Podcasts about gittes

Vi risikerer et 'lortesamfund'. Det skriver tidligere sektorformand i HK Privat, Simon Tøgern, i sin nye bog, hvor han giver fagbevægelsen et spark bag i. Vi taler med ham senere i programmet.Dansk Sygeplejeråd holder ekstraordinært kongres i næste uge, hvor forkvinde Dorthe Boe Danbjørg får kamp til stregen. Vi diskuterer, om hun kan tøjle uroen i baglandet og komme igennem med sine strukturændringer.Og så ramte Gittes forudsigelse rigtigt, det stærke par Mads Samsing og Sofie Berg Axelsen er topkandidaterne til at overtage HK formandsposten.Værter: Kristian Madsen & Gitte RedderProducer: Mathilde Hebsgaard LundGæster: Mikkel Andersen, formand for FH hovedstaden og chefplanlæggeren for 1. maj i Fællesparken & Simon TøgernLydklip: TV2

Chinatown (1974) is a neo-noir crime thriller, directed by Roman Polanski from a screenplay by Robert Towne. Based loosely on the Owens Valley water wars in Los Angeles from the early twentieth century, the film follows private investigator J.J. (“Jake”) Gittes (Jack Nicholson) as he pursues a series of leads that take him into the dark underbelly of power and corruption in 1930s Los Angeles. A woman claiming to be "Evelyn Mulwray” initially hires Gittes to follow her husband Hollis, whom she suspects of infidelity. Gittes discovers that Noah Cross (John Huston), the father of the real Evelyn Mulwray (Faye Dunaway), had Hollis, his former business partner and head of the Los Angeles Department of Water and Power, killed. Hollis had learned of Cross's plan to force famers in the Northwest valley to sell their land by cutting off their irrigating water and purchasing it through dummy syndicates on the cheap with the aim of developing the land into valuable Los Angeles real estate. Gittes also learns that the young woman he falsely suspected Hollis of having an affair with is Evelyn's sister and daughter—the product of Evelyn's rape by Cross when she was fifteen. While Gittes ultimately unravels the mystery, he is unable to stop the powerful Cross from achieving his goals or prevent the tragic fate that awaits Evelyn. My guest to talk about this venerated New Hollywood era classic is Emeritus Professor John Walton of the University of California, Davis.Timestamps:0:00    Introduction3:37     Chinatown's historical and literary elements6:28     How the film adapts historical events and figures 12:13    The private investigator in film and popular culture18:09   Jake Gittes and the power structure24:27   “Either you bring the water to LA, or you bring LA to the water”28:17    The private eye and the police32: 56  The mystery and impenetrability of power35:00  How Chinatown affects perceptions of the water wars38:43   Public law affecting water allocation and management40:05  The formalities of law and the power structure beneath it44:15   “The Defects of Total Power” Further reading:Brownstein, Ronald, “The 1970s Movie that Explains 2020s America,” The Atlantic (June 20, 2024)Hoffman, Abraham, Vision or Villainy: Origins of the Owens Valley-Los Angeles Water Controversy (1981)Kahrl, William L., “The Politics of the California Water: Owens Valley and the Los Angeles Aqueduct, 1900 – 1927,” Hastings West-Northwest J. Envt'l L. & Policy, vol. 6, nos. 1 & 2 (2000)Libecap, Gary D., “Chinatown: Owens Valley and Western Water Reallocation – Getting the Record Straight and What It Means for Water Markets,” 83 Texas L. Rev. 2055 (2005)Walton, John, “Film Mystery as Urban History: The Case of Chinatown,” Cinema and the City (M. Shiel & T. Fitzmaurice, 2001)Walton, John, The Legendary Detective: The Private Eye in Fact and Fiction (U. Chicago Press (2015) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

When George Gittes, MD, and his research team came across an outcome they weren't expecting, Dr. Gittes' surgical background helped identify an amazing discovery — using gene therapy to reverse autoimmune type I diabetes without immunosuppression. Hosts Stephanie Dewar, MD, and John Williams, MD, discuss the details of this fascinating study and more with Dr. Gittes. Dr. Gittes has recently been appointed the director of the Richard King Mellon Foundation Institute for Pediatric Research and co-scientific director at UPMC Children's Hospital of Pittsburgh.

Dana and Tom welcome new guest, Scott Cole (Twitter-X/IG (@colecommascott) movie commentator, and occassional writer/contributor for The Movie Friends podcast.com (@moviefriendspodcast)), to the show to discuss the neo-noir classic, Chinatown (1974): directed by Roman Polanski, written by Robert Towne, starring Jack Nicholson, Faye Dunaway, and John Huston. Plot Summary: Chinatown (1974), directed by Roman Polanski, is a masterful blend of noir and tragedy that stands as one of the great achievements in American cinema. The film stars Jack Nicholson as Jake Gittes, a private detective whose specialty is uncovering marital infidelities. When he is hired by a woman claiming to be Evelyn Mulwray (Diane Ladd) to investigate her husband's suspected affair, Gittes is drawn into a labyrinth of deceit, corruption, and murder. Set against the backdrop of 1930s Los Angeles, the plot thickens as Gittes discovers the true Evelyn Mulwray (Faye Dunaway) and realizes he has been duped. The deeper he digs, the more he uncovers a sinister conspiracy involving water rights and the powerful land magnate Noah Cross (John Huston).Chinatown is not just a detective story; it is a commentary on the corruption and decay that lie beneath the surface of society, a theme that remains relevant to this day. In the end, as the iconic final line suggests, "Forget it, Jake. It's Chinatown," the film reminds us that some mysteries are better left unsolved, and some wounds never heal.0:00 Welcome – First-Time Guest Questions5:05 Cast and Recognition9:03 Relationship(s) to the Film14:19 What is this Film About?22:52 Why is this Film Important to the Detective/Mystery Genre?26:46 The Elephant in the Room…34:55 Plot Summary36:27 Did You Know?38:51 First Break41:14 Ask Dana Anything54:17 Best Performance(s)1:08:23 Best/Favorite/Indelible Scene(s)1:16:20 In Memoriam1:17:41 Best/Funniest Lines1:19:38 The Stanley Rubric/Legacy1:25:24 Impact/Significance1:31:53 Novelty1:37:09 Classicness1:42:05 Rewatchability1:46:02 Audience Score/Recap1:46:27 Final Score1:47:22 Remaining Question(s)1:53:02 Listener Question(s)1:57:23 Guest Acknowledgement1:58:30 Final Thoughts1:59:55 CreditsYou can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com//post/chinatown-1974-ft-scott-coleFor the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Någonstans under Edwin Nilssons gård, Rödhöksstigen 12, Skiphult. (Tidig tisdag morgon 7 juli 2019)  Den underjordiska kontorskorridorens unkna heltäckningsmatta färgas rosa av det innanmäte som nu lämnar Kattafan och Gittes livlösa kroppar. Ett kortkommando på ett minitangentbord senare swishar Lazlo mot sitt öde med hjälp av arkaisk magnetenergi. “Ve och Fasa Rollspelspodd” hittar du även på:  https://www.facebook.com/veochfasarollspel, https://www.instagram.com/veochfasarollspel/  https://www.youtube.com/channel/UCjjRhnNO7UZlf_jhMW33rPA

Gitte og Bjarne Hvelplund mødte hinanden på landbrugsskolen i 1992 og har været sammen siden. I 1999 købte de halvpart i Gittes forældres ejendom, så de har faktisk lige haft 25 års jubilæum. I 2014 overtog de resten af ejendommen - de ville egentlig gerne have overtaget tidligere, men finanskrisen gjorde det meget bøvlet.. I dag taler vi om udviklingen på ejendommen siden Bjarne og Gitte overtog den for 25 år siden og vi kommer meget omkring kalve-delen, som Gitte har stort fokus på. Der er kvægnørderi på programmet, når Anders, i selskab med fagspersoner fra branchen, fylder dine ører med sjov og spændende kvægsnak. Det bliver underholdende, når både erfarne og mindre erfarne gæsteværter kommer forbi studiet! Malkekvæg præsenteres i samarbejde med Cow Wellfare og Jysk Medieproduktion.

Join us in the basement as we unravel the enigmatic world of the 1974 film "The Conversation." In this cinematic exploration, we delve into the intricate plot, the stellar cast, awards, and intriguing trivia surrounding this timeless masterpiece.Discover the hauntingly brilliant performance of Gene Hackman as J.J. Gittes, a private investigator ensnared in a web of corruption and moral ambiguity. Explore how Roman Polanski's dual role as both actor and director adds layers to the film's mystery, and learn how Faye Dunaway's portrayal of Evelyn Mulwray brings depth to the narrative.We'll also uncover the film's box office performance and its lasting impact on the world of cinema, including its inclusion in the National Film Registry. Dive into intriguing trivia, such as the real-life injury on set and the film's influence on future filmmakers.Whether you're a fan of film noir or simply love a good mystery, this episode is a must-listen as we dissect the secrets hidden within the heart of "The Conversation."

In this episode of "TV In the Basement," we delve deep into the shadowy world of the 1974 film "Chinatown." Join us as we step into the seedy underbelly of Los Angeles in the 1930s and explore the intricate plot, stellar cast, awards, and intriguing trivia surrounding this film noir classic.Discover how Jack Nicholson's portrayal of J.J. Gittes, a private investigator caught in a web of corruption and deceit, earned him critical acclaim and an Academy Award nomination. Explore Roman Polanski's dual role as both actor and director in this cinematic gem, and learn how Faye Dunaway's memorable performance as Evelyn Mulwray added depth to the story.Uncover the film's box office performance and its enduring impact on the world of cinema, including its inclusion in the National Film Registry. We'll also share intriguing trivia, such as the real-life injury suffered during filming and the film's influence on future filmmakers.Join us on this cinematic journey through "Chinatown" within the context of Netflix's "Milestone Movies: The Anniversary Collection." Whether you're a fan of film noir or simply love a good mystery, this episode is a must-listen as we explore the secrets hidden in the heart of "Chinatown."

Host and "Main Guy" Hollis Mulwray carries the water for contestant and professional flashlight repairman J.J. Gittes (playing for his nameless charity) and dyslexic Noah "Norah" Cross, the 1974 Paste Eating Champion of the United States (playing for his charity Hymen Transplants).Categories include:• Launch• Moon• Orbit• Space• Star• SunLEGAL ADDENDUM: Our attorneys insist that we apologize in advance to 13-year-old girls, Jack Nicholson, and that teen-fucking, kid-diddling, jug-eared, sex-offending puke Roman Polanski.#accident #blackhumor #california #comedy #crude #dark #gallowshumor #industrialaccident #mature#morbid #osha#pottymouths #schadenfreude #tasteless #vulgar

Detta är DEL 2 med Jennifer Langstone.I dessa avsnitt pratar Jennifer ingående om vad som går att utläsa genom evolutionär astrologi, både för enskilda personer och hela samhället. Hon förklarar skiften i världen, varför vi bör röra oss mot ett mer individualistiskt levnadssätt och hur vi alla enskilda människor är precis så som vi ska vara. I Del 2 pratar hon även om hur var och en bäst tar upp näring och vad för slags mat vi behöver, utifrån vår unika Human Design. Vi går igenom Lin och Gittes personliga kartor och gemensamma relation.Här är Jennifers hemsida och instagram:https://raising-vibrations.com@jennifer_langstoneStort tack för musiken! http://jon.rinneby.se Hosted on Acast. See acast.com/privacy for more information.

En million seere har foreløbigt fulgt hvert af de første afsnit i TV 2-serien ‘Balladen om kolonihaven'. Dokumentarserien foregår i kolonihaveforeningen Jørgen Berthelsens Minde uden for Aalborg, hvor det ene frontale sammenstød efter det andet udspiller sig mellem unge og gamle og deres indimellem vidt forskellige oplevelser af fællesskabet. Men hvad er det egentlig, der bliver afsløret, når unge og gamle – klimatosser fra byen og ølglad arbejderklasse – taler forbi hinanden?Gitte Sønderby er hovedtilrettelægger på serien. I dagens afsnit af ‘Du lytter til Politiken' giver hun sit bud på, hvad diskussioner om højden på hække og skænderier om mælkebøtter i græsplæner siger om tiden og om os, der lever i den.

Græssende dyr er jo bare naturens plæneklipper. Det ved Vildspors vikar-vært, Mette Hesselholt Henne Hansen, alt om. I dagens program byder hun reporter Peter Løhde på vandmelon i sin vilde have, hvor hun gennem fem år har overladt græsslåningstjansen til sine nuttede kaniner. Sammen stikker de snuden i jorden og ser nærmere på, hvilken effekt som de små pelsklumper har haft på Mettes matrikel - udover at efterlade lorte over det hele. I anden time tager Mette og Peter på besøg hos Gitte, der ligesom Mette har overladt haven til sine græssende dyr - dog et lidt større af slagsen. Gittes to ponyer får nemlig jævnligt lov til at tage for sig af det grønne græs på havens plæne. Vært: Mette Hesselholt Henne Hansen. Medvirkende: Gitte.See omnystudio.com/listener for privacy information.

Of course, I'm not an actor. I'm a priest. But Nicholson had a profound influence on my life. I mean, I was a good little fundamentalist Christian, so his fast-living reputation was not really for me growing up. But he had this way about him that just bowled me over. He seemed always to be utterly himself in whatever he did - even while convincingly playing fantastic characters. He was the Joker, or McMurphy, or J.J. Gittes, or Col. Jessup, or Melvin Udall, but at the same time he was Jack! And I loved that. When I was in college, my buddy Wes and I visited Hollywood and made our film lover's pilgrimage to Grauman's Chinese Theater. This is the spot where many famous actors have put their hand and foot prints into the cement. I got down on my knees in front of Jack's signature and placed my hands in his handprints. They fit perfectly. Wes' hands fit in James Stewart's. We floated away. It's a strange thing to call someone your inspiration when you haven't actually followed in their footsteps. A few years back I was at a concert and I ran into a comedian named Emo Phillips. He is not terribly famous, but when I was younger I had seen a stand-up special of his that was so absurd and outlandish that it had turned my idea of comedy upside down. I walked up to him that night and introduced myself. He was very gracious. I told him that he had been a big inspiration to me growing up. "Is that so?" he asked, "what do you do?" I said I was a priest, and without missing a beat he said, "Well obviously."

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 1️⃣✖0️⃣2️⃣ | CHINATOWN Dirigida por Roman Polanski y protagonizada por Jack Nicholson, nos presenta una de las joyas del cine negro ambientada en Los Angeles en 1937, que enfrentará al detective Gittes contra una trama de corrupción y lucha por el agua en plena sequía en California. En el reparto encontramos a Faye Dunaway, John Huston o el propio Polanski, haciendo un pequeño papel muy relevante y recordado. Música de Jerry Goldsmith, guion de Robert Towne y fotografía de John A. Alonzo, componen una de las mejores películas del género que recordamos. ¿Sabías que Chinatown subvierte las convenciones del cine negro?. ¿Y que tuvo un rodaje tenso y accidentado?. ¿Habías caído en que es ejemplo de violencia y dominio masculino?. ¿Es un pastiche de los clásicos de detectives o un clásico en sí mismo? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Chinatown. SECCIONES ▪️ Contexto ▪️ Convenciones del cine negro subvertidas ▪️ Rodaje tenso y accidentado ▪️ Violencia y dominio masculino ▪️ ¿Es un pastiche de los clásicos de detectives o un clásico en sí mismo? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/1x02-podcastwood-chinatown/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2023

Welcome to the Instant Trivia podcast episode 771, where we ask the best trivia on the Internet. Round 1. Category: Cool, Dude!. With Cool in quotes 1: Paul Newman refuses to conform to rural prison life in this movie. Cool Hand Luke. 2: In the late 19-teens, he was the governor of Massachusetts. Calvin Coolidge. 3: In the 1980s Ernest and Julio Gallo introduced these beverages under the Bartles and Jaymes label. wine coolers. 4: Rapper born Artis Ivey Jr.. Coolio. 5: Nickname of ballplayer James Bell, said to be so fast that a ball he hit struck him as he slid into second. "Cool Papa". Round 2. Category: Tanks! 1: Reportedly this British prime minister once termed the English Channel the world's best tank trap. Churchill. 2: This large U.S. tank bearing the name of a Civil War general was the most widely produced tank of World War II. Sherman. 3: In 1942 British forces were pushed from Libya into Egypt by this general's Afrika Korps tank units. Rommel. 4: This country's T-34 tank played a large part in fighting off German invasion in 1941. Soviet Union. 5: "War As I Knew It" was the memoir of this fierce tank commander who participated in the invasion of Sicily. Patton. Round 3. Category: Army, Navy, Air Force Or Marines 1: Future president John F. Kennedy. Navy. 2: "The Right Stuff" guy Chuck Yeager after 1947. Air Force. 3: The Civil War's David Glasgow Farragut. Navy. 4: Assassin Lee Harvey Oswald. Marines. 5: Cold War figure Francis Gary Powers. Air Force. Round 4. Category: Hundreds 1: Scrape together 100 pence and trade it into the Bank of England for 1 of these. Pound. 2: Richard Dawson hosted this show that featured surveys of 100 people. Family Feud. 3: In 2000 a roll or "coil" of 100 first-class stamps set you back this much at the post office. $33. 4: This movie about the Battle of Thermopylae was based on a Frank Miller graphic novel. 300. 5: The Dewey decimal system puts history and geography in the group starting with this 3-digit number. the 900s. Round 5. Category: Film Noir 1: Jack Nicholson played L.A. private eye J.J. Gittes in this 1974 classic. Chinatown. 2: David Mamet wrote the screenplay for the 1981 remake of this noir classic based on a novel by James M. Cain. The Postman Always Rings Twice. 3: Emma Thompson and this actor each had 2 roles in the 1991 noir thriller "Dead Again". Kenneth Branagh. 4: He made his directorial debut with 1981's "Body Heat". Lawrence Kasdan. 5: The Coen Brothers paid homage to film noir with this 1984 movie about a private eye hired to kill a cheating wife. Blood Simple. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Okänd plats bortom den f.d. floden Lagan & POP Co-Pilot Think Tank for Creative Entrepreneurs, Södra Kosciuszko, Nya Bennevitz. Måndag förmiddag, 6 juli 2019 Hemglassbilens signummelodi ekar genom en övergiven temapark med vilda västern tema. Snart uppenbarar sig en viss brölig byggherre iförd cowboyhatt och borrmaskin. Samtidigt återbekantar sig Anden med POP Co-Pilot Think Tank for Creative Entrepreneurs högkvarter. Gittes smoothiebruk har accelererat, lagerinventariet saknar ordentlig ordning, och serverrummet ger ifrån sig ljud som det inte borde göra. “Ve och Fasa Rollspelspodd” hittar du även på: https://www.facebook.com/veochfasarollspel, https://www.instagram.com/veochfasarollspel/ https://www.youtube.com/channel/UCjjRhnNO7UZlf_jhMW33rPA

Jackie and Greg take on the Los Angeles Department of Water and Power for their episode on Roman Polanski's CHINATOWN. Topics of discussion include J.J. Gittes as a quintessential New Hollywood protagonist, great works by problematic artists (and whether separating the art from the artist is possible), the impeccably twisty script from Robert Towne, their personal relationships with the city of Los Angeles, and why it continues to endure as a shining example of neo-noir.#78 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#146 on Sight & Sound's 2022 "The 250 Greatest Films of All Time" list.  bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

När 17-åriga Gitte förstår att hon är gravid bestämmer hon sig nästan på en gång, hon kan inte föda det här barnet. Hon måste göra en abort. Men det finns ett problem – det är olagligt. Gittes historia berättades först i Kristeligt Dagblad och finns att läsa här: https://www.kristeligt-dagblad.dk/historier/abortlaegen Flocken är en produktion av Third Ear Studio.

Gitte havde længe ikke haft det godt, men alligevel gik der flere år, inden lægerne opdagede, at hun havde en kæmpe tumor på æggestokkene. Æggestokkræft giver ofte kun diffuse symptomer og bliver ofte først opdaget, når sygdommen allerede er meget fremskreden. SundhedsTV sætter derfor over tre afsnit fokus på tre forskellige kvinders historier med æggestokkræft. Gittes historie er den anden.

1.200 FOA-tillidsvalgte fra hele landet mødtes i denne uge i Fredericia til det store løntræf, der sparke OK24-strategi i gang. Hvad betyder regeringens nye villighed til at blande sig med lønkroner for optakten til OK24? Og hvordan ser det ud med solidariteten mellem faggrupperne i det offentlige Forhandlingsfællesskab? - Vi har interviewet FOA-formand Mona Striib. Og så har Gitte Redder IKKE ligefrem været ugens mest populære faglige kommentator i forbundshuset på Molestien. Dansk Metal har skrevet et skarpt modsvar til Gittes klumme - og den indeholder nye, interessante detaljer om Ryanair-situationen i Billund.Værter: Kristoffer Nordskov og Gitte RedderProducer: Sarah Falsing

I Brønderslev IF har de en blomstrende og velfungerende pigeafdeling. Hør i denne episode af DBU Jyllands podcast, Klubhuset, hvordan de griber tingene an i den traditionsrige nordjyske fodboldklub. Gæsterne er klubbens pigekoordinator, Gitte Sørensen, samt træneren for U14-pigeholdet, Jannik Cramer.

Combi Clean blev grundlagt i 1996 og leverer rengøring til virksomheder indenfor alle brancher i alle størrelser. Men i episoden skruer vi tiden endnu længere tilbage, hvor episoden gæst Gitte Moulin er i en anden stor virksomhed i rengøringsbranchen. Forestil dig at du sælger og får den ene store kontrakt efter den anden på plads, og oveni det finder du ud af, at der er en lille en på vej. Det kan lyde som starten på det helt store eventyr, men sådan oplevede Gitte det bestemt ikke. Hun fik i stedet serveret en fyreseddel med ordene; "Jeg kan ikke have en gravid ansat" Hvordan Gitte tog i mod den besked må du høre i episoden, men vi tør godt afsløre her, at dette blev starten på Combi Clean. Og med en støvsuger der næsten altid virkede, startede Gitte bilen og kørte ud og fik de første kunder i hus med helt klassisk kold kanvas. Hør også hvordan Combi Clean voksede fra 35 til 350 medarbejdere på bare få år og hvordan Gitte gør rengøring trendy og spændende at følge på LinkedIn. Dette er Gittes iværksætterhistorie. Hør mere i vores podcast. Produceret af Podtribe Media Episoden er bragt sammen med Nemlig.com Hvis du vil støtte vores lille medie kan du gøre det her på Patreon.  See omnystudio.com/listener for privacy information.

Gitte Dalberg-Larsen er Commertial Director og Co-owner i AllMatters. De hed tidligere OrganiCup har siden 2012 revolutioneret et konservativt menstruationsmarked, som har stået stille de sidste 50 år. De er på verdensplan lykkedes med at gøre den bæredygtige og genanvendelige menstruationskop til et reelt alternativ til engangsbind og tamponer. I dette afsnit af Iværksætterhistorier fortæller Gitte hvordan de på fem år har skabt en virksomhed som omsætter for 50 mio kr. uden investorer. Hun fortæller desuden om en massiv CSR strategi, som hjælper kvinder igennem NGO'er verden over. Derudover deler hun hvordan AllMatters nu er klar med en version 2.0 og til at vækste yderligere igennem produktudvikling med fokus på bæredygtighed.   Dette er Gittes iværksætterhistorie. Hør mere i vores podcast.  Produceret af Podtribe Media Episoden er bragt sammen med vores kunde Nemlig.com og Pleo Hvis du vil støtte vores lille medie kan du gøre det her på Patreon.  Fra tabu produkt til kæmpe succes AllMatters er en dansk virksomhed stiftet i 2012 som laver menstruationskopper. Det er en genanvendelig kop som absorberer menstruationsblodet og er et bæredygtigt alternativ til bind og tamponer. Den er lavet af medicinsk silikone og er uden mikroplast. Virksomheden blev stiftet af barndomsvennerne William og Kristian. De kørte virksomheden i 3 år som et deltidsprojekt, men besluttede i 2015 at ville gå all-in. Med Gitte ombord får de produktet ud over rampen rent salgsmæssigt. Hun har inden da arbejdet i store corporate virksomheder som commercial director, men sagde i 2015 sit job op uden at have andet, da hun kunne mærke entreprenørlængslen i maven. Med hendes kompetencer ombord tidoblede AllMatters deres omsætning på 1 år - Fra 900.000 til 9 mio. Det gjorde de igennem benhårdt salgsarbejde og ved at definere virksomheden strategisk. De arbejdede med at skabe awareness igennem influensers, sociale medier og havde meget fokus på produktets bæredygtige vinkel.  AllMatters version 2.0 I dag omsætter virksomheden for 50 mio. og findes de i 40 lande og 7000 butikker. Væksten er båret af at kendskabet til menstruationskopper er steget markant indenfor 2-3 år. Under corona har de brugt tid på at produktudvikle, så de i dag ikke kun er et brand der sælger menstruationskopper, men et sustanible care brand. Deres fokus bliver at skabe bæredygtige alternativer indenfor personlig pleje, som er formuleret uden vand. Deres første 2 produkter er body wash og håndsæbe i pulver form hvor forbrugeren selv tilsætter vand. I samme forbindelse har de skiftet virksomhedsnavn fra OrganiCup til AllMatters.   Solid CSR indsats Ud over et fokus på produktudvikling har AllMatters en solid CSR strategi. De arbejder med hele 60 forskellige NGO'er, hvor de donerer menstruationskopper til kvinder som ikke har adgang til menstruationsprodukter. I mange afrikanske lande har de ikke adgang til hygiejne artikler og kvinderne anvender gamle klude eller komøg under menstruation, som skaber infektioner og kan betyde at de ikke kan få børn på sigt. AllMattrers samarbejder også med NGO'er som underviser på skoler i menstruation. De har desuden startet et projekt som hedder Campus Cup på 95 universiteter i USA. Her uddeler de kopper til studerende som ikke har råd til at købe. Det har vakt så meget opsigt at Forbes har lige bragt artikel om projektet. Gitte tror på at forbrugere i dag ser bag om virksomheder og køber ind på hvad de står for. AllMatters mærkesag er derfor også at arbejde meget mod tabu omkring menstruation og ikke bare lave kommunikation der går ud på salg. Fra start up til scale up  AllMatters har stagneret på omsætningen under corona da meget af deres distribution har været lukkede forretninger og de arbejder nu på at komme tilbage på sporet rent vækstmæssigt. Organisatorisk som virksomhed er de gået fra start up til scale up. I 2019 fordoblede de antallet af ansatte og kort efter blev alle hjemsendt. De skal nu have integreret værdier hos alle medarbejdere: Det er noget vi arbejder meget med nu. Nu skal vi tilbage og have alle med ombord igen og gå fra den her cilo opdelte arbejdsgang, som vi lidt oplevede under corona. Hvor det blev lidt salg, og så sad det kreative team og det logistiske team. Det der samarbejde som kendetegnede os meget inden corona. Der gik splitsekund fra tanke til handling nogen gange og det her tætte samarbejde og dialog med hinanden. Den mistede vi lidt.  De er nu i en proces med at bygge værdierne og strukturen ind i organisationen. De ønsker at bibeholde startup mentaliteten med fokus på udvikling og innovation selvom de vokser.  Gitte forventer at fremtiden byder på en vækstrejse igennem de nylancerede bæredygtige produkter. Derudover er der stadig mange markeder hvor produktet har større potentiale da menstruation stadig er tabu. Målet er at menstruationskopper skal blive mainstream. I dag viser sundhedsplejesker både bind tamponer og kopper ved undervisning på skoler. Gitte ser det øgede kendskab og dertilhørende konkurrence som noget positivt, da det sætter fokus på alternativerne til bind og tamponer. Derudover holder det AllMatters på træerne og gør salgsteamet skarpere i forhold til sell-in. Alt dette og meget mere taler vært Mark Anthony og gæst Gitte Dalberg-Larsen om i dette afsnit af Iværksætterhistorier. See omnystudio.com/listener for privacy information.

HVORFOR REAGEREDE INGEN, DA JEG JO ÅBENLYST FORANDREDE MIG? (episode 50) Gitte er 36 og førtidspensionist i dag. Diagnosen forhindrer hende i at kunne arbejde, selvom hun virkelig gerne vil, og har prøvet adskillige gange. Hun er det lægerne kalder "svært ramt", og får den stærkeste medicin, som findes. I gymnasietiden, mister hun sin hund, og over natten får hun sin første psykose. Hendes adfærd ændres drastisk. Hun bliver meget vred og hendes karakterer falder, men ingen reagerer, eller i hvert fald griber ind. Der skal gå hele 6 år før, Gittes daværende kæreste får hende til psykiater, som stiller diagnosen: Skizoaffektiv sindslidelse, som er en blanding af bibolar og skizofreni. Gennem årene siden har hun fået elektro-chok som behandling, som virkelig hjælper. -og hun har ikke været indlagt i tre år nu, som hun også er stolt af. Men hvordan er det at have en diagnose, som du skal leve med. En, der begrænser dig, så du ikke bør få børn selv, ikke kan have et arbejde og blive mødt af skræk, fordi omverden er bange for sådan en diagnose. Hør med her, når Gitte fortæller, om at være gift med en mand, som har to børn. Om at være på en mission, som ambassadør for EnAfOs, i håbet om bare at kunne hjælpe en derude.

We're back, and the “L.A. Trilogy” is finally here! Joined by Los Angeles journalist and historian Hadley Meares, Sean and Cody delve into the environmental history of L.A. by examining this classic 1974 film noir thriller, generally regarded as one of the finest pictures ever made. In Chinatown, private gumshoe J.J. Gittes (Jack Nicholson) is hired by a mysterious femme fatale to stick his soon-to-be-sliced nose into a grubby affair involving L.A.'s water commissioner. The case soon takes a nasty turn as Gittes and his moll Evelyn Mulwray (Faye Dunaway) find themselves in the mist of a labyrinthine conspiracy to steal water and prime real estate in the biggest swindle of all time. Environmental issues discussed include the real-life “water wars” of L.A. vs. the Owens Valley in the early 1900s, the St. Francis dam disaster of 1928, the Los Angeles river, and ethnic cleansing by Los Angeles authorities in the 1930s, especially involving the power of eminent domain. How true is the Bond villain-like conspiracy at the heart of Chinatown's plot? How close is it to the real conspiracy, engineered in the early 1900s, to inflict a deliberate drought on Los Angeles's prime crop land in advance of a vote on a bond measure to fund water infrastructure? William Mulholland: hero or villain? Why did Owens Valley farmers go full-on terrorist in the 1920s, attacking aqueducts with dynamite? How did the Chinese-American population of L.A. get shafted by their white neighbors, not once, but twice? How does this film exemplify the genre of film noir? What does this picture have to do with the Manson murders and Roman Polanski's own monstrous crimes? How does Chinatown lead into the next film in the L.A. Trilogy, Who Framed Roger Rabbit? All these questions and more are shadowing you in a ‘35 Packard in what may prove to be an iconic episode of Green Screen. Content warning: the director of this film, Roman Polanski, is a convicted child rapist; there is brief discussion of his crime in the episode. Chinatown (1974) on IMDB: https://www.imdb.com/title/tt0071315/ Chinatown (1974) on Letterboxd: https://letterboxd.com/film/chinatown/ Next Movie Up: Who Framed Roger Rabbit (1988) Additional Materials About This Episode

This month we're taking a look at films that Chris hasn't seen, and most of them are going to be some of the true classics of the medium including the first film of the month: Chinatown. Featuring Jack Nicholson and Faye Dunaway, it follows Nicholson as J.J. Gittes, a private eye who is approached by a wife who is convinced that her husband is sleeping around on her. He is then drawn into a web of intrigue, murder, and water that can only end in one place: Chinatown. Screenwriter Richard Hatem and Pulp Serenade's Cullen Gallagher join Chris to talk about the film, Nicholson's performance, and the ill-guided sequel The Two Jakes. You can follow Chris Stachiw at @Casualty_Chris and the Kulturecast @kulturecast. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content, along with our Patreon page.

Hvad er netværk egentlig værd? I kroner og ører? Og hvad må jeg trække fra, når jeg netværker? Vi kommer både omkring medlemskontingenter til netværk, kaffeaftaler og togbilletter – men også diskussionen om, hvorvidt et work away ophold på et spabad virkelig kan trækkes helt fra? Gitte Haugaard fortæller også sin egen netværkshistorie om, hvordan hendes egen netværksgruppe, som hun mødte på Instagram, var afgørende for, at hun flyttede sin forretning online og begyndte at udbyde onlinekurser. Og hører du med hele vejen til slut, finder du også ud af, hvorfor Gittes revisionsvirksomhed er båret af flade sko.

Hvordan vil ' Luksusfælden' lyde, hvis det på blot en halv time blev genskabt som improviseret musical? Specialklassen gir deres bud ufiltreret og musikalsk. Deg er endnu engang gåe galt for et dansk par – og denne gang skal vi besøge radioværten Magiske Morten og se på han og konen Gittes økonomi. Det er svært at få livet til at hænge sammen når man bruger størstedelen af familiens økonomi på magiske illusioner – hvor meget kan magi tære på et ægteskab? Intet er forberedt, og intet er klippet og redigeret, når Specialklassen slippes løs. Værter: Kasper Le Fevre, Rasmus Søndergaard, og Kasper Gattrup. Pianist: Bjarne Langhoff.

When Los Angeles mark Dr. Damian Gibson is hired by Evelyn Mulwray to investigate her husband's activities, he believes it's a routine infidelity case. Damian's investigation soon becomes anything but routine when he meets the real Mrs. Mulwray and realizes he was hired by an imposter. Mr. Mulwray's sudden death sets Gittes on a tangled trail of corruption, deceit, and sinister family secrets as Evelyn's father becomes a suspect in the case.

Uh et actionpacked afsnit. Andreases taxa bliver stjålet og Rene kommer næsten op at slås med den polske mafia. Og så er der generalforsamling og Verner er næsten ved at miste firmaet. Mike og Lotte deler en blomme - og Gittes hår er tilbage!! Glæd jer til endnu et storartet afsnit om Danmarks bedste halvfemserserie og en sang til slut med masser af trommefills!Find alle sangene fra Taxapodcast sæson 1 her: https://soundcloud.com/taxapodcast/sets/taxapodcast-saeson-1Og sæson 2: https://soundcloud.com/taxapodcast/sets/taxapodcast-saeson-2Kontakt os på: taxapodcasten@gmail.comFind os på Facebook: https://www.facebook.com/Taxapodcast-103702224749937/Instagram: @taxapodcastHelene Hellesøe Appel: https://www.facebook.com/heleneappelhttps://www.instagram.com/heleneappel/Agnethe Melchiorsen: www.agnethemelchiorsen.comFacebook: https://m.facebook.com/agnethemelchiorsenInstagram: @agnethemelchiorsen

SEASON FINALE! Carly and Jason take a stroll into old L.A. and crack open the diabolical water diverting case with Jake Gittes in Chinatown and the 16 year later follow-up The Two Jakes where Gittes uncovers another cover-up concerning mineral rights and the Big O...not that big O...we're talking Big OIL. Chinatown is a 1974 American neo-noir mystery film directed by Roman Polanski from a screenplay by Robert Towne, starring Jack Nicholson and Faye Dunaway. The film was inspired by the California Water Wars, a series of disputes over southern California water at the beginning of the 20th century, by which Los Angeles interests secured water rights in the Owens Valley.[4] The Robert Evans production, released by Paramount Pictures, was the director's last film in the United States and features many elements of film noir, particularly a multi-layered story that is part mystery and part psychological drama. The Two Jakes is a 1990 American neo-noir[2] mystery film, and the sequel to the 1974 film Chinatown. Directed by and starring Jack Nicholson, it also features Harvey Keitel, Meg Tilly and Madeleine Stowe. Reprising their roles from Chinatown are Joe Mantell, Perry Lopez, James Hong, Allan Warnick and, in a brief voice-over, Faye Dunaway. Support us by subscribing and leaving a review! https://anchor.fm/speakeasy-noircast https://www.facebook.com/speakeasynoircast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/speakeasy-noircast/message Support this podcast: https://anchor.fm/speakeasy-noircast/support

To follow up last week's look at Chinatown, Jack Nicholson directs the return of J.J. Gittes in 1990's The Two Jakes on this week's latest episode of Film Seizure. Find new episodes every Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on Twitter: twitter.com/FilmSeizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: www.youtube.com/channel/UC76z5r6ci71xQnlCs-fzhvQ

Del 1 ud af 2, omhandlende Gittes fortælling om, at være mor til datteren Julie, der udover at være født i uge 29, desuden lever med det uundgåelige livsvilkår og fysiske handicap, Cerebral Parese. Et handicap, der ikke alene bevirker, at Julie bl.a. endnu ikke kan gå selv uden nogen former hjælp, og som ikke kun påvirker Julie selv, men også resten af familien og deres måde i det hele taget at være familie på.I dette afsnit fortæller Gitte først og fremmest om hele den følelsesmæssige rejse, som det for familien har været lige siden Julie blev født, men også om, familiens hverdag den dag i dag, med bl.a. den intensive hjemmetræning som en fast og uundgåelig del af deres liv.Rigtig god fornøjelse!

When Los Angeles private eye J.J. "Jake" Gittes (Jack Nicholson) is hired by Evelyn Mulwray to investigate her husband's activities, he believes it's a routine infidelity case. Jake's investigation soon becomes anything but routine when he meets the real Mrs. Mulwray (Faye Dunaway) and realizes he was hired by an imposter. Mr. Mulwray's sudden death sets Gittes on a tangled trail of corruption, deceit and sinister family secrets as Evelyn's father (John Huston) becomes a suspect in the case.   Snooping, Water, Family Secrets and Murder are just the tip of the iceberg for the Reel Feels Boys as they discuss "Chinatown".  We cover the characters, the director, music, cinematography... we leave nothing to chance!  Drew brings up Who Framed Roger Rabbit, while there's a "chili pepper in the candy jar" moment with some touchy issues, all the while going over just how nostalgic and seemingly untouched the film noir genre is nowadays.  Don't miss out, we'll have our secretary call you back after our smoke break and taking incriminating pictures. Forget about it... It's Reel Feels Pod!   We are the Reel Feels Podcast, every other Wednesday we'll bring you a new movie with all the feels you can handle.  We'll laugh, we'll cry and possibly restrain the frustrations to curse the heavens. But what you can count on is three guys sharing their love of cinema with you.   Please leave us a review and share your "reel" feelings.  Don't forget to call the "Tucc" line (Reel Feels Hotline) and leave us a voicemail: 661-376-0030   Patreon: https://www.patreon.com/ReelFeelsPodcast Email:  reelfeelspodcast@gmail.com  Twitter:  https://twitter.com/ReelFeelsPod Facebook:  https://www.facebook.com/ReelFeelsPodcast/

Google er blevet pålagt at skulle betale for deres featured snippets i frankring. Mon ikke det bare er første gang vi ser dette? Vi følger også op på Gittes blog nævnt i sidste podcast indlæg.Support the show (https://www.patreon.com/simonelkjaer)

Gitte er gæst. Hun arbejder som gartner og relaterer til type 5. Det at kende til Enneagrammet har hjulpet hende meget til at se egne mønstre. Her taler hun med Flemming Christensen om alt fra aversioner til følelsen af at holde folk ude eller være holdt ude. Men også at lære at tage imod hjælp fra andre mennesker og vigtigheden af fællesskab.  Lyt også til del 2 om Gittes oplevelse af samtalen efterfølgende. 

Region Nordjylland vil tvinge flere gymnasieelever ud på de hårdt pressede lokale gymnasier, men det mener rektoren fra Hasseris Gymnasium ikke er en god idé. Gittes hest Wendy skulle aflives, men så gav hun den cannabis-dråber. Struer Kommune afviser at gøre aktivt opmærksom på tilbuddet om seniorpension. Langt om længe faldt der dom i Britta-sagen. Der er både penge og projekt til at bygge en dæmning i Holstebro, der er plaget af oversvømmelser, men der er intet sket.

Iført julekugler og bjældeklang har Kaffepausen denne gang besøg af den lokale politiker og kommende folketingsmedlem Gitte Willumsen. I duften af Café Picasso's hjemmelavede gløgg - vendes ikke kun verdenssituationen i Silkeborg, men også Gittes lange vej fra Pårup Kro til Christiansborg. Derudover bliver vi lidt klogere på personen bag byens prominente politiker, som også gerne vil tale om demokrati og foreningsarbejde. Julen kommer vi heller ikke udenom i dagens afsnit. Til juletonerne fra selveste Dean Martin, vender vi julemad og gaveindkøb- og giver til slut Gitte et juleønske med hjem til Kragelund. Glædelig jul til alle.... Vi høres ved til nytårspausen d. 28. december.

Gitte 36 år, mor to og sygeplejerske, tager +20 kg på i gymnasietiden bl.a. som følge af mindre overspisninger, alkohol, inaktivitet og masser af dårlig mad. I mange år frem var Gitte plaget af klassiske yo-yo vægtforløb med mange mislykkede slankekure. To graviditeter gjorde det heller ikke nemmere. Vendepunktet blev julen 2017, da Gittes mand tog affære og fik banet vejen for vægttabet. Hør hvordan Gitte fik succes med sit vægttab og hvad hun gør for at holde vægten i dag. Dette er historien om, hvordan man vha. simple tricks uden voldsomt meget fokus på kosten kan opnå et vægttab der holder. Lyt med, lær og bliv inspireret. Som altid er træningsfysiolog Henrik Duer vært på programmet

This week, we watch the film that launched Jack Nicholson into stardom while creating perhaps the best film noir of all time, decades after the genre left the mainstream. With a chaotic shoot, and uncertainty about the quality of the film until its 11 Academy Award nominations, it remains fascinating to watch the mystery of the films story unravel with Mr. Gittes. Chinatown (1974), directed by Roman Polanski.

BIT Teatergarasjen har inngått et samarbeid med Teatertanken om prosjektet Levende kritikk. Prosjektet går inn for å heve kompetansen rundt scenekunstkritikk gjennom å utforske nye former for kritikk – med Vestlandet som utgangspunkt og omdreiningspunkt. I etterkant av forestillingen Love & Emotions 16. februar, ble det arrangert en kritikersalong bestående av et panel med dansehistorikere, dansekritikere,“teatergjengere” og en kunstner fra en annen del av feltet. Publikum deltok også i denne samtalen. Moderator: Anna Watson. Salong: Judith Dybendahl (kritiker), Snelle Hall (danseviser), Jan Piet Ballegeer (publikum) og Gitte Sætre (kunstner)

When George Gittes, MD, and his research team came across an outcome they weren't expecting, Dr. Gittes’ surgical background helped identify an amazing discovery — using gene therapy to reverse autoimmune type I diabetes without immunosuppression. Hosts Stephanie Dewar, MD, and John Williams, MD, discuss the details of this fascinating study and more with Dr. Gittes. Dr. Gittes has recently been appointed the director of the Richard King Mellon Foundation Institute for Pediatric Research and co-scientific director at UPMC Children's Hospital of Pittsburgh.

Monopolet: Ellen Hillingsø, Søren Pind og Huxi Bach. Vært: Mads Steffensen. Dilemmaliste: 1. Hanna er kommet i tvivl, om hun kan give sin niece bogen Glæden med skeden i konfirmationsgave. 2.Line og hendes mand er kede af, at deres familie lægger fotos på Facebook af deres søn. 3. Martin vil gerne have sin kæreste til at starte med at motionere igen 4. Sofie er lesbisk og fik, da hun gik i gymnasiet, startet en løgn om, at hun har været sammen flere kvinder, end hun har. 5. Susanne er træt af sin nabos nysgerrighed. 6. Gittes mand chatter med sin eks på messenger. 7. Julius nabo kræver, at deres fælles hæk bliver udskiftet, fordi naboen ikke synes, den er pæn nok. 8. Maria ville høre, om man som kvinde kan fri til sin mand. 9. Elisabeth og Berit har givet en halskæde til deres veninde. Men hun kan ikke lide den og vil have dem til at købe en ny. 10. Patricias veninde har fået en fedmeoperation og vægttabet har givet hende fornyet selvtillid, og nu taler veninden kun om de fyre, hun dater.

Forfatter Jonas T. Bengtsson i en samtale med kulturudviklingskonsulent Gitte Sørensen om sit forfatterskab: om krimigenren, om kunstens rolle, om at skrive om menneskeskæbner fra blokken i blokken - og ikke mindst om sin seneste roman "Sus", som vi læser i DR Romanklubben. Optaget i Salonen på Kulturium Bibliotek d. 17. janur 2018.

Hollywood Hot Takes No. 2. All your Hollywood news and awards show previews/reviews! Tarantino's Star Trek Movie? - 3:19 Is All The Money in the World doomed? - 12:26 Bryan Singer fired from the Queen/Freddie Mercury biopic - 21:15 The future of the Halloween franchise - 26:40 John Oliver's interview with Dustin Hoffman - 31:01 The shake-up at DCEU Studios - 40:23 Disney trying to buy Fox Marvel? - 50:50 Twin Peaks: The Return is a movie now? - 56:04 Early Award Season Update NY, LA, Critics Choice, and AFI's Top 10 - 1:01:50 Our second Hollywood Hot Takes episode will catch you up on all biggest movie news and update you on the early Awards Season. We enjoyed your response to our first Hot Takes episode, and we're happy to deliver the first of two news and award season updates to prime you for our upcoming Oscar Sprint. This episode closes with our reactions to how the critics have spoken on their ballots from both coasts and via the Critics Choice Movie Awards. (Stay tuned as our second podcast of the week will cover the Golden Globes nominations.) The Mikes of Oscar begin, as usual, deep in outer space. Quentin Tarantino has pitched J.J. Abrams an idea for the next Star Trek movie, and this alliance has fast tracked it into full thrusted pre-production. We are giddy, perhaps even Gittes - ugh, that joke looks even worse on paper; and we chat about Tarantino's career, the Star Trek franchise, and the impact a foul mouthed Spock might have on the industry. Ridley Scott's upcoming film, All the Money in the World stars Mark Wahlberg, Michelle Williams, and the esteemed, NOT Kevin Spacey. So we discuss the bizarre new marketing campaign that features Christopher Plummer, how the film was late for Critics Choice consideration, and Mike #1 delves into movie history for examples of how Hollywood has pulled the old switcheroo. Covering more headlines, we discuss the firing of Bryan Singer from the upcoming Queen & Freddie Mercury biopic, Bohemian Rhapsody. We analyze the team behind the new Michael Myers slasher film in the Halloween franchise. Then we dive into viral videos, as we have a serious chat about how HBO's Last Week Tonight host, John Oliver crushed Dustin Hoffman in a recent interview. We cover the recent shake-up at DC Comics and Warner Bros, and then we discuss how Disney and Marvel Studios are trying to own the entire business as they try to acquire Fox properties. Also, Twin Peaks has been lauded as a great movie. We rage about this. In closing, we recap the Award Season after the critics of LA and NY have chosen their year's best. We include the recent nominations of the Critics Choice Awards, and discuss the AFI's top 10 list for the year. Hopefully, this update primes you for the Golden Globes announcement, and we will cover those new nominations sooner than later in the week. As always, please help us spread the word about our podcast. Do please subscribe to and review us on iTunes, follow and comment on Soundcloud and Stitcher, and do mix it up with us on social media's Facebook, Twitter, & Instagram. Thanks for listening and stay tuned for a whole lotta new content coming your way soon. Reality sucks. Watch movies with us.

Forfatter Thomas Korsgaard i en snak med litteraturformidler Marianne Träff og kulturudviklingskonsulent Gitte Sørensen om sin debut 'Hvis der skulle komme et menneske forbi'. Om opvækst i udkanten, autofiktion og kulturjournalistisk. Optaget i Salonen på Kulturium Bibliotek d. 4. oktober 2017.

Edición 154 de La Gran Evasión, 13/10/2017, esta noche visitamos Chinatown, la obra maestra de Polanski, en 1974 el genio polaco nos atrapaba con su visón, con su homenaje al cine negro clásico, a la literatura negra, a esos detectives que husmean en asuntos turbios jugándose las narices. Chinatown es una obra desoladora, una película con el alma negra, perversa como Polanski, sombría como la luz de Alonzo, inquietante como la sonrisa de Jack Nicholson, cavernosa y oscura como la voz de John Huston y hermosa, irresistible y peligrosa como Faye Dunaway... Robert Towne hace un trabajo de guión perfecto, un minucioso engranaje que nos mantiene atentos, clavados en la butaca siguiendo al señor Gittes por los Ángeles, nos convertimos en su mirada, enorme acierto de Polanski, estar tan desconcertados como él, descubrimos lo que él descubre, y recibimos los mismos golpes, nos quedamos igual de conmocionados. Chinatown, es un estudio sobre el poder, los canallas que disfrutan de sus vidas de lujo a costa de especular, de comprar y vender conciencias, la hipocresía del sueño americano sale a flote, como las inmundicias, es una crónica fabulosa, realizada con un dominio y un conocimiento del cine exquisitos, el personaje de Nicholson, J.J. Gittes, ese detective insensible y cínico no es más que un redomado romántico, otro de tantos, el amor de Cross por su hija nos deja helados, la ciudad de los Ángeles en pleno años treinta es la testigo de la vileza de los hombres....un aroma a literatura y cine, (Chandler, Hammett, Thompson, Cain....Hawks, Bogart, Lang)….esa niebla nos envuelve al terminar la historia….que te deja tan aturdido como la banda sonora de Jerry Goldsmith, que ahonda en esa melancolía, una trompeta delicada y elegante, que recorre ese mundo lleno de riqueza material, pero dónde las personas, el amor, no cuenta, un mundo con la sombra del destino al acecho, la presencia constante del pasado, ese pasado que nos persigue, que no podemos olvidar, como Gittes, como Cross, como la señora Mulwray….en fin, Chinatown es una obra maestra llena de amargura y extremadamente bella. Es todo un clásico del cine negro moderno, todo un drama psicológico, oscuro y misterioso, tragedia, traición, corrupción, sordidez, muerte, el amor queda justo en medio. La película fue un gran triunfo para Roman Polanski, quizás el más grande de su carrera, pero sin el productor, Robert Evans no tendríamos Chinatown tal y como la conocemos. La banda sonora de Jerry Goldsmith es sensible, triste y amarga como la película. La mirada de Polanski es también amarga, desoladora y sombría aunque estemos bajo el sol de los Ángeles, nos muestra cosas horribles expuestas con una belleza extrema, esa es una de sus virtudes, sabe destapar lo más terrible del alma humana, a través de imágenes hermosas, aquí viajamos a ese infierno, una tierra sin agua, sin sentimientos...una bofetada de ponzoñoso amor. Desde la desértica torre de Radiopolis husmeamos en los trapos sucios de la ciudad, intentamos que la corrupción no compre el futuro, aunque el barrio chino lo engulle todo y el pasado nuca, nunca se olvida, no se puede escapar de él.......José Miguel Moreno, Isabel Moncada, Raúl Gallego, Gervi Navío y con las narices hinchadas de cine, nuestro crítico, César Bardés. Gervasio Navío Flores.

I denne episode af Sensitive Stemmer interviewer vi Gitte Winter Graugaard. Under interviewet kommer vi ind på: ♥ Hvordan meditation kan hjælpe vores sensitive børn til at fylde sig selv op med kærlighed, kende forskel på andres og sin egen energi og rense energien inden sengetid ♥ Gittes egen rejse og hvordan hun er kommet hertil med at være en anerkendt forfatter både i ind- og udland ♥ Vi kommer især ind på Gittes nye bog - Hjertenes Dal, som har en fantastisk meditation specielt lavet til sensitive børn og hvordan denne kan hjælpe Gittes afsluttende budskab til dig der lytter med er: "Det handler om, at finde balancen. Finde balancen, så vi kan bidrage. Vid at vi allesammen er kommet her med lyst og kærlighed. Det kommer ud på så mange forskellige måder, når det ikke er i balance. Det lyser så fint og så smukt, og vi kan genkende det, hos alle dem der har balance i deres elementer. Så alle de sensitive kunstnertyper der er rundt omkring, og sensitive folk, som hjælper andre mennesker med at finde ind i deres sensitivitet, det er sensitivitet i balance. Hvis man ikke har balancen så spejl jer i andre mennesker. Vid at der også kan være balance inden i hver enkelt af jer, og jeres børn. Og et budskab ift. børn er at de er simpelthen ikke kommet for at være besværlige. Det er der ingen af os der er. Vi er allesammen kommet her for at blive elsket og for at elske. Og vi er allesammen kommet her for at sprede lys. Og lige nu kommer der så mange, med formål at sprede lys, fordi verden har brug for det. Så find ind til det. Find alle gaverne. Find det store klaver frem og lad os spille på det." Læs mere om GitteGitte er mega passioneret for at øge trvislen blandt vores dejlige børn, unge og i børnefamilien. Det gør hun blandt andet ved at holde workshops og udbrede kendskabet til mindfulness, meditation og yoga i instituioner landet over. Derudover er Gitte forfatter til 4 bøger! Det hele startede som en dejlig puttestund med meditationer for hendes egne døtre, som heldigvis tog om sig, så andre børn kan få glæde af Gittes smukke meditationer i hendes bøger. Læs mere om Gitte Winter Graugaard her: Hjemmeside Facebook   Om Sensitive Stemmer Denne podcast er lavet til dig, der gerne vil blive klogere på det særligt sensitive personlighedstræk og inspireres af andre sensitives åbenhjertede, ærlige og autentiske historier.  Vi snakker med helt almindelige mennesker, der alle er særligt sensitive samt eksperter og andre der har kendskab til, hvordan sensitiviteten påvirker vores liv.  Vores ønske er, at skabe et fællesskab for dig der er sensitiv, så du mærker, at der er andre, der har det på præcis samme måde som dig. Du er ikke anderledes eller forkert, du er bare særligt sensitiv.  Så lyt med og find i ro i at være den du er!   Find os på de sociale medier: Facebook, Hjemmeside  

Hosted by Andrew Quinn and Darren Mooney and this week with special guest Phil Bagnell, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This time, Roman Polanski's Chinatown. When a seemingly routine investigation into spousal infidelity evolves into a political scandal, private investigator J.J. Gittes finds himself navigating the dark underworld of thirties Los Angeles. Sinister conspiracies, local politics, private ownership of public utilities. As Gittes digs deeper and deeper, he uncovers the rotten foundations upon which the city was built. At time of recording, it was ranked the 127th best movie of all time on the Internet Movie Database.

Regenerative Medicine Today welcomes Dr. George Gittes. Dr. Gittes is the Benjamin R. Fisher Chair of Pediatric Surgery and Surgeon-in-Chief, Children’s Hospital of Pittsburgh, Director of Surgical Research, Children’s Hospital of Pittsburgh, and Professor of Surgery and Professor of Pediatrics, University of Pittsburgh School of Medicine. Dr. Gittes discusses his research on pancreatic issues as well [...]

Monopolet: Filminstruktør Hella Joof, radiovært Simon Jul og musiker Mads Langer. Vært: Mads Steffensen. 1. Emma har en nabo, der græder hjerteskærende flere gange om ugen. 2. Anna er 25 år og jomfru og vil gerne snart have sin seksuelle debut 3. Helle er i tvivl om, hvilket beløb hun skal give sin nevø i konfirmationsgave. 4. Berit har i seks år løjet for sin ven Preben om, at han gjorde hende gravid, da hun var 15. 5. Berit har gjort sin mand til en uselvstændig tøffelhelt. 6. Lise venter barn med sin mand fra Kenya og er frustreret over, at hendes jyske familie og venner omtaler den kommende baby som neger. 7. Oline knalder med en fyr, hendes bedste veninde er forelsket i. 8. Niels og Gittes vennepar hjalp med forberedelserne til deres bryllup i august, men nu forventer vennerne gratis kød til gengæld. 9. Sofia har opdaget at veninderne i hendes madklub ses uden hende. 10. Ella har kun mødt sin biologiske far én gang og ved ikke, om hun skal kontakte ham igen.

Welcome to this edition of the Real Fast Results podcast!  Today's special guest is Dr. Ken Atchity, who is a very well-known Hollywood producer.  As a matter of fact, he is a producer and author who has also worked as a literary manager, speaker, writer, editor, and professor of comparative literature, among other things.  During this exclusive interview, Ken shares insight on what it takes to sell your story to Hollywood.  Without further ado, please welcome Ken to the show... What's Your Promise Today? I think what we're trying to get across today is giving our audience insight into how a story gets sold into Hollywood and whether they should have any hope of selling their story into Hollywood.  That's my goal. What Are the Benefits of Selling My Story? Every book writer and storyteller would like to see their story in front of a maximum audience.  That's what I have dedicated my last 30 years to, is helping storytellers find their maximum audience, and I long ago realized, of course, that the maximum audience is the screen.  We used to call it the "big screen" and the "little screen" before the advent of the flat screen in homes.  Sometimes that screen can be as big as the one at the movie theater.  But, in any case, television and film take stories around the world.  There isn't a country, with the possible exception of Saudi Arabia, that doesn't love movies. When you get a story told to the movies, the world gets to see your story.  You know, it can be dubbed in 182 languages, etc.  If the story came from a book that you wrote, then guess what?  The book will sell many, many more copies than it ever sold before.  We've had several examples of that in the last couple of years.  The Lost Valentine with Betty White ended up selling a whole bunch of copies of the book, which was republished for the purpose. Meg is about...after years and years of preproduction, Meg is going into production this summer in New Zealand, and we've already geared up the books to be sold again, even though they've been selling for 15 years now.  They'll really sell now because the movie becomes a commercial for your story, for your book.  So, it will sell more books.  You're getting your story out to everyone, the people who read and the people who watch.  That's the exciting part about making a Hollywood deal. Can You Run Me Through the Steps of How My Story Might Get Told? I think the first and most important element your story needs to have is to be universal.  It needs to be the kind of story that everyone wants to hear about.  There aren't that many stories in human experience, but we want to hear over and over again because every time we hear them anew, we actually hear things we haven't heard before, and we think of that story in ways that we hadn't thought before.  Therefore, it applies to our life and gives us a better inkling of how to deal with this crazy hodgepodge of stimulation that we call life.  Stories are...When we stop, and pause, and ask the question, "What's it all about," and "What would happen if a person like me got stuck into a situation like that,"...That's kind of the ancient formula of storytelling. So, its first quality is it has got to be something we care about universally.  You can start with the Seven Deadly Sins, or the Seven Virtues, and it isn't hard to figure out what people care about.  Love, and hate, and fear, and loss, etcetera, these are all big human subjects for stories, and therefore universally applicable.  That's the #1 quality that you need to have.  The second quality that a story for Hollywood needs to have is a hero.  I use the word loosely because I know better, as a former professor of classics and Greek drama.  I know that the real word is protagonist.  The Greeks invented that. The very first plays that were staged in Athens only had one actor.  He was the protagonist.  He was not only the protagonist, he was the only actor, and he basically came out on stage and acted out a story.  Later on, some genius added the second actor, who was known as the antagonist, the one who tries to stop the protagonist because he has opposite goals.  You know, we were off and running with drama when we had those two actors.  We still need that first actor, the one whose story it is and who has to do things in order to make his story turn out either happily or tragically.  So, that's what the protagonist is all about, but he's the first...He's the actor, the one who causes action to happen, and he is the primary reason that we're watching.  That means the protagonist, the hero, has to be sympathetic. Sympathetic is another ancient Greek concept.  It doesn't mean that we have sympathy because he lost his mother or he lost his daughter.  It means that we are able to suffer along with him.  That he's got such charisma as a character that we instantly get his suffering and can experience, through him and with him.  That's what "sympathetic" means.  So, we need a sympathetic hero.  If someone's completely unlikable, we lose interest within the first few minutes, but this hero doesn't necessarily have to be a good guy. My favorite example is Shakespeare's Richard III, where this ugly, kind of crippled, stupid guy comes out onto the stage in a black costume and proceeds to tell us how unhappy he is with life because he's constantly getting the short end of everything and that he's finally decided to do something about it.  He's going to go out and kill his brother's family and take the throne, after committing the 10 crimes that he predicts that he will commit.  Within a few lines of this amazing opening, everybody is totally rooting for him, not because he's a good guy, but because we are fascinated, mesmerized, horrified, by his candor.  You know, his outspoken willingness to tell us how bad he is and that he's going to do something about it, and we watch in horror for the rest of the play, until he finally brings himself down in ruins along with the whole kingdom. There's an example of a sympathetic hero.  Or, the beginning of Lethal Weapon, the first movie, when Mel Gibson wakes up in his really sleazy-looking trailer and reaches for a beer can that's open.  He takes a slug of beer, stands up and takes a walk into his bathroom and pisses.  Then, sits down again, pulls out his gun, and starts Russian roulette with the barrel of the gun in his mouth, and then we learn that he's a homicide detective.  Within the first few minutes of this, we can't stop watching.  Here's a story in which the hero is a suicidal homicide detective, and of course, he's matched with a partner who has only got a couple of weeks to retire after a long and happy career.  So, this is called creating sympathy for the characters, and these are some of the qualities of a great story. Those are three big things that you need to have to get your story sold to Hollywood.  There are others.  There has to be a very three act structure.  What are the three acts?  The beginning, the middle, and the end, not necessarily in that order, as a famous Italian director once said, but you have to have them.  The ending has to be conclusive and satisfying.  It can't just be intellectual, and thoughtful, and [open ended]...Movies that have those types of endings are not huge blockbuster successes.  People pay for stories, and stories as far as ordinary people are concerned, the audience, is "I want something that instantly drags me into the story, that keeps my attention the whole time, and then that punches me at the end with a conclusion so satisfying that I feel like I really got my money's worth for my ticket.  And, if I'm watching on television, that doesn't cause me to push the remote at any time during the story, other than maybe to turn the volume up. That's what it's all about, and that's what we are all looking for in Hollywood.  The good news about Hollywood is that it has become a lot more complicated than it used to be.  It's much more voracious for stories than it used to be because we have so many channels, and so many outlets, and so many ways of distribution.  All of them have to be fed, like a dragon that's eating rabbits.  It needs rabbits every day.  If it sees a rabbit it likes, then it will make a deal. It chases rabbits, and you know, one of the things that struck me when I entered this profession, from the academic world years ago, is that there are people called "trackers" who spend their whole days tracking down the rights to stories, and calling people like me and saying, "Do you control the rights to XYZ story?"  All they want to hear is "yes," or "No, but I'll tell you who does control them."  Then, they report back to their bosses, who pay them monthly just to track stories.  I thought, "Wow, this is really the world of storytelling if people are tracking them, not to mention paying lots of money for them, and investing millions and millions into making movies out of them." What Can I Do to Punch Up the Ending to My Story? Be creative.  That's where the creativity comes in.  You want to have an ending that leaves people bowled over and thoughtful, and sitting there in the theater thinking about it because they're so impressed by it.  If it's an action movie, it's going to be a big, climatic action scene with explosions, and guns, and all of that kind of stuff.  If it's a romance, you want a very satisfying conclusion.  It doesn't always have to be a happy ending, although in today's world that's what mostly succeeds.  I always use the example of the ending of Witness, where Harrison Ford's character is leaving Kelly McGillis' character, who lives on an Amish farm in Pennsylvania.  He is a tough Philadelphia detective, and as they kiss for the last time and he gets in his car, the audience is heartbroken.  They are thinking, "This is the most beautiful romance we've ever seen, and now he's leaving?" The director, Adrian Lyne, shows a very large place, a ranch or a farm, with a very long driveway.  That was probably the most important thing, when they were location scouting, was to choose it for the length of the driveway because his last shot is of Harrison Ford's car driving down that driveway.  As it's driving down, we see that it's slow, it's hesitating, and we're rooting for him to make a u-turn and go back into her arms because she's standing there in tears, watching her leave.  Then, as it keeps going, and he doesn't turn around, we start thinking, "Wait a minute, would I believe that?  A Philadelphia detective decides to live on a farm with Amish people, or would I believe it if she jumped in his car and went to Philadelphia with him?  Can I see a future in that?"  And, you realize, you get resigned to the fact that that's not the way this story can end. Finally, he reaches the end of the driveway and disappears from view as he turns, and you feel stunned by the beauty of the story and by the realization that some romance doesn't have to end in wedding bells and have happy endings.  It doesn't make it less beautiful; it just makes it more real.  So, there's an example of enhancing an ending so that the story leaves you satisfied. And, notice that the director is  filled with dramatic insight because he knows that it will take that long for the audience to be rooting for the ending he has chosen for this story.  You know, if you did it too suddenly, you'd feel weird and dissatisfied.  So, suspense and drama are what movies are all about, and if what you started with isn't dramatic or suspenseful enough, you write a treatment to fit your story, and in that treatment, you make sure the ending is more dramatic than what your source material was. What is a Treatment?  What Else Will I Need? I wrote a book about treatments years ago because I kept hearing the word, and I realized no one had a common definition of it.  My partner and I, Chi-Li Wong and I, did a survey of 200 execs in television and film, and writers and directors, and got back responses.  We used those responses to explain what a treatment is and to define what a treatment is.  Basically, it's a tool that has two functions.  It's a tool for focusing your story, like a diagnostic tool, and it is a tool for selling your story, a marketing tool.  So, diagnostics and marketing. I always urge the writers that we work with to write a treatment before they even start writing a script or anything else.  The treatment is the perfect way to do it because you're not invested emotionally in the pages you've created.  Since they're simply a tool, they're not the final result, and you don't have to moan and groan if we decide to change the sex of a character, or if we decide there are too many characters, you can just cut out the character and put him in the back of your head for another story sometime. So, a treatment is very useful because it allows people to read a quick overview of your story, you know?  It can be five to, say, ten pages long.  There are no rules about that.  We say a treatment is a relatively brief narrative, a loosely-written narrative.  I always say the best way to think of it is like a passionate letter to your best friend, explaining the night that you walked out on your wife.  You would not be using expository prose from sixth grade lessons; you would just be explosively describing, "I came home, and I found her naked in the middle of the living room, dancing with my neighbor who I thought was my best friend."  And, "blah blah blah..."  You just instantly blurt it all out.  That's what a treatment is, and it makes someone immediately want to make this movie, basically. That's what a treatment is, and it's one of several things you need to market your story.  Another thing that you need is a pitch, which is a one-line pitch of your story that will be unforgettable, describing the situation in a way that makes the listener want to know how it comes out.  As I said, the skeletal, generic pitch is, "What would happen if a gal like this found herself in the middle of a situation like that?"  That's what your pitch needs to be.  Once you have that pitch, it's called a logline, you can then email it to people in the industry who might be interested in looking at your story.  They'll then ask you, "I'm interested in the idea you have.  Do you have the treatment, or what do you have?"  And then, you send them the treatment to further hook them. At the end of the day, if you started with a script or if you started with a book, they'll ask to see that too, but it's a sales scenario in which these are the tools that you use to make the sale.  A one-page synopsis is part of it too.  Like, you'll have a pitch, a one-paragraph or one-page outline of the story.  Well, not an outline; you shouldn't use that word because that's one of those sixth grade word that, synopsis/outline, nothing to do with drama, nothing to do with Hollywood.  We want something that punches us in the face and makes us decide, you know, "you've got to see it".  That's the biggest, probably...Most used sales pitch of friends to friends on the phone, or email, or text is, "You've got to see it." Then, they might say, "Well, what's it about?"  And you say, "It's about a dog that waited for its master for 25 years, until he came home."  You know, that's the pitch.  "Okay, I'll see it."  You know, "Who is in it?"  "Richard Gere. "  "Okay, I definitely want to see that."  You know, it's that simple.  It's not complicated psychologically; it's just human. So, If My Story Doesn't Have All the Elements That it Needs, I Can Just Repair It in the Treatment? Exactly.  The treatment, what the beauty of it is...Let's say your story is based on a book that you wrote, if your book doesn't have a conclusive ending, now you give it one.  If your book doesn't have a well-defined "Act II", with a lot of ups and downs and twists and turns, you make sure the treatment does.  You might have to invent some of that stuff, but that's okay.  You're the creator.  You invented the story in the first place.  Now you try to make the story a movie, and movies are governed by action.  I always say there's two kinds of action.  One is, "He opened the front door and she shot him."  You know, "She was standing there with the shotgun and blasted at him."  That's action. But, dialog is also action in a movie.  It's not action in a restaurant where you overhear someone at the next table because mostly people are saying kind of inane things like, "How are you feeling today...Oh, I'm feeling okay.  How about you?"  This kind of dialog is not dramatic dialogue.  Dialog is...You know, there's a famous scene from China Town, Robert Towne's script, in which the detective, Gittes, is with the leading lady, and he says, "I want the truth,' and she says, "My sister...She's my sister."  And, he slaps her and he goes, "The truth, god damn it, I need to hear the truth," and she goes, "My mother," and he goes, "I just want the truth," and he slaps her again.  "My sister, my mother, my sister, my mother..."  Then finally, "She's my sister and my mother."  This dialogue suddenly reveals why this woman is so tortured and why, you know, the things that have happened in the story have happened. It's extremely dramatic, with very few words.  There's a great line in a Hemingway short story that I also love, in which these two people are sitting and waiting for a train in Spain and he is jabbering away, talking about like, "It's fine, you'll just go there and let a little air in, and then everything will be fine, and we'll be just the way we were before, and there's really no big deal to it."  The girl is not saying anything, and he keeps talking.  "I'll go with you if you want me to.  I mean, I'm willing to do it, but you can do it by yourself," and so on.  And, she says, "Would you do me a favor?"  "I'll do anything for you.  I told you, I'll do anything for you."  Well, she says, "Will you please, please, please, please, please stop talking." The next line is...The man did not say anything for a moment, and then he said, "Would you like a beer?" You realize, at that moment, that there is no future for this couple, that he is not on her wavelength, and that they are headed in a different direction.  That's all done with dialogue.  There's hardly any action in the story.  You know, there's hardly any physical action.  It's done with only dramatic dialogue, which is action.  And so, novels have much non-dramatic dialogue in them, connectives that get you from one place to the other, but when you actually want to turn it into a film, you need to get rid of all of that and replace it only with the dialogue that moves things and makes things happen. Any More Words of Wisdom for People Who Really Want to Do This? It's difficult.  That's my first word of wisdom.  It's not easy.  Think about it.  Everyone in the world would like to have their stories told by Hollywood, but the great part about it is the difficult part.  The fact is, when you succeed you will have done what everyone in the world wants to do.  So, you need to be your own decider here and not listen to the advice of anyone.  Just go for it, and never stop going for it.  Just learn as much as you can about the business (It's called "show business" for a reason), and about how it works.  That is our #1 goal...is to help you to understand the business procedures by which it works so that you have a chance there, and never forget that they are looking for you as much as you're looking for them. I always say, "People think of it as a dark, slow-moving river that you can never get across.  In the middle is an island with beautiful trees, and flowers, and beautiful people."  Once you get on that island, even though it was difficult to get on it, guess what?  It's going to be even more difficult to get off of it.  That's because once you're in there, they want you to [stay], and they become loyal to you because they're proud of the fact that you crossed that island.  They recognize you for that.  So, it's a great goal, and it's a goal that never gets old because no matter how old you are, you can still sell stories and Hollywood is still listening to them.  You know, people say, "How many chances do you get at Hollywood?"  Well, you get as many chances as you are willing to take.  That's how many you get. Where Can I Go to Learn More? If you're interested in selling your story to Hollywood, you can definitely head on over to http://realfasthollywooddeal.com/ .  There, you'll find an on-demand webinar that I helped to produce.  It will take you much more in-depth into how to go about selling your story, you novel, your short story, your story idea to Hollywood.  It's completely free to check this out. The aim of the webinar is to help you to take that next step in your education, or at least dip a toe and find out whether or not you want to take the journey.  You may not. The fact of the matter is that it is difficult, but for a lot of people it's well worth it.  That's up to you to decide.  The webinar that's being offered for free is an on-demand webinar.  You can go, and register for it, and basically start listening to it within 10 minutes from right now.  Again, you can check out much more thorough training on this topic at RealFastHollywoodDeal.com. IMPORTANT:  If you listen to the on-demand webinar and wish to continue your education I have a special coupon code which will save you $300 instantly - please you the coupon code PODCAST when you check out. Real Fast Results Community If you are diggin’ on this stuff and really love what we’re doing here at Real Fast Results, would you please do me a favor? Head on over to iTunes, and make sure that you subscribe to this show, download it, and rate & review it. That would be an awesome thing. Of course, we also want to know your results. Please share those results with us at http://www.realfastresults.com/results. As always, go make results happen!

Beta Cell Proliferation, Neogenesis, and Autoimmunity f/ George Gittes MD (10/8/15)

Título original Chinatown Año 1974 Duración 131 min. País Estados Unidos Estados Unidos Director Roman Polanski Guión Robert Towne Música Jerry Goldsmith Fotografía John A. Alonzo Reparto Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Burt Young, John Hillerman, Darrel Zwerling, Roman Polanski Productora Paramount Pictures presenta una producción de Robert Evans Production Género Cine negro. Intriga. Drama | Neo-noir. Crimen. Años 30 Sinopsis Los Ángeles, 1937. El detective Gittes, especializado en divorcios, recibe la visita de la esposa de Mulwray, el jefe del Servicio de Aguas de la ciudad, que sospecha que su marido la engaña. Al mismo tiempo, Gittes descubre que los agricultores acusan a Mulwray de corrupción por su negativa a construir un pantano que paliaría la sequía que sufren. Poco después, el escándalo salta a la prensa, pero la cosa se complica cuando una mujer se presenta en el despacho de Gittes con una sorprendente revelación.

This week, the BSX crew are on the hunt for an alleged adulterer with private detective, J.J. Gittes. They wind up caught in a web of deceit, built with murder, incest, and corruption, when they visit CHINATOWN (1974)! [ WARNING ] This podcast is a round table movie review that includes spoilers!!! iTunes: https://itunes.apple.com/us/podcast/bsxcluded-cinefreak-critique/id860458956?mt=2 SoundCloud: https://soundcloud.com/bsxcluded/sets/cinefreak-critique […]

Gitte har lige fået konstateret at hun har sclerose. Hun blev undersøgt for noget helt andet, men skæbnens ironi har villet, at hun fik samme sygdom som sin gamle nabo Anders Hiort Munck. Hør Gitte og Anders tale om Gittes nye situation og de tanker, følelser og overvejelser om fremtiden der naturligt dukker op.

Monopolet: Special Guest Star Sangerinde Pernille Rosendahl Modeekspert Uffe Buchard Stand Up Komiker Jan Gintberg Dilemmaer: 1. Lasses søns Ipad er gået i stykker fordi Lasses nevø tabte den – og Lasse synes derfor at hans søster skal betale regningen. 2. Matthias har snaget i sin ekskærestes facebook og fundet frække beskeder fra en anden fyr som er skrevet da de stadig var sammen. 3. Simon er i risiko for at arve en alvorlig sygdom og er i tvivl om han skal fortælle sine fætre og kusiner at de er i samme risiko. 4. Line er håbløst forelsket i sin tunesiske ferie flirt. 5. Gittes mand har arvet penge, men vil ikke dele dem med Gitte. 6. Lasse synes hans nye date vejer 8-10 kilo for meget 7 Annes veninde snyder med boligstøtten og får uretmæssigt 12000 kr. om året. 8. Lasse ved ikke om han er for vattet når han siger undskyld til sin kæreste

Films noir, crime novels and detective stories all have a long history of unlikable characters that we cheer for. Bad guys doing good work. Flawed heroes who always know the right line to say and the right time to offer a lady a light. Agatha Christie this ain't, and this week we're getting our hands dirty by talking with Killing Them Softly director Andrew Dominik about violence and "Seduction of the Innocent" author Max Allan Collins about the history of the genre. He'll offer the best films noir for new fans to start with, and then Geoff and I will discuss how to write unlikable characters with Chinatown in our sites. For more from us on a daily basis, follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on the Twitter. And, as always, we welcome your feedback.