Podcasts about Arta

Par darbiem, kurus nesen Latvijas Nacionālais mākslas muzejs (LNMM) iegādājies savas laikmetīgās mākslas kolekcijas papildināšanai, par ilustrāciju kolekcijas nozīmi, kā arī par citām laikmetīgās mākslas aktualitātēm raidījumā "Mākslas vingrošana" sarunājas ilustratore Elīna Brasliņa, grafiķis Paulis Liepa, kura jaunāko darbu izstāde šobrīd aplūkojama galerijā "Māksla XO" un LNMM Laikmetīgās mākslas muzeja nodaļas vadītāja Arta Vārpa. Sarunu vada mākslas kritiķis Vilnis Vējš; pārraides producente – Inga Saksone.  Vilnis Vējš: Šodien parunāsim par aktuālajiem notikumiem mākslā, mākslas tirgū un konkrēti – par Latvijas Nacionālā mākslas muzeja jauniegādātajiem un arī senāk iegādātajiem darbiem. Arta, ar ko papildināta tevis pārraudzītā kolekcija? Arta Vārpa: Nākot uz radio studiju, pa ceļam iegriezos Pauļa Liepas izstādē, kuras nosaukums ir "Tirgošanās", un man šķiet, ka es uzminēju pirmo domas pavedienu, ko tu, Vilni, jau iezīmēji, ka muzejs savu kolekciju papildinājis ar nozīmīgiem jaunieguvumiem. Protams, uz muzeju nevaram lūkoties kā uz mākslas tirgus dalībnieku klasiskā izpratnē. Lai gan muzejs darbus iepērk, mēs tos glabājam nākotnei, visai sabiedrībai, tādēļ tirgošanās nav mūsu specifika. Toties mākslas ainas regulāra, iespējami sistemātiska pārraudzīšana un kolekcijas papildināšana gan ir viens no muzeja pamatuzdevumiem, kuram dažādos laika periodos esam varējuši pievērsties ar visai atšķirīgu rocību… Šobrīd, pastiprinot tieši laikmetīgās mākslas akcentu muzeja funkcijās, ir prieks par 2025. gada kopējo jaunieguvumu klāstu, kas aptvert gan glezniecību, gan grafiku, gan jaunus medijus un objektus. (..) Ar cik autoru darbiem esat papildinājuši savu kolekciju? Tie ir apmēram 40 autori – manuprāt, tas ir pieklājīgs autoru loks. Protams, ir autori, kuri muzeja krājumā jau līdz šim bijuši pārstāvēti, tikai ar cita perioda darbiem. 16 autori ir tādi, kuri muzeja krājumā nonāk pirmoreiz. Patlaban ļoti skaidri iezīmējas jauna mākslinieku paaudze, kas dzimusi vēlajos deviņdesmitajos gados un šobrīd sevi piesaka laikmetīgajā mākslā, darot to ļoti pārliecinoši un aktīvi. Un arī viņu – jaunākās paaudzes mākslinieku – darbi ienākuši Latvijas Nacionālā mākslas muzeja kolekcijā. Viena no māksliniecēm, kura bija ļoti priecīga un pagodināta par nonākšanu muzeja uzmanības lokā, vienlaikus gan bija arī noraizējusies: "Ak, vai! Bet kā būs nākotnē? Vai muzejs vēl kādreiz man pievērsīsies, vai arī tas būs tikai pēc divdesmit, trīsdesmit gadiem?" Bet tas ir ļoti labs jautājums! Pauli, var teikt, ka tu esi laikmetīgās mākslas kolekcijas veterāns, jo tavi darbi muzejā glabājas jau vairākus gadus – saskaitīju trīs vai četrus. Kā tev tas liek justies, izņemot to prieku un pagodinājumu, ko Arta jau minēja? Paulis Liepa: Prieks un pagodinājums – tas jā, bet kā veterāns nu galīgi nejūtos! Tas, ko daru – tā ir lieta, ko man patīk darīt un es to izbaudu. Bet ka ir cilvēki, kas gatavi par to izdot naudu un iekļaut savās kolekcijās – privātās vai valstiskās – tā man ir mistērija vēl joprojām... (Smaida.) Elīn, tu esi viena no jaunajiem autoriem, kuru darbi pirmoreiz iepirkti Nacionālā mākslas muzeja laikmetīgās mākslas kolekcijā. Turklāt – kaut arī pēc izglītības esi tāda pati grafiķe kā Paulis, tava darbības joma ir tieši ilustrācija, kas turpmāk muzejā tiks kolekcionēta kā laikmetīgā māksla. Kuri no taviem darbiem nonāca muzejā? Elīna Brasliņa: Tie ir divi senāki darbi no divām Luīzes Pastores grāmatām "Mākslas detektīvi" – no "Pēdējā ķēniņa" un "Svešinieku atnākšanas". Prieks un pagodinājums! Jo ar ilustrāciju dažbrīd ir tā, ka cilvēki – vai tā maz ir māksla? Bet, redz – piezvana muzejs un saka: mums interesē! Negaidīts pavērsiens, ka muzejs nopirka arī vienu mana zīmējumu cikla daļu: tie ir mātišķības un ikdienas pieredzei veltīti nelieli darbiņi akvareļzīmuļu tehnikā. Tā ka nu kolekcijā ir pārstāvēta gan Elīna kā māksliniece-ilustratore, gan Elīna kā [īsta] māksliniece. Arta, varbūt tu vari paskaidrot – ar ko īsti ilustrācija atšķiras no grafikas? Arta Vārpa: Man bija ļoti grūti noturēties un neiesaukties – protams, ka ilustrācija ir māksla! Piederīga laikmetīgajai mākslai! Mēs nevaram iedomāties mūsu mākslas vēstures klasiķu mantojumu bez ilustrācijas, kas ir grafikas pamats. Piemēram, Jāņa Jaunsudrabiņa zīmējumi jeb ilustrācijas "Baltajai grāmatai" iekļautas Latvijas kultūras kanonā, tāpat Niklāvs Strunke, Janis Rozentāls – tas, cik liela loma bijusi ilustrācijai šo dižgaru radošajā mantojumā, būtu atsevišķas sarunas vērts jautājums. Ilustrācija mums šobrīd ir ļoti spēcīga! Mūsu ilustratori gūst starptautiskus panākumus, viņi tiek ievēroti un godalgoti visā pasaulē. 20. gadsimta otrās puses grafikas kolekcijā Latvijas Nacionālajā mākslas muzejā atsevišķu ilustrācija veido atsevišķu grupu, un visticamāk, ka ekonomisku apsvērumu dēļ kopš deviņdesmitajiem gadiem tās sistemātiska papildināšana ir apsīkusi. Šis ir pēdējais brīdis, kad jāpievēršas arī šai jomai! Ilustratori, kuru darbi būtu iekļaujami Nacionālajā krājumā, ir vairāki, un mēs esam tikai sava ceļa sākumā, viņus uzrunājot un vērtējot, kam prioritāri ķerties klāt. Elīnas Brasliņas ilustrācijas Luīzes Pastores "Mākslas detektīviem" veido ļoti tiešu dialogu ar Nacionālā mākslas muzeja kolekciju, ar Niklāvu Strunki, ar Voldemāru Irbi, iedzīvinot gan viņu personības, gan arī nozīmīgus Nacionālās mākslas kolekcijas darbus. Piemēram, "Cilvēks, kas ieiet istabā" un vēl citi elementi – tos atpazīst gan bērni, gan pieaugušie, un tie ir mūsu vizuālās kultūras neatņemama sastāvdaļa. Pauli, tavā jaunākajā izstādē, kuras nosaukums ir "Tirgošanās", aplūkojami darbi, kas noteikti nav ilustrācijas. Tajos saskatāmi palielināti simboli. Skatītājiem, kuri ar tiem jau pazīstami, izstāde ir priecīga atkalredzēšanās. Tiem, kuri tos nepazīst, varbūt vari izstāstīt – kādas piktogrammas tu lieto savos darbos? Paulis Liepa: Nav tāda īpaša komplekta, ko parasti pielietotu... Tās atnāk pašas! Maģiskajā mirklī, kad tiek strādāts ar skici, pēkšņi pārņem sajūta – o, šajā kaut kas ir! Tad vajag tikai spēt pabeigt ideju, pacīnīties par milimetriem pa labi, pa kreisi, par krāsām un tā tālāk. Laikam tas iekšā krājies jau kādu laiku: gribējās iet tādu rupjo, vienkāršo ceļu, ar tādu kā cirvi izcirst to visu. Strādāt ar pēc iespējas vienkāršākiem līdzekļiem. Viens no principiem bija šāds: ja kaut kādas tehniskas lietas skicei vai idejai neļauj īsti notikt, jāiet cits ceļš, vienkārši jādara pēc iespējas rupjāk un vienkāršāk. "Tirgošanās" – tas ir nosaukums, kas bišķiņ "knieš". Es bieži eju to ceļu, ka izstādē, piemēram, ir desmit darbi, un nosaukums ir tāds kā vienpadsmitais darbs – brīva vieta vēl vienai nelielai izpausmei. Šajā gadījumā tirgošanās ir tāda kā laikmeta sazemēšana: nevis tirdzniecība, bet kaulēšanās, bakstīšanās – kad cilvēki "tirgojas" par krēslu pie loga autobusā. Tāda ņemšanās. Tas kaut kā izkristalizējās procesā, jo darbos šur tur ir dalījums X pret Y, apaļš pret kantainu, liels pret mazu. Estētika šeit ir kā karogi ar lieliem, trekniem krāsu laukumiem ar vienu ķeburu vidū, piemēram. (..) Vai mums tie "ķeburi" būtu jāatpazīst? Paulis Liepa: Nē. Tie nav kā ceļa zīmes. Tur daudz kas ir intuitīvi. Profesionāls mākslinieks vai skolotājs var mēģināt to visu vērtēt no kompozīcijas un līdzsvara viedokļa. Ir gan arī konkrētas lietas; vairākos darbos ienāk karš. Bet daudz kas uz klišejas un lina nosēdies intuitīvi.  Elīn, cik jauki, ka pārstāvi divas pozīcijās – esi gan patstāvīga māksliniece, gan ilustratore. Lai gan ilustrators visbiežāk izpilda kādu pasūtījumu, zinu, ka pēdējos pārdesmit gados ilustrācija ir tiktāl emancipējusies, ka ilustratori paši sacer tēmas, sižetus, komiksus un strādā pilnīgi neatkarīgi no šādiem pasūtījumiem. Elīna Brasliņa: Ilustratoram visbiežāk darbu pasūtītājs ir izdevniecība. Un ir izdevniecības, kas ilustratoram ļauj diezgan brīvu vaļu, zinot, kāds ir konkrētais mākslinieks un pilnībā uzticoties viņa vīzijai. Tāda bija mana pieredze, nupat strādājot pie izdevniecības "Liels un mazs" pasūtījuma – Ingas Gailes tūdaļ iznākošā dzejas krājuma "Reiz divas meitenes, māte un priecīgs Dievs" ilustrācijām. Sākumā man bija ideja, ka katram dzejolim gribēšu iespēt kādu mākslas atsauci, taču vienā brīdī sapratu, ka tas ir pašmērķīgi un varbūt nevajag. Taču kādas piecas, sešas atsauces uz pasaules glezniecības darbiem tur ir, turklāt tās ir dažādas grūtības pakāpes – tie, kuri pirks un lasīs šo grāmatu, varēs meklēt. Šī sadarbība ir pozitīvais piemērs. Mazāk pozitīvs piemērs – tikko man bija sarakste ar vienu žurnālu, kurā bija kaulēšanās par to, vai mammas rokas ir vai nav pietiekoši tievas, vai ir par daudz tetovējumu, vai to ir par maz... Tā kā tas spektrs ir no viena gala līdz otram, un māksliniekam pašam jāizsver, ar ko viņš grib vai negrib ielaisties. Bet jūsu minētais emancipētais ilustrators, kas pats rada pats savu stāstu, ārpus Latvijas ir pazīstams samērā sen. Arī Latvijā šādu piemēru rodas arvien vairāk un vairāk. Tas bija arī mans ceļš – kaut kādā mērā nonākt līdz emancipācijai. Vairāk nekā desmit gadu garumā ilustrējot citu cilvēku stāstus, beidzot nonācu pie tā, ka man ir mans stāsts, ko gribu izstāstīt. Jo lieta jau ir arī tāda, ka bērnu grāmatu ir šausmīgi daudz – varbūt pat pārāk daudz. Un tad, kad domāju par savām grāmatām, ko gribētu laist pasaulē, rodas jautājums, vai tās ir vajadzīgas? Ja ir sajūta, ka ir vajadzīgas, tad – jā, tad jāķeras klāt.  Radīt pašam savu darbu bez teksta – droši vien tas šaubas vērš vēl lielākas, vai tas ir vajadzīgs? Elīna Brasliņa: Manas grāmatas gadījumā bija tā: līdz ar to, ka primāri esmu zīmētāja, ilustratore, sāku ar attēliem. Un stāsts ar mazu palīdzību no malas kaut kā tika salīmēts. Tas stāsts ir ļoti nosacīts un ļoti virspusējs. Uz to norādījuši recenzenti – ka kaut ko var saprast, un kaut ko nevar saprast. Bet tas nemaz nav slikti, ka ir grāmatas, kas izaug no attēliem. No tā, ko minēja Paulis – ka sāc ar skici, un skaties, kas darbojas un kas nedarbojas. Pieļauju, ka arī rakstniekam ir skice – sajūtas skice, ko noķert vārdos. Vārdi nav mans medijs. Mans medijs ir attēls. Un tad, izrādās, tā grāmata var tapt! Saruna pilnā apjomā teksta formātā drīzumā būs lasāma portālā lsm.lv.

Anne Enright este o scriitoare care știe să te cucerească de la primele rînduri. Prin finețea și subtilitatea observațiilor, în combinație cu un umor special. În romanul „Actrița” (Humanitas Fiction, trad. Iulia Gorzo), fiica unei vedete a Irlandei îi scrie și își scrie povestea. Norah ne vorbește despre mama ei, marea actriță Katherine O'Dell, dar ne vorbește și despre ea însăși. Una dintre temele importante ale cărții este relația mamă-fiică. O relație problematică, între o mamă adorată de toată lumea, dar nefericită, și fiica, iubită, dar care crește fără tată, în umbra acestei femei în jurul căreia roiesc diverse personaje. Am vorbit cu traducătoarea cărții, Iulia Gorzo, despre lumea construită de Anne Enright în acest roman, o lume populată de personaje din lumea teatrului și filmului, despre țesătura narativă densă, „fără cusături”, despre emoția și sensibilitatea cu care știe să se apropie scriitoarea de personajele sale. Iulia Gorzo: „Sînt cei doi poli în viața ei: mama asta strivitoare și absența tatălui. La fel de strivitoare. Norah crește cu acești doi monștri în viața ei. De ce îmi place mie foarte mult Anne Enright? Vorbește despre lucruri extrem de grele – că iată, personajul crește cu o mamă problematică, greu de cunoscut, care și înnebunește pînă la urmă, și cu un tată absent – și totuși nici o secundă personajul ăsta, Norah, nu este redus la traumă sau la ideea de traumă. Este un om care trăiește, gîndește și încearcă să înțeleagă. Îmi place foarte mult asta și îmi plac zonele de gri, faptul că apar oameni care comit fapte abominabile, dar nici măcar ăia nu sînt schematizați sau reduși la fapta lor reprobabilă. Sînt personaje cu foarte multe nuanțe. Mi se pare aproape miraculos să avem în epoca asta superficială și mai ales în discursul ăsta public saturat de psihologie pop, mi se pare minunat să avem o autoare care vorbește despre lucruri grele cu atîta subtilitate și care ne lasă pe noi să citim și să cunoaștem personajele așa cum am cunoaște niște oameni.”Apasă PLAY pentru a asculta întreaga discuție!O emisiune de Adela GreceanuUn produs Radio România Cultural

「オートバックスが「シビック・タイプR」のカスタムモデル「ARTA GT FL5」を公開」　オートバックスセブンは、同社が展開するレーシングスポーツブランド「ARTA」より、シビック・タイプRをカスタムした「ARTA GT FL5」を発表し、幕張メッセで開催された「東京オートサロン2026」にて初公開した。さらに、同車両をベースにしたコンプリートキットを20台限定で発売することを発表した。SUPER GTで培ったノウハウを惜しみなく投入ARTA（AUTOBACS RACING TEAM AGURI）は、SUPER GTをはじめ国内トップカテゴリーで活躍するレーシングチームであり、アパレルやカー用品などを展開するレーシングスポーツブランド。今回のカスタムカー開発は「ARTAのレースマシンを公道へ」をテーマに、レースファンが憧れる究極のカスタムカーを目指した。ベース車両には、SUPER GT GT500クラス参戦車両と同様にシビック・タイプRを採用。開発は、鈴木亜久里氏と土屋圭市氏が主体となり、デザインとパフォーマンスパーツを厳選。さらに現役ドライバー野尻智紀選手がサーキットで試作車をセットアップし、SUPER GTで培ったノウハウが惜しみなく投入された。その「見た目」と「走り」の両方に妥協のない仕上がりを実現している。【マシンデザイン＆性能の特徴】・大開口フロントマスクによるダウンフォースと冷却効率の向上・オーバーフェンダーに組み込まれたエアアウトレット付きダクト・タービンやサスペンションもトータルでチューンアップ・迫力あるリアディフューザーとスワンネックGTウイング・公道はもちろん、サーキットでの限界性能を引き出す仕様https://youtu.be/jS4X7AhAY-c【メーカー希望小売価格】予定価格：13,500,000円（税抜）関連情報：https://arta.autobacs.com/custom-car構成／土屋嘉久

Send us a textWelcome back to The Employee Handbook (formerly the HR Podcast—we changed it for the SEO, let's see if it works). To kick off 2026, Arta and Ryan take a trip north of the border to analyze a case that involves contract law, trade shows, and copious amounts of baby oil.We examine Newsham v. CanWest Trade Shows, where a male exotic dancer suffered a knee injury after slipping on stage. While the Canadian courts ruled one way, we break down why California's "ABC Test" would view this "artistic pursuit" very differently.Whether you are running a trade show, an accounting firm, or a trampoline park, this episode is a masterclass in why you cannot simply "waive" away negligence. We discuss the critical differences between invitees and trespassers, why the Workers' Compensation system is actually an employer's safety net, and why—in California—that independent contractor is probably legally your employee.In this episode:The ABC Test: Why doing business in California means almost everyone is an employee (especially if they are central to your show).Premises Liability: From body paint to carpet types, who is responsible when the stage gets slippery?Waivers vs. Reality: Why you can't contract out of ordinary negligence, no matter what the paper says.Civil Suit vs. Workers' Comp: Why staying out of civil court is worth the insurance premiums.Disclaimer: The hosts of this podcast are licensed attorneys, but they are not your attorneys. This episode is for entertainment purposes only.

Send us a textThe world's largest HR organization just paid $11.5 million for violating its own rules.SHRM—the Society for Human Resource Management—literally writes the certification exams, publishes the best practices, and trains HR professionals worldwide on how to handle workplace discrimination complaints. Then they got sued for racial discrimination and retaliation by one of their own employees. And lost. Badly.In this episode, Arta and Ryan break down Muhammad v. Society for Human Resource Management, a federal case out of Colorado where a jury awarded $1.5 million in compensatory damages and slapped on $10 million in punitives after deliberating for just four and a half hours.The facts read like a checklist of what not to do:Complaints escalated through proper channels while the company's response became evidence against themThe "investigator" had never conducted a discrimination investigation before and couldn't recall his trainingThat same investigator was simultaneously ghostwriting emails for the accused supervisorA Black employee who raised similar complaints was terminated 17 days laterThe plaintiff was suddenly hit with "non-negotiable" deadlines for the first time—right after complainingThe court found SHRM "produced no facts showing that it actually investigated"We cover what employers should actually do when facing discrimination complaints, why company size matters for determining "reasonable" responses, how California's new intersectionality law changes the analysis, and the brutal irony of an HR company becoming a case study in exactly what they teach others to avoid.

ARTA INDIANOCEANIKA : Une plateforme artistique au service de l'identité créole by TOPFM MAURITIUS

În 2019, la Art Basel, vizitatorii au putut vedea, printre multe lucrări de artă expuse acolo, o banană lipită cu scotch pe un zid. Este asta artă? Pentru a înțelege exprimarea artistică contemporană, avem întâlnire cu Răzvan Boar, artist vizual şi profesor cu o experienţă de peste 15 ani în domeniul artelor vizuale, și care în ianuarie ne invită la Fundația Calea Victoriei să participam la un curs, un ghid prin arta modernă şi contemporană. Născut în 1982, la Lugoj, Răzvan Boar şi-a demonstrat rezilienţa şi capacitatea creativă în realizarea de noi lucrări. Absolvent al Universităţii Naţionale de Arte din Bucureşti, cu studii de doctorat, a conceput, pentru elevi de gimnaziu şi liceu, lecţii şi teme care îmbină activităţi practice şi istoria artei — şi a organizat ateliere şi cursuri în România şi în străinătate. Este unul dintre artiştii reprezentaţi de Galeria de Artă Nicodim.  Înscrieri și amănunte despre cursul pe care îl susține Răzvan Boar la Fundația Calea Victoriei găsiţi aici.

Dragoș Rouă este genul de om care trăiește mai multe vieți într-una singură. Născut în România, a început să scrie cod în copilărie și a crescut profesional într-o perioadă de tranziție pentru toată țara între haosul post-comunist și explozia digitală a anilor 2000.A fondat portaluri web, a vândut o companie, a trecut prin eșecuri și a decis, după ani de muncă și de rutină, să-și schimbe radical viața. A plecat din România la peste 40 de ani, mai întâi în Spania, apoi în Portugalia, în Coreea de Sud și, în cele din urmă, în Vietnam. Acolo locuiește astăzi, e tată, antreprenor, fost programator și proprietar de bar.Mutările lui nu sunt despre fugă, ci despre curiozitate. Spune că, de fiecare dată când schimbi țara, crește entropia - apare mai mult haos, dar și mai multă claritate despre tine însuți. Iar haosul, privit prin această lentilă, devine un exercițiu de adaptare.00:00 Intro03:12 Podcast00:05:29 De ce a plecat din România00:08:54 Alegerea Spaniei și testul de 2 săptămâni00:13:01 Ce lași în urmă când te muți00:16:31 Mutarea în Portugalia00:22:39 Cum a ajuns în Coreea00:30:57 Entropia mutării și haosul începuturilor00:32:07 Ce mai înseamnă acasă00:36:49 Viața în Vietnam și barul The Fate

Priekšlikumi nākamā gada budžetā par Sabiedrības integrācijas fonda (SIF) finansējumu uzjundīja diskusiju arī par Mediju atbalsta fonda darbību, kas darbojas SIF ietvaros. Jāatzīst, ka arī pašu mediju starpā ne tuvu nav vienprātības par to, kā šim fondam jādarbojas ideālajā variantā, daudz strīdu ir bijis arī iepriekš. Bet līdzās tam arī no citām pusēm izskan jautājumi, vai un kā valstij jāatbalsta privātie mediji? Krustpunktā mēģinām rast atbildes uz šiem jautājumiem. Diskutē Reģionālo mediju asociācijas valdes priekšsēdētāja Ivonna Plaude, Latvijas Žurnālistu asociācijas valdes locekle Arta Ģiga, Saeimas Cilvēktiesību un sabiedrisko lietu komisijas Mediju politikas apakškomisijas sekretārs Gatis Liepiņš (Jaunā Vienotība) un Saeimas Cilvēktiesību un sabiedrisko lietu komisijas Mediju politikas apakškomisijas deputāts Artūrs Butāns (Nacionālā apvienība).   

Priekšlikumi nākamā gada budžetā par Sabiedrības integrācijas fonda (SIF) finansējumu uzjundīja diskusiju arī par Mediju atbalsta fonda darbību, kas darbojas SIF ietvaros. Jāatzīst, ka arī pašu mediju starpā ne tuvu nav vienprātības par to, kā šim fondam jādarbojas ideālajā variantā, daudz strīdu ir bijis arī iepriekš. Bet līdzās tam arī no citām pusēm izskan jautājumi, vai un kā valstij jāatbalsta privātie mediji? Krustpunktā mēģinām rast atbildes uz šiem jautājumiem. Diskutē Reģionālo mediju asociācijas valdes priekšsēdētāja Ivonna Plaude, Latvijas Žurnālistu asociācijas valdes locekle Arta Ģiga, Saeimas Cilvēktiesību un sabiedrisko lietu komisijas Mediju politikas apakškomisijas sekretārs Gatis Liepiņš (Jaunā Vienotība) un Saeimas Cilvēktiesību un sabiedrisko lietu komisijas Mediju politikas apakškomisijas deputāts Artūrs Butāns (Nacionālā apvienība).   

În acest episod din seria BT Talks, Aneta Bogdan, fondatoare Brandient și una dintre cele mai influente voci în branding din Europa, discută despre ce înseamnă cu adevărat brandingul: nu doar logo-uri și culori, ci construcția strategică a reputației și valorii unei companii. Printre subiectele abordate se numără și diferența dintre brand și reputație, provocările brandingului în România, brandingul personal vs. brandingul de companie, dar și sfaturi pentru antreprenori: cum să abordeze brandingul de la început, cu claritate și curaj. Nu rata o lecție gratuită de branding de la unul dintre reperele în industria de branding din Europa. Made with ❤️ from BT.

Over $80 trillion in global wealth is moving to a younger, more digital generation. But who will manage it—and how will AI, trust, and technology reshape investing?In this episode of Couchonomics with Arjun, Caesar Sengupta, Co-Founder and CEO of Arta Finance (backed by Eric Schmidt, Peak XV, and Ribbit Capital), shares how his company is democratizing wealth management—bringing institutional-grade investing to millions worldwide.Discover how AI is redefining advice, why trust matters more than ever, and how digital platforms like Arta x Wio are changing the game for banks, advisors, and investors alike.

Arta blends house, deep tech, and tech house in a groove heavy mix recorded at her pop up event inside of a coffee shop. Listen on to hear unreleased IDs, a collaboration with Lizwi and tracks from artists like Prunk, Shermanology, Thomas Newsom and more!

Welcome to the CanadianSME Small Business Podcast, hosted by Kripa Anand.In today's episode of AI for SMBs, we're diving into the world of AI-powered search engines with Naeem Komeilipoor, Founder and CEO of Findora. Findora is Canada's first AI-powered, human-centered search engine, delivering ad-free, private, and trustworthy answers across various sources. We'll discuss its mission to rebuild trust in search, the AI solutions it offers, and how it's making AI tools secure and private for both individuals and enterprises.Key Highlights:1. Canada's First AI Search Engine: Rebuilding Trust in How We Search: Naeem discusses the inspiration behind Findora and how it offers ad-free, unbiased, and privacy-first answers.2. AI Solutions with Real Impact: A look at Findora's AI tools like ARTA and DANA, and how they help individuals and organizations navigate complex information landscapes.3. Secure, Private AI for Everyday and Enterprise Use: Naeem explains how Findora's technology offers secure, bilingual, and role-based AI models for businesses, hospitals, and government agencies.4. The TEDx Talk Inspiration: Naeem shares how his TEDx talk on the dangers of AI shifted his focus from awareness to building real solutions with Findora.5. The Future of Search and AI: Naeem discusses the future of search and AI, and how Findora is positioning itself to lead this change with its mission for verified knowledge and digital dignity.Special Thanks to Our Partners:RBC: https://www.rbcroyalbank.com/dms/business/accounts/beyond-banking/index.htmlUPS: https://solutions.ups.com/ca-beunstoppable.html?WT.mc_id=BUSMEWAGoogle: https://www.google.ca/A1 Global College: https://a1globalcollege.ca/ADP Canada: https://www.adp.ca/en.aspxFor more expert insights, visit www.canadiansme.ca and subscribe to the CanadianSME Small Business Magazine. Stay innovative, stay informed, and thrive in the digital age!Disclaimer: The information shared in this podcast is for general informational purposes only and should not be considered as direct financial or business advice. Always consult with a qualified professional for advice specific to your situation.

În episodul de azi vorbim cu R și M, doi membrx ai colectivului care organizează Piața Autonomă Cluj (PAC). În prima pare invitatx ne descriu principiile de autoorganizare, ajutor reciproc și antimilitarizare care stau la baza acțiunilor de tip Food Not Bomb (FNB). PAC-ul este o extensie al FNB, prin faptul că pe lângă distribuirea de mâncare se organizează și activități conexe: un schimb de haine, ateliere, cursuri de limbă etc, toate oferite gratis. A doua parte a discuției se axează pe detaliile logistice a modului în care se organizează colectivul, cu speranța că aceste informații să ajute și alte grupuri în a organiza FNB sau piețe autonome în orașele lor. ===== Re(Sources): Piața Autonomă Cluj fb: https://www.facebook.com/piata.autonoma.cluj ig: https://www.instagram.com/food.not.bombs.cluj/ linktree: https://linktr.ee/food.not.bombs.cluj Colecție de texte despre Food Not Bombs: https://theanarchistlibrary.org/category/topic/food-not-bombs Arta: photo editat de Grecu Muzica: Napocalipsa, de Bezna Minții https://www.youtube.com/watch?v=huXWIHkHwZg https://www.instagram.com/bezna.mintii/ https://www.beznamintii.bandcamp.com

În acest episod din seria Vorbitorincii LEADERS, galeristul și curatorul Dan Popescu intră în dialog cu Cătălin Striblea despre provocările și bucuriile artei contemporane românești. Absolvent de filozofie, Dan a fondat în 2002 Galeria H'Art, un spațiu care a devenit reper și teren de întâlnire între generații artistice.Cu pasiune și luciditate, vorbește despre scandalul expoziției de la Malmaison, unde simbolurile naziste ale controversatului Sorin Tara (von Neudorf) au stârnit aprige dezbateri, despre coconi - simbolurile grupărilor sanatinsite cum s-au explimat jurnaliștii de la Antena 1 la acel moment și despre loialitatea sa față de artiști precum Gorzo, Mocanu, Comănescu și alții. Un dialog despre misiune, reziliență și felul în care arta poate fi „cel mai scurt drum spre fericire”. 00:02:00 Exercițiu de artă contemporană la LEADERS 00:08:08 Artă conceptuală - banana lipită cu bandă adezivă de un perete - Imagine simbol 00:15:38 Povestea lui Ion Bîrlădeanu, un om al străzii 00:31:00 Piața de artă în România 00:42:34 Coloana Infinitului de Constantin Brâncuși 00:56:40 Mesajele lui Gili Mocanu 01:06:00 Arta întoarce totul în favoarea ta 01:16:56 Ion Grigorescu și simbolurile eternei reîntoarceri 01:28:00 Valoarea comercială versus valoarea culturala  01:38:00 Simbolurile sataniștilor au împânzit Bucureștiul  01:46:29 Mega scandalul din anul Ștefan cel Mare 01:59:43 Cel mai mare scandal de artă - 2025 02:17:00 De ce este Dumitru Gorzo un artist mare

What does it feel like to witness one's mother tongue in the throes of extinction? As Carmina and Patch discover, there are many of the almost 200 Filipino languages that are endangered. Yet, there is hope. There are revival efforts afoot in the form of community-based projects, cinema, and artificial intelligence, thanks to those who believe these languages are worth saving. Lastly, learn entertaining facts and trivia they've collected along the way!Learn more: Buwan ng Wika: Celebrating Filipino Language Month, The Buwan ng Wika debate, Komisyon sa Wikang Filipino, Ethnologue, Historical Context of Education and Language Policies in the Philippines, OPINION: Revaluating Regionalism, Revaluing Our Languages-Or Why We Need to Advance Linguistic Democracy, UNESCO Levels of Language Vitality, A documentation and description of the Arta language, Opinion: AI will revive endangered languages, Filipina creates AI platform that preserves nearly extinct Filipino languages, Longest Filipino Word, Tagalog Language Origin, Endangered Languages In The Philippines, Deped Use Both English and Filipino, and Film Depicting Panay Epic.Visit https://filtrip.buzzsprout.com. Drop a note at thefiltrip@gmail.com. Thanks to FilTrip's sponsor SOLEPACK. Visit thesolepack.com for more details.See https://www.buzzsprout.com/privacy for Privacy Policy.

Światowy fenomen franczyzy „Terrifier” zaskoczył wszystkich – twórców, krytyków oraz odbiorców. Krwawe przygody klauna Arta wprowadziły nową falę kina gore na kinowe ekrany. Wiadomo, filmowa przemoc to nic nowego, ale chyba po raz pierwszy stała się ona tak dostępna i wyrazista w głównym nurcie. Ale stylistyka gore niejedno ma oblicze. Od formalnych eksperymentów i kino podziemia. Przez zadumę nad kruchością ludzkiego ciała, w ekspansji torture porn. Po szokowanie dla szokowania? Prześledzimy rozwój technologiczny i spróbujemy odpowiedzieć na pytanie, czy efekty specjalne prowokują twórców do coraz większego zwyrodnialstwa? Potaplamy się w krwi i flakach przywołując klasyczne sceny i nieodkryte perły. Zastanowimy się, co o nas jako odbiorcach mówi uwielbienie krwawych atrakcji?Z racji na drastyczność części slajdów nie znajdziecie ich bezpośrednio na YT, ale zainteresowanych zachęcamy do pobrania prezentacji klikając tutaj.

Keputusan Satria Arta Kumbara, mantan anggota Marinir Indonesia yang menandatangani kontrak dengan Kementerian Pertahanan Rusia sebagai tentara relawan Rusia, bukan hanya berakibat hilangnya keanggotan sebagai Tentara Nasional Indonesia Angkatan Laut (TNI AL), namun juga berakibat pada hilangnya status kewarganegaraan Indonesia. Kabar mengenai adanya keinginan tentara relawan Rusia, Satria Arta Kumbara ingin kembali menjadi warga Indonesia menjadi kontroversi. Belum diketahui pasti apakah status Arta saat ini adalah sebagai WN Russia atau “stateless” ( tanpa kewarganegaraan ) Wawancara dengan Pakar Hukum Keimigrasian dari Politeknik Imigrasi, Kementerian Imigrasi dan Pemasyarakatan, Dr. M. Alvi Syahrin, S.H., M.H., C.L.A.

Retorica este un instrument foarte preţios. Ea structurează comunicarea, iar comunicarea este esenţială pentru oameni. Mario Barangea este unul dintre cei mai carismatici şi apreciaţi lectori ai Fundației Calea Victoriei, doctorand al Facultăţii de Filosofie, care deţine şi un master în Studii Religioase, o licenţă şi un master în Filosofie, toate la Universitatea din Bucureşti, propune un curs numit "Atelier de Retorică", curs care se va desfășura în perioada 7 - 11 iulie. Istoria retoricii începe în perioada clasică a Greciei antice şi continuă apoi de-a lungul existenţei civilizaţiei romane. Perioada începuturilor este şi cea mai importantă sub aspect teoretic. O marcă a celei mai rafinate forme de educaţie, retorica a fost centrul de greutate al procesului de instruire. Arta de a vorbi îngrijit, cu atenţie la detalii şi efecte, dar nu artificial sau greoi, a rămas până astăzi un pilon al inteligenţei sociale. Retorica e singura tehnică ce oferă vizibilitate ideilor noastre. Evident că în doar cinci întâlniri nu putem devoala complet secretele acestei arte. Pe lângă elemente esenţiale de istoria retoricii şi îndeajuns de multe cunoştinţe teoretice cât să trecem la lucru, vă voi propune mai ales exerciţii practice. "Atelier de Retorică: arta discursului", curs susținut de Mario Barangea la Fundația Calea Victoriei, începe în 7 iulie.

Çdo mëngjes zgjohuni me “Wake Up”, programi i njëkohshëm radio-televiziv i “Top Channel” e “Top Albania Radio”, në thelb ka përcjelljen e informacionit më të nevojshëm për mëngjesin. Në “Wake Up” gjeni leximin e gazetave, analiza të ndryshme, informacione utilitare, këmbimin valuator, parashikimin e motit, biseda me të ftuarit në studio për tema të aktualitetit, nga jeta e përditshme urbane e deri tek arti dhe spektakli si dhe personazhe interesantë. Zgjimi në “Wake Up” është ritmik dhe me buzëqeshje. Gjatë tri orëve të transmetimit, na shoqëron edhe muzika më e mirë, e huaj dhe shqiptare.

Draft for $1,500,000 on UnderDog Fantasy & Get A $1,000 Deposit Bonus With A FREE Pick 'Em Bonus Entry:  https://play.underdogfantasy.com/p-davis-mattek Davis Mattek is joined by Brian Hooper to discuss a wide array of very online topics GET 10% OFF RUN THE SIMS W/ CODE "ENDGAME": www.runthesims.com Davis Mattek and Connor Allen do a complete round 1 NFL mock draft!    Try Out UNABATED'S Premium Sports Betting + DFS Pick 'Em Tools: https://unabated.com/?ref=davis Draft for $1,500,000 on UnderDog Fantasy & Get A $1,000 Deposit Bonus With A FREE Pick 'Em Bonus Entry:  https://play.underdogfantasy.com/p-davis-mattek  Try Out UNABATED'S Premium Sports Betting + DFS Pick 'Em Tools: https://unabated.com/?ref=davis  Sign up for premium fantasy football content and get exclusive Discord access: www.patreon.com/davismattek  Subscribe to the AutoMattek Absolutes Newsletter: https://automattekabsolutes.beehiiv.com/  Download THE DRAFT CADDY: https://endgamesyndicate.com/membership-levels/?pa=DavisMattek  Audio-Only Podcast Feed For All Davis Mattek Streams: https://podcasts.apple.com/us/podcast/grinding-the-variance-a-davis-mattek-fantasy-football-pod/id1756145256   Timestamps:00:00 Will Best Ball Survive Real Time Assistance4:40 Games Get Harder…That is life11:50 What if you actually created a solver for best ball?16:00 Being biased towards the tools…Are we grifters?22:15 The Underdog Statement On Draft Tools29:30 Are you throwing away money if you do not have aRTA draft tools?  37:00 Davis Mattek The Sellout43:30 How do you define EV in best ball tournaments?  50:30 How many people will change how they feel about best ball

Çdo mëngjes zgjohuni me “Wake Up”, programi i njëkohshëm radio-televiziv i “Top Channel” e “Top Albania Radio”, në thelb ka përcjelljen e informacionit më të nevojshëm për mëngjesin. Në “Wake Up” gjeni leximin e gazetave, analiza të ndryshme, informacione utilitare, këmbimin valuator, parashikimin e motit, biseda me të ftuarit në studio për tema të aktualitetit, nga jeta e përditshme urbane e deri tek arti dhe spektakli si dhe personazhe interesantë. Zgjimi në “Wake Up” është ritmik dhe me buzëqeshje. Gjatë tri orëve të transmetimit, na shoqëron edhe muzika më e mirë, e huaj dhe shqiptare. 

“'S Wonderful! 'S Marvelous!” – An American in Paris (1951)This week, we step into the dreamlike Technicolor world of An American in Paris with special guest Arlene Hellerman. A Publications Associate for Broadway Licensing Global, Arlene brings a multifaceted perspective shaped by a career spanning theatre, film, television, broadcast news, and print journalism.Together, we explore how Vincente Minnelli's 1951 musical turned Gershwin's music and Gene Kelly's choreography into a lavish cinematic spectacle—culminating in one of the most ambitious ballet sequences in film history.An American in Paris (1951) was directed by Vincente Minnelli and stars Gene Kelly and Leslie CaronSelected to the National Film Registry in 1993Known for:Its 17-minute ballet finale inspired by French impressionist artA seamless blend of Gershwin's music with vivid choreography and designWinning six Academy Awards, including Best PictureDiscussion topics include:The film's legacy in shaping the movie musicalIts stylized depiction of postwar ParisThe interplay between fine art and popular culture in Minnelli's visionFeaturing special guest:Arlene Hellerman, Publications Associate for Broadway Licensing Global, whose career spans theatre, film, TV, broadcast news, and print journalism Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Join Valentine and Klara for a networking invitation and as they unpack the topic for the upcoming Safe Spaces Exhibition! YOU HAVE TO BE A PRINCESS TO BE A QUEEN. How do you feel it? Join the conversation!@safespaces.art www.safespaces.artA special shoutout to Kristi Lei for our mood-setting Art Sisters jingle!Featuring: Valentine Svihalek, Klara Siska at Vitom BrnoSupport the show

www.keenonyoga.com  | @adam_keen_ashtanga "Dharma is our navigator in life." Adam delves into the concept of Dharma, exploring its significance in yoga philosophy and its practical applications in modern life. He discusses the challenges of defining Dharma today, the impact of Karma on our actions, and the ethical implications of following one's Dharma. Adam emphasizes the importance of acting without attachment to the results and encourages listeners to find their own path amidst the complexities of contemporary life. Listen on Podcast Apple podcast:  https://podcasts.apple.com/us/podcast/keen-on-yoga-podcast/id1509303411 Spotify: https://open.spotify.com/show/5iM9lcw52JskHUZ2eFvVxN Watch Episodes on YouTube: https://www.youtube.com/@keenonyoga Support Keen on Yoga: Subscribe, like and share our videos Buy us a coffee: https://www.buymeacoffee.com/infoRf Patrons €10 per month: https://www.keenonyoga.com/patrons/ Follow Adam Website: www.keenonyoga.com Instagram:  @keen_on_yoga | @adam_keen_ashtanga Key Notes ·      Dharma serves as our code of conduct in the world. ·      Acting without desire for the fruits of the action is essential. ·      Material action is often unsatisfactory and leads to confusion. ·      Dharma is about achieving Sukha, a state of ease. ·      Our emotions significantly influence our decision-making. ·      Defining Dharma in modern times is complex and challenging. ·      One must act with the highest perspective in mind. ·      We cannot take on others' responsibilities; we must focus on our own Dharma. ·      Dharma can be misinterpreted to justify unethical actions. ·      Finding one's Dharma requires introspection and awareness of current responsibilities. Chapters 00:00 Exploring Dharma: An Introduction 02:38 The Concept of Dharma in the Bhagavad Gita 05:28 Karma and Its Influence on Dharma 08:21 The Challenges of Defining Modern Dharma 11:25 Practical Applications of Dharma in Daily Life 14:20 The Ethical Implications of Dharma 17:02 Finding Your Dharma in a Complex World 19:31 The Balance of Action and Non-Attachment 23:03 Understanding Suka and Duuka: The Nature of Satisfaction 24:37 The Role of Dharma and Karma in Life 27:23 Navigating Life's Challenges: Intuition and Dharma 29:39 The Four Pillars of Life: Dharma, Arta, Karma, and Moksha      

Arta Majd is an entertainment attorney who has worked with labels, independent artists and industry professionals to protect their rights, negotiate better deals, and avoid the common pitfalls that ruin careers. In this episode, he breaks down the biggest mistakes artists make when signing contracts, why legal knowledge is just as important as branding and marketing, and when you should bring a lawyer onto your team.We also dive into the realities of the music business—how deals are structured, the hidden clauses that can lock you in for years, and how to navigate negotiations like a pro. Whether you're an up-and-coming artist or already deep in the industry, this episode is a must-listen if you want to protect your future and take full control of your career.Follow and connect with Arta here:https://www.artamajd.comhttps://www.instagram.com/artamajdesqFollow Nik Cherwink here:https://www.instagram.com/nikcherwinkAnd visit my site to join the mailing list or book a free coaching call:https://www.nikcherwink.com

In this episode, we sit down with Steve Welch, a veteran of the rafting industry who began his journey as a guide in 1978 and then served as the General Manager for ARTA before retiring. Steve shares his incredible stories, insights, and reflections on over four decades in the industry. About Steve Welch: Steve Welch, a longtime guide and former General Manager for ARTA, retired after decades of shaping the rafting industry. He is currently working on his upcoming novel, Slate Creek, and is involved with the Class III Rowing Schools for NWRC. Key Topics Discussed: Steve's early years in rafting, including his first adventures on four of the best rivers in the western U.S. The appeal of guiding and what first drew Steve to this unique career. ARTA's founding and its ongoing commitment to environmental stewardship and protecting public lands. How the rafting industry has progressed over his time in it. The importance of disconnecting from technology on the river and how self-bailing boats changed the game for guides.

Programi traditë i ditës së fundit të vitit rikthehet edhe këtë herë dhe ndoshta ky është një nga momentet më të shumëpritura për të gjithë ju. E si mund të mbyllet ndryshe ky vit, përveç se nën tingujt e muzikës më të mirë të 2024 dhe me të ftuar mjaft të veçantë. Një mesazh zanor ka ardhur nga këngëtarja Arta Kabashi.

I ftuar në emisionin “Back to the Beginning” me Kozeta Kurtin në Top Albania Radio në këtë episod ka qenë një prej bashkëthemeluesve të grupit “Djemtë e Detit”, Valentin Markvukaj. Një prej gurpeve më të njohur të viteve ’90-të, që arritën që në atë kohë të ishin kaq ndryshe në muzikë, në performancë dhe në look. Artisti ka zbuluar gjithçka…

NEWS: ARTA names regulatory champions | Dec. 9, 2024Visit our website at https://www.manilatimes.netFollow us:Facebook - https://tmt.ph/facebookInstagram - https://tmt.ph/instagramTwitter - https://tmt.ph/twitterDailyMotion - https://tmt.ph/dailymotionSubscribe to our Digital Edition - https://tmt.ph/digitalSign up to our newsletters: https://tmt.ph/newslettersCheck out our Podcasts:Spotify - https://tmt.ph/spotifyApple Podcasts - https://tmt.ph/applepodcastsAmazon Music - https://tmt.ph/amazonmusicDeezer: https://tmt.ph/deezerStitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein#TheManilaTimes Hosted on Acast. See acast.com/privacy for more information.

Pastor Hakan and Arta share with us this morning as we continue our series titled The Greatest Commandments.

They take inspiration from quant funds and are using sophisticated AI tools for a conversational approach to investing. How does Arta Finance provide accredited investors access to a bespoke investing environment? Michelle Martin finds out in conversation with Caesar Sengupta, CEO and Co-Founder, Arta Finance. Listen to hear what the 90 million raised will be going to, how Arta is able to offer accredited investors access to products typically reserved for the wealthy and more of its plans to democratise  investment opportunities for retail investors right here in Singapore. We also learn about Caeser's views AI as an investing theme and what he learnt on leadership from working with Google's Sundar Pichai.See omnystudio.com/listener for privacy information.

Petonela Rotar prefațează la Fain & Simplu a 8-a sa carte: ‚Totul e în regulă în mine și în lume'.Viața Petronelei este o reală călătorie. Prin spațiu, dar mai ales una profundă, interioară, o căutare a identității și modului prin care interacționează cu lumea. Fostă jurnalistă, a descoperit poezia, iar lumea i-a legitimat dezvăluirile în versuri printr-o largă recunoaștere și apreciere a talentului. A dorit să meargă însă mai departe pe cărarea cunoașterii interioare, iar drumul său a ajuns în sfera psihologiei. Astăzi continuă să ofere și altora o călătorie spirituală, nu doar ca poetă, ci ca psihoterapeut.Însă propria ei călătorie, una fascinantă, este departe de sfârșit. Petronela Rotar se descoperă pe măsură ce învață să se accepte și, mai ales, să își aprecieze toate calitățile pe care le are. Astăzi, Petronela devine ghidul nostru în propria noastră călătorie interioară. Pentru că problemele ei sunt, în mare măsură, probleme cu care ne confruntăm toți. Cele de acceptare, de responsabilizare, de susținere. Un episod realizat în parteneriat cu Bergenbier, susținătoarea constantă și fidelă a unei mari pasiuni: echipa națională de fotbal a României.Învață și tu ce presupune și cum se oferă suportul celor care au nevoie de el, la Fain & Simplu, cu Mihai Morar.

Ia astăzi hotărârea de a învăța să gătești simplu, cu gust și sănătos pentru tine și familia ta, și bunul Dumnezeu să te ajute să duci la îndeplinire această misiune nobilă și importantă! Citește acest devoțional și multe alte meditații biblice pe https://devotionale.ro #devotionale #devotionaleaudio

Când trecem prin încercări, să ne reamintim că, precum olarul, Dumnezeu dorește să ne modeleze pentru a deveni un vas bun, de folos. Partea noastră este aceea de a ne lăsa noi înșine modelați de Maestrul lucrător. Citește acest devoțional și multe alte meditații biblice pe https://devotionale.ro #devotionale #devotionaleaudio

Tearsheet's roots were in investment and wealth tech. As that world became more focused on plain vanilla robo-advisors about a decade ago, I expanded our focus to include banking, payments, and lending. That's because with ETFs and low-cost providers, it felt like most of the focus of innovation was coming from removing costs. Things have changed since then. On today's episode, we explore the changing world of wealth management with two industry leaders: Nader Souri, Head of Corporate Banking at BNY, and Caesar Sengupta, CEO of Arta Finance. You don't have to listen closely to really feel their connection and the relationship they've personally forged through working together. I first spoke with Ceasar a few years ago when he was VP and General Manager of Payments and Next Billion Users at Google. Our conversation reveals how these two organizations are leading how wealth management solutions are evolving for professionals. It also sheds light on the role of fintech partnerships in this transformation. Caesar Sengupta opens the discussion by explaining Arta Finance's mission. “We are a digital family office or a digital private bank for professionals, not the ultra-rich,” he says. The goal is to democratize wealth management and make sophisticated financial tools accessible to those who have worked hard in their careers. Nader Souri adds, “At BNY, we provide the platform upon which folks like Arta Finance can build their businesses.” He highlights the role of clearing and custody infrastructure. This helps in supporting innovative fintech solutions.

Sí Lia Ní Arta captaein fhoireann mionúir peile na nDéise,agus thugadar an chraobh leo tráthnona de Sathairn i gcoinne Ard Mhacha.

Cu un zgomot puternic, un stejar înalt cade undeva în pădurea Viersat, în inima regiunii Creuse. „Pentru noi, tăierea este un act de gestionare”, analizat în prealabil cu atenție și care „contribuie la buna sănătate” a  munților, explică șeful cooperativei Unisylva... 

Prieteni Vorbitorincii, avem o premieră, intrăm în lumea artelor despre care nu toți știm atât de multe, cu toate că ne-am dori. Așa că invitatul acestui episod va face lumină în acest univers și ne va introduce în lumea licitațiilor, a colecțiilor unicat, o lume cu artiști, creatori, vedete și mulți bani.  Doamnelor și domnilor, vi-l prezentăm pe timișoreanul Andrei Jecza, un exemplu foarte bun despre cum să faci afaceri cu artă. Pentru că arta nu este doar frumosul care ne înconjoară, ci și o afacere care poate ajunge la cifre cu multe zerouri la coadă. Andrei este fiul sculptorului Péter Jecza și fondatorul galeriei Jecza, pe care o puteți vizita la Timișoara. Are studii universitare la Timișoara și Londra, la Sotheby's Institute of Art, nume cu greutate pe cartea de vizită a oricărui negustor de artă. ”Dacă aș alege să trăiesc unde mi-ar plăcea, aș alege Viena. Din punct de vedere al afacerilor, eu trebuie să aleg Bucureștiul, pentru că aici se fac afaceri tari cu artă. Am vândut mult mai mult la București decât la Viena” ne-a spus invitatul. De la care am mai aflat și cum se stabilește valoarea unei opere, cât timp este bine să păstrezi opera licitată pentru a-i crește valoarea, cum decurge o licitație dacă vă bate gândul să participați, cu ce vedete internaționale vă puteți întâlni la licitații și evenimente, care este cea mai frumoasă colecție de artă din România și cum arată topul artiștilor români astăzi. Un pic peste 2 ore acest interviu din care am învățat multe, spunem noi. Vă așteptăm comentariile și vă mulțumim pentru fiecare like și share, astfel vom ajunge l amai multă lume. Vizionare plăcută!   06:15 Ce înveți la Sotheby's Institute of Art din Londra 09:50 Cum decurge o licitație 17:03 Investiția în artă 24:57 Cum se stabilește valoarea unei opere 34:03 Succesul lui Adrian Ghenie 43:32 Acasă la Andrei: Galeria Jecza 58:15 Arta prin ochii copiilor 1:05:59 Povestea Catedralei de la Orșova 1:11:38 Ce este grupul Sigma 1:26:22 Lumea celebrităților 1:38:51 Cazul Mark Rothko 1:46:49 Cea mai frumoasă colecție de artă din România 1:50:15 Memorialul Holocaustului (București) 1:53:58 Procesul lui Brâncuși cu ”elicea” 1:57:53 Top artiști români  

Today's story belongs to Arta Rexhepi from Kosovo (and from Dartmouth, Nova Scotia).With grief and loss, comes hope and new beginnings. Meet Arta, a Kosovo-born woman who had to flee her country during the war and start anew with her family in Canada. She moved 25 years ago, went to college to graduate in journalism and now, Arta has a family and a life in Nova Scotia. She now shares her experience in Kosovo, living in refugee camps, life as a new Canadian and her advice to fellow new Canadians trying to navigate a new life. This is a story about vulnerability, learning new things and being proud of where you're from, while also embracing where you are.Presented by Charm Diamond CentresHosted by Nancy ReganProduced by PodstarterDo you have a great love story? You could be the next guest on the Canadian Love Map! Apply here!

TekSynap is focused on growth and collaboration in the geospatial space. They have TekXLerate Lab for creating proof of concepts for government customers. They have developed a platform called Arta to address data synthesis challenges and provide a user-friendly interface. They are also working on a solution called Tech Factory to help customers migrate pilots to different cloud environments.

Send us a Text Message.In a new segment designed to bring our audiences closer to our inner children, we ponder what life would be like if we'd taken a wildly different career path. That's exactly where Ryan and I start off our second season. Ryan makes an odd turn by making a play to become a member of the village people, while Arta looks to corner the market by appealing to a niche demo.We then discuss the topic of personal/private social media posting as it relates to your job and why it might be a bad idea to broadcast your ideas to the world when you signed up for social media with your real name and where you work. This episode is where we finally start to figure out how to do a show.

“Without our mothers, we wouldn't be here. We need to put mothers and nurturing maternal relationships at the forefront of our families, of our communities, and also how we lead businesses as well.” —Hoda Mohajerani Motherhood is at the heart of many businesses today. Where some see constraints, these mompreneurs find freedom in following passions with impacts that nourish families and the future. Their brands reflect the love, care, and vision that sustain communities, just as motherhood sustains families. Chakra Chai founder Hoda Mohajerani returns to share her journey as a mom and business leader. Listen in as Justine and Hoda discuss more about the intersection of motherhood and entrepreneurship, Chakra Chai's latest products that aim to nourish both physical and spiritual well-being, the importance of collaboration and community in business success, nurturing communities through sustainable practices, and more.   Meet Hoda: Following the loss of her newborn son, Arta, Hoda's body, mind, and soul were in a state of disarray. Her heart was shattered, her energy depleted, and she suffered from chronic gut and colon problems. Hoda's being was in turmoil while she struggled to find solace in her physical and emotional state. However, her sheer power will keep her going through the toughest of times.   While meditating at home, Hoda heard a whisper from her dear Arta: “Chakra Chai”. At first, she was not sure what it meant or what her little one was trying to tell her. Over time, though, she began to understand the profound message, delivered with the utmost tenderness and love.   Hoda received a download of information that she knew was sacred and powerful. She sat with her thoughts and quieted her mind, allowing for the message to sink in and take root. She knew that this was an incredible gift, one that she had to honor and pursue with all her being.   CHAKRA CHAI is the product of her loss and grief, but it has become Hoda's mission in life to offer a drink that brings wholeness, balance, and strength to those who need it. It is a privilege to serve others, and she hopes that each sip of CHAKRA CHAI offers solace and healing to all those who come across it.   Website Facebook Instagram LinkedIn Connect with NextGen Purpose: Website Facebook Instagram  LinkedIn YouTube Episode Highlights: 02:37 Building a Conscious Brand that Supports Mothers 05:16 Love Truffles   08:04 Finding the Right Team 13:27 The Importance of Collaboration and Community 19:03 Honoring Motherhood in Business  

Oana Gheorghiu și Carmen Uscatu sunt fondatoarele Dăruiește Viață, organizația căreia îi datorăm primul spital de copii din România construit integral din donații. O investiție de 53 de milioane de euro. Ceea ce este extraordinar.  La fel de extraordinară este partea neștiută a poveștii: strategia din spate, capacitatea de a confrunta o realitate dură și de a-și păstra speranța, parteneriatul și prietenia lor, combinația între diplomație și capacitatea de a spune „nu”, abilitatea de a aduce oameni la un loc și de a-i face să lucreze împreună.  Am vorbit cu ele în martie 2024, într-o conversație live, la Teatrul Apollo111, despre cum să îți păstrezi încrederea și să găsești soluții, chiar când pare imposibil.  **** Conversațiile noaste live sunt susținute de BCR. BCR construiește mecanisme și produse pentru o Românie mai inteligentă financiar. Și, pentru că totul pleacă de la oameni și nevoile lor, soluțiile BCR se bazează pe sute de mii de conversații cu companii și oameni obișnuiți.  Iar sistemul lor gratuit de consiliere financiară a contribuit deja la o viață mai bună pentru 200.000 de oameni care au beneficiat de un plan financiar personalizat.   **** Partenerul nostru este de asemenea MedLife, cea mai mare rețea de servicii medicale private din România. O organizație construită cu pasiune și îndrăzneală de către un grup de antreprenori români, dar și de medici buni, care cred că împreună putem să facem România bine. **** Evenimentele live vă sunt prezentate și de Autonom. O companie de familie, fondată de Dan și Marius Ștefan în 2006, la Piatra Neamț, Autonom este acel gen de succes rapid care a rezultat după 20 de ani de muncă susținută. Azi, conduc cel mai mare grup de produse și servicii de mobilitate din România.  De la o simplă închiriere de mașină, la soluții complexe pentru flote sau soluții de finanțare, soluțiile Autonom susțin companiile, în orice moment s-ar afla pe drum. **** Note, un sumar al conversației, precum și cărțile și oamenii la care facem referire în podcast se găsesc pe andreearosca.ro Pentru a primi noi episoade, vă puteți abona la newsletter pe andreearosca.ro. Dacă ascultați acest podcast, vă rog lăsați un review în Apple Podcasts. Durează câteva secunde și ne ajută să îmbunătățim temele și calitatea și să intervievăm noi oameni interesanți. 

Krystal covers the breaking news on Israel striking Iran and the risks of WW3, then Krystal speaks with David Sirota about Biden 2024 economics and David's re-launch of The Lever Time podcast, and finally Saagar speaks with Arta Moeini about Gaza and International Moralism. To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: https://breakingpoints.supercast.com/ Check out David Sirota's Lever Time: https://open.spotify.com/episode/5JGVBTzwXHKlrbDhU54NqD?si=8b70b025dab746cfSee omnystudio.com/listener for privacy information.

Arta Wildeboer - Real Estate Professional in Canada On the Challenging Relationship Employers Are Forced Into: "People are very sensitive about their disabilities. They're very passionate about having their disabilities, validated having their disabilities. Kind of, just understood by their employers." Legal woes are almost an expectation in business.  From the ins and outs of often complex laws, paired with the general lack of legal knowledge, it can make an entrepreneurs head spin and their wallet empty. In this episode attorney Arta Wildeboer sheds light on the complexities of navigating labor disputes, the meticulous demands of the California judicial system, and the unforeseen consequences of well-intended legislation. As we navigated through the COVID-19 pandemic, which has seen a sharp rise in employment litigation, Arta discusses the nuances of the state's wage and hour laws and the judicial pushback against the overwhelming flood of small employment claims. With personal anecdotes and expert insights, Arta also highlights common pitfalls for small business owners—like the lack of a company handbook or inadequate employee procedures—and outlines practical steps for entrepreneurs to protect their ventures through handbooks, LLCs, and crucial insurance. From the grueling process of becoming an attorney, which included an eventful bar exam experience, to the significance of insurance and the role of attorneys and CPAs in establishing LLCs, Arta provides a comprehensive view of the legal landscape facing today's business owners. As we discuss how legal challenges overlap with the daily operational struggles, we uncover why managing employees effectively is more essential than ever and how employers and employees alike contribute to the complexities of the workplace. Listen as Arta offers a few tips on how to navigate the minefield of legal challenges that being a business owner forces you to tip-toe through. Enjoy! Visit Arta at: ArtaLawFirm.com Podcast Overview: 00:00 Transition from student to lawyer was challenging. 07:59 First fender bender experience led to frustration. 11:41 California bar exam: 3 prompts, 3 hours. 19:15 Challenges of dealing with employee disabilities in companies. 23:51 Proving wrongful termination can be complex. 27:22 Mandatory lunch breaks, penalties, and employee management. 36:45 Legal protection needed, talk to attorney, CPA. 39:08 California business environment: regulation, population draws. 47:45 Southern work culture emphasizes loyalty and gratitude. 52:57 California's strict wage laws lead to problems. 58:35 Law protects against discrimination in workplace bullying. 01:03:49 Best way to find an attorney? Referrals. 01:04:47 Choose a lawyer you're truly comfortable with. Podcast Transcription: Arta Wildeboer [00:00:00]: How how do you help a company or what what should a company be worried about? Well, you'd just be worried about anything you can get to for a long time. So James [00:00:07]: You have found Authentic Business Adventures, the business program that brings you the struggles, stories, and triumph and successes of business owners across the land. Downloadable audio episodes can be found in the podcast link found at drawincustomerscom. We are locally and written by the Bank of Sun Prairie. And today, we're welcoming slash preparing to learn from ArtaWildeboer, an attorney that helps all kinds of people. And this is interesting because he's in California, which if anybody of you any of you have actually done business in any states, including California, I feel like California has gotta be one of the worst states to actually do business in. So, anyways, Arta, welcome to the show. Arta Wildeboer [00:00:46]: James, thank you so much. I appreciate it. Thank you for having me. I'm excited to be here. I'm a lawyer, so I love to talk and Yeah. About myself and and stuff like that. So, yeah,

This week, Elise interviews the incredible Arta Brito.Arta Brito is a classically trained oil painter who has studied with various professional artists in New York City. She's worked for the world renowned Jeff Koons studios from 2014-2016, has had several group and solo exhibitions throughout the U.S. and is in the permanent collection of the Hunterdon Art Museum and Lehigh University Art Galleries. Brito's work explores gender and queer themes inspired by both personal and current events. Her creative process serves as a vehicle for self exploration and storytelling. Brito's work often resists sociopolitical structures and illuminates historical events purposefully left out of academia.You can follow Arta on Instagram @artabritoArta's work is  on display at Bradbury Sullivan LGBT Community Center in the exhibition “Arta Through The Looking Glass” from December 14th - January 29th. The gallery is located at 522 W Maple St, Allentown, PA. On Saturday, January 27th at Bradbury Sullivan there will be an artist talk. This will include a conversation with Arta Brito and Mark Wonsidler, Curator of Exhibitions and Collections at Lehigh University Art Galleries. For more information, check out this webpage. Arta's work is also on display at Atelier Jolie Gallery in the group show "The Language Of heART" from November 30th - January 31st. The gallery is located at 1122 W. Hamilton St. Allentown, PA.

Chirag Yagnik is a co-founder of Arta , a company that harnesses innovations in artificial intelligence and software to develop wealth management solutions. Arta aims to democratize access to sophisticated investment tools typically only available to ultra-high net worth individuals through family offices.Subscribe to the Gradient Flow Newsletter:  https://gradientflow.substack.com/Subscribe: Apple • Spotify • Overcast • Google • AntennaPod • Podcast Addict • Amazon •  RSS.Detailed show notes can be found on The Data Exchange web site.

“We are A PART OF nature, we are not apart from nature.” —Hoda Mohajerani    At our core, humans are a part of nature, not separate from it. Our health and well-being depend heavily on the natural world around us. The modern world may have pushed us into a distance from nature, but if we want to achieve optimal health, we must ensure that our choices are in harmony with the world around us. By working with the natural rhythms of the earth, we can create thriving ecosystems that nourish both our bodies and the planet.    Founded by Hoda Mohajerani, Chakra Chai® is a heart-centered business that believes that food is not just vital for our bodies, but it can also heal the environment. Based on the Ayurvedic teachings on the interconnectedness of life, they are committed to spreading values that are in harmony with the earth and its people and are proud of their regenerative agriculture techniques and responsible business practices.    Their mission is not only to offer exceptional products but also to contribute positively to society. Being a part of the Eco-Alliance, Chakra Chai® is passionate about discovering sustainable packaging alternatives to reduce their impact on the planet. This is why they prioritize utilizing materials that are compostable, recyclable, and reusable.   In this episode, Justine sits with Hoda to discuss why we should be mindful of the food we consume and how we consume them. They also share how we can apply “regenerative” not only in agriculture but also in our business, how food can build a community, where individual and systemic change start, what Ayurveda means, what are chakras, and how we can nourish these energy centers. With so much valuable information to gain, you won't want to miss this week's podcast! Meet Hoda: Following the loss of her newborn son, Arta, Hoda's body, mind, and soul were in a state of disarray. Her heart was shattered, her energy depleted, and she suffered from chronic gut and colon problems. Hoda's being was in turmoil while she struggled to find solace in her physical and emotional state. However, the sheer power of her will kept her going through the toughest of times.   While meditating at home, Hoda heard a whisper from her dear Arta: “Chakra Chai”. At first, she was not sure what it meant or what her little one was trying to tell her. Over time, though, she began to understand the profound message, delivered with the utmost tenderness and love.   Hoda received a download of information that she knew was sacred and powerful. She sat with her thoughts and quieted her mind, allowing for the message to sink in and take root. She knew that this was an incredible gift, one that she had to honor and pursue with all her being.   CHAKRA CHAI is the product of her loss and grief, but it has become Hoda's mission in life to offer a drink that brings wholeness, balance, and strength to those who need it. It is a privilege to serve others, and she hopes that each sip of CHAKRA CHAI offers solace and healing to all those who come across it.   Website Facebook Instagram LinkedIn   Connect with NextGen Purpose: Website Facebook Instagram  LinkedIn YouTube Episode Highlights: 01:29 Inspired by Heritage 07:21 Deeper Into Regenerative Agriculture 10:07 In Tuned with Nature  17:50 Functional Foods  22:25 What is Ayurveda