Podcasts about disco sucks

Nate's back with a chat with Canadian singer/musician, Art d'Ecco. In a dense chat, they talk about the Non-COMMvention, WXPN, growing up in Canada, how Beethoven led him to piano, the early Art d'Ecco music, his first album, Day Fevers, producing, how the two months he spent in New York City birthed Serene Demon, the lack of movements in contemporary music, the Rocky Horror Picture Show, the "Disco Sucks" and anti-Glam movements of the late 70s, how people's relationship with music has changed, cellphones, being present in the moment and happy accidents. Then, Art dives into The Jawntlet!Art d'Ecco websiteArt d'Ecco on FacebookArt d'Ecco on InstagramArt d'Ecco on X

Le 12 juillet 1979, quiconque venait au Cosmikey Park de Chicago, avec sous le bras un vinyle de disco, ne payait que 98 cents pour assister aux rencontres sportives. Entre deux matches de base-ball, l'animateur de radio, Steve Dahl, figure de proue du mouvement « Disco Sucks », avait organisé un grand autodafé avec les plus de 40000 disques apportés par une foule homophobe et raciste déchaînée. Mais comment le disco a-t-il pu faire aussi peur aux petits blancs fan de rock ou de country ? C'est une des questions, nombreuses, à laquelle on va tenter de répondre aujourd'hui dans Place des Fêtes. Jusqu'au 17 août la Philharmonie de Paris accueille l'expo Disco I'm coming out, pour retracer l'histoire toujours bien vivante d'un genre musical qu'on aime tant détester. Si les titres disco de nos vedettes de la variété rythment toujours les mariages aux 4 coins de l'Hexagone, l'histoire du disco, telle que Jean-Yves Leloup et Patrick Thévenin la raconte à la Philharmonie, dit bien plus que les millions de dollars et les images glamour qu'elle a générés. Né dans le sillage des mouvements de libération sexuelle, contre la guerre du Vietnam, et de la lutte pour les droits civique des Afro-Américains, le disco a façonné les années 70, a permis la naissance des DJs, de la house et de la techno. Love saves the day, I am what I am, I will survive, Love is the message, I'm so excited, les refrains souvent moqués du disco restent plus de 40 ans plus tard des slogans universels, parfois repris en vociférant dans les stades. Aujourd'hui sur la Tsugi Radio, on a sorti la boule à facettes, à 19h, on va vous diffuser un mix inédit sur lequel mes invités du jour ont mis la main : un mix du DJ Rob Thode, enregistré au août 1979 au Studio 54. Juste avant, on parle livres avec notre libraire Nicolas Jalageas, mais c'est d'abord, Jean-Yves Leloup et Patrick Thévenin, les commissaires de l'expo disco qui sont les invités de Place des Fêtes.

The last letter from last week was "L", so Mita went with "The Last Days Of Disco from 1998 for the next movie review. Mita still hasn't seen "The Bear", so Nadeem still can't discuss it. Maybe next week/ Stay tuned...

Today we reminisce about the Challengemania Hall of Fame and Sarah's induction speech. We hear about the Harley & Katya documentary which chronicled a competitive figure skating duo and the untimely demise of the female skater. We discuss how concussions and injuries from the ice, the difficulties of competing, and the pressure on young athletes contribute to mental health concerns for the skaters. Susie thinks there's still time for Sarah to become a competitive bobsledder, but Sarah isn't so sure. We hear about the man who created the famous and calamitous "disco sucks" event at the professional baseball game in 1979, why the organizer regrets it, and how the people who stormed the field might have something in common with the January 6 insurrectionists. We discuss a study that shows why sleeping with your partner's clothing could help you sleep better even if you're not aware it's theirs. Susie describes what it's like to work a suicide hotline, why a lot of people call who are looking for love, friendship, or romance, how the operators assess risk, and why it's a thankless job. We laugh about Sarah's inability to "wind down" on a phone call and how she realized she has a very annoying habit in social settings. And our minds are blown when we learn the difference between chicken strips and chicken tenders. Who knew? This is the BCP content we all need.Join our Candy Club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: https://www.thebraincandypodcast.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP Twitter: https://www.twitter.com/braincandypodSusie's Twitter: https://www.twitter.com/susie_meisterSarah's Twitter: https://www.twitter.com/ImSarahRiceSponsors:Get an extended 30 day free trial at https://www.dipseastories.com/braincandyGet 30% off during your first month at https://ritual.com/braincandyGet started at https://www.chime.com/braincandyHead to https://www.smalls.com/braincandy and use promo code BRAINCANDY at checkout for 50% off your first order PLUS free shipping!More podcasts at WAVE: https://podcasts.apple.com/us/artist/wave-podcast-network/1437831426See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Support MxG & REC: Get a shirt! - NEW DESIGNS Support @ $5/month - TRY IT FREE! Subscribe & see the videos! Listen to REC on Bandcamp Subscribe to REC on YouTube Get Nick's Newsletter! - AND CHECK THE WEBSITE UPGRADES ~~~~ Season 6 Episode 3 - Death is DUMB Volume 13: The Bee Gees – Brilliant Gents at Busting Genres FEATURED SONG: REC – “You Make Me Wanna” (from Syncopy for the Weird AND RECcollection: The Best of REC 2007-2020) OR STREAM IT ANYWHERE The lucky 13th installment of MxG's Death is DUMB series is about the Gibb brothers: Barry, Maurice, Robin and Andy. I talk about how prolific and consistent they were, and how their legacy goes far beyond pop & disco. I also make mention of how & why their career eventually tanked for good in the US, and flesh out that subject in the Patreon exclusive MxTRA video on the Disco Sucks movement. Are you into the Bee Gees? Did you know them first for their pop hits in the 1960s, or for their disco era smash success? Were you aware that they had a long and successful career more than 20 years beyond Saturday Night Fever? Discuss dammit! ~~~ *intro music credit: REC - "Wake Up High" *mid roll music credit: The Drop - "Outerloper" Learn more about your ad choices. Visit megaphone.fm/adchoices

Support MxG & REC: Get a shirt! - NEW DESIGNS Support @ $5/month - TRY IT FREE! Subscribe & see the videos! Listen to REC on Bandcamp Subscribe to REC on YouTube Get Nick's Newsletter! - AND CHECK THE WEBSITE UPGRADES ~~~~ Season 6 Episode 3 - Death is DUMB Volume 13: The Bee Gees – Brilliant Gents at Busting Genres FEATURED SONG: REC – “You Make Me Wanna” (from Syncopy for the Weird AND RECcollection: The Best of REC 2007-2020) OR STREAM IT ANYWHERE The lucky 13th installment of MxG's Death is DUMB series is about the Gibb brothers: Barry, Maurice, Robin and Andy. I talk about how prolific and consistent they were, and how their legacy goes far beyond pop & disco. I also make mention of how & why their career eventually tanked for good in the US, and flesh out that subject in the Patreon exclusive MxTRA video on the Disco Sucks movement. Are you into the Bee Gees? Did you know them first for their pop hits in the 1960s, or for their disco era smash success? Were you aware that they had a long and successful career more than 20 years beyond Saturday Night Fever? Discuss dammit! ~~~ *intro music credit: REC - "Wake Up High" *mid roll music credit: The Drop - "Outerloper" Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 282: CHARLIE "CAPTAIN DISCO" ANZALONE On this week's episode of the @RoadPodcast welcomes Buffalo's finest, New York Disco DJ Charlie Anzalone aka "Captain Disco" (@DiscoDJ53) with special guest host @EddieMacLV. Charlie remembers when "beat matching" first emerged in the 1970's (6:30), speaks on the "Disco Sucks" era leading into the 1980's (20:21) and reminisces on some crazy stories with @RickJames (36:20). He reflects on attending #Studio54 (46:10) and talks about breaking classic records like ‘Disco Inferno' and 'Planet Rock' (58:10). The crew question if Hip-Hop, like Disco, is nearing a nostalgia phase (1:16:00). Finally, Charlie explains why he rejected a Vegas DJ Residency (1:24:41), gives some life advice on transitioning thru the later years in your career (1:32:04).

Nicht nur Mark Zuckerberg kann das Internet kaputt machen, auch am Tresen wird der Slugger ausgepackt und DISCO SUCKS geschrien. Billy knüppelt einen Home Run ins "Habe-keine-Internetverbindung" Outfield. Mario Gomez zerstört nicht nur den FCB, sondern auch Kevin. Zum Glück gibt es Marschierpulver von Borré und Zuckerwürfel die wir auf Kopfsteinpflaster anzünden, unsere Fee heißt Lizzy… und ist nun unsterblich! Die Patriots machen DOINK und wir sind R.A.U.S.

1979-ben, Chicagóban disco-lemezeket robbantottak fel egy baseball-meccsen. Szerencsére ilyen nem történt a labdarúgó Európa-bajnokság döntőjében, ott az olaszok lopták el az aranyat az angolok orra elől. Már biztos, hogy nézők nélkül rendezik az olimpiát, McGregor pedig bokatörése miatt (?) szenvedett vereséget a hétvégén.

Producer and musician Ismael "Ish" Ledesma, and Progressive House artist Noel Sanger talk about the making and legacy of "Fascinated," originally recorded by Latin Freestyle trio Company B in 1986.Born out of the ashes of "Disco Sucks" and a series of musical projects that included the bands Foxy and OXO, Ish created Company B as a vehicle for his wife Lori. A happy accident with "silly" lyrics, "Fascinated" is now a monster track that still fills the floors of clubs everywhere with versions that range from Latin to Hip-Hop and R&B.More on Ish Ledesma:Ish Ledesma's Medical Emergency FundMore on Noel Sanger:Spotify Artist PageFascinated - Noel Sanger's En Vivo Desde Miami RemixInstagram | FacebookShow TracklistingRockin' Chair (Gwen McCrae)Get Off (Roxy)Whirly Girl (OXO)Fascinated (Company B)Fascinated - Noel Sanger's En Vivo Desde Miami Remix (Company B)Host and Producer: Diego MartinezExecutive Producer: NickFreshAudio Engineer: Adam Fogel Follow us on social media: @choonspod

"Disco Sucks" was a hateful movement in 1979 that forced disco off the air. But it never went away. This episode features disco from the 70's to now. 

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In the late 1970s radio stations were in revolt, declaring Disco music dead, culminating in the notorious Disco Demolition night at Comiskey Park, a promotional event that backfired into a full-on riot.“Disco Sucks” became the battle cry against the decadence of the club scene, its association with gay culture and because the music genre was overexposed- people got sick of the disco beat in bubble gum ads and celebrity vanity records- even the gay robots from Star Wars had a Disco Album.Out of the ashes of Disco’s demise, DJs in Chicago developed a new sound for a new generation which became known as House Music. This style became a hit in clubs catering to black, latino and gay folks, and is now what most electronic music is based on.Today we’re talking to one of the pioneering DJs of House Music, Ralphi Rosario. Recently, the City of Chicago named a street after his DJ group “The Hot Mix Five” for their contribution to the international House Music scene.Join us as Ralphi Rosario gives us some amazing stories about remixing songs for all the divas: Cher, Madonna, Donna Summer and even Jennifer Holliday.Are celebrity DJs ruining everything? Wedding DJs and the role of drugs in dance music.{Best of Feast of Fun, originally posted as FOF #1242 - You Can't Stop the Music - 08.26.10}Featured Music:Ralphi Rosario – You Used to Hold Me ’08 (featuring Xaveria Gold): https://apple.co/2N9RHnG

Please go to our website What Are Travis and Elaine Watching? for heaps of extra content!We having a Blue Christmas... tree!! Finally!  Our bright (and I mean bright) blue Christmas tree arrived, and as promised, here are a few pix of the blinding tree that we took while watching the Holiday Classic, Videodrome.(pix on our website)Says it allZappaWe went into this doc with high expectations, especially Elaine (a huge Zappa), and for the most part, it did not disappoint. We (especially Elaine) had a few complaints, but mostly they were "fan" complaints, like wanting to hear more of her favorite songs. We have had some great conversations with other fans in our family who are also members of our Facebook group. We highly recommend you join us.What Are Travis and Elaine Watching - Chat Group. Bee Gees: Mend A Broken HeartWe went into this doc, now playing on HBO MAX, with no expectations. We were pleasantly surprised. We learned a lot. The most illuminating segment involved the Disco Sucks movement.  We were impressed and saddened, and inspired. We're not the most traditional Holiday Movie watchers, as you can probably gather from our Videodrome tree trimming party.This year we are going to recommend you add Smoke to your holiday viewing list. Not only is it a tremendously overlooked film by Wayne Wang in its own right, but it also ends with one of the best Christmas stories ever.  First, it's told by Auggie (Harvey Keitel) to Paul (William Hurt), then we see it recreated, no dialogue under the end credits while Innocent When You Dream written and performed by Tom Waits plays.  The Beatles: Get Back, a documentary collaboration between the band and filmmaker Peter Jackson, went live on YouTube and Disney Plus on December 21! The film, originally scheduled for release in 2020, faced production delays caused by the coronavirus pandemic.Watch on our website.Happy Holidays and Cya next year!

Daisy and Richard discuss the new Bee Gees documentary, How Can You Mend a Broken Heart, and their disgust with Steve Dahl and the "Disco Sucks" movement. THEN the two chat about unattractive and disgusting behaviors. AND some new airline rules and regulations that are really burning Daisy's ass this week! LASTLY, Happy Holidays, don't be a dick! We want to hear from you. What's keeping you up at night? You can reach out to us at strawhutmedia.com/tequilatalk Keep up with DAISY and RICHARD on Instagram! From Straw Hut Media Learn more about your ad choices. Visit megaphone.fm/adchoices

Daisy and Richard discuss the new Bee Gees documentary, How Can You Mend a Broken Heart, and their disgust with Steve Dahl and the "Disco Sucks" movement. THEN the two chat about unattractive and disgusting behaviors. AND some new airline rules and regulations that are really burning Daisy's ass this week! LASTLY, Happy Holidays, don't be a dick! We want to hear from you. What's keeping you up at night? You can reach out to us at strawhutmedia.com/tequilatalk Keep up with DAISY and RICHARD on Instagram! From Straw Hut Media

Guest host Ian Punnett and music historian Harvey Kubernik discuss the end of the disco music era and its biggest band the Bee Gees with the "Disco Demolition Night" event at a Chicago White Sox game in July 1979 with Danny Falato, a radio station employee who was at the event. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

House Music has its roots in the mid-1980s and really took hold by the latter part of the decade. After the "Disco Sucks" backlash of the early 80's - dance music in general never went away but started a fragmented process due to synthesizers and beat machines becoming more common after the DJ superstars like Giorgio Moroder and Cerrone successfully deployed them in the late 70s. The Evolution of House Music The music evolved into New Wave dance and Hi NRG but the most lasting genre that has permeated every segment of dance music to this day is House Music. The genre by itself splintered early on into sub-genres like Acid House, Deep House, and Hip House which gave rise to its use in commercial hits like "Pump Up the Volume," "Theme From S-Express," "Bizarre Love Triangle" and "Back To Life (However Do You Want Me)," which topped the Billboard Top 100 at the end of the decade. The popularity was fueled even further when Madonna released "Vogue" the following year and rap music became the norm for Hip House before transforming later in the decade to Hip Hop. The genre continued to evolve throughout the decade eventually giving way to Trip Hop, Trance, Techno, Eurodance, Garage and a variety of other electronic dance music genres. 1988 through 1991 of the Ultimate 90's House Music Classics series starts from the underground beginnings of the genre up to win it gained mainstream success. Certainly songs like "Finally," "Show Me Love," and "Gypsy Woman (She's Homeless)" would have never happened if it weren't for the underground humble beginnings that started in Chicago before spreading to New York and eventually globally. THE BEGINNING OF SUPERSTAR DJS The music launched the careers of major DJs who were at the forefront of this movement. So much credit is given to Frankie Knuckles but others like Larry Levan, Steve "Silk" Hurley, Shep Pettibone led to major superstars like David Morales, Tony Moran, Ralphi Rosario, Masters At Work a.k.a. "Little" Louie Vega and Kenny "Dope" Gonzalez, Junior Vasquez, Joey Negro, Basement Boys, MK, Tony Moran, StoneBridge, Todd Terry, Deep Dish, Danny Tenaglia amongst many others which has given way to those that followed in their footsteps to become household names in their own right. There is no possible way to discount how influential House Music was and still is on popular music to this very day. While many of the titles may not be recognizable — once you listen to this epic series you may be hitting yourself upside the head because "SHIT I totally forgot all about that song" from back in the day. Many of these classic underground tracks have been gratuitously sampled in current club hits and some like Marshall Jefferson's "Move Your Body" have been merely updated for today's dancefloor while retaining everything from the original and have become outright hits on their own. [youtube v="QAR8cq5Bl94"] All of this is not to say some songs that capitalized on the House Music craze didn't spawn one-off obnoxious ear worms like Right Said Fred's "I'm Too Sexy," (which is featured here) but frankly so did Disco. As a result, these songs are also included because it's part of the larger narrative that cannot be overlooked. IN CONCLUSION Compiling, mixing and remastering all of these classics songs has been a massive undertaking that's been well worth the time. Everything you remember and don't is included in these and future sets schedule for release over the coming months and these songs have never sounded better. If you're looking for only the hits, there's always the original seven volume set of the 90's House Classics series Party Favorz released in 2010. Created with love, passion, devotion to all things House Music, Party Favorz is taking you on a journey through the past that's the basis for everything you enjoy today. Any aspiring DJs should be playing close attention and listening to these sets for inspiration as to what's possible.

Play Pause Support the PodcastDownloadShare var srp_player_params_677258bfe371a = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258bfe371a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258bfe371a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258bfe371a"); } House music, an enduring and transformative genre, found its origins in the mid-1980s, maturing and taking firm roots by the end of the decade which evolved into what's now considered 90s Classic House music. Remember the "Disco Sucks" movement in the early 80s? Dance music never really disappeared; instead, it began a fragmented evolution. Thanks to synth-laden tracks and beat machines made famous by DJ icons like Giorgio Moroder and Cerrone, it morphed into new realms. The Evolution of 90s Classic House Music From New Wave dance and Hi NRG to classic House music in the 90s, the genre's influence has permeated every dance floor. Early subdivisions like Acid House, Hip Hop, Breakbeat, Freestyle and Trip Hop paved the way for commercial sensations like "Pump Up the Volume," by M/A/R/R/S, the Shep Pettibone remix of "Bizarre Love Triangle," and "Vogue" by Madonna as well as the Acid House classic "Theme from S'Express" by S'Express. https://www.youtube.com/watch?v=NGbUOlTLzqk Spanning from 1988 to 1991, the Ultimate 90's House Music Classics series encapsulates this genre's underground roots before its mainstream success. The 90s House music classics like "Finally," by CeCe Peniston "Show Me Love," by Robin S and "Gypsy Woman (She's Homeless)" by Crystal Waters owe their existence to the humble beginnings in Chicago, spreading to New York and then globally. Superstar DJs and the 90s House Music Classics Classic House music 90s didn't just shape the era; it created legends. Beyond Frankie Knuckles, figures like Larry Levan, Steve "Silk" Hurley, and David Morales were pivotal in the genre. The Shep Pettibone remix of "Rhythm Nation" by Janet Jackson, or Shep's House Mix of "Miss You Much" are a testament to the talent of these pioneers. This series wouldn't be complete without mentioning songs like Soul II Soul's "Keep On Movin'"  and "Back 2 Life (However Do You Want Me)" or the 12" Choice Mix of "Finally" by Ce Ce Peniston. And who could forget the ever-catchy Nomad's "(I Wanna Give You) Devotion"? Whether they were original hits like Snap!'s "The Power" or Marshall Jefferson's "Move Your Body," which is been remastered and released as a hit just recently — they each contributed to the 90s classic House music legacy. Of course, not every track was timeless. Right Said Fred's "I'm Too Sexy" might have been a one-off earworm, but it, along with the Shep Pettibone Remix of Madonna's "Vogue," belongs to the larger narrative of this influential era. https://www.youtube.com/watch?v=TB54dZkzZOY In Conclusion Compiling, mixing, and remastering the best 90s House remixes has been a remarkable endeavor.

The gang jibber jabbers about actress wardrobes, hankies, pit stains and parties. Jimmy stumps Shari to win Jimmy Reads again. And finally, DISCO SUCKS!

Racismo, black power y el disco sucks: Una entrevista con Nile Rodgers. Chetes nos habla de su concierto en línea y la presentación en su totalidad del Blanco Fácil. I May Destroy You, la nueva serie de HBO que no se pueden perder.

Na edição de hoje eu vou relembrar duas modelos brasileiras que fizeram sucesso mundial no começo dos anos 80, quando o termo supermodels nem existia ainda, e comento sobre uma bola que é a cara dos anos 80 e que vai dar as caras na Olimpíada de Tóquio, se é que os jogos ainda vão acontecer um dia... Dalma Callado e Betty Prado em ação em meados de 1982 A bola oficial das Olimpíadas de Tóquio Tracklist Spinners - Can't Shake This Feelin'Zalmac - Dreamin'Enemies In The Grass - Day After DayDistant Cousins - Concrete BoxesThe Unknown - Dear Mrs. JonesSixtieth Parallel - Over And OverMydra - I've Got The PowerWild August - TroubleFlies on Fire - Underground Odyssey - Magic TouchDelegation - In the NightFernanda Terremoto - Eu Quero Te Amar         Agradecimentos aos produtores virtuais pelo apoio:Fabiano F. M. Cordeiro Ricardo Bunnyman (AutoRadio Podcast)Tiago Rosas (Kit de Releituras Musicais)Marcos ColuciMarcelo Machado (Podcast de Garagem)Seja também um apoiador do 80 WATTS em uma das plataformas abaixo.     This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com

Forty-One years ago the Chicago White Sox had one of the most successful but detrimental promotional nights in sports history thanks to a disgruntled rock DJ, Live Aid launched a whole new genre of live music with worldwide stages featuring the biggest...

While under quarantine in Italy, Olga Svetlana talks about the current situation there with Covid-19, the band getting exiled from Russia for political statements, her intense stage presence (including flipping Shane off from the stage), their new bass player Nick Oliveri (of Queens of the Stone Age and Kyuss) and their new album "Disco Sucks". Learn more about your ad choices. Visit megaphone.fm/adchoices

Disco F*cks! You've probably heard the phrase "disco sucks!" thrown around when people start talking about disco or macho rock culture from the 70's. Disco is rooted in black and latinx culture and music, and was huge in gay nightclubs, so, the hatred of disco was wrapped up in racism and homophobia. This hour, I wanted to offer a shout out to disco new and old! Cause Disco F*cks! Millennial Line! Millennial Line is a comedy and poetry event that takes place at Red Gate Art's Society on the third Thursday of every month! It is organized by Tin Lorica and Savannah Erasmus, and Savannah called in to talk about their next show on March 19th. Follow them on socials! Twitter: @MinooseSavannah @selfiemixtapeInstagram: @millenniallineMore info on Disco Sucks: https://timeline.com/disco-sucks-movement-racist-homophobic-2d4e63b43a0eMore info on solidarity with Wet'suwet'en: Twitter: @Gidimten, @ricochet_enInstagram: @indigenousyouthforwetsuweten, @tapioca_starch

We’re coming out, and we want the world to know… that not all gay men are born with an innate, all-encompassing love for disco, ok!? In fact, only 50% of Aural Fixation was, as we discover on a glitter ball-guided tour through 1980’s diana, by Diana Ross. Released in the disco revolution’s twilight years, diana was the Boss breaking free from the shackles of Motown, the record label which made her in the 60s, and was starting to break her. Helping her out were CHIC’s very own Nile Rodgers and Bernard Edwards, taste-making producers riding the wave of hit after hit, and when we say helping... if you ever wondered what a CHIC album would sound like with Diana Ross vocals, you’re in for quite the treat. This episode we look through a queer lens at one of pop culture’s biggest queer icons putting her spin on arguably the queerest sub-genre of music, ever, featuring a song literally written about people being their complete, authentic selves. Even if the singer wasn’t completely aware of that fact. Jump on in, we’re out-queering ourselves! Special thanks to Raymond Day for sharing so many valuable resources on the Disco Demolition/Disco Sucks movement, of which we would encourage you to explore yourself:“When a loudmouthed DJ tried to kill disco, the homophobic and racist implications were impossible to ignore” by Josh O’ConnorDisco Demolition by Red Bull Academy“Why 'Disco sucks!' sucked” by Ben MyersFollow us on Facebook, like us on Instagram, email us and don’t forget the Spotify companion playlist.

We hope the world listens to episode 10 of Blend LA Podcast. After this episode with Chicago House Music legends, Jesse Saunders and Wayne Williams, people will understand how amazing House Music is and how it transcends everything, from skin color to homophobia. These conversations were recorded with no edits, as raw and real and spontaneous as the creativity in House Music itself. The hosts of The AMP Collective had the opportunity to sit down with two of the founders of The Chosen Few DJs, Jesse Saunders and Wayne Williams from Chicago, at the House of Vibes Sunday brunch, at the legendary Fais Dodo in Los Angeles, thanks to our Brother in House and segment producer, DJ Naneek Divad. The first on-location interviews ever! They both break down "House Music" to it's foundation and essence because they are both! DJ Big D and Dayslayer go back to their childhoods, from the days of one turntable and basement parties and find out what life was like in the 70's and 80's for two young Black kids from the Southside of Chicago and how they birthed a music genre known and danced to around the world called HOUSE MUSIC. Blenders will definitely truly understand where House came from after episode 10. EPIC EPISODE 10. Sincerely, DJ Big D and Dayslayer JESSE SAUNDERS https://www.jessesaunders.com/ https://www.instagram.com/jessesaundrs/ WAYNE WILLIAMS https://www.facebook.com/Dj-Wayne-Williams-122621295345/?fref=ts https://www.instagram.com/djwaynewilliams/

South Philadelphia was on fire as IMPACT Wrestling invaded the infamous ECW Arena at the corner of Swanson & Rittner and they left the legendary building with even more memories to add to its long standing history! Did we ever think we would see the day that the Disco Inferno would not only wrestle a match at the ECW Arena but also WIN a match at the ECW Arena and somehow that match was a women’s battle royal? He did it in pure Glen Gilbertti fashion too, what a lous! OH MY GOD, THEY KILLED KENNY! The line wrote itself as Killer Kross killed the adored Kenny the Kendo Stick right in front of a tied up Eddie Edwards leaving Eddie to wallow in sorrow. Where does this all go from here? Does Eddie get revenge? Had Killer Kross finally been able to change Eddie for the better? Rosemary defeated Su Yung in a Demon Collar match and took the Undead Bride hostage! Is this blood feud over? Why do we think that there is no way it ends that easily? The Rascalz, Desmond Xavier, Zachary Wentz, And Trey Miguel displayed a training montage that was right out of a National Lampoons movie and it is absolutely worth watching several times! These guys are pure gold in the acting and skits department and this can only continue to get better! Michael Elgin has been on a tear since arriving in IMPACT Wrestling. First he target and seemingly took out the heavyweight champion Brian Cage he then set his sights on Willie Mack and Rich Swann. After taking Willie out earlier in the night he was set to face Rich Swann and the match that ensued was nothing short of a 5-star classic and being heralded as one of the greatest matches in IMPACT Wrestling history! Johnny Impact and Willie Mack made their presence felt at the end so we are off to the races on some potentially high caliber battles to come! All this plus Trent reads your YouTube comments as he went solo this week! Be sure to look for him in the front row on these tapings and keep an eye out for a Philly reaction pod later this week from TMZ himself on Total Nonstop Impact - Impact talk for Impact Fans! brought to you by The Impact Lounge! Results: - Glenn Gilbertti defeated Alisha Edwards and Ashley Vox and Jordynne Grace and Karissa Rivera and Kiera Hogan and Madison Rayne and Scarlett Bordeaux and Solo Darling and Tasha Steelz and Tessa Blanchard in a Knockout Battle Royal - Rosemary defeated Su Yung in a Demon Collar match - Madman Fulton (w/ Sami Callihan) defeated Randy Shawn - Killer Kross defeated Eddie Edwards - Rich Swann defeated Michael Elgin by DQ CONNECT WITH TOTAL NONSTOP IMPACT: Social Media: Twitter - https://www.twitter.com/WETALKIMPACT Instagram - https://www.instagram.com/WETALKIMPACT Facebook - https://www.facebook.com/WETALKIMPACT Trent's Twitter - http://www.twitter.com/vanillajoke Kyle’s Twitter - http://www.twitter.com/kl_tni Streaming Audio: Apple iTunes - https://apple.co/2NpzbqF Stitcher Radio - https://bit.ly/2DjPznT Google Play - https://tinyurl.com/ybh29sfp TuneIn Radio - https://bit.ly/2NreA57 iHeart Radio: https://ihr.fm/2swvl1Z Spotify: https://spoti.fi/2B1zBeL Soundcloud - https://soundcloud.com/user-625858195 Music: Intro Music: Re/vengeance by HEMI: https://youtu.be/VgJaXGhE3pw Listen to Decay by HEMI - The official theme song of #IMPACTREBELLION https://youtu.be/D1hRy6CVoSs

Lee Dearn is a Birmingham based DJ & producer and good friend of Body People. Owner of vinyl label Secret Reels and disco jock at Disco Sucks party in Birmingham – his sound can be described as house on the deeper tip with elements of disco and funk. This selection is right up our street and we're sure you're going to love it. Have a listen! Tracklist: 1. Dampé - St James' Road [Dirt Crew] 2. Tilman - Prologue In Pictures [Fine] 3. Leon Revol - Far With A Van (Admin Remix) [Secret Reels] 4. Mr G. - Praise [Phoenix G] 5. Felipe Gordon - Maria's Piano [Exploited] 6. Fouk - I'll Be Down (Hugo LX Meteor Mix) [Heist] 7. Jaxx Madicine - Ten Thousand Fingers [Eureka!] 8. Azuni - I Feel For You [Sthlmaudio] 9. Morphology - Fluid Dynamics Cultivated Electronics] 10. Frankie Knuckles - Baby Wants To Ride (Jimmy Edgar Edit) [So Sure Music] 11. Pepe - Aerial [Let's Play House] 12. Kris Wadsworth - Lime & Pink [Uranus] 13. Purple Velvet & Lisa D - High (Beatless Reprise) [Manucci's Mistress] Get to know Secret Reels here https://soundcloud.com/secret-reels and here https://secretreels.bandcamp.com/ Follow us: www.facebook.com/bodyppl www.instagram.com/bodyppl www.twitter.com/bodyppl

Pour notre 150e épisode on se gâte avec notre 7e volet de La Cassette VHS! On vous parle de l'excellente comédie Detroit Rock City!

Kris gets rowdy with a therapist, and “Disco Sucks” for some people, but not for Kris and her new gay friends.

Nile Rodgers is a Grammy-winning composer, musician, and producer. With his own band, Chic, he's been enticing people on to the dance floor since the mid-1970s with hits like Le Freak and Good Times. With over 200 production credits to his name, he has worked on many highly successful albums from Sister Sledge's We Are Family to David Bowie's Let's Dance and Madonna's Like a Virgin.Born in New York City in 1952 to a teenage mother, he spent his early life immersed in his parents' bohemian, beatnik, and drug-dominated lifestyle. Drugs played a part in Nile's life too from an early age, and he took his first acid trip with Timothy Leary at the age of 15. After learning to play the guitar, he got his musical break touring with the Sesame Street stage show and playing in the house band of Harlem's Apollo Theatre, where he met bassist Bernard Edwards with whom he developed a productive musical partnership and went on to found Chic. Following the Disco Sucks movement of the late 1970s, Nile and Bernard turned to production, and sprinkled their magic dust on Sister Sledge and Diana Ross. When Nile and Bernard went their separate ways in the early 1980s, Nile forged ahead on his own, working with, among others, Madonna, Michael Jackson, David Bowie and Duran Duran.Nile went into rehab in 1994 and has been clean and sober for the past 24 years and has received successful treatment for cancer twice. He won three Grammys for his 2013 collaboration with the French electronic music duo Daft Punk, and has recently released the first Chic album in 26 years.Presenter: Lauren Laverne Producer: Cathy Drysdale

Nile Rodgers is a Grammy-winning composer, musician, and producer. With his own band, Chic, he's been enticing people on to the dance floor since the mid-1970s with hits like Le Freak and Good Times. With over 200 production credits to his name, he has worked on many highly successful albums from Sister Sledge’s We Are Family to David Bowie’s Let’s Dance and Madonna’s Like a Virgin. Born in New York City in 1952 to a teenage mother, he spent his early life immersed in his parents’ bohemian, beatnik, and drug-dominated lifestyle. Drugs played a part in Nile's life too from an early age, and he took his first acid trip with Timothy Leary at the age of 15. After learning to play the guitar, he got his musical break touring with the Sesame Street stage show and playing in the house band of Harlem’s Apollo Theatre, where he met bassist Bernard Edwards with whom he developed a productive musical partnership and went on to found Chic. Following the Disco Sucks movement of the late 1970s, Nile and Bernard turned to production, and sprinkled their magic dust on Sister Sledge and Diana Ross. When Nile and Bernard went their separate ways in the early 1980s, Nile forged ahead on his own, working with, among others, Madonna, Michael Jackson, David Bowie and Duran Duran. Nile went into rehab in 1994 and has been clean and sober for the past 24 years and has received successful treatment for cancer twice. He won three Grammys for his 2013 collaboration with the French electronic music duo Daft Punk, and has recently released the first Chic album in 26 years. Presenter: Lauren Laverne Producer: Cathy Drysdale

On this weeks episode of the Space Cowboys RIPEcast we are featuring a special guest mix from Music Marks The Spot and @InStereo-Recordings DJ and producer, @JedX. He has been pioneering a funky house sound that, combined with several impressive releases in the last year, has quickly elevated him to be one of Traxsource’s Top 25 Jackin House producers of 2017. BIO A musician at heart with funk in his blood, JedX has progressed from guitarist to dj to producer. While you will still catch him jamming on his axe during dj sets, his true passion is for moving the crowd. The energy that he brings to his performances is incomparable, with turntablist skills and an ear for infectious tracks that keep dance floors filled. Jed truly loves what he does! Whether it's techy, soulful, deep, disco or just straight house, Jed's production is always funky. Growing up in California, he found great inspiration in artists such as DJ Dan, Donald Glaude, Mark Farina and Chuck Love. His releases span the globe from Royal Hour in Serbia to State side heavyweights InStereo Recordings, Guesthouse and Dopewax. In 2015, Jed had the #1 selling track on Traxsource for InStereo Recordings - Urban Vandal. And in 2016 he had tracks featured on both DJ Dan and Kenny Dope's albums and collaborated with Dan, Sean Sines, Felipe Avelar and Tim Brown. In 2017, Jed had debut releases on Juiced, Mood Funk and Bid Muzik. He was also featured on DJ Dan's 2017 album 15 Years of InStereo and played the InStereo Takeover at the Slutgarden camp at Burning Man. At the end of 2017, Jed launched his new label Music Marks The Spot and came in at #21 in Jackin House producers on Traxsource. Things are getting exciting for the label featuring collaborations with Sean Biddle, DJ Dan, Mr. E.W., Dave Keset and Rescue. Be on the lookout for the Disco Sucks! series which is getting a make over and commercial release with new masters!! Check out more of the JedX sound here: https://soundcloud.com/jedx https://www.facebook.com/jedxmusic https://www.traxsource.com/artist/227420/jedx https://www.traxsource.com/label/36349/music-marks-the-spot https://www.beatport.com/artist/jedx/461245 https://www.beatport.com/label/music-marks-the-spot/66124 PLAYLIST 1. Sky - Guy Preston - Monoside 2. Harlem Bounce (Angelo Ferreri Remix) - Vanilla Ace, K&K - Milk & Sugar Recordings 3. No Requests - Jarred Gallo - Mood Funk Records 4. Two Dragons - JedX - Music Marks The Spot 5. Wanna Dance - Block & Crown - PornoStar Records 6. May The Funk Be With You - Matt Caseli - InStereo Recordings 7. Zulu - Charlie Roennez - RH2 8. Another Dimension (Mattei & Omich Remix) - Jay Vegas - Metropolitan Promos 9. Music Is Feat. Audacious Melodius (Gettoblaster ZXX Remix) - Ron Carrol, Audacious Melodius - Guesthouse Music 10. Up & Down - Giman - Cruise Music 11. Awakening - JedX - Music Marks The Spot 12. Show Me More Time - Alessio Cala - Soul Brain Records 13. Just Bounce - JedX, Mr. E.W. - Music Marks The Spot 14. Keep On Rockin It - Luca Debonaire - MusicaDiaz Señorita 15. Your Money - JedX, Sean Biddle - Music Marks The Spot 16. Into The Rhodes - Anfunk, Alessio Cala - Soul Brain Records 17. Thousand Finger Man Feat Libby Baeeloo (Vocal Mix) - Re-Tide, Moon Rocket - Re-Tide Music 18. Chicago - JedX - Soul Brain Records 19. Downtown LA (Andy Tee Main Mix) - Micky More - Groove Culture 20. Oogie Your Boogie - JedX - Music Marks The Spot - Disco Sucks! EP 21. Good Day - JedX - Monster Disco Records

Greg and Ben discuss Jermaine Dupri in the Songwriting HOF, Gucci Mane’s biopic, the charts, NOW! 65, Nile Rodgers and Bernard Edwards, and our Earworms of the Week! Smallpools - Killer Whales Sister Sledge - We Are Family Diana Ross - Upside Down Diana Ross - I’m Coming Out Power Station - Some Like It Hot Duran Duran - Notorious Sam Smith, Disclosure, Jimmy Napes & Nile Rodgers - Together CHIC - Le Freak Mont Jake - Daydreaming Check out our website! www.bythetimeyouhearthis.com facebook.com/bythetimeyouhearthis Follow us on Instagram: @bythetimeuhearthis Email: bythetimeuhearthis@gmail.com Subscribe on iTunes, Podomatic, Castbox, Satchel Podcast Player, TuneIn Radio, Overcast, Otto Radio, and Google Music!

What can you say that hasn't already been said about an artist that defined a decade? We're kicking off our series on the 70s with one of the biggest musicians in history - Harry Wayne Casey, leader of KC and the Sunshine Band! They had dozens of hits you know by heart and sold 100 million records in the process. So, how does Harry look back on his career? We talk about those dark retirement years in the 80s, what inspired him to write such infectious songs, the literal fallout of the Disco Sucks movement, and what his daily routine is. Simply put - he's one of the most successful artists of all time. He also continues to release new music on occasion, such as his new song "Movin' Your Body" which will be out any day now! http://www.heykcsb.com/  

We’re back from Christmas break to ring in the new year. And we’re taking requests. But not taking too kindly to them, really. This episode: Star Wars, and the ponderous nature of speaking about Star Wars, improvisation mishaps, Keith’s spooky inability to remember or connect to song lyrics or music, DISCO SUCKS and Mods vs. [...]

The “Disco Sucks” episode. Direct link to MP3 Disco sucks image from here.

This week Matt and Bob subject Baltimore music man Mike Walls to a Jeff Fahey action movie about music sampling, THE UNDERGROUND! That’s right, an action movie based on MUSIC SAMPLING. It exists, it makes no sense and it’s got 100% Jeff Fahey batman voice. DISCO SUCKS!TRAILER!

In this episode recorded before their recent tour stop in Boston, Ken welcomes Ben Weasel and Joe Queer to the show. First up Ken speaks with Ben Weasel of Screeching Weasel and Weasel Radio about the nature of green rooms, the two hour power block of Fantasy Island and Love Boat, sleepovers, 70s lack of child supervision, the Doberman phenomenon, having never seen Suburbia, Class of 1984, Teenage Head, Alice Cooper's "punk period", Van Patton's as the future, Michael J. Fox, dating on Eight is Enough, confusion around the Partridge Family, Family, Kristy McNichol, getting really into 7th Heaven, how sincerity goes a long way, the NEW Fantasy Island, the 70s vs. the 90s, the strange relationship with Tattoo, hookers on TV, knowing what a "swinger" is while not knowing exactly what a swinger is, being careful what you wish for, Genie wish loopholes, Little House on the Prairie, M*A*S*H, WKRP, Rock N Roll on TV, being a rock fan as social stand, Steve Dahl Chicago disc jockey, Disco Sucks, Freaks & Geeks, Newsradio, work place sitcoms, putting your own spin on classic formats, Tim Reid, The Jeffersons, Good Times in Cabrini-Green, the dream of the 70s death in the 80s, building a city on Rock N Roll, the punk rock reaction, the value of mainstream media attention to the underground, The Big Bang Theory,  3-Camera Sitcom format, the horror of specific choices in the 21st Century, TV Actors vs Film Actors, Salem's Lot, Made-for-TV Movies, James at 15 becoming James at 16, The Midnight Special, Don Kirshner's Rock Concert, Welcome to My Nightmare, LP marketing, the dirty secret of radio station interview LPs, New Wave on TV, 21st Century rebellion, Vietnam in popular culture, Maude's abortion episode, The Baby Boomers being wrong about everything, Go Set a Watchman, the education system, growing up in a world of consequences, Social Conscious of the 70s, Free to be You and Me, the predictive nature of science fiction, moralizing vs. morality, Black Flag's "Damaged", SLC Punk, The Wonder Years, Fawlty Towers, The Dick Van Dyke Show, loving General Hospital, loving the Soap Opera format, and realizing that format is not quality.  Ken then speak with Joe Queer (aka Joe "Citizen" King) of the Queers. Ken and Joe discuss Chico and the Man, the lonesome death of Freddy Prinz, Welcome Back Kotter, growing up in New Hampshire, Boston stations vs. NH Stations, UHF education, TV38, WLVI TV56, Late Nite Creature Features, Don Kirshner's Rock Concert, Elvira, WBCN, seeing The Police at the Rat, why Sting won't smoke pot with you, Newbury Comics, The Ramones, Arena Rock, Jethro Tull's baby carriage one foot hopping, V66, Surf Culture, 60s music, Frampton coming alive in Boston, being a big reader vs a TV watcher, loving fine English literature, O. Henry, Felix the Cat, Rock N' Roll High School, The Meatmen, Black Flag, being physically large enough to actually be in a punk band, Rollins, Fear on SNL, Joan Jett, seeing Madness at a clothing store, Rodney on the ROQ, Just Want to Live Like Yogi Bear, Sid Griffin, favorite TV Theme songs, Beverly Hillbillies, Flintstones, Betwitched, Brady Bunch, and the shared experience of seeing certain movies and TV shows being a vehicle for friendships.

Sweet “Air On ‘A’ Tape Loop” (Capitol) Electric Light Orchestra “Drum Dreams” (MCA) The Steve Miller Band “Macho City” Part 1 (Capitol) The Who “Eminence Front” (Warner) The Rolling Stones “Dance” Instrumental (Rolling Stones) Cat Mother & The All Night Newsboys “Track In ‘A’ (Nebraska Nights)” (Polydor) The Grateful Dead “Shakedown Street” (Arista) The Clash “The Magnificent Dance” (Epic) The Rolling Stones “Miss You” Bob Clearmountain Remix (Rolling Stones) Wings “Goodnight Tonight” (Columbia) The Beach Boys “Here Comes The Night” Instrumental (Caribou) The Alan Parsons Project “(The System Of) Dr. Tarr & Professor Fether” (20th Century)

School is in session... old skool that is.The legendary DJ Lollipop invites you to reminisce in the distinct sound of the Post-Disco era.If these joints are new to you, here are the original club jams that ushered in a new era - the DNA of hip-hop. If you know these artists, press play on Lollipop's Post-Disco Funk Explosion and fall in love with these favorite classic rare funk gems all over again.Post-Disco is the significant period in popular music history that followed the "death" of commercial disco during late 1970s. The anti-disco sentiment that proliferated at the time was partially due to the over-saturation and the big-business mainstreaming of disco. As a result of the "Disco Sucks" movement and the July 12th 1979 “Disco Demolition Night”, disco records & artists were rejected from airplay and their promotions dropped literally overnight. The face of pop radio changed following this backlash which social critics have described as “a bigoted, macho, attack on non-white and non-heterosexual cultures”. Top 40 radio stations avoided playing music by black artists in an effort to prevent their stations from being labeled with the dreaded "disco" tag.It was the dawn of a new decade and a sonically edited, more stripped-down sound was emerging as a reaction against what was seen as the over-indulgence of disco. Thanks in part to advances in technology, the over produced, melodically complicated "disco sound" was passé, and a simplified sound driven by synthesizers accompanied by rhythm guitar moved dance music toward ever splintering genres. This drift from the original disco sound has been labeled “Post-Disco”. In this music scene are the roots of dance music sub-genres that evolved into Italo-Disco, Boogie, Hi-NRG, Electro, New Wave and early Alternative.Funk music is sometimes overlooked and usually lumped with disco music. However, Funk has its own style, culture and was here before disco's birth. It was born in the mid-'60s by the legendary James Brown. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. It usually is heavily syncopated with polyrhythmic rhythms, horn and percussive sections featuring rhythm guitar. Brown had the most outspoken voice in soul music and a groove that would prove to be the future of Funk music.Many of James Brown’s band members such as Bootsy Collins would go on to funk with many other bands like Parliament and Funkadelic which were both created and lead by George Clinton. Parliament had emphasis on horns while Funkadelic had emphasis on psychedelic guitars. Both had a deep, rhythm filled groove that had elements of several genres of music all rolled into one. Clinton had successfully fused together these types of music to create what he called “P-Funk”. The success of Parliament’s "Flashlight" would greatly influence not only funk music, but also New Wave and Hip-Hop.Lollipop’s Post-Disco Funk Explosion celebrates this exact time in musical history when horn sections were replaced by synthesizers and the horns that remained were given simplified arrangements. The classic keyboards of funk, like the Hammond B3 organ and Fender Rhodes piano began to be replaced by new analog synthesizers like the MiniMoog and Yamaha DX7.Join Lollipop and the legions of counterculture groove disciples in enjoying this sonic slice of historic funk cake. In the Post–Disco era between 1979 and 1981, bands that began during the P-Funk era incorporated technological developments to continue to craft funk hits. The magical formula of classic funk guitar and rhythmic horn hits combined with thumping synthesized bass lines became a club phenomenon. Groups such as Cameo, Zapp, Lakeside, The Gap Band, the Bar-Kays, all found their biggest hits during this period, but as styles evolved, funk had lost its commercial impact by the latter half of the 1980’s. This time period witnessed many jazz funk artists like Tom Browne, Lenny White, Don Blackman (Twennynine) and Harvey Mason dip their toes into the post-disco funk pool to create their most successful hits.To quote George Clinton – “Free your mind and your ass will follow.”LOLLIPOP’S POST-DISCO FUNK EXPLOSIONDJ Lollipop IntroZapp - More Bounce to the OunceCameo - Keep It HotYarbrough & Peoples - Don't Stop the MusicThe Bar-Kays - Move Your Boogie BodyVaughn Mason & Crew - Bounce Rock Skate RollTom Browne - Funkin' For JamaicaOne Way ft Al Hudson - Pop ItRay Parker Jr. & Raydio - It's Your NightRaydio ft Ray Parker Jr. - For Those Who Like To GrooveLakeside - Fantastic VoyageGap Band - Burn Rubber on MeTwennynine ft Lenny White - Peanut ButterPrince - ControversyFrankie Smith - Double Dutch BusRick James - Give It to Me BabyHarvey Mason - Groovin' YouThe Jacksons - Can You Feel ItLatoya Jackson - If You Feel the FunkFunkadelic - One Nation Under a GrooveParliament - Flashlight

Disco Sucks. Catherine decides to move out of LA and fuels up at a nearby club.