Podcasts about yoro

CW: Suicide This episode we are talking about Law and Order--where Ritsuryo system gets its name.  We are going to look at some of the underlying theory of how the government was set up and then some of the new laws people were expected to follow and examples of punishment--as well as pardons and general amnesties. For the blogpost, check out:  https://sengokudaimyo.com/podcast/episode-145 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 145:  Law and Order in the Reign of Temmu     The sound of struggle could be heard, as a man, hands bound behind him, was roughly brought into the courtyard by several sturdy men.  They thrust him roughly to the bare ground in front of the pavilion.  The man's clothes were disheveled, his hair was unkempt, and his right eye was swollen shut.  He was a stark contrast from the four officials standing over him, and even more from those who stood in the pavilion, above, prepared to dole out judgment.  A clerk was handling the paperwork at a nearby desk, but the court official already knew this case.  He had read the reports, heard the testimony of the witnesses and, to top it all off, he had read the confession.  It seems it had taken some coercion, but in the end, the criminal before him had admitted to his wrongdoing. And thus the official was able to pronounce the sentence with some sense of moral clarity.  After all, if this man was innocent, why would he confess?  On the other hand, if he were truly innocent, how would he even have come to their attention?  Even if he was not guilty of this crime, if he had been such an upstanding citizen, why would his neighbors have accused him in the first place?  One way or another, justice was being done.     We remain—for at least the next couple of episodes—firmly in the reign of Ohoama, aka Temmu Tennou.  There is a lot more in this reign, and we are reaching a period where we won't be able to cover nearly as much as previously, so we'll have to summarize some things, but there is still a lot here to discuss.  Last episode we looked at what was happening outside of the court.  This episode we turn our attention back to the center, and specifically, what law and order meant in Ohoama's time. This period is called the Ritsuryo period, and as the name indicates, it is characterized by the set of laws and accompanying penal codes, the ritsu and the ryo.  Most of these codes are no longer extant, only known to us by other sources which contain only fragments of the originals.  But it was this adoption of a continental style of law that seems to most characterize this period.  So this episode, we are going to look at the project Ohoama kicked off to establish  one such law code —possibly even the first actual—for Yamato, as well as some of the examples of how law and order were enforced. In Episode 143 we talked about Ohoama's  historiographical project, which kicked off in the third month of 681 and culminated in the very chronicles we have been poring over.  However, a month before that, we see the start of a different and likely more immediate project, as the sovereign ordered work to begin on a new legal code.  This task was decreed from the Daigokuden to all of the Princes and Ministers -- who were then cautioned to divide it up and take it in shifts, since after all, they still needed to administer the government.  And so this division of labor began. The code would take years to compile, so, like so many of the ambitious projects of this reign, it was not quite ready by the time of Ohoama's death in 686.  In fact, it wouldn't be promulgated until 689, and even then that was only the "Ryou" part of the "Ritsuryou"—that is to say it contained the laws, the "ryou", but no the penal code, or "ritsu".  Still, we are told that the total body of laws was some 22 volumes and is known today as the Asuka Kiyomihara Code.  It is unfortunately no longer extant—we only have evidence of the laws based on those edicts and references we see in the Nihon Shoki, but it is thought by some to be the first such deliberate attempt to create a law code for Yamato.  We do have an earlier reference to Naka no Ohoye putting together a collection of laws during his reign, known as the Afumi Code, but there is some question as to whether that was actually a deliberate code or just a compilation of edicts that had been made up to that point.  These various codes are where the "Ritsuryo" period gets its name, and the Asuka Kiyomihara Code would eventually be supplanted in 701 by the Taihou code—which is one of the reasons why copies of previous codes haven't been kept around.  After all, why would you need the old law code when you now have the new and improved version? This also means that often, when we don't have other evidence, we look to later codes and histories to understand what might be happening when we get hints or fragments of legal matters.  The Chronicles often make note of various laws or customs, but they can be sparse on details.  After all, the main audience, in the 8th century, would be living the current law codes and likely understood the references in ways we may have to work out through other sources. As for the Kiyomihara Code, there are further notes in the Chronicles that seem to be referencing this project.  Besides the obvious—the new laws that were promulgated through various edicts—we see a few entries sprinkled throughout that appear to be related to this project.  First, I would note that in the 10th month of the same year that they started the project, 681, there was issued an edict that all those of the rank of Daisen on down should offer up their admonitions to the government.   Bentley notes that Article 65 of the Statutes on Official Documents provides a kind of feedback mechanism via this admonitions, where anyone who saw a problem with the government could submit it to the Council of the State.  If they had a fear of reprisals they could submit anonymously. This entry for the 10th month of 681 could just refer to a similar request that all those who had a problem should report it so it could be fixed, but in light of several other things, I would also suggest that it was at least in line with the ongoing efforts to figure out what needed to be figured out vis a vis the laws of the land.  Later, in the 8th month of 682 we see a similar type of request, where everyone from the Princes to the Ministers were instructed to bring forward matters suitable for framing new regulations.   So it looks like that first year or so there were, in a sense, a lot of "listening sessions" and other efforts going on to give deliberate thought to how the government should operate.  A few days later in 682 the Chronicles tell us that the court were working on drawing up the new laws, and as they did so they noticed a great rainbow.  Bentley suggests that this was an auspicious sign—even Heaven was smiling on the operation. So we know that there was lawmaking going on.  But what did these laws actually look like? This episode we are going to look at both criminal law – crimes and punishments, and gow they could be mitigated as well as those laws that were less about criminal activities and more about how the state itself was to be run. As I just stated, a lot of the laws and edicts are not necessarily about criminal activities.  Many of them are about the government and how it works—or at least how it is supposed to work.  Some of this helps to reveal a bit about the theoretical and philosophical underpinnings of this project.  That said, I'm not always sure that Ohoama and his officials were necessarily adherents to those philosophies or if they saw them more as justifications fro their actions.  And, in the end, does it matter?  Even if they weren't strict Confucianists, it is hard to argue that Confucian theory didn't loom large in their project, given its impact on the systems they were cribbing from.  Furthermore, if we need to extrapolate things that go unsaid, we could do worse than using Confucianism and similar continental philosophies as our guide, given what we see in the record.  A particularly intriguing record for understanding how that government was supposed to work is a declaration that civil and military officials of the central and provincial governments should, every year, consider their subordinates and determine what promotions, if any, they should receive.  They were to send in their recommendations within the first ten days to the judges, or "houkan".  The judges would compare the reports and make their recommendations up to the Daibenkan—the executive department of the Dajokan, the Council of State.  In addition, officers who refused orders to go on various missions for the court were ineligible for promotion, unless their refusal was specifically for genuine illness or bereavement following the loss of a parent. This feels like an important note on how the whole bureaucratic appointment and promotion system worked.  It actually follows early ideas of the meritocratic bureaucracy that was at the heart of how the government was supposed to work.  It isn't quite the same as magistrates roaming the land and seeking out talented individuals, but it still demonstrates a promotion system that is at least nominally about the merit of the individual and not solely based on personal patronage—though I'm sure the sovereign, the sumera no mikoto, or tennou, could still issue promotions whenever he so wished. And as cool as I find all that to be, I think the piece that I find particularly fun is the fact that they had to specify that only a "genuine" illness was a valid excuse.  That suggests to me that there were people who would feign illness to get out of work.  In other words, faking a sick day is nothing new and you could totally have a ritsuryo version of "Ferris Buehler's Day Off". This meritocratic idea seems to be tempered a bit a few years later, in 682.  We see an edict that not only describes the language and character of the court ritual, but also talking about verifying the lineage and character of anyone who applies for office.  Anyone whose lineage was found to be less than sufficient would be declared ineligible, regardless of whatever else they had done. And this is the tension of trying to overlay a theoretical system, based on the idea of merit, on a hereditary aristocracy.  In a meritocracy, one wouldn't blink twice at a person from a "lesser" ranked family making their way up and above those of "superior" families.  Then again, you probably wouldn't have families ranked in a hierarchy, anyway.  I feel like we've touched on this in a past episode, somewhere, but it isn't the last time we'll be talking about this.  After initially adopting the system as it theoretically should be, the cultural pressures of the elite nobles would start to shape the government into something that was not quite so threatening to the power of those elite families.  After all, those families held a lot of power—economic, political, and otherwise—and, as elites throughout history have done, they would do whatever they could to hold onto that power. This is actually something we see on the continent.  Whatever sense of justice or equality may have lay at the heart of the theory behind good governance, it was always going to be impacted by those with resources and the familial connections that bind people together.  For instance, it was the wealthy who would have the money and leisure time to be able to hire tutors, acquire books, and spend time studying and learning—something that is hard to do if you have to help your family work in the fields.  And the court would always be a place of politics, which was fueled by wealth and connections.  No doubt, if you asked someone of the time, they would say that the "correct" thing to do would be to work your way up from the bottom, starting from a low ranked position and climbing up based on their good deeds.  That's all well and good, but then we see preference given to the highest nobles, with their own progeny getting a jump on things by being automatically placed higher in rank.  With only a finite number of positions in the government, this meant  that climbing through the ranks would be almost impossible at some point, as there just weren't enough positions for those qualified to take them. This is an all-too-common problem, regardless of the actual system of government.  The powerful and wealthy have always had a leg up—though sometimes more than others. That isn't to say that those less fortunate were always ignored.  For instance, early in his reign, Ohoama made a decree to divide the common people—those who were not members of the royal family, so not princes or princesses—into three different classes, Upper, Middle, and Lower, all based on their wealth or financial status.  Only the two lower groups were eligible for loans of seed rice, should they need it.  That isn't so different than a lot of modern, means-tested government assistance programs, when you think about it.  The idea of breaking up groups into an "Upper", "Middle", and "Lower" category is found elsewhere—Bentley notes Article 16 of the Statutes of Arable Land dividing up families who planted mulberry.  "Ryou no Shuuge", a 9th century commentary on the Yoro law-code, notes that, at least by that time, the three categories were based on the number of people in a given household, not just the total wealth, it would seem.     Other decrees help us understand the make-up of the court, such as decree in the 8th month of 679, with the sovereign requesting that various houses send women to work in the court.  Bentley notes that this is very similar wording to Article 18 of the statutes of the Rear Palace, where the sovereign's consorts lived.  He also mentions a note in Ryou no Shuuge stating it was specifically women from noble families in the capital city and nearby who were employed for low-level tasks in the palace.     Continuing with the ordering of the government, in the third month of 681, Ohoama went to the well of the New Palace—the Nihi no Miya—and he ordered the military drums and other instruments to be played.  In the continental style, music was an important part of the military, with certain instruments and tunes that would be played for a variety of purposes.  It is unclear that the archipelago had such a detailed history of military music, and so it seems that this is in emulation of the continental practice. Then, in the 5th month, Ohoama had to crack down on another practice that was apparently taking off with the various public functionaries.  As we noted, earlier, public functionaries were reliant on their superiors, the judges, and then the Council of State for their promotion.  However, some appear to have found another way to garner favor, and that was through female palace officials—those working in the private quarters.  Those palace officials would have access to the sovereign and his families—his queen and various consorts.  And of course, if Ohoama heard good things about a person, then perhaps he would put them forward for promotion.  At the very least, if that person's name came forward, it might be well thought of.  And so public functionaries had taken to paying their respects to the women working in the palace.  Sometimes they would go to their doors and make their case directly.  Other times they would offer presents to them and their families.  This was clearly not how the system was intended to work.  As such, Ohoama told everyone to knock it off—should he hear about anyone trying this in the future, then the offenders would be punished according to their circumstances. Of course, I would note that this only would be a problem if the individuals were caught.  If the rest of Japanese history—heck, world history—is anything to go on, then humans are going to human and the court was no doubt deeply steeped in political maneuvering of all kinds.  I imagine that this practice never fully stopped, but it probably stopped being quite as blatant—for now. Continuing with the development of how the government operated, we get the entry for the 28th day of the 3rd lunar month of 682.  It starts with various sumptuary laws, with Princes down to public functionaries no longer wearing specialized caps of office—effectively getting rid of the idea of "cap-rank".  They also would no longer wear the aprons, sashes, or leggings that were part of the previous outfit.  Likewise the Uneme and female palace officials would no longer wear the elbow-straps or shoulder-scarves.  This appears to have moved the court closer to what the continent was wearing at the time, with belted garments based on clothing not too dissimilar from what was found across the Silk Road, to be honest.  They also discontinued all sustenance-fiefs for Princes and Ministers.  Those had to be returned to the State.  Presumably their salaries would then come from any stipends associated with their rank, instead.  This doesn't seem all that connected with the other edict, focused on clothing and rank, except that is part of the further centralization of power and authority—all taxes were to go to the central government and then get parceled out, and everyone—or at least those in the court—were to conform to a standard uniform.  That said, for all that it may have been the intent, as we shall see, the court would never fully get rid of the idea of privately held tax land—it would just take different forms over time. Later, we get more sumptuary laws, some about what the people of the court would wear, but others that were more general.  Sumptuary laws are laws specifically focused on controlling things such as expenditures or personal behavior—including what one wore and how they expressed themselves--and they are generally made to help order society in some way.  There were a lot of cultures where purple, for instance, was reserved for royalty—often because of how expensive it was and difficult to make.  Wearing an expensive purple fabric could be seen as an expression of wealth—and thus power—and that could feel like a challenge to those in power themselves.  It probably also meant that there was enough dye for the royal robes and it was not nearly so scarce. In other instances, we see sumptuary laws to call out people of certain groups.  Some laws are to distinguish an in-group, and others to call out a group to be set apart from society.  Other such laws were made to distinguish between social constructs such as caste or gender.  Even today we have a concept of "cross-dressing" as we have determined that certain clothing or styles are seen as either more masculine or feminine, and there are those who call out such things as somehow perverting society.  And yet, the clothing is simply pieces of fabric, and what may have been considered masculine or feminine in one time or place may not bee seen as such in another. In this case, the sumptuary laws in question focused on hairstyles.  Ohoama decreed that all persons, male or female, must tie up their hair—they couldn't leave it hanging down. This was to be done no later than the last day of the year—the 30th day of the 12th lunar month, though it could be required even before that.  We are also told that women were expected to ride horses in the saddle similar to the way men did. This appears to mean they would sit astride a saddle, with their legs on either side, and not in something akin to side saddle.  This also likely meant that women riding horses would want trousers, similar to what men wore, at least for that part of it.  Trying to wear a long skirt with your legs on either side of a horse does not strike me as the most comfortable position to put yourself in, not that people haven't figured it out over the centuries in various ways.  Indeed, in some Tang statuary, women are often depicted riding horseback with trousers.   In the 9th month of 682 we get a fun entry.  Well, I find it amusing.  We are told that the practice of ceremonial crawling and kneeling was to be abolished and that they would adopt the ceremonial custom of standing, as had been practiced in the Naniwa court.  And a part of me thinks of some old courtier who was having trouble with all of the kneeling who was suddenly very happy with this new ordinance.  On the other hand, it is fascinating to think of the other implications. First, we are being told that there was a custom of standing at the Naniwa court, while in Asuka there was a tradition of ceremonial crawling and kneeling.  Bentley's translation makes it apparent that this was specifically as you entered through the gates: that you would bow and then crawl through the entranceway. I'm assuming that the standing custom was based on continental tradition, since that seemed to be what the Naniwa palace was built to emulate, and that in returning to Asuka they were partaking in a more local ritual—though I'm not entirely certain as I just don't have enough information to know at this point.  Aston does claim that it was custom in the Tang court, though I'm not sure of his source for that. In 683 we get more information on how the court functioned.  We are told that there was a decree that all persons of rank in the Home Provinces were expected to present themselves at Court at some point in the first month of each quarter.  You were only excused if you were sick, at which point an official would need to send a report up to the judicial authorities.  So every noble in the Home Provinces had to travel to the court once every four months.  And if they couldn't, they need to be able to produce the equivalent of a doctor's note, saysing so. We aren't told why this was implemented.  I suspect that there had to be some compromise between nobles being at and working at the court and going back to their hometown to also keep an eye on things there.  It is possible that there were plenty of people who just weren't coming to the court unless they had to—living off their stipend, but not necessarily doing the work.  So this may have been a "return to office" type order to make sure that people were there, in the "office" of the court at least once every four months. This brings to mind the Edo period practice of alternate attendance, or Sankin-koutai, where daimyo would have to attend on the Shogun for a time and then could return home.  Of course, that was also done as a means to drain their coffers, and I don't believe this was meant in quite so punishing a manner. Having a permanent city, where the nobles had houses in the city, would likely fix these issues, allowing the court to be more regularly staffed.  Sure enough, that same decree included the decree that there would be a Capital City at Naniwa as well as other places, while the work at Nihiki, on what would become the Fujiwara capital, was already underway. Speaking of the capital, that work would require labor and people to oversee it.  In 10th month of 684, we see a note that gives us a glimpse into the management of corvee labor, as Prince Hatsuse and Kose no Asomi no Umakahi, as well as officials down to facilities managers, 20 people in all, were set up as corvee labor managers for the royal region.      Next, let's talk criminal matters.  What kinds of things were people being accused of or what laws were being set up to constraing the activities of individuals.   We'll start by looking at how justices was handled, generally speaking.  Some of it seems almost obvious, like in 675, when we are told that the sovereign ordered that nobody—whether a minister, a functionary, or a citizen—should commit an offense lest they be punished accordingly.  'But what was happening previously to make such a proclamation necessary? On the one hand, I suspect that this was a warning to the elites of the archipelago more than anything else, especially those who might not have been in direct fealty to the Yamato sovereign previously.  Those elites farther out in the provinces were probably used to a looser hand, and fewer consequences for their actions.  Back in Taika years, in the late 640s, just as everything was kicking off, the court had had to bring the hammer down on the governors and various kuni no miyatsuko, local elites who had been doing things their own way.  I suspect this was just a similar attempt to bring people into line and a reminder of who actually wore the hakama in this administration.  It also seems to be a straightforward statement that the law applied to every person—or at least every person outside of the sovereign, himself. That was likely a novel idea for many people, where those in positions of power were likely able to get away with murder, quite literally, because who was going to stop them?  We've seen how many of the more powerful families controlled what were essentially private armies. At the same time, 675 is before these new formal law codes and punishments were in place.  Presumably there was tradition in place and some understanding that the sovereign could declare laws and punishment, but I also wonder if this isn't part of the reason that they felt that centralized, authoritative, written law codes were required in the first place.  After all, communicating laws and punishments verbally across the archipelago, even with the potential for written edicts, likely relied a lot on local administrators to interpret the edicts and figure out what was going on. This seems to align with an edict from the 10th month of 679, which decried that there were many people guilty of crimes and violence hanging around the capital.  This was blamed on the Princes and Ministers, since the edict claimed that these high officials heard about it but didn't do anything, instead treating it like a nuisance that was too much trouble—or perhaps too personally expensive—to do anything about.  Alternatively, those same princes and ministers would see people that they knew were guilty, but they didn't want to go through the trouble of actually reporting them, and so the offenders could get away with it.  The proposed solution was to exhort those in higher stations to punish the offenses of those beneath them, while those of lower stations were expected to remonstrate with their superiors when those superiors were rude or violent.  In other words, if everyone just held everyone else accountable, then things would work out. This seems like a great sentiment, but I have to imagine that there was something more beyond the high-minded ideals. Again,  I suspect that it was probably as much Ohoama putting people on notice.  Still, this seems aspirational rather than definitive.      A clear example of the kind of thing that was being prohibited is likelye the decree about fishermen and hunters, who were forbidden from making pitfalls or using spear traps or similar devices.  Also, from the beginning of the 4th month until the 13th day of the 9th month, no one was to set fish-weirs, or himasakiri—an unknown device, but probably another type of fish trap.  Ohoama also prohibited the eating of cattle, horses, dogs, monkeys, or chickens.  Other animals, including boar, deer, fish, etc., were all fair game, as it were. The prohibition on traps is likely because they were a hazard to anyone walking through the area.  In the Tang dynasty they did something similar, but they did make exceptions for hunters in the deep mountains, who were supposed to put up signs warning any travelers.  As for the weirs and himasakiri, whatever that might be, I have less context, but likely it did have some reasoning—possibly similar to our modern concepts of having certain seasons for various types of fishing.  Fish weirs do create obstructions, and between the 4th and 9th lunar months Japan does see the summer monsoon rains—could that be the reason?  Tsuyu, or rainy season, is often around July to mid-June, today.  Or perhaps there is another motivation for that particular prohibition. As for the eating of various animals—of the animals listed, all but the monkeys are domesticated animals who generally weren't considered as food animals.  Cattle were used for working the fields, horses were ridden, and dogs were used for hunting.  I wonder if monkeys were just too close to people. The chicken prohibition may seem odd to us, today.  The word for chicken, "niwatori", literally means garden bird, though the Nihon Shoki uses something more like "barn door bird".  We know that cock-fighting was a thing in later periods, and that chickens were associated with Amaterasu, possibly for their legendary habit of crowing as the sun comes up.  We can also note the lack of some animals, like cats, from the list.  Perhaps cats were never in danger of being seen as a food source, or perhaps cats just weren't as prevalent at the time—we know cats were around from at least the Nara period, but there isn't much evidence before that.  There are examples of bones thought to be from a cat from the Yayoi period found on Iki island, but it is hard to say from that if they were fully established across the archipelago. Still,  I do find it curious they are not on the list.Continuing on, we later see where see the court issued an edict that prohibited the cutting of grass or firewood on Mt. Minabuchi and Mt. Hosokawa.  Furthermore they prevented any indiscriminate burning or cutting on all of the mountains in the Home Provinces.  This feels somewhat religious—after all, the mountains were often considered the domain of the kami.  Perhaps there were some religious restrictions.  On the other hand, some of it sounds like they were trying to just ensure that with a growing population they didn't denude the mountains around the capital. This whole incident brings to mind problems that occurred in and around Chang'an, the western Tang capital.  The palace itself—not to mention all of the houses and temples—took so much wood that it was a drain on the nearby forests.  And that is without taking into account the simple harvesting of wood for cooking fires, tools, etc.  In fact, the logging industry of that time devastated the local environment, meaning that they had to travel farther and farther to find suitable wood for the monumental buildings they wished to create.  It is also thought to have contributed to various natural disasters in and around the capital.  Perhaps Yamato was worried that unrestricted logging in the Home Provinces could likewise cause problems?  Or was that simply an added benefit gained from the idea that mountains were sacred spaces?   Later in the 10th month of 679, there was an edict determining sumptuary rules for monks clothing, as well as what kind of retinue could accompany them when they went out.  We talked about this back in Episode 142.  That same month, there was an edict that, while monks and nuns might normally be expected to stay at a temple—such as in the quarters identified in the ruins of Kawaradera—that it became a problem when older monks became bed-ridden.  After all, if they couldn't leave their bed, then one can only imagine how it must have been.  Not to get overly graphic, but they couldn't exactly make it out to the latrine at that point, either.  So it was determined that if an elderly monk were to reach the stage that they were bed-ridden, and unlikely to recover, then the temple would seek out relatives or laypersons to help build a hut or two in vacant spaces on the temple grounds.  There, the sick and bed-ridden monks could be cared for in a more sanitary manner. Now the way this is written, on the one hand it seems they were worried about ritual purification as much as anything, but I imagine that this was also practical.  After all, as you get all of those monks living together, one can only imagine that disease and illness could easily spread in those close quarters.  So separating those who were quite sick only makes sense, like an early form of quarantine. A lot of these prohibitions seem to be fairly practical.  Don't put traps where people could accidentally fall into them.  Don't chop down the nearby forest—we may need that later.  And even: don't leave a sick or elderly monk in a crowded dormitory situation.But what about the penal codes? If you lived in the latter part of Temmu's reign and you did violate one of the rules mentioned above, or one of the many others at play, what would happen to you, and how did that vary based on your place in society? Unfortunately, most of what we get on this is kind of bare bones.  We often see the punishment, but not t he crime.  We are just told that someone was found guilty, or condemned.  Take, for example, the Buddhist Priest, Fukuyou, of Asukadera, who was condemned and thrown into prison.  We aren't told what he did to deserve confinement, but it wouldn't last long.  Apparently Fukuyou cut his own throat, ending his life, rather than face other consequences or live with the shame of whatever crime he had committed. By the way, the term "prison" here is interesting.  We certainly see people being imprisoned in some way, shape, or form—locked up and unable to freely travel.  That isn't exactly the same, however, as a prison complex or system.  There may have been buildings used a jail—a temporary holding facility while the actual punishment was determined.  And we also see the equivalent of house arrest.  Later, there would be formal "prisons" set up for the detention of individuals, who were often then forced to labor as part of their punishment.  However, they had many other forms of punishment, many of which required much fewer staff.  After all, a prison requires that you have guards constantly watching the prisoners to make sure nothing gets out of hand.  Instead, you could just exile them to an island or even just another province, with a lot less manpower. A less drastic punishment was handed out back in the 4th month of 675, when we are told that Tahema no Kimi no Hiromaro and Kunu no Omi no Maro were both forbidden from attending the court—for what purpose we aren't immediately told.  However, six days later, Kunu no Maro was held accountable for offering resistance to a royal messenger—maybe the one who communicated that he was banished from the court.  As a punishment, he was stripped of all of his offices and dignities.  Both Tahema no Hiromaro and Kunu no Maro appear to have been pardoned at a later date, though we aren't sure when.  It could have been one of the various general amnesties—and we'll talk about that in a moment.  Hiromaro passed away in 685, but he was provided a posthumous promotion in rank and is noted for his efforts supporting Ohoama during the Jinshin no Ran.  Meanwhile, Kunu no Maro—also known as Abe no Kunu no Maro is seen delivering a eulogy in 686.  Perhaps somewhat ironically, he did so on behalf of the Office of Punishments—later the Keimu-shou, or Ministry of Punishment.  These actions certainly seem to be at odds with them being punished, let alone banished from the court. We also see an example where  Prince Womi, who was of the 3rd princely ranks—even higher than Prince Kurikuma, whom we discussed last episode—was guilty of some kind of offense and banished to Inaba.  One of his children was also banished to Izushima and the other to Chikashima.  Aston suggests that this means Ohoshima and Chikashima may be in Hizen.  Again, very little to go on as to what was happening, though it seems that all three were punished together and sent away from each other, perhaps so that they could not plot or scheme together.  Later amnesties would probably have resulted in pardons for them.   Speaking of pardons—the punishments that we are speaking about all appear to be permanent, other than imprisonment, which may have been more of a temporary situation.  It wasn't like being sent away for so many years.  However, on the other side of the coin was the option for a pardon or amnesty.  While I imagine that the sovereign could always provide a pardon directly, we more regularly see general amnesties declared, sometimes with very specific guidelines. One of the most illuminating such instances, and possibly where Kunu no Maro and Tahema no Hiromaro were pardoned, came in the 7th month of 676.  That month the court issued a general amnesty, likely to increase the merit accrued to the State through an act of mercy and forgiveness, given the drought and famine that had been reported earlier that summer.  Perhaps paradoxically, this act of leniency gives us an interesting view into the types of punishments that were made, as well as how severe each was considered.    The amnesty mitigated all sentences of death, enforced servitude, or the three classes of banishment, and they would all be mitigated by one degree.  So anyone sentenced to death would instead just become enslaved.  Those who were sentenced to enslavement would be banished to a distant province.  Those banished to a distant province would only be banished to a province at a medium distance.  Banishment to a medium province would be downgraded to a nearer province.  And Banishment to a nearer province would be downgraded to banishment—or removal—to a place in the same province.  For anyone who committed a crime for which they would be removed to a place in the same province—or for any lesser crime—would be completely pardoned, whether or not the crime was actually known.  So you couldn't be held responsible, retroactively. This gives us a kind of hierarchy to use as far as the kinds of punishment that might be handed out.  Of course, there are also a few others, which I generally assume were considered lesser.  For instance: banishment from the court, or being stripped of government rank, that sort of thing. There was a caveat that this amnesty would not apply to those who had already left for their place of banishment—nor, obviously, to those who had already been executed.  So if you had already settled in to your new life, this amnesty didn't exactly matter.  This could be where Tahema no Hiromaro and Kunu no Maro were pardoned and thus allowed to find their way back into the court's good graces.  On the other hand, others probably wish that this amnesty happened a bit later—one month later, to be exact.  We are told that Prince Yagaki, the current viceroy of the Dazaifu, was accused of some offense and banished to Tosa, in Shikoku.  As usual, the record does not feel the need to tell us what the offense was or try to justify it anyway.   This is all well and good, but what exactly did the justice system look like?  How were criminals accused, and how would they investigate and prove your guilt?  In the 11th month of 682, we see a rather detailed description of how trials and punishment were to be carried out.  For any offense against the law, whether it was in the palace or the court, it would be immediately examined, and nobody was allowed to conceal information about it.  If the offense was grave enough, then the next step would depend on the rank of the individual.  For individuals of high birth, their guilt would be reported to the court, presumably for whatever punishment they deemed appropriate from there.  For others, they would be arrested.  If they resisted arrest, then the palace guards would be sent after them.  A typical punishment was flogging, which was not to go beyond 100 blows.  Finally, if the individual were clearly guilty, but yet continued to profess their innocence, then that would be considered perjury and added to their sentence. It should be noted that in East Asia at this time, there was no concept of innocent until proven guilty.  If you were accused of a crime, then it was up to you to prove that you were innocent.  It was not uncommon for an arrest to occur, and then for the authorities to then torture a confession out of the individual.  Since they already had assumed the individual's guilt, this was just meant to get them to admit it.  Even into modern times, Japan has had a high conviction rate, but there are accusations that this is simply because of the presence of coerced confessions.  A coerced confession helps to demonstrate that the system is correct, and working as designed, whilst protestations of innocence call into question the validity of the system. There is another type of guilt and punishment—and leniency, for that matter—mentioned in the 6th month of 677: We are told that the Yamato no Aya no Atahe were considered guilty of the "seven misdemeanors", which seems like it is more an indictment of their moral failings rather than any kind of direct criminal behavior.  Furthermore, they were accused of pushing back against the rightful sovereigns from the time of Kashikiya Hime down to the time of the Afumi court.  This would seem to indicate that they had been supporting the Soga and the Afumi court, but if so, I wouldn't say that the Chronicles help to clarify it in any way.  Perhaps they just were willful and not showing the right amount of loyalty to the throne.  Whatever they did, Ohoama was none too pleased, but he also didn't want to completely destroy the uji.  Instead, as a compromise, he offered them clemency for any past actions, pardoning them, but also claiming that if they stepped out of line again, then their offense would be unpardonable.  This whole entry is a vibe.  It is less of a punishment and more of a sword of Damocles being set up above them. Several years later, in 682, we see the Yamato no Aya being granted the title of Muraji.  In consequence of the appointment, the entire household—all the men and women alike, presented themselves to the court.  They rejoiced and praised Ohoama, thanking him for raising them in status.  This doesn't feel like a normal entry—it isn't like every family was coming into court and giving thanks every time that a promotion was handed out.  This feels like classic "kissing the ring" to get back into good graces with someone who was, effectively, an autocratic ruler.  While there was a bureaucracy, based on everything we've seen Ohoama had bent it largely to his will by appointing family members and other members of the elite princely class—those with at least nominal familial connections—to positions of power and authority.   And with that, I think we will bring this episode to a close.  Next episode we'll finish out this reign with a few projects and various other miscellaneous events. Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

Duncan Castles joins Ronan Murphy for a Transfers Podcast January window special.+ Why Chelsea want Rosenior+ Maresca leaving Chelsea for a better place?+ Semenyo selects Man City over Utd+ Johnson chooses Palace over Bournemouth+ Jacquet the new Yoro as Zirkzee, Mainoo seek MUFC exits?+ West Ham gamble on Pablo & Castellanos; bid for Traore+ UEFA complicates January shopping+ Premier League encourages spend+ More Saudi disruption + Hero & VillainThe Transfers Podcast, powered by FootballTransfers.comJoin Duncan Castles and insiders from across the game for exclusive news and in-depth analysis of football's biggest stories.WhatsApp: https://www.whatsapp.com/channel/0029VadK7lI3LdQV9V3QhY47https://x.com/DuncanCastleshttps://bsky.app/profile/duncancastles.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Bienvenue pour ce treizième et dernier numéro de l'année 2025. Comme toujours en compagnie de Dim, on se retrouve, pour papoter de nos otakeries. Au programme : des news, le gros focus sur la sortie inédite en salle chez nous de L'Œuf de l'ange, des recos, des avis, du small talk et puis voilà, voilà… On se dit à 2026 pour d'autres aventures. AU PROGRAMME • [00:00] Small talk • [03:18] générique + sommaire NEWS • [06:25] Kore-Eda adapte du Fujimoto • [10:45] Adieu Gainax, snif… • [17:15] Vibe 80/90's en JV • [21:14] Street Fighter the movie • [28:43] FOCUS SUR LA SORTIE INÉDITE DE L'ŒUF DE L'ANGE RECOS/AVIS • [50:05] Little Nemo • [56:14] Scarlet • [01:01:50] Solo Leveling S2 • [01:02:35] Rise of the North Star • [1:11:46] Yoroï, un an dans l'armure • [1:15:25] DanDaDan Saison 2 • [1:19:05] Exposition Takahata + Zootopie2 CLAP DE FIN • [1:24:17] On dit au revoir à 2025 ??? • [1:27:41] Comme d'habitude, n'hésitez pas à donner vos avis, toute critique est bonne à prendre, mais surtout dans le respect. Bonne écoute.
 Passez de bonnes fêtes et on se dit au prochain numéro en 2026. Aaaah et comme je le disais, on lance une FAQ, donc si jamais vous avez des questions, n'hésitez pas à les balancer soit via BlueSky/Notre Discord/Instagram ou par mail : oyatacast@gmail.com. Pour nous suivre sur les RS : Le Discord Upcast.fr (n'hésitez pas à nous demander une invitation) Instagram : https://www.instagram.com/oyatacast BlueSky : @upcast.bsky.social Extrait des morceaux : • Look Back - Trailer • Orbitals - Trailer • Street Fighter Movie - Teaser • Tenshi no Tamago - Trailer • Different God (Tenshi no Tamago ost) • Little Nemo - Trailer • Scarlet - Trailer • Pledge (Taisei Iwasaki - Scarlet ost) • Falcon (Rise of the Northstar - Red Falcon Super Battle! Neo Paris War!!) • Yoroi, un an dans l'armure - Trailer • Extrait E12 S2 - DanDaDan • Stand By Me (Ben E. King) Crédit générique : Titre : Sakuya2 Auteur: Peritune Source: https://soundcloud.com/sei_peridot Licence: https://creativecommons.org/licenses/by/3.0/deed.fr Téléchargement: https://www.auboutdufil.com Et aussi avec l'autorisation de mon plus grand pour la voix. ^^ Crédit de fin : Kaos Syoten · Osamu Totsuka Yoroiden Samurai Troopers "Sei Ran Hen" ℗ 1993 SUNRISE MUSIC INC. Released on: 1993-02-05 Music Publisher: SUNRISE Music INC.

After a busy week for Ruben Amorim following Kobbie Mainoo's brother protesting about the lack of playing time and/or opportunities to move away from the club and a defeat at Aston Villa, Rio is joined by Ste and Joel to dissect those points and the title race.Rio admits Kobbie is doing himself “a disservice” if he isn't getting onto the manager asking how he can get into the team and discusses with Ste whether there is a way back for the England midfielder at Old Trafford.Morgan Rogers had two game defining “world class moments” and after one of the trio admit they don't see what the fuss is all about, Rio breaks down the goals and analyses who and what should have done better.There's some advice for (and a defence of) Leny Yoro, admission that some of the current squad “aren't good enough” to cope with the defensive demands at Manchester United and a warning for Bukayo Saka who said that Arsenal were “in control” of the title race as they spend Christmas at the top of the table. Hosted on Acast. See acast.com/privacy for more information.

Það er margt að ræða eftir síðustu leiki í enska boltanum. Guðmundur Aðalsteinn kom sér vel fyrir í Pepsi Max stúdíóinu ásamt bræðrunum Magnúsi Hauki og Hinriki Harðarsonum núna þegar þrír dagar eru til jóla. Hinrik er atvinnumaður í Noregi en er mættur heim í jólafrí og fékk að láta gamminn geysa um sína menn í Liverpool. Liverpool lagði Tottenham í tíðindamiklum leik og þrjú efstu lið deildarinnar unnu öll. Manchester City er farið að líta ógnvænlega út á meðan Arsenal er að harka út sigra. Leny Yoro átti þá erfiðan dag á skrifstofunni gegn Morgan Rogers. Snert er á öllum leikjum helgarinnar en við óskum ykkur, hlustendum góðir, gleðilegra jóla.

Vi tar ner den bittra 2–1-torsken mot Aston Villa med ett försök till sans och balans. Ugarte, Yoro, Cunha och Martinez får extra tid i rampljuset. Parallellt snackar vi upp Boxing Day-mötet med Newcastle. Häng med! Följ oss jättegärna på sociala medier – där heter vi UTD Podden överallt!

Vi snackar ner segern mot Crystal palace på Selhurst Park. Var det egentligen en bra match? Hur hård ska man vara mot Yoro? Hur bra har Luke Shaw varit i år? Vi pratar även lite inför matchen mot West Ham på torsdag där vi kan förvänta oss ett lågt stående lag som inte har så mycket boll. Något som United haft problem emot tidigare. Det och mycket mer. Varsågoda!

**Chaque jour, en quelques minutes, un résumé de l'actualité culturelle. Rapide, facile, accessible.**[**Notre compte Instagram**](https://hugodecry.pt/IG-Pop)**DES LIENS POUR EN SAVOIR PLUS**Miss Univers : [](https://www.theguardian.com/technology/article/2024/aug/31/x-offline-brazil-elon-musk)[RTL](https://www.rtl.fr/actu/international/miss-univers-2025-les-proprietaires-du-concours-soupconnes-de-fraude-et-de-trafic-d-armes-7900571687), [Le Figaro](https://www.lefigaro.fr/international/miss-univers-les-proprietaires-du-concours-soupconnes-de-fraude-et-de-trafic-d-armes-20251127), [Le Parisien](https://www.leparisien.fr/culture-loisirs/miss-france/fraude-trafic-de-drogues-et-darmes-manipulation-le-concours-de-miss-univers-dans-la-tourmente-27-11-2025-THCSVEJZERA2BK5OU5G22G2HPI.php), [Télé 7 jours](https://www.programme-television.org/news/tv/emissions-tele/miss-univers-les-proprietaires-du-concours-font-l-objet-d-une-enquete-pour-trafic-d-armes-et-de-drogue-4747909), [The Express Tribune](https://tribune.com.pk/story/2579511/miss-universe-co-owner-faces-arrest)[Ninho : Instagram @ninhosdt](https://www.instagram.com/p/DRmr2dKjd5C/) Musée du Louvre : [France Info](https://www.franceinfo.fr/culture/arts-expos/louvre/le-louvre-augmente-de-45-son-prix-d-entree-pour-les-visiteurs-extra-europeens_7643642.html), [Le Monde](https://www.lemonde.fr/culture/article/2025/11/27/cinq-lieux-culturels-dont-le-louvre-et-versailles-sautent-le-pas-des-tarifs-differencies-a-partir-de-janvier-2026_6655123_3246.html), [BFMTV](https://www.bfmtv.com/paris/le-louvre-annonce-une-hausse-de-45-du-prix-du-billet-d-entree-pour-les-visiteurs-extra-europeens_AD-202511270873.html) Rock en Seine : [Le Figaro](https://www.lefigaro.fr/musique/the-black-keys-interpol-miki-rock-en-seine-annonce-de-nouveaux-visages-pour-sa-22e-edition-20251128), [Vanity Fair](https://www.vanityfair.fr/article/rock-en-seine-2026-nouveaux-noms-the-cure-tyler-the-creator-nick-cave), [Rolling Stone](https://www.rollingstone.fr/rock-en-seine-2026-14-nouveaux-noms/)Yoroï documentaire : [BFMTV](https://www.bfmtv.com/people/cinema/un-an-dans-l-armure-orelsan-devoile-les-coulisses-de-la-creation-de-yoroi-dans-un-documentaire_AN-202511280129.html), [Le Parisien](https://www.leparisien.fr/culture-loisirs/series/le-projet-ou-jai-le-plus-taffe-orelsan-raconte-les-coulisses-de-yoroi-dans-le-nouveau-documentaire-de-son-frere-28-11-2025-TUW3VHTQARFP5II2GRKDCGJHGM.php), [Konbini](https://www.konbini.com/popculture/montre-jamais-cette-armure-a-personne-orelsan-revient-aussi-avec-un-documentaire/)Zootopie 2 : [Le Figaro](https://www.lefigaro.fr/cinema/zootopie-2-realise-le-deuxieme-meilleur-demarrage-de-l-annee-dans-les-salles-de-cinema-francaises-20251128), [Les Inrocks](https://www.lesinrocks.com/cinema/box-office-france-vie-privee-demarre-fort-loin-derriere-zootopie-2-685139-28-11-2025/), [BFMTV](https://www.bfmtv.com/people/cinema/zootopie-2-fait-vibrer-le-box-office-et-signe-le-deuxieme-meilleur-demarrage-de-l-annee-en-france_AN-202511280501.html)Festival BD : [France Info](https://www.franceinfo.fr/culture/bd/festival-de-bd-d-angouleme/festival-de-bd-d-angouleme-la-mise-a-l-arret-de-l-edition-2026-semble-actee_7643336.html), [Le Monde](https://www.lemonde.fr/culture/article/2025/11/27/le-festival-d-angouleme-mis-a-l-arret-par-son-organisateur_6655086_3246.html), [Le Figaro](https://www.lefigaro.fr/bd/le-festival-bd-d-angouleme-2026-pas-officiellement-annule-mais-mis-a-l-arret-20251127)**Écriture : Eden Ayach****Incarnation : Samy Rabbata** Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On termine en beauté notre série consacrée au film YOROÏ avec une interview exclusive ‪Manu Lanzi et Anthony Pho, les deux coordinateurs de cascades du film.

N'hésite pas à nous laisser une note ou un commentaire sur les plateformes de podcast si tu apprécies l'émission ! Les références de l'épisode : Yoroï (film de David Tomaszewski) + La fuite en avant (album d'Orelsan) Eclipsium (jeu vidéo dispo sur Steam) Bugonia (film de Yórgos Lánthimos) Sweet Lands (jeu de société édité par Uchibacoya) Ghost of Yotei (jeu vidéo dispo sur PS5) Straftat (jeu vidéo dispo sur Steam)House of Guiness (série dispo sur Netflix) IT : Welcome to Derry (série dispo sur HBOMax)LUX (album de Rosalia) Bob's Burgers (série dispo sur Disney+)Si on sombre ce sera beau (Promis) (album de Solann) Frankenstein (film de Guillermo del Toro) dispo sur Netflix Le Potes Cast de Yacine et Dedo (dispo sur les plateformes de podcast)Tu peux nous retrouver sur tous nos autres réseaux : Instagram : https://www.instagram.com/picturalthings/YouTube : https://www.youtube.com/@PicturalThingsTikTok : https://www.tiktok.com/@pictural.thingsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Orelsan est ce dimanche sur Planète Rap pour parler de son nouvel album « La fuite en avant » avec Ablaye et Skread au micro de Fred Musa ! Teasé lors de son film « Yoroï », le rappeur normand revient sur la conception, ainsi que les questions auxquelles lui et son équipe ont dû répondre afin de permettre à ce projet de voir le jour !

Où l'on parle d'isekai, mais aussi d'Orelsan.

Bienvenue pour ce douzième numéro. Grande première, on a enregistré ce numéro depuis le fief de mon merveilleux binôme (enfin en IRL) j'ai nommé Le Dimu sama.. Comme d'habitude on se retrouve, pour papoter de nos otakeries. Au programme : des news, le gros focus sur la sortie ciné actuelle (Chainsaw Man), des recos, et puis voilà, voilà… Allez ikimashou ka? AU PROGRAMME • [00:00] Opening + sommaire… NEWS • [03:04] Le retour des joyeux loufoques • [09:27] Doublé de La Cachette • [11:53] Le Kaiju eiga c'est le bien FOCUS SUR LE FILM DE CET AUTOMNE 2025 CHAINSAW MAN - L‘ARC DE REZE • [17:10] Partie sans spoil • [26:25] SPOIL • [35:25] Vous pouvez écoutez de nouveau RECOS • [42:45] Yoroï (partie sans spoil) • [47:30] SPOIL • [59:00] Vous pouvez écoutez de nouveau • [1:03:12] Ranma ½ S2 • [1:05:04] ShangriLa S2 • [1:07:42] Arco CLAP DE FIN • [1:11:30] Tchao from PAM city ??? • [1:20:45] Comme d'habitude, n'hésitez pas à donner vos avis, toute critique est bonne à prendre, mais surtout dans le respect. Bonne écoute.
 Au prochain numéro. Pour nous suivre sur les RS : Le Discord Upcast.fr (n'hésitez pas à nous demander une invitation) Instagram : https://www.instagram.com/oyatacast X : https://twitter.com/upcastfrance BlueSky : @upcast.bsky.social Extrait des morceaux : • Kimengumi HighSchool - Trailer • Le Collège Noir - Trailer • Godzilla Minus Two - Teaser • Chainsaw Man - Trailer • Bomb by Kensuke Ushio (Chainsaw Man The movie:Reze Arc ost) • Yoroï - Trailer • Épiphanie de Orelsan (La Fuite en avant) • Ranma ½ S2 - Trailer • Shangrila S2 - Trailer • Rainbows de Arnaud Toulon (Arco ost) Crédit générique : Titre : Sakuya2 Auteur: Peritune Source: https://soundcloud.com/sei_peridot Licence: https://creativecommons.org/licenses/by/3.0/deed.fr Téléchargement: https://www.auboutdufil.com Et aussi avec l'autorisation de mon plus petit pour la voix. ^^ Crédit de fin : Kaos Syoten · Osamu Totsuka Yoroiden Samurai Troopers "Sei Ran Hen" ℗ 1993 SUNRISE MUSIC INC. Released on: 1993-02-05 Music Publisher: SUNRISE Music INC.

Ce mercredi, The Cinema Show était en direct, de 19h à 20h30, pour vous parler des dernières sorties ciné. Les débats ont porté sur : « Smashing Machine » de Benny Safdie« L'Étranger » de François Ozon« Yoroï » de David TomaszewskiÉgalement au programme : Les news de la semaineLa carte blanche : L'utilisation de l'IA peut-elle être justifiée pour certaines œuvres ?Le quiz de The Cinema ShowLes Recos de l'équipe

INTERVIEW DE DAVID TOMASZEWSKI

Avec Matt, Ju, Antho, Karim et Marie-Lise !

Salut, c'est Canelle. Dans quelques secondes vous allez voir mon interview avec Orelsan. Il est venu me parler de son nouveau film “Yoroï”, un film fantastique qu'il a co-écrit et dans lequel il joue le rôle principal.Mais il s'est aussi confié sur son nouveau rôle de père, son rapport au sport, sur ses addictions et sur le temps qui passe. Bref, je vous emmène dans la tête d'Orelsan."L'interview Brut. des gens connus" est un podcast produit par Brut.Journaliste : Canelle SabCoordination éditoriale : Annabel MoraDirection éditoriale : Laurent Lucas Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Jack Flintham and Steven Railston discuss Manchester United's weekend clash with Tottenham and Leny Yoro's latest comments.  Manchester is Red is sponsored by NordVPN, go to nordvpn.com/manchester and use the code ‘Manchester' to get four extra months for free on the two-year plan. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Record battu pour cet épisode de SALE TEMPS POUR UN FILM qui dure plus de 3h30 ! Avec six films au compteur pour cinq chroniqueurs autour du micro de Clémence Gueidan, cet épisode se concentre d'abord sur le trio de grosses productions françaises qui a récemment débarqué dans nos salles (CHIEN 51, L'HOMME QUI RÉTRÉCIT, YOROÏ avec Orelsan) avant de s'attaquer à la brouette à oscars THE SMASHING MACHINE, l'énième tirage à la ligne de franchise avec PREDATOR : BADLANDS et le gros film d'auteur événement pour Netflix qu'est le FRANKENSTEIN de notre cher Guillermo del Toro.Avec le soutien d'Eurochannel. Films exclusifs et séries TV inédites, le meilleur de la production européenne est sur Eurochannel. Vous pouvez retrouver Eurochannel sur les offres de Bouygues (chaîne 86), Orange (65) et Free (119). Plus d'informations sur https://www.eurochannel.frPrésentation : Clémence GueidanRédacteur en chef : Stéphane MoïssakisRéalisation : Jeanne DamatoChroniqueurs : Vincent Guignebert, Julien Dupuy, Érich Vogel, Marie Casabonne et Stéphane MoïssakisProduction : Clémence Gueidan et Stéphane MoïssakisMontage : Anthony NavarroRetrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/#orelsan #frankenstein #predatorbadlands Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Rendez-vous avec le rappeur Orelsan, à l'occasion de la sortie de son nouvel album, "La fuite en avant" et de son long métrage "Yoroï". Retour sur ses 25 ans de carrière, sur ses questionnements existentiels et sur ses doutes, jusqu'à à ses nombreuses victoires. Dans cet épisode, Ninho, ainsi que Denise & Shyn offrent les vidéos surprises.

On revient (sans spoil) sur mes séances ciné bien françaises de la fin octobre, à savoir Kaamelott Volet 2 Partie 1, et Yoroï, le nouveau film avec Orelsan !

Cette semaine les Frangins se retrouvent pour parler du nouveau film d'Orelsan, Yoroï et de sa carrière musicale !Suivez Adam sur Youtube "Adam Bros", sur Instagram @adambrosyt et sur Twitter @Adam_Bros Suivez Nathan sur Instagram @natebensoussan et suivez nous sur Letterboxd !

Yoro Falls. Camera issues. Yirgacheffe. Welcome to today's impromptu riff.

Nouvel épisode de LCDS (La Critique Des Sorties ), notre format critique où l'on analyse une œuvre cinématographique ou sériel !Après Chien 51 et Kaamelott Volet 2 on s'attaque à une autre grosse production française: Yoroi porté par Orelsan. Après 2 déception au niveau du cinéma français ce mois-ci, c'est peut être lui le bon gros blockbuster français de cette fin d'année. L'un des plus gros rappeurs français s'interprète lui-même dans cette autofiction rempli de yokais et d'influence tout droit sorti du Japon !Acast: https://shows.acast.com/650efd10f66c690011960c1aSpotify: https://open.spotify.com/show/1UydxAKx8fGt2v8dHbPtLUApple Podcasts: https://podcasts.apple.com/us/podcast/la-nuit-des-sorties/id1709018669Deezer: https://www.deezer.com/fr/show/1000297301Youtube: https://www.youtube.com/@LaNuitDesSortiesTwitch: https://www.twitch.tv/lanuitdessortiesTwitter/X: https://x.com/LanuitdesortiesBlueSky: https://bsky.app/profile/lanuitdessorties.bsky.socialTiktok: https://www.tiktok.com/@la.nuit.des.sortiesD Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Chaque samedi, dans CLAP !, Laurie Cholewa donne la parole aux critiques, qui commentent les sorties de la semaine. Les auditeurs ont également rendez-vous avec le journal des sorties, et les chiffres du box-office.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bertrand Lesguillons vous présente les sorties ciné : la Rom Com " Regretting You ", avec Mason Thames et McKenna Grace. " Yoroï " avec Orelsan et " l'étranger " avec Benjamin Voisin.

Ce matin sur Skyrock, Orelsan est venu dans le Morning nous présenter son film Yoroï ! Il nous en dévoile les coulisses, nous parle de son futur album, sans oublier le jeu de la banque, les questions WhatsApp que vous avez lui posées et les 1500 euros !!

L'homme qui rend jaloux MC Solaar et qui au cinéma à partir de demain joue avec son image. Celui d'un rappeur épuisé par le succès qui se réfugie au Japon avec sa femme enceinte. Des monstres et une armure étrange vont le conduire à réfléchir sur sa vie et à revoir ses priorités. Qu'on soit fan ou pas d'Orlesan, on aime YoroÏ. Un film bourré de références à la carrière du rappeur, bourrée d'humour aussi, une comédie d'action avec des combats qui font mal, un hommage à la culture japonaise et à toute la génération biboronnée au Club Dorothée, une réflexion sur la célébrité et une jolie déclaration d'amour aux femmes en général, souvent bien plus badass que les tous rappeurs réunis.Un film signé du réalisateur des clips d'ORELSAN qui y interprète son alter égo. David Tomaszewski et ORELSAN sont ce soir nos invités.Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

Orelsan en interview par Bertrand Lesguillons raconte pourquoi il prépare ses cascades pour le film d'action Yoroï depuis 8 ans. Il évoque aussi son rôle et la paternité .

Bertrand Lesguillons vous présente les sorties ciné : la Rom Com " Regretting You ", avec Mason Thames et McKenna Grace. " Yoroï " avec Orelsan et " L'étranger " avec Benjamin Voisin et Rebecca Garder.

Nos invités de la deuxième partie de C à Vous du mercredi 29 octobre 2025:

Par Rafael Wolf et Thomas Lecuzer Lʹhomme qui rétrécit de Jan Kounen, avec Jean Dujardin, Marie-Josée Croze. La femme la plus riche du monde de Thierry Klifa, avec Isabelle Huppert, Marina Foïs, Laurent Lafitte. Regretting you de Josh Boone, avec Allison Williams, Mckenna Grace, Dave Franco. Yoroï de David Tomaszewski, avec Orelsan, Clara Choï.

Après trois ans dʹabsence, Orelsan revient en grande pompe. Et pour accompagner la sortie de son nouvel album et une tournée en 2026, il sort cette fiction réalisée par son clippeur attitré et inspirée de sa propre vie. Le rappeur joue son presque propre rôle. Il est Aurélien, chanteur à succès, qui après une dernière tournée éprouvante, décide de s'installer au Japon avec sa femme Nanako, enceinte de leur premier enfant. Alors que le jeune couple emménage dans une maison traditionnelle dans la campagne japonaise, Aurélien découvre dans un puits une armure ancestrale qui va réveiller d'étranges créatures, les Yokaïs, contre lesquels il va devoir se battre. https://www.youtube.com/watch?v=iyGM4LdNJEk

Avant une année 2026 qui sera marquée par des concerts, le rappeur chanteur Orelsan réapparaît au cinéma ! Il tient le premier rôle du film « Yoroï » qui sera à l'affiche à partir de mercredi prochain. Ecoutez Laissez-vous tenter - Première avec Le Service Culture du 28 octobre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On a eu la chance d'assister à l'avant-première de Yoroï en présence d'Orelsan, Clara Choï, Scred, Tomaszewski et Phazz... Est-ce que ça en fait un bon film pour autant ? On vous dit tout ça.En salle le : 29 octobre 2025D'une durée de 1h 55min Genre : Aventure, FantastiqueÀ la réal : David TomaszewskiAu casting : Orelsan, Clara Choï, Kazuya TanabeAprès une dernière tournée éprouvante, Aurélien décide de s'installer au Japon avec sa femme Nanako, enceinte de leur premier enfant. Alors que le jeune couple emménage dans une maison traditionnelle dans la campagne japonaise, Aurélien découvre dans un puits une armure ancestrale qui va réveiller d'étranges créatures, les Yokaïs.

Valérie Lemercier croque notre monde et nos travers dans un nouveau seule-en-scène irrésistible. Elle est notre invitée en tête-à-tête, au micro de Stéphane Boudsocq Jean-Christophe Grangé raconte sa propre histoire dans « Je suis né du diable » qui paraît chez Albin Michel. Ce n'est pas un thriller mais c'est peut-être son livre le plus terrifiant. Sophie Aurenche a rencontré l'écrivain.  Le rappeur chanteur Orelsan tient le premier rôle du film fantastique « Yoroï » qui arrive mercredi au cinéma. Il s'est confié à Marie Gicquel. Isabelle Morini Bosc nous dira pourquoi l'émission de W9 « La petite histoire de France » est de tous les programmes télé, son préféré ! Ecoutez Laissez-vous tenter avec Anthony Martin du 26 octobre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:10:44 - L'invité de 7h50 - par : Benjamin Duhamel - Orelsan présete son nouveau film "Yoroï", coécrit avec et réalisé par David Tomaszewski, en salles le 29 octobre. Le rappeur évoque aussi la création autour de sa dizaine de Bercy, en cours de préparation, et qui clôturera une grande tournée des Zéniths en 2026. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:44 - L'invité de 7h50 - par : Benjamin Duhamel - Orelsan présente son nouveau film "Yoroï", coécrit avec et réalisé par David Tomaszewski, en salles le 29 octobre. Le rappeur évoque aussi la création autour de sa dizaine de Bercy, en cours de préparation, et qui clôturera une grande tournée des Zéniths en 2026. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Yasmin, Dan, Zach, and Freddie sit down to reflect on a hard-fought 1-1 draw against Manchester United, finally putting an end to Fulham's dismal run of form against the Red Devils at Craven Cottage.We dive into the key talking points: the controversial VAR penalty decision, Bruno Fernandes' comical miss from the spot, and whether Calvin Bassey was unfairly shoved by Yoro from the corner that led to United's goal. Guests:Yasmin MillsDan CookeZachary Sweeney-LynchFreddie CooperProducer:Freddie CooperSupport Fulhamish's independent podcasts, videos and articles by subscribing to our Substack: http://www.fulhamish.co.ukFollow Fulhamish on socials:http://www.x.com/fulhamishpodhttp://www.instagram.com/fulhamishpodhttps://www.tiktok.com/@fulhamishhttps://www.youtube.com/@fulhamishpodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rio is joined by Joel and Ste to discuss Arsenal's victory at Old Trafford including how the performances of defenders Luke Shaw and Leny Yoro gave Ruben Amorim's side the ideal platform to look dangerous in attack.After a lot of negativity on social media about Arsenal's summer signing Viktor Gyokeres - Rio looks at whether he will be effective as the club's talisman and there's praise for Manchester City's new signings Tijjani Reijnders and Ryan Cherki who gets compared to Jack Grealish.And at the time of the season where there's huge focus on players' sharpness, fitness and physicality, we invite Dan Edwards onto the pod. He has worked with some of the world's leading players like Trent Alexander-Arnold, Eduardo Camavinga and Bryan Mbuemo and he details why the work he does is so valuable whilst responding to claims by some clubs that working with 1on1 coaches is ‘dangerous'.#ManUtd #Arsenal #PremierLeague #RioFerdinand #JoelBeya #SteHowson #ManUtdvsArsenal #Gyokeres #MikelArteta #LukeShaw #LenyYoro #DanEdwards #1on1Coaching #TijjaniReijnders #RyanCherki #JackGrealish #FootballAnalysis #PostMatch #PLFootball Hosted on Acast. See acast.com/privacy for more information.

Even Hollywood's biggest stars aren't immune to the supernatural—ghostly encounters, eerie hauntings, and unexplained phenomena have left many celebrities questioning reality.IN THIS EPISODE: Don't try and tell some celebrities that ghosts don't exist, because they've seen all the paranormal proof they need to believe. (Celebrity Encounters With The Paranormal) *** A prayer for food resulted in fish raining down from the sky in Yoro, Honduras. And now it happens regularly – sometimes twice a year – with still no definitive explanation. (Cloudy With a Chance of Sardines) *** Is it possible that UFO sightings and sightings of the Chupacabra are somehow related? Even stranger – is it possible the strange dog-lizard-like creatures came from crashed spaceships? (UFOs And The Chupacabra) *** Weirdo family member Laura tells a strange story about a candy store – and its resident ghost. (Haunted Candy Store)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Lead-In00:01:30.607 = Show Open00:03:07.312 = Celebrity Encounters With The Paranormal00:33:15.385 = UFOs And The Chupacabras00:40:55.462 = Cloudy With a Chance of Sardines00:48:38.081 = Haunted Candy Store00:53:07.188 = Show Close, Verse, and Final ThoughtSOURCES AND RESOURCES FROM THE EPISODE…“Celebrity Encounters With The Paranormal” by Brent Swancer: http://bit.ly/2ZAzYGX“Celebs Who Have Had Ghost Encounters by Lydia Price: http://bit.ly/2Iq0bCm“UFOs And The Chupacabra” by Nick Redfern: http://bit.ly/2XS41cy“Cloudy With a Chance of Sardines” by Panchali Dey: http://bit.ly/2IQ9p9Y“Haunted Candy Store” by Weirdo family member, Laura=====Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamInfo on the next WEIRDO WATCH PARTY event. https://weirddarkness.com/TV=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: January, 2021EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/HauntedHollywood

Tell us what you think of the show! This Week in Cleantech is a weekly podcast covering the most impactful stories in cleantech and climate in 15 minutes or less.This week's episode features Tim McDonnell from Semmafor, who wrote about how Trump's return could freeze clean energy investments by rejecting or clawing back DOE's $400B Loan Programs Office (LPO) funding.This week's "Cleantecher of the Week" is Peter Roy, International Consultant for Soluz Honduras. Peter recently took a trip to Honduras to witness the company's operations in Yoro, where solar energy was brought to a remote, off-grid community that used to rely on wood sap for light. This Week in Cleantech — February 14, 2025Record-breaking growth in renewable energy in US threatened by Trump — The GuardianHow China Became The World's New Nuclear Energy Superstar — HuffPostTrump Sets 25% Steel, Aluminum Tariffs, Widening Trade War — BloombergGreen Energy Ambitions of European Companies Take a Beating — The New York TimesTrump's unpredictability scares energy investors, Biden's green banker says — SemaforCheck out FactorThis.com — your new, one-stop shop for energy news, insights, and commentary. We've combined the reach and expertise of Renewable Energy World, POWERGRID International, and Hydro Review to serve you better. Sign up for our free newsletter today.

Manchester United's young defender Leny Yoro sits down with Rio Ferdinand to discuss the art of defending, the challenging start he faced at the club and how the arrival of Ruben Amorim has impacted the way he's adapted to life at Old Trafford. Yoro reveals what it was like finishing at school to go and face Kylian Mbappe, how he deals with the pressure of people suggesting he can reach Virgil Van Dijk's level and discusses the best and worst fashion amongst his team mates. There's a special shout out for Kobbie Mainoo who helped him settle at the club and Rio discusses the call he shared with Yoro when he helped persuade him to join Man Utd before he suffered an injury in pre-season. Hosted on Acast. See acast.com/privacy for more information.

Hello Rank Squad!We're dialling in today on the big news that broke this week - Manchester United's sacking of Erik ten Hag and their approach to replace him with Sporting CP's Rúben Amorim - which at the time of recording looks very close to being completed. First of all, Dean walks us through the ins and outs of how the Manchester United backroom came to the conclusion that they were going to part ways with Ten Hag, and why it happened at this point; before detailing their approach for Amorim and how they were able to move so swiftly and efficiently in securing their first-choice target. Then, in Part Two, Jack takes over to talk about what Amorim brings to the table, both on a personal level and from a tactical perspective. We discuss the nature of Sporting when he took over there, and how he has form for turning around a huge club which is on its knees, as well as his communication mastery and how he has got a disparate group of players to buy into his methods and turned Sporting from also-rans to the dominant force in Portuguese football. There's also a chat around how his formation and ideology maps onto this current Manchester United squad - the players who will thrive in Amorim's 3-4-2-1 and those who might struggle for minutes, as well as some thoughts about problem areas which United will probably have to look to tackle in the January transfer market or the summer. Finally, in Part Three, we talk a little bit about Monday's Ballon d'Or trophy, which was awarded to Rodri of Manchester City and Spain. There was quite a fallout from his victory, including Real Madrid somewhat throwing their toys out of the pram about the fact that Vinicius Jr didn't win it, so we give our thoughts on the entire unsavoury scene. It's Ranks! And remember, if you'd like more from the Rank Squad, including extra podcasts every Monday and Friday (including our weekly Postbox taking a look at the whole weekend of football) and access to our brilliant Discord community, then why not join us here on Patreon?

#741 | United have pulled off the first major transfers of the Ineos era, with the much-lauded Leny Yoro joining the club from Lille. Most pundits had assumed the 18-year-old would join Real Madrid this summer. It comes days after United confirmed the transfer of Joshua Zirkzee from Bologna. And the toxic Mason Greenwood is finally shown the door. Are there more to come? Ed & Dan discuss transfers and the pre-season programme.If you are interested in supporting the show and accessing exclusive bonus episodes, check out our Patreon page. We do a bonus show and a tactical review every week for backers.No Question About That is available on YouTube, Apple, Spotify, Amazon and all podcast apps. Hit that subscribe button, leave a rating and write a review. Hosted on Acast. See acast.com/privacy for more information.

Dan is here for the Redmen Weekly Podcast to take a look back at some our Redmen Plus shows from this week. To start off, we have a clip from our Journo Insight show as Dan and Paul Gorst discussed why Liverpool decided not to enter the race to sign Leny Yoro. Next up, we have a clip from one of our Expert Insight shows as Dan had a chat with Former Liverpool player Ryan Babel to talk about Cody Gakpo's Euros and whats next for Virgil Van Dijk. To finish this weeks episode of Redmen Weekly, Dan spoke to the Chelsea Spot for a deep dive on Rio Ngumoha after The Reds agree a deal to sign the promising yound talent. Support this show http://supporter.acast.com/redmentv. Hosted on Acast. See acast.com/privacy for more information.

As Liverpool seem to be about to lose out to Manchester United for the signature of Central defender Leny Yoro, Dan speaks to Paul Gorst of the Liverpool Echo to get his thoughts on what is happening at Liverpool amidst the chaos.Support this show http://supporter.acast.com/redmentv. Hosted on Acast. See acast.com/privacy for more information.

Chris and Jamie are here for the LFC News Update show where they'll be speaking about why LFC aren't in for Leny Yoro as he seems to be on his way to rivals Manchester United.Support this show http://supporter.acast.com/redmentv. Hosted on Acast. See acast.com/privacy for more information.

Chloe is here with the latest Liverpool transfer rumours as we look at the recent reports suggesting Madrid have made contact with Trent as they attempt to lure him to the Bernabéu as well as the news that Leny Yoro looks set to be moving to Manchester United.Support this show http://supporter.acast.com/redmentv. Hosted on Acast. See acast.com/privacy for more information.

IN THIS EPISODE: Don't try and tell some celebrities that ghosts don't exist, because they've seen all the paranormal proof they need to believe. (Celebrity Encounters With The Paranormal) *** A prayer for food resulted in fish raining down from the sky in Yoro, Honduras. And now it happens regularly – sometimes twice a year – with still no definitive explanation. (Cloudy With a Chance of Sardines) *** Is it possible that UFO sightings and sightings of the Chupacabra are somehow related? Even stranger – is it possible the strange dog-lizard-like creatures came from crashed spaceships? (UFOs And The Chupacabra) *** Weirdo family member Laura tells a strange story about a candy store – and its resident ghost. (Haunted Candy Store)SOURCES AND REFERENCES FROM THE EPISODE…“Celebrity Encounters With The Paranormal” by Brent Swancer: http://bit.ly/2ZAzYGX“Celebs Who Have Had Ghost Encounters by Lydia Price: http://bit.ly/2Iq0bCm“UFOs And The Chupacabra” by Nick Redfern: http://bit.ly/2XS41cy“Cloudy With a Chance of Sardines” by Panchali Dey: http://bit.ly/2IQ9p9Y“Haunted Candy Store” by Weirdo family member, Laura: http://weirddarkness.com/submit/Weird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: January, 2021