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26 episodes with me and bobby mcgee
2 episodes with me and bobby mcgee
2 episodes with me and bobby mcgee
2 episodes with me and bobby mcgee
There's nothing like the sound of Sunday Mornin' Comin' Down, and there's no voice that can sing it like the froggy croak of Kris Kristofferson, perhaps the smartest man in music! His eponymous debut album is full of character work and hit after hit of excellent storytelling. We'll discover how he abandoned his Rhodes scholar days and exploited his military pilot training to harass a superstar and break into the music biz! After churning out hits like Me And Bobby McGee and To Beat The Devil he even launched a lucrative acting career... The man doesn't Stop Stopperson! The Mixtaper delivers during his Kris-themed round of Fact Or Spin where we learn about wrestling refs, brutish rugby, and Kristory in the making. Even if you don't love his music, you'll want to listen to this episode just For The Good Times! Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro3:07 About Kris Kristofferson13:00 About Kristofferson (The Album)17:51 Awards & Accolades18:19 Fact Or Spin22:22 A Rugby Krisis26:02 Kristastrophe At The Grand Ol' Opry30:23 Kris-Krossing In The Ring35:41 Kristory In The Making41:06 Album Art42:44 Blame It On The Stones47:04 To Beat The Devil49:34 Me And Bobby McGee52:45 Best Of All Possible Worlds54:46 Help Me Make It Through The Night57:11 The Law Is For Protection Of The People59:35 Casey's Last Ride1:01:08 Just The Other Side Of Nowhere1:02:31 Darby's Castle1:05:07 For The Good Times1:06:47 Duvalier's Dream1:08:37 Sunday Mornin' Comin' Down1:11:20 Final Spin Hosted on Acast. See acast.com/privacy for more information.
Here's a bit of a Christmas present from the Deadpod - a great second set from December 12, 1973 at the Omni in Atlanta. This features a fine combination of classic tunes and some unusual combos (see Mississipi Half-Step into Me & Bobby McGee, as well as Wharf Rat> Me & My Uncle>Eyes). All the songs here are first rate - the China >Rider is wonderful as is the GSET.. then we get a complete Weather Report Suite..Eyes of the World into Morning Dew is one for the ages.. Then, after this massive set, I've included the soundcheck for this show, which has some really fun versions and even some Holiday sounds! I hope you enjoy! Grateful Dead The Omni Atlanta, GA 12/12/1973 Two Mississippi Half-Step Uptown Toodeloo [7:23] > Me And Bobby McGee [5:06][0:12] China Cat Sunflower [6:48] > Jam [1:29] > I Know You Rider [4:57][2:01] Greatest Story Ever Told [5:10] Row Jimmy [9:05] % Weather Report Suite Prelude [1:21] > Weather Report Suite Part 1 [4:33] > Let It Grow [11:11] % Wharf Rat [9:05] > Me And My Uncle [2:48][0:18] Eyes Of The World [12:27] > Morning Dew [14:41] % Sugar Magnolia Encore Casey Jones Soundcheck: Sleigh Ride Rip It Up Blue Suede Shoes Peggy-O Jack Straw Cumberland Blues Thirty Days You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122024.mp3 I wish you and yours a very Merry Christmas, Happy Hanukka, and Winter Solstice! thank you for all you kindness and support...
Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st) Each show opened with an acoustic set followed by two full electric sets. These were the last shows where the Dead played acoustic sets. Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall). Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO: Iko Iko Track #1 0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. A permanent part of the Dead's repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away. The intro, one verse and back to NFA. Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing. Perfect song for Jerry with the call and response chorus that everyone joined in on. The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey. Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads. But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show. Jerry played it right up until the end. Played: 185 timesFirst: May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast: July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1: Monkey And The Engineer Track #4 0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well. Good one to get them hooked into the Dead on! Played: 38 timesFirst: December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA MUSIC NEWS: Intro Music: Me and Bobby McGee Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com) 0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good. Sung by Weir. RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks. In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren. Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes. “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments. Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.” SHOW No. 2: Heaven Help The Fool Track #6 1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow. While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played: 17 timesFirst: September 29, 1980 at The Warfield, San Francisco, CA, USALast: October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3: Cold, Rain & Snow Track #10 0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow. In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played: 249 timesFirst: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA MJ NEWS: Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2. Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3. Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4. Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains: Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush. The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high. A sweet grape aroma that blends well with subtle undertones of lemon and pine. MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS. Recommended for late night consumption as it can cause mental cloudiness and detract from productivity. NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997. Its name is inspired by the tragic events in NYC on September 11, 2001. It is a product of crossbreeding Mexican sativa and Afghani landrace strains. Has a unique aroma and taste that sets it apart from the crowd. Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger. SHOW No. 4: Loser Track #12 4:13 – 6:13 David Dodd: The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show. So nicely played and sung by Jerry. Played: 353First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 28, 1995 at the Palace of Auburn Hills, MI OUTRO: Good Lovin' Track #27 3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.” Can't argue with that. Played: 442First: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts … … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero. … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts … … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero. … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts … … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero. … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Volvemos a encender la Wurlitzer. Capítulo que en una parte será magazine de novedades y en otra, mini monográfico. Abriendo con el recuerdo de Kriss Kristofferson y un pequeño tributo al gran vocalista Jimmy Rushing, sonarán piezas como Me And Bobby McGee, My And Mr. Blues, Mister Five By Five y Evenin'. En la sección de actualidad escucharemos a: Frank Catalano & Lurrie Bells - The Sky Is Crying Frank Catalano & Lurrie Bells - The Sky Is Crying Warren Haynes - This Life As We Know it Warren Haynes - Day Of Reckoning Billy Price - Change Your Mind Jovin Webb - Save Me Eric Clapton - One Woman Fantastic Negrito - I Hope Somebody's Loving You Owen Stewart - Punching Bag Mick Fleetwood & Jake Shimabukuro - Need Your Love So Bad Y, entre medias, Wish You Were Here, otra gran obra de Pink Floyd. Gracias por escuchar con cariño y dejar tu corazón en el audio, aunque no lo parezca, esta chorradita es importante. Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal Y gracias infinitas, ya que tu aportación nos permite mejorar cada programa. Este programa, como siempre, está dedicado especialmente a nuestros patrocinadores: Iñaki Del Olmo, Mechimariani, L Ibiricu Traba, Nachoigs, David, Alfonso Ladrón, Yago Llopis, Nacho Ruíz, Javier Carmona, Ana López, El Carabasser, Raúl Espinosa, La Última Frontera Radio, Gustavo, Ruth, Carmen Neke, Manuel García, Rebeca Tatiana, Michel y nuestros queridos anónimos.
As we come to the end of the Days Between, and reflect on what Jerry gave us I thought it appropriate to present a classic show from when the band was young and ferocious. This comes to us from August 6, 1971 at the Hollywood Palladium. Long considered a classic, I'm sure you'll agree if you haven't yet been fortunate enough to hear this performance. This first set contains no clunkers.. I think each of these songs is a top-notch rendition, but for sure I have to point out 'Mr. Charlie' and 'Cumberland Blues'.. but the highlight here is clearly the great version of 'Hard to Handle'.. Pigpen is at his finest ... Grateful Dead Hollywood Palladium Hollywood, CA 8/6/1971 - Friday One Bertha [5:52] Playing In The Band [4:34] Loser [6:29] Mr. Charlie [3:27] El Paso [7:07] Cumberland Blues [5:03] Brokedown Palace [4:57] Me And Bobby McGee [5:47] Hard To Handle [7:16] Casey Jones [4:55] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod080924.mp3 Our love is real, not fade away....
Welcome to the Instant Trivia podcast episode 1203, where we ask the best trivia on the Internet. Round 1. Category: Music Icons 1: Valerie Bertinelli said of this rock icon that she loved him "more than I know how to explain. I loved his soul". Eddie Van Halen. 2: Fans the world over celebrate this reggae legend on February 6, his birthday. Bob Marley. 3: At the 2022 Newport Folk Festival, she delighted fans with her "Both Sides Now" and "Big Yellow Taxi", among others. Joni Mitchell. 4: On a historic day in 1976, Joe Strummer met Mick Jones in London, calling their legendary band this came later. The Clash. 5: Her recording career lasted less than 4 years; her final studio album was 1971's "Pearl", featuring "Me And Bobby McGee". Janis Joplin. Round 2. Category: Crossword Clues D. With D in quotes 1: The usually wealthy widow of a king(7). a dowager. 2: Pre-Christian Celtic priest(5). a druid. 3: France's patron saint(5). Denis. 4: Touch-tone predecessor (4). dial. 5: Bird of peace(4). a dove. Round 3. Category: Hairy 1: The short hairstyles worn by the men who fought the Cavaliers in 17th C. England earned them this name. the Roundheads. 2: The feet of this arctic ursine creature are partly webbed and have hairy soles to help with traction. polar bear. 3: This term for a knight's apprentice is also the name of a bobbed, usually jaw-length hairstyle. page boy. 4: This great ape's name comes from a Greek word referring to a legendary tribe of hairy women. gorilla. 5: The name of this type of insect larva is from the late Latin for "hairy cat". caterpillar. Round 4. Category: Women'S Memoirs 1: "I Feel Bad About My Neck", about the travails of aging, is by this late, great writer and director of "You've Got Mail". Nora Ephron. 2: "Fight Like a Girl" and "Unbecoming" recount women's experiences in this "most masculine" branch of the U.S. military. Marines. 3: "My Life in France" is the story of how this chef found her true calling. Julia Child. 4: Award-winning screenwriter Diablo Cody's record of her time as one of these performers is titled "Candy Girl". a stripper. 5: This advisor to Barack Obama wrote "Finding My Voice: My Journey to the West Wing and the Path Forward". Valerie Jarrett. Round 5. Category: Culinary Before And After 1: Finest olive oil grade whose British capital is Road Town and whose American capital is Charlotte-Amalie. extra Virgin Islands. 2: Round Southern fried cornmeal cake that's the object of a youthful crush. hush puppy love. 3: Chili's rib cut that stars in a Robert Zemeckis time-traveling comedy. Baby Back to the Future. 4: Bite-size French language dessert cake that wreaks havoc in the Book of Revelation. petit Four Horsemen of the Apocalyse. 5: French dish of chicken, onion, wine, mushrooms and pork blindly stewing onscreen as space opera anti-hero Riddick. coq au Vin Diesel. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
It's FRIDAY! That can only mean two things. One, it's The Weekend What's UP with Christie and Dennis! They line us up with everything going on for the weekend in NEWisco. Then we welcome Ramona Marquardt and Tom Zwicker from Ramona & The Flower in the studio for our LIVE From The CityDeck Landing Studios Music Series. Great people and so talented. We rocked out to "Me And Bobby McGee" and "Voices Carry". Check out their Facebook page HERE. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-8 am on WGBW in Green Bay and on WISS in Oshkosh. Subscribed to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guests: Christie Barlament, Dennis Lee Roth, Ramona Marquardt, Tom Zwicker
Con Pancho Varona, escuchamos más "Música para los pájaros". Esta semana, nos centramos en los artistas que forman parte del fatídico Club de los 27: She's A Rainbow (Brian Jones - The Rolling Stones), All Along The Watchtower (Jimi Hendrix), Me And Bobby McGee (Janis Joplin), Riders On The Storm (Jim Morrison - The Doors), Lithium (Kurt Cobain - Nirvana) y Back To Black (Amy Winehouse).Escuchar audio
02.00 a 03.00: Nos situamos en "Macondo" con Juan Carlos Iragorri y abordamos la actualidad de América Latina junto a Michael Shifter, profesor adjunto en la escuela de Asuntos Exteriores de la Universidad de Georgetown. En "Antropoturismo", con Paula Ginés, trazamos el perfil biográfico de la política Dolores Ibárruri (1895-1989), conocida como la Pasionaria. Nos ayuda su nieta, Lola Ruiz-Ibárruri. Y ya es jueves y, con Pancho Varona, escuchamos más "Música para los pájaros". Esta semana, nos centramos en los artistas que forman parte del fatídico Club de los 27: She's A Rainbow (Brian Jones - The Rolling Stones), All Along The Watchtower (Jimi Hendrix), Me And Bobby McGee (Janis Joplin), Riders On The Storm (Jim Morrison - The Doors), Lithium (Kurt Cobain - Nirvana) y Back To Black (Amy Winehouse).Escuchar audio
This week we continue listening to the second set of the band's performance at Memorial Auditorium in Uttica New York on March 21, 1973. As was the case last week, we have a very long set this week, around an hour and 43 minutes. This set features more jamming of course, including a jazzy 'Dark Star' marked with some fine drum rolls by Mr. Kreutzmann, a lovely 'Eyes of the World' and several classic songs from the period including 'Me & Bobby McGee'. Grateful Dead Utica Memorial Auditorium Utica, NY 3/21/1973 - Wednesday Two [1:45:34] Greatest Story Ever Told [4:43] They Love Each Other [5:21] Mexicali Blues [3:09] Brown Eyed Women [4:49] Big River [3:58] Brokedown Palace [5:14] Me And Bobby McGee [5:12] Weather Report Suite Prelude [0:57] > Dark Star [21:00] > Eyes Of The World [15:48] > Wharf Rat [9:25] Sugar Magnolia [9:17] Casey Jones [6:00] Comments {Dark Star 0:00 > First Verse 9:20 to 10:30 > end 21:00} Is Casey Jones perhaps an encore? You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod051223.mp3 "Wake now, discover that you are the song that the morning brings But the heart has it's seasons, it's evenings and songs of it's own" thanks..
Train of Thought is a podcast hosted by Rob Tobias focusing on culture, music, interviews and society. This show features songs paying tribute to the late GORDON LIGHTFOOT. Songs include: SUNDOWN, CAREFREE HIGHWAY, IF YOU COULD READ MY MIND, EARLY MORNING RAIN, HARMONY, ME AND BOBBY MCGEE & THE WAY I FEEL. COMMENTS AND QUESTIONS send to rob@robtobias.com HOME PAGE: https://robtobias.com TRAIN OF THOUGHT podcast: https://soundcloud.com/robtobias ROB TOBIAS VIDEOS: https://www.youtube.com/robtobiasvideos BANDCAMP: https://robtobias.bandcamp.com/ REVERBNATION: https://reverbnation.com/robtobiasandthenorthwestexpress
This week's Deadpod comes from the famous 'Day on the Green' #1 at Oakland Stadium on June 8, 1974. This first set of this 'Wall of Sound' show, features less jamming than will be coming up in set 2, but still some wonderful playing, highlighted by some great contributions from Keith and Phil. I particularly enjoy the stand-alone Scarlet and the Greatest Story Ever Told! Grateful Dead Oakland-Alameda County Coliseum Stadium Oakland, CA 6/8/1974 - Saturday One The Promised Land [3:12] ; Brown Eyed Women [4:36] ; Me And Bobby McGee [5:44] ; Scarlet Begonias [5:24] ; Mexicali Blues [3:30] ; It Must Have Been The Roses [5:06] ; Me And My Uncle [2:53] ; Tennessee Jed [8:00] ; Greatest Story Ever Told [#5:14] ; China Cat Sunflower [8:22] > I Know You Rider [5:25] ; Around And Around [5:01] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod060322.mp3 Sorry for the sort intro but I'm a bit under the weather this week. Thanks for your kind support.
Golden releases a three album project with his sons Country and Gospel Music Hall of Fame, Grand Ole Opry and The Oak Ridge Boys member William Lee Golden and his sons The Goldens have set Golden Classics, a three album covers project that is now available. The set features 34 songs that were originally recorded by other artists including Tom Petty, Eagles, Janis Joplin, John Denver, Johnny Cash, Bob Seger, and others. On Thursday (Mar 24th), we had an exclusive premiere of their version of the Kris Kristofferson-penned "Me And Bobby McGee" that was originally recorded by Janis Joplin in 1971. Earlier this week, we chatted with Golden while he was home briefly during tour stops with the Oaks. Golden tells us how the project came about and how he and his sons, grandchildren and some friends were inspired to record during the dark days of the pandemic. Full audio can be streamed below. Be sure to subscribe to The Music Universe Podcast wherever you get your podcasts.
(00:00-8:25): Brian and Aubrey reflected on Susie Steiner's article for The Guardian, “Top five regrets of the dying.” (8:25-17:58): Dr. Richard Hamlet, Founder & President of Global Ministries Foundation and Host of Ministry in the Marketplace, joined Brian and Aubrey to talk about sharing the Gospel in Ukraine and Russia, the impact of his ministry, and ways to share our faith in the workplace. Learn more about Ministry in the Marketplace at mitmradio.org and learn more about Global Ministries Foundation at gmfonline.org And tune in for encouragement from Dr. Hamlet on Ministry in the Marketplace Sundays at 9:30am (CT) on AM 1160 Hope for Your Life. (17:58-27:08): Brian and Aubrey discussed Griffin Gulledge's blog post, "God told me to..." (27:08-36:20): Brian and Aubrey shared some of their favorite music on “The Common Good Songbook.” Aubrey's pick was “Me And Bobby McGee” by Janis Joplin, and Brian's pick was “In My Blood” by Shawn Mendes. (36:20-45:37): Brian and Aubrey shared their TOP FIVE Oscar-Winning Movies. Aubrey's #1 pick was Out of Africa, and Brian's #1 pick was Braveheart. (45:37-53:54): Brian and Aubrey shared some weird and wild news from the internet. See omnystudio.com/listener for privacy information.
Merry Christmas! On this Christmas Eve edition of the Deadpod we get to listen to the second set of this fine performance from December 27, 1970 in El Monte California. The tape begins with an abbreviated 'Good Lovin' - while I wish we had all of this song, what we have is really good. Pigpen follows with 'In the Midnight Hour' and boy its clear in these two songs what he means to the band. Fine versions of 'Attics' and 'Bobby McGee' follows, then the Chuck Berry 'Around and Around'. The jamming in the following 'St. Stephen>Not Fade Away>Goin' Down the Road>Lovelight' show us the power of this young band. We hear the start of 'Uncle John's Band' but the jig is up and the show has to end... Grateful Dead Legion Stadium El Monte, CA 12/27/70 - Sunday Two - 1:13:48 Good Lovin' [#9:20] [0:18] In The Midnight Hour [7:55] [0:26] Attics Of My Life [6:47] [1:00] Me And Bobby McGee [6:14] [0:50] Around And Around [4:12] [1:08] Saint Stephen [6:50] > Drums [0:10] > Not Fade Away [4:49] > Goin' Down The Road Feeling Bad [10:23] > Turn On Your Love Light [8:16] [0:20] Uncle John's Band Tease [0:06] [0:44] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122421.mp3 May Christmas find you and yours healthy and happy. Peace.
Episode 521 New Facebook like. After years of buying comedy albums, I finally have my very own coming out soon. "The Blind Man Cometh". Sports - Jim Rome gets ridiculous e-mails. Stewie and I briefly go through "Me And Bobby Mcgee". JFK's Cuban Mistle speech. "Colonel Sanders Auditions" leads into the break. Brian Laundrie's body found. New Covid boosters. Suppliers taking a hit. Parkland shooter foun guilty, learn why I don't care for Alex Jones. The show closes with George Carlin's "Seven Words You Can Never Say On Television" monologue from his "Class Clown" album. Break music - Warren Zevon - Wearwolves of London Rejoiner music - AC/DC - Back In Black --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lawrence-ross9/message
Episode 519 New Facebook likes. Personal recap. Sports - Jim Rome blocks e-mails concerning a hawk landing on a fan. David Lee Roth stories from Weird History. Blind Justice - Capital rioter. Artie Lange (celebrity voice impersonated) visits and tells a story during the rejoiner music. Terry calls in. John Lennon's murder described by Weird History. Florida with a new proposed abortion bill. "The Facebook Wall" replay. "Imagine" closes the show. Break music - "Long As I Can See The Light" by Creedence Clearwater Revival Rejoiner music - "Me And Bobby Mcgee" by Janis Joplin --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lawrence-ross9/message
| Artist | Title | Album Name | Album Copyright | Kelly's Lot | Where And When | Where And When | Debbie Bond | Radiator | Blues Without Borders | Deb Ryder | Get Ready | Memphis Moonlight | Amanda Fish | Blessed | Free | | Eileen Rose | The Auld Triangle | Muscle Shoals | Emma Wilson | Won't Be Long | Loveheart | Claire Hamlin | Suitcase Stroll | Elbows Going Crazy | Dione Taylor | Running | Spirits In The Water | Zoe Schwarz' Blue Commotion | Billie's Blues | The Blues Don't Scare Me | Rebecca Downes | Washing Over My Heart | Stripped Back | Maria Muldaur | Shout Sister Shout | Shout Sister Shout | Marie Knight | I Am Light Of This World | The Gospel Truth Live | Sunday Wilde | Home To Momma | Peace In Trouble | Shaun Murphy | Gypsy Highway | Mighty Gates (2017) | Ana Popovic | Like It On Top | Live for Live (2020) | Big Mama Thornton | Hound Dog | Rumba Blues | Suzy Quatro | Devil Gate Drive | The Best of Suzy Quatro | Mindi Abair | Just Say When (featuring Gregg Allman) | Best of Mindi Abair | Paula Harris | Something Wicked | Speakeasy | Samantha Fish, Cassie Taylor, Dani Wilde | Get Back | Girls With Guitars (2011) | Janiva Magness | All Night Worker | Use What You Got | Janis Joplin (with Full Tilt Boogie) | Me And Bobby McGee | Pearl | | Lucy Malheur | Shingeling Blues | Bad Cat Mama | Joanna Connor | The Sky Is Crying | Six String Stories | Laurie Morvan Band | Saved By The Blues | Breathe Deep | Lawrence Lebo | Old School Girl | Old School Girl | On The Air Records | Ottilie Patterson & Chris Barber's Jazz Band | Burgundy Street Blues | Blues Book And Beyond
1970: Der erste Tatort wird in Deutschland ausgestrahlt - und "Me and Bobby McGee" in der Version von Janis Joplin wird veröffentlicht. Der Song wird nach dem frühen Drogentod der Sängerin posthum ein Hit.
Kristofferson's songs brought a gritty realism to Nashville See omnystudio.com/listener for privacy information.
Kristofferson's songs brought a gritty realism to Nashville See omnystudio.com/listener for privacy information.
We close out October.. and welcome Halloween :) with a great second set from October 21st, 1971 in Chicago. While this may be Keith Godchaux's second night of his tenure with the band, he sure doesn't sound tentative here - especially on his first 'Dark Star'! This one is made even more unusual when the band goes into 'Sittin' On Top of the World' then back into the Star.. (the first Sittin' since 11/5/70).The 'Brown Eyed Women' is only the 3rd time they've played it, and this is the second time for 'Ramble on Rose'.. The band is clearly stretching out and trying those new tunes that will come to perfection in the great shows of 1972. An unusual 'St.Stephen' leads into 'Johnny B.Goode' as a double encore - they'd only play Stephen twice more in '71 before putting it on the shelf until its return in 1976. Grateful Dead Auditorium Theatre Chicago, IL 10/21/71 - Thursday Two Casey Jones ; Me And My Uncle [2:48] ; Dark Star [15:09] > Sittin' On Top Of The World [3:16] > Dark Star [2:03] > Me And Bobby McGee [5:56] ; Brown Eyed Women ; Ramble On Rose [6:06] ; Sugar Magnolia [6:08] Encore Saint Stephen [5:49] > Johnny B. Goode [3:54] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod103020.mp3 Best wishes for a safe and fun Halloween!! thanks so much for your support..
Behind the Song - WDRV-FM Chicago
In todays episode of The Covers Face Off, we will be discussing the song Me and Bobby McGee. This song has been covered by many musicians, but we will be discussing the version written and recored by Kris Kristofferson and covered by Janis Joplin.For more information please follow us on twitter as well as our YouTube Channel. There you will be able to take part in polls, suggest albums, and let us know what track you would scratch.Happy Scratching!!Links:https://twitter.com/scratchatrackhttps://www.youtube.com/channel/UC1y5SBLxt4V187J6CKGswgA/https://www.facebook.com/Scratch-A-Track-100105891679603/https://www.instagram.com/scratchatrack/Apple Podcasts: https://podcasts.apple.com/us/podcast/scratch-a-track-presented-by-the-dude-and-grimm-show/id1507247887Spotify: https://open.spotify.com/show/0qBOg1wkxPu5EY0FQQaMgOGoogle Podcast: https://podcasts.google.com/?feed=aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS85ODIyMDQucnNzAll music on this podcast has been provided and used with permission by:...more https://soundcloud.com/user-122188109The Timnz https://soundcloud.com/the-timnz
Set 1:BerthaMe And My UncleMr. CharlieYou Win AgainBlack Throated WindChinatown ShuffleLoserMe And Bobby McGeeCumberland BluesPlaying In The BandTennessee JedEl PasoBig Boss ManBeat It On Down The Lined2t02 -
This week brings a *huge* first set Deadpod for you, from the famous run of shows at the Academy of Music in New York City on March 23, 1972. This set runs over 2 hours and contains 18 songs! The band was gearing up for the upcoming Europe tour and I think this is one of the best shows of that run. Some of the many highlights include a great 'I Know You Rider' , Pigpen's 'Chinatown Shuffle', the third ever 'Looks Like Rain' with Jerry on the pedal steel, Keith does some great work on 'You Win Again'. The 'Jack Straw' is spot on, and 'Me & Bobby McGee' is one of their best. I'm sure in these two hours you'll find some favorites of your own! Grateful Dead Academy of Music New York, NY 3/23/72 - Thursday One China Cat Sunflower > I Know You Rider ; Black Throated Wind ; Chinatown Shuffle ; Brown Eyed Women ; Beat It On Down The Line ; Cumberland Blues ; Looks Like Rain ; Mr. Charlie ; Tennessee Jed ; El Paso ; You Win Again ; Jack Straw ; Next Time You See Me ; Playing In The Band ; Comes A Time [7:30] ; Me And Bobby McGee [5:53] ; CaseyJones [5:44] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod031320.mp3 Finally, a big HAPPY BIRTHDAY to Phil Lesh who turns 80 on Sunday!!
Happy Valentine's Day! I couldn't think of a better love letter to send to all of you than a fine portion of classic Grateful Dead from 1974.. from Winterland no less.. this beauty comes from the February '74 run - in this case February 23rd. This first set starts with a rocking 'Around and Around' - a different and welcome way to open a show. They follow with three ballads - 'Dire Wolf', 'Me & Bobby McGee' and 'Sugaree'.. Mexicalli follows then one of the highlights of this first set is a strong 'Here Comes Sunshine'. They 'Beat it Down the Line', then a 1st set 'Ship of Fools'. 'Jack Straw' and 'Deal' follows, then a great rocking trifecta of 'Promised Land', 'Bertha', and 'Greatest Story Ever Told' to end this first set. We will get to hear the second set next week.. Grateful Dead Winterland Arena San Francisco, CA 2/23/74 - Saturday One Around And Around [4:46] ; Dire Wolf [4:15] ; Me And Bobby McGee [5:34] ; Sugaree [7:01] ; Mexicali Blues [3:17] ; Here Comes Sunshine [9:#17] ; Beat It On Down The Line [3:25] ; Ship Of Fools [5:16] ; Jack Straw [4:33] ; Deal [4:18] ; The Promised Land [3:00] > Bertha [5:51] > Greatest Story Ever Told [5:06] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod021320.mp3 So appreciate you listening and your kind support! Be kind ;)
This week we are fortunate enough to be able to hear the second set of the band's outstanding performance on October 2nd, 1972 in Springfield MA. If you caught last week's Deadpod you know this is a fine recording and that the band is at the top of their game. While the set starts out a bit slowly I think it more than makes up for it by the time we get to GSET. The Half-Step into Stella Blue is a wonderful surprise. The 'Truckin' has a great buildup into the short but sweet 'Nobody's Fault' jam that leads into drums.. The 'Morning Dew' is wonderful. Sugar Mag closes and they return for a delicious double encore, Grateful Dead Springfield Civic Center Arena Springfield, MA 10/2/72 - Monday Two The Promised Land [3:00] ; He's Gone > Me And Bobby McGee [#5:15] ; China Cat Sunflower [6:21] > I Know You Rider [4:56] ; Tomorrow Is Forever [5:25] ; Greatest Story Ever Told [5:36] ; Mississippi Half-Step Uptown Toodeloo [8:09] > Stella Blue [7:09] ; Truckin' [7:33] > Nobody's Fault But Mine Jam [2:20] > Jam [1:20] > Drums [1:23] > Jam [8:07] (3) > Morning Dew [11:52] ; Sugar Magnolia [8:05#] Encore Uncle John's Band [7:23] ; Johnny B. Goode [3:21#] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod062119.mp3 A big thank you to my friends who support the Deadpod!
Let's welcome Spring with this wonderful second set from March 26th, 1973 at the Baltimore Civic Center. Since I'm a bit under the weather this week I'll just point out a few (obvious) highlights - the jam following Truckin' including the Weather Report Suite Prelude, the wonderful Eyes , and of course Morning Dew. I hope you enjoy this one, and feel free to join the Deadpod group on Facebook and offer your suggestions for shows you'd like to hear on the Deadpod! Grateful Dead Baltimore Civic Center Baltimore, MD 3/26/73 - Monday Two Ramble On Rose [6:10] ; Big River [4:09] ; Here Comes Sunshine [7:50] ; Greatest Story Ever Told [4:42#] ; Candyman [6:30] ; Me And My Uncle [2:41] ; He's Gone [10:#49] > Truckin' [14:45] > Weather Report Suite Prelude [2:02] > Jam [5:36] Wharf Rat [10:17] > Me And Bobby McGee [5:35] > Eyes Of The World [14:29] > Morning Dew [12:42] ; One More Saturday Night [4:25] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod032219.mp3 Thank you for your support!!!
As we roll into Thanksgiving week, here is an outstanding first set from a great tour that took place during the Fall of 1971. This is from November 14th, 1971 at Fort Worth Texas. Part of this show was released as a (now out of print) Road Trips, but the entire show is a treasure and features a young band full of energy and fire. They open with a fine 'Bertha' with Keith's piano leading the way.. they follow with a 25-beat 'Beat It On Down the Line', but Billy stops at 24 so they reset with Garcia calling for '3'...it crackles. 'China Cat' follows with some wonderful soaring Garcia leads. the train starts rollin' in the fine transition into 'I Know You Rider' and I can just imagine the dancing! Don't overlook the fine 'El Paso' that follows, it has some beautiful Garcia throughout.. I won't try and describe each of these standards - some were new at the time others not, but this is a great recording of a period when the band was transitioning from its earlier more 'primal' sound to a bit slower tempo, '72 pace. Grateful Dead Texas Christian University Fort Worth, TX 11/14/71 - Sunday One Bertha [5:54] Beat It On Down The Line [3:00] China Cat Sunflower [5:24] > I Know You Rider [5:18] El Paso [4:34] > Sugaree [6:27] Jack Straw [4:52] Big Railroad Blues [3:20] Me And Bobby McGee [5:31] Loser [6:24] Playing In The Band [5:59] Tennessee Jed [6:47] You Win Again [2:17] Mexicali Blues [3:18] Casey Jones [5:25] One More Saturday Night [4:30] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod111618.mp3 I hope you all have a very happy and safe Thanksgiving! Be sure and look on Thanksgiving morning for a special Deadpod coming your way a day early next week. Thank you as always for your support and for listening to the Deadpod!
A year ago I played what many would consider the 'big brother' to this week's Deadpod selection - 6/23/74. This week I'm going to begin to feature the night before - 6/22/74 Miami Florida. This band may stumble on occasion here.. the levels take a bit to get 'just exactly perfect', but remember it was a 'wall of sound' show, and overall this is a great recording. The first set which we will hear this week has more 'studio' type versions than long jammed out pieces, however there is still plenty here to sink your teeth into. Some very unusual and fine jamming in 'Greatest Story', a fine 'Jack Straw' and stand-alone 'Scarlet'. 'The Race is On' is always a joy to hear, and the set closing 'Playin' in the Band' is fabulous; I'm especially fond of Phil here.. Grateful Dead Jai-Alai Fronton Miami, FL 6/22/74 - Saturday One The Promised Land [3:18] > Bertha [5:24] ; Greatest Story Ever Told [5:34] ; Deal [4:42] ; Me And Bobby McGee [5:33] ; Scarlet Begonias [6:45] ; Jack Straw [4:40] ; Loose Lucy [4:43] ; Mexicali Blues [3:22] ; Sugaree [6:56] ; The Race Is On [3:07] ; It Must Have Been The Roses [5:23] ; Playing In The Band [29:14] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod062918.mp3 Let me be the first to wish you a very happy 4th of July! Be safe and have fun! thank you for your support of the Deadpod which keeps us running each week!
This week's Deadpod features a one-set wonder (as it is only the 2nd set that we have a soundboard tape of) of a superb show from December 1st, 1971 from the Boston Music Hall in Boston MA. This is a beautiful recording of the young Dead and I'm quite certain you'll enjoy both the stand alone songs and the insane jamming of 'The Other One'. The ending 'Not Fade Away'>Going Down the Road Feelin' Bad'>'Not Fade Away' is wonderful as well. Grateful Dead Boston Music Hall Boston, MA 12/1/71 - Wednesday Two Ramble On Rose ; Me And Bobby McGee ; Big Boss Man [4:44] ; Cryptical Envelopment [1:47] > Drums [2:33] > The Other One (1) [14:08] > Me And My Uncle [2:01] > The Other One (2) [8:51] ; Not Fade Away [3:57] > Goin' Down The Road Feeling Bad [5:53] > Not Fade Away [2:40] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod121517.mp3 My heartfelt thanks to the kind friends whose contributions allow me to produce the Deadpod.
This week's Deadpod takes us back to the early days of 1971, to a performance that was before a small crowd at Davis Gymnasium on the Bucknell University Campus in Lewisburg PA on April 14th, 1971. This is a wonderful tape, despite a little static here and there.. it has by and large excellent sound and the band is really energized. There's a great mix of rocking numbers like 'Truckin' and 'China Cat' along with quieter ballads like 'Me & Bobby McGee' and 'Sing Me Back Home'. I love how clearly I can hear Phil's thundering bass on 'Bertha'! A true treat here is one of the rare performances of 'I Second That Emotion' (only played 6 times) that happens here in set 1. (There is some dispute about the setlist order - Deadbase 50 puts it in set 2, I've left it in its traditional 1st set slot here). thanks to Jim H for the suggestion - remember I'm always happy to take requests! Grateful Dead Davis Gym - Bucknell University Lewisburg, PA 4/14/71 - Wednesday One Truckin' ; Deal ; Me And Bobby McGee ; Next Time You See Me ; Bertha ; Playing In The Band ; Sing Me Back Home ; Me And My Uncle ; China Cat Sunflower > I Know You Rider ; I Second That Emotion ; Casey Jones You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod111017.mp3 Thank you for listening and for your support!
This week's Deadpod features a really fine show and recording from April 21, 1971.. often overshadowed by the 'closing of the Filmore East' recordings which happened soon afterwards I am certain you'll enjoy the fire and energy on this recording. The highlights of this first set are numerous but I'm sure you're going to enjoy Drums with only Billy on the kit and Pigpen both on the 'Big Boss Man' and a classic 'Hard to Handle' love his harp! Wharf Rat is superb as well, as is a personal favorite, the Cumberland Blues. Grateful Dead Rhode Island Auditorium Providence, RI 4/21/71 - Wednesday One Casey Jones [5:13] Mama Tried [2:33] Big Boss Man [4:52] Loser [6:27] Truckin' [7:48] > Drums [4:16] > The Other One [11:12] > Wharf Rat [9:33] Hard To Handle [8:52] Cumberland Blues [4:29] Bird Song [8:06] Me And Bobby McGee [5:22] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod042817.mp3 Your support keeps the Deadpod rolling out new episodes each week. Thank you!
This week the Deadpod returns to the second set of the band's performance in Oklahoma City Oklahoma on November 14th, 1972. I think you'll enjoy their performance here as they bring the crowd well executed versions of some great songs. The highlight of this 1hour 41 minute set is probably the 'He's Gone'->'Truckin'->'The Other One'->'Sing Me Back Home' combination that occurs in the middle of set 2. Listen closely and you'll hear some interesting interplay as they try to decide which song to go into next. I think you'll enjoy the unique 'Uncle John's Band' as well.. Grateful Dead Oklahoma City Music Hall Oklahoma City, OK 11/14/72 - Tuesday Two Greatest Story Ever Told [5:15] ; Brown Eyed Women [4:12] ; Me And My Uncle [2:58] ; Deal [4:26] ; Me And Bobby McGee ; He's Gone [15:18] > Truckin' [8:25] > The Other One [15:57] > Sing Me Back Home [9:57] ; Sugar Magnolia ; Uncle John's Band ; One More Saturday Night You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod120216.mp3 My sincere thanks to those kind folks whose support makes the Deadpod possible.. and to each of you who enjoy listening!
This week's Deadpod features set 2 from the Dead's performance at the Easttown Theater in Detroit Michgan back on October 24th, 1971. A fine recording, this set starts with a nice Truckin', especially enjoyable is the jam just before the last verse. What sounds odd here is that the song simply stops... They take up 'Ramble On Rose'. It being only the 5th time they had played the song, the phrasing and even some of the lyrics are still being developed.. It is quite interesting to hear. Mexicali Blues follows (following an unusually loquacious introduction), this is a pleasure for me to hear. The Dark Star follows, and what is interesting to me, aside from the inherent originality of the jamming, is how the piece shows its development here from its earlier, more primal performances, towards where it will develop during the European tour to follow next year. As was their wont during this time, 'Me & Bobby McGee' follows, perhaps not the smoothest version ever, but still enjoyable. The old 'yellow dog' story gets pulled out afterwards..before we're treated to a 'Cumberland Blues' and one of the final 'St. Stephen's played until the band brought it back in 1976. Johnny B. Goode once again ends a fine performance.. Grateful Dead Easttown Theatre Detroit, MI 10/24/71 - Sunday Two Truckin' [8:24] ; Ramble On Rose [6:10] ; Mexicali Blues [3:26] ; Dark Star [20:47] > Me And Bobby McGee [5:29] ; Cumberland Blues [4:58] ; Saint Stephen [5:37] > Johnny B. Goode [3:46] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091616.mp3 the Deadpod is made possible through the support of my kind listeners. thank you..
Happy 4th of July weekend! While this week's Deadpod didn't take place on the 4th, or feature a U.S. Blues, I do think there are plenty of fireworks right here to entertain you during this long holiday weekend! As usual for a '73 show, there are a number of tunes in this second set that you'd expect to see in a first set - alongside some wonderful exploratory jams. While this isn't a perfect recording.. I think it more than packs a punch and hope you will enjoy it as much as I do! I would especially recommend the tremendous 'Here Comes Sunshine' and the truly epic 'Other One' that follows a typically wonderful 'Me & Bobby McGee'... Grateful Dead Seattle Center Arena Seattle, WA 6/26/73 - Tuesday Two Bertha [6:11] -> The Promised Land [3:10] ; They Love Each Other [5:54] ; El Paso [4:35] ; Black Peter [9:36] ; Big River [4:40] ; Here Comes Sunshine [11:34] ; Me And My Uncle [2:52] ; He's Gone [13:47] -> Truckin' [8:49] -> Drums [1:43] -> The Other One [6:34] -> Me And Bobby McGee [5:23] -> The Other One [17:59] -> Sugar Magnolia [9:18] Encore Johnny B. Goode [4:40] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod070116.mp3 Have a safe and Happy 4th of July! The Deadpod is made possible from the kind contributions of my listeners.. thank you for your support!!
This week we return to the Berkley Community Theater for the second set of the band's performance back on August 14th, 1971. The tape cuts into Truckin' in progress, luckily however the excellent jam that ends the song is preserved.. from there we go into an early set Drums, and then, suddenly if not unexpectedly, the bombs drop signalling a truly great Other One to follow. Phil really shines on this one, and it leads to a truly psychedelic jam following the first verses. There are some great themes here... see what you can identify! The band flows back into the Other One which really was a signature jam in these days. Following a lengthy tune up Bobby goes into a nice version of 'Me & Bobby McGee'.. The Sugar Magnolia that follows really pops.. they really get cooking here, eventually the move into a smoldering 'Not Fade Away'-> 'Goin' Down The Road'->'Not Fade Away'.. The boys eventually return for an excellent double encore of 'Johnny B Goode' and 'Uncle John's Band'.... I think this one surely stands out as one of the best shows of a most excellent year. Berkeley Community Theatre Berkeley, CA 8/14/71 - Saturday Two: Truckin' [3:#56] > Drums [3:35] > The Other One (1) [16:40] ; Me And Bobby McGee [5:39] ; Sugar Magnolia (2) [5:45] ; Not Fade Away [5:27] > Goin' Down The Road Feeling Bad [10:47] > Not Fade Away [3:14] Encores: Johnny B. Goode [3:30] ; Uncle John's Band [6:06] CommentsHappy Birthday for David Crosby before Johnny B. Goode. You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091815.mp3 I also have a CONTEST of sorts to announce! I've received two copies of the CD 'The Best of the Grateful Dead'.. here's some info from the Dead.net website about this CD: THE BEST OF THE GRATEFUL DEAD’s 32 tracks feature music from every Grateful Dead studio album and cover the key waypoints on the band’s mystical musical journey. Arranged chronologically, the tracks reflect the evolution of the group’s sound – and its membership – across more than two decades – from 1967’s “The Golden Road (To Unlimited Devotion)” to 1989’s “Standing on the Moon.” In between, listeners will find the essential tracks that made the band such a cultural phenomenon, including such fan favorites as “St. Stephen,” “Casey Jones,” “Sugar Magnolia,” “Friend of the Devil,” “Scarlet Begonias,” and “Hell In a Bucket.” In addition .. I have ONE copy of the newly released 4 CD set culled from the *80* disk 30 Trips arond the Sun: this set features one cut from each of the 30 years of the band's touring history.. I usually offer these kinds of promotional disks as an incentive to make a donation to the Deadpod.. but since I only have 3 of these to offer, I'll be glad to send them out to three lucky folks who submit an entry today, Friday September 18th (the release date for the 30 trips around the Sun 3 cd set) to my email address: j.henrikson @gmail com,.. with '30 Trips' as the subject .. Be sure and include your US mailing address so I can send it to you if you win!! Of course I'd be glad to get a few donations too!!! Thanks for your support.. be kind to everyone!
Spring is supposed to be springing .. soon... so I plan to hurry it along with this beauty from 1971 which should generate a little heat... This comes to you from the City of Blues, St. Louis back on March 18th, 1971 (there has been some dustups over that date... some say the 17th.. I have no dog in this fight).. As with most artifacts from that year this one should please all but the Touchiest of Heads.. :) There are plenty of standards here in set 1 and best of all plenty of PIGPEN ;) Check out the fabulous version of Me & Bobby McGee, China-Rider and *the Rub* :) set 2 should provide some mindmelting jams next week... Grateful Dead Fox Theatre St. Louis, MO 3/18/71 - Thursday One Casey Jones ; Me And My Uncle ; Big Boss Man ; Bertha ; Me And Bobby McGee ; Loser ; China Cat Sunflower > I Know You Rider ; The Rub ; Playing In The Band ; Cumberland Blues You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod030615.mp3 My thanks to everyone whose contributions have kept us publishing the Deadpod! The Deadpod could always use your support. I hope you will consider a donation. Thank you my friends.
More '71 goodness this week as we get to dive into the second set of the Dead's performance on 8/26/71 at Gaelic Park in the Bronx, New York, New York. This set has plenty to keep your interest including Weir singing 'I wish I was a headlight..." in I Know You Rider, a smokin' hot Other One, a fine Uncle John's Band, and THEN we get to the conclusion.. a rockin' Saint Stephen->NFA->GDTRFB->NFA.. the Dead would play only one more St. Stephen in 1971 then put it away till 1976.. Pigpen is here too of course, and we have a chance to enjoy him on a great 'Next Time You See Me'... The Johnny B. Goode encore is always a mark of a show the boys had fun performing! Grateful Dead Gaelic Park, New York, New York 8/26/71 set 2 Me And My Uncle [3:00] ;China Cat Sunflower [4:58] >I Know You Rider [4:58] ;Deal [4:33] ;Cumberland Blues [5:07] ;Truckin' [8:31] >Drums [0:16] >The Other One [15:56#] ;Next Time You See Me ;Me And Bobby McGee [0:09#] ;Uncle John's Band [#5:54] ;Saint Stephen [5:26] >Not Fade Away [6:10] >Goin' Down The Road Feeling Bad [6:26] >Jam [1:30] >Not Fade Away [2:56] E: Johnny B Goode You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod092013.mp3 It's easy to contribute to the Deadpod! All you need to do is click on the 'Donate' button on the upper right of the page.. or drop me a note about how you can send a check.. Thank you so much for your support!
I know that I may have featured too many shows this year from 1972 (is that possible?) but being that its the 40th anniversary of these shows I'm naturally led to take a look at them and often I'm drawn by their quality. 1972 was a wonderful year.. this week I decided to feature this show from the weekend before Halloween due principle to the fact that I really really want to play the Dark Star from set 2.. sometimes this desire to feature a particular segment or song from a show might cause me to feature some music that might not quite measure up.. I suppose that is the completest in me that prefers to feature whole shows rather than 'parts'. This week I'm playing set 1 of this show despite some sound issues with the mix - the vocals are often too low in the mix. Nevertheless the playing is first rate, as is the typically superb song selection. I hope you'll overlook the issues with the mix as I do, in anticipation of the wonderful Dark Star that awaits next week - besides this is a first rate set... :) Grateful Dead Cleveland Public Hall 10/28/72 - Saturday SetOne: The Promised Land ; Friend Of The Devil ; Jack Straw ; China Cat Sunflower > I Know You Rider ; Mexicali Blues ; Box Of Rain ; Me And Bobby McGee ; Candyman ; Me And My Uncle ; Sugaree ; Playing In The Band ; I really hope that you enjoy this one, in my mind, (and I'm probably biased as I grew up near Cleveland) the band really played some fine music here... You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod102612.mp3 thank you so much for your support of the Deadpod.. I really couldn't do the show without you!!!
I'm afraid that when I think of an iconic year for Grateful Dead music in the month of November that 1973 always pops into my mind. This, combined with a long-time request for this show on my request list, led to this week's show. Yes, this is only a day before the show released as Road Trips vol 4 no. 3, and that release does contain a few songs from this set 2, nevertheless, this music is far too wonderful not to be heard and treasured. In this week of Thanksgiving I can think of no better way to be grateful than to celebrate a great show like this one.. I hope you enjoy it as well my friends.. Grateful Dead11/20/73Denver Coliseum, Denver, CO set One: Ramble On Rose ; Mexicali Blues ; Don't Ease Me In ; Black Throated Wind ; Brown Eyed Women ; Beat It On Down The Line ; To Lay Me Down ; The Race Is On ; They Love Each Other ; Me And Bobby McGee ; Tennessee Jed ; Big River ; Row Jimmy ; Weather Report Suite Prelude ; Weather Report Suite Part 1 ; Let It Grow ; Casey Jones ; Let me also take a moment to tell all of you how thankful I am that you listen to the Deadpod each week, you make the effort worthwhile.. thank you. You can listen to this week's Deadpod http://traffic.libsyn.com/deadshow/deadpod111811.mp3">here:http://traffic.libsyn.com/deadshow/deadpod111811.mp3">http://traffic.libsyn.com/deadshow/deadpod111811.mp3 I do have a few copies of the newly remastered Europe '72 CD with bonus tracks I can send out as a thank you to anyone who can contribute $50 or more to the Deadpod.. Please be so kind as to check out and support http://www.rkfx.com">Robert Keeley Electronics..thank You!
This week we have one of those great shows from 1971 - for a long time the only soundboard in circulation of this show only contained three songs - but luckily for us this has now surfaced and we have the pleasure of listening to this entire show.. I'll play the second set next week, but there's plenty to chew on here - notice of course the very last 'Easy Wind', and a fabulous 'Me & Bobby McGee'... Grateful Dead Manhattan Center New York, NYDate 4/4/71 - Sunday One Bertha ; Me And My Uncle ; Next Time You See Me ; Morning Dew ; Playing In The Band [4:20] ; Loser ; Easy Wind [8:55] ; Me And Bobby McGee ; Greatest Story Ever Told > Johnny B. GoodeYou can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod062008.mp3Have a wonderful week, and enjoy!!
This week a new soundboard release of the first of the five "retirement" shows from the Winterland from October of 1974. These justly famous shows were of course immortalized on "The Grateful Dead Movie" but deserve to be enjoyed individually as much as possible. Phil's spectacular playing more than makes up for Donna's occasional off-key wailing ;).Grateful Dead Winterland Arena San Francisco, CA 10/16/74 - WednesdayMexicali Blues ; It Must Have Been The Roses ; Beat It On Down The Line ; Scarlet Begonias ; Me And Bobby McGee ; Tennessee Jed ; Cumberland Blues ; Playing In The BandThis segment is what exists in soundboard format of the first set. I am very glad you enjoyed last week's complete show. I'll do it again - but am not sure that I could do so every week.. but keep your eyes open we'll do it again soon! As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod110907.mp3
t's not every week that I'm able to bring you such a classic yet unreleased show - this is from the justly famous Eurpoean tour of 1972 - from the Strand Lyceum in London England this is a tape that has just found the light of day. I think its an appropriate way to thank all of you who contributed to the show during the recent pledge drive. I can't thank you enough for your support..If you would like to support the Deadpod - just click on the 'make a donation' button on the right hand side of the blog.. Grateful Dead Strand Lyceum London, England5/25/72 - Thursday One The Promised Land ; Brown Eyed Women ; Big Boss Man ; Black Throated Wind ; Tennessee Jed ; Mr. Charlie ; Jack Straw ; China Cat Sunflower > I Know You Rider ; Me And Bobby McGee ; Good Lovin' ; Playing In The Band As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod101907.mp3Again thanks for your support... and enjoy !
One of my wonderful listeners wrote me to request this week's show and seeing as it is from the same great year for Dead music as the recently released Three from the Vault, I thought it would be a great listen for this week's deadpod. While I only have a portion of the show in good quality soundboard, I thought it was certainly worth sharing what I have. This show features a monster first set Dark Star as well as one of the all time great Not Fade Away->Goin' Down The Road Feelin' Bad->Not Fade Away jams. Grateful Dead Austin Municipal Auditorium Austin, TX 11/15/71 - MondayDark Star (1) [12:14] > El Paso [4:38] > Space [3:29] > Jam [3:59] ; Casey Jones [5:25] ;Ramble On Rose [5:56] ; Mexicali Blues [3:20] ; Brokedown Palace [5:13] ; Me And Bobby McGee [5:32] ; Cumberland Blues [5:18] ; Sugar Magnolia [6:54] ; You Win Again [2:18] ; Not Fade Away [3:57] > China Cat Sunflower Tease [0:37] > Jam [7:42] > Goin' Down The Road Feeling Bad [8:06] > Not Fade Away [3:05]You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod070607.mp3Enjoy and be well.. I always love hearing your comments and suggestions!
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