Podcasts about Baldacci

American novelist David Baldacci is well-regarded as a prolific writer, having sold over 150 million books worldwide and inspired film and TV adaptations afterwards. He's best known for writing legal thrillers and suspense novels - and he's no stranger to tapping into controversial topics, having been subject to death threats in recent years. He explained limiting himself to safe topics would have negatively impacted his writing output. "Books can inspire people in many different ways - both for the good and for the bad. I've always felt that if people were angry enough at something I wrote and would threaten to take my life, I'd gotten to them a little bit." Baldacci is set to speak at the Auckland Writers Festival on January 30th in his first-ever public event in New Zealand. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Today we visit with David Baldacci, a #1 New York Times bestselling author, the 6:20 Man returns, this time sent to the Pacific Northwest to aid in a complicated FBI case—and he's about to come face-to-face with his nemesis, the girl on the train. His new book is available now “To Die For (6:20 Man)” https://amzn.to/40cnxlELearn more about our radio program, podcast & blog at www.JohnAndHeidiShow.com

Unveiling the Mind of a Master Storyteller: An Interview with David BaldacciJoin us on the Lean to the Left podcast as we welcome David Baldacci, renowned author of over 40 bestselling suspense novels. In this episode, we delve into Baldacci's latest book 'To Die For' featuring the character Travis Devine. Baldacci discusses his process of character development, the rigorous research that goes into his thrillers, and his commitment to literacy through the Wish You Well Foundation.What's it like creating those characters that are so important, especially the bad guys (Baldacci's favorites)? Do they stay with the author over time? Where do his story ideas come from? What's in his mind? How does he work? What's the process followed by this master storyteller to create all those novels?From his journey as a trial lawyer to becoming a celebrated novelist, Baldacci shares insights into the craft of storytelling and what keeps him motivated to continue writing captivating stories. A must-watch for fans and aspiring writers!CHAPTERS:00:00 Introduction to David Baldacci01:26 Discussing 'Absolute Power'02:01 Exploring 'To Die For'04:28 The Writing Process07:42 Research and Realism17:09 Character Development18:59 The Wish You Well Foundation23:55 Advice for Aspiring Authors26:17 Conclusion and Final ThoughtsLinks for Baldacci books discussed in the interview:To Die For: https://amzn.to/4etVOlvAbsolute Power: https://amzn.to/3Z9z7P3Memory Man: https://amzn.to/4exd9KkThe Edge: https://amzn.to/48S4EbmThe 6:20 Man: https://amzn.to/4hOK1B3_____________________________________________________________________About Bob Gatty A former journalist and communications consultant, Bob Gatty is the founder and editor of the Lean to the Left blog and host of this podcast, which focuses on progressive politics and the important social issues of our time. Bob's new book, Hijacked Nation: Donald Trump's Attack on America's Greatness, is now available for pre-order on Amazon.com and is now available on Amazon, Barnes & Noble and other outlets. Paperback: $11; Hardcover: $24. Digital versionalso available. Here's a direct link: https://amzn.to/4eK8ghZDISCLAIMER: Some links in this description are affiliate links, which means if you make a purchase through them, you won't pay any extra – in fact, you may even save with a discount! Using these links helps support this channel, allowing us to keep providing free content to help you on your journey. Thank you for your support.

Few writers can claim to keep millions of readers eagerly turning pages like bestselling author, David Baldacci. His novels have been heralded as “gripping,” “spellbinding” and “thrill producing.” Now David has added another soon-to-be bestseller to his already impressive list. In To Die For, readers get to spend time with one of David's newest and most popular heroes, Travis Devine. This time, Travis is tasked with escorting an orphaned, twelve-year-old Betsy Odom to a meeting with her uncle, who's under federal investigation. The action starts from the first page and things quickly become more and more complex. People are turning up dead. Pieces of the puzzle aren't fitting together. And, like every Baldacci story, there are quite a few twists in the story that will keep you guessing and turning pages well into the night. If you love a great tale told by a master storyteller, you won't want to miss hearing what this famous author has to share!

David Baldacci '86 discusses his path from lawyer to bestselling author, the power of words and books, and his latest novel, “A Calamity of Souls.” Dean Leslie Kendrick '06 introduces Baldacci. The event was sponsored by the UVA Law School Foundation. (University of Virginia School of Law, Oct. 2, 2024)

Morena Baldacci"Il torto e il perdono"Torino Spiritualitàwww.torinospiritualita.orgIl torto e il perdonosabato 28 settembre 2024 ore 16.30il Circolo dei lettoricon Matthew Ichihashi Potts, sacerdote e docenteMorena Baldacci, teologamodera Gianluca Montaldi direttore editoriale EDBtraduzione consecutiva Simona CalderaIl desiderio di perdonare i torti subiti e di essere perdonati per i nostri sbagli emerge in molte delle nostre relazioni. Ma che cosa significa, in un mondo che non perdona, praticare il perdono? Se perdoniamo un torto, in che senso possiamo ritenere chi lo ha compiuto responsabile dell'azione compiuta? E se perdonare volesse dire riconoscere la ferita invece che medicarla frettolosamente? Matthew Ichihashi Potts, docente di Morale alla Harvard Divinity School, si inoltra nel complesso terreno del perdono e, tra Nuovo Testamento e letteratura contemporanea, riflette su dolore, rabbia, rimorso, memoria e oblio.Matthew Ichihashi Potts"Perdono"Una diversa narrazioneEDB Edizioni Dehoniane Bolognawww.dehoniane.itAmpia nella sua portata filosofica e teologica e raffinata nella sua analisi letteraria, quest'opera offre una riflessione toccante sulla pratica del perdono in un mondo che non perdona. Matthew Ichihashi Potts esplora il complesso terreno morale che questo tema presenta e, che a suo parere è servito troppo spesso come balsamo per la coscienza del potere più che come strumento di cura o di giustizia. Sebbene sia spesso collegato alla riconciliazione o alla repressione della rabbia, Potts resiste a queste associazioni, affermando invece che il perdono è il rifiuto della violenza della ritorsione attraverso pratiche di penitenza e di dolore; è un atto di elaborazione del tutto; è più una postura non ritorsiva che un'assoluzione della colpa. Il perdono cerca di vivere con le conseguenze della perdita: accetta che ciò che è perso non può essere recuperato e punta quindi a convivere con l'irrevocabilità dell'ingiustizia subita. Prendendo ispirazione dai romanzi di Kazuo Ishiguro, Marilynne Robinson, Louise Erdriche Toni Morrison, oltre che da testi che vanno dal primo cristianesimo al postmoderno, Potts diagnostica i pericoli reali del perdono e insiste sulla sua promessa di duratura. Sensibile alle realtà del XXI secolo, come disuguaglianze economiche, devastazioni coloniali e lotte razziali, e considerando il ruolo del perdono nel Nuovo Testamento, nella tradizione cristiana, nella filosofia, nella spiritualità, nella teologia e nella letteratura contemporanea, questo libro annuncia l'arrivo di una voce teologica nuova e creativa. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Interview with Baldacci on The Bootleg Kev Podcast.Full video version of the episode is available on YouTube!See omnystudio.com/listener for privacy information.

Jeff Carson is the Amazon-Bestselling author of the David Wolf series, thrillers set in the high country of Colorado, chock-full of action, mystery, thrills, and suspense. With millions of copies sold internationally, he's regularly recommended as suitable for fans of David Baldacci and Daniel Silva. Hi I'm your host Jenny Wheeler and today on the Binge Reading show Jeff Carson talks about how he turned a year-long stay in Italy into a fulltime writing career, and his new series, a big change to David Wolf, featuring Italian woman police officer Ali Flavia, set against the backdrop of Italian culture, ancient walled towns, tourist mayhem and fabulous food and wine. Two Free Book Giveaways We've got two book offers this week, and the first books in my two series are on offer. The Thriller and Mystery series Giveaway has Sadie's Vow, #1 in the Home At Last series on offer. download free books ​https://books.bookfunnel.com/thrillingfreebies-jul/4h2xrdstd8 The Kobo Editor's Pick's promotion has the Of Gold & Blood book set - #1 and #4. Kobo Editor's Pick kobo free books selection Visit the following link(s) to see the promotion: ​https://www.kobo.com/p/free-ebooks​! If you live in a country that isn't included in this promotion, you may have trouble accessing the sale link. If this happens, change the flag at the top of the Kobo homepage to one of the included countries to see the sale link properly. This is one of the last shows I'll be doing for a while on The Joys of Binge Reading. I'm taking a break after two more episodes, but I'll be posting many of the past interviews on YouTube so if you've missed them, you'll find them there. Links to things mentioned in the show Carabinieri: https://en.wikipedia.org/wiki/Carabinieri Disc Golf: https://en.wikipedia.org/wiki/Disc_golf MHZ.com: https://www.mhz.com/ Ali Falco: https://www.jeffcarson.co/ali-falco-series What Jeff is reading now: Lincoln Child: https://en.wikipedia.org/wiki/Lincoln_Child https://lincolnchild.com Agent Prendergast series: https://www.prestonchild.com/ Douglas Preston: https://www.goodreads.com/author/show/12577.Douglas_Preston Marko Kloos: https://www.markokloos.com/ Where to find Jeff online Website: www.jeffcarson.co Or his Amazon books site:  https://www.amazon.com/Books-Jeff-Carson/s?rh=n%3A283155%2Cp_27%3AJeff+Carson Introducing Jeff Carson, thriller author Jeff Carson - thriller author of David Wolf Colorado Mountain series But now, here's Jeff. Hello there Jeff and welcome to the show, it's great to have you with us. It's great to have you with us. Jeff Carson: Nice to be here. Thanks for having me. Jenny Wheeler: You are somewhere in Colorado and I'm in Auckland, so that's a good long reach between us. You've got this Amazon hit on your hands. It's obviously not a surprise because you've written 17 in the series now. David Wolfe, a small-town, Colorado mountain sheriff. Tell us about David. How did he come to life for you? Jeff Carson: Yes, you've got that right. He is a small-town Colorado Sheriff. My wife is from Italy. I guess it was like 2012, 2011? We were visiting Italy for a year because we had a son, and my wife wanted to go to Italy and be with our young son there and to be with her mom and dad and get some support with the young son and stuff. And I was at a crossroads in my professional life. I did not like what I was doing and I got this idea that I was going to start writing fiction. Long story short, I got looking into these self-published authors and all, I was just like, I didn't even understand that existed until when we got to Italy. And then I realized in the drop of a hat. I'm going to be a fiction writer. My wife was nice enough to not disown me or leave me after that. But I decided to start writing books. I'm in Italy, in this country where I don't know, in the area, nobody speaks English whatsoever,

Host Robert Baldacci from The Runlett & Baldacci Report on Youtube joined us to talk about show business, politics and more. View The Runlett & Baldacci Report on Youtube.

"Nicola Baldacci IBIZA STARDUST RADIO (March) Welcome to the first Episode of Nicola Baldacci on Ibiza Stardust Radio the radio of the Island new residence once a month At 16:00 / 17:00 Ibiza Time...Enjoy the Podcast and See You Soon... 1-Piero Pirupa, Marc Ross - No Doubt 2-Nicola Baldacci - Diva (Original Mix) 3-Italobros - Story (Original Mix) 4-Kevin McKay, James Cole - Somebody That I Used To Know (Extended Mix) 5-Nicola Baldacci - Kick That Bass (Original Mix) 6-Rafa Barrios - Tomaketa (Original Mix) 7-Francis (UK) - Found (Original Mix) (Finder Edit) 8-Gianni Firmaio - Deepswing - In The Music (Gianni Firmaio Bootleg) 9-Gruuvelement's, Gianluca Rattalino - Tarari Tarara 10-Enzo is Burning - Give It Up (Extended Mix) 11-Gianni Firmaio - The Doors - Riders On The Storm (Gianni Firmaio Bootleg) 12-Enzo - Smooth Operator"

I saluti di Maurizio Crozza e il suo ricordo di Sandro Baldacci in occasione di una puntata di Fratelli di Crozza. Guarda Fratelli di Crozza senza pubblicità qui: https://bit.ly/3gS5JXwSee omnystudio.com/listener for privacy information.

Author David Baldacci is best known for Suspenseful political thrillers. But about 20 years ago he was inspired to write a very different kind of book. It was a book inspired by his own experience on a long train trip In this 2002 interview Baldacci reveals how The Christmas Train, a story about a writer who takes a train trip that will change his life, changed his own. Get The Christmas Train by David BaldacciAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Sidney Sheldon and Jodi Picoult For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube Photo by

Danette Baldacci, managing attorney and legal maestro of IDEA Law Group, steps into the spotlight on the Real Estate Lowdown, offering a treasure trove of insights. With over two decades of experience, Danette offers a wealth of knowledge on creditor's rights and the nuances of comprehensive default services in the dynamic landscape of real estate law.  She shares her unconventional journey from high school English teacher to a distinguished career in law, reflecting on her passion for business and education while uncovering the path that led her to specialize in creditors' rights. Danette discusses her unique path and thoughtful perspective on the industry's evolution.   The landscape of real estate law is ever-changing, and this episode provides a snapshot of how firms like IDEA Law Group persist in the face of low default rates and the aftermath of a global pandemic. Amidst a discussion peppered with Danette's candid anecdotes and professional acumen, we uncover the resilience of a law firm adapting to the 'new normal' post-COVID-19.   Danette pairs these narratives with actionable insights for investors, emphasizing the importance of being informed and the value of legal expertise. As we look ahead, this episode is a testament to adaptation, optimism, and the promise of a fresh future for the real estate industry.   We navigate through the complexities of representing banks, the allure of business expansion, and the strategic shifts needed to thrive in the ever-fluctuating real estate landscape.  Whether it's her early days in personal injury or her candid thoughts on family law, Danette's story is a fascinating exploration of the legal world from an insider's perspective.  You can connect further with Danette Baldacci and her team at idealawgroupllc.com. To learn more, visit:https://billbymel.com/Listen to more episodes on Mission Matters:https://missionmatters.com/author/bill-bymel/

“The Master Storyteller” David Baldacci is back with the second book in his 6:20 Man series: The Edge.   The 6:20 Man series is praised: "Corporate conspiracies, corruption, and murder—all come together in one of thriller fans' most anticipated books of the summer . . . Baldacci's experience in this genre truly shines as he builds complex layers of riveting twists and turns to keep you on the edge of your seat!"―Reader's Digest "A complex, high-powered thriller that will keep the reader guessing . . . This is a winner from a pro."—Kirkus David Baldacci is a global #1 bestselling author, and one of the world's favorite storytellers. His books are published in over 45 languages and in more than 80 countries, with 150 million copies sold worldwide. His works have been adapted for both feature film and television. David Baldacci is also the cofounder, along with his wife, of the Wish You Well Foundation, a nonprofit organization dedicated to supporting literacy efforts across America. Still a resident of his native Virginia, he invites you to visit him at DavidBaldacci.com and his foundation at WishYouWellFoundation.org⁠. For more on the book click HERE --- Support this podcast: https://podcasters.spotify.com/pod/show/steve-richards/support

“The Master Storyteller” David Baldacci is back with the second book in his 6:20 Man series: The Edge. A global #1 bestselling author, Baldacci's books are published in over 45 languages and in more than 80 countries, with 150 million copies sold worldwide.THE EDGE The 6:20 Man is back, dropped by his handlers into a small coastal town in Maine to solve the murder of a CIA agent who knew America's dirtiest secrets—can Travis Devine uncover the truth before his time runs out?David Baldacci is a global #1 bestselling author, and one of the world's favorite storytellers. His books are published in over 45 languages and in more than 80 countries, with 150 million copies sold worldwide. His works have been adapted for both feature film and television. David Baldacci is also the cofounder, along with his wife, of the Wish You Well Foundation, a nonprofit organization dedicated to supporting literacy efforts across America.Still a resident of his native Virginia, he invites you to visit him athttp://DavidBaldacci.com and his foundation at http://WishYouWellFoundation.orgThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors.Please see our website for complete details.http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below. https://ratethispodcast.com/douglascolemanshow Please help us to continue to bring you quality content by showing your support for our show.https://fundrazr.com/e2CLX2?ref=ab_eCTqb8

In This Episode Brought to you by the Drive Weather app Guests: Keith Brandt-NASA Crew Surgeon and Collin Baldacci-Firefighter/EMT Partnered with AMS Weather Band Storm Chaser Safety Tips Lightning Round - Weekly Hospital Girls Who Chase Sprint Training Webinar #weatherfools - We present the fools doing stupid things in weather situations "TTT" Twister Trash Trailers - We review some Twister-wannabe movie trailers Next Episode's Guest(s) Presented by the Drive Weather app - See the weather forecast along your route.  Visit driveweatherapp.com Check out our Patreon page for exciting ways to support our podcast and interact with us more!  www.patreon.com/stormfrontfreaks Our Guests Dr. Keith Brandt Keith Brandt is an Air Force Flight Surgeon with over 30 years of Aerospace Medicine experience and served as the USAF aeromedical liaison to NASA. After retiring from the Air Force, he returned to NASA where he has been crew surgeon for Shuttle, Soyuz, ISS, and SpaceX missions. One of his main hobbies is Amateur Radio where he has been a Skywarn Spotter since 1977 and been an Emergency Management volunteer. Community Emergency Response Team (CERT) Stop The Bleed American Red Cross First Aid American Heart Associate CPR America Safety and Health Institute Training St. John Ambulance Charity Collin Baldacci Collin Baldacci is a Firefighter/EMT in Evansville Wyoming. He's also an American Heart Association CPR & First Aid instructor. In addition to those, he has a background in Search & Rescue, Wilderness Medicine, Certified Emergency Manager, and an amateur weather nerd.   Thanks to AMS Weather Band.  Now weather enthusiasts can join meteorologists and weather professionals.  Visit AMSWeatherBand.org For more storm chaser/spotter safety tips, visit the weather.gov ACES Weather Spotter Safety Program Girls Who Chase Spring Training, register TODAY for the March 4, 2023 online event! #weatherfools Links Collin - Modern Tech Maroons in the Tundra Greg - Fog Pile Up in China Greg - Fog Pile Up in Pakistan Greg - Snow Pile Up Ontario 401 Greg - MN DOT Slam Cam Greg - Serpentine Semi Pulls It Out on Icy MN Highway Greg - Dash Cam Vehicle Pile Up on Ontario 402 Phil - CA 101 Cars Drive Through Underpass Flood Phil - Storm Chaser Light Bar Strikes Again TTT Twister Trash Trailers Links Atomic Twister Trailer Fire Twister Trailer Submit your questions or comments about this show to questions@stormfrontfreaks.com or on our social media accounts and we may read it on our next episode! Twitter: @stromfrontfreak Facebook: @stormfrontfreaks Instagram: @stormfrontfreaks YouTube "RAW":  YouTube.com/stormfrontfreaks Next Episode…We'll be LIVE at the National Storm Chaser Summit from February 3-5, 2023 having conversations with many of the speakers which we'll edit into a show.  Become a member of our patreon.com/stormfrontfreaks to tune in LIVE and watch the RAW recording.  Look for the audio podcast on your favorite podcast player following the weekend. Credits Opening Music: Brett Epstein Closing Music: Gabe Cox Other Music: “Pecos Hank” Schyma from El Reno Blues

Your Bluetooth will have a cache of 150 unreleased tracks when Baldacci and Jonathan lace up the HLS studio with Big Luck's, OBE, and Chumahan, listen to the saaby secrets of Baldacci technique and coastal focus, hear what it was like to hit all the cookie stores with Big Luck's, finally experience the brilliant design and luxury flavors of Billionaire's Baldacci Hemp wraps the preferred wrap for the smoke of kings.#rap #Thanksgiving #hiphop #losangeles @thefaceofla @billionairehempwraps @biglucks17 @chumahan_ @seanallenlewis www.hardluckshow.comwww.hardluckshow.com/mercadoEmail to: hluckshow@gmail.comSupport this podcast at — https://redcircle.com/the-hard-luck-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Conversation with the legendary rapper Baldacci the Face of LA.

Episode 158 - Kellie Duckhorn, Baldacci Family Vineyards by Michelle Mandro

I love interviewing other authors because every time I get to speak to one on Unstoppable Mindset I learn new concepts I hope I can use. I hope you feel the same way.   Our guest on this episode is Natasha Deen. She is an author of over 40 books written for youth, adults and everyone else in between. She made an interesting observation I love and which led to this episode's title. She observed that there are no great writers. There are only great rewriters. Listen to this episode to hear why she thinks this is so. I won't give it away.   About the Guest:   Guyanese-Canadian author, Natasha Deen has published over forty works for kids, teens, and adults, in a variety of genres, and for a variety of readerships. Her works include the JLG Standard Selection Thicker than Water, Guardian which was a Sunburst Award nominee, _and the Alberta Readers Choice nominated _Gatekeeper. Her YA novel, In the Key of Nira Ghani, won the 2020 Amy Mathers Teen Book Award and her upcoming novel, The Signs and Wonders of Tuna Rashad, is a CBC Top 14 Canadian YA books to watch for in spring 2022 and a JLG Gold Standard Selection. When she's not writing, she teaches Introduction to Children's Writing with the University of Toronto SCS and spends an inordinate amount of time trying to convince her pets that she's the boss of the house.   Social media links:   Visit Natasha at www.natashadeen.com and on Twitter/Instagram, @natasha_deen.   About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is an Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.   Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.     Transcription Notes Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson  01:20 Well, hi, and I am glad that you're with us again on an unstoppable mindset podcast episode. Today, our guest is Natasha Deen, except that she said to introduce her as she who would follow you home for cupcakes I buy into that. So true. Hey, listen, there's nothing wrong with a good cupcake. Or good muffins. Well, Natasha is an author, she's written over 40 books of various genres, and so on, we're going to talk about that. And she has all sorts of adventures and stories to tell. And so I think we will have a lot of fun on this podcast. So thanks for joining us. And Natasha, thank you for joining us today.   Natasha Deen  02:05 Thank you. And yes, thank you for joining my clan, I'm very excited to be here.   Michael Hingson  02:10 Well, tell me a little bit about you, you sort of the the early Natasha years and so on, and what you did how you got to the point of writing and anything else that you want to say,   Natasha Deen  02:20 Oh, well, I have an interesting, you know, that's gonna say like, I have a kind of an interesting origin story because I was born in Canada. But when I was three weeks old, my family moved back home to Guyana, South America, lived there, and then came back to Canada. So I'm a born Canadian, but my experience with Canada is an immigrant experience. Because the first country I knew was, you know, a country of, of coconuts and vampire bats. And you know, peacocks. And it was it was amazing, we lived No, we were just talking about previous residences. And the house we lived at, there was a stream in front of the house. And then there was a bridge that would connect you like you know, into the town. And I have, I can remember that we would get these huge rainstorms. And it would wash out the bridge. And then you'd either be well basically, as a kid, you were you were stuck, because you have to wait for the men to go find the bridge and bring it back and reattach because it just like a wooden bridge, or they'd have to rebuild it. And it was the same thing at school, like when the rains would hit, the teachers would just show off all the lights, and then we'd make paper boats, and we'd sail them down these like little these little rivers. And when I moved to Canada, the first time it rained, you know, I'm in school, and it starts pouring. And I'm so excited because I think for sure the teachers are going to turn off the lights and we're all gonna go sail paper boats. But it was like a loop was not to be as close the window and told me to pay attention. I'm like, but but but but no, I you know? And to answer your question about any desires to be a writer I did when I was a kid, I thought it would have been very cool to have a book on a shelf. But when I went to the teacher's library and the elders, parents, nobody knew nobody knew how to how to do it. And so I figured it was sort of like, you know, winning a lottery, or perhaps I don't know, some sort of happy, happy meeting, you have to sit down next to some editor on a train. And you mentioned that you really liked writing and they handed the contract right there. So I moved on to other other things. And it was after I graduated with my BA in psychology that I thought I'm just gonna give this writing thing at shot. And luckily for me, and you know, sort of all the writers who are up and coming like, we have the internet so we can, we can talk to the Google and the Google will tell us how how we navigate getting published and Contact, it's an editor's. So first sort of a snapshot.   Michael Hingson  05:04 So did you do anything with psychology? Or did you go straight into writing?   Natasha Deen  05:09 I so like dark secret, I was doing a couple of classes over the summer and preparation I had applied for my masters. And I was sitting there, and it was this really odd textbook that was telling you about, you know, counseling. And one of the techniques they had, they would repeat back to you what, you you know what the patient would say you repeat it back them, because the thinking of the time was, you know, hearing it, hearing it echo back would open up places. And I just, you know, what I remember, we had to do like a whole thing where we were practicing, you know, and it was the most, I realized I did not have the personality for it. Because if I was on the other side of the chair, and I'm saying to someone, I've had a really bad day, and they say back to me. So it sounds like you've had a really bad day. Yeah, yeah, my boss, my boss yelled at me. The boss yelled at you, I would have been like, No, I'm out. I'm gonna go find someone else to talk to you. Cool, actually, you know, talk back to me, instead of giving me a repeat of what I've like, I know what I just said, man. I just said it, you know? So. So that was about that. And I was also you know, so I thought, oh, I'll just, I'll just do a little bit of writing. And then, you know, I'll come back maybe what it is, I'm just tired, because I did school for, you know, 100 billionaires. And there's a danger, there's a danger of taking a break from from school, because then for people like me, we realize now we don't ever want to go back. Thank you very much. Well, we go do something else that someone else can have our desk. Okay, bye.   Michael Hingson  06:47 I remember when I was at UC Irvine, and working in physics and doing a lot with the computers, and there was a mainframe computer on campus. They had a psychology program, and it called Elijah. And it sort of worked like that. It would, if you type something in it would sort of repeat it back. But it was smart enough to deviate. And it could actually get you off in all sorts of unusual twists and turns. It was all about also psychoanalyzing you or, or creating conversations with you to try to figure you out, it was kind of fun. You could you could get absorbed with it for hours.   Natasha Deen  07:29 Well, that's amazing. They have I know that they have a digital version of rat training, mice mouse training. So you would you would train a mouse to like do a maze, but it was a digital mouse, which I appreciate it. I feel like mice have other things to do with their time than to run a maze forming.   Michael Hingson  07:48 Hey, I've read The Hitchhiker's Guide to the Galaxy. I know about mice. They're they're in. They're in control of the universe. Go read the book.   Natasha Deen  07:56 I wouldn't, you know, I wouldn't doubt that. That sounds that sounds feasible to me.   Michael Hingson  08:00 So something to work on. Well, so how did you end up getting to the point where your first book was published?   Natasha Deen  08:08 Oh, yeah, that's a great, like, I so I, you know, I was I was writing and I was sending out and I think for a lot of writers, you know, we know this feeling, right? You're sending out to editors, you're sending out to agents, and nobody wants you. Right? And sometimes, as soon as you get the really nice rejection letters, like, dear Natasha, thank you so much. I really enjoyed the work, but it just didn't reach me in the way it should. And I'm just not as passionate. You know, I wish you luck. And those ones I didn't mind the ones that that used to irritate me were the ones that would say, Dear author, yeah. Yeah, no, thank you. And it was, like, they didn't capitalize their sentences. And it would just irritate me so much. But I think it was a day and I just spent like, two hours researching you, making sure I spelled your name, making sure I was professional in my letter, the least you could do is capitalized, you know, I, I don't want this, you know, give it to them or whatever. But it was just so I happened upon a small e publisher. And I'd heard really, really good things about them. I'm not sure if they're around anymore. But I've heard really great things about them. And a few friends who had published them said, they're really great because they don't send generic rejection letters. If they don't want your work. They will tell you, and I thought okay, I this is this is perfect for me, because then I can send it out and really someone will tell me if I'm doing something wrong, like what what is it that I'm doing so wrong with with, you know, my books? So I sent it out. And about a month later, I got an email saying, Hey, we really liked this. We'd love to publish it. Can we send you a contract? Yes. Yeah. Yeah, well, you know, I think I think that's kind of the thing with the industry sometimes, like, you know, we get enough kicks in the hand at art, we start wondering if we're in the right industry, we start wondering, do we have any kind of talent? Do we have any kind of skill? Are we just kidding ourselves? And so, you know, when I sent it out, I really, I was still thinking, Okay, I just don't think I'm a great writer, I don't think I have what it takes. And so it was a really good lesson about how subjective the industry can be, you know, and that that frustrating, heartbreaking thing, which is persevering. And you just have to keep going, because what else are you gonna do? You know, if you're built to be a writer, you're built to be a writer.   Michael Hingson  10:42 So you got a contract? And you published your first book? Did they do any editing or work with you on making any improvements before it was actually published?   Natasha Deen  10:53 Oh, yeah, yeah, I had to do a quitter, I think three, three rounds of edits. And then they were really great. I mean, they were, they were teeny tiny, small, small budget. But I really love that they did the very best they could for like, publicity and marketing, for their authors. And they, they would bring, like different opportunities, if you wanted to do it yourself. You could also like, expand out. And I think it's something for authors to think about, you know, that quite often we dream of, you know, the big, I don't know how many publishers, I think it's a big five now maybe even just sort of a big for publishers. But sometimes there's something to be said for for the small and plucky publisher, you know, you may not have necessarily the bragging rights, where everyone knows that publisher, they know who you're talking about. But in terms of that sort of one on one interaction with your editor, the responsiveness of your editor, and just the care they'll take with your work. And I really enjoyed my time with them.   Michael Hingson  12:01 So when was the first book published? Or when did you start working with this first publisher?   Natasha Deen  12:06 Oh, so 2007 It was actually it. So the first thing I'd sent them was a short story. And that was 2007. And then my first novel would then came out in 2009. And then in 2012, and those were all adult romances. And then, in 2012, I went into writing for ya. And I was, that's that was in The Guardian series. And the first book in that series is conveniently titled with enough guardian, which is, which is all about Maggie who sees the dead, and is currently being haunted by the ghost of the kid who bullied her. So that was that was in 2012. Ah,   Michael Hingson  12:49 so the bullies haunting her, and what does she do about that?   Natasha Deen  12:53 Well, that's, that's kind of the whole thing, right? Because it's like, do you? Do you stay quiet? Because he's, you know, he doesn't know she could see him? So does she stay quiet? And just sort of leave him in this limbo? You know, sort of till the end of time as justice for what he's done to her? Or does she actually just say to him, Look, I can see you and here we go. And so the story, the story explores, you know, that side of it, but also it's sort of exploring the idea of, you know, the way that our painful memories can can haunt us. And what do we do? Do we do we face them? Do we acknowledge them? Or do we just sort of push them down and pretend like they don't exist?   Michael Hingson  13:39 So how many books have you written in that series? Which is I guess about Maggie?   Natasha Deen  13:43 Yes. So there's, it's a trilogy. So there's three books in that series?   Michael Hingson  13:47 Okay. Are they all with the same ghosts are different ghosts,   Natasha Deen  13:51 the ghosts, there are one to two supernatural creatures who are there throughout the whole trilogy. But each each book it was it's it's it's kind of an interesting, it's it's fantasy mixed with horror mixed with supernatural mixed with a mystery. So in each book, she's dealing with a ghost who is dead. A ghost story? I guess it goes, who doesn't know that they're dead? And is trying to sort you know, why? What has happened to them? And usually someone has murdered them. And so it's all about trying to figure out who who, who done them in like, well, who did it and then they can move on?   Michael Hingson  14:36 Sounds like a fun series. Have any of the books been converted to audio at all?   Natasha Deen  14:41 Oh, I don't know. Like I know, in the key of near Ghani, I know she's, she's audio. And I think one or two books in the large series is but I'm not sure about the Guardian series. I don't think so. I don't think I don't not yet. I don't think   Michael Hingson  14:58 well If we can find electronic copies, and then we can, can do them in Braille, which is also fine.   Natasha Deen  15:07 Oh, that's wild. That's interesting.   Michael Hingson  15:10 It's not magically overly hard to do. So, you started with this one publisher? I gather you didn't continue with them. Because you said you're not sure if they're around anymore, did you go elsewhere? Or what happened?   Natasha Deen  15:25 I get? Well, they were they were strictly for adults. And I realized with Guardian that it was, it wasn't aimed for adults, it was aimed for teens. And then once I started writing for kids and teens, it just, it's a very different kind of experience writing for for people who are under 18. Because when you think about it, like an adult reader, it's a very sort of, I feel like it's a very direct connection, right? I'm going to write the story. And here you go. And you as an adult reader, you the only thing you're going to think about is, is this the genre that I love to read. And with kids, there's no such like, with with Kid readers, what you're looking at is you're going to write the book, but then there's going to be an adult in that child's life, who buys that book or boards a book for the child. And it's more than just a question of, oh, this is these are the kinds of stories I like, it's questions of how old is this kid because how old that child is determines the kind of story you're going to tell? And how you tell that story? You know, are they? Are they someone who is an add grade reader? Or are they someone who is striving or what we call a reluctant reader? So they're in grade five, reading at a grade three level? And so you don't there's there's all of these things? So things like, how big is the sentence? Like how long is the sentence? What is the vocabulary? Are the words, am I using words that are easy to pronounce, and easy to sound out? And, and it's just a very like, from a writer's perspective, it's a very, very fun exercise. Because how I'm gonna write a story for someone who is seven, is going to be wildly different than how I write a story for someone who is 17. And, you know, I love it. Because, you know, we talked about the idea that simple doesn't always mean easy. And certainly when you're writing for kids, you're, you're really getting down and asking those questions about where are they, in terms of their literacy rates? Where are they in terms of how passionate they are about reading, you know, and I think about that now, in a really different light. And I'm really grateful to all of the kid authors who around when I was growing up, because their care and attention and love of like, kids everywhere, really ignited a passion for for reading that I now because of them. I am not just an adult reader. I'm an out writer. And so yeah, I'm very thankful to them for for all that they did when I was a little kid and making sure that those stories were accessible to me and made me feel lifted up because I could read it myself.   Michael Hingson  18:16 What do you come up with some of the ideas like for The Guardian series, and that's pretty, pretty creative, and a lot of twists and whatnot, twists and turns, but just a lot of parts to it? How do you come up with an idea like writing about a creature who is dead who may not know they're dead, and certainly don't know that someone can see them? Someone who can see them? And going through all the different gyrations of that,   Natasha Deen  18:41 you know, it was really, it actually started off as an adult story. And I was aiming for a mystery like it just a straight, cozy mystery with a librarian who finds who finds a body in the trunk of her car. And it turns out that it is, in fact, her ex husband her near her, you know, what do you call that it and near do well? Well, ex husband. And of course, obviously suspicion starts to her. And I was really struggling with it. And it was just a thought one day that I had about wouldn't it be interesting if it was a girl like a teenager? And instead of an ex husband? What if she found the body of her bully in the back of the car? And then where would we go? And I and then I started thinking though, then wonder where we go and how can I make this more interesting? And then I thought, well, what if she could actually see the dad and at first it's like, you know, are people gonna think I did it. And then of course now it gets super complicated because oh, he's he's there. I have not heard of this terrible person. So sometimes it's just a story where you're thinking about how can I make it more interesting for the reader? And then sometimes it's so Well, I, you know, I was talking to, to a relative, and we were sort of joking around because they had a younger relative in their life, who loved them a lot and worried about them. But the the love and the worry meant that this younger relative could be quite overbearing with this person I was speaking to, you know, and they were like, I'm not that old, I could take care of myself. And I thought, you know, like, it was such an interesting idea for a story about what do you what do you do? What do you do when someone loves you, but they're just, they, you know, they just they're so caught up and knowing in their mind what is right for you, that your your own wants and needs are getting tossed to the side. And that was the start of the signs and wonders of Tish odd because I have tuna, and then there's her brother, Robbie and Robbie is he's loving, and he's a great brother, and he's a great son. But he's just convinced he knows what's good for everyone. And, you know, and adding to that complicate, like, complicating it is the idea is that his his husband has just died. And so He's grieving. And now this is how, you know, one part of his grief is manifesting is that tuna can't breathe. And she just really needs Robbie to like, get a life or at least get out of her life and give her give her some room. And when I was writing it, I knew I wanted her to be an aspiring screenwriter, I thought there would be lots of room for for funny if I could do it like that. And I was struggling with it. And then I went back and I was thinking about the beats of a screen a screenplay. Right? And so how does it like when do you when does the a story break into the B story and, you know, what are the fun and games and, and, and then I got the idea that every chapter heading would mirror a story beat. And that's that's how to knows. That's how to news personality would would show itself. And so So yeah, sometimes it's, it's you're trying to solve a some writer's block, and then you realize that you're the wrong genre, the wrong age group. And other time too. You've got your genre, and you've got your age group. But now you're just trying to sort through, how do you make it? How do you make it funnier, and, and, and I love I really love the chapter headings because it meant that for any kid who relatable anyone who reads the story, who also has to write, not only do you have the story, but now you have a very with the chapter headings now you know exactly where your story needs to go, because they're all your story beats right there for you.   Michael Hingson  22:39 When you're writing a book, and this is something I've always been curious about, especially if in dealing with fiction, some but when you're writing a book, is each chapter somewhat like a story and then you you transition and do things to make them all combined together? Or how do you deal with deciding what's a chapter and what's not a chapter?   Natasha Deen  23:02 Oh, yeah, that's a great question. Um, I think for me, you know, what we think about or what I think about is, what's the story problem. So with tuna, the story problem is that Robbie is just overbearing, and and she needs to, you know, get some space from him. And so that's, you know, that's one plot of the story. And then, you know, from there I go, Okay, well, how do I, how do I make this problem? More complicated, right? Or how do I make this problem? Like, how do I start giving this problem texture? And I thought, well, it would be really funny if two has a crush on a guy trusted, and like, what, what sibling wouldn't interfere? So and I thought, yep, that's perfect. So once I had those, then it's just like, here's my big problem. How do I make them? Little tiny problems? Right? And so what is the what's the saying about? How do you how do you eat an elephant like one one bite at a time? And that's sort of it like, here's my big problem. Now, how do I make it smaller? So, you know, the opening chapter tonight is gonna go and estrus now it's summer, she's got, you know, 60 days to finally tell this guy students, she really cares for him. So she's going to tell him and she just, she gets shy, you know, and then she she trips up over herself over it. And so the problem in that chapter, which is I really want to tell this person I care for them does not get solved. And the her now having to resort, okay, that didn't work. How do I ask him about it now? Like, what's my next step? Now that jumps me to my next chapter that jumps and hopefully that jumps the reader because there's there's a chapter question, okay, what is she going to do now? And we we go on. And so one of the things to think about with bigger stories that are like the, you know, 5060 80,000 word count is, there's probably going to be more than one problem that your character is trying to solve. And you're gonna have like that big external prominent character needs a job, your character needs to rob a bank, and then you're gonna have another story that will probably tie into that bigger one, right? So my character needs to draw a bank, but really, the robbing the bank, because they have a sick child, and if they robbed the bank, they can get the money, and they're gonna be able to, you know, pay for some private operation and save the life of their child, then that's how that's how we twine it together.   Michael Hingson  25:50 So you, you do kind of have different things in in different chapters. But by the same token, things can get away from you, or things can go off in different directions, which is what makes writing fun. And part of the adventure for you.   Natasha Deen  26:08 Yeah, yeah. And you're right, because you know, you're asking about the containment of the chapters, and every chapter is going to have a beginning middle end to it, it's just that in those chapters, there is no like Final the end, there's just an end to that particular scene, or an end to that particular moment, that's going to bump you into the next moment. And the next seat. Well,   Michael Hingson  26:31 so you going back to your story, you decided to write full time I gather, and that's what you do now.   Natasha Deen  26:40 I do, I did I write full time, and I also teach with the University of Toronto School of Continuing Studies, I teach their introduction to children's writing, and I visit schools, and I tell kids funny stories about growing up and being the weird kid in class. And, and I also, you know, teach at libraries and, you know, attend festivals and that kind of thing. And, and I still, you know, and I think as writers, we know this, right, that sometimes this job can be such a grind, because you're, you're alone in a room with just your thoughts, and the voices in your head, and you're trying to sort it. And sometimes it can feel like why, why did I choose this job, but he was just refreshing, there's got to be some better way to make money, but the roof over my head, but you know, like, I just, it's so much fun that more More times than not, I'm kind of waking up, as I'm thinking to myself like that, that eight year old nine year old 10 year old me would be so jazzed to know that we grew up to be an actual writer with books on the shelves, and, you know, award stickers on on the covers of our books. Like, how cool is that? You know? So?   Michael Hingson  27:58 Yeah, that's, that's pretty cool. By any standard? Well, tell me, do you, you must have support and help? Do you have someone who represents you? Do you have people that you work with in that regard? Or how does all that work that you now get to publishers? Or you get help doing the other things that you do? Yeah, that's   Natasha Deen  28:19 a great question. And I'm, I'm really lucky because in Canada, our publishers don't, you don't need to have an agent to be published in Canada. And America, it's a little bit different, right? Like you have some publishers where I can contact a publisher directly and saying, Hey, I've got this, this story. And I think, I really think it will fit your catalog. But a lot of the pressures are going to be, hey, my agent has my story. And they think it's, it's, you know, just jazzy. So go ahead and take a look. And then, you know, see your agent is going to work on on your behalf. So early on in my career, I it was just me, right, it was just me all by myself submitting to publishers, and I'm saying I really hope you like my story. And then in 2016, I signed with Amy Tompkins from the transatlantic literary agency. And so now she represents me. So instead of me sending out my work directly to the publishers, I send them to Amy and then Amy sends out on on my behalf. So for those upcoming writers who are listening to our podcast, there's there's many ways there's many ways to get your, your book on the shelf. You can you can absolutely talk to the publishers yourself. You can go through an agent or you know, you can you can self publish, right, you can be an independent author, as well. And there's pros and cons to both sides of that, oh, it's what fits you.   Michael Hingson  29:51 How important is then having someone to represent you're having representation in what you do.   Natasha Deen  29:59 Well and Mike Ace, I would like I love my agent. I think she's, she's the bee's knees. I just think she's amazing. So I really enjoy writing, like, like I enjoy, because like, I love being able to send her work and talk to her about the industry and all these kinds of things. And I do think and I, and again, I think it's going to come down to what is your goal as a writer, what is your you know, do you want to make a career out of it, like a full time career, in which case, an agent is going to be really helpful to that, because they can get you into it and get you into the bigger markets, so they can get you into the bigger publishers, right. If you want to be part time writer, then you know, it all depends. But I will say for for anyone who is looking for an agent, you know, do be aware that your agent is is going to be doing lots of work on your behalf, but they're not, they're not magic genie is you're not going to rub a lamp and all of a sudden, here's all the things that are going to happen. What your agent gives you the opportunity to do is knock on more doors, but there's still no guarantee about being contracted or any of those things. So it's really good to have a realistic idea of, of what you're what the job of an agent is. So it's good to go and make sure you do your research about what they do. They're very, you know, they're they're like, they're vital when it comes to things like reading over your contracts, making sure that your artistic well being is being protected. But having said that, you know, you can also hire an entertainment lawyer who will do the same thing for you. So, again, you know, the frustrating, and yet the very amazing thing about this industry is that it always comes down to you as the individual, what is it that you want? How do you see this journey. And once you know those things, then you can build your plan for creating, sort of creating the career of your dreams.   Michael Hingson  32:09 What are some of the mistakes up and coming or new writers tend to make in your experience,   Natasha Deen  32:17 in my experience, they set or their work far too soon. It's great if you've written your story, but it's not ready yet, as and that can be a hard thing to hear if you've been working on this story for like three or four years, but it's not ready yet, you finish your story. And you start working on something else. Like you've got to give yourself a month, six weeks, two months, where you're not looking at that story that you finished at all, Project eight, don't look at Project day. And then after that, four to eight weeks, go back and take a look at it. Because now what you've done is you've decoupled you're not as close to that story anymore. And you're going to be a lot more objective. So you know, it's important to like, edit, and revise your work. You know, I don't know, I was saying to a class at one of my school visits, there are no great writers, there are just really, really great rewriters and the professional writers, this is what we know that you're going to do it. And then you're going to do it again. And again. And again. And again, until it's finally in a place where it's readable for more than just yourself. So it's really important to edit, it's to have beta readers. And there are people who are going to read your work and offer you feedback on your work, what's working, what's not working. And they're, they're also really important because, you know, when we're working on our projects in in the quiet, we're telling the stories to ourselves. And that's great. But to be an author is to be able to tell a story to a wide variety of people who you will probably never meet in your whole entire life. So you need to get other brains and other you know, viewpoints on on your work. And so, you know, it's all those things. And then once you're ready, you know, do your research, look and buy do your research. I mean, go look up these publishers, and find out if they're reputable, and look at their submission guidelines. Agents are the same thing. Look at the submission guidelines. How do they want you to submit the work? What kind of work are they taking? If you can do that, you're probably about 95% ahead of a lot of the writers out there who will just gonna do you know, they're just gonna throw in that and they're just gonna submit to everybody. And, you know, it can be a really frustrating thing for editors and agents because they're only representing nonfiction. And here's this manuscript they've got to deal with or this email they've got to deal with with someone who's who wants to, you know them to represent their picture book or their, you know, suspense thriller for adults, and it's like, no, you need to, you need to have enough respect for your work and for your emerging career, to take the time and do the research. And it is going to take time, and it is going to be frustrating, because you're looking at their, you know, Twitter feeds, and their social media and the blogs and all these kinds of things. But in the long term, and in the long run, it will, it will only do good.   Michael Hingson  35:33 One of the things that seems to me when you're talking about great writers is either they have a real sense of what it is, that would make someone want to read their book or their story, or they know how to get that information and then will will put it to use, which may not mean that that makes them a great writer, but it certainly makes them a much better marketer. Yeah.   Natasha Deen  36:03 No, it's well, and you know, this is? Yeah, you know, like, the, the great thing is that there's lots of different readers out there. And there's lots of different writers out there. And I think it's really important for us as readers to understand that just because we don't like a book, doesn't mean the book is bad. It can just mean that we're not the reader for that book. And I like, you know, I'm the person, like, if you're gonna give me a book, and there's, there's animal characters in that book, those animal characters better survived through the book, because if not surviving through the book, I am not reading it, you know, and it is like, and I will give you full credit that it's an amazing book, it's probably beautifully written. But no, if there's dog on page one, that dog still needs to be there on page, the end and happy. I want I want my dogs if they've gone through what they've gone through, but it's all okay. So so things like that, you know, and I'm very careful about women in peril kind of books, right? I'm I, some of them, I can read some of them. I can't. And again, it doesn't mean that they're not great writers. And those aren't great stories. It just means that I'm not the reader for them.   Michael Hingson  37:19 Yeah, Old Yeller is is a fine book. Except,   Natasha Deen  37:23 right. Hey, I tell you what, Michael, I mean, I get teased a lot because I'm the person who reads the ending before I read the rest of the book. But I blame that on Where the Red Fern Grows, because that book took out my heart. And I'm still not over it. I was when I read it. I'm still not over that book. And yeah, you know, and, and for me, it's like, Listen, if you're gonna ask me to spend however many hours, I need to know, it's gonna be worth my time, I need to know that these characters are gonna like, there's gonna be some kind of like, hopeful sort of note. The only time they don't do that as if it's a murder mystery. Because I want to I want to play along and see if I can find who the bad guy is before the detective does.   Michael Hingson  38:08 So dealing with animal books, of course, I mean, maybe it's the exception to a degree but then you have a book like Cujo, you know, from Stephen King, and, you know, do you really want I'm gonna I would love to have the dog not to have gotten rabies in the first place. But you know, that's the whole story.   Natasha Deen  38:25 I never I never rented the idea of a bad dog was just like no, no, I can't   Michael Hingson  38:31 start out a bad dog. That was the thing of course.   Natasha Deen  38:34 Oh, I know. I know what it is. No cuz you know there's only one ending for this poor dog. Yeah, right. Yeah. So so there is a dog in in tuna story and I want to sure all three out there that don't worry Everything Everything will be fine with magic.   Michael Hingson  38:57 Well, I appreciate that. I like books where were the animals survive? Of course I wrote thunder dog and Roselle survived in Thunder dog but they all they all do pass and but that's another that's another story.   Natasha Deen  39:12 Yes. That's it. And that's that's different. That's different. That's a   Michael Hingson  39:17 whole different you know? Yeah. And Roselle is somewhere waiting and watching and and monitoring and and occasionally probably yelling at us but you know, that's her.   Natasha Deen  39:29 That is yelling just just can't the ducks the doughnuts, man. Nothing.   Michael Hingson  39:36 What do you mean? Yeah, no, no, no, no, no. Roselle was also out there saying don't give them the donut. I want the donut. What do you do to those dumb ducks?   Natasha Deen  39:49 I feel like she would know that her bread will come later. Right?   Michael Hingson  39:54 Oh, well, maybe now but not then. Oh, yeah. Oh, no, no, thank you. is a lab What can I say?   Natasha Deen  40:02 No, I listened. We've got a husky mix. And I was joking around about how you definitely don't have to share DNA to the family because the look on her face when there's food. And just just the way she'll just look at you like, you're gonna share that right. And the long conversations I have with her room, like, I cannot share this. This is not appropriate. This is gonna make you really sick. You know, but I was thinking my husband one day I was like, as like, you know, I am pretty sure I get that same look on my face whenever I see through to just like, Oh, dang, is that? Oh, is that? Is that bread? Oh, man. Is that cheesecake? Hey, how you doing? Are you? Do you need some help on that? I can I   Michael Hingson  40:41 can totally help me. Make sure that that's really safe for you to eat.   Natasha Deen  40:45 Let me let me just make sure I Is that is that good. Let me let me tell you that bullet. Right. Let me take this for you.   Michael Hingson  40:52 You have you have children?   Natasha Deen  40:54 Yes. Yes, they're full grown boat. So they have kids of their own now.   Michael Hingson  40:58 So okay, so you have grandchildren? And and do we? Do we have any of them in your beta reader groups?   Natasha Deen  41:06 No, no. Because they Well, because they're they're still little adults, adult's? Oh, you know, I actually they'll read it afterwards. Because their schedules are pretty, their schedules are pretty intense. So   Michael Hingson  41:24 part of the evaluation process? Well, I   Natasha Deen  41:27 just feel bad, you know, looking them being Hey, hey, I know you're juggling, like 10 Different things now. But can I throw one more ball at you. And then also, like, I appreciate, like I use I use writer BETA readers, as opposed to just the quote unquote, regular folk, just because I usually by the time I'm done, I've got very specific questions about story structure, how the acts are transitioning? Can you can you see the a story B story? Where can you see the external? And so there needs to be a certain level of, I guess, like literary mechanical engineering? Do you know what I mean? Where I think to that? I think I think I think my family would be like, I love you. But stop asking me about the grammar. There's only so many times you can be like, okay, within what about, you know, when I when we're doing this metaphor, and it's, you know, like, just let me read it. Okay, so read it. So   Michael Hingson  42:29 how about today? Reading, I don't know, I'm trying to figure out what's happening to reading we've, we've changed a lot. Reading is now not just getting something on paper, we have electronic books, and so on. And I hear a lot of people say, Yeah, I read the books, it's not quite the same as reading a book. That's a full paper book, but I enjoy reading them as well. And of course, then there are a lot of people who just don't get into reading at all. But reading is so valuable, because it seems to me that one of the great advantages of reading is it gets you to sit and relax and take time away from everything else that probably we really don't need to be doing anyway. But we do it. But the reading gives you the opportunity to just sit down and let your mind wander. And it develops a lot of imagination. How do we get more people to do that?   Natasha Deen  43:30 That's a great question. And I'm not sure that I have a feasible? I'm not sure I have the answer. You know, but I think one of the things you said in the beginning was I think very well said that there is more than one way to access stories now. And I think that's really important. Right? If you are if you are someone who loves paper books, that's wonderful. But you know, for some of us, we're going to come to story differently. We want the story told to us, you know, or we want the story in some kind of a different, you know, when you're thinking about sometimes, like, finger dexterity and coordinate, you know, a screen is much easier to navigate. Than, then sometimes a book can be, and depending on the device you're using, it's going to be lighter. So if you have issues holding books, paper books, I mean, you know, this, these are like, these are the kindnesses that I think technology affords us, and that, you know, and if you're if you're busy, you can pop in that audiobook when you're sitting in the middle of rush hour and you can get to story that way. But I think a lot of it is is getting to folks when they're young and understanding that, again, not everybody comes to story the same way. And the thing that I think is magical about being a writer is that I can write I can write this Signs of wonders of tuna or Shawn, and I can give 30 people a copy of that book. And everyone will have the same book, not everyone is going to read the same story. Because at the moment time we start reading, we're going to bring our hopes, our dreams, our past experiences, our, you know, future or future hopes for us. Like we bring all of these things in how you know, do we have great relationships with our parents? Do we not, you know, how do we view the world? All of these things, like infuse the stories that we read, and they changed right there, they become another creature. So someone reads the book, and they say, Oh, yes, I read this. And this book is a cat. And someone say, no, no, no, it's not a cat. It was a chameleon. And someone else will say, No, it's a phoenix. And each of those people are correct, because that is how they interpret the story. And that's how they interpreted the book. And so you know, when we're talking about getting people, folks to love reading, it's getting them I think, a lot of times getting them young, understanding what are their what are the things that they love to read? What are the things that they love about the world? Let's, let's start there, and give them those kinds of stories. Like, you know, the idea that oh, I love this book, therefore, you must love this book is a really unkind to do to people. Because it says because I think of this like this, you must also think of this, like this, and and people are individuals, right? My mom's favorite book is To Kill a Mockingbird. I think I think it's a well written book. I can't stand the book. It sets my hair on fire every single time. You know, I have friends who really love the Great Gatsby, I'm not that person. Right? It doesn't mean that those people are wrong. I love the fact that my mom loves To Kill a Mockingbird, you know, and I love that my mom understands that's never going to be my favorite book. And she respects that. And so when, you know, when we were growing up, it was like, go to the library, even if she was like, Oh, that's okay. You know, she would give us space, if that's what you love. That's what you love. And I think we need to stop. Also, what's the word I'm thinking of? You know, I hear people a lot of times, especially with young readers, where they say things like, oh, but it's a graphic novel. There's not a lot of text in there. And, you know, how are they are they going to become readers? And it's like, be okay, granted, but when you look at a graphic novel, there's, there's images and who's looking at this book and reading through it has to be able to make intuitive leaps about you know, what's happening in this box versus what's happening in this box. And, you know, so it's still teaching, it's teaching life skills is teaching like human skills. And I think if we can leave, we can go from the point of taking the spotlight and putting like taking the spotlight and putting it on to the person who we want to get reading and having an open conversation where we respect where they're coming from. I think that can be really helpful.   Michael Hingson  48:11 Yeah, book like To Kill a Mockingbird is is an interesting book, I'm, I'd be curious to know what it is that the you've read, really find a problem with the book, but I can see that different people would certainly read that and deal with it in different ways. Oh, for me,   Natasha Deen  48:29 it was it was just this as you know, I'm a person of color in my everyday life, I've got to deal with micro aggressions and, and so in my, in my relaxed life, in in my fictional world, I don't want to have to I want space from that. I just want to be able to read something fun and something, you know, enjoyable. I don't want to have to read about the things that I'm trying to deal with in the real world, but at the same time, people really love it.   Michael Hingson  49:00 One of my favorite books is one that I'm sure today is not a favorite book for a lot of people. It's a Connecticut Yankee in King Arthur's court by Mark Twain. And I love the plot. I love all the things that happened in it. It's just one of those books that has really stuck with me, and that I absolutely thoroughly enjoy. I guess also, I do have to say that I originally read it as a recording. It was a talking book produced by the Library of Congress. And the guy who read it was perfect. But it has always been one of my favorite books. I think it's just an incredibly creative book. And I admire that.   Natasha Deen  49:43 Yes, yeah. Well, I you know, it's easy because I really liked calm Sawyer and Hawk you know, I thought I mean different books. But yeah, they were fun characters, and I thought Twain had a very excellent storytelling style. I guess that's it. You're right. Yeah.   Michael Hingson  50:01 Well and, and different kinds of stories. I'm an okay Yankee Yankee in King Arthur's Court is hard. I like Tom Sawyer.   Natasha Deen  50:08 Well, did you did you know that he when he died, and like fact check me on this because I remember reading this years ago, but that his diary, he made sure as well that the diary could never be published for something like 100 years, because of the he was talking smack about so many people. He was like, they cannot be alive. But like,   Michael Hingson  50:33 yeah, I remember that. And it wasn't. So, of course, he knew we knew what he was going to die. He was born in 1835. And he said, I came in with Halley's comet, and I'll go out with it. And he did.   Natasha Deen  50:45 That's amazing. Hey,   Michael Hingson  50:48 it's just one of those things. Well, you know, before we wrap all this up, what's next for you? Where are you headed? What? What kind of projects do you have coming up?   Natasha Deen  50:58 Well, so yes, the tuna releases on June 7. I'm very, very excited about that. And then I'm just finalizing the book in the spooky SLIS series. And that's for early. That's for ages like 79 That's with Penguin Random House. And I'm very excited about that. That's, that's awesome. And Rockstar who live on in Lions Gate, and spooky creepy things happen. And awesome is convinced that there are supernatural creatures roaming the town. And rock star is convinced that because there is a science lab, it's probably just science running wild. And so the books, the book one opens up with a tree. That seems to be housing, a very evil spirit. But what will happen next?   Michael Hingson  51:48 Oh, you have to read the book to find out.   Natasha Deen  51:51 That's right.   Michael Hingson  51:54 Have you ever read books by David Baldacci?   Natasha Deen  51:56 Yes. Yeah, I just started reading him. Memory Man, I just I just started.   Michael Hingson  52:01 So and that's a that's a good one. But he also wrote, I think it's more for youth if I recall, but he wrote a series of four books. It's the Vega chain series. And if you ever get a chance to read those, it's a totally different Baldacci, then all of his mysteries, their fantasies, and it's a fantasy world, sort of, I don't want to give it away. But they're, they're well worth reading. I accidentally discovered them. I was looking to see if there was anything new by Baldacci out on Audible. And I found one of these and I read it on a on a plane flight and got hooked and so then could hardly wait for the next one to come out. So it's Vega, Jain V, GA and then chain.   Natasha Deen  52:48 Okay, yeah, thank you.   Michael Hingson  52:51 I think they fit into a lot of the things that you have been writing about. So they're, they're they're definitely worth reading. But there's nothing like reading conversations are great with people. But you get to meet so many more people in a book. And as I said, it seems to me that the most important thing about reading is sitting down and reading to let your imagination go. And you're right. The way you imagine is different than the way that I imagined. And we're all different. And that's the way it should be.   Natasha Deen  53:23 Yeah, absolutely. Absolutely. Thank you, Michael. This was a lot of fun.   Michael Hingson  53:28 This was fun. I very much enjoyed it. And we need to do it again in the future. Yes, sir. So no tuna books are out yet. No, not yet. Next. So tunas tuna is new. It's coming out next Tuesday.   Natasha Deen  53:45 The signs and wonders of tuna are shot.   53:47 Wow. So that'll be fun. Well, we'll have to kind of watch for   53:51 it. Okay, sounds good.   53:55 If people want to learn more about you, and maybe reach out to you and talk to you about writing or any of those things, how can they do that?   54:04 Oh, on my website, www dot Natashadeen.com. And Natasha Deen is spelt D E E N. And Natasha is N A T A S H A.   54:18 So N A T A S H A D E E N.com. And they can contact they can contact you there and so on. And I assume you have links so that they can go buy books.   Natasha Deen  54:32 Yes, yes. Yes. It wouldn't be a website without it.   Michael Hingson  54:35 No, not an author's website. It would not be Well, this has been great. I really appreciate you coming on we will have to stay in touch. And we'll have to catch up to see how all the book sales go and how the the awards go once the new series are out. Thank you.   Natasha Deen  54:54 Yeah, sounds well make it a date, sir. They'll be perfect.   54:58 Absolutely. Well, Natasha, thanks for being here. And I want to thank all of you for listening and being with us today. This has been absolutely enjoyable. I hope you found it. So reach out to Natasha at her website, Natasha deen.com. And of course, I want to hear from you. So if you would like to reach out, please email me at Michaelhi at accessibe.com M I C H A E L H I at A C C E S S I B E.com. Or go to our podcast page, Michael hingson.com. hingson is h i n g s o n.com/podcast. And of course, we sure would appreciate it if you'd give us a five star rating after listening and, and come back and subscribe and listen to more unstoppable mindsets. We have all sorts of adventures coming up. And we would love you to be part of it. So if you'd like to be a guest, let us know if you know of someone who you think would make a good guest. Let us know that too. So again, thanks for being here. And Natasha, thank you once more for coming on unstoppable mindset.   Natasha Deen  56:03 Thank you, Michael. And thank you to all the listeners. I loved it. Thank you for spending time with us.   Michael Hingson  56:12 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com. accessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for listening. Please come back and visit us again next week.

The Mob, The Mafia, and The Man Season 3 Episode 42John Alite w/ Derry Rundlett & Rob BaldacciThis Episode is Sponsored by BetterHelphttps://www.betterhelp.com/aliteFor exclusive memorabilia visit our official website:https://www.johnalite.comIG: https://www.instagram.com/truejohnaliteFB:https://www.facebook.com/truejohnaliteTwitter: @johnaliteJoin the membership in channel to get access to perks:https://www.youtube.com/channel/UCAogjIY32hYstDNgr3h07qA/join

In this episode, we interview thriller-writing legend David Baldacci about his new novel Dream Town, discuss his writing journey and his fear of orang-utans, and debate the "Oscars slap"

David Baldacci appeared in front of a sold-out audience in Lancaster for the Lancaster County Public Libraries late last year. Smart Talk host Scott LaMar spoke with Baldacci about writing, books and his career. Support WITF: https://www.witf.org/support/give-now/ See omnystudio.com/listener for privacy information.

Scrizzy Santana from Fullerton Ca . Just got signed to Grammy award winning label Afinarte his style is a little unique in the game blending sounds like hip hop, corridos, and R&B. He's In &out the pocket with English and Spanish lyrics that sound smooth and not forced. Scrizzy Santana grew up playing multiple instruments due to the fact most of family members play in bands or just for fun. He produces and engineers most his music with his homie fulafunk @ fulafunk studios. Scrizzy has worked with many local talents like Baldacci, Kujo the savage, Sadboy Loco, Lari the G, and famous producer Darren Vegas. Finally, with a label and a budget behind him, the sky is the limit. We really appreciate you welcoming him on our platform.

Esta es una muestra de "La huida (Serie John Puller 3)". La versión completa tiene una duración total de 16 h 21 min.Encuentra este audiolibro completo en https://bit.ly/lahuida_audiolibroNarrado por: Pablo Martínez GugelEs una cárcel inexpugnable. Sus sistemas de seguridad son los más sofisticados del mundo y hay tantas cámaras de vigilancia que no hay un solo milímetro que no quede bajo control. Ninguno de los reclusos sueña con escapar porque saben que es imposible. Hasta ahora. Robert, el hermano mayor de John Puller, fue condenado por alta traición y crímenes contra la seguridad nacional. Su inexplicable huida de la principal prisión militar de los Estados Unidos le ha convertido en el criminal más buscado del país. En el gobierno, algunos creen que la mejor opción para capturar a Robert vivo es John Puller, el hombre siempre necesario para investigar los crímenes más duros que su país debe afrontar. John Puller acepta la misión más difícil de su carrera, pero muy pronto descubrirá que los mismos que han logrado condenar a su hermano, le prefieren muerto. Y no solo a él. Puede que ni su habilidad extraordinaria como investigador, ni su fortaleza, ni su experiencia sean suficientes para salvar la vida de ambos. Un trepidante thriller al más puro estilo David Baldacci donde las conspiraciones y los giros de la trama conducen hasta un final completamente inesperado. La crítica ha dicho...«Una lectura estupenda, como siempre con Baldacci. No se la pierda.»BookLoons.com «Baldacci maneja la compleja trama con consumada facilidad mientras Puller va de sorpresa en sorpresa.»Publishers Weekly «Baldacci construye el suspense como pocos.»San Antonio Express-News «David Baldacci nunca ha estado mejor que en La huida.»Providence Journal© 2022, Penguin Random House Grupo Editorial, S. A. U.#penguinaudio #audiolibro #audiolibros #baldacci #davidbaldacci See acast.com/privacy for privacy and opt-out information.

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Interview #142 on The Bootleg Kev Podcast we have The Face Of LA, Baldacci!Baldacci has some dope new things on the way w/ his music. We dive in his early years being on the streets in LA & going to prison for multiple times. We also talk about his infamous tattoos & much more. This was a very dope & informative look on the side of LA most don't know. Enjoy!LIKE, COMMENT, & SUBSCRIBE! Check out the podcast on platforms: https://linktr.ee/thebootlegkevpodcastFollow Bootleg Kev: http://instagram.com/bootlegkevFollow Baldacci : https://www.instagram.com/thefaceofla

Escucha este audiolibro completo aquí: https://bit.ly/3KAi5AdNarrado por: Diego RousselonA tres horas de Washington, un río fuertemente custodiado sirve de frontera de dos instituciones. Una de ellas es una extraña comunidad científica cuyos objetivos y fuente de financiación nadie conoce. La otra es Camp Peary, un campo secreto donde la CIA forma a sus cuadros de élite. Las vidas de Sean King y Michelle Maxwell, ex agentes secretos reconvertidos en investigadores privados, no atraviesan un buen momento. Además, Sean se ve forzado a investigar la muerte de un científico en la comunidad que se sitúa frente a Camp Peary. Pronto sabrá lo suficiente para poner su vida en peligro. Opinión:«El mejor thriller de Baldacci. La acción es implacable.»Publishers Weekly #penguinaudio #audiolibro #audiolibros #David #Baldacci #DavidBaldacci See acast.com/privacy for privacy and opt-out information.

Christie and Cathi give their recommendations for January. Each gives their book choice as well as the food and wine they chose to pair with each. The two books are "Mercy" by David Baldacci and "The Dark Hours" by Michael Connelly. 

David Baldacci has been writing since childhood, when his mother gave him a lined notebook in which to write down his stories. (Much later, when David thanked her for being the spark that ignited his writing career, she revealed that she'd given him the notebook to keep him quiet, "because every mom needs a break now and then.") He is one of the most prolific authors ever, turning out best-selling high-octane thrillers year after year.Author of 43 novels, all have been bestseller's and several have been adopted for TV and movies, Baldacci is out with Mercy, the 4th book in the Atlee Pine series. Her harrowing search for her long-lost sister reaches a boiling point in the next installment of this series.http://davidbaldacci.comThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. We also offer advertising. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

David Baldacci has been writing since childhood, when his mother gave him a lined notebook in which to write down his stories. (Much later, when David thanked her for being the spark that ignited his writing career, she revealed that she'd given him the notebook to keep him quiet, "because every mom needs a break now and then.") He is one of the most prolific authors ever, turning out best-selling high-octane thrillers year after year.Author of 43 novels, all have been bestseller's and several have been adopted for TV and movies, Baldacci is out with Mercy, the 4th book in the Atlee Pine series. Her harrowing search for her long-lost sister reaches a boiling point in the next installment of this series.http://davidbaldacci.comThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. We also offer advertising. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow

Third-year UVA Law students Chris Baldacci and Michael Patton face off against Abigail Burke and Bolton Smith in the final round of UVA Law's 93rd William Minor Lile Moot Court Competition. Judge Pierre Bergeron '99 of the Ohio First District Court of Appeals, Judge Britt C. Grant of the Eleventh U.S. Circuit Court of Appeals, and Chief Judge Sri Srinivasan of the U.S. Court of Appeals for the District of Columbia Circuit decided the competition's winners, Baldacci and Patton. (University of Virginia School of Law, Nov. 10, 2021)

Che lo si chiami “impulso archivistico” o “archiviomania”, il bisogno individuale e collettivo di accumula-re, collezionare, classificare per cercare di dare un ordine alle cose, per conservare e tramandare la memoria e le conoscenze o per fare spazio al nuovo, appare oggi più che mai vivo. Soprattutto tra gli artisti, che, voraci creato-ri e consumatori di immagini, sono stati tra i primi a comprendere che i nuovi mezzi di registrazione avrebbero aperto infinite possibilità e dubbi vertiginosi sul nostro saper ricordare. Nell'arte contemporanea, più che un tema o una metafora, sembra definirsi sempre più come un nuovo genere per ripensare le tradizionali forme di catalo-gazione: atlante-mappa, ciberspazio, indice-lista, Wunderkammer, database. Lo rivelano alcune grandi mostre come Atlas al Museo Reina Sofía (2011), dOCUMENTA di Kassel (2012) e la Biennale di Venezia di quest'anno.

David Baldacci er en av verdens mestselgende thriller-forfattere. Han har solgt over 150 millioner bøker og er utgitt i over 80 land. Baldacci regnes som actionthrillerens ubestridte mester. Her er David Baldacci i samtale med Aftenpostens krim- og film-ekspert Asbjørn Slettemark.

Baldacci scrisse questo breve lavoro divulgativo nel 1939, all’indomani dell’annessione dell’Albania al regno d’Italia. Ma di questioni albanesi si occupava da decenni e in particolare dal 1925, conducendo studi in collaborazione con istituti del posto in ambito scientifico.

Baldacci talks about being in the system from a very young age by trying to follow his Dad's footsteps, getting shot 5 times, almost getting 21 years for something he didn't do and finding savior in music. https://www.instagram.com/thefaceofla/ ----- CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5tesvmDS8h50LkjnSAWMOs?si=j6sJD6DkR4mk5NZZWnlK7g FOLLOW US ON SNAPCHAT FOR THE LATEST NEWS & UPDATES https://www.snapchat.com/discover/No_Jumper/4874336901 CHECK OUT OUR ONLINE STORE!!! http://www.nojumper.com/ SUBSCRIBE for new interviews (and more) weekly: http://bit.ly/nastymondayz Follow us on Soundcloud: https://soundcloud.com/nojumper iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 Follow us on Social Media: https://www.snapchat.com/discover/No_Jumper/4874336901 http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/NOJUMPEROFFICIAL http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: https://www.tiktok.com/@adam22 http://www.twitter.com/adam22 http://www.instagram.com/adam22 adam22hoe on Snapchat

Daniel från leverantörsföretaget Baldacci kommer förbi studion för att ge sin syn på branchen. Hur ser han på den aktuella situationen? Vad är skillnaden på en svensk och en amerikansk frisör? Hur kan vi öka vår omsättning genom att erbjuda extra behandlingar? Frågorna är många och till slut får vi också ta del av historien om hur mirakelprodukten Olaplex kom till Sverige - Välkomna!

Every bid is different. In John's case, he saw plenty of the dark side in prison and was forced to learn the "do's and don'ts quickly and how to be a dog and no dog food. From prison riots to cellmates killing each other and even killing themselves. Surviving and getting out on the other side and a path to freedom was not easy. Take the journey with him and Pistol Pete from a young teenager to a mature adult man. John now is in the music game and partnered with LA street legend Baldacci.Give it up for John

Baldacci was working the streets of South Central at 13 and as. teenage he had one day where he stole stole three different cars and was caught by the police each time! Later he was shot five times with a AK47 semi automatic in a gang fight only to survive after two months in a coma. Afteer years in prison, he eventually turned his life around.

Maine State Senator Joe Baldacci joins us to talk about reconciling with Trumpism in local, state, and national politics. Hosts: Graham Jenkins and Joe Leonard. ©2020 Commoner Public Radio Network. Theme "Grow" composed and performed by Bad News Band. Theme: https://open.spotify.com/track/7B286IInS4X2LrAGj9NnjX?si=pKd_bGQkQcGjqweP6002xQ. Email: intheclearcpr@gmail.com Youtube: https://www.youtube.com/channel/UC0iXuBXE4EVZu1EWRCBzvKw Facebook: https://www.facebook.com/intheclearCPRN Twitter: https://twitter.com/intheclear4 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cpr-network2/message Support this podcast: https://anchor.fm/cpr-network2/support

Our next lesson on compliance communications comes from best-selling authors James Patterson and David Baldacci and it about your brand. I had always thought of your brand as the image customers have of your business. It should be strategic and intentional. For a corporate compliance function, it might mean something along the lines of doing business ethically and in compliance. It could mean creating an effective compliance program that enhances business efficiency that drives greater profitability. It could mean driving an ethical culture to the very heart of your business.  However, Patterson and Baldacci discussed brand in a manner which was very different than the way I think about brand and branding. They said your brand is not an image but is about your relationship with your stakeholders. For an author, that means your readers. For these writers, it means that you deliver what your readers expect and if you are going to go in a different direction, it is important to let your readers know that you are doing something different so that if you pick up a Baldacci or a Patterson, the book will be something other than the thriller or murder mystery you are expecting. While there are other groups you may well have a relationship with as a compliance professional, looking at this from the perspective of Baldacci and Patterson you begin to see the corporate compliance brand and your own personal brand in a very different light. It is one which I think can help you to be both more effective as a compliance professional and lead to more professional opportunities for you as well. Three key takeaways: How do you define your compliance brand? What is your relationship with your stakeholders? As a CCO or compliance professional you can draw lessons from a wide variety of disciplines.

What is the future of advertising agencies? As the world modernizes and the old methods give way to native, targeted, and subversive advertising, how is a studio meant to keep up? Strange as it may seem, the issues facing independent ad agencies are very similar to the evolution of the motion design industry. We're chatting with Creative Director Roger Baldacci of Strange Animal!

A fun, special episode today. You've heard us talking about SaberSim and now we've got their CEO, Andy Baldacci, on the show! Jay and Andy chat about how to best use lineup optimizers, the best sports to target, and how not to fuck up.Check out SaberSim at SaberSim.com - Free 3 day trial! Jay did and loved it!@SaberSimSupport the show (https://www.buymeacoffee.com/IPAsAndDFS)

FIGURE BIBLICHE DELLA FEDE: ciclo di ritiri domenicali organizzati dal Centro Culturale San Lorenzo di Torino. Sito: http://www.sanlorenzo.torino.it/index.php/it/associazione/centro-culturale "Davide" di Morena Baldacci (pescarese, è teologa e liturgista. Ha studiato al Pontificio Istituto Liturgico Sant’Anselmo di Roma. Da alcuni anni è responsabile del Servizio Diocesano di Pastorale Battesimale nonché socia dell’Associazione Professori di Liturgia e del Coordinamento Teologhe Italiane. Attualmente è docente di Liturgia alla Pontificia Università Salesiana di Torino, e sempre a Torino collabora anche con l’Ufficio Liturgico Diocesano). ___ Se ti è possibile, supporta questo podcast con una piccola donazione; il tuo contributo sarà impiegato per coprire le spese e per reperire le registrazioni di altre conferenze. https://www.paypal.com/paypalme/incamminoversocanaan --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Joe Biden has chose Kamala Harris as her running mate. Good or bad choice? For governor John Baldacci and I discuss the selection and the state of the election as we head into Labor Day. Also my top five albums of all time. 

On this week's HR Power Hour, success feels great, but we learn the most from our failures.Whether the failure is large or small, the growth potential that comes with the experience provides an opportunity for future success.In this episode, we sit down with Robert Baldacci to discuss his work with Baldacci Consulting Group, his experiences in the restaurant industry (both in a well-known family-owned restaurant and as a franchisee), and the lessons that he has learned throughout his business career that are helpful generally, and to businesses as they pivot operations and plans amidst pandemic concerns. 

Your headphones will sign a record deal when the Brilliant Baron Von Beast Baldacci assaults the three Top Notch Podcast Kings, Big Lucks and the crew in the Hard Luck Lair, “The Face of LA” Baldacci releases a hard luck, hard knock, hard core, hard fought, hard won, heartfelt history that resolves all mysteries and gives us the keys of how to come from the streets, do state time, do fed time and emerge with dope rhymes, his wingman Shady John covers us while Baldacci let's loose with the truth, what an AK-47 did to Baldacci's body, air bubbles in his blood, how he came up, what he learned from a legendary millionaire, the music-artists he fucks with, and rap secrets. Real wisdom and hope flow from this incisive interview.Support this podcast at — https://redcircle.com/the-hard-luck-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Andy Baldacci is the host of The Early Stage Founder podcast and a marketer at Groove. Groove is a simple help desk SaaS product that's used by over 8000 companies. The business was founded in 2011 by Alex Turnbull. Alex bootstrapped the business and had grown it from zero to over $500,000 in monthly recurring revenue. The Show Notes Groove Helpdesk Groove Blog (Startup Journey) Alex Turnbull on Twitter The Early Stage Founder Podcast Andy on Twitter Omer on Twitter Enjoyed this episode? Subscribe to the podcast Leave a rating and review Follow Omer on Twitter Need help with your SaaS? Join SaaS Club Plus: our membership and community for new and early-stage SaaS founders. Join and get training & support. Join SaaS Club Launch: a 12-week group coaching program to help you get your SaaS from zero to your first $10K revenue. Apply for SaaS Club Accelerate: If you'd like to work directly with Omer 1:1, then request a free strategy session.

In Episode 68, we check in with Ethan Jones, a spy thriller author who decided to go wide with his novels and focus on growing his Kobo sales. His 2015 sales were up 260% over 2014, and every month has broken his sales record from the preceding month. Kobo is now Ethan's leading retailer, bringing him healthy four figures each month and rising. How did he accomplish this? What advice does he have for authors considering publishing to KWL, or just starting out? Tune in to find out! Ethan has three spy thriller series currently on the go His inspirations: Brad Thor, Vince Flynn, Baldacci, Tom Clancy, Bourne series He feels it's important to not only know the market, but to know the basic story lines of major authors in his genre and not repeat them; “Readers are more likely to believe that Ethan Jones copied Brad Thor than the reverse.” Why he switched from exclusive with another retailer to wide distribution. Since then, his Kobo sales have grown in a big way. He saw a 260% increase in sales for 2015 over 2014. Every month is higher and higher, now bringing in healthy four figures per month, more than all other retailers combined. It took perseverance in terms of both time and effort When you upload to Kobo, give the books time. Inform your readers that they are available in that channel. Think of your career as a marathon – you are laying the groundwork to establish a readership globally, across multiple retail channels Sold books in 30 countries so far through Kobo, including Fiji and Turks and Caicos Ethan still works a full-time job, and does his writing during his commute and lunch break. He catches up on email and marketing on the weekend Connects with the writing community through online forums, cross-promotions, and attending conferences On Mailing Lists: he manages two lists. 1) 2 emails a month, goes to everyone who has expressed interest in him and his books. Brief update, new releases, any deals, offers that include cross-promoting 2-3 other authors.  2) ARC readers, 1 email a month about review copies and a reminder about posting reviews Releases a new book every 3-4 months Average cost of producing each book: $200-$300 per book for editing/proofreading. $200 for a cover. Under $500 per book total Beyond BookBub, his promotional strategies include: tell readers about all new books, price pre-order lower than launch price. Send occasional flash sales to his mailing lists. Hit some of the smaller promotional website opportunities beyond BookBub Something his readers might not know about him: English isn't his first language (it's Albanian), and Ethan Jones is a pen name A few overall words of wisdom: Start right away with building a mailing list. Invite anyone and everyone you know – it might surprise you to learn who is interested in your writing. Distribute widely; think about your career as a long-term gig, and give yourself 18 months to work on promoting new channels. LINKS OF INTEREST www.ethanjonesbooks.wordpress.com Author Ethan Jones on Facebook AuthorEJones on Twitter Ethan Jones is the author of the wildly popular Justin Hall spy thriller series, featuring Canadian Intelligence Service special agents operating mostly in the Middle East. This series has nine books so far. The first four books in this series have reached the Amazon's Top 10 Best Sellers lists. Ethan has also started a new spy series: Carrie Chronicles, which features Justin Hall's partner, Carrie O'Connor, in solo adventures. The first two novels in this series, Priority Target and Codename: Makarov have already come out and more are expected to be released in 2017. He is also working on a romantic suspense series, featuring Jennifer Morgan, set in New York. The first book in this series, The Secret Affair, is already out and the second and the third will be published in fall and winter 2016. Ethan is a lawyer by trade, and he lives in Edmonton, Canada, with his wife and son.

Groovebox part 1 : 01-Santos - Hold Home (Original Mix) 02-Ellroy - Repeal (Original Mix) 03-Waifs Strays Vs Mark Jenkyns - Pang (Original Mix) 04-Maiki, Oscar Barila - Too Delirious (Daniel Stefanik Remix) 05-Secondcity & Kydus - The Light (Original Mix) Nicola Baldacci Part 2 01-Rene Amesz & Camilo Franco - Once And For All (Original Mix) 02-Nicola Baldacci – Magnetized (Original Mix) 03-TheCubeGuys – Boom! (TheCubeGuys Miami Mix) 04-Chris Lake – Chest (Original Mix) 05-Nicola Baldacci – Don't Fuck With Me (Original Mix) 06-Technasia & Green Velvet – Suga (Original Mix) 07-George Privatti & Guille Placencia – Rock (Original Mix)