Podcast appearances and mentions of lucy white

In this inspiring episode of The Art Coaching Club Podcast, I sit down with Lucy White, an artist who left behind a corporate career in fashion and finance—including time at JP Morgan and Sam Edelman—to pursue her art full-time. From launching her own wallpaper collection to planning a real-life version of The Holiday with a 6-week house swap in Paris, Lucy shares how she's created a career and lifestyle completely on her terms. We cover:

In this podcast, Lucy White and Shauna Jones, members of the employment team at Clarkslegal, will guide you through the complex topics of redundancy and settlement agreements. They will explain what redundancy means for both employers and employees and how settlement agreements work in practice.Topics covered:What is redundancy? What rights does an employee have if they are made redundant? What is a settlement agreement? What is a protected conversation? What does "without prejudice" mean?What are the differences between redundancy and settlement agreements?How is a settlement agreement negotiated? What must an employer include in a settlement agreement? Are payments in settlement agreements taxable? Confidentiality clauses in a settlement agreement What other standard terms are found in settlement agreements? How much time should an employee be given to consider a settlement agreement? If you have any questions about anything discussed in this podcast or need assistance drafting or negotiating a settlement agreement, our experienced employment team would be more than happy to advise.

In October 2024, the Government unveiled its Employment Rights Bill which is currently making its way through Parliament to become law. This Bill introduces major reforms to workers' rights.In part 1 of the Employment Rights Bill podcast in the ‘Talking Employment Law' series, Louise Keenan and Lucy White, members of the employment team at Clarkslegal, will discuss some of the main provisions of the Bill, including: Unfair dismissal Family rightsBereavement leave Unpaid parental leavePaternity leave Extension of protection for pregnant women and new mothersPlease contact our employment team if your business needs help with any of these proposed changes. It's important to seek advice and plan for the changes now to be ready when they come into force.   

Who decides what robots look like? How do robots work and move? How are they controlled? And are robots alive? We tackle all your robot questions in this episode, and we're taking a field trip to a local factory that uses hundreds of robots to help humans do their jobs. GlobalFoundries, in Essex Junction, Vermont makes microchips that go in all kinds of electronics. In fact, if your adults have a smartphone, more than likely it has a chip made at this very facility. Engineers Adrien Plouffe and Lucy White work with the robots at GlobalFoundries and answer your questions about robots, including: Why are robots made of metal? Why do people like robots? Do robots cry?Download our learning guides: PDF | Google Slide

THANK YOU Hannah for sharing your experience so far and your nuggets of wisdom. You can find Hannah's website HERE and her beautiful images on Instagram HERE. Links mentioned:Join the Inner Work Club HERE Work with me 1:1 Episode 198 & 223 with Chloe from Studio Chloe DavidEpisode 167 with Lucy White from Wiskow & WhiteEpisode 225 with Roberta from the Good FloristEpisode 219 with Charlotte Goss This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit nikkicross.substack.com

Controversial comments by Conservative Party donor Frank Hester dominated much of this week's Prime Minister's questions, with Rishi Sunak describing the reported remarks as "wrong" and "racist". Opposition leader Keir Starmer also questioned the PM on his plans to phase out National Insurance, while making the case for a Labour government. Plus: the UK has signed a new trade pact with the state of Texas. Our reporter Lucy White updates us on the government's trade policy post-Brexit. Hosted by Caroline Hepker and Stephen Carroll. See omnystudio.com/listener for privacy information.

Donald Trump's comments about NATO defence spending are sending reverberations around the international community. We ask Evie Aspinall, director of think-tank The British Foreign Policy Group how the UK might fare under Trump 2.0. Bloomberg's EMEA News Director Roaslind Mathieson tells us how European leaders have reacted. Plus, is the UK already in a recession? New economic data coming this week will answer that question. Our economics and government reporter Lucy White discusses what the figures could mean for Rishi Sunak. Hosted by Stephen Carroll and Caroline Hepker.  See omnystudio.com/listener for privacy information.

 The world's largest asset manager BlackRock is warning that big spending pledges by politicians ahead of the election could spark a revolt in the bond market. Why the markets matter to politics is a theme on this podcast - so we've brought in our economics reporter Lucy White and Bloomberg Opinion columnist (and bond market expert) Marcus Ashworth for their analysis. Meanwhile, the Post Office accounting scandal is dominating conversations in Westminster. Reporter Sabah Meddings tells us what politicians want to happen next. Plus, our interview with the Chief Economist of the CBI business lobby, Louise Hellem, on the outlook for the financial services sector. Hosted by Lizzy Burden and Stephen Carroll. See omnystudio.com/listener for privacy information.

LOVEMYDRESS.NET    //   Lucy White is co-founder of Wiskow & White, an Italian wedding planning company based in the UK and Italy.   Wiskow & White have also recently co-founded La Lista, a membership community catering to couples planning Italian weddings.Lucy is a passionate creative entrepreneur, obsessed with beautiful design and impeccable customer service. Lucy and her team have worked hard to transform and redefine the landscape of Italian wedding planning, with a philosophy that seeks to truly understand couples and foster authentic relationships.  Lucy's dedication, expertise, and love for Italy has led to the creation of hundreds of uniquely beautiful weddings that showcase their passion for people and creativity, respect for their breathtaking natural surroundings, and that are regularly documented by some of the world's best wedding photographers.Lucy is a wife to Ben and mum to her little boy Ziggy. She authors a deeply personal blog, through which she candidly discusses her experiences living with Colitis and Cardiomyopathy. Lucy is also a vocal advocate for the significance of busy entrepreneurs prioritising their mental well-being by setting firm boundaries, embracing rest and learning when to step back - all without apology or explanation. She champions regular self-care practices and passionately promotes the value of counselling, recognising it as a powerful tool in fostering resilience and sustaining mental wellness.WISKOW & WHITEwiskowandwhite.com@wiskowandwhiteLOVE MY DRESSlovemydress.net@lovemydress@annabelbeeforthDEAF?You will find a full transcript of this episode here https://thelovemydresspodcast.buzzsprout.com (select the appropriate episode then tap the transcript tab).PLEASE FOLLOW, RATE & REVIEW OUR PODCASTPlease kindly take a moment to subscribe to The Love My Dress Podcast today. And if you haven't already, I'd greatly appreciate your consideration in leaving a friendly review or rating. These small actions require mere seconds of your time but will play a vital role in enhancing our visibility on platforms like Spotify, Apple, and Google.  Thank you so very much for your support and encouragement.

Sree Kochugovindan, abrdn Senior Research Economist, breaks down the Bank of England's decision to keep rates unchanged. Greg Valliere, AGF Investments Chief US Policy Strategist, discusses the Israel-Hamas war and its political impact in Washington. Jonathan Pingle, UBS Chief US Economist, says a slowdown in the US labor market would lead to a slowing in inflation. Geetha Rananathan, Bloomberg Intelligence US Media Analyst, discusses Disney's plan to buy Comcast's stake in Hulu. Pierre Ferragu, New Street Research Head of Global Technology Infrastructure, previews Apple's earnings release.Get the Bloomberg Surveillance newsletter, delivered every weekday. Sign up now: https://www.bloomberg.com/account/newsletters/surveillance  Full transcript:This is the Bloomberg Surveillance Podcast. I'm Tom Keene, along with Jonathan Farrow and Lisa Abramowitz. Join us each day for insight from the best and economics, geopolitics, finance and investment. Subscribe to Bloomberg Surveillance on demand on Apple, Spotify and anywhere you get your podcasts, and always on Bloomberg dot Com, the Bloomberg Terminal and the Bloomberg Business App. What a joy to see her in London. Sree Kachigovin and joins us right now, senior research economists at Aberdeen three. I'm absolutely fascinated by how the US stands alone, how Jerome Powell yesterday stood alone with massive stimulus leading into massive real GDP. Does the United Kingdom, where Governor Bailey stands now, do they need stimulus to keep it going? I think stimulus would probably not be a good idea at this point. Really, what we want to tackle is inflation. Now. The Bank of England have a very challenging backdrop. Growth outlook is weakening, but we still have very elevated inflation pressures. Now inflation is past the peak, it has started to decelerate. However, energy costs are still quite elevated. The headline inflation is still very high. And also we have even though those multi price based effects will start to unwind over time, we still have very sticky core services and wage pressures in place. So stimulus right now would not be a good idea for the UK. Now it's not restrictive fiscal background at the moment, but further stimulus would actually not be helpful with the Here's a fun fact from the Bloomberg News story that Lucy White wrote for US. Ben Bernanke actually attended the Bank of England's meeting as an observer. It's part of his review into the UK central banks forecasting communications. And of course this comes as Bailey has faced some criticism that they didn't move quickly enough to respond to inflation. Sree, can you compare and contrast the efficacy of communication at the BAIE versus the FED. I think, as we mentioned earlier, there was a conversation about group think. There is a split within the within the Bank of England, and I think the communication has been quite clear from the various members. We've had the arguments for staying on hold, the arguments for perhaps another an additional hike, and all of those are quite consistent actually with the data that we're seeing. But it seems that on the whole we are witnessing switch towards a focus on growth and the weaker activity data and some greater faith in terms of inflation actually passed the peak and decelerating from here. So we're also seeing there. So we have a signal from the split in the vote, and we also have that signal well, very very clear in terms of rates are going to be on hold for a meaningful period of time, even if, as we expect, the economy enters a recession, rates are going to remain quite elevated. And that's quite a burden for small companies in particular who are much more sensitive to the rate cycle. They are facing a profit squeeze. There is a bit of an issue there in terms of future business investment and so there are a number of challenges there, particularly for the smaller, smaller firms. So that's something that the Bank of England are going to have to really be wary of. Yeah, credit availability for small firm is always an issue, whether it's stateside or across the pond street. When it comes to the stimulus versus austerity debate, that time was referencing how does the Bank of England's decision to keep rates on hold for a second straight meeting and warn about a possible recession, warn about the need to perhaps raise rates in the future of inflation reaccelerates. How does that restrain or limit the government's options when it comes to supporting the economy. I think the government is also very aware, and we have heard from Sunak p at the Prime Minister. We have heard that there is a focus on inflation even within the government. Yes, they do have an election coming up, but they're worried about stimulus too soon and too much stimulus too soon. So I think they're going to pair back on any measures that are going to fuel inflation. Further, I think that's also concerned from them, get every challenging decision for them, given that there is an election on the horizon. Are all the gains in the United Kingdom focused on London? I mean, I mean, is it like, you know, the dominance of Paris and France. Are all the economic gains which you have been tangible here have they been focused on the south of England? Well, there has been a big debate for a number of years with regards to the regional disparities, and that was something that for a few years there have been some focus on what are the policies that can help level up the economic outlook. However, it has been quite challenging in order to do that with the pandemic recovery from the pandemic. And I think the leveling up policies may be, you know, they're on the horizon in the future, but right now, really the focus is quite narrow. That regional disparity, unfortunately, is still very much there. Christrie, thank you so much. Cut your govid in with us with Aberdeen joining us now. On the other points in the Wars of Washington, Gregory Vellier, he's chief US Policy Strategistic AGF Investments. Greg I believe it is November, that's twelve months away from an election. Take the drama of October in our many wars and fold it into how things change twelve months before an election. How does your world change given the pending one year out election. Well, good morning time. So many unknowns. I'd say one big one is Benjamin Netanaihu. If you saw the extraordinary story in the New York Times on Monday talking about how Israel and Netanaihu were blindsided by Hamas they got totally caught off guard. There's going to be recriminations. I think that has to be looked at very carefully. There's the FED and there's this continuing fight in the House between fairly moderate Republicans and the right wing. That fight is about to resume within days, right, But you've got a right wing Speaker of the House. Now, shouldn't that restore some order in the House. One would think Scarlet wouldn't one, But I'm not quite sure about that. I think that even a handful four or five House Republicans could block this next spending bill. And there are Republicans in the House who don't want to spend money on Ukraine, as you guys know, and some lukewarm attitudes toward Israel. But the big fights still is a budget. We have a budget deadline in about two weeks and they're not close to being done. Yeah, and so we're watching that November seventeenth deadline very carefully. I want to get your take also on what the economy means for the presidential election tries. It might The White House has been selling Bidenomics, but it's not doing very well. When consumers are feeling pretty sour. What does the current FED policy mean for the economy in twenty twenty four. Well, I think there's maybe some relief among consumers that the FED didn't raise race. But I thought you and Tom a few minutes ago hit it perfectly talking about food prices. I mean, food prices are up. What did you guys say, nineteen percent cumulative? Yeah, over three years, over three years, But that leaves an awful lot of people, maybe not us, but leaves an awful lot of people discouraged that this is not improving. Yeah. What's important there, Scarlett, is the USDA with this is really good data from the US Department of Agriculture. They say that for the have nots of America, it's not third world, but thirty percent of their compensation is going to food, which means thirty percent of their conversation is not going to discretionary spending or anything else that usually supports the economy. Greg, I want to bring it back once again to FED policy in the economy in twenty twenty four because J. Powell's term expires as FED chaer in early twenty twenty six. So whoever wins the twenty four to four election, would get to pick the next FED chair. What does that mean to you? And I bring this up because if Donald Trump wins the nomination, yes he nominated Powell as fedchair, but he also nominated Judy Shelton as a FED governor. Yeah. I think if Biden wins, obviously he'll try to keep at Jerome Powell. If Trump wins, he will fire and get rid of Powell as quickly as possible, and that will I think cost some anxiety for the markets. You know, one other quick point I would make about what we could see in the next year or so that maybe is outside of the box. I go to piece this morning on Robert F. Kennedy Junior. There's a new poll out overnight from Quinnipiac showing him a twenty two percent that I was surprised. I think a lot of people were surprised to see that. And I do think that he will take away from Joe Biden, young people, independence, African Americans, environmentalists. Robert F. Kennedy Jr. Is not going to be the next president, but he may determine who will be. Craig Villie, thank you so much. With AGF investments, we can rip up the script with a gentleman that worked in the macroeconomic section at the FED. Jonathan Pingle joins the course with UBS, their chief US economists, John I'm sorry, I got to go here, and Julia Cornado XBMB Perry by Macro turns his way out in front of this. Are we completely misguessing the efficiency, the productivity, the technological advancement of America? Are we just flat out to pessimistic? Well, I mean it's hard to know what the expectations are, right there aren't that many people as in the weeds on productivity, you know, on the immigration rebound as Julia, and you know, give Julia a lot of props since we were at the board together a year long time ago. But I would say two things, and Sheer Powell touched on this yesterday. One is, you know, we have been seeing a pretty impressive rebound and labor supply and that's been both the combination of you know, a significant improvement and net international migration coming out of the pandemic. In addition to you know, some groups like prime age women punching out new all time highs and their labor force participation rates. And you know, we've certainly been writing about that, and Julia's done a good job as well on the productivity stuff. Though we do have to remember that productivity was incredibly weak as we went through the pandemic and immediately coming out, so we did have a fair amount of catch up to do. And when we look at sort of the longer run trends after today's data, just mathematically you are going to be a little bit above the longer run trends. So it is good news, but you're actually really still not that far from what we were seeing pre COVID. But I will say together, I think it's right. We're seeing nominal wage gains slow, and some of that is these supply side improvements and unit labor costs dropping. You know, we were forecasting a seven to ten drop. You know that is the result of the slowness we saw in average hourly earnings combined with basically five percent GDP growth in the third quarter. So that's a good supply side story. Tell me about course services. The chairman didn't talk about it much yesterday, but are we seeing a service sector disinflation to give confidence to an outright goods deflation? We are? I mean, we've had We've had some positive news on the core services over the last several months, but I would say we're sort of not out of the woods yet, right Like, you know, I think that's one of the reasons Chair Powell yesterday, you know, and Mike McKee did a great job with his you know, trying to pin the chair down on the objective versus subjective decision. But what we want to see is a little bit more slowing in the labor market in order to see more slowing in those components of inflation, because if we look at the ECI, it does look like wage gains are still a little too risk to be consistent with sustainable two percent inflation. So I do think the Chair and Mike was just saying this, they do need to get the labor market to slow here if they are going to achieve their mandate and restore price stability. All right, this is clearly a big, big week for labor market data. You had ADP employment change jolts and of course jobless claims this morning. Unit labor costs as well in productivity. We know that the UAW has come to agreements with the automakers, but if you are an union organizer and I'm thinking of the Actors Guild, for instance, that is still on strike. What is your takeaway from the flood of data that we've gotten on the labor market right now? Well, land market's still tight, right so you know, so you know, even I mean, and I don't really think you need to look much beyond the unemployment rate at three point eight percent to say, you know, the nation's at full employment and markets are tight, and you know you've got a point here where there might be some bargaining power for workers. The other interesting thing about a number of these strikes is there are a lot of non wage issues at stake. You know, you're talking about, you know, the use of AI for the actors, you're talking about, you know, the shift to electric vehicles amongst the UAW. And that's actually been sort of an interesting aspect where, you know, a lot of these labor negotiations it's not just about the wages, you know, it's really also about sort of these changing industry dynamics that they want to protect their workers from. So how does that show up in the data, How does that show up in the economy in what's measurable, Well, we should definitely see the impact of the UAW strike tomorrow. In tomorrow's data, you know, the BLS released their strike report. You know, between the strikes the Big Three and Mac Trucks, that should be about a thirty thousand job reduction in motor vehicle and parts assemblies employment. You'll see it in Table B and B one of the employment situation release. So we should definitely see that way on the employer report tomorrow, but that'll rebound in the subsequent in the subsequent report. And I think the bigger picture is that you have put in place for some of these contracts, you know, a return to things like you know, cost of living adjustments, et cetera. So this should generally mean for these workers somewhat firmer wage gains over the next few years than would have otherwise been the case. Jonathan Tingle, thank you for the brief, particularly there quickly on advancing productivity is with UBS. I love saying this the Union Bank of Switzerland. We're going to get complicated here and straighten this out. Hulu being taken out by Disney. Brian robertson Comcast unloading the Dogkeetha Ranganathen of Bloomberg Intelligence is truly encyclopedic on this near nine billion dollar that transaction. Getha, I'm lost here. Is Comcast happy today that they unloaded the stock or is this the deal of a lifetime for mister Eiger? So this is this is, as you just pointed out on this is a pretty complicated transaction. All that we got yesterday was that Disney is definitely buying out comcast thirty three percent stake. So Disney already owns two thirds of Hulu, so we know for certain that Comcast is offloading it who Disney is buying it? Now the biggest question here is going to be price. So we know the floor value was set at twenty seven billion. Disney actually came out yes, they're saying that they do expect to make that initial payment of you know, eight it's actually nine billion minus some capital calls, which which is why you get the eight point six billion. But really the point is going to be how much greater than twenty seven billion is the valuation going to be? And that is where all of the complexity is going to arise over the next few months. I mean, John Pharaoh is addicted to Hulu. He's just you know, he like binge watches Love Island USA and the rest of it. GITHA doesn't matter who watches this stuff in this transaction or is this just people distant from what we watch every day? I mean, Hulu has forty eight million subscribers some so it is a very very successful streaming service. You're absolutely right. It has a very deep catalog of classics. It has all of us Keith, You're not going to sell surveillances audience. The Love Island USA is a classic. Continue well, it has you know, it has a lot of the must watch shows, right you brought up the Bear Only Murders in the Building is show. It has a lot of shows that come up from broadcast TV, so it's a great catch up service. And it also has kind of this live Hulu Plus live option as well. So there are a lot of different flavors that it offers. But I think the biggest thing for Disney is really the ad component of it. If there is any streaming service out there that has got advertising right, it is Hulu. We know that Netflix is struggling with that right now, so is Disney Plus. So are a lot of the established services. Amazon is looking to bring an advertising service. Hulu is the one established brand already bringing in about three three and a half billion dollars in AD revenue. So that infrastructure is a gold mine and is super valuable to Disney and for that reason, Hulu is one of the few profitable streamers. Netflix of course another profitable streamer here. But what is it about the ad packaging that Hulu has figured out. As a consumer of Hulu, it's really frustrating to see the same Tom Brady hurts commercial over and over again. No, you're absolutely right, But at the same time, I mean, this is a company, you know, obviously they have They are the ones that have ads, that have had ads on now for the longest period of time. They've built all these different they've built very a very very robust AD stack, and they've also kind of made all these different you know, relationships with advertisers. Of course, you have the larger Disney brand as well at work there, but that is something where they've really been able to crack the code. I mean, Hulu is one service where you have majority of you know, the consumers on the on the ads supported option, which is what has made it such, you know, so successful in what it's set out to do. Disney says it has enough cash and credit to buy Hulu, whereas Comcasts will be using the proceeds to boost its accelerate its stock repurchase program. When this financial transaction is completed, does it move the needle at all for either Disney or Comcast stock. I think it definitely moves the needle for Disney because this removes a key overhang. Remember, there are so many strategic questions that are still kind of pending for Barb Biger, whether it's the future of ESPN, whether it's the sale of the ABC network, and so, you know, kind of just closing this deal with Hulu and then integrating it with Disney Plus, I think just removes a key overhang for the stock. Five years out, do they mate. Do you see Hulu combined with Disney Plus to really take on Netflix as a combined adult in kids' entity. Absolutely, I think that is what the plan is. I mean, at the end of the day, they are looking to get synergies across the board in their streaming product because Disney Plus is still losing money. It is still going to lose about two and a half three billion dollars this year. But I think when you combine this we're looking at savings of at least one one and a half billion dollars. I think it's definitely going to accelerate streaming crafitability for Disney. Synergy to me means rebundling, So you're going to have to pay some big, heftier price to get all these different channels or streamers into twenty. That's what Paul Sweeney would say as well. What I'm fascinated by is when we're all said and done with this. I mean, there's Hulu and there's Disney Plus, and they're going to merge and they're gonna take on Netflix. Keitha, do you see a true duopoly out there? Is that where streaming is heading? It definitely is heading there, Tom, There's no doubt about it. I mean Netflix is far ahead of the competition. They have almost two hundred and fifty million subscribers. We do see them getting to three hundred million over you know, maybe the next few years. But yes, this is kind of very much turning into you know, Netflix versus Disney versus most probably Amazon. So yeah, maybe a tryal Max HBO. Yeah, that's a tough one, you know, Hbo Max. You know, she's got to be a second tier service, second tier look at it. She's just like, Wow, you know what's so bad about that? And this goes, this goes with Discovery Plus and Max and all that is. You know where am I going to see ninety day fiance? I know you're addicted to it. If it doesn't work, O Githa ruganof and thank you so much. I think I learned something there. Pierre Farragu wrote the Black Books for Bernstein and Technology for years. Yes, he's got a fancy title Global Technology Infrastructure at New Street, but the answer is once and forever he will always own the Black Books over at Alliance Bernstein Peer. Thank you, Pierre, Thank you so much for joining us. And you have been cautious on Apple. Is now a time to buy the shares? After the lassitude that we've seen over the last twelve months. I would have liked to say yes, but unfortunately, and the reason why I would have liked to say yes is because sentiment is very very low on the name. You know, sixty percent by ratings and forty percent sale and a neutral rating for that name. It's very very It's as low as can be, I would say. So we've had like a very slow yeer. You know, three after in a row in negative growth, we're getting back to politive growth probably on the guide, but it's just because we're hitting like the the easier compare now and so that slowdown, like the stock reacted relatively well to that slowdown. If you look at the Apple stock, it roughly tracked the NASDAK. So not much happened on the stock. And the reason why you know I wouldn't jump on board now is first not a significant pullback so valuation. You're still paying like a hefty premium for our early It's partly justified, of course, for the quality of the franchise. But you know what happens next that really creates a surprise and gets the stock to work. From here, the high kinmentalist the harder matter pere single digit revenue growth. So I went back to the pandemic and basically sales are up forty seven percent from twenty nineteen, but the free cares flow generation after that is up seventy one percent. In your caution, are you suggesting that that formula they have of operating leverage, of generating ebit, of generating free cash flow is now broken? Given single digit revenue growth. No, I think it still works. But you know, of five percent revenue growth, you don't you don't generate as much free castural growth. So the way I like to think about it is out of like you know, between three and five percent revenue growth apper it can generate you know, you know, above five percent, like six seven percent earnings DIVIDI and free casual growth on a sustainable basis through like systematic buyback, through operating leverages that there are. So there is definitely a huge amount of quality there and a very strong benitry as you just mentioned. So all that is worth su premium. When you look at Apple today, it's straight on twenty seven times, you know, for for our earnings status and plus names who grow between five and ten percent anum, the overall economics are treading on like twenty two times, So you have a significant premium. So you won't have like a evaluation surprise out of this very healthy, very high quality model. And so when you own the Stoke today, you have to to believe this premium is going to remain, which I think is fine, but you can't expect like a sudden jump and a sudden increase in valuation multiple unless you have a new growth story, and that's where it's kind of difficult to expect that to cor right. The China part of the equation is not a growth story for Apple right now. How is May sixty pro getting a lot of attention kind of stealing the thunder in many ways? And Apple bears will always point to the China demand for iPhone fifteen as a reason to not be optimistic. How does Tim Cook frame the negative headlines that are hitting Apple out of China, whether it's the sixty pro or whether it's Beijing's ban of using foreign phones for government workers or stayed owned enterprises. Yeah, so I think it's a very good question. It's a source of concern. Interestingly, I don't think it's going to materialize that quickly because like the new Qua Way phone is really like in early innings, you know, they probably don't have a strong case to be that competitive against the iPhone. But it's true that you know, in this junk you mentioned since twoenty and twenty term, a lot of that was like what we're getting out of the picture in China and Apple really like gaining about twenty million XI units iPhone units combined with an increase in a spit and so that part of the business I think is true is kind of a trick over the next couple of years. Because China, China might be able to put together alternative to the AFO, the aphone remained like an exceptional product. You know, this is the only phone at a string animeter manufacturing a note for the main shift exceptional quality, exceptional like integrated software and hardware that there are. So I wouldn't say the Chinese are going to create the fund that can compete with the iPhone, but we know that in the past about twenty million funds we are selling at Huawei, and when Huawei dies appeared that market seem to have moved straight into Apple's hands. I see, and that's that's a concern of course. So how about Apple and AI? I mean, Apple was kind of left behind when Chat, GPT and all the other AI tools you know, took over the zeitgeist. I know Apple's working on things with relaated relative to Siri, and how can incorporate more generative AI into its products? Is this something that has reached a point where investors can can model it? No, So I think on the business model of Apple, you know, with making all its profits from selling hardware and then selling like mostly subscription services over this hardware, Like you know, the kind of like magical one trick where you can chart like thirty dollars a months for a generative AI based services that does doesn't really exist. The way I see it is that for Apple, generative are is going to be more of a defensive move. Siria has never been exceptionally impressive in terms of what it can achieve in terms of voice recognition and user user service. Apoba is going to continue to do their best to enhance the overall user experience with generative AI, But I don't see that as like as a revenue enhancement for them as it could be for like a Microsoft or Google and metal and advertising and things like that. Heard you just to finish here, is the Apple such a animal like you were mugged by your kids to go out and buy more toys like bram or like food like King. I mean you're on the same game. Are you suggesting that this is a stock that treads water for five years or are you actually looking for a diminished share price? So that's I think from from here over the next five years, I think that's a stock that can compound with its earnings power or its dividend power, so you know, it can compound like in single digits, maybe high single digits, so it's not it's not too bad for a very high quality name. And then I would look at buying it only if there is a bit of a dislocation at some point, like a loss in confidence if this quality I see that Apple wasn't there all the time. And so if you see like a weakness coming out of China or things like that, and if the stock is hurt by that, I think I would be I would be baking to revisit and look at, you know, getting into the name at a more attractive evaluation because when you're talking, companding and valuation is almost everything, because that's that's what drives, you know, your ability to buy back your stock more efficiently and things like that. So I really think you need a lower melteaper to make Apple compelling, like you know, single legy companding opportunity, and then a kind of like a breakthrough opportunity, you know, an opportunity to increase prices, to increase in clevolume, to launch a new products. Difficult to see that on the horizon. To be honest, Pierre, thank you for the brief peer fargu for some real Apple caution. They're different than the fanboys that so many people speak of. Subscribe to the Bloomberg Surveillance podcast on Apple, Spotify, and anywhere else you get your podcasts. Listen live every weekday starting at seven am Eastern Bloomberg dot com, the iHeartRadio app tune In, and the Bloomberg Business app. You can watch us live on Bloomberg Television and always on the Bloomberg terminal. Thanks for listening. I'm Tim Keane and this is Blumber HmSee omnystudio.com/listener for privacy information.

Prime Minister Rishi Sunak and Labour Leader Keir Starmer dispense with the usual jokes and barbs to take a solemn tone as the pair seek common ground on the humanitarian crisis. Economy reporter Lucy White joins to remind us there's still the issue of Rishi Sunak's five pledges with inflation data out today. Hosted by Caroline Hepker and Lizzy Burden.  See omnystudio.com/listener for privacy information.

The housing market is looking more shaky after the latest Nationwide data showed the fastest fall in prices since 2009. We discuss with our economy reporter Lucy White and economist Niraj Shah from Bloomberg Economics. Plus: the number of people living in England and Wales with dual nationality has doubled in the ten years to 2021. Alex Mortimer and Maddie Parker bring us details. Hosted by Stephen Carroll and Lizzy Burden. See omnystudio.com/listener for privacy information.

In this special episode, we talk to two artistic directors about the current funding crisis ravaging our sector. Back in May, when the Greenwich Dance team was having funding applications repeatedly rejected, we were relieved to see renowned theatre director Nicholas Hytner's Guardian article "The arts in Britain are teetering on the brink. Here's my plan to save them". Here at last someone was talking about the dire situation the arts are in and, just as importantly, offering up with ideas about how to do something about it. And it turns out someone else had also been thinking constructively about arts funding models. Way back in 2020, Tarek Iskander, Artistic Director of Battersea Arts Centre, proposed a National Arts Service, using his experience of working in the NHS as a starting point. As we begin to see a general election on the horizon and the possibility of a new government starts to feel possible, we invited them both to talk us through their intriguing provocations. We ask at this time, when we are emerging from a pandemic, suffering the effects of a cost of living crisis and dealing with the repercussions of Brexit, how do we inject more funding into the cracks appearing in the arts? And as we navigate our own precarious funding situation, we ask if not now – when? Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious   Recording date: Wednesday 19 July 2023

If market forecasts for 6% interest rates come to pass, Bloomberg Economics reckon Britain could tip into recession. Bloomberg's Lucy White and Dan Hanson explain what more rate rises mean for the UK and mortgages. It's not just homeowners in trouble, our equality reporter Olivia Konotey-Ahulu on how high inflation has been affecting women. Hosted Caroline Hepker, Lizzy Burden, and Yuan Potts See omnystudio.com/listener for privacy information.

Net migration to the UK rose to a record high in 2022. The ONS figures show how government policy has influenced the flows of people entering and leaving the UK. Meanwhile, the fallout from the latest inflation numbers continue to rumble through markets, with government borrowing costs hitting levels last seen around the mini-budget meltdown under Liz Truss. Our economy reporters Lucy White and Philip Aldrick join us to discuss. Plus: Kantar Public UK CEO Craig Watkins tells us what really matters to voters. Hosted by Stephen Carroll and Yuan Potts. See omnystudio.com/listener for privacy information.

LINK to work with me 1:1 HERE: https://www.tlb.org.uk/1-1-coaching We packed SO MUCH into this chat : What my clients actually think and feel before & at the beginning of their 1:1 journey What the ACTUAL process is - how it works and the surprising by-products of coaching with things like your relationship with rest, people pleasing & enjoying your joy Why (my client believes) this investment should be the top of your budget priorities How this experience changes how you behave in business How we can waste time, money & energy on our personal development when we try to address our problems at the wrong level The differences my client has experienced between counselling & coaching How you'll develop the confidence to OWN your weird & your unique ways of doing things Why we call it 'the inner work'... and how it really is work...but really is worth it A HUGE thank you to Lucy for sharing so openly - I know you'll want to follow her beautiful work so click here for her Instagram: https://www.instagram.com/wiskowandwhite/ Click here to head straight to the Wiskow & White website https://www.wiskowandwhite.com/ And click here to visit LaLista - Lucy's membership platform for couples planning their Italian wedding https://www.lalista.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/theinnerworkconversation/message

 It's the final Prime Minister's Questions before local elections in England. Rishi Sunak and Keir Starmer debated issues including housing and the cost of living, followed by a rather awkward mention of the King's Coronation. Bloomberg's Lucy White joins Stephen Carroll, Lizzy Burden and Yuan Potts to discuss her reporting on five key councils to watch in this year's local elections.See omnystudio.com/listener for privacy information.

The latest UK jobs numbers reveal three million working days lost to strikes since industrial action escalated last summer. Bloomberg's senior UK economist Dan Hanson explains why a tighter-than-expected labour market piles pressure on both the Bank of England and the Treasury. Plus: UK economy reporter Lucy White tells hosts Yuan Potts, Caroline Hepker and Lizzy Burden why nurseries say the chancellor's plan to increase free childcare hours is 'unworkable'. Also in the show, an interview with Alan Hollis, chief executive of battery-maker AMTE Power, on the need for an industrial strategy if Britain is to meet its green goals. See omnystudio.com/listener for privacy information.

Resolving NHS strikes is near the top of Rishi Sunak's to-do list. Nurse and RCN member, Antonia Berelson, says after many years of running on the goodwill bank, the bank has run dry. Also running dry are pub profits. Andy Tighe from the British Beer and Pub Association gives us his prescription for preventing more of them from going under. Hosts Yuan Potts and Lizzy Burden also speak to reporter Thomas Seal on the success of government subsidies for the film industry. Plus, Bloomberg's Lucy White on how much the strikes matter for the UK economy.  See omnystudio.com/listener for privacy information.

Manchester has become an employment hotspot, according to Bloomberg analysis of millions of job postings, with many more positions advertised per worker than London. Our economics reporter Lucy White tells us which towns are winning and which are falling behind. Plus: as teaching union members vote 98% to reject the government's pay offer, Bloomberg's Stephen Carroll, Yuan Potts and Caroline Hepker get an update on which disputes have and haven't been settled with our strikes reporter Eamon Farhat.See omnystudio.com/listener for privacy information.

 The Bank of England's Andrew Bailey has been reassuring MPs today about the stability of the banking sector. Hosts Yuan Potts, Caroline Hepker and Tom Mackenzie discuss that - and the health of the wider UK economy - with reporter Lucy White. The BOE governor also says early-retiring 'Boomers' are driving up inflation. We speak to 55/Redefined founder Lyndsey Simpson about encouraging over 50s to stay in work. Plus: we discuss the challenges for newly-elected SNP leader Humza Yousaf (age 37, not a Boomer). See omnystudio.com/listener for privacy information.

We have a packed studio looking ahead to Jeremy Hunt's budget speech on Wednesday. Reporters Olivia Konotey-Ahulu, Lucy White and Philip Aldrick discuss what the Chancellor might do to get more people working, and why childcare has become a hot political issue. Lizzy Burden gives us her analysis of the UK's handling of Silicon Valley Bank's collapse, after she spoke to the government's city minister. Plus, tomorrow's events in Westminster will have a backdrop of more strikes. Our man on the picket lines, Eamon Farhat, joins Yuan Potts and Stephen Carroll with the details. See omnystudio.com/listener for privacy information.

Host Alix Steel and guest host Kristine Aquino are joined by Bloomberg Cross-Asset Strategist Ven Ram to discuss the ECB's path forward, including recent comments by ECB executive board member Isabel Schnabel. They also speak with Bloomberg UK economy reporter Lucy White about the surprising UK retail sales numbers, and hear from Bloomberg European correspondent Maria Tadeo, who will be attending the Munich Security Conference.

Hosts Alix Steel and Guy Johnson speak with Bloomberg's Lucy White, Alyce Andres, Sonali Basak, and Ed Ludlow.

The government is to strengthen anti-protest legislation, as more public sector workers are balloting for strike action. Dave Penman, General Secretary of the FDA union, tells Bloomberg's Lizzy Burden and Stephen Carroll why civil servants on the Fast Stream scheme are voting on industrial action, as well as his view of the government's response to the walkouts. Plus, our economy reporter Lucy White joins us to discuss two reports on how the cost-of-living crisis is exacerbating inequality in the UK. See omnystudio.com/listener for privacy information.

In this episode, we talk to Valerie Ebuwa and Kwesi Johnson about making positive change. Valerie Ebuwa sets about to ‘make shit happen'. She has written articles about ‘how to grow wings' and ‘knowing your aesthetic' and has urged readers of her blog to ‘lead with your strongest foot to ensure a solid journey to the skies'. Kwesi Johnson believes creativity and innovation are the highest uses of intelligence. “It begins as a thought and becomes reality, that is the power of imagination and desire,” he says. So this was always going to be an enlightening conversation! We start off, as we often do, by finding out how their dancing journeys began and we probe Valerie more about why she thought her late start (18 years old) was “perfect timing”. Both artists urge anyone engaging with them – either through their published writing and journalism (Valerie) or mentoring and consulting (Kwesi) – to ask deep questions of themselves. In doing so they both respectively believe you can ‘unleash your creative genius' and so we dig deeper: discovering more about the ways they do this for themselves and others and the gifts learning about yourself in this way can bring. Both Kwesi and Valerie are entrepreneurial thinkers and doers and busily forging new ways of working creatively for themselves across multiple genres and art forms. We talk about their innovative projects and initiatives past and present, their perceptions of the funding model and its limitations and (best of all) their suggestions about how artists can break themselves free. Both are unafraid of calling out behaviours. Valerie was recently published in The Stage, challenging the role of the critic and the generalisations often made when writing about dancers of colour. And Kwesi, way back in 2003, was pioneering hip hop dance theatre and putting people straight about their (often misguided) perceptions of it. In fact, Kwesi has long been a trailblazer and we find out a little more about his exploration of digital technology for dance classes which he investigated, not during the pandemic as the rest of us did, but back in 2012! Finally, we talk about problem-solving and the essential but often under-valued role artists have in building a better functioning (economic as well as creative) world. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Kajsa Sundström, Lucy White and Melanie Precious   Recording date: Thursday 12 May 2022   Host recorded at Creative Kin studios

In this episode, we talk to Charlotte Vincent and Robert Clark about parenting in the arts.   Becoming a parent changes the lives of all who do it, but artists often need to make huge decisions about how they will balance the responsibility of caring alongside a profession that requires touring, weekend and evening work and situations where ‘WFH' just can't come into play. So how best to navigate these changes?   We start off by finding out what Charlotte and Rob's dancing lives had looked like pre-children and then probe a little deeper into the considerations that came to the fore, such as touring abroad as they took on caring responsibilities. Charlotte talks us through some of the policies her company has adopted to better support parents which have come out of the need to support her own family as well as those of her workforce. We talk about the various 'stages' we go through as parents depending on whether children are pre-nursery or in school and how this might help or hinder our working schedules. Indeed the topic of scheduling is pertinent and we discuss how companies can better do this to support the needs of families.  The effects of the pandemic come into so many of our conversations on this podcast and this one is no exception. We chuckle about video-bombing during those homeschooling periods but also reflect upon how parents have become more visible during the last few years, our nurturing responsibilities no longer kept so separate from our working lives.  We also compare some of the case studies in Vincent Dance Theatre's report of 2009, A Dancers Perspective, to those of today and wondered whether we have made as much change as we would like… The subject of power arises – between genders but also between organisations and freelances and how we can use our 'powers', when and if we have them, as a force for much-needed change. We talk about speaking up about our responsibilities within employment negotiations, of organisations taking the time to find out about their employees' infrastructures and support networks in order to understand what flexibility is there (or not there) and discuss the work that inspirational bodies in our sector such as Dance Mama and Parents & Carers In Performing Arts are doing.  And finally, we reflect on the creativity being a parent can bring and the changes it has made to the choreographic and artistic approaches of both Charlotte and Rob.   Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Kajsa Sundström, Lucy White and Melanie Precious   Recording date: Friday 22 April 2022

In this episode, we talk to Rosie Heafford and Neus Gil Cortés about making accessible work.   Today, there probably isn't a company or organisation that would say they didn't want to make accessible work, and yet there are still people excluded from it: be they performers, collaborators or audiences. We talk to two artists about their approaches to making work accessible and get some tips about how we as a sector might do this better.  We begin by asking our guests to talk a bit more about the work that they do before jumping right in to discuss the almost ‘buzzword' accessibility. What does the word accessible really mean within our art form?   We acknowledge that it is really difficult, if not impossible to create work that's accessible for everybody and hear about two very different approaches and pieces of work that Rosie and Neus have made as artistic directors and choreographers.   We move on to discuss the audience experience – how do you remove barriers and make the work exciting for all? We talk about different approaches of making with audience members being part of the process from the start, and how creating different versions of the same work gives audiences choices in what, and how they would like to experience it.  Naturally, the conversation reflects on the pandemic and how practices for creating had to change in the studio. We discuss how this allowed for a more collaborative process and even opened new doors to creating work for the digital stage.  We speak about the importance of describing what the experience is going to be like for audiences, listening to what people need and the importance of taking the onus to make needs clear away from disabled people.  And finally, we talk about what it means to be a disabled leader, what it means to the work and how it affects fellow collaborators and audiences.  Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Kajsa Sundström, Lucy White and Melanie Precious   Recording date: Friday 22 April 2022

In this episode we talk to Marla King and Adam Benjamin about environmental responsibility. Many of us have long recognised our role in protecting the planet but perhaps the last two years of the pandemic – when we lived in our parks and gardens, saw our skies fill with birdsong and our roads quieten – has unlocked a willingness for more of us to take action. But what does action look like for our sector? We start off by discussing what had changed for us in the past few years, how we came to notice our damaging behaviours (such as extensive travel) and how the climate crisis has intensified in urgency. We discuss social justice within this and how everyone is not equally responsible. We reflect upon the pressures on the younger generation of dancer who seem to be socially and environmentally aware (in ways we weren't years ago) but who cannot be held solely responsible for evoking change. We also reflect on the fact that the training Marla and other dancers of her generation have had, even recently, has seemed to sidestep any references to environmental responsibility as they prepared for dancing careers. We find out about Adam's ecological project The Dancer's Forest and how Marla entrepreneurially trained to be a carbon literacy trainer alongside starting a podcast A Little Bit of Lagom. In fact, business and environmental responsibility overlap a few times as we contemplate what a world might look like if we conducted our dancing business in hyperlocal settings rather than trying to ‘tour the world' and how casting changes if the criteria of ‘local' is put before other aspects. And finally, we reflect on the changes we could make as individuals and as a sector, how wellbeing is interlinked with environmental awareness and how technologies can offer some solutions (but also contribute to more problems we have yet to fully unpick…) A conversation which raises more questions than giving answers perhaps, and a starting point as we all reflect on how we can all work greener. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Kajsa Sundström, Lucy White and Melanie Precious   Recording date: Wednesday 20 April 2022

In this episode, we talk to Harriet Waghorn and Kamala Devam about their experience working across different genres of dance. As dancers we often train in streams of dance genres – often there are expected routes mapped out for us and aesthetics we are expected to achieve. It's therefore refreshing to find artists whose work transcends those divides, fuses aspects of styles together to make new aesthetics, new vocabulary. What does that mean in terms of training for themselves, as well as making work, working with dancers who may not have the same experiences? We begin by asking our guests how they came to find dance – both Kamala and Harriet mention their mothers and how they facilitated their first steps on their journeys. We discuss their training and how they came to build their experience across the genres of contemporary, ballroom, Bharatanatyam, acrobatics and contact improvisation. We ask our guests why are they drawn to the styles in which they work, and how stepping away from the usual framing of genres and fusing other styles relates to their audiences. we find similarities that may not be obvious such as the constant flow and trust that is needed in both contact improvisation as well as ballroom – and how important the connection with your partner is. We move on to discuss their own teaching practices and what they are looking for in dancers when they choreograph work. The importance of training is a huge part of any dancer and artists life and we discuss how they train across such different genres of dance. Finally, we are intrigued to hear what's next for our two artists on their journey working across genres. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Kajsa Sundstöm, Lucy White and Melanie Precious   Recording date: Monday 28 March 2022

In this episode, we talk to Deborah Light and Tom Hobden about building audiences for your work. We make art for people – and if we have no audience, what is the reason for the work? How do we then bring audiences to the work? How do we introduce dance to people who haven't had an opportunity to discover it? And what do we want of them other than to be spectators? We begin by asking our guests more about their work and the work itself – Deborah making work in Wales with the company Light, Ladd and Emberton as well as being an independent maker and discussing the part installation, – part dance performance Seeds & Bones which incorporates both personal as well as audience stories. We then move on to discussing the work of UNIT – where Tom Hobden is artistic director and how the pandemic shifted the very local audience to one that is online and from everywhere. We speak about how UNIT is making dance for the “everyday people” and what that means. A big question that comes up is – what comes first? Do we make work with our audiences in mind, or do our audiences come to our work? We discuss the need to “make things”, regardless of the outcome and the audience participation, and how as makers we need to practice making things without the pressure of who will see it and who will like it. We discuss how we invite and allow our audiences to participate in the work, and talk about a very special moment being one of a very few number of people experiencing a show. Finally, we discuss whether everyone does want to dance or take part in dancing – is it for everyone? And who decides what dance is, and what dance isn't? Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Kajsa Sundström, Lucy White and Melanie Precious   Recording date: Tuesday 22 March 2022

British Army officer and physiotherapist Preet Chandi has made history as the first woman of colour to complete a solo expedition in Antarctica. 'Polar Preet' trekked 700 miles in 40 days, facing temperatures of -50C, poor visibility and fatigue along the way. She used skis, and dragged a 90kg pulk (a sled) for between 10-12 hours a day. Preet catches up with us from the Union Glacier camp in Antarctica. 'Collector culture' - the swapping, collating and posting of nude images of women without their consent - is on the rise. But unlike revenge porn, it is not a crime. Now survivors are demanding a change in the law. To understand why Anita is joined by Professor of Law at Durham University, Clare McGlynn and Zara Ward, senior practitioner at the Revenge Porn Helpline. Cecil Sharp is known as the godfather of English folk music. In a bid to preserve the English folk song at the turn of the twentieth century, when many in the musical world didn't believe England had a musical tradition of its own, he collected and memorialised thousands of traditional English folk songs from rural communities in England. However, less is known about the people he collected these songs from. FOLK is a new play at Hampstead Theatre in London written by Nell Leyshon, the British dramatist and novelist born in Glastonbury, Somerset. She tells us the true story of Louie Hooper and Lucy White, two half-sisters from Somerset who Cecil Sharp collected hundreds of songs from. A UK tech company is pitching to provide security for women out alone at night who fear for their safety. Drone Defence is hoping to secure government funding to deliver AI drones fitted with spotlights and a thermal camera which would be summoned on an app by an individual who are concerned a predator may be near by. Could this be a solution to a recent survey which showed one in five women fear going out at night alone or does it present a serious privacy risk without tackling the underlying issue of violence against women? We talk to Richard Gill the founder of Drone Defence and to Silkie Carlo the Director of Big Brother Watch. Born in Bristol and raised in Lagos, Nikki May is Nigerian-British. At 20, she dropped out of medical school, moved to London, and began a successful career in advertising. Now aged 56, her debut novel Wahala has just been released and is already being made into a six part drama series for the BBC. It is the story of three thirty-something friends living in London - Ronke, Simi and Boo. Their bond is tested and their lives start to unravel when glamorous high flying Isabel explodes into their friendship group. Presenter: Anita Rani Producer: Kirsty Starkey Interviewed Guest: Preet Chandi Interviewed Guest: Professor Clare McGlynn Interviewed Guest: Zara Ward Interviewed Guest: Nell Leyshon Interviewed Guest: Richard Gill Interviewed Guest: Silkie Carlo Interviewed Guest: Nikki May

In this episode, we talk to Karthika Naïr and Eva Martinez about the role of dramaturgy. An artist's creation space is a rather special place to inhabit. It's vibrant, exciting, tense sometimes nail-biting. And it always feels to me to be an honour to be there. But by the same token, it comes with much responsibility particularly if you are invited not as an onlooker but as a contributor. One role, increasingly in use within the creation process is the role of the dramaturg. But what exactly is this, how do you become one and what benefit can a dramaturg bring to an artistic process? We start off by discussing what a dramaturg actually is and Karthika shares a clarifying analogy we here at Greenwich Dance will reuse again and again about an elephant… Our guests have held over the expanse of their careers multiple roles within the creation process and Karthika and Eva clarify some distinctions between writers, producers, dramaturgs, dance scripters and librettists to help us understand the complexity of the work that goes on behind the scenes. We also discover a new word, fabulist, which again will be reused again and again. We talk a lot about the creation space and the dynamic within, about permissions, boundaries, feedback and respecting both the process and the work itself as well as the collaborators who make it. We weave a basket with our threads of conversation as we touch upon trust and the ways trust can be built (particularly this past year in remote settings), about whether prior relationships need to be established (or not) and whether all artists or only those using narrative would benefit from dramaturgical support. And we discuss, as we often do, the use of language and whether the words ‘authority' or ‘power' are ever at play in these settings. Eva makes the point that she has been an activist within an institution for many years and Karthika states that she would never work with anyone she could not disagree with. And finally, we talk about the importance of acknowledging the plurality of the creative team in crediting and the need to break away from the ‘primacy of the single narrative', which is so often prevalent in the way that work is presented and marketed to audiences. As ever there seems so much more to discuss and dig into. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Thursday 22 July 2021

In this episode, we talk to Katie Serridge and Nafisah Baba about Breaking Through. This episode was put together at Katie's request, who took the initiative and emailed us offering to talk about the challenges she has been presented with as a young artist trying to break into an industry that effectively shut down only minutes after her graduation. Nafisah Baba, BBC Young Dancer 2017, joins us to share her observations of the world of work thus far. We start off by discussing how Katie and Nafisah came to dance, the courses and training they embarked upon to prepare them for the industry and the opportunities they had to start making or performing in work pre-Covid. We reflect back on lockdown 1.0 and how it felt for them both returning to childhood bedrooms as adults. Most performers find a need to supplement their earnings with what Nafisah described as a ‘Muggle job' and Katie talks about how for her these dried up as cafes and theatres closed. We discuss how they now think about ‘training' which might once have meant daily class but is now weighted towards the maintenance of strong and positive mental health. We talk about resilience, networking, the pleasures and pitfalls of social media and how best to manage it. But these are two remarkable young women and, presented with the challenge of a global pandemic, they both set about finding creative ways to manage. Both are already making their mark on the world through their art, are politically and globally aware and have voices that are starting to be heard. Katie, along with a collective she formed at Laban, has already begun making films and sharing these in festivals and Nafisah talked about how she has enjoyed experiences of working with artists such as Akram Khan who have inspired her to break away from years of codified training. This is no ‘woe-is-me' episode. This is an episode filled with hope, love, care and possibility. Yes, we talk about what the industry is demanding of young dancers right now but most excitingly we talk about how these young dancers are starting to push back against that expectation and make changes in a world that, let's be honest, is ready for the shake-up. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Thursday 5 August 2021

In this episode, we talk to Nancy Hirst and Dan Canham about Co-creating with Communities. Building cultural communities is at the heart of Arts Council England's Let's Create strategy and for many organisations, this kind of work is at the very heart of what we try to do. But it's not easy… it takes time, patience, diplomacy and care to do well. And sometimes, the funding and expectations of stakeholders around us, plus perhaps our own over-eager enthusiasm causes us to make mistakes. So we ask our guests to tell us more about how we might do this work better. We start off with vocabulary… what and who do we mean by the all-encompassing word ‘community' and indeed what do we mean by co-creation? None of us feel very comfortable with either terms but find ourselves using them anyway and so we explore the reasons why we do and the complexities that arise for us when we do. We talk a lot about telling stories and the ethics of doing that, the juxtaposition of local stories linked to national conversations, of being authentic, of being of a place or an outsider to it and of finding a common purpose. We delve into Dan's epic gig-like work Session which he undertook in partnership with Empire Sounds and Steppaz Performing Arts in Tottenham, and we look at the ways in which Nancy and her company Icon build theatre around local tales such as The Chatham Witch and The Silk of 1000 Spiders with her Medway communities. Both Nancy and Dan share some of the tools they use, show us where some of the traps and pitfalls can lie, and muse on the complexity of this work which we all agree felt different to simply ‘seeking out stimuli' and mining material. The issue of ethics comes up for us, as does legacy and how we can continue to support a process even after the final curtain on the show has come down. And finally, we reflect on the joy – the moments where the stars align and the work comes together and the magic truly happens… Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Wednesday 29 September 2021

In this episode, we talk to Vicki Igbokwe and Shane Shambu about Celebrating Diversity with Dance. The two artists we invited to take part in this episode each make extraordinary, distinct work using an original voice. We ask them about where their work takes its influence, how they have been able to make it, find audiences for it and how free they are to experiment with it. We start off by exploring Vicki and Shane's beginnings – discovering how they found dance and where and how they learned their craft. Then we touch upon the first of many similarities between these two inspirational artists – their three ‘e's – empower, entertain and educate… and how these same values infiltrate into every decision they make about the work they craft and the people they aim to serve through the making of it. I share my perspective as a white woman, watching Vicki's The Head Wrap Diaries and Shane's Confessions of Cockney Temple Dancer, and how I found myself gaining another perspective on the world. I ask our guests “is this intentional – are you trying to share an aspect of your cultural heritage? Or is there something else driving the telling of these stories?” The answer is complex and simple at the same time. Our guests tell stories about life as they see it and experience it. The want and need for the sector, myself included, to stereotype artists and ‘stamp' their work with a label we think we understand is something that has to change if we are ever going to let artists be truly free to make the work inside them. We talk about authenticity and freedom to explore… how free did Vicki and Shane feel to explore movement language and stories and how necessary or helpful is the concept of ‘authenticity'? Finally, we talk about curiosity and conversation and the ways in which both artists float between cultural boundaries and expectations, how they draw the audience into their work and just how much they dislike the post-show talk! Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Wednesday 22 September 2021

In this episode, we talk to Isaac Ouro-Gnao and Donald Hutera about the role of Feedback & Criticism. Every artist making work and putting it out there into the world is inviting an opinion of some kind: be that from their immediate collaborators, their performers, the raised eyebrow of a parent or mentor, their audience, or critics. Feedback is so useful to the artistic process, but it's hard to take at times. And perhaps also, hard to give. In this episode we talk to two artists to find out a bit more about the art of critique, its relevance today and how we can, perhaps as an industry, do it better. Our guests have a foot in both camps – working as artists but also as published journalists. So as people of words we start off by defining some… analysing the words ‘review', ‘feedback' and ‘criticism' and establishing whether they were interchangeable or if there were notable differences. We decide that perhaps feedback is for artists and reviews serve as documentation or for audience information. It was the word criticism everyone feels a little more uncomfortable with… Donald and Isaac both share instances where they had felt criticised in print, and how they dealt with conflicting opinions. We talk about ethics: permission, recognising objectivity is impossible, that there is no right or wrong (only opinion) and that sometimes feedback (and reviews) are not actually wanted. We conclude that the hunger to know more about artists and their work and dialogue are both key to useful criticism. The subject of diversity of voices threads its way through our conversation and we discuss ways we might better achieve a multiplicity of voices within the industry of dance journalism that is in itself diminishing. But perhaps most importantly we talk about responsibility – and what those who have a voice can do to shine the spotlight and give over some space to voices that are lesser heard. You may like to dip into the following articles before or after you listen… The Stage feature: Race and Theatre Criticism We Need Critical Change The Stage feature: Race and Theatre Criticism On Writing about Race Equity's Recommendations for Theatre Critics Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Wednesday 21 July 2021

In this episode, we talk to Annie Hanauer and Erion Kruja about Creating an Identity. For many dancers it's a dream to secure a long term contract within a prestigious dance company, but there comes a time when it just feels right to move on. So what happens when you fly that nest – leaving the safety of a regular wage, daily class, regular performance opportunities and the companionship of like-minded company members? How do you build that support infrastructure for yourself – at the same time as having to find the funding, secure commissions, and rebrand as an independent? We start off by finding out more about life with Candoco (from Annie) and with Hofesh Shechter Company (from Erion) and how they came to make the decision to leave. We discuss the support infrastructure and development opportunities they had whilst still a member of the company and what that looks like now that they are making work independently. We talk a bit about the type of work a body wants to make when it has been a tool for other choreographers for so long and both of our guests offer suggestions for what's needed to better develop and support independent dance makers of today. As we very often do, we talk about language definitions and discuss the feeling of living across both an ‘emerging' and ‘established' description. We talk about the implied hierarchy of dancers and choreographers (the inaccurate expectation that everyone wants to ‘graduate' to becoming a maker) and this leads us onto broader discussions about labelling where Annie shares the frustrations she experiences of being boxed up into the ‘disabled dancer' category, and what it's taking for her to mentally and physically break out of that box. Annie sent us some further thoughts on the subject – don't miss her PS at the end of the episode. And finally, we talk about the differences between the offer here in the UK and internationally and what we can be doing as dance organisations to better support the lifeblood of our art form. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Friday 23 July 2021

In this episode we talk to Alesandra Seutin and Temujin Gill about making work with young people. With this series we have been particularly interested in delving into choreographic approaches to different types of work – we have looked at work outdoors, for families, for digital technologies. But what happens when your cast are all under 25? How do choreographers harness that young potential, amplify the stories they want to tell and create work that is relevant to young people of today? And once made… who comes to see it? Alesandra and Temujin kicked us off by reflecting upon their own dance journeys and why, as young people themselves, dance spoke to them. Alesandra, as Guest Artistic Director of the National Youth Dance Company 2020-21, (a baton she took from previous AD Russell Maliphant during the pandemic) talked us through her approach to creating work using a series of Zoom residencies with a cohort of dancers from all over the country. Temujin spoke about his own recent process of creating a choreographic framework for young people with his company Grounded Movement, which is now available on the ArtsUnboxed platform for others to use and talked through his exploration of a concept he describes as ‘cultural amnesia'. Both share very practical tools and techniques for drawing out the stories and personalities of the dancers they work with and how they celebrate differing technical abilities, dance styles and experiences. They each shared ideas for warm-ups and ice breakers, task activities and their music choices and reflected on how, indeed if, their choreographic process differs any from how they work with professionals. We talk about the hole Covid has blown into the lives of this generation of young people and how the action of showing that we genuinely believe in them: in their abilities, their stories and their values, is going some way to repairing some of the tissue damage Covid has brought about. Finally, we consider the audience for the work and whether we imagine it being enjoyed by a wider community than simply families and friends. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Thursday 6 May 2021

In this episode we talk to Claire Cunningham and Jorge Crecis about choreographic approaches. The life of a choreographer is a complex one and on this podcast the reliance artists have on portfolio careers has come up in conversation a number of times. So we invited two inspirational and entrepreneurial choreographers to come and talk to us who have both branched out into a myriad of directions and in doing so forged their own unique aesthetic, process and mindset. We begin by discussing the breadth of careers both Claire and Jorge have enjoyed and as part of that discussion find out a bit more about the things that make them tick, how they get ideas and most importantly how they record and remember them given that dance is sometimes a hard thing to pin down. Jorge and Claire then talk about aesthetic and how that has, for both of them, become a by-product of a much deeper process of the making journey. We reflect upon Jorge's work and whether or not that stretches people to their limits and he makes the ever so valid point that whilst it does, it does so within a container of safety. This is echoed by Claire who also looks imaginatively at her own body and her ‘four feet' (referring to her body and crutches) and the way in which she works with those crutches in a process of care and careful attention. Both have, coincidently, made works called 12 (Twelve) and so we use those works to delve deeper into the processes used in making them. For Claire this was a rare opportunity to work with other dancers, rather than as solo work, and she shares the thoughtful ways in which she approached the making of that work with both disabled and non-disabled dancers. Interestingly we discover that they both use play, rules and problem solving to create structures within which to make the works they make. Looking beyond the making process, we then explore other areas of the dance landscape that they inhabit… we talk about Claire's Choreography of Care symposium planned for next year and Jorge's methodology Towards Vivencia which supports dancers to stay at peak performance which can now be accessed online. Finally we touch upon the big ideas that move them, the imprint they want to leave on the world and the questions they have of it. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Thursday 29 April 2021

In this episode we talk to Liv Lorent and Arthur Pita about creating dance for families. Once upon a time, dance for children and families was perhaps seen as lightweight, if indeed it was seen at all. But pioneering leaders in the sector, such as Emma Gladstone and her children's dance festival Offspring at The Place, set about to change that – spotlighting high quality work and the wonderful artists making it – and in doing so raising the status of this magical genre. Liv and Arthur, both of whom meet on the Venn diagram when it comes to their imaginative use of traditional fairytales, discuss the careful choice of story and the way they relate that to lived experience as well as to reflect the complex society we live in. We talk about the artful balance of dark and light and how neither of them is scared to shy away from the sad or scary parts of a story but rather the faith they have in children to interpret this and see sad and happy as parts of life. We talk about the creation process and the involvement, for Liv, of community casts within the research and development as well as the presentation of the show. Arthur and Liv both talk animatedly about the collaborative way in which they make the work alongside creatives such as dramaturgs, writers, designers and musicians and the importance of narrative and pace perhaps over and above choreography which oftentimes comes second and is layered upon this robust structure. And we talked about audiences – discussing who this work is really for – adult or child? And whether it's The Little Match Girl, or Ballo Arthur Pita, they have really come to see. This led us to muse upon whether digital tools and technology might offer the potential to widen access and strengthen the bonds between company and a (growing) audience. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Monday 26 April 2021

In this episode we talk to Roswitha Chesher and Alexander Whitley about digital dance and technology. Both started their careers with dance training – film maker and photographer Roswitha Chesher at Trinity Laban and choreographer Alexander Whitley at the Royal Ballet School – but they’ve both moved into exploring dance in different formats – on camera, screen and using digital technology. Whilst it’s true to say that over the past year many of us have been on a crash course when it comes to digital and dance, in contrast these two artists have been working within the digital sphere for years and so we decided to invite them on to talk a little bit more about what it is that excites them and find out how we can all learn to explore and use digital technologies more effectively. We begin by discussing the journey we have been on as a sector which has evolved pretty quickly from the kickstart reaction of many to share back-catalogue documentation to the kind of immersive experience offered recently by Rambert with Rooms. Given their familiarity of the digital space and their enviable access to high quality equipment we also probed a little into whether they themselves had felt creative during covid and how they had reacted either individually or as a company to the challenges of the past year. Alex shares his interest in technologies such as virtual and augmented reality and the potential this is offering him and his company to explore new ways of making and presenting work. And Roswitha shares some of the lessons learnt from thirty years making dance on screen. She reflects upon how of late so much of the material she has been asked to work with has been made on the very small (mobile phone) screen. Together we reflect upon how the luxury so many of us experience of having this technology in our back pockets can be deployed creatively when used with thought, care and skill. We talk about the ability to curate an environment when making theatrical work and how in digital this translates to much more nuanced experiences such as directing the focus and the eye. And we talk about the ways in which technology and dance on screen can be used in hybrid formats to create completely new cultural environments which are no longer as simple as a choice between theatre or TV… Talking Moves is a Greenwich Dance Production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Tuesday 20 April 2021

I have kept a special guest for the last episode of Season 2. My guest is the travel editor and writer Lucy White. Lucy was the last editor of that Irish institution of travel publications Cara Magazine. As a renowned travel editor Lucy has some fascinating places and stories to share with us. We also chat about how different it is for women when travelling compared to men, and the responsibilities of the travel editor. Ill have my favourite episode of each season out next week – the Happy Place Special bonus episode. I have some great guests already lined up for season 3. Follow @traveltalkwithfergal on Instagram for updates. The podcast is now listened to in 75 countries and I have loved sharing travel tales with you and I look forward to sharing more soon.Fergal O’Keeffe is the host of Ireland’s No.1 Travel Podcast Travel Tales with Fergal. The podcast aims to share soul-lifting travel memoirs about day-dream worthy destinations.I would ask you to please subscribe so a new episode will appear in your library every week. I would also really appreciate it if you could leave a rating and review as it helps others to discover this podcast.To find out who is on every Tuesday please follow me onWebsite www.https://www.traveltaleswithfergal.ieInstagram @traveltaleswithfergalFacebook @traveltaleswithfergalTwitter @FergalTravelYouTube @traveltaleswithfergal See acast.com/privacy for privacy and opt-out information.

In this episode, we talk to Frauke Requardt and Luca Silvestrini about making work for the outdoors. Artists have long been making work to animate places and spaces and there is much for them to consider when they do. The work has to sit within the setting, engage with passersby who perhaps are not expecting, or even asking, to be engaged with. But with the pandemic having closed theatres down for the best part of 2020 and now into 2021, many artists and venues are looking to the outdoors as part of our road to recovery. Frauke and Luca reflect back on over 15 years of making work for the outdoors and talk about the differences in both developing work for particular spaces as well as touring with pop-up sets and ‘venues’. They speak about the experiences of the audience member – of drawing them into the narrative without having the tools at their disposal such as dimming lights and swishing curtains which are often used to create the atmosphere for the performance within traditional theatre settings. They talk about the audience who buy a ticket for and choose to see work in non-theatrical settings and those that stumble across it – and how both the performers and the choreographer prepare for those eventualities. Coincidentally at time of recording, both artists were about to go into the studio the very next week to start work on new outdoor productions. Each gave us a sneak preview of what we can expect from their exciting new shows… and shared with us their own processes of making work in a pandemic for a world tentatively emerging from it. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Wednesday 3 March 2021

In this episode we talk to Cath James and Kenneth Olumuyiwa Tharp CBE about their transition from stage to management. This particular topic was inspired by a listener, Laura, who got in touch to ask for some support as she sought to make a similar career change. She felt frustrated as she navigated the unfamiliar terminology, high expectations (and low pay) of a sector she knew so well from one angle but less well from another. Did she really, she asked, need to start right back at the beginning? Kenneth and Cath both agreed that life experience and the ability to recognise and seize an opportunity when it arises have been just as valuable as any training they have undertaken. They each walk us through their inspirational journeys from esteemed company dancers to senior management and consider the point upon which they decided to hang up their dancing shoes for good. They share experiences of creating roles for themselves along the way – in the establishing of new services or supporting friends with touring - rather than waiting for roles to present themselves. They share anecdotes of when their performance skills have come into play and considered how being a performer has shaped who they are as a leader today. Both talk so very honestly about the skills they had to learn… quickly… and whether their impressive performance CVs’s added kudos or doubt from the sector around them. Recording date: Wednesday 24 February 2021 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Jeanefer Jean-Charles and Lou Cope about money matters. Money is always an awkward thing to talk about and when what we do is what we love it can feel even harder. But as we navigate our way within a business where we are constantly having to put a price tag on either ourselves – consultancy or advice perhaps – or the artistic work we make, we have to get better at talking about and asking for money. Jeanefer and Lou talk us through the way they think about themselves, the values they hold and express through their work and art as well as the value they place on themselves. Both share their secrets for pricing up their time - including useful tools and techniques from imaginary assistants to the use of real ones - day rates to annual budgeting. They talk about the benefits of having a portfolio freelance career with financial resilience in mind but also in the loneliness and isolation that comes when working alone or as a temporary guest in an established team. Together we pondered value in its broader sense: in crediting, having our voices heard and being included. And of course in the drive to do an excellent job as, in a freelance world, we are only ever as good as the last one... Recording date: Wednesday 17 February 2021 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Seeta Patel and Wayne Parsons about the relationship between organisation - be they venues, companies, agencies - and artists. Living through a pandemic has highlighted the fragile ecology upon which the performing arts industry is built. The community Freelancers Make Theatre Work, a group of volunteers set up to give freelancers a voice, has published data which says that over a third of the freelance workforce received no support during Covid – making their reliance on the sometimes tenuous relationship between organisation and artist even more important. Seeta and Wayne talk about how they supported themselves and their own dancers through Covid. They discuss the pivot to digital and conclude that perhaps we are all beginners within the digital world and have much to learn together if we are to continue to inhabit the digital space with integrity. They muse upon the lessons that have been learnt, by both organisations and artists, throughout the crisis and how we all might learn from these as we build a stronger future. We unpick the value that associate programmes have for the artists who acquire them, the difficulties in maintaining relationships with organisations when personnel move on and how we build more sustainable opportunities for the artistic workforce. We discuss the terminology ‘artist development’ and what artists really need to develop right now, and Melanie poses the question – what would you do, if you ran an organisation, to support artists like yourselves? The answers are illuminating… Recording date: Tuesday 26 January 2021 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Zoie Golding and Anthony Missen about the ways in which artists make a difference and the metrics we measure this by. Inspired by the book, The Art of Relevance, by museum director Nina Simon, Melanie asks her guests why their work matters and to whom. They discuss ‘insiders’ – their loyal curators, artists, audience and participants who ‘get them’. And the 'outsiders' – people who may not know their work is out there and whom they strive to reach. Zoie also reflects on the outsiders who are inside – the ones who are close to us who also struggle to ‘get’ what we do… We talk about permission and ethics and the trap so many of us fall into of ‘crashing’ into communities uninvited. Anthony and Zoie both reflect upon the numerous times they have needed to throw their lesson plans away and read the room and the permission they had to give themselves to do this. Anthony suggests that by evaluation we simply mean conversation and we discuss how easy this is to enable post-performance. Finally, we ponder whether metrics of success, so often number driven, have changed at all in response to the crisis we are all living through now. Recording date: Friday 29 January 2021 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Charlotte Edmonds and Andrew Gardiner about resilience. The government told us recently that dance was not a viable career, and whilst many would strongly dispute that - we probably all acknowledge it’s a difficult, sometimes even punishing choice. So it felt like a good time to check in with some of our dancing workforce to find out how they keep optimum mental and physical health, their tools of self care and how organisations can do better to nurture those who make our art.   Andrew and Charlotte discuss what resilience means to them, how their own challenges – of anxiety and dyslexia respectively, have helped them develop greater awareness of the triggers and mechanisms for self-care. Charlotte discusses how her internal struggles find a way out through her art – works such as Sink or Swim for the charity MIND and Grit for the Junior Company of Dutch National Ballet. Andrew talks about the increased sense of responsibility he has for his own team of collaborators when working with his newly founded company Society of Strays and how the switch to making his own work as opposed to embodying the work of others has helped find equilibrium.   Both reflect upon the pressures of a dancers rigorous training and the expectations of an ever-demanding industry. Honesty, openness and the ability to sense and respond to triggers are discussed as are the responsibilities we all have to take care of those who work with, for and amongst us.   Recording date: Wednesday 16 December 2020   Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Tamsin Fitzgerald and Gary Clarke about the ‘business of dance’ and the way they have built a team of support around them. And of course a business is all about the people….. Gary and Tamsin discuss how it feels to call what they do a business, and what their underlying core values of that business are. We delve into the moment when one became two (or more) and who those first members of their team were. We touch on how they built their wider network of support – with funders and venues. We explored how they nourish both themselves and their teams. And how could we talk about the business of dance without discussing that most famous of questions: To NPO or Not to NPO?   Gary lets us in on some of the ways he views his work and art with the branding of it very much at the forefront. Tamsin talked about the way her company supports artists to grow whilst contributing to the economy of her hometown in Hereford. They both talk about the importance of being based in their localities and their company relationships with local communities.   Together they discuss the vital role dancers play within their support network as well as the ways in which they care for themselves as they lead from the front - especially when faced with the challenges of lockdown and furloughing.   Recording date: Wednesday 16 December 2020   Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Rhiannon Faith and Ben Duke about their experiences of conceiving and creating dance films and we ask them, with the benefit of some experience and hindsight, how they are now approaching the use of technology and the digital experience as they conceive their next work. We discuss the uncanny similarity between the themes at the core of Rhiannon’s ready-to-tour show Drowntown and the filmed prologue Drowntown Lockdown she ended up making - and she lets us into a trade secret about how to get the best shots using apparatus borrowed from her 4 month old’s nursery! Ben confessed to wondering ‘what am I and what is this thing I do without an audience?’ and admitted feeling reluctant to start making digital dance until the need to orchestrate pressure and deadlines to break the inertia of lockdown propelled him back into creation mode. Together they discuss whether the digital outputs they created could replace the live experience, whether they were able to reach the kinds of audiences they aim to touch with their live work, the shift as we curate considered audience experiences rather than chase audience numbers and how we all, now, simply feel like beginners. Recording date: 2 November 2020 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Ingrid Molinos and Tory East about running a youth dance company during a global pandemic. They tell us about the work their companies, Young Amici and Hampshire Youth Dance respectively, would ordinarily do and how this has changed over the course of 2020. We discuss how young people reacted to their cancelled performances and auditions and the ways in which they have adapted, successfully or unsuccessfully, to online dancing… and we delve into the ways they have been able not just to train, but to live up to their intention of being ‘performance companies’ whilst being restricted to a digital output. Ingrid talks about the ways in which she has tried to rebuild an inclusive environment for her young people and their families online and her summer school which had sold out. Tory reflects on the barrier Zoom put between them. They both reflect upon the race to upskill digitally in order to support their young dancers, the opportunity presented by One Dance UK through their U.Dance digital festival and the ways in which both they and their young people have come to appreciate just how much they can all achieve. Together they discuss mental health, the vocational journey, leadership and whether these young people will ever want to make another film again! Recording date: 6 October 2020 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Katie Green and Ivan Blackstock about the ways in which they have been breaking from the conventional and working in exciting new ways… creating new partnerships, new audiences and new platforms for their work. Has their need to challenge the status quo been conscious and deliberate or simply accidental? Ivan talks about his love and admiration for the music, fashion and technology industries and how these have opened his eyes to a new way of being and working, and Katie talks of the rich source of choreographic stimuli working with museums and heritage has given her. They both reflect on the things that have made them who they are and the challenges they have encountered along the way – not fitting the aesthetic, doors shutting, imposter syndrome and language barriers… but also enthuse about the opportunities they have seized within new worlds which have given them both the ability to keep creating. Together they discuss the skills needed to create relationships, the care and consideration they give their colleagues and friends, audiences and themselves and the desperate need to adapt to survive. Now more than ever. Recording date: 25 September 2020 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Sarah Blanc and Mathieu Geffré about the way they approached the task, back in April, of pivoting their touring plans online. They discuss their immediate feelings of desperation and the subsequent "battle to find a new way and new solutions" within new conditions. They talk about the nuts and bolts of involving a community cast during lockdown: building trust and connections through Whatsapp and Zoom. We discuss the choice of title for Mathieu’s lockdown film: The Ceremony, and Sarah’s approach to working remotely with an intergenerational cast using poetry. And we speak of ever-present frustrations of technology, intellectual rights and the challenges of keeping communities comfortable within a digital world. Sarah and Mathieu bring the conversation to a close as they consider how they now place value on their work and the need they still have to "feel like we are surviving as artists". Prior to listening to the podcast you may enjoy watching Sarah and Mathieu’s Up My Street Online films – a Greenwich Dance project conceived (pre-Covid) to be a cabaret tour to community centres. Recording date: 4 August 2020 Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to Maria Ghoumrassi and Wendy Steatham about the ways in which they have adapted their teaching to accommodate the need to be online. They discuss their initial fears and approaches, the ways in which they have explored the functionality and played with the format, how they structure their classes: stripping back to fundamental technique or playing with open ended stimuli and the ways in which they have prioritised community and wellbeing. They drill down into some of the specifics such as camera off or on, break out rooms, playing with those ‘rectangles’, tackling the ‘delay’ as they count their dancers in and most importantly… how to deal with the rogue pet dog! Together, Maria and Wendy muse thoughtfully about how this period may have changed us forever and what the dance class of tomorrow might look like. Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious

In this episode we talk to John Darvell and Emma Houston about the challenges of staying creative through Covid. Have they relished the opportunity to rethink their work amidst changing social behaviours? Or been weighed down by the pressures of diminished finances and cancelled contracts? Both John and Emma talk about their projects going ‘Pete Tong’ and how they then had to figure out, in the name of self-care, what was important. John talks of his responsibility to his community and the need to begin online classes, and Emma speaks about her harrowing experience of getting Covid herself and how she had to respect her body and its capabilities as she recovered from that. Together they discuss managing anxiety, funding rejections, the need to learn new skills and ‘positive rage’ but the episode finishes on a high as they consider the renewed sense of vigour they each now have through new connections, new conversations and new possibilities. Download transcript Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Follow Greenwich Dance on Twitter, Facebook and Instagram.

In this Podcast Zaid Hassan and Lucy White discuss how groups of individuals can get together to help reduce carbon emissions through the gigatonne challenge Averting dangerous climate change is imperative. While we know “what” should be done, there seems to be little clarity as to “how” to do it. According to the science, global emissions need to peak and start declining by at least a billion tonnes of CO2e per year. If this doesn’t happen within the next decade we will likely see global temperatures breaching +3-6 degrees, leading to the catastrophic failure of key systems that we depend on for survival. If you imagine the challenge of reducing a billion tonnes of emissions a year as climbing Mt Everest, how do we learn to climb such a daunting peak? --- Send in a voice message: https://anchor.fm/globalnet21/message

The Guilty FeministPresented by Deborah Frances-White and Sindhu Vee Episode 221: Making Money Matterwith special guests Emma Howard Boyd and Henna Shah with music from Katey Brooks. Recorded 15 September via Zoom. Released 28 September 2020. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. Be Well Workshops. https://guiltyfeminist.com/be-well/ More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about Sindhu Vee https://twitter.com/sindhuvfunny https://sites.google.com/view/childlabourpod/home More about Emma Howard Boyd https://twitter.com/EmmaHowardBoyd https://makemymoneymatter.co.uk https://www.gov.uk/government/organisations/environment-agency https://www.eapf.org.uk https://shareaction.org More about Henna Shah henna@makemymoneymatter.co.uk https://makemymoneymatter.co.uk/about-us/henna-shah https://www.ted.com/talks/bronwyn_king_you_may_be_accidentally_investing_in_cigarette_companies More about Katey Brooks https://twitter.com/KateyBrooksOFCL https://open.spotify.com/artist/0OobWT1O24A3SpQcKYjgYP https://www.instagram.com/kateybrooks https://kateybrooks.com For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Come to a live recording! 24 March 2021 at The Eventim Apollo in London. Tickets on sale now. 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The Guilty FeministPresented by Deborah Frances-White and Tiffany Stevenson Episode 220: Everyday Contributions to Feminismwith special guests Tatiana Foltz, Protima Pandey, Louise Doherty, Roz Plotzker, Maria Restivo Recorded 17 January 2020 at The Palace of Fine Arts in San Francisco. Released 21 September 2020. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. Be Well Workshops. https://guiltyfeminist.com/be-well/ More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about Tiffany Stevenson https://twitter.com/tiffstevenson https://tiffstevenson.co.uk More about our guests https://twitter.com/JALBayArea https://www.justiceatlast.org https://southbayendtrafficking.org https://twitter.com/louisedoherty https://yoller.com https://www.purposegames.com/playlist/female-pelvic-anatomy-for-the-win https://californiaptc.com https://twitter.com/MsMermaidMaria For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Come to a live recording! 26 September 2020 at the London Podcast Festival. Tickets on sale now. 24 March 2021 at The Eventim Apollo in London. 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The Guilty FeministPresented by Deborah Frances-White and Susan Wokoma Episode 219: Citizenshipwith special guest Baratunde Thurston and music from Bumi Thomas Recorded 7 September via Zoom. Released 14 September 2020. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. Be Well Workshops. https://guiltyfeminist.com/be-well/ More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about Susan Wokoma https://www.instagram.com/susiewoosie12 https://www.netflix.com/title/81277950 More about Baratunde Thurston https://twitter.com/baratunde https://baratunde.com/howtocitizen https://baratunde.com/wham More about Bumi Thomas https://twitter.com/bumithomas https://backl.ink/142477896 For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Come to a live recording! 26 September 2020 at the London Podcast Festival. Tickets on sale now. 24 March 2021 at The Eventim Apollo in London. Tickets on sale now. 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The Guilty FeministPresented by Deborah Frances-White and Jayde Adams Episode 218: Sizewith special guest Stephanie Yeboah and music from Amrit Kaur Recorded 31 August 2020 at the New Normal Festival in London. Released 7 September 2020. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. Be Well Workshops. https://guiltyfeminist.com/be-well/ Big Speeches Workshops. https://guiltyfeminist.com/big-speeches/ More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about Jayde Adams https://twitter.com/jaydeadams https://www.amazon.co.uk/Jayde-Adams-Serious-Black-Jumper/dp/B0839NY57H https://www.channel4.com/programmes/snackmasters More about Stephanie Yeboah https://twitter.com/StephanieYeboah https://www.amazon.co.uk/dp/1784883441/ref=cm_sw_em_r_mt_dp_kAsuFbBP1R5HV More about Amrit Kaur https://twitter.com/AmritKLohia https://www.instagram.com/ms.amritkaur https://amrit-kaur.com https://www.oneloveoneheart.org For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Come to a live recording! 26 September 2020 at the London Podcast Festival. 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The Guilty FeministPresented by Deborah Frances-White and Glenn Boozan Episode 217: Twice as Good as a Manwith special guest Feminista Jones Recorded 7 January 2020 at The Punchline in Philadelphia. Released 31 August 2020. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book https://www.crowdfunder.co.uk/deborah-frances-white https://www.eventbrite.co.uk/e/pappys-flatshare-slamdown-with-deborah-frances-white-and-bilal-zafar-tickets-118061102937 More about Glenn Boozan https://twitter.com/boozan http://www.glennboozan.com More about Feminista Jones https://twitter.com/FeministaJones http://feministajones.com https://www.penguinrandomhouse.com/books/598475/reclaiming-our-space-by-feminista-jones https://blackgirlmissingpod.com For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Come to a live recording! 31 August 2020 at The New Normal Festival in London. Tickets on sale now. 24 March 2021 at The Eventim Apollo in London. Tickets on sale now. Thank you to our amazing Patreon supporters… A, A K, A. 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