Podcast appearances and mentions of eva lotta

With Ana Ascencao e Silva, Eva Lotta Bohle, Andy Payne, Alex Kirby, Paul Reidy, Wayne Gamble, Christopher Hylland - on their club's or cause's season, what happened since we talked, and what the outlook is like at the moment. Plus, each guest picked one song - well, except Eva Lotta, who picked two.Union St. Gill, Arminia Bielefeld, West Ham, Rayo Vallecano, Leeds United, ArgentinaNEW: send me a text message! (I'd love to hear your thoughts - texts get to me anonymously, without charge or signup) Please leave a quick voicemail with any feedback, corrections, suggestions - or just greetings - HERE. Or comment via Twitter, Instagram, Bluesky or Facebook. If you enjoy this podcast and think that what I do fills a gap in soccer coverage that others would be interested in as well, please Recommend The Assistant Professor of Football. Spreading the word, through word of mouth, truly does help. Leave some rating stars at the podcast platform of your choice. There are so many sports podcasts out there, and only ratings make this project visible; only then can people who look for a different kind of take on European soccer actually find me. Artwork for The Assistant Professor of Football is by Saige LindInstrumental music for this podcast, including the introduction track, is by the artist Ketsa and used under a Creative Commons license through Free Music Archive: https://freemusicarchive.org/music/Ketsa/

Risken för samhällskollapser är överhängande, redan innan de stora ekosystemen kraschar. Eva-Lotta beskriver behovet av både hopp och förtvivlan. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Jag var tolv när jag besökte London för första gången och betraktade miljonstaden med stora ögon. De många mörka byggnaderna gav en särskild känsla. Men så gick jag förbi när en av dem rengjordes. Det visade sig att huset inte alls var naturligt svart, utan ljust sandfärgat. Staden stank av alla luftföroreningar och jag borrade ner näsan i halsduken för att slippa känna, men när jag snöt mig på hotellrummet på kvällen blev näsduken ändå svart.På 1990-talet kom två tredjedelar av Storbritanniens elektricitet ännu från kol. Sedan dess har andelen minskat snabbt och ligger nu på mycket låga nivåer. De senaste gångerna jag besökt den engelska huvudstaden har det gått lätt att andas.Det går att förändra saker till det bättre men det är bråttom. Har du hört det förut? Det kan inte vara lätt att vara klimatforskare och tvingas balansera mellan att slå larm och att försäkra att det fortfarande går att göra saker för att hejda förloppet. Om vi inte tror att det går så lär ju heller ingen försöka. Men om inte allvaret framgår så finns en risk att vi inte agerar tillräckligt kraftfullt, tillräckligt snabbt.Av de nio planetära gränser som inte får överskridas för att vi ska kunna leva säkert så har redan sex passerats. Och ännu värre än för klimatet är läget för den biologiska mångfalden. Utrotningstakten är just nu mellan hundra och tusen gånger högre än normalt.I ett antal år har jag lidit av klimat- och miljöångest. Inte en sån där lagom som kan få en att shoppa second hand och sluta flyga utan en dödskramande som gjort det svårt att tänka på något annat och fått mig att böla på klimatmanifestationer trots att det finns få saker jag tycker sämre om än att andra ser mig gråta.Oxfordforskaren Hannah Ritchie led som yngre av samma mörka och livsfientliga klimatångest. Det ledde till ett liv av kontroll och anpassningar som liknar det ätstörda kan beskriva. Allt kretsade kring att göra så litet miljöavtryck som möjligt. Men så såg hon en föreläsning med Hans Rosling. Han visade hur mycket som blir bättre i världen och hon beskriver det nästan som en frälsningsupplevelse. Sedan dess har hon ägnat sin forskargärning åt att sammanställa data om läget i världen. I sin bok ”Not the end of the world” tar hon död på en rad missförstånd och visar att utvecklingen på många områden går åt rätt håll.Ritchie menar i boken att undergångsbudskap skadar mer än de gör gott eftersom de riskerar att förlama oss. Ofta är de heller inte sanna, vilket får forskare att se ut som idioter, och minskar förtroendet för deras slutsatser, skriver hon. Men, tänker jag, detsamma gäller väl om man som forskare utropar lösningar och räddningar som sedan inte infrias? Och att vi blir handlingsförlamade av skrämmande budskap saknar faktiskt stöd i forskning. Tvärtom leder rädsla ofta till konstruktiv aktion.Merparten av världens länder har lovat att nå netto nollutsläpp och det kommer att tvinga oss att omforma våra energisystem, att ändra hur och vad vi äter, hur vi förflyttar oss och hur vi bygger. Mycket gott händer redan på dessa områden och i teorin kan det förstås förbli så. Men den luriga verkligheten kan alltid komma emellan i form av galna världsledare, krig och konflikter eller en vald regering som tycker att tillväxt är viktigare än hållbarhet.Det är ett evigt trixande med siffror och alltid stort motstånd när ekonomin drabbas. Vi har ju invaggats i tron att allt ska kunna fortsätta i stort sett som vanligt. Ja, att det till och med kan bli bra för svensk ekonomi med klimatförändringar. Skidturister kanske börjar åka till Sverige i stället, när vintrarna uteblir i Alperna. Jippie.Den liberala demokratins starkaste lim är ekonomisk tillväxt, skriver essäisten Michiko Kakutani i boken ”The great wave”. Så länge vi kan dela på tillväxtens frukter så är det politiska maskineriet ganska lätt att hålla igång. Försvinner eller monopoliseras frukterna av några få kan det däremot bli otäckt, när de som uppfattar sig som förlorare söker syndabockar. Kanske särskilt, vill jag tillägga, i ett kulturellt klimat som vårt, där var och en är sitt eget varumärke och lyckas smed.Det vi behöver åstadkomma är dessutom överväldigande stort. I boken ”En jord för alla” beskriver en rad framstående forskare och policy-makare hur kriser inom klimat och miljö, ojämlikhet, fattigdom och livsmedelsproduktion hänger ihop. Precis som Ritchie pekar de ut framsteg och goda utvecklingskurvor men de är också tydliga med hur omfattande problemen är, och vad som ligger framför oss. De ordinerar statligt ägande i banker, globala skatter, medborgarfonder för omfördelning av rikedom och pengar till omställning, skuldavskrivning för fattiga länder, lägre konsumtion i rika länder, en total omställning av matproduktion och markanvändning, och lite till.De menar att detta faktiskt går att åstadkomma. Vi kan och vill ju. I G20-länderna stödjer en stor majoritet av medborgarna tanken att deras lands ekonomiska prioriteringar bör förskjutas från vinster och ökat välstånd till att fokusera på mänskligt välbefinnande och skydd av ekosystemen. Men tror forskarna verkligen på denna stora förändring själva? Tror jag på den när jag nu berättar om den? Är det realistiskt med en omställning i den skala och med den hastighet som krävs? Eller är det något vi väljer att tro för att trösta oss själva. Vårt behov av tröst är ju, som Stig Dagerman konstaterade, omättligt.När ett system faller samman öppnas utrymme för något nytt och de goda idéerna om hur det ska se ut är många. Kanske väntar en bättre värld längre fram. Frågan är i så fall hur vi ska ta oss dit på ett hyfsat säkert sätt. Michiko Kakutani konstaterar att i kaotiska perioder så går det gamla systemet sönder långt före det nya har blivit stabilt; och forskarna i ”En jord för alla” påpekar att risken för samhällskollapser är överhängande redan innan de riktigt stora ekosystemkollapserna sätter in.Vi kan inte längre räkna med varken förutsägbara förutsättningar i naturen eller med den relativa samhälleliga stabilitet som vi byggt upp sedan andra världskriget. Det ser ut att vara en skakig väg som ligger framför oss.Nu kanske du längtar efter en lugnande slutkläm, så här kommer den: Livet på jorden kommer vi inte klara att utrota hur illa det än går. Liv i många olika former kommer finnas kvar och människan som art har goda chanser att hänga med ett bra tag till eftersom vi är allätare och fenomenala på att anpassa oss. Dessutom: avskogningstakten i Amazonas har sjunkit; vi producerar redan idag tillräckligt med mat för att ge alla människor på planeten en hälsosam föda; och energianvändningen per capita i världen har fallit med omkring 25 procent sedan 1960-talet.Men glöm för den sakens skull nu inte det jag talade om tidigare. Tröst bör inte användas som ett draperi framför klarsyn.Eva-Lotta Hulténjournalist och författare

Läsarna har längtat nu är den femte delen av Hungerspelen här, Sunrise on the reaping och den åkte rakt upp på topplistorna. Varför har bokserien blivit så populär? Lyssna på alla avsnitt i Sveriges Radio Play. Samtal med Emeli Rosenthal, läsare samt Karin Nykvist, litteraturvetare. VÄRLDSLÄGET LÄCKER IN I DOKUMENTÄRERNA PÅ CPH DOXJust nu pågår en av Europas stora dokumentärfilm-festivaler i Köpenhamn, Copenhagen DOX. Och i programmet kan man märka hur världsläget och samtidens geopolitik läcker in i filmerna som visas. Vår reporter Felicia Frithiof har varit där och sett film från skyttegravar och EU-korridorer. EVA DAHLGREN: ”ETT SLAGS FARVÄL TILL USA” Tio låtar som skrevs under hennes tid i USA kommer nu på albumet ”Alphabet City Songs”. P1 Kulturs Lisa Wall möter Eva Dahlgren.FLÄSKKVARTETTEN SOM SPRÄNGDES – ALBUMAKTUELLA SOM TRIO EFTER UPPBROTTETEfter nästan fyra decennier mitt i svenskt musikliv imploderade Fläskkvartetten i en rättssal 2017. Ur askan reste sig en trio – nu aktuella med första skivan på 18 år. Eskil Krogh Larsson har mött Fläskkvartettens Crille Olsson. ESSÄ: TROR VI PÅ ATT UNDERGÅNGEN GÅR ATT UNDVIKA?Risken för samhällskollapser är överhängande, redan innan de stora ekosystemen kraschar. Eva-Lotta beskriver behovet av både hopp och förtvivlan.Programledare: Lisa WallProducent: Eskil Krogh Larsson

Mayka og Temple of Dreams masterminder Eva-Lotta Atterling snakker om hvordan du kan takle Onkel Grusom og Tante Tvilsom når de banker på, og hvorfor struktur er så viktig i bedriften din og hverdagen din. Søk Temple of Dreams mastermind her: https://www.lemuriax.no/businessmastermindHer kan du laste ned Eva-Lotta sin guide om tapping: https://www.atterling.no/gratiseft"Fra blokkering til gjennombrudd: Gratis EFT-verktøy for businessvekst." Hosted on Acast. See acast.com/privacy for more information.

This week, Pål and Ville dive into the regulatory labyrinth with Eva-Lotta Hokkonen, an attorney and senior associate at Dittmar & Indrenius, and a go-to expert on fintech compliance. If you've ever wondered why compliance feels like scaling Mount Everest for fintechs, we're about to break it all down. We dig into why compliance presents unique hurdles for fintechs compared to traditional banks, what happens to compliance obligations when fintechs and banks team up, and why it's not as simple as ticking off checkboxes. Eva-Lotta shares why understanding compliance is more than just staying on the regulator's good side—it's about making it a competitive advantage (yes, really). Finally, we get Eva-Lotta's insider take on emerging trends in compliance that every fintech should be bracing for. Think of this episode as a fintech survival guide for navigating the shifting landscape of regulation. - Email us on Hello@FintechDaydreaming.com - Fintech Daydreaming home page - https://www.FintechDaydreaming.com - Fintech Daydreaming on Twitter - https://twitter.com/FintechDaydream - Fintech Daydreaming on LinkedIn - https://www.linkedin.com/company/fintech-daydreaming - Pål Krogdahl - https://www.linkedin.com/in/krogdahl/ - Ville Sointu - https://www.linkedin.com/in/ville-sointu-54682b/

Ke konci knížky Astrid Lindgrenové Kalle Blomkvist zasahuje opouštějí Kalle, Anders a Eva-Lotta ostrov, na kterém předtím prožili mnoho nebezpečných dobrodružství. Příběh končí, napětí povolilo, dětští hrdinové nasedají do loďky, odrážejí a naposledy se ohlížejí.

S02E14 (#324). A slightly different episode to usual. Eva-Lotta Lamm joins us to hold a visual thinking sketching workshop – Eva-Lotta, James and Per have fun going through three sketching exercises set by Eva-Lotta that can help you with your creativity, team-building, visual thinking and much more.

"Vi var nyfikna på de nya karaktärerna bakom Waxholms Lotsen, vår lokaltidning i Vaxholm. Vanligtvis är det de som intervjuar och skriver artiklar, men nu fick de själva dela med sig och berätta om hur det kommer sig att det blev just dessa två som tog över efter Micke, som drivit tidningen i så många år. Anne och Eva-Lotta sammanlänkades redan 2004 genom delning av kontorslokal, och samarbetet startades strax efter. Det har fungerat utmärkt sedan dess. De kompletterar varandra perfekt då de tillsammans har alla delar som krävs för att ge ut en tidning: grafisk kommunikation, layout, skapande av hemsidor, marknadskommunikation, annonsförsäljning och journalistiska färdigheter. Trots att det var nervöst att ta över har första året gått väldigt bra! Lite förändringar har genomförts, tester har gjorts och reviderats, tema-nummer har visat sig vara uppskattade och nya idéer är på gång. Vi ser fram emot med spänning nästa nummer och vad som blir nytt 2024! Vi önskar er fortsatt framgång och är så glada för vår lokala tidning, som läses från blad till blad varje månad. Insändare uppskattas verkligen: E-post: redaktion@waxholmslotsen.se Telefon: 08-520 277 96 Vill du annonsera? E-post: annons@waxholmslotsen.se Telefon: 08-520 277 96 Besök vår hemsida: www.waxholmslotsen.se          

Ke konci knížky Astrid Lindgrenové Kalle Blomkvist zasahuje opouštějí Kalle, Anders a Eva-Lotta ostrov, na kterém předtím prožili mnoho nebezpečných dobrodružství. Příběh končí, napětí povolilo, dětští hrdinové nasedají do loďky, odrážejí a naposledy se ohlížejí.Všechny díly podcastu Ranní úvaha můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

In this episode, Katrin shares how working on personal branding and marketing as a university project launched her sketchnoting career and increased her visibility on LinkedIn.Sponsored By ConceptsThis episode of the Sketchnote Army Podcast is brought to you by Concepts, a perfect tool for sketchnoting, available on iOS, Windows, and Android.Concepts' infinite canvas lets you to sketchnote in a defined area while still enjoying infinite space around it — to write a quick note, scribble an idea or to keep pre-drawn visual elements handy for when you need them most.The infinite canvas lets you stretch out and work without worrying if you'll run out of space. When combined with powerful vector drawing that offers high-resolution output and complete brush and stroke control — you have a tool that's perfect for sketchnoting.SEARCH “Concepts” in your favorite app store to give it a try.Running OrderIntroWelcomeWho is Katrin?Origin StoryKatrin's current workSponsor: ConceptsTipsToolsWhere to find KatrinOutroLinksAmazon affiliate links support the Sketchnote Army Podcast.Katrin on LinkedInKatrin's websiteKatrin on InstagramEva-Lotta LammThe Sketchnote Handbook: The Illustrated Guide to Visual Note Taking by Mike RohdeEat to Beat Depression and Anxiety: Nourish Your Way to Better Mental Health in Six WeeksDr. Drew Ramsey podcastGoogle career event for women.Richard van der BloomAndrew D. HubermanHell Yeah or no by Derek SiversSketchnoting: Communicate with Visual Notes with Eva-Lotta LammToolsPen.Notebook.Steadtler pigment linersStabilo pensCopic markersTombow brush pensiPadProcreateDrawing glovesPaperlikeTipsPick a project you are really exited about.Don't compare yourself to othersDon't overcomplicate things. Don't overcomplicate sketchnoting.Don't over value talent.CreditsProducer: Alec PulianasTheme music: Jon SchiedermayerShownotes and transcripts: Esther OdoroSubscribe to the Sketchnote Army PodcastYou can subscribe to the podcast through iTunes, Google Podcasts, Spotify, Amazon Music, YouTube or your favorite podcast listening source.Support the PodcastTo support the creation, production and hosting of the Sketchnote Army Podcast, buy one of Mike Rohde's bestselling books. Use code ROHDE40 at Peachpit.com for 40% off!Episode TranscriptMike Rohde: Hey everyone, it's Mike and I'm here with Katrin Wietek. How are you doing, Katrin? ** Katrin Wietek:** I'm really good and I'm really honored to be on your podcast today, Mike. MR: And it's so great to have you. I'm excited to hear your story and all the things you have to share with us. But first, I understand that you have a nickname, Kat, and I would love to hear what's the origin story of the nickname. KW: Actually, in 2014 and 2015, I went for a work and travel year in New Zealand. I'm originally from Germany. And I decided I wanted to go to the place that's the furthest away from Germany, and that was New Zealand, and it was also beautiful on top of that. I worked at a little cafe restaurant thingy and there was another employee from Germany and her name was Karina, so Karina in English and our boss, he switched up our names all the time. And then one day he said, "You know, from this day on, I'll call you Karina and your Kat." From that day on, with all my English-speaking friends, I stuck with Kat, basically. So yeah, that's how Kat came to be. MR: Oh, that's great. You probably know how to make a really good flat white then, I suspect if you worked in a cafe in New Zealand, eh? KW: My barista skills came a little bit later. They didn't trust me with the coffee machine. I was basically waiting tables and getting orders in and working on the till and everything. But a little bit later I was finally taught how to do coffee MR: Oh, good, good. I'm glad to hear that. That's very important. If you go to New Zealand, you have to have a flat white, I think, or Australia. KW: Or Mocha. MR: Mocha, yeah. KW: Don't forget the Mocha. MR: That's my wife's favorite drink, so she would be happy to hear that. KW: Nice. MR: So, hey, let's get started. I am really curious to hear your story. You've hinted as we've gotten ready to begin that you have an interesting one. Tell us the story of how you ended up—well, actually, let me back up. I think I'm jumping my own schedule. Let's first understand who you are. Tell us who you are and what you do, and then you can jump right into your origin story after that. KW: Okay. As a profession, I would say I am a content marketer by day. I work in B2B content marketing, part-time. And then I'm also self-employed. I do freelancing work. And that's not only sketchnoting and illustrating, but a whole range of copywriting and social media work. I have a really diverse career, I would say. MR: Oh, that's great. Obviously, the place that I've found you and I've seen you do most of your work is LinkedIn, which is fascinating because as social media goes, I've actually been more attracted to LinkedIn in a lot of ways because the quality just seems like it's a little bit better and there's, I guess a little bit fewer ads. I don't know, they all seem overloaded with ads to me, but I know that Instagram has a strong community around sketchnoting, but I'm starting to see, and the thing I don't know, is on LinkedIn, is it because I'm following so many visual thinkers that my feed just seems loaded with visual thinking? Or is it actually a trend in LinkedIn? It's probably more likely the former, in that I've sort of made a little bubble for myself. But I would love to hear, a little bit of your thought on LinkedIn and the work you do there specifically. KW: I think LinkedIn is a platform where visuals work really, really well. I think part of that is that the platform is not like as visual as Instagram or Pinterest, for example. Because on Instagram you had this buildup, every visual had to be better than the other one. And people are just used to beautiful pictures and really good infographics and everything. And a lot of the content on LinkedIn is still text-based. So, I think once you add a really cool picture that's not a selfie, that actually drives value, I think that's why they work really well. And also, because LinkedIn is a bit more similar to Facebook and the way that if somebody comments, this comment pops up in your timeline if you follow the person. It's a lot easier to be discovered by other people on LinkedIn. Especially, when I was posting on LinkedIn, I did a lot of career content, and that's perfect for the platform. You know, it's a whole like strategic networking and the career world, if you do content in that area. I think that's just pre predestined for LinkedIn. And I would say yes, you live in kind of a bubble, but I think the amount of visuals and infographics and sketchnotes is definitely increased over time. I think when I started doing it, I didn't see a lot of work like that, but who was already on the platform at that time was Tanmay Vora. I think you know him. MR: Oh yeah, yeah. KW: I saw his schedules a lot. And now it's gotten a lot more, which is cool. Oh, and you also see a lot of the explained ideas visually on LinkedIn, really small graphics where it's just a simple idea. There are a few people who do that and they are all over LinkedIn. MR: Got it. My screen up has one of your more recent sketchnotes, my takeaways from the LinkedIn algorithm report. So maybe I need to look at that sketch note and sort of understand what's going on and then I adjust accordingly, right? Yeah. KW: Yeah. It will be a lot quicker than reading the whole 50 or 60-page report. MR: Which is the beauty of Sketchnoting, right? KW: It is. MR: That's really great to hear. All right. So, we know what you do. Go into your origin story. It sounded like you had a really interesting history before, to kind of bring you to where you are. I'd love to hear that story. KW: The story's actually a little bit longer, so sit back. MR: Go for it. We have time. We have plenty of time. KW: I started thinking about what you said, like, was there a moment in my childhood or in my school life? And I wouldn't say not really, but I always had really neat school notes. Because when I had a messy note from school, I wouldn't learn from it. I always needed to make sure like my handwriting was nice and it didn't look messy. And I also remember color coding different topics. For example, we did the democratic system in Germany or whatever, and then it had like yellows, oranges, and reds throughout the whole topic. And then for another topic I chose, I don't know, blues, purples and dunno. So that helped me. At that time, I had no understanding of graphic design or how color theory works, but I did that just intuitively. I would say I was never really good at drawing in school. Arts and drawing always can really hard. And it wasn't until I discovered the internet and that I could like retrace work of other people, that helped me understand and get better at my art skills I also remember one funny story. It was actually during my A Levels. In the German language class, we were very required to read all those classic, like all these classic books from good and so on. From the 1700 and 1800s. And I hadn't read a single one of them for my A Levels. During the years, like the grade 11 and 12, it was I think, I never read anything and then I kind of panicked. What I did was I looked up the Wikipedia summaries, and I couldn't memorize any of it, so I drew little comics. So, I had like gorgeous work and like a little scrappy comic. And then all these other people's works, I basically just looked at the comics the whole time when I was on the bus and when I was at home. I never had read these books because I had so much other stuff to learn. I think that's maybe when it started and when I found the power of visuals and with my really neat school notes that I had drawn. I think that's how I came to be. I'm not sure if it was you who I found first, but I think actually it was Eva-Lotta Lamm— MR: Makes sense. Yeah. KW: Who I found first because it was in 2015, I would say when I finished school, she did like a travel diary consisting out of sketch modes from her around the world trip. And I thought that was so cool, so incredibly cool. I was really inspired because I'd also like traveled and I thought, "I wish I had known it before then." And I think that's when I googled the term sketchnotes and then your book popped up. "The Sketchnote Handbook." I think at that time it wasn't available in German or maybe it was, but I ordered the English version on Amazon. Then I read through it and I did some of the exercises and then I forgot all about it. I got busy because I started a degree. After school I started my degree in digital media and I was actually working in software development at the same time and I was doing user research user experience design, I think what you are doing right now as well, Mike. I forgot about the sketchnotes, but what I always had to do at work was like facilitate workshops. I worked a lot on flip charts everything and I always was really invested in making those flip charts look really, really nice and really cool and really clean. During the whole degree I forgot about the whole sketchnote thing. When I finished my degree, I was little bit lost a because I knew what I was doing before. I wasn't sure if I wanted to pursue that as a career and I wanted to know maybe there's other stuff out there as well. I decided I wanna take a break between my bachelor's and my master's and I got a part-time job and I decided in 2019 I was gonna do 12 creative projects. Each month was one creative project. That's when I remembered that I had your book at home and I was like, well, in January, let's start with the sketchnotes because I really wanna get better at them. And I've never got into them and never had finished any work. January was sketchnotes. I basically listened to podcasts about topics I was really interested in at that time. So that was personal finance. I was teaching myself a lot about finance and what to do and taxes and what not to do and also health topics. From a research perspective, how do I live a healthy life? Like what do I need to do? What should I eat? How much should I sleep? How do I reduce stress and everything? Mental health was really big at that time. I listened to all those podcasts and I basically turned them into sketchnotes to just memorize all the information that I heard on all the podcasts. I started posting them on Instagram. Basically, you set up a whole new account, said, "Hey, here's my 12th creative project." If you scroll down, you can still see the announcement. Then basically just posted all of the sketchnotes. It was really funny because one of the—oh, and what I wanted to say, one of my core values in life is lifelong learning. And I think the sketchnotes tie in really well with that because they help you so much with learning because you're visualizing the information and it helps you memorize it, it helps you retrieve it. That's why I picked it as a first project. Actually, I did one sketchnote about mental health and nutrition, what are important nutrients for the brain. It was a podcast with a nutritional psychiatrist called Drew Ramsey. He was from New York. I did a sketchnote. I tagged him, didn't expect anything of it, but he saw a sketchnote and he loved it. He was like, "Oh, this is so cool." At that time, I had maybe done, I would say 10 sketchnotes in total. MR: Oh wow. That's pretty good.KW: Yeah, I know. He was like, "I have this research about— In his research he identified 23 nutrients that are important for the brain. And he was like, "Do you wanna do a sketchnote on each of them?" I was like, "Okay. I'm not a freelancer, you know, I've just only started this, this is a hobby actually I have a February project coming up." I was a bit confused, but I said yes because I like to do things that terrify me. At that time, my process was still really, really basic. I was basically what you describe in your book, I don't know the two-way technique. I basically had a piece of paper, I drew everything on pencil, erased a whole lot and then rearranged it and I had the whole pencil thingy, then I retraced it with a pen, then I erased my pencil lines, then I scanned it, then I put it in Photoshop and made it look really neat. That's what I uploaded. That's also what I did for Drew Ramsey, so it was really tedious. It took a lot of time to do the 23 nutrients. MR: I bet. KW: Yeah. And I can tell you I never got around to doing the another 11 project of that year because Drew was really happy and then he came to me and he said, "You know what? I'm writing a new book. Do you wanna illustrate it?" I was like, "Oh my God." MR: That's great. Scary but great, right? KW: It was really scary. I think there was a lot of serendipity involved in that whole story because I basically had just started, it was just to figure out what I wanted to do with my creative life and with my career. And it was just one project of many projects. I had so much cool stuff coming up. I wanted to do product design and videos and editing, but I got stuck with the sketchnotes. And the book was really cool. The topic was "Eat to Beat Depression and Anxiety." So basically, the nutrients that are important for the brain and if you suffer from certain mental health conditions. Drew was super cool. He was writing the script at the same time and he always sent me the script and he basically said, "You have full creative freedom. You can decide what to make a sketchnote out of. Here's the script. You can decide how many sketchnotes you wanna make." I can remember I got—because he published a book with Harper Collins and they sent me this whole illustrative agreement. I was like, "Oh my God, I have no idea what I'm signing here and what they want from me and file types." I had no idea what they wanted. MR: Production stuff. KW: Yeah. I was so terrified. But I did it. For that project actually I knew that my whole pen and paper and pencil and scanning and Photoshopping wouldn't work, so I got the iPad for that. Basically, took all the money that I made from the 23 nutrient sketchnotes and put it in an iPad so I could do the book project. That was super fulfilling. And they never had any revision wishes or something like that. They basically like, "Oh, you want to do a sketchnote on the benefits of dark chocolate, do it. Just do it. And it was so cool. I would say, that took around half a year. Basically, my break had come to an end and I was really doing a lot of sketchnoting. Well, in retrospective, it wasn't so much sketchnoting work, but I also had a part-time job. For me, it filled a lot of my time and I didn't have time or the creative energy to do anything else at the time by the way. Fun fact, these old sketchnotes that I created with the pen and paper and Photoshopping and scanning and everything, they also landed in the book. Nobody told me. They totally didn't fulfill the technical requirements and stuff, but Drew was just like, "I want this in the book." MR: He's passionate about it. KW: Yeah. He was passionate and he didn't care that they had a totally different style and like the quality was really different to the iPad because of how the way I worked back then. It was so funny that he like just put them in the book as well. That was really funny. After the book project I started my master's degree, I was figuring out I wanted to go into marketing, and my degree was in corporate communications. It was really funny, we had a social media module. Basically, do a social media strategy. My professor, he had these companies that we could collaborate with or we could also bring our own project. For example, like one of my classmates, he brought I think his dad's tax office firm or something like that. Then during my degree, I got really interested in LinkedIn because first time in my life I actually knew or got to know what B2B and B2B marketing was. Then I found out, okay, there's this platform LinkedIn and everybody's on LinkedIn and I should maybe make an account too. At that time, I think personal branding, the whole term and the concept of it was really popular on LinkedIn. Right now, it's everywhere, but at that time it grew in popularity, I would say. Then I thought, maybe I can do my own personal branding strategy. Then I asked my professor and he was like, "Yeah, sure, do whatever you want. And I was like, cool— MR: That's so smart. KW: Cool, let's do it. And then, I think I got a book about digital personal branding. It was a German book. The author, she basically said, "Because you have to figure out your content strategy and what you're gonna write about and what mediums you're gonna use and what the purpose is and who your audience is." And she basically started like, "Lay out your superpower portfolio." So basically, write down all your skills, your knowledge, your unique experiences. Then I did the whole exercise and I put sketchnoting in there for my skills. Then she said, "Well, which ones do resonate the most? Circle them and then make your content strategy out of it." Then I knew, okay, sketchnotes were gonna play a big role in my personal branding thingy, kind of. And at that time, because I was in LinkedIn, I was really interested in how could I advance my career. I had basically just done a pivot from lUX design to marketing. Then there were so many content creators talking about how to negotiate your salary, what to put on your cv, how to strategically network on LinkedIn. I thought it was so cool. I never heard any of that before. Everything I learned from LinkedIn Lives and podcasts and other people's posts, I just put into sketchnotes because I wanted to memorize it. And that was really cool 'cause like I said, the whole career content really resonates with the whole LinkedIn audience because everybody's trying to advance in their careers and in their jobs. So yeah, that was really cool. I think basically, I had a few favorite creators and they had a huge following. So what I did, I watched a talk and then I created a sketchnote then I tagged them. Like I said earlier, LinkedIn works a bit like Facebook. So then they saw it, they commented and then their whole network came to my sketchnotes. That's how I created this, in my eyes, huge following. 10,000 followers is not huge, but for me it's like, oh my God i'ts crazy.MR: That's pretty good. It's pretty huge. KW: Yeah. I think so. That's how I grew on the sketchnotes. They really blew up. I would say like after the social media module we had to do a presentation with our analytics and I think I had half a million views on my content. Which to me was just mind blowing, you know. I had no idea how to explain. It was just like, you know, I did this. I posted this, this was my strategy and it just worked so well. It was incredible. Like I said, visuals work really well on LinkedIn. That definitely contributed to it even though I had a super small reach. But since all the big creators saw it and brought their audience, that didn't matter so much. Funny story, then it was summer and I was a bit exhausted from the module and I thought, woo, that was intense because all these people text you and write you, and like how do you do it and you wanna hop on a call? And I was really overwhelmed with all the attention that I then I went abroad. Funny story. And then I went abroad to study in Scotland for a semester and I had another digital marketing module and our professor was basically, "You just have to create a website and market it and you can create a website about whatever you want." And I'm like, "Well, I'm gonna pick my own website and market it." That's how my website came to be out of that university project. And with the marketing, I basically continue what I was doing anyway on LinkedIn. Then I posted a bit more on Instagram and I tried out on Pinterest as well, but I basically just continued for the module, what I was doing in the old module as well. I'm really grateful that my university professors both in Germany and in Scotland, they just let me do my own thing and work on my personal brand because it paid off crazy. I still can't believe the few sketchnotes that I posted, I got so much attention and my audience grew. I'm really thankful they just let me do my own thing and get university credits for it. That's cool. MR: You really got good value from your education in that sense because it was so directed and practical. KW: Yeah. MR: As I listen to your story, the two things I reflect on is you actually started this all with, you mentioned reading about Goethe and all these masters, and you made these little comic books that you then studied. You realized really early that there was something about the visualization, at least for your brain. At that point you probably didn't think about anybody else, right. You just wanted to pass your A levels, right? So, you were using this technique to visualize this information and you found that it worked for you and that you came back to it. And that turned out to be of the seed for everything that you're doing, which is cool. And then the second part is what you just said that your professors were open to you directing your own path of the things that you wanted to market. I would imagine from a professor's perspective, and when I was in school, I relate to this that there was a crew of a couple of people who were really interested in doing more than the more than the curriculum said. There were a lot of people that just did exactly what the curriculum said and they met it to the T. They did exactly what the teacher wanted, but it was kind of boring, right? Like it was the same as the sample. Like it didn't really extend further. So, I can imagine these professors more have the problem of students, like if they gave them any choice that they would not choose anything. They would just go to the ones that everybody else does. And so, they might have actually been excited to see that you took it in a direction that most students don't, which is, well I know me the best, let's market myself and take that as the case study. So that's cool that the opportunity was there and that you kept on leaning on it. And then I guess the third thing would be your sense with these sketchnotes that you did initially that turned into 23 sketchnotes and then a book that it reveals to me that if you're in the right place at the right time doing this work and you hit the right person, those opportunities can open up. Obviously, they did and then you were aware enough that you stepped into those even though they were probably pretty scary, right? Doing 23 sketchnotes manually and doing all this work. And then jumping right into doing a book illustration project was, I'm sure a real challenge and maybe freaked you out a little bit at the time, but now you're glad that you did it right. Think of how much that's impacted your career and your person as well. That's just a great story. It's really fun to listen to you to share it with us. KW: I would definitely say because what you—and there's a whole lot of serendipity involved. Like you said, I was at the right time in the right place. What I also didn't expect, you know, basically my goal with the whole like personal branding thing on LinkedIn, which people know me for now, they don't know me for the book illustration project or what I did back then, the little bit of work.But it's impacted my career in so many ways that don't directly translate to sketchnotes even. For example, I had recruiters reach out to me. I was a marketer on LinkedIn, but I must have thought that my sketchnoting skills translate to, "Well, she must be a good marketer. She gets all this engagement, she has to know what she's doing on social media." That was really astounding that basically they just saw the sketchnoting skill, but they assumed I was a good marketer because of what I was doing. Then also I remember I attended an online Google career event for women and I basically, they had lots of inspiring speakers and I basically just put my favorite quotes on a really nice-looking sketchnote. Then you could apply for this Google career upskilling program as a university person. I networked with all the people that I put on the sketchnote, like the quotes. I put the quotes in the sketchnote and then I also submitted this with my application and I got into the program. I think it was a really smart way of saying, "Hey, "I'm going the extra mile and I really want this." But that was really cool. And then also, one of my former employers, they had seen me on LinkedIn and I was doing paid media work for them, but they were like, "Do you wanna kickstart our LinkedIn strategy? "Do you wanna come up with that? I was still a student at that time, so that was kind of big, you know, like coming up with the strategy and presenting it to the founders and to CEO of the company. That was really cool. I think also, in the hiring processes as a marketer, it always gave me a big bonus because I'm a content marketer, and I wanna make sure I have a really diverse skillset set. Be it writing or basic video editing skills or basic graphic design skills. And then I also have sketchnoting skills in case they needed it at some point. And then I have, of course, the freelance work as a sketchnoter, but also like freelance work as a copywriter for LinkedIn. Because they see, hey, I know how the platform works and then people approach me if I can help them with the LinkedIn profiles and with their content. Because I'm a polymath, I'm a multi-passionate person. I have many interests in life. I really appreciate it. That not only sketchnoting work came from this, but so many other opportunities. That's so cool. For me, that's the best part about the whole story. MR: That's really great. And I think, you know, not to be missed if you're listening is Katrin was very aware of these opportunities. I remember there was a study years ago, they talked about happy people or something, or lucky people, I don't know if you've heard this story that they had a newspaper and the lucky people would notice that there was an ad in the second page that said, "If you see this ad, stop reading and go collect your money you've won or something.” But people that were unlucky who thought themselves unlucky would miss that and they were looking through this newspaper. So, apparently, that was the whole test. The study more deeply talked about, being lucky is much more of a mindset because these things happen to many people, but many people are not prepared or not aware or not willing to do what you did. You were aware, you were prepared, you know, to do something, but then you also took a risk, right? Doing those 23 things was probably scary. Some people might have turned that down and that whole line of books and everything that happened would go open a puff of smoke, right? KW: Yeah. MR: This idea that you're open to trying new things and you know, the possibility of failure is there, right? That could have gone badly, but you wouldn't know that until you went down that path. I think, if you're listening to this and thinking, "Oh she's so lucky." It's like, well she kind of made her own luck. She saw these opportunities and she took a risk that could have gone the other way and it just worked out that she did the hard work to deliver. I think that this is such a great origin story that's so inspiring. Maybe we don't need tips. Maybe you just need to listen to the origin story again instead of the tips. I don't know. KW: I have one fun mantra that ties in really well with this. I always say to myself, "I can be terrified and brave at the same time." Same with the podcast. I was super scared to come on and talk about this and it's my first podcast. But this doesn't keep me from doing stuff. Same with the book project. I don't understand the illustrative agreement and everything, but I'm gonna figure it out. You know, I'm terrified, but that doesn't mean it keeps me from doing the thing. And yeah, that's one of my life things that's really important to me. MR: I love that. That's a great one. Okay. We've got your origin story. Tell us about what's a project that you're working on now that you're really excited about? Either something that maybe just came out or maybe something that's in the works that will come out when this episode releases in March, sometime. KW: What I was really excited about was part two of the LinkedIn algorithm report thing by Richard van de Blom. It's actually quite funny. I've landed so many dream projects in my life basically by giving away a little bit of my work for free. Then the person seeing it and then them hiring me to do more of that. And that same thing happened with Richard. So basically, did the LinkedIn algorithm report in 2021 just for free. I found it and I thought, I thought, "Oh, this is a great piece of content, maybe a bit too long for LinkedIn, let's put it in a sketchnote. I think this could be really beneficial." And Richard basically said, how it blew up. And he was like, "Wow, that's crazy. Can you do more of that for me?" And I love working with him. Because I always say it's more important who you work with than what you than what you work on 'cause he basically gives me full creative freedom. He's not somebody to do many revisions. He's basically, "Just do whatever you want. I trust you, you're the expert." Apart from that, actually, that answer might surprise you, but I've taken a step back from freelancing in particular 'cause I was doing so much freelance work and not much work just close to my heart, you know, just for myself as a hobby. Freelancing burned me out a little bit, particularly being stuck in revision hell, revisions going back and forth and back and forth and back and forth.I'm taking a step back and really asking myself the question, is this something I wanna make a lot of money with or is it more a hobby? And if a dream project comes along my way, then I'm gonna do it, but otherwise, I'm gonna say no. I don't have an answer to that question yet. I think like some days I lean more towards that and other days I lean more towards the hobby side of it. I always listen to the other guests on your podcast 'cause they have made a career out of it and they are illustrators and everything. But me, as a multi-passionate person, I don't want to be like a full-time illustrator or a full-time sketchnote artist. What I do as a content marketer, I can do so many different disciplines, and sketchnoting is one of them.So yeah, freelancing has taken the joy away from it a little bit. So, I'm taking a break right now to find my passion again and the things I'm really passionate about and then maybe get into freelancing again. If one of my favorite podcasts said, "Hey, can you be like our sketchnoter for every episode? Like Andrew Huberman, I love his podcast, neuroscience. He talks about neuroscience. Then I will be, "Of course, I would draw each of your episodes." But with other projects, I have to be really excited either about the person that I work with or about the work they do. Otherwise, it's a clear no. It needs to be a hell yes for the work that I do.MR: Which is Derek Sivers, of course. "Hell Yeah or No," Is his famous book. It seems like what you're talking about is opportunity cost, right? If I'm doing freelance work, what if this amazing podcast comes in and I'm loaded? I can't do it. The opportunity might be lost there. So you have to be careful. I think in some ways, probably the advantage you have in working part-time is that you have to make a choice. If you're doing something like this full-time, then you would have more margin to do more and maybe you wouldn't feel it. But being part-time helps you get clarity around what you want to do.Then probably the other thing I would say is you probably would identify that as a multi-talented content marketer that sometimes sketchnotes aren't the right medium for something. Sometimes video is a better medium or writing is a better medium, right? It's like an expert mechanic. They don't use the wrench for everything because it's not designed for that. You use the tool that's designed for that task. In the same way, Sketchnoting can be overused, I think, and if you see too much of it, then it becomes like back background noise or something. So, deploying it in the right opportunities probably is important there. So—KW: I actually.MR: Go ahead.KW: I actually wanted to ask you, Mike, how you decide which freelance projects to take on and how you prevent creative burnout. 'Cause I definitely struggled with it, so I wanted to hear your opinion on this.MR: Well, I've struggled with it as well. I do a full-time job as a user experience designer. I love doing it. I work in software. For some people they would look at what I do and think, "That's like the most boring thing ever." But I love it. Like helping work on corporate software and solving—making somebody's life. I don't know who these somebodies are. Somebody's life is going to get better because I've spent the time to think about what's the right way to work through this workflow so that it's smoother, that it's cleaner, that if I do it in one area, it applies to another area. All these things that I think about. That's my full-time work.What that means is that all the sketchnoting stuff that I do, if I travel and I teach at a school, or if I go to the international sketchnote camp or whatever I do, like I've got a limited time to choose from. So, I have to be very choosy and picky. I think I followed a similar pattern to you. It's either really yes or no. I tend to be someone who loves to help people. So, I'll tend to say yes, a little bit too much. I've been getting better at saying no. One of my solutions has been to build a network of people who do work that I admire so that when I get the project that comes in, it's like, "Eh, I could do that, but I'm not in love with it." I could think, "John is really good at that. I'm gonna make a connection to John or Mary." Just as an example.For me, I need this outlet of somebody else who I can trust that will handle it, that is a good fit. Like they would fit together and then I just redirect that inquiry to that person. Then try to focus on the things I'm excited about it or I think it will have an impact. That's hard. I don't think I've solved the problem completely because I certainly, occasionally will get projects that aren't exactly what I want to do. But for the most part, I think your comment about finding the right customers is really important. The people you work with are much more important than the projects in a lot of ways. Because if you're given creative freedom like you've said—I think the other thing, the other thing I would say is finding clients that are collaborative.It sounds like many of the clients you've mentioned were very collaborative and working, working with you. They were open to your expertise and would listen to you. Being able to modify what they were thinking if they come to you with an idea and then you come back with them with an alternate idea. You just twisted a little bit and say, "Did you ever think about maybe doing this or that?" And then they're open to it. That's a really important aspect for a customer that I look for.You can tell pretty quickly when you start working on something with someone, whether that's there or that's not there. And then you would have a tendency—I have a few people that I work with. If they call and say they need something, I'm an immediate yes. I don't even have to think about it because I like that person so much. It sounds like you have similar people. Those are the few things that I do.The last thing I'll say is having kids for me is helpful because I can't work all the time. I need to spend time with my kids. I like cooking with my kids. I like spending time with my wife. I have a whole other life beyond all this stuff that keeps me grounded. And just reminding myself that I can't do it all and it's okay. There's many other people and it's a huge opportunity. Everybody's got plenty of work to do and if I give it away to somebody else, it's not like the work will stop coming. It just keeps coming. I don't know if that's helpful.KW: Absolutely. I'm totally on your side and I share your view here. I was wondering, Mike, was there ever a time when you considered sketchnoting your full-time career? Because you're kind of like the inventor of sketchnote. I'm surprised actually to hear that you have this whole full-time job apart from that.MR: I've considered it in the past. It just felt like with a family and all the responsibilities that the variability would be a challenge. I think maybe sometime in the future that would make sense. But I think honestly, having it as a side gig has been good. I've hinted to in the feedback I've given, which is because it can only be a side gig because I'm such a helper and wanting to help people, it forces me to choose. Like if I had it full-time, I might like really overload myself. Having this finite constraint is actually a good thing for me. I found that with sketchnotes too.I stumbled on the sketch notes 'cause I constrained myself to a little book and a pen. That helped me to move into the space where visualization made sense 'cause I couldn't write everything down, I couldn't draw everything. I had to do it in the moment. That whole history was tied to constraints. I found any time where I put some limitations on myself is when I'm most creative. I think that's maybe true for other creative people too. Having that limitation on what's available forces me to make a decision. Like, am I really gonna spend the next three months working on this thing or is it better spent on something else?Sometimes I choose and it's like, "Oh, I wish I hadn't done this." Or it's taking longer than I wanted. I'm still happy with the output. Again, the opportunity cost means, 'cause I'm working on that, I can't take something else that comes in so I have to be more careful. I think, in some ways it's better to have it as a side thing because I can really be selective.KW: I absolutely love it as a side thing. Like I said, especially as being a multi-passionate person, it helps me so much. And then also realizing my time is really valuable. 'Cause otherwise I would've maybe the whole week and I would have a few hours every week. Then communicating this to clients and also saying, "Hey, don't expect revisions in the next five days 'cause I'm really busy with other things. It helps me prioritize and also keeps my life super interesting 'cause I have this other thing next to my regular job, like my employment. I love it. I wouldn't have it any other way. So, I can totally get what you're saying.MR: Like I said, maybe in the future the opportunity comes where it becomes a full-time thing. The other thing that I didn't mention is when I started all this stuff, there really wasn't a sketchnoting anything. There are people doing it. Eva-Lotta was doing it around the same time. We started to build this community. A Lot of the work has been building a community of people that do it so that I have students to teach now. Now I'm doing more teaching and that's working well because there's actually people that are interested enough that they would spend money to get real deep teaching.Then also companies being aware. I think you're starting to see this. Companies are becoming aware that visuals in the right context can be incredibly powerful. There's actually enough of a supportive market that you could be full-time. Actually, many of the people on the podcast like Ben Felis and a bunch of other people are full-time because of both of those things. There's a community that's willing to hire them to learn and then there's professionals that are willing to pay for them to do the work. I think a little bit of it is timing and waiting for the market to be there. That sounds like something maybe in the future would make sense to move in that direction. But I haven't decided that yet.KW: It's so fun what you said about teaching 'cause I'm not at all into teaching sketchnoting to other people. So many people have asked me like, "Wow do you do it and what you use and how did you get started?" I always just point them to your book. I'm like, "Sketchnote Handbook" by Mike is the only thing you ever need to read and practice to learn sketchnoting." Then I'm always so happy when I see you have another live workshop coming up and I'm like, "Yeah, go to Mike. He'll teach you. 'Cause I learned from him and he does such a great job. Every time I hear somebody who wants to learn sketchnoting, I point them in your direction.MR: Well, now if you're a German speaker and you're listening, there's another opportunity with Eva-Lotta's got a course that she's offering on Udemy, which think it's around 20 euros, something like that. $20. Anything that Eva-Lotta does is excellent. I'm one of her biggest fans. She's really great and she's very skilled. That's in German language. If there's Germans listening could be a really good fit if that's more natural for you to check that out. Look that up. She also does more intensive teaching on sketching. She's a great teacher as well.KW: I can only second that. I love her work.MR: She's really great. We've talked about your whole origin story, what you're working on. Now let's shift into tools. I'm really curious, you sort of hinted at this. You originally were doing this pencil sketches and inking and erasing and Photoshop, and that's the way I did it too 'cause that's all there was. You had to do that. Now we have really great mobile phone cameras. There's even tools on mobile phones to do modifications. We have platforms like LinkedIn and Instagram where we can share these things. Tell us about what are your tools that you use now? Let's start if you still use any analog tools. What are those tools and then digital after that?KW: With the analog tools, I thought about it a long time. Actually, over the years I became a minimalist and decluttered my whole home and everything. I have to say sketchnoting and illustration doesn't go well with that because you have to buy a pen in every new color that's out there. It just never stops with stationary and pens and notebooks and everything. They didn't make the cut after I switched to the iPad, but if I do some work, I always use the Staedtler Pigment Liners. I think they're a favorite in the community.MR: Excellent. Yeah.KW: And then basically, what I had at home, I used the Stabilo pens back then. I had Copic markers, but you need a certain kind of paper for them 'cause they're alcohol based, otherwise, they bleed through everything. Copic Markers. I had a few Tombow brush pens that I used, but it was really basic. I basically had like maybe 20 pens and pencils that I used the whole time. And then I made the switch to completely digital work 'cause I was always like, "Where do I store all of my work? It's not only stationary and pens and pens, where do I keep it?"Then there's the elements, there's heat and light and everything that works against your work. You know you have of preserve it. And I was getting really stressed out about that. Now, I'm more chill that I know it's all in a digital space. Now my digital space is really cluttered, but I'm working on that as well. But yeah, since then I've basically switched to the iPad and Procreate, the standard stuff and it's really cool. What I want to get, I haven't tried it 'cause I don't actually know anybody who's doing like iPad kind of work. But I never got one of the Paperlike skills 'cause I never wanted to put them on my iPad permanently. But now I know there's a company they do a magnetic thingMR: I've seen this, yeah as well on Instagram. I think I've seen this.KW: You can basically just put it on and then—'cause I watch a lot of TV series and stuff on my iPad then I don't want the paper-like thing on it. Then I can just put it off and then when I draw, I can put it back on. And what was really game-changing for me 'cause I hated doing sketch notes in the summer 'cause my hand always stuck to the iPad. Then I discovered the drawing gloves, they just go around your fingers down here. They've been a game changer. They are so cool. It's an analog tool that I use for digital work.MR: Interesting. Interesting. We have a few friends, Rob Dimeo, who was a huge fan. Michael Clayton, another friend used those gloves. I think I have one in my bag somewhere. I haven't used it for years. I think those were, at least for the iPad, more because I think the old iPad software was not great about determining if your finger was touching or if it was a pencil early on so you would end up getting stray marks in some apps. And so, this is a way to stop that. But it's got the second benefit is keeping your hand from sticking to the screen. Have you been using this magnetic screen cover and how does it work for you?KW: No, I don't have it yet. It's on my list. I thought it was really cool 'cause like I said, I never wanted to put a permanent screen protector on it. I'm getting it this month, hopefully.MR: Okay. I would say Paperlike was a past sponsor of the show, but regardless of that, I like them because I think the way they structure it is the little bumps that they're creating to create that paper-like surface, they're scientifically placing them. I've been actually pretty surprised when I use my iPad that it doesn't seem to impact when the screen is playing, like for tv. You might be surprised how clear it actually is. It'd be really interesting for you to try both then magnetic and the Paperlike and compare them and see. My concern about the magnetic one would be if it's kind of floppy and there's air between there, how does that react? Maybe that's not an issue, but that would be what I would wonder about. Maybe you could share that in a sketch note for us or a video or something.KW: Yeah. I'll do that once I've tried it out, but it's also really cool. I've never had the chance to talk about Paperlike to anyone. It's really cool that you didn't have the impression it ruined the other things you do in the iPad. I was always afraid of that and that's why I didn't wanna buy it. But I might give it a go.MR: All right. Maybe I'll reach out to my friends at Paperlike, and say, "Here's a person who needs a sample."KW: Oh yeah, I would appreciate that.MR: They like doing that stuff. They're really great people at Paperlike. It's a German-based company as well, so.KW: Ah, I didn't know thatMR: They're in Hamburg, so, you know, they could just run a little truck down and drop it off at your place.KW: Really cool. Cool. I'll write the review then.MR: Okay. There you go. Well, we'll work on that offline. Okay. Well, simple tools. I like simple tools. I like buying my tool at the corner drug store. Keeps things real. Analog. So, it makes it easy to replace things when you're in another country as well. You can probably find a gel pen someplace. So, let's shift now. This part is where we talk about tips. And we'd like to frame it as someone's listening, as a visual thinker, whatever that means to them. Maybe they feel like they've sort of reached a plateau where they're a little bit burned out or they need a little inspiration from you. What would be three things you would tell that person to kind of inspire them and get them moving forward again?KW: I would say the first thing is pick a project you're really excited about. I always also say for me, I do a lot of visualization of podcasts, live talks, reports, anything like that, and I need to be excited about the source material 'cause I find especially with freelancing where you don't always can influence what the topic is about or whatever, that really helps. I don't do any work anymore where I'm like, "Oh, this is really uninteresting and I don't wanna be drawing this." And then also, if you're not working of source material, maybe like do the travel sketchnotes. Like Eva-Lotta Lamm did. Pick something, pick a personal project.I would say this was a huge learning curve for me, that I only enjoy sketchnoting when the topic is right. And what I draw about really aligns with my interests and with my passions. And then the next one, it sounds so cliche, Mike, but I think it's so important don't compare yourself to others. Full stop. I know there's like a comparison is to thief of joy or something. But I think it's really true. I have a really basic and minimalist style and when I look at your work or at Nadine Rossa's work, I think she was on your podcast. I always get, I'm like, oh my God, I have such a long way to go and it's my work even good enough.But the validation I got from the outside well tells me it is good enough. There are people who appreciate your minimalist style that's not super visually complex and doesn't have all the really sophisticated doodles and everything. I've come to accept that, I think. And also, I try to stay in my line. I don't look at the work of others so much. if I do that, I set a certain timeframe where I look at your work and then I get some inspiration, but then I leave it at that. I know it's harsh, but maybe that even means unfollowing a few people on social media and only looking at the profiles like, I don't know, once a month or something.I think all you learn basically to not compare yourself to others, but I think it takes some time to learn that. And then also, also sounds a bit cliche, but don't overcomplicate things. Don't overcomplicate sketchnoting. I think that's also in your book. A sketch note doesn't have to be visually complex. And for me, for example, that means if I don't wanna drop people, I don't draw people 'cause I don't. Maybe I don't like the style of it or maybe I haven't put enough practice into it. Well, then I don't draw people.I don't have to do everything that the sketchnote community says that I need to do and how a sketchnote is supposed to look like, you know? "Cause I have quite a minimalist style and I like it that way and maybe at some point it gets more sophisticated or maybe it doesn't, I don't know. I would say those are my three things. Oh, and can I do a fourth one?MR: Yes, you can.KW: Don't overvalue talent. People on LinkedIn, they always tell me you're so talented. And it gets me really angry 'cause sketchnoting is basically you put in the work and the practice and then you get better. It's like running or playing an instrument. It has nothing to do with talent. If you look at my early drawings and when I started practicing with your book, it didn't look great. Don't overvalue talent. There's no talent. Everybody can learn sketchnoting. I would print this on a t-shirt. There you go.MR: I love it. Four is great. And we love it when people give us extra ones, so that's pretty cool.KW: Four is my lucky number.MR: There we go. I think in Asia, isn't four a lucky number? I'm not sure.KW: I don't know. I was born on the fourth, so yeah, that's why—MR: I think actually in Japan, four is unlucky if I remember right. I know this because I was an old PalmPilot guy back in the day. Palm did not release a Palm IV because it was popular in Japan and four, I think it's related to death or something like that. So that's why they jumped from the III to the V.KW: Oh, no. No, with us It's a lucky number.MR: It's a lucky number. I think so. We make our own luck, right?KW: Yeah.MR: So Katrin, what is the best way for us to reach out to you? Obviously, LinkedIn would be good.KW: LinkedIn is great. It's basically Katrin Wietek on LinkedIn. I have this website that I created in university, but I don't maintain it so much. But that's Katrin-kristin.com, I think. Also, that's the same Instagram handle, @katrin.kristin, I think. I don't post so often, but maybe that might change in the future. That's basically the three channels where you can find me online.MR: Primarily, it sounds like LinkedIn is the best place. Obviously, you're pretty active there. So that's, if you wanna see your work and connect there, that would be the place to go. So that's really great.KW: Exactly.MR: Well, this has been really wonderful. Time has flown by. It's been such a fun discussion with you and thank you so much for the work you do and your attitude and how you share your work, and really an ambassador for Sketchnoting in the LinkedIn world probably more than anyone that I can think of. I really appreciate that. And it's so good to see someone representing and having such a positive attitude for the community. I think you're just a great ambassador for us.KW: Well, thank you for inventing sketchnotes, Mike, and thank you for writing that book, because otherwise I wouldn't be here and I definitely wouldn't be at that point in my career. I'm pretty sure about that. And it was an honor to be on your podcast. Thank you so much for the invitation. I'm super proud of where I got along the way. And I'm gonna share the podcast with all the people I know and also posted on LinkedIn, so maybe a few people can see it.MR: Well, for your first podcast in English, you did an excellent job. You're a really great conversationalist.KW: Thank you.MR: Be very proud of that. You did a great job. And maybe I'll send this to people as a guide, if they're on the show, to listen to you.KW: This means a lot. Thank you so much.MR: Well, for everyone who's listening or watching, this is another episode of the "Sketchnote Army Podcast." Until next episode, we will talk to you soon.

Logoped Eva-Lotta Heide berättar om hur teckenspråk används som stöd vid språkutveckling, och ger konkreta tips för att få in teckenspråk i vardagen. Eva-Lotta har skrivit boken ”Bättre samspel med socialt bildstöd” och har hemsidan http://www.evalottalogoped.se/ Hosted on Acast. See acast.com/privacy for more information.

Tue, 25 Oct 2022 04:30:00 +0000 https://fcsp-hamburg-vds-millernton-nds.podigee.io/523-202223_sp13_nds_arminiabielefeld 83f5a8d5a2c43cbd97849c2b2473a09c Arminia Bielefeld - FC St. Pauli 2:0 +++ 1:0 Serra (76. Minute, Vorarbeit Okugawa) +++ 2:0 Serra (84. Minute, Vorarbeit Gebauer) +++ Zuschauer*innen: 22.626 Menschen im Stadion Erneut patzt der FC St. Pauli in einem Auswärtsspiel, diesmal auf der Alm bei der Arminia aus Bielefeld. Ein Gespräch über zwei sehr unterschiedliche Halbzeiten mit Eva-Lotta Bohle. (Titelbild im Blog: Peter Böhmer) Obwohl ich mich eigentlich mehr auf das Drumherum fokussieren wollte, sprechen Eva-Lotta und ich doch längere Zeit über die Partie vom vergangenen Samstag. Dabei versuchen wir herauszufinden, wo die Fehler beim FCSP lagen und was die Arminia besser gemacht hat als in vergangenen Spielen. Spoiler: Das entscheidende Führungstor hat geholfen. Zum Schluss wagen wir noch einen Ausblick auf die verbleibenden vier Spiele vor der unnötig langen Winterpause. Viel Spaß beim Hören und bleibt gesund! // Yannick 523 full Arminia Bielefeld - FC St. Pauli 2:0 no FCSP,DSC,DSCFCSP,Arminia Bielefeld,FC St.Pauli,2.Bundesliga,Saison 2022/2023,Podcast,Fußball Yannic

Sun, 10 Jul 2022 21:02:00 +0000 https://fcsp.hamburg/podcast/476-vds-millernton-nds/488-mtmeets22_t2_hansadscfcmscp 9ffcd4b563ca453bacf0183312aa5cd1 Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick 488 full Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn no Saisonvorschau,2. Bundesliga,FCSP,FC St.Pauli,FCM,SCP,Arminia Bielefeld,Hansa Rostock Yannick Pohl

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Sun, 10 Jul 2022 21:02:00 +0000 https://fcsp-hamburg-vds-millernton-nds.podigee.io/488-mtmeets22_t2_hansadscfcmscp 9ffcd4b563ca453bacf0183312aa5cd1 Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick 488 full Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn no Saisonvorschau,2. Bundesliga,FCSP,FC St.Pauli,FCM,SCP,Arminia Bielefeld,Hansa Rostock Yannick Pohl

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Hansa Rostock, Arminia Bielefeld, 1. FC Magdeburg, SC Paderborn Im zweiten Teil sind sowohl ein Auf- als auch ein Absteiger eingeladen und alle vier Gesprächspartner*innen sind zumindest bei "MillernTon Meets" das erste Mal zu hören. Uwe für Hansa Rostock wünscht sich "Mut zur Stille", Eva-Lotta als Fan der Arminia freut sich für Ortega und genau wie FCM-Aufsteigerin Diana auf die Liga. Und mit Marvin, dem jüngsten Debütanten mit seiner Sicht auf den SC Paderborn spreche ich über Geparden in Trikots. Debbie und ich bedanken uns für's Zuhören und freuen uns über Anmerkungen, Lob oder Kritik zu diesem Projekt. Viel Spaß mit den weiteren Teilen von "MillernTon Meets" 2022. // Yannick Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

DOANKE - da ist er endlich! Patrick sprach mit dem allseits bekannten Nik und der tollen Eva-Lotta Bohle, u.a. vom @2BundesligaPod über Stärken und Schwächen unseres neuen Superstars Ritsu Doan ;-) Lust mitzumachen? Feedback? Spenden? Sehr gerne! Kontaktiere uns jederzeit via Social Media oder Mail. Mehr Infos auf www.spodcast-freiburg.de Eine Spende für ein Bier, ein Käffchen oder einfach gute Laune beim Spodcast-Team könnt ihr unter folgendem Link geben: https://paypal.me/AlexanderKoneczny Das SC Freiburg Tippspiel 21/22: www.kicktipp.de/spodcast Euer Spodcast Team in dieser Folge: Patrick (@prsc1904), Nik (Nik_Staiger) und Eva-Lotta (@eva_bohle)

Der eine CEO geht, der nächste kommt. Wir sprechen über die Dinge, die Alexander Wehrle anpacken will und wie er sich bei seinem erstem Auftritt geschlagen hat. Und natürlich blicken wir auf das wichtige Auswärtsspiel in Bielefeld – nicht alleine, sondern mit Arminia-Expertin Eva-Lotta Bohle! Viel Spaß beim Zuhören wünschen Sebastian und Riky

I sista avsnittet för 2021 samtalar och jämför vi privat och offentlig sektors sätt att förhålla sig och hantera inköp. Lars och Sebastian reflekterar över och delar med sig av den förflyttning och varumärkesresa de gjort. Det handlar bland annat om vikten av att vi arbetar nära verksamheten, involverar oss och förtjänar vår plats. Om att arbeta kategoristyrt och vara kommunikativa. Och sist, men inte minst, om våra framtida kompetensbehov för att bland annat omvärldsbevaka, analysera, öka och fördjupa samarbeten som finns inom offentlig sektor och med våra leverantörer (och dess värdekedjor). Då denna inspelning gjordes tidigare i höst innan omikronvarianten dök upp, så avser reflektionen kring coronakrisen det som hände innan den nuvarande fjärde vågen slog till. Därutöver filosoferar Eva-Lotta och Helena inledningsvis om kategoristyrning inom offentlig sektor, dess fördelar och utmaningar. Gott Nytt År önskar vi alla våra lyssnare!

Brian talks with Eva-Lotta Bohle! Eva is co-host of the 2. Bundesliga Podcast and an Arminia Bielefeld season ticket holder. We discuss the off-season moves by Bielefeld, their chances for the Bundesliga and talk about #dscsge. You can find Eva on Twitter at @eva_bohle. Thanks so much, Eva!

In dieser Folge geht es im Gespräch mit Eva-Lotta darum wie sie mit der Arminia Bielefeld aufgewachsen ist und in welchem Sinne sie dieser Verein geprägt hat. Themen dabei sind auch Frauen in die Kurven und was es bedeutet eine politische Haltung im Fussball zu vertreten und diese auch zu leben. ________________ -Content Creator and Video Cutter-   _____ Social Media

Am 34. Spieltag geht's in Stuttgart nochmal um alles. Nicht für den VfB, sondern für Bielefeld. Deswegen sprechen wir mit Arminias inoffizieller Botschafterin Eva-Lotta Bohle über das anstehende Duell, Bielefelds Saisonverlauf und sogar über Themen mit erhöhter Rant-Gefahr: Wilfried Porth und Martin Schäfer. Viel Spaß beim Zuhören wünschen Sebastian und Riky

Världen står i brand. Men Henrik och Daphne är upptagna av annat, deras granne Eva-Lotta ska bygga en balkong som tar ljus från deras våning. För första gången ställs de inför hotet att bli fråntagna sina privilegier och tvingas därför ge sig ut i krig. Deras bästa vänner och grannar Douglas och Reine stöttar kampen men kräver också stöd i sitt nyvunna surrogatföräldraskap. Daphne ifrågasätter homosexuellas rätt att skaffa barn med hjälp av surrogatmödrar. Vännerna Reine och Douglas är mållösa. Finns tillgänglig för lyssning och nedladdning fram till 19 april 2022. Balkongkriget Vänskap och demokratiska principer raseras när en granne bygger en balkong. Manus av Magdalena In de Betou Dramaturg: Magnus Lindman, Lars In de Betou Medverkande: Magnus Roosmann, Ia Langhammer, Pia Halvorsen, Jonas Gardell, William Spetz, Hans-Christian Thulin, Therese Kärrman, Christina Schollin, Johan Paulsen, Elsa de Frumerie, Aziza Dhaouadi och Claes Borgström. Musik: Johan Skugge och Lars In de Betou Ljud: Eric Nyblaeus Ljud: Johan Skugge Regi: Lars In de Betou

Varför ska inte jag ha rätt att förverkliga min livsdröm? Bostadsrättföreningen skälver kriget är ett faktum. Eva-Lotta tänker höja värde på sin lägenhet och bygga en balkong utan bygglov och föreningens godkännande. Henrik kräver en extrastämma eftersom balkongen kommer skymma deras fönster och sänka värdet på deras lägenhet med 500 000 lika mycket som Douglas och Reine betalat för sitt surrogatbarn. Finns tillgänglig för lyssning och nedladdning fram till 19 april 2022. Balkongkriget Manus av Magdalena In de Betou Dramaturg: Magnus Lindman, Lars In de Betou Medverkande: Magnus Roosmann, Ia Langhammer, Pia Halvorsen, Jonas Gardell, William Spetz, Hans-Christian Thulin, Therese Kärrman, Christina Schollin, Johan Paulsen, Elsa de Frumerie, Aziza Dhaouadi och Claes Borgström. Musik: Johan Skugge och Lars In de Betou Ljud: Eric Nyblaeus Ljud: Johan Skugge Regi: Lars In de Betou

Det står HORA med feta bokstäver på Eva-Lottas dörr. Balkongkonflikten har spårat ur... Girigheten sprider sig i Bostadsrättsföreningen Timmermannen, alla ser möjligheter att bygga balkonger och höja värdet. Eva-Lotta har bestämt sig för att bygga en jacuzzi på balkongen. Henrik har tappat greppet, han blir utskrattad när han pratar om kollektivitet, han blir utskrattad på jobbet och har till och med bruna skor på en middagsbjudning. Finns tillgänglig för lyssning och nedladdning fram till 19 april 2022. Balkongkriget Manus: Magdalena In de Betou Dramaturg: Magnus Lindman, Lars In de Betou Medverkande: Magnus Roosmann, Ia Langhammer, Pia Halvorsen, Jonas Gardell, William Spetz, Hans-Christian Thulin, Therese Kärrman, Christina Schollin, Johan Paulsen, Elsa de Frumerie, Aziza Dhaouadi och Claes Borgström. Ljud: Eric Nyblaeus Ljud: Johan Skugge Regi: Lars In de Betou

Eva-Lotta är nära sin dröm, en balkong med bougainvilla, ceder och citroner kombinerad med en jacuzzi med sea and sand-losning. Lycka! Douglas och Reines son Vasilij föds på ett sjukhus i Molodetjno dubbellycka. Finns tillgänglig för lyssning och nedladdning fram till 19 april 2022. Balkongkriget Manus: Magdalena In de Betou Dramaturg: Magnus Lindman, Lars In de Betou Medverkande: Magnus Roosmann, Ia Langhammer, Pia Halvorsen, Jonas Gardell, William Spetz, Hans-Christian Thulin, Therese Kärrman, Christina Schollin, Johan Paulsen, Elsa de Frumerie, Aziza Dhaouadi och Claes Borgström. Musik: Johan Skugge och Lars In de Betou Ljud: Eric Nyblaeus Ljud: Johan Skugge Regi: Lars In de Betou

I breakdown the Ladies event at the 2021 World Championships this past weekend. In order: Josefin Taljegard, Satoko Miyahara, Eva Lotta, Yelim Kim, Bradie Tennell, Olga Mikutina, Rika Kihira, Kaori Sakamoto, Loena Hendrickx, Karen Chen, Alexandra Trusova, Elizaveta Tuktamysheva, Anna Scherbakova, and my thoughts on how we need to focus on optimizing a skating fanbase and skater's health through better judging practices.

The Connected Yoga Teacher Podcast 211: How to Draw Yoga Stick Figures with Eva-Lotta Lamm   Description: As a yoga teacher, how do you plan your classes? When it comes to planning the actual sequences, poses, and themes, do you go with the flow with little or no planning, or have a mental plan, or refer to detailed notes? In this episode, Eva-Lotta Lamm shares another technique you can use to plan yoga classes - drawing out yoga sequences. The best part is you don't have to be good at drawing or have artistic talents; you only need to be able to draw stick figures!   Eva-Lotta Lamm is an independent Designer, Visual Thinking Expert and Trainer and yoga teacher. She helps companies to visualise complex problems to see things from new perspectives, and teaches teams and individuals to be more visual in their thinking, communication and collaboration. Eva-Lotta's illustrations have been published in several books, and she is also the author of Yoganotes – Sketching Yoga Stick Figures. Eva-Lotta used sketching and visual notes extensively during her own yoga teacher training in India, and eventually, combined her love for yoga and her profession as a designer to create products that help yoga practitioners and yoga teachers to learn, structure and teach yoga with visual tools.   Eva-Lotta shares more about the unique system for drawing yoga stick figures she created, and breaks down how she teaches other people to draw their own yoga stick figures and adapt them to their own needs. Shannon and Eva-Lotta also discuss the benefits of sketching, as well as why drawing and visual tools can be a great addition to your toolkit as a yoga teacher. Eva-Lotta even shares how she self-published a book on yoga.   Listen to the end of the episode to find out how you can participate in a giveaway of Eva-Lotta's personalized books for two listeners!   Key Takeaways: [10:00] Shannon introduces her guest for this episode - Eva-Lotta Lamm. [12:24] What does Eva-Lotta do and who does she do it for? [14:07] Eva-Lotta shares more about her work in helping people visualize complex problems to see them from a new perspective. [16:34] How does Eva-Lotta teach yoga teachers to use drawings in planning their yoga sequences? [18:00] Eva-Lotta shares some of her tips and tricks for drawing out complex yoga sequences with stick figures. [20:20] What other tools does Eva-Lotta use to guide her plans for yoga sequences? [22:25] Eva-Lotta's drawings have noses to show direction! She shares how detailed her drawings can get. [24:34] What are some pointers Eva-Lotta has for yoga teachers who want to get started drawing sequences? [30:04] How did Eva-Lotta find her niche in teaching yoga teachers to draw stick figures? [34:13] What is Eva-Lotta's work in the yoga world now? [38:13] Eva-Lotta is excited about what else can come from the intersection of her work with design and drawing and yoga. [40:34] How did Eva-Lotta self-publish her book? [45:13] Check out Eva-Lotta's book on her website. [47:53] Shannon and Eva-Lotta are doing a giveaway! [49:29] Shannon shares her biggest takeaways from this interview.   Links: Eva-Lotta Lam Yoganotes – Sketching Yoga Stick Figures, by Eva-Lotta Lamm Eva-Lotta Shop Sketching Yoga Sequences with Eva-Lotta Workshop Yoga for Pelvic Girdle Pain Workshop Pelvic Health Professionals Kindle Direct Publishing (via Amazon) Lulu Print-on-Demand IngramSpark VLB (Germany)   Gratitude to our Sponsors Schedulicity.   Quotes from this episode: "I teach yoga teachers to draw so that they can plan their sequences even when they don't have any artistic talent or they think they can't draw at all." - Eva-Lotta   "If you look at sketching as a communication and thinking tool, then I like to compare it to learning how to write." - Eva-Lotta   "My goal is to teach people how to draw like writing so that they can write their own stories and their own flows and whatever their creativity wants to express." - Eva-Lotta   "Images and words are like best friends. ... They both have different strengths and weaknesses, and you want to use them in combination because then they are truly wonderful together." - Eva-Lotta  

FRÜF is back! Pünktlich zum ersten Jubiläum unserer Auszeichnung mit dem Goldenen Blogger am 9. März 2020 haben wir die erste Sendung des neuen Jahres für euch. Für die neue Folge haben wir uns vom Erinnerungstages im deutschen Fußball der Initivative „!Nie wieder“ inspirieren lassen, der diesmal die Schicksale derer in den Fokus gerückt hat, die aufgrund ihrer sexuellen und geschlechtlichen Identität von den Nazis verfolgt wurden. Wir spannen den LSBTIQA+ Regenbogen im Fußball auf, reden über den unterschiedlichen Umgang mit dem Thema Coming-out im Männer- und Frauenfußball, die Solidaritätsaktion der „11 Freunde“, Umgang mit der Problematik von Binarität im Sport und vieles mehr. Dafür haben wir mit Freddy und Eva-Lotta zwei tolle Gäst*innen eingeladen. Wir hoffen, ihr habt an der Folge so viel Freude wie wir und freuen uns, dass ihr uns auch mit unserem nach wie vor etwas unregelmäßigen Veröffentlichungsturnus weiter die Treue haltet.

I detta avsnitt intervjuar jag Eva-Lotta Novàk Wilander, leg. fysioterapeut, blivande specialist inom mental hälsa och grundare av Facebook-sidan "Kroppsklokt". Hon jobbar på en neuropsykiatrisk mottagning och träffar många patienter med bland annat autism, ADD och ADHD.Vilka svårigheter kan dessa patienter ha? Hur jobbar hon med rehab? Varför är rehab viktigt för dessa patienter? Vilka metoder kan användas? Vad är viktigt att tänka på när man träffar patienter med neuropsykiatriska tillstånd? Den som lyssnar får se!Poddvärd:Peter Lindberg, leg. fysioterapeutFölj gärna Kroppsklokt på Facebook: https://www.facebook.com/kroppsklokt

Bert Järvet & Robin Juhkental

Bert Järvet & Robin Juhkental

Hon kallas Jaw och i det här avsnittet berättar hon varför och vad det betyder. Liksom hur det här med namn funkar i Thailand. Är du möjligtvis en apa, gris eller buffel? Hon berättar också om hur ett fritt konstnärligt sinne kan ställa till det när man får anställning på Konsthögskolan i Bankok. Och varför är det så svårt att umgås spontant med sina svenska vänner? Ja, varför? Sedan pratar vi förstås om Sverige och svenska mäns fördomar om thailändska kvinnor. Det leder till att jag får svar på den samtida gåtan: Hur tänker de thailändska kvinnorna om sina svenska män? Med mera, med mera. Välkommen till Osvenskheter. Hosted on Acast. See acast.com/privacy for more information.

Nach langer Zeit geht es in der Bundesliga wieder gegen die Mannschaft von der Alm. Matti hat Bieritis, dafür springt Eva-Lotta Knie zur Seite, um endlich mal Inhalt in dieses Podcast-Format zu bringen. Sie lässt uns ein wenig mehr über Bielefeld erfahren und gibt einen Einblick wie es am Samstag um 15:30 Uhr vor leeren Rängen laufen könnte. Eva-Lotta findet ihr bei Twitter unter @lottibohle und ihren spannenden Podcast unter @2Bundesligapod oder auf dem Podcatcher eures Vertrauens. Viel Spaß mit dem Vorbericht!

Eva Lotta is a yoga teacher, graphic designer, artist and the creator of the Yoga Notes program. She is the  author of several books including Yoga Notes and Sketchnoted  Travel Diary, available in several languages (https://evalotta.shop/collections/books). Eva Lotta has had an amazingly full journey so far and she is just getting started! Enjoy her interview, then check out her books and follow her insta to stay posted on new offerings. Her materials are fun and informational and I can't recommend them enough!  The Socials IG @evalottachen & @yoga.notes evalotta.shop yoganotes.net We want to talk to ALL the yogi's so please let us know if you'd like to be interviewed for the podcast. We also LOVE to hear what questions you had/have as a new yogi or new yoga teacher so send your q's to ommforallpodcast@gmail.com. Don't forget to join us every Tuesday and connect with us @ommforallpodcast on instagram! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

With the first Bundesliga match on its way its a perfect time to call up Eva-Lotta Bohle (@lottibohle) to find out about the Bielefeld Follow the show on twitter @hefpod www.facebook.com/hefpod

Ett skav mellan sälj och marknad för att få ut max av samarbetet? Vad ska säljavdelningen respektive marknadsavdelningen göra för att stötta marknad? Hur mäter en modern marknadsföring sin pipeline?

Eva-Lotta Lamm   Visual Thinker, Speaker, Teacher. Eva-Lotta helps companies to visualize complex problems, so they can see them from a new perspective. She also teaches teams and individuals to be more visual in their thinking, communication, and collaboration.   The Mini Visual Starter Kit & Newsletter sign-up: www.evalotta.net/visualstarterkit   The little people: www.lotsoflittlepeople.net   Website (incl. Blog): www.evalotta.net   Shop: www.evalotta.shop   Instagram: https://www.instagram.com/evalottchen/  

Auf ein "ES REICHT" von Sven Mislintat hat man als VfB-Fan schon lange gewartet. Dass "Magnificent Sven" damit aber die Schiedsrichter meint überrascht dann doch. Blinde Bratwürste und vermeintliche Tretertruppen für ein, nicht wie erwartet gut gefülltes Punktekonto verantwortlich zu mach ist genau so falsch, wie vollbesetzte Bundesligastadien in Zeiten von Corona. Gemeinsam mit unserer Gästin, Eva-Lotta Bohle (2. Bundesliga Podcast) besprechen wir das Zweitliga-Spitzenspiel zwischen dem VfB Stuttgart und Arminia Bielefeld. Weitere Themen sind: die Auswärtspartie gegen Wehen Wiesbaden, Corona und der Fußball, unsere Jugend und Christian Gentners Auftritt im SWR.

I veckans avsnitt av Påjobbet gästar Eva-Lotta Kling von Schmalensée skolchef på Norlandia Förskolor. Temat för veckans avsnitt är employer branding inom förskolan. Vi kommer att få höra om konkurrensen mellan arbetsgivarna. Hur attraherar man den bästa personalen till förskolorna idag? Enbart högre löner och incitamentsprogram? Hur ser relationen mellan privata och kommunala förskolor?  Allt detta och mycket mer i veckans avsnitt!

I dagens avsnitt får vi besök av Eva-Lotta Jonsvik, marknadschef på Cygate. Cygate är det emotionella IT-företaget, där mjuka värden betyder lika mycket (om inte mer) än hårda värden. Vi pratar om hur IT har blivit en del av alla människors vardag, varför deras events blivit så omåttligt populära och vilka utmaningar hon ställs inför.

Am vergangenen Freitag kam es in der zweiten Fußball-Bundesliga zu einem waschechten Spitzenspiel. Der drittplatzierte Arminia Bielefeld, traf auf den Tabellenersten VfB Stuttgart. Das Spiel hielt was es versprach. Sebastian und Riky sprechen mit Eva-Lotta Bohle (2. Bundesliga Podcast) über das Spiel. Eva konnte im anschließenden Themensegment noch einiges über den nächsten Gegner des VfB Stuttgart, Wehen Wiesbaden erzählen. Schließlich gastierte ihre Arminia am vorletzten Spieltag in der hessischen Landeshauptstadt. Außerdem ist Wehen Wiesbaden's Trainer Rüdiger Rehm, ein guter Bekannter in Bielefeld. Er trainierte die Arminia von Juli bis Mitte Oktober 2016. Weitere Themen sind die geplante Renovierung des Neckarstadions, die U21 und die U19 des VfB, die STR-Mailbox, der Startelf-Tipp und es gibt Neuigkeiten in Sachen Vorstandsvorsitzenden.

Inkludering eller exkludering? Under flera år skulle svenska skolbarn till varje pris inkluderas i en stor klass. Specialpedagogiska myndigheter och myndigheter menade att det var varje barns rätt att gå i vanlig klass - oavsett svårighet. Det var skolans plikt att lösa detta. Skuldbeläggning om skolan inte fixade det hela och onda ögat på dem som vidhöll att liten grupp - alltså exkludering av elever. Många hobbyföreningar bestående av vårdnadshavare till barn med NPF-problematik tryckte på och ställde krav på skolan. På en del skolor monterades smågrupper ner och trycket på övriga skolor blev hårt.  Eva-Lotta har jobbat som lärare i en liten grupp i många år. Här berättar hon om tanken bakom den lilla gruppen, vilket elevunderlag hon har och vilka svårigheter dessa elever har. Hur gör Eva-Lotta och hennes kollegor för att få eleverna att fungera i skolan? Trevlig lyssning!

[Our podcast is fully listener-supported. That’s why you don’t have to listen to ads! Please consider becoming a supporter on Patreon or sending us a one-time donation through Paypal. And thank you!] We have Eva-Lotta Lamm joining us to talk about the value of sketching and how it relates to data visualization. Eva-Lotta is a UX designer turned expert on sketching and sketchnoting: the art of summarizing talks through sketches. In the show we talk about visual thinking, sketchnoting and parallels with data visualization.

Today episode is different. If you been following what I am tweeting/writing recently you would notice I am spending a lot of time learning about sketching. Long story short, I was reading “pencil me in” Christina Wodtke and one of the people who was featured in the book was Eva-Lotta Lamm where she was explaining “how to take your illustration to the next level” – her work and advice stood out for me. I started to follow Eva-lotta on Instagram and day after day I discover how awesome she is. So who's Eva-lotta? Eva-Lotta Lamm is a User Experience Designer, illustrator, and visual thinker. She grew up in Germany, worked in Paris and London for a few years before packing up her backpack and go traveling the world for 14 months. She has over 12 years of experience working on digital products as an in-house designer for Google, Skype, and Yahoo! as well as freelancing and consulting for various agencies and her own clients. After being a (semi-)nomad for 2 years, she is now based in Berlin, helping her clients to make complex problems visual so they can ‘see' them from a fresh perspective and work on solving them more efficiently. We talk about how she got into art, and how she moved to Paris and then London. How one day she packed her bags to travel around the world. We chat about working for corporates vs freelancing and then we stumble upon note-taking and how she recorded her reflections through sketch noting and finally how she feels about paper vs. digital. Not just that, we talked about improv and some deep stuff like bringing awareness in the learning process which Eva-lotta call the intentional practice. Really deep stuff. I think you guys gonna enjoy this episode. So .. get a notebook ready and please enjoy my conversation with Eva-Lotta. Links: Eva-lotta website (blog, newsletter and links to social media accounts) Instagram Secrets from the road Abdul twitter

Att skaffa sig en riktigt fin takterrass kan vara ett sätt att förverkliga sin livsdröm. Men var går gränsen mellan självförverkligande och hänsyn till andra? I P1 Dramas nya dramakomediserie Balkongkriget flyttar slamkungens dotter Eva-Lotta in högst upp i den välordnade bostadsrättsföreningen i en fin stockholmsstadsdel, där alla är så välartade och vällyckade och såå överens om en välvillig världsbild. Men när Eva-Lotta vill förverkliga sin livsdröm och bygga en stor, vräkig balkong som skulle förmörka och minska värdet på övriga invånare bostadsrätter, väller helt andra sidor fram hos de till nyss så goda grannarna. Serien väcker intressanta frågor, till exempel om relationen mellan moral och gruppfavorisering: Vad är viktigast för oss människor, att handla rätt eller passa in i gruppen? Om detta samtalar William Spetz, skådespelare i Balkongkriget, med filosofen Lena Halldenius och sociologen Mikael Klintman. Programledare: Lars Mogensen, producent: Thomas Lunderquist.   Böcker som nämns i samtalet är: Om tyranni. Tjugo lärdomar från tjugonde århundradet, av Timothy Snyder och  Gruppens grepp. Hur vi fördomsfulla flockvarelser kan lära oss leva tillsammans, av Mikael Klintman, Thomas Lunderquist och Andreas Olsson.

Eva-Lotta Svensson berättar varför valet av Centerpartiet var väldigt enkelt när hon hade läst på vad alla partier står för.

Ett samtal med Eva-Lotta Norberg, 50 år, Örnsköldsvik. Om att vara hemma-arbetande. Alltid trott. Min bästa vän och helig. Spännande att va kristen. En stund varje morgon. Bara lyssna. Skaparen. Att ta sig tid. Självbild och Gudsbild. Helande!? Trösta och uppmuntra. Säga nej. Helhet genom Kristus. Allt har sin tid. Mose. Apostlar och herdar. Prioriteringar. Psaltaren 36:6-10. I Guds ljus ser vi ljus. Om Jesus - helt enkelt.

In this episode, I chat with the amazing Eva-Lotta Lamm, a designer, sketchnoter and a really brilliant person, who traveled the world and captured the experiences she had as sketchnotes. We also talk about tools, iPad Pro and Eva-Lotta shares 3 tips for improving your sketchnoting practice. SPONSORED BY The Sketchnote Army Clothing Collection! A variety of t-shirts and sweatshirts available for sale at Teespring that support Sketchnote Army and look fashionable at the same time! http://sketchnotearmy.com/t-shirts SHOW NOTES Eva-Lotta's Website - http://www.sketchnotesbook.com Twitter - https://twitter.com/evalottchen Instagram - https://www.instagram.com/evalottchen/ Flickr - https://www.flickr.com/photos/evalottchen/ Secrets from the road: reliving our world trip in sketchnotes - https://secretsfromtheroad.com/ Secrets from the road (Facebook) - https://www.facebook.com/secretsfromtheroad/ Notes from the Road - https://www.flickr.com/photos/evalottchen/albums/72157648014035569 Eva-Lotta's favorite pens - http://www.sketchnotesbook.com/blog/2013/2/19/f7jvg6pebvlzb433lho8uplf8z5e3i Apple iPad Pro - www.apple.com/ipad-pro/ Apple Pencil - www.apple.com/apple-pencil/ Paper by FiftyThree - https://www.fiftythree.com Procreate App for iPad - procreate.si/ Thoughts About Sketching Practice - https://medium.com/@evalottchen/thoughts-about-sketching-practice-53454ef9cb19 Drawn together through Visual Practice, an anthology featuring an article about Visual Improvisation by Eva-Lotta - https://visualpracticebook.com/

De flesta av oss vill inte göra ont, ändå gör vi det. Hur kan vi motverka det? Hur skapar vi ett samhälle där de onda handlingarna inte utförs, eller åtminstone utförs mycket sällan? Dagens gäst är författarinnan och journalisten Eva-Lotta Hultén