POPULARITY
15 episodes with bowens
15 episodes with bowens
10 episodes with bowens
4 episodes with bowens
6 episodes with bowens
4 episodes with bowens
5 episodes with bowens
3 episodes with bowens
4 episodes with bowens
It's getting painful but here is your Collision run down.... Kommander speaks english Anthony Michael Offspray and Swerve fight after dynamite Since when did they win a belt? Bowens trys so hard,,,,but Motivational MuddPie Atlantis Jr and another Mexican Welcome back Skye, now job Oh it's "Jake's" Group Oh what a main event....sarcasm Backlash is in the books. Winners got paid. Now it's time to regroup before the storm hits. Just like WWE, the real setup is already in motion. Every promo, every face-off, every backstage stare-down on Raw and SmackDown is building toward one thing — Money in the Bank. And if you know anything about MITB, you know chaos is coming. Surprise cash-ins. Career-defining moments. Wild upsets. It's one of the most unpredictable cards of the year, and if you're ready, it can be one of the most profitable too. Even if you've never bet on WWE before, this is your window. Keep one eye on WWE and the other on MyBookie. When the lines go live, they won't sit still for long. Lock in now. Go to MyBookie now, use my promo code [CONTROL] and boost your bankroll. Deposit $50, get an extra $25. Go bigger with $100, and MyBookie throws in $50. Bet smart. Stay ready. And cash in when it counts. Only at MyBookie. Subscribe on patreon.com/LingusMafia for ad-free and video versions of the show, exclusive PPV/PLE reviews and bonus shows including every Wrestlemania, SummerSlam, Royal Rumble, Survivor Series, and Saturday Night's Main Event ever. Get access to over 10 years of podcasts! Stay connected: All our social media (@LingusMafia) links can be found here: https://linktr.ee/lingusmafia We have merch! Shirts, hoodies, stickers and more: lingusmafiashop.printify.me/ Drop us an email with comments or questions: lingusmafia@gmail.com
Join us as we talk DRUMS with Donal Bowens!!! (Ryan McMullan, Darren Kiely, Idle Discourse & many more)In this episode we talk session drums, creativity, work flow, approaching practice, drum tracking, attitude & much much more!!! Hosted on Acast. See acast.com/privacy for more information.
Crosspoint Highlights: Big ideas, short episodes … for your busy schedule Guests: Joshua and Lindsey Bowen From Episode 54: “The importance of small group fellowship.” Listen to the full episode here. Highlight Summary: In this Crosspoint Highlight, Joshua and Lindsey Bowen reflect on the lasting impact of biblical community, mentorship, and servant leadership during their time in the military. They share how their early experiences in a diverse OCF small group at Fort Carson shaped their spiritual maturity and inspired them to pour into cadets at West Point years later. From late-night Bible studies to one-on-one mentoring moments, Josh and Lindsey offer a deeply personal look at how fellowship across generations can transform lives and prepare future military leaders for both spiritual and professional challenges. Find an OCF group near you Find out more about Christian mentoring Key Takeaways: Intergenerational fellowship fosters growth: Being surrounded by older couples in their Fort Carson group helped Josh and Lindsey mature spiritually and understand what Christlike leadership looks like in marriage, military life, and beyond. Mentorship happens in everyday moments: Watching how mentors cared for their spouses, shared struggles, and modeled vulnerability left a deep and lasting impression on the Bowens—one they now strive to replicate. Leading means serving: As small group leaders at West Point, Josh and Lindsey invest time, energy, and emotional bandwidth into cadets—not just during Bible study, but through desserts, coffee chats, and showing up when it matters most. Spiritual black holes are real: Without proactive preparation, cadets can find themselves spiritually adrift after graduation. Josh shares candidly how his own post-academy faith stagnated, and how he now helps cadets plan ahead to avoid the same pitfall. God equips those He calls: Lindsey never saw herself in women's ministry or spiritual mentorship—until someone invited her. Now she thrives in that space, walking alongside young women facing challenges she never imagined when she was in their shoes.
Our final home game of the season ends in defeat and what a miserable season it`s been. Dave & Ex talk about the game on Sunday, genuine concerns moving forward, senior players saying goodbye, Areolas mistake, Bowens brilliance, another shocking performance from a referee, Spider getting hammer of the year, a potential future for Guilherme and an update on the Premier League predictions competition before getting news from Ex and answering questions from patrons of The West Ham Way....To unlock the full show and a range of other benefits, you need to be a Patron of The West Ham Way. You can become one here: www.patreon.com/thewesthamwayThis Podcast was created and published by The West Ham Way. Views on this show are not necessarily shared by talkSPORT.@DaveWalkerWHU@ExWHUemployee. Hosted on Acast. See acast.com/privacy for more information.
I swear we just did a Collision show, fuck it, here we go again... Was Toni giving oral in the theater? I wonder if the Paragon got a notice about not being able to use old colors and name I swear I can see through Ricochet's Trunks Angelico! Push that fucker! The one leg wonder is back? I mean he is back! Bowens is trying hard What an idea for Willow and Stat but they fuck it up Skye Blue is Chinese Spitball is Tony's new fave toy Nigel back in the ring? Subscribe on patreon.com/LingusMafia for ad-free and video versions of the show, exclusive PPV/PLE reviews and bonus shows including every Wrestlemania, SummerSlam, Royal Rumble, Survivor Series, and Saturday Night's Main Event ever. Get access to over 10 years of podcasts! Stay connected: All our social media (@LingusMafia) links can be found here: https://linktr.ee/lingusmafia We have merch! Shirts, hoodies, stickers and more: lingusmafiashop.printify.me/ Drop us an email with comments or questions: lingusmafia@gmail.com
WrestleMania weekend is almost here! Brad and Tyler try to predict winners in the triple threat match for the custody of Paul Heyman, or as Seth Rollins put it, for the “soul of the industry.” They also break down the hot streak that Collision has been on, and they discuss which AEW gimmicks could benefit from a Timeless upgrade. Join us!Other topics include:'Drop'Dodgeball with 3rd GradersStephanie VaquerFollow the show and our sponsors!Social: @gipod19 Web: gimmickinfringementpod.com, 19mediagroup.comGoods: https://19-media-group.myspreadshop.comPrizePicks: https://prizepicks.onelink.me/LME0/CLNS0:00 Intro2:57 WWE — WrestleMania Weekend Questions25:38 GI at the Movies: 'Drop'33:39 AEW — Bowens and Timeless Upgrades55:31 Live Event Jones: Volunteer Dodgeball1:02:37 What Did We Miss?1:05:12 Closing
Rick (@RickUcchino), Iridian (@Iridian_fierro), and Cresta (@CrestaTHEEStarr) bring you tonight's AEW Collision post show, April 12, 2025, including:-ROH Woman's World Champion Athena vs. Harley Cameron in a Women's Owen Hart Tournament Match-Jamie Hayter vs. Billie Starkz in a Women's Owen Hart Tournament Match-Konosuke Takeshita vs. Brody King in a Men's Owen Hart Tournament Match-Anthony Bowens w/ Billy Gunn vs. Blake Christian-Megan Bayne will be in action-We'll hear from FTR Use Bluechew and the code Fightful to get your first shipment free and make sure your PERFORMANCE is peak! Visit https://go.bluechew.com/fightful to receive your first month FREE -- pay only $5 shipping.Our Sponsors:* Check out Cigars International and use my code FIGHTFUL for a great deal: https://www.cigarsinternational.com* Check out Hims: https://hims.com/FIGHTFULSupport this podcast at — https://redcircle.com/fightful-pro-wrestling-and-mma-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
El tema de las monturas para modificadores de luz en flashes o luz continua es un lío. Hay demasiadas: Profoto, Godox, Elinchrom, Bowens, Mini Bowens... En este podcast te explico cada una de ellas, sus adaptadores, cómo convertir una en otra mediante anillos... y cuál es, a mi modo de ver, la mejor de todas. Un podcast que vas a querer escuchar varias veces para ponerte al día. Puedes adquirir mi libro sobre fotografía y vídeo con tu iPhone desde: https://www.amazon.es/dp/B0DBLPN8QB Únete a nuestra comunidad gratuita de WhatsApp desde: http://clubfoto.org Grupo de WhatsApp dedicado a la fotografía http://fotografos.pics Grupo de WhatsApp dedicado a la videografía http://videografos.pics Grupo de WhatsApp para compartir fotos http://fotos.pics Grupo de WhatsApp para cursos, talleres y aprendizaje http://fotografias.pics Nuestros cursos de fotografía https://www.cursosfotografiabarcelona.com/
Jim Pfeifer and Paul Shannon sit down with John Bowens of Equity Trust to break down the power of self-directed retirement plans for real estate investors. From the basics of what “self-directed” really means to the nuances of IRAs, HSAs, and Solo 401(k)s, John explains how you can unlock more flexibility and control in building your portfolio. Whether you're investing in syndications, private lending, or direct ownership, learn the steps for opening a self-directed account, how to navigate leverage with UBIT/UDFI, and why a Solo 401(k) might offer key advantages (when you qualify). Plus, John dispels the myths around the tax complexity of self-directed deals and shares a simple framework to evaluate any potential investment. Today's Episode Takeaways What “Self-Directed” Really Means: Why most standard IRAs don't allow real estate—and how self-direction changes that. IRAs vs. Solo 401(k)s: Who qualifies, which offers higher contribution limits, and the unique tax perks. UBIT & UDFI, Explained: How leverage can trigger special taxes—and why it's not always a deal-breaker. Choosing a Custodian: Key factors like years in business, transaction speed, fee models, and customer service. Strategic Framework: John's 3-part approach (business sense, tax optimization, and lifestyle considerations) for any self-directed deal. Learn More from Equity Trust Website & Resources: TrustETC.com YouTube: Equity Trust Company for in-depth how-tos Or visit the PassivePockets website for additional content and materials Disclaimer The content of this podcast is for informational purposes only. All host and participant opinions are their own. Investment in any asset, real estate included, involves risk, so use your best judgment and consult with qualified advisors before investing. You should only risk capital you can afford to lose. Remember that past performance is not indicative of future results. This podcast may contain paid advertisements or other promotional materials for real estate investment advisers, investment funds, and investment opportunities, which should not be interpreted as a recommendation, endorsement, or testimonial by PassivePockets, LLC or any of its affiliates. Viewers must conduct their own due diligence and consider their own financial situations before engaging with any of the advertised offerings, products, or services. PassivePockets, LLC disclaims all liability for direct, indirect, consequential, or other damages arising out of reliance on information and advertisements presented in this podcast. Contact Us jimpfeifer@biggerpockets.com
In this episode of the Build Insite Podcast, Andrew Healey of Bowens dive into discussions about investing in high-quality construction products, trade-offs, labor cost reductions, and improving construction times. They explore the benefits of innovative suppliers in Australia. The episode also highlights the importance of staying ahead with new building technologies, enhancing builder training and certifications, and maintaining an edge in a competitive market. Together with Luke and Dean, they share their experiences and emphasize the value of developing strong relationships with suppliers and utilizing innovative products to ensure better building practices.
In this episode, we talk with Andrew Healey, the product innovation expert from Bowens, a leading Australian supplier in the construction industry. They discuss Bowens' dedication to improving build quality and efficiency through innovative products and systems. Andrew shares the company's history, commitment to innovation, and the importance of family-owned values. They also cover the extensive training and development initiatives for builders and apprentices, Bowens' role in the industry, and insights from the Bowens Building and Innovation Expo. Tune in to discover how Bowens is redefining construction practices in Australia.
Tis' the season for giving and we're bringing some needed attention to G-town Radio's fundraiser concert with Philly Gumbo at the Fallser Club Dec 1, 2024. We are joined by Julie Oktavec to talk about what it takes to keep your kids in extra curricular activities and featured musical Guest Parris "Pop" Bowens to talk about making music with a featured dance track from his diverse catalog of original music.
Charlotte Bowens: Founder of Conscious Gear and trailblazing innovator behind VestaPak, the world's first plus-size hydration vest. From university administrator to entrepreneur, she fearlessly reshapes the outdoor industry. Motivated by a personal health scare, she champions inclusivity and empowers the plus-size community to embrace an active lifestyle. Founding Story: A Transformation and a Vision It all started with a health scare that jolted Charlotte's life. An unexpected visit to the emergency room revealed high blood pressure, high cholesterol, severe depression, borderline diabetes, and a stark classification of "morbidly obese." The avalanche of this diagnosis could have overwhelmed anyone, but not Charlotte. Charlotte made a decision that changed her life's trajectory. Fueled by fear and a fierce determination to regain control, she took her first steps towards transformation at the gym. The journey was slow and arduous. On that initial day, she could walk for only 2 minutes at a modest 2 mph on the treadmill. But that wasn't the end; it was the beginning. Every day, Charlotte persevered, placing one foot in front of the other, pushing through every personal limit, and defying her own expectations. Sixteen months later, she crossed the finish line of her first 50-mile ultramarathon—an extraordinary feat of physical and mental strength. However, this triumph was also bittersweet. Charlotte felt proud of her incredible achievement and continued her ultramarathoning journey but as she looked for outdoor gear and apparel to accommodate her taller, curvier, and bigger body, she encountered a glaring problem. The market offered limited options that catered to her specific needs if any at all. Existing outdoor gear companies had overlooked a significant portion of the population, neglecting to provide functional and fashionable products for those with bigger bodies. It was during the challenging times of the pandemic that Charlotte made a solemn vow: if no one else was going to do it, she would. Conscious Gear was born, emerging as a symbol of resilience and innovation. VestaPak was nominated in October 2023 by USA Today as one of the top ten products for outdoor adventurers and is currently sold at REI. *** Don't miss out on the latest episodes of the Tough Girl Podcast, released every Tuesday at 7am UK time! Be sure to hit the subscribe button to stay updated on the incredible journeys and stories of strong women. By supporting the Tough Girl Podcast on Patreon, you can make a difference in increasing the representation of female role models in the media, particularly in the world of adventure and physical challenges. Your contribution helps empower and inspire others. Visit www.patreon.com/toughgirlpodcast to be a part of this important movement. Thank you for your invaluable support! *** Show notes: Who is Charlotte Her outdoor adventure journey which started with Girl Scouts Selling Girl Scout cookies to fund camping trips Discusses her academic background in maths and science and her career in research administration Her experiences as a teenage single mother of three, which led to a sedentary lifestyle Moving to Arizona and falling in love with trail running and ultra marathons Reassessing her lifestyle due to high blood pressure, high cholesterol, and clinical depression Prioritising health and fitness, despite feeling overwhelmed as a single mother First experiences at the gym Being scared and unsure but determined to make a change Beginning to see improvements in her stamina and speed, which bolstered her confidence Completing her first 50-mile ultra marathon Improving her physical health and also restoring her desire to live Her transformative journey from depression to feeling alive Initially being sceptical about ultramarathons Completing a self-supported hundred-miler Looking forward to participating in longer races, including a 250-mile event in Phoenix and a 500-mile race in Tennessee The addictive nature of long-distance running Challenges in finding gear Going to thrift stores and DIY solutions using a library sewing machine Limited options for bigger bodies in the athletic clothing market The birth of the business, Conscious Gear Facing disruptions in ultrarunning due to the pandemic Creating hydration vests motivated by a lack of representation and options Being nominated as one of the top 10 outdoor products in 2023 Increasing engagement from women, particularly Black women Addressing inclusivity in athletic wear Running community and personal preferences Running philosophy and training The importance of starting with what you can manage Helping the body adapt and grow stronger over time Respect the body's limits and trust the process of improvement A powerful moment while trail running in Michigan Her deep spiritual connection to running in nature The spiritual aspect of running and its connection to her identity Societal expectations that often lead to feelings of needing to do everything alone Her 50-mile race experience Physical exhaustion but remains motivated by her progress Experiencing an emotional breakthrough at the 48-mile mark Expressing gratitude for being alive and capable of such an achievement How her experience of running 50 miles instills a sense of resilience and determination Focusing on one mile at a time instead of the overall distance The challenges of balancing running with personal and professional commitments Acknowledging the necessity of hiring help for her business to prioritise her running Following a "me first" schedule, focusing on her well-being The peace and joy running brings her Letting go of less important commitments The importance of self-prioritisation especially for women Final words of wisdom Social Media About Conscious Gear - “It's simple we believe that bigger bodies deserve to be the center of design and not an afterthought. We consciously design outdoor gear and apparel for bigger-bodied endurance athletes and outdoor enthusiasts so they can live a healthier lifestyle and achieve maximum athletic performance.” Website: conscious-gear.com Instagram: @ConsciousGear1 Tiktok: @consciousgear Facebook: @ConsciousGearStore X/Twitter: @ConsciousGear
OCF MINISTRY NEWS Fort Knox OCF update: Continue praying for the ROTC cadets as they've returned to their campuses and begun new semesters. To learn more about and/or get involved with OCF's ROTC ministry, visit ocfusa.org/rotc Connected print newsletters: If you don't receive this biannual piece in your mailbox this fall, be sure to update your info via ocfusa.org/update so that we don't miss you next spring. This fall's newsletter will also be available online at ocfusa.org/connected Ted & Beverly Kaiser: Contact this newest couple on the OCF team by emailing europe@ocfusa.org OCF Mid-Atlantic & Northeast Fall Retreat: Visit whitesulphursprings.org/events to learn more and register, and email any questions to the Chiaravallottis at midatlantic@ocfusa.org. The Bowens' Fort Carson OCF group: Visit ocfusa.org/directory to connect with groups like the Bowens', and visit ocfusa.org/list-me to start your own group wherever you are. ASK OCF COL Steve & Miriam Shambach, USA (Ret.), who serve as the OCF Mountain Central Regional Coordinator couple, answered this question from another OCFer: Retired, I don't live near a military base, no local OCF folks near me...what opportunity is there for fellowship/training through Zoom? In case you missed the Shambachs' article in the spring 2024 issue of Connected print newsletter, you can find it here: From Service to Support: How Veterans Can Stay Engaged in OCF. If you have a question that you want us to consider for a future “Ask OCF” segment, send an email to podcast@ocfusa.org. GUEST SPOTLIGHT COL Andy MacLean, USA (Ret.), graduated from the U.S. Military Academy in 1995 and later returned there to be a professor. After retiring in 2019, he joined the Association for Christian Conferences, Teaching, and Services (ACCTS), a sister ministry of OCF. He currently serves as the ACCTS coordinator for Latin America. Whether discussing the origin story of ACCTS, the countries he works with as an ACCTS staffer, or his own life, Andy's passion for sharing how God works in the details is clear. He talks about the upcoming AMCF World Conference, approaching this October in Brazil, which you can support by attending, praying for the gathering, and/or contributing to a scholarship for other guests. If you would like to share your own story, complete the form on OCF's “Be a Guest” webpage. Alternatively, if you have an idea for a guest or topic we should consider for a future episode of the show, send an email to podcast@ocfusa.org. POINTS TO PONDER As you listen to this conversation with Andy, here are a few questions to ponder in your personal time, with a small group, or with a mentor: How can you engage in the international ministry ACCTS does? When have you seen God work through hard situations, whether in your own life or in events across the world? Why is it important to discuss how God is working in other nation's military communities?
Billy Bowens, who caught 77 passes for 1,024 yards and five touchdowns in six seasons at Boise State (2018-2023), joins Prater and Mallory in the KTIK studio to talk about the Broncos' current crop of wide receivers - and what to expect from them this season.
Boise State running back Ashton Jeanty and fullback Tyler Crowe share their thoughts after the Broncos' first full-pad practice of fall camp, former BSU wide receiver Billy Bowens visits the KTIK studio talk about the current crop of receivers - and their expectations for the 2024 season, Bills' insider on Khalil Shakir and what to expect from him this season, Vandals coach Jason Eck on new starting QB Jack Layne - and Idaho high school players making a difference on his roster
Billy Bowens, who caught 77 passes for 1,024 yards and five touchdowns in six seasons at Boise State (2018-2023), joins Prater and Mallory in the KTIK studio to talk about the Broncos' current crop of wide receivers - and what to expect from them this season.See omnystudio.com/listener for privacy information.
Boise State running back Ashton Jeanty and fullback Tyler Crowe share their thoughts after the Broncos' first full-pad practice of fall camp, former BSU wide receiver Billy Bowens visits the KTIK studio talk about the current crop of receivers - and their expectations for the 2024 season, Bills insider on Khalil Shakir and what to expect from him this season, Vandals coach Jason Eck on new starting QB Jack Layne - and Idaho high school players making a difference on his rosterSee omnystudio.com/listener for privacy information.
Billy Bowens, who caught 77 passes for 1,024 yards and five touchdowns in six seasons at Boise State (2018-2023), joins Prater and Mallory in the KTIK studio to talk about the Broncos' current crop of wide receivers - and what to expect from them this season.See omnystudio.com/listener for privacy information.
Boise State running back Ashton Jeanty and fullback Tyler Crowe share their thoughts after the Broncos' first full-pad practice of fall camp, former BSU wide receiver Billy Bowens visits the KTIK studio talk about the current crop of receivers - and their expectations for the 2024 season, Bills insider on Khalil Shakir and what to expect from him this season, Vandals coach Jason Eck on new starting QB Jack Layne - and Idaho high school players making a difference on his rosterSee omnystudio.com/listener for privacy information.
Big O talks Tim Bowens
Nobody had a better weekend than Tyreek Hill, who cashed in with a restructured contract and became the first wide receiver to earn the No. 1 spot on the NFL's Top 100 list! Jake and Josh react to Hill's monster weekend and the NFL's Top 100 fallout. The guys also discuss injuries to track as joint practices with the Atlanta Falcons begin Tuesday, along with Monday's news that Tim Bowens is set to become the 28th member of the Miami Dolphins Ring of Honor! Thoughts or questions — reach out to us at AnotherDolphinsPodcast@gmail.com! Another Dolphins Podcast is hosted by Joshua Houtz (@Houtz) and Jake Mendel (@JMendel94). To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
On today's MADM, I'm featuring former wide receiver for Alabama and current Brooks Lions FB Head Coach Tim Bowens. Listen and share. Sponsor: Singing River Dentistry singingriverdentistry.com
Send us a Text Message.In 1960, Martin Luther King, Jr. called 11 a.m. on Sunday morning the most segregated hour in Christian America. Today, the issue of race continues to polarize and divide American Christians.How is God calling us, as men, to engage with this issue?We sat down with David Bowens, an African-American worship leader at a predominantly white church in Pittsburgh, to get his take. Our conversation was on the heels of Bowens helping to lead two campuses of that church through a series of face-to-face discussions on how racial differences affect our relationships and our faith.In these highlights from that interview, Bowens explains how the experience changed his perspective and that of many who participated.Contact:Mike Hatch: mhatch@clchq.orgChris Bolinger: chris@mensdevotionals.comResources:Mike's book: Manhood: Empowered by the Light of the Gospel (paperback, audiobook)Join the Empowered Manhood Facebook GroupDaily Strength for Men: A 365-Day Devotional52 Weeks of Strength for MenCLC: https://www.clchq.org/BiblicalLeadership.com
Earlier this month, AEW Collision and the Toyhio Toy Show happened on the same day in the Mahoning Valley. Anthony Bowens and tag team standouts The Acclaimed were at both shows! In this Youngstown Studio interview, Bowens discusses his start in wrestling, bouncing back from his brief appearance with NXT, how coming out helped his journey, heat that his partner Max Caster gets for his raps and much more! Watch this interview on YouTube: https://youtu.be/bJ9_AHnoCcg
It's the go home shows to Double or Nothing. Usually nothing happens on theseshows but that doesn't mean we don't have a lot to talk about. On Rampage-Rocky Asucar Romero-Deonna wants to face Thunder Rosa on the grandest stage: The Buy In-Rush murders Isiah Kassidy-The Cage of Agony-The top indy wrestler from the UK-Where did Statlander go?On Collision:-The history of Moxley and Don Callis-High functioning sociopaths-I flew here to bleed bruv-EVP propaganda -Bring your kids to work night-Bounty Hunter ain't done with Jericho-O'Reilly needs Fish back-Castor might be more like Bowens..-Bane Copeland promo-Twitching on the floor is a sign to keep wrestling?-Buoy Hirsch-Deeb or Nothing-2 Satnam matches in one week?-FTR fellate AEWWant to hear our review of Double or Nothing?Subscribe on patreon.com/LingusMafia for ad-free and video versions of the show, exclusive PPV/PLE reviews and bonus shows including every Wrestlemania, Summerslam, Royal Rumble and Saturday Night's Main Event ever. Stay connected: All our social media (@LingusMafia) links can be found here: https://linktr.ee/lingusmafiaBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestle-lingus-show--6049959/support.
On this episode of the Black Baseball Mixtape, Cheats talks with TT Bowens of the Bowie Baysox—the Connecticut native- about his journey in baseball and the mental approach that has led to his success. TT was a late bloomer in the game and grew his confidence playing at Central Connecticut State. Now, in pro ball, TT stays focused and grounded on being the best player and person he can be every day. Please subscribe to the Black Baseball Mixtape podcast. Rate and review the show on Apple and Spotify. The Black Baseball Mixtape is brought to you by our partners Steelo Sports, the Players Alliance, Henrincia 21, and Numbers Game Sportscards.
The guys look at Brain Daboll's comments on the defensive side of the ball where it looks like third year pro Cor'Dale Flott could be in line for a starting job. What does he bring from a player profile perspective and how can Shane Bowen's system help him excel in 2024? Also, breakout candidates litter the offensive side of the ball, and the gys discuss what the benchmark should be for receivers like Wan'Dale Robinson and Jalin Hyatt HEAR THE PODCAST: https://podcasts.apple.com/us/podcast/one-giant-podcast/id1481967999 FOLLOW THE SHOW: https://twitter.com/oneGIANTpodcast https://twitter.com/AdamArmbrecht https://twitter.com/amack214 READ ON SUBSTACK: https://substack.com/profile/19781728-adam-c-armbrecht?r=brzog&s=r&utm_campaign=profile&utm_medium=web --- Send in a voice message: https://podcasters.spotify.com/pod/show/onegiantpodcast/message
In this episode, hosts Eric Fey and Brianna Lennon speak with Derek Bowens, the Elections Director in Durham County, North Carolina. They spoke about crafting narratives to help election administrators share and showcase the need for local investment in elections and about the importance of having election administrators that represent and reflect the voters they serve.
Amber Dawn noticed food and other items had gone missing in her apartment. One day, she noticed the attic door was open and someone had been living in there.The Bowens were tortured for months by Danny Laplante who was living in their walls. After his mom bailed him out of jail, he murdered Priscilla Gustafson and her two children, William and Abigail.Website: https://www.drinkingthecoolaid.com/Support the show: https://paypal.me/mhawk7?country.x=US&locale.x=en_USLinktree: https://linktr.ee/drinkingthecoolaidRESOURCES:Watch Phrogging: Hider in My House Streaming Online | Hulu (Free Trial) Man Convicted Of Killing Mother And Her 2 Children Petitions Mass. High Court For Early Parole | WBUR News Daniel LaPlante - Wikipedia Support the Show.
It's the return of TONY'S PICKS!!! AEW World Trios Champion wrestler Anthony Bowens is here along with Todd Cooper and Daniel Quantz, who's been listening to a Vanderpump Rules podcast. We discuss TV shows, some light medical chat, receiving medical news ON A POSTCARD, punctuality, cigarettes and beans, Bridge, drugs, wrestling chops, resetting your socks, favorite pens and so much more. We also did a round of Just Me Or Everyone and Podcast Pals Product Picks. Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my newsletter: http://alisonrosen.substack.com Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial
It is a Thursday edition of Glenn Clark Radio, lots for us to go over today as we look back at another crazy Orioles comeback win as they take down and sweep the Twins in walk-off fashion on the back of Cedric Mullins, and of course Albert Suarez. Plus another former Raven lands in LA with the Chargers under Jim Harbaugh as we dive a little more into the Ravens roster after guys reported for some offseason workouts this week. At 10:20am, we will talk some baseball with MLB Insider Russell Dorsey from Yahoo Sports, MLB Network and AppleTV+ after he saw the O's last Friday on Apple, we'll get his thoughts on all these young stars, how far they're capable of going and much more. At 11:30am, we'll head down to the farm to check in with Bowie and Baysox OF TT Bowens, after his monster week in his home state of Connecticut last week in AA. At 11:45am, we'll be joined by Joe Rahnis, the Director of Golf from Baltimore County Golf, as we talk some golf and BCG winning the Public Golf Leader Award, the courses around BalCo, how they'll help your golf game and much more. And we'll go over Fighting Words with Griffin later in the show as Griffin recaps UFC 300 and helps preview Ryan Garcia-Devin Haney this weekend…
We celebrate Pro Day for the Boise State football program with two special guests - Bills wide receiver Khalil Shakir (live in studio for 35 minutes) and running back George Holani (on his impressive offseason and next month's NFL Draft), Bob recaps Pro Day performances from Beresford, Bowens and Cobbs in Bronco Focus, Sports Illustrated golf writer Bob Harig on his new Tiger Woods book, NFL changes kickoff rules and will play a Christmas doubleheader this yearSee omnystudio.com/listener for privacy information.
We celebrate Pro Day for the Boise State football program with two special guests - Bills wide receiver Khalil Shakir (live in studio for 35 minutes) and running back George Holani (on his impressive offseason and next month's NFL Draft), Bob recaps Pro Day performances from Beresford, Bowens and Cobbs in Bronco Focus, Sports Illustrated golf writer Bob Harig on his new Tiger Woods book, NFL changes kickoff rules and will play a Christmas doubleheader this yearSee omnystudio.com/listener for privacy information.
BRONCO FOCUS EVERY MONDAY-FRIDAY AT 3:45 P.M.: Bob Behler, the voice of Boise State athletics, joins Prater and Mallory to share his review of three former BSU football players who worked out for NFL scouts at Pro Day on campus Tuesday: Wide receiver Billy Bowens, offensive lineman Cade Beresford and wide receiver Stefan Cobbs.See omnystudio.com/listener for privacy information.
BRONCO FOCUS EVERY MONDAY-FRIDAY AT 3:45 P.M.: Bob Behler, the voice of Boise State athletics, joins Prater and Mallory to share his review of three former BSU football players who worked out for NFL scouts at Pro Day on campus Tuesday: Wide receiver Billy Bowens, offensive lineman Cade Beresford and wide receiver Stefan Cobbs.See omnystudio.com/listener for privacy information.
In this episode, I get to very briefly chat with Louis Wahl, CEO of WEX Photo Video. Turns out he is a really nice guy (and with luck, I'll get to chat to him in a full-length interview at some point in the future.) It's the great thing about the photography show - I get to meet loads of people! As well as the short chat, the episode is primarily a response to an email I received from 'Steve' asking what first strobe he should choose. Having sat and pieced together an answer, I thought it would be useful to make a podcast out of the answer. I guess you can be the judge of that! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Transcript [00:00:00] My name is Lewis Wall, and I'm the CEO of Wexphoto Video. Okay. So maybe this needs just a little explanation at the photography show last week, which was a blast. I took my little handheld recorder and just grabbed a few people as I wanted ran the show. And I had a vision of creating one big podcast episode where multiple photographers could answer the same question. [00:00:25] Just questions about the industry, how they felt and why they were, where they're at the show. But when I played them back for a couple of reasons, I didn't think that that was going to work mostly. And you'll hear this in this little snippet. I get quite excited and an hour of that. Well, nobody needs that in their life. [00:00:42] So instead I'm going to sprinkle these little clips. Through some upcoming podcasts just for interest. And so you can hear the views. I have some really interesting people in our industry. [00:00:53] And I started with this guy. Now I bumped into him. And by accident. I was buying a memory card for the recorder. Actually. I needed additional memory card. And so I went and queued at warehouse express, WEX photo and video. Standing there quietly in the queue and the next chapter at the till waved his arm at me, I went over and while I was there, I noticed that it was Louis. It said on his badge CEO. Of WEX photo video. And do you know what I thought I chance, my arm and see if he would be willing to do a short interview. Well, you couldn't have met a nicer guy. And he was very willing to give me a few, a little bit of a viewpoint. And so we grabbed just five minutes and this is that interview. [00:01:33] And I start the conversation with why. Do you come to the photography show? This is where our customers are, uh, and they expect to get the service that we provide to them all the time in the stores, and we provide to them online, as well as our institutional customers, a lot of our professional customers, so, yeah, I mean, this has got to be the place to be. [00:01:52] Where else wouldn't you be at a time like this? This is a brilliant place for us to meet our customers. And, of course, I have to ask you, well, I guess it's an obvious question, but you're a supplier to this incredible industry. Why do you love the photography industry so much? Well, the one thing is that I don't come from a photographic background myself. [00:02:10] I actually come from a kind of a radio television production background. But it's all about the intrinsic desire that our customers have to accomplish something. There's an artistic need, so We've got a mission, which is to help our customers get the perfect shot every time and anytime. People come to us not to buy a black box with a camera in it. [00:02:31] They come to us because they've got a problem, and that's brilliant. So they've got a project, they've got a creative spark, they want to achieve something. And all of the people who work with us, they're all photographers as well. So they've all started with some kind of imaging or background, a creative background. [00:02:46] My last question, this is just a very short set of snippets, but my last question is if you could change just one thing about this beautiful industry of ours, what would it be? That's a tough one. I wouldn't necessarily say it was a perfect industry. I wouldn't say it was problematic. [00:03:02] It's, what would I change? I'd probably make it a bit easier for us to understand how people work. Product is flowing through from the developers, the people who are originally designing it all the way through the end user. 'cause that's often a very translucent, it's almost opaque, so you don't quite understand what's happening there. [00:03:21] Sometimes the big brands will tell you a little bit more about where their thinking is, how they want to develop their technology. But I think what happens is you get a lot of customers who they want to see that they actually wanna see that where, where the technology's going. Because again, they've got these objectives and often it. [00:03:37] You know, it's kind of cased in a little bit of secrecy. I kind of understand that. If you're developing technology, you want to protect it. You want to protect your intellectual property. But that's probably the only thing I would say that's a little bit problematic, yeah? I mean, we went through such a long period of difficulty in terms of production supply. [00:03:56] People were very difficult to find stuff. Um, we're kind of through that now. We can get pretty much what we need. Um, but, uh, you kind of feel this, probably me as not a terribly, um, technologically, uh, kind of genius sort of person. You kind of, well, where does it go next? And I think a lot of people kind of think in that way too. [00:04:15] They want to compete, they want to, they want to grow, they want to develop. So, yeah, I'd say that's probably one area. It's like, what does it look like? You know, what does the future look like? That's probably one question everybody's got. What does the future look like? It's funny, in the last episode I did, one of my laments was, I wish more of the kit was designed with the photographers that are going to use it in mind, as opposed to the guys developing it with their, you know, various bits of interfaces and the way the software, it's all software driven now, everything is software. [00:04:44] Um, and I wish there were more people who are photographers involved in the design phase. But listen, what an absolute pleasure, thank you both for your good service, I've just bought, A very small memory card from you, but over the years, I've spent many thousands with you, but thank you for it. It's my pleasure. [00:04:59] Thank you so much. So, like I said, you can hear me getting very excited, but what a thoroughly decent guy and of course, warehouse express WEX photo video. Is one of those bastions of the industry. It's huge. And it's ultra reliable. I've bought a ton of kit. From them over the years and I'm sure I will continue to do so. [00:05:19] And it was a real pleasure to meet Louis a genuinely nice guy. At least he was in the few minutes I got to chat to him. And hopefully I did leave with a seed that I'll go over and maybe get a chance to record a full length interview with him. Cause I think the insights. From some of our trade suppliers. Would be fascinating for all of us because they've seen the trends and they've got the data on it. [00:05:41] Whereas each of us. Our, in our little silos. So one after the other, I will introduce these little interviews into each of the upcoming podcasts. I'm Paul. And this is the mastering portrait photography podcast. [00:05:56] So hello. One and all, I hope you well on this, I see quite bright and sunny Sunday evening. It's not particularly warm, but at least for a moment, it isn't. raining yesterday, dance the showers quite a bit. It was a good day yesterday. I've had a good week, lots and lots going on. As you can imagine, we had a training workshop here on Monday, which was an absolute blast. [00:06:33] It was so much fun. We called it a mastering extraordinary to sorry, mastery can't even get my own titles right. Mastering Ordinary To Extraordinary Studio Photography, which is basically about shooting in reasonably confined spaces. [00:06:47] And the guys that came in the workshop with just brilliant. We laughed all day the models big shout out to Kinga and to Libby who were brilliant. The two guys who modeled for us and the whole thing about having a good time, enjoying being creative learning as we go Was just the whole, the whole workshop the whole day. It was fantastic. [00:07:09] So thank you to everyone who came. Also this week. I had two shoots yesterday. You forgive me for telling this story. It was that. It was a good day. Lovely clients, but I did that thing that I do so often, which is to get people's names muddled. And this is yet another one of those extreme examples. Sophie and Matt were the couple and Bertie was their dog. So as we're heading out into the garden to take some pictures in daylight, I'm just double checking their names. [00:07:38] I've got, my phone it's got the appointment on it. I'm just very quickly scanning it to make sure I've got everything I need. It's Sophie and Matt, Sophie and Matt, Sophie and Matt. I've literally, as I put my phone in my pocket. I turned to them and say, right, so Alice and Sam, what are we going to do? And the two of them just look at me. Are you absolutely out of your mind? And the minute they looked at me, I knew I'd got it wrong. [00:08:05] How, how, how can your brain ditch what you've just been reading. I mean, literally, as I said, it. It was seconds after I'd read it. The only name I remembered it was Bertie the dog. It was just, oh, come on. Anyway. Saturday was interesting in as much as, although we've had the alien crumb kit in now for a week or so, saturday was the first day when I've had two full shoots going at my normal pace. [00:08:34] But with all of this new equipment on the upside, let's talk about the upside. The light that they give off is beautiful. And I remember now why I originally chose Elinchrom and why, even when I was using Profoto kit, I would still put Elinchrom modifiers back in to the mix. The light we're getting is just beautiful. [00:08:55] And it, it seems to play really well in our studio. Now, every studio is different. Every photographer's tastes and color profiles, are different. For me, for what I do in the space. I do it, there was a proper magic in the studio and it was, it's hard to describe, but I actually felt quite emotional. That said none of the kids did what I expected to when I expected it. One light turned itself off, eventually found the off timer. [00:09:27] There's a little timer in the settings. So I turned the two backlights off cause I needed to turn the two back lights off, which is fine. But when I powdered them back up again, they wouldn't register on the controller. The controller would trigger them. But it wouldn't read them. [00:09:40] So I had no idea. I. I've got literally thousands of pounds worth of kit in the studio and I'm doing what I used to do, which is to walk up to them and turn the dials on the back. Talk about old school. Maybe just, maybe I need to spend the day with the manual because I'm sure none of this is to do with the kit. [00:10:00] It's all to do with the operator. Again, thank you for putting up with the sound quality on that interview. I've got a load of those coming. It was a lot of fun. To do it and a huge amount of fun, lots of questions, or the same questions to lots of people. And there are some really quite interesting insights in there, but today's podcast. [00:10:19] I was going to talk about something different, but I had this email. That came in during the week and it just simply says the following. [00:10:26] Hi, Paul. I have just listened to the latest podcast. Congratulations on becoming an Elinchrom ambassador. I enjoyed hearing the story of you buying your first strobe and how it has led to you becoming a brand ambassador all these years later. I am probably in a very similar situation to where you were in 2003 i.e. Just thinking of buying my first strobe and I wondered which light you would recommend now. I've been looking at the Godox AD200 as I'm on a limited budget, but we'd love to hear your thoughts. [00:10:57] So there you go. Nice email from Steve and in the process of sitting and tapping a pencil on my teeth as I do. I have actually emailed him back and so this is in some senses a transcript of that email, but I thought it'd be an interesting podcast too. Chew on why you choose the kit. You do. So obviously when I'm going back to someone who asks a question like that, and we get these kinds of questions all the time, what camera, what lighting, what software. In the end. You have to make these decisions and they're all arbitrary, but you live with them for quite a long time. [00:11:33] So how would I go about today, choosing my first strobe? So I have to caveat all of this conversation, as you now know. With the fact that as a brand ambassador for it puts me in an interesting position. Of course, I want to recommend nothing but 'Chroms. Why would I do anything else? But of course, That doesn't suit everybody. [00:11:57] The budgets don't suit everybody. And even in my bag, my camera bag right now. I have a Nikon SB800. I have two Godox V1's. And coincidentally, two Godox AD200's. Because they're small, they do their job. The SB800 is then there because occasionally I want to have on-camera flash. Nikon, well, it plays better with Nikon the than it does with Godox. [00:12:21] So I've got that in there. Um, permanently with it's AA batteries, for those moments when I want to do an on-camera flash very often a direct flash, old school photo journalist style. Whether I'm doing a wedding or without doing something a little bit more commercial either way, but it's a very versatile rig. [00:12:38] And I, at the moment, I don't have an answer to how I'm going to change that. To step a little bit more into line with the Elinchroms. Now don't get me wrong at all. It was a proper emotional moment when I fired up the 'Chroms. Uh, for the first time in an, in anger, I suppose, as the expression, for two paying clients, as opposed to doing junior workshop. We're in a workshop, you have time to think. [00:13:01] So I have time to reset. I have time, to adapt when I'm working with a client, of course, it's quick fire. I had a two year old and a four year old in in the afternoon. And I had a dog in the morning, the knee, none of these are patient. You don't have time. So actually working them was app was brilliant, even if I'll be honest, I haven't quite got my arms around it. [00:13:24] So to answer the question, the AD200 is a really good light. So instead of saying, here's what, here's the right answer. Here's the kit you want? I posed some questions and here's the question list I went back to Steve with for him to answer. [00:13:41] Firstly, and most importantly, what is your budget? And then add 25%, possibly 50%. cause no matter what you think you needed, you're going to need more, whether it's spare batteries, whether it's modifiers to put on the front, whether it's a bracket, that'll put it onto a normal light stand, whatever it may be. You're going to need to add that on the AD200's very good, they're a little bit fiddly. But they are exceptionally. Good for what they do. [00:14:04] And even if, and even, sorry, not with, when I'm out there using my Elinchroms, I am sure that the AD200's will never be far away for little bits of fill light or effects lighting, when I need it. [00:14:16] Do the triggers. This is an important one about studio lighting in particular off-camera flashlight ING. Do the triggers for that system feel right to you? All too often, the bit that is missing from any money fractures lineup is the trigger. They're, they're made, they do their job, but they're not user-friendly. [00:14:34] And I have to say, even after however many years I was using the Profoto. synchro Air TTL. It was never my favorite trigger. I get frustrated with Godox as well is nine times out of 10 when I'm using a strobe, I'm using it in the dark. So what's the one thing I want to be lit up. [00:14:51] It's the buttons on the triggers. I. I know what I'm doing is really, I don't get how for a device that by definition, I'm going to use when the light levels are low. It really is difficult to use in low light levels. I just, yeah, just one of those things and it comes back a little bit. To what Lewis was saying about having the designers of these systems a little bit more transparent. [00:15:14] I'd love to have more designers, more designer input. Sorry, more photographers input into the design processes of some of this kit. Because actually we use it. We know where its weaknesses are. We know what is frustrating when we're down there in the dirt. Trying to get things sorted. [00:15:30] Next question. [00:15:31] What adapters will you need to get a modifier onto the light or will you always use a bare head flash? I asked this because if you're using an AD200 nothing fits it until he put a modifier, a bracket on it that will take. Whether it's Elinchrom, whether it's Profoto, whether it's Godox themselves. Any S- type for instance, an S- type modifier on to the front, but you are going to have to buy some additional brackets. To make that possible. [00:15:59] Are you going to expand the system? [00:16:01] So Steve's email asked. W I'm buying or stated I'm buying my first strobe. What would you recommend? And part of the puzzle is what are you going to do in the future? Is this just one strobe, in which case an AD200 is perfectly fine. Is it going to be part of a set and will it all be the same style? They're big for speed lights, but they're little for strobes AD200's of, I don't know if you've seen them. They sort of look. Sort of rectangular, like, I dunno. Couple of bars of chocolate. taped together. They're not very big. They're very rectangular and they're very good. [00:16:37] But will you always stay with this manufacturer? Are you going to buy into their system? Will you have a Godox controller? And then you'll add Godox studio lights Godox led lights Godox, more Speedlights what are you going to do? Because if you're going to stick with a system. Start with the system that ultimately you want to use. [00:16:57] What modifiers ultimately do you want to use? [00:17:00] Will it be umbrellas or boxes? Are they readily available and affordable. Of course, anything that clips onto an S type adapter, that's the old Bowens adapter, is really relatively speaking available and it's going to be not too expensive, because the manufacturers like good docs and picks was it picks a pro and a few of the others. [00:17:20] They're all adult. Adapting and adopting the S type. And it means you get access to really good quality budget kit. To bolt onto the front. Or, you know, like me, are you fascinated with really beautiful light? And it's not that those modifies don't create beautiful light, but for me, just using a kit, I want to feel good about it. So I've stayed. I've had, I've stayed pretty much with Elinchrom, um, throughout, even though. I was using pro photo strobes. [00:17:47] I was still using my old Elinchrom modifiers because they just lovely. Um, Is it. An additional question who inspires you? Maybe that's an obtuse question. But it's not a bad shout to have a look around. Photographers whose work you really like. And then it doesn't take long to go through their social feeds and figure out what they use. [00:18:10] Because if there's a look you're trying to create, there's a lighting quality it's going to try and create. I mean, in the end, you'll form your own lighting, your own designs, your own style. And that's absolutely right. But more often than not, when you're starting out you're using ideas from other people, you're looking at social feeds, you're looking at websites, you're looking in magazines as much as magazines. It's still a thing. [00:18:35] And you, you, the curiosity is peaked when you see a picture, you really like, and you're thinking, okay, how did they do that? It's never a bad idea to have a look at the kit they've used. And for us here in the studio, for instance, I will constantly look at images and try and figure out what lighting they've used. [00:18:52] But of course then actually our studio isn't that big, so I have to figure out a way round that. The good news is if you can figure out a way around it, you can use pretty much any kit. The bad news is there are some things I can't do. There's some lighting patterns. I simply don't have the space typically overhead to be able to do. But either way go and have a look at the people you really, really admire and are inspired by and have a look at their kit and see if that's something that might feed in to the conversation. [00:19:21] This is one of those techie dweeby things, but what is the battery life? And are you going to exceed it? And by battery life, I don't mean it, the total lifespan of the battery, I mean, is it going to go flat at the moment you really want to take a photograph and as such. How much are the spare batteries. [00:19:38] Some of these manufacturers that, you know, in additional batteries, 500, 600, 700 quid. And it's fine if you've got the money. But. You know, maybe that's just too much. Or would you, for instance, if you're only going to work in a studio, will mains power do you? Now here at the studio, I've taken a view to move away from mains, but for no, not because I want to take the strobes out on location necessarily, but because we have children running around, we have dogs running around and having mains cables is not ideal. [00:20:10] My Profoto B1's We're brilliant for that could keep them out of the way the kids, the tripods are all weighted down. There's no cables. The only downside is if I use the modeling lights, batteries are going to go flat pretty quickly. So have a look at the batteries and what strategy you're going to have for keeping things charged up during a day of shooting. [00:20:29] And then the final one I think was do you need modeling lights? If you're like me a photographer that uses modeling lights as your guide, how are you going to do that with something like the AD200 and although the manufacturer Godox do claim that it has a modeling light on it, it's really small. [00:20:45] It's not going to do you an all flood a good it's. Okay. If you're in a really dark space. And you just need to see what you're doing. It does. Okay. But it's not great. In my opinion from that, but if you don't need it, then that's absolutely, brilliant. So it's instead of answering really for Steve. [00:21:03] I don't know what he was expecting: buy that one. that'll be fine. What could go wrong? [00:21:07] I've opposed yet more questions. But I think this is how you choose your kit. And this goes across all types of kit. These are the types of questions. You need to ask yourself. And for me, I think the really important ones, the fundamental one. Is what is your budget? [00:21:23] Because in the end, particularly if like me, you, when you're living from it, You have to show a return on that investment for every bit of kit you buy over its lifespan. What is your budget? [00:21:36] The next thing you have to ask yourself is going to, is it going to do the job? I need it to do. Because as always, there's a thousand ways of doing everything. And every manufacturer will tell you their way is the right way. [00:21:50] And every manufacturer is absolutely right. But what do you do? You got to pick one in the end. [00:21:56] And that's the final question. [00:22:00] Do you want to pick it up and do you want to use it? And that's the most important question of all when it comes to being creative. Because if you don't utterly love using the kit, it land. In a box and that is a proper waste of money. You have to buy the kit that you love and that makes you want to create images. That, that there's no getting around that because if you don't buy something that makes you smile and makes you want to pick up your camera and create a picture, then you'll never use it. [00:22:31] And that really is, a waste of money. [00:22:35] So on that happy note, this is a shorter episode. I'm hoping to go back to my weekly recordings, but we'll see how we go. So far so good. I hope the little interview snippet with Louis at the beginning, was interesting is only short, but I thought he had a really nice way about him and a really intriguing Viewpoint on the industry and it's always interesting to talk to these guys. [00:22:55] As a thank you for him being recorded. I'm giving warehouse express a free plug. There's no arrangement here at all. I buy stuff from them. Much as I buy it from other suppliers too, but I really, I really rate warehouse expresses customer service. I have had. I'm sure if you troll around, you'll find people with different stories. But the story I have is they've always been exceptional. They've always delivered on time. They've always been good value. They are one of those companies where their customer service is rock solid and their stock levels also a pretty high. So if you want it, you can get it and you're going to get it when they say it will arrive. [00:23:33] So you can't say much better than that. So on that happy note, thank you for listening. Thank you for getting into the end of this particular episode and as always, please do subscribe to the podcast, wherever it is that you get your podcasts. Please also leave us a review. Oh, I'm one of the main platforms. [00:23:50] We love it when we see ratings and reviews on iTunes, because of course it is the biggest platform for podcasts of them all but wherever it is that you listen to your podcasts, please do leave us a review. Of course, if you ever have any questions, just like Steve did, please drop me a line. [00:24:06] It's paul@paulwilkinsonphotography.co.uk. That's paul@paulwilkinsonphotography.co.uk. Um, I did mention the workshops we're running. We're ramping those up just at the moment, having a blast. It's so much fun. We've had the nicest models and more importantly, the nicest attendees on our workshops, they're very friendly. [00:24:28] They're very funny. We have a really, just a good time laughing and taking or laughing and creating beautiful images. If you fancy one of our workshops, please head over to Paul Wilkinson photography and look for the coaching section or just Google paul Wilkinson photography workshops and you will land on them. Without a shadow of a doubt and head over to masteringportraitphotography.com, the spiritual home of this podcast. Which has a ton of resources for portrait photographers, whether it's about the creativity. The artistry, the enjoyment or the business of this wonderful art. [00:25:02] And until next time when I should be presenting yet another snippet from the photography show. , thank you for listening and be kind to yourself. Take care.
Well, I'm back on the road with a microphone - but this time in my wife's nippy little Peugeot! There are a so many aspects of customer service but one of them is how you explain what you're going to deliver and how you're going to do it and, given the stories in this episode, that is something that is very easy to get wrong! Utlimately, clarity is king! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Full Transcript: EP148 - Clarity Is King [00:00:00] So for those of you with sharp ears, you may have noticed that that does not sound like my regular Land Rover biscuit tin on wheels, and you'd be absolutely right about that. I shall tell you the slightly sorry tale of what's happened to my Land Rover, uh, later in the podcast. In the meantime, I'm heading up to the photography show in Sarah's car, which is, frankly, as nippy as hell. [00:00:26] It's like driving a go kart. It's tiny, it's quick, it's a lot of fun to drive. It's not my Land Rover, but hey, I'm Paul, and this is the Mastering Portrait Photography Podcast. [00:00:40] So hello one and all, it is a very, very wet Sunday here in the UK. It's one of those, it's one of those days when I look around me And everything looks monochrome. You. You wouldn't be certain if this was an entry in a photographic , competition, I'd be accusing the author of putting a, a plugin on it that has sucked the color, sucked the life outta the scene. The sky is well gray, the road gray, the walls. The trees and hedges as I drive past them, sort of a grey green. Even, even the bright yellow markers on the roundabout signs that I've just driven past are not iridescent yellow. They're sort of a dull ochre. [00:01:44] Everything about today, except for my mood, is grey. And actually, it's been a little bit of a mixed month. Now, I know I said at the beginning of the year, and this, I said also at the beginning of the year, You never set yourself. New Year's Resolutions, because they're impossible to live up to, and if you want to do something, just set out about doing it, whatever time of the year it is, just set about doing it. [00:02:05] I set about doing a podcast a week, and then crunched into some of the busiest couple of weeks, I think, I can remember, which I'm now, well, sort of surfacing from. It hasn't, it's not exactly clear As in, the diary isn't clear, there's a lot going on but there are also chunks like today when I'm gonna spend the best part of three hours sitting in a car. [00:02:26] Now I know three hours, to my American and Australian friends, is like driving down to Starbucks for a coffee. For us in the UK, that is not an insignificant amount of time. So I'm going to record a podcast or two and then maybe over the coming weeks I'll get back into the rhythm of it and get these things rolling. [00:02:44] But there is so much going on story of the Land Rover so let's deal with some of the slightly sadder news over the last couple of weeks or last month or so. It started with an accident. Excellent couple of days up with the BIPP, that's the British Institute of Professional Photographers, or Professional Photography up in Preston, and then had a great meeting and spent a lovely evening with the guys for, with Martin and the guys there. [00:03:12] Discussing things like the monthly competition, how we're gonna, promote it. It's been very successful so far but of course, there's plenty more we could be doing. And then on The following day, went across to record a podcast, went across with a friend and a photographer, Sean Conboy, to meet a photographer who I had never met personally, but knew about, a guy called Stuart Clark. [00:03:35] Now, Stuart is 97, nearly 98 years old, and one of the sharpest, most interesting photographers I think I've had the privilege of meeting. We sat in his lounge and recorded, probably about an hour and a half, I have a conversation about photography, his life in it, his history in it, the things he has seen change, and when I say the things he's seen change, I mean fundamentally, you know, he started on glass plate cameras, and is now in the digital age, I mean that's in one lifetime how far it's come. [00:04:11] Almost in one set of stories we've gone from the origins of photography, maybe not quite, there's a little bit before that of course, I mean it started in the 1850s. But you know, almost the origins of photography as we know it through to today, and it's a fascinating interview, and as much as anything else, just listening to his voice on the microphone, I sat at the beginning of this interview and we popped a microphone in front of him and I put some headphones on, and as he spoke, it was the most breathtaking sound, he's quite quietly spoken, But the mic, and the room, and the ambience, and the stories he was telling, I mean, it was electric in my headphones. [00:04:51] I actually gave the headphones over to Sean so he could have a listen, simply because it was so beautiful. I'll cut that down, it's just a long interview, and I need to just figure out how I'm going to share that. But it was a wonderful thing. Wonderful thing. And at the end of it, took a few portraits of the man with He said, oh, I've got all my cameras. [00:05:09] We said, oh, get them out, get them out. And of course, he went looking for them and couldn't find them in the attic. I mean, Sean and myself, slightly terrified that we've sent this 97 year old into his roof space to see if he can find a camera. Anyway, he eventually returned with a Raleigh, a TLR. [00:05:25] Twinlens, Reflex, Rolleiflex. Beautiful camera, and so I've got some pictures of him with that, so a little bit of his history. Anyway, roll o'clock forwards to that evening, I leave Leeds head down the M1, which is the in the UK, for, again, my listeners around the world. It's the motorway that runs straight down the middle. [00:05:44] of the UK connecting the north to the south. It connects all the way up to pretty well, it goes up to Scotland pretty much and then drops straight into London. And I was heading down the M1 when suddenly, 70 miles an hour, I'm in the fast lane, they, there is, there wasn't really a bang, but you felt this kind of thunk, and then the engine's vibrating, I can smell oil, oh man, the smell, it's, if you've owned cars for a while, And you've had them go wrong, you just know, when you can smell oil like that, there is nothing but trouble. [00:06:19] Coming I planted my foot on the brake pedal and manoeuvred my way across a couple of lanes of reasonably fast moving traffic. Sort of slan slapped it into the hard shoulder as quickly as I could, because if you're running an engine, You can smell oil, it's vibrating, the last thing you wanna do is keep going because you are at that point destroying what is left of your engine. [00:06:45] So I lifted the bonnet to have a quick look, just to make sure there wasn't anything obvious. Sure enough, there is oil everywhere. Engine's not good. That's not going. So, luckily, I say luckily, this is, it's my life. I spend my life in a car. And we have recovery, RAC recovery. So I rang the RAC. [00:07:04] They said they'd be there within an hour because I'm on, I'm in live, I'm on the edge of live traffic. This is the, probably the busiest motorway in the UK and I'm sitting on a hard shoulder in the pouring rain by now. And I keep getting the updates and, you know, it's like, it says it's going to be an hour, then it's an hour and a half, then it's two hours. [00:07:21] It's, it's four degrees, which is pretty chilly. It's raining and sleeting. So I've, thinking, well, I don't really, and this is a lesson, I don't have any rain gear in a car. Luckily, I had a couple of blankets in there that we use for, if I want to sit people, if I'm doing a shoot somewhere out and about, I've got it in the back of the car, just in case I need to sit somebody down on the ground. [00:07:41] So I wrapped myself in a pair of picnic blankets, sat under one of our wedding umbrellas. Luckily I got some battery packs so I could keep my iPhone charged up and sat and watch Netflix. And of course I'm watching the arrival time of the RAC and it keeps creeping out and creeping out. And eventually this orange van arrives he takes one look at the car, sticks his head under the bonnet and says yeah, you've blown your engine, that's not going anywhere. [00:08:04] I can't tow you, he tells me, because the limit for towing a car as heavy as the Defender is one mile, and I'm six miles from the next available exit. So, he says the next, they'll send the recovery vehicle, proper recovery vehicle out, and I say, well, am I supposed just to sit here in the rain then? And he says, yep. [00:08:24] And so, for the next couple of hours, yet again, I'm out in the rain, I keep my phone charged up, keep watching Netflix. It turns out Netflix, I like watching Netflix anyway, it's always on in the background while I'm editing. It turns out it's quite a useful distraction, because by the time the recovery vehicle turned up to actually put it onto the flatbed, the guy looked at me and he just said, Simply, get in the cab, get warm. [00:08:47] I could barely move, my legs were shaking, I was beginning to get hypothermic. You stay out of the car for safety reasons, but I'm beginning to think it was more dangerous being not in the car than it was being in the car, which is an absolute nightmare. He had to open the door for me, my hands were so cold I could barely pull the handle. [00:09:04] I climbed into the cab, which turned out to be like a sauna, and sat and defrosted as he hitched up the car. and took me halfway home. Yeah, halfway. Because I was so far away, they couldn't drive me all the way back to home. So of course I'm in touch with Sarah, I've told her what's going on. They parked me at Northampton Services where they're going to send another recovery vehicle out for me. [00:09:27] And again, it says it's going to be an hour and a half. And I wait and I watch as the time increases, two hours, three hours, four hours. It's not clear, they never, they're never clear about how long it's going to take. And they, they deliberately obfuscate, I think, so that you can't say, well you said you'd turn up then. [00:09:44] They give you a range and then they keep telling you the range is creeping out. And, apart from the gas, I'm not the only person that needs recovering. And the driver did give me a. a heads up. He said to me as he left, he said, you might be a while because you're no longer in live traffic, so you're no longer in danger. [00:10:02] You're just sitting in a services. Now I would agree with him about the danger bit, but sitting in Northampton services at what were we now? Sort of midnight, 11 o'clock I think I arrived there. Maybe 10. 30 we arrived. And it's not a place you'd want to sit. There's nobody else around. Then luckily for me, I have a, you know, guilty pleasure in McDonald's and KFC and things. [00:10:23] Can't help myself, the smell of it. And I thought, I'll get myself a McDonald's. And so I got, I did, I got myself a burger. Some coffee and some chips, and sat chewing on those. And within two minutes of me buying it and getting it, I noticed that McDonald's had changed their sign. The big signs outside say that it's open 24 hours. [00:10:43] Big sign. McDonald's. 24 hours. Five minutes after I buy my burger, they put up signs that say, Sorry, only serving coffee. So that's not Open. That's not, that's a complete breach of contract as far as I'm concerned. They said they'd be, I'm thinking it's alright, I'll just get a burger and if I need one in a few hours I'll get another one. [00:11:02] Nope, none of that. I could get a coffee but couldn't get a burger in spite of the sign saying 24 hours. I'm gonna come back to this point because it's quite important for us as photography businesses. Anyway, I'm sitting there. The great and good of those that probably need a little bit of help from mental support and social services came and went, came and went, came and went. One or two drug deals were going on out in the car park. I don't know how, the police don't spot it. You can see it a mile away. So it's a fairly lonely thing. So I recorded a podcast. I recorded what was going to be this podcast. I got my recorder because it was in the car. [00:11:37] Obviously, I'd been recording with Stuart. And so I sat and I recorded a pretty, I think it was a pretty good, quite emotive podcast, I sat clutching my coffee because obviously that's now all that McDonald's was serving. It's fairly lonely except for the rantings of one chap who was telling me all about his relationship with the Queen. [00:11:57] I don't think he was very well, if I'm honest. I also don't think he was sober. So I recorded this, what I think was a rather excellent podcast, very Radio Four very radio documentary, you know, lots of background sounds and lots of life real life going on. And at the end of it, I sat back and thought to myself, that, that is going to be an excellent podcast, and I noticed that I hadn't hit the record button. [00:12:23] I was just so tired by now and a bit stressed. just forgot to do it. And so that was the end of that really, and I never, I didn't have the heart to do it again, even though I did have the time, because I was there for another couple of hours. I think in the end I waited there for four hours front to back. [00:12:39] Recovery vehicle, the phone rings, he says, I'm here, but where are you? And I look across six lanes of moving traffic, and he's on the other side of the motorway. Heading North. So, I'm heading South, so I have to direct him somewhere. Surely the guys have told you where I am, and they had, but not very well. [00:12:58] And he had to drive up to the next junction, turn around and come back and pick me up. And then, on it goes, and, and, we drop the car, I nominate to drop the car at our next stop. The guys that service it, my local, well it's not local, it's about 10 miles away, but the garage that services the Land Rover on a regular basis. [00:13:15] I dropped it in there lay by, switched on the immobiliser, locked it all up and Sarah picked me up and I got home at just about quarter past four in the morning. Now having left Leeds at about Two in the afternoon to get home at four in the morning was, well, a little bit heartbreaking. By now I was fairly fed up, fairly cold, incredibly tired, and I knew I had to wake up really early to let the guys know at the garage they've got a service to land over and also to get on with our day that was already in the diary. [00:13:49] So rang up the garage the next day, he didn't sound at all surprised. I'm glad to hear from me having spotted my Land Rover and he knows If the Land Rover's there, it needs something doing. And, obviously I got the engine, I went over, I got the engineer out to have a look at it, and even he rubbed his chin a bit. [00:14:05] And the only good news was there was still oil in the engine, which gives you hope. If there's oil in the engine, you haven't seized it. That's the good news. Anyway, 24 hours later, I get a ring from the engineer who says Found the problem, you've got a hole in Piston 2. Now, I don't, I'm not a mechanic, but I've been around engines all my life, and I know that if you hear the line, you've got a hole in Piston 2, you're in trouble. [00:14:33] And so it has proved to be, because to get a piston out to replace it, you have to take the entire engine apart. There's no getting away from it. The engine has to basically be dismantled, almost certainly taken out and put back in. Or in a Land Rover, they can actually lift the bodywork and service the engine on the chassis, but it depends what they're doing. [00:14:53] On this, I haven't asked the guys, I haven't been back to get it yet, and this is three weeks ago. So, So he explained to me that if an injector is maladjusted and is running a little bit rich, the additional heat from the fuel burns a hole through the aluminium. And I said, well, should I have done something? [00:15:08] And he said, no, there's no way of knowing. It's just not something that you could detect. And it's something that used to go wrong a lot. He hasn't seen it for a while with the later engines, but this one, he said, we used to see this quite a bit. For the past three weeks, they have been replacing the hole or replacing the pixel. [00:15:22] Piston with the hole in it in my Land Rover. I got a phone call yesterday, Saturday, but unfortunately I was in a shoot, and this is how the phone call went. He said, We've road tested your Land Rover. It's ready to drive. You can come and pick it up, but please bring your piggy bank with you. I kid you not, he used the phrase, bring Piggybank with you. [00:15:43] So I couldn't pick it up yesterday, can't pick it up today, can't pick it up tomorrow because I'm running a workshop, so I'll go over on Tuesday. I still don't know how much it is because the garage hasn't told me, in spite of me asking because it's a labour led cost. So the parts have been 1000 plus VAT, I know that much. [00:16:01] The labour is 75 an hour and I reckon, he reckoned it was 4 5 days work. So I know I'm in it for quite a large amount of outlay. Unplanned, bad time of year. I've got to find, who knows, anywhere between four and seven thousand pounds, who knows. So again, no clarity. Something I'm gonna come back to. [00:16:27] However, rest of the week, not so bad. And Another story. I think about podcasts, right? I could just tell you the facts, but it wouldn't be that much fun to listen to. Well, I don't think it would be fun to listen to. I wouldn't listen to it. 20 years ago, and I only know this because I picked up the light that I still have and looked at the Flash Center's service and and Quality Assurance sticker on it, and the light I bought second hand was serviced by the Flash Centre in 2003. [00:17:00] There's a sticker on it, and I remember going to the Flash Centre in London, scratching my chin, and I can't remember the guy's name, he's still in the industry, he doesn't work with the Flash Centre anymore and I, he said, can I help? And I said, yes, I want my first strobe, please. He said, I said, I'm happy to buy second hand, I don't know whether this is something I'm gonna do, but Would you recommend? [00:17:20] And we looked at the shelves, and, and, if you've ever been to the Flash Centre in London, it was brilliant. It wasn't a posh shop. It was, in some ways, it was like the drum shops I used to go to when I was a working musician, and it's just got racks and racks and racks of stuff. You know, there'd be a posh rack somewhere with all of the new bits and pieces from then, Bowens and Elinchrom, but then there'd be sort of, you know, Shelves and cupboards with interesting little bits of second hand kit and cabling and softboxes and umbrellas And it was brilliant and I was like toy a kid in a sweet shop And he said I think this would do you and he lifted off the shelf a second hand Elinchrom 500 so that's an Elinchrom 500 as this is a A strobe but it's got the old school analog sliders on it. [00:18:09] There were two sliders, one that controlled the strobe power, and one that controlled the power to the modeling light. And if you wanted them to stay the same, you move the sliders together. The slider's been designed to be close together, so you move them up and down, which, to me, having worked on audio mixing desks for concerts in the music industry, was absolutely brilliant. [00:18:32] Perfect. It was absolutely brilliant because I knew, it felt completely natural. Now, of course, one of the things was you never had the same Bower twice. It was already a second hand light when I bought it, and not a new one. So, whenever you set the lights in the studio, you had to reset your aperture to suit. [00:18:51] Because the things, it didn't matter. It didn't matter that you put a mark against the sliding scale. The sliders were so worn that lighting power would go up and down all the time. But it was metal cased. It's got a fan. It was quite loud. It's quite loud. And I bought that light. I. I bought a big tripod and I bought an Octabox, a six foot Octabox. [00:19:14] That was the three things I bought. A tripod, an Elecrom 500, an Elecrom tripod, Elecrom six foot Octa. Took it home and for the next year or two, practiced lighting. It wasn't part of our business for quite a long time because I never really had the space to do it. At that time I didn't have a studio. [00:19:34] I just knew that was the road we were going to go down, or I thought I might go down. But I didn't understand studio lighting, and so I needed time to get my shit together. So, I used to practice, I bought a polystyrene head, so there's a shop in London called the London Graphic Centre, which sell stuff. They sell art pens and graphics and it's two glorious floors of anything you can think of to be creative. It's absolutely fantastic. And in there, for some reason, they sold polystyrene heads. I don't know what they're for. You know, if they were in a hat shop, I'd understand it. If they were in a wig shop, I'd understand it. [00:20:14] In a graphics shop? I've no idea. What do you do? Sit with your pen in your hand looking at a fictitious head going, What do you think of this? Having a conversation with Polybeads, and I don't know. Anyway, I bought one. It was like three pounds or something. Carved out the eyes like something from a CSI episode. [00:20:31] I got a penknife, carved out the eyes, got a couple of big glass marbles, and shoved them in. I mean, it was quite macabre, but if ever, I'm found out to be a psychopathic, sociopathic, you know, mass murderer. Everyone will go back to this head and say, Well, we could see it then. Look what he did to the eyes. [00:20:49] But I popped those in because what I wanted to understand was how I move light around, what happened to the face, And what happened to the reflections in these glass marbles? It was just a very simple way of me being able to, without having models, because I didn't have a reputation back then, I didn't have a client base back then, I didn't have a steady stream of people that would come to the house to be photographed, but I needed to understand it. [00:21:15] So this polystyrene head, with its macabre eyeballs, was my go to. I stuck it, I skewered it, like Queen Elizabeth would have done. And off with the head, I said! I skewered it on a pole of some description and stuck it in the middle of the room. And, that's how I learned to light. It was all with this Elinchrom 500, the, the, this brilliant bit of light, and I still own it. [00:21:40] I still have it, it's still in the attic, unfortunately the tube was blown, you can actually see that there's black in there. The rest of it I'm sure still works so if I actually sent it back for a replacement tube, I could probably get it working again. I don't know that I will maybe I will, maybe I will, because the footnote to this story is that last week, Elinchrom asked me if I would be an ambassador. [00:22:03] for them. Now, this comes off the back of a conversation where I'd looked at the Elinchrom lighting at the London the Society's Convention of Photographers in London, and got chatting to the guys, Simon Burfoot and the, and the guys, uh, at Elinchrom, people I've known for quite a long time. He used to work at the Flash Sensor, he's now looking after Elinchrom, so I got to chatting to him about the lights had a look over the product, had a look at what they're producing, both in terms of the technology, in terms of the roadmap in terms of the light that these things produce, and the light has the same quality that I remember with my Elinchrom 500. [00:22:38] Now the thing is, if you look at the cover of the box, Book, Mastering Portrait Photography. That was shot in a study in somebody's house with my very first light. It was shot with my Elinchrom 500, my 6 foot Octa, which was wedged in because the ceiling was only just 6 foot, so we had to wedge this thing in on its tripod in their room with some black velvet behind. [00:23:01] Pinned to the curtain rail, and it's still, to this day, one of my favourite ever shots. And, when you go to Elinchrom, one of the things I've always loved about them is the colour accuracy of the tube. Now, every time you ignite um, Xenon in a tube, it gives off a very particular light. For all sorts of reasons with the, to do with the design of the circuitry and the light, getting that right is really important. [00:23:26] And Elinchrom have always had this really beautifully consistent quality of light out of the units. Now I moved away from Elinchrom about six, seven years ago, I think to Profoto for the simple reason that And maybe it's a bit longer, but for the simple reason that when I went looking for a battery powered, rather than a mains powered monoblock. [00:23:48] Now a monoblock strobe is simply when everything is in the head, as opposed to a battery pack and the small flying heads. I didn't want that. I wanted something that was self contained. I wanted something with a battery. I wanted something with no cabling. And so when I went to Elinchrom at that time, they didn't do anything. [00:24:04] I think even now I have eight Elinchrom lights up in the attic. And I had to retire them because I went over to ProPhoto who produced the B1. The B1 is an excellent light. It's brilliant. There's, you know, it did everything and has done everything that I would ask of a light over the years. Beautiful kit, beautiful lighting, beautiful modifiers. [00:24:26] They're having said that I've kept all of my Elinchrom soft boxes because the Rotalux system is the best in the world and I still prefer it to my Profoto stuff. But nonetheless, you know, there's no doubting the quality of the Profoto units, and there's no doubting that I've created some images that I really like with it, But I've never felt the same nostalgia as I have with Elinchrom. And so when Elinchrom showed me their kit at the convention, it's you know what, I would absolutely love, love to switch back. It's about time that I thought about it. And so I asked the guys if I could get a price on a full rig of kit, switch over to Elinchrom and it went a little bit quiet if I'm honest. [00:25:12] I'd sent the email, I'd listed out what I wanted and then I got a quick message saying was I around the other morning, could they pop into the studio and come and see us, and Simon and Mark from Elinchrom popped into the studio, had a look around, and during that conversation asked if I would be an ambassador for Elinchrom. So for the first time in quite a long time I got a little bit emotional about kit. I do get attached to kit. Even though the Profoto stuff is brilliant, I've never felt that way about that. But with Elinchrom, it was that first light. It was that first moment that I learned to read and and understand Studio Lighting. [00:25:54] And to be asked to be an ambassador is, it has a couple of angles on it. I mean, the first and most important is that what an honor, you know, this is a lighting company who I have so much of an emotional connection with, and here I am 20 years after buying my very first secondhand light, here I am as an ambassador for them. [00:26:17] So I'm quite emotional about that. But also the kit is so. Phenomenal. There's something about the way it works, the way it operates. It feels like photographers designed it for photographers. So, I'm very happy. They've lent me some kit at the moment. Now, I have a bit of a challenge tomorrow. Tomorrow, I'm running a workshop. [00:26:35] It's a workshop. All around, using studio lighting of various types in small spaces. Because if you go out into location, you very often end up in a boardroom or a kitchen. Well, the other day we ended up in a storeroom for computer equipment. It was quite bizarre where we were working. And you have to very quickly read the room, figure out what you're gonna do, and create something. [00:26:59] Magical from it. So, that's what we're doing tomorrow. And of course, it's premised on using my strobes. Now, understandably and I suppose predictably, Elinchrom are not that keen that I continue to use Profoto kit, my Profoto lighting for my workshops. So at 9. 30 tomorrow morning on the day of workshop, I am expecting a delivery of a whole load of Elinchrom kit that I'm going to actually then use for the training day. [00:27:33] Interesting, huh? It's a good job that not only did I learn to use light, but I'm really quick to get my head round the technology. Now they did leave me the other day with an Elinchrom 5 and an Elinchrom 3. And fortunately I have a trigger. I have a dedicated Elinchrom trigger anyway. Bye! From some Rotolight kit, which also uses, thankfully Elinchrom radio telemetry. [00:28:00] So, I've got the, I've got the Elinchrom trigger. Now, as an aside, here's a little bit of detail, right? This is just a bit of detail. It doesn't, it has no bearing on anything, really. My Profoto dedicated Nikon trigger. The something or else, something or else. Is it AirTTL, TTL, TTL? Unit. If I leave the batteries in it, it goes flat in about 10 days, even if it's switched off. [00:28:25] I pulled the Elinchrom trigger out of its box, having not used it as a trigger in probably three years, forgot that I'd left the batteries in there, which is a dreadful thing to do, never leave batteries in kit when you store it, but I had, so I hit the power button thinking, oh, that's not gonna work. Nope, fired up instantly. [00:28:43] There is a joy when you're When someone designs kit properly, there is a joy in it. This Elinchrom trigger has had those batteries in it for as long as I can remember. I can't remember the last time I used it as a trigger, and it fired up instantly. I know for a fact my Profoto unit would have been dead in 10 days. [00:29:02] And as designers of kit, this is a plea to everybody who designs for our beautiful industry. It's for good. Goodness sake, think this stuff through properly. You know, if you're going to turn something off, it shouldn't be draining enough current to flat a pair of AAA's in 10 days. It just shouldn't. [00:29:21] Because many of us don't pick up our triggers in those kinds of time frames. Many of us would just be out, you know, location photographers that use the strobes intermittently. So think about that. Think about how, um, The kit is going to be used in design. Even the circuitry has to be designed in a way that makes sense. [00:29:40] You know, Elinchrom, this unit, it's been in its box. It's still boxed. It's been in its box for a few years. Powered it up because I'd forgotten to take the batteries out. Nope, quite happy. Right, where do I go? Downloaded the new firmware because it's so old that It doesn't actually know about or didn't know about 3. [00:29:57] They weren't on its list of recognized Elenchrom lighting. Connected it up, and off it went. Just genius. That's I'm sorry though, that is an aside. Anyway, tomorrow morning, tomorrow morning, I've got a handful of delegates we've got a room full of people, a couple of models, and some lights that I have never ever seen. [00:30:13] ever used in anger. It's going to be an exciting day. Other good news this week so that's, I mean that is my good news this week, but other good news this week is that I finally managed to get our broadband account sorted out. We live in funny times my broadband contract had come up a little while ago with BT. [00:30:32] Um, I've got both the house and the studio are on the same contract because primarily we use it. all of the bandwidth for when I'm working, and I like to be able to work from home a lot. And we're paying, I don't know, I think nearly, I think we're paying 300 quid a month for the two. So I'd rung BT a couple of weeks ago and said, right, it's time to renew because I'm out of contract. [00:30:53] I will stay with BT although there are other providers in the village now, their reputation is awful, so I can't build my business on that. And while BT might be a little bit dull. They're also the most reliable. This is British Telecom. It used to be British Telecom. Isn't it interesting how a brand evolves to be known as BT? [00:31:12] But it has to have such a long history. You know, if you say BA, we know we're talking about British Airways. If you say BT, you know you're talking about British Telecom. You know, I've no idea in any more what ICI Stands for, we know what it does though. Interesting to see if the BIPP, the BIP, or the British Institute of Professional Photography can evolve the same way. [00:31:33] Time will tell. Anyway, BT, so I rang them up spent the best part of half a day on the phone because you have to. I'm sorry, we're experiencing a very high volume of calls at the moment. Your call is important, and we will get back to you as soon as we can. Yeah, right. There's only, there's one call handler, but I have no idea, but there's certainly not enough. [00:31:52] So anyway, I got through a long conversation, got both contracts more or less nailed, or the one contract with both lines more or less nailed, and our bill came down by two thirds. My speed went up, I'm on a digital line, my bill came down. You have to think, maybe I was being stitched before, or maybe I built a bad contract before, but anyway, that was half a day well spent. [00:32:15] So, and it's, I mean, it's like, you know, it's 300 quid a month, or was. It's now for the two lines, 100 quid a month and I've got gigabit down, 100 megabit up, and life is pretty good. But the delivery cycle of it, I've no idea. I mean, I get random boxes, I get random texts from DHL, or FedEx, or Royal Mail, as to what's going to arrive when, it's I couldn't make head nor tail of it. [00:32:39] Sarah said, when are they connecting us? Well, I've got this date, Monday the 11th. Okay, Monday the 11th, that's brilliant. Monday the 11th, that's when they're going to connect everything up. Monday the 11th. Right, are we sure about that? Yeah, Monday the 11th, I've got an email here. Monday the 11th. F Thursday, before that, what's that, 11th, 10th, 9th, 8th, so Thursday the 7th, I get I walk into the office 10 o'clock, and Michelle says, phone line's dead, and I'm like, can't be dead. [00:33:05] Why would it be dead? I look at the hub for the broadband, the broadband's working okay, but no telephone, and they say, oh, you are kidding me. They've switched it over four days early. Now, I'd had some text saying the engineer was working on our line, and the engineer had completed his work, but at no time, at no time, did it tell me which of the two lines were being affected and what they'd done. [00:33:30] So I rock up on Thursday to find no telephone. Now, again, fortunately, we'd had the digital phones arrive. They were in their boxes, but I hadn't set anything up yet because I had been told it was all going to happen on Monday the 11th of March. Have I got those dates right? Yeah, I'm sure it's Monday the 11th of March. [00:33:49] Monday whichever day it was, only the Monday of March. And, so I'm very frantic, because at this point, anybody that rings us up isn't going to get through. I didn't know even if we had voicemail because I got, none of it is done as far as I'm concerned. So we rattly, a bit of a rattly morning as I sort of ripped out the old phones, put in these new digital lines, logged in, set it all up, got admin rights, because of course it's basically VoIP is nothing more than Zoom without pictures. [00:34:18] So. And I got all of that set up and all of it is now working, but it got me thinking, and here we go. This is the point of this bit of this podcast. Now, I don't know whether the second half of the podcast is gonna be the second half of this podcast as I drive back from the photography show or whether I'm gonna release that as an entirely self-contained episode. [00:34:39] I guess it depends how much news I find at the photography show. But let's assume. This is a self-contained driving to the NEC Podcast, and it's done. This is the point of this podcast. I've told you three stories, okay? I've told you about the RAC, I've told you about the garage, and I've told you about British Telecom. [00:34:59] All of these have been suppliers that I would say on the whole, I rate pretty highly, the RAC. They've got me out of a pretty horrible situation. I pay money for that. By the way. It's not like they're, they're definitely not a charity. It's not the NHS, but. They rescued me when I needed it. Admittedly, they weren't clear about when and how, and it took quite a long time, but I'd have been in a lot of trouble if I couldn't have got off that motorway, and the car was undriveable. [00:35:26] Our garage. I know they fixed it because they always fixed it. But I do wish they'd be clear. I do wish they'd tell me how much, to the best of their knowledge, it's going to cost me. I don't like obfuscation. I don't like not knowing how long it's going to take. They've had the car for three weeks to do a week's worth of work. [00:35:44] Again, I know they've had to order parts. In a sense, I'm an experienced buyer. And then there's BT, who They told me certain things and then did them in a different order on different dates and put me into a flat spin when they disconnected the phone line to my business. All of these are quite important. [00:36:04] It's about clarity. It's about being clear with your client. It's about When you say you're going to do something, you do it. Now there is a theory about under promising and over delivering. So being, having things connected early, in theory, should be a good thing. But it's only a good thing if your client's ready for it and their new phone's ready. [00:36:25] If they're not, what you've basically done is disable part of their business for part of a day. Clarity is really important. For me, even now, I go back through the BT, various texts and emails, and even I After the event, couldn't tell you exactly what was supposed to happen, and the order. I still have some stuff to do, I still have to send some kit back, but, because I've got these two lines into two different buildings being contracted at the same time, none of the emails make sense, because they send both emails, or rather they send emails for both lines, on the same contract number. [00:37:02] It's never clear exactly what is going on. It's not clear. that some kit is going to work and some kit is not going to work. It's not clear quite what should have happened. And that can't be a good thing. That can't be a good thing when I'm sitting here telling you about three suppliers who I rate actually pretty highly. [00:37:21] I've chosen them through years of experience, I've picked them out of the crowd, and I've decided who I'm going to use. Are they all working now? Well, as far as I know, they are. RAC rescued me, the garage has rung me to say the car is ready, and I have Absolutely electric connectivity in our building or buildings, but the confusion is unnecessary. [00:37:43] The confusion, had that confusion happened in the sales process, I don't know whether I would have bought. It didn't happen in the sales process, it happened in the fulfillment side. So the sales guys, they got it nailed. When I bought my RAC, Membership, I don't know how many years ago. The guy was utterly convincing. [00:38:05] When I bought my BT contract, the guys were utterly convincing and of course when I go to the garage, well, the first time I went to the garage, I went reputationally because somebody else had recommended them. I bought instantly because they were They were utterly convincing. The problem happens in the fulfilment stages. [00:38:27] And as such, I think we need to keep an eye on that. We need to be very clear to our clients, exactly what it is that we're going to do, and when we're going to do it. I was doing a wedding pitch yesterday. And I had to be, and I've, I mean I've well practiced at it, I've done it a long time. I say to them, okay, here's the process. [00:38:45] I actually talk them through the fulfillment process. We talk loads about the wedding, but then I go through to the fulfillment process, and I suspect occasionally I lose a gig because of it, because maybe it sounds just a little bit too boring. Precise. I don't know. But, I said to the client yesterday, who are buying with us, by the way, you come to the studio two to three weeks after your wedding. [00:39:10] That gives you enough time to have a short honeymoon. If it needs to be longer, or you want it shorter, we can do that. Two to three weeks, you're gonna come, you're gonna have lunch. During that meeting, we are gonna show you a slideshow. We're gonna melt your hearts. I do say this. We're gonna say, I'm gonna soften your wallet, [00:39:27] We are gonna make life very difficult for you to say no to any pictures. Then we're gonna bring up those pictures and we're gonna, we are gonna help you choose the pictures that are going to go in your album. It's a lovely process, but it's not an easy process, so we're going to give you some lunch. [00:39:42] It'll take a few hours. At the end of that, you're going to pay for the extra images you put in your album. I'd say that a little bit softer, but that's what I'm saying. You're going to settle up with us as to the images that are going to go into your album, on top of the ones you've already paid for as part of your initial contract. [00:40:00] Then, We're going to give you a USB that has watermarked images of everything we've shown you, and the slideshow of the, uh, that we showed you in that reveal. We license the music, by the way, with the MCPS, so you can have any music you like. So, you let us know what music you like. That's what your slideshow will be set to. [00:40:19] It'll be on a USB. At the end of the meeting, when you've settled up with us, that's what you take away with you. The next morning, we start working on that design. Within a week, maybe two, depending on what's going on in the studio, we will send you a PDF that shows that design. You have a look at it and decide whether you like it or not, or if there's anything you'd like to change. [00:40:40] And the things we're looking for from you are A. Do you like the design? And B. Is there anything in any of the images that needs additional retouching? Fire exit signs, those kinds of things. When you eventually sign off the design, and you can go backwards and forwards as much as you like, by the way, because the most important thing is that you love your album more than anything else in the world. [00:41:02] You're going to have that for the rest of your lives together. You must love it. You make as many changes as you want. Yes, okay, by iteration number seven or eight, we might be rolling our eyes at you. But we will still do it, and we will get it perfect for you. When you're happy, you sign that off. We will do two things. [00:41:20] Firstly, we will order your album and any copy albums you need. I don't say it like this, I'm saying it really clearly because I'm driving a car at 70 mile an hour and I'm trying to make this clear. But nonetheless, this is the process, right? Uh, I say we will order that album and any additional copies you'd like. [00:41:35] Eight weeks after that, as a maximum, you will have your album in your hands. The actual order time, by the way, is shorter than this, but we always say, 8 weeks, because then I'm under promising and over delivering. You will also receive a link online that has a link to the finished images. The edits that we've done for you without the watermarks, because part of what we do is any image a client puts in their album, we will give them a digital copy of that as part of the contract. [00:42:06] We charge quite a lot of money for this, so it's fine that they can have the files, but we only release the finished files. When the album design is signed off. Why do I do it that way? Well, it gives me a couple of things. Firstly, it gives me a lever to pull when people are saying, Can I have a file? And I say, Yeah, as soon as you sign off your album. [00:42:23] The second thing is, The only hi res files that go out are fully retouched and finished. There's no danger that an artist Unretouched image can end up in a big frame on someone's wall. So that's why we do it that way. And I'm really clear about that fulfillment process to the client. Now, I think there's other bits of our business where we're not so clear and I'm figuring out those areas and trying to work out and make sure that everything we do is super, super clear because the experience I've had with three suppliers who genuinely, I rate, genuinely. [00:42:58] I'm happy to pay for their services. I think it's been a little bit muddled and a little bit muddy. And that, well, that can never be a good. Do you know what? I'm going to round this podcast off there and I'm going to make the journey away from the photography show another edition which I might release at a later date because that gives me extra content, right? [00:43:20] For those of you, for those of you who are part of our workshop community, we released a new challenge last night. So we, inside, anyone that's been on our workshops, you get invited into a secret and private Facebook group. The only way you can get in there is by being on one of our workshops because that is creating a super concentrated little audience, a little community rather. [00:43:42] of like minded people who can ask questions in a way that is safe, a way that is positive, and you get feedback from others in there. It's a really nice community. On top of that, people like Simon and Mark from Elinchrom are inside the group, so that if you have any specific questions about flash photography not only will you get answers from people who run the group companies based around this kit. [00:44:06] Of course they're going to bias their answers towards Elinchrom, but hey, I'm an ambassador for them. So what else would you expect me to say? Likewise Jeremy and Miranda and the team from Neal and the team from Graphistudio are in there. So if you have any questions about albums and those kind of things, it's just a really nice place to be. [00:44:21] But we run these image challenges. The current challenge which I released last night is the one chair challenge. Take a subject, take one chair, just one chair, and pop a photograph into the community. And then at the end of the month, I have a run through them, pick out my favourite, do a video critique, and set a new challenge. [00:44:41] And we did this one because the article is featured in Professional Photo Magazine this month from us. We do an article every month, but this particular one is of Lucy in a chair, and it's just a simple shot of a teenager. Just looking super cool in what is my Nan's old throne, old armchair. So that's that community thing. [00:45:02] Workshops, if anyone's interested in any of our workshops, just Google Paul Wilkinson Photography Workshops. You will find them they'll pop up in Google and And then you can see what's going on at the moment. The tomorrow's workshop is all about small spaces and it wasn't, but it now is about how to use Elinchrom lighting in small spaces. [00:45:21] We'll see quite how that adventure goes, so to wrap up, let's overtake this tanker in tons of spray. Thank you for listening to this podcast. It's kept me entertained for at least half of my journey up to Birmingham. If you have any questions, please do email paul@ paulwilkinsonphotography.co.Uk. I've had a couple of really nice emails in the past few weeks. Apologies. I know I've been a little bit slow in getting back to everybody, but it really has been a . a tiny bit, a tiny bit crazy at the studio but also head across to masteringportraitphotography. com which has a heap of stuff all around this beautiful skill of ours or topic of ours the joy, the creativity and the business of portrait photography. [00:46:08] Head over to masteringportraitphotography. com and do please subscribe. Hit that subscribe button. I don't know how you're listening to this right now, but I'll lay you a bet there's a subscribe button there somewhere. Subscribe to the podcast and then it just arrives. You know, you didn't even know you were going to listen to me today, and there you are. [00:46:26] Forty minutes later, whatever it is, I've no idea how long I've been driving and talking forty minutes later, you are sitting thinking, Well, that was worthwhile! Do you know what? I'm really glad I hit that subscribe button. Also, if you get a chance, leave us a review. [00:46:39] If it's a nice review, stick it somewhere public. If it's not such a nice review, email it to me, and then we can make changes to make things better, which is a constant process of evolution. Me and Darwin, well, we'd be great mates. And whatever else, as I head my way north, be kind to yourself. Take care.
This is the follow-up to the last two episodes. When I say "stranger than fiction" I mean it's so weird that you cannot make this shit up, yet lots of info shared online is just that, made up. He's the boy in the walls. That's part of the story. But what is the story? Like most cases I research for the show, it's never what it appears on the surface. There is always more to the story, more information to find, to dig into to tell the story properly. When I started to read about the Gustafson family murders in 1987, then what happened to the Bowens of Pepperell the year before, I realized that little about the person responsible and the case - particularly the Bowen case - was factual. It is all made up rubbish.It has taken me some time to sort it all out, the case of Daniel LaPlante, the teenage boy whose crimes went from outlandish to unspeakable. The boy in the wall graduated to murder.In this episode, episode 59, we discuss graphic topics of murder, sexual assault, stalking, and something we now call phrogging. But in 1986, a teenage boy was hiding in a crawl space in someone's house for months. I speak to writer Joe Turner about the case he's been researching for years for his book about the case, The Boy In The Walls, and we go over quite a few pieces of erroneous information about the life and times of Daniel LaPlante, teenage tyrant and murderer, whose run lasted from 1986-1987 in Townsend and Pepperell, Massachusetts - two small towns on the New Hampshire border, where I have heard people say “outside Boston” when referring to the towns and their locations. Outside, yes, by about 50 miles.Joe Turner has spoken to the Bowen girls, now women, Tina, Kathy and Karen, members of the Laplante family, friends from Townsend, all of whom never discussed Daniel or these cases before. I learned about Daniel's paternity and dark things about the man he called his father, about Daniel's reported sexual abuse (and what we have blame for his very bad behavior), what really happened in the walls of the Bowen home over the course of several months in 1986, and what connection Andrew Gustafson had to Daniel Laplante before the murders of his family in 1987. Uncover the nightmarish tale of Daniel LaPlante, as we go back three decades of misinformation, through the depths of Daniel's troubled childhood, the psychological terror he inflicted on the Bowen family, and his grim connection to the Gustafson family's demise. The darkSupport the showNext Live Show! Join me Thurs 3/7 at Off Cabot in Beverly, Mass for New England Crime Stories live, we'll talk about missing person cases and advocacy | Get tickets Follow Instagram | Facebook | Twitter X | TikTok | Threads | YouTube For show notes and source information, visit CrimeoftheTruestKind.comBecome a patron: Patreon.com/crimeofthetruestkind Music included in episodes from Joe "onlyone" Kowalski - Joe Got A New Heart FundDug McCormack's Math GhostsShredding by Andrew King
February 22nd, 2024 - We welcome back Brent Haynes to discuss Laetitia James and her statement on Trump's fine. Then we're joined again by the Bowens from Industrious Family Films. TheStationOfTheCross.com/ACT
This is a bizarre case, not only for what happened to a Massachusetts family in the privacy of their home, but also how their story was reshaped and retold by urban legend and lore. This is the prequel: The Gustafson family story (EP 57) is far less known than that of the person responsible. That's part of the problem. Before Daniel LaPlante, a disturbed kid from Townsend, went on the run and was caught after a 24 hour manhunt, he was already the stuff of legend, "the boy in the wall." That is what the quiet drone of the years has done; because everybody loves a good boogeyman story, right? A creepy low budget fright. It is so much more than that. What led to the events of that day when the a family was ambushed in their home, and a mother and two children brutally killed. Well, this is truly the story of nightmares. This episode is about stalking, child abuse and child sexual abuse, mental illness, personality disorder, SA, violent crime against women and children. This is about one child destroying a family and almost destroying another. A broken boy or was he always going to be this way?The Bowens of Pepperell were scared out of their home by a menacing presence. Months passed before they learned someone had been living in a narrow space in their wall, and was watching them. Due to the nature of all involved being minors at the time, there is no documentation available to the public about the Bowen's actual nightmare living situation. Daniel LaPlante suffered from a childhood marred by the worst kind of abuse, by the people he should have been able to trust. We go back to the beginning, before his gruesome crimes to see the making of a monster. How he developed hobbies of crime, hobbies that grew into a practice - break ins, haunting people in their homes, to stalking to stealing guns and money, to kidnapping and murder. His crimes robbed the community of its peace, while many wanted to forget, others could never get it out of their minds. Crime of the Truest Kindonline crimeofthetruestkind.comSupport the showTwo live shows! Join me Thurs 2/15 at Faces Brewing in Malden, Mass for UNSOLVED New England Crime Cases. I am joined by author and journalist Emily Sweeney, reporter for the Boston Globe's Cold Case Files | Get Tickets Thurs 3/7 at Off Cabot in Beverly, Mass for New England Crime Stories live, we'll talk about missing person cases and advocacy | Get tickets Follow Instagram | Facebook | Twitter X | TikTok | Threads | YouTube For show notes and source information, visit CrimeoftheTruestKind.comBecome a patron: Patreon.com/crimeofthetruestkind Music included in episodes from Joe "onlyone" Kowalski - Joe Got A N...
The Giants Hire a Defensive Coordinator! Shane Bowen gets the job and now Bobby & Justin tell you everything you need to know about our new DC 00:00 Intro + Giants Hire Shane Bowen as DC 06:40 Bowens Defenses in Tennessee 09:30 Defensive philosophy 20:30 What about Jerome Henderson 28:00 Type of Defense he runs 33:25 which player benefits from Bowens system 39:50 Andy Bischoff TEs coach leaves for Chargers role 44:20 Senior Bowl, Pro Bowl, and other thoughts This episode was brought to you by SeatGeek Use code GIANTS for $20 off your first SeatGeek order. https://seatgeek.onelink.me/RrnK/GIANTS Get in on the action with DraftKings Sportsbook and use promo code WORLD when signing up so they know we sent you! Start your free online visit today at https://Hims.com/giants for your personalized ED treatment options. Join our Patreon: https://Patreon.com/TalkinGiants Tickets to our tailgates: https://shop.jomboymedia.com/products/talkin-giants-l16-tailgate-series?variant= Check out our Merch: https://shop.jomboymedia.com/collections/talkin-giants Subscribe to JM Football for our NFL coverage: https://www.youtube.com/@JMFootball Gambling problem? Call 1-800-Gambler. In New York, call 877-8-HOPENY or text HOPENY (467369). In West Virginia, visit www.1800gambler.net. Please play responsibly. In Connecticut, Help is available for problem gambling call 888-789-7777 or visit ccpg.org. On behalf of Boot Hill Casino & Resort (KS). Must be 21 or older in most eligible states but age varies by jurisdiction. See draftkings.com/sportsbook for details and state specific responsible gambling resources. Eligibility and deposit restrictions apply.Bonus bets expire one hundred sixty eight hours after issuance. Terms at sportsbook dot DraftKings dot com slash football terms. #giants #nygiants
NEWS (1/10/24–1/11/2024) * TNA Wrestling reveals it's new World Title and Knockouts World Title * CJ Perry back to the hospital for her finger - complications and possible infection return AEW Dynamite Homecoming @ Daley's Place (1/10/2024) * Hangman Adam Page def. Claudio Castagnoli with two Buckshot Lariats * Video package aired on Brodie Lee's short AEW run * 8-Man Tag / Vehicle to remember Brodie and get Vance over Orange Cassidy + Dustin Rhodes + Adam Copeland + Preston Vance def. Lance Archer + Brian Cage + Gates of Agony {Bishop Kaun + Toa Liona} * Backstage segment with Bullet Club Gold and The Acclaimed + Daddy Ass show up again. Bowens proposes they join forces against Undisputed Kingdom and become the super faction of the “Bang Bang Scissors Gang” * Segment with AEW World Champion, Samoa Joe * Backstage interview with Renee, Toni Storm, Luther, and Mariah May * Sammy Guevara def. Ricky Starks with a Superkick → After the match; Big Bill and Ricky take it to Guevara until Jericho comes for the save * 8-Woman Tag / Vehicle to remember Brodie and get Anna over Thunder Rosa + Kris Statlander + Willow Nightingale + Anna Jay def. Julia Hart + Skye Blue + Saraya + Ruby Soho * Roderick Strong def. Bryan Keith via End of Heartache → Promo from Adam Cole afterwards * Renee backstage with Deonna Purrazzo – match set with Red Velvet for Collision * Texas Tornado Tag Match: Sting + Darby Allin def. Konosuke Takeshita + Powerhouse Hobbs via Scorpion Death Drop to Hobbs THROUGH TWO TABLES ON THE FLOOR! → Sting is asked by Schiavone who his final match will be against. → Interrupted by the returning Young Bucks
Micah Bowens is a Certified Wealth Coach, Certified Hedge Fund Professional, Ex-Stock Broker, Angel Investor, and a Serial Entrepreneur who is on a mission is to close the racial and gender wealth gaps, and help women who want financial freedom leverage the power of stocks and options trading to supplement or replace their income, and reach their money goals faster.Micah's comeback story begins in federal prison where he served 3 years for a $2.5 million real estate conspiracy. While in prison, he mastered options trading and developed his Super Rich cheat codes. Upon his release, Micah started and bankrolled several small businesses including Rich Forever University. He teaches how to exploit the volatility of the economy and transform today's money into tomorrow's wealth.Micah was the first person in his family to graduate High School and go to college. He put himself through college, paid off his student loans before he turned 25, made his first million before he turned 35, and was able to support his mom so that she could retire on her 60th birthday. Micah's goal is to create one million black millionaires by 2054.Connect with Micah Bowens:IG: Rich Forever University Facebook: Rich Forever University Twitter: Rich Forever University "Life is Built, Not Born."Joe Ciccarone#Episode126
Charlotte Young Bowens, Founder and CEO of Conscious Gear, drops by to share her inspiring founder story with Nadia and Rob and to discuss her approach to inclusive design and how the universe conspires to help those that try. Also, a Johnson & Johnson employee's plea for longer bereavement leave sparks a broad conversation on inclusive family policies, and our hosts discuss how Aflac (and others) are taking the whole person into account when designing engagement strategy. Finally, the positive vibes keep flowing with a double rave! Learn more about Conscious Gear and VestaPak here: https://conscious-gear.com/ Read more about the deets in this episode: J&J extend bereavement leave: Hosted by Nadia Butt and Rob Hadley: https://financialpost.com/fp-work/bosses-extend-grief-leave How employers tackle the social determinants of work: https://financialpost.com/fp-work/bosses-extend-grief-leave Hosted by Nadia Butt and Rob Hadley. Produced by Rifelion Media. Contact us: inclusivecollective@rifelion.com Find episode transcripts here: https://drive.google.com/drive/folders/1nqh7hCZOp7EQc6SekaYmT2QHqCvjsYdH?usp=sharing For advertising opportunities please email PodcastPartnerships@Studio71us.com Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/InclusiveCollective If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: https://bit.ly/InclusiveCollective Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Florida Gators grab their first commit out of official visit weekends with offensive lineman Mike Williams pledging to the orange and blue. David Waters reacts to the commit and takes a look at other recruiting storylines including: recapping this past weekend's visits, Chauncey Bowens flipping to Georgia, and Austin Simmons staying put. JOIN Gators Breakdown Plus: https://gatorsbreakdown.supportingcast.fm/ Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Get Gators Breakdown merch: https://gatorsbreakdownmerch.com Questions or comments? Send them to gatorsbreakdown@gmail.com College programs must be competitive in Name, Image, and Likeness. Florida Victorious provides valuable NIL opportunities for Gator student-athletes thanks to fans who support UF athletics. Florida Victorious is the lead NIL entity for Gator Nation, donors, and partners and you can become part of the team by joining today. Your support allows the Gators to be competitive in NIL. To learn more, strengthen Gator Athletics, and join in helping make the orange and blue victorious, visit http://www.FloridaVictorious.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of The Bible for Normal People, Pete and Jared are joined by Lisa Marie Bowens to peel back the layers within 2 Corinthians, examining the themes, rhetoric, and narrative purpose of the cosmic battle between God and Satan depicted by Paul. Show Notes → Learn more about your ad choices. Visit podcastchoices.com/adchoices
© 2020-2025 Ivy Podcast Discovery LLC
