Podcasts about indigenous fashion

Host Shayla Ouellette Stonechild interviews Indigenous fashion trailblazer Himikalas Pam Baker. They discuss Baker's journey into fashion, her experiences in fashion school as a single mother, and the cultural influences that have shaped her designs. The conversation also touches on the significance of the red dress in raising awareness for missing and murdered Indigenous women and girls, and the challenges faced by Indigenous designers in the industry. Baker emphasizes the importance of mentorship, cultural responsibility, and community empowerment through her work. She reminds Indigenous designers to define success through happiness with a focus on positivity and community support for Indigenous artists. Find out more about Himikalas Pam Baker: toclegendshouseofdesign.ca www.legaleriste.com/touch.of.culture flow/page/pambakerhimikalas https://www.instagram.com/himikalas Thanks for checking out this episode of the Matriarch Movement podcast! Leave comments and a thumbs up for us on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: https://www.instagram.com/shayla0h/ Find more about Matriarch Movement: https://matriarchmovement.ca/ Watch this episode on YouTube: https://www.youtube.com/@matriarch.movement This episode is produced by Sarah Burke and the Women in Media Network. Special thanks to the Indigenous Screen Office for supporting this podcast! Hiy Hiy! Chapters: (00:00) Introduction to Indigenous Fashion and Community Empowerment (01:59) The Journey into Fashion Design (06:27) Navigating Fashion School as a Single Mother (11:29) Cultural Influence in Fashion Design (14:34) The Significance of the Red Dress (21:57) Mentorship and Cultural Responsibility in Design (23:40) Challenges Faced as an Indigenous Designer (24:12) Giving Back and Defining Success (27:06) Advice for Young Indigenous Entrepreneurs (29:07) The Future of Indigenous Fashion (33:36) Reinventing Oneself in the Fashion Industry (36:39) Staying Positive and Supporting Indigenous Artists Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode talks about the creation of the Indigenous Fashion Collective - the first, First Nations fashion show in Montreal at the Palais de Congres, during the Montreal Fashion Week. We discuss how the creators of the Collective were inspired, how the event came to be, how important it is for our Indigenous designers to stick together and how it's related to the tourism industry. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber. 

On this episode, host Shayla Ouellette Stonechild speaks with Justin Jacob Lewis, the founder of Indigenous streetwear brand Section 35. They discuss the inspiration behind the brand's name, which is derived from Section 35 of the Canadian Constitution which recognizes and protects Indigenous and treaty rights. Justin shares his journey as an Indigenous entrepreneur and the challenges he faced in the early stages of his business. He also talks about the collaboration with Roots and the importance of incorporating Indigenous language and culture into his designs. Justin also mentions his plans to launch a new luxury brand, Justin Jacob Lewis, which will offer more refined and tailored pieces, inspired by the lack of Indigenous menswear in the fashion industry. He emphasizes the importance of Indigenous designers being part of mainstream and luxury fashion and hopes to see more independent Indigenous designers thriving. He also addresses the issue of cultural appropriation and encourages non-Indigenous people to support Indigenous designers by buying their clothes. Justin also shares his challenges in balancing family, business, and creativity, and highlights the significance of self-care and grounding practices.  Find out more about Justin Jacob Louis and Section 35:  Justin Jacob Louis is a fashion designer from the Samson Cree Nation and was born and raised in Nipisihkopahk (Samson Reserve) on Treaty 6 Territory in Alberta, Canada. He is the Founder and Creative Director of acclaimed Indigenous streetwear label SECTION 35 and recent founded eponymous Label Justin Jacob Louis. Justin was a finalist for Menswear Designer of the Year at the 2022 and 2023 Canadian Art and Fashion Awards ("CAFA") in Toronto. His work has seen features in numerous publications from Vogue to Complex, and was included in the Metropolitan Museum of New York's "In America: A Lexicon of Fashion”.  https://www.sectionthirtyfive.com/pages/about https://www.instagram.com/sweetloo35 Thanks for checking out this episode of the Matriarch Movement podcast! Leave comments and a thumbs up for us on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: https://www.instagram.com/shayla0h/ Find more about Matriarch Movement: https://matriarchmovement.ca/ Watch this episode on YouTube: https://www.youtube.com/@matriarch.movement This episode is produced by Sarah Burke and the Women in Media Network. Special thanks to the Indigenous Screen Office for supporting this podcast! Hiy Hiy! Chapters (00:00) Introduction to Feature Fridays and Justin Jacob Lewis (02:23) Inspiration Behind Section 35 and Indigenous Rights (06:29) Challenges and Lessons of an Indigenous Entrepreneur (10:11) Advice for Young Indigenous Entrepreneurs (13:12) Collaborating with Roots and the Meaning Behind the Collection (18:08) Incorporating Language and Culture in Fashion (20:33) The Importance of Language and Identity (22:30) Sustainability and Accessibility in Fashion (26:00) Introducing Justin Jacob Lewis: A New Chapter in Indigenous Luxury (28:09) Showcasing Indigenous Fashion in Toronto and New York (30:07) Being a Part of Indigenous and Non-Indigenous Fashion Events (32:33) The Reception of Indigenous Fashion on the World Stage (35:14) Supporting Indigenous Designers and Addressing Cultural Appropriation (38:18) Balancing Family, Business, and Creativity (45:31) Reconnecting with Spirit and Grounding Practices (47:22) Supporting Justin Jacob Louis and Section 35 Learn more about your ad choices. Visit megaphone.fm/adchoices

Osamuskwasis Roan, a talented fashion designer with roots deep in Cree and Dene heritage, joins us for an inspiring conversation on Beyond the Art. Hailing from Pigeon Lake, Alberta, Osamuskwasis passionately incorporates traditional floral motifs and geometric patterns into her designs, blending time-honored techniques with cutting-edge technology. She delves into her creative process and the ethical imperatives that shape her brand, underscoring the significance of sustainability in fashion. Osamuskwasis also opens up about the vital encouragement she receives from her family, the profound impact of her health on her artistic journey, and her steadfast commitment to self-care.As we discuss the broader landscape of Indigenous fashion, Osamuskwasis emphasizes the critical role of storytelling in empowering the next generation. She shares her aspirations for the future, including meaningful collaborations with fellow artists, opening her own storefront, and engaging with community youth. We touch on the challenges of maintaining cultural authenticity while navigating the fashion industry and envision a future where Indigenous brands can thrive without compromising their rich heritage. This heartfelt episode highlights the resilience and ingenuity of an Indigenous artist who is striving to make a lasting impact.

History and art have major influences on fashion, but when does it go too far? Indigenous multidisciplinary artist Brit Ellis and Indigenous Fashion Arts creator Sage Paul discuss an ongoing Canadian debate on how we define Indigenous art and fashion as being culturally appropriated or celebrated. See omnystudio.com/listener for privacy information.

GUEST: Joleen Mitton, Indigenous leader, activist & fashion entrepreneur / the founder and creative director of Vancouver Indigenous Fashion Week Learn more about your ad choices. Visit megaphone.fm/adchoices

Jori Brennon is part of an exciting movement of young Indigenous artists telling stories through tradition. The talented 2Spirit, queer bead artist crafts thought-provoking accessories from bags to hair pieces and earrings, and joins the Matriarch Movement to discuss the power of storytelling in fashion. In this episode, Jori shares his insights on the intricacies and intention behind beadwork, what it means to blend modern fashion and traditional craftsmanship, and the impact of sharing it across broad audiences.  Thanks for checking out this episode of the Matriarch Movement podcast! If you enjoyed the conversation, please leave a comment and thumbs-up on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: https://www.instagram.com/shayla0h/ Find more about Matriarch Movement at matriarchmovement.com Watch this episode on YouTube: https://youtu.be/Gihp_-qHz0A Our producer is Nicole Robertson with Muskwa Productions. Our podcast producer is Kattie Laur. Our videographer is Sara Cornthwaite. Behind the scenes photography is by Kiki Guerard, Michelle Aregentieri, and Stephanie Neves. Special thanks to the Indigenous Screen Office for supporting this video podcast! Hiy Hiy! Learn more about your ad choices. Visit megaphone.fm/adchoices

What would it take to start seeing Indigenous fashion brands held to the same regard as Gucci, Ralph Lauren, and Prada? Lesley Hampton is at the forefront of that question. Leslie Hampton's work as a fashion designer has been making waves across the fashion industry. She's dressed A-listers like Lily Gladstone, and been named Forbes 30 Under 30 and Vogue's No. 1 Canadian designer. In this episode, Leslie unpacks what it means to be a trailblazer in Indigenous Fashion, the inspiration behind her pieces and her style sessions – especially as a body neutrality advocate, and what she means when she says that her designs are for everyone. More about Lesley Hampton: Lesley Hampton is an Anishinaabe artist and fashion designer focused on mental wellness and body neutrality in fashion through the lens of the Indigenous worldview. Lesley is a member of Temagami First Nation, and she identifies as an adult 'Third Culture Kid' with her formative years spent in Canada's Arctic and Atlantic, Australia, England, Indonesia, and New Caledonia. This amalgamation of her Anishinaabe Indigeneity and her international upbringing nurtured a passion for socio-cultural causes as she uses her work as a catalyst for research, conversation, and community building. https://lesleyhampton.com/ Thanks for checking out this episode of the Matriarch Movement podcast! If you enjoyed the conversation, please leave a comment and thumbs-up on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: https://www.instagram.com/shayla0h/ Find more about Matriarch Movement at matriarchmovement.com Watch this episode on YouTube: https://youtu.be/Gihp_-qHz0A Our producer is Nicole Robertson with Muskwa Productions. Our podcast producer is Kattie Laur. Our videographer is Sara Cornthwaite. Behind the scenes photography is by Kiki Guerard, Michelle Aregentieri, and Stephanie Neves. Special thanks to the Indigenous Screen Office for supporting this video podcast! Hiy Hiy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Indigenous Fashion Designer and Founder of Indigenous Fashion Arts, Sage Paul, joins the Matriarch Movement (again!) for a discussion ahead of the 2024 IFA festival and fashion show.  Sage shares a behind-the-scenes look at the production of the show and how IFA is different from the mainstream Fashion Weeks. She also discusses how she got involved with the Eaton Centre in Toronto, finding trusted brands to work with in the fashion industry, and the importance of keeping community amongst it all. Thanks for checking out this episode of the Matriarch Movement podcast! If you enjoyed the conversation, please leave a comment and thumbs-up on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: @shayla0h Find more about Matriarch Movement at matriarchmovement.com Our producer is Nicole Robertson with Muskwa Productions. Our podcast producer is Kattie Laur. Our videographer is Sara Cornthwaite. Behind the scenes photography is by Kiki Guerard, Michelle Aregentieri, and Stephanie Neves. Special thanks to the Indigenous Screen Office for supporting this video podcast! Hiy Hiy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an evocative conversation with the incredibly talented Jessica Harjo, whose artistry is a profound celebration of her Osage, Pawnee, and Otoe heritage. Growing up in a household rich with the artistic legacy of her father, Ted Moore Jr., Jessica has seamlessly integrated traditional Indigenous motifs and colors into her work. She shares her artistic journey, from high school sketches to her studies in landscape architecture and graphic design, culminating in a distinct style that marries the old with the new. Listen as Jessica delves into the symbolism behind her designs and the unique meaning of her company name, Weomepe, which encapsulates her versatile approach to art and design.As we navigate through the world of post-traditional Native American art, Jessica offers her insights into the complexities of artistic labeling and its impact on perception. We explore how her creative process unfolds, from initial sketches to polished digital masterpieces using tools like Adobe Illustrator. Jessica also opens up about her experiences in fashion design and jewelry making, and why she chose to step back from Indigenous New York Fashion Week. This chapter highlights the evolving role of technology in modern art and underscores the professional challenges faced by contemporary Native artists.In the final segment, Jessica discusses the balance between tradition and modernity in Native American fashion and public art. She shares a touching story about her son's reaction to her art installation at the Oklahoma State Capitol, emphasizing the importance of Indigenous visibility in public spaces. We delve into the broader impact of public art on boosting self-esteem and cultural pride among Native youth. Finally, Jessica reflects on the delicate act of managing her artistic career while staying grounded in family life, and her ongoing efforts to create culturally relevant educational materials for the Osage Nation. Tune in for an episode brimming with wisdom, cultural richness, and artistic inspiration.

Back to fill the enormous SmartArts shoes of Richard Watts OAM is resident funny guy, Oliver Coleman.Kicking off the show is Tai Smith with the latest visual arts reccs - think cutesy wholesome for the Under Five Windows exhibition at A Reading Room, collaging fun at the Ripped - a Punk Collage Workshop, and writing extravaganzas at Alta Forma. Multidisciplinary artist, Lisa Waup, tells us about her experience creating fashion for the Piinpi: Contemporary Indigenous Fashion exhibition which is now showing at Bunjilaka Aboriginal Cultural Centre. On until November 17, go and see the inspired and revolutionary wearable art made by First Nations artists right around the country. Lucy Guerin, dancer and choreographer, shares her experience creating her latest performance for RISING 2024, One Single Action. In this piece, “two dancers traverse a narrow path, in and out of sync, in conflict and in harmony”. The opening show is June 13 and there are 4 performances happening over that weekend - get in quick, tickets are selling fast.Then, Carita Farrer Spencer, director at the National Circus Centre (NICA) joins Oliver to give all the goss on the NICA third year students ensemble show, Famous. This narrative circus performance is running from June 14-22 at the NICA Centre in Prahan! Find tickets here.Plus, theatre's darling, Anne-Marie Peard, serves up a multitude of fun, funky, experimental, fascinating and interactive shows happening all around you right now.

In Episode 11, Amber Bonney Bites Big with guest co-host Denni Francisco - proud Wiradjuri woman, a pioneer in the Australian fashion industry and a strong advocate for First Nations people.Inspired by Amber's own Mantra, "bite big and chew like hell", in this episode we talk about how Denni's own Mantra centralised around the notion of "Together we create". Denni's mantra has been the guiding foundation of both her business's where she sees collective togetherness as being at the heart of her values, actions and impact.We talk about the powerhouse that is Ngali, Denni's high-end fashion label which saw her secure her first standalone show as a First Nations designer in 2023! Denni's shares her experience of this journey from the daunting task of preparing for the show to the sense of relief when it was over, only allowing herself to reflect and acknowledge the magnitude of what she had achieved in the weeks and months that followed.As a First Nations woman, Denni discusses her childhood and the profound influence of her grandmother in shaping the woman she is today and her perspective of the world. Denni delves into how she feels she has a responsibility to take advantage of the opportunities she has had, to understand her privilege, and to help generate opportunities and to shine a light on First Nations creativity.Bite Big has donated $500 to the chosen charity Dot Com Mob a charity that aims to improve the lives of people living in remote Australian Indigenous communities by providing access to technology centre, Youth IT training & digital inclusion projects.If you would like to know more about our host Amber Bonney her business The Edison Agency or co-host Denni Francisco you can connect and follow these boss women via their socials links below!Links:Denni LinkedInNgali WebsiteNgali InstagramThe Edison Agency's LinkedInThe Edison Agency's InstagramAmber's InstagramAmber's LinkedIn Dot Com MobCreditsMain Host: Amber BonneyProducer: Niki BeestonPost Production : Fran Toscano, 17th Street Audio,

One of our faves in the fashion industry joins us in studio today! Lindyn Rowland is a model, owner of sunglass business 'Rowland Vision' and a stylist.  Lindyn shares his experience walking in First Nations shows and non- First Nations fashion shows. Plus he tells the story of how he came out and who his inspirations are.  And dishes the goss about the behind the scenes of the fashion industry and how important first nations fashion is.  Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present.  LINKS Follow @itsmattymills on Instagram Follow @brooke.blurton on Instagram  Follow @lindynrowland on Instagram or at rowlandvision.com Follow @novapodcastsofficial on Instagram   CREDITSHosts: Brooke Blurton and Matty MillsGuest: Lindyn RowlandExecutive Producer/ Editor: Rachael HartManaging Producer: Ricardo Bardon Listen to more great podcasts at novapodcasts.com.au   See omnystudio.com/listener for privacy information.

Creating art in the face of grief can be complicated and hard to navigate, especially when the grief feels both private and personal—and a part of a much larger epidemic, like the Missing and Murdered Indigenous People (MMIP) crisis.  Both Bobby Brower (Iñupiaq) and Tara Trudell (Santee Sioux/Rarámuri/Mexican/Spanish) found their way into speaking about the MMIP crisis through clothing and adornment that are linked to a long history of protection, prayer, and collaboration.  On this episode of Encounter Culture, Brower and Trudell talk with host Emily Withnall about creating Native Alaskan atikluks and creating beads out of paper, respectively, and the reason it is so important to do this work in community.  Brower is a fashion designer whose work has been featured on the TV series Alaska Daily and in New York Fashion Week, among others. Trudell is a multi-media artist working in fabric, paper, photography, and film, among other mediums.  For both women, the art cannot exist without community, and it is in community that important stories and information can be shared and held.  MENTIONED IN THIS EPISODE Museum of International Folk Art Bunnell Street Center Arts Center Alaska Daily (TV series) Tower Gallery Ashlynne Mike AMBER Alert in Indian Country Act We'd love to hear from you! Send feedback to elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to. Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. Our favorite way to fully experience everything they have to offer is with the New Mexico Culture Pass. Find out how to get yours here. Subscribe to El Palacio Magazine *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Theme Music: D'Santi Nava Special music in this episode: “Kinship Honor – K'é Biyiin,” written by Herman Cody & Radmilla Cody, performed by Radmilla Cody. Courtesy Canyon Records. Also, “Mother's Words – Amá Bizaad,” written by Herman Cody & Radmilla Cody, performed by Radmilla Cody, courtesy Canyon Records.  Instagram: @newmexicanculture and @elpalaciomagazine  

Indigenous peoples have overcome a lot of darkness, and we're still able to dance.In this episode, Shayla Stonechild is joined by Jingle Dancer, Content Creator and Indigenous Advocate, Santee Siouxx, to chat about what it means to go back to the ceremony and tap into your dream state. Santee shares how finding ceremony evolved her relationship with dance, grief, and kinship.Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur.Watch the video version of this episode on YouTube at https://www.youtube.com/@matriarch.movement Follow Shayla Oulette Stonechild on Instagram @shayla0hFollow Santee Siouxx on Instagram @santeesiouxxFollow Matriarch Movement on Instagram @matriarch.movementMatriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

Dante Biss Grayson is a Native American designer hailing from Santa Fe, New Mexico, renowned for his versatile design skills and contributions to indigenous fashion. He is the creator of the Skygo Collection, a premier indigenous fashion brand that has evolved into a full-fledged fashion house. Before stepping into the fashion world, Dante served a twelve-year military tenure, which included experience from 9/11. Post-military, he embraced his art and design background, which included studies in Amsterdam, as a therapeutic avenue to address his PTSD. With advocacies for indigenous issues and a commitment to cultural appreciation, he has created waves at events like New York Fashion Week and garnered attention in "Cowgirl Magazine."Episode Summary: In this captivating episode, Ashley, our enthusiastic host, sits down with the visionary indigenous fashion designer, Dante Biss Grayson. Dante shares the journey of his brand, the Sky Eagle Collection, from its inception through the global pandemic to its current status as a fashion powerhouse. Driven by his Osage heritage, his designs embrace cultural elements with a fresh lens while striving for global appreciation and advocacy for native issues. Dante delves into his eclectic history, drawing a picture of his artistic roots in Santa Fe, his time in the military, and the role of art in his life post-service. His narrative is a testament to resilience and innovation, as he pivots from military service to fashion entrepreneurship. We learn of his ventures into ranch wear, swimwear, media consulting, and fashion show production as he sketches out an expansive vision for 2024.Key Takeaways:Dante Biss Grayson is a Native American artist and military veteran who has leveraged art for therapy and advocacy, leading to the creation of the Sky Eagle Collection.The Sky Eagle Collection isn't just a fashion brand; it's an expression and advocacy platform for indigenous issues, intertwining cultural appreciation with modern design.Dante emphasizes the importance of ethical collaborations between indigenous creators and major fashion brands, urging appropriate compensation and respect.Sky Eagle Collection is looking forward to diversifying their reach — with plans to launch a ranch wear line, swimwear, and a fashion show featuring indigenous designers.Dante aspires to maintain an ethos of cross-cultural collaboration and environmental awareness, aiming for future partnerships that highlight creativity and mutual growth.Quotes:"For me, [fashion is] also very healing, but also advocating for different issues.""I'm here to remind people that we're still here, that we can compete on a global level.""You got to put in the work if you want it. You can't just be like, 'oh, I'm Tom Ford now.'"Resources & LinksSky Eagle Collection Website: https://skyeaglecollection.com/Instagram: https://www.instagram.com/skyeaglecollection/Facebook: https://www.facebook.com/skyeaglecollections

Indigenous peoples have overcome a lot of darkness, and we're still able to dance. In this episode, Shayla Stonechild is joined by Jingle Dancer and Indigenous Advocate, Santee Siouxx, to chat about what it means to go back to ceremony and tap into your dream state. Santee shares how finding ceremony evolved her relationship with dance, grief, and kinship. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Watch the video version of this episode on YouTube at https://www.youtube.com/@matriarch.movement  Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca

Advocating for Indigenous youth means you need to be tapped into a lot of different sources. For Kairyn Potts, that means not only being ultra internet-savvy, but also having a personal connection to the system that impacts Indigenous youth on a massive scale: the foster care system. Kairyn is passionate about advocating for young people, and has gained an incredible following on social media for the careful and clever content that he creates around Indigenous issues. Kai is also the co-founder of Neechi Clan, an Indigenous gaming community of over 600 members that is connecting Indigenous young people while advocating for support from big names in the gaming world, like EA. In this episode, Shayla Stonechild has a very transparent conversation with Kairyn to find out more about what it means to meet Indigenous youth where they're at, how addiction is impacting them, and what two spirit representations means for decolonization. Content Warning: This episode has discussions around addiction, suicide, and violence. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Watch the video version of this episode on YouTube at https://www.youtube.com/@matriarch.movement  Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

What does it mean to be an “Indigenous Influencer”? Marika Sila is an Inuvialuk actress, stunt performer, and activist who also shares content with over half a million followers across Instagram and Tiktok. She and her dad blew up the internet this year showcasing traditional snow blinders made from antler. Marika joins the Matriarch Movement podcast to share an inside perspective on the nuances of being an “Indigenous Influencer”, how she approached brand deals and partnerships, and the responsibilities that come with a significant public platform.  Shayla and Marika also share some hilarious stories from their experiences on the Amazing Race Canada. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca

In this captivating episode of "Indigenous Fashion with Rebekah Jarvey," host Ashley engages in a lively conversation with the talented Indigenous fashion designer, Rebekah Jarvey. Rebekah, on her way to a fashion show in Saquon, California, shares exciting details about the upcoming "Honor Our Legacy Fashion Show," a remarkable event in its seventh year.The event, taking place on September 16th at the Northern Winz Casino in Boxelder, Montana, is a celebration of emerging Indigenous designers and talent from across North America. The podcast delves into the event's structure, featuring a diverse range of designers, performances, and activities that make it a must-attend for all ages and genders within the Indigenous community.*Show Notes:*- *Event Overview: * The "Honor Our Legacy Fashion Show" is in its seventh year, taking place on September 16th at the Northern Winz Casino in Boxelder, Montana. The event celebrates emerging Indigenous fashion designers and showcases their unique styles.- *Event Duration: * The fashion show typically lasts around three to four hours, depending on the number of entries and the lineup. It is divided into two parts: the first part focuses on individual designs and attire judging, with cash prizes for winners. The second part features performances and showcases of invited Indigenous designers.- *Unique Features: * "Honor Our Legacy" stands out for its family-oriented approach and community involvement, encouraging people to participate in the fashion industry and providing inspiration and motivation. The event promotes diversity within Indigenous fashion.- *Featured Designers: * Notable designers include Yolanda from the Crow Nation, incorporating MMIW symbols into her ready-to-wear designs, Lisa from the Three Affiliated Tribes, blending traditional designs with ready-to-wear, and Shirley from the Navajo Nation, known for her velvet garments.- *Inclusivity: * While this year's designers are all women, the fashion show is open to all ages and genders within the Indigenous community. The organizers welcome male designers for future editions.- *Entertainment: * The show features performances by Indigenous artists Spur Poer and Natani, offering a diverse range of music mediums, from traditional to hip-hop. The theme "Embodying Indigenous Diversity" reflects the show's commitment to showcasing diverse talent.- *Inspiration from Abroad: * Rebekah shares how her first trip abroad to France impacted her life, introducing her to international fashion and inspiring her to aspire to see Indigenous fashion represented on the Cannes Festival red carpet someday.- *Community Connection: * "Honor Our Legacy" is a personal passion project for Rebekah, as it allows her to share her experiences with her community and create a platform for others to shine.- *Event Details: * The fashion show starts at 6:00 PM, with doors opening at 5:00 PM. It's a free, family-oriented event, featuring a guest DJ from Washington, TJ Baker, a free nacho bar, and vendors selling Indigenous art and products.- *Stay Updated: * To find more information about the "Honor Our Legacy Fashion Show," follow their Instagram and Facebook pages at "Honor Our Legacy Fashion Show."- **Get Involved:** If you want to participate in the event or showcase an Indigenous fashion designer on the podcast, contact them at ifashionpodcast@gmail.com.This episode of "Indigenous Fashion with Rebekah Jarvey" showcases the vibrant and inclusive spirit of Indigenous fashion, highlighting the "Honor Our Legacy Fashion Show" as a beacon of creativity, community, and cultural celebration. As Rebekah and Ashley's engaging conversation unfolds, listeners are encouraged to explore and support the diverse talent in Indigenous fashion while gaining insight into the personal journey and aspirations of the passionate host, Rebekah Jarvey.

Lacrosse is more than a game, it's medicine. Jeremy Thompson, professional lacrosse player from the Onondaga Nation, is known around the world for his incredible athleticism and activism within the sport of lacrosse. He joins the Matriarch Movement podcast to unpack lacrosse's historical context and roots in indigeneity, and he shares how the sport has helped him heal. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

What does it mean to bring Indigeneity into colonial spaces, especially into the government? Michelle Friesen, City Councilor for the City of Whitehorse, knows a thing or two about it. In October 2021 she was elected as the first Indigenous woman to serve on Whitehorse City Council – the first Indigenous person to sit in City Council in 30 years. Early this year, Michelle and her son, Theo, were in the media after she faced complaints by fellow city council members to stop bringing her son to meetings, an act that is rooted in her Indigeneity.   Michelle joins Shayla to look at the cultural and historical context of Matriarchy and motherhood in places of decision making and how she views her role, and the role of Matriarchs-in-the-making, in colonial governing institutions. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca

Squiz Kids is an award-winning, free daily news podcast just for kids. Give us ten minutes, and we'll give you the world. A short podcast that gives kids the lowdown on the big news stories of the day, delivered without opinion, and with positivity and humour. ‘Kid-friendly news that keeps them up to date without all the nasties' (A Squiz Parent)   This Australian podcast for kids easily fits into the daily routine - helping curious kids stay informed about the world around them. Fun. Free. Fresh.  LINKS National Indigenous Fashion Award winners: https://nifa.com.au/nifa-2023-winners/ Let's go, King Stingray (official music video): https://www.youtube.com/watch?v=nEiiCnIAwkg Treaty, Yothu Yindi (original version): https://www.youtube.com/watch?v=Jf-jHCdafZY Snake in the loo https://apnews.com/article/snake-toilet-home-arizona-69468bc279d5ac12b63656784a2d1cd4 Squiz Kids LIVE! Buy tickets to our Canberra show here: https://moshtix.com.au/v2/event/squiz-kids-live/154887 Squiz Kids Book Club: https://www.squizkids.com.au/book_club/ Newshounds Get started on our free media literacy resource for classrooms https://www.squizkids.com.au/about-newshounds/ Classroom Companion: Teachers! Want to access free, curriculum-aligned classroom resources tied to the daily podcast? Sign up to be a Squiz Kids Classroom and download the Classroom Companion each day. Made by teachers for teachers, differentiated to suit all primary school ability levels. And did we mention it's free? Stay up to date with us on our Squiz Kids Instagram!   Got a birthday coming up and you want a shout-out? Complete the form on our Squiz Kids website. Link: SHOUT OUTS or / send us an email at squizkids@thesquiz.com.au

Growing up as an Indigenous and queer person isn't easy. Owen Unruh, a Two-Spirit, Nêhiyaw (Plains Cree) adoptee, felt ashamed of his identity until well into adulthood which led him to a battle with addiction. He joins the podcast to discuss his experience with substance abuse and how building a community online on TikTok has helped him through his recovery. In this episode, Owen opens up about his near-death experience, and he and Shayla have a frank conversation about addiction and its impact on Indigenous youth and their families. They also trade plenty of pisces love, and Shayla shares some little-known history about her own background as a computer-game streaming “pioneer”... well, sort of. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca  

The School of Fashion and Textiles at Melbourne's RMIT University welcomes hundreds of new students every year. Students who are passionate about fashion and want to join the excitement of an industry on the cutting edge of design, technology, and digital innovation. But what do these students do when they finish their degrees and head out into the world? In today's episode, Harriette speaks to Juanita Page, an RMIT alumnus and proud Gooreng Gooreng and South Sea Islander woman. After graduating with a Bachelor of Fashion Technology degree in 2017, Juanita founded the slow fashion menswear brand JOSEPH & JAMES. Today, they'll be talking about finding your feet in Australia's fashion industry. Shownotes JOSEPH & JAMES on Instagram JOSEPH & JAMES online shop

What is the role of Matriarchy in Indigenous futurism? Stephanie Peltier can tell you from experience, it's critical. Stephanie Peltier is well known across Canada as “The Matriarch Who Raised One of Canada's Leading Indigenous Water Activists”. As the single mother to Autumn Peltier, along with her two other daughters Naomi and Ceira, she's experienced all of the ups and downs of supporting her family and fighting for a better world, while staying connected to community and ceremony. Stephanie joins the Matriarch Movement podcast to share her insights on the connection between Matriarchy, teachings from the land, and Indigenous futures, and she shares what it's been like to raise three daughters with Indigenous values at her core. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca

In this captivating podcast episode, fashion takes center stage as Rebekah Jarvey, an Indigenous designer from Montana, shares her inspiring journey and her powerful expression of culture through her new fashion line. Rebekah's presence at the Cannes Indigenous Arts and Fashion Festival in France marks a significant milestone in her career.Rebekah's line is a stunning representation of her Indigenous heritage, infused with contemporary aesthetics and vibrant neons. As a lover of fashion from a young age, Rebekah's creative journey began with designing clothes for her Barbie dolls. However, it was in 2020 that she made the transition into the industry as a designer, driven by her innate passion for fashion and her desire to make a meaningful impact.Born and raised on the Chippewa Cree tribe reservation in Rocky Boy, Montana, Rebekah draws strength and inspiration from her Indigenous roots. Her line serves as a vehicle for sharing her culture with the world, challenging stereotypes, and breaking away from traditional cultural colors. By embracing bold and unconventional color palettes such as pink and neon green, she pushes the boundaries of Indigenous fashion, redefining the notion of contemporary Indigenous artistry.Rebekah's line not only showcases her unique design aesthetic but also serves as a platform for educating others about the history and struggles of Indigenous peoples. She acknowledges the painful legacy of residential schools, where her great-grandparents and grandparents were subjected to severe abuse. The trauma inherited through generations has motivated Rebekah to use her fashion as a form of storytelling, shedding light on the injustices faced by Indigenous communities.Through her line, Rebekah communicates resilience, empowerment, and the beauty of her heritage. She acknowledges that not all Indigenous artists adhere to traditional designs and colors, embracing her identity as a contemporary artist who is unafraid to explore new territories and express her creativity authentically.As Rebekah and Ashley discuss the significance of Indigenous identity and the importance of understanding and appreciating diverse cultures, they highlight the transformative power of fashion as a means of cultural expression and storytelling. Rebekah's line serves as a testament to the resilience and strength of Indigenous communities, reclaiming narratives and challenging preconceived notions in the fashion industry.Join Ashley and Rebekah on this captivating conversation, as they invite listeners to celebrate and embrace the vibrant tapestry of Indigenous culture through the lens of contemporary fashion.

Sage Paul is a designer, artist, creator and the executive & artistic director of Indigenous Fashion Arts, an organization committed to exploring the deep connections between mainstream fashion, Indigenous art and traditional practice through presentation for broad audiences and industries.In this episode you will hear Sage and Donna talk about:Sage's experience taking a delegation of Indigenous designers to Milan, why being on the European fashion calendar is important and how this mission came to beAn insider look at White MilanoHow luxury fashion is being reinventedWhy she is tired of Indigenous designers having to make white people feel better about wearing their workThe connection between having basic needs met and cultural appropriationWhat narratives she has included in her personal work To learn more about Sage Paul - http://sagepaul.com/IG - https://www.instagram.com/sagepaul/To learn more about Indigenous Fashion Arts - https://indigenousfashionarts.com/IG - https://www.instagram.com/indigenousfashionarts/Host Donna Bishop - https://thisisdonnab.ca/IG - https://www.instagram.com/thisisdonnab/Follow the podcastIG - https://www.instagram.com/fashiontalkspod/To learn more about CAFA - the Canadian Arts and Fashion Awards https://www.cafawards.ca/IG - https://www.instagram.com/cafawards/This episode was produced by Jason PerrierIG - https://www.instagram.com/ajasonperrier/Thank you to Nick Craine for the amazing artwork - https://www.nickcraine.com/

How do you stay connected to Indigenous values like kinship, community and sustainability while living in a colonial society? In this episode, Jesse Wente, an award-winning, Anishinaabe writer, broadcaster, and arts leader, joins the Matriarch Movement podcast to discuss what it really looks like to be a changemaker in colonial institutions as an Indigenous person. Jesse has made a massive imprint in the Canadian arts sector, working at the CBC and TIFF, and leading the Indigenous Screen Office and the Canada Council for the Arts. Shayla and Jesse have a candid conversation about their experiences working in colonial institutions, therapy and burn out, Bill C-11 and creating opportunities for Indigenous creators, and they discuss what it means to shift their values from “doing” to “being”. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

Indigenous fashion is having a moment. But with the boom has come a conversation about whether this trend is commodifying culture, are artists being fairly compensated and are big brands the ones benefiting from aligning themselves with a movement rather than actually doing the work.So, if you want to invest in Indigenous fashion, how can you ensure your money is actually going to Indigenous creators?

Architect Eladia Smoke, and fashion designer Alyssia Sutherland of Ally's Ribbons talk about the change of mindset that needs to happen when looking at Indigenous creativity. Both are living in a different way than the world we occupy. They both are bringing in that knowledge to what they do.See omnystudio.com/listener for privacy information.

Introducing Amanda Wanotch In this intriguing episode of the Indigenous Fashion podcast, host Ashley welcomes special guest Amanda Wanotch, an international model and executive production assistant at the International Indigenous Fashion Week. Amanda shares her experiences and insights into the world of Indigenous fashion and ceremony.Amanda discusses her involvement in the Alberta Indigenous Fashion Week, a collaboration between British Columbia, Saskatchewan, and Alberta. She highlights the work of Chelsea Richette, the CEO of International Indigenous Fashion Week, and their journey together in the fashion industry.The conversation delves into Amanda's personal journey in the fashion world, from her first fashion show to modeling in New York and Paris. She reflects on the impact of her Metis heritage and the deep sense of pride she feels as a Metis person. Amanda also emphasizes the importance of honoring and supporting Indigenous designers and models, providing them with a platform to showcase their unique visions.As the discussion unfolds, Amanda shares her perspective on the role of ceremony in Indigenous culture and fashion. She explains how fashion can be a form of spiritual ceremony, infused with meaning and symbolism. Amanda explores the significance of colors in her personal color palette and their representation of power, healing, and cultural identity.Furthermore, Amanda touches on the need to acknowledge and address the ongoing issues faced by Indigenous communities, such as the missing and murdered Indigenous women crisis. She reveals her upcoming fashion show, "Lips and Lashes and Legacy," which aims to honor the strength and resilience of Indigenous women and promote self-love and gratitude.Throughout the episode, Amanda's authenticity, confidence, and deep connection to her spiritual and cultural heritage shine through. Her unwavering commitment to healing, empowerment, and the elevation of Indigenous fashion leaves a lasting impression.Connect with Amanda on Facebook CLICK HERE Quotes:1. "Fashion is more than just clothes and beautiful people. It's a spiritual ceremony that resonates with who I am and what I do." - Amanda Wanotch2. "The work of International Indigenous Fashion Week is about giving designers and models an opportunity to showcase their unique visions and be seen within the fashion industry." - Amanda Wanotch3. "For me, fashion is a platform where I can incorporate my healing work. It's about understanding energy and embracing my role as an energy healer." - Amanda Wanotch4. "Indigenous fashion is about honoring our culture, reclaiming our identities, and showcasing the strength and resilience of our people." - Amanda Wanotch5. "In our culture, we have a deep sense of pride and gratitude for our heritage. It's about nurturing our roots and celebrating our connection to Mother Earth." - Amanda Wanotch6. "We must remember our past and the challenges we've faced, but we also need to focus on strength, resiliency, and the legacy we leave behind for future generations." - Amanda Wanotch7. "Fashion can be a form of ceremony, infused with symbolism and meaning. It's about weaving new threads of understanding and curiosity, bridging cultures through creative expression." - Amanda Wanotch

Welcome, dear listeners, to "Indigenous Fashion: Weaving Cultural Threads," the podcast that celebrates the vibrant tapestry of Indigenous fashion and invites you to embark on a transformative journey with us.In this space, we honor the beauty, wisdom, and creativity of Indigenous cultures from around the world, as expressed through the art of fashion. We warmly welcome you to join our diverse community of fashion enthusiasts, cultural explorers, and advocates for social change.Here, you will hear the voices of Indigenous designers, artisans, and visionaries who are breathing life into ancient traditions and reshaping the fashion landscape with their innovative approaches. Together, we will delve into the narratives behind every garment, unraveling the stories that are interwoven within the fabric.By listening to "Indigenous Fashion," you are not just engaging with style trends; you are embracing a profound opportunity to honor cultural diversity, challenge stereotypes, and support sustainable practices. It is through these conversations that we can dismantle barriers, foster understanding, and amplify the voices that have often been marginalized or unheard.Whether you have a deep appreciation for Indigenous artistry, a curiosity for different cultural perspectives, or a passion for promoting social justice, this podcast is your gateway to a world where fashion becomes a catalyst for change.We extend our gratitude to the Indigenous communities who graciously share their heritage and knowledge with us. It is an honor to learn from their rich traditions and empower their voices.So, welcome, dear listeners, as we embark on this enlightening journey together. Let us celebrate the colors, patterns, and stories that define Indigenous fashion, weaving cultural threads that connect us all.Thank you for joining us on "Indigenous Fashion: Weaving Cultural Threads."

In this episode of Broken Boxes we sit down with Relative Arts founders Korina Emmerich and Liana Shewey. We chat about their long and collaborative friendship, the powerful impact and also social harms that can often accompany radical collective advocacy within mutual aid and direct action work. We speak to the growing pains and collective strength of community organizing and how Korina and Liana recently launched Relative Arts with an urgency to create a contemporary Indigenous artist-run community shop, showroom, artist studio / education and event space in Manhattan's East Village. We speak to the community care that is woven throughout Relative Arts, how the space has become a destination stop for Indigenous folks in New York to find community, connect and bond over art and fashion and so much more. We hear how in their experience the most important advice for community organizing, movement building and revolution is not to look to the person taking up the most space but how it is in autonomy that we are able to find true intersection, to change and to hear other perspectives. The overall theme of our conversation echoing throughout is that “We are nothing without our community.” Relative Arts is a new brick-and-mortar community space, open atelier, and shop displaying contemporary Indigenous fashion and design. Their mission is to provide a peer-run space in New York City to celebrate and foster the advancement of Indigenous futurism in fashion through representation and education. Relative Arts is Indigenous owned and operated by Korina Emmerich (Puyallup) and Liana Shewey (Mvskoke) and is located at 367 E 10th St, NY, NY 10009, open Thursday - Sunday 12pm - 6pm. www.relativeartsnyc.com @relativeartsnyc Artist and designer Korina Emmerich founded EMME Studio in 2015 and co-founded Relative Arts, NYC in 2023. Her colorful work celebrates her patrilineal Indigenous heritage from The Puyallup tribe while aligning art and design with education. With a strong focus on social and climate justice, Emmerich's artwork strives to expose and dismantle systems of oppression in the fashion industry and challenge colonial ways of thinking. Her work has been featured in The Metropolitan Museum of Art, Moma PS1, The Denver Art Museum, Vogue, Elle, Instyle, Fashion, Flare, New York Magazine, and more notable publications. She has presented her collections in Vancouver Indigenous Fashion Week, Indigenous Fashion and Arts, Santa Fe Indian Market's Couture Runway Show, and New York Fashion Week. She most recently co-founded the new atelier, gallery, showroom, and community space Relative Arts NYC. Located in the East Village, the space celebrates Indigenous and subversive art and fashion. Liana Shewey (Mvskoke) is the Programming Director at Relative Arts. Shewey is a committed educator and community organizer who has led teach-ins and speak-outs to create awareness around missing and murdered Indigenous relatives (MMIR), the damaging effects of fossil fuels, and Indigenous liberation. She has also worked in music and event production for more than 15 years and brings those skills and relationships to Relative Arts to host events featuring artists of all forms, and to develop progressive educational programming.

See Rebekah's Line Here : https://rebekahjarvey.comFashion takes center stage as Rebekah Jarvey, an Indigenous designer from Montana, shares her inspiring journey and her powerful expression of culture through her new fashion line. Rebekah's presence at the Cannes Indigenous Arts and Fashion Festival in France marks a significant milestone in her career.Rebekah's line is a stunning representation of her Indigenous heritage, infused with contemporary aesthetics and vibrant neons. As a lover of fashion from a young age, Rebekah's creative journey began with designing clothes for her Barbie dolls. However, it was in 2020 that she made the transition into the industry as a designer, driven by her innate passion for fashion and her desire to make a meaningful impact.Born and raised on the Chippewa Cree tribe reservation in Rocky Boy, Montana, Rebekah draws strength and inspiration from her Indigenous roots. Her line serves as a vehicle for sharing her culture with the world, challenging stereotypes, and breaking away from traditional cultural colors. By embracing bold and unconventional color palettes such as pink and neon green, she pushes the boundaries of Indigenous fashion, redefining the notion of contemporary Indigenous artistry.Rebekah's line not only showcases her unique design aesthetic but also serves as a platform for educating others about the history and struggles of Indigenous peoples. She acknowledges the painful legacy of residential schools, where her great-grandparents and grandparents were subjected to severe abuse. The trauma inherited through generations has motivated Rebekah to use her fashion as a form of storytelling, shedding light on the injustices faced by Indigenous communities.Through her line, Rebekah communicates resilience, empowerment, and the beauty of her heritage. She acknowledges that not all Indigenous artists adhere to traditional designs and colors, embracing her identity as a contemporary artist who is unafraid to explore new territories and express her creativity authentically.As Rebekah and Ashley discuss the significance of Indigenous identity and the importance of understanding and appreciating diverse cultures, they highlight the transformative power of fashion as a means of cultural expression and storytelling. Rebekah's line serves as a testament to the resilience and strength of Indigenous communities, reclaiming narratives and challenging preconceived notions in the fashion industry.Join Ashley and Rebekah on this captivating conversation, as they invite listeners to celebrate and embrace the vibrant tapestry of Indigenous culture through the lens of contemporary fashion.Quotes"I always loved fashion my whole life. It was something that drew me, and I started designing Barbie's clothes at a young age." - Rebekah Jarvey"I don't feel like I necessarily always have to use my culture or my way of life to project and share my creativity with the world." - Rebekah Jarvey"Fashion becomes a powerful tool for education and empowerment, shedding light on the injustices faced by Indigenous communities." - Rebekah Jarvey"Rebekah's line communicates resilience, empowerment, and the beauty of her heritage, challenging preconceived notions in the fashion industry." - Ashley Jackson"Through fashion, we can celebrate and embrace the vibrant tapestry of Indigenous culture." - Ashley Jackson"Rebekah's line is a testament to the resilience and strength of Indigenous communities, reclaiming narratives and breaking barriers." - Ashley Jackson"Fashion has the transformative power to redefine cultural expression and storytelling." - Rebekah Jarvey"By embracing unconventional color palettes, Rebekah pushes the boundaries of Indigenous fashion, redefining contemporary Indigenous artistry." - Ashley Jackson"We invite listeners to join us on this captivating conversation as we celebrate the fusion of fashion and culture through Rebekah's unique perspective." - Ashley Jackson"Rebekah's line serves as a platform to challenge stereotypes and share Indigenous heritage with the world." - Rebekah Jarvey

What does “Indigeneity” look like to you? In this episode, The Matriarch Movement podcast is joined by Shanese Indoowaaboo Steel. Shanese is an Afro-Indigenous, Fat Femme who's fought for the advancement of Indigenous and Racialized student rights within the Post-Secondary institution. Shanese also consults on curriculums and training around Black and Indigenous issues. We discuss the histories of Black and Indigenous peoples in Canada and the imprint that those histories have left. We explore topics of kinship, solidarity and accountability within Indigenous communities. We also discuss the importance of Afro-Indigenous media representation and notably, what came from calling out a large make-up brand's “Indigenous” campaign. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

For a long time it's been non-Indigenous people telling Indigenous stories, and that means that stereotypes and a lack of humanity and empathy has been perpetuated in the media for years. Award-winning Indigenous podcaster and journalist, Connie Walker, joins the Matriarch Movement podcast to discuss her approach to trauma-informed storytelling, and what it was like to uncover the truth behind her family's history in Canada's residential school system. We unpack the power in giving Indigenous people the agency and the opportunity to tell their own stories, why we're so inspired by the younger generation, and what a meaningful future could look like for native journalists. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca

Where do Indigenous youth find the space to be revolutionary? Riley Yesno has explored the many facets of Indigenous resurgence throughout most of her life, and has been advocating for “reconciliation” since she was 15 years old. Her time on the Prime Minister's Youth council was troubling  – proudly hailing herself as a “shit disturber” – but that time still inspired her interest in native politics. Today she's working on her PhD, studying Indigenous youth and reconciliation and hosts the podcast, REDsurgence. We discuss the state of Indigenous youth revolutions from in-person community, to organizing and representation in the digital age, and Land Back and what it really means for Indigenous futurism. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Theme music is "Sisters" by Wolf Saga, Chippewa Travellers and David R. Maracle. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movement Matriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

What happens when Indigenous fashion is on the global stage? In February 2023, Sage Paul took seven Indigenous designers to Milan Fashion Week as a part of a three-year partnership between Indigenous Fashion Arts and White Milano, a tradeshow for international womenswear. Sage Paul is the Founding Executive and Artistic Director at Indigenous Fashion Arts, and in this episode I talk to her about her goal of increasing the visibility of Indigenous artists and the impact of partnerships like the one with White Milano. We also unpack some of the important themes that come up in the Indigenous fashion space in North America like family and sovereignty, but also our complex relationships to fur and the Hudson's Bay Company, and how those themes impact Indigenous fashion. Matriarch Movement is created and hosted by Shayla Oulette Stonechild and produced by Kattie Laur. Follow Shayla Oulette Stonechild on Instagram @shayla0h Follow Matriarch Movement on Instagram @matriarch.movementMatriarch Movement is a non-profit, platform and podcast amplifying Indigenous voices through story, meditation, movement and medicine. Learn more at matriarchmovement.ca 

Shayla Oulette Stonechild returns with the Matriarch Movement podcast on April 24th, 2023! This podcast is an act of reclamation of who we are as Indigenous people. This is a place where we champion multi-generational-healing and Indigenous futurisms. Which is radically imagining a new future that is currently being built on inclusivity, representation and advocating for a better tomorrow, not only for ourselves, but for the next seven generations. While also honoring our ancestors and what has led us to this moment. Because we are more than a statistic. We are the Matriarch Movement. When you press play, consider yourself officially a part of this movement.

In episode 287, Kestrel welcomes Sage Paul, an award-winning artist and designer, to the show. An urban Denesuliné (Den-a-sooth-leh-nay) woman based in Toronto and a member of English River First Nation, Sage is the artistic director and founder of Indigenous Fashion Arts. “There's all this talk about sustainability and you know buy this or buy that, but the truth is, is that these corporations that are preaching this are just making too much. They are making too much, they are mass producing it, and the way that they mass produce it is unsustainable for the Earth. And so, it just doesn't seem like they're painting the full picture for everyone. But then going back to cost — is the fact that people aren't getting paid enough in order to purchase items that are quote unquote sustainable, because the only thing that's accessible are these mass-produced items.” -Sage You may have noticed that the idea of *sustainability* is often aligned with luxury or having extra money to invest in less harmful things or less polluting options – for example, an electric car or organic produce or a more thoughtfully-made garment. These options generally cost more than the conventional option in our society.  While there are a lot of narratives challenging the eliteness of sustainability today, the mainstream conversation has been led by a very white and capitalist-centered idea that promotes buying this, instead of that product.  Like we talked about on last week's show with Kristine of Doen, the sustainability conversation has been very binary in its approach – very good vs bad, and often, oversimplifies what quote unquote sustainability could look like. Through several conversations on the show, we've explored how resourcefulness is a grounding pillar of true sustainability. But it's not just resourcefulness, it's also culture.  As this week's guest shares, thinking sustainably and locally is innately an Indigenous cultural practice – and for many folks, it's not anything *shiny and new* to be learned – it's instead, an integral part of their own history and identity.  Of course, we all have a lot of unlearning and relearning to do – from an individual to a community to a corporate to a governmental level. At the same time – it's important to acknowledge where some of the true knowledge lies in order to collectively move forward in a less harmful way. I love how this week's guest reminds us that it's OK to actually ask the industry to change the way it works.  Quotes & links from the conversation: “Sustainable Clothing Is Fashion-Forward. Just Ask Innovative Indigenous Designer Sage Paul”, article in CBC that Kestrel mentions “I was raised with the values of only taking what you need and sharing those extras that you don't need. And leaving no trace behind wherever you are. Using everything of what you do take, and giving thanks to those items. There's also — in a lot of Indigenous cultures — there's the value and understanding and belief that everything is living, everything has a spirit. So in that way, you would treat things as you would a friend or a family member, even though these are inadimate objects. So, your respect for these inanimate objects become far greater than just a disposable item or a short-term item that you purchase.” -Sage (11:22) “Changemaker Sage Paul On Building A Future For Sustainable Design”, article in FashionMagazine.com that Kestrel mentions “Your Clothes Are The Most Political Choice You Make Every Day”, TedTalk by Sage which was given in 2020 Christian Allaire, writer at Vogue that Sage mentions — listen to the Conscious Chatter episode featuring Christian White Milano, trade show that Indigenous Fashion Arts is taking part in this year Section 35, Indigenous-owned brand that Sage mentions Indigenous Fashion Arts  Follow Sage on Instagram > Follow Indigenous Fashion Arts on Instagram >

Rising up through generational trauma and embracing the healing journey is no easy feat, but is one that helps us grow, elevate, and live in love. Taking our hardships and turning them into something beautiful is one of the most amazing things we can do on our soul journey. I am so honoured to have the lovely Cheyenne Isaac-Gloade join our #TeaTime and share her story. Chey is a Fashion Designer, University Prof, and owner of Chey Designs where she creates meaningful Indigenous fashion, garments, accessories and collections for all. This incredible creator's mission is about "breaking barriers in the fashion industry to represent Indigenous Mi'gmaq culture & designs to leave a lasting impact of who we are." Listen in as we chat about fashion, being a creative, making an impact, and all the soul wisdom. We touch on so many important topics in this episode and celebrate culture, healing and living in light. Cheers and let's spill!Let's connect:Instagram: https://instagram.com/kayle_grace_?igshid=NzNkNDdiOG|=https://instagram.com/theteawithkg?igshid=NzNkNDdiOGI=Facebook: https://www.facebook.com/theteawithkg/Website: https://linktree/kaygrace_theogTo connect with Cheyenne:Instagram: https://instagram.com/chey_i_g?igshid=YWJhMjlhZTc=https://instagram.com/cheydesigns_?igshid=YWJhMjlhZTc=Facebook: https://www.facebook.com/cheyenne.w.isaac?mibextid=LQQJ4dWebsite: https://cheydesigns.ca/?fbclid=IwAR1JCiXq7YY7UGXG9ruvIFXdq34ZGTgqhcTNM_2zpPf1a7_ASVwzyXOsW7o

2022 witnessed a rebirth for Native art. More galleries, museums, and art spaces reopened following pandemic restrictions - and organizers brought back public shows featuring Native fashion designers. The Santa Fe Indian Market and the Gallup Inter-Tribal Indian Ceremonial, both a nexus for regional and national Native artists, marked their 100th year. Today on Native America Calling, Shawn Spruce recaps the year in Indigenous art and fashion with Joe Williams (Sisseton Wahpeton Oyate), director of Native American programs at the Plains Art Museum, and Miranda Belarde-Lewis (Zuni and Tlingit), independent curator and assistant professor in the Information School at the University of Washington.

2022 witnessed a rebirth for Native art. More galleries, museums, and art spaces reopened following pandemic restrictions - and organizers brought back public shows featuring Native fashion designers. The Santa Fe Indian Market and the Gallup Inter-Tribal Indian Ceremonial, both a nexus for regional and national Native artists, marked their 100th year. Today on Native America Calling, Shawn Spruce recaps the year in Indigenous art and fashion with Joe Williams (Sisseton Wahpeton Oyate), director of Native American programs at the Plains Art Museum, and Miranda Belarde-Lewis (Zuni and Tlingit), independent curator and assistant professor in the Information School at the University of Washington.

In this week's edition of Three Things Exciting Manic Metallic In Fashion, we're discussing the following:Australia's National Indigenous Fashion AwardsTommy Hilfiger's ‘Tommy Factory'Blank's NYFW Sustainability ExhibitionDOWNLOAD THE SHOW TRANSCRIPT FOR $0.99https://manicmetallic.com/product/the-manic-metallic-podcast-episode-028-transcript/SUPPORT THE MANIC METALLIC PODCAST ($)https://app.redcircle.com/shows/11d2b542-f3b4-4462-b85e-5708034cb823/donationsCONNECT WITH THE MANIC METALLIC PODCASTInstagram: @themanicmetallicpodcastCONNECT WITH MANIC METALLICInstagram: @manicmetallicNewsletter: https://bit.ly/manicnewsletterWebsite: https://manicmetallic.com/CONNECT WITH LIBERTYInstagram: @liberty.imhoffWebsite: libertyimhoff.comALTERNATIVE FASHION CAPITALS - MORE INFORMATIONhttps://manicmetallic.com/products/introducing-manic-metallics-first-product/REFERENCES:National Indigenous Fashion Awards https://nifa.com.au/about/ WWD - National Indigenous Fashion Awards https://wwd.com/fashion-news/fashion-scoops/australia-national-indigenous-fashion-awards-2022-1235291940/ Harper's Bazaar Australia https://harpersbazaar.com.au/national-indigenous-fashion-awards-nominees-2022/ Manic Metallic https://manicmetallic.com/personalities/a-look-at-native-americans-whove-influenced-the-fashion-industry-in-an-impactful-way/ WWD - Tommy Factory https://wwd.com/fashion-news/designer-luxury/tommy-hilfiger-to-unveil-tommy-factory-a-warhol-inspired-creative-playground-1235265550/ BLANK company website https://abtblank.com/ WWD - Blank's NYFW Sustainability Exhibition https://wwd.com/sustainability/business/blank-sustainability-platform-nyfw-september-2022-exhibits-new-york-city-free-fashion-events-1235293320/ Support this podcast at — https://redcircle.com/the-manic-metallic-podcast/exclusive-content

A farm in the heart of northern Victoria's dairy country is going against tradition when it comes to bobby calves.

Sage Mountainflower (Ohkay Owingeh Pueblo, Taos Pueblo, and Navajo) draws from traditional designs for inspiration and applies them to her wearable creations meant to go well past traditional boundaries. Mountainflower is coming off a Blue Ribbon-winning exhibition at the Heard Indian Fair and Market and has a full schedule ahead. Scott Wabano (Cree) is another […]

Sage Mountainflower (Ohkay Owingeh Pueblo, Taos Pueblo, and Navajo) draws from traditional designs for inspiration and applies them to her wearable creations meant to go well past traditional boundaries. Mountainflower is coming off a Blue Ribbon-winning exhibition at the Heard Indian Fair and Market and has a full schedule ahead. Scott Wabano (Cree) is another […]

Positive Psychologist and happiness expert Greg Evans shares his thoughts with us (0:00) We meet the Black woman leading MUN towards more equity, diversion and inclusion on this campuses (8:32) We meet a trailblazer in Indigenous fashion (13:30) The Archeology Summer school program with the Labrador Campus will be returning (19:18) We speak with a former resident of HVGB who has signed up with the Red Cross in Norway (27:03) The Mayor of Labrador City wants a vote on amalgamation (38:16) Come-home year plans across Labrador (46:29) We hear from a 13-year-old girl who recently took home some hardware from a skidooing competition in Quebec (55:15)

Nous parlons à Jessica Bridgfoot, la directrice du Bendigo Art Gallery qui fait le point sur l'exposition “Piinpi goes to Paris: Contemporary Australian Indigenous Fashion and design creatives” qui sera en tournée à Paris en janvier, pour coïncider avec la Fashion Week de Paris 2022.

In case you missed the live conversation on Twitter spaces, catch up here! On this episode of Indigenous Flame, Johnnie Jae spoke with Kelly Holmes, founder of Native Max New Media and Native Fashion in the city. Kelly Holmes, Lakota from the Cheyenne River Reservation in South Dakota, calls herself an inspirational storyteller, in hopes, to strengthen connections to culture and identity by inspiring and empowering readers while sharing stories with the world. Kelly is the founder and President of Native Max New Media, an award-winning global multimedia brand with a constellation of platforms and networks that expands indigenous talent across print, digital, web, mobile, video, events, e-commerce, and partnerships. She is also editor-in-chief of Native Max Magazine, a glossy publication that features the fashion, culture, and lifestyle of Native American and First Nations people. Kelly is also the founder and CEO of Native Fashion in the City, a global network and platform committed to strengthening the impact and influence of Indigenous Fashion around the world by supporting the next generation of Indigenous fashion talents. Indigenous Flame is live every Monday and Friday at 8pm est/5pm pst on twitter spaces at www.twitter.com/johnniejae

From Perth to the world's best-known catwalks, Rebecca Rickard's Deadly Denim fashion label has been on a meteoric rise. 

From Perth to the world's best-known catwalks, Rebecca Rickard's Deadly Denim fashion label has been on a meteoric rise. 

This year's fashion show at Santa Fe Indian Market is a reminder of just how hot Indigenous fashion is. The show put on by the Southwest Association for Indian Arts featured Anishinaabe florals, bold formline prints, layers of ribbon and custom Native jewelry. We'll celebrate Indigenous fashion with designers and take a look at how […]

This year's fashion show at Santa Fe Indian Market is a reminder of just how hot Indigenous fashion is. The show put on by the Southwest Association for Indian Arts featured Anishinaabe florals, bold formline prints, layers of ribbon and custom Native jewelry. We'll celebrate Indigenous fashion with designers and take a look at how […]

This year's fashion show at Santa Fe Indian Market is a reminder of just how hot Indigenous fashion is. The show put on by the Southwest Association for Indian Arts featured Anishinaabe florals, bold formline prints, layers of ribbon and custom Native jewelry. We'll celebrate Indigenous fashion with designers and take a look at how international partnerships are shaping up for more glamorous shows and collections.

Featuring Grace Lillian Lee, Teagan Jan Cowlishaw and Jay Jurrupula

The annual Darwin Aboriginal Art Fair and Indigenous Fashion projects is back in August 2021. Last year the events were moved online due to COVID-19 but this year organisers are prepared to showcase their best.

Indigenous fashion design at Fashion Week, Christmas Island's radical past, and the mystery sleeping illness

Australian Fashion Week is underway in Sydney, and after a year of radical upheaval the event has taken steps to look and feel different in 2021. Opened for the very first time with a Welcome to Country, this year's event sees 12 Indigenous designers showcasing culture and storylines.

This week on Unreserved, we look at how clothing is a way of making a statement and telling people what you believe. Fashion can empower, it can challenge, and it can be deeply political.

Our guest this week is Sage Paul, Founding Member and Creative Director of Indigenous Fashion Week Toronto. An urban Denesuliné tskwe and a member of English River First Nation, she is an award-winning artist and designer as well as a recognized leader of Indigenous fashion, craft and textiles. Her work centres around family, sovereignty and resistance for balance.Sage is getting ready for the next (virtual) edition of Indigenous Fashion Week and she spoke to Eva Hartling about the need for better representation in the industry and a potential collaboration model that can help do good (she recently led a collaboration with Canadian retailer Simon's). She also shared her desire to honour the knowledge passed down from previous generations and her support for the generation coming up, her ‘little sisters' who she wants to help empower.This season of The Brand is Female is brought to you by TD Bank - Women Entrepreneurs. TD is proud to support women entrepreneurs and help them achieve success and growth through its program of educational workshops, financing and mentorship opportunities! Find out how you can benefit from their support!—————-Visit:TBIF: thebrandisfemale.comTD Women Entrepreneurs: td.com/ca/en/businessbanking/small-business/women-in-business/Follow us on Instagram: instagram.com/thebrandisfemale

Meet Yatu Widders Hunt Yatu is a director at Cox Inall Ridgeway, a social change agency focussed on disrupting disadvantage in Indigenous communities She's also the founder and curator of Australian Indigenous Fashion, a vibrant and growing community wrapped around the rapidly growing Indigenous fashion scene in Australia We talked about bringing Indigenous voices to the foreground and the positive impact that can have at all levels of government and community. Yatu also shared a whole stack of great designers and artists, most linked below We also talked about listening and acknowledging Australia's true history Some of the amazing designers and other good tuff we talked about: East Arnhem live Desert Pea Media Ngali Lindsay Malay Liandra Swim Maara Collective Bula'Bula Arts Centre National Indigenous Fashion Awards Normal People Always our stories Baker Boy big little brush At big little brush we sell beautiful, biodegradable bamboo toothbrushes and use the profits to help fund health and hygiene programs in remote communities around Australia. I make this podcast on the unceded lands of the Bunarong people and acknowledge Elders past, present and future. Big huge love as always x Joel

Yatu Widders Hunt is a writer and communications consultant who grew up in the suburbs of Sydney and is a descendant of the Anaiwan and Dunghutti peoples from the Northern Tablelands of New South Wales.Instagram fans may know her best as the founder and curator of Australian Indigenous Fashion, which she launched as a passion project in 2017 to showcase the incredible work of our Indigenous designers. The account has since grown to over 40,000 followers, becoming a go-to for the fashion industry and sparking collaborations with brands like Country Road and the Virgin Australia Melbourne Fashion Festival.But Yatu actually began her career as a communications advisor in federal politics and she also spent a few years as a freelancer, working with media organisations like NITV and the Koori Mail - before taking on her current role as a director at Cox Inall Ridgeway, an Indigenous consultancy specialising in communications, policy and research.In this episode, Yatu talks about:· What drew her to a career in communications· Getting her start in federal politics, working with women like Senator Penny Wong· Making the leap to freelance life to follow her creative passions and how that led to the work she's doing now· Why she started the Australian Indigenous Fashion account and the important role it plays in connecting people with Indigenous identity, culture and stories· Her bravest moment, the women who inspire her and her best tip for anyone who might be considering a career leap of their ownCREDITSHost and producer: Jacqui OoiJoin us on Instagram: @whatshedidnextpodcastVisit whatshedidnext.com.auWith thanks to our guest Yatu Widders Hunt, director at Cox Inall Ridgeway, a specialist Indigenous communications, policy, research and project delivery agency based in Ultimo, Sydney on land of the Eora nation. Visit www.coxinallridgeway.com.au/Yatu is also the founder of Australian Indigenous Fashion, a curated account on Instagram and Facebook showcasing Australia's thriving Indigenous fashion community. Follow on www.instagram.com/ausindigenousfashion/ or www.facebook.com/ausindigenousfashion/Find out more about:Uluru Statement from the Heart ulurustatement.org/The Healing Foundation healingfoundation.org.au/Tiddas4Tiddas www.instagram.com/tiddas4tiddas/Blackfulla Bookclub www.instagram.com/blackfulla_bookclub/ See acast.com/privacy for privacy and opt-out information.

There are various types of fashion prevalent today like Fast Fashion, Ethical Fashion, Sustainable Fashion, Slow Fashion, Indigenous Fashion, etc. But there are 5 rules to classifying them as Indigenous in nature. In this podcast, I go deep in explaining the 5 core elements of an Indigenous fashion and present the same with an anecdote behind one of them. Extra bonus that you would find is 2 Golden rules to follow diligently to adapt Indigenous Fashion. To learn more about it go to shorturl.at/zAFPV and join me live in my next live session.

With everyone indulged in fast-moving life, here's what I feel we can do to accommodate Indigenous fashion into our fast life. Tune in to the podcast as I share the 5 elements to embracing and adopting Indigenous lifestyle.

Everything has a story behind it. How many times do we care to know the story or the reality behind it? How many times do we have the curiosity to know the truth? Do you feel, you have less time? So you buy fast fashion... In this podcast, I will dive deep into 5 key elements that can help you make the most out of you and prefer Indigenous Fashion.

Amber-Dawn Bear Robe joins us to discuss the Indigenous fashion on view on and off the runway at this year's SWAIA Santa Fe Indian Market.More SWAIA Fashion:Website and InstagramWant more Dressed: The History of Fashion? Our website and classesOur InstagramOur bookshelf with over 100 of our favorite fashion history titlesOur Sponsors:* Check out BetterHelp: betterhelp.com/DRESSED* Check out ByHeart and use my code DRESSED for a great deal: byheart.com* Check out Happy Mammoth and use my code DRESSED for a great deal: happymammoth.com* Check out Rakuten: www.rakuten.com* Check out Rosetta Stone and use my code TODAY for a great deal: www.rosettastone.comSupport this podcast at — https://redcircle.com/dressed-the-history-of-fashion/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Innovation and Indigenous fashion have gone hand in hand for time  immemorial. From the original "couturiers" of America to those that represent the art form today, we explore the past, present and future of Indigenous design innovation with a compilation of past guest interviews.Guests featured in order of appearance:Christian Allaire joined us in 2020 and 2021Orlando Dugi joined us in 2022Amber-Dawn Bear Robe joined us in 2020, 2023, and 2024Korina Emmerich joined us in 2019Jontay Kahm joined us in 2022Want more Dressed: The History of Fashion? Our website and classesOur InstagramOur bookshelf with over 100 of our favorite fashion history titlesOur Sponsors:* Check out BetterHelp: betterhelp.com/DRESSED* Check out ByHeart and use my code DRESSED for a great deal: byheart.com* Check out Happy Mammoth and use my code DRESSED for a great deal: happymammoth.com* Check out Rakuten: www.rakuten.com* Check out Rosetta Stone and use my code TODAY for a great deal: www.rosettastone.comSupport this podcast at — https://redcircle.com/dressed-the-history-of-fashion/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Amber-Dawn Bear Robe joins us to discuss the past, present, and future of Indigenous fashion, including the myriad of fashion design talents seen on the runway of this year's Santa Fe Indian Market (SWAIA). For more information on the designers featured in this year's events, check out https://swaianativefashion.org/designers.Our Sponsors:* Check out HelloFresh: http://hellofresh.comSupport this podcast at — https://redcircle.com/dressed-the-history-of-fashion/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy