for a pop song. The group produced a promotional film for it, but the film was banned by the BBC as being in bad taste, as it showed the group as undertakers. But the single happened to be released two days after the broadcast of "Cathy Come Home", the seminal drama about homelessness, which suddenly brought homelessness onto the political agenda. While "Dead End Street" wasn't technically about homelessness, it was close enough that when the TV programme Panorama did a piece on the subject, they used "Dead End Street" to soundtrack it. The song made the top five, an astonishing achievement for something so dark: [Excerpt: The Kinks, "Dead End Street"] But the track also showed the next possible breach in the Kinks' hitmaking team -- when it was originally recorded, Shel Talmy had produced it, and had a French horn playing, but after he left the session, the band brought in a trombone player to replace the French horn, and rerecorded it without him. They would continue working with him for a little while, recording some of the tracks for their next album, but by the time the next single came out, Talmy would be out of the picture for good. But Pete Quaife, on the other hand, was nowhere near as out of the group as he had seemed. While he'd quit the band in September, Ray persuaded him to rejoin the band four days before "Dead End Street" came out, and John Dalton was back to working in his day job as a builder, though we'll be hearing more from him. The group put out a single in Europe, "Mr. Pleasant", a return to the style of "Well Respected Man" and "Dedicated Follower of Fashion": [Excerpt: The Kinks, “Mr. Pleasant”] That was a big hit in the Netherlands, but it wasn't released in the UK. They were working on something rather different. Ray had had the idea of writing a song called "Liverpool Sunset", about Liverpool, and about the decline of the Merseybeat bands who had been at the top of the profession when the Kinks had been starting out. But then the Beatles had released "Strawberry Fields Forever" and "Penny Lane", and Ray hadn't wanted to release anything about Liverpool's geography and look like he had stolen from them, given his attitudes to plagiarism. He said later "I sensed that the Beatles weren't going to be around long. When they moved to London, and ended up in Knightsbridge or wherever, I was still in Muswell Hill. I was loyal to my origins. Maybe I felt when they left it was all over for Merseybeat.” So instead, he -- or he and Rasa -- came up with a song about London, and about loneliness, and about a couple, Terry and Julie -- Terry was named after his nephew Terry who lived in Australia, while Julie's name came from Julie Christie, as she was then starring in a film with a Terry, Terrence Stamp: [Excerpt: The Kinks, "Waterloo Sunset"] It's interesting to look at the musical inspirations for the song. Many people at the time pointed out the song's similarity to "Winchester Cathedral" by the New Vaudeville Band, which had come out six months earlier with a similar melody and was also named after a place: [Excerpt: The New Vaudeville Band, "Winchester Cathedral"] And indeed Spike Milligan had parodied that song and replaced the lyrics with something more London-centric: [Excerpt: Spike Milligan, "Tower Bridge"] But it seems likely that Ray had taken inspiration from an older piece of music. We've talked before about Ferd Grofe in several episodes -- he was the one who orchestrated the original version of "Rhapsody in Blue", who wrote the piece of music that inspired Don Everly to write "Cathy's Clown", and who wrote the first music for the Novachord, the prototype synthesiser from the 1930s. As we saw earlier, Ray was listening to a lot of classical and jazz music rather than rock at this point, and one has to wonder if, at some point during his illness the previous year, he had come across Metropolis: A Blue Fantasy, which Grofe had written for Paul Whiteman's band in 1928, very much in the style of "Rhapsody in Blue", and this section, eight and a half minutes in, in particular: [Excerpt: Paul Whiteman, "Metropolis: A Blue Fantasy" ] "Waterloo Sunset" took three weeks to record. They started out, as usual, with a backing track recorded without the rest of the group knowing anything about the song they were recording -- though the group members did contribute some ideas to the arrangement, which was unusual by this point. Pete Quaife contributed to the bass part, while Dave Davies suggested the slapback echo on the guitar: [Excerpt: The Kinks, "Waterloo Sunset, Instrumental Take 2"] Only weeks later did they add the vocals. Ray had an ear infection, so rather than use headphones he sang to a playback through a speaker, which meant he had to sing more gently, giving the vocal a different tone from his normal singing style: [Excerpt: The Kinks, "Waterloo Sunset"] And in one of the few contributions Rasa made that has been generally acknowledged, she came up with the "Sha la la" vocals in the middle eight: [Excerpt: The Kinks, "Waterloo Sunset"] And the idea of having the track fade out on cascading, round-like vocals: [Excerpt: The Kinks, "Waterloo Sunset"] Once again the Kinks were at a turning point. A few weeks after "Waterloo Sunset" came out, the Monterey Pop Festival finally broke the Who in America -- a festival the Kinks were invited to play, but had to turn down because of their visa problems. It felt like the group were being passed by -- Ray has talked about how "Waterloo Sunset" would have been another good point for him to quit the group as he kept threatening to, or at least to stay home and just make the records, like Brian Wilson, while letting the band tour with Dave on lead vocals. He decided against it, though, as he would for decades to come. That attitude, of simultaneously wanting to be part of something and be a distanced, dispassionate observer of it, is what made "Waterloo Sunset" so special. As Ray has said, in words that seem almost to invoke the story of Moses: "it's a culmination of all my desires and hopes – it's a song about people going to a better world, but somehow I stayed where I was and became the observer in the song rather than the person who is proactive . . . I did not cross the river. They did and had a good life apparently." Ray stayed with the group, and we'll be picking up on what he and they did next in about a year's time. "Waterloo Sunset" went to number two on the charts, and has since become the most beloved song in the Kinks' whole catalogue. It's been called "the most beautiful song in the English language", and "the most beautiful song of the rock 'n' roll era", though Ray Davies, ever self-critical when he's not being self-aggrandising, thinks it could be improved upon. But most of the rest of us disagree. As the song itself says, "Waterloo Sunset's fine".

Is Your Real Purpose is Waiting For You? There's an idea floating within your mind. Soon it will demand your attention.  Is this all there is?  Am I destined for something bigger? Your real purpose will arrive in your life when you: 1) Accept WHO you are and have always been. You are beautiful just the way you are. 2) Accept WHAT you do when you are doing you. Life is far more enjoyable when you spend most of your time in your comfort zone - and step out occasionally. 3) Accept WHEN when you want to start living in the moment. Now is a good time. 4) Accept WHERE you are in your life. As long as you know where you are, you can go anywhere. Accepting your real purpose is revealed by daily actions. If you want to go in a new direction, change what you do. Start today. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Tim Rogner of Allister makes his second PCH appearance and this time we discuss the bands 2002 sophomore record Last Stop Suburbia for it's 20th anniversary. We discuss:- Recording at a studio on the beach- Why Last Stop Suburbia feels like the bands proper debut to Tim- Playing Four Chord Music Fest in September- The possibilities of Allister ever writing another record- Not overthinking catchy three chord punk- Promo shots that look photoshopped but are actually just wild skies at a Warped Tour in Florida- Which Allister record is Tim's favorite- 2012's Life Behind Machines turning ten this year- Touring so much you don't have time to write a follow up- How Last Stop Suburbia stands against other Drive-Thru Records releases of the time & much more!Follow Tim/Allisterhttps://www.facebook.com/AllisterBandhttps://www.instagram.com/timallisterhttps://twitter.com/humbugrogCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs - https://www.paypal.com/paypalme/pchanthony

This week I had the distinct pleasure chatting with Matt Scottoline of the brilliant band HURRY. Matt's journey through the musical landscape started in another brilliant band EVERYONE EVERYWHERE. Matt took what he learned while playing and writing music with his former band and brought it to a new and exciting place with HURRY. Hurry started as a solo project and has evolved into a great trio of talent curating astounding songs. Matt and I connected on a ton of musical moments and had a great time swapping stories. Join Matt and I as we learn “How To Cope” while we're “Waiting For You” but be careful, “It's Dangerous!” 

Tune in for a special broadcast of TMAO After Dark, where Mitch and Liam dive into the grimy, gnarly depths of Southern exploitation cinema that's also, surprisingly, a family affair in the making. Stay tuned for a unique presentation and some revealing twists and turns. Mitch is too busy hosting to plug. Art by Jade Dickinson: @jadesketches on Instagram | @jadesketches on TikTok Listen to Liam's band Guest Room Status on all your streaming services. Here's a Spotify link even. Find us on Twitter & Letterboxd: @theymadeanother / @tmao | @mrcoreyprice | @grahamthemallow // Listen to MK Podquest with Corey and Neal: https://anchor.fm/mkpodquest // Listen to Strat 2 with Corey and Callum: https://anchor.fm/strat2f1 Find us on Anchor, Spotify, Apple Podcasts, Google Podcasts, Stitcher, RadioPublic, Breaker, Overcast and more as "They Made Another One?!" Reach us via email: tmaopodcast@gmail.com Seance Astrology music: "Waiting For You" by Dan Mason (https://danmason.bandcamp.com/album/miami-virtual) TMAO After Dark bumper music (plays second) from freemusicarchive.org: "Use It" by Baners License: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) (https://creativecommons.org/licenses/by-nc-nd/4.0/) Outro bumper music: Sunset, preset loop from Mixcraft Studio 9

This week, Liberty and Patricia discuss Nettle & Bone, Winnie Zeng Unleashes a Legend, Kaikeyi, and more great books. Follow All the Books! using RSS, Apple Podcasts, or Spotify and never miss a beat book. And sign up for the weekly New Books! newsletter for even more new book news. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. For a complete list of books discussed in this episode, visit our website. BOOKS DISCUSSED ON THE SHOW: This Wicked Fate (This Poison Heart, 2) by Kalynn Bayron Dreams Bigger Than Heartbreak (Unstoppable Book 2) by Charlie Jane Anders The Bone Shard Daughter (The Drowning Empire Book 1) by Andrea Stewart Realm Breaker by Victoria Aveyard Nettle & Bone by T. Kingfisher (The Twisted Ones, The Hollow Places, A Wizard's Guide To Defensive Baking, Dragonbreath, What Moves the Dead ) Winnie Zeng Unleashes a Legend by Katie Zhao Kaikeyi by Vaishnavi Patel (Sexism and misogyny, violence and death, loss of a loved one, partner abuse) Circe by Madeline Miller Ariadne by Jennifer Saint The Witch's Heart by Genevieve Gornichec Daughter of the Moon Goddess (Celestial Kingdom Book 1) by Sue Lynn Tan She Who Became the Sun (Radiant Emperor) by Shelley Parker-Chan How to Keep House While Drowning: A Gentle Approach to Cleaning and Organizing by KC Davis The Children on the Hill by Jennifer McMahon (The Winter People, The Night Sister, The Invited) I'm Waiting For You and Other Stories by Kim Bo-Young Meet Me in Another Life by Catriona Silvey (April 27 and December 14, 2021 shows) The Last Days of the Dinosaurs: An Asteroid, Extinction, and the Beginning of Our World by Riley Black How to Tell a Story: The Essential Guide to Memorable Storytelling from The Moth by Meg Bowles, Catherine Burns, Jenifer Hixon, Sarah Austin Jenness, and Kate Tellers Big Feelings: How to Be Okay When Things Are Not Okay by Liz Fosslien & Mollie West Duffy Learn more about your ad choices. Visit megaphone.fm/adchoices

The post Your Sin is Waiting For You appeared first on Echo Lake Church.

Gaea Star Crystal Radio Hour #480 is an hour of visionary acoustic improv music performed live by The Gaea Star Band with Mariam Massaro on vocals, Native flute, acoustic guitar and ukulele, Bob Sherwood on piano and Craig Harris on congas and Native drums.  Recorded at Singing Brook Studio in Worthington, Massachusetts on Valentine's Day 2022 and begins with he rollicking “Happy With You” a classic number from Mariam's “Smooth Sailin' Love Songs” album.  “Going Far Away” is a skipping, upbeat and pleasantly blustery folk song with an unmistakable chord progression and “If We Believe” is a gorgeous, expansive ballad decorated with Mariam's unmistakable Native flute.  We return to Mariam's love song album for a run of Valentine songs, the rainy country R&B of “Waiting For You”, the gorgeous, tight “Burning Ember” and a fine, flowing take of the wonderful “I Was Wondering”.  “If You Believe” follows the classic Gaea Star Crystal Radio Hour formula, starting with a pulsing, Native vibe featuring flute fanfares from Mariam and slides slowly through classical and gospel iterations.  “I'm Illuminated By The Glory” concludes today's show with an expansive, harmonically wide-ranging tone poem featuring sophisticated progressions from Bob on piano and fine vocals and Native flute from Mariam. Learn more about Mariam here: http://www.mariammassaro.com

We've got a heavyweight episode of the Trance Sanctuary Podcast this month with banging guests mixes from rising stars Shugz and Jak Aggas, as well as an album showcase from Activa. Jak Aggas Guest Mix 1. Darren Porter & Jak Aggas - Explorer2. Jak Aggas - Bish Bash Bosh (Jak Aggas Edit)3. Jak Aggas - I see You4. Jak Aggas - Greyson5. Jak Aggas - ID6. Ian Van Dahl - Castles in the sky (Jak Aggas Remix)7. Jak Aggas Playing With Fire8. Jak Aggas - Strangers like me9. Jak Aggas - Daggerfall10. Jak Aggas - ID11. Jak Aggas & Elles De Graaf - In My Arms12. Jak Aggas - Skyrimhttps://soundcloud.com/jakaggasmusichttps://www.facebook.com/jakaggasmusic/Artist Spotlight GXD & Ellie Vee - Best of You Alan Banks' Big 3 Tunes of the Month 3. Super8 & Tab - Irufushi (Marsh Remix)2. LXJ - Flux 5 (Waiting For You)1. Qrion - 11 11https://soundcloud.com/alanbanksArtist Spotlight Activa 'Origins' album showcase 1. Activa - Journey Home2. Activa - Fade From View 3. Activa - Anamara Album link - https://activamusic.bandcamp.com/album/originshttps://soundcloud.com/activa_officialShugz live from Shorefest Tracklist TBC https://www.facebook.com/shugzmusic/https://soundcloud.com/shugo_srdFuture events 13/11/21 - Trance Sanctuary presents Kearnage at Fabric, London13/11/21 - Trance Sanctuary After Party in The Loft, Egg London01/01/22 - Trance Sanctuary NYD at Egg London. www.trancesanctuary.comwww.facebook.com/trancesanctuarywww.instagram.com/trancesanctuarywww.twitter.com/trancesanctuary

Hailing from Odenton, MD between Baltimore and Washington DC, Ben DeHan has a pop-fusion sound similar to the Angels and Airwaves and Camino. Ben talks with Andy about his recent release, "Waiting For You", and the music he makes with his fiance Lauren White, a songwriter and cellist, which includes Ben's latest single, "Oxon Hill" about another local spot within the Washington DC metropolitan area.  Ben talks about his history as a touring musician as well as local influences and inspirations like Fugazi, Black Flag, Jimmie's Chicken Shack,  Good Charlotte, Bumpin; Uglies, All Time Low, and Ben's former band, American Diary. Ben talks about his songwriting and production leading to his comparisons to Blink 182 and Machine Gun Kelly.  Andy introduces Ben to another "This or That" segment where he must choose between Old Bay or Sour Cream & Onion, Aqua or ABBA, Fender or Gibson, Shrek 2 or Toy Story 2, and KFC or McDonald's. You can hear more music by Ben DeHan when New Nostalgia Releases on September 24, but people can get it now for $5 here: https://bendehan.bandcamp.com/album/new-nostalgia Featured Song: "Oxon Hill" by Ben DeHan Hosted by Andy Reed Produced by Daniel Warren Hill Edited, Mixed, and Mastered by Daniel Warren Hill For more about Alchemicast, visit www.alchemicalrecords.com/alchemicast For more about Alchemical Records, visit www.alchemicalrecords.com Intro/Outro Music: "Dreaming" by YellowTieGuy (Hill/Schmitt. Endurance Match. ASCAP. 2016) © 2021 Alchemical Records LLC. All rights reserved. Any/All media used with the express permission of the respective rights holder.

Acid Jazz's Long Lost Brother: Ce Ce Rogers' Nuphunk “Come On And Dance” Richard Salter And Mikis Michaelides “Always Be There” (Evolution Of Soul Mix) Sia “Waiting For You” (Restless Sal Peaktime Mix) Tek I Feat. Renn “Be The One” (Within & Without Club Mix) Slik Cut Feat. Rose Windross “Won't Be Told” Contre Tiempo Feat. Kele Le Roc “Switched” PPO Feat. Andrianna “Not Everybody Loves You” Lightfoot Feat. Asher Senator And Tammy “Keep On Jumpin'” Oris J Feat. Renn “They Don't Know” Sia “Little Man” (Funky Devil Mix) Escuchar audio

Gaea Star Crystal Radio Hour #457 is an hour of live improvised music and songs by Mariam Massaro that was recorded by Mariam and Bob Sherwood of the Gaea Star Band with Mariam on vocals, celtic harp, kalimba, ukulele, native flute and acoustic guitar and Bob on piano and congas.  Taped at Singing Brook Studio in late August of 2021, today's show begins with the expansive, lovely, meditative “Awakening” which is led by Mariam's prayerful, evocative vocal over an insistent gospel piano from Bob.  Opening into a roomy, echo-laden coda, the piece segues into a lush instrumental featuring flowing, virtuousic native flute from Mariam and intertwining classical piano motifs from Bob.  “Passion In The Sky” is a rollicking ragtime piece with fine ukulele work from Mariam and bluesy piano from Bob beneath a joyful tale of rain in the night from Mariam.  “Flower Of Life” is another expansive piece featuring overdubbed congas and percussion from Bob and a duet from Mariam as well as extensive vocal-and-native-flute call-and-response sections from Mariam.  We finish with two fine renditions of Mariam's recorded songs from the “Smooth Sailin' Love Songs” album- the mystical, celestial love story “Twin Flames” and the altogether more earthy “Waiting For You”, a misty country tale of desire and longing. Learn more about Mariam here: http://www.mariammassaro.com

Today we're chatting to UK singer-songwriter Tom Speight! We speak about his beginnings in music, all the amazing things that he's done since, his new album Everything's Waiting For You and much more. Plus, an exclusive live performance of recent single 'Feel The Night'!You can also watch a VIDEO version of this podcast by supporting us on Patreon: https://www.patreon.com/alexrainbirdMusic.Find Tom Speight on...Spotify: https://spoti.fi/3zAbcZFInstagram: https://www.instagram.com/tomspeightmusic/Find alexrainbirdMusic on...Website: http://www.alexrainbirdmusic.com/YouTube: https://www.youtube.com/user/alexrainbirdSpotify: http://spoti.fi/350QXarInstagram: https://instagram.com/alexrainbirdmusic/Everywhere else: https://www.alexrainbirdmusic.com/discoverFinally, don't forget to join our Discord server! It's the best place to chat to us and to submit questions to artists for future episodes of The Indie Music Podcast: https://discord.gg/nQxwjC25YX.Thank you for listening and for supporting independent music!

Stunning beaches, great wifi and the perfect work/life balance...sound like the dream? [audio mp3="https://media.radiocms.net/uploads/2021/08/19130032/ConnamaraLair_1908.mp3"][/audio] It could be your reality if you're looking for somewhere new to live. Residents of Conamara Láir say that they have one of the best places to live and work in the world, and they're looking for people to join their community. We're Waiting For You! Cuir aithne ar bheirt áitiúil: Seán Ó Cathasaigh & @FionaNiF Personal stories from local people👨‍👩‍👧🏘️🚘 Tar Abhaile go dtí #ConamaraLáir Contact Us Now: 📧eolas@conamaralair.ie ☎️095-32688#SeoíAnGhaeltacht pic.twitter.com/R1U6sGSidg — Conamara Láir (@ConamaraLair) August 3, 2021 The 'We're Waiting for You' campaign hopes to highlight the benefits of living in the area, and Dermot and Dave caught up with Máirín Ní Choisdealbha Seoige from Connemara Láir to explain why you should think of moving! You can catch all the info by clicking play above!

For this second instalment, Dedee chats to Yolanda and Harriet from Na Noise, about their debut album Waiting For You, which won the Junior Taite Prize (also known as the “Baby Taite”) this year. We chat a bit about their writing process, being asked to cover a Reb Fountain song at the Taite Awards, and playing their first Level 2 seated gig at Whammy bar after the first Covid lockdown. We also discuss their two very cool music videos, and why they only feature in one of them. All tracks used in this podcast are from Na Noise's album Waiting For You, released on 1:12 records, November 20, 2020. Tracks: - Sun Stone Air - Waiting For You - Dance With Me - Na Noise Music videos: Waiting For You - https://www.youtube.com/watch?v=CJw2zOPyUeo&ab_channel=NaNoise Dance With Me - https://www.youtube.com/watch?v=VaxBLE305TY&ab_channel=NaNoise Items chosen from the Auckland Libraries collection: Book: Yé-Yé girls of '60s French pop / by Jean-Emmanuel Deluxe ; [foreword by Lio] Deluxe, Jean-Emmanuel, 1970-, Feral House, 2013 https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__Rb2826289 DVDs: Aki Kaurismäki films The other side of hope (Motion picture : 2017) DVD, Palace Films, 2018 Le Havre (Motion picture) DVD, Madman Entertainment, 2012 https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__Rb3523971 CD: Rumble! : the best of Link Wray, Wray, Link., Rhino, 1993 https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__Rb2270319

On her debut single ‘Waiting For You', Phoebe channels the Aussie attitude of Peach PRC and Cxloe while adding smooth R&B sounds inspired by Victoria Monet and Jazmine Sullivan to create a unique sound that is as welcome on the dancefloor as it is through the headphones. “I'm so excited that ‘Waiting for You' is heading out into the world,” said Phoebe. “I love writing and I've grown to love it even more now that I've let that vulnerable side of me go and I can open up through my songs.”Phoebe talks to Matt Bern on Fresh Mint

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/yf55aqt2 "A warm welcome to you" in Central Connemara. "Fáilte chroíúil a chuirfear romhat" i gConamara Láir. The community of Central Connemara, in conjunction with Údarás na Gaeltachta, has today launched a campaign to attract people to live in the area. Tá feachtas seolta inniu ag pobal Chonamara Láir, i gcomhair le hÚdarás na Gaeltachta, le daoine a mhealladh chun cónaithe sa gceantar. There is a special reason for the decision to launch the campaign today: It is Mac Dara 's Day. Tá cúis speisialta ag baint leis an gcinneadh an feachtas a sheoladh inniu: Lá Mhic Dara atá ann. Lá Mhic Dara is a major annual festival for the people of Central Connemara, where the diaspora of the area returns to their homeland from far and wide. Is féile mhór bhliantúil é Lá Mhic Dara do phobal Chonamara Láir, áit a bhfilleann diaspóra an cheantair ar a ndúchas ó chian agus ó chóngar. Due to COVID-19 restrictions, the area will be celebrated online worldwide this year. De bharr srianta COVID-19 is ar líne a dhéanfar ceiliúradh ar an gceantar ar fud an domhain i mbliana. According to the campaigners: "People who want to come and live here are very welcome. Dar le lucht an fheachtais: "Is fáilte chroíúil a chuirfear roimh dhaoine atá ag iarraidh teacht chun cónaithe anseo. This area has a work-life balance and entrepreneurial opportunities as well as a tech center, which is part of a national network of digital hubs, offering many opportunities for locals, new businesses and those looking to get involved. cianoibre. " Tá cothromaíocht saoil is oibre sa gceantar seo agus deiseanna fiontraíochta ann chomh maith le hionad gteic, atá ina chuid de ghréasán náisiúnta mol digiteach, a chuireann iomaí deis ar fáil do mhuintir na háite, do ghnóthaí nua agus do dhaoine atá ag iarraidh dul i mbun cianoibre." Máirín Ní Choisdealbha Seoige from Forbairt Chonamara Láir said: "Central Connemara is one of Ireland 's cultural treasures and despite the challenges of population decline and migration, the area has experienced growth in recent years." Dúirt Máirín Ní Choisdealbha Seoige ó Fhorbairt Chonamara Láir: "Tá Conamara Láir ar cheann de sheoda cultúrtha na hÉireann agus in ainneoin na ndúshlán ó thaobh laghdú daonra agus imirce, tá borradh le brath sa gceantar le blianta beaga anuas." A series of films will be launched on YouTube as part of this campaign. Seolfar sraith scannán ar YouTube mar chuid den bhfeachtas seo. The first film outlines the highlights of the quality of life and opportunities available to people, families and businesses in Central Connemara. Sa gcéad scannán, déantar cur síos ar na buaicphointí maidir leis an gcaighdeán saoil agus na deiseanna atá ar fáil do dhaoine, do theaghlaigh agus do ghnóthaí i gConamara Láir. Three personal stories are being told in the film series being launched as part of this campaign. Tá trí scéal pearsanta á n-insint sa tsraith scannán atá á sheoladh mar chuid den bhfeachtas seo. They can be viewed at Connemara Central - We're Waiting For You! If you are interested in living in the area, Forbairt Chonamara Láir will be providing a local support service to deal with inquiries at eolas@conamarlair.ie or 095 32688. Is féidir féachaint orthu ag Conamara Láir - We're Waiting For You! Más spéis le duine dul chun cónaithe sa gceantar, beidh seirbhís tacaíochta áitiúil á cur ar fáil ag Forbairt Chonamara Láir chun déileáil le fiosrúcháin ag eolas@conamarlair.ie or 095 32688.

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/ygulpwxx "A warm welcome to you" in Central Connemara. "Fáilte chroíúil a chuirfear romhat" i gConamara Láir. The community of Central Connemara, in conjunction with Údarás na Gaeltachta, has today launched a campaign to attract people to live in the area. Tá feachtas seolta inniu ag pobal Chonamara Láir, i gcomhair le hÚdarás na Gaeltachta, le daoine a mhealladh chun cónaithe sa gceantar. There is a special reason for the decision to launch the campaign today: It is Mac Dara 's Day. Tá cúis speisialta ag baint leis an gcinneadh an feachtas a sheoladh inniu: Lá Mhic Dara atá ann. Lá Mhic Dara is a major annual festival for the people of Central Connemara, where the diaspora of the area returns to their homeland from far and wide. Is féile mhór bhliantúil é Lá Mhic Dara do phobal Chonamara Láir, áit a bhfilleann diaspóra an cheantair ar a ndúchas ó chian agus ó chóngar. Due to COVID-19 restrictions, the area will be celebrated online worldwide this year. De bharr srianta COVID-19 is ar líne a dhéanfar ceiliúradh ar an gceantar ar fud an domhain i mbliana. According to the campaigners: "People who want to come and live here are very welcome. Dar le lucht an fheachtais: "Is fáilte chroíúil a chuirfear roimh dhaoine atá ag iarraidh teacht chun cónaithe anseo. This area has a work-life balance and entrepreneurial opportunities as well as a tech center, which is part of a national network of digital hubs, offering many opportunities for locals, new businesses and those looking to get involved. cianoibre. " Tá cothromaíocht saoil is oibre sa gceantar seo agus deiseanna fiontraíochta ann chomh maith le hionad gteic, atá ina chuid de ghréasán náisiúnta mol digiteach, a chuireann iomaí deis ar fáil do mhuintir na háite, do ghnóthaí nua agus do dhaoine atá ag iarraidh dul i mbun cianoibre." Máirín Ní Choisdealbha Seoige from Forbairt Chonamara Láir said: "Central Connemara is one of Ireland 's cultural treasures and despite the challenges of population decline and migration, the area has experienced growth in recent years." Dúirt Máirín Ní Choisdealbha Seoige ó Fhorbairt Chonamara Láir: "Tá Conamara Láir ar cheann de sheoda cultúrtha na hÉireann agus in ainneoin na ndúshlán ó thaobh laghdú daonra agus imirce, tá borradh le brath sa gceantar le blianta beaga anuas." A series of films will be launched on YouTube as part of this campaign. Seolfar sraith scannán ar YouTube mar chuid den bhfeachtas seo. The first film outlines the highlights of the quality of life and opportunities available to people, families and businesses in Central Connemara. Sa gcéad scannán, déantar cur síos ar na buaicphointí maidir leis an gcaighdeán saoil agus na deiseanna atá ar fáil do dhaoine, do theaghlaigh agus do ghnóthaí i gConamara Láir. Three personal stories are being told in the film series being launched as part of this campaign. Tá trí scéal pearsanta á n-insint sa tsraith scannán atá á sheoladh mar chuid den bhfeachtas seo. They can be viewed at Connemara Central - We're Waiting For You! If you are interested in living in the area, Forbairt Chonamara Láir will be providing a local support service to deal with inquiries at eolas@conamarlair.ie or 095 32688. Is féidir féachaint orthu ag Conamara Láir - We're Waiting For You! Más spéis le duine dul chun cónaithe sa gceantar, beidh seirbhís tacaíochta áitiúil á cur ar fáil ag Forbairt Chonamara Láir chun déileáil le fiosrúcháin ag eolas@conamarlair.ie or 095 32688.

Episode 1 of 2 for World IBD Day. Darren, Jake & Emma talk to musician Tom Speight. We talk about Tom's IBD diagnosis and how he manages things on a day to day basis. We also question Tom on how he manages to survive a 2 hour gig on stage without the need to rush off . . ! Tom's new album "Everything's Waiting For You" will be released on 24th September 2021 but you can pre order NOW! Visit www.tomspeightmusic.com for details. Once you have finished with this one, go on to the next where we answer some questions from our listeners :) Find us on Instagram @ittakesgutspod Tom - @tomspeightmusic Darren - @darrendoesjokes Jake - @jakesteerscomedy Emma - @emmarieox

Ever wanted to learn to lucid dream? Maybe you used to have vivid dreams when you were younger and you want to return to a dreamworld of color and sound. Did you have a prophetic dream and you want to have another one? Rainbow Raaja talks about crystals and herbs that support specific dreamwork and even how to make your own dream pillow so you can deepen your dreaming practice.

Welcome to the twelfth episode of the Cherry Red Radio show in association with Boogaloo Radio, Almost Blue Radio, Totally Radio, Bay FM, Kalypso Gold, Ship Full Of Bombs, WRFN1025, WRFNGOLD, Mad Wasp Radio and Target Radio. We kick things off this month with brand new recordings from upcoming albums being released in 2021. Alongside new songs from the likes of Strawbs, Luke Haines, Ken Hensley and Lee Kerslake, Iain is joined by Cherry Red colleagues Matt Ingham (Press & Comms), John Reed (Head of Catalogue), Matt Bristow (Business Affairs) and Ricky Martin (General Manager) to discuss some of their highlights from the year. As usual Cherry Red Radio brings you two hours of music inspired by one of the most eclectic and prolific labels in the world. Iain and Cherry Red are staunch supporters of buying music in physical form and only plays music that can be bought on CD or vinyl. Tracklist:1. Strawbs - Champion Jack2. Ken Hensley - Right Here Right Now3. Lee Kerslake - Take Nothing For Granted4. Luke Haines - Ivor On The Bus5. Ivor Cutler - Heavy Rock6. Fleet Foxes - Sunblind7. HMS Bounty - Girl (I'm Waiting For You)8. War On Drugs - Under the Pressure (Live)9. Circuline - Hollow (Live)  10. Immaculate Fools - Hearts Of Fortune11. Immaculate Fools - Immaculate Fools12. Vulcans Hammer - Keys Of Cantebury13. Minor Birds - The Parting Glass14. The Free Design - Kites Are Fun15. The Free Design - When Love Is Young16. Jim Bob - Joes Got Papercuts17. Hawkwind Light Orchestra- Lockdown18. Neil Innes -How Sweet To Be An Idiot19. Barbara Lewis - Don't Forget About Me20. Mercury Rev - In A Funny Way21. The Fall - Latch Key Kid22. Alan Parsons Project - Prime Time23. Iron Butterfly - In-a-Gadda-Da-Vida

Hoy hablaremos del nuevo material de  GOT7, esta boy band que hace su regreso musical con el álbum [Breath of Love: Last Piece]Si quieres saber más de este grupo ¡aquí te dejamos la liga de nuestro newsletter! https://mailchi.mp/1fd8e2840873/entrechingus-newsletterSíguenos en:Instagram: https://www.instagram.com/entrechingus/Twitter: https://twitter.com/entre_chingus 

Watch the VIDEO of this episode here: https://youtu.be/pu9qX7zRaxQ Wayley (Andrew Sheriff) is a singer-songwriter who has debuted his new project, Wayley with two exceptional hits What’s It Gonna Take and Waiting For You.  We discuss Andrew’s journey to what got him to where he is today, and his musical projects, reflections and realizations to this point. Facebook: https://www.facebook.com/wayleymusic Instagram: www.instagram.com/wayleymusic/ Spotify: https://tinyurl.com/yyo9xuae Youtube: https://tinyurl.com/yyklezrj This podcast is Sponsored by: HAILED COFFEE - Go to https://www.hailed.ca/ and place your order online today Flikli - Get beautiful 2-D animated videos for your business today at https://www.flikli.com/ Listen to the audio of this and many more All About The Song episodes: Apple Podcasts: https://tinyurl.com/yd5cpbmf Spotify:https://tinyurl.com/yxa6mxlu Website: https://www.allaboutthesongpodcast.com

So much in here: piping as meditation and not setting fire to the old Ganley flute. Starting on the whistle but falling for the pipes despite the danger. The eternal conversation: reeds, drones and regulators. The session spaces of Belfast, open piping closed piping, Tommy Reck and saying 'I Love You' to Liam O'Flynn. Being a girl and running an all female session. A room tuned to G Minor, the Drogheda connection, the five string banjo and 'Lovely Leitrim.' Oh. And Robbie Williams and Graham Norton too. Bish Bash Bosh. What a treat. The tunes: Two jigs - Mama's Pet and Hinchey's Delight Alexander's Hornpipe and The Kildare fancy Two McKenna Reels The Sailor's Cravate, I'm Waiting For You and Bonny Kate (from the playing of Tommy Reck) The Drunken Gauger and Lovely Leitrim (thanks Mr & Mrs Farrell) Every week we are amazed by how much fun we've had - seriously. And then the next week we are amazed all over again. Rita, thank you. P.s. For anyone interested in the London Facebook group mentioned in the episode you'll find it here: https://www.facebook.com/groups/IrishMusicLondonGroup -- To listen, stream or download simply click a link below: Our website: https://blarneypilgrims.com iTunes: https://apple.co/2A6tUPm Google Podcasts: http://bit.ly/3cPTkis Spotify: https://spoti.fi/3eIwBFy Or alternatively, simply search your favourite podcast app for the Blarney Pilgrims. -- Become a Patron Saint of the Blarney Pilgrims Podcast. We want the podcast to be free to listen to for as many people as possible. But without the support from at least some of you we couldn't keep putting out an episode a week. That's why we're asking you to become a Patron (Saint) of the podcast. www.patreon.com/blarneypilgrims So, for the price of a pint, or a half pint for that matter, you can help keep this show on the road and be safe in the knowledge you have a halo above your head. For your good deed you will secure your place in traditional Irish music podcast heaven. But most importantly, you'll have helped pay for the other 99% of listeners that don't or can't chip in. And that, my friend, is a hell-of-a-nice thing to do. Darren & Dom www.blarneypilgrims.com www.patreon.com/blarneypilgrims www.facebook.com/blarneypilgrimspodcast www.instagram.com/blarneypilgrimspodcast www.twitter.com/BlarneyPodcast

Yolanda Fagan (on Na Noise 'Waiting For You' album release) Interview by Jamie Green on Radio One 91fm Dunedin

Yolanda Fagan (on Na Noise 'Waiting For You' album release) Interview by Jamie Green on Radio One 91fm Dunedin

Ken and Gar took a trip to a land down under where women glow and men plunder this week when we watched Disney’s 29th animated feature film, The Rescuers Down Under (1990). The brothers attempt to review this follow up to 1977's The Rescuers but get distracted by rabbit hole topics including VR technology and the future of art before circling back the the film to assess the merits of the first sequel in Disney animated feature history.Featuring a reprise performance of "Someone's Waiting For You" from the original movie performed by Musical Correspondent, Nicole McDonaghFollow Nicole @NicoleMcD_PR on Twitter and @n.mcdonagh on Instagram for more magical musical contentWatch along on Disney Plus and join the conversation on social media:Facebook: https://www.facebook.com/MagicByDesignPodTwitter: @MagicDesignPodInstagram: @magicbydesignpod

Maxwell Anders, Beau Alexander, and Casey Durham explore and share on the ups and downs of dating, sex, relationships, and all things related to the Big D.On episode 25 - Dull, Max, Beau, and Casey discuss dating when someone is dull.  Life can be exciting and thrilling and no more is this the case when it comes to dating and find someone new.  What happens when we encounter the utterly dull and boring?   What is exciting to some can be painfully boring to others.  Can we add a little spice to our dating and sex lives?  Casey Durham from Dallas is our stand-in guest co-host, and our favorite and beloved Brooklyn Steele will be back in our next episode.  Beau catches up with a girl from his past.  Later he practices getting out of his comfort zone and braves facing rejection.  Maxwell updates us on the drunk cutie who asked him out at birthday dinner and meets a guy that seems to "measure up" or down to Max.  Casey puts the breaks on a stunningly beautiful man and reflects on the decision.Kevin McKenzie from Dallas is our guest dating guru on this episode.  We answer a listener's e-mail regarding when one partner demands a lot of sex, and we review the article "You Should Be Dating Someone Boring” from Thought Catalog.  We go over our Call to Action, Episode Quote, and we give a shout out to the author and TEDTalk sensation Tracy McMillan.Music featured on this episode:Waiting For You by Le Gang https://soundcloud.com/thisislegangCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/l-g-waiting-for-youMusic promoted by Audio Library https://youtu.be/ipBADI59ZLQDamn Shame (Ft. Lincoln) by NIMBVS https://soundcloud.com/nimbvsmusicCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/al-damn-shameMusic promoted by Audio Library https://youtu.be/YiA8hdOZNPITragic Love by Savfk (copyright and royalty free epic emotional orchestral piano soundtrack music) https://soundcloud.com/savfk/tragic-love

Ken and Gar watched Disney's 23rd animated feature this week, The Rescuers, based on the book of the same name by Margery Sharp. Featuring a cover of "Someone's Waiting For You" from the movie performed by Musical Correspondent, Nicole McDonaghFollow Nicole @NicoleMcD_PR on Twitter and @n.mcdonagh on Instagram for more magical musical contentWatch along on Disney Plus and join the conversation on social media:Facebook: https://www.facebook.com/MagicByDesignPodTwitter: @MagicDesignPodInstagram: @magicbydesignpodWhere to find Ken and Gar:@kenkidney on Twitter and Instagram

My House Delights mix series reaches number 20. Here's more of my signature style of Afro-infused, funky, soulful and disco flavoured house music. 1. “I Am” (Reelsoul Main Mix) – Groove Junkies 2. “Wiyan” – Saint Evo 3. “Faith” – Yass 4. “Mountains” (Joey Negro Live & Direct Mix) – The Vision 5. “Soulmagic” (Extended Mix) – Soulmagic 6. “Get Over U” (Tedd Patterson Mix) – Frankie Knuckles Presents Director’s Cut 7. “Chicago Love” – Felix Da Housecat 8. “Big Blow” (Mooderna Remix) – The Sunburst Band 9. “Waiting For You” – Wolf Story feat Queen Rose 10. “Daytime” – Bellaire

In this guided practice, we open to the experience of sound around us. Sound can be a powerful anchor to presence. The meditation concludes with a poem, Everything is Waiting For You, by David Whyte.

A Message of Hope radio show hosted by Christina Lockett airs live every Tuesday at 9 PM CST/10PM EST. Our special guest is Christian Recording artist, Pastor Lamont Smith. Tune in by dialing 563-999-3084 or listen online at www.christinalockettamessageofhope.info

Stepping back for a moment of reflection, Kyle Davis realizes now, perhaps more than ever, that music can be a vehicle for change. No stranger to success, his music has received attention from Sony Records and Phil Ramone via Don Dixon, four stars from Rolling Stone and a cover feature in Billboard Magazine calling him “one of the best unsigned artists.” In addition, Davis has shared the stage with the likes of Bob Dylan, John Mayer, Shawn Colvin, The Wallflowers and Sheryl Crow. While Davis has received extensive accolades over the course of his career, Make it Count is about more than simply making music. Woven together with the wisdom of life’s profound experiences, Make it Count offers a timeless reflection encouraging listeners to make the most of the time that they have. https://www.youtube.com/watch?v=LCUZ1GMyxVk&feature=emb_title   Created by Mikan Media, the music video for the title track, “Make it Count,” expresses Davis’s amazement at our inability to affect time’s linear motion. Struck by nostalgia upon looking at an old photograph, the video features Davis driving by the house where he grew up, speaking to the creases in each of our timelines while paying homage to Davis’s personal history; the song lyrics note how his family disintegrated a little after they moved and also serves as a place for Davis to say he misses his Dad - something he needed. Illustrating shared human experiences, the music video also features a few real stories including one of grief through the eyes of a woman looking upward in a church, holding a picture of her brother who took his life; it also tells of  rebirth and life through the eyes of a young mother with her child. Notably, the song expresses how we get many chances but each one only once.   Produced by Scott Lane and Stewart Myers, Make It Count features Daniel Clark on organ, piano, and whirly, Charles Authur on mandolin, pedal and steel, Carter Gravatt [Carbon Leaf] on mandolin, acoustic, pedal steel, Mike Durham and Scott Lane playing electric guitars, as well as drummers, John O’Reilly and Pinson Chanselle, and Stewart Myers and Scott Lane on bass, as well as backing vocalists Kenneka Cook and Scott Lane.   Davis began recording in his early 20s, spawning a string of albums -- Kyle Davis, Waiting For You, Raising Heroes, Don’t Tell the World, and River City Gang -- which harnessed national attention and effectively expressed a keen sense of melody, infectious energy and hooks that sank in quickly and refused to let go. These days, Davis is more eager than ever to rekindle his career, and remains inspired by his love of music and a desire to connect with others. 

“You are the solution to someone else’s problems…  And we have an obligation to do whatever it takes to reach them.” -Steve Olsher    Going through fiery situations do not necessarily mean failure. Most of the time, your perseverance means you’re on the right track. Steve Olsher shares his epiphany and how this shaped him to be the man he is now. Learn the skills necessary to reinvent your life, namely, to be able to see the big picture, create opportunities, and take immediate action. Sometimes, you just have to tear something down in order to rebuild. In life, unless you tear down the belief that you are less than capable of living your dream life, you will not be able to reinvent your life. Until then, your present course of action will dictate how much you can serve yourself and others. Steve’s story drives a lesson that our unique gift is a privilege that comes with a weighty responsibility- to share your genius to the world. Your story has the potential to change someone else’s life. Do not give up the fight just yet until you’ve tuned in to today’s episode.    Join the Shower Epiphanies Today        Expectation Therapy       Facebook       Twitter       LinkedIn       Instagram   Highlights: 01:27 Live and Learn  09:38 Open Up Opportunities  18:44 Try Something Different  26:30 Radio Show vs. Podcasts 34:19 Write the Book That You Most Need 38:09 Be Icons of Influence- Join the New Media Summit  40:31 The World is Waiting For YOU!

If you had to choose one Kinks performance that perfectly fits the lyrical content of the song, Tired of Waiting For You would be a perfect choice.

Last weekend saw the bi-annual return of the D23 Expo - a madcap three days for those Disney nuts out there. Host Robin is joined by four such adventurers, who all attended the event and lived to tell the tale. Those crazy kids are Rachel, Julia, Jonathan and Stanford. Still buzzing from the excitement, the four of them discuss their experiences over those three action-packed days. Have a listen and do not forget to subscribe to our show through SoundCloud, iTunes, Stitcher, Podbean and Spotify. End Song: "Tired of Waiting For You" by The Kinks

In the first half, author Vicki Salloum will talk about her new book, Waiting For You at Midnight. This book explores grief, recovery, and the sexuality of older women. Vicki will also be talking about the challenges of treating a frail and needy, chronically ill spouse with dignity—and how caregivers should not be ashamed of normal feelings and seeking help with managing them. Vicki will discuss about faith and eternal love as well. In the second half, Marina Shakour Haber will be talking about her book, Dream A Better Dream. She is urging Americans to transform the negativity of our society and come together to bring the American Dream back to life.

In the first half, author Vicki Salloum will talk about her new book, Waiting For You at Midnight. This book explores grief, recovery, and the sexuality of older women. Vicki will also be talking about the challenges of treating a frail and needy, chronically ill spouse with dignity—and how caregivers should not be ashamed of normal feelings and seeking help with managing them. Vicki will discuss about faith and eternal love as well. In the second half, Marina Shakour Haber will be talking about her book, Dream A Better Dream. She is urging Americans to transform the negativity of our society and come together to bring the American Dream back to life.

In the first half, author Vicki Salloum will talk about her new book, Waiting For You at Midnight. This book explores grief, recovery, and the sexuality of older women. Vicki will also be talking about the challenges of treating a frail and needy, chronically ill spouse with dignity—and how caregivers should not be ashamed of normal feelings and seeking help with managing them. Vicki will discuss about faith and eternal love as well. In the second half, Marina Shakour Haber will be talking about her book, Dream A Better Dream. She is urging Americans to transform the negativity of our society and come together to bring the American Dream back to life.

In the first half, author Vicki Salloum will talk about her new book, Waiting For You at Midnight. This book explores grief, recovery, and the sexuality of older women. Vicki will also be talking about the challenges of treating a frail and needy, chronically ill spouse with dignity—and how caregivers should not be ashamed of normal feelings and seeking help with managing them. Vicki will discuss about faith and eternal love as well. In the second half, Marina Shakour Haber will be talking about her book, Dream A Better Dream. She is urging Americans to transform the negativity of our society and come together to bring the American Dream back to life.

Everything you've worked towards your whole life is have YOUR Golden Buzzer moment. In your business, relationships, health, money, career... ALL areas! In this video I want to show you how you are SO CLOSE to that golden buzzer moment. The moment that is WAITING FOR YOU! The success you have dreamed of your entire life is RIGHT THERE.... and I'll prove it in this video. Want to find out how I can help you hit your Golden Buzzer Moment: www.joinladyballs.com

BANG! @southernvangard #radio Ep 173! Thank the good Lord above for this podcast right here. It brings sheer joy to your guys Doe & Meeks week after week, and brings sheer joy to every single listener - especially on a week like this. We turn things up a notch with Ep 173 as we have an EXCLUSIVE-laden episode thanks to the one and only Kev Brown. He has a new LP dropping this Friday, Aug. 3 on Redef Records called “HOMEWORK”, and we have a WHOLE set of exclusives for the first set AND talk break instrumentals. Did you know DJ Jon Doe has cuts on FIVE, count em FIVE joints on the LP too?! On top of that, we have an interview session with him that’s dropping in a few days! This is one for the books ya’ll - interview snippets at the end of the mix, we drop the full interview on Thursday - and yeah, we know what you were thinking….go ahead, say it…damn straight it’s NOTHING but that uncut, pure #smithsonian #grade #twiceaweek // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mix #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live July 29, 2018 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks Talk Break Inst. prod. Kev Brown Talk Break Inst. - "Feelin" - Kev Brown "Everything You Need To Win" - Kev Brown feat. Cy Young (cuts DJ Jon Doe) "Homework Part 1" - Kev Brown "Like Datz" - Kev Brown (cuts DJ Jon Doe) "Look At The Way The Word Move" - Kev Brown (cuts DJ Jon Doe) "Superman III" - Kev Brown (cuts DJ Jon Doe) Talk Break Inst. - "No Gimmicks" - Kev Brown "Travolta Pt. 3" - Tuamie feat. Koncept Jack$on, Big Kahuna OG, Fly Anakin & Henny L.O. "Ruck" - The Dart Unit (prod. 9th Wonder) "Dx100" - Sonnyjim x Camoflauge Monk "Hold It Down" - M.W.P. feat. Ill Conscious, Shabaam Sahdeeq & El Ay "Linda's Song Pt. 2" - Muckiness Child feat J57 & John Robinson Talk Break Inst. - "Gittin Down 2 Bizness" - Kev Brown "Bait" (Paten Locke Remix) - The Perceptionists "Teflon Manteca" - John Jigg$ X Cuns feat. CRIMEAPPLE "Termanator & The Machine" - Termanology feat. Conway (prod. Daringer) "Hell Up In Queens" - Neek The Exotic feat. Stoxx "Opera House Too" - Saipher Soze x Finn feat. Daniel Son "The Firm" - Ol Man 80zz x Jamal Gasol x Dnte Talk Break Inst. - "Put In A Lot Of Time" - Kev Brown Talk Break Inst. - "Back Home" - Kev Brown Talk Break Inst. - "Tell Me About the Stuff" - Kev Brown Talk Break Inst. - "Waiting For You" - Kev Brown Talk Break Inst. - "We're Artistsss" - Kev Brown Interview Snippets - Kev Brown

1. Fatum - Mowgli (Original Mix)2. Cosmic Gate & Super8 & Tab - Noom (Estive Extended Remix)3. Shane 54 - Dark & Long (Dark Train) (Original Mix)4. Seawayz & Sollito - Never End (Extended Mix)5. Myon - Omen In The Rain feat Alissa Feudo6. Farius - Waiting (For You) (Extended Mix)7. Gabriel & Dresden - Only Road feat. Sub-Teal (Cosmic Gate Mix)8. Seven Lions - Without You (My Love) feat. Rico & Miella (Myon Remix)9. Marco V - Unprepared (Dan Thompson Remix)10. Ciaran McAuley - Watching Over Us (Original Mix)11. Suncatcher - Monumental (Extended Mix)12. The Thrillseekers - Halcyon (Ferry Tayle Extended Mix)13. Gareth Emery - Long Way Home (Ashley Wallbridge Remix)14. Sean Tyas & Darren Porter - The Potion (Extended Mix)

TRACKLIST FOR #012   00:00 - 1.  Farius - "Waiting (For You)" (Extended Mix) [Zero Three] [2018] 05:23 - 2.  DJ's Rule - "Get into the Music" (Hybrid Remix) [Distinctive Records] [1996] 09:25 - 3.  Livin' Joy - "Don't Stop Movin" (Original Version) [MCA] [1996] 14:44 - 4.  Low Stepa Ft. Ayak - "No Love" (Extended Club Mix) [Armada Deep] [2018] 17:56 - 5.  LXURY - "Concrete" [Extra Free] [2018] 22:43 - 6.  Franky Rizardo - "Revoke" [Rejected] [2018] 26:17 - 7.  Dale Howard - "I Feel Like" [Toolroom] [2018] 31:24 - 8.  PAX - "Every Night" [Abode] [2018]    35:54 - 9.  Richy Ahmed - "Can't Stop Us" [Four Thirty Two] 39:17 - 10. Billy Hendrix - "Body Shine" (Original 12" Mix) [Hooj Choons] [1998] 44:19 - 11. Klangkuenstler - "Mortalis" [Filth on Acid] [2018] 48:08 - 12. Alan Fitzpatrick - "Colour of a Dream" [We Are The Brave] [2018] 51:53 - 13. Bedrock Feat. KYO - "For What You Dream of" (Full On Renaissance Mix) [Stress Records] [1993]   Follow Me: http://www.soundcloud.com/stevecallaghan http://www.mixcloud.com/stevecallaghan http://www.twitter.com/djstecallaghan http://www.facebook.com/stevecallaghanmusic

This week, Matt & Morten chat all the latest movie news + all the latest from our partner cinema, Genesis. On the show they discuss Dwayne Johnson in Rampage, offer their thoughts on the new trailers for Solo: A Star Wars Story, Ocean’s 8 and The Meg and review superb French drama 120 BPM. Our guest this week was Charles Garrad, co-writer and Director of the excellent Waiting For You starring Colin Morgan and Fanny Ardant. The film is getting its London premiere on April 21st as part of the East End Film Festival.

Matt Williams and Morten Wright from Hoxton movies interview Charles Garrad, co-writer and Director of the excellent Waiting For You starring Colin Morgan and Fanny Ardant. The film is getting its London premiere on April 21st as part of the East End Film Festival. https://www.richmix.org.uk/events/film/eeff-2018-waiting-you-qa-london-premiere

TRACKLIST FOR #012   00:00 - 1.  Farius - "Waiting (For You)" (Extended Mix) [Zero Three] [2018] 05:23 - 2.  DJ's Rule - "Get into the Music" (Hybrid Remix) [Distinctive Records] [1996] 09:25 - 3.  Livin' Joy - "Don't Stop Movin" (Original Version) [MCA] [1996] 14:44 - 4.  Low Stepa Ft. Ayak - "No Love" (Extended Club Mix) [Armada Deep] [2018] 17:56 - 5.  LXURY - "Concrete" [Extra Free] [2018] 22:43 - 6.  Franky Rizardo - "Revoke" [Rejected] [2018] 26:17 - 7.  Dale Howard - "I Feel Like" [Toolroom] [2018] 31:24 - 8.  PAX - "Every Night" [Abode] [2018]    35:54 - 9.  Richy Ahmed - "Can't Stop Us" [Four Thirty Two] 39:17 - 10. Billy Hendrix - "Body Shine" (Original 12" Mix) [Hooj Choons] [1998] 44:19 - 11. Klangkuenstler - "Mortalis" [Filth on Acid] [2018] 48:08 - 12. Alan Fitzpatrick - "Colour of a Dream" [We Are The Brave] [2018] 51:53 - 13. Bedrock Feat. KYO - "For What You Dream of" (Full On Renaissance Mix) [Stress Records] [1993]   Follow Me: http://www.soundcloud.com/stevecallaghan http://www.mixcloud.com/stevecallaghan http://www.twitter.com/djstecallaghan http://www.facebook.com/stevecallaghanmusic

Film, art studio spaces, queer people of colour and sonic meditations all from East London.

Se nos ha quedado buen día para pensar en el verano que viene. Repasamos las 31 nuevas confirmaciones del Mad Cool que incluyen a Tame Impala, Franz Ferdinand, Kaleo, Portugal The Man o Modelo de Respuesta Polar. También pasamos por el PortAmérica que tendrá a Jacobo Serra, Neuman o Viva Suecia. Además escuchamos por primera vez "Waiting For You", un nuevo trallazo de pop electrónico del valenciano Bearoid.

THE RECIPE, by Olympic gold-medalist Chef Charles Carroll and New York Times bestselling author John David Mann, is a tale of heartbreak and redemption, a meditation on great food and secrets of the kitchen, and a life manual, all wrapped together into one compelling, un-put-downable story. Former world heavyweight champion George Foreman has declared it “An instant classic.” Michael Port, the television actor and bestselling author of The Think Big Manifesto, calls it, “A blueprint for transcending limitations and living a big life” and adds, “The Recipe will speak directly to your heart and help you find your way.” My guest today is the book’s coauthor, Chef Charles Carroll, executive chef of the prestigious River Oaks Country Club in Houston, Texas. Chef Carroll has a unique perspective on success, greatness, and what it takes to create amazing teams. He took his first Culinary Olympics gold medal — the first of many — at age 24 and has participated in eight different Olympics over three decades. As executive chef at one of the highest-rated country clubs in the nation, he manages and mentors a team of seventy-five, in six kitchens and three restaurants, putting out eighty to a hundred banquet functions per week — and maintains an unshakable sense of team morale and family spirit in the process. He travels the country giving inspirational talks to young people on the Ingredients of Greatness. He just returned from logging a quarter million miles in his two-year stint as president of the World Association of Chefs Societies. And in his spare time, he’s written a book — a “culinary parable,” he calls it — with The Go-Giver coauthor John David Mann. How does he do it all? And more importantly, why does he do it? We’ll find out today.   Our featured sponsor for this episode is: Videoblocks.com   Master Your Message is Waiting For You and available at any of these fine retailers below.  Just click on a name to order. Master Your Message - The Guide to Finding Your Voice in Any Situation.  My book leads you through my journey to find my voice along with some very notable mentors like Chris Brogan, Patrice Washington and Matthew Turner that have been a big influence in my life.     Music Artist in Episode:  Singleton Singleton was so generous to give me permission to use their music on this podcast so make sure to check them out. Like Singelton on Facebook: Like Singleton on Facebook

If you don’t have enough business you have either a Marketing, a Messaging problem or a Positioning Problem. In this episode, you learn the best ways to work through these and many other challenges that service businesses face. When it comes to building your service business are you asking the right questions?  What’s your client's  buying process?  Do you have any idea or have you considered why your clients are buying from you?       Our featured sponsor for this episode is: Videoblocks.com Master Your Message is Waiting For You and available at any of these fine retailers below.  Just click on a name to order. Master Your Message - The Guide to Finding Your Voice in Any Situation.  My book leads you through my journey to find my voice along with some very notable mentors like Chris Brogan, Patrice Washington and Matthew Turner that have been a big influence in my life.      Music Artist in Episode:  Singleton Singleton was so generous to give me permission to use their music on this podcast so make sure to check them out. Like Singelton on Facebook: Like Singleton on Facebook

Waiting For You

On B-Side Stories this week we have our very first open mic! We were treated to 10 Songwriters joining us in studio to play one of their compositions live to air. In performance order they were: 1. Martin Andrews - "Baby You're Drunk, Go Home" - www.martinandrews.co.nz 2. Nathan Laloux - "Somewhere" - facebook.com/nathanlalouxmusic 3. Stellarize - "Circles" - www.stellarizemusic.com 4. Luna Landars - "Something Special" - www.soundcloud.com/scoobmusic-1 5. Tom Kane - "An Invitation" - www.nomansheath.bandcamp.com 6. Tyler - "Waiting For You" 7. Chris - "Peacemaker" 8. Emma Gatsby - "Medicine" - www.emmagatsby.com 9. Rob Whelan - "Alchemist Of Destiny" - www.facebook.com/robwhelanmusic 10. Sianna Rae - "Sacred Angel" - www.siannarae.bandcamp.com/album/gypsy-moon 11. Scott Roy - "Is There Anyone Out There" - www.soundcloud.com/scoobmusic-1

Playlist: Dave Keller, Right Back Atcha, Bad News Barnes, Westboro Baptist Blues, Jaq Mackenzie, Body Heat, Mitch Hayes, Look At You, Cris Jacobs, THe Devil Or Jesse James, Gina Sicilia, Never Gonna End, Brother Bob White, Dem Bones, Mitch Kashmar, East Of 82nd Street, Plywood Cowboy, Heartbreak Ready To Fall, Darrin Yarbrough, Havin Fun, Somerdale, Waiting For You, Jay Willie Blues Band, Alive Again, Sunday Wilde, That Man Drives Me Mad, Sari Schorr, Aunt Hazel, The Dogtown Blues Band, Everyday I Have The Blues, Brad Wilson, Black Coffee At Sunrise, Lex Grey and the Urban Pioneers, Junkman, Eric Sommer, Doin’ Wrong, The Mckee Brothers, Guaranteed, James”Buddy”Rogers, Can’t Get You Off My Mind, Little Mike, When My Baby Left , Deb Ryder, Lord Know I Do, Holly Hyatt and Jon Burden, Get Your Own Man, Charlie Wheeler Band, Love Gets In The Way, Frank Bang and the Cook County Kings, The Blues Don’t Care, Jason Elmore and Hoodoo Witch, Double My Money, Liz Mandeville, Too Hot For Love, Chris Ruest, You Ain’t Right, Brian Charette, Late Night Tv, Mojomatics, Soy Baby Many Thanks To: We here at the Black-Eyed & Blues Show would like to thank all the PR and radio people that get us music including Frank Roszak, Rick Lusher ,Doug Deutsch Publicity Services, Alive Natural Sounds, Ruf Records, Vizztone Records,Blind Pig Records,Delta Groove Records, Electro-Groove Records,Betsie Brown, Blind Raccoon Records, Miss Jill at Jill Kettles PR and all of the Blues Societies both in the U.S. and abroad. All of you help make this show as good as it is weekly. We are proud to play your artists.Thank you all very much!

Track Listing: 1. Original Dread – Micah Shemaiah 2. Stand for Something – Keida 3. If I Could – Micah Shemaiah ft. Addis Pablo, InfiNate & Jahkime 4. Finally – Jessie Royal 5. Sweet To My Brain – Sizzla 6. Herb Defenda - Kabaka Pyramid 7. Perfect Tree – Chronixx 8. On Time – Dre Island 9. Travelling Man – Iba Mahr 10. Traveling Dub – Umberto Echo ft. Iba Mahr 11. Protection – Protoje ft. Mortimer 12. My Love For You – Keznamdi – Ft. Chronixx 13. The Flame – Protoje ft. Kabaka Pyramid 14. Well Done – Kabaka Pyramid 15. Ghetto People – Chronixx 16. Talk If Dem Want – Iba Mahr 17. Diamond Sox – Notis & Iba Mahr 18. Today – Exco Levi 19. Change This World – Kabaka Pyramid 20. From We Have Life – Demarco 21. Make It Home Again – Alaine 22. Waiting For You – Kabaka Pyramid 23. Jah Jah Run Things – Tarrus Riley 24. 7th Heaven Riddim – Dj Frass Records 25. Bless My Heart Oh Jah – Dre Island 26. Odd Rass (Dub Style Remix) – Chronixx 27. Carry On – Randy Valentine 28. Truths & Rights – Micah Shemaiah ft Nicole Miller 29. A Rightful Version (Will Tee Mix) – Micah Shemaiah 30. Real Time – New 1000

National recording artist for Innervision Records and guitarist for Maxi Priest, Guitarist JJ Sansaverino returns with his latest release Waiting For You, dedicated to his friend, drummer Ricky Lawson,and featuring Ze Luis, Gary Stanionis and Vivian Sessoms. Follow JJ on Twitter and Instagram.

Guest Sean Guerrero, host Robert Jetter, Jr. and panelists Activist Cindy Todd, Founder of Overpasses for America James Neighbors, & Constitutional scholar Kelly Mordecai, with contributor Dan Gray former columnist of the Washington Times. Call in and you stay on the line. You too can Join our Round Table Discussion. Follow the Show to get email messages for upcoming episodes. Just hit the follow button of this Link http://www.blogtalkradio.com/bards-logic-political-talk #BringBackOurMarine #PJNET Bards Logic welcome Sean Guerrero to discuss his music, his motivations, and his part in the Bring Back Our Marines campaign. “Sean is one of the most gifted songwriters and creative musical artists I’ve had the pleasure of working with, His songs are relevant and his vocal style speaks to a broad audience.” ~ Grammy Nominated and Dove Award Winning Producer, Dave Moody Award winning performer for best vocals, best music video to his song “Walls” and is making headway in markets all over the world with some of the largest names in the industry. Since his first single “Walls” and his latest “Waiting For You,” He has received major press and interviews in both Christian and Mainstream releases and major radio play! Sean’s new release to “Waiting for You” has made the Top 20 downloads and streams by Play MPE radio in both Christian and Mainstream! Sean has gained a large supporting fan base all over the world from having touched hearts and lives through his sound, style, songs, and craft in performance and encouraging words. His first single “Walls”  has gained national publicity about warnings against suicide.  the impact that the song “Walls” (about warnings against suicide) that has been made - has touched lives all over

SEE is a singer/songwriter from New York. Having been heavily influenced by music throughout her childhood, SEE began to play the drums at age 13. In 2011 SEE took her music to the streets when she became the primary songwriter/drummer for a successful Alternative/Indie Rock band on Long Island. From 2011-2013, SEE acquired valuable skills in professional studio recording and video production. The band experience also provided SEE with a substantial amount of live performance opportunities including features on cable TV and FM radio broadcasts to playing live gigs in a variety of bars, colleges, and music venues throughout New York – including the legendary Bitter End in Greenwich Village, NYC. In early 2013 SEE first discovered her voice. Coupled with her strong song writing skills, it presented her with a fierce and undeniable skill set as a musician that ultimately gave birth to her solo career. SEE showcased her talents as vocalist, songwriter and solo performer, with the release of her original debut single/music video “Waiting For You” in October 2013. Recorded and mixed completely on her own, “Waiting For You” exhibits SEE’s ability to create music with a distinct calming atmosphere while still maintaining the format and memorability ...

Phian interviewed Raleigh group Kurtzweil last Thursday before they played Local Band Local Beer at Tir Na Nog Irish Pub. They played two of their songs live in WKNC's studio during the interview: Waiting For You and Sunblinded.

This is the first of many from Boston's Dusk Till Done crew and friends. We were lucky to have our very special friend, Mr. Danny Howells, grace our decks for close to 1.5 hours at a recent event. We hope you enjoy as much as we did, and more to follow soon... Bio: Danny is one of the few DJs on the scene today that truly has a style of his own. With his passion for all styles of music and infectious personality, Danny has created a unique, eclectic sound that has established him as one of the most in demand DJs in the world. Danny is one of the hardest working and most dedicated individuals in the business with over 20 years experience and a hectic touring schedule that constantly takes him around the world. He's played in the world's coolest clubs and held residencies at places such as Arc, Ministry of Sound, Twilo, Renaissance, The End, and Bedrock, as well as his own Dig Deeper nights worldwide. With a back catalogue of well received mix albums under his belt, he has previously compiled acclaimed mixes for Global Underground, being the only DJ to contribute to not only the main series with his Miami album, but also the 24:7 and Nu-Breed Series. In addition to this, he also compiled a cd for Azuli's Choice series, as well as albums for Renaissance along with three volumes of his own Nocturnal Frequencies series. As a producer he has been responsible for many stand out tracks, including the timeless Persuasion/Repercussion on Bedrock Records, Breathe on Renaissance Records and Kinkyfunk on Yoshitoshi Records. He also hit the charts in 2004 with the Miami hit Dusk till Dawn, which featured the talents of Dick Trevor and Erire. Danny has also had massive dance-floor success with Deep Dish as "Size DDD" and the Eminem sampling "Nobody Listens To Techno". In more recent years he has been focusing on original productions for his own Dig Deeper label, the likes of which have been licensed to mix albums by artists such as Juan Maclean on his DJ Kicks album, and Cassy for her recent compilation on Cocoon. On the remix front Danny has previously mixed records such as Roachford's "Ride The Storm", Madonna's "Get Together", Marco Bailey's "Smooth Drive", and Bent's "Waiting For You". Other artists that have received the remix treatment include We Deliver, Stryke, International Observer, Robbie Williams, David Morales, BT, Chakra, Coco and Stonebridge, Destiny's Child and many more, including most recently Felix Da Housecat's purple tribute, "We All Wanna Be Prince". Building on his discography of original productions is a major priority for Danny, as his Dig Deeper label enters it's third year. Danny has come a long way since his early beginnings in his hometown of Hastings, though his complete love of all music remains the same. Danny is a DJ with a broad musical taste who likes anything from jazz to rock, to pop and anything a bit bizarre. He likes to champion his own special tracks and records that nobody else has latched on to and has a way of combining cutting edge grooves with crowd pleasing dynamics that enable him to connect with his audience making him one of the hottest DJs in the world.

Fetsum "Waiting For You" (Till von Sein & Tigerskin) Joss Moog ft. Around7 "Call Me" Lowpazz "G.O.D. (Shur-I-Kan) Smash TV "Noise & Girls (Tom Budden's Alive Remix) Kraak & Smaak "The Future Is Yours" (Adriatique Remix) Miguel Migs ft. Lisa Shaw "Heartbeat" (DJ LeRoi) Noir & Sandy Rivera "SOTOM (Noir's Version) Full Intention "Icon" (Original) Incognito "Freedom To Love" (Rob Hayes) Spiritchaser "Footprints" (instrumental) EP99 The Mind Is A Garden Recorded 08.19.13 Time 49:50

Me & My Toothbrush "July" (Nora En Pure) Le Youth "C O O L" (Ben Pearce) Pet Shop Boys "Vocal" (Flashmob) Foals "Late Night" (Solomun) Pitto "You" Mike Newman, Gussy "Take Off" Mike Mago "The Show" Corduroy Mavericks "Take 'Em 2 Church" Fetsum "Waiting For You" (Til von Sein & Tigerskin) Til von Sein & Tigerskin "Home Alone" EP98 My Kind Of Music Recorded 08.06.13 Time 50:45

Track list: 01 - 武田真治 "Blow Up" from S 02 - Rag Fair "嘘をつかないで" from Circle 03 - The Stand Up "ひとつのはじまり" from Single 04 - What Are You Bitching "住吉の女" from One Track Mind 05 - Buck-Tick "ドレス" from Darker Than Darkness -Style 93- 06 - 布袋寅泰 "Waiting For You" from Guitarythm 07 - かまいたち "ファシズム" from JEKYLL to HYDE ～masturbation～ 08 - Gelugugu "チョイスで会おうぜ" from Tribute To New Rote'Ka 09 - The Zip Guns "風の行方" from Charm 10 - The Postmen "僕の罪状(使えない言葉で)" from Garden Notes: Please enjoy this special where I share carefully chosen tracks from the CDs I bought at a thrift store in Ina-shi, Nagano. It took me a while to pick out the best ones from each album because they were all so amazing! I highly recommend taking a chance on cheap used music that you have never seen or known or heard. -Tyler Abstract

Be faithful, honest, kindhearted and true...God's got a blessing that's waiting for you!

Finally, the show everyone's been waiting for. West Grand Boulevard features in our first ever Spotlight Special in which we talk about ninjas, dinosaurs and lots of other things no one cares about! PLUS. exclusive sneak previews of songs off their debut album, Waiting For You! Songs featured: Now We Will Backwards Waiting For You Show links: Dead End Drunk On The Cutt Funkie Monkies Thanks for listening to Rampage On The Airwaves' Spotlight Special: West Grand Boulevard. We hope you enjoyed it as much as we did. The album should be out really soon in all major record stores so look out for it! By the way, Rampage On The Airwaves was mentioned in the Sunday Times on the 20th of August, in the Gen-Y section. To evryone who checked us out after reading the article, you're awesome! Please leave us a comment using the comment button below (you will need to have a blogger account!) or drop us a line at rampageontheairwaves@gmail.com. Stay tuned, we'll see you really soon!

For the first time in the history (not that we have a history) of Rampage On The Airwaves, a show released on time! From this show onwards, we welcome onboard a special person who has been very supportive of our cause, Mr Wayne Thunder, who is in charge of show production! Bands featured: Lunarin Love Me Butch Angelas Dish Nothing To Declare Tiramisu On The Show: Interviews with Love Me Butch, Angelas Dish and Nothing To Declare Please vote for us over at Podcast Alley! And ask your mom to vote too. Your friends, teachers, principal, and the tuckshop auntie who sells your favourite bandung too! If you have any enquiries don't hesitate to hit us up at rampageontheairwaves@gmail.com. If you have a band and want to be played on the show, drop us a line as well! Thanks for listening, and dont miss the series finale of The Aftermath of Baybeats out this weekend, featuring Electrico and Plainsunset! Also, go down to the Esplanade Outdoor Theatre this friday, 4th August from 8pm onwards for West Grand Boulevard's launch of their debut album, Waiting For You. With vocalist Daphne Khoo of Singapore Idol fame, WGB are one of singapore's biggest talents and are fast becoming a force to be reckoned with in the local scene.With supporting acts Caracal and