Podcast appearances and mentions of Charles Tolliver

Some recent digs and old records. Sending strength to everyone dealing with these ICE raids. Stay safe out there! If you have the funds, I recommend donating to the Coalition for Humane Human Rights - www.chirla.org/ Tracklist: Gil Scott Heron, Herb Drury Trio, Peter Herbolzeimher, Charles Tolliver, Masaru Imada and George Mraz, Paco Rossana

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Come watch the Los Angeles Brass Alliance (LAB-A) at 7PM on May 4th at Glendale First baptist Church for their second installation of Next Up! This free concert (generously sponsored by Bob Reeves Brass) spotlights LAB-A's annual collaboration between emerging LA-based composers and brass musicians.  Learn more at: www.labrassalliance.org. Join hosts Noah and John as they interview Michael Dease, commercial trombonist from Los Angeles. About Michael: Michael Dease is one of the world's eminent trombonists, lending his versatile sound and signature improvisations to over 200 recordings and groups as diverse as Grammy winning artists David Sanborn, Christian McBride, Michel Camilo, and Alicia Keys. Born in Augusta, GA, he played the saxophone and trumpet before choosing the trombone at age 17. In 2001, Dease moved to New York City to become part of the historic first class of jazz students at The Juilliard School, earning both Bachelors and Masters degrees, and quickly established a reputation as a brilliant soloist, sideperson, and bandleader.   Best Next Thing (Posi-Tone, 2022), Dease's newest release, his ninth on Posi-Tone, gathers together an assemblage of exceptional musicians to help him interactively explore the essence of the blues and reframe the abstract truths of jazz as the "Best Next Thing "for today's audience of listeners. Dease, the winner of the 69th Annual DownBeat Magazine Poll for Trombonist of the Year and multi-Grammy award winner, is also a sought-after lead, section and bass trombonist with today's leading jazz orchestras. His experiences include bands led by Christian McBride, Roy Hargrove, Nicholas Payton, Charles Tolliver, Rufus Reid, Jazz at Lincoln Center Orchestra and the Dizzy Gillespie All-Star Big Band. However, it is on the frontline of quintets and sextets led by master musicians like The Heath Brothers, Winard Harper, Renee Rosnes, Bill Charlap, Claudio Roditi, and Lewis Nash, where Dease has revitalized the trombone's image. Not content to simply improvise, Dease arranges and composes for many different bands, constantly adjusting his tone and timbre to add just the right flavor to the music. Dease's unique blend of curiosity, hard work and optimism has helped him earn worldwide recognition, including awards from ASCAP, The International Trombone Association, Yamaha, Eastern Trombone Workshop, New York Youth Symphony, Hot House Magazine, Michigan State University, among others. Dease was profiled in Cicily Janus' book, The New Face of Jazz: An Intimate Look at Today's Living Legends (Random House). His experience in the studio has led him to produce several recording sessions for emerging artists, often composing and writing liner notes for the releases. Dease's singular talent has made him an effective and prolific teacher, resulting in invitations, master classes and residencies at University of North Texas, Scranton University, University of Iowa, Florida State College, Broward College, and many institutions abroad. He serves as Professor of Jazz Trombone at the renowned Michigan State University jazz program and has also been on faculty at Queens College - CUNY, The New School and North-eastern University. Many of Dease's current and former students are enjoying successful careers in the music world. Always an informed, but forward-thinking musician, Dease learned the craft from trombone legends Wycliffe Gordon and Joseph Alessi. His associations have run the entire spectrum of musical experience: Alicia Keys, Paul Simon, Paul Schaffer and the CBS Orchestra, Elton John, Neal Diamond, Illinois Jacquet, Slide Hampton & The World of Trombones, Fred Wesley, Maceo Parker, WDR Big Band, George Gruntz, Billy Harper, and numerous others. Dease enjoys spending every possible minute with his extraordinary wife and Professor of Percussion at MSU, Gwendolyn Dease, and their daughters Brooklyn & Charley. Michael Dease is a Yamaha Performing Artist and uses Pickett Brass and Vandoren mouthpieces exclusively. View Michael's All Music Guide entry here for a partial listing of his sideperson credits and discography.

A tribute to Abbey Lincoln and gems from the 1970s bookend an episode which also features mesmerizing releases by The Young Mothers, Clemens Kuratle and Travis Laplante. The playlist features Jowee Omicil; The Young Mothers; Clemens Kuratle Ydivide; Travis Laplante; Roy Haynes; Charles Tolliver. Detailed playlist at https://spinitron.com/RFB/pl/20210955/Mondo-Jazz [from "Throw It Away" onwards]. Happy listening!

There's a new Record Store Day ritual in the jazz world - archival live releases from one of the many labels Zev Feldman has a hand in running.  This year's two RSD days saw several releases on labels like Resonance, Reel to Real, and Elemental Music and the boys take a gander at one release from each of these wizards of the archive as well as pondering a brand new live release recorded (as well as let into the wild) in 2024.  Recorded in Brooklyn because, well, of course it was.  Emily Remler – LIVE FROM THE 4 QUEENS; Mal Waldron and Steve Lacy – THE MIGHTY WARRIORS; Charles Tolliver – LIVE AT THE CAPTAIN'S CABIN; The Fury – LIVE IN BROOKLYN.

A mediados de la década de los '60 del pasado siglo irrumpe en Estados Unidos el Free Jazz como una manifestación más de los movimientos emergentes que reivindicaban, cada vez con mayor vehemencia, los derechos de los negros norteamericanos. Esta nueva música, suponía un nuevo paradigma en la concepción del jazz que prescindía de las normas que regían hasta el momento la forma de hacer jazz en sus aspectos melódicos, armónicos y rítmicos. Un movimiento rebelde y disruptivo, más político que musical, que rompía amarras con los estándares impuestos por la sociedad y la cultura blanca que mantenía una intolerable opresión sobre el colectivo afroamericano hastiado de abusos e injusticias. Sin embargo. una buena parte de los músicos de aquella generación, aún simpatizando con los principios políticos y sociales que justificaban esa nueva música, decidieron no dar un paso tan osado hacia aquellos territorios desconocidos y se mantuvieron en una frontera musical en un límite que, conservando en lo esencial los vínculos con el jazz ortodoxo, introducía elementos innovadores procedentes de aquel revolucionario movimiento encabezado por músicos como Ornette Coleman, Don Cherry o Cecil Taylor y del que John Coltrane fue proclamado su líder espiritual. El resultado sería una música fronteriza y apasionante, navegando entre dos aguas, con continuas incursiones dentro y fuera de la tonalidad, que conformaría finalmente el mainstream jazzístico de los ‘60 y ‘70 del pasado siglo y que, aún hoy en día, es la principal referencia del jazz acústico contemporáneo. Radio Jazznoend os invita en nuestro nuevo podcast a un largo viaje por aquella frontera azarosa y aventurera de la mano de algunos de los mas relevantes artistas de aquella era, como Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson, Charles Tolliver, George Russell o Booker Ervin, entre otros.

Carol Ziske is an accomplished theatre director, choreographer, and actor with over five decades of professional experience in the industry. They have numerous acting credits on Broadway, Off-Broadway, regional theatre and national tours. She has starred alongside the likes of John Lithgow, Jerry Zaks, Bob Gunton, Beth Fowler, Robert Morse, Rudy Valee, Rita Rudner, Chip Zien, Ron Holgate, and F. Murray Abraham. Additionally, I have worked with notable directors including Jerome Robbins, Joseph Hardy, Patricia Birch, and John Bowab. Carol is a recipient of the Colgate Palmolive Achievement Award and the New Jersey Drama Critics Award. They are directing a production of One Touch of Ava this summer at Ivoryton Playhouse as well as a series of workshops for the musical, Hurricane Jimmy later in 2023. William Linster is a Connecticut native and New York-based pianist, composer, music director, and arranger. Having been playing since the age of two and performing professionally since the age of seven, William has an extensive background in classical training, as well as in jazz and other contemporary styles. A graduate of the world-renowned New School For Jazz And Contemporary Music, William has studied and worked with some of the greatest musicians in the world, including Grammy® nominees Bobby Sanabria, Dave Douglas, Charles Tolliver, Cecil Bridgewater, and Andy Mckee, as well as Grammy® winners Bill Kirchner, Robert Sadin, and Hank Schocklee (Rock and Roll Hall Of Fame Inductee, Public Enemy). As an accompanist and session musician, he has worked with artists such as Katie Stevens (American Idol, The Bold Type), Coyle Girelli (Your Vegas, The Chevin), Ron McClure (Blood, Sweat & Tears), R&B hitmaker James "D-Train" Williams, and numerous other Broadway stars and opera singers. Upon first working with William, the late acclaimed librettist Roger O. Hirson (Tony Award®-nominee, Pippin) simply said, "He's a genius." He made his Carnegie Hall debut at age 16, and was featured on NBC Nightly News at 17 while at the Havana International Jazz Festival in Cuba. William is also a trained vocalist, in addition to having received training on violin, trumpet, clarinet, mallet percussion, concert percussion, drums and handbells. He recently served as the Music Director for the Off-Broadway production of Fringe Deaths (2019). William is currently in the process of developing four full-length musicals he wrote with late Hollywood screenwriter, Lawrence Alexander (Charlie's Angels, CHiPs, Barnaby Jones). He was recently named a 2022 Jonathan Larson Grant Finalist by American Theatre Wing. The musical centers around Quentin Roosevelt, the youngest son of Theodore Roosevelt, who embarks on a forbidden romance with Flora Payne Whitney, a wealthy heiress from a different social sphere. The Roosevelts, renowned for their political activism and their role in trust-busting (which significantly impacted the Whitney family's wealth), stand in stark contrast to the reserved Whitneys, who are determined to avoid scandal of any kind. The story follows Quentin as he navigates the pressures of familial expectations, personal ambition, and the looming shadow of war. Through a mix of historical events and artistic interpretation, the musical delves into themes of heroism, love, and the impact of war on individuals and their families. Quentin weaves together dramatic scenes, emotional soliloquies, and powerful musical numbers to create a moving portrait of a young man caught between personal desire and duty, love and loss, and the enduring question of how to make one's mark in the shadow of a powerful legacy.

Trumpeter/composer Keyon Harrold was born and raised in Ferguson, MO to a musical family. He is the son of pastors and one of 16 children. As a boy, a trumpet was placed in his hands, and the rest is history.  He moved to New York to study at The New School in the 1990s and became part of a legendary generation of musicians associated with the neo soul movement, including Common, Bilal, Roy Hargrove, The Roots, and Robert Glasper.  Harrold is a reliable and sought after player among big acts, and he's worked with Jay-Z, Beyonce, Rihanna, Eminem, Maxwell, Mac Miller and Snoop Dogg.  At the same time he's a seriously gifted jazz improviser and composer, who was mentored by trumpeter Charles Tolliver, and who was once referred to as “the future of the trumpet” by Wynton Marsalis.  He supplied all of the trumpet playing in Don Cheadle's Miles Davis biopic Miles Ahead, playing to match Cheadle's on-screen performance as Miles. The soundtrack to the film won a Grammy.  But while Keyon has enjoyed what might appear to be a charmed career, he has also had a series of unexpected setbacks and heavy lived experiences that contribute to his musical journey.  His new album Foreverland is a celebration of his multidimensional career and his sensitivity as an artist, proving that Harrold is a master of channeling his lived experience through his horn. The album features 10 original songs that explore themes of empowerment, positivity, love, loss, and vulnerability.  And it's  a family affair — nearly every musician is a longtime friend, including Common, Robert Glasper, Laura Mvula, Chris Dave, Marcus Gilmore, Nir Felder, Randy Runyon, BIGYUKI, Burniss Travis and many others.  Here he talks about Foreverland, how a series of losses in his life ultimately led him to make “something beautiful, something positive, something inspiring,” and his reflections on the early days of his career as part of a community of like minded musicians who were “always open.” www.third-story.com www.patreon.com/thirdstorypodcast

CECIL PAYNE QUINTET – ZODIAC – New York, December 16, 1968 Girl, you got a home (2,3,4), Slide Hampton (1,2,3) Kenny Dorham (tp) Cecil Payne (bar-2,as-1) Wynton Kelly (p-3,org-4) Wilbur Ware (b) Albert “Tootie” Heath (d) CHARLES TOLLIVER  – AND HIS ALL STARS  – Englewood Cliffs, N.J., July 2, 1968 Peace with myself (gb out), Earl's world (gb out), Lil's paradise (1) Charles Tolliver (tp)  Herbie Hancock (p) Ron Carter (b) Joe Chambers (d).   Continue reading Puro Jazz 24noviembre 2023 at PuroJazz.

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Teus Nobel: Modinha; Esperanza Spalding: I Know You Know; Esperanza Spalding: I Adore You; Marcus Miller: Detroit; Marcus Miller, Trombone Shorrty: 7-T's; Mavis Staples a.o.: The Weight; Little Feat: Dixie Chicken; Charles Tolliver, Lenny White, Buster Williams: Blue Soul; Kandace … Lees verder →

Tonight's Jazz Feature is one of the many that alto saxophonist Jackie McLean did for Blue Note Records during his early years with the label from 1959 to 1967. Jackie reached musical maturity during his Blue Note years and his playing progressed by leaps and bounds. This album seems unjustly neglected and deserves a hearing as the music is superb. It marks the recorded debut of trumpeter/composer Charles Tolliver. Charles contributes 3 compositions to the set which was recorded at Rudy van Gelder's Studio on August 5, 1964. Jackie McLean picked the great rhythm section with Herbie Hancock playing some very adventurous solos, On bass is Cecil McBee and on drums is the always creative "Mr Snap-Crackle" (Roy Haynes).. Mclean contributes 3 tunes to the set including the title track: "It's Time!". This Jazz Feature is a belated Birthday tribute to Mr. McLean who was born on May 17, 1931 in New York. It's Time for Jackie McLean!

Bienvenidos amantes de la música, Charles Tolliver es un trompetista poco valorado en términos de fama, pero de primer nivel en calidad musical. Con una dilatada y bien llevada carrera de más de 50 años. La revista "Downbeat" le preguntó en una entrevista a Dizzy Gillespie: Qué trompetistas escuchas hoy que te gusten? La respuesta fue "Charles Tolliver, me gusta". Les invitamos a escuchar una selección de este trompetista y hacerle un poco de justicia musical. Esperamos que lo disfruten. Los temas son: 1. Earl's World 2. Blue soul 3. Paper Man 4. Copasetic *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Tonight's Jazz Feature is a masterful album by one of the most distinctive voices of the alto saxophone John Lenwood McLean, better known as "Jackie". This is a date that he was proud of and rightly so. Mclean is in top form with this hand-picked quartet with pianist/composer Larry Willis on piano, the great Bob Cranshaw on bass and the dynamic Clifford Jarvis from Sun Ra's Archestra on drums. There are only four tunes on this date "Eco" by McLean opens the set with a bang. This is followed by the mournful and sad ode to the late Eric Dolphy by Larry Willis called "Poor Eric" the next is the uplifting and jagged "Christel's Time" by Mr. Willis and finally the exciting title track by trumpeter Charles Tolliver called "Right Now!". This often overlooked gem stands as one of Jackie McLean's finest outings and is over too soon! Check it out!

CHARLES TOLLIVER “CHARLES TOLLIVER AND HIS ALL STARS” – Englewood Cliffs, N.J., July 2, 1968 Earl’s world, Right now, Paper man (1) Charles Tolliver (tp) Gary Bartz (as-1) Herbie Hancock (p) Ron Carter (b) Joe Chambers (d)             SEXTETO HINDEMITH 76 “HINDEMITH 76” – Santiago, 1975 Piazzollada, Cueca Del Cerro, […]

Gary Husband is one of a rare breed of musicians in that his expression is divided equally in his capacity as a drummer and a pianist and keyboardist of international repute. His classical roots, his quest and development in the improvisational, jazz and jazz/fusion areas – not to mention his tenure in the pop, rock, funk and blues circuits – are all evident inside Gary's distinct and far-reaching musical personality. His solo album and DVD output has also reinforced his status as a critically acclaimed writer and arranger in the contemporary music world. For close to four decades Gary has worked alongside a vast and eclectic range of celebrated musicians including John McLaughlin, Allan Holdsworth, Jeff Beck, Jack Bruce (Cream), Gary Moore (Thin Lizzy), British pop/funk band Level 42, Billy Cobham, Al Jarreau, Mike Stern (Miles Davis), John Wetton (King Crimson), Chris Squire (Yes), Andy Summers (The Police), Steve Hackett (Genesis), Robin Trower (Procol Harum), and with producers Sir George Martin (Beatles), Trevor Horn (Grace Jones & Art of Noise), Quincy Jones (Michael Jackson), Jerry Hey and James Guthrie (Pink Floyd). Further associations and performing/recording credits include his work with Randy Brecker, Jan Hammer, Jerry Goodman, fusion/jam band Gongzilla, Germany's NDR Bigband, Soft Machine, Maria Schneider, Christian McBride, Eddie Van Halen, Dean Brown, Bob Berg, Nguyên Lê, Joe Lovano, Charles Tolliver, Bireli Lagrène, Peter Erskine, Ron Sexsmith, drum n' bass protagonists Lemon ‘D' and Dillinja. As an internationally established drum clinician he has performed alongside Dennis Chambers, Vinnie Colaiuta, Terry Bozzio, Billy Cobham, Simon Phillips, Omar Hakim, Ricky Lawson, Todd Sucherman, Paul Wertico, Denny Seiwell and Bernard Purdie, and most recently has been developing a series of motivational videocasts in drumming. In this episode, Gary talks about:    An early influence: John Von Ohlen    Knowing how to relax and slow down to benefit the performance    Videocast lessons on Gary's website    The early days of working with Allan Holdsworth    His newest recording with The Trackers: Vaudeville 8:45

Альбом The Alvin Queen Trio • Night Train To Copenhagen - это новые версии треков взятые с пластинок The Oscar Peterson Trio • Night Train®️1963 и We Get Requests®️1964, продуцированных Norman Granz, ставшие классикой мэйнстрима и ярким учебником свинговых стандартов бибопа. Alvin Queen - швейцарский барабанщик, родившийся в нью-йоркском Бронксе в 1950 году. В 16 лет он играл в группе Wild Bill Davis. Затем заменил Billy Cobham в The Horace Silver Quintet. Потом играл в квартете George Benson, а в 1971 присоединился к трубачу Charles Tolliver. В начале 70х он жил в Канаде, а в 1979 переехал в Швейцарию, где создал свой лейбл Nilva. Он также играл с Michael Brecker, Kenny Drew, Bennie Wallace, Duško Gojković, Johnny Griffin и George Coleman. В 2019 году вышел альбом Alvin Queen Trio • OP: А Tribute to Oscar Peterson, в котором также было 15 треков. Знание материала и чувство такта барабанщика явно в памятном духе, ведь он играл в группе Оскара Петерсона до его ухода из жизни в 2007 году. Calle Brickman – piano Tobias Dall – bass Alvin Queen – drums Record: Inner Adventures Studio, Elsinore, Denmark Label: Stunt Records, Denmark 2021 #jazz #bebop #swing --- Send in a voice message: https://anchor.fm/konstantins/message

Willem Breuker Kollektief! Creative Opportunity Orchestra! Hostile club owners!Saxophonist and composer, Alex Coke cannot be bound to one location. In this episode, we talk about unique collaborations with hip cinemas, bright moments in the midst of tragedy that remind us that people are good, and a tell-tale sign that the gig might go sideways: when the critiques start before downbeat. FEATURED RELEASE:Alex Coke“Iraqnophobia” (2005) Getting to Know: Alex!Musician/composer Alex Coke is a native of Dallas, Texas, who's interest in music and art led to studying flute and listening to jazz artists throughout his school years. He received his B.A. from The University of Colorado at Boulder in 1976 with an emphasis on flute performance. He went on to play, teach, tour, and record worldwide excelling on flute and saxophones as well as a variety of other woodwind instruments. An improviser at heart, Coke's eclectic perspective has led him to explore music from Be-Bop to Huddie Ledbetter, Ornette Coleman, Derek Bailey, and beyond. His flute studies have ranged from Eric Dolphy to Indian ragas on the bamboo flute as well as the extended techniques such as those researched by Robert Dick, Ann LaBerge and Wil Offermans.As a "tough Texas tenor" and featured flute and saxophone soloist on numerous projects in the USA, Europe, and Africa, Coke has had the honor of working with some of the world's most creative and diverse musicians including Tina Marsh, Steven Feld, The Creative Opportunity Orchestra, Reeds and Deeds, Accra Trane Station, KlezEdge, Gerald Wilson, Charles Tolliver, The Paradise Regained Orchestra, The John Jordan Trio, Arson, and The Mysterious Quartet from Helsinki (featuring Chris Duarte), Greezy Wheels, The Alejandro Escovedo Orchestra, White Denim, and many others. Watch the interview on our YouTube channel here!

Stolen Moments Featuring: Booker Ervin - tenor saxophone Charles Tolliver - trumpet John Hicks - piano Red Mitchell - bass Lenny McBrowne - drums For entertainment purposes only --- Send in a voice message: https://anchor.fm/radikalra/message

It was an honor to talk with one of my favorite musicians and biggest musical influences, Gary Husband. In this conversation, Gary talks about his journey from early gigs as a teenager with the Syd Lawrence Orchestra, to 36 years of working with Allan Holdsworth, to working with John McLaughlin and the 4th Dimension, and more. Gary also shares his thoughts about “success” and the difference between waiting for opportunities versus creating opportunities. Be sure to check out Gary's website and his newly launched VideoCast education videos. They're amazing! http://www.garyhusband.com​ Gary Husband is one of a rare breed of musicians in that his expression is divided equally in his capacity as a drummer and a pianist and keyboardist of international repute. His classical roots, his quest and development in the improvisational, jazz and jazz/fusion areas – not to mention his tenure in the pop, rock, funk and blues circuits – are all evident inside Gary's distinct and far-reaching musical personality. His solo album and DVD output has also reinforced his status as a critically acclaimed writer and arranger in the contemporary music world. For close to four decades Gary has worked alongside a vast and eclectic range of celebrated musicians including John McLaughlin, Allan Holdsworth, Jeff Beck, Jack Bruce (Cream), Gary Moore (Thin Lizzy), British pop/funk band Level 42, Billy Cobham, Al Jarreau, Mike Stern (Miles Davis), John Wetton (King Crimson), Chris Squire (Yes), Andy Summers (The Police), Steve Hackett (Genesis), Robin Trower (Procol Harum), and with producers Sir George Martin (Beatles), Trevor Horn (Grace Jones & Art of Noise), Quincy Jones (Michael Jackson), Jerry Hey and James Guthrie (Pink Floyd). Further associations and performing/recording credits include his work with Randy Brecker, Jan Hammer, Jerry Goodman, fusion/jam band Gongzilla, Germany's NDR Bigband, Soft Machine, Maria Schneider, Christian McBride, Eddie Van Halen, Dean Brown, Bob Berg, Nguyên Lê, Joe Lovano, Charles Tolliver, Bireli Lagrène, Peter Erskine, Ron Sexsmith, drum n' bass protagonists Lemon ‘D' and Dillinja. As an internationally established drum clinician he has performed alongside Dennis Chambers, Vinnie Colaiuta, Terry Bozzio, Billy Cobham, Simon Phillips, Omar Hakim, Ricky Lawson, Todd Sucherman, Paul Wertico, Denny Seiwell and Bernard Purdie, and most recently has been developing a series of motivational videocasts in drumming. His alter-ego as a pianist/keyboard player brings an extra dimension to his musicality at the drums. Indeed, he has been the keyboardist & second drummer in John McLaughlin's 4th Dimension since 2007. Gary continues to devote a substantial proportion of his time recording and performing worldwide across many styles of music.

JazzOmania #45 le magazine de Stéphane KOCHOYAN !  #JazzOmania avec #Jazz70 c'est le Lundi à 20h en HD sur www.canal30.fr, rediffusion le Dimanche à 18h puis en #podcast … Et avec Stellar Média un réseau de 50 radios en France également sur Deezer, Apple Podcast, Itunes, Tunein, Podbean, Amazon Music Podcast… #TousLesJazz #Jazz Une playlist truffée de nouveautés de Kimberose à Jon Batiste, l'album inédit instrumental de Marvin Gaye, la BO de  MLK / FBI par Gerald Clayton,  Gad Elmaleh divise et enflamme les réseaux sociaux avec sa déclaration d'amour à Nougaro, nos coups de coeur pour Alina Engibaryan, Thomas Naim, Emmet Cohen … Encore et toujours Steve Gadd et Charles Tolliver pour du très bon jazz… Le Big Band de l'école Intercommunale de Musique de Petite Camargue, dirigé par Philippe Guyon présente son 6ème album, création de Christian Lavigne,  La #Playlist JazzOmania #45 de Stéphane Kochoyan 01 - Gary Bartz & Maisha - Uhuru Sasa - Night Dreamer D2D Version 02 - Alina Engibaryan - We Are 03 - Gerald Clayton - Theme from MLK FBI 04 - Thomas Naim feat Celia Kameni - Foxy Lady 05 - Michael Blicher, Dan Hemmer, Steve Gadd - Get That Motor Runnin' (Live) 06 - Courtney Pine - Rules 07 - Jarrod Lawson feat Moonchild - I'll Be Your Radio 08 - Charles Tolliver - Copasetic 09 - Gad Elmaleh - Armstrong 10 - Jon Batiste - I NEED YOU 11 - Marvin Gaye - Funky Nation 12 - Emmet Cohen - You Already Know 13 - Kimberose - We Never Said Goodbye 14 - Charles Pasi - Happy Single 15 - Big Band de l'école Intercommunale de Musique de Petite Camargue, dirigé par Philippe Guyon, création Christian Lavigne, feat Gérard Pansanel, Fabien Mary, Bruno Hervat, Bernard Gillet - Diabolo   Alina Engibaryan

Recently unearthed gems by Dudu Pukwana and Art Blakey, beautiful new albums by Eric Revis and Charles Tolliver, the Cuban roots of David Virelles and Aruán Ortiz, a peak in the Amsterdam and Berlin scenes through the music of Federico Calcagno and Reza Askari, respectively, and much more in this week's edition of Mondo Jazz dedicated to new and upcoming releases. The playlist features also Daniel Bingert, Chico Pinheiro, Rez Abbasi, The Spanish Harlem Orchestra, Nduduzo Makhathini and Gabriele Coen. Detailed playlist at https://spinitron.com/RFB/pl/11493007/Mondo-Jazz (up to Gabriele Coen). Happy listening! Photo credit: Luciano Rossetti (Phocus Agency)

Charles Tolliver is a trumpeter, composer, arranger and bandleader who has recorded with jazz heavies including Andrew Hill, Oliver Nelson, Gerald Wilson and Max Roach. His new album, Connect, is his first release in more than a decade. Buy it here: https://amzn.to/3hSmGhD --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/brian-zimmerman/support

14e émission de la 47e session... Cette semaine, post-bop, jazz modal et un peu de free! En musique: Black Art Jazz Collective sur l'album Ascension  (HighNote, 2020); Charles Tolliver sur l'album Connect  (Gearbox, 2020); Asher Gamedze sur l'album Dialectic Soul  (On The Corner, 2020); Grachan Moncur III sur l'album New Africa  (BYG, 1969); Horace Tapscott with the Pan Afrikan Peoples Arkestra sur l'album Ancestral Echoes - The Covina Sessions, 1976  (Dark Tree, 2020)...

14e émission de la 47e session... Cette semaine, post-bop, jazz modal et un peu de free! En musique: Black Art Jazz Collective sur l'album Ascension  (HighNote, 2020); Charles Tolliver sur l'album Connect  (Gearbox, 2020); Asher Gamedze sur l'album Dialectic Soul  (On The Corner, 2020); Grachan Moncur III sur l'album New Africa  (BYG, 1969); Horace Tapscott with the Pan Afrikan Peoples Arkestra sur l'album Ancestral Echoes - The Covina Sessions, 1976  (Dark Tree, 2020)...

Diabolik [il film], Mario Gomboli, Andrea Pasini, Astorina, Charles Tolliver, John Zorn, The Dreamers, Prins Thomas, Hockey Dad, Nova Express

Diabolik [il film], Mario Gomboli, Andrea Pasini, Astorina, Charles Tolliver, John Zorn, The Dreamers, Prins Thomas, Hockey Dad, Nova Express

Diabolik [il film], Mario Gomboli, Andrea Pasini, Astorina, Charles Tolliver, John Zorn, The Dreamers, Prins Thomas, Hockey Dad, Nova Express

Charles Tolliver has lived his share of jazz history. As a fiery young sideman with Jackie McLean and Max Roach in the 1960s, he joined a lineage of exalted post-bop trumpeters, more than holding his own. But Tolliver also set a model of self-determination in the ‘70s, with a DIY record label called Strata-East.

For my guest today it is playing free music with Marion Brown or in Detroit where the spirits of Elvin, Tommy Flanagan and Yusef Lateef breeze by with a word of wisdom. Maybe it was with Rashan Roland Kirk back when Universities like Oberlin College could bring in a Cecil Taylor or Horace Tapscott for a year residency. Bands of younger musicians would form under their leadership. Because there were places to play cats could get loose on the bandstand at Slugs with Charles Tolliver or Jimmy and Tootie Heath. Late shows with Woody Shaw and long before our mothers cried with Sonny Fortune. The most spiritual music is created by my guest. He is patient and can also real off flurries of notes. He understands time and place. The opportunities that presented themselves to his generation. He was co-founder of The Strata East label which fused the language of swing and bebop with blues and soul. The music on this label had an urgency to it that spoke to the loss of lives- Dr. King, Malcolm X, Robert Kennedy and John Coltrane. The seeming upward mobility of a musician cutting albums and touring. Reinventing themselves to sustain their legacy and more importantly the music. As we all know, it's a jazz life. Stanley Cowell welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

It was an honor to talk with one of my favorite musicians and biggest musical influences, Gary Husband. In this conversation, Gary talks about his journey from early gigs as a teenager with the Syd Lawrence Orchestra, to 36 years of working with Allan Holdsworth, to working with John McLaughlin and the 4th Dimension, and more. Gary also shares his thoughts about “success” and the difference between waiting for opportunities versus creating opportunities. Be sure to check out Gary’s website and his newly launched VideoCast education videos. They’re amazing! http://www.garyhusband.com Gary Husband is one of a rare breed of musicians in that his expression is divided equally in his capacity as a drummer and a pianist and keyboardist of international repute. His classical roots, his quest and development in the improvisational, jazz and jazz/fusion areas – not to mention his tenure in the pop, rock, funk and blues circuits – are all evident inside Gary’s distinct and far-reaching musical personality. His solo album and DVD output has also reinforced his status as a critically acclaimed writer and arranger in the contemporary music world. For close to four decades Gary has worked alongside a vast and eclectic range of celebrated musicians including John McLaughlin, Allan Holdsworth, Jeff Beck, Jack Bruce (Cream), Gary Moore (Thin Lizzy), British pop/funk band Level 42, Billy Cobham, Al Jarreau, Mike Stern (Miles Davis), John Wetton (King Crimson), Chris Squire (Yes), Andy Summers (The Police), Steve Hackett (Genesis), Robin Trower (Procol Harum), and with producers Sir George Martin (Beatles), Trevor Horn (Grace Jones & Art of Noise), Quincy Jones (Michael Jackson), Jerry Hey and James Guthrie (Pink Floyd). Further associations and performing/recording credits include his work with Randy Brecker, Jan Hammer, Jerry Goodman, fusion/jam band Gongzilla, Germany’s NDR Bigband, Soft Machine, Maria Schneider, Christian McBride, Eddie Van Halen, Dean Brown, Bob Berg, Nguyên Lê, Joe Lovano, Charles Tolliver, Bireli Lagrène, Peter Erskine, Ron Sexsmith, drum n’ bass protagonists Lemon ‘D’ and Dillinja. As an internationally established drum clinician he has performed alongside Dennis Chambers, Vinnie Colaiuta, Terry Bozzio, Billy Cobham, Simon Phillips, Omar Hakim, Ricky Lawson, Todd Sucherman, Paul Wertico, Denny Seiwell and Bernard Purdie, and most recently has been developing a series of motivational videocasts in drumming. His alter-ego as a pianist/keyboard player brings an extra dimension to his musicality at the drums. Indeed, he has been the keyboardist & second drummer in John McLaughlin’s 4th Dimension since 2007. Gary continues to devote a substantial proportion of his time recording and performing worldwide across many styles of music.

A special three part presentation of the Major Scale with Cornell Fine Arts Museum’s exhibit, African-American Art in the 20th Century, on loan from the Smithsonian American Art Museum. With a bounty of bold and brilliant masterworks from the likes of Romare Bearden, Lois Mailou Jones, Jacob Lawrence, and more, we're going to tie together the exhibit's themes of Jazz, the Blues, social commentary and civil rights with a look into the music of the era with the show’s curator, Virginia Mecklenburg. Episode 3 - African-American Art in the 20th Century in the Sunshine State. Among the many amazing artists in the exhibit, African-American Art in the 20th Century, is Purvis Young, a native to Florida. Since both Cornell Fine Arts Museum and the Major Scale are based in Central Florida, we thought we'd explore some regional Floridian roots. Young, the term "Outsider Artist," and the legendary Highwaymen are on the table for conversation as well as some of the Sunshine State's musical finest; including Slim Gaillard, Fats Navarro, Charles Tolliver, Gigi Gryce, Pee-Wee Ellis, Archie Shepp, and more.

The Major Scale is proud to present a three-part special for Cornell Fine Arts Museum's exhibit African American Art in the 20th Century, on loan from the Smithsonian American Art Museum. It's a bounty of bold and brilliant masterworks that showcases paintings and sculptures from 32 African American artists. In our special series, we delve into the stories that tie together the exhibit's themes, including jazz and civil rights, as well as the music with the show's curator, Virginia Mecklenburg. Part 3: Among the many amazing artists in the exhibit is Purvis Young, a native to Florida. We thought it apt since the exhibit since both Cornell Fine Arts Museum and the Major Scale are based in Central Florida that we take the time to explore some of the regional roots. Young, the term "Outsider Art", and the legendary Highwaymen are on the table for conversation as well as some of the Sunshine State's - Slim Galliard, Fats Navarro, Charles Tolliver, Gigi Gryce, Pee-Wee Ellis, Archie Shepp, and more. This special series is a must for curious eardrums. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Members of the Jazz Messengers reconvened onstage for a once-in-a-lifetime reunion. Moderator: Celine Peterson. Panelists: Terence Blanchard, Randy Brecker, Cameron Brown, Donald Brown, Steve Davis, Leon Lee Dorsey, Essiet Essiet, Kevin Eubanks, Jon Faddis, Benny Green, Billy Harper, Donald Harrison, Eddie Henderson, Vincent Herring, Harold Mabern, Branford Marsalis, Wynton Marsalis, Ralph Peterson Jr., Bill Pierce, Lonnie Plaxico, Wallace Roney, Melissa Slocum, Charles Tolliver, Steve Turre, Bobby Watson.

Radio Jazznoend, dedica su nuevo podcast a la figura, casi legendaria, del trompetista Charles Tolliver, uno de los últimos supervivientes de las estribaciones finales de la gran era del jazz moderno, que irrumpió en el panorama del jazz de finales de la década de los 60 del pasado siglo con su primer álbum como líder, Paper Man. Tanto en este registro, como en sus anteriores colaboraciones como sideman para Blue Note, Tolliver mostraba excepcionales cualidades como trompetista y compositor que le situaban, como poco, a la par de otras grandes figuras de la trompeta del momento como Freddie Hubbard o Woody Shaw. Sin embargo y tras algunos registros para su propia discográfica Strata East, durante la década de los '70, prácticamente olvidados hasta fechas recientes, desapareció del panorama musical y poco o nada se supo de él, hasta que, inesperadamente, hizo un regreso triunfal, varias décadas después, con el álbum de 2007, With Love, producido por su amigo y gran admirador Michael Cuscuna para Blue Note Records y que recibió una nominación para los premios Grammy, poniendo fin al inexplicable enigma de su desaparición y olvido. Desde entonces, se ha despertado un nuevo interés por su obra, muchas de sus grabaciones han sido reeditadas y ha regresado a los escenarios, en los que, este año de 2019, con 77 años a las espaldas, viene celebrando el 50 aniversario de aquella primera grabación, Paper Man.

Radio Jazznoend, dedica su nuevo podcast a la figura, casi legendaria, del trompetista Charles Tolliver, uno de los últimos supervivientes de las estribaciones finales de la gran era del jazz moderno, que irrumpió en el panorama del jazz de finales de la década de los 60 del pasado siglo con su primer álbum como líder, Paper Man. Tanto en este registro, como en sus anteriores colaboraciones como sideman para Blue Note, Tolliver mostraba excepcionales cualidades como trompetista y compositor que le situaban, como poco, a la par de otras grandes figuras de la trompeta del momento como Freddie Hubbard o Woody Shaw. Sin embargo y tras algunos registros para su propia discográfica Strata East, durante la década de los '70, prácticamente olvidados hasta fechas recientes, desapareció del panorama musical y poco o nada se supo de él, hasta que, inesperadamente, hizo un regreso triunfal, varias décadas después, con el álbum de 2007, With Love, producido por su amigo y gran admirador Michael Cuscuna para Blue Note Records y que recibió una nominación para los premios Grammy, poniendo fin al inexplicable enigma de su desaparición y olvido. Desde entonces, se ha despertado un nuevo interés por su obra, muchas de sus grabaciones han sido reeditadas y ha regresado a los escenarios, en los que, este año de 2019, con 77 años a las espaldas, viene celebrando el 50 aniversario de aquella primera grabación, Paper Man.

We had decided to produce one podcast a month. So, Becky and I had settled into an easy Bar Crawl Radio July schedule -- the first annual BCR Margie Crawl was planned for the end of the month -- we had lined up some interesting guests -- things were going smoothly. Then, we went to Smoke -- a small venue jazz club on the UWS to hear jazz trumpet great -- Charles Tolliver. After the set, we talked to Mr. Tolliver and invited him to Bar Crawl Radio, and he said, “Sure -- I’m free next week.” So the research and planning started in a hurry. We had a great time talking with Charles at Gebhard’s Bar. He is a long time friend. We talked about his life as a musician and listen to several of his greatest hits and began the celebration for the 50th Anniversary of his “Paper Man” album -- culminating at the Charlie Parker Jazz Festival on Summer Stage late in August. A most entertaining conversation. See acast.com/privacy for privacy and opt-out information.

Hour One with Ket Shah 01. Noel McKoy - Its Only Human (Macca 2019) 02. Sabrina Starke - Live & Learn (Self Released 2019) 03. Alfa Mist - Retainer (Sekito 2019) 04. Dampe - St James's Road (Dirt Crew 2019) 05. Ronin Arkestra - Redeye Reprisal (Alberts Favorites 2019) 06. Jacob Munk Nielsen - Spontaneous Combustion (Self Released 2019) 07. Quantic - Atlantic Oscillations (Tru Thoughts 2019) 08. Leisure Centre - Something Better (Amin Payne Remix) (HopeStreet 2019) 09. Guts - Senou Menm (Heavenly Sweetness 2019) 10. 16BL - Vette (Anjunadeep 2019) 11. Pablo Fierro & Hyenah - Panoramica (Watergate 2019) 12. Pascal Morais feat. Thoko - Better Days (Yoruba Soul Mix) (Arrecha 2019) Hour Two with Alan Kenny Arscott (DJ A.K.A) 01. Charles Tolliver & His All Stars - Right Now (Black Lion 1971/Pure Pleasure 2019) 02. The Don Rendell Ian Carr Quintet - Mirage (Columbia/Lansdowne 1969/Jazzman 2019) 03. Christian Scott Ft. Logan Richardson - Songs She Never Heard (Stretch/Ropeadope 2019) 04. Georgie Fame - Daylight (Island 1977/Acid Jazz 2019) 05. Candy Bowman - Since I Found You (RCA 1981/2019) 06. Rufus Ft. Chaka Khan - Little Boy Blue (ABC 1975) 07. Adriana Evans Ft. Phife - Never Say Goodbye (Tommy Boy ‎1998) 08. Cesária Évora - Sangue de Beirona (Spiritual Wave Dub Lusafrica 1999) 09. Andy Compton’s Sowetan Onesteps Ft. Celestine - I Belong (Peng 2019) 10. Centaur Jackson - Two Step (Yoruba 2019)

Adi Meyerson is soulful, unique and genuine. Her ability to communicate through music is unparalleled. Adi and I had a very honest conversation about music, life, death, women's rights the #metoo movement and how these topics inspired her latest creative pursuit. "Where We Stand" is Adi's debut album, the music she has created alongside a world-class group of musicians is simply intoxicating. Please enjoy the sounds and vibrations of this episode of The Working Artist Project.Connect with Adi Here: http://www.adimeyersonmusic.com/ (http://www.adimeyersonmusic.com/)Bio ADI MEYERSON IS AN ISRAELI RAISED BASSIST AND COMPOSER.She was born in San Francisco to American Parents. At the age of two, she relocated with her family to Jerusalem, Israel. In August 2012 Adi moved To New York to continue her studies at "The New School for jazz and contemporary music", where she graduated from in 2014. She received an opportunity to study with some of the great masters of the style such as Reggie Workman, Ron Carter, Charles Tolliver, Kirk Nurock, Billy Harper, Bob Cranshaw and many more.Since Moving to New York, Adi has already made an impact on the NYC jazz scene and earned her title as an up and coming young talent. She has played with many local greats such as Joel Frahm, Joe Magnarelli, Steve Nelson, Charli Persip and many others around the NYC area in highly known venues such as Mezzrow, Smalls jazz, Fat Cat, Smoke Jazz, Minton's, Zinc Bar, Dizzy's Coca-Cola, and others. She has recently toured the US and recorded with the Champion Fulton band for Positone records. Adi also leads her own band, the ”Adi Meyerson Group”, that has been performing together since 2016 years around New York City.The band has performed in many of New York City's prestigious jazz clubs such as Minton's Playhouse, Smalls Jazz, Mezzrow, The Cell theatre, Fat Cat and others. The band headlined the "Make some Noise" music festival in May 2016 and participated in the "Jazz in the Cave" concert series in June 2016. In September 2017, the band recorded their debut record "Where We Stand" which contains 9 original compositions all by Meyerson.The record is set to be released independently in early May of 2018.She has toured Costa Rica with her Trio in 2017 and 2018, and performed as part of the faculty of the Quetzaltenango International Jazz Camp with her trio in December 2017. As an Educator, Adi has worked with Bandleader and Drummer LaFrae Sci at Jazz at Lincoln Center, as part of the "Jazz For young people" program, preforming in schools around the NY area, "The Jazz Drama Program" Directed by Eli Yamin bringing Jazz, Dance and Theater to the youth. Adi also teaches at "Jazz House Kids" as part of their yearly "Chica Power" Residensy.In December 2017, She had a chance to travel to Guatemala to teach in the Quezaltinango international Jazz camp along side local and American professors. Discography: Champian Fulton - “Speechless” (2017), PositoneAdi Meyerson - “Where we Stand” (2018), Independent Support this podcast

The sixth episode of the Burning Ambulance podcast features an interview with pianist Stanley Cowell. He’s a jazz veteran who made his recorded debut in 1967, on Marion Brown's albums Now What? and Three for Shepp. He’s also worked with Max Roach, Gary Bartz, Bobby Hutcherson, and the Heath Brothers, among others, and he co-founded the Strata-East label with trumpeter Charles Tolliver in the 1970s. In recent years, he retired from teaching at Rutgers University, and has assumed a more active recording and performing role; in 2015, he put out a solo album, Juneteenth, and in 2017, he released a quartet disc, No Illusions. In our interview, Cowell discusses his early career, his 1970s work as a solo artist and as part of the Piano Choir, his time as an educator, his fascination with electronic music and how he’s imported that interest into his own work, and much more. It’s a really interesting conversation I’ve been wanting to have for several years, and I hope you’ll enjoy it.

Panel discussion led by Dave Douglas with Charles Tolliver (FONT Award Winner), Keyon Harrold (The Mugician), and … The post ANFTD #47: Charles Tolliver, Keyon Harrold, Meghan Stabile first appeared on Greenleaf Music by Dave Douglas.

www.radiojazznoend.com En nuestro nuevo programa, Radio Jazznoend rinde homenaje a los héroes no cantados de la historia del jazz, aquellos genios malditos que atravesaron la larga noche de la era jazzística sin recibir la gloria o el éxito que por sus sobrados méritos, hubieran merecido. Un programa especial en el que, durante casi dos horas, desfilarán personajes de la talla del saxofonista Pepper Adams, el guitarrista Pat Martino o el trompetista Charles Tolliver, entre otros. Toda una aventura que nos adentrará en una dimensión a menudo ignorada del jazz.

www.radiojazznoend.com En nuestro nuevo programa, Radio Jazznoend rinde homenaje a los héroes no cantados de la historia del jazz, aquellos genios malditos que atravesaron la larga noche de la era jazzística sin recibir la gloria o el éxito que por sus sobrados méritos, hubieran merecido. Un programa especial en el que, durante casi dos horas, desfilarán personajes de la talla del saxofonista Pepper Adams, el guitarrista Pat Martino o el trompetista Charles Tolliver, entre otros. Toda una aventura que nos adentrará en una dimensión a menudo ignorada del jazz.

The Traneumentary: Charlie Tolliver

Ahead of the Barbican Centre show, Gilles met the man behind the seminal Strata-East jazz record label, Charles Tolliver for an in-depth chat. They discuss Charles' beginnings, moving to NYC, the ethos behind the label, working with legendary musicians such as Jackie McLean, Max Roach and Horace Silver, as well as releasing Gil Scott Heron's 'The Bottle'. Tracklist: Charles Tolliver - Prayer For Peace Jackie McLean - It's Time Jackie McLean - Revillot Jackie McLean - Truth Booker Irvine - Stolen Moments Hank Mobley - The Morning After Max Roach - Abstrutions Charles Tolliver - Brilliant Circles Charles Tolliver - Effi Charles Tolliver - Mournin' Variations Gil Scott Heron - The Bottle Jackie MacLean - On The Nile M'Boom - Morning, Noon, Midday Horace Silver - Psychedelic Sally Charles Tolliver's Music Inc - Wilpan's See acast.com/privacy for privacy and opt-out information.

Episode 3, September 2007 Sounds of Berklee will have a Spanish flavor this month. The new track comes from Conrad Herwig's Sketches of Spain Y Mas, a collection of the trombonist's Latin jazz arrangements of classic Miles Davis compositions. When you listen to Herwig's arrangement of "Seven Steps to Heaven," you'll be getting just a taste of the BeanTown Jazz Festival's free outdoor concert this Saturday. The afternoon of music presents some of jazz's best artists—Herwig, Mike Stern, Claudia Acuña, and Charles Tolliver, to name a few—on three stages in Boston's historic South End. Come any time between noon and 6 p.m. and be a part of one of Boston's biggest annual music events—last year's festival attracted 60,000 people. And if you move fast, you might still be able to get tickets to Friday night's opening concert—A Celebration of Jazz and Joyce—boasting an extraordinary lineup of jazz greats, including Herbie Hancock, Michel Camilo, Geri Allen, and Joe Lovano. Subscribers to Sounds of Berklee get a free track each month recorded by a Berklee-related artist. It's a great way to learn about where music is headed.

  8e de la 23 session...   Cette semaine, que de la musique sans animateur. Du vieux beat de Charles Tolliver, le nouveau projet de Ken Vandermark, coup d'oeil en Europe de l'est et finale française...   En musique:   Charles Tolliver sur l'album Paper Man (Arista, 1975, enr. 1968);   Made to Break sur l'album Provoke (Clean Feed, 2013);   Made to Break sur l'album Lacerba (Clean Feed, 2012);   Tomasz Dabrowski sur l'album Tom Trio (ILK, 2012)   The Kandisky Effect sur l'album Synesthesia (Cuneiform, 2013)...  

  8e de la 23 session...   Cette semaine, que de la musique sans animateur. Du vieux beat de Charles Tolliver, le nouveau projet de Ken Vandermark, coup d'oeil en Europe de l'est et finale française...   En musique:   Charles Tolliver sur l'album Paper Man (Arista, 1975, enr. 1968);   Made to Break sur l'album Provoke (Clean Feed, 2013);   Made to Break sur l'album Lacerba (Clean Feed, 2012);   Tomasz Dabrowski sur l'album Tom Trio (ILK, 2012)   The Kandisky Effect sur l'album Synesthesia (Cuneiform, 2013)...  

Charla con José Luis Echechipía y Juan de la Rubia en un programa especial dedicado a la improvisación con órgano. En esta edición de "Club de Jazz" del 16 de noviembre de 2011 escuchamos junto con ellos la música de organistas como Stefan Schmidt, Wolfgang Seifen, Thierry Escaich, Kimberly Marshall o Wayne Marshall, así como al propio Juan de la Rubia en una improvisación sobre la película "Fausto" de F.W. Murnau de 1926. Este particular recorrido organístico lo completa Jesús Moreno "desde mi cadiera" con las "Improvisations" de Fred Van Hove (org) y Etienne Brunet (sx). Además Alberto Varela recuerda la actuación del trompetista Charles Tolliver en el Festival de Jazz de Buenos Aires en su "Jazz Porteño". Los "Ritmos Latinos" de Anxo son los de La Mixta Criolla y Roberto Barahona con su "PuroJazz" cierra programa con el "Orange Afternoons" de Dave Douglas. Toda la información y derechos: http://www.elclubdejazz.com

Charla con José Luis Echechipía y Juan de la Rubia en un programa especial dedicado a la improvisación con órgano. En esta edición de "Club de Jazz" del 16 de noviembre de 2011 escuchamos junto con ellos la música de organistas como Stefan Schmidt, Wolfgang Seifen, Thierry Escaich, Kimberly Marshall o Wayne Marshall, así como al propio Juan de la Rubia en una improvisación sobre la película "Fausto" de F.W. Murnau de 1926. Este particular recorrido organístico lo completa Jesús Moreno "desde mi cadiera" con las "Improvisations" de Fred Van Hove (org) y Etienne Brunet (sx). Además Alberto Varela recuerda la actuación del trompetista Charles Tolliver en el Festival de Jazz de Buenos Aires en su "Jazz Porteño". Los "Ritmos Latinos" de Anxo son los de La Mixta Criolla y Roberto Barahona con su "PuroJazz" cierra programa con el "Orange Afternoons" de Dave Douglas. Toda la información y derechos: http://www.elclubdejazz.com

This is an important document in Jackie McLean's recorded legacy for Blue Note Records, a label he recorded for from 1959 to 1968. McLean, who was a member of the second generation Modern Jazz players who came after Charlie Parker/Dizzy Gillespie/Bud Powell etc., was rooted in the language of what was called "Bebop". McLean in the 60's was open to new influences and of course was listening to Coltrane, Ornette Coleman, Eric Dolphy et al. He absorbed these influences into his own playing and retained his strong identity. His concept and his unique sound broadened and the albums that he recorded during this productive Blue Note period are treasured. Tonight's Feature is called "It's Time" and has McLean and a young trumpeter from Florida named Charles Tolliver who makes his recording debut here. Tolliver composed three compelling tunes for the album as well. McLean composed the remaining three. The energetic rhythm section makes this album really happen and you really can't go wrong with the incredible Herbie Hancock on piano, who at the time of this date (1964) was with Miles Davis. Cecil McBee always seems to get left out when someone mentions great bassists and of course, what can be said about drummer Roy Haynes that hasn't been said before. Haynes is now 84 and still playing with the same energy and creativity as he does on this record. "It's Time" is representative of the best of Jackie Mclean and company, so sit back and enjoy what these master musicians have to offer.

2007 Detroit International Jazz Festival Jazz Talk Tent SUNDAY, SEPTEMBER 2, 2007 – 2:45 PM Moderator – Michael G. Nastos Panel – Gerald Wilson, Bob Porter, Rodney Whitaker, Charles Tolliver, Sean Jones For more information, go to http://jazzstageproductions.com/djs The Jazz Talk Tent was sponsored in part by Detroit JazzStage

Septième émission de la cinquième session. Cette semaine on se concentre presque exclusivement sur Charles Tolliver (trompette, USA, 1942).

Septième émission de la cinquième session. Cette semaine on se concentre presque exclusivement sur Charles Tolliver (trompette, USA, 1942).