Podcasts about Dirty Three

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  ‘Spinal Tap II: The End Continues' is finally out this week—but will it rock Mark's world or break his heart? He'll deliver his verdict in this week's Take—plus more reviews of the biggest movies hitting cinema screens this weekend. First up it's the final film instalment in everyone's favourite goes-down-nicely-with-a-cuppa-tea-missus period drama saga, Downton Abbey. On a much less civilised note, we've got ‘The Long Walk' too—a brutal death game drama adapted from Stephen King's novel. Plus we'll get your top takes on the Box Office Top 10 and whatever else is going on in your lovely listener lives.   Our very special and exceptionally well-dressed guest this week is Warren Ellis—musician of Nick Cave & the Bad Seeds and Dirty Three fame, and now the subject of new Justin Kurzel directed documentary ‘Ellis Park'. It follows the story of the animal sanctuary Ellis founded in Indonesia with Femke den Haas, and it's an intimate insight into the life and music of this very cool man too. He chats IRL in the studio with Mark and Simon—and this week we're filming the whole show in golorious technicolour, so you'll get the full effect of his excellent outfit. They talk all about the movie and plenty about music too—and just because Warren loves a lengthy natter we've got even more for you in Take 2—so listen up!     Timecodes (for Vanguardistas listening ad-free):  Downton Abbey Review: 06:35  Box Office Top Ten: 14:41  Warren Ellis Interview: 25:19  The Long Walk Review: 46:37  Spinal Tap: The End Continues Review: 1:00:48        You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adalita, singer and guitarist of Magic Dirt, has a new band. It's called Bleak Squad, and is comprised of Adalita, Mick Harvey from The Bad Seeds and The Birthday Party, Mick Turner from The Dirty Three, and Marty Brown from Art of Fighting. Get their debut album Strange Love from bleaksquad.bandcamp.com.

Australian director Justin Kurzel on his documentary Ellis Park, which follows Bad Seed and Dirty Three violinist Warren Ellis as he pursues his twin passions: making music and supporting a wildlife sanctuary in Sumatra.Filmmakers Danny Boyle and Alex Garland talk political allegory and post-Brexit Britain in their new zombie film 28 Years Later, a follow-up to the cult 2002 film 28 Days Later.Bonus zombie extra: an exhumed interview with the late George Romero, director of the seminal 1968 film Night Of The Living Dead.Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Ross RichardsonExecutive producer, Rhiannon Brown

Australian director Justin Kurzel on his documentary Ellis Park, which follows Bad Seed and Dirty Three violinist Warren Ellis as he pursues his twin passions: making music and supporting a wildlife sanctuary in Sumatra.Filmmakers Danny Boyle and Alex Garland talk political allegory and post-Brexit Britain in their new zombie film 28 Years Later, a follow-up to the cult 2002 film 28 Days Later.Bonus zombie extra: an exhumed interview with the late George Romero, director of the seminal 1968 film Night Of The Living Dead.Presenter, Jason Di RossoProducer, Tony NortonSound engineer, Ross RichardsonExecutive producer, Rhiannon Brown

Brisbane, Australia's The Saints are responsible for two of the greatest punk albums of all time, in 1977's '(I'm) Stranded' and 1978's 'Eternally Yours.' This November, look for “The Saints '73-‘78” to be touring North America, featuring original members Ed Kuepper and Ivor Hay, along with The Birthday Party's Mick Harvey, the Sunnyboys' Peter Oxley and Mudhoney's Mark Arm, in service of original lead singer Chris Bailey, lost to us in 2022. Additionally, there's a four-LP boxset version of the milestone debut album out, as well as a new solo album from Ed, done in conjunction with Jim White from the Dirty Three, called 'After the Flood.' Check out Goldmine author Martin Popoff interview The Saints guitarist/ vocalist/songwriter Ed Kuepper in a wide-ranging chat that looks at how The Saints dovetailed into the punk movement, along with a fair bit on each of the three albums covered by the upcoming tour, plus a look at the new solo album. We also touch upon the creative differences that led to Ed's split with Chris after the band's controversial third album, 'Prehistoric Sounds,' issued in October of 1978. Horns? Acoustic guitars? Surely The Saints didn't invent punk?! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim White is the drummer for legendary Australian instrumental band Dirty Three, as well as new group The Hard Quartet, with Stephen Malkmus, Matt Sweeney, and Emmett Kelly. The Hard Quartet is currently touring Australia - get tickets from feelpresents.com.

We've reached the end of the road for this season—season 9 concludes with this episode, a conversation with Matthew Houck, the leader of the avant-country band Phosphorescent. In April, Phosphorescent released Revelator, the band's ninth album. It's their debut for Verve Records, after a string of well-received albums on Dead Oceans. Joined by collaborators like Jim White of the Dirty Three—who you heard earlier this season—Jack Lawrence of The Raconteurs, and his wife and songwriting partner Jo Schornikow, it finds Houck examining—what else?—the end of the world.  If one theme has run through the last few seasons of this show, it's that of “apocalypse," or revelation. The veil, no matter how hard we try and keep it pinned down, keeps slipping away. Revelator finds Houck facing uncertain future, but also, leveling up. In its mournful ballads and genuinely hilarious odes to bathroom graffiti, you hear the voice of a songwriter probing the void: “And we've ridden beyond where we could safely touch down And we're out in the void, past where we could've had turned around I tried my feet on the floor, tried to beat on the door But it didn't even make a sound Got my heart open wide But the city been shut down”  But Revelator is no dour screed; it is in fact filled with hope and good humor. In this episode, he joins us to extoll the glory of “unnecessary” art, his work on Paul Schrader's new film Oh, Canada; and the multiple apocalypses afoot. This year, we launched AD as a subscription service, and the support and generosity of our fans and listeners has been powerful to behold. Over at AD, you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.  Transmissions will return in 2025. Take care of yourself, take care of those around you, and keep on wondering. We'll be back—be well in the meantime. This season of Transmissions is concluded. 

In this episode, we head to Bass Coast Shire, located at the easternmost point of Gippsland. There, we will find Marcus Satchell and his wife, Lisa Sartori—the dynamic duo behind Dirty Three Wines. Marcus embodies the spirit of Gippsland: rugged, full of possibilities, and you can't help but feel a little cooler just for knowing him. https://www.dirtythreewines.com.au/ https://www.winegippsland.com/ SUBSCRIBE TO OUR NEWSLETTER FOR EXCLUSIVE ARTICLES, NEWS, GIVEAWAYS AND BEHIND THE SCENES https://deepintheweeds.us6.list-manage.com/subscribe?u=d33e307cf7100cf947e2e6973&id=d17d8213f5 Follow Over a Glass https://www.instagram.com/overtheglasspod  Host Shanteh Wale https://www.instagram.com/shantehwale/?hl=en Executive Producer Rob Locke https://www.instagram.com/foodwinedine/ Executive Producer Anthony Huckstep https://www.instagram.com/huckstergram/ LISTEN TO OUR OTHER FOOD PODCASTS https://linktr.ee/DeepintheWeedsNetwork Over a Glass is a wine & drinks podcast with Shanteh Wale exploring the personalities, stories and landscape of the wine and drinks business. An Australian Wine and Drinks Podcast from the Deep in the Weeds Network.

On this week's show, we pour one out for the late Kris Kristofferson, spend quality with new records from Alan Sparhawk, The Hard Quartet and Steve Wynn, and spotlight the sprawling new compilation Cardinals at the Window, a benefit to raise money to help the communities of Western Notrth Carolina that were affected by Hurrican Helene. All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

This week on the show, we're pleased to present a conversation with Matt Sweeney. He's lived a truly dazzling life in music. After coming up playing with the great band Chavez, he contributed to masterworks of indie rock—including records by Cat Power and Bonnie “Prince” Billy, with whom he crafted the monumental 2005 classic Superwolf, a classic in the Aquarium Drunkard canon. He's also worked as an in-demand session player, working on recordings for the likes of Cat Stevens, Johnny Cash, Neil Diamond and other legends. Is Matt the only guy to play on both a Current 93 and Dixie Chicks project? We suspect so. His new band is called The Hard Quartet, which finds him joined by Stephen Malkmus of Pavement and The Jicks, Emmett Kelly of The Cairo Gang, and Jim White of The Dirty Three.  Their self-titled debut is out this Friday, October 4th. To quote from Jennifer Kelly's Aquarium Drunkard review of their self-titled album: “The term ‘supergroup' gets thrown around a lot, and it often means nothing more than ‘these people have all been in other bands.' But the Hard Quartet is a true super group, composed of four guys who have made their mark in music.”   Sweeney's a great conversationalist, and this talk gets into the new record, the philosophy of bass playing, the band's Monkees-like identity, the return of his web series Guitar Moves and much more. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Marcus chats with Sam Isherwood and Simon Nash about making great wine in Gippsland and what drew him to the region. @thewineshowaustralia @dirtythreewines

TV and Radio presenter, and former record company executive, Nicki Chapman goes head to head in a war of the words with producer, musician and label owner, Simon Raymonde.On this episode of Book Off we delve into two music memoirs, covering two very sides of the music industry and history, but that both have a lot in common. Simon was one third of the band Cocteau Twins between 1983 and 1997, and owns and runs the Bella Union label. As well as having his own successful music career as a musician and a producer, he has signed and worked with artists such as Fleet Foxes, Dirty Three, Midlake, Mercury Rev, John Grant, BC Camplight, Laura Viers and Flaming Lips. In this very honest and open conversation, he talks about the tumour on his brain which has effected his hearing, the influence of his father (Ivor Raymonde) on his career without knowing it, the break up of Cocteau Twins and how his label is still going strong more than 25 years later. Nicki worked at MCA and RCA records in the 90s in the promotions department, before going out on her own. Over her career, she has worked with many artists including Phil Collins, David Bowie, Kylie, M People, Annie Lennonx, Prince, Take That, Amy Winehouse, Billie Piper, Spice Girls and Liza Minelli. Nicki's book is swimming in 90s nostalgia (music, fashion, tabloids). She too shares her own personal account of having a brain tumour, which inspired her to want to write the book, as well as lots of stories from her time in the music industry. They also give us some brilliant book recommendations! The Book Off 'Sculpting In Time' by Andrei Tarkovsky VS 'Shardlake' by C.J. SamsonWe hope you enjoy this episode - and the latest series! Hosted on Acast. See acast.com/privacy for more information.

...y más nuevas canciones de Ganges, Somadamantina, Neura, The Hard Quartet, Dirty Three, The Joy Hotel y Fontaines D.C.Escuchar audio

On this week's show we...pour one out for the late Greg Kihncatch up on a smokin' boatload o' singles that have been piling up over the past several weeksspin fresh track from Pixies, Dawes & Margo PriceAll this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Welcome back to Transmissions, our weekly conversational offering. On today's show? Nashville's own Rich Ruth.  Opening his review of Ruth's latest, the Third Man Records LP Water Still Flows, Aquarium Drunkard's Brent Sirota states: “We don't even have a name for what has been going on in instrumental music lately. There's plainly some kind of new fusion afoot…[but] it doesn't really sound like old-school fusion. There's electrified jazz there, to be sure, but now it sits alongside krautrock, kosmische, psychedelia, minimalism, and ambient.”  Like many, Ruth began making meditative music during the pandemic, resulting in his tremendous 2022 record, I Survived, It's Over. But with Water Still Flows, Ruth embraces grandiose riffs alongside his placid total soundscapes. The result is a record that feels heavy, while still possessing the calming center that defined earlier work. Sirota cites groups like Dirty Three and Godspeed! You Black Emperor, outfits given to transcendent abandon, and he's right on the money.  We caught up with Rich and discuss. Our conversation takes more than a few interesting turns—who ever thought we'd end up discussing Creed, and yet here we are—but one thing's for sure: the freedom Rich Ruth and his collaborators exhibit is contagious—as is his charm. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

The esteemed post-rock(?) trio are three decades in and with increasing gaps between albums - a whopping twelve years this time between drinks. There latest is a unexpected balm for anxious times, near true ambient music in its way of sucking negative emotions out of you and replacing them with more meditative and positive energy.

"Reverb & Seduction" The Portland outfit Federale have been one of the most fascinating and inventive bands of the last twenty years. Led by Collin Hegna, Federale have put out a handful of albums whose affecting instrumental cinemascapes, dark country ballads and psych rock excursions bring to mind a version of and the Dirty Three had they hailed from the verdant and moody Pacific Northwest. The band's new album and sixth overall, Reverb & Seduction is an ambitious and wicked blend of dusty pedal steel, high desert reverb and ominous strings that all add up to a deliciously dark and foreboding feeling that something's going to happen and not only is not going to be good, there's nothing you can do to stop it. With a lineup that boasts members of The Shivas, Roselit Bone, Dandy Warhols, and Rogue Wave, plus a guest appearance by Alex Maas of The Black Angels, Reverb & Seduction is one of the year's very best. As for Hegna, he's a busy fellow--not only does he front Federale, he's been in the Brian Jonestown Massacre for the past two decades, which also makes him the longest serving member of that band, he's a recording engineer and owner of Revolver Studios in Portland where he's produced records by everyone from Roselit Bone to David J. www.collinghegna.com www.federalemusic.bandcamp.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradiocom) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Twitter: @emberseditor IG; @emberspodcast Email: editor@stereoembersmagazine.com

The June 2024 New Music train is speeding to its conclusion, but not before Patrick and Sunny Varney hop aboard to tell you about new music from Dirty Three, Goodbye June, Maverick and Robert Jon and the Wreck. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

This is Episode 67 of To Etherea and Beyond - Psych Gaze Bleep. The show broadcasts on Harrogate Community Radio at 9am this Sunday 28th July and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: Nile On waX, Catching Flies, Rival Consoles, Kiasmos, Pantha Du Prince, Manami, Lilacs & Champagne, And So I Watch You from Afar, Arooj Aftab, Mary Lattimore, Walt McClements, Masayoshi Fujita, Dirty Three, Magic Shoppe, Francis of Delirium, Berlue, Whitelands, Robin Guthrie, Not Me But Us, Dawn Chorus and the Infallible Sea, The Black Dog, Declatel, and MONO https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

On episode 519 of Music File, Naomune Anzai introduces the legendary trio, Dirty Three, with their latest album, Love Changes Everything, their first album in over twelve years. - サウンドエンジニアの安齋直宗さんが担当する『Music File』。第520回目は、12年ぶりにアルバムをリリースしたトリオ、ダーティー・スリーが紹介されました。

There are heavy hitters, and then there's The Dirty Three. A trio comprising violinist Warren Ellis, guitarist Mick Turner, and drummer Jim White, these Australian independent rock legends recently returned with their first album in 12 year, the aptly titled Love Changes Everything. Though they are perhaps best known for their work with artists like Nick Cave (Warren is a foundational Bad Seeds member and works with Cave in a variety of other contexts), Cat Power, Bonnie "Prince" Billy, Bill Callahan, and Kurt Vile and Courtney Barnett, a very particular magic happens when they gather together. It's on full display on the new record, which does everything you hope a D3 record will: it rocks, it drifts, and it ventures boldly toward the unknown. That magic comes down to...well, as you'll learn in this episode, it's very tricky to pin down where magic—or love for that matter—comes from, and it only grows more elusive the more you try to name it. This week on Transmissions, The Dirty Three explore their history, reflect on the life and work of Steve Albini, and recall their days opening for The Beastie Boys. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Salty Dog's TRIO Podcast, May 2024 Everything comes in threes! Bad luck and good lovin! Get onto the TRIO show and try yer luck tone hounds. Great cuts from John Williams, Rick Estrin, Uncle Lucius, Left Lane Cruiser, Hurray For The Riff Raff, Tony Joe White, Dirty Three, Jed Rowe, Ry Cooder, The Commoners, Opelousas, Kerri Simpson Interview, Tanner Usrey, Zevon Lee, Little Feat, Matt Andersen, Jack Craw, Steve Earle, Fools, Chip Taylor. ARTIST / TRACK / ALBUM ** Australia 1. ** John Williams Band / Jesus Just Left Chicago / 470 Northern Highway Blues 2. Rick Estrin N The Nightcats / I Finally Hit The Bottom / The Hits Keep Coming 3. Uncle Lucius / Pocket Full of Misery / And You Are Me 4. Left Lane Cruiser / Motown Mash / Motown Mash 5. Hurray For The Riff Riff / Rican Beach / The Navigator 6. Tony Joe White / Cool Town Woman / Closer To The Truth 7. ** Dirty Three / Rising Below / Toward The Low Sun 8. ** Jed Rowe / Tailem Bend / A Foreign Country 9. Ry Cooder / Dark End Of The Street / Boomer's Story 10. The Commoners / Too Soon To Know You / Too Soon To Know You 11. ** Opelousas / Train To Brunswick / Opelousafried 12. ** Opelousas w. Kerri Simpson / Salty Interview / Kerri Simpson 13. ** Opelousas / Third Jinx Blues (Live) / Opelousafried 14. ** Opelousas / Washboard Shorty / Opelousafried 15. Tanner Usrey / Echo In The Holler / Crossing Lines 16. ** Zevon Lee / Sweet Cup / Yesterday 17. Little Feat / Be One Now / Down on The Farm 18. Matt Andersen w. Amy Helm / Something To Lose / Halfway Home By Morning 19. Jack Craw / This Little Thing / Harmonica Masters of New Zealand 20. Steve Earle / The Galway Girl / The Complete Warner Years 21. ** Fools / Hurt My Head / Can't Wait Any Longer 22. Chip Taylor / Do Somethin' Good / Behind The Sky

Jamila Woods cancella il tour europeo per motivi economici, mentre James Blake propone soluzioni che non convincono. I nostri album della settimana sono quelli di Vampire Weekend, Mount Kimbie e The Libertines. Nuovi singoli per Pedro the Lion, Dirty Three e London Grammar. Un report dalla data milanese di Maria Chiara Argirò, e la nostra mini intervista dove ci rivela il suo disco da isola deserta e un disco che le è piaciuto di recente. --- Send in a voice message: https://podcasters.spotify.com/pod/show/friday-podcast/message

Episode 686: April 7, 2024 playlist: Dirty Three, "Love changes everything I" (Love Changes Everything) 2024 Drag City Klara Lewis and Yuki Tsujii, "Bed Of Sand" (Salt Water) 2024 The Trilogy Tapes Five Style, "Waiting On The Eclipse" (5 Style) 1995 Sub Pop Colleen, "Eclipse" (Captain of None) 2015 Thrill Jockey Mark Van Hoen, "Feel This Way (Version)" (Electric Lights EP) 2024 [self-released] Keith LeBlanc, "Move" (Major Malfuction) 1986 World Dawuna, "Strawberries" (Southside Bottoms) 2024 Puple Tape Pedigree Jane Weaver, "The Axis And The Seed" (Love In Constant Spectacle) 2024 Fire Mouchoir Etanche, "Musique gelee" (Le jazz homme) 2024 Cellule 75 Sun Kit, "Tunnel Vision" (All The Patterns Inside) 2024 Hyperdelia Ulla and Ultrafog, "lame mart" (It Means A Lot) 2024 Motion Ward Edward Ka-Spel, "Patterns on the Wall" (A Pleasure Cruise Through 9 Dimensions) 2011 Beta-Lactam Ring Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

For over thirty years, Jim White has been the drummer of choice for many of the most compelling songwriters working. Now, with assitance from producer Guy Picciotto, he's created his first solo album, All Hits: Memories.

Leaving behind traditional rock 'n roll structures for more experimental avenues is nothing new for post-rock bands stretching back to The Velvet Underground drones or Brian Eno's ambient albums. It's stretches boundaries into free jazz, krautrock, math rock, and more often with a mechanical feel. That is quite the opposite of what the Dirty Three accomplish on their 1996 album Horse Stories, filled with the improvisations of Warren Ellis on violin, Mick Turners on guitars and bass, and Jim White on drum. The three-piece creates a wide cinematic scope, using space and slow building dynamics to evoke European folk ballads, traditional blues, classical music and much more.   Songs In This Episode Intro -Sue's Last Ride 19:39 - At The Bar 28:03 - Warren's Lament Outro - Red   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Leaving behind traditional rock 'n roll structures for more experimental avenues is nothing new for post-rock bands stretching back to The Velvet Underground drones or Brian Eno's ambient albums. It's stretches boundaries into free jazz, krautrock, math rock, and more often with a mechanical feel. That is quite the opposite of what the Dirty Three accomplish on their 1996 album Horse Stories, filled with the improvisations of Warren Ellis on violin, Mick Turners on guitars and bass, and Jim White on drum. The three-piece creates a wide cinematic scope, using space and slow building dynamics to evoke European folk ballads, traditional blues, classical music and much more.   Songs In This Episode Intro -Sue's Last Ride 19:39 - At The Bar 28:03 - Warren's Lament Outro - Red   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

The Autumns, Beach House, The Dears – fucking love The Dears, Dirty Three, Emmy the Great, Fionn Regan Howling Bells, John Grant, Lanterns on the Lake, Laura Veirs, Lift to Experience, Midlake, The Walkman…For the last 25 years, Bella Union have been responsible for bringing me some of the best music I've ever heard. And before that, the label's owner, Simon Raymonde, in tandem with Elizabeth Fraser and Robin Guthrie in the immortal Cocteau Twins, was responsible for bringing me even more. I can't imagine what my listening habits would look like without Simon and without Bella Union, and so I'm delighted to speak to him on this episode about all of the above and more. We talk about the band Simon is currently managing – the brilliant Big Joanie – how Bella Union came to be, his thoughts on the legacy of his old band the Cocteau Twins, his feelings on where the record business finds itself in 2023, his forthcoming memoir, and his posthumous relationship with his father, the late, great Ivor Raymonde. How great? I mean, he wrote the Dusty Springfield song 'I Only Want to Be with You'! It's a corker of an episode, this one… Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

In episode 71 I talk to Marissa Paternoster about Nina Nastasia, an American folk singer-songwriter. A native of Los Angeles, she first came to prominence in New York City in 2000 after Radio 1 disc jockey John Peel began giving her debut album, Dogs, airplay. The album earned Nastasia a cult following, and was re-released in 2004. Her fifth studio album release, You Follow Me (2007), was a collaboration with Australian drummer Jim White of Dirty Three. As of 2022, Nastasia has released a total of seven studio albums, each recorded by Steve Albini. Her musical style has been described as folk and country-influenced with neo-Gothic overtones, often featuring sparse acoustic guitar accompanied by string arrangements.

Does Roger Deakins ever lose his rag? Find out in the first full episode of Letterboxd's limited series awards season podcast, in which Mia Vicino, Brian Formo and Gemma Gracewood go over the 95th Academy Awards shortlists, praise Kirsten Dunst's Oscar voting diligence, talk to the G.O.A.T. of cinematography about Empire of Light and his work in animation, and form a fellowship of beautiful minds to revisit the 2001 Academy Awards Best Picture nominees. We love math and we are loose with our hearts! Credits: Recorded in Los Angeles and Auckland. Edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘Hyperlight' by Letterboxd member Trent Walton (AKA Echo Wolf). Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest. Lists & Links: The Letterboxd list of films mentioned; Letterboxd's Official Top 250 Narrative Feature Films; Byways: Photographs by Roger A. Deakins. Additional content notes: Plus: Mia's mathematical skills; Brian on what makes an Academy Award-winning original song; Gemma on why you should add Dirty Three to your playlists. Roger Deakins chats about his childhood as a fisherboy, talking movies with Richard Burton and John Hurt, visualizing films before he shoots them, the wonder of working with the Coen Bros, what it means to win awards and what it's really like in the cinematography club.

This week we have the first of two episodes on Nina Nastasia, as we go deep into her career, decision to vanish from the public eye, recent events and much, much more. It's been a wee while since we did a head-to-head episode, but Chris and Vicki couldn't agree which of her albums was the best, so here we are. Vicki has chosen her second album, The Blackened Air, whilst Chris has gone for her 2007 collaboration with The Dirty Three's Jim White, You Follow Me. But there's a bit of an elephant in the room here that we felt we had to address. As of writing (September 2022), Nina is in the midst of wrapping up press for her most recent album, Riderless Horse. It's a landmark album for her in two ways: One: it is her first album in over a decade. In the time between this album and 2010's Outlaster, she essentially vanished from the public eye, except for one single that she released in 2018 called Handmade Card. Two: it is the first release since the suicide of her partner Kennan Gudjonsson. She has openly stated in interviews recently that Kennan had a lot of input into almost all aspects of her career, so this album, in her view, is also her first ever “solo” album as it is the first time she's ever made music without her former lover. In the press surrounding Riderless Horse Nina has gone into a lot of detail around the nature of her relationship with Gudjonsson, particularly with regards to his controlling, manipulative behaviour and how long it really took her to see it. Needless to say, there was no way we couldn't bring this up in any conversation about Nina Nastasia's music given how integral Gujonsson was, by her own admission, to her music. On this week's episode we chat about some more biographical elements of her life, focusing on her relationship with Gudjonsson, how it effected the music, her personally and the overall trajectory of her career. There is discussion of abuse in this episode, so please bear that in mind before listening. Next week: we talk exclusively about her music, so tune in!  

durée : 00:59:25 - Toute une vie - L'œuvre de Lou Reed est un véritable théorème. Elle s'est achevée avec sa mort, le 27 octobre 2013, fidèle à ses préalables : le refus de toute compromission. La décision artistique est radicale. L'œuvre, littéraire et musicale, est un scalpel froid. - invités : Bruno Blum Auteur compositeur interprète; Warren Ellis Musicien et compositeur australien, membre de Dirty Three, Nick Cave and the Bad Seeds et Grinderman; Mick Rock Surnommé "l'homme qui a photographié les années 1970" ("The Man Who Shot the Seventies"), Mick Rock a signé certains des portraits les plus célèbres de chanteurs rock, comme David Bowie ou Lou Reed. Il est décédé le 18 novembre 2021 à 72 ans.; Michka Assayas Ecrivain, journaliste, critique; Florence de Mèredieu philosophe, spécialiste de l'art moderne & contemporain.

The literary debut of celebrated musician Warren Ellis, Nina Simone's Gum, takes its name from an unlikely keepsake he snatched from the underside of his idol's piano in a moment of rapture. Join Warren as he sheds light on his playful memoir in which a meaning-rich relic blossoms into a metaphor for art, music and obsession, traversing his childhood in country Victoria, collaborations with Nick Cave and the Bad Seeds, and prize-winning work with Dirty Three. Warren joins live via video in conversation with Marieke Hardy. If you enjoyed this episode, please rate and subscribe to our channel. See omnystudio.com/listener for privacy information.

这是 Key Change 为您带来的器乐特辑节目的下半部分，围绕着民谣音乐的线索展开。其中还特意绕道狂野西部带来了一组班卓琴曲目，并在最后照例奉上一些 Key Change 最爱的实验与电子作品。 曲目单： (00:12) The Limiñanas, Laurent Garnier - Saul s'est fait planter (05:25) The Shadows - Man Of Mystery (07:50) 交工乐队 - 嗷！ (11:19) 万能青年旅店 - 洋鸟消夏录 (13:00) Santo & Johnny - Sleepwalk (15:19) Jack Rose - St. Louis Blues (19:31) Duelling Banjos - Duelling Banjos (20:59) The Doug Dillard Expedition - Runaway Country (25:26) Béla Fleck feat. Billy Strings & Chris Thile - Charm School (33:04) Bert Jansch - Chambertin (37:12) John Renbourn - Lady Goes To Church (40:00) Paco de Lucía - Entre Dos Aguas (46:26) Dirty Three - 1000 Miles (50:57) Hannah Peel - Deep Space Cluster (57:04)The Field Mice - Holland Street → 选曲/撰稿/配音/制作/包装：方舟 → 题图作者：Christopher Luther, 来自 Unsplash → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → Key Change 随便听歌的分号《KC Jukebox》 → 《周末变奏》WX听友群敲门群主：aharddaysnight

“It's funny because with art, with literature, with music, we are all connected. It's emotion. You know, like if I say, “have you read this or that,” or… “do you know Alice Coltrane? Do you know John Coltrane?” Whatever it is you've got a language and there's a connection going on. And, we should have that with the world. We should have that feeling of like an artistic sensibility to the world. We do have that with other things. People can talk about movies and they feel connected in a way. Religions connect people… we should be all connected by the Earth.” – Warren Ellis         Musician and composer, Warren Ellis of the Dirty Three and Nick Cave and the Bad Seeds had an extremely productive pandemic. Not only did he release two albums, two film scores and a book, but he also opened a wildlife sanctuary in Indonesia.   Last spring, Warren co-founded Ellis Park, a forever home for disabled wildlife in South Sumatra. It's a haven for animals who have been rescued from wildlife trafficking who are either too traumatized or too handicapped to be returned to the wild. ​ Ellis Park will also be used as a hub to educate the public, locals and visitors to the park about the negative impacts on wildlife used in the tourism industry and those saved from the illegal pet trade and wildlife smuggling.  ​ And, last fall, Warren published his first book, Nina Simone's Gum. It's about a piece of gum that Nina Simone was chewing during her last concert in London. As she left the stage, she placed her chewed gum on her piano. Warren snatched the gum. He kept it for over two decades… until the gum took on a life of its own. The book is about meaning and connection and trusting intuition when it calls on you to follow a thread, and it's about the love and magic that we humans are capable of. And in many ways Ellis Park has a very similar story.   Links:   Ellis Park:  https://www.ellispark.org/   Ellis Park Instagram https://www.instagram.com/ellisparksumatra/   Ellis Park facebook: https://www.facebook.com/EllisParkWildlifeSanctuary/   Ellis Park Twitter: https://twitter.com/EllisPark2021   Warren Ellis Twitter: https://twitter.com/warrenellis13?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor   Warren Ellis Instagram: https://www.instagram.com/thewarrenellis/

durée : 00:58:19 - De cause à effets, le magazine de l'environnement - par : Aurélie Luneau - Selon Interpol, le trafic d'espèces sauvages augmente de 5 à 7% par an, une criminalité organisée et juteuse, mais qui menace la santé humaine et planétaire. Comment lutter contre ce fléau ? - invités : Warren Ellis musicien (Dirty Three, Nick Cave & The Bad Seeds).; Florian Kirchner Chargé de programme “Espèces” au sein du Comité français de l'UICN (Union internationale pour la conservation de la nature).

Having wowed audiences with their take on 45 years worth of Kuepper catalogue, Ed Kuepper and Jim White return to their COVID interrupted tour. As a founding member of The Saints, Ed reflects on his time and relationship with the late singer Chris Bailey, who died earlier this year.

Poet Krystal Languell stops by to talk about Dirty Three, The Innocence Mission, John Denver, Low and Warren Zevon and what their songs mean to her. Check out Krystal's latest book of poetry SYSTEMS THINKING WITH FLOWERS, available here. Catch Mat on the road later this month in Iowa, ticket info here.

Spike In Vain - E.K.Q (from Disease is Relative reissue LP on Scat) The Martha's Vineyard Ferries - After You (from SUns Out Guns Out on Ernest Jenning Record Co.) Chris Brokaw - Skating Under Glass, Living Like a King (from The Periscope Twins 2LP on 12XU) Chris Brokaw - Out My Window (on Solo Acoustic Volume Three LP on VDSQ) Stephen - Relic (Live) (from Radar of Small Dogs LP on Joyful Noise, featuring David Kilgour) The Garbage and the Flowers - Hieronymus Bosch (from The Deep Niche LP on Grapefruit) Blue - Power Socket (from Solid State LP on Flipped Out - Philly band) Korea Undok Group - Fixed Ending (from Senescence CD on Penultimate Press) The Offset: Spectacles - Dead Air (from s/t LP on Trouble In Mind) Drunk Elk - Death Disco (from s/t LP on House Rules - Australian band based in Tasmania) Venom P. Stinger - Unused (from Live LP on Anopheles - 1992, features Jim White and Mick Turner of Dirty Three.) Toy Love - Squeeze (from AK79 2LP comp on Propeller Lamont / Flying Nun) The Dead C - Three Years (from The Sun Stabbed EP - reissued on Badabing and JagJaguwar) The Velvet Underground - Ocean (from The Velvet Underground Live with Lou Reed 2LP on Phonogram) Naked on the Vague - Old Lender (from The Blood Pressure Sessions LP on Siltbreeze - Aussie duo) Astrid Oster Mortensen - Har ondt i halsen og gar til biblioteket for at lame en bog (from Contemporary Homemade Music from Sweden on Discreet) Goldblum - Fata Morgana (from Of Feathers and Bones LP on Kraak) Kali Malone - Velocity of Sleep (title track from LP on XKatedral)

Listen to an interview with Julie Marshall from the World Food Programme speaking on the rising numbers of people facing acute and starvation level hunger in the world today, this is a reality that has been exasperated by the pandemic crisis of COVID-19. Particularly this conversation also focuses on Afghanistan, a context within which Canada was involved in a NATO military intervention. Today there are 22 million people facing danger in regards to food security in Afghanistan and I thought it was important to highlight this point from the perspective of an international institution doing concrete frontline work, as part of the UN infrastructure, to address this crisis in Afghanistan. Info on the UN, World Food Programme: https://www.wfp.org Music on this edition by Dirty Three. Free City Radio is hosted by Stefan @spirodon Christoff.

It's time to tackle that moment when the front man takes a back seat - yep, this one is all about 'Instrumentals'. No vocals. It's the bands time to shine. In this episode Leon and Adrian discuss how instrumentals can be more than just filler and can be a fundamental part to a project. You'll also hear about their favourite examples that survive the ‘skip' test. Bands chatted about in this episode: - Led Zeppelin, Metallica, Neu - Parliament, Pavement, Primus - Spiderbait, Tame Impala, TOY, Tea Party - Throbbing Gristle, Three Trapped Tigers, - Frank Zappa, Dirty Three, Mike Patton, Fantomas, Mogwai, Godspeed You! Black Emperor, Explosions In The Sky - El Michels Affair, Khruangbin, Combustible Edison. All this and more. Fb https://www.facebook.com/supersonicchat Email supersonicchat@gmail.com Twitter https://twitter.com/chat_sonic Insta https://www.instagram.com/supersonicchat --- Send in a voice message: https://anchor.fm/supersonicchat/message

How two drummers, from Australia's most iconic instrumental bands, found their rhythm.featuring Tony Buck, Jim White and Woody McDonaldTony Buck earned his stripes as a jazz drummer in the Sydney Conservatorium of Music before forming cult improv band The Necks. Jim White earned his chops as a punk drummer in raucous Melbourne pubs throughout the early days of noise rock trio The Dirty Three. From opposite ends, their rhythms lay the foundation for the best instrumental bands in Australia. This is the story of how it all unfolded. Credits:Created by Litmus Media.Producer: Mahmood Fazal.Editor and Associate Producer: Eugene YangMastering Engineer: Geoffrey O'ConnorEngineer: Craig BryantMusic: Dan LuscombeAdditional Music: The Necks and The Dirty Three Hosted on Acast. See acast.com/privacy for more information.

Listen to the eighth edition of the Free City Radio podcast. On this podcast, we start with an interview focusing on the #Artists4LongTermCare project launched by photojournalist Kitra Cahana, info : https://www.instagram.com/artists4longtermcare https://www.artists4longtermcare.org A piece of music by Charbel Rouhana from the beautiful album Sourat Trait D'union. Then we hear an interview with poet Mohamad Kebbewar, on the recently published book The Soap of Aleppo from the publisher Jack Pine Press, info : https://jackpinepress.com/product/the-soap-of-aleppo Then we hear an excerpt from a new podcast produced by Sophie Chartier for "Stasis : groupe d'enquête sur le contemporain" that looks at the reality of prisoners in Quebec during the pandemic, this section of the podcast is in French, info on the project : https://groupestasis.com Also we hear a poem from Mojeanne Behzadi. An audio letter from Amsterdam from Sarah Teixeira St-Cyr. Finally an interview with frontline healthcare worker, Caroline Horton who works in an ICU unit in Ottawa region. Music featured on this podcast is by Narcy @thenarcicyst also Hope by The Dirty Three and a track by Void off VILL4IN records @villainrecords produced by Stefan @spirodon Christoff

This is the sixth edition of the Free City Radio podcast, it includes interviews, as well as music contributions from awesome friends in different parts of the world. In this episode we hear from Sam Schuette who works as a cook at Resilience Montreal, a frontline support organization working with people struggling with poverty and homelessness, particularly urban indigenous people, within the context of the pandemic. https://resiliencemontreal.com Also we hear from activist, filmmaker and professor Razan AlSalah who speaks about the impacts of the pandemic on the public health sector in Lebanon and the ways this impacts economically marginalized people. Also Razan speaks about this current context within the framework of recalling the mass protests for social and economic justice that have been taking place in Lebanon over the past year, Razan specifically points to the campaign to Bisri Valley campaign. info : https://www.aljazeera.com/indepth/features/lebanese-dam-project-stirs-earthquake-fears-environment-concerns-190807082828083.html https://www.facebook.com/savebisri I also speak with Samin Abhar who is a medical student in Victoria, B.C. Samin speaks about the importance of governments supporting the public healthcare system in this context of crisis, but also beyond, as a way to avert and prepare for future medical emergencies that touch society. Follow-up on a previous episode of the podcast I spoke with Mohammed who is a night shift worker and baker at Tim Hortons outside Parc metro in Montreal, part of an effort to highlight frontline, long wage workers within the context of the pandemic. In response to the signing of an arms agreement between Canada and Saudi Arabia I speak with author Yves Engler who has written numerous critical books on Canadian foreign policy and recently published an article on this Canada-Saudi arms deal. https://canadiandimension.com/articles/view/canada-embraces-saudi-monarchy-again Featured in this podcast musically as two theme tracks, "Hope' by the Dirty Three, and a track by VOID released on @villainrecords Also I feature a track by Tracy Chapman, "Heaven Here on Earth," a track by Anarchist Mountains @anarchistmountains released on ΠΑΝΘΕΟΝ in Russia, also a track by Bas Relief, Treyf, from their album, QTT8, also a track from Anne Waldman's upcoming album produced by Devin Brahja Waldman @brahja, and finally a track by the great George Wassouf. Free City Radio is hosted by Stefan @spirodon Christoff and also broadcasts on @radiockut in Montreal.

This is the fourth edition of the Free City Radio podcast, this April 3rd edition features an interview with Dru Oja Jay from Courage coalition (http://www.couragecoalition.ca) speaking about the #RentStrike movement. In the introduction I speak about the recent wave of censorship that Facebook carried out against the #RentStrike movement. Featuring thematic music for the episode by The Dirty Three and also VOID-002 - 无法入睡 via @villainrecords. Also I featuring "Step by Step" by heArt Ensemble via Small Scale Music : https://smallscalemusic.bandcamp.com/album/from-the-basement Track finishes with Huun-Huur-Tu & The Bulgarian Voices with the track "Fly, Fly My Sadness" Hosted by Stefan @spirodon Christoff.

This is the second edition of Free City Radio podcast, recorded in Montreal during the global #COVID19 pandemic. This episode highlights voices of frontline workers less covered in the mainstream media, grocery shop workers, food delivery people, bakery workers and transport workers. All voices highlighted to share the love of support for frontline workers being expressed around the world. It is inspiring to see the popular support for medical workers, doctors, nurses, hospital staff, this is amazing and so important, but also let us remember to celebrate and respect many other workers who keep serving. First we hear Ikram + Faiza speaking on working at Pharmaprix in #COVID19 crisis, speaking to the importance of social solidarity and also the importance of being respectful toward pharmacy workers during this time. https://soundcloud.com/freecityradio/ikram-faiza-speaking-on-working-at-pharmaprix-in-covid19-crisis Then we hear from Soraya from Boucherie Al-Khair speaking on working during #COVID19 pandemic, Soraya speaks about serving as a frontline worker, serving groceries and food, but also expresses concern about potential health risks. https://soundcloud.com/freecityradio/soraya-from-boucherie-al-khair-speaks-on-working-during-covid19 Next we hear from Vaso at Picadilly bakery on Ogilvy in Parc ex speaking about working at a bakery during the COVID19 crisis and serving the local community at a distance, despite health risks. https://soundcloud.com/freecityradio/vaso-at-picadilly-bakery-on-working-during-covid19-crisis On the food delivery front we then hear from some exchanges recorded at Dominos pizza on St. Hubert street with the delivery workers, working over time right now to keep up with demand, important to hear the voices of all types of front-line workers. On this show you hear the voices of 2 international students from India, Chintan Patel and Sahil Lather. https://soundcloud.com/freecityradio/dominos-delivery-workers-on-work-during-covid19 On the front of transport workers we hear from Tito Marouf, who is a taxi driver in Montreal, who speaks on the ways that the COVID19 pandemic impacts the taxi industry in Montreal. Tito speaks particularly about the precarious situation of taxi drivers at this time, but also critiques the fact that the government has been encouraging taxi drivers to transport COVID patients during this time of crisis. https://soundcloud.com/freecityradio/tito-marouf-on-taxi-industry-during-covid19-in-montreal Finally also on this show is a discussion with Aaron, an editor at Uneven Earth journal : http://unevenearth.org, it is an exchange that we recorded while postering in Parc ex for the five demands poster that emerged from anarchist networks, info : https://5demands.global For music in this show, I featured a harp duet track with Sarah Pagé and Robin Best called Noonday Bells, it was recorded at a Howl! arts show, you can download the full track here : https://soundcloud.com/howlarts/sarah-pag-robin-best-noonday Also featured is a recently released track "Enamoured" by musician Nick Schofield, you can listen / download the track here : https://nickschofield.bandcamp.com/album/sound-mind Finally the program finishes with "Out Of Sight" a track by Taciturn from their tape "Punk Death" - a band that I got to see live at Casa del Popolo, you can hear the track here : https://taciturntheband.bandcamp.com/track/out-of-sight-3 Finally opening track is "Hope" by Dirty Three, but in the episode I feature excerpts from an album that I have been listening to a lot this year, this one : https://soundcloud.com/villainrecords/void-002

Listen to the first edition of Free City Radio podcast, it was recorded in the first days of the major measures taken in Montreal to slow the #COVID19 pandemic. Included in this podcast is personal reflections on this moment and also on doing street art during this time, on hanging a banner reading "solidarité" and the context behind this banner, because it was a gift from student activists in Winnipeg passed on during the Quebec student strike in 2012. I had visited Winnipeg to share reflections and texts from a booklet that I put out during that time, the zine is called , Le fond de l'air est rouge, info : https://howlarts.net/words Within this podcast I share an excerpt of audio recorded during protests in the Quebec student strike, specifically in Victoriaville where the Liberal Party of Quebec was having their congress. The street protests were focused on highlighting social injustice and protesting for the protection of public institutions, such a public health care and education systems. You can hear the full audio that I recorded at that protest for @radiockut here : https://soundcloud.com/freecityradio/lintense-journee-de-manifestation-a-victoriaville Also in this podcast is an interview with John Tarleton, editor at The Indypendent, speaking about the importance of independent media during this time and also the history of the Indypendent newspaper project in NYC. This was recorded before the pandemic hit North America in a major way, but it really does highlight some important points of reflection. https://soundcloud.com/freecityradio/interview-john-tarleton-editor-at-the-indypendent Finally a note to say this podcast includes two music selections, one by the band Weeping Icon, who are based in Brooklyn, released by @firetalk info : https://weepingicon.bandcamp.com Also I included a track by my brother Jordan Christoff who releases many different music tracks, the one we hear is "Angle Flow" from the album "Water" released via @salmonuniverse info : https://salmonuniverse.bandcamp.com/album/water Main song for Free City Radio, the intro / ending track is "Hope" by the Melbourne based band, The Dirty Three ! Thanks for listening to the first edition, this podcast is hosted by community organize, musician and media maker Stefan @spirodon Christoff

Warren Ellis' music has been the soundtrack to my adult life. I remember when I first heard Dirty Three, they were like nothing else around; an instrumental band with a violinist who played like Hendrix, and epic songs that tore at the very fibre of your being. I listened to their albums and like many others put my own meaning into those wordless songs. In the mid 90's we started seeing him more in the Bad Seeds. He found a friend and collaborator in Nick Cave, they would form Grinderman together and compose beautiful soundtracks for film and television. Warren Ellis doesn't sit still. He also rarely looks back.. for him, creative life is about propelling forward, solving the mystery of song that awaits in his next project. When Dirty Three announced they'd be performing their debut album in full, I knew I wanted Waz to Take 5. He's always been the most entertaining part of Nick Cave doco's, and his fiery spirit on stage is magnetic; I wanted to get close to that, see what made him tick. What I witnessed, was an entirely different Warren Ellis. In a pin drop quiet room, he took us from his childhood in Ballarat, to the streets of Europe, finding his voice in Melbourne and then leaving it all behind to become the man he is today. Songs in the key of Waz. From the maestro himself. John Ellis - ‘Mis'ry is my Middle Name' Johnny Cash - ‘Orange Blossom Special' Beethoven -  ‘Symphony 7 slow movement number 2 Allegretto' Arleta - ‘Mia Fora Thymamai (I Remember a Time)' Alice Coltrane / John Coltrane – ‘The Sun'

Sending love from Eagle Rock! Overheard:New Yorkers are not "nice", but we are friendly. Angelenos are not friendly, but they are "nice". [last word spoken through a clenched perma-grin]In this edition:Some happy celloA bit o’ moaninA podcast I listened to twice[the Santa Monica beer kundalini is strong. Horchata?]It's easy to look at the music career landscape these days and feel like we're stuck in quicksand, with the machines taking over and whatnot.Artificial intelligence may be a slick bit of mythmaking, but artificial music has definitely been dominating the scene for awhile now and the results are debilitating.I like a lot of the noises made by machines, but I hate the power dynamic. Where we used to have all these different kinds of bands and orchestras led by all manner of currupt people - with doors nevertheless open everywhere for an enterprising musical human to wend our way to expertise and success - now we all have the “means of production” at our fingertips - but very few places in which to bounce sound around.A DJ event can feel like the musical version of a fascist rally. Led by the machines, a DJ is merely an operator with the thinnest set of instructions. What we miss when the instruments are stashed away in closets is the very voice of democracy, of humanity. Forgetting how to play is like forgetting how to speak.(Folks have forgotten how to dance too, but that's someone else's soapbox.)Meanwhile, "Jazz" has become like dentistry. There’s only room in there for the most studied, qualified, pedigreed professional players. Slightly less exclusive than the NBA but with 1/1000th the paycheck for the winners.The folk scene, the rock scene... plenty to complain about: as professional playing opportunities get ever rarer, machines are an outlet which emerged to fill the void of human engagement.I can now make a record on my phone, as long as I stick to the grid.But the adventure lies off the grid. Off the grid is where you'll find friendship, power, delight, freedom, freshness, luxury, respect, romance, tension, strength, sex and the safety brought by full-organism involvement.The digitized music scene of today has everything and nothing. More sound in it than ever before, but increasingly disintermediated, overpriced and more underpaid than ever.So make yourself a classic record. If you're truly lucky maybe you'll get sampled by a rapper. Meanwhile the Irish group from the corner bar has long been replaced by a TV and the jukebox sounds like a perpetual beer commercial. I've written myself into a hole. What's the way forward Trev?Get your head off the bar and make your noise.In the meantime, The Dirty Three will save you....a podcast I listened to twice:The conversation gets deeply wonky and goes slow as molasses. I started it while doing the dishes and then let it run in the background. Then I tuned out for a bit, but the last half hour really caught me and I found myself rewinding to listen from the beginning.David Brooks has really been through it, and it changed him. He’s beautifully vulnerable in this wide-ranging interview. I’ve never been a huge fan, but this one felt like a valuable listen.https://podcasts.apple.com/us/podcast/the-disillusionment-of-david-brooks/id1081584611?i=1000437042197gigs this month:Still on the road! I’m living out of a bag for the next little while:Friday 6/7 in Topanga, CA: appearing with Simone Giuliani at Pure Land FarmsFriday 6/14 in New York City: Gina Breedlove “Naked Soul” at the Rubin Museum6/17-20 in Bellow’s Falls, VT: Creative Cello Workshop with Eugene Friesen6/21-23 in Boston, MA: 25th Annual New Directions Cello FestivalThank you for reading and subscribing.I appreciate you. Big love to your ears,Trevor...If you appreciate my work, it’s in these other places too. Please help it spread by sharing it:Listen to the “Trevor Exter Playlist” on SpotifyHear 18 episodes of: "Play It Like It's Music"You can hire me to score your piece.Or I can produce your podcast.Direct support @ PatreonFollow: IG TW FBtrevorexter.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

On the eve of their new album's release, guitarist Evan Purdey from Melbourne punk band Gold Class, joins me to talk about a band who has stealthily become one of the most influential in modern Australian music - the Dirty Three. My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it's influenced them. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.