Podcasts about Silver River

In this episode I have a privilege to discuss again with Ken McLeod, who began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. We will be doing in-depth exploration of topics such as: What is the nature of prayer in Buddhism - and what is the role of dilemmas in spiritual growth? Are religions really a centuries long conversations about a certain question - and what are these different questions? Ken McLeod began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. After completing two three-year retreats, he was appointed as resident teacher for Kalu Rinpoche's center in Los Angeles, California, where he developed innovative approaches to teaching and translation. After his teacher's death in 1989, Ken established ⁠Unfettered Mind⁠, a place for those whose path lies outside established institutions. His published works include The Great Path of Awakening, Wake Up to Your Life, An Arrow to the Heart, Reflections on Silver River, A Trackless Path and The Magic of Vajrayana. Here are some blog post in Finnish I wrote on his book Trackless path: ⁠https://tietoisuustaidot.com/2016/07/23/poluton-polku-1-1/

Brandy and Dave from the Silver River Center for Chair Caning are back to tackle the 5 Questions! Dive into a lively conversation that weaves through topics like shave horses, guitars, and their signature "age and neglect" finishing recipe. With a perfect mix of mirth and merriment, this episode is sure to entertain and inspire. Don't miss it!Silver River Chairssilverriverchairs.com@silverriverchairs on InstagramSilver River Chairs on YouTubeSilver River Center for Chair Caning on FacebookSilver River Chairs on SubstackWWing NewsLAP 2024 Anarchist's Gift GuideWoodpeckers' Versa-Fence for SawStopLee Valley - Mini Japanese SawsCraft related donation resources for Western North CarolinaSilver River Chairs GoFundMeSouthern Highland Craft GuildCurve GofundmeRiver Arts DistrictMarshall High StudiosNC Arts CouncilCerf+ AIR WNC tip it forwardLove Asheville from AfarHi Wire BrewingNew BelgiumZilicoah BrewingMWA Podcast - Patreon Page@mwa_podcast on InstagramHosts' Contact Info:Kyle Barton@barton.kyle & @bbcustomtools on Instagrambbcustomtools.comOn Youtube under BB Custom Tools & Kyle BartonKyle Barton on FacebookSean Wisniewski@Seanw78 on most social mediaMark Hicksjointeffort.netJointeffort.net/mwa@markbuildsit on InstagramOn Youtube under Plate 11 / Joint EffortBrian Obst@obstwoodworks on Instagram

In this episode, we're thrilled to welcome back Brandy Clements and Dave Klingler from the Silver River Center for Chair Caning. Together, we reflect on an eventful year filled with both triumphs and challenges. From their inspiring outreach efforts and successes to the hardships brought on by a devastating storm that shook Western North Carolina, this conversation is a heartfelt journey through resilience, community, and hope. Despite the struggles, Brandy and Dave share a glimpse of exciting opportunities ahead. Don't miss this bittersweet yet uplifting episode!Silver River Chairssilverriverchairs.com@silverriverchairs on InstagramSilver River Chairs on YouTubeSilver River Center for Chair Caning on FacebookSilver River Chairs on SubstackCraft related donation resources for Western North CarolinaSilver River Chairs GoFundMeSouthern Highland Craft GuildCurve GofundmeRiver Arts DistrictMarshall High StudiosNC Arts CouncilCerf+ AIR WNC tip it forwardLove Asheville from AfarHi Wire BrewingNew BelgiumZilicoah BrewingMWA Podcast - Patreon Page@mwa_podcast on InstagramHosts' Contact Info:Kyle Barton@barton.kyle & @bbcustomtools on Instagrambbcustomtools.comOn Youtube under BB Custom Tools & Kyle BartonKyle Barton on FacebookSean Wisniewski@Seanw78 on most social mediaMark Hicksjointeffort.netJointeffort.net/mwa@markbuildsit on InstagramOn Youtube under Plate 11 / Joint EffortBrian Obst@obstwoodworks on Instagram

Podcast: This week on the show we feature a pre-recorded conversation with Ken McLeod, Buddhist teacher and author the recently released book, The Magic of Vajrayana. In today's conversation, we discuss Ken's recent English translation of The Diamond Sutra from the Tibetan and his development of a new commentary. The Diamond Sutra is one of the most influential early Mahayana sutras that has been central to a number of Buddhist traditions such as Chan and Zen. It describes a way of being and acting that is not mediated by the conceptual mind. Ken's approach to his translation and his upcoming commentary is less about understanding the meaning of The Diamond Sutra and more about how to engage with the text so that its magic can infuse and inform the Being of the practitioner. One of the more innovative Buddhist teachers today, Ken McLeod is known for his clear explanations, poetic translations, and pragmatic approach to practice. He is one of the first generation of Western teachers in the Tibetan tradition and one of the few to be authorized to transmit the full scope of these teachings to students. In particular, his approach resonates strongly with those whose path lies outside established institutions. After graduating with a degree in mathematics, Ken cycled across Europe to Istanbul and then continued his journey overland to India. In 1970 he met his principal teacher Kalu Rinpoche at his monastery near Darjeeling. There Ken began a study and practice in Tibetan Buddhism that lasted more than twenty years. He completed the traditional three-year retreat program two times, translated for many teachers, and helped set up Buddhist centers in Canada and the United States. After his teacher's passing, Ken moved away from the hierarchical structures of Asian Buddhism to explore new approaches. In 1990, he founded Unfettered Mind in Los Angeles. His approach of one-on-one consultations roiled the Buddhist world in the early '90s, but was quickly recognized as a viable way to teach and guide students in the West. He made individual interviews a central feature of the many retreats he taught in California, New Mexico, and British Columbia. Through numerous small groups in Southern California, he developed the materials that became the encyclopedic meditation manual, Wake Up to Your Life. Now retired from formal teaching, he lives in Northern California where he hikes and writes. His writings and translations include The Great Path of Awakening (1987), Wake Up to Your Life (2001), An Arrow to the Heart (2007), Reflections on Silver River (2014), A Trackless Path (2017), and The Magic of Vajrayana (2022), as well as a corpus of articles and translations in Tricycle and other Buddhist magazines. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

There is so much more to Jim Moginie than just being a founding member, songwriter, guitarist and keyboard player of Midnight Oil, as you will discover in his memoir The Silver River. It is a fascinating and emotional story of a personal and professional odyssey that has taken him across the globe. Jim chats candidly about his life and times and the highs and lows of writing his book.  Thanks again to our podcast partners CSCG. It's tax time and the CSCG team are ready to help you be in the best financial position possible with their full range of services and experts. Call them on 03-9974 8333 or visit the website cscg.com.au See omnystudio.com/listener for privacy information.

Not only did the mighty Midnight Oil bless the world with their incredible music, they also educated us on the plight of Australian people and politics which ended up informing many of us and how we see the world. Guitarist and primary songwriter Jim Moginie recently released a memoir called The Silver River which tells the band's story, but, even more impressively, tells his personal journey as someone who was adopted at a young age and found his birth parents later in life. That story is really at the heart of this excellent book. We also talk about that powerful music, the pressure he felt to produce hits, saying goodbye, his writing process, and much much more. We are so lucky to hear from anyone in the Oil's camp. Enjoy! www.jimmoginie.com www.patreon.com/thehustlepod

NightcapGet your Talk Tull To Me merch here!Talk Tull To Me Patreon & schedule.Talk Tull to Me is a proud part of the Feckless Momes Audio Network.Art credit: Burton SilvermanMusic credits: “Bourée” - Jethro Tull”Silver River Turning” - Jethro Tull”So Fresh, So Clean” - Outkast”Coronach” - Jethro Tull”Still Loving You Tonight” - Jethro Tull”Fylingdale Flyer” - Jethro Tull”Cross-Eyed Mary” - Jethro Tull”Warm Sporran” - Jethro Tull”Paradise” - John Prine”Velvet Green” - Jethro Tull

Podcast: This week on the show we feature feature a pre-recorded conversation with Ken McLeod, Buddhist teacher and author the newly released book, The Magic of Vajrayana. In today's conversation, we unpack a compelling quote from Ian McGilchrist's book, The Matter with Things: If you had set out to destroy the happiness and stability of a people, it would have been hard to improve on our current formula: remove yourself as far as possible from the natural world; repudiate the continuity of your culture; believe you are wise enough to do whatever you happen to want and not only get away with it, but have a right to it—and a right to silence those who disagree; minimise the role played by a common body of belief; actively attack and dismantle every social structure as a potential source of oppression; reject the idea of a transcendent set of values. One of the more innovative Buddhist teachers today, Ken McLeod is known for his clear explanations, poetic translations, and pragmatic approach to practice. He is one of the first generation of Western teachers in the Tibetan tradition and one of the few to be authorized to transmit the full scope of these teachings to students. In particular, his approach resonates strongly with those whose path lies outside established institutions. After graduating with a degree in mathematics, Ken cycled across Europe to Istanbul and then continued his journey overland to India. In 1970 he met his principal teacher Kalu Rinpoche at his monastery near Darjeeling. There Ken began a study and practice in Tibetan Buddhism that lasted more than twenty years. He completed the traditional three-year retreat program two times, translated for many teachers, and helped set up Buddhist centers in Canada and the United States. After his teacher's passing, Ken moved away from the hierarchical structures of Asian Buddhism to explore new approaches. In 1990, he founded Unfettered Mind in Los Angeles. His approach of one-on-one consultations roiled the Buddhist world in the early '90s, but was quickly recognized as a viable way to teach and guide students in the West. He made individual interviews a central feature of the many retreats he taught in California, New Mexico, and British Columbia. Through numerous small groups in Southern California, he developed the materials that became the encyclopedic meditation manual, Wake Up to Your Life. Now retired from formal teaching, he lives in Northern California where he hikes and writes. His writings and translations include The Great Path of Awakening (1987), Wake Up to Your Life (2001), An Arrow to the Heart (2007), Reflections on Silver River (2014), A Trackless Path (2017), and The Magic of Vajrayana (2022), as well as a corpus of articles and translations in Tricycle and other Buddhist magazines. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

Join Gleeso on Triple M Nights as he welcomes the legendary Jim Moginie, a pivotal figure behind the iconic Australian rock band, Midnight Oil. In this enlightening episode, Jim unveils the layers of his extraordinary life story, captured in his new book, ‘The Silver River'. From his adoption in 1957 to the heartfelt reunion with his biological parents 45 years later, Jim's personal journey to self-discovery is nothing short of remarkable. Dive deep into the roots of Midnight Oil's music, exploring the profound influence of Australian bands like The Skyhooks and Cold Chisel, and how the legendary Prime Minister Gough Whitlam fueled the band's profound sense of Australian pride and identity. Jim's candid reflections on his upbringing, the search for his identity, and the indelible mark Midnight Oil has left on the music world offer a rare glimpse into the life of one of Australia's most revered musicians. This episode is a must-listen for fans of Midnight Oil, Australian rock enthusiasts, and anyone captivated by the powerful stories of identity, culture, and music. Discover the incredible legacy of Jim Moginie and the timeless influence of Midnight Oil on Triple M Nights.See omnystudio.com/listener for privacy information.

Podcast: This week on the show we feature a pre-recorded conversation with Ken McLeod, Buddhist teacher and author of the newly released book, The Magic of Vajrayana. In today's conversation, we explore four ways of working in spiritual practice sometimes characterized by the archetypal forms of the King, the Warrior, the Magician, and the Lover. We discuss how these ways, Compassion, Will, Insight, and Ecstasy, can be brought into balance for a richer and more complete spiritual engagement with life. One of the more innovative Buddhist teachers today, Ken McLeod is known for his clear explanations, poetic translations, and pragmatic approach to practice. He is one of the first generation of Western teachers in the Tibetan tradition and one of the few to be authorized to transmit the full scope of these teachings to students. In particular, his approach resonates strongly with those whose path lies outside established institutions. After graduating with a degree in mathematics, Ken cycled across Europe to Istanbul and then continued his journey overland to India. In 1970 he met his principal teacher Kalu Rinpoche at his monastery near Darjeeling. There Ken began a study and practice in Tibetan Buddhism that lasted more than twenty years. He completed the traditional three-year retreat program two times, translated for many teachers, and helped set up Buddhist centers in Canada and the United States. After his teacher's passing, Ken moved away from the hierarchical structures of Asian Buddhism to explore new approaches. In 1990, he founded Unfettered Mind in Los Angeles. His approach of one-on-one consultations roiled the Buddhist world in the early '90s, but was quickly recognized as a viable way to teach and guide students in the West. He made individual interviews a central feature of the many retreats he taught in California, New Mexico, and British Columbia. Through numerous small groups in Southern California, he developed the materials that became the encyclopedic meditation manual, Wake Up to Your Life. Now retired from formal teaching, he lives in Northern California where he hikes and writes. His writings and translations include The Great Path of Awakening (1987), Wake Up to Your Life (2001), An Arrow to the Heart (2007), Reflections on Silver River (2014), A Trackless Path (2017), and The Magic of Vajrayana (2022), as well as a corpus of articles and translations in Tricycle and other Buddhist magazines. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

“A moving description of a life in practice which goes far beyond text-based ideas of prayer, devotion, guru-connection, or meditation, and most especially of tantric practice." Anne Klein, former Chair of the Department of Religion at Rice University. A ground-breaking book, The Magic of Vajrayana (Unfettered Mind Media, 2023) opens new doors to the Tibetan Buddhist tradition of Vajrayana, one of the most vibrant traditions of mystical practice in the world today. Ken McLeod deploys his considerable skills in translation, teaching, and writing to weave a rich tapestry of the core practices of this tradition and his experience with them. In simple clear English he immerses the reader in the practice of Vajrayana, bridging the gap between classical instruction and idealized descriptions of insights and understandings. Along with two of his previous books, Reflections on Silver River and A Trackless Path, The Magic of Vajrayana completes a trilogy of experiential instruction and guidance in the Tibetan tradition of Buddhism. As one of the first generation western practitioners and then teacher, Ken is a contemporary of famous teachers across the American, Canadian and British dharma figures. He both shares concerns with them and has made his own way. He is one of those who have sought to innovate, westernise and explore what happens to Buddhism when it is taken out of a traditional setting. Whether through his Pragmatic Dharma website, or his insistence on finding language that works for those he taught and now writes for, Ken has gone deep into Tibetan Buddhism whilst committing to finding ways to have it speak to westerners: he has in many ways been a key early figure in adapting and westernising Buddhism, specifically Mahayana and Vajrayana Buddhism from Tibet. Ken's latest book, The Magic of Vajrayana, is the topic of our conversation. In discussing it, we look at a variety of topics that relate to the practising life. What are magic and faith and what role do they have in the Tantric path. Opening to experience and how the path can enable this process. The role of power, and the guru. How mantras and deities can assist practitioners to wake up. The nature and role of reactive patterns and how to counter them. The role of language in opening up practices. Samsara. The future of Vajrayana in the West. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“A moving description of a life in practice which goes far beyond text-based ideas of prayer, devotion, guru-connection, or meditation, and most especially of tantric practice." Anne Klein, former Chair of the Department of Religion at Rice University. A ground-breaking book, The Magic of Vajrayana (Unfettered Mind Media, 2023) opens new doors to the Tibetan Buddhist tradition of Vajrayana, one of the most vibrant traditions of mystical practice in the world today. Ken McLeod deploys his considerable skills in translation, teaching, and writing to weave a rich tapestry of the core practices of this tradition and his experience with them. In simple clear English he immerses the reader in the practice of Vajrayana, bridging the gap between classical instruction and idealized descriptions of insights and understandings. Along with two of his previous books, Reflections on Silver River and A Trackless Path, The Magic of Vajrayana completes a trilogy of experiential instruction and guidance in the Tibetan tradition of Buddhism. As one of the first generation western practitioners and then teacher, Ken is a contemporary of famous teachers across the American, Canadian and British dharma figures. He both shares concerns with them and has made his own way. He is one of those who have sought to innovate, westernise and explore what happens to Buddhism when it is taken out of a traditional setting. Whether through his Pragmatic Dharma website, or his insistence on finding language that works for those he taught and now writes for, Ken has gone deep into Tibetan Buddhism whilst committing to finding ways to have it speak to westerners: he has in many ways been a key early figure in adapting and westernising Buddhism, specifically Mahayana and Vajrayana Buddhism from Tibet. Ken's latest book, The Magic of Vajrayana, is the topic of our conversation. In discussing it, we look at a variety of topics that relate to the practising life. What are magic and faith and what role do they have in the Tantric path. Opening to experience and how the path can enable this process. The role of power, and the guru. How mantras and deities can assist practitioners to wake up. The nature and role of reactive patterns and how to counter them. The role of language in opening up practices. Samsara. The future of Vajrayana in the West. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

“A moving description of a life in practice which goes far beyond text-based ideas of prayer, devotion, guru-connection, or meditation, and most especially of tantric practice." Anne Klein, former Chair of the Department of Religion at Rice University. A ground-breaking book, The Magic of Vajrayana (Unfettered Mind Media, 2023) opens new doors to the Tibetan Buddhist tradition of Vajrayana, one of the most vibrant traditions of mystical practice in the world today. Ken McLeod deploys his considerable skills in translation, teaching, and writing to weave a rich tapestry of the core practices of this tradition and his experience with them. In simple clear English he immerses the reader in the practice of Vajrayana, bridging the gap between classical instruction and idealized descriptions of insights and understandings. Along with two of his previous books, Reflections on Silver River and A Trackless Path, The Magic of Vajrayana completes a trilogy of experiential instruction and guidance in the Tibetan tradition of Buddhism. As one of the first generation western practitioners and then teacher, Ken is a contemporary of famous teachers across the American, Canadian and British dharma figures. He both shares concerns with them and has made his own way. He is one of those who have sought to innovate, westernise and explore what happens to Buddhism when it is taken out of a traditional setting. Whether through his Pragmatic Dharma website, or his insistence on finding language that works for those he taught and now writes for, Ken has gone deep into Tibetan Buddhism whilst committing to finding ways to have it speak to westerners: he has in many ways been a key early figure in adapting and westernising Buddhism, specifically Mahayana and Vajrayana Buddhism from Tibet. Ken's latest book, The Magic of Vajrayana, is the topic of our conversation. In discussing it, we look at a variety of topics that relate to the practising life. What are magic and faith and what role do they have in the Tantric path. Opening to experience and how the path can enable this process. The role of power, and the guru. How mantras and deities can assist practitioners to wake up. The nature and role of reactive patterns and how to counter them. The role of language in opening up practices. Samsara. The future of Vajrayana in the West. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

“A moving description of a life in practice which goes far beyond text-based ideas of prayer, devotion, guru-connection, or meditation, and most especially of tantric practice." Anne Klein, former Chair of the Department of Religion at Rice University. A ground-breaking book, The Magic of Vajrayana (Unfettered Mind Media, 2023) opens new doors to the Tibetan Buddhist tradition of Vajrayana, one of the most vibrant traditions of mystical practice in the world today. Ken McLeod deploys his considerable skills in translation, teaching, and writing to weave a rich tapestry of the core practices of this tradition and his experience with them. In simple clear English he immerses the reader in the practice of Vajrayana, bridging the gap between classical instruction and idealized descriptions of insights and understandings. Along with two of his previous books, Reflections on Silver River and A Trackless Path, The Magic of Vajrayana completes a trilogy of experiential instruction and guidance in the Tibetan tradition of Buddhism. As one of the first generation western practitioners and then teacher, Ken is a contemporary of famous teachers across the American, Canadian and British dharma figures. He both shares concerns with them and has made his own way. He is one of those who have sought to innovate, westernise and explore what happens to Buddhism when it is taken out of a traditional setting. Whether through his Pragmatic Dharma website, or his insistence on finding language that works for those he taught and now writes for, Ken has gone deep into Tibetan Buddhism whilst committing to finding ways to have it speak to westerners: he has in many ways been a key early figure in adapting and westernising Buddhism, specifically Mahayana and Vajrayana Buddhism from Tibet. Ken's latest book, The Magic of Vajrayana, is the topic of our conversation. In discussing it, we look at a variety of topics that relate to the practising life. What are magic and faith and what role do they have in the Tantric path. Opening to experience and how the path can enable this process. The role of power, and the guru. How mantras and deities can assist practitioners to wake up. The nature and role of reactive patterns and how to counter them. The role of language in opening up practices. Samsara. The future of Vajrayana in the West. Matthew O'Connell is a life coach and the host of the The Imperfect Buddha podcast. You can find The Imperfect Buddha on Facebook and Twitter (@imperfectbuddha). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode I have a privilege to discuss with Ken McLeod, who began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. We will be doing in-depth exploration of topics such as What is clear empty knowing - and how does it relate to deity practice of White Tara? How can prayer and meditation come together? Is it possible to follow a ready-made spiritual path? Ken McLeod began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. After completing two three-year retreats, he was appointed as resident teacher for Kalu Rinpoche's center in Los Angeles, California, where he developed innovative approaches to teaching and translation. After his teacher's death in 1989, Ken established Unfettered Mind, a place for those whose path lies outside established institutions. His published works include The Great Path of Awakening, Wake Up to Your Life, An Arrow to the Heart, Reflections on Silver River, A Trackless Path and The Magic of Vajrayana. Here are some blog post in Finnish I wrote on his book Trackless path: https://tietoisuustaidot.com/2016/07/23/poluton-polku-1-1/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/mielen-laboratorio/message

Podcast: This week on the show we feature a pre-recorded conversation with Ken McLeod, author of the newly released book, The Magic of Vajrayana. The Magic of Vajrayana weaves original translations of instructions, insightful commentary and context about key practices, and authentic personal experiences into a powerful transmission of this vibrant tradition of mystical practice. One of the more innovative Buddhist teachers today, Ken McLeod is known for his clear explanations, poetic translations, and pragmatic approach to practice. He is one of the first generation of Western teachers in the Tibetan tradition and one of the few to be authorized to transmit the full scope of these teachings to students. In particular, his approach resonates strongly with those whose path lies outside established institutions. After graduating with a degree in mathematics, Ken cycled across Europe to Istanbul and then continued his journey overland to India. In 1970 he met his principal teacher Kalu Rinpoche at his monastery near Darjeeling. There Ken began a study and practice in Tibetan Buddhism that lasted more than twenty years. He completed the traditional three-year retreat program two times, translated for many teachers, and helped set up Buddhist centers in Canada and the United States. After his teacher's passing, Ken moved away from the hierarchical structures of Asian Buddhism to explore new approaches. In 1990, he founded Unfettered Mind in Los Angeles. His approach of one-on-one consultations roiled the Buddhist world in the early '90s, but was quickly recognized as a viable way to teach and guide students in the West. He made individual interviews a central feature of the many retreats he taught in California, New Mexico, and British Columbia. Through numerous small groups in Southern California, he developed the materials that became the encyclopedic meditation manual, Wake Up to Your Life. Now retired from formal teaching, he lives in Northern California where he hikes and writes. His writings and translations include The Great Path of Awakening (1987), Wake Up to Your Life (2001), An Arrow to the Heart (2007), Reflections on Silver River (2014), A Trackless Path (2017), and The Magic of Vajrayana (2022), as well as a corpus of articles and translations in Tricycle and other Buddhist magazines. After the main podcast conversation, we include a recording of a book event that Ken McLeod gave at Many Rivers Books & Tea in Sebastopol, CA, on March 23rd, 2023. The event includes an extended moderated question and answer segment with a live audience. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

Podcast: This week on the show we feature a pre-recorded conversation with returning guest Ken McLeod. Among the topics explored in this conversation are the engagement in spiritual practice with beings and deities, how to negotiate when entering into the ontology of a spiritual system, how to pray, the valuation implicit in focused attention, and the release of control in the deepening of a spiritual practice. This episode is another installment in an extended conversation that we have been having with Ken over the last couple of years. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

The moon is full over the Silver River, and for the first time in ages, as the tide recedes, the sound of a flute echoes over the area.One by one, they emerge from the cave, dressed in layers of seawater-soaked silks embroidered with gold. One in violet, one in blue. In teal and green and yellow and orange. Six beauties wade through the ocean to approach the Silver River and the city of Celres, moving as one being and staring around at the world again.Welcome to Sword of Symphonies.Original music by Kathleen~!You can find the Heroic Discord here!Thanks for joining us, Dillon!

Today was the last day of hosting author, Jessica Speart, who is most well known for her Rachel Porter mystery series.  She wrote 10 books in the series, since the mid 1980s and her character plays a USFWS agent.  Jessica also wrote the non fiction book, Winged Obsession about the dark butterfly trade.   Experience has shown her that she can reach a much broader audience under the guise of fiction, so her next book, about the trade in exotic cats, will use Rachel Porter as the vehicle to reach as many people as possible with the true issues that face wild cats.  She is a long time friend of Bill and Kiz' and came for a week of research into the issues and to get ideas from seeing the Tampa bay area, where she plans to set the stage.   While here we visited Hamburger Mary's in Ybor (as Rachel Porter's best friend is a drag queen), a monastery on the Palm River, Tarpon Springs sponge docks, Carnie Town in Gibsonton, downtown Tampa, the Plant Museum, dinner at Jasmine Thai and all the little towns in between.  On her own she visited Dade City's Wild Things and took a four hour boat ride down the Silver River.   Some ideas we gave her for the thriller included ways a cat could escape, ways the controlled drugs could end up being used for mis intended purposes, and places like the Bone Museum in OKC where tigers can end up illegally.   Jessica kept saying how much I was like her character; smart, wickedly sarcastic sense of humor and determined.  Guess I'll have to read the books.   Hi, I'm Carole Baskin and I've been writing my story since I was able to write, but when the media goes to share it, they only choose the parts that fit their idea of what will generate views.  These are my views and opinions. If I'm going to share my story, it should be the whole story.  The titles are the dates things happened. If you have any interest in who I really am please start at the beginning of this playlist: http://savethecats.org/   I know there will be people who take things out of context and try to use them to validate their own misconception, but you have access to the whole story.  My hope is that others will recognize themselves in my words and have the strength to do what is right for themselves and our shared planet.     You can help feed the cats at no cost to you using Amazon Smile! Visit BigCatRescue.org/Amazon-smile   You can see photos, videos and more, updated daily at BigCatRescue.org   Check out our main channel at YouTube.com/BigCatRescue   Music (if any) from Epidemic Sound (http://www.epidemicsound.com) This video is for entertainment purposes only and is my opinion.  Closing graphic with permission from https://youtu.be/F_AtgWMfwrk

Our scatterbrained hosts discuss what plots and schemes are best suited to the Lunar Exalted, with a focus on character, how to get players to like your NPCs, and why having a Lunar impersonate the Scarlet Empress is a bad idea. The episode rounds off with a discussion of some fleshed out story hooks on the situation in Medo, and a scenario to determine the fate of the Linowan and Halta around the Silver River. Check out the expanded story hooks at https://www.wondrousatlas.wordpress.com Have questions? Leave us a voice message on Anchor, or drop us an email at wondrousatlas@gmail.com --- Send in a voice message: https://anchor.fm/wondrous-atlas-of-creations-destiny/message

Brandy Clements and Dave Klingler of Silver River Center for Chair Caning return to answer the 5 Questions.  Find out how they both got starting in the craft, how a door prise tuned into a game changing tool, and all the wonderful chair nerds that have influenced them. Check it out!

In her latest novel, Halifax-based writer Anna Quon explores themes of belonging and disability through complex and flawed characters. Hear about the virtual launch of Anna's new book Where the Silver River Ends.

Brandy and Dave of Silver River Center for Chair Caning  join us to talk about caning and weaving chairs. It's a fansticing discussion with a couple of true chair nerds about the "not so" lost art of caning and waving - thanks in large part to their school, museum, restorations, etc. Check it out!

Podcast: This week on the show we feature a pre-recorded conversation with returning guest Ken McLeod in which we continue our ongoing discussion about the degree to which a transactional mode of being permeates our lives, relationships, and spiritual practice. We explore goals in relationship, the transactional as the currency of the Horizontal Realm, what a non-transaction way of living might be, and the unconditioned nature of the Vertical Realm. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

You may remember the Countess of the Silver River, whose love of dominion made it possible for Tissa to convince her to cease her campaign of terror. Of course you know the Ambassador in Pearl, who fought more or less alongside mortals in the hunt for a common foe. Some of you may even know the Baron of the Gallery, whose collection of unique objects recently had a new sword added to it by some canny adventurers. They are powerful. They are practically gods. But if one knows the right thing to offer, it's not impossible to make a deal with a Noble Demon.Welcome to Sword of Symphonies.Original music by Kathleen~!You can find the Heroic Discord here!

Podcast: This week on the show we feature a pre-recorded conversation with returning guest Ken McLeod in which we delve more deeply into the nature of the Vertical and Horizontal dimensions of life, what this means in the context of spiritual practice, the nature of transaction as the currency of the Horizontal realm, how we might relate to a spiritual practice in non-transactional terms, and what it means to say that a spiritual path is a “way of living”. This episode is another installment in an extended conversation that we have been having with Ken over the last couple of years. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

Brandy is a self-proclaimed chair nerd. She loves chairs and has learned so much about them. She feels compelled to share her knowledge and encourage others to learn chair caning. Chair caning is a skill that is on the verge of becoming lost. Brandy actually comes from a long line of chair caners. It has allowed her to meet people from all over the world, letting her learn more as well as share her knowledge. You can follow along with Brandy and her husband Dave on their Youtube channel, Instagram, and their website. 

Discover an ancient consciousness tool that millions are Remembering. Why tapping into the Silver River can lead to sacred activations. A core strategy for embodying calm during wild + chaotic 3D events. *~~* Join StarKeepers United on Telegram, our private encrypted chat for light leaders, grid workers, and those souls awakening to their sovereignty: https://t.me/starkeepersunited *~~* My Quantum Masculine Leadership program - www.quantummasculineleadership.com *~~* ULTIMATE LEADERSHIP CHALLENGE: The Sovereignty 77 Leadership Challenge https://www.newearthmasculine.com/challenge/ *~~* UNCENSORED Sacred Encrypted Conscious Chat For Leaders: Lions of Consciousness Telegram - https://t.me/lionsofconsciousness *~~* FEELING THE RESONANCE? Apply to work with Spence @ www.newearthmasculine.com/initiation *~~* INSTAGRAM: https://www.instagram.com/sovereignsoulrising WEBSITE: www.newearthmasculine.com EMAIL: newearthmasculine@protonmail.com TELEGRAM: https://t.me/lionsofconsciousness CLUBHOUSE: https://www.joinclubhouse.com/ghostcatblood *~~* Leave a voice message, questions, or comment: https://anchor.fm/newearthmasculine *~~* LEARN MORE: www.newearthmasculine.com

When our ancestors looked up into the night sky, they too saw a great, glimmering band of light splitting the darkness. In Southeast Asia, people called it “the Silver River.” In Southern Africa, “the Backbone of the Night.” And in the West, around 2,500 years ago, it earned the name “the Milky Way.” Across the globe, civilizations had theories of what the band of light was and why it was there. But only recently have humans had the tools to get the full picture. Today we know the Milky Way is our galaxy: two spiral arms filled with more than 100 billion stars, all rotating around a supermassive black hole. And here on our little blue planet, we're in the middle of it all. Dr. Alok Patel speaks with two galaxy experts to find out how scientists have built the first high-resolution, three-dimensional map of the Milky Way—and what that map reveals about the formation and future of our galactic home.

In Digby County, Crown land between the Silver River and Tobeatic Wilderness areas has been clear cut. That's despite the Assembly of Nova Scotia Mi'kmaw Chiefs asking the province to halt logging in the area. We hear from Nina Newington, who has been protesting the clearcutting.

Podcast: This week on the show we feature a pre-recorded conversation with returning guest Ken McLeod in which we discuss the role of Imagination in spiritual practice, the distinction between the Vertical and Horizontal dimensions of life and the modern struggle to imagine the Vertical dimension, how we might imagine a non-transactional embodiment of spiritual practice, and much more. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. More information about Ken McLeod's work can be found at:  Unfettered Mind website: www.unfetteredmind.org.

Host Michael Taft talks with teacher and author Ken McLeod about his insights into Vajrayana, spiritual practice as "choosing a way to live," the Tibetan idea of lam khyer, the power of prayer as a kind of raw, naked stance, why the seeds of spirituality need to be nurtured in secret, difficulties Westerners face when attempting to work within traditional Asian religious systems, and the true meaning of spirituality.Ken McLeod began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. After completing two three-year retreats, he was appointed as resident teacher for Kalu Rinpoche's center in Los Angeles, California, where he developed innovative approaches to teaching and translation. After his teacher's death in 1989, Ken established Unfettered Mind, a place for those whose path lies outside established institutions. His published works include The Great Path of Awakening, Wake Up to Your Life, An Arrow to the Heart, Reflections on Silver River, and A Trackless Path. Ken's website: Unfettered MindContribute to Michael's Patreon or directly to help fund the creation of more of these podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Los Angeles-based poet and musician, Yves B Golden creates another radiophonic summer space for Culture File.

I'm back! I recorded the Silver River fishing tournament back in September but school and work got in the way so I wasn't able to put it all together until now. Hopefully that won't happen again but with inflation going up who really knows.Enjoy!Captain Bert - Jimmy BrownDan Norberry - Jack GroganJohnny Whitman - Liam MahonMayor Chris - Ryan O'ChallaghanRiver Hendrix - Annie MorejonMr. Waterson - Jake NisewanderTyler Bop - Declan Grogan

Oh Wayward Nights is a completely new type of audio drama where the cast reacts to the story alongside the audience. Join us for the next six Mondays as you meet five voice actors that are meeting their characters for the first time.In Silver River, when people leave, they don't come back. It's 1997 and Allen and his four best friends have hung out together every Friday Night for the past eighteen years, but once summer is over they'll all be going off to different colleges and leaving Silver River behind. In an effort to make the moments last, Allen brings his friends to explore a train that just derailed itself on the outskirts of town, but when they find “The Red Bandit”, a fictional character from their favorite childhood cartoon, digging around in the wreckage, they embark on a series of dreamlike adventures to find the bandit, find themselves, and live every wayward night to the fullest before the fall rolls around.Oh Wayward Nights is produced by Platform (a production company), LLC. To learn more about Platform, check out their website platformprodco.com and follow them on Facebook, Twitter, Instagram, Youtube, and Twitch. Lastly. Platform is proud to have an open door policy for any and all artists. If you are a creative with an original idea for platform-specific art looking to get produced, send an email to opendoor@platformprodco.com with a brief description of your project to schedule a meeting with the Platform Team!And don't you worry, My Town will return soon enough.

From a humble skein of yarn to the far reaches of the galaxy...Today on the Curious Handmade Podcast, I have a brand new shawl design from The Handmade Shawl Society, which was inspired by the Milky Way. It might be a lofty aspiration for a little knitting pattern, but why not dream big? We've also got a friendly chat about what I've been up to: is my houseplant stash about to overtake my yarn stash?

Podcast: This week on the show we feature feature a pre-recorded conversation in which Ken McLeod and Jim Wilson return to continue our discussion from several weeks ago. In this installment we go deep on the question allegorical thinking and the modern mind's difficulty with allegory. Only here will you find the subjects of Star Wars, the Borg from Star Trek, Game of Thrones, the function of feeling in allegorical mentation, abiding peace as a consequence of deep practice, and the challenge of describing Tibetan Deity Practice to a Western Mind weaved together in an engaging conversational quartet. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. Jim Wilson was a monk and abbot under the direction of his teacher Seung Sahn, a Korean Chogye sect Zen master. He served as a Buddhist Prison Chaplain, studied western philosophy, co-founded Many Rivers Books & Tea in Sebastopol, conducts a website devoted to syllabic form Haiku, and has penned and published many books of poetry. In recent years his spiritual practice has centered on the Quaker Christian tradition. In addition to his many poetry volumes, he has published several books on spiritual matters, including On Trusting the Heart, a commentary on a famous poem by the third Zen patriarch, and An Annotated Edition of a Guide to True Peace. More information about Ken McLeod and Jim Wilson's work can be found at:  Unfettered Mind website: www.unfetteredmind.org,  On Trusting the Heart - A Commentary on the Xin Xin Ming: On Trusting the Heart,  An Annotated Edition of a Guide to True Peace (2nd Edition): Guide to True Peace,  Shaping Words Poetry Website: shapingwords.blogspot.com.

Oh Wayward Nights is a completely new type of audio drama where the cast reacts to the story alongside the audience. Join us for the next six Mondays as you meet five voice actors that are meeting their characters for the first time.In Silver River, when people leave, they don’t come back. It’s 1997 and Allen and his four best friends have hung out together every Friday Night for the past eighteen years, but once summer is over they’ll all be going off to different colleges and leaving Silver River behind. In an effort to make the moments last, Allen brings his friends to explore a train that just derailed itself on the outskirts of town, but when they find “The Red Bandit”, a fictional character from their favorite childhood cartoon, digging around in the wreckage, they embark on a series of dreamlike adventures to find the bandit, find themselves, and live every wayward night to the fullest before the fall rolls around.Oh Wayward Nights is produced by Platform (a production company), LLC. To learn more about Platform, check out their website platformprodco.com and follow them on Facebook, Twitter, Instagram, Youtube, and Twitch. Lastly. Platform is proud to have an open door policy for any and all artists. If you are a creative with an original idea for platform-specific art looking to get produced, send an email to opendoor@platformprodco.com with a brief description of your project to schedule a meeting with the Platform Team!And don't you worry, My Town will return soon enough.

Nate Bivins (@natebivins) joins Mark McGee (@mmark40) to go into a deep design dive about his game The Silver River.1:46-- First Timer Palooza with Nate Bivins8:51-- Tell Me Something Good11:52-- Main topic: The Silver RiverDiscuss this episode in our guild at podcast.gdofnc.com. Follow us on Twitter at @GDofNC.

Podcast: This week on the show on the show we feature a pre-recorded conversation with two of our favorite guests, Ken McLeod and Jim Wilson. Today we tackle a number of questions that have been bubbling up from the early days of Christianity through to the Reformation and into the modern epic. Topics include Faith versus Works as a path to salvation, what happens when Mythos is projected onto Logos, the distinction between Belief and Faith, how practice depends upon context, the practice of asceticism, and the relationship between allegorical thinking and the opening of the heart. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. Jim Wilson was a monk and abbot under the direction of his teacher Seung Sahn, a Korean Chogye sect Zen master. He served as a Buddhist Prison Chaplain, studied western philosophy, co-founded Many Rivers Books & Tea in Sebastopol, conducts a website devoted to syllabic form Haiku, and has penned and published many books of poetry. In recent years his spiritual practice has centered on the Quaker Christian tradition. In addition to his many poetry volumes, he has published several books on spiritual matters, including On Trusting the Heart, a commentary on a famous poem by the third Zen patriarch, and An Annotated Edition of a Guide to True Peace. More information about Ken McLeod and Jim Wilson's work can be found at: Unfettered Mind website: www.unfetteredmind.org, On Trusting the Heart - A Commentary on the Xin Xin Ming: On Trusting the Heart, An Annotated Edition of a Guide to True Peace (2nd Edition): Guide to True Peace, Shaping Words Poetry Website: shapingwords.blogspot.com.

I'm back! I recorded the Silver River fishing tournament back in September but school and work got in the way so I wasn't able to put it all together until now. Hopefully that won't happen again but with inflation going up who really knows.Enjoy!Captain Bert - Jimmy BrownDan Norberry - Jack GroganJohnny Whitman - Liam MahonMayor Chris - Ryan O'ChallaghanRiver Hendrix - Annie MorejonMr. Waterson - Jake NisewanderTyler Bop - Declan Grogan

Podcast: This week on The Mystical Positivist, we feature a pre-recorded conversation with Zoketsu Norman Fischer and Ken McLeod framed by two key questions. The first is whether mystics or mystically inclined practitioners have responsibilities to society and the World, and if so, what might those responsibilities be. Out of this question comes an extended exploration of what it means to be a mystic, the nature of the world in which we practice, the distinction between direction and goal in spiritual practice, and spiritual practice as learning how to die. The second question is of the great spiritual questions, for which ones have we found the answers and for which ones do the questions remain? Out of this comes reflections on the role of questions themselves, the nature of divinity, the mystery of the passage of Time, the impending meeting we all have with Death, and how to prepare for Death as the cessation of all conceptualization. Zoketsu Norman Fischer is an American poet, writer, and Soto Zen priest, teaching and practicing in the lineage of Shunryu Suzuki. He is a Dharma heir of Sojun Mel Weitsman, from whom he received Dharma transmission in 1988. Fischer served as co-abbot of the San Francisco Zen Center from 1995–2000, after which he founded the Everyday Zen Foundation in 2000, a network of Buddhist practice group and related projects in Canada, the United States and Mexico. Fischer has published more than twenty-five books of poetry and non-fiction, as well as numerous poems, essays and articles in Buddhist magazines and poetry journals. His most recent book is The World Could Be Otherwise: Imagination and the Bodhisattva Path. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. More information about Norman Fischer and Ken McLeod's work can be found at: Norman Fischer's website: www.normanfischer.org, Ken McLeod's website: unfetteredmind.org.

Two years ago, Richard Amero photographed a moose and her calf on Crown land that he says is now being logged by Nova Scotia's Department of Lands and Forestry. The land southeast of Weymouth is between The Tobeatic and The Silver River wilderness areas.

When you are feeling tired, ill, uninspired, or just run down this 6 minutes of guided relaxation will help rejuvenate your entire body. Dive into a Silver River of Light and heal your body Your body is strong Your body is perfect Your body knows exactly what to do STAY  IN TOUCH WITH ELAINA AND PURE JOY PLANET   Facebook: https://www.facebook.com/PureJoyAcademy/ Instagram https://www.instagram.com/elaina_loves_pure_joy_planet/ Website: http://purejoyplanet.com/ YOUTUBE: https://www.youtube.com/user/PureJoyPlanet Twitter - https://twitter.com/ElainaLove Online Superfood & Health Store -https://store.purejoyplanet.com/ Join our anytime KETO Lovecamp -https://online.purejoyplanet.com/p/vegan-keto-diet-program-anytime   If you like this episode and want to hear more, please head to iTunes, subscribe, rate, and review this podcast. If you'd like us to explore more on any of the topics above, right to us! We'd love to hear from you. Subscribe here:  http://bit.ly/purejoypodcast Do you have questions, thoughts, or feedback for us? Leave your comments below and one of us will reply!    Our Website: http://purejoyplanet.com/   If you like this episode and want to hear more, please head to iTunes, subscribe, rate, and review this podcast. If you'd like us to explore more on any of the topics above, right to us! We'd love to hear from you. Subscribe here:  http://bit.ly/purejoypodcast

Praised by critics for her "astounding virtuosic gifts" (Boston Herald), "achingly pure sound” (The Toronto Star), and “impressive technical and interpretive control” (The New York Times), TRICIA PARK enjoys a diverse and eclectic career as a violinist, educator, curator, writer, and podcaster.Tricia is the producer and host of the podcast, “Is it Recess Yet? Confessions of a Former Child Prodigy.” She received the prestigious Avery Fisher Career Grant and was selected as one of "Korea's World Leaders of Tomorrow" by the Korean Daily Central newspaper. Since appearing in her first orchestral engagement at age 13 with the Baltimore Symphony Orchestra, she has performed with the English Chamber Orchestra, St. Paul Chamber Orchestra, Frankfurt Radio Symphony Orchestra, and National Symphony Orchestra of South Africa; the Montreal, Dallas, Cincinnati, Seattle, Honolulu, Nevada, and Lincoln Symphonies; and the Calgary, Buffalo, and Westchester and Naples Philharmonics. Tricia has given recitals throughout the United States and abroad, including a highly acclaimed performance at the Ravinia Rising Stars series. She also performs as half of the violin-fiddle duo, Tricia & Taylor, with fiddler-violinist, Taylor Morris.Tricia is the founder of the Solera Quartet, the winner of the Pro Musicis International Award and the first American chamber ensemble chosen for this distinction. Acclaimed as “top-notch, intense, stylish, and with an abundance of flare and talent,” the Solera Quartet performed their debut recital at Carnegie Hall’s Weill Hall to celebrate their addition to Pro Musicis’ roster. The Soleras’ debut album, Every Moment Present, features music by Janacek, Mendelssohn, and Caroline Shaw and was hailed by the New York Times hailed as “intoxicating….The quartet’s playing on the recording is sensitive and finely articulated throughout and the sound bright and vivid.”Other career highlights include Tricia’s recital debut at the Kennedy Center, appearances at the Lincoln Center Festival in Bright Sheng's The Silver River, her Korean debut performance with the Korean Broadcasting System (KBS) Orchestra and collaborations with composer Tan Dun. As First Violinist of the Maia Quartet from 2005-2011, she performed at Lincoln Center and the 92nd Street Y in New York and Beijing’s Forbidden City Hall and was on faculty at the University of Iowa.Passionate about arts education and community development, Tricia is the co-founder and artistic director of MusicIC, a chamber music festival that explores the connections between music and literature. In 2019, Tricia received an MFA from the Writing Program at the School of the Art Institute of Chicago, where she was a recipient of the New Artist Society Scholarship and was awarded a Writing Fellow Prize. Her writing has been published in Cleaver, Alyss and F News Magazines.Tricia received her Bachelor and Master of Music from the Juilliard School where she studied with Dorothy DeLay. She was a recipient of the Starling-DeLay Teaching Fellowship at the Juilliard School. She has studied and performed chamber music with Felix Galimir, Pinchas Zukerman, Cho-Liang Lin, Michael Tree, Gary Hoffman, Paul Neubauer, Robert McDonald, and members of the American, Guarneri, Juilliard, and Orion String Quartets as well as the new music group, Eighth Blackbird. Other former teachers include Cho-Liang Lin, Donald Weilerstein, Hyo Kang and Piotr Milewski.Currently, Tricia is an Artist-in-Residence and Lecturer in Chamber Music and Violin and Viola Performance at the University of Chicago.Connect with her here. RESOURCESDr. Derald Wing SuCitizen, by Claudia RankineI would like to thank Tricia for the music in episode - Cesar Franck's Violin Sonata performed with the pianist Domenic Cheli.Photo credit - Denise Karis  

Season 2 Episode 28: The Night Silver River Run Red by Christine Morgan!   Ready to meet an indie author? We will read you the first chapter. It's up to you to finish the book! C. Derick Miller is an author, producer, screenwriter, and gonzo journalist from the conservative community of Greenville, TX. Sam Cloud-Miller is a graphic artist and liberal rights activist from Austin, TX. Now residing in the Bishop Arts District of Dallas, it's a great combination for a podcast! They'll keep talking long after you've stopped listening. Peace to the peaceful. Truth to the masses. Hell to the tyrants. Find ‘Butterflies Make Me Angry' on Podbean, Spotify, Apple Podcasts, YouTube, or wherever you listen to podcasts! Buy novels, merch, and see more at http://cderickmiller.com . Our opening music is “Backwoods BBQ” by Chris Haugen. Our ending theme music, “Butterflies Make Me Angry”, is performed by Whiskeyhat and written by Tommy Cross and C. Derick Miller. (Yes, I own the rights to this music so no funny business about copyrights). Follow on Facebook, Twitter, Instagram, and the Slasher App @howlgrowlsnarl

Writer, translator, teacher, and business consultant, Ken McLeod speaks with host Michael Taft about the chaos unleashed by new forms of communication, dedicating your whole life to meditation and spiritual experience, what evokes a deep sense of the sacred?, how teachers point out awakening to students, what is it that epitomizes the essence of Vajrayana, and much more.Ken McLeod began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. After completing two three-year retreats, he was appointed as resident teacher for Kalu Rinpoche’s center in Los Angeles, California, where he developed innovative approaches to teaching and translation. After his teacher’s death in 1989, Ken established Unfettered Mind, a place for those whose path lies outside established institutions. His published works include The Great Path of Awakening, Wake Up to Your Life, An Arrow to the Heart, Reflections on Silver River and A Trackless Path.Unfettered MindKen’s article: How Is the Medium Changing the Method? https://www.buddhistinquiry.org/article/how-is-the-medium-changing-the-message/You can support the creation of future episodes of this podcast by contributing through Patreon.

Podcast: This week we feature a pre-recorded conversation with Hokai Diego Sobol and Tibetan Buddhist teacher Ken McLeod. In this penetrating discussion, we explore the nature of Vajrayana Buddhist practice and its antecedents in the Tantric tradition, the primacy of the teacher-student relationship and the intimacy of spiritual transmission, as well as the body as the foundation for the awakening experience. Hokai Diego Sobol started practice and study of Buddhism in 1985. After 10 years of exploring Buddhist thought and practicing martial arts, while broadly learning from sources Eastern and Western, mainstream and fringe, Hokai became a practitioner and eventually instructor in the Shingon esoteric tradition of Japanese Vajrayana, under the private tutelage of Ajari Jomyo Tanaka. Hokai founded the Mandala Society of Croatia in 1999. Continuing to explore and cultivate his own Buddhist practice, Hokai maintains an ongoing conversation with a number of teachers and senior practitioners. Starting from 2012, he focuses on mentoring individuals to deepen their practice in the context of their lives – those who pray, learn to meditate; and those who meditate, learn to pray. Hokai's areas of special interest include mystical principles and esoteric practices in daily life, sacred apprenticeship, and deep semiotics. He is based in Rijeka, Croatia. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. More information about Hokai Diego Sobol and Ken McLeod's work can be found at: Hokai Sobol's website: hokai.eu, Hokai Diego Sobol on Twitter: @hokaisobol, Ken McLeod's website: unfetteredmind.org., Ken McLeod on Twitter: @kenmcleod.

In this brief episode, the brandt talks about The Portal reopening and then goes to a whole bunch of reviews including Castle Panic, L.L.A.M.A., Silver River, Claim, Chocolate Factory, Inner Compass and Adrenaline. Thanks, enjoy, and stay safe!

A listener lets the gang know about a new Amazon Prime sci-fi show called Upload; BJ reviews the latest from Flash; BJ gives reviews for the board games Citys of Splendor & The Silver River; and we get the Geek Sheet with Vicky B!

Podcast: This week on The Mystical Positivist, we feature a pre-recorded conversation with Zoketsu Norman Fischer and Ken McLeod exploring key questions in contemporary Buddhist Dharma, Western spiritual practice in general, and the potential for transformation in multiple directions inherent in the modern crises of the COVID-19 Pandemic and Climate Change. Among the topics considered are how senior spiritual teachers are dealing with the challenges of the current pandemic, the commodification of spiritual technology in the contemporary Western world, and the distinction between seeking results within the horizontal dimension of life versus the cultivation of depth within the vertical dimension. In addition we touch on the growing importance of technologies such as Zoom in maintaining spiritual connectivity, and we conclude with reflections on what we have come to value and reevaluate after decades of spiritual practice. Zoketsu Norman Fischer is an American poet, writer, and Soto Zen priest, teaching and practicing in the lineage of Shunryu Suzuki. He is a Dharma heir of Sojun Mel Weitsman, from whom he received Dharma transmission in 1988. Fischer served as co-abbot of the San Francisco Zen Center from 1995–2000, after which he founded the Everyday Zen Foundation in 2000, a network of Buddhist practice group and related projects in Canada, the United States and Mexico. Fischer has published more than twenty-five books of poetry and non-fiction, as well as numerous poems, essays and articles in Buddhist magazines and poetry journals. His most recent book is The World Could Be Otherwise: Imagination and the Bodhisattva Path. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. As sometimes happens with energetic conversations with spiritual practitioners transmitted over electronic media, we had an unusual number of unexpected cell phone calls and Zoom breakdowns throughout the recording. Some of this has been edited for continuity and some left as we all experienced it. However, these interruptions do not detract from the quality of the discussion. More information about Norman Fischer and Ken McLeod's work can be found at: Norman Fischer's website: www.normanfischer.org, Ken McLeod's website: unfetteredmind.org.

A listener lets the gang know about a new Amazon Prime sci-fi show called Upload; BJ reviews the latest from Flash; BJ gives reviews for the board games Citys of Splendor & The Silver River; and we get the Geek Sheet with Vicky B!

Writer, translator, teacher, and business consultant, Ken McLeod speaks with host Michael Taft about Coronavirus, social distancing, nature doing what it does, overcoming cultural conditioning, enlightenment as a "system change," practices for overcoming cultural conditioning and developing compassion, the importance of the teacher-student relationship, the viability of Vajrayana practice in the West, and much more. Ken McLeod began his study and practice of Buddhism in 1970 under the eminent Tibetan master Kalu Rinpoche. After completing two three-year retreats, he was appointed as resident teacher for Kalu Rinpoche’s center in Los Angeles, California, where he developed innovative approaches to teaching and translation. After his teacher’s death in 1989, Ken established Unfettered Mind, a place for those whose path lies outside established institutions. His published works include The Great Path of Awakening, Wake Up to Your Life, An Arrow to the Heart, Reflections on Silver River and A Trackless Path. Unfettered Mind

Podcast: This week on The Mystical Positivist, we feature a pre-recorded conversation with two of our favorite guests, Ken McLeod and Jim Wilson. Speaking from our respective bunkers of the California Shelter-In-Place order, we will touch upon the relevance of spiritual practice in an age of social distancing, as well as the possibility and freedom inherent in moving discourse beyond mere critique and contradiction. After learning Tibetan, Ken McLeod translated for his principal teacher, Kalu Rinpoche, and helped to develop Rinpoche's centers in North America and Europe. In 1985, Kalu Rinpoche authorized Ken to teach and placed him in charge of his Los Angeles center. Faced with the challenges of teaching in a major metropolis, he began exploring different methods and formats for working with students. He moved away from both the teacher-center model and the minister-church model and developed a consultant-client model. Ken is the founder and director of UnfetteredMind.org. He is the author of Wake Up to Your Life: Discovering the Buddhist Path of Attention, The Great Path of Awakening, An Arrow to the Heart, Reflections on Silver River, and his most recent book, A Trackless Path. Jim Wilson was a monk and abbot under the direction of his teacher Seung Sahn, a Korean Chogye sect Zen master. He served as a Buddhist Prison Chaplain, studied western philosophy, co-founded Many Rivers Books & Tea in Sebastopol, conducts a website devoted to syllabic form Haiku, and has penned and published many books of poetry. In recent years his spiritual practice has centered on the Quaker Christian tradition. In addition to his many poetry volumes, he has published several books on spiritual matters, including On Trusting the Heart, a commentary on a famous poem by the third Zen patriarch, and An Annotated Edition of a Guide to True Peace. More information about Ken McLeod and Jim Wilson's work can be found at: Unfettered Mind website: www.unfetteredmind.org, On Trusting the Heart - A Commentary on the Xin Xin Ming: On Trusting the Heart, An Annotated Edition of a Guide to True Peace 2nd Edition: Guide to True Peace, Shaping Words Poetry Website: shapingwords.blogspot.com.

Nestled between the Slieve Bloom Mountains and the waters of the Silver River in County Offaly, Kilcormac is a place of stories. This audio guide will introduce you to the history and heritage of Kilcormac, as we meet members of the community who have made this charming place their home. This is a truly [...] The post Kilcormac Heritage Trail appeared first on Abarta Heritage Home.

Podcast: This week on the show we converse in the studio with Ken McLeod, founder and director of UnfetteredMind.org, a website offering resources on practical Buddhism. Ken trained in the Tibetan Buddha-dharma, translated for his teacher Kalu Rinpoche, and has written books that translate and comment on Tibetan texts. His books include A Trackless Path, Reflections on Silver River, An Arrow to the Heart, and Wake Up To Your Life. Ken's work focuses upon making the Buddha's teachings relevant and accessible to western practitioners. In today's penetrating conversation, Ken elaborates on a recent posting on his blog about Vajrayana and Archetypal Imagery. Rather than concerning ourselves with the ontological status of Buddhist cosmologies (i.e. are they real?), Ken describes in detail how archetypal imagery acts on much deeper parts of us to instill or imprint the possibility of peace and freedom beyond both the conceptual and the emotional. In addition to all of this, Ken and Rob provide a spiritual analysis of the recent movie, The Two Popes. More information about Ken McLeod's work can be found at: Unfettered Mind website: www.unfetteredmind.org, Ken McLeod's Blog: musingsbyken.blogspot.com, Ken's post on Archetypal Imagery: Vajrayana and Archetypal Imagery, Unfettered Mind Podcasts: itunes.apple.com.

Podcast: This week on the show we converse in the studio with Ken McLeod, founder and director of UnfetteredMind.org, a website offering resources on practical Buddhism. Ken trained in the Tibetan Buddha-dharma, translated for his teacher Kalu Rinpoche, and has written books that translate and comment on Tibetan texts. His books include A Trackless Path, Reflections on Silver River, An Arrow to the Heart, and Wake Up To Your Life. Ken's work focuses upon making the Buddha's teachings relevant and accessible to western practitioners. In today's spirited conversation we discuss Ken's project to convey the flavor of Tibetan Buddhist practice to a Western audience and context, the ontological status of deities in the Vajrayana Deity practice, the use of reason in the Mystical endeavor, how modalities of practice need to align with the primary means by which different pratitioners relate to the world, and much more. More information about Ken McLeod's work can be found at: Unfettered Mind website: www.unfetteredmind.org Ken McLeod's Blog: musingsbyken.blogspot.com Unfettered Mind Podcasts: itunes.apple.com

By Padma Venkatraman Chapter 19: Above a Silver River

Hundreds and hundreds of years ago, a wanderer came to the mouth of the Silver River. It was an empty, peaceful place then, full of the echoing cries of seabirds and the soft waves of a river that glittered, radiant in the sunlight, full of leaping fish. And in that peace and emptiness, the wanderer, completely alone and peerless, declared herself Countess.Today, a wanderer came to the mouth of the Silver River. It is a cheerful place now, full of the shouts of people and the creaking of boats that wait, their sails bright in midday, in a harbor full of people and goods from all over the continent. She came in just one of many boats, just one of many travelers from just one of many places.Right now, the two are about to meet.Welcome to Sword of SymphoniesPlay along with us! Download the manual for free here and let us know what you think on our website!Original music by Kathleen~!

Every now and again, when the tide is low and the moon gives her permission, a low whistle like a mournful flute echoes over the mouth of the Silver River. When it does, citizens shut their doors, lock their windows, and keep a close eye on their little ones. But for generations, someone has always slipped through their cautious fetters, and vanished into the great gray rock sitting in the bay. For generations, Celres has paid a grim tax on these certain, beautiful, peaceful nights.Tonight is one of them. Welcome to Sword of Symphonies.Play along with us! Download the manual for free here and let us know what you think on our website!Original music by Kathleen~!

Podcast: This week on the show we converse in the studio with Ken McLeod , founder and director of UnfetteredMind.org, a website offering resources on practical Buddhism. Ken trained in the Tibetan Buddha-dharma, translated for his teacher Kalu Rinpoche, and has written books that translate and comment on Tibetan texts. His books include A Trackless Path, Reflections on Silver River, An Arrow to the Heart, and Wake Up To Your Life. Ken's work focuses upon making the Buddha's teachings relevant and accessible to western practitioners. More information about Ken McLeod's work can be found at: Unfettered Mind website: www.unfetteredmind.org Ken McLeod's Blog: musingsbyken.blogspot.com Unfettered Mind Podcasts: itunes.apple.com

BJ discusses the season finale of The Passage; BJ interviews Robert Burke about his Kickstarter board game Silver River; BJ & Vicky review the card game Shards of Infinity; Rev & Joe discuss the Season 1 Battle Pass of Apex Legends; and we get the Geek Sheet with Vicky B! See omnystudio.com/policies/listener for privacy information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Host Richard Bliss discusses with Guest Robert Burke about creating timed stretch goals. These are called Flash Funding Stretch goals.How do manage a flash funding stretch goal? What happens if you don't hit your goal in the time limit.Robert talks about moving stretch goals around to respond to customer feedback.Robert's project is The Silver River, a 4x game. We discuss what makes a 4x game.Richard backs the project live on this episode and discusses with Robert which pledge level he should be backing.Richard also shares stories about buying upgraded version of the games as well as his Fiance buying him games early in their dating experience.You can back Robert's project, The Silver River, here on Kickstarter: The Silver River

The hosts of Meeple Nation deliver your March 2019 News with special guest Ashlee Howard. We discuss a bunch of forthcoming games including: Star Wars: Outer Rim from Fantasy Flight Terraforming Mars: Turmoil from Stronghold Ravnica Inquisition from Wizkids Time Breaker from Looney Labs Talisman: Kingdom Hearts from USAopoly Hako Onna from Ejin and Wizkids and Kickstarters: Creature Feature by our friend Kristopher McClanahan of Deeply Dapper Games Throw Throw Burrito from Exploading Kittens High Rise from Formal Ferret Games   The Silver River from Robert Burke Games

Show Notes: Referenced in this episode-- Reflections on Silver River by Ken McLeod Super-parenting for ADD by Edward Hallowell, M.D.  Brene Brown’s Gifts of Imperfect Parenting audio CD Episode description: Every tenth episode will be 3 insights or tools or quotes to assist you in thriving! Enjoy this first Three to Thrive!

Dmae talks with David Shifrin, artistic director of Chamber Music Northwest, about the Summer Festival 2018 series offering Beyond the Cultural Revolution. We’ll get an overview of the Summer Fest now in progress and hear about the exploration of Chinese music with some of the best national and international Chinese musicians. The series The Silver River composed […]

七夕的故事怎么用英语讲？今年七夕网络流行的语言有对应的英语吗？Chinese Valentine's Day, is also known as Double 7th Festival, because it falls on the 7th day of the 7th month in Chinese lunar calendarThe origin of this traditional festival is a household Chinese myth. It's said that a poor young man named The Cowboy fell in love with a fairy, the Weaving Maid. They got married and had a son. But the alliance between a mortal and an immortal infuriated the Empress of The Celestial Palace. She decidedly separated them, and only allowed an annual reunion on a bridge formed by magpies above the Silver River in the sky on Lunar July 7th, at dusk. That's why it's called Qi Xi, literally meaning 7 Dusk. Qi Xi Festival is a sad reminder of the strict ethical rules and the devoid of compassion of the rulers that people had to live under, but the story also demonstrates people's defiance of power and longing for freedom, and somehow signifies the victory of love in the sense that The Empress compromised by assigning a meeting for the star-crossed couple.Like any other festivals, Qixi has now lost its original significance and become a victim of consumerism. Businesses has branded it as just another shopping festival.

七夕的故事怎么用英语讲？今年七夕网络流行的语言有对应的英语吗？Chinese Valentine’s Day, is also known as Double 7th Festival, because it falls on the 7th day of the 7th month in Chinese lunar calendarThe origin of this traditional festival is a household Chinese myth. It’s said that a poor young man named The Cowboy fell in love with a fairy, the Weaving Maid. They got married and had a son. But the alliance between a mortal and an immortal infuriated the Empress of The Celestial Palace. She decidedly separated them, and only allowed an annual reunion on a bridge formed by magpies above the Silver River in the sky on Lunar July 7th, at dusk. That’s why it’s called Qi Xi, literally meaning 7 Dusk. Qi Xi Festival is a sad reminder of the strict ethical rules and the devoid of compassion of the rulers that people had to live under, but the story also demonstrates people’s defiance of power and longing for freedom, and somehow signifies the victory of love in the sense that The Empress compromised by assigning a meeting for the star-crossed couple.Like any other festivals, Qixi has now lost its original significance and become a victim of consumerism. Businesses has branded it as just another shopping festival.

Seventh Day of the Seventh MoonBy Ken Liu“Tell me a story,” said Se. She had changed into her pajamas all by herself and snuggled under the blankets.Se’s big sister, Yuan, was just about to flip the switch next to the bedroom door. “How about you read a story by yourself? I have to … go see a friend.”“No, it’s not the same.” Se shook her head vigorously. “You have to tell me a story or I can’t sleep.”Yuan glanced at her phone. Every minute tonight was precious. Dad was out of town on business, and Mom was working late and wouldn’t be home till midnight. Yuan needed to be home before then, but if she could get her little sister to sleep quickly, she’d still have a couple of hours to see Jing on this, her last night in China.Full transcript appears after the cut.----more----[Intro music plays.]Hello! Welcome to GlitterShip episode 15 for September 15th, 2015. This is your host, Keffy, and I'm super excited to be sharing this story with you.Our story today is "Seventh Day of the Seventh Moon" by Ken Liu.Ken Liu (http://kenliu.name) is an author and translator of speculative fiction, as well as a lawyer and programmer. A winner of the Nebula, Hugo, and World Fantasy Awards, he has been published in The Magazine of Fantasy & Science Fiction, Asimov’s, Analog, Clarkesworld, Lightspeed, and Strange Horizons, among other places. He also translated the Hugo-winning novel, The Three-Body Problem, by Liu Cixin, which is the first translated novel to win that award.Ken’s debut novel, The Grace of Kings, the first in a silkpunk epic fantasy series, was published by Saga Press in April 2015. Saga will also publish a collection of his short stories, The Paper Menagerie and Other Stories, in March 2016. He lives with his family near Boston, Massachusetts.We also have a special guest reader this week, which is awesome.Our reader this week is S. Qiouyi Lu. You can visit their site at http://s.qiouyi.lu/ and follow them on Twitter at @sqiouyilu.Seventh Day of the Seventh MoonBy Ken Liu“Tell me a story,” said Se. She had changed into her pajamas all by herself and snuggled under the blankets.Se’s big sister, Yuan, was just about to flip the switch next to the bedroom door. “How about you read a story by yourself? I have to … go see a friend.”“No, it’s not the same.” Se shook her head vigorously. “You have to tell me a story or I can’t sleep.”Yuan glanced at her phone. Every minute tonight was precious. Dad was out of town on business, and Mom was working late and wouldn’t be home till midnight. Yuan needed to be home before then, but if she could get her little sister to sleep quickly, she’d still have a couple of hours to see Jing on this, her last night in China.“Come on, Yuan,” Se begged. “Please!”Yuan came back to the side of the bed and stroked Se’s forehead gently. She sighed. “All right.”She texted Jing: Late by half hour. Wait?The crystal cat charm, a gift from Jing, dangled from her phone. It twirled and glittered in the warm bedroom light as she waited impatiently for the response.Finally, the phone beeped. Of course. Won’t leave until we meet.“Tell the story about the Qixi Festival,” said Se, yawning. “That’s tonight, isn’t it?”“Yes, yes it is.”Long ago, a beautiful young woman, the granddaughter of the Emperor of Heaven, lived in the sky by the eastern shore of the Silver River—that’s the broad band of light you can sometimes see in the sky at night, when the air is clear.She was skilled at the loom, and so that’s why people called her—“You skipped the part where you describe her weaving!”“But you’ve heard this story a hundred times already. Can’t I just get it over with?”“You have to tell it right.”—as I had apparently neglected to mention: her works were displayed proudly by the Heavenly Court in the western sky at every sunset: glorious clouds of crimson, amethyst, periwinkle, and every shade in between. So people called her Zhinü, the Weaver Girl. And though she was the youngest of seven immortal sisters, we mortals addressed her by the honorific Big Sister Seven.But over time, Zhinü grew wan and thin. Her brows were always tightly knit into a frown, and she did not wash her face or comb out her hair. The sunset clouds she wove were not as lovely as before, and mortals began to complain.The Emperor of Heaven came to visit. “What ails you, my granddaughter?”“Haha, you do that voice so well. You sound just like Grandfather.”“I’m glad you approve. Now stop interrupting.”“Oh, Gonggong, I’m so lonely. Living all by myself in this hut, my only company are my loom—jiya, jiya, it squeaks all day long—and a few magpies.”The Emperor took pity on her and found her a good match. The young man tended to cows on the western shore of the Silver River, so people called him Niulang, the Cowherd. He was handsome and kind and full of funny stories, and Zhinü loved him, and he her, the moment they set eyes on each other.“See, I’m not such a bad matchmaker.” The Emperor of Heaven smiled as he stroked his beard. “Now I know you’re young, and you should have fun. But now that you have a companion, please don’t neglect your work.”Zhinü moved to the western shore of the Silver River to be with Niulang, and the two of them married. They had two boys, and there never was a happier family.“Oh, no, here comes the boring part. You can skip it if you want to.”“No way! This is the best part. You’ll understand when you’re older. Now pay attention.”Every morning, as Niulang got up before sunrise to take the cows to their favorite pasture, Zhinü could not bear the thought of being separated from him. So she would come along. She’d put the two babies in two baskets draped on each side of an old, gentle ox, and she would ride on the back of a pure white bull led by Niulang. They’d sing together, tell each other stories from before they met, and laugh at the jokes that only they understood.Zhinü’s loom sat unused back at the hut, gathering dust.Sunsets became ugly affairs. The few clouds that remained became tattered, wispy, colorless. The people laboring in the fields lost the beauty that had once lifted up their hearts at the end of a hard day, and their laments rose to the Heavenly Court.“My maritorious child,” said the Emperor of Heaven—“What does that word mean?”“It means loving your husband too much.”“How can you love someone too much?”“Good question. I don’t know either. Maybe the Emperor of Heaven didn’t have enough love in his heart to understand. Maybe he was too old.”—“I warned you about neglecting your duty. For your disobedience and neglect, you must now move back to the eastern shore of the Silver River and never see Niulang and your children again.”Zhinü begged for reprieve, but the Emperor’s word was as irreversible as the flow of the Silver River.At the Emperor’s decree, the Silver River was widened and deepened, and Zhinü forever parted from her husband. Today, you can see the star that is Zhinü on one side of the Silver River and the star that is Niulang on the other, their two sons two faint stars on each side of Niulang. They stare at each other across that unbridgeable gap, the longing and regret as endless as the flowing river.“Why did you stop?”“It’s nothing. My throat just felt itchy for a bit.”“Are you sad for Niulang and Zhinü?”“Maybe … a little bit. But it’s just a story.”But the magpies that once kept Zhinü company took pity on the lovers. Once a year, on the seventh day of the seventh moon by the lunar calendar, on Qixi, the day when Zhinü is at her highest position in the sky, all the magpies in the world fly up to the Silver River and make a bridge with their bodies so that the lovers can spend one night together.This is the day when all the young women in old China would pray to Big Sister Seven for love.Oh, I know you want to hear more about the bridge of magpies. You love this part. Well, I imagine it’s a lot of work for the birds. They probably have to go to magpie bridge-building school, and those who’re a bit slow have to go to cram school for extra study sessions …Yuan turned out the light and tiptoed out of her sister’s bedroom.On my way, she texted.She made sure the air conditioning was set comfortably low, locked the door of the apartment, and ran down the stairs. And then she was in the hot, humid evening air of Hefei in August.She biked through the streets, dodging an endless stream of cars beeping their horns. She liked the physicality of the ride, the way it made her body come alive, feel awake. She passed the sidewalks filled with people browsing past stores and kiosks filled with everything imaginable: discount electronics, toys, clothes, fancy European soups and cakes, mouth-watering sweet potatoes baked in tinfoil and fried, smelly tofu. The heat and the exertion stuck her shirt to her skin, and she had to wipe her forehead from time to time to keep the sweat out of her eyes.And then she was at the coffee shop, and Jing—slender, graceful in a plain white dress and a light jacket (for the air conditioning), a faint whiff of the floral perfume that always made Yuan dizzy—greeted Yuan with that bright smile that she always wore.As if this wasn’t the night the world ended.“Are you done packing?” Yuan asked.“Oh, there’s always more to pack.” Jing’s tone was light, breezy, careless. “But I don’t have to get to the airport ‘til nine in the morning. There’s plenty of time.”“You should dress in layers, with something long-sleeved on top,” said Yuan—mainly because she feared saying nothing. “It can get cold on the plane.”“Want to take a walk with me? The next time I walk around at night I’ll be in America. Maybe I’ll miss all this noise.”Yuan left her bike locked to the light post outside the coffee shop, and they strolled along the sidewalk like the rest of the crowd. They did not hold hands. In Shanghai, perhaps no one would have cared, but in Hefei, there would have been looks, and whispers, and maybe worse.Yuan imagined Jing walking about the campus of the American high school at night. Jing had shown her pictures of the red brick buildings and immaculate lawns. And the smiling boys and girls: foreigners. Yuan felt out of breath; her heart seemed unable to decide on a steady rhythm.“Look at that,” said Jing, pointing to the display window of a pastry shop. “They’re selling Qixi Lovers’ Cakes now. So overpriced. And you know some stupid girl is going to throw a fit if her boyfriend doesn’t buy it for her. I want to throw up.”“Not quite as bad as Valentine’s Day,” Yuan said. “I think the vendors are pretty restrained. Relatively speaking.”“That’s because people aren’t into Qixi any more. We Chinese always get more enthusiastic for Western imports, even holidays. It’s a national character weakness.”“I like Qixi,” Yuan said. She said it more emphatically than she meant to.“What, you want to set out an altar under a melon trellis, offer up a plate of fruits, pray to Big Sister Seven, and hope for a spider to weave a web over the offering by morning so you’ll get a nice husband in the future?”Yuan’s face grew hot. She stopped. “You don’t have to mock everything Chinese.”Jing cocked her head, a teasing smile in her eyes. “You suddenly getting all patriotic on me now?”“Your father has the money to pay for you to go to an American boarding school. That doesn’t make you better than everyone else.”“Oh, lay off that wounded tone. You’re hardly some migrant worker’s daughter.”They stared at each other, the neon lights from the nearby stores flickering over their faces. Yuan wanted to kiss Jing and scream at her at the same time. She had always liked Jing’s irreverence, the way she wanted to turn everything into a joke. She knew her anger had nothing to do with this conversation about Qixi at all.Jing turned and continued down the sidewalk. After a moment, Yuan followed.When Jing spoke again, her tone was calm, as if nothing had happened. “Remember the first time we went hiking together?”That had been one of the best days of Yuan’s life. They had skipped their cram school sessions and taken the bus to Emerald Lake, an artificial pond bordering several college campuses. Jing had showed Yuan how to set up her phone so that her mom couldn’t see the messages Jing sent her, and Yuan had showed Jing her baby pictures. They had bought a lamb chuanr from a street vendor and shared it as they walked along the lakeshore. Her heart had beaten faster with each bite of roasted meat off the skewer, thinking that her lips were touching where hers had touched. And then, as they strolled through one of the campuses, Jing had boldly taken her hand: it was a college, after all.And then that first kiss behind the willow tree, tasting the hot spices from the lamb kebab on Jing’s tongue, the calls of wild geese behind her somewhere…“I remember,” she said. Her voice still sounded wounded, and she didn’t care.“I wish we could go there again,” Jing said.The anger in Yuan disappeared, just like that. Jing always had such a way with her. Yuan felt like putty in her hands.“We can chat on QQ or Skype,” Yuan said. She hurried to catch up so that she was walking next to Jing. “And you’ll come back for visits. This isn’t like the old days. It will be okay. We can still be together.”They had wandered off the main thoroughfare onto a less busy side street. The streetlights on one side were out, and looking up they could see a few stars in the sky. Hefei wasn’t as polluted as some of the cities on the coast.“I’m going to be really busy,” Jing said. Her tone was calm, too calm.“We can text every day, every hour.”“It’s different over there. I’ll be living on my own in a dorm. I have to actually study if I want to go to a good college. My family is paying a lot to give me this.”“Americans don’t study that much.”“It’s not like watching American TV shows. There aren’t subtitles. I’ll meet lots of new people. I have to make a new life over there, new friends. I’ll need to be thinking, talking, breathing English all the time if I want to make it.”“I can text you in English,” Yuan said. “I’ll do whatever you want.”“You’re not listening,” Jing said. She stopped again and looked at Yuan.“What are you trying to say?” As soon as she asked the question, Yuan regretted it. It made her sound so weak, so clingy, like a girl from one of those Korean dramas.“I’m going away, Yuan. I told you this was going to happen last year, when we … started.”Yuan looked away so that Jing would not see her eyes. She pushed the image of Jing with someone else out of her mind. She cursed her eyes and told them to behave and stop embarrassing her.“It will be okay.” Jing’s tone was now comforting, gentle, and that made it worse. “We’ll both be okay.”Yuan said nothing because she knew she couldn’t control her voice. She licked her lips, tasting the salt from the sweat of her ride. She wanted to wipe her eyes so she could see clearly again, but she didn’t want to do it in front of Jing.“I want to make this night a happy memory,” Jing said, but her voice finally cracked. She struggled, but failed, to keep her calm mask on. “I’m trying to make this easier. Isn’t that what you’re supposed to do for those you love?”Yuan looked up, blinking her eyes hard. She looked for the Silver River, and she remembered that in English it was called the Milky Way—what a graceless and silly name. She looked for Zhinü and Niulang, and she vaguely remembered that in English they were called Vega and Altair, names as cold and meaningless to her as the stars.Just then, magpies seemed to come out of nowhere and gathered over their heads in a cloud of fluttering wings. While they looked up, stunned, the flock swept out of the night sky, descended over them like a giant spider web, and lifted them into the heavens.Riding on the wings of magpies, Yuan found, was not like riding a magical carpet.Not that she knew what riding a magical carpet felt like—but she was sure that it didn’t involve being constantly poked from below by a hundred—no, a thousand—little winged fists.The magpies would fall a bit below where they were and flap their wings rapidly in an upward burst until they collided with the girls’ bodies. The combined force of all the magpies would push them up until the birds lost their momentum and began to fall away, and then a new wave of upward-thrusting magpies would take their place. The girls resembled two ping-pong balls riding on the water spout from a hose pointing up.In the maelstrom of wings they found each other and clung together.“Are you all right?” They each asked at the same time.“What in the world is happening?” Jing asked, her words jumbled together from fear and excitement.“This is a dream,” Yuan said. “This must be a dream.”And then Jing began to laugh.“It can’t be a dream,” she said. “These magpies carrying us: they tickle!”And Yuan laughed too. It was so absurd, so impossible; yet it was happening.Some of the magpies began to sing, a complicated, trilling, lovely chorus. There were magpies of every description: some with white bellies, some with white beaks, some with iridescent, shimmering, blue wings. Yuan felt as if she and Jing were enclosed inside the beating heart of some giant, flying, alien musical instrument.Arms around each other, gingerly sitting side by side, they peeked out at the world below from between the darting wings of the magpies.They were floating in a dark sea. The lights of the city of Hefei spread out below them like a pulsing, receding jellyfish.“It’s getting cold,” said Yuan. She shivered as the wind whipped her hair around her face.“We’re really high up,” said Jing. She took off her summer jacket and draped it around Yuan’s shoulders. Yuan tucked her nose into the collar of the jacket and breathed in the lingering perfume. It warmed her heart even if the thin fabric did little against the chill.Then Yuan berated herself. Jing had broken up with her, and she didn’t need to look so needy, so pathetic. It was fine to cling to Jing in a moment of weakness, but now they were safe. Gently, she took her arm from around Jing and shrugged out of her arm as well. She lifted her face into the clear, frosty air, and tried to shift away from Jing, keeping some distance between them.“Reminds you of Su Shi’s poem, doesn’t it?” Jing whispered. Yuan nodded reluctantly. Jing was the literary one, and she always knew the pretty words, suitable for every occasion.A half moon, like a half-veiled smile, loomed pale white in the dark sky. It grew brighter and larger as they rose on the backs of the magpies.Jing began to sing the words of the Song Dynasty poem, set to a popular tune, and after a moment, Yuan joined her:When did the Moon first appear?I ask the heavens and lift my wine cup.I know not whether time passes the same wayIn the palace among the clouds. I’d like to ride up with the wind,But I’m afraid of the chill from being so highAmong the jade porticos and nephrite beams. We dance with our shadows.Are we even on earth any more?The silver light dapples the window,Illuminating my sleepless night.Do you hate us, Moon?Why are you always waxing just when we’re parting?Like a dancer and her shadow, the two girls swayed, each separately, to a harmony as young as themselves and as old as the land beneath.“So, it’s all true,” said Jing.The magpies had lifted them above the clouds and leveled off. As they glided over the cottony mists, they could see a celestial city of bread loaf-like buildings, punctuated by spiky towers here and there, gleaming in the late summer moonlight in the distance: blue as ice, green as jade, white like ivory. The styles of the buildings were neither Western nor Chinese, but something that transcended them all: heavenly, the Palace of Immortals.“I wonder if there really are immortals living there,” said Yuan. What she didn’t say out loud was her secret hope: she and Jing had been picked by the magpies for this trip to the heavens because the immortals thought they were as special a pair as Niulang and Zhinü—the thought was tinged with both excitement and sorrow.And then they were at the Silver River. It was broader than the Yangtze, almost like Taihu Lake, with the other shore barely visible on the horizon. The rushing torrent roared past like stampeding horses, and giant waves as tall as the apartment buildings in Hefei pounded against the shore.“Hey, don’t carry us over the water!” Jing shouted. But the magpies ignored her and continued to fly towards the river.“They’re building a bridge,” said Yuan. “It’s Qixi, remember?”Indeed, more flocks of magpies appeared. Along with the flock carrying the girls, they congregated like rivulets coalescing into a mighty river of wings. The magpies hovered over the water, with newcomers extending the flock’s reach towards the other shore. They were forming an arching bridge over the Silver River.“I have to take a picture of this,” said Yuan, and she took out her cell phone.The crystal cat charm dangling from the phone caught the light of the moon and dazzled. The magpies immediately surrounding Yuan trilled and dashed at it, knocking the phone out of her hand. And then it was a free for all as more of the magpies forgot about building the bridge and rushed after the shiny bauble. Even when charged with a magical mission, birds were still just birds.Or maybe even the birds have realized we’re not such a special pair after all, Yuan thought, and the charm is more interesting.She gazed after her phone anxiously. If Se woke up from a nightmare, she might try to call her. And if her mom got home before her, she might wonder where she was. She needed that phone back. She hoped the birds would bounce the phone closer to her so she could snatch it.Then those worries were pushed out of her mind as the magpies that had supported Yuan dropped off to join the chase after the charm, and no new magpies replaced them. Her weight overwhelmed the few magpies that remained on task, and she began to fall. She didn’t even have time to cry out.But then a strong hand caught her right wrist and arrested her descent. Yuan looked up into Jing’s face. She was lying down on the bridge of magpies, and she strained as she reached out and held onto Yuan with one hand while fumbling in her purse with the other.“Let go!” shouted Yuan. “You’ll fall, too!” Her world seemed to shrink down to her hands as they clasped around Jing’s hand, around her warm, pale skin. She willed herself to let go, but she could not.“Don’t be ridiculous,” said Jing, panting.The magpies continued to fight each other for the shiny charm, causing Yuan’s phone to bob up and down over the flock like a stone skipping over water. They had stopped extending the living bridge over the water.Jing finally managed to free her own phone from her purse. She paid no attention as her purse almost tumbled over the side of the bridge, where it would have disappeared into the roiling waves below. By feel, she pressed the first button on the dial pad.Yuan’s phone came to life and began to vibrate and buzz. The shocked magpies backed off in a panic, and the phone stayed still in the air for a second before falling, faster and faster, and finally disappeared into the Silver River without a trace.Yuan felt her heart sink. That cat charm, the first gift Jing had ever given her, now gone forever.“Good thing I have you on speed dial,” Jing said.“How do we still have reception here?”“After all that, that’s what you are worried about?” Jing laughed, and after a moment, Yuan joined her.The magpies seemed to have awakened from a bad dream, and they rushed over and lifted Yuan up onto the bridge. Once the girls were safe, the magpies continued to extend their bridge to the other side of the Silver River, leaving the pair at the middle of the bridge, suspended over the endless water and mist.“We almost caused the magpies to fail to build the bridge,” Yuan said. “It would be so sad if Niulang and Zhinü don’t get to meet this year.”Jing nodded. “It’s almost midnight.” She saw the look on Yuan’s face. “Don’t worry about not being home. Nothing bad can happen on the night of Qixi.”“I thought you weren’t into Qixi.”“Well, maybe just a little bit.”They sat down on the bridge together, watching the moon rise over the Silver River. This time, Yuan did not let go of Jing’s hand.“She’s coming,” said Yuan. She jumped up and pointed down the bridge towards the eastern shore. Now that she had spent some time on the bridge of magpies, she was getting pretty good at keeping her footing over the fluttering wings.In the distance, through the mist that wafted over the bridge from time to time, they could see a small, solitary figure making its way towards them.“So is he,” said Jing. She pointed the other way. Through the mist they could see another tiny figure slowly creep towards them.The girls stood up and waited, side by side, looking first one way and then the other. Being in the presence of the annual reunion of this pair of legendary lovers was exciting, maybe even better than meeting TV stars.The two figures from the opposite ends of the bridge came close enough for Yuan and Jing to see them clearly.Out of the east, an old woman approached. Yuan thought she looked as old as, maybe even older than, her grandmother. Her back bent, she walked with a cane. But her wrinkled face glowed healthily with the exertion of having traveled all the way here. Wearing a Tang Dynasty dress, she looked splendid to Yuan. Her breath puffed out visibly in the cold air.Out of the west, an old man emerged from the mist: straight back, long legs, wiry arms swinging freely. His full head of silvery white hair matched the old woman’s, but his face was even more wrinkled than hers. As soon as he saw the old woman, his eyes lit up in a bright smile.“They’re not—” Jing started to say in a whisper.“—quite what we expected?” finished Yuan.“I guess I always pictured immortals as being … well, I guess there’s no reason to think they wouldn’t grow old.”A wispy tendril of sorrow brushed across Yuan’s heart. She tried to imagine Jing as an old woman, and the tenderness made her almost tear up again. She squeezed Jing’s hand, and Jing squeezed back, turning to smile at her.The old man and the old woman met in the middle of the bridge, a few paces away from where the girls stood. They nodded at Jing and Yuan politely and then turned their full attention to each other.“Glad to see you looking so well,” said Zhinü. “Da Lang told me that you were having some trouble with your back the last time he visited with his family. I wasn’t sure you were going to make it here this year.”“Da Lang always exaggerates,” said Niulang. “When he visits I don’t dare to sneeze or cough, lest he insist that I go to the moon to visit Chang’E for some Osmanthus herbs. This old bag of bones can’t really take any more medicine. I think he’s more upset than you or I that his brother didn’t want to be a doctor.”They laughed and chatted on, talking about children and friends.“Why don’t they kiss?” Jing whispered to Yuan.“That’s a Western thing,” Yuan whispered back. “Niulang and Zhinü are old school.”“I’m not sure that’s true. I’ve seen Internet posts arguing people in ancient China used to kiss—but anyway, they’re standing so far apart!”“It’s like they’re friends, not lovers.”“It seems that we have some curious guests,” said Zhinü as she turned around to look at the girls. She didn’t sound angry—more like amused.“We’re sorry,” said Yuan, feeling her face grow hot. “We didn’t mean to be rude.” She hesitated. It didn’t seem right at all to call this old woman “Big Sister Seven.” So she added, “Grandma Zhinü and Grandpa Niulang.”“We just thought,” Jing said, “that … um … you’d be more … passionate.”“You mean less laughing, and more tears and recitation of love poems,” said Niulang, a gentle smile in his eyes.“Yes,” said Jing. “No,” said Yuan, simultaneously.Zhinü and Niulang laughed out loud. Niulang said, “It’s okay. The magpies have been building this bridge for thousands of years, and they sometimes bring guests. We’re used to questions.”Zhinü looked from Yuan to Jing and back again. “You two are together?”“Yes,” said Jing. “No,” said Yuan, simultaneously. They looked at each other, embarrassed.“Now that sounds like a story,” said Zhinü.“We were together,” said Yuan.“But I’m leaving,” said Jing. “We’ll be parted by the Pacific Ocean.” And they told their story to Niulang and Zhinü. It seemed perfectly right to pour their hearts out to the legendary lovers.“I understand,” said Zhinü, nodding sympathetically. “Oh, do I understand.”At first I was inconsolable. I stood on the shore of the Silver River day after day, pining for a glance of my husband and children. I thought the pain in my heart would never go away. I refused to touch my loom. If my grandfather was angry, then let him find someone else to weave the sunsets. I was done.The first time we met over the bridge of magpies, Niulang and I could not stop crying the whole time. My children were growing up so fast, and I felt so guilty. So, when we had to part again, Niulang came up with a stratagem: he asked the magpies to retrieve two large rocks that were about the weight of my babies and carried them home in two baskets on the ends of a pole over his shoulder, the same way he had carried the boys onto the bridge. And everyone thought they had gone home with him. But unbeknownst to anyone else, I carried the boys home with me on my back.And after that, every year, as we met on the bridge, we passed the boys back and forth. They’d spend one year with me, one year with Niulang. They would not have their parents together, but they would have both of them.Each time we met, I told him again and again of the solitude of my hut, the desultory squeak of my loom. And he told me of how he took his herd to the same pastures that we had gone to as a family, to relive the happiness we shared. The grass had grown thin and bare from overgrazing, and his animals were just skin and bones.And then, one year, when the boys were a little older and could walk on their own, Niulang held me and told me that he didn’t want to see me sad any more.“We live a whole year for this one day,” he said. “We’re letting our lives pass us by. It’s not right that you should sit by your loom pining from morning ‘til evening. It’s not right that our sons should think our lives are lives of sorrow. It’s not right that we should come to believe that yearning for what we can’t have is what love is all about.”“What are you saying?” I asked. I was angry, and I didn’t know why. Was he saying that he no longer loved me? I had been faithful to him, but had he been to me?“We know we cannot be together,” he said. “We know that sometimes things happen to people that keeps them apart. But we have refused to look for new happiness. Are we sad because we’re in love? Or are we sad because we feel trapped by the idea of love?”I thought about what he said, and realized that he was right. I had become so used to the story about us, the idea of us living our whole lives for this once-a-year meeting, that I hadn’t really thought about what I wanted. I had become my own legend. Sometimes the stories we tell ourselves obscure our truths.“You’re beautiful when you laugh,” he said.“We’re beautiful when we seek to make ourselves happy,” I said.And so I went back to my loom and poured my love for Niulang into my weaving. I thought those were some of the most beautiful sunsets I had ever woven.And then I found that love was not a limited thing, but an endless fount. I found that I loved the laughter of my children, and the chatter of friends new and old. I found that I loved the fresh breeze that brought smells from far away. I found that other young men made my heart beat faster.And Niulang went and took his herd to new pastures, and he came up with new songs. Young women came and listened to him, and he found that conversation with them gladdened his heart.We told each other these things the next time we met over the bridge. I was glad for him and he for me. We had been clinging to each other as though we were afraid to drown, but in fact, we had been holding each other back from moving on.“And so we each went on and had other loves, joys as well as sorrows,” said Zhinü.“We still meet once a year,” said Niulang, “to catch up on each other’s lives. Old friends are hard to come by.” He and Zhinü looked at each other with affection. “They keep you honest.”“Are you disappointed?” asked Zhinü.Jing and Yuan looked at each other. “Yes,” they said together. Then they said “no,” also together.“Then, are you not in love anymore?” asked Yuan.“You ask that question because you think if we’re no longer in love, then that means the love we had was somehow not real.” Zhinü turned serious. “But the past does not get rewritten. Niulang was the first man I loved, and that would be true no matter how many times I fell in love after him.”“It’s time to go,” Niulang said. The magpies under them were getting restless. The eastern sky was brightening.“You were together, and you’re together now,” said Niulang to the girls. “Whatever comes, that remains a fact.”“You look lovely together, dears,” said Zhinü.Niulang and Zhinü embraced lightly and wished each other well. Then they turned and began to walk in opposite directions.“Look!” said Jing, and gripped Yuan’s hand.Where the old Niulang and Zhinü had been, there was now a pair of ghostly figures: a young man and a young woman. They embraced tightly, as if Yuan and Jing were not there at all.“They were such a handsome couple,” said Yuan.“They still are,” said Jing.And as the bridge of magpies broke up, carrying the girls down to earth, they looked back at the pair of ghost lovers dissolving gradually in the moonlight.Miraculously, Yuan found her bike where she’d left it.The sidewalks were still relatively empty. The first breakfast shops were just getting ready for the day, and the smell of warm soy milk and freshly fried youtiao filled the air.“Better rush home,” said Yuan. “Don’t miss your flight.”“And you need to go, too. Your mom will be worried sick!”Jing pulled her in, wrapping her arms around her. Yuan tried to pull back. “People will see.”“I don’t care,” Jing said. “I lied that day at Emerald Lake. I told you I had kissed other girls before. But you were the first. I want you to know that.”They held each other and cried, and some of the passers-by gave them curious looks, but no one stopped.“I’ll call you every day,” Jing said. “I’ll text you whenever I get a chance.”Yuan pulled back. “No. I don’t want you to think of it as a chore. Do it if you want to. And if you don’t, I’ll understand. Let whatever will happen, happen.”A quick kiss, and Yuan pushed Jing away. “Go, go!”She watched as Jing ran down the street to catch the bus. She watched as the bus pulled into the stream of traffic, a mighty river of steel like the Silver River, and disappeared around the corner.“I love you,” Yuan whispered. And no matter how the stream of time flowed on, that moment would be true forever.END“Seventh Day of the Seventh Moon” was originally published in Kaleidoscope, published by Twelfth Planet Press, edited by Alisa Krasnostein and Julia Rios in 2014.This recording is a Creative Commons Attribution-NonCommercial-NoDerivatives license which means you can share it with anyone you’d like, but please don’t change or sell it. Our theme is “Aurora Borealis” by Bird Creek, available through the Google Audio Library.Thanks for listening, and I’ll have another story for you on September 22nd.[Music plays out]

Daisy Goodwin on poetry to live by. Daisy Goodwin is a writer and television producer. After reading history at Cambridge, she went to Columbia Film School as a Harkness Fellow. After ten years at the BBC making arts documentaries, she left to join the independent sector and created a number of programmes including Grand Designs which is now in its 18th year on Channel 4. In 2005 she started Silver River productions, which she sold to Sony in 2012. Alongside her tv work , Daisy has written a memoir, Silver River and two novels My Last Duchess Uk/The American Heiress US and The Fortune Hunter, which were both New York Times bestsellers. In 2014 Daisy decided to concentrate on writing full time and was commissioned to write her first screenplay, Victoria, an 8 part series about the early life of Queen Victoria for ITV and WGBH Masterpiece Theatre. She is now working on Season 2. Daisy lives in London with her three dogs, two daughters and one husband. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

This week Talking TV focuses on the BBC’s proposal to scrap its quota system – and goes behind the digital rig of Channel 4s’ Secret Life Of Students. Joining host Jake Kanter in the studio is Broadcast columnist Steven D Wright, and Broadcast online editor Alex Farber. They discuss the opportunities opened up for indies following director general Tony Hall’s decision to axe the WoCC as well as consider the reaction from BBC in-house. Raw TV’s Joanne Timoney pops in to talk about the innovative digital rig developed for the ob doc which allows producers to incorporate contributors text message and tweets into the show. Also in the show, Silver River’s BBC1 doc Nick and Margaret: Too Many Immigrants? Comes under scrutiny, while praise is sung for Minnow Films’ BBC3 musical drama Glasgow Girls.

Camilla Lewis, Dan Goldsack and Nicola Lees join Simon Smith to talk about getting ideas commissioned. Camilla is managing director at Cineflix UK, Dan is head of factual at Silver River and Nicola is a development producer, founder of TV Mole and author of Greenlit, a book about developing ideas from concept to pitch.