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Continued transmission about the creation of music with masters like Julius Hemphill and Horace Tapscott.
HORACE TAPSCOTT THE DARK TREE – LIVE “CATALINA BAR & GRILL” Hollywood, CA, Dec. 14-17, 1989Sketches of drunken MaryJohn Carter (cl) Horace Tapscott (p) Cecil McBee (b) Andrew Cyrille (d) FRED ANDERSON THE MILWAUKEE TAPES VOL 2. Milwaukee, WI, January or February 1980Bernice, Another PlanetBilly Brimfield (tp) Fred Anderson (ts) Larry Hayrod (b) Hamid Drake (d,tablas) MICHAEL ATTIAS QUARTET MUSIC VOL. Continue reading Puro Jazz 15 abril 2024 at PuroJazz.
HORACE TAPSCOTT THE DARK TREE – LIVE “CATALINA BAR & GRILL” Hollywood, CA, Dec. 14-17, 1989Sketches of drunken MaryJohn Carter (cl) Horace Tapscott (p) Cecil McBee (b) Andrew Cyrille (d) FRED ANDERSON THE MILWAUKEE TAPES VOL 2. Milwaukee, WI, January or February 1980Bernice, Another PlanetBilly Brimfield (tp) Fred Anderson (ts) Larry Hayrod (b) Hamid Drake (d,tablas) MICHAEL ATTIAS QUARTET MUSIC VOL. Continue reading Puro Jazz 15 abril 2024 at PuroJazz.
In an episode of The Buzz interviews with authors of 2024 nominees for Book of the Year Awards, Los Angeles-based Steve Isoardi, author of The Dark Tree about pianist Horace Tapscotts unique musicians/community organition UGMAA, speaks with Bob Blumenthal, JJA board member and chair of the Book Awards committee.
In this episode, we celebrate the legendary Los Angeles community leader, mentor, jazz pianist, and composer Horace Tapscott. Among my guests are former members of the Pan Afrikan Peoples Arkestra, founded by Tapscott in 1961, and others who appreciate his contributions to the culture. Tune in to hear poets Kamau Daáood and Anthony Joseph; saxophonists Abraham Burton, Michael Session, and Steve Lehman; former Eso Won Books co-owner James Fugate; pianist Eric Reed; bassist Roberto Miranda; and author Steven Isoardi. Myka 9 of Freestyle Fellowship delivers the intro.
In this episode, we celebrate the legendary Los Angeles community leader, mentor, jazz pianist, and composer Horace Tapscott. Among my guests are former members of the Pan Afrikan Peoples Arkestra, founded by Tapscott in 1961, and others who appreciate his contributions to the culture. Tune in to hear poets Kamau Daáood and Anthony Joseph; saxophonists Abraham Burton, Michael Session, and Steve Lehman; former Eso Won Books co-owner James Fugate; pianist Eric Reed; bassist Roberto Miranda; and author Steven Isoardi. Myka 9 of Freestyle Fellowship delivers the intro.
On Episode 110, today's guest hails from Oakland, California. He's a Educator, DeeJay, Beatmaker, Live Performer, Audio Engineer, Multi-Media Artist, Father MacArthur Maze Crew Member and more. Please welcome DJ Basta with RootsandBranches.Org to the show. Enjoy and be sure check the links below!During this episode, we chopped it up about his music journey, inspirations, aspirations and more. His Father was a big influence in his world music discovery at a young age, test them on their knowledge and taking them to music concert. His Mother is his influence of fusion jazz and acoustic music. He started playing drums in punk bands then transitioned in to DeeJayin. Then at 14 years old, he had a Bar mitzvah and started buying music and started learning how to scratch. He then started experimenting with music with Reason software and a midi keyboard after being an Engineer and using Pro Tools. In 2009, he began getting serious. He link with a crew called "Chosen Few" Unjust was chopping vinyl on a ASR10 and spoke the Dilla-ism. Opio and Pep Love influenced him and opened up a world to him where he couldn't help but create music. He was a witness to the well-known Los Angeles Beatmaking Event called Low End Theory as well as the Smartbomb Beat Community. He names his Beatmaker/Music Producer Superheros like Roger Troutman, Lee "Scratch" Perry, Grandmaster Flash, J DILLA, Tony Allen, Joao Gilberto.DJ Basta talked about a few of his albums '222', 'Roots & Branches Record Box' and 'QQQ'. He left crazy jewels, inspiring words for Beatmakers and detailed what's in store for the rest of 2023 & 2024.DJ Basta's Gems:1. Don't close yourself off from new information or techniques2. Speak with sound, not words3. Read Wax Poetics Magazine & Subscribe4. Read Songs of the Unsung - The Music and Social Journey of Horace Tapscott by Horace Tapscott5. Be intentional with your art/music6. NEVER DEVALUE YOUR ARTIntro Track: Music from "Hip Hop 50 The Beginning" presented by Afro Bluu & Available Here: https://afrobluu.bandcamp.com/musicFeatured Music: All music played from DJ Basta's Bandcamp Discography Available Here: https://rootsandbranches.bandcamp.com/musicSocial Media: @RootsanBranchesWebsite: linktr.ee/rootsanbranchesSupport the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastNEW!!! TheRecShowPodcast Music Playlist Available Here
THIS WEEK's BIRDS: cha'abi from Guerouabi; Roma sng from Rromnano Dives, B ajrami Selime, Trio Zajaze, and others; Kudsi Ergúner with jazz ensemble; Simon Barker, Henry Kaiser, Bill Laswell & Rudresh Mahanthappa; Sambeco (from Grande Camore); from Senegal: Kine Lam & Youssou n'Dour; from Haïti: Ensemble Etoile du Soir, Les frères Déjean; Horace Tapscott & the Pan_African People's Orchestra (vintage); Jacaques Coursil Unit (vintage); Other Dimensions in Music live in France; Peter Brötzman (RIP)( with Oxbow; much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/17592129/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
TED LANGE: Born Theodore William Lange III to parents who both worked in theater and television, Ted majored in drama at the San Francisco City College, then gave up a scholarship from the University of Colorado Shakespeare Festival, for the prestigious London Royal Academy, from which he graduated as a trained Shakespearean actor. He gained attention for his performance in the original Broadway production of the musical “Hair”, which led to starring roles in “Black Belt Jones” and on the sitcom “That's My Mama.” Ted Lange became a professor at the University of California, then became Isaac Washington on ABC's Love Boat from 1977-1986, for 250 episodes, never receiving residuals to date. He wrote 6 episodes and directed 17 and created a Love Boat screenplay, amongst the dozen he has written. On May 10, 2018, he received a star on the Hollywood Walk of Fame, and directed 28 TV series and movies (including Moesha, The Wayan Bros, Fantasy Island, Passing Through - the movie and more). In 1997 he was appointed the Co-Chairman of the African American Steering Committee for the Directors Guild of America (DGA) and was one of the forces of the Directors Guild Fellowship Program, instituted to develop job opportunities for Women and Ethnic Minorities, He was named adjunct associate professor at the School of Cinema/Television at USC. Ted's theatrical acting spans over 50 plays, has written to date 26 plays and for his theatrical directing, received the NAACP's Renaissance Man Theatre Award; won an NAACP Best Play Award in 1997 for his play “Four Queens -NO Trump” the Heroes and Legends HAL Lifetime Achievement Award, and the Dramalogue Award. He has been the recipient of the James Cagney Directing Fellow Scholarship Award from the American Film Institute (AFI) along with the Paul Robeson Award from the Oakland's Ensemble Theatre; the Artistic Director Achievement Award as Director of an Original Play for his comedy “Lemon Meringue Facade”; the Dramalogue Award for outstanding directing of “The Visit”. His ode to the jazz world came by the way of “The Heart of Biddy Mason, a jazz musical he co-wrote with noted jazz musician Gerald Trottman”; and the film score for the movie he co-wrote, “Passing Through” was arranged by Horace Tapscott, featuring Eric Dolphy music by Eric Dolphy, Charlie, John Coltrane and Sun Ra. Ted has written the following BOOKS: Shakespeare Over My Shoulder Trilogy: Three Shakespearean Themed Plays; Lady Patriot; The Footnote Historian'S Trilogy: George Washington's Boy, the Journals of Osborne P. Anderson, Lady Patriot between 2013-2021….sold on Amazon! Presently1 Ted is working on 3 plays at the same time, happily traveling around the country directing plays and at times internationally, content in truly living his passion. Say hello to him on his IG: @3langeted --- Support this podcast: https://anchor.fm/ozzie-stewart/support
Spoken word intro piece is by legendary underground Hip-Hop MC Myka 9 of Freestyle Fellowship. Origins and influences are featured in this episode's conversation with Dwight Trible, including his love and appreciation for jazz drummer extraordinaire Brian Blade and his collaboration with the great Kenny Garrett, whose album "Sounds from the Ancestors" he played on. He describes his early life in Cincinnati, before he moved to Los Angeles, and some of the racial issues he encountered as a young boy. We talk about what it was like for him to work with Leimert Park elders and legends like Billy Higgins, Art Davis, Horace Tapscott, and Kamau Daáood. We discuss The World Stage, founded by Daáood and Higgins, and its importance as a grassroots, community-owned cultural center for progressive music. Content and the sacred are important themes throughout.https://dwighttrible.com
A mythic figure in the Southern California arts scene, Kamau Daáood is a performance poet, educator, and community arts activist. Born and raised in Los Angeles, he was instrumental in transforming Leimert Park into a cultural center and is widely acknowledged as a major force driving L.A.'s Black cultural renaissance. Kamau was a member of the Watts Writers Workshop and developed his style as a "word musician" with the Pan Afrikan Peoples Arkestra, under the direction of Horace Tapscott. Over the course of hundreds of readings, his words have lifted audiences from their seats. He's shared a podium with Gil Scott-Heron, The Last Poets, Amiri Baraka, and Sonia Sanchez, and has read in Egypt and Somalia. In this episode, we discuss his passion, energy, and intensity as a poet and ambassador of arts and culture for the community in L.A., and his pride in contributing still to its vibrant traditions. We discuss jazz and what legends like John Coltrane, Billy Higgins, and Mr. Tapscott have meant to him and his journey, as well as his relationship with Juno Lewis—the master instrument-maker, vocalist, and percussionist who played on Coltrane's classic album Kulu Se Mama.
durée : 00:59:21 - Sous la lune - par : Nathalie Piolé -
Un album du légendaire artiste de jazz radical de Los Angeles, Horace TAPSCOTT, avec le Pan-Afrikan Peoples Arkestra enregistré en… The post S05E18 Horace TAPSCOTT with the Pan-Afrikan PEOPLES ARKESTRA first appeared on Radio Campus Angers.
He’s a multi-instrumentalist, Red Hot Chili Peppers and Thelonious Monster collaborator, and a cofounder, along with Flea, of the Silverlake Conservatory of Music. His career includes playing viola in the orchestra for Ray Charles and playing saxophone with the Chili Peppers, naked except for a sock. Crediting his high school music program with saving his life, he felt compelled to return the favor. Tonight Tree loses the sock and lets it all hang out with the Troubled Men. Topics include a new variant exploding, Mardi Gras plans, an anniversary, Geritol, Castellon’s Pharmacy, Bosco syrup, an N.Y.C. childhood, rural New Jersey, an L.A. relocation, Fairfax High, a school orchestra, college plans, Berklee College of Music, discovering the viola, solving the woodwinds, the harmonica, a change of plans, drug casualties, a golden age, Jack Irons, nicknames, biking to gigs, Hillel Slovak, “Mother’s Milk,” “Truth or Consequences,” Two Free Stooges live, a teaching career, Horace Tapscott, Pete Weiss, road hazards, rental scooters, a NoCal move, and much more. Intro music: Styler/Coman Break music: “Like Young” from “Blew Year’s Proposition” by Keith Tree Barry Outro music: “There Was A Time” by Keith Tree Barry Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podacst Instagram Silverlake Conservatory of Music Homepage
"The Dark Tree" Horace Tapscott: The Dark Tree (hatOlogy; editado originalmente en 1991. Reeditado en distintas ocasiones. La portada pertenece a la reedición, en formato de CD doble, en 2009, en la que fue su tercera edición) Horace Tapscott, John Carter, Cecil McBee, Andrew Cyrille. El tema es una composición de Horace Tapscott. El disco se grabó en directo en diciembre de 199¡89 en Catalina Bar & Grill, Hollywood. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. En Tomajazz el tema y el disco homónimo, así como el pianista Horace Tapscott han aparecido en unas cuantas ocasiones: Adolphus van Tenzing seleccionó el tema para la sección Tomajazz Recomienda: https://www.tomajazz.com/web/?p=1869; la grabación fue una de las Razones para amar el jazz: https://www.tomajazz.com/web/?p=32502; también ha aparecido en los podcast de HDO o en reseñas de discos, entre otros contenidos: https://www.tomajazz.com/web/?s=horace+tapscott En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.
Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter
Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter
HORACE TAPSCOTT – AIEE! THE PHANTOM El pianista y compositor Horace Tapscott fue durante mucho tiempo una importante influencia musical en Los Ángeles. Desarrolló su propio sonido y estilo pero, debido a sus relativamente pocas grabaciones y su decisión de vivir en Los Ángeles en lugar de Nueva York, fue subestimado y a veces pasado […]
Khan Jamal – Infinity [Jambrio, 1984 – Reissued by Jazz Rooms Records, 2021] Jeanne Lee – Sundance [Seeds, 1975] Horace Tapscott's Pan Afrikan Peoples Arkestra – Horacio [Nimbus West Records, 1975 – Reissued by Outernational Sounds, 2019] Auracle – Chez Amis [Chrysalis, 1978] Aditus – Samsara [WEA, 1979] The Jeff Lorber Fusion – Black Ice [Inner City Records, 1978] Shigeharu Mukai – Cumulonimbus [BBE Music, 2021] Singers 3 – Upa Neguinho [King Records, 1971] Emiliano Salvador – Son En 7/4 [Areito, 1981] Alfredito Linares Y Su Salsa Star – Ritmo Caliente [INS, 1974 - Reissued by Rocafort Records, 2021] The Orchestra Soledad – El Ritmo Soledad [Futuro Records, 1970 - Reissued by BBE Music, 2017] Poder Del Alma – Mimo [Polydor, 1975 – Reissued by Discodelic,2021] The Black Souls – Baki Mutane Nakuya (Black People Crying) [Gully Records] Dr. Mary Sullivan Bain – Do You Know Black History [1985] Hi-Tension – Girl I Betcha [Island Records, 1978] Betty Lou Landreth – I Can't Stop [YaYa Inc., 1979 – Reissued by Outernational Sounds, 2021] Smoke – Freedom Of The Mind [Chocolate City, 1976] Babatunde And Phenomena – Merely A Suggestion [Theresa Records, 1979] Mark IV – I Knew It Wouldn't Last (Midtempo Version) [Cordial Recordings, 2021] Jim Spencer & Son Rize – The Blues Are Out To Get Me [Armada Records, 1979] Cate Bros. - Yield Not To Temptation [Asylum Records. 1977] David Newman – I Love Music [Warner Bros. Records, 1976] Teena Marie – Portuguese Love (John Morales M+M Mix) [BBE Music, 2021]
This week: Zuhura Swaleh & Party; Rajab Suleiman & Kithara; Bezmara Topluluğu; Frank Wright; new William Parker; Dopolarians; Horace Tapscott duo w. Michael Session; Nina Simone; Diego el Cigala; La India de Oriente; Abdullah Al Rwaished; Roberto y Su Nuevo Montuno; Johnn y Pacheco (RIP); Bedouin music from the Saudi Arabia; Sacred songs from Sudan; Oum Koulsum; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/12653719/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
Sintonía: "All Pervading" - Edward Larry Gordon "Peyote Song No. III" - Horace Tapscott & The Pan Afrikan Peoples Arkestra; "Shadow Sculptures" - Joe McPhee; "Street Ends" - Errol Parker; "3/4´s of 4/4" - Amina Claudine Myers; "Freedom Time" - The Pharaohs; "The Blessing Song" - Michael White; "Black Survival" - Roy Brooks & The Artistic Truth; "Dig Where Dat´s At" - Lloyd McNeill; "Attica Blues" - Archie Shepp Escuchar audio
CITR’s 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.This morning's show features HORACE TAPSCOTT QUARTET, OLIVIER ALARY / JOHANNES MALFATTI, SIMON SCOTT.Starting at 11 AM Pacific on CITR FM 101.9, streaming at PLAYER.CITR.CA
14e émission de la 47e session... Cette semaine, post-bop, jazz modal et un peu de free! En musique: Black Art Jazz Collective sur l'album Ascension (HighNote, 2020); Charles Tolliver sur l'album Connect (Gearbox, 2020); Asher Gamedze sur l'album Dialectic Soul (On The Corner, 2020); Grachan Moncur III sur l'album New Africa (BYG, 1969); Horace Tapscott with the Pan Afrikan Peoples Arkestra sur l'album Ancestral Echoes - The Covina Sessions, 1976 (Dark Tree, 2020)...
14e émission de la 47e session... Cette semaine, post-bop, jazz modal et un peu de free! En musique: Black Art Jazz Collective sur l'album Ascension (HighNote, 2020); Charles Tolliver sur l'album Connect (Gearbox, 2020); Asher Gamedze sur l'album Dialectic Soul (On The Corner, 2020); Grachan Moncur III sur l'album New Africa (BYG, 1969); Horace Tapscott with the Pan Afrikan Peoples Arkestra sur l'album Ancestral Echoes - The Covina Sessions, 1976 (Dark Tree, 2020)...
This week: Moulay Ahmed El Hassani; Horace Tapscott and the Pan-Afrikan Peoples Arkestra; Angela Ro Ro; Marina Iris; Dhoad Gypsies; Amirtha Kidambi & Lea Bertucci; Taylor Ho Bynum Sextet; Kalyan Pathak & Jayho Jazzmata; Ran Blake w. Jeanne Lee; Luiz Melodia; Anoushka Shankar w. Duquende, Javier Limón, Piraña & Kenji Ota; Jorge Humberto; Coltrane; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. ***Apologies for pronunciation inconsistencies of late! I suffered a broken dental bridge in March for which no dental assistance has been available due to the pandemic. We will restore the more customarily articulate mumbling when circumstances permit. In response to the COVID-19 pandemic, Conference of the Birds will be broadcasting remotely, with little to no back-announcing, for the foreseeable future. Playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), and on Spinitron at the Conference of the Birds page: https://spinitron.com/WRFI/pl/10972428/Conference-of-the-Birdsand via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
For my guest today it is playing free music with Marion Brown or in Detroit where the spirits of Elvin, Tommy Flanagan and Yusef Lateef breeze by with a word of wisdom. Maybe it was with Rashan Roland Kirk back when Universities like Oberlin College could bring in a Cecil Taylor or Horace Tapscott for a year residency. Bands of younger musicians would form under their leadership. Because there were places to play cats could get loose on the bandstand at Slugs with Charles Tolliver or Jimmy and Tootie Heath. Late shows with Woody Shaw and long before our mothers cried with Sonny Fortune. The most spiritual music is created by my guest. He is patient and can also real off flurries of notes. He understands time and place. The opportunities that presented themselves to his generation. He was co-founder of The Strata East label which fused the language of swing and bebop with blues and soul. The music on this label had an urgency to it that spoke to the loss of lives- Dr. King, Malcolm X, Robert Kennedy and John Coltrane. The seeming upward mobility of a musician cutting albums and touring. Reinventing themselves to sustain their legacy and more importantly the music. As we all know, it's a jazz life. Stanley Cowell welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
Inspired by bassist Cecil McBee's star-turn on Lloyd McNeill's Elegia, the boys devote a whole episode to examining works led by Cecil or just plain enhanced by his presence. He's had a wide-ranging career as a side-man so they cherry-pick what highlights they can while wondering if the next setting on the engineering knob after "10" and "11" is really "sexual." A rapper, a classic by Beck, and some brand new dream pop get look ins during pop matters.
Kamasi Washington (born February 18, 1981) is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. Kamasi Washington was born in Los Angeles, California, on February 18, 1981 to musical parents and educators, and was raised in Inglewood, California. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA's Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People's Orchestra and Raphael Saadiq.
Kamasi Washington (born February 18, 1981) is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. Kamasi Washington was born in Los Angeles, California, on February 18, 1981 to musical parents and educators, and was raised in Inglewood, California. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA's Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People's Orchestra and Raphael Saadiq.
Kamasi Washington (born February 18, 1981) is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. Kamasi Washington was born in Los Angeles, California, on February 18, 1981 to musical parents and educators, and was raised in Inglewood, California. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA's Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People's Orchestra and Raphael Saadiq.
Le Ministère du Jazz N°148 - Horace Tapscott 01 - Horace Tapscott - Aiee! The Phantom 02 - Horace Tapscott - Caravan 03 - Horace Tapscott - Lino's Pad 04 - Horace Tapscott - Why Don't You Listen
Por Pachi Tapiz. En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompañado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The Pan Afrikan Peoples Arkestra en 1998, en un directo publicado por el sello Dark Tree). Toda la información disponible en https://www.tomajazz.com/web/?p=43648 Tomajazz: © Pachi Tapiz, 2019 HDO 510 te gustará… si te gusta el jazz… si te gusta Bill Evans… si te gusta Paul Bley… si te gusta Horace Tapscott… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com
13e émission de la 41e session... Cette semaine, vieux jazz modal, free, musique expérimentale et doublé Jean Derome! En musique: Khaliq Al-Rouf & Salaam sur l'album Elephant Trot Dance (Nilva, 1979); Horace Tapscott & The Pan-Afrikan Peoples Arkestra sur l'album Live At I.U.C.C. (Nimbus West, 1979, rééd. Soul Jazz, 2019); Fire Into Music sur l'album Fire Into Music (Ballroom Marfa, 2006); Garrett List sur l'album Your Own Self (Opus One, 1972, rééd. Black Sweat, 2018); Jean Derome sur l'album Sudoku Pour Pygmés (Ambiances Magnétiques, 2019); Jean Derome sur l'album Somebody Special (Ambiances Magnétiques, 2019)...
13e émission de la 41e session... Cette semaine, vieux jazz modal, free, musique expérimentale et doublé Jean Derome! En musique: Khaliq Al-Rouf & Salaam sur l'album Elephant Trot Dance (Nilva, 1979); Horace Tapscott & The Pan-Afrikan Peoples Arkestra sur l'album Live At I.U.C.C. (Nimbus West, 1979, rééd. Soul Jazz, 2019); Fire Into Music sur l'album Fire Into Music (Ballroom Marfa, 2006); Garrett List sur l'album Your Own Self (Opus One, 1972, rééd. Black Sweat, 2018); Jean Derome sur l'album Sudoku Pour Pygmés (Ambiances Magnétiques, 2019); Jean Derome sur l'album Somebody Special (Ambiances Magnétiques, 2019)...
Debut show for www.totallywiredradio.com Broadcast: Tuesday 09.04.19 Ket Shah & DJ A.K.A (Alan Kenny Arscott) together. Hour One Ket's Selections: 01. Biig Piig feat. Mac Wetha - Vete (Self Released 2019) 02. Don Leisure - Kaymak (First Word 2019) 03. Es-K - Mngns (Cold Busted 2019) 04. Jordan Raf - Morning Sun (POW 2019) 05. Akua Carson - Heaven (Self Released 2019) 06. Tandaleria Ft. Sam Trump - What Do You Think (Self Released 2019) 07. Cantrell - Understand (Mass Appeal 2019) 08. David Marston Ft. Craig Williamson & Sapofrio - Do You (Kindness Of Bearer 2019) 09. Aquariuz Ft. Junii - Out Align (Self Released 2019) 10. Bryony Jarman-Pinto - As I've Heard (Tru Thoughts 2019) 11. Junimo & Phat Junkies - Kissing In The Twilight (Self Released 2019) 12. The Blassics - In A Sincere Way (Odd Funk 2019) 13. JMMSTR - Turned You On (B-Boy Soul Edit) (Bandcamp 2019) 14. Jack Tyson Charles - Glory (Midnight Riot 2019) 15.Scrimshire Ft. Emma-Jean Thackray - Won't Get Better (Albertss Favorites 2019) Hour Two Alan Kenny Arscott's Selections: 01. Horace Tapscott & The Pan-Afrikan People’s Arkestra - Desert Fairy Princess (Nimbus West 1979/Outernational 2019) 02. Ruby Rushton - Return Of The Hero (22A Records 2019) 03. Organic Pulse Ensemble - Autumn Bloom (Urban Waves 2019) 04. Bobby Wright - Blood Of An American (Genesis II 1974/Melody Int 2018) 05. Terry Callier - Ho Tsing Mee (A Song Of The Sun) (Cadet 1972) 06. Lee Fields & The Expressions - Wake Up (Big Crown Records 2019) 07. Prince Ft. Chaka Khan - Sweet Thing (Live) (Parachute Rec Co 2019) 08. Homegrown Syndrome - Confrontation (Arista 1981/Athens Of The North 2015) 09. Pieces Of A Dream - We’ve Already Said Goodbye (Before We Said Hello) (EMI 1988) 10. Leroy Hutson - Love The Feelin (Mucho Soul Ext Edit) (Unreleased 2014)
Son itinéraire musical lui a fait croiser les routes de Paul Motian, François Tusques, Gary Peacock, Tyshawn Sorey, Benjamin Duboc et bien d’autres. Chacun de ses disques est l’occasion de nouvelles rencontres débouchant sur de nouvelles histoires. Elle revient en 2019 avec un double cd ambitieux, une illustration musicale inspirée du Naga, créature mythique Hindouiste qui garde les trésors de la terre ou l’elixir d’immortalité dans le Cambodge ancien. Nous ne pouvions donc pas passer à côté d’une rencontre avec Alexandra Grimal. En deuxième heure puisque l’actualité est foisonnante nous vous rapportons ce qu’il y a de meilleur. On commence par le disquaire day et son cortège d’éditions spéciales, l’une se détache clairement du lot, il s’agit de la réédition du 45 t ultra rare d’Alfred Panou et Art Ensemble Of Chicago « je suis un sauvage ». Rééditions toujours avec trois albums du pianiste californien Horace Tapscott, trois chefs d’oeuvre à nouveau accessibles; rééditions encore avec le label « modern harmonic « qui poursuit son focus sur Sun Ra avec cette fois la publication de la session complète de « Pathway To Unknown Worlds ». Enfin l’excellent pianiste Matthew Shipp poursuit sa collaboration avec le légendaire label ESP et nous propose un nouveau trio: signature. Liste des titres en première heure: -Inti Noun -Rê -Cambium titres extraits de « Naga » http://www.alexandragrimal.com/en/Leader/naga_2 Liste des titres de la deuxième heure -Alfred Panou et The Art Ensemble Of Chicago « le moral nécessaire » https://www.disquaireday.fr/produit/alfred-panou-the-art-ensemble-of-chicago-je-suis-un-sauvage-le-moral-necessaire/ -Matthew Ship « Flying Saucer » de l'album "Signature" http://www.espdisk.com/Matthew%20Shipp/5029.html -Horace Tapscott et The Pan African Peoples Arkestra « breeze » de l’album « flight 17 https://www.discogs.com/fr/master/view/698926 -Horace Tapscott et The Pan African Peoples Arkestra « the call » de l’album « The Call » https://www.discogs.com/fr/master/view/288603 -Sun Ra Arkestra « Of Mythic Worlds » de l’album « Pathway to unknown worlds » http://www.modernharmonic.com/sun-ra-pathways-to-unknown-worlds-cd.aspx
Support Burning Ambulance on Patreon Vocalist Dwight Trible is originally from Cincinnati, but he's lived in Los Angeles since the early 1970s. He's recorded several albums on his own, but is probably best known right now for contributing to Kamasi Washington's The Epic and Heaven and Earth. Still, he's a hugely important figure on the L.A. scene, because he was a member of Horace Tapscott's Pan Afrikan People's Arkestra, and still works with that group now that Tapscott himself is deceased; he's also the executive director of the World Stage, a performance space and community center where Washington and the whole West Coast Get Down all got their start. He's not just a musician; he's an organizer, and a leader, helping preserve the artistic community there. In this interview, we talk about a lot of different subjects, including his work with Tapscott, with Washington, with Pharoah Sanders, and much more. It’s a very interesting conversation, and one I hope you’ll enjoy. Music heard in this episode: Dwight Trible, "Mothership" (Mothership) Dwight Trible, "Tomorrow Never Knows" (Mothership)
Episode Notes Episode 2: Shareef Clayton Trumpet player & composer:Shareef Clayton, a jazz trumpeter, is a native of Miami, Florida. In 2012 Shareef recorded the album "Multiverse" with the “Bobby Sanabria Big Band” which got nominated for a Grammy. Clayton performs regularly with Macy Gray, Melody Gardot, Bobby Sanabria, and the Duke Ellington Orchestra. In the past he has performed with artists such as Stevie Wonder, The Roots, Michael Mcdonald, Ruben Blades, and many more.http://mintonsharlem.com: Arguably, America’s greatest cultural contribution to the world has been jazz music. It may be argued with equal force that one of the most important shrines in the history of jazz was Minton’s Playhouse in Harlem.Wynton Marsalis: (born October 18, 1961) is a trumpeter, composer, teacher, music educator, and artistic director of Jazz at Lincoln Center in New York City, United States. Mo’ Betta Blues is a 1990 musical drama film starring Denzel Washington, Wesley Snipes, and Spike Lee, who also directed. It follows a period in the life of fictional jazz trumpeter Bleek Gilliam (played by Washington) as a series of bad decisions result in his jeopardizing both his relationships and his playing career.How to be your own booking agent:The award-winning, How To Be Your Own Booking Agent THE Musician’s & Performing Artist’s Guide To Successful Touring is one of the top selling music and performing arts business books. Princess Lalla Salma of Morocco: Princess Lalla Salma (born Salma Bennani (Arabic: سلمى بناني, Amazigh: ⵍⴰⵍⵍⴰ ⵙⵍⵎⴰ); 10 May 1978) is the princess consort of Morocco. She is the wife of King Mohammed VI and the first wife of a Moroccan ruler to have been publicly acknowledged and given a royal title.Gloria Gaynor (born September 7, 1949) is an American singer, best known for the disco era hits "I Will Survive" (Hot 100 number 1, 1979), "Never Can Say Goodbye" (Hot 100 number 9, 1974), "Let Me Know (I Have a Right)" (Hot 100 number 42, 1980) and "I Am What I Am" (R&B number 82, 1983).San Sebastián: San Sebastián (Spanish: [san seβasˈtjan]) or Donostia (Basque: [doˈnos̺tia])[3] is a coastal city and municipality located in the Basque Autonomous Community, Spain.Milo Z: Carson Daly dubbed him a "New York Institution!" For nearly 3 decades, Milo Z has been bringing his own original style of music , "Razzamofunk" (a blend of Rock, Rap, R&B, Jazz, and Funk) to the Big Apple and the world.Brockett Parsons: Brockett Parson is known for his work on Lady Gaga Presents: The Monster Ball Tour at Madison Square Garden (2011), Mona Lisa - Leonardo's Earlier Version (2013) and Lady Gaga & the Muppets' Holiday Spectacular (2013). Tamir Muskat:(in Hebrew תמיר מוסקט) is an Israeli musician/producer-sound engineer who was born and raised in Petach Tikva, Israel as son of a Romanian immigrant. His father was the manager of Anzeagi Conservatorion for music in Petach Tikva.Jon “Shemz” Ashton: "Jonny Shemz (aka. Blacklighter). This man obviously grew up listening to old soul/funk records because whichever style the music ventures his vocal performance always gives a slight nod to singers of past generations.Indofunk Satish: Professional musician, alternative process photographer, former scientist.(Le) Poisson Rouge: (Le) Poisson Rouge is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.Village Gate:The Village Gate was a nightclub at the corner of Thompson and Bleecker Streets in Greenwich Village, New York. Art D'Lugoff opened the club in 1958, on the ground floor and basement of 160 Bleecker Street. The large 1896 Chicago School structure by architect Ernest Flagg was known at the time as Mills House No. 1 and served as a flophouse for transient men. In its heyday, the Village Gate also included an upper-story performance space, known as the Top of the Gate.The Niagaras: Take a dash of Herb Albert, a pinch of David Bowie, add a handful of Andy Kaufman, and you’ve got Comic Tales of Tragic Heartbreak – and their new album, One Car Crash. Added bonus? The Leonard Cohen/Tom Waits/Frank O’Hara-inspired lyrics, and tunes like something found on Stiff Records in 1979.Mariah Carey: Mariah Carey is an American singer and songwriter. Referred to as the "Songbird Supreme" by the Guinness World Records, she is noted for her five-octave vocal range, vocal power, melismatic style, and signature use of the whistle register. Shrinking Orchestras: Dark clouds loom over American symphony orchestras. Changes in audience behavior, demographic shifts, and the impact of technology are all threatening to leave musicians out in the cold.Steve Hass: Steve Hass (born May 11, 1975) is an American drummer based in Los Angeles. Originally from Island Park, New York, born to Greek immigrant parents from Athens. He is notable for his technical skill, time feel, and his musical versatility, having played with many artists from a wide variety of genres. Game of Death: The Game of Death is an incomplete 1972 Hong Kong martial arts film directed, written, produced by and starring Bruce Lee, in his final film attempt. Lee died during the making of the film. Over 100 minutes of footage was shot prior to his death, some of which was later misplaced in the Golden Harvest archives.Will Connell: Saxophonist/bass clarinetist/composer Will Connell, Jr., came of age in the 1960s as an invaluable part of Horace Tapscott’s organization and the Los Angeles Black Arts Movement, and stood as an underground giant of New York’s Free Jazz and New Music circle since 1975.Ornette Coleman: Randolph Denard Ornette Coleman was an American jazz saxophonist, violinist, trumpeter, and composer.David Murray Big Band: David Murray Big Band conducted by Lawrence "Butch" Morris is an album by David Murray released on the DIW/Columbia label.Benny Russell: (NOT Benny Green!): Born February 21, 1958 in Baltimore, Maryland, Russell started clarinet lessons at age 7 under the instruction of Mr. James H. Holliman. At 12 he began playing tenor. And by the time he was 15, sitting in with the Morgan State bands, Russell was playing tenor, alto and soprano saxophones as well as clarinet, bass clarinet and flute.The Message (Grandmaster Flash and the Furious Five song): "The Message" is a song by Grandmaster Flash and the Furious Five. It was released as a single by Sugar Hill Records on July 1, 1982 and was later featured on the group's first studio album, The Message. Bach Stradivarius Trumpet: Born Vincent Shrotenbach in Vienna in 1890, he initially received training on violin, but subsequently switched to trumpet when he heard its majestic sound.Josh Landress: J. Landress Brass is owned and operated independently by Master Brass Technician Josh Landress. Josh's love for music began at an early age of 6 with the guitar.Shires Trombone: S.E. Shires Co. was founded in 1995 for the sole purpose of building custom brass instruments of unparalleled professional quality. em·bou·chureˌämbo͞oˈSHo͝or/noun1.MUSICthe way in which a player applies the mouth to the mouthpiece of a brass or wind instrument.Phil Woods: Philip Wells "Phil" Woods was an American jazz alto saxophonist, clarinetist, bandleader, and composer.Steel Drum: Steel Pans (also known as steel drums or pans, and sometimes, collectively with other musicians, as a steel band or orchestra) is a musical instrument originating from Trinidad and Tobago. Steel pan musicians are called pannists.Melton Mustafa: Melton Mustafa-Trumpet player extraordinaire, arranger/composer, producer, and educator.Support Foxes and Hedgehogs by donating to their Tip Jar: https://tips.pinecast.com/jar/foxes-and-hedgehogsThis podcast is powered by Pinecast.
In this probing conversation, B+ digs into the intentions behind his project to reveal the rhythmic connections among people, cultures, and their creations, sharing stories of the record collector who shaped DJ Shadow’s sound, his close friendships with composers David Axelrod and Horace Tapscott, and more. We delve into the importance of politics in art, and how connecting the dots between social movements around the globe can help answer questions raised by provocative forms like underground hip-hop and jazz. Horace TapscottJazzDavid AxelrodphotographyAva DuVernayBrian CrossGhostnotesinterview
Arthur Blythe was Columbia's last major "out" signing, and he gets the full episode treatment now that he's playing with the angels. Horace Tapscott – THE GIANT HAS AWAKENED; Arthur Blythe –LENOX AVENUE BREAKDOWN, LIGHT BLUE; Roots - STABLEMATES. Plus, Pat misses by that much on all four selections of the Mike-citement meter.
Alto saxophonist William "Sonny" Criss was undeservedly overlooked for most of his rather frustrating career. He truly is one of the very greats on his instrument and a powerful emotionally direct player with a beautiful full singing tone. Sonny's most prolific recording period was the 1960s when in 1965 he was signed with Prestige Records. The seven or so albums he did for that label are all real gems. Most of Sonny's albums are in a quartet or quintet setting with Sonny out front as the single horn. That was his preference. This album on tonight's Jazz Feature is different as it is Sonny with a nine piece band.. The band was formed as a co-operative effort between Sonny and pianist/composer Horace Tapscott. Tapscott wrote and arranged all six pieces to feature Sonny. Tapscott conducted the band. The other soloists are pianist Tommy Flanagan, tenor saxophonist Teddy Edwards and trumpeter Conte Candoli. The other non-soloists are David Sherr on alto saxophone, Pete Christlieb on baritone, Dick Nash on trombone, Ray Draper on tuba, Al McKibbon on bass and Everett Brown Jr. on drums..Kudos to producer Don Schlitten for recording this very short-lived band as it remains a unique recording in the short discography of the great Sonny Criss.
13 émission de la 32e session... Cette semaine, début rapide moderne, guitare, avant-jazz pis vieux beat très agréable! En musique: Phronesis sur l'album Parallax (Edition Records, 2016); Ergo sur l'album As Subtle as Tomorrow (Cuneiform, 2016); Marc Ducret Trio + 3 sur l'album Metatonal (Ayler, 2015); Henry Threadgill Ensemble Double Up sur l'album Old Locks and Irregular Verbs (Pi Recordings, 2016); Horace Tapscott sur l'album Dial "B" for Barbara (Nimbus, 1981); Julius Hemphill sur l'album Flat-Out Suite (Black Saint, 1980)..
13 émission de la 32e session... Cette semaine, début rapide moderne, guitare, avant-jazz pis vieux beat très agréable! En musique: Phronesis sur l'album Parallax (Edition Records, 2016); Ergo sur l'album As Subtle as Tomorrow (Cuneiform, 2016); Marc Ducret Trio + 3 sur l'album Metatonal (Ayler, 2015); Henry Threadgill Ensemble Double Up sur l'album Old Locks and Irregular Verbs (Pi Recordings, 2016); Horace Tapscott sur l'album Dial "B" for Barbara (Nimbus, 1981); Julius Hemphill sur l'album Flat-Out Suite (Black Saint, 1980)..
Pinch punch first of the month, tis the season of the mad March hare. Days getting brighter, staying lighter, then in a few weeks the clocks go back, and hey, we're living in a different world. All of which may seem like a strange rumination if you're living in Kuala Lumpa or even L.A., but life in a temperate zone like London pivots around such seasonal adjustments. It had been a raw day, windy, with the last throes of Winter wreaking havoc with anyone dressing according to how the day looked from behind glass. After nightfall everything usually calms down, though there had been an aberrational thunderstorm after the sun had gone down, a brief freak-out of nature. However by the time I was riding South the roads had by and large dried, with just the odd puddle to swerve reminding me of the earlier deluge. So onwards and upwards for The Cosmic Jam. You know what? I'm so grateful to everyone that commented here or on my Facebook page after my mild crisis of confidence last week, all those positive affirmations are hugely appreciated. Faith restored, and once again eager to let the music take your mind, (and mine!). (Not forgetting heart, soul, toes and any other bits it might reach....) So I'm listening back as I write, and I think it's fair to say that the opening string of soulful ditties that lead off this week's show act like a soft start, a gentle intro, all gloriously mid-tempo and full of uplifting warmth. Soooo happy to already have something fresh from Jarrod Lawson, though that's hardly fair on the actual artist in question, trumpeter Farnell Newton, but Lawson's presence definitely steals the spotlight. "Peace and Love" has that Dilla-ish off kilter bounce, a righteous message, sublime harmonies, and glorious trumpet from Mr. Newton whose contribution should really not be eclipsed by the man of the moment. Miles Bonny, I remember being heavily into his "Closer Love" EP back in '07, but strangely I hadn't touched down on anything from his "Lumberjack Soul" album from a 2011...never too late to remedy a notable omission, and "Learning To Fly" is a worthy contender. Finally Rhonda Thomas', the album slightly underwhelmingly called "Vinyl Daze", has some tracks that I like well enough and others like "Reach" which I consider to be top drawer... and they keep getting better the more I listen, which is a good sign. Then we twist...... who'd want to stay in that comfortable Soul groove for too long? Vanessa Freeman's new project Gomo, which I somewhat misleadingly dubbed Gomo Mondo on the show, when actually the album is called "Mondo Romance". Get it? At least I do now....and the music, which climbs to a nice altitude with tunes like "Breathless" combining jazz elements with a new school sensibility, and V's voice which blossoms and grows ever more wondrous....nuff said. Native Dancer, cosmic, strong.... "Speaking Of Happiness" wrought from the best part of the weave, made of the most soulful material, a truly classic cut. Stanley Cowell... a pianist whose compositions and evergreen approach to the music called Jazz should be no stranger to Cosmic Jam listeners. Though some vinyl jazz heads may have prized his contributions to the Strata East stable and maybe his awesome "New World" album for the Galaxy label, they may have missed or not even realised his ever expanding oeuvre of CD only releases, many for the Steeplechase label. The album "Mandara Blossoms" features vocalist Karen Francis throughout, and as it was kind of extended by both bass and drum solos I did a crude edit of "A Whole New World" for broadcast purposes, hope nobody's offended, kind of sacrilegious I know, but too many tunes to bless the session with! Like "Señor Zamora", Harold Vick's Latin fused thoroughbred for Strata East, Joe Bonner on Fender Rhodes, ouch!! Too tough. Keeping the Latin tinge, Fertile Ground's "Peace And Love" had been in my head all day, they've deservedly had a revival at Forge Towers of late; the band was mainly the project of James Collins who played keys and wrote most of the tunes however this one was penned by Navasha Deya who fronted the band and partnered James in love, life and music until they parted ways and Fertile Ground were no more.However their legacy deserves attention, in the wake of so much interest in "Spiritual Jazz" and the kind of community led projects the likes of Horace Tapscott et al were at the forefront of, we shouldn't ignore those who carried that torch into the modern era, themselves struggling with the realities of making spiritual music for a commercial music marketplace. Poncho Sanchez, whenever I mention him in these notes I'm reminded of the day when he and his band stepped out of a tour bus to play at Dingwalls in Camden Lock, some serious L.A. latinos with beards to shame most hipsters. The Banda brothers on timbales and bass!! They were as good as it gets in Latin Jazz, tunes like "Ican" were the reason we went out of our way, and way over our budget, to book them for our Sunday afternoon jazz-dance session. They were happy, in fact so happy they celebrated the occasion with the tune "A Night In London" on their Chile Con Soul release. The Ray Stephen Oche tune is an old favourite, however the African stream flows on with the two tunes that follow, the incredible Ndikho Xaba which starts off the second hour and a tune from the Ice album which had been languishing in my collection for many years without me exploring beyond the funky classic "Racubah", and in many ways I vastly prefer "Ozan Koukle". Bongos, Rhodes, solos...a la bit (Afro)acid-jazz, but lovely all the same, particularly the chanted refrain. Out of Africa to ...... Stereolab, an odd insertion I agree, but it does kind of work, and it gets even odder by following on with Maze....I just had to do it. And then Hey Jude?? Yes, well, Edu Lobo's version is sublime..... Finally we get some boogie groove, with Japanese jazz-funkers Casiopea making a long overdue appearance on the show, followed by my favourite "AOR disco" acquisition of late, the Sweet Vendetta album from Adrian Gurvitz, Adrian straight outta Stoke Newington, has a career with stints alongside powerhouse drummer Buddy Miles (Hendrix Band Of Gypsies) and then with Ginger Baker. So no surprise that this, his first solo album was made with some top notch U.S. session players, including drummers Jeff Pocaro and Ed Greene who features on this tune "Untouchable And Free" which I first heard somebody play at Danny Psychemagick's Magic Forest festival last summer, it was a tune that stuck in my head, though I didn't actually know what it was, didn't ask, and then lo and behold, I pick up the Gurvitz album for a paltry sum, get it on the turntable, and Side One Track One.... it's that tune!! Love it when that happens , oh blessed serendipity! Nice re-edit of Pacific Jam follows, primed for the dance floor, that tune has always been big in my box! Rhyze needs a pitch down, but is even punchier with the bpm lowered and "Free And Easy" suddenly sounds spectacular... a nice way to finish. Loved this one.... Until next time, peace love and pyjamas! P.x 1. Farnell Newton ft. Jarrod Lawson&Tony Ozier - Peace And Love 2. Miles Bonny - Learning How To Fly 3. Rhonda Thomas - Reach 4. Gomo - Breathless 5. Native Dancer - Paris Drive 6. Gloria Lynne - Speaking Of Happiness 7. Stanley Cowell ft. Karen Francis - A Brand New World 8. Harold Vick - Senor Zamora 9. Fertile Ground - Peace And Love 10. Poncho Sanchez - Ican 11. Ray Stephen Oche - Odeiyolaoo 12. Ndikho Xaba and The Natives - Nomusa 13. Ice - Ozan Koukle 14. Stereolab - The Extension Trip 15. Maze - The Look In Your Eyes 16. Edu Lobo - Hey Jude 17. Casiopea - Eyes Of Mind 18. Adrian Gurvitz - Untouchable And Free 19. Pacific Jam - Antes De Mais Nada 20. Rhyze - Free 21. Rene And Angela - Free And Easy
"Double Horace on the show tonight - throw out the Silver, let's do it right." (with apologies to Becker & Fagen.) Pat and Mike COULD have talked about three jazz pianists named Horace on this show, but missed it by that much. Horace Parlan – HEADIN' SOUTH; Horace Tapscott – THOUGHTS OF DAR EL SALAAM; Chico Freeman – DESTINY'S DANCE; Charles Lloyd – VOICE IN THE NIGHT.
Dwight Trible joins us to talk about his latest project: Cosmic and his concert Sunday, Nov. 4, 2012, 7 PM at Yoshi's in SF. Dwight Trible is a singer who combines the best of vocal virtuosity with musicianship and improvisational skills to the delight of audiences and musicians alike. In addition to performing with his own group, the Dwight Trible Ensemble, Dwight is the vocalist with the Pharaoh Sanders Quartet and is also the vocal director for the Horace Tapscott Pan Afrikan Peoples' Arkestra. Not a newcomer to the music scene, Dwight has worked with such notables as Oscar Brown Jr., Charles Lloyd, Billy Childs, Kenny Burrell, Kenny Garrett, Steve Turre, Harold Land, Harry Belafonte, Della Reese and Norman Conners, John Beasley, Patrice Rushen, Babatunde Lea, Ernie Watts, Kahlil El Zabar, as well as contemporary soul artist like LA Reid and DJ Rogers. Dwight's collaborations with Horace Tapscott, Billy Higgins, Kamau Daaood and others have produced some of the finest musical moments in Los Angeles in recent years - and his best is yet to come! Like his mentors, Dwight is not content to use his music just to entertain people, although he is quite a dynamic performer. He uses his music to bring people together, to bridge the gap between the races, and to heal the human heart. He has received numerous awards for his humanitarian efforts: http://www.dwighttrible.com/ We rebroadcast an interview with Michele Rosewoman, pianist, composer, bandleader, who is in town to celebrate the life and legacy of Ed Kelly, who is honored tonight at the Oakland Public Conservatory, 1616 Franklin Street, Oakland, CA, 7-9 PM: http://www.reverbnation.com/michelerosewoman