Podcasts about Steven Zaillian

Fascinada por el mal, Patricia Highsmith (1921-1995) revela la fragilidad de nuestra moralidad en ese maestro del escapismo que es Tom Ripley. Su ciclo de cinco libros ha inspirado películas en que aparece encarnado por actores como Alain Delon, Dennis Hopper, Matt Damon o John Malkovich. Este asesino y falsificador, representa el prototipo de antihéroe. Y como todo antihéroe, tiene más discernimiento que principios. Aunque a menudo es descrito como un psicópata, para Highsmith, podría ser cualquiera de nosotros. La novela de Highsmith, "El talento de Mr. Ripley" (1955) fue llevada al cine por René Clément en "A pleno sol" (1960), primero en Francia, donde residió la escritora mucho tiempo. Para muchos, la robusta figura de Matt Damon en la adaptación del británico Anthony Minghella en 1999, no resiste la comparación con la hermosura de Alain Delon, ¡no digamos John Malkovich! La cuestión es que la bonhomía de Damon muestra la ambigüedad de Ripley y lo turbio de Malkovich en la versión de Liliana Cavani en 2002, su astucia, mientras Delon representa su encanto y seducción. Son todos aspectos del mismo personaje. En sus primeras notas lo describe en 1954 como "un joven estadounidense, medio homosexual, un pintor mediocre de aspecto inofensivo, atractivo para algunos y repelente para otros". En este programa de radio Al Trasluz, escuchamos algunos fragmentos de "El talento de Mr. Ripley", leído por Luis Posada y escenas de la película que hizo sobre el libro, Minghella en 1999, así como el tráiler de la serie "Ripley", que ha hecho Steven Zaillian para Netflix en 2024. La canción de Gloria Christian con la orquesta de Gino Conte (Na sera pè fatalità) es de la serie de Zaillian y "My Funny Valentine" es cantada por el actor Matt Damon en la película de Minghella con el cuarteto de Guy Barker. El texto y la narración de José de Segovia tiene el fondo instrumental de la banda sonora original de Gabriel Yared para la película de Minghella y Jeff Russo para la serie de Zaillian, que incluyen composiciones de jazz como "You Are Not There" de Don Rendell. El diseño sonoro y la realización técnica es de Daniel Panduro.

Dana and Tom, for their 250th episode and 5th Anniversary, discuss the 1993 Best Picture winner, Schindler's List: directed by Steven Spielberg, written by Steven Zaillian, music by John Williams, cinematography by Janusz Kaminski, starring Liam Neeson, Ben Kingsley, and Ralph Fiennes.Plot Summary: Schindler's List is a powerful film exposing the horrors of the Holocaust and the capacity for redemption in the face of unimaginable evil. Oskar Schindler (Liam Neeson) is a German businessman whose war profiteering led him to exploit Jewish labor in Nazi-occupied Poland. However, what begins as opportunism transforms into something deeply human as Schindler witnesses the systematic brutality inflicted upon his workers. With quiet urgency, he shifts from bystander to savior, risking everything to shield more than a thousand Jews from certain death. Schindler's List is not just a great film but a necessary one.Chapters:00:00 Welcome to Our 250th Episode and 5th Anniversary Show01:29 Cast and Background for Schindler's List05:46 Relationship(s) to Schindler's List13:27 Where Should Schindler's List be Ranked Among All Best Picture Winners?16:37 What is Schindler's List About?17:25 Plot Summary for Schindler's List18:20 Did You Know?20:09 First Break21:16 Best Performance(s)31:01 Best/Favorite/Indelible Scene(s)35:17 Second Break36:14 In Memoriam36:55 Best Line(s)38:42 The Stanley Rubric - Legacy43:37 The Stanley Rubric - Impact/Significance46:37 The Stanley Rubric - Novelty49:18 The Stanley Rubric - Classicness52:06 The Stanley Rubric - Rewatchability54:55 The Stanley Rubric - Audience Score and Final Total56:58 Remaining Questions and Final Thoughts01:05:27 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/schindler-s-list-1993For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Schindler's List, Steven Spielberg, Holocaust, film analysis, movie podcast, cinematic legacy, emotional impact, film performances, classic films, movie reviewsRonny Duncan Studios

Sumit Sharma and Chris Mitchell from Breaking Atoms podcast return to Flixwatcher to review Sumit's choice American Gangster. American Gangster (2007) is biographical crime thriller based on Harlem drug lord Frank Lucas. Directed by Ridley Scott and screenplay by Steven Zaillian based on the The Return of Superfly by Mark Jacobson. It's stacked cast features Denzel Washington as Frank Lucas, Russell Crowe as Richie Roberts, Chiwetel Ejiofor as Huey Lucas, Josh Brolin as Detective Trupo, RZA as Moses Jones, Cuba Gooding Jr. as Nicky Barnes, Armand Assante as Dominic Cattano, Idris Elba as Tango and Common as Turner Lucas. In 1960s Harlem Frank Lucas is Bumpy Johnson's right-hand man. When Bumpy dies of a heart attack Frank sees an opportunity to innovate in the drug trade by buying directly from the source in Vietnam and thus cutting out the middle man. Not only that, he trademarks his superior heroin as ‘Blue Magic' and its affordability eliminates the competition. All is going well for Frank until he comes under scrutiny from aspiring lawyer and honest detective Richie Roberts. American Gangster is solid crime drama with a standout performance from Denzel Washington. Like with many Hollywood adaptations what is true and what is there for dramatic effect is unclear but it does make a compelling story of a true life figure. Recommendability scores for American Gangster were high, with a runtime of nearly three hours repeat viewing scores were lower to give an overall rating of 3.88. [supsystic-tables id=379]     Episode #365 Crew Links Thanks to the Episode # 365 crew of Sumit Sharma and Chris Mitchell from Breaking Atoms podcast You can find their website here https://x.com/BreakTheAtoms and at https://www.breakingatoms.co.uk/podcast   Please make sure you give them some love   More about American Gangster For more info on American Gangster can visit American Gangster IMDB page here or American Gangster Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

014: Welcome to Watertown Mother…Cliff Moylan was born and raised in Dorchester, Massachusetts, to an Irish father from County Clare and an Irish-American mother from County Detroit. He is best known for his portrayal of real-life hero Sergeant John MacLellan in the Peter Berg directed film Patriots Day (2017). Longtime friends Steve and Paul sit with Cliff to break down his experience playing Sergeant MacLellan, the epic Watertown shoot-out scene, and his experience working on the film. Cliff has also worked with acclaimed directors Martin Scorsese, Steven Soderbergh, Jodie Foster and Steven Zaillian, and Benny and Josh Safdie. He has also exchanged on-screen dialogue with John Turturro, Laura Linney, Jon Voight, Damian Lewis, Giancarlo Esposito, Liev Schreiber, and JK Simmons. Outside of acting, Cliff is a longtime practitioner of various combat sports, including Boxing, Muay Thai, and Combat Sambo.Cliff's IMDB: https://www.imdb.com/name/nm2854316/?ref_=ext_shr_lnkCliff's Instagram: https://www.instagram.com/cliffama/MENTIONSPatriots Day Shoot Out: https://www.youtube.com/watch?v=ZSblwSHtsKkABC News Covers the actual shoot-out: https://youtu.be/9-pIe85AF2M?si=A5vj6p7JFOixgRTHPatriots Day Featurette - Battle of Watertown (2017): https://youtu.be/F0eNfocB_m0?si=B7y2YklnLIdClMN3Jahar Tsarnaev messing around with wrestling teammates off-season: https://youtu.be/SMxjvMSJgWk?si=1XnURr_jwM8oY_50Tamerlian Tsarnaev and Jahar training at Waikru MMA: https://youtu.be/vW3sRh9LqnQ?si=_-vsl1HLsQQT83JyTAMMFF Film Freeway: https://filmfreeway.com/TAMMFF FILM FIGHTS WITH FRIENDSDo you listen to our show as an audio podcast? Give video a try. Subscribe to our Youtube for the video version with awesome behind the scenes pics and video! https://www.youtube.com/@FilmFightsFriendsPod?sub_confirmation=1Dig the show? Consider supporting our Patreon. There are some cool perks! Patreon: http://patreon.com/FilmFightsFriendsPodJoin our e-mail list! Hit us up here: fightingwithfriends@gmail.comInstagram: http://instagram.com/FilmFightsFriendsPodFacebook: http://facebook.com/FilmFightsFriendsPodSteve's Instagram: http://Instagram.com/sambosteve Steve's IMDB: http://imdb.me/stephenkoepferPaul's on Instagram: http://Instagram.com/KravMagaChefPaul's...

One of the film world's most beloved performer, he has worked with groundbreaking directors including Martin Scorsese, Tony Scott, Antoine Fuqua, Steven Zaillian, and Clint Eastwood. Paul's recent work includes The Irishman opposite Al Pacino, Plane with Gerard Butler, and Emancipation opposite Will Smith. His other feature credits include starring alongside Samuel L. Jackson in The Banker, with Kevin Hart and Will Ferrell in Get Hard, Robert DeNiro and Sylvester Stallone in Grudge Match, along with classics like Tombstone and True Romance further showcase his timeless appeal. In television, Paul Ben-Victor has played a number of roles that have left a lasting cultural impact in many highly acclaimed series, including his portrayal of studio head Alan Gray in HBO's Entourage and appearing opposite Matthew McConaughey in the award-winning True Detective. Most recently, he was in Pam & Tommy with Lily James and Sebastian Stan and can next be seen in significant roles in the new Kristen Bell show for Netflix, the Lincoln Lawyer for Netflix, Raising Kanan for Starz, Bookie for HBO Max and the international hit The Chosen for Lionsgate. His other television credits include Vinyl, In Plain Sight, John from Cincinnati, NYPD Blue, Will & Grace, The Mick, Everybody Hates Chris, Preacher, and Goliath among many others.

Our Political Thriller season continues with writer and actor Jon Millstein joining to discuss the 1985 espionage true story THE FALCON AND THE SNOWMAN starring Timothy Hutton and Sean Penn. Directed by John Schlesinger, the movie tells the fact-based tale of two disillusioned friends who embark on a dangerous hustle selling United States security secrets to the Soviet Union. With a whip smart script by Steven Zaillian (his first-ever produced) and revelatory performances from Hutton and Penn, THE FALCON AND SNOWMAN received decent reviews upon release, but was only a muted box office success. In recent years, FALCON has yet to catch a second wind, but is due for a critical reappraisal. Listen in on our discussion of this underrated espionage classic that takes diversions into Megalopolis, the Vice Presidential debate, Alfred Tennyson, Skibidi Toilet, Levitated Mass, Boss Baby, the Winter Soldier and much, much more! THE FALCON AND THE SNOWMAN is currently available to stream for free on Hoopla and PlutoTV. 

"His stories were good because he imagined them intensely, so intensely that he came to believe them." So wrote Patricia Highsmith in her seminal literary thriller The Talented Mr. Ripley in 1955. You might also characterise the work of our guest today, the talented Mr. Steven Zaillian, this way. The worlds and characters of his films and TV shows are imagined in such rich detail and complexity that you can absolutely imagine him believing them to be real as he crafts them on the page. In fact, that level of detail and depth has been his calling card for over thirty decades in Hollywood now. From 1990's Awakenings and 1993's Schindler's List, which won Steven an Oscar, all the way to films like Gangs of New York, American Gangster, Moneyball, The Girl With The Dragon Tattoo and The Irishman, there's a thrillingly convincing quality about whatever story he's telling – oftentimes, his characters are people you can imagine pulling up a barstool next to you and telling you a tale you'll never forget.This month, he's up for an Emmy for his work with Ripley – a Netflix adaptation of Highsmith's novel, that Steven acted as showrunner for, writing and directing every episode. The series is a hypnotising ten hours in the company of a conman, Tom Ripley, who's hired by a wealthy businessman to convince his son to return home from a life of leisure abroad on the Italian coast. But the more Tom – played here by Andrew Scott – ensconces himself in the lives of Dickie Greenleaf, played by Johnny Flynn, and Dakota Fanning as his partner, Marge Sherwood, the more his lies and his lust for what Dickie has mutates into something murderous. In the spoiler conversation you're about to hear, Steven tells us about the relevance of fraudster stories in a time of Trump and other public deceivers. We get into the writing tricks and tips that make you root for the morally thorny characters he often writes. And the rationale behind every change from both the novel and the Matt Damon-starring 1999 adaptation of Ripley is uncovered too, as we delve into the slightly different ending to this version of the tale and the meaning of Italian artist Caravaggio's presence throughout this story.  Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the Show.

Nominated for 13 Primetime Emmy Awards®, “Ripley,” the new Netflix limited series from creator Steven Zaillian, is a masterclass in filmmaking and the art of sound. So it's no wonder that two of those nominations are for Outstanding Sound Editing and Sound Mixing. And it's clear why the sound team was given so much creative freedom to explore the sonic possibilities of the show, as many of those details and nuances were written directly into the scripts, and overseen by a showrunner with a sharp attention to detail.“Without a doubt, Steve Zaillian pays attention to every footstep and every breath and every movement.”—Michael Barry, Re-recording Mixer, “Ripley”Today we are joined by members of the sound team behind the show, including:- Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer- Michael Feuser, Co-supervising Sound Editor- Michael Barry, Re-recording Mixer- Maurizio Argentieri, Sound MixerNOTE: This interview contains spoilers! So be sure to check out “Ripley,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, before listening.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on our YouTube channel.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Perhaps the top colorist in his field, Stefan Sonnefeld joins us for our 200th episode! If you aren't aware of Stefan, you've almost certainly seen his work. Some of his recent projects include “Top Gun: Maverick,” “The White Lotus,” and “Guardians of the Galaxy, Vol. 3.” His credit list includes some of the biggest franchises in our business, including “Star Wars,” “Star Trek,” “Jurassic Park,” “Pirates of the Caribbean,” “Transformers,” and many more. Just a few of the A-List directors and producers he has worked with are: Tony Scott, Ridley Scott, Michael Mann, Martin Scorsese, Zack Snyder, Tom Cruise, Michael Bay, Bradley Cooper, Steven Zaillian, Spike Jonze, Gore Verbinski, Tim Burton, Matt Reeves, JJ Abrams, George Clooney, Tony Gilroy, and Judd Apatow.So what does it take to be a top colorist in Hollywood, working for some of the biggest personalities in the business?“Well, it's not just the director, it's a lot of people now… So it's a team sport. Everybody plays a part in it. And it's why it's so enjoyable for me. You have to involve a lot of people, but in general, the director, let's say that's the main person. You have to have a good relationship with that person and you have to be able to interpret what they're saying and get that onto the screen. And to do it quite quickly too, because it's a lot of effort and work and money that goes into these projects. And some people talk in technical terms. And some people, like a Michael Mann for instance, talk through emotions. Like, ‘Hey, [the character is] very this [way] in the scene. And he's feeling this. And this is what's going to happen. And this is what just happened. And therefore this is what I want.' And I'm sort of interpreting that, in a color way, and [I'll] put it on the screen and he'll be like, ‘great, that's it!' Or, ‘no, that's not what I meant. It should be this.'”—Stefan Sonnenfeld, Senior Colorist, Founder and CEO, Company 3Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

En este capítulo analizamos la serie Ripley, la última adaptación de la novela El talento de Mr Ripley de Patricia Highsmith dirigida por Steven Zaillian. Para ello contamos con dos invitados de lujo: el escritor, periodista y responsable del podcast Hotel Jorge Juan, Javier Aznar; y el Doctor el Psicología y experto en perfiles criminales, Juan Enrique Soto Castro. Tratamos diversos asuntos como la diferencia entre la psicopatía y la criminalidad, los símbolos, los temas comunes de la literatura de Patricia Highsmith, las adaptaciones de la novela y el encanto superficial que poseen los perfiles psicópatas. Locura compartida con Javier Aznar y Juan Enrique Soto. Para analizar el trabajo de Patricia Highsmith se recomienda echar un vistazo a sus memorias y diarios: Diarios y cuadernos 1941 - 1995. Sobre el perfil criminal hay dos obras de Juan Enrique Soto reseñables: Manual de investigación psicológica del delito y Profiler. Los secretos del análisis de conducta. criminal. Si queréis, podéis volver también al libro de Javier Aznar: ¿Dónde vamos a bailar esta noche? AGRADECIMIENTOS Gracias al Club Matador donde se realizó el directo de este capítulo en junio de 2024.

A few months ago, Krista sat down separately with Andrew Scott and Dakota Fanning to talk about their roles as Tom Ripley and Marge Sherwood in Steven Zaillian's Ripley. Based on Patricia Highsmith's bestselling “Tom Ripley” novels, the limited series follows Tom – a grifter scraping by in early 1960s New York – who is hired by a wealthy man to travel to Italy in order to convince his vagabond son to return home. His acceptance of the job is the first step into a complex life of deceit, fraud and murder.  Pulled from a recent panel, this episode dives deeper into the series by exploring the experiences of Scott, Fanning, and Johnny Flynn (who plays Dickie Greenleaf). To check out a full version of this conversation, visit Netflix's official FYSEE TV website. Listen to more from Netflix Podcasts.

RIPLEY, which premiered on Netflix in April 2024, is a neo-noir psychological thriller television series created, written and directed by Steven Zaillian, based on Patricia Highsmith's 1955 crime novel THE TALENTED MR. RIPLEY. The series starred Andrew Scott, Johnny Flynn and Dakota Fanning. In late 1950s New York, Tom Ripley, a down-at-the-heels con man, is hired by a wealthy man to convince his prodigal son to return home from Italy. But Tom's introduction to Dickie Greenleaf's comfortable and leisurely life abroad turns out to be "the first step into a complex life of deceit, fraud and murder. The composer for the series score is Jeff Russo, the renowned award-winning composer, songwriter, guitarist, vocalist, and music producer whose versatile talent has left an indelible mark on the entertainment industry, from captivating TV series to compelling film scores and beyond. Jason Drury had the pleasure of speaking with Jeff via Zoom at his Los Angeles home in April 2024. During the interview, they discussed his extensive work on RIPLEY as well as his career to date, with a focus on a number of his hit shows from his extensive resume. Throughout the show, we will hear more music from RIPLEY as well as from other shows with music by Jeff Russo including FARGO, LEGION, STAR TREK: DISCOVERY and STAR TREK: PICARD. Enjoy! You can support the Kickstarter campaign by clicking HERE! Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This episode of Welcome To The Party Pal journeys to Italy to celebrate Netflix's Ripley, the neo-noir psychological thriller television series created, written, and directed by Steven Zaillian, based on Patricia Highsmith's 1955 crime novel The Talented Mr. Ripley. Starring Andrew Scott as Tom Ripley, with Dakota Fanning as Marge Sherwood and Johnny Flynn as Dickie Greenleaf, the eight-episode limited series is the first adaptation of Highsmith's novel to a series. Join in as hosts Michael Shields and Ryan O'Connell tip their hat to Robert Elswit's stunning cinematography, the showrunners decision to shoot entirely in black & white, and Andrew Scott's gripping performance, all while attempting to answer the question: Is Tom Ripley a good hang? Hosted on Acast. See acast.com/privacy for more information.

Die beiden Cineasten Schröck und Andi Bardet besprechen in dieser Folge die neue Adaption des Romans DER TALENTIERTE MR. RIPLEY von Patricia Highsmith. Dafür ist zum aller ersten Mal Fabian Käufer dabei, der mindestens so viele Spiele spielt, wie Schröck Serien guckt. Aber für die Miniserie, die am 4. April auf NETFLIX erschienen ist, hat er den Controller ausnahmsweise zur Seite gelegt. In den 8 Folgen sehen wir, wie der Trickbetrüger TOM RIPLEY sich in Italien in die High Society einschleicht, die Identität von Dickie Greenleaf stiehlt und dabei nicht vor Mord zurück schreckt. Die Geschichte wurde bereits mehrfach verfilmt, doch nie sah sie so schön aus, wie in dieser Schwarz-Weiß-Serie von Steven Zaillian – finden zumindest Schröck, Andi und Fabian. Aber wer war der beste RIPLEY? Andrew Scott, Matt Damon oder doch Alain Delon?

Chris and Andy talk about the news that ‘Yellowstone' has started production on the last episodes of it's final season (1:00), and news that ‘Shogun' will actually be coming back for two more seasons (9:54). Then they are joined by ‘Ripley' creator Steven Zaillian to talk about what drew him to make another adaptation of the Patricia Highsmith novel (21:08), and working with actors like Andrew Scott, Kenneth Lonergan, and John Malkovich on the show (38:14). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

RIPLEY SERIES REVIEW He had always understood the power of lies – how they could shape reality, how they could make people see what you wanted them to see. The Talented Mr. Ripley, written by Patricia Highsmith back in 1955, has seen many adaptations over the decades. This time around, Steven Zaillian is running the… Read More »Screener Squad: Ripley

RIPLEY SERIES REVIEW He had always understood the power of lies – how they could shape reality, how they could make people see what you wanted them to see. The Talented Mr. Ripley, written by Patricia Highsmith back in 1955, has seen many adaptations over the decades. This time around, Steven Zaillian is running the… Read More »Screener Squad: Ripley

El estafador Tom Ripley acepta un trabajo en Italia que lo lleva a una vida de lujos y riquezas, pero también de engaños y fraudes. Esta nueva adaptación de la novela de Patricia Highsmith es una serie escrita y dirigida por Steven Zaillian, que aprovecha sus imágenes en blanco y negro y música incidental para transportarnos a los años 60. Andrew Scott da vida al personaje titular, con destacadas participaciones de Dakota Fanning, Johnny Flynn y un gran elenco. Los ocho capítulos ya están disponibles en Netflix.

Esta semana se clausurar del Barcelona Film Fest, donde se ha proyectado 'Hit man', el último trabajo del cineasta Richard Linklater, le escucharemos a él y a otra de las invitadas del festival: Meg Ryan. Ryan Gosling y Emily Blunt nos presentan su último trabajo: 'El especialista'.  Esta semana Ángeles González-Sinde nos acerca a la comedia italiana ¡Siempre nos quedará mañana'. La cinta, ambientada en una historia familiar que transcurre en los años 40, ha obtenido 19 nominaciones en los Premios David di Donatello. Repasaremos el resto de los estrenos de la cartelera, donde encontramos películas como 'The palace', 'Rivales', 'Àma Gloria', 'Mamífera' o 'Hammaskjold: Lucha por la paz'. Hace 40 años, el 26 de abril de 1984, se estrenó 'Los santos inocentes', una obra imprescindible dentro de la cinematografía española. Ana Vega Toscano recordará esta película de Mario Camus, protagonizada por Alfredo Landa, Terele Pávez, Juan Diego y Paco Rabal. Pedro Calvo nos recomienda 'Ripley', una serie de 8 capítulos en blanco y negro dirigida por Steven Zaillian, en la que adaptan la serie de novelas de Patricia Highsmith. Escuchar audio

Parmi les nouveautés diffusées sur les plateformes en cette fin avril, trois programmes ont retenu l'attention d'Audrey Fournier et Thomas Sotinel, critiques de séries au « Monde ».« Terminal » : le retour de la sitcom « made in » Canal+Personne n'a envie de monter à bord d'un avion de chez Flywingz, une compagnie aérienne très low-cost, gérée par une équipe de bras cassés. Jamel Debouzze, la star du stand-up français et co-réalisateur de la série, a recruté les humoristes les plus appréciés du moment pour donner corps à cette sitcom « nouvelle génération ».Deux épisodes le lundi à 21 h 10 à partir du 22 avril sur Canal+.---« The Sympathizer » : un nouveau regard sur la guerre du Vietnam Adaptée du roman de Viet Thanh Nguyen, The Sympathizer raconte l'histoire d'un métis de mère vietnamienne et de père français qui devient un agent double. Il a infiltré les services sud-vietnamiens pour le compte du Nord, avant de s'exiler, sur ordre, aux Etats-Unis afin de surveiller les exilés qui ont quitté le Vietnam après la chute de Saïgon. Cette nouvelle série HBO offre une autre perspective sur la guerre du Vietnam, entre satire et spectacle.Pass Warner via Prime Video, un épisode le lundi à partir du 15 avril.----« Ripley » : la version « noir et blanc » des aventures du célèbre crimiel sociopatheLe criminel imaginé par Patricia Highsmith revient une nouvelle fois à l'écran, incarné cette fois-ci par l'acteur irlandais Andrew Scott. Le réalisateur Steven Zaillian a choisi de le faire évoluer dans une Italie froide et dépeuplée, filmée en noir et blanc.A retrouver sur Netflix. ---Un épisode de Claire Leys. Réalisation : Thomas Zeng. Rédaction en chef : Jean-Guillaume Santi.

Muži za pultem se opájí transcendentní krásou obrazotvornosti seriálu Ripley. Poměrně s nadšením přijímají i nový film Alexe Garlanda Občanská válka. V den shlédnutí dokonce ani nepotřebovali svou obvyklou injekci adrenalinu. Bohužel ani ve světě stárnoucích mužů není vše zalité sluncem. Smutek na tváři vykouzlí především duo Iveta Bartošová a Kurt Cobain.  Obsazení: Ondřej Štindl, Petr Koubek, Jakub Peřina  Diskutovaná a zmiňovaná díla: seriál Ripley https://m.youtube.com/watch?v=0ri2biYLeaI&pp=ygUOcmlwbGV5IG5ldGZsaXg%3D (režie: Steven Zaillian), deska The Libertines: All Quiet on the Eastern Esplanade https://open.spotify.com/album/0RQPuyaKyrEG8lSkl089zC?si=zTG6MjlcQdiy9n2iUoEBlQ, píseň Suicide: Dream Baby Dream https://m.youtube.com/watch?v=J3amtAb-dp8&pp=ygUYc3VpY2lkZSBkcmVhbSBiYWJ5IGRyZWFt, film The Long Goodbye https://m.youtube.com/watch?v=fAYheZweypk&pp=ygUUbG9uZyBnb29kYnllIHRyYWlsZXI%3D (režie: Robert Altman), dokument Málo mě znáš https://youtube.com/shorts/-5Zss1HYPbE?si=i8o6H6Ivmsaew63R (režie: Tomáš Klein), audio pořad Cobain https://vltava.rozhlas.cz/proc-porad-potrebujeme-kurta-poslouchejte-podcast-cobain-o-smrti-ikony-a-9202207 (režie: Pavel Klusák), Apple podcast o Viktoru Koženém: The Pirate of Prague https://www.apple.com/tv-pr/originals/the-pirate-of-prague/ , film Občanská válka https://youtu.be/cA4wVhs3HC0?si=a2jQWgp-rykhMFyj (režie: Alex Garland) a další díla studia A24 https://a24films.com/ 

A famosa história de Tom Ripley começou na literatura. Trata-se de uma série de 5 livros escritos por Patricia Highsmith entre 1955 e 1991. O mais famoso deles é o 1o, “O Talentoso Ripley”, que ganhou diversas adaptações cinematográficas. Apesar da mais famosa delas ser com Matt Damon, Jude Law e cia em 1999, tivemos outras tão interessantes quanto. Já estiveram na pele de Tom Ripley astros como Alain Delon, Dennis Hopper, John Malkovich e Barry Pepper. ::Pulando aqui pra série Ripley de 2024, temos 2 nomes que se destacam de largada. Um deles é Steven Zaillian, cineasta-artesão que faz de tudo: roteiro, direção, montagem, produção, e daí a perder de vista! Ele foi o responsável pelos roteiros de "Tempo de Despertar"," A Lista de Schindler", "Missão Impossível", "Gangues de Nova York", "Moneyball", "Millenium", "O Irlandês" e também a série "The Night Of".::E o outro grande nome aqui é Andrew Scott, o "padre gato de Fleabag" que recentemente declarou que não aguenta mais ficar marcado por esse papel e brilhou no esnobado do último Oscar “Todos nós Desconhecidos”, em “1917” e nas séries "Black Mirror", "Modern Love" e claro: "Sherlock", genial no papel do antagonista Jim Moriarty.  ::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Es posible todavía que algún serial nos desconcierte y que, cuando creáis que ya sabéis lo que va a pasar, os hagan un quiebro de guión que os deje ojicuádricos y patidifusos. Ahí van tres ejemplos. Ripley. Netflix. Temporada 1 (8 episodios) Va a ser, sin duda, la serie que se va a llevar los premios televisivos este año. Conoceremos una nueva versión del inquietante Ripley, creado por Patricia Highsmith y representado espléndidamente por Andrew Scott, en el entorno de la Italia más inquietante fotografiada en blanco y negro, para que nada nos despiste del paisaje humano que tiene mucha enjundia. Steven Zaillian,creador de la sobresaliente serie 'The Night Of' y guionista de títulos como 'La lista de Schindler' o 'Gangs of New York', se responsabiliza de llevar de nuevo a la pantalla las andanzas de una leyenda. Un asunto privado. Prime Video. Temporada 1 (10 episodios) Es una serie española original protagonizada por Aura Garrido y Jean Reno. En la que ella interpreta a una joven de extraordinarias dotes detectivescas y él a su fiel mayordomo que investigan juntos el asesinato de varias prostituras en la Galicia de los años 40. Es espectacular lo bien hecha y ambientada que está. Three Pines. Movistar. Temporada 1 (8 episodios) Basada en los libros de la escritora Louise Penny, el canadiense detective Gamache y sus colaboradores investigan una serie de asesinatos desconcertantes en el pueblo aparentemente idílico de Three Pines y descubren los secretos enterrados de sus excéntricos residentes. Como en toda buena narración del género, el inspector (Alfred Molina) tiene su propio conflicto enterrado en la memoria, que con cierta frecuencia emerge en sus sueños.

Ripley is an eight-episode limited series adaptation of Patricia Highsmith's Ripley novels. It is the first serialized screen version of those stories following five feature film adaptations, including the 1999 film The Talented Mr. Ripley, starring Matt Damon, Gwyneth Paltrow, and Jude Law. The Netflix series stars Adam Scott, Dakota Fanning, and Johnny Flynn. It is created, written, and directed by Oscar-winning screenwriter Steven Zaillian (who also created The Night Of) and shot — in black and white — by Oscar-winning cinematographer Robert Elswit. And: Scrabble Together is a new, forthcoming version of the classic board game that's coming to Europe from Mattel. It's a faster-paced, collaborative version of Scrabble that's being billed as less “intimidating.” It will not be available in the U.S. GUESTS: Irene Papoulis: Teaches writing at Trinity College, and she's the author of The Essays Only You Can Write Lindsay Lee Wallace: Writes about culture, health care and health equity, and other stuff, too The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Hvad bliver ugens bedst anmeldte film? Rikke Collin og Jacob Ege Hinchely er tilbage med friske filmanmeldelser og nyheder til jer. Derudover giver de også deres (mange) bud på de bedste filmåbninger nogensinde. I denne uge anmelder Betacritic følgende: Netflix-serien 'Ripley' baseret på Patricia Highsmith's berømte roman ‘The Talented Mr. Ripley'. Serien har Andrew Scott (All Of Us Strangers, Sherlock) i hovedrollen, og er skabt, skrevet og instrueret af Steven Zaillian. Vi kigger også på den aktuelle danske biograffilm 'Birthday Girl'. Et nyt drama af instruktør Michael Noer (Før Frosten, Nordvest), med Trine Dyrholm og Flora Ofelia Hofmann Lindahl i hovedrollerne. Sidst, men ikke mindst, ser vi også på den overnaturlige gyser ‘The First Omen'. Filmen er den sjette film i The Omen-føljetonen, og en prequel til ‘The Omen' fra 1976. Filmen er skrevet og instrueret af Arkasha Stevenson, har blandt andet Nell Tiger Free (Game of Thrones), Ralph Ineson (The VVitch) og Bill Nighy (Pirates of the Caribbean: Dead Man's Chest) på rollelisten, og handler om en ung kvinde der, på en kirke i Rom, falder over en konspiration om at få født antikrist. Og hey! Så er katten Dennis også tilbage for at anmelde, og vi ved alle, at det er hans mening, der har størst betydning. Vi håber du nyder episoden lige så meget som os. Tusind tak fordi du lytter med.

1960 war es Alain Delon, 1999 Matt Damon und 2024 ist es Andrew Scott, der in die Rolle des Tom Ripley schlüpft, jenem Kleinbetrüger, der in Patricia Highsmiths Roman "Der talentierte Mr. Ripley" von 1955 die Identität eines anderen Menschen annimmt. Wo Delon und Damon durchaus gute Arbeit ablieferten, schafft es Scott, eine neue Interpretation eines Verbrechers zu verkörpern.Dieser Tom Ripley ist eine traurige, fast erbärmliche Gestalt, deren Ambivalenz mehr dem Kern des Romancharakters entspricht. Die Regie und das Drehbuch von Steven Zaillian formen das Ganze zu einem perfekten Kunstwerk in Schwarz-Weiß, dessen Bann sich der Zuschauer kaum entziehen kann.Eine ausführliche Kritik zu "Ripley" von Ronny Rüsch und Axel Max - jetzt in einer neuen Folge des ntv-Podcasts "Oscars & Himbeeren". Außerdem dabei: das Filmdrama "Master Gardener", die Miniserie "John Sugar" sowie die Politsatire "The Regime"."Oscars & Himbeeren" - der ntv-Podcast - wo sich jeden Freitag alles rund um Streaming-Dienste wie Netflix, RTL+, Amazon Prime & Co. dreht.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.htmlUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Ayisha & Shore are back Italian city-hopping for an episode-by-episode discussion of the "dark and twisty" second half of Netflix's 'Ripley' (7:00). More thoughts on stairs, the show's impressive architecture, the introduction of our Inspector and the disappointment of Marge.Subscribe to our Newsletter via - https://popcornfordinnerpod.com/#newsletterAlso available on Youtube - https://youtu.be/8M84V_Nd0hs Host: Ayisha BelgoreGuest: ShoreProduction by: Bankole Imoukhuede

Se estrena en Netflix "Ripley" adaptación de la novela de Patricia Highsmith a cargo de Steven Zaillian, con Andrew Scott como protagonista. José María Aresté, Pablo de Santiago y Juan Luis Sánchez, del equipo de Decine21, comentan esta serie y otras adaptaciones de la obra de la autora.

No Cinemático 434, Carlos Merigo, Bia Fiorotto e Ieda Marcondes conversam sobre "RIPLEY", nova minissérie da Netflix dirigida por Steven Zaillian.SIGA @CINEMATICOPODTikTokInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Co-Produção: Bia FiorottoProdução: Alexandre PotascheffEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma Zennaro---Torne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais!https://www.youtube.com/channel/UCGNdGepMFVqPNgaCkNBdiLw/join Hosted on Acast. See acast.com/privacy for more information.

Dakota Fanning joins the show to talk about her role in the limited series, Ripley. Based on Patricia Highsmith's bestselling novels, the series follows Tom Ripley (Andrew Scott), a grifter scraping by in early 1960s New York, who is hired by a wealthy man to travel to Italy to try to convince his vagabond son to return home. Tom's acceptance of the job is the first step into a complex life of deceit, fraud, and murder. Fanning recounts the exciting moment when she was offered the role of Marge Sherwood, shares what she loved most about working with her co-stars Andrew Scott and Johnny Flynn, and explains how writer-director Steven Zaillian elevated the series through his scrupulous attention to detail.  She also describes how she navigated the trappings of fame while growing up in Hollywood, expresses what it has meant to have her younger sister Elle by her side throughout their individual acting journeys, and shares details on her Italian themed "La Dakota Vita" 30th birthday party. Listen to more from Netflix Podcasts.

Tom Ripley to postać stworzona w latach 50. przez pisarkę Patricię Highsmith. Od tamtej pory Ripleyowi twarzy użyczyło wielu aktorów, m.in. Alain Delon czy Matt Damon w najsłynniejszej ekranizacji książki Highsmith, czyli "Utalentowanowym Panie Ripley". Teraz tę historię wziął na tapet Steven Zaillian, zaś odtwórcą głównej roli został znany m.in. z serialu "Fleabag" Andrew Scott. Czy kolejna wersja tej historii ma sens?

Gather your passports and fake names and join Ayisha and Shore over in Italy as they discuss 'Ripley', Steven Zaillian's Netflix adaptation of the Patricia Highsmith novels. They share their initial reactions to the first four episodes and its differences to the 1999 film (2:12). They also discuss Tom's descent into (acceptance of?) his madness across the first 4 episodes (19:10), that awkward conversation (44:16) and the big setpiece in the third episode (55:35).Subscribe to our Newsletter via - https://popcornfordinnerpod.com/#newsletterAlso available on Youtube - https://youtu.be/J0t8UDDL6V8 Host: Ayisha BelgoreGuest: ShoreProduction by: Bankole Imoukhuede

As it was Easter, Dave gave the co-hosts the week off, but we do have a brilliant Geektown Behind The Scenes Podcast, especially for those of you who are fans of 'Star Trek: Discovery', as we interview the Discovery captain herself, Sonequa Martin-Green, and prolific composer Jeff Russo, who not only scores Discovery, but a million other amazing shows!'Star Trek: Discovery' returns on Thursday, 4th April 2024 for its 5th and final season, as Sonequa Martin-Green takes the helm one last time in an epic adventure. In the interview, Sonequa discusses her feelings about the series coming to a close, the journey of her character, Michael, and whether we may see more of her in a Starfleet uniform at some point in the future...In the second interview, Dave catches up with composer Jeff Russo, the man who not only scores 'Star Trek: Discovery', but is also something of an overseer for the music across the current Star Trek franchise.In addition to 'Discovery', Jeff has a second show dropping on Thursday, 4th April 2024, which is Netflix's much anticipated ‘Ripley', a new adaptation of ‘The Talented Mr. Ripley' starring Andrew Scott, which re-teams Jeff with the brilliant director Steven Zaillian, who he previously worked with on incredible mini-series ‘The Night Of'.Jeff is a prolific composer and has worked on such a ridiculous number of shows it is hard to keep track. In the interview, we not only talk about his work on 'Star Trek: Discovery' and 'Ripley', but also FX's 'Fargo', which recently concluded its 5th Season, Apple TV+'s ‘For All Mankind', Netflix's ‘The Umbrella Academy' which returns for its final season in August, and CBS dramedy ‘So Help Me Todd'.Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

In 2011, Bennett Miller somehow made us care about baseball when he turned a book about the Oakland A's and a couple of sabermetricians into a feature-length drama featuring Brad Pitt, his bff Jonah Hill, and the great Philip Seymour Hoffman. Sabermetricians? You're goddamn right! I vocabulary like a mug. This flick struggled in production but Aaron Sorkin and Steven Zaillian both brought on as pinch hitters to finish what would become a film adorned in accolades and box office earnings. But does it hold up? Listen in as Jon, Colin, and Brent debate what losing sounds like and how much money a legacy is worth as we see if this one stole home or hit a grand slam.

Data is going to help you up your marketing game. We're showing you how.Right off the bat, “data analysis” probably doesn't stir the soul. But it's how you tune into your target audience so you can tailor your campaigns to them. Your messages will be more relevant, you'll boost engagement, and not only convert leads but create lasting customer relationships. In other words, it's by leveraging data that you graduate from bush league to pro. And what better way to show the benefits of leveraging data than talking about how sabermetrics shaped the world of baseball.So In this episode, we're talking about the Academy Award-winning movie, Moneyball, with the help of special guest, Founder & CMO of Entry Point 1, Tim Hillison. Together, we chat about tuning into your marketing data, doing market research to understand your ICP, and tying statistics to human stories. So batter up for this episode of Remarkable.About our guest, Tim HillisonTim Hillison is the Founder & CMO of Entry Point 1, a growth advisory consultancy for B2B SaaS & Technology startups and scaleups.  He has 25 years of global marketing experience, has led marketing three times on two continents, and has worked for some of the world's most recognized brands, including Visa, Microsoft, and PayPal. Tim's expertise spans Fortune 500 enterprises and fast-moving venture-funded technology startups from series A - E. About Entry Point 1Entry Point 1 connects marketing strategy to business outcomes across the customer journey. Helping it's customers build launch, and run efficient marketing programs that transform their organizations and financial results.  About MoneyballMoneyball is based on a true story about the general manager of the Oakland Athletics trying to assemble a competitive baseball team on a tight budget. This comes after the A's loss to the Yankees the previous year, in 2001, and as they're losing their star players. So the GM, Billy Beane, teams up with player analyst and Yale economics grad, Peter Brand, and together they use sabermetrics to evaluate and sign undervalued players.Sabermetrics are statistics of in-game activity, including batting, pitching and fielding. The term comes from the acronym SABR, for the Society for American Baseball Research. It's a way to look objectively at player performance. In other words, Peter Brand says it's a way to “find value in players that nobody else can see. People are overlooked for a variety of biased reasons and perceived flaws. Age, appearance, and personality.”So the movie is about challenging a traditional value system, where big city teams that have money can afford better players whereas small market teams have to be more strategic about who they sign.The movie came out in 2011 and is based on a book by author Michael Lewis called Moneyball: The Art of Winning an Unfair Game. It stars Brad Pitt as Billy Beane and Jonah Hill as Peter Brand. It was directed by Bennett Miller and the screenplay is by Steven Zaillian and Aaron Sorkin. It was nominated for six Academy Awards, including Best Picture and Best Adapted Screenplay.What B2B Companies Can Learn From Moneyball:Tune into your marketing data. It will tell you objectively what strategies are most effective. Use that information to dial in your content. You'll uncover new and overlooked ways of marketing that you wouldn't have used otherwise. Ian says that It's like in Moneyball, when “Billy Bean realizes that you can get a player who can't run, can't catch and can't steal bases; They can only hit home runs, but that's super valuable. And while everyone else sees them as a bad player, you see them as a gem. So what are your marketing versions of that? Is it a channel? Is it a budget item? Is it a way to create something that is consistent and repeatable that won't be perfect, but it will be consistent?”Do market research to understand your ICP. That is, your Ideal Customer Profile. This is how you know your product is meeting an actual need, not a perceived one. Tim says, “You have to do market research for this, to understand where your customers are and where to meet them and what different channels work better for those companies. If you don't spend the time aligning your revenue team to understand that at the beginning, and you just rush right into the tactics, that's where you miss the mark.”  Tie statistics to human stories. Along with the stats you use to prove value to your audience, tell customer success stories. Because it's those human stories that will seal the deal with your audience. Ian says, “Stats are pretty boring, but stats give you a story that is extremely compelling in which there are human beings at the end of the statistic.” It's another way to humanize your brand, by sharing stories instead of just numbers.Quotes*”[The A's] lose like 14 games before winning 20 games in a row, which beats the record. This is what B2B marketing is about because there are lead and lag times in marketing. Marketing is not something where you do it and instantly it happens. ” - Tim Hillison*”In your marketing, you need to find those customer stories where it went above and beyond, where they tell their family and friends about it, where it changed someone's career.” - Ian Faison*”People buy from others like them. And also we know that B2B buyers are not passive. They're out there scouring the internet to research your brand before sales even calls you. And so those that are authentic and have a strategy, meaning that they're talking with a consistent brand voice using the same story and relevant messaging, and they understand their ICP's frustrations and pain points, that is where you build future relationships.” - Tim Hillison*”Helping people get to the next level. That's what they want. How is your software or how is your product going to help people achieve their goals? It's that level of authenticity people want to help them get there.” - Tim Hillison*”Sometimes you try something new and it doesn't work out at first. Then you have to tweak it before it starts getting better and better and better, and then you're on a roll as a team. That energy is electric, and all it does is bring you together as a team. It's an amazing wave of emotion that's created in the film, too.”Time Stamps[0:55] Meet Tim Hillison, Founder & CMO of Entry Point 1[2:01] Why are we talking about Moneyball?[3:26] What does Tim's work at Entry Point 1 entail?[3:48] What is Moneyball about?[11:39] What makes Moneyball remarkable?[17:53] What marketing lessons can we take from Moneyball?[42:43] What's Tim's content strategy?[46:58] How does Tim prove the ROI of content?[49:22] What are some of Tim's favorite pieces of content or campaigns?[51:16] What advice would Tim give to marketers today?LinksWatch MoneyballConnect with Tim on LinkedInLearn more about Entry Point 1About Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Meredith Gooderham, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

This week we are experiencing some technical difficulties because Apple absolutely wrecked my audio set-up with an unnecessary OS update that doesn't seem to have made anything better. That's beside the point, but I did want to apologize off the hop. Anyway. The Hunt For The American James Bond continues both in our hearts and on the show, as we dip our toes into the chilly waters of Lake Jack Ryan one last time with 1994's Clear and Present Danger, directed once again by Phillip Noyce, based on the book by Tom Clancy, and starring Harrison Ford, Willem Dafoe, Joaquim de Almeida, Henry Czerny, Harris Yulin, Donald Moffat, Miguel Sandoval, Benjamin Bratt, Anne Archer, Thora Birch and James Earl Jones. Patriot Games set the bar pretty low, and this movie comfortably clears it. But it doesn't hit the heights of Hunt For Red October either, leaving us with a somewhat satisfying if not overly long political thriller about drug cartels and American intelligence. There's room to have fun there if you're willing to acknowledge how skeezy the CIA actually is, but perhaps we weren't there yet in '94. Other works discussed in this episode include Poor Things, The Holdovers, Edge of Tomorrow, Top Gun: Maverick, The Flash, and 24. Plus, Mission: Impossible - Dead Reckoning Part One gets renamed for streaming. This is the third ADHD-DVD film with a Steven Zaillian writing credit. The previous were Mission: Impossible and Gangs of New York. If you'd like to watch the film along with us, good luck! It is not available for streaming in Canada, but is rentable on YouTube. We'll be back next week to wrap up the month with a third consecutive Phillip Noyce movie, the admittedly very goofy Val Kilmer vehile The Saint (1997) that is also sadly not available for streaming in Canada. We'll be joined by gifted improviser (and J Mo's childhood friend) Mica Prazak to discuss whether it deserves to be added to the canon, or loaded into a cannon. Until then, see you at the movies!!

Join Austin and Big T this week as we discuss the 1993 award-winning film Schindler's List.Tune in as we talk about what elements of the cinematography we enjoyed and what we thought about the character arcs throughout the film. We also share which scenes stood out to us the most and explore what lessons this film can teach us about our world today. Then join us next month when we discuss the 1999 fantasy comedy Being John Malkovich. Episodes are released the first Monday of every month.Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

Degenerates Andy S and Brandon Bombay dive into "the feel bad movie of Christmas" — David Fincher's 'The Girl with the Dragon Tattoo.' Andy tells a story about a hacker he knew who tried to strike it rich by holding a hospital hostage. Don't worry, unlike in 'Dragon Tattoo,' everybody came out unscathed. The guys then talk about Daniel Craig's Mikeal spiraling out, and how virtually every character in the film is self-serving, except the eponymous hacker hero.  'The Girl with the Dragon Tattoo' is a 2011 mystery thriller film based on the 2005 novel by Swedish writer Stieg Larsson. It was directed by David Fincher with a screenplay by Steven Zaillian. Starring Daniel Craig as journalist Mikael Blomkvist and Rooney Mara as Lisbeth Salander, it tells the story of Blomkvist's investigation to find out what happened to a girl from a wealthy family who disappeared 40 years ago. He recruits the help of Salander, a computer hacker. Follow Us On Instagram: https://www.instagram.com/degencinema Email Us: DeGenCinema@gmail.com

It's Die Hard in the war on drugs!For this very special episode, Phil and Liam are joined by a VERY special guest: actor, writer, director, comic book author, renaissance man and podcasting superstar PAUL SCHEER! That's right, the effervescent host of top film podcasts Unspooled and How Do This Get Made? chartered a helicopter and flew in to join Phil and Liam for an intensive analysis of this mid--90s classic! The film's complex plot is thus: after a close friend is murdered by international drug traffickers, the vengeful US President (Donald Moffet) tacitly instructs his National Security team to launch a series of secret military strikes against the parties deemed responsible. Soon the new CIA deputy director Jack Ryan (Harrison Ford) discovers himself to be an unwitting pawn in a covert, illegal war between American paramilitary forces and the Colombian drug cartels. As the carnage escalates, Ryan must find a way to quell the bloodshed and expose the corruption at the heart of his own government.  CLEAR AND PRESENT DANGER is the third entry in the Jack Ryan film franchise that started with THE HUNT FOR RED OCTOBER. That particular movie was of course directed by DIE HARD helmer John McTiernan, meaning that there is plenty of ‘DIE HARD DNA' in the mix here…but does this motion picture also share some key similarities with Christopher Nolan's OPPENHEIMER? The guys assess its influences and its legacy, while also wrestling with another burning question: is this the ultimate ‘Dad movie'? Paul talks passionately about his deep and long-standing connection with DIE HARD and his youthful love for all things Bruce Willis, and the guys go deep on the film's eclectic creative contributors, that includes personalities such as Tom Clancy, Harrison Ford, Philip Noyce, John Milius and Steven Zaillian. They also discuss the virtues of an outstanding ensemble cast that features the likes of Willem Dafoe, James Earl Jones, Anne Archer, Thora Birch, Joaquim de Almeida, Henry Czerny, Harris Yulin, Raymond Cruz, Benjamin Bratt and Miguel Sandoval. Paul even discusses the part he'd most love to play! The stacked cast makes for a particularly entertaining edition of the ‘Die Hard Oscars', and a tantalizing trivia quiz provides some stimulating brain-teasers…along with a warm and fuzzy moment or two. This highly entertaining episode is not to be missed - how DARE YOU not listen to it?! CLEAR AND PRESENT DANGER trailer:https://www.youtube.com/watch?v=TuYb6ZNQaZoAt the time of release, CLEAR AND PRESENT DANGER is streaming on Paramount + and is available to rent of buy on Amazon Prime Video, Apple/iTunes, YouTube, Vudu, Redbox, Direct TV, AMC and all the usual platforms.Support this podcast at — https://redcircle.com/die-hard-on-a-blank/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hosts Mat Bradley-Tschirgi, Thrasher, and Alex Miller discuss the first Mission: Impossible film. Stars Emmanuelle Béart, Tom Cruise, Henry Czerny, Vanessa Redgrave, Ving Rhames, and Jean Reno. After a mission in Prague goes sideways, IMF member Ethan Hunt (Tom Cruise) has to find the mole responsible. The first of what is a 7-film series so far based off the 1960's TV show, Mission: Impossible features a twisty spy story with some fun action set pieces courtesy of director Brian De Palma (The Untouchables) and writers David Koepp, Robert Towne, and Steven Zaillian. Tom Cruise is a bit edgier here than in later entries. Danny Elfman does faithful homages to the TV show theme with a score that hammers home the action beats. While the story might have one too many twists, the pacing and performances are strong. Still one of the best films in the series, Mission: Impossible starts the film franchise off on strong footing. Sequelcast 2 and Friends is part of the Tokyo Beat Podcast Network. Get 15% off EPOS Gaming Audio headsets with code EPOSFRIEND15 at checkout at www.eposaudio.com/gaming Follow the show on Twitter @Sequelcast2 Buy Mat's books (The Films of Uwe Boll, Podcast You Nerd!)  Buy Thrasher's tabletop RPG supplements from DriveThruRPG Watch award-winning filmmaker Alex Miller's YouTube series The Trailer Project Theme song by Marc with a C Happy Bee Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Movie Synopsis: American Gangster is a 2007 American biographical crime film directed and produced by Ridley Scott and written by Steven Zaillian. The film is fictionally based on the criminal career of Frank Lucas, a gangster from La Grange, North Carolina who smuggled heroin into the United States on American service planes returning from the Vietnam War, before being detained by a task force led by Newark Detective Richie Roberts. The film stars Denzel Washington and Russell Crowe with co-stars Ted Levine, John Ortiz, Josh Brolin, Chiwetel Ejiofor, Ruby Dee, Lymari Nadal and Cuba Gooding Jr. Development for the film initially began in 2000, when Universal Pictures and Imagine Entertainment purchased the rights to a New York magazine story about the rise and fall of Lucas. Two years later, screenwriter Steven Zaillian introduced a 170-page scriptment to Scott. Original production plans were to commence in Toronto for budget purposes; however, production eventually relocated permanently to New York City. Because of the film's rising budget Universal canceled production in 2004. After negotiations with Terry George, it was later revived with Scott at the helm in March 2005. Principal photography commenced over a period of five months from July to December 2006; filming took place throughout New York City and concluded in Thailand.

Join Host Shane and Co-Host Russell for this week's DQP Film review as we continue TWO WHOLE MONTHS of Sports Movies, with Moneyball! Written by Steven Zaillian and Aaron Sorkin, Directed by Bennett Miller, and starring Brad Pitt and Jonah Hill.   Join us on Patreon for just $1 a month, and you can help us continue to talk about movies! patreon.com/draftyq   A Drafty Quarters Production

Now, I was scanning the web the other day, and I came across a book about the making of Quentin Tarantino‘s first feature film. Quite fascinated that someone took the time to dig into the unreleased, My Best Friend's Birthday, which I've spoken about a bit on my podcast and also written a couple of articles about the film. So, as per usual, I invited the author, Andy Rausch to the show to talk a bit more about his book.Before this interview, I did not know that Andy has spent years interviewing other prominent industry names and has authored over forty non-fiction on specific works of established entertainment contributors.Writing forty books is no small feat.Some of Rausch's publications include Turning Points in Film History (2004), The Films of Martin Scorsese and Robert De Niro (2010), Making Movies with Orson Welles, a Gary Graver memoir, and Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (2008).But today, l would like to get into the weeds on Rausch's 2019, My Best Friend's Birthday: The Making of a Quentin Tarantino Film book, which is the story of a group of friends who set out to make their own movie in 1983, financing it with Tarantino's minimum-wage earnings from his job at a video store. In most biographies and Tarantino histories, this unfinished $5,000 film is mentioned only in passing and is looked upon as little more than a curiosity. But with this oral history, author/editor Andrew J. Rausch details how each of the friends came together, other early film projects they worked on, and how they ended up making (or trying to make) a black-and-white screwball comedy.Check out the show notes below for links to some of Andy's other books, all available on Amazon.Enjoy my chat with writer, Andy Rausch.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Book Vs. Movie: Searching for Bobby FischerThe true story of a chess prodigy Josh Waitzkin, his father's New York Times article, and the 1993 film The Margos gently enter into the world of chess (a game neither of us knows very well so, please be patient!) with Searching for Bobby Fischer. Josh Waitzkin was considered a chess prodigy when he played in tournaments around thew country as a young child. In 1985 his father, Fred Waitzkin, wrote an article for The New York Times “Fathering a Chess Prodigy” about the struggle to raise a son who is gifted in a sport/game. Fred wants his son to achieve his dreams, but he is fearful Josh won't be a normal kid (Josh eventually became an International Chess Master at 16.) The book Searching for Bobby Fischer came out in 1988 and the 1993 film was directed by Steven Zaillian and earned praise for its cinematography and performances. Bobby Fischer led a very complicated (and frankly, sad) childhood as a chess champion which later turned him into a hermit. Did the chess bring on his mental illness, or was that always going to happen? Why is he an ardent antisemite and an enemy of his country? Why did he disappear for so long? Between the 1985 article and the film--which did we like better? You have to listen to find out!!In this ep the Margos discuss:The controversial Bobby Fischer (1943-2008)Josh Waitzkin & his father's Fred's writing career What it means to raise a child prodigyThe cast: Joe Mantegna (Fred Waitzkin,) Max Pomeranc (Josh Waitkin,) Joan Allen (Bonnie Waitzkin,) Laurence Fishburne (Vinnie,) Ben Kingsley (Bruce Pandolfini,) David Paymer (Kalev,) William H. Macy (Tunafish father,) Dan Hedaya (tournament director,) and Laura Linney as Josh's teacher.) Clips used:Max learns about the word “contempt.”Josh Waitzkin selling his book The Art of Learning: An Inner Journey to Optimal Performance (video) Bobby Fischer on Dick Cavett's show August 5, 1971Searching for Bobby Fischer original trailer 1993Josh and his dad have a chatJosh's teacher thinks chess is like penocleMusic by James HornerBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: Searching for Bobby FischerThe true story of a chess prodigy Josh Waitzkin, his father's New York Times article, and the 1993 film The Margos gently enter into the world of chess (a game neither of us knows very well so, please be patient!) with Searching for Bobby Fischer. Josh Waitzkin was considered a chess prodigy when he played in tournaments around thew country as a young child. In 1985 his father, Fred Waitzkin, wrote an article for The New York Times “Fathering a Chess Prodigy” about the struggle to raise a son who is gifted in a sport/game. Fred wants his son to achieve his dreams, but he is fearful Josh won't be a normal kid (Josh eventually became an International Chess Master at 16.) The book Searching for Bobby Fischer came out in 1988 and the 1993 film was directed by Steven Zaillian and earned praise for its cinematography and performances. Bobby Fischer led a very complicated (and frankly, sad) childhood as a chess champion which later turned him into a hermit. Did the chess bring on his mental illness, or was that always going to happen? Why is he an ardent antisemite and an enemy of his country? Why did he disappear for so long? Between the 1985 article and the film--which did we like better? You have to listen to find out!!In this ep the Margos discuss:The controversial Bobby Fischer (1943-2008)Josh Waitzkin & his father's Fred's writing career What it means to raise a child prodigyThe cast: Joe Mantegna (Fred Waitzkin,) Max Pomeranc (Josh Waitkin,) Joan Allen (Bonnie Waitzkin,) Laurence Fishburne (Vinnie,) Ben Kingsley (Bruce Pandolfini,) David Paymer (Kalev,) William H. Macy (Tunafish father,) Dan Hedaya (tournament director,) and Laura Linney as Josh's teacher.) Clips used:Max learns about the word “contempt.”Josh Waitzkin selling his book The Art of Learning: An Inner Journey to Optimal Performance (video) Bobby Fischer on Dick Cavett's show August 5, 1971Searching for Bobby Fischer original trailer 1993Josh and his dad have a chatJosh's teacher thinks chess is like penocleMusic by James HornerBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

CONTENT WARNING -- -- -- This episode includes conversations about sexualized violence, rape, and childhood SA. -- This week, Nat and Alli are taking a cozy little jaunt up to Sweden. We'll look at the fjords, ride the metro, and definitely overlook the country's seething undercurrents of fascism, racism, and misogyny... Just kidding, we're talking about David Fincher and Steven Zaillian's unflinching adaptation of Stieg Larsson's brutal mystery/social commentary, The Girl with the Dragon Tattoo (2011). Starring Rooney Mara in the titular role as hacker Lisbeth Salander opposite Daniel Craig as journalist Mikael Blomkvist, Dragon Tattoo is a excoriating examination of Sweden's dark side – both its history of Nazi collaboration and its present mistreatment of women, immigrants, and the neuro-atypical. It's also a crackling thriller about two unusual investigators uncovering one family's extensive and often horrifying secrets as they unlock a 40-year-old mystery. Videos we reference: Lessons from the Screenplay, "The Girl with the Dragon Tattoo — Breaking Convention:" youtu.be/yYMhaILOs-I kaptainkristian, "David Fincher - Invisible Details:" youtu.be/QChWIFi8fOY Patrick (H) Willems, "Why Is It So Hard To End A Trilogy:" youtu.be/MRoorGEwM9k Support Snails & Oysters on Patreon: patreon.com/snailsoysters Follow us online: Snails & Oysters: twitter.com/SnailsOysters Alli Rogers: twitter.com/allinotallie Nat Roberts: letterboxd.com/GnatRoberts Our theme song is Gumballs by Billy Libby: instagram.com/fortgorgeous And our cover art was designed by Abby Austin: instagram.com/abigailbaustin Hello my little darlings, thank you for joining me once again at the end of the episode description. God, my wifi is the worst, this is my third time writing this description because it just. Kept. Cutting. Out. before I could save. I have no request or anything this week, I just wanted to share my pain with you. - Nat --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Beyond the Cabin in the Woods goes beyond Hannibal (2001) IMDB SynopsisDirected by: Ridley ScottWritten by: David Mamet & Steven Zaillian, based on the novel by Thomas HarrisReleased: 2001Quote: “Okey-dokey, let's drag these down.”Poll: What do you think happens now to movie-Clarice and movie-Hannibal?Rule: Listen to Clarice Starling. If you enjoyed this, please consider buying us a coffee? https://ko-fi.com/A487KYMOur logo was created by Billy Whala and Debbie Cragg.Some parts of it are used under a creative commons license: Designed by Freepik https://creativecommons.org/licenses/by/4.0/ http://www.supercoloring.com/silhouettes/log-cabinOur music was modified from Dementia by Decomentarium and is licensed under a Creative Commons Attribution License. https://creativecommons.org/licenses/by/4.0/Thanks to Billy Whala for editing this episode.#beyondthecabininthewoods #beyondthecabin #horror #horrormovies #currentlywatching #DonnaLeahey #KenziWhala #DebbieCragg #MacBoyle #SnarkCasts #gumbiecatnetwork

Penny Marshall came on to Awakenings after Steven Spielberg stepped off the project apparently. Perhaps that's why it feels a bit different for a Marshall film. But how well does this pseudo-true story work as it recounts Dr. Oliver Sacks' experiments on patients with encephalitis lethargica in 1969? Join us – Pete Wright and Andy Nelson – as we continue our John Heard series with Marshall's 1990 film Awakenings. Is Awakenings more than just Marshall's bid at an Oscar? We think it's more, but it sure feels like Oscar bait. But again... couldn't it just be Marshall's desire to tell an interesting story and step outside her comedy box? Same goes for Robin Williams. He delivers the goods here as an introverted doctor who would rather work with worms than people. And of course Robert De Niro gives a performance where you're convinced he's afflicted with the disease the character of Dr. Sayer is trying to cure. Even Dr. Oliver Sacks, upon whose studies the film is based, thought De Niro performed accurate to the disease. But did Dr. Sacks have any issues with the film? Turns out he had some issues with Steven Zaillian's script. So do we. There are times it feels very written. Is that intrinsically bad? Or can it work? As for the rest of the cast, it's a great group of performers. Too bad Penelope Ann Miller isn't given more to do. All told, it's a strong movie with a powerful performances but also a script that feels very written and in the end, something you can see once then not worry about it again. Still, it's worth talking about so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Transcript Theatrical trailer Poster artwork Original Material Flickchart Letterboxd

Penny Marshall came on to Awakenings after Steven Spielberg stepped off the project apparently. Perhaps that's why it feels a bit different for a Marshall film. But how well does this pseudo-true story work as it recounts Dr. Oliver Sacks' experiments on patients with encephalitis lethargica in 1969? Join us – Pete Wright and Andy Nelson – as we continue our John Heard series with Marshall's 1990 film Awakenings. Is Awakenings more than just Marshall's bid at an Oscar? We think it's more, but it sure feels like Oscar bait. But again... couldn't it just be Marshall's desire to tell an interesting story and step outside her comedy box? Same goes for Robin Williams. He delivers the goods here as an introverted doctor who would rather work with worms than people. And of course Robert De Niro gives a performance where you're convinced he's afflicted with the disease the character of Dr. Sayer is trying to cure. Even Dr. Oliver Sacks, upon whose studies the film is based, thought De Niro performed accurate to the disease. But did Dr. Sacks have any issues with the film? Turns out he had some issues with Steven Zaillian's script. So do we. There are times it feels very written. Is that intrinsically bad? Or can it work? As for the rest of the cast, it's a great group of performers. Too bad Penelope Ann Miller isn't given more to do. All told, it's a strong movie with a powerful performances but also a script that feels very written and in the end, something you can see once then not worry about it again. Still, it's worth talking about so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Transcript Theatrical trailer Poster artwork Original Material Flickchart Letterboxd

In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.DirectorSteven SpielbergWritersThomas Keneally(book)Steven Zaillian(screenplay)StarsLiam NeesonRalph FiennesBen KingsleyIf you liked this episode, please rate/review us on Spotify and Apple Podcasts!Follow us on Instagram and Twitter: @ApexMountainPodSend us an email: apexmountainpod@gmail.comCheck out our TikTok: tiktok.com/@apexmountainpodcastCheck out our movie list: letterboxd.com/apexmountainJoin Buzzsprout here using our affiliate link, and receive a $20  Amazon gift card!  https://www.buzzsprout.com/?referrer_id=1050383Support the show (https://www.patreon.com/apexmountain)