Podcasts about matt monroe

**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Soul & Boogie/Rare Groove/80's & 70's Grooves Cuts From Temptations, Starpoint, Sapphire, Ray Charles Singers, Perry & Sanlin, Patsy Cline,One Way, Munich Machine, Matt Monroe, Mighty Fire, Marvin Gaye, Kenny Rogers, Foundations, Dean Martin, Chuck Berry, Change, Bob Marley & The Wailers, Andy Gibb & More. #originalpirates #soulmusic #disco #reggae #raregroove #boogiefunk Catch Rendell Every Saturday From 8PM UK Time The Stations: Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Matthew Monroe, an LPL Advisor from Syracuse, NY discusses the joys of managing 401(k) plans and working with participants. He shares his passion and keys to the growth of his business through participant education, stating "small streams make a big river."   

Kevin and Tim interview Mike Ter Matt who is seeking the Libertarian Party nomination for President - https://miketermaat.com/ Kevin talks about having heart surgery Kevin and Tim talk about the Rochester area DA who refused to pull over for a police officer. See the video here Whether Presidents can ever get a criminal charge --- Send in a voice message: https://podcasters.spotify.com/pod/show/afreesolution/message Support this podcast: https://podcasters.spotify.com/pod/show/afreesolution/support

In episode 124 of Outside The Studio with Tessa: Mushrooms are not only delicious, but research is showing that they may also be a neuroprotective, slowing the onset of dementia. Fungi for cooking are delicious, but what are magic mushrooms all about? On this packed episode, Tessa Tovar and Matt Monroe chat about cooking, the fear of dementia, foraging, and the future of psychedelics. Matt Monroe is the co-founder of CULTIV8R CLUB, a company dedicated to making the growing process of mushrooms more accessible. He lives in Portland, Oregon with his wife and dog. Timestamps(00:00) Intro(02:50) Matt and cooking(06:15) Matt's Nut butter recipe(07:40) Matt, The Cultivator(09:10) Who should take shrooms?(11:40) Mushrooms and Dementia(14:50) Fear of mental decline(18:45) Matt's show and tell(20:35) Cultivating mushrooms(26:15) Misinformation surrounding mushrooms(28:55) The future of psychedelics(35:05) Foraging(42:10) How to get consistent mushroom potency(45:10) Mushroom cultivation(52:35) Portland Police Story(57:05) Strains of shrooms(1:03:40) "I am the drone" story(1:05:15) Do your homework do your hw, be safe always always measure your microdose, use grams as your unit of measure(1:12:45) Sobriety and shrooms(1:15:45) Final thoughts(1:17:00) Grain bag example Key Takeaways1. Be safe. More than anything, do your own homework and research. Don't listen to a podcast of a guy talking about mushrooms and think you know what's up. Talk to experts, connect with local foragers and know exactly what you are growing, foraging and consuming. Use precise scales for weighing, never eyeball doses. Make sure your scale is on the correct setting (grams, not ounces!). Never risk buying street sourced mushrooms or substances. In Portland, Oregon specifically (and many, many other cities), nearly all street drugs are laced with fentanyl, including street marijuana, so know exactly where your purchased product has been. Misinformation surrounding psilocybin mushrooms is widespread, so be careful.2. Magic mushrooms, psilocybin and other related hallucinogens, are not for everyone. Got a history of mental health disorders such as bipolar disorder? Not a good idea to start taking them recreationally as there's a high possibility of instability. But, can psilocybin be positive for a vast majority of people? Most likely, but it's up to the individual if they find that it's right for them.3. Cultivating mushrooms from home is not only the safest option since you know exactly what your mushrooms have come from, but the process is relatively simple and fun, too. Depending upon your state's laws, growing psilocybin mushrooms may also be an option. Matt offers classes and kits on growing mushrooms in Portland, Oregon, but you can reach out to your local mushroom experts on how to get started on your new hobby.4. Whether it's a full dose or microdose of psilocybin, you may encounter different potencies of mushrooms. This is because each mushroom naturally varies in potency, but how do we get a more consistent dose? Grind your collection of mushrooms together before weighing your dose so as to average the strength, ensuring a much more even playing field for your experience. Matt's Nut Butter RecipeIngredients:1 Cup of raw cashews1 Cup of raw pecans1/2 Cup of raw walnutsSpread the nut out on a cookie sheet, and bake in an over for 12 minutes at 325 degrees F. Give a stir at about the six minute mark.Pull the nuts out of the over, and allow them to cool down for at least fifteen minutes.Pour the nuts into a food processor, and then add the following two ingredients:1/2 tsp of salt2 TBS of avocado oil'Pulse' the food processor - to initially break up the nuts - and then go into 'Continuous' mode with the food processor. After about twenty seconds or so, use a spatula to scrape down the sides, and then go back into 'Continuous' mode for about another twenty seconds. Again, scrape down the sides.Now, just hold down that "Continuous" button, and let the nut mixture grind and chop and swirl. After about another twenty to thirty seconds, it will start getting all creamy, oily, smooth. Continue to hold down the button until everything is finally chopped and the nut mixture looks like nut butter. Connect with Matt MonroeWebsite: https://www.cultiv8rclub.com/Instagram: https://www.instagram.com/cultiv8rclub/Facebook: https://www.facebook.com/CULTIV8RCLUBYoutube: https://www.youtube.com/channel/UCE1ugXHnXZBQQk7FnRYKPQg Connect with Tessa TovarWebsite: https://tessatovar.com/Instagram: https://www.instagram.com/tessamarietovar/LinkedIn: https://www.linkedin.com/in/tessa-tovar-baa27613Twitter: https://twitter.com/TBenedicktusThe Dark Moon: A Book of Poetry for Savasana: https://a.co/d/e8LgG1TYouTube: https://www.youtube.com/channel/UCHMYm-7kNZfulgaiCi2w8Cw

Anna , JB, and Matty P. coming at you LIVE from AARC; Matt Monroe from THE Ohio State discusses his voyage from Marine, to RT, to Administrator.   RTs can and should become hospital leaders and administrators.  This is how you do it...Stay Tuned!Show notes:Join our Linkedin Group - www.vtherm.com/rtsidebar-linkedin and be a part of the community!Join RT Sidebar's next LIVE recording by registering here.If you have a suggestion for a guest speaker or topic, complete this form.Do you know of an RT who deserves a shoutout on the pod? Perhaps a promotion, birthday, or anniversary worth celebrating? We got a form for that too.

A packed episode of IMS Radio: Jeff Ermann dishes the latest on blue-chop Maryland basketball recruiting prospect Derik Queen. Terps radio analyst Chris Knoche delivers a practice report and his expectations this season. Maryland's fundraising and ticket crew led by Matt Monroe talk about the challenge of selling tickets and getting more fans out to the games. Matt Monroe provides an update on the new facilities being built and says more is to come. Also, more Derik Queen talk. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Five-time Boston Marathon finisher Matt Monroe spends his days playing French horn in the Jacksonville Symphony. He also travels as a guest musician so he's streamlined his running plan to get the most of his travels. 0:00 Welcome 2:15 Matt Monroe 37:37 Kelsey Pontius fueling for long runs

The boys were joined by Vincent's business partner, Matt Monroe from Restore Restaurant Holdings. At last, we got the true inside story about their recent trip to Paris!

Season 3, Episode 3 of the Locker Room Podcast features Matt Monroe, Associate AD for the annual giving and ticket operations with the Terrapin Club at the University of Maryland. Matt has been in the world of sports business for nearly 25 years, primarily working with ticket sales for the University of Pittsburgh, Marshall University, and now the University of Maryland for almost 15 years. Matt gives his backstory and shares his wonderful journey to where he is today. He detailedly pulls back the curtain, highlighting what it is truly like day-to-day in sports business. 0:00-0:28 Podcast intro 0:29-1:00 Matt Monroe intro 1:01-2:19 Why sports business? 2:20-5:42 The college sports business experience 5:43-7:21 Why college sports? 7:22-9:20 Matt's “olden” days of ticketing at Pitt 9:21-12:15 Moving up in the ranks at Marshall 12:16-14:20 Finding your place at UMD 14:21-18:35 Matt's growth alongside UMD 18:36-21:22 Gameday at UMD 21:23-22:34 No offseason in college athletics 22:35-24:46 Uncovering the realities in sports business 24:47-26:26 Sports management at UMD 26:27-28:02 What it takes to be successful in sports business 28:03-29:02 Maryland Minute 29:03-29:33 Outtro

We celebrated our 100th episode with a special guest as Quinno was away (doing work or something that pays bills). Matt Monroe from Restore Restaurant Co. joined in the conversation and made using data sound somehow interesting. Vincent revealed more details about his new restaurant and John just about kept the bus on the road! Here is to 100 more!

Talking Paranormal is a weekly interactive YouTube and Facebook live streamed video podcast. No subject is too fringe as hosts Chris Albrecht and Matt Monroe explore the realm of the paranormal and mysterious. You can find the Talking Paranormal live stream show on YouTube and Facebook, and the podcast will be available on Spotify, Apple Podcasts, and everywhere you get your podcasts. We want to hear your paranormal stories/encounters! To share them with us to be featured on the show, or to request to be a guest on the show please email: Story@TalkingParanormal.com Social Media: @TalkingParanormlaPodcast YouTube: https://www.youtube.com/channel/UCqzrucTgrtEj4tqIwxOkL2g Website: TalkingParanormal.com --- Send in a voice message: https://anchor.fm/talkingparanormal/message Support this podcast: https://anchor.fm/talkingparanormal/support

S4 Ep. 1: Todd and Jon welcome Matt Monroe, Head Boys Basketball Coach at St. Ignatius High School in Chicago. They talk to Coach Monroe about how to taking his program avoiding coaching burnout, the future of the game, and taking a team down state Follow the Show on Twitter @afterthetimeout Follow Coach Monroe on Twitter @CoachMMonroe Listen to the show on: Apple: Search "After the Timeout" Spotify: https://open.spotify.com/show/6tfyTqZxebtEugpd7dwq5E Anchor: https://anchor.fm/after-the-timeout Google: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy80MzUwYzRhYy9wb2RjYXN0L3Jzcw== Breaker: https://www.breaker.audio/after-the-timeout Radiopublic: https://radiopublic.com/after-the-timeout-G729aA Pocket Casts: https://pca.st/q9zqtopv

"Laguna Tropical Surf" celebrates 60 Years of 007 Themes . This Sunday, 5 to 7pm, "Laguna Tropical Surf" is celebrating 60 years1962 to 2022 of 007 films with 25 James Bond original theme songs! John Barry, Matt Monroe, Shirly Bassey, Tom Jones, Nancy Sinatra, Louis Armstrong, Paul McCartney, Lulu, Carly Simon, Sheena Easton, Rita Coolidge, Duran Duran, Gladys Knight, Tina Turner, Sheryl Crow, Garbage, Madonna, Chris Cornell, Alicia Keys, Adele, Sam Smith, Billie Eilish! According to Michelle Haynes, even the chickens were involved with the James Bond film "On Her Majesty's Secret Service"!

Got together with some of the guys from The Motley Crew of Mopars to record an impromptu Sunday afternoon podcast. Great time as always! On the show I was joined by Jonny Mopar (@jonnymopar), Matt Monroe (@bigblocksgarage), and Ervin (@all.out.mopar). This episode was recorded on 12/19/21 at around 12:30PM. TalkingMopars.com / @TalkingMoparsPodcast

Matt is a long time friend! We met at a Cruise Night when he parked his sweet C10 next to Stanley!! He now has a fleet of cool cars - a Gen 3 Hemi swapped Duster, the big block C10, and an old Dodge sweptline that is getting the daily driver treatment!! --- Support this podcast: https://anchor.fm/narxolepticcustoms/support

Matt Monroe is the Head Boys' Basketball Coach at Saint Ignatius College Prep in Chicago, Illinois.  Before coming to Saint Ignatius, Monroe spent eight years as the head sophomore and lead varsity assistant boys' basketball coach at Saint Patrick High School in Chicago. Previously, Matt spent time as an assistant basketball coach at Niles West High School, Vernon Hills HighSchool, and Deerfield High School. He also coached club basketball for twelve years and was a student-manager for the DePaul University men's basketball team. In addition to his coaching duties, Coach Monroe serves on the Executive Board of the Illinois Basketball Coaches Association. If you're looking to improve your coaching please consider joining the Hoop Heads Mentorship Program.  We believe that having a mentor is the best way to maximize your potential and become a transformational coach. By matching you up with one of our experienced mentors you'll develop a one on one relationship that will help your coaching, your team, your program, and your mindset.  The Hoop Heads Mentorship Program delivers mentoring services to basketball coaches at all levels through our team of experienced Head Coaches. Find out more at hoopheadspod.com or shoot me an email directly mike@hoopheadspod.com Follow us on social media @hoopheadspod on Twitter and Instagram and be sure to check out the Hoop Heads Podcast Network for more great basketball content. Be prepared to take some notes as you listen to this episode with Matt Monroe, Head Boys' Basketball Coach at St. Ignatius College Prep in Chicago, Illinois. Website - https://www.ignatius.org/team-detail?fromId=253161&Team=284314&SeasonLabel=2021%20-%202022&siteId=1329 (https://www.ignatius.org/) Email - matt.monroe@ignatius.org Twitter - https://twitter.com/coachmmonroe (@coachmmonroe) Visit our Sponsors! https://www.drdishbasketball.com/ (Dr. Dish Basketball) Mention the Hoop Heads Podcast when you place your order and get $300 off a brand new state of the art Dr. Dish Shooting Machine! http://www.fastmodelsports.com/ (Fast Model Sports) Use Code HHP15 to get 15% off the number one play diagramming software for coaches. https://gripspritz.net/ (Grip Spritz) Grip Spritz revitalizes and cleans the soles of your basketball shoes to stop you from slipping and sliding on the court! Better Grip, Better Game! https://www.qwikcut.com/basketball/ (QwikCut) QwikCut is all cloud-based, and comes packed with features to help high schools and youth programs - STORE, SHARE, and ANALYZE game film.   Make the switch, get double the storage, and save your program up to 50% on the fastest-growing video editing system in the country.    Twitter Podcast - https://twitter.com/hoopheadspod (@hoopheadspod) Mike - https://twitter.com/hdstarthoops (@hdstarthoops) Jason - https://twitter.com/jsunkle (@jsunkle) Network - https://twitter.com/HoopHeadsPodNet (@HoopHeadsPodNet) Instagram https://www.instagram.com/hoopheadspod/ (@hoopheadspod) Facebook https://www.facebook.com/hoopheadspod/ (https://www.facebook.com/hoopheadspod/) YouTube https://www.youtube.com/channel/UCDoVTtvpgwwOVL4QVswqMLQ (https://www.youtube.com/channel/UCDoVTtvpgwwOVL4QVswqMLQ) Support this podcast

In our ongoing Bond series, we revisit the OG Bond, Sir Sean Connery, in this second film in the franchise.  We follow Bond this time in the midst of a Cold War espionage plot where he has to take on SPECTRE, the shadowy organization that is out to kill him along with possibly inciting World War III.  This was PEAK Connery and very much a film of its time, very 1960's.  It also co-stars Robert Shaw as the iconic villain Red Grant along with Lotte Lenya as the infamous Rose Klebb. Host: Geoff GershonProducer: Marlene Gershon#livingforthecinema #moviereviews #livingforthebondseries #jamesbond #007 #sirseanconnery #coldwar #spectre #1960s 

Radio and TV Star shares his interviews with Rock Legends and Film Stars. Jimmie White returns with more of his experiences from his TV show "Time For Living." He talks about being a Voice Over Artist and working as an Actor on a TV series and in an award winning Motion Picture. Jimmie takes us on a voyeuristic ride with interview gems. Matt Monroe - vocalist on 'From Russia with Love,' Ronnie Corbett of the "Two Ronnies" & his dutch courage. Johnny Cash tours Down Under, and Crocodile Man Steve Irwin is remembered. and more ....

#054- Zach is joined by first time guest and Cincinnati Bengals fan, Matt Monroe. The two breakdown theirs picks for Week 10 in the NFL and share this week's BIG BOY PARLAY! Enjoy! *Disclaimer: If you choose to follow the picks in this episode you do so at your own risk. Always gamble responsibly. Follow us on social media IG/Twitter: @BourbonAndBets Facebook: Bourbon and Bets Podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bourbonandbets/support

November 3, 2020 Matt Monroe is our regular election day commentator and is remarkably accurate in his analysis of the election returns. Like our page at Facebook/PatriotRadioUS and listen in each Tuesday and Thursday at 4:00 PST with a replay at 9:00 PST on any of these great stations! 106.5 FM Spokane101.3 FM Tri-Cities/Walla Walla93.9 FM Moses Lake106.1 FM Moses Lake96.1 FM Yakima96.5 FM Spokane/CdA97.7 FM Spokane/CdA810 AM Wenatchee/Moses Lake930 AM Yakima630 AM Spokane1050 AM Spokane and Far Beyond

It's a Special "Coach's Chatter" Edition of The High School Holla Sports Show We talk with Jim Tracy and Matt Monroe of The Illinois Basketball Coaches Association (IBCA) about the IBCA's efforts throughout this pandemic to advocate for Coaches and Student-Athletes across the State of Illinois to safely return to play High School Basketball. We also get an update on The Basketball Museum of Illinois and how you can help support in keeping the rich tradition and history of Illinois Basketball alive.

This is a special extra episode of the podcast, not one of the "proper" five hundred. A book I've written, on the TV series The Strange World of Gurney Slade, has just become available for pre-order from Obverse Books, so to publicise that I've done an extra episode, on the pop music career of its star, Anthony Newley. The next normal episode will be up in a day or two. Transcript below the cut.  Erratum: In a previous version of this episode, I mentioned, in passing, my understanding that Newley was an alcoholic. This has been strongly questioned by some fans, who took offence at the suggestion, and as it was utterly irrelevant to the point I was making I have deleted those three words rather than cause further offence.   ----more---- Welcome to a special bonus episode of A History of Rock Music in 500 Songs. This is not this week's normal episode, which will be up in a couple of days, and nor is it the Patreon bonus episode, which will also be up as normal. This is an extra, full-length episode, on a song which didn't make the list of songs I'm covering. But this week, a book I've written has gone on pre-order, and it'll be out on the first of September. That book is on The Strange World of Gurney Slade, a TV show from the very early 1960s. And the star of that show, Anthony Newley, also had a very successful music career in the late fifties and early sixties -- and a career which had a real influence on many people who will be seen in future episodes. So, in order to promote my book, I'm going to talk today about some of Newley's music. If you're not interested in anything that isn't part of my "official" five hundred songs, then you can skip this episode, but I promise that other than a brief mention at the end, this is not going to be an advert for my book, but just another episode, about the music career of one of Britain's most interesting stars of the pre-Beatles era. So let's look at "Strawberry Fair" by Anthony Newley: [Excerpt: Anthony Newley, "Strawberry Fair"] Anthony Newley was someone whose career only came about by what would seem at first to be bad luck. Newley was a child in London during the Blitz, the son of an unmarried mother, which had a great deal of stigma to it in those days. When the Blitz hit, he was evacuated, and felt abandoned by his mother. That sense of abandonment increased when his mother married her new boyfriend and moved to Scotland. And then Newley was moved into a second foster home, this one in Morecambe, Lancashire. His foster father during the war was one George Pescud, a music hall performer about whom I can discover nothing else, except that he instilled in Newley a great love of the theatre and of the arts, and that as a result of this Newley started writing music, painting, writing, and, especially, acting. When the war ended, Newley was fourteen, and didn't go back to live with his mother and her new husband, choosing instead to move to London and start living an artistic life. He saw an advert in the paper for the Italia Conti stage school, and tried to become a student there. When he found out that he couldn't afford the fees, he found another way in -- he got a job there as an office boy, and his tuition was included in his wages. While there, he became friends with another student, Petula Clark, who would herself go on to stardom with records like “Downtown”. [Excerpt: Petula Clark, "Downtown"] Clark also encouraged him to start singing -- something that would definitely pay off for him later. Apparently, Clark had a crush on Newley, but he wasn't interested in her. While at the school, Newley got cast in a couple of roles in low-budget films, which brought him to the attention of David Lean, who was directing his film adaptation of Oliver Twist, and cast Newley in the role of the Artful Dodger. The film, which featured Alec Guinness, became one of the classics of British cinema, and also starred Diana Dors, with whom Newley started an affair, and who managed to get him a job as a bit player for the Rank Organisation. For the next few years, Newley had small roles in films, started a double act with the comedy writer Dick Vosburgh, had a brief spell in the army (very brief -- he was discharged because of his mental health problems), spent a couple of years in rep, shared a flat with Christopher Lee and appeared in a Hammer Horror film -- the usual things that low-level actors do as they slowly work their way up to stardom. His most notable appearance was in the West End revue Cranks, which opened in late 1955. A revue, for those who don't know, is a theatrical show that usually mixes comedy sketches and songs (though the term was, confusingly for our purposes, sometimes also used for a bill with several different musical acts). These were very popular in the fifties and sixties, and Cranks was one of the most popular. After its West End run it transferred to Broadway, and Newley was one of the cast members who appeared on the Ed Sullivan Show to promote it, though the Broadway run of the show was not a success like the British one was. It was in Cranks that Newley's singing first came to public attention: [Excerpt: Anthony Newley, "Cold Comfort"] Newley was starting to get substantial film roles, and it was with the film Idol on Parade that Newley became a star, and became drawn into the world of pop music. In that film, the first film written by the prominent British screenwriter John Antrobus, he played a pop star who was drafted into the British army, as all young men were in Britain in the fifties. The film is usually said to have been inspired by Elvis Presley having been called up, though it was likely that it was also influenced by Terry Dene, a British rock and roll star who had recently been drafted, before having a breakdown and being discharged due to ill health, and who had recorded songs like “Candy Floss”: [Excerpt: Terry Dene, "Candy Floss"] Dene's story must have struck a chord with Newley, who'd had a very similar Army experience, though you couldn't tell that from the film, which was a typical low-budget British comedy. As Newley was playing a pop singer, obviously he had to sing some songs in the film, and so he recorded five songs, one of which, “I've Waited So Long”, was released as a single and went to number three in the charts: [Excerpt: Anthony Newley, "I've Waited So Long"] Somehow, despite Newley being an actor -- and someone who despised a lot of rock and roll music -- he had become a pop star. He won the Variety Club of Great Britain Award for Most Promising Newcomer of 1959, even though he'd been making films since 1946. "I've Waited So Long" was co-written by Jerry Lordan, who wrote "Apache", and Len Praverman, but two of the other songs in the film were written by Newley and Joe 'Mr. Piano' Henderson, and this would soon set Newley on the way to a career as a songwriter -- indeed, as the most important singer-songwriter in pre-Beatles British pop music. He had seven UK top ten hits, two of them number ones, in the years from 1959 through 61, and he had a few more minor hits after that. Most of those hits were either cover versions of American hits like Lloyd Price's "Personality", or were written for him by people like Lionel Bart. One odd example shows where he would go as a music-maker, though. "Strawberry Fair" is a traditional folk song, which was collected, and presumably bowdlerised, by the Rev. Sabine Baring-Gould -- the lyrics, about a young woman offering a young man the chance to pluck the cherries from her basket, read as innuendo, and Baring-Gould, who wrote "Onward Christian Soldiers", was well known for toning down the lyrics of the folk songs he collected. Newley rewrote the lyrics under the pseudonym "Nollie Clapton": [Excerpt: Anthony Newley, "Strawberry Fair"] But Newley was someone who wanted to do *everything*, and did so very well. While he was a pop star, he starred in his own series of TV specials, and then in his own sitcom, The Strange World of Gurney Slade. He starred in the classic British noir film The Small World of Sammy Lee. And he recorded a satirical album with his second wife, Joan Collins, and Peter Sellers, mocking the Government over the Profumo sex scandal: [Excerpt: Fool Britannia, "Twelve Randy Men"] That album went top ten, and was co-written by Newley and Leslie Bricusse. Bricusse would go on to collaborate with Newley in writing a series of songs, mostly for musicals, that everyone knows, though many don't realise that Newley was involved in them. Newley mostly wrote the music, while Bricusse mostly wrote lyrics, though both did both. Their first major collaboration was on the play Stop The World, I Want To Get Off!, a semi-autobiographical starring vehicle for Newley, which displayed the life of a selfish womaniser called Littlechap, who would regularly stop the action of the play to monologue at the audience in much the same way as Newley's TV character Gurney Slade. Much of Newley's work seems to be trying to be three different things at the same time -- he seems to want to write self-flagellating autobiography about his own selfish and sometimes misogynistic behaviour -- this is a man who would later write a song called "Oh What a Son of a Bitch I Am", and mean it -- while also wanting to create work that is formally extraordinary and involves a lot of metafictional and postmodern elements -- *and* at the same time wanting to make all-round family entertainment. For a while, at least, he managed to juggle all three aspects very successfully, and Stop The World, I Want to Get Off! became a massive hit on stage, and was adapted for the cinema once and TV twice. Stop The World introduced two songs that would become standards. "What Kind of Fool Am I?" became a big hit for Sammy Davis Jr, and won the Grammy for "Song of the Year" at the 1963 Grammy Awards: [Excerpt: Sammy Davis Jr., "What Kind of Fool Am I?"] Davis also recorded another song from that show, "Gonna Build a Mountain", as the B-side, and that too became a standard, recorded by everyone from Matt Monroe to the Monkees: [Excerpt: The Monkees, "Gonna Build a Mountain"] Newley and Bricusse followed that up with another musical, The Roar of the Greasepaint, The Smell of the Crowd, which again introduced a whole host of famous songs. "Who Can I Turn To?" was the big hit at the time, for Tony Bennett, and has since been performed by everyone from Miles Davis to Barbra Streisand, Dusty Springfield to the Temptations: [Excerpt: Temptations, "Who Can I Turn To?"] But the song from that musical that is now best known is almost certainly "Feeling Good", which you've almost certainly heard in Nina Simone's staggering version: [Excerpt: Nina Simone, "Feeling Good"] They also wrote the theme to "Goldfinger", with John Barry: [Excerpt: Shirley Bassey, "Goldfinger"] That song was one that Bricusse would use in interviews to demonstrate the almost telepathic rapport that he and Newley had – when Barry played them the beginning of the melody, they both instantly sang, without looking at each other, “wider than a mile”. Barry was unimpressed, and luckily for all concerned the rest of the melody wasn't that similar to “Moon River”, and the song became arguably the definitive Bond theme. But at the same time that Newley was having this kind of popular success, he was also doing oddities like "Moogies Bloogies", a song in which Newley sings about voyeuristically watching women, while Delia Derbyshire backs him with experimental electronic music: [Excerpt: Delia Derbyshire and Anthony Newley, "Moogies Bloogies"] That was recorded in 1966, though it wasn't released until much later. Newley's career was a bizarre one by almost every measure. Possibly the highlight, at least in some senses, was his 1969 film Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness? [Excerpt: "Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness?" trailer] On one level, that film is a terrible sex comedy of the kind that the British film industry produced far too much of in the late sixties and seventies, featuring people like Bruce Forsyth and with characters named Hieronymus Merkin, Filligree Fondle, and Polyester Poontang. On the other hand, it's a work of postmodern self-commenting autobiography, with Newley co-writing the script, starring as multiple characters, directing, producing, and writing the music. Roger Ebert said it was the first English-language film to attempt the same things that Fellini and Godard had been attempting, which is not something you'd normally expect of a musical featuring Milton Berle and Joan Collins. The film has at least four different layers of reality to it, including a film within a film within the film, and it features Newley regularly stepping out of character to talk about the problems with the film. It's a film of his midlife crisis, basically, but where Ebert compares it to Fellini and Godard, I'd say it's closer to Head, 200 Motels, or other similarly indulgent rock films of the era, and it deals with a lot of the same concerns -- God and the Devil, sexual freedom, and the nature of film as a narrative medium. All of Newley's career was like that -- a mixture of lowbrow light entertainment and attempts at postmodernist art, both treated by Newley as of equal value, but each being offputting to an audience that might have enjoyed the other. If you want songs and pretty women and dirty jokes, you probably don't want metafictional conversations between the main character of the film and the director, both of whom are the same person. If you want a film that Roger Ebert will compare to Fellini, you probably don't want it to be a musical including a song that starts out as a fairy-tale about a lonely princess named Trampolena Whambang, and ends up with the princess having sex with a donkey: [Excerpt: Heironymus Merkin soundtrack, "Princess Trampolena"] The film also was one of the things that led to Newley's breakup with Collins -- she decided that she didn't like the aspects of his character, and his attitudes towards women, the film revealed -- though Newley claimed until his dying day that while the film was inspired by his own life, it wasn't directly autobiographical. Given that the film's main character, in one sequence, talks about his attraction to underage girls, that's probably for the best. (And Newley did have a deplorable attitude to women generally -- I'm not going into it in detail here, because this podcast is about the work, not the person, but Newley was a thoroughly unpleasant person in many respects.) Hieronymus Merkin was a massive flop, though the critical response to it was far kinder than its reputation suggests. Unfortunately, Joan Collins so detests the film that it's never been available on DVD in the UK, and only sporadically elsewhere -- DVD copies on Amazon currently go for around three hundred pounds. That was, largely, the end of Anthony Newley's career as an auteur. It wasn't, though, the end of his career in songwriting. With Leslie Bricusse he wrote the songs that made up the soundtrack of Willie Wonka and the Chocolate Factory -- songs like "Pure Imagination": [Excerpt: Gene Wilder, "Pure Imagination"] That film also featured "The Candy Man", which became a number one hit in a cover version by Sammy Davis Jr: [Excerpt: Sammy Davis Jr, "The Candy Man"] After that, though, Newley didn't have much more success as a songwriter, but by this point his biggest influence on rock and roll music was already very apparent. David Bowie once said "I never thought I could sing very well, and I used to try on people's voices if they appealed to me. When I was a kid, about fifteen, sixteen, I got into Anthony Newley like crazy, because a couple of things about him -- one, before he came to the States and did the whole Las Vegas thing, he really did bizarre things over here. Now, a television series he did, called the Strange World of Gurney Slade, which was so odd, and off the wall, and I thought, 'I like what this guy's doing, where he's going is really interesting'. And so I started singing songs like him... and so I was writing these really weird Tony Newley type songs, but the lyrics were about, like, lesbians in the army, and cannibals, and paedophiles" If you listen to Bowie's earliest work, it's very, very apparent how much he took from Newley's vocal style in particular: [Excerpt: David Bowie, "Rubber Band"] There is a whole vein of British music that usually gets called "music hall" when bad critics talk about it, even though it owes nothing to the music that was actually performed in actual music halls. But what it does owe a great deal to is the work of Anthony Newley. One can draw a direct line from him through Davy Jones of the Monkees, Bowie, Syd Barrett, Ray Davies, Ian Dury, Blur... even a performer like John Lydon, someone who would seem worlds away from Newley's showbiz sheen, has far more of his influence in his vocal inflections than most would acknowledge. Every time you hear a singer referred to as "quintessentially British", you're probably hearing someone who is either imitating Newley, or imitating someone who was imitating Newley. Newley is one of the most frustrating figures in the history of popular culture. He was someone who had so much natural talent as an actor, singer, songwriter, and playwright, and so many different ideas, that he didn't work hard enough at any of those things to become as great as he could have been -- there are odd moments of genius scattered throughout his work, but very little one can point to and say "that is a work worthy of his talents". His mental and emotional problems caused damage to him and to the people around him, and he spent much of the last half of his career making a living from appearing in Las Vegas and as a regular on Hollywood Squares, and appearing in roles in things like The Garbage Pail Kids Movie -- his last starring role in the cinema. He attempted a comeback in the nineties, appearing with his ex-wife Joan Collins in two Noel Coward adaptations on TV, taking the lead role in the hit musical Scrooge, written by his old partner Bricusse, and getting a regular role in East Enders (one of the two most popular soap operas on British TV), but unfortunately he had to quit the East Enders role as he was diagnosed with the cancer that killed him in 1999, aged sixty-seven. Anyway, if this episode has piqued your interest in Newley, you might want to check out my book on The Strange World of Gurney Slade, which is a TV show that has almost all the best aspects of Newley's work, and which deserves to be regarded as one of the great masterpieces of TV, a series that is equal parts Hancock's Half Hour, The Prisoner, and Waiting for Godot. You can order the book from Obverse Books, at obversebooks.co.uk, and I'll provide a link in the show notes. While you're there, check out some of the other books Obverse have put out -- they've published two more of my books and a couple of my short stories, and many of their writers are both friends of mine and some of the best writers around. I'll be back in a couple of days with the next proper episode.

This is a special extra episode of the podcast, not one of the “proper” five hundred. A book I’ve written, on the TV series The Strange World of Gurney Slade, has just become available for pre-order from Obverse Books, so to publicise that I’ve done an extra episode, on the pop music career of its star, Anthony Newley. The next normal episode will be up in a day or two. Transcript below the cut.  Erratum: In a previous version of this episode, I mentioned, in passing, my understanding that Newley was an alcoholic. This has been strongly questioned by some fans, who took offence at the suggestion, and as it was utterly irrelevant to the point I was making I have deleted those three words rather than cause further offence.   —-more—- Welcome to a special bonus episode of A History of Rock Music in 500 Songs. This is not this week’s normal episode, which will be up in a couple of days, and nor is it the Patreon bonus episode, which will also be up as normal. This is an extra, full-length episode, on a song which didn’t make the list of songs I’m covering. But this week, a book I’ve written has gone on pre-order, and it’ll be out on the first of September. That book is on The Strange World of Gurney Slade, a TV show from the very early 1960s. And the star of that show, Anthony Newley, also had a very successful music career in the late fifties and early sixties — and a career which had a real influence on many people who will be seen in future episodes. So, in order to promote my book, I’m going to talk today about some of Newley’s music. If you’re not interested in anything that isn’t part of my “official” five hundred songs, then you can skip this episode, but I promise that other than a brief mention at the end, this is not going to be an advert for my book, but just another episode, about the music career of one of Britain’s most interesting stars of the pre-Beatles era. So let’s look at “Strawberry Fair” by Anthony Newley: [Excerpt: Anthony Newley, “Strawberry Fair”] Anthony Newley was someone whose career only came about by what would seem at first to be bad luck. Newley was a child in London during the Blitz, the son of an unmarried mother, which had a great deal of stigma to it in those days. When the Blitz hit, he was evacuated, and felt abandoned by his mother. That sense of abandonment increased when his mother married her new boyfriend and moved to Scotland. And then Newley was moved into a second foster home, this one in Morecambe, Lancashire. His foster father during the war was one George Pescud, a music hall performer about whom I can discover nothing else, except that he instilled in Newley a great love of the theatre and of the arts, and that as a result of this Newley started writing music, painting, writing, and, especially, acting. When the war ended, Newley was fourteen, and didn’t go back to live with his mother and her new husband, choosing instead to move to London and start living an artistic life. He saw an advert in the paper for the Italia Conti stage school, and tried to become a student there. When he found out that he couldn’t afford the fees, he found another way in — he got a job there as an office boy, and his tuition was included in his wages. While there, he became friends with another student, Petula Clark, who would herself go on to stardom with records like “Downtown”. [Excerpt: Petula Clark, “Downtown”] Clark also encouraged him to start singing — something that would definitely pay off for him later. Apparently, Clark had a crush on Newley, but he wasn’t interested in her. While at the school, Newley got cast in a couple of roles in low-budget films, which brought him to the attention of David Lean, who was directing his film adaptation of Oliver Twist, and cast Newley in the role of the Artful Dodger. The film, which featured Alec Guinness, became one of the classics of British cinema, and also starred Diana Dors, with whom Newley started an affair, and who managed to get him a job as a bit player for the Rank Organisation. For the next few years, Newley had small roles in films, started a double act with the comedy writer Dick Vosburgh, had a brief spell in the army (very brief — he was discharged because of his mental health problems), spent a couple of years in rep, shared a flat with Christopher Lee and appeared in a Hammer Horror film — the usual things that low-level actors do as they slowly work their way up to stardom. His most notable appearance was in the West End revue Cranks, which opened in late 1955. A revue, for those who don’t know, is a theatrical show that usually mixes comedy sketches and songs (though the term was, confusingly for our purposes, sometimes also used for a bill with several different musical acts). These were very popular in the fifties and sixties, and Cranks was one of the most popular. After its West End run it transferred to Broadway, and Newley was one of the cast members who appeared on the Ed Sullivan Show to promote it, though the Broadway run of the show was not a success like the British one was. It was in Cranks that Newley’s singing first came to public attention: [Excerpt: Anthony Newley, “Cold Comfort”] Newley was starting to get substantial film roles, and it was with the film Idol on Parade that Newley became a star, and became drawn into the world of pop music. In that film, the first film written by the prominent British screenwriter John Antrobus, he played a pop star who was drafted into the British army, as all young men were in Britain in the fifties. The film is usually said to have been inspired by Elvis Presley having been called up, though it was likely that it was also influenced by Terry Dene, a British rock and roll star who had recently been drafted, before having a breakdown and being discharged due to ill health, and who had recorded songs like “Candy Floss”: [Excerpt: Terry Dene, “Candy Floss”] Dene’s story must have struck a chord with Newley, who’d had a very similar Army experience, though you couldn’t tell that from the film, which was a typical low-budget British comedy. As Newley was playing a pop singer, obviously he had to sing some songs in the film, and so he recorded five songs, one of which, “I’ve Waited So Long”, was released as a single and went to number three in the charts: [Excerpt: Anthony Newley, “I’ve Waited So Long”] Somehow, despite Newley being an actor — and someone who despised a lot of rock and roll music — he had become a pop star. He won the Variety Club of Great Britain Award for Most Promising Newcomer of 1959, even though he’d been making films since 1946. “I’ve Waited So Long” was co-written by Jerry Lordan, who wrote “Apache”, and Len Praverman, but two of the other songs in the film were written by Newley and Joe ‘Mr. Piano’ Henderson, and this would soon set Newley on the way to a career as a songwriter — indeed, as the most important singer-songwriter in pre-Beatles British pop music. He had seven UK top ten hits, two of them number ones, in the years from 1959 through 61, and he had a few more minor hits after that. Most of those hits were either cover versions of American hits like Lloyd Price’s “Personality”, or were written for him by people like Lionel Bart. One odd example shows where he would go as a music-maker, though. “Strawberry Fair” is a traditional folk song, which was collected, and presumably bowdlerised, by the Rev. Sabine Baring-Gould — the lyrics, about a young woman offering a young man the chance to pluck the cherries from her basket, read as innuendo, and Baring-Gould, who wrote “Onward Christian Soldiers”, was well known for toning down the lyrics of the folk songs he collected. Newley rewrote the lyrics under the pseudonym “Nollie Clapton”: [Excerpt: Anthony Newley, “Strawberry Fair”] But Newley was someone who wanted to do *everything*, and did so very well. While he was a pop star, he starred in his own series of TV specials, and then in his own sitcom, The Strange World of Gurney Slade. He starred in the classic British noir film The Small World of Sammy Lee. And he recorded a satirical album with his second wife, Joan Collins, and Peter Sellers, mocking the Government over the Profumo sex scandal: [Excerpt: Fool Britannia, “Twelve Randy Men”] That album went top ten, and was co-written by Newley and Leslie Bricusse. Bricusse would go on to collaborate with Newley in writing a series of songs, mostly for musicals, that everyone knows, though many don’t realise that Newley was involved in them. Newley mostly wrote the music, while Bricusse mostly wrote lyrics, though both did both. Their first major collaboration was on the play Stop The World, I Want To Get Off!, a semi-autobiographical starring vehicle for Newley, which displayed the life of a selfish womaniser called Littlechap, who would regularly stop the action of the play to monologue at the audience in much the same way as Newley’s TV character Gurney Slade. Much of Newley’s work seems to be trying to be three different things at the same time — he seems to want to write self-flagellating autobiography about his own selfish and sometimes misogynistic behaviour — this is a man who would later write a song called “Oh What a Son of a Bitch I Am”, and mean it — while also wanting to create work that is formally extraordinary and involves a lot of metafictional and postmodern elements — *and* at the same time wanting to make all-round family entertainment. For a while, at least, he managed to juggle all three aspects very successfully, and Stop The World, I Want to Get Off! became a massive hit on stage, and was adapted for the cinema once and TV twice. Stop The World introduced two songs that would become standards. “What Kind of Fool Am I?” became a big hit for Sammy Davis Jr, and won the Grammy for “Song of the Year” at the 1963 Grammy Awards: [Excerpt: Sammy Davis Jr., “What Kind of Fool Am I?”] Davis also recorded another song from that show, “Gonna Build a Mountain”, as the B-side, and that too became a standard, recorded by everyone from Matt Monroe to the Monkees: [Excerpt: The Monkees, “Gonna Build a Mountain”] Newley and Bricusse followed that up with another musical, The Roar of the Greasepaint, The Smell of the Crowd, which again introduced a whole host of famous songs. “Who Can I Turn To?” was the big hit at the time, for Tony Bennett, and has since been performed by everyone from Miles Davis to Barbra Streisand, Dusty Springfield to the Temptations: [Excerpt: Temptations, “Who Can I Turn To?”] But the song from that musical that is now best known is almost certainly “Feeling Good”, which you’ve almost certainly heard in Nina Simone’s staggering version: [Excerpt: Nina Simone, “Feeling Good”] They also wrote the theme to “Goldfinger”, with John Barry: [Excerpt: Shirley Bassey, “Goldfinger”] That song was one that Bricusse would use in interviews to demonstrate the almost telepathic rapport that he and Newley had – when Barry played them the beginning of the melody, they both instantly sang, without looking at each other, “wider than a mile”. Barry was unimpressed, and luckily for all concerned the rest of the melody wasn’t that similar to “Moon River”, and the song became arguably the definitive Bond theme. But at the same time that Newley was having this kind of popular success, he was also doing oddities like “Moogies Bloogies”, a song in which Newley sings about voyeuristically watching women, while Delia Derbyshire backs him with experimental electronic music: [Excerpt: Delia Derbyshire and Anthony Newley, “Moogies Bloogies”] That was recorded in 1966, though it wasn’t released until much later. Newley’s career was a bizarre one by almost every measure. Possibly the highlight, at least in some senses, was his 1969 film Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness? [Excerpt: “Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness?” trailer] On one level, that film is a terrible sex comedy of the kind that the British film industry produced far too much of in the late sixties and seventies, featuring people like Bruce Forsyth and with characters named Hieronymus Merkin, Filligree Fondle, and Polyester Poontang. On the other hand, it’s a work of postmodern self-commenting autobiography, with Newley co-writing the script, starring as multiple characters, directing, producing, and writing the music. Roger Ebert said it was the first English-language film to attempt the same things that Fellini and Godard had been attempting, which is not something you’d normally expect of a musical featuring Milton Berle and Joan Collins. The film has at least four different layers of reality to it, including a film within a film within the film, and it features Newley regularly stepping out of character to talk about the problems with the film. It’s a film of his midlife crisis, basically, but where Ebert compares it to Fellini and Godard, I’d say it’s closer to Head, 200 Motels, or other similarly indulgent rock films of the era, and it deals with a lot of the same concerns — God and the Devil, sexual freedom, and the nature of film as a narrative medium. All of Newley’s career was like that — a mixture of lowbrow light entertainment and attempts at postmodernist art, both treated by Newley as of equal value, but each being offputting to an audience that might have enjoyed the other. If you want songs and pretty women and dirty jokes, you probably don’t want metafictional conversations between the main character of the film and the director, both of whom are the same person. If you want a film that Roger Ebert will compare to Fellini, you probably don’t want it to be a musical including a song that starts out as a fairy-tale about a lonely princess named Trampolena Whambang, and ends up with the princess having sex with a donkey: [Excerpt: Heironymus Merkin soundtrack, “Princess Trampolena”] The film also was one of the things that led to Newley’s breakup with Collins — she decided that she didn’t like the aspects of his character, and his attitudes towards women, the film revealed — though Newley claimed until his dying day that while the film was inspired by his own life, it wasn’t directly autobiographical. Given that the film’s main character, in one sequence, talks about his attraction to underage girls, that’s probably for the best. (And Newley did have a deplorable attitude to women generally — I’m not going into it in detail here, because this podcast is about the work, not the person, but Newley was a thoroughly unpleasant person in many respects.) Hieronymus Merkin was a massive flop, though the critical response to it was far kinder than its reputation suggests. Unfortunately, Joan Collins so detests the film that it’s never been available on DVD in the UK, and only sporadically elsewhere — DVD copies on Amazon currently go for around three hundred pounds. That was, largely, the end of Anthony Newley’s career as an auteur. It wasn’t, though, the end of his career in songwriting. With Leslie Bricusse he wrote the songs that made up the soundtrack of Willie Wonka and the Chocolate Factory — songs like “Pure Imagination”: [Excerpt: Gene Wilder, “Pure Imagination”] That film also featured “The Candy Man”, which became a number one hit in a cover version by Sammy Davis Jr: [Excerpt: Sammy Davis Jr, “The Candy Man”] After that, though, Newley didn’t have much more success as a songwriter, but by this point his biggest influence on rock and roll music was already very apparent. David Bowie once said “I never thought I could sing very well, and I used to try on people’s voices if they appealed to me. When I was a kid, about fifteen, sixteen, I got into Anthony Newley like crazy, because a couple of things about him — one, before he came to the States and did the whole Las Vegas thing, he really did bizarre things over here. Now, a television series he did, called the Strange World of Gurney Slade, which was so odd, and off the wall, and I thought, ‘I like what this guy’s doing, where he’s going is really interesting’. And so I started singing songs like him… and so I was writing these really weird Tony Newley type songs, but the lyrics were about, like, lesbians in the army, and cannibals, and paedophiles” If you listen to Bowie’s earliest work, it’s very, very apparent how much he took from Newley’s vocal style in particular: [Excerpt: David Bowie, “Rubber Band”] There is a whole vein of British music that usually gets called “music hall” when bad critics talk about it, even though it owes nothing to the music that was actually performed in actual music halls. But what it does owe a great deal to is the work of Anthony Newley. One can draw a direct line from him through Davy Jones of the Monkees, Bowie, Syd Barrett, Ray Davies, Ian Dury, Blur… even a performer like John Lydon, someone who would seem worlds away from Newley’s showbiz sheen, has far more of his influence in his vocal inflections than most would acknowledge. Every time you hear a singer referred to as “quintessentially British”, you’re probably hearing someone who is either imitating Newley, or imitating someone who was imitating Newley. Newley is one of the most frustrating figures in the history of popular culture. He was someone who had so much natural talent as an actor, singer, songwriter, and playwright, and so many different ideas, that he didn’t work hard enough at any of those things to become as great as he could have been — there are odd moments of genius scattered throughout his work, but very little one can point to and say “that is a work worthy of his talents”. His mental and emotional problems caused damage to him and to the people around him, and he spent much of the last half of his career making a living from appearing in Las Vegas and as a regular on Hollywood Squares, and appearing in roles in things like The Garbage Pail Kids Movie — his last starring role in the cinema. He attempted a comeback in the nineties, appearing with his ex-wife Joan Collins in two Noel Coward adaptations on TV, taking the lead role in the hit musical Scrooge, written by his old partner Bricusse, and getting a regular role in East Enders (one of the two most popular soap operas on British TV), but unfortunately he had to quit the East Enders role as he was diagnosed with the cancer that killed him in 1999, aged sixty-seven. Anyway, if this episode has piqued your interest in Newley, you might want to check out my book on The Strange World of Gurney Slade, which is a TV show that has almost all the best aspects of Newley’s work, and which deserves to be regarded as one of the great masterpieces of TV, a series that is equal parts Hancock’s Half Hour, The Prisoner, and Waiting for Godot. You can order the book from Obverse Books, at obversebooks.co.uk, and I’ll provide a link in the show notes. While you’re there, check out some of the other books Obverse have put out — they’ve published two more of my books and a couple of my short stories, and many of their writers are both friends of mine and some of the best writers around. I’ll be back in a couple of days with the next proper episode.

Alex and Matt stopped by for a little bit to sit down with Melissa and me to go over what makes them car folks and how their love of cars helped bring them together. Alex actually said that she knew she liked Matt more when she saw he also drove a 80s Dodge truck!! #cargirl --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/narxolepticcustoms/support

32 songs from some of the best male artists, brought to you by Dj Lindsay. Playlist: 1. Just a gigolo - Luis Prima, 2. My way - Matt Monroe, 3. Leave right now - Will Young, 4. Cheek to cheek - Fred Astaire, 5. Cowboys and angels - George Michael, 6. Mack the knife - Bobby Darin, 7. Smoke gets into your eyes - The Platters, 8. And I love you so - Perry Como, 9. Bad day - Daniel Powter, 10. She will be loved - Maroon 5, 11. Only you - The Platters, 12. If you’re not the one - Daniel Bedingfield, 13. Love letters in the sand - Pat Boone, 14. Strangers in the night - Matt Monroe, 15. Wives and lovers - Jack Jones, 16. You’re beautiful - James Blunt, 17. Too close for comfort - Mel Torme, 18. Unforgettable - Nat King Cole, 19. You are my destiny - Paul Anka, 20. Cry me a river - Justin Timberlake, 21. You rascal you - Louis Armstrong and Louis Jordan, 22. I just want to make love to you - Etta James, 23. It’s not unusual - Tom Jones, 24. After the lovin’ - Engelbert Humperdink, 25. Hero - Enrique Iglesias, 26. Angels - Robbie Williams, 27. Can’t help falling in love - Andy Williams, 28. L-O-V-E - Nat King Cole, 29. Somethin’ stupid - Robbie Williams and Nicole Kidman, 30. In the chapel in the moonlight - Dean Martin, 31. In the cool cool cool of the evening - Bing Crosby and Fred Astaire, 32. Volare - Dean Martin.

Matt Monroe and Shane Priestley joined Dan and Sarah live at The Mint in Victoria BC to talk about the beach, exotic pets, and a whole bunch of weird stuff Shane wrote in his journal.Follow us on social media@hatelockerpod@comedyhereoften See acast.com/privacy for privacy and opt-out information.

Matt Monroe and Shane Priestley joined Dan and Sarah live at The Mint in Victoria BC to talk about the beach, exotic pets, and a whole bunch of weird stuff Shane wrote in his journal.Follow us on social media@hatelockerpod@comedyhereoften Hosted on Acast. See acast.com/privacy for more information.

We discuss the benefits of working with (and for) Oreilly Auto Parts. Plus his car hobby, the plans for the CrapDuster - his 71 Duster that is getting a Gen3 Hemi, Terminator X plug and play, 9” Ford rear axle! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/narxolepticcustoms/support

Matt Monroe joins us as the host for this unique episode where he interviews Srini Rao to get a behind-the-scenes look at the Architects of Reality conference in Nashville, April 2020. It's an unrepeatable event that the Unmistakable Creative team have meticulously put together which will show you how to change the way that you experience the world, and in that process, change your life.Go to www.TheArchitectsofReality.com to get your ticket today.Matt Monroe joins us as the host for this unique episode where he interviews Srini Rao to get a behind-the-scenes look at the Architects of Reality conference in Nashville, April 2020. It's an unrepeatable event that the Unmistakable Creative team have meticulously put together which will show you how to change the way that you experience the world, and in that process, change your life.Go to www.TheArchitectsofReality.com to get your ticket today. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/the-unmistakable-creative-podcast.

Matt Monroe joins us as the host for this unique episode where he interviews Srini Rao to get a behind-the-scenes look at the Architects of Reality conference in Nashville, April 2020. It’s an unrepeatable event that the Unmistakable Creative team have meticulously put together which will show you how to change the way that you experience the world, and in that process, change your life. Go to www.TheArchitectsofReality.com to get your ticket today. Matt Monroe joins us as the host for this unique episode where he interviews Srini Rao to get a behind-the-scenes look at the Architects of Reality conference in Nashville, April 2020. It’s an unrepeatable event that the Unmistakable Creative team have meticulously put together which will show you how to change the way that you experience the world, and in that process, change your life. Go to www.TheArchitectsofReality.com to get your ticket today. See acast.com/privacy for privacy and opt-out information.

Comedian Matt Monroe (@heymonroe) joins Andy and Matt to discuss retirement community shows, Sandler on Netflix, the Salton Sea, the toilet water scale, Terence Howard science, lizard womb babies, lady rabbit orgasms, Sarah Morgan's web series, a tooth bird fossil, Matt Monro and Born Free.

In her first episode as co-host, Dan's sister Sarah teaches us whats wrong with being home schooled, Dan challenges humanity to find a better word for "horny" and comedian Matt Monroe is back to tell us he won't stand for anything. See acast.com/privacy for privacy and opt-out information.

In her first episode as co-host, Dan's sister Sarah teaches us whats wrong with being home schooled, Dan challenges humanity to find a better word for "horny" and comedian Matt Monroe is back to tell us he won't stand for anything. Hosted on Acast. See acast.com/privacy for more information.

For the 6th episode of Private Parts Unknown, comedian/engineer Matt Monroe (@heymonroe) joins your hosts Courtney Kocak & Sofiya Alexandra. He tells the story behind his recent social media post that began “And now, an abortion story... “ followed by his personal experience after he got a casual hookup pregnant at the age of 25. Matt made us realize how rare it is to see men we know speak publicly about their abortions. Busy Philipps started the viral hashtag #YouKnowMe and a flood of women shared their experiences. But obviously #YouKnowHim too. So we flipped the script & asked dudes to shout their abortions for this 3-part series. Many thanks to the five men who shared their nuanced stories with a humility & vulnerability so often missing from this hot button issue. People in Alabama, Georgia, Missouri, and Louisiana need our help. Please consider a donation to https://yellowhammerfund.org/, https://www.plannedparenthood.org/, https://abortionaccessfund.org/, or any other reputable organization engaged in this fight for reproductive justice. If you know someone who you think would benefit from hearing this, please share!

Today on the CGM Lounge podcast, we're talking about supply, demand and market elasticity. The Law of Demand states that when the price of a good rises, people buy less of it and when the price of a good falls, people buy more. But this isn't necessarily true for all things especially when other forces are at play. Dom speaks with Matt Monroe, a Real Estate Lawyer and founder of Monroe Law, about the forces driving the real estate market and potential displacement of low income residents as a result of gentrification and market rate housing in urban areas. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this short introductory episode, Matt Monroe, host of the "I Find It Interesting" podcast outlines the purpose of the show (i.e.: its focus on interesting people, places, and things) and highlights the sorts of guests who will be appearing on the pod: people who've had – or are having – a front row seat to the changes in our society and culture.  

Matt Monroe can't handle leaf blowers, Chelsea hates your bitmoji and Dan is done with adult Halloween. Find us on Social Media Dan Duvall: @lazerdoov Chelsea Lou: @chelsealou_who Matt Monroe: @heymonroe See acast.com/privacy for privacy and opt-out information.

Matt Monroe can't handle leaf blowers, Chelsea hates your bitmoji and Dan is done with adult Halloween. Find us on Social Media Dan Duvall: @lazerdoov Chelsea Lou: @chelsealou_who Matt Monroe: @heymonroe Hosted on Acast. See acast.com/privacy for more information.

Show 22, “Best of “45 RPM”, revisits 16 of Sam Waldron’s favorite recordings from the first 20 shows in the program. Performers include Glenn Miller, Mel Torme, The Skyliners, The Fleetwoods, Matt Monroe, Helen Forrest,... Read More The post Episode 22- Best of 45RPM appeared first on Sam Waldron.

BlazinRy Radio host Ryan Holmes welcomes Matt Monroe from Linebacker University, the only Linebacker Specific-Training Camp in the United States, located in Mooresville, North Carolina.

This month's Control Yourself: Recorded Live features Matt Monroe, Stephanie Patricio, Milan Patel, Julia Ramos, Todd Armstrong, Ken Hamlett, Kirsten Kuppenbender and a surprise drop-in set from Fred Armisen of Portlandia! Recorded Live at Alberta Street Pub Hosted by JoAnn Schinderle Podcast produced by Randall Lawrence

Cameron and Rhea talk exercise, buses and wordplay. Sets from Georgea Brooks, Andrew Michaan, Matt Monroe, Troy Walker and Andy Kindler.

Portland comic Matt Monroe joins the show to talk about his years of playing competitive laser tag, and lets us in on where Oregonians can go play a modern version of Ultra Zone today. He also tells the story of meeting his girlfriend, and talks about why we all need to catch up on Mr. Robot. Follow Matt on Twitter @heymonroe and go see his weekly showcase "You're Welcome" on Wednesday nights at Mississippi Pizza. Theme song: "Sleeper Hold," by Saintseneca (@saintseneca) http://www.saintseneca.com/

Hi friends, it's so good to have you back!  This week we've got a Co-Dogs We Met This Week featuring two dogs and a cat! We've got a fascinating Mutt Minute on the German Shepherd and it's unusual creator! We have our first ever Dog Intervention with Matt Monroe and his girlfriend Diana, where we help give Diana the courage to pet the dog she passes by every day. And of course, we've got the wonderful Briana Hansen and her Aussiepoo puppy, Bonnie! It's truly the most adorable thing to ever enter a recording studio.  Please, come in, help yourself to some snacks, and enjoy the show!

Welcome to episode 38 of Broadcast Geeks! On this podcast we discuss all things geek and nerd related with a focus on television and the big screen. If it's on Netflix, Amazon, CW, NBC, ABC, FOX, HBO, Playboy Network or any other of the broadcasts out there we'll find it. No job is too big, no fee is too big! Oh wait, we do this for free and because we love this stuff.  This week the Geeks took it to the streets of Denver to cover this year's High Plains Comedy Festival. We did two straight nights of interviews on S. Broadway and boy did we have a blast! No, seriously. One of us actually exploded, albeit it was their mind which is COMPLETELY legal in the state of Colorado. We talk Stranger Things, The Shannara Chronicles, The Get Down, Fantasy AND preseason football, phone games, classic literature, murder podcasts & a whole lot more! We also ask each of our guests to weigh in on our ongoing "recline or not to recline" debate. The votes have been cast and we can't wait to show you the current numbers. Friday Guests: Greg Baumhauer, Jake Browne, Chris Charpentier, Jim Hickox, Ian Karmel, Zac Maas, Adrian Mesa, Matt Monroe, William Montgomery, Miriam Moreno, Georgia Rae, David Rodriguez, Sam Tallent, Steve Vanderploeg, Jordan Wieleba & Mara Wiles. Before we get to the interviews we did have time to talk a little Flash and Arrow news and went over the week that was in geek culture headlines. Nate gives his thoughts on Suicide Squad as he was next in line to see it. The fall is almost here and we can't wait for the return of Supergirl, Agents of S.H.I.E.L.D., Legends of Tomorrow, Ash vs. The Evil Dead, Legion and so much more. We may need a second DVR. Enjoy part 1! As always make sure to visit GeekFuel.com/BCG to sign up for the BEST monthly subscription geek supply box on the web! You can send us your feedback and show topic ideas to broadcastgeeks@gmail.com and find us on Twitter @broadcastgeeks. Please remember to subscribe on iTunes and you can also listen anytime at sexpotcomedy.com

Who can you trust? Who can trust you? These are questions you must ask when you are a mole, and moles are the topic of the newest episode of Reboot, Reuse, Recycle! This episode is about Andrew Lau's 2002 crime film Infernal Affairs and its 2006 remake, Martin Scorsese's The Departed. To compare these two really good crime films we are joined by Portland/Denver comic Matt Monroe AND guest host Shane Hosea of the Hosea Hustle podcast. We also talk about the Fantastic 4 reboot, Leonardo Dicaprio, Mark Wahlberg, and a bunch of other stuff. So tap out some morse code and look out for rats as Reboot, Reuse, Recycle infiltrates Infernal Affairs(2002)/The Departed(2006).

Ladies & Gentlemen! This episode we have a comic that does it all. He runs some of the best showcases in Denver (Propaganda! and The Underground Presents), constantly is on the road, constantly in a festival, basically Matt Monroe is the real deal. Talkin Shop is not a comedy class! Creator/host Anthony Crawford finds the […] The post Talkin’ Shop Ep. 26: Matt Monroe appeared first on Sexpot Comedy.

Oh hey there y'all. This week on the podcast we're continuing the theme of having a cool Denver person momentarily come through Portland and then we talk for a couple hours and it's cool. That guy is Matt Monroe and It was great to have him on the show. We drove around in his car because it was 100 degrees that day. Enjoy it! MUSIC BY! "Shangri-La (instrumental)" by YACHT (http://www.teamyacht.com/), "The Royal Court" by Worlds Greatest Ghosts, and "I Don't Believe You" by The Thermals (http://www.thethermals.com/) and Why? (http://whywithaquestionmark.com/) ALSO! Regular People now has a sponsor, which is Fleet Hower! Fleet is a NYC based designer who specializes in 3D printing. If you check out his website fleethower.com you'll find the affectionate little creatures he's created called Lock-Nesters. They're basically 3D printed puzzles that when solved take the shape of bears, ducks, dinosaurs, and all matter or fun animal. If you see something you like put the code "FELTS" into the coupon field at checkout and you'll receive 10% off your purchase. What! That's crazy! Enjoy it!

Oh hey there y'all. This week on the podcast we're continuing the theme of having a cool Denver person momentarily come through Portland and then we talk for a couple hours and it's cool. That guy is Matt Monroe and It was great to have him on the show. We drove around in his car because it was 100 degrees that day. Enjoy it! MUSIC BY! "Shangri-La (instrumental)" by YACHT (http://www.teamyacht.com/), "The Royal Court" by Worlds Greatest Ghosts, and "I Don't Believe You" by The Thermals (http://www.thethermals.com/) and Why? (http://whywithaquestionmark.com/) ALSO! Regular People now has a sponsor, which is Fleet Hower! Fleet is a NYC based designer who specializes in 3D printing. If you check out his website fleethower.com you'll find the affectionate little creatures he's created called Lock-Nesters. They're basically 3D printed puzzles that when solved take the shape of bears, ducks, dinosaurs, and all matter or fun animal. If you see something you like put the code "FELTS" into the coupon field at checkout and you'll receive 10% off your purchase. What! That's crazy! Enjoy it!

Outstanding sets from Seth Herzog, Jamie Lee, Nato Green, Kristin Clifford, Matt Monroe, and your host Cameron Esposito.

8AM NEWS UPDATE, MATT MONROE, CELEB NEWS

In this weeks episode the crew of the radar are joined by our good friend Matt Monroe! to discuss the perils of ever visiting Engand, the waves of invisible mice that are all around you, ghost impersonaters and two headed mutant, freak-dolphins! (The freaky dolphins, not the band). The audio quality of this epsode is absolutely terrible because Jordan is bad at computers but we are putting it out anyway because it was tons of fun and we believe that the information contained herein is vital to the continued survival of the human race. Rest assured that Jordan is being punished accordingly with a full week in the terror-box. Enjoy the episode and we will see you each individually at the High Plains Comedy Festival this weekend (future listeners may disregard the previous, cryptic sentence.)

no tracklist available.

Matt Monroe, Jovan Belcher, Amature Porn Dilema