Nathan Rabin's Happy Cast

Nathan and Clint return after another short hiatus to break down another two-fer of VOD dreck -- first with Travolta's slow-moving racing drama Trading Paint, then with Cage's gonzo Tarantino/Guy Ritchie drug-biz knockoff Running with the Devil! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint dig back into the classic mold of Travolta/Cage double features -- unfortunately, it's for more late-aughts VOD dreck. First up is Speed Kills, a Dollar Tree Casino riff starring John Travolta as a fictionalized version of speedboat manufacturer and mobbed-up multimillionaire Donald Aronow (here "Ben Aronoff"). It looks and feels cheap, and thrums with all the speed of a rowboat down the ol' Mississipp' -- probably because it was initially conceived as a chintzy VR-cinema experiment.  Then, we get a slight reprieve with A Score to Settle, which features Nic Cage as his millionth aging mob enforcer looking back on his post-prison life and broken relationships with an eye towards revenge. Cage is reliably solid here -- he can play these kinds of roles in his sleep, not that his terminally-insomniac character would allow it -- but the rest of it is a slog. Still, beats Travolta in a motorboat! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint stare into some glowy rocks for a single serving of Cage in Richard Stanley's Lovecraft adaptation Color Out of Space! Serving as a spiritual followup to Mandy (with its cosmic-horror stylings and full-on Rage Cage moments), Color Out of Space puts Cage in another tale of rural tranquility disrupted by neon-tinted ravings from the beyond. This time, he's the patriarch of a broken yet resilient family who retreats to the woods to repair long-festering emotional wounds, only to find themselves torn apart by a fuschia glow that emanates from a meteorite that lands in their backyard. Crops grow uncannily, people lose their minds, and alpacas take on new, horrific shapes -- all while Cage and co. flail against the unfathomable knowledge the "color" presents them. It's a lean, effective, genuinely haunting bit of cosmic horror, and the boys dig into why it gets under their skin so.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

This week, Cage plays two flavors of bad husband in a pair of VOD-ready erotic thrillers!  First, we cover the Gina Gershon-starring Inconceivable, an overamped Lifetime movie about a crazy mommy (Nicky Whelan) who cozies up to a well-to-do couple (Gershon, Nicolas Cage) whose IVF-born child just so happens to be from her egg. Hitchcockian antics ensue, by which we mean Whelan's wacko MILF (falling far short of the post-breakdown Lindsay Lohan the original casting promised us) kills female wrestlers with dumbbells in shallow ponds, gaslights Gershon into restarting her pill addiction, and womb-jacks Gershon's latest attempt at a child. Still, it's got Gershon and a bored-looking Cage together for the first time since Face/Off! Then, there's Looking Glass, a low-budget motel thriller so indebted to David Lynch they even got Angelo Badalamenti to provide some themes! Cage plays a dye-bearded wreck who, with his depressed wife (Robin Tunney), take over a motel in the middle of nowhere as a means to get over their recently-passed son. There, Cage stumbles upon a mysterious web of sex trafficking and voyeurism -- hello, one-way motel mirrors -- that at all times threatens to become interesting. More fool us! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

This week, we're back to the unfortunate Nic Cage double features -- this time with our boy Nicolas on either side of the law! First, there's the staggeringly sloppy cop thriller 211, in which Cage plays an aging cop who teams up with his fresh-faced rookie son-in-law and a teenage ridealong to thwart a four-man bank robbery in Massachusetts. It's got the politics and aesthetics of a well-meaning anti-drug PSA, a bloated, poorly staged shootout even at a sparse 80-some minutes.  Then, we get real weird with it with Between Worlds, a wild supernatural dirtbag romance with Cage as a scraggly, widowed truck driver, whose fling with another doomed soul (Run Lola Run's Franka Potente) leads them down a road where his dead wife's soul zaps into the body of Potente's hot young daughter (Penelope Mitchell). Marathon screwing and over-the-top garden hose fights ensue, as Cage goes as wild as he can with a film seemingly made for five dollars. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Jordan Morris (Jordan Jesse Go!) returns to the pod for a seminal moment for both our boys -- a 2018 that saw Nic Cage rise from the VOD ashes to enter a new era of cult acclaim, and John Travolta take his biggest swing-and-a-miss yet! First, there's Panos Cosmatos' Mandy, a trippy bit of horror-fantasy psychedelia in which a logger (Cage) exacts revenge on the drug-fueled doomsday hippies who kill his love (Andrea Riseborough). Cue the neon lights, the screaming, and more Cheddar Goblin than you can swing an oversized chainsaw at! From there, we earn the respect of all five boroughs of New York City -- count 'em on your fingers if you have to -- for Gotti, directed by one of the guys from Entourage and endlessly hagiographic of its subject, noted mob boss John Gotti (Travolta). It's a goofy, misguided waste of an okay Travolta performance, made even worse by the fact that it feels like someone watched GoodFellas high and decided the movie thought mobsters were really awesome (and great dads!).  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

Happy new year, boys and ghouls! Our first episode of 2024 (and the first after a bit of a hiatus) finally puts the spotlight back on Travolta after a string of Cage double-features and Johnny T failures. Blessedly, the television gods granted him the kind of role his 2010s VOD output could not: His mannered, theatrical turn as OJ Simpson lawyer Robert Shapiro in Ryan Murphy's anthology series American Crime Story: The People vs. OJ Simpson. Among a crowded field of stars (Cuba Gooding Jr. Nathan Lane, Courtney B. Vance, Sarah Paulson), Travolta stands out as OJ's calculating, reputation-focused lawyer, and we talk about how Travolta's idiosyncratic instincts finally worked in his favor. Plus, we talk about the cultural impact of the OJ trial, where we were, and how Murphy's melodrama was a perfect tone to strike for that crazy time in American pop culture.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

Nic Cage plays sad dad figures of children (or child figures) facing the threat of violence this week! First up is The Humanity Bureau, another piping hot cup of Redbox dreck with Cage as a renegade agent for a dystopian future agency meant to track the populace's productivity on a dying Earth. Unfortunately, that mostly takes the shape of shoddy green-screen effects, a meandering road trip in a chintzy station wagon, and a cast of Canada's finest day players to play off. Fortunately, things get better in Brian Taylor's zombie-parent horror-thriller Mom and Dad, as Cage (along with Selma Blair) play stressed-out middle aged parents who find themselves the victim of a plague that causes people to murder their offspring. Sure, a good portion of it is a clever "Home Alone meets Dawn of the Dead" scenario, with gore and power tools aplenty. But there's a fascinating strain of adult melancholy in there, with Cage doing some of his best recent work.  Plus, we talk a bit about Nic Cage's latest, the droll, bizarre A24 flick Dream Scenario! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, we take a break from the DTV dreck to get a little more...animated, let's say, with a pair of charming animated Nic Cage jaunts into the world of superheroes! And we've got our trusty sidekick, Alonso Duralde (Linoleum Knife), to join us on this crime-fighting crusade! First up is Spider-Man: Into the Spider-Verse, Peter Ramsey, Bob Persichetti, and Rodney Rothman's dizzying animated epic about Miles Morales' (Shameik Moore) initiation into the jam-packed multiverse of Spider-Man! It's still one of the freshest takes on the web-slinger we've ever seen, and its unique blend of animation styles has left an indelible mark on the moviemaking landscape. But more importantly for our interests, it has Nic Cage as a hardbitten, noir-tinged Spidey that gives the actor a change to break out his James Cagney impression. Then we zap into another meta-charmer, Teen Titans GO! To the Movies, following the cherubic team of sidekicks and their desperate efforts to get a superhero movie like every other character under the sun. It's a delightful winner with plenty of great gags for kids and adults, but we're just thrilled Cage finally got to play his childhood hero, Superman (albeit one more Christopher Reeve-inflected than his swoopy-haired turn in the abortive Tim Burton Superman Lives).  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Travolta and Cage go down the revenge rabbit hole (again) in two Cage-produced schlockfests centered on middle-aged men with bad wigs and leather jackets shooting people in the face. Go figure! First is I AM WRATH, a low-budget JOHN WICK riff that was originally meant to pair Cage with director William Friedkin! Instead, we drew the short end of the stick in this timeline, so we've got a constipated-looking John Travolta in a shock-black party wig and the director of The Mask (Chuck Russell). Here, Travolta avenges his wife's death in a seemingly-petty murder, only to go back to his life as a black ops expert, armed only with his wits, a Bible passage, and his old war buddy (Christopher Meloni). Then, there's VENGEANCE: A LOVE STORY, the first (and hopefully only) action picture adapted from a Joyce Carol Oates novel. (Eat your heart out, BLONDE!) Here, Cage plays a virtuous cop who takes pity on a young woman (Anna Hutchison) whose gang-rapists get acquitted thanks to a sleazy country lawyah (Don Johnson). It's equal parts weepy social-issue melodrama and C-level Cage thriller, shot with all the gauzy cheapness of a Hallmark original movie. Joy! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Travolta returns to the fold.... in a good movie this time?! Nathan and Clint break down two tales of violence and revenge, both throwbacks in their own way: one to the spaghetti Westerns of the '60s and '70s, the other to, I guess, Deadfall? First up is Arsenal, a chintzy DTV Cage vehicle with a twist: this time, apropos of nothing, he's reprising his over-the-top role as mustachioed drug kingpin Eddie King from his brother Christopher Coppola's chintzy 1993 thriller Deadfall. Once again, he's paired with a bland lead (Adrian Grenier, whose face makes you always wonder whether the movie you're watching is a fake Vincent Chase joint) in a disjointed, overly-stylized tale of brothers pitted against each other in a battle for their own souls. But this time, with a lot more snot-nosed Cage weeping every single line in a Tony Clifton wig.  Fret not, though, for sunrise is just over the horizon in Ti West's slick, darkly funny Western pastiche In a Valley of Violence. Taking the same arch approach he takes to horror homages like House of the Devil and X, West follows a lonely man (Ethan Hawke) running from a violent past with little but his trusty pup by his side. But when tragedy befalls him (two guesses as to what happens to that dog), Hawke goes full Western John Wick on the cocky gunslinger failson (James Ransone) of the eminently pragmatic town marshal (John Travolta, mutton-chopped and delightful).  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, The Pitch's Abby Olcese joins us for two Nic Cage-fronted true stories of dubious execution!  First up is Larry Charles' Army of One, a grating retelling of the real-life tale of Gary Faulkner (Cage), who was arrested in Pakistan hatching a plot to kill Osama bin Laden in 2010, all for 'Murica. In theory, it could be a neat little dramedy about the self-delusion of the flag-pilled white dude; in practice, it's an annoying slog with Cage making all kinds of delusional choices (the voice he does here) and everyone's favorite kook Russell Brand as God.  Things get a little better, if a little safer, with Mario Van Peebles' po-faced WWII drama USS Indianapolis: Men of Courage. Peebles casts Cage as the doomed captain of the equally-ill-fated Navy ship that famously smuggled vital parts for the atomic bomb behind enemy lines, only to get shot down by a Japanese U-boat. From there comes starvation, sharks, and a whole lotta sitting around and waiting. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Matt Goldberg (formerly of Turner Classic Movies, currently of the Substack Commentary Track) joins us for the mighty return of... gasp.... John Travolta in a good role? First, we cover Jackie Earle Haley's directorial debut, Criminal Activities, a messy but ultimately interesting Tarantino riff in which a group of down-and-out high school buddies (Michael Pitt, Christopher Abbott, Rob Brown, Dan Stevens) ends up inadvertently in debt to a cheeky, Macbeth-quoting mob boss (Travolta, having a grand old time). They can get out from under his thumb, if they do one big job for him -- kidnap the failson (Edi Gathegi) of his mob rival. Twists, turns, and darkly comic antics ensue, as a deeply-overqualified cast leans into the film's innate goofiness.  On the other side of the coin comes Oliver Stone's poorly-aged, deadly serious, self-righteous political biopic Snowden, charting the life of Edward Snowden (Joseph Gordon-Levitt, doing his best Elizabeth Holmes impression) as he goes from dull intelligence agent to dull whistleblower. Cage shows up for a few minutes as Snowden's jaded mentor, but otherwise it's two-plus hours of Stone's overwrought self-insistence that what you're watching is The Most Groundbreaking, Earth-Shattering Discovery About Government Surveillance Ever. (The government's spying on us all the time? The hell you say?!) Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint are pleasantly surprised to find two non-stinkers in Cage's 2010s output! First, there's The Trust, a darkly-comic heist thriller about two amoral cops (A mustachioed Nicolas Cage alongside a wiry, disaffected Elijah Wood) who plot to steal a mysterious stash from unknown criminals, only to find themselves wayyy in over their heads. Cage and Wood are fantastic together as two losers forging a curious, fractious partnership out of economic necessity, and there are some great little moments from Cage as a corrupt father figure of sorts. Then there's the Eddie Bunker novel adaptation Dog Eat Dog, Paul Schrader's semi-redemption from the execrable Dying of the Light. This time, Cage plays a Bogey-obsessed ex-con who ropes in his fellow criminal pals (Christopher Matthew Cook and Willem Dafoe, the latter doing his damndest to out-Cage Cage with his wily psychopath Mad Dog) into a hapless plan to kidnap the baby of a local gangland rival. Things go to pot as predicted, and Schrader paints their eventual fall with all the Expressionistic verve of his later works.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

We're back, baby! After a couple of months of hiatus (and a whole new set of chompers for Nathan), Travolta/Cage is back on the case! We're not the only thing that's returned: not only do we have guest Brock Wilbur (co-author of Postal, Editor in Chief of KC's The Pitch) popping back on the show, we finally see the vaunted return of John Travolta to the pod. Unfortunately, it's for Life on the Line, a too-schmaltzy-by-half ode to electrical line workers that plays out like Yellowstone with fewer horses. Hope you like ponytail beards and white dudes named Pok' Chop! On the Cage side of things, he's slumming it in low-rent supernatural horror with Pay the Ghost, as a lit professor in New York who starts seeing apparitions of his missing son a year after losing him.... at Halloween! (Cue crackling thunder.) It's also pretty dismal, an Insidious riff that lacks any of that film's charm or atmosphere, which leads to a pretty grim double feature all around. Still, we brighten things up with a quick chat about Cage's latest, Renfield -- did we like it? Did we think it made the best use of Cage's lifelong mission to play Count Dracula? Find out! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint go it alone for two more Nic Cage joints, ones in which he plays characters reckoning with their personal political failings! In The Runner, Cage plays a well-meaning but deeply flawed N'awlins politician whose attempts to heal NOLA post-BP oil spill gets thrown by one scandal after another. Cue the sub-House of Cards politicking, Connie Nielsen as a bottle-blonde ladder-climber, and Sarah Paulson as one of the least likely Cage love interests of all time! Then there's Paul Schrader's fatally compromised political thriller Dying of the Light, starring Cage as an old CIA flack whose quest for revenge against his Muslim terrorist captor 20 years ago is complicated by his failing mental state. There's glimmers of something interesting here; too bad the studio ripped the film away from Schrader and turned it into a blank, hokey mess! Still, it features Anton Yelchin in one of his final roles, so there's that.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

This week on the podcast, film critic and author Marya E. Gates (read her Substack!) joins us for another double-feature deep dive into Nicolas Cage's 2010s filmography, this time as two men failing to run from violent pasts! In the VOD thriller Rage, Cage plays a former criminal whose successful life on the straight and narrow is disrupted by the kidnapping and death of his daughter, which sends him spiraling back, as the Bugs Bunny meme would say, to "the old me." The prototypical Redbox-y action and creaky performances follows, even as there are some glimmers of something interesting with its fresh spin on the usual revenge narratives.  We follow that up with David Gordon Green's mournful Southern Gothic fable Joe, about an alcoholic tree-poisoner (Cage) who finds himself the erstwhile father figure to a kid (Tye Sheridan) trying to escape the thumb of his abusive father (Gary Poulter, one of moviedom's great one-and-done performances).  Together, the three of us talk about these two distinct takes on Cage's distinct style of middle-aged vengeance -- one highbrow, one lowbrow -- and you'll be shocked where our opinions actually differ! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Linoleum Knife's Dave White joins us for some rigorous religious scholarship surrounding two of Cage's Godliest movies! First, there's Vic Armstrong's adaptation of the best-selling apocalypse novel Left Behind, starring Cage in one of his sleepiest roles as hotshot airline pilot Rayford Steele, who finds himself flying a plane where half the passengers -- and his co-pilot -- have disappeared thanks to the Rapture. On the one hand, it's the rare Christsploitation movie where it doesn't feel like a feature-length Fox News segment; on the other, it's a cheap, warmed-over Airport riff featuring shoddy effects, wonky pacing, and an all-timer breakdown from American Idol's Jordin Sparks. Then we travel East for Outcast, a Chinese-American-Canadian coproduction in which, much like Season of the Witch, Cage plays one half of a pair of Crusade Knights who quit the church because genocide is a bit too spicy for his taste. Problem is, it's not his movie: it's Hayden Christensen, glowering his way through poorly-shot fight choreography in a limp chase movie set in ancient China. Sure, Cage shows up in the last act with snake-hands and a British accent like a Disneyland Jack Sparrow impersonator, but it's not quite enough to save this slog. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Happy New Year, Travoltatrons and Cageiacs! The year may have changed, but Nathan and Clint are still trudging along the highs and (mostly) lows of our boys' filmography, as Cage cranks out role after role and Travolta hangs back, waiting for the right time to strike.   Luckily, this week we've got The Flop House's Dan McCoy back to help us sift through the mayhem, as our Cage-heavy double feature has him playing father figures in ice ages of varying sorts. First, there's the Dreamworks animated comedy The Croods, with Cage as an uptight, conservative cave-dad worrying about his daughter (Emma Stone) breaking out of her own prehistorical shell. Then, we zip over to 1980s Alaska for The Frozen Ground, a limp serial killer thriller that sees him protecting a young sex worker (Vanessa Hudgens, playing real tough, you feel me?) against fellow Redbox outcast John Cusack as real-life killer Robert Hansen.    And along the way, we all live-react to the Renfield trailer, and wonder about Cage's transition from fake corporate vampire (Vampire's Kiss!) to honest-to-God Dracula!  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week on the podcast, Nathan and Clint go it alone for the welcome return of Travolta to the cast! Unfortuantely, it's in the worse half of an otherwise-decent double feature about ex-thieves dragged back in for One Last Job to look after an estranged child in hyper-specific American cities! In Philip Martin's ponderous The Forger, Travolta tries his hand at a serious, downbeat character drama, as an expert art forger from Boston who works out a deal to get out of prison early to see his terminally ill son (Tye Sheridan). But of course, it's contingent on forging a priceless Monet and stealing the real one! Too bad any attempts at intergenerational male bonding (between Travolta, Sheridan, and a game Christopher Plummer as their irascible gramps) is bogged down by a top-tier bonkers Travolta wig/soul-patch combo. On the bright side, there's Stolen, which is the good kind of bonkers! Reuniting with Con Air director Simon West, Cage hams it up as an expert bank thief blackmailed into giving his ex-partner (Josh Lucas, truly Doing the Most) who has his daughter trapped in his cab's trunk. It's a goofy, fun chase through N'awlins, complete with colorful characters, campy twists, and some genuinely great side characters. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Third time's the charm for returning guest (and video essayist extraordinaire) Patrick H. Willems, as we strap ourselves into the driver's seat for a pair of gonzo Cage-rage drivin' devil movies! First up is Ghost Rider: Spirit of Vengeance, the Neveldine/Taylor-directed sequel to the 2000s adaptation of the Marvel comic character, with Cage reprising his role as cursed cyclist Johnny Blaze. This time, he's scraping at the door in Romania, going full Terminator 2 as he keeps the Devil (a scowling Ciaran Hinds) away from his kid. Meanwhile, Neveldine and Taylor do their Crank thing to mixed results, and Idris Elba is completely wasted as a French motorcycle priest(?) obsessed with helping the good guys. Then, we shift gears to Patrick Lussier's Drive Angry 3-D, a faux-grindhouse pastiche filled with more lolrandom epic bacon humor and random CG objects popping out at the screen than you could imagine. Still, it's got a lowbrow charm to it, and William Fichtner somehow out-acts Cage as a smarmy Accountant from the underworld who's chasing Cage's hell-escapee grandpa and his sexy waitress sidekick (Amber Heard).  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, we continue our descent into the early 2010s with the two films that truly cemented Cage's "will-do-anything-for-money" phase! First, there's Seeking Justice, the Roger Donaldson-directed thriller about a mild-mannered English teacher (Cage) who decides to enlist the services of a kind of civilian vengeance business (led by a shaved-headed Guy Pearce) to avenge the brutal rape of his wife (January Jones, giving us nothing). Thus begins a freefall into violence and madness, shot with all the direct-to-DVD flatness of a geezer teaser. Then, there's Trespass, the last (and worst) film by Joel Schumacher, a tepid home-invasion thriller where a group of thugs (with an overacting Ben Mendelsohn at the front) break into the home of a "wealthy" jewel dealer (Cage), only for him and his wife (Nicole Kidman, who knows why she agreed to be in this) to enter a tense negotiation for their lives. Well, I *say* tense, but the film is content to fill itself with more twists than a loaf of challah.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint meet up for a rare in-person podcast! It's a double-dose of fantastical, flop-haired Cage this week, as he fights the forces of evil with swords, magic, and no small amount of dodgy CGI sorcery.  First up is his third and final Disney collab with Jon Turteltaub, The Sorcerer's Apprentice, where he plays Obi-Wan (with a sick leather trenchcoat) to a baby wizard played by Jay Baruchel at peak nebbish nerdiness. It's ostensibly an adaptation of that bit from Fantasia where Mickey Mouse makes the mops dance, but filtered through a buttload of Harry Potter and a vastly overqualified cast. Then, we go small for the folk horror-inspired slog Season of the Witch, where Cage and Ron Perlman play deserters from the Crusades tasked with escorting a maybe-witch (Claire Foy) to a distant monastery where they might exorcise her. There are glimmers of some neat Hammer horror darkness -- see plague-ridden Christopher Lee -- but it's otherwise a dim, cheap action-horror pastiche.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint go it alone to kickstart our Cage-heavy catchup through the 2010s, blazing through his robust filmography while Travolta peeks in every once in a while! Still, this revamped schedule allows us to indulge in some genuinely wacky double features, like Cage as the unhinged father figure to two superheroic tots! First, there's his sleepy performance as Dr. Tenma in Astro-Boy, the adaptation of the classic manga twisted into a four-quadrant CGI kids' blockbuster (with some of the smoothest, ugliest character designs you ever did see). Then, we strap on our Batsuits and watch Cage ham it up in Matthew Vaughn's bloodbath of superhero misanthropy, Kick-Ass! Come for the Mark Millar-penned edginess, stay for Cage's halting Adam West impression as Big Daddy. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

After a too-long hiatus, Nathan and Clint are back, with a new episode and new approach! Since Travolta and Cage's output are going to, well, dramatically differ in pace in the most recent decade of their careers, we're gonna double up on Cage movies, and let Travolta catch up as we reach the years he puts out new flicks.  But that also gives us time to zero in on some late-career classics, including Werner Herzog's hypnotic crime drama Bad Lieutenant: Port of Call New Orleans! Easily one of the most bugfuck movies of the 2000s, this very-much-not-a-sequel to the Abel Ferrara flick sees Nicolas Cage as a strungout New Orleans detective working a murder case while jonesing for his next fix the entire time. It's as nuts as you'd expect, but also drips with seedy atmosphere and lurid charm -- aided, of course, by Cage at his bug-eyed best. Luckily, our souls don't dance along on this odyssey, as New York Times columnist and cultural critic extraordinaire Jamelle Bouie hops on the boat to the Big Easy to help us dig into its deceptive, Cagetastic appeal. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro  

This week, our boys lean into some hard times on opposite ends of the family-friendly spectrum; in Killing Season, Travolta slaps on a dyed-black chinbeard and a thick moose-and-skvirrel accent as a Bosnian War vet set to take revenge on the American soldier (a weary Robert De Niro) who nearly killed him years ago. It's a one-on-one survival thriller in the wilderness among two old men, which isn't as fun as it sounds (save for some ooey-gooey gore effects). On the kiddie half of the equation, Nic Cage teams back up with Jerry Bruckheimer for G-Force, a hokey live-action/animation adventure that asks the fundamental question: what if guinea pigs were spies? It's a feast of late-aughts 3D gimmickry, comedy actors slumming it (Will Arnett, Zack Galifinakis) and Cage hamming -- well, mole-ing -- it up as a member of the team with a surprising secret (and a nasal voice that would make Peggy Sue Got Married jealous).  Critic and author Marya E. Gates joins us on the pod to talk about this highly unique double feature, and shares with us her childhood memories that might make G-Force just a bit more palatable.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

You know, every day it seems like we're hurdling ever closer to the end of the world — so it's fitting that we've got a double feature to match! This week, Dan and Jordan from Knowledge Fight take a little breakie from sifting through the purestrain nonsense of Infowars and Alex Jones to talk with us about Savages and Knowing! In Savages, Oliver Stone adapts a tawdry crime thriller about what happens when a pair of hunky poly Laguna Beach weed entrepreneurs (Taylor Kitsch and Aaron Taylor-Johnson) have to rescue their third (Blake Lively) from a scary Mexican drug cartel led by Salma Hayek and Benicio Del Toro. The results are long, washed-out, and obnoxious, to the point where not even a go-for-broke Travolta can save it in a supporting role as a corrupt DEA agent. Ironically, things start to look better as the Earth nears apocalypse, with Alex Proyas' deceptively earnest sci-fi drama Knowing. Nic Cage plays an astrophysicist who suddenly has to face the possibility that the world's going to end (slash discover a sense of faith?) when his son comes into possession of a series of numbers that predict the destruction of the planet. It's a neat little throwback to the conceptual sci-fi pictures of the ‘50s and ‘60s, and Cage is remarkably restrained. Give it a look (and give us a listen!)

This week on the podcast, YouTuber video essayist extraordinaire Patrick H. Willems hops back on the mic with us for another pair of misguided, xenophobic action pictures! First, there's Bangkok Dangerous, a messy mix of John Woo and Wong Kar-Wai involving an American assassin (Cage) traipsing around Thailand for his next kill, only to find strange purpose among the people (and spicy food!) of the place. Too bad this remake of a 1999 Thai action flick is shockingly low in energy and style, and Cage just doesn't look happy to be here. The same can't be said for the Luc Besson-produced From Paris With Love, a fatty bit of EuropaCorp sleaze that pairs a buttoned-down Jonathan Rhys Meyers with a bald, goateed American pig-dog Travolta as they jaunt around Paris with vases of coke and set about stopping an Islamist terrorist attack. It's as perversely fun as it is horrendously racist, which is an...interesting dynamic to try to navigate! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Film critic Caroline Siede (The AV Club, FOX Digital) joins us on a globe-trotting double feature with two distinctly inconsequential sets of stakes!  In Old Dogs, Travolta teams up with the late, great Robin Williams (and the team behind the execrable but profitable Wild Hogs) for a maddening, dizzyingly-edited nightmare about two fiftysomething men tasked with taking care of two young kids. Problem is, the movie's barely about the kids, and instead reads like a disconnected series of frantic, frequently racist sketches with some of the broadest acting outside of British panto! (And not in a good way!) Luckily, we sail towards steadier waters with National Treasure 2: Book of Secrets, in which Cage's Constitution-loving Boy Scout Ben Gates embarks on the greatest adventure of all: trying to save his family from getting cancelled by historical revisionists! It's a silly, pointless lark, but its greatest weakness (aping the first National Treasure to a fault) is its greatest strength (National Treasure is pretty fun).    Join us as we talk about facial paralysis, bad British accents, Bruce Greenwood playing another President, and what happens when raunchy R-rated Touchstone comedies get whittled down to kid-friendly stumps for Disney! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, we're taking a break from the double-feature format for a special, singular look at one of the most important films in Nic Cage's filmography: Neil LaBute's baffling remake of The Wicker Man. And we're pleased to be joined by special guest Bill Corbett, of Mystery Science Theater 3000 and RiffTrax fame! Together, we break down the ways this one strays from the eerie folk horror origins of the Robin Hardy original, Nic Cage's turning, whirling-dervish performance, and the innate absurdity of punching an innocent woman in the face while wearing a bear suit. Not only that, we get to touch on why exactly this film came along at the perfect time to haunt Cage's career for decades hence, sending him into an Internet meme-hole he's only recently been able to begin to claw his way out of. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Elliott Kalan of The Flop House fame returns to the pod to fully usher our boys into the era of Bad Movies and Bad Hair! First up is The Taking of Pelham 123, Tony Scott's penultimate film and a remake of the 1976 thriller classic about a heist aboard a New York City subway train. But this time, the slow-burn tension and grimy tale of a Big Apple suffused with sleaze and danger is replaced by a slick, post-9/11 NYC and John Travolta in Orange County Chopper cosplay doing The Most. Not even Denzel can put the brakes on this train! Then, we pull some sleight-of-hand and move on over to Next, wherein Nic Cage plays a greasy, showboating magician with the magical power to see two minutes into the future. He could use it to help FBI agent Julianne Moore save the world from nuclear catastrophe, but instead he'd rather mack on Jessica Biel, who's young enough to be his daughter. It's a bonkers movie with an even more bizarre ending, and saunters far from the Philip K. Dick story it's based on.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Film critic and author Jason Bailey (Fun City Cinema) hops on the Amtrak Acela Express with us, as we bounce between the Big Apple and Baltimore for a decidedly cacophonous double feature! First up is Oliver Stone's World Trade Center, which trades in Stone's signature conspiratorial thinking for an earnest, if narratively stagnant, disaster movie about the real-life tale of two Port Authority police officers (Nic Cage and Michael Peña) trapped in the rubble of the World Trade Center on 9/11. Cage does a lot with a little, treating the film as an acting exercise, but it's as po-faced as something made so soon after the tragedies probably would be. Still, it's an interesting, if heavy, glimpse at how we were processing such an historical horror through cinema. Don't worry, we've got a nice pastel palate-cleanser to follow in the form of Adam Shankman's breezy, bright adaptation of the Broadway musical Hairspray! A re-do of John Waters' most accessible picture, now filtered through Marc Shaiman and Scott Wittman's catchy tunes, Hairspray sees ebullient, full-figured teen Tracy Turnblad (a revelatory Nikki Blonsky) finding her voice and standing up for integration in 1960s Baltimore. But most interesting for our project is Travolta, revisiting his song-and-dance bonafides in drag and a fat suit as Tracy's agoraphobic mom Edna, shooting for Divine but ending up landing on Amateur Cher Impersonator. Still, A+ for effort, and his chemistry with Chris Walken is off the charts, baby! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Nathan and Clint ride alone this week for two movies about going very fast - one for the kiddies, one for angsty Hot Topic teens! First up is Ghost Rider, Nic Cage's first foray into the world of Marvel's very own bike-riding Spirit of Vengeance. The good news? Cage is really fun, injecting no small amount of Elvis-y elan to the deeply weird Johnny Blaze. The bad news? It's written and directed by Daredevil's Mark Steven Johnson, so literally nothing else works -- from the mall-goth villains to the ropey CG to Eva Mendes getting nothing to do but stand around in tight clothing. Bleak! Luckily, we get a zipper, more complex kid's tale with Disney Animation Studios' first big hit, the Pixar-inflected Bolt, about a white lab (voiced by Travolta) who thinks he's a superhero, only to have to confront the horrors of the outside world. It's a cute, clever premise (what if The Incredibles was also The Truman Show?) elevated by sincere performances and some stunning animation that still holds up. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Jordan Morris (Jordan, Jesse, Go!, the new graphic novel Bubble) comes back to the cast for a decidedly cursed double feature to end 2021: Wild Hogs and The Ant Bully! In Wild Hogs, Travolta plays second fiddle to Tim Allen, alongside Martin Lawrence and William H. Macy as a quartet of sad, middle-aged weekend warriors who flee their hen-pecking wives for a wild cross-country road trip on their hogs. Naturally, this means 100 minutes of saggy gay panic jokes and boomer humor so achingly bad you'll beg for this one to end just like Easy Rider.  Then there's The Ant Bully, a Jimmy Neutron-inflected CG adaptation of a children's book that sees Cage in his most normal, regular-guy role yet: a wizard ant with magic powers who shrinks a ten-year-old boy to the size of an ant to teach him a lesson in humility. The effects are marginally charming, even if the human models look like porous hell-creatures intent on consuming our skin for sustenance. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week on the podcast, actor, comedian, and podcaster extraordinaire Jon Gabrus (Drunk History, The Action Boyz Podcast) joins us to talk Cage's The Weather Man and Travolta's Lonely Hearts! In The Weather Man, Cage continues his mid-aughts exploration of sad, moody middle-aged antiheroes as a Chicago TV weatherman shrugging his way through his midlife crisis. In lesser hands, that'd be insufferable, but with Cage in one of his saddest, most wearied performances and Gore Verbinski's deadpan direction, it's a strangely sweet, darkly funny tale of a man struggling against his own mediocrity. Contrast that with the flashy, sepia-toned melodrama Lonely Hearts, in which John Travolta plays a rugged gumshoe tracking down the infamous Lonely Hearts Killers, here played bafflingly by Jared Leto and Salma Hayek. When they're on screen, it's perverse fun, as miscast as the two are (Hayek's having a blast, despite playing someone who's decidedly NOT supposed to be one of the most beautiful women in the world). But then it cuts back to Travolta scowling with James Gandolfini, and the boredom starts all over again. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week on the podcast, Screen Junkies writer and Binge Boys host Lon Harris joins us for another case study for why the mid-2000s were so good for Cage, and so. very. bad for Travolta: Lord of War and Be Cool! In Andrew Niccol's Lord of War, Cage plays an unscrupulous arms dealer with a calculator where his heart should be, tracking him through his nefarious, cold-blooded life as a weapons merchant. It's a searingly prescient, post-9/11 take on American imperialism and the intersections between capitalism and war, with a great Cage performance and the one time Jared Leto's been tolerable on screen. On the other hand, we've got Be Cool, the misguided, decade-on sequel to Get Shorty, with F. Gary Gray warping this PG-13 nudge at the music industry of the aughts into an unfunny monster of a picture. The good: The Rock steals every scene he's in as a gay bodyguard who wants to be an actor! The bad: Harvey Keitel raps. The ugly: Just about everything everyone's wearing on screen. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week on the podcast, Nathan and Clint go it alone for this double feature about AmErIcAn HeRoEs - National Treasure and Ladder 49! First is National Treasure, one of Disney's most successful post-Pirates bids to chase the big-budget family-friendly adventure dragon. This time, the theme is America, with Cage as a boy-scout adventurer determined to steal the Declaration of Independence so he can find a secret treasure trove of riches with ties to America's origins. It's rollicking good, dumb fun, and has Sean Bean betraying someone. What more do you want? On the other side of the spectrum, we've got Travolta's weepy firefighter drama Ladder 49, starring Joaquin Phoenix as a whitebread firefighter navigating the risks and stressors of life in the service, with Travolta as his sage mentor. It's all very po-faced and sincere, the kind of movie you can definitely watch with your dad who flies a Thin Blue Line flag outside his house.  Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

We're back after another short hiatus! This week, Daily Grindhouse's Preston Fassel joins us to talk about two films featuring our heroes in erstwhile dysfunctional families: A Love Song for Bobby Long and Matchstick Men! In Love Song for Bobby Long, Travolta plays the titular Southern-fried English professor, a hard-drinking, hard-living man dealing with his itinerant ways in N'Awlins, only to have to grow up when a young girl (Scarlett Johansson, not quite yet playing black widows or Japanese people) shows up to claim the house he's squatting in as hers. Contrast that with Ridley Scott's masterful Matchstick Men, in which Cage fills the tic-filled shoes of a con man struggling with Tourette's and OCD, and what happens when a young girl (Alison Lohman) who may be his daughter comes into his life. One's a sprightly, energetic dramedy with all the power of an actor and director at the top of his game (plus Sam Rockwell dancing!). The other? Well, it's got Travolta saying “pussy” a lot. Take a listen!

We're back after another short hiatus! This week, Daily Grindhouse's Preston Fassel joins us to talk about two films featuring our heroes in erstwhile dysfunctional families: A Love Song for Bobby Long and Matchstick Men! In Love Song for Bobby Long, Travolta plays the titular Southern-fried English professor, a hard-drinking, hard-living man dealing with his itinerant ways in N'Awlins, only to have to grow up when a young girl (Scarlett Johansson, not quite yet playing black widows or Japanese people) shows up to claim the house he's squatting in as hers. Contrast that with Ridley Scott's masterful Matchstick Men, in which Cage fills the tic-filled shoes of a con man struggling with Tourette's and OCD, and what happens when a young girl (Alison Lohman) who may be his daughter comes into his life. One's a sprightly, energetic dramedy with all the power of an actor and director at the top of his game (plus Sam Rockwell dancing!). The other? Well, it's got Travolta saying “pussy” a lot. Take a listen!

This week, we're dealing with a decidedly idiosyncratic double-feature, with We Hate Movies perennial Stephen Sajdak along for the ride! First, there's the 2004 version of The Punisher, the Tom Jane-led throwback to 70s action movies mixed with the best 2000s buttrock post-9/11 society had to offer us. Oh, and Travolta's there as a sleepy, uninspired bad guy. Luckily, to dull the pain, we've got Spike Jonze's Adaptation to dig into -- the delightful, mercurial movie about the nature of adaptation and creative frustration, with Cage pulling in incredible work as a fictionalized version of Charlie (and Donald) Kaufman. Flowers and guns galore this week! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week on the podcast, we're joined by film critic Robert Daniels (of 812filmreviews and a contributor to RogerEbert.com, NY Times, Vulture, and others) to break down an exceedingly strange double feature in our heroes' oeuvre! First up is Basic, the final film to date from John “Die Hard” McTiernan, which sees John Travolta return to the military-legal-thriller well after General's Daughter. Here, he plays (no shit) Tom Hardy, a sardonic crooked DEA agent roped into a murder investigation of his former hard-ass CO (Samuel L. Jackson, spitting ‘motherfucker's from beyond the grave). It's a wild, ropey ride with more twists than a loaf of challah. On the other side of the coin, we see what happens when Nicolas Cage ropes his actor friends into a warmed-over Tennessee Williams riff with his first (and only) director credit to date, the disastrous Sonny! James Franco pops up as a pouty gigolo-turned-army-vet returning home from the war to N'awlins and his brothel-madam mother (Brenda Blethyn), who just won't stop trying to get him to turn tricks again. Also, Cage shows up in a lace cravat for five minutes and shouts at Franco while trying to both kill him and suck his dick. Le cinema! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint go it along for a decidedly humdrum double feature in Travolta and Cage's careers — the early-aughts slumps Domestic Disturbance and Windtalkers! In Domestic Disturbance, Travolta squares off against a sleazy Vince Vaughn (still knee-deep in Gus Van Sant Psycho modes, channeling his blue-collar menace) as the latter weasels his way into Travolta's family as the Fun New Stepdad. Well, as it turns out, the Fun New Stepdad has a secret, and one he's willing to kill a way-too-good-for-this Steve Buscemi to protect! It's Movie of the Week schlock all the way down. On the other side of the equation, we go from mliquetoast to low-key racist, as John Woo starts wrapping up his too-short career in American film with the cliched, paternalistic Windtalkers. Ostensibly an ode to the Navajo code talkers who helped the Allies win WWII, Woo's outsized, melodramatic war epic decides to instead focus on how our perfect, saintly Navajo characters (led by a criminally underrated Adam Beach) help our white protagonists come to a better understanding of ourselves. Plus, no doves! What's with that?

For this week's decidedly strange double feature, YouTube video essayist extraordinaire Patrick H. Willems hops into the driver's seat as we gawk at the baffling combination of Swordfish and 2003's Christmas Carol: The Movie! First, we put on our wraparound sunglasses and low-rise jeans to time-warp back to the gossamer pre-9/11 months of 2001, where the world was still riding high from Matrix fever and Dominic Sena tried to hop on that bandwagon with the ridiculous hacker-action-thriller Swordfish. It's the high-octane tale of a down-on-his-luck, incredibly handsome hacker (Hugh Jackman) roped into a criminal scheme by an over the top mastermind (John Travolta, slapping his Vincent Vega mullet back on and adding a landing strip) and his mysterious femme fatale (Halle Berry, whose topless scene was basically the main draw for horny teens). You know, cinema! Then we've got a dinky, low-stakes animated version of A Christmas Carol from the director of When the Wind Blows, a perfunctory retelling that mostly serves as an excuse for Nic Cage to show up for four minutes as Jacob Marley (sporting zero charisma and zero British accent). Which one is more bizarrely interesting? Which one do we have more to talk about? Which one has a more accurate depiction of the world of computer hacking? Listen and find out! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint go it alone to compare two strange curios in Travolta and Cage’s respective careers — Nora Ephron’s post-Battlefield Earth comedy flop Lucky Numbers and the painfully-earnest romantic war drama Captain Corelli’s Mandolin! While it got a critical drubbing upon release (no small thanks to the lingering stink of Travolta’s Terl), Lucky Numbers surprisingly holds up as a pitch-black comedy — with a script by Death to Smoochy’s Adam Resnick — about a down-on-his-luck local weatherman (Travolta) who teams up with the ditzy but scheming lotto girl (Lisa Kudrow) to rig the state lottery. It feels a lot like Fargo if everyone was William H. Macy, and every cast member, including Travolta’s sniveling showman, is in goofily top form. The same can’t be said for Captain Corellian’s Mandalorian, a weepy adaptation of the Louis de Bernières novel about an Italian soldier (Cage, slathering on the alfredo in his halting accent) who falls in love with a Greek girl (Penelope Cruz, similarly lost at sea with her accent work) amidst their occupation of a saintly little island during World War II. Christian Bale and John Hurt are here too, and for two-plus hours you’re just scratching your head wondering why Shakespeare in Love director John Madden (the one who isn’t the former spokesman for ACE Hardware) didn’t just put this awkward, messy epic in subtitles. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint go it alone to compare two strange curios in Travolta and Cage’s respective careers — Nora Ephron’s post-Battlefield Earth comedy flop Lucky Numbers and the painfully-earnest romantic war drama Captain Corelli’s Mandolin! While it got a critical drubbing upon release (no small thanks to the lingering stink of Travolta’s Terl), Lucky Numbers surprisingly holds up as a pitch-black comedy — with a script by Death to Smoochy’s Adam Resnick — about a down-on-his-luck local weatherman (Travolta) who teams up with the ditzy but scheming lotto girl (Lisa Kudrow) to rig the state lottery. It feels a lot like Fargo if everyone was William H. Macy, and every cast member, including Travolta’s sniveling showman, is in goofily top form. The same can’t be said for Captain Corellian’s Mandalorian, a weepy adaptation of the Louis de Bernières novel about an Italian soldier (Cage, slathering on the alfredo in his halting accent) who falls in love with a Greek girl (Penelope Cruz, similarly lost at sea with her accent work) amidst their occupation of a saintly little island during World War II. Christian Bale and John Hurt are here too, and for two-plus hours you’re just scratching your head wondering why Shakespeare in Love director John Madden (the one who isn’t the former spokesman for ACE Hardware) didn’t just put this awkward, messy epic in subtitles. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

Greetings, rat-brains! This week, we welcome puny man-animal Alonso Duralde for a double dose of religious-themed mayhem: Travolta’s Scientology-adjacent epic Battlefield Earth and Nic Cage’s erstwhile Christmas dramedy The Family Man! Battlefield Earth has long carved out a place as one of the great so-bad-its-good classics, as L. Ron Hubbard’s gargantuan pulp sci-fi novel turns into a messy, Dutch-angled workplace comedy with a mincing Travolta performance that must be seen to be believed. It’s Star Wars, plus The Office, minus a tripod.Then there’s The Family Man, which is just as limp and boring as the phrase “Brett Ratner does Frank Capra” implies. Here, Cage traps himself in normie mode as a semi-sleazy inivestment broker whose run-in with a Clarence-like Don Cheadle throws him into an alternate-timeline suburbia where he’s married to the girl that got away (Tea Leoni, holding the entire film on her mighty shoulders). Will he crawl back to his upper-crust hedonism? Or realize that middle-class heteronormativity is the way of all true Americans? Listen and find out! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, the realms of Travolta and Cage come perilously close to merging, as our double feature covers films directed by fillmmakers who either have or will directed the other! In The General’s Daughter, we’ve got a steamy, somewhat dated legal thriller/airport potboiler courtesy of Con Air director Simon West, in which a warrant officer (John Travolta) investigates the rape and murder of a young female captain on a Georgia army base. On the other, deliberately dumber side of the coin, we’ve got Gone in 60 Seconds, the Dominic Sena-directed car-heist remake starring Nic Cage as the leather-clad, “Low Rider”-jamming gentleman thief “Memphis” Raines. It came out a year before The Fast & The Furious, but it’s got a lot of neon-soaked machismo under its hood, alongside some neat turns from the typical Bruckheimer stable of too-good-for-this-actors (Angelina Jolie, Robert Duvall, Delroy Lindo). But does its goofiness hold up for two entire hours? Luckily, we’ve got a character witness in the passenger’s seatl, in the form of screenwriter extraordinaire (and scribe of the upcoming Face/Off sequel!) Simon Barrett! Together, the three of us discuss the shortcomings of women-in-the-military dramas, Nic Cage’s budding association with muscle cars, and much more. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

his week on the podcast, comedian and podcaster Josh Gondelman (author of Nice Try: Stories of Best Intentions and Mixed Results) hops in the passenger’s seat for a wild night of good-to-great cinema with our two boys! First up is A Civil Action, the schmaltzy-but-scintillating Steven Zaillian legal drama starring John Travolta as a sleazy personal injury lawyer drawn to the allure of justice, surrounded by a murderer’s row of ‘90s character guys (William H. Macy, Tony Shalhoub, Robert Duvall, the list goes on). Then, we chug a Red Bull and pull an all-nighter for Martin Scorsese’s criminally-underrated Bringing Out the Dead, a Paul Schrader-scripted descent into the heart of darkness for an exhausted EMT (Nic Cage) over three crazy nights. The perfect Easter watch! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week, Nathan and Clint go it alone for one of the podcast’s most curious double features — an art-film masterwork with barely any Travolta in it, and a fully-loaded grotesquery with more Cage than we can shake a snuff film at!First, there’s Terrence Malick’s 1998 war film The Thin Red Line, an elegaic meditation on man’s inhumanity to man, and the way war corrupts the majesty of nature — with an ensemble cast so sprawling even folks like George Clooney can just pop up for 37 seconds! It’s one of cinema’s most beguiling and entrancing works of moralism, and Travolta crops up for about five minutes in a silly mustache to talk tactics with Nick Nolte. Cinema! On the other side of the coin, we get a sneaky glimpse into the kind of direct-to-video thriller sleaze Cage would make his living in for the next several decades with Joel Schumacher’s 8mm, a lurid, obvious tale of a snuff film and the doe-eyed PI who chases it. See Cage mug while he watches a filmed murder that looks not unlike a Marilyn Manson video! Thrill as Joaquin Phoenix delights in milking the phrase ‘battery-operated vagina’ for all it’s worth! Gasp as you behold the desperation by which 8mm tries to recapture the brutal nihilism of Se7en! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro

This week on the podcast, Vox culture writer extraordinaire Emily VanDerWerff hops on the campaign trail for an interesting, auteur-driven double feature mired deeply in the politics and aesthetics of the late ‘90s! First up is Primary Colors, a Mike Nichols-directed, Elaine May-scripted adaptation of the Joe Klein-penned roman a clef about the Clinton Years. Travolta does his best Alabama drawl as Senator “Jack” Stanton”, a Bill-esque figure whose political idealism is marred by the many personal failings his campaign team (an all-star ensemble including Adrian Lester, Billy Bob Thornton, and an Oscar-nominated Kathy Bates) have to clean up. Then, we dive into the next-level lurid sleaze of Snake Eyes, Brian De Palma’s stylized thriller about a murdered cabinet member, a prize fight in an Atlantic City casino, and a full-bore Nic Cage hamming it up as an amoral detective caught in the middle of it all. It’s next-level dumb, but boy is it fun. Which wins out — a well-made, albeit naive, referendum on the disappointments of the Clinton era, or a slick, stupid thriller with Cage as his shoutiest? Take a listen and find out!

This week, we (along with special guest, JumpCut Online’s Fiona Underhill) begin our post-Face/Off slide into the latter years of Travolta and Cage with two ‘90s artifacts, Mad City and City of Angels! In City of Angels, Nic Cage takes the ‘fallen angel’ baton from Travolta’s Michael, as a dewey-eyed angel who falls in love with a heart surgeon (a radiant Meg Ryan) and decides to become human to explore that. It’s a remake of Wim Wenders’ Wings of Desire that bumps the political dimension for romantic fantasy (romantasy?), but it somehow works? And on the other side of the coin, French-Greek auteur Costa-Gavras stumbles into one of his rare English-language films with Mad City, a sleepy, facile Ace in the Hole riff involving a craven TV journalist (Dustin Hoffman) who finds himself in the middle of an erstwhile hostage situation with a disgruntled museum security guard (John Travolta, playing deeply dumb). It’s got a lot to say about the fickle attention of the public and how the media can manipulate it — or at least it thinks it does. Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at travoltacagepod@gmail.com Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro