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3 episodes with indian arts
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2 episodes with indian arts
2 episodes with indian arts
2 episodes with indian arts
This episode was released April 24, 2024Presented with the CAFA Changemaker Award in 2023, Amber-Dawn Bear Robe is a curator, art historian and Fashion Show Program Director for the Southwestern Association for Indian Arts. Born in Alberta, Canada, and a member of the Siksika Nation, Bear Robe has spent her career working and lecturing in Native art institutions. Through her work and advocacy, she has played a pivotal role in the representation of Indigenous designers on a national platform. She has demonstrated profound dedication to empowering Indigenous talent, art, and design history and has set the stage for a more inclusive and culturally rich fashion landscape.
Join host Emily Withnall and producer Andrea Klunder for a preview of the upcoming 8th season of Encounter Culture. This season features diverse topics, including an interview with artist Delilah Montoya, a tour of the brand-new Ancient Life exhibition at the New Mexico Museum of Natural History and Science, a conversation about children's books with author Daniel Vandever, and a deep look inside the art of bootmaking. “It's cool to think about art in that way, you know, to create beauty from nothing. It starts as an idea and then all of a sudden you have this beautiful object that you've somehow created from that original spark of an idea in your brain.” ~Emily Withnall ENCOUNTER CULTURE EPISODES REFERENCED Look Up! Leo Villareal's Astral Array at New Mexico Museum of Art Vladem Contemporary FOR FURTHER EXPLORATION Delilah Montoya Off-Center at the New Mexico Museum of Art, Vladem Contemporary Ancient Life at the New Mexico Museum of Natural History & Science Program for Interactive Cultural Technology, New Mexico Highlands University Fall in Line, Holden! by Daniel Vandever Herizon by Daniel Vandever We Weave by Daniel Vandever New Mexico State Library New Mexico Arts Folk Arts Apprenticeship Program Jes Márquez Museum of Indian Arts and Culture *** We'd love to hear from you! Let us know what your favorite episodes of the podcast are, share a personal story, or ask us a question at elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to. Visit newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. Our favorite way to fully experience everything they have to offer is with the New Mexico CulturePass. Reserve yours online! If you love New Mexico, you'll love El Palacio Magazine! Subscribe to El Palacio today. Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineers: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Associate Producer & Editor: Monica Braine (Assiniboine/Lakota) Theme Music: D'Santi Nava Instagram: @newmexicanculture and @elpalaciomagazine
Explore the iconic Santa Fe Indian Market, the largest juried Native American art show in the world. Wander through bustling streets filled with extraordinary jewelry, pottery and paintings. Learn from Southwestern Association for Indian Arts Executive Director Jamie Schulze the stories behind the art and the over 1,000 artists from over 200 tribes who participate in this annual event. Join Darley Newman to dive into the best food, fashion, and local museums to add to your Santa Fe Indian Market itinerary, including where to find the best Indian tacos.Go behind the scenes at special events like Best of Show and the SWAIA Native Fashion Show, hearing from designers like Patricia Michaels, a former contestant on Bravo's “Project Runway,” and past Governor of Pojoaque Pueblo, artist George Rivera. Hear from creatives like Del Curfman and Kathleen Wall about their inspiration, including their education at the Institute of American Indian Arts. Step inside the IAIA Museum of Contemporary Native Arts with Director Patsy Phillips and visit the Museum of Indian Arts & Culture to see a special fashion exhibition by Patricia Michaels. Whether you're a first-time visitor or a seasoned market-goer, this episode offers insider tips, artist spotlights, and a deeper appreciation for this cultural treasure in the heart of Santa Fe.
Disclaimer- The content is for informational and educational purposes only and fully complies with YouTube's Community Guidelines. Karan Madhok is an Indian writer, journalist, and editor. He is the author of Ananda: An Exploration of Cannabis In India (2024) and A Beautiful Decay (2022) .Karan is the editor and co-founder of the Indian Arts and Culture website The Chakkar. He is also the founder and author of the Hoopistani blog on Indian basketball. His journalism has been published for Frontline, NBA, SLAM Magazine, Fifty Two, The Plank, FirstPost, Scroll, The Caravan, FountainInk, etc. You can find him on: Twitter: @karanmadhok1 Instagram: @karanmadhok In this video Vinamre and Karan talk about: - Challenges in Cultivating and Using Medicinal Plants in India - Concept of Ananda and Social Taboo Around Plant-Based Medicine in India - Ancient Texts and References to Natural Remedies - Challenges of Herbal Usage in Modern India - Challenges and Regulation in Cultivating and Using Medicinal Plants in India - Decriminalization of Plant-Based Remedies If you want to know more about The Truth About Weed in India, watch this episode. Timestamps: 00:00 - Introduction 1:15- Exploring the Concept of Ananda 05:09 - The Social Taboo Around Plant-Based Medicine in India 10:12 - Traditional Bhaang Practices in India 13:41 - Understanding Charas and Herbal Preparations 16:50 - Legal Framework for Cultivating Medicinal Plants in India 21:08 - The Effects of Altered States on the Mind 30:24 - Interactions with Substance Users 36:15 - Challenges with Unregulated Natural Products in India 39:45 - Regulation of Traditional Herbs in India 46:25 - Religious and Cultural Perspectives on Sacred Herbs 50:35 - Ancient Texts and References to Natural Remedies 56:08 - What is Ayurcann? 57:49 - Challenges of Herbal Usage in Modern India 1:03:45 - Interviewing Distributors 1:06:55 - Decriminalization of Plant-Based Remedies 1:09:45 - Experience of Living in Malana 1:12:26 - The Case of Sushant Singh Rajput 1:16:35 - The most difficult part of writing the book 1:24:13 - Conclusion ==================================================================== This is the official channel for Dostcast, a podcast by Vinamre Kasanaa. Connect with me LinkedIn: https://www.linkedin.com/in/vinamre-kasanaa-b8524496/ Instagram: https://www.instagram.com/vinamrekasanaa/ Twitter: https://twitter.com/VinamreKasanaa Dostcast on Instagram: https://www.instagram.com/dostcast/ Dostcast on Twitter: https://twitter.com/dostcast Dostcast on Facebook: https://www.facebook.com/profile.php?id=61557567524054 ==================================================================== Contact Us For business inquiries: dostcast@egiplay.com
listener comments? Feedback? Shoot us a text!Day of the Dead is Subversive Spirituality! Long before the arrival of Europeans, some of the Indigenous Mesoamerican traditions of honoring the dead were celebrated with two specific feasts: Mikailwitl (feast of the dead), and Wey Mikailwitl (great feast of the dead). These feasts were celebrated in early August through mid-September. In fact, we are currently in the “month” of Mikailwitl right now, as it began on August 8th or the day Chikome Kozkakwawtli in the ancestral Mexika calendar. These celebrations were dedicated to honoring the dead through dance, song, and offerings of food and drink. Altars and burials were adorned with marigolds, a sacred flower thought to attract the spirits so that they might enjoy the offerings left in their memory.Today, these celebrations have been blended with Catholic traditions, and take place on All Saints Day and All Souls Day. Many think that Mikailwitl and Wey Mikailwitl were absorbed into the Allhallowtide (All Saints Day and All Souls Day) under the direction of the Catholic Church, as these Christian holidays also involve honoring the dead. Unfortunately, this popular claim is often repeated without any evidence to back it up. For example, a column about Dia de Muertos published on the website weareyourvoicemag states “in an attempt to convert the natives to Catholicism, the Spanish colonizers moved the celebration to November 1 and 2 (All Saints Day), which is when we celebrate it currently.”But is this how it really happened? Listen and find out as we explore the different ways that our ancestors negotiated and navigated the colonial process by masking their rituals and ceremonies behind a catholic facade! Your hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, cultural consultant, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at Harvard University, The University of New Mexico, Yale University, San Diego State University, and numerous others. @kurlytlapoyawa Ruben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, indigenist nationalism, and Coahuiltecan revitalization. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. His work has appeared in the Washington Post, Mexicolore, and several academic journals. He frequently presents at historical conferences and has taught courses at numerous colleges & universities. He currently teaches history at Dallas College – Mountain View Campus. Cover art: 1680 Pueblo Revolt at Hopi, Fred Nakayoma Kabotie, 1976. Museum of Indian Arts & Culture, Laboratory of Anthropology The Latin MinuteThe Latin Minute is your new favorite bilingual comedy podcast. Latinos living in SW FlListen on: Apple Podcasts SpotifySupport the showFind us: https://www.facebook.com/TalesFromAztlantis Merch: https://chimalli.storenvy.com/ Book: The Four Disagreements: Letting Go of Magical Thinking (Amazon)
Send us a textOne of the big summer festivals in Santa Fe which draws people from all over the world is Indian Market. The Southwestern Association for Indian Arts aka SWAIA has been happening for over 100 years now. I took advantage of this year's market to make contact with a few Native Artists whom Ive been hoping to get on this podcast. As, a result, today I get to ArtStorm with Marla Allison— a grounded, articulate, shooting star— from Laguna Pueblo. Here is the delight that is Marla Allison. https://marlaallison.com/Music for ArtStorming the City Different was written and performed by John Cruikshank.
Distinctly Native American artwork, fashion, and films converge again for the annual Santa Fe Indian Market, with at least 1,000 booths and somewhere around 100,000 visitors. Native America Calling is live from Santa Fe, hearing from Southwestern Association for Indian Arts representatives, 2023 Best In Show winner Jennifer Tafoya, curators from the Native Cinema Showcase, and others to get a preview of the largest juried Native art market in the world. Join us in our live studio audience
Distinctly Native American artwork, fashion, and films converge again for the annual Santa Fe Indian Market, with at least 1,000 booths and somewhere around 100,000 visitors. Native America Calling is live from Santa Fe, hearing from Southwestern Association for Indian Arts representatives, 2023 Best In Show winner Jennifer Tafoya, curators from the Native Cinema Showcase, and others to get a preview of the largest juried Native art market in the world.
Presented with the CAFA Changemaker Award in 2023, Amber-Dawn Bear Robe is a curator, art historian and Fashion Show Program Director for the Southwestern Association for Indian Arts. Born in Alberta, Canada, and a member of the Siksika Nation, Bear Robe has spent her career working and lecturing in Native art institutions. Through her work and advocacy, she has played a pivotal role in the representation of Indigenous designers on a national platform. She has demonstrated profound dedication to empowering Indigenous talent, art, and design history and has set the stage for a more inclusive and culturally rich fashion landscape.
In episode 10 of our Mics & Minds Motivational conversations series we meet Dakshayani Athalye, the Founder and CEO of Baithak Foundation, a Pune-based NGO that is revolutionising Traditional Music and Dance immersion and education. Armed with a Master's Degree in Education and fortified by years of hands-on experience with various NGOs, Dakshayani's world view has been shaped by a deep understanding of Indian Arts. Stay tuned for the episode with our host Payal Nayar as we dive into Dakshayani's remarkable journey. Dakshayani is at the forefront of a cultural revolution, reshaping the landscape of Traditional Music and Dance education. Her commitment to preserving and promoting India's rich cultural heritage extends beyond her professional endeavours as a trained Kirtankar, she embodies the essence of traditional performative storytelling. Her achievements serve as a beacon of inspiration, highlighting the profound impact that one individual can have in revitalising and safeguarding our cultural legacy. Tune in and witness Dakshayani's transformative power of passion, dedication and commitment to fostering positive change in society with Payal Nayar.Episodes streaming on Spotify, Google Podcasts, Apple Podcasts, Amazon Music or wherever you may listen to podcasts.Apple Podcasts: https://buff.ly/2Vf8vv8⠀Spotify: https://buff.ly/2Vf8uHA⠀Google Podcasts:https://buff.ly/2Vds6LX⠀-Original music credit: Rish Sharma.His music is available on Spotify, Apple Music, YouTube and other streaming platforms.-October2019 voicesandmore Pte Ltd All rights reserved Become a member at https://plus.acast.com/s/melting-pot. https://plus.acast.com/s/melting-pot. Hosted on Acast. See acast.com/privacy for more information.
Na Na Ping joins guest host Adrienne Lalli Hills and Angela to discuss proposed changes to the Indian Arts and Crafts Act by the BIA. Reel Indigenous does not take policy positions. The views expressed are those of the individuals.
Years of Service: 2002-PresentBryan began his career in law enforcement in 2002 as a biologist with the Environmental Protection Agency. In 2004, Bryan became a Special Agent with the EPA's Office of Inspector General where he investigated internal matters and EPA contracts relating to waste, fraud, and abuse both civil and criminal in nature. In 2005, Bryan began working on EPA cases in Washington DC and later worked in Boise, Idaho where he investigated criminal cases involving environmental and natural resource crime as it related to the Clean Water Act, Safe Drinking Water Act, Clean Air Act, and Resource Conservation and Recovery Act. In 2023, Bryan transferred to the US Fish and Wildlife Service where he currently works as a Special Agent investigating fraud related to violations of the Indian Arts and Crafts Act.During this episode, Bryan discussed services provided to law enforcement for mental health. The following are links to the organizations mentioned.https://thewildcourage.lifehttps://lawenforcementcoaching.com
Celebrate the artistic traditions of the Native American tribes who helped shape the San Antonio area at the Briscoe Western Art Museum's annual Yanaguana Indian Arts Festival on Saturday, Nov. 11, from 10 a.m. to 4 p.m. Entry is free and includes admission to the Briscoe Western Art Museum. The community event features storytelling, artist demonstrations, pottery and carving, live music and dancing, and more. The Briscoe is located at 210 W. Market St. in San Antonio. For information, visit www.briscoemuseum.org/yanaguana/.Article Link
For more than 30 years, the Indian Arts and Crafts Act has been an important tool for protecting the authenticity and economic value of work produced by Native Americans. It also helps buyers know they're getting what they pay for. Now the U.S Department of Interior is reviewing the law and among the outstanding questions is whether it goes far enough. Should artwork from state-recognized tribal artists be excluded as authentic? How should artwork from Native Hawaiians be identified? GUESTS Chuck Hoskin Jr. (Cherokee Nation), Principal Chief of the Cherokee Nation Dr. Sylvia Hussey (Native Hawaiian), chief executive officer for Office of Hawaiian Affairs (OHA) Rachel Cushman (member of the Chinook Indian Nation), tribal secretary and treasurer for the Chinook Indian Nation Dr. Joe Candillo (Pascua Yaqui), owner of Authentic Native America Arts
For more than 30 years, the Indian Arts and Crafts Act has been an important tool for protecting the authenticity and economic value of work produced by Native Americans. It also helps buyers know they're getting what they pay for. Now the U.S Department of Interior is reviewing the law and among the outstanding questions is whether it goes far enough. Should artwork from state-recognized tribal artists be excluded as authentic? How should artwork from Native Hawaiians be identified? GUESTS Chuck Hoskin Jr. (Cherokee Nation), Principal Chief of the Cherokee Nation Dr. Sylvia Hussey (Native Hawaiian), chief executive officer for Office of Hawaiian Affairs (OHA) Rachel Cushman (member of the Chinook Indian Nation), tribal secretary and treasurer for the Chinook Indian Nation Dr. Joe Candillo (Pascua Yaqui), owner of Authentic Native America Arts
Orlando Dugi is a Dine fashion designer based out of Santa Fe New Mexico. Self taught and incredibly driven ORLANDO DUGI is a made-to-order fashion brand located in Santa Fe, New Mexico and lead by designer, Orlando Dugi himself. Dugi's designs are elegant, timeless, and intricate, often involving many hours of hand-embroidery and embellishing. Dugi's been exhibited at the Denver Art Museum, Wheelwright Museum, Museum of Indian Arts and Culture amongst others. He has received numerous awards and recognition at places like the SWAIA, and Cherokee Art Show, Heard Museum Guild Art Show. This podcast is hosted in part by First American Art Magazine, the leading journal of Native arts, which is celebrating its 10-year anniversary covering ancestral, historical, and living arts by Indigenous peoples of the Americas. Website: https://orlandodugi.com/ IG: https://www.instagram.com/orlandodugi/?hl=en Twitter: https://twitter.com/orlandodugi?lang=en
The Senate Committee on Indian Affairs holds a virtual listening session titled “The ARTIST Act: Updating the Indian Arts and Crafts Act,” on the discussion draft of the Amendments to Respect Traditional Indigenous Skill and Talent (ARTIST) Act of 2023. According to the committee, the ARTIST Act would update the Indian Arts and Crafts Act to support creative economies and strengthen enforcement of current law and protections against counterfeit competition for Native artists and their works. Comments will inform the legislative process and serve as a resource for future discussions on updating the Indian Arts and Crafts Act. Committee Notice: https://www.indian.senate.gov/hearing/listening-session-artist-act-updating-indian-arts-and-crafts-act
Up to 40 unmarked graves detected at BC residential school site Sec. Haaland releases more federal funding for tribal conservation projects Senate session on Indian Arts and Craft Act scheduled for Wednesday
(00:00) Welcome to Decorating by the Book Podcast(00:12) Your host Suzy Chase(00:20) Casa Santa Fe(00:30) Santa Fe, New Mexico(00:59) Hallmarks of Santa Fe Style(01:12) Spanish Colonial(01:23) Vigas (01:28) Follow the Show(01:39) Wood Framed Door(01:42) Thick Walls(01:45) Peeled Beam Ceiling(01:49) Portal(01:50) Buy Book Here(02:13) Palace of the Governors(02:23) Dr. Rubén Mendoza(02:44) Melba Levick(02:58) The Book(03:07) Museum of Indian Arts and Culture(03:22) Melba(03:42) Santa Fe(03:56) Purchase the Book(04:05) Suzy Chase(04:11) Roque Lobato House(04:21) The Magazine Antiques(04:28) The Roque Lobato House(04:38) Sylvanus Griswold Morley(04:53) Roque Lobato(04:58) Living Room (05:08) Morley(05:13) Mayan Monument(05:30) Edgar Hewett(05:36) The Palace of the Governors(06:13) Santa Fe Trail(06:35) The Podcast(06:40) Sylvanus Morley(06:45) Hewett(06:59) The Palace Restoration(07:13) Victorian Style(07:20) New England Style(07:30) Rubén(07:40) The Casa Santa Fe Book(07:53) Photo of Sylvanus Morley(07:56) Photo of Edgar Hewett(08:00) Old Adobe(08:09) Isaac Rapp(08:19) A City Different(08:45) The Roque Lobato(08:53) A Spanish Soldier(09:01) Constructed in 1785(09:29) Roque Lobato Inside(09:37) Morley Book(09:48) Mesa Verde(09:52) Chaco Canyon(09:53) Chichén Itzá(10:10) Interior of Roque Lobato(10:18) Exterior Roque Lobato(11:08) Take Screenshot to Buy Book (11:25) SGM(11:49) DBTB(12:10) William Penhallow Henderson(12:27) Collections(12:37) The Roque Lobato House Book(13:07) Casa Hankison(13:41) Dr. Mendoza(14:14) Started out as a Spanish Mill(15:00) Casa Hankison Dining Room(15:20) William Lumpkins(15:35) Hankison(15:53) Hollenback House(16:02) John Gaw Meem(16:14) Hollenback Home(16:54) Take Screenshot to Follow the Show(17:15) Vintage Hollenback Photo(17:46) The Hollenback House(18:09) Spanish Colonial Door(18:29) Hollenback House Inside(19:00) Front of the House(19:07) The Book Cover(19:42) Hollenback House Portal(19:50) Take Screenshot to Purchase the Book (20:26) The Design Book Podcast(20:50) Adobe Structure(21:10) Archeologists Saved The Palace of the Governors(21:33) Rapp(21:36) Meem(22:00) Sylvanus G. Morley(22:11) Kiva Fireplace(22:38) Pueblo Revival Period(22:50) Traditional Kiva(23:30) Hilltop Kiva(23:40) The Kiva(24:09) Take Screenshot Follow the Show(24:35) The Design Book Show(24:49) New Mexico(25:03) Dr. Rubén Mendoza's Website(25:10) Melba Levick's Website(25:19) Get the Book Here(25:30) Thanks for Listening(25:32) Follow DBTB on IGChapters, images & show notes powered by vizzy.fm.
KUOW's Mike Davis has the details
Kevin Pourier is a member of the Oglala Sioux Tribe, has been carving Buffalo horn on the Pine Ridge Indian Reservation in South Dakota for about 20 years. Pourier is one of the only artists in the country working in the medium of incised buffalo horn. The works he produces carry forward Lakota artistic practices for creating spoons, vessels and other every day items of sublime beauty from the horns of the revered animal. His carvings reveal the beauty he sees in the world around us, utilizing imagery intent on inspiring thought, growth and creating the opportunity for education. Kevin's award winning art has been collected by major museums and private collections worldwide. His work has been shown in Paris, New York City, Los Angeles, Denver and Kansas City. He is the recent recipient of the prestigious Best of Show Award at the Southwestern Association for Indian Arts show held annually at Santa Fe, NM 2018. Links: Facebook:https://www.facebook.com/kevpourier Twitter: @kevinpourier Instagram: @kevinpourier Websites: kevinpourier.com
Can porcupines really shoot their quills? What kind of animal wants to eat a porcupine, anyway? On this episode of Wonder with the Witte, hosts Abbey and Daemon take listeners into the world of weird Texas wildlife. Discover the difference between Old World and New World porcupines, learn where these critters can be found and marvel at how they survive… despite being a little clumsy at times. To learn more information about the sources and references for today's episode, visit: Animalia, North American Porcupine: https://animalia.bio/north-american-porcupine Science.org, Porcupine quills reveal their prickly secrets: https://www.science.org/content/article/porcupine-quills-reveal-their-prickly-secrets Texas Parks & Wildlife, Porcupines: https://tpwd.texas.gov/publications/nonpwdpubs/introducing_mammals/porcupines/ Texas Tech Natural Science Research Laboratory, North American Porcupine: https://www.depts.ttu.edu/nsrl/mammals-of-texas-online-edition/Accounts_Rodentia/Erethizon_dorsatum.php U.S. Department of Interior, Indian Arts and Crafts Board, Treasures of the IACB: Lakota vest, ca. 1880: https://www.doi.gov/iacb/treasures-iacb-lakota-vest-ca-1880 Hosted by the Witte Museum's Abigail Jacks, Environmental Science Education Manager, and Daemon Piña, Health and Wellness Education Manager. For more information and to visit the Witte Museum, visit www.WitteMuseum.org.
Briscoe Western Art Museum invites everyone to enjoy its free annual Yanaguana Indian Arts Festival on Saturday, Nov. 19, from 10 a.m. to 5 p.m. Entry is free and includes admission to the Briscoe Western Art Museum. The festival highlights include: a powwow-style drum circle, live music by Native American artists, pottery making, and various crafts and demonstrations. Additionally, the event features storytelling, artist demonstrations, and Native American-inspired food, along with workshops and lectures celebrating traditional and contemporary Native American culture. The Briscoe is located at 210 W. Market St. in San Antonio. Admission details are available at http://bit. ly/3EgF5TR.Article Link
On this episode I chatted with 2021 Oklahoma Hall of Fame inductee Harvey Pratt. Listen in as we talk about his incredible career as an artist and how he found his passion as a young child. From El Reno, Harvey Pratt is a self-taught artist who works in oil, watercolor, metal, clay, and wood. His works include themes of Native American history and tradition and the Cheyenne people. A self-taught Oklahoma artist and Cheyenne and Arapaho Tribal Member, Pratt was selected to create the Smithsonian's National Native American Veterans Memorial for the National Museum of the American Indian. Unveiled in 2020, “Warriors' Circle of Honor” brings together 573 federally recognized tribes and is the only monument or memorial by an Oklahoman on the National Mall in Washington, D.C. Beginning his career in law enforcement with the Midwest City Police Department and retiring from the Oklahoma State Bureau of Investigation, Pratt's career spanned more than 50 years. He developed a fingerprint and records system and was promoted to detective. A nationally and internationally recognized expert in forensic art, Pratt has been involved in many high profile cases. He has brought closure to the families of loved ones and assisted in the capture of the most notorious criminals. A U. S. Marine in Air Rescue and Security from 1962 to 1965, during Vietnam he was stationed at Da Nang Air Base and rescued pilots who had been shot down. An inductee to the Oklahoma Law Enforcement Hall of Fame, Oklahoma Military Hall of Fame, and the Oklahoma State Bureau Hall of Fame, Pratt also has been recognized by the Cheyenne People as an outstanding Southern Cheyenne and was inducted as a traditional Cheyenne Peace Chief—the Cheyenne Nation's highest honor. Pratt currently serves as chairperson of the Indian Arts and Crafts Board of the U.S. Department of the Interior and is past commander of the Cheyenne and Arapaho Post 401 in Clinton. Pratt continues to paint, including commission pieces, and his works are found in collections worldwide. For more information go to www.harveypratt.com This episode is presented by the following sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information on the Oklahoma Hall of Fame go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof. The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net 988Okla The Oklahoma 988 Mental Health Lifelife. 988 is the direct, three-digit lifeline that connects you with trained behavioral health professionals that can get all Oklahomans the help they need. Learn more by visiting www.988oklahoma.com Bedford Camera & Video use promo code "THISISOK" for 5% off your purchase and shop www.bedfordsokc.com #thisisoklahoma
Leroy talks with the Curator of Ethnology at the Museum of Indian Arts Culture, Tony Chavarria and the Director of Leadership Giving at the Museum of New Mexico Foundation, Lauren Paige. ... Here, Now and Always: Join us for the reopening of the Museum of Indian Arts and Culture's core exhibition, Here, Now and Always. When the original exhibition opened 25 years ago, it set a new a standard for collaborating and partnering with Indigenous communities, foregrounding the voices and narratives of Native people throughout the Southwest. In this spirit, the renewed and reimagined Here, Now and Always showcases never-before seen items, state of the art technology, and the next generation's perspectives, illustrating the ways in which the past informs the future, and further positioning MIAC as a world-renowned resource for understanding Native lives, arts, and cultures today. https://www.museumfoundation.org/hna/ ... Blue Rain Gallery Podcast is hosted by gallery owner and art dealer, Leroy Garcia. It is produced by Leah Garcia with music by Mozart Gabriel Abeyta (https://mozartgabriel.com).
Artists from hundreds of Native nations are tending to their booths in the streets of Santa Fe, selling works they've labored for months to prepare. SWAIA's Santa Fe Indian Market has come a long way in 100 years. Today on Native America Calling, Shawn Spruce is live from Indian Market for a second day with Dr. Suzanne Newman Fricke, director of Gallery Hózhó at Hotel Chaco; Dr. Robert Martin (Cherokee), Institute of American Indian Arts president, to get a feel for what's in store for the next century; Amber Dawn Bear Robe (Siksika Nation), Indigenous Fashion Show producer for the Southwestern Association for Indian Arts and art history professor at the Institute for American Indian Arts; Dr. Jessica Metcalfe (Turtle Mountain Chippewa), owner of Beyond Buckskin; and Kristin Gentry (Choctaw), artist, photographer, writer, and curator.
Artists from hundreds of Native nations are tending to their booths in the streets of Santa Fe, selling works they've labored for months to prepare. SWAIA's Santa Fe Indian Market has come a long way in 100 years. Today on Native America Calling, Shawn Spruce is live from Indian Market for a second day with Dr. Suzanne Newman Fricke, director of Gallery Hózhó at Hotel Chaco; Dr. Robert Martin (Cherokee), Institute of American Indian Arts president, to get a feel for what's in store for the next century; Amber Dawn Bear Robe (Siksika Nation), Indigenous Fashion Show producer for the Southwestern Association for Indian Arts and art history professor at the Institute for American Indian Arts; Dr. Jessica Metcalfe (Turtle Mountain Chippewa), owner of Beyond Buckskin; and Kristin Gentry (Choctaw), artist, photographer, writer, and curator.
It survived the Termination Era, The Depression, a World War, and, most recently, a pandemic. The Southwestern Association for Indian Arts marks the 100th Santa Fe Indian Market, a place to buy works directly from artists, to experience the creative vision of Native designers, and watch films by Indigenous filmmakers. Today on Native America Calling, Shawn Spruce is live from the Market to get a rundown of this year's schedule and reflect on the evolution of this major achievement of Native creativity and commerce with Cindy Benitez, program manager for the Native Cinema Showcase by the National Museum of the American Indian Tribe; film director Fritz Bitsoie (Diné); Amber Dawn Bear Robe (Siksika Nation), Indigenous Fashion Show producer for the Southwestern Association for Indian Arts and art history professor at the Institute for American Indian Arts; and Stephine Poston (Pueblo of Sandia), board chair for the Southwestern Association for Indian Arts.
It survived the Termination Era, The Depression, a World War, and, most recently, a pandemic. The Southwestern Association for Indian Arts marks the 100th Santa Fe Indian Market, a place to buy works directly from artists, to experience the creative vision of Native designers, and watch films by Indigenous filmmakers. Today on Native America Calling, Shawn Spruce is live from the Market to get a rundown of this year's schedule and reflect on the evolution of this major achievement of Native creativity and commerce with Cindy Benitez, program manager for the Native Cinema Showcase by the National Museum of the American Indian; film director Fritz Bitsoie (Diné);Stephine Poston (Pueblo of Sandia), board chair for the Southwestern Association for Indian Arts; and Leah Salgado (Pascua Yaqui), Chief Impact Officer for Illuminative.
Long before the arrival of Europeans, some of the Indigenous Mesoamerican traditions of honoring the dead were celebrated with two specific feasts: Mikailwitl (feast of the dead), and Wey Mikailwitl (great feast of the dead). These feasts were celebrated in early August through mid-September. In fact, we are currently in the “month” of Mikailwitl right now, as it began on August 8th or the day Chikome Kozkakwawtli in the ancestral Mexika calendar. These celebrations were dedicated to honoring the dead through dance, song, and offerings of food and drink. Altars and burials were adorned with marigolds, a sacred flower thought to attract the spirits so that they might enjoy the offerings left in their memory.Today, these celebrations have been blended with Catholic traditions, and take place on All Saints Day and All Souls Day. Many think that Mikailwitl and Wey Mikailwitl were absorbed into the Allhallowtide (All Saints Day and All Souls Day) under the direction of the Catholic Church, as these Christian holidays also involve honoring the dead. Unfortunately, this popular claim is often repeated without any evidence to back it up. For example, a column about Dia de Muertos published on the website weareyourvoicemag states “in an attempt to convert the natives to Catholicism, the Spanish colonizers moved the celebration to November 1 and 2 (All Saints Day), which is when we celebrate it currently.”But is this how it really happened? Listen and find out as we explore the different ways that our ancestors negotiated and navigated the colonial process by masking their rituals and ceremonies behind a catholic facade!Cover art: 1680 Pueblo Revolt at Hopi, Fred Nakayoma Kabotie, 1976. Museum of Indian Arts & Culture, Laboratory of Anthropology, Santa Fe.Your hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, cultural consultant, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at Harvard University, The University of New Mexico, Yale University, San Diego State University, and numerous others. @kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus.@TlakatekatlBuzzsprout - Let's get your podcast launched! Start for FREESupport the show
In this episode, we're chatting with Native Cinema Showcase Program Manager Cindy Benitez and filmmaker and actor Morningstar Angeline about this year's showcase. In conjunction with the 100th anniversary of the Santa Fe Indian Market, the Smithsonian's National Museum of the American Indian presents the annual Native Cinema Showcase, which takes place in Santa Fe from August 18 to 21. Native Cinema Showcase is an official program of the 2022 Santa Fe Indian Market, which is sponsored by the Southwest Association for Indian Arts. About Morningstar, whose film Seeds is in the showcase: Born in Santa Fe and raised in Gallup and Los Angeles, Morningstar is a queer Navajo, Chippewa, Blackfeet, Shoshone and Latinx actor and filmmaker. Morningstar was just announced as the second-ever participant in NBCU's director's initiative and is a 2018 Sundance Indigenous Lab, 2020 Native American Feature Writers Lab and 2021 imagineNATIVE Directors' Lab Fellow and serves on the board of directors for the mixed-media company Tse'Nato'. As an actor, Morningstar recently had recurring roles in Outer Range and Westworld. About Cindy: Cindy lives in NYC and has worked with the Smithsonian's National Museum of the American Indian for the past 12 years. Ten of those years have been with Native Cinema Showcase, of which she said this: "One of my favorite memories at Native Cinema Showcase is not necessarily the films or even the filmmakers. It's the incredible subjects that are in these films." Attendance is FREE, and you can find info and the full program here (35 films, 30 Native nations, 10 Indigenous languages, eight countries): https://nmai.brandlive.com/native-cinema-showcase-santa-fe-2022/en/home.
For the first time in a century, Native people have a voice in how a massive collection of pottery is treated. That voice is represented in the new exhibition, “Grounded in Clay: The Spirit of Pueblo Pottery” at the Museum of Indian Arts and Culture. The exhibition gets perspectives from Native artists, storytellers, political leaders, and others on a representative sample from the collection. Today on Native America Calling, Shawn Spruce hears from organizers and guest curators of the exhibition as they express their personal and cultural connections to the pieces with Tony Chavarria (Santa Clara Pueblo), curator of ethnology at the Museum of American Indian Arts; contemporary and traditional potter Josephine "Josie" Kie (Laguna Pueblo); Tara Gatewood (Isleta Pueblo), director with the International Women's Media Foundation, curator with the Grounded in Clay project, and longtime host and producer of Native America Calling; and Elysia Poon, Indian Arts Research Center Director at the School for Advanced Research.
For the first time in a century, Native people have a voice in how a massive collection of pottery is treated. That voice is represented in the new exhibition, “Grounded in Clay: The Spirit of Pueblo Pottery” at the Museum of Indian Arts and Culture. The exhibition gets perspectives from Native artists, storytellers, political leaders, and others on a representative sample from the collection. Today on Native America Calling, Shawn Spruce hears from organizers and guest curators of the exhibition as they express their personal and cultural connections to the pieces with Tony Chavarria (Santa Clara Pueblo), curator of ethnology at the Museum of American Indian Arts; contemporary and traditional potter Josephine "Josie" Kie (Laguna Pueblo); Tara Gatewood (Isleta Pueblo), director with the International Women's Media Foundation, curator with the Grounded in Clay project, and longtime host and producer of Native America Calling; and Elysia Poon, Indian Arts Research Center Director at the School for Advanced Research.
Join us as we talk with Tamar Neumann, Executive Director of the Omaha Fringe Festival, Lara Marsh, Managing Director, and Jason Levering, Artistic Director. The Omaha Fringe will again be held at UNO Weber Fine Arts and Big Canvas in Omaha! We discuss all of the events, so you won't want to miss it! The Performances you won't want to miss are: Chrysalis Studio Productions presents Dance of the Seven Veils Benjamin Stanford presents One-Sided Nicholas Jansen presents On The Line Gurukulam Center for Indian Arts presents Indian Classical Dance Vox Dance Collective presents (re):member, mind, collect Hello There Production Company presents Become Paradise Beth McLaughlin presents Here To See The World Big Canvas presents A Night of Improv Hailey Neumann presents A Boy Named Hailey Jason Levering presents Live, Laugh, Lush Jungle Productions 2 presents Jungle Next Stage presents Meaningless Get Real Entertainment presents I Am a Black Woman Steven Nicholas presents ExperiMENTAL ***** Website and to get Tickets: https://omahafringe.square.site/ To Donate and Support: https://checkout.square.site/buy/WYCOWEZP5POWMYDMCLU2UOHW Facebook:https://www.facebook.com/omahafringefest/ Instagram: https://www.instagram.com/omahafringefestival/ Twitter: https://www.instagram.com/omahafringefestival/ #FirstOmahaFringe ***** HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!
Word nerds and punctuation perfectionists rejoice! Encounter Culture host Charlotte Jusinski ends the season in grand, grammatically correct fashion with Dr. Maggie DePond, exhibition copy editor for the New Mexico Department of Cultural Affairs. Maggie also lends her talents to El Palacio magazine, casting a last, learned glance over every issue before it goes live. The pair geek out over the intricacies of language, style guide rivalries, and challenges associated with distilling eons of information into 100-word captions. Buckle in for syntax shenanigans, a touch of ASMR, and permission to end sentences with a preposition. Ever wondered who edits all the text accompanying every exhibition in the four state museums of Santa Fe (the New Mexico Museum of Art, the Museum of International Folk Art, the New Mexico History Museum, and the Museum of Indian Arts and Culture)? The answer is Dr. Maggie DePond. The work, which is often tedious, requires a tenacious character and plenty of red pencils. For all its old-fashioned aspects, copy editing is a revolutionary profession. Who else but a copy editor could refer to medieval usage of the singular “they/them” to support our modern personal pronoun debate? “I feel that by doing that,” Maggie says, “I'm also teaching other writers what language is, the spectrum of language, and how language can evoke feelings.” And, by extension, every lucky museum goer in the state. Thank you for joining Encounter Culture this season. Season three coming soon! MENTIONED IN THIS EPISODE The Chicago Manual Of Style Associated Press Style Guide Elements Of Indigenous Style Merriam-Webster Twitter Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski, Editor at El Palacio Magazine Technical Director: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer: Daniel Zillmann Show Notes: Lisa Widder Associate Editor: Helen King Theme Music: D'Santi Nava Instagram: @newmexicanculture For more, visit podcast.nmculture.org.
Host Lou DiVizio runs down some of the biggest headlines impacting people in New Mexico this week. Then, Gene Grant hosts a discussion about how the recent reversal of Roe V. Wade could impact the race for Governor here in New Mexico. One of the key questions is whether or not the issue will drive turnout for democratic voters. This week, the Nuclear Regulatory Commission recommended approval of Holtec International's license to store up to 10,000 drums of nuclear waste here in our state. In a conversation from April, Our Land Executive Producer Laura Paskus talks with State Senator Jeff Steinborn about the proposal and the potential issues it could cause. Finally, correspondent Antonia Gonzales gives us a peak inside the newly-redesigned exhibit, Here, Now & Always, open now at the Museum of Indian Arts and Culture in Santa Fe. Host: Lou DiVizio Line Host: Gene Grant The Line opinion panel: Merritt Allen, Vox Optima Public Relations Sophie Martin, attorney Michael Bird, public health consultant Guests: Jeff Steinborn, New Mexico Senator (District 36) Tony Chavarria, curator of Here, Now and Always, Santa Clara Pueblo Diane Bird, curator of Here, Now & Always, Santo Domingo Pueblo For More Information: Abortion Providers Make Plans to Open Clinics Near NM Border – NM Political Report NM Gov. Enacts Protections for Abortion Seekers, Providers – SF Reporter Ronchetti Cuts into Lujan Grisham's Fundraising Advantage – Albuquerque Journal TVA Report ‘Too much at stake to gamble': Barnstable Town Council condemns Holtec plan – Barnstable Patriot Trial evidence details little supervision over big tax breaks – NJ Spotlight News Here, Now & Always - Museum of New Mexico Foundation Here, Now & Always – Museum of Indian Arts and Culture --- Send in a voice message: https://anchor.fm/nmif/message
Jesus Ministries, Joan Boney ... When I was a new Christian in 1975, I owned a small business in Dallas, Texas in American Indian Arts. At that time the Dallas Morning News asked me to write an article concerning the purchase of Indian Arts and how the customer could be certain the item they were purchasing was genuine. I did write the article. A few weeks later, a man filed a law suit against me and several other dealers charging us with conspiring to keep him from doing business in Dallas. It was so ridiculous that I tossed the legal papers to a corner of a shelf in my office and went on with my normal business activities. Then all of a sudden a few days later I realized that if I ignored this legal matter, that man could get judgment against me and take all of the merchandise from my shop. I hired a lawyer. A court date was scheduled. But several weeks passed and I began receiving legal bills from my attorney. It got to the point that I knew I would spend all the money I had to pay my own lawyer. I'm sure I prayed asking God what I should do about this.
Museums are offering unique Native exhibitions this summer as people are feeling more comfortable traveling and attending public events. In New Mexico, the Museum of Indian Arts & Culture is reimagining its permanent exhibit, “Here Now and Always.” And the Albuquerque Museum opened its “Traitor, Survivor, Icon: The Legacy of La Malinche” exhibit, which examines the life and influence of an Indigenous woman caught in the conflict between Spanish and Indigenous people of Mexico. The National Museum of the American Indian is featuring Black-Indigenous artists in the new exhibit “Ancestors Know Who We Are.” Shawn Spruce previews some of the brand-new Native museum exhibits with Anya Montiel (Mexican and Tohono O'odham), curator at the Smithsonian's National Museum of the American Indian; Terezita Romo, independent curator and an affiliate faculty at University of California-Davis; Manuelito Wheeler Jr. (Navajo), director of the Navajo Nation Museum; Aaron Roth, historic site staff manager for Bosque Redondo Memorial at Fort Sumner Historic Site; and Tony Chavarria (Santa Clara Pueblo), curator at the Museum of Indian Arts and Culture.
Museums are offering unique Native exhibitions this summer as people are feeling more comfortable traveling and attending public events. In New Mexico, the Museum of Indian Arts & Culture is reimagining its permanent exhibit, “Here Now and Always.” And the Albuquerque Museum opened its “Traitor, Survivor, Icon: The Legacy of La Malinche” exhibit, which examines the life and influence of an Indigenous woman caught in the conflict between Spanish and Indigenous people of Mexico. The National Museum of the American Indian is featuring Black-Indigenous artists in the new exhibit “Ancestors Know Who We Are.” Shawn Spruce previews some of the brand-new Native museum exhibits with Anya Montiel (Mexican and Tohono O'odham), curator at the Smithsonian's National Museum of the American Indian; Terezita Romo, independent curator and an affiliate faculty at University of California-Davis; Manuelito Wheeler Jr. (Navajo), director of the Navajo Nation Museum; Aaron Roth, historic site staff manager for Bosque Redondo Memorial at Fort Sumner Historic Site; and Tony Chavarria (Santa Clara Pueblo), curator at the Museum of Indian Arts and Culture.
Jesus Ministries, Joan Boney ... Isaiah 54:17 No weapon that is formed against thee shall prosper; and every tongue that shall rise against thee in judgment thou shalt condemn. This is the heritage of the servants of the LORD, and their righteousness is of ME, saith the LORD.
President of the Museum of New Mexico Foundation, Jamie Clements joins Leroy on the podcast to talk about upcoming museum exhibitions, openings, and historic sites. Museum of Indian Arts & Culture Museum of International Folk Art New Mexico History Museum New Mexico Museum of Art Donate to the Museum of New Mexico Foundation ... Blue Rain Gallery 544 S Guadalupe St, Santa Fe NM 505-954-9902 Blue Rain Gallery Podcast is hosted by gallery owner and art dealer, Leroy Garcia. It is produced by Leah Garcia with music by Mozart Gabriel Abeyta (https://mozartgabriel.com).
MINNESOTA NATIVE NEWSArtist Carl Gawboy is showing brand new work in Duluth. The art exhibit, "New Paintings, Old Stories," features Anishinaabe and Finnish culture, landscapes, and teachings. The exhibit is located at the Dr. Robert Powless Cultural Center and was curated by Wendy Savage.///TRANSCRIPT:Reporter: This is Minnesota Native News. I'm Leah Lemm, in for Marie Rock. Coming up, artist Carl Gawboy is showing brand new work in Duluth. The art exhibit, “New Paintings, Old Stories," features Anishinaabe and Finnish culture, landscapes, and teachings. The exhibit is located at the Dr. Robert Powless Cultural Center and was curated by Wendy Savage. Here's the story. Reporter: Carl Gawboy's works have appeared in over 75 exhibits. Some of his works live in permanent collections, including at the Minnesota Historical Society, the Department of Interior, and the Indian Arts and Crafts Board. Carl Gawboy is from the Bois Forte Band of Ojibwe and is of Finnish descent. Carl Gawboy: I'm Carl Gawboy. I'm a retired teacher. And I'm from Ely, originally. Reporter: Outside the American Indian Community Housing Organization in Duluth is a billboard showcasing the latest Carl Gawboy art exhibit. To one side, features a photo of the artist. And the other side shows the watercolor painting, Vainomoinen and Nanaboojoo. These are the names of two beings from Finnish and Ojibwe tales. Though the painting depicts two men around a campfire, a tent among tall trees, an ax to the side. And you can almost hear the crackle of the fire. They are fishing buddies. Scenes like this is what Carl Gawboy is known for, showing how people lived their lives in their time. Carl Gawboy: That's what I kind of specialized in because I just looked around and saw other Indian artists weren't showing the mundane acts of everyday life in the past that I was really interested in. So that's the Art of the Everyday, but... Reporter: There are over 30 pieces on display and many of them are new. Carl Gawboy: So about 15 of these are new works. And the other half of the gallery are some older things, some illustrations that I did for a publication, a couple of prints, clay prints of works I had done earlier. So it's a pretty good show, showing the older work and the brand new work. The new work that I did since 2021 is back to my Art of the Everyday, so. Reporter: Carl Gawboy has had diverse subject matter throughout his career. And he brings us through a few of his works in the gallery. Carl Gawboy: I've got men planting trees in the 1930s with an organization called the Indian CCCs, The Civilian Conservation Corps that was started up in during the depression to give unemployed people work. There's a couple of scenes from homesteaders, separating milk and plowing new ground for a homesteading scene. You have an old man with his tobacco drawing in a shed. Two paintings of guides. One of guide's filleting fish for his clients. Reporter: Wendy Savage curated the exhibit. Wendy Savage: I'm Wendy Savage. And I'm an enrolled member at the Fond du Lac Reservation. And I'm also an artist and a curator. Reporter: Carl Gawboy has been a mentor to Wendy Savage. And she considers him a National Treasure. Wendy Savage: And I was lucky enough to meet Carl back in the '80s. And Carl invited me to come on with a group with him and George Morrison, and Bonnie Wallace, and Kent Smith to be part of the Ojibwe Art Expo. And so, I did that for 17 years with him. And then, I was fortunate enough to have him also as a teacher of mine. Reporter: Carl Gawboy, being a National Treasure extends beyond his prolific artistry. His influence on and support of other artists has rippled throughout the art world. Wendy Savage: He's been a great influence. He's been like a mentor to me. And he has also always encouraged me in all of my artwork. Because back in the '70s and the '80, there wasn't a place for Native American art. And most galleries were shunning it, especially in this area because it wasn't considered fine art. So many galleries, even in my senior show of my BFA, they didn't want to show a fully-beaded cradle board, because it wasn't fine art. But when I would show my work to Carl, Carl was always encouraging… Reporter: The exhibit, New Paintings, Old Stories, is on display every Friday through May 27th. More information is on the American Indian Community Housing Organization website, aicho.org, A-I-C-H-O DOT O-R-G. For Minnesota Native News, I'm Leah Lemm.
In the 9th episode of the ART Informant, Isabelle Imbert welcomes Alice Bailey, Head of the Islamic and Indian Arts department, at Rosebery's auction. Together, they discuss London Islamic week, to which Alice has been actively contributing for more than a decade. This year, Rosebery's will close the event on the 1st April with a large catalogue full of treasures and great investment opportunities for new and seasoned collectors. Through this auction and Alice's fruitful experience of the market, they talk about provenance, legislation and the future of Islamic art expert roles. Mentioned in the Episode and Further Links Follow the Art Informant on Instagram and TwitterFollow Alice Bailey on InstagramFollow Rosebery's Auction on InstagramCheck Rosebery's auction catalogue for Spring 2022 Islamic week (1st April)Click here for more episodes of the ART Informant.Click here to see the reproductions of artworks discussed in the episode.
Santa Fe, New MexicoSubscribe: https://thingsyoushouldknow.supercast.techFacebook: https://www.facebook.com/groups/879254746173653In recent years, Santa Fe has emerged from the desert as an oasis for incredible food, art, culture, and natural beauty in the foothills of the Sangre de Cristo Mountains. Nicknamed “The City Different,” New Mexico's capital city serves as a thriving creative hub; for proof, look to the trippy installations at Meow Wolf, the Museum of International Folk Art, the Museum of Indian Arts and Culture, and the classic Georgia O'Keeffe Museum. (One might argue that a day trip to Bandelier National Monument or a turquoise-filled retail therapy session at Wind River could be equally inspiring.)Santa Fe is also home to many a tasty snack. We're not just talking Hatch chiles—though those should be enjoyed, too, specifically in a cheeseburger at Shake Foundation and atop world-class Tex-Mex fare at classic joints like Tia Sophia's, Palacio Café, and the Pink Adobe. And don't skimp on the booze–this is allegedly the birthplace of the margarita, after all. Hit up Maria's New Mexican Kitchen, which boasts a 60-year legacy and more than 200 varieties on its binder-like menu. —Matt KirouacHood River, OregonHey, have you heard of this little place called Portland? Yeah, we thought so. But head about an hour east, and you'll land yourself in Hood River: a scenic wonderland nestled between the rugged mountains, rushing streams, and massive waterfalls that make up the Columbia River Gorge. Set in the foothills of snow-capped Mt. Hood, you'll find every kind of outdoors-person imaginable. Kitesurfers and kayakers? They're sailing down the Columbia River. Hikers? They're traversing the hills and waterfalls off the Old Gorge Highway. Cyclists? They're zipping past wild streams and lakes.If your favorite sport happens to be drinking—an equally-worthy pastime!—Hood River's breweries (Full Sail, pFriem, and the Gorge Beer Trail) and wine scene (Wy'East, Marchesi, Cathedral Ridge) can hold their own against those found in better-known locales, and their pours are made even better by Hood River's generous open container laws. And evBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies.
In Autumn of 1621, a group of Pilgrims from the Mayflower voyage and Wampanoag men, led by their sachem Massasoit, ate a feast together. The existence of that meal, which held little importance to either the Pilgrims or the Wampanoag, is the basis of the Thanksgiving myth. The myth, re-told in school Thanksgiving pageants and TV shows, is not accurate and is harmful to Native people, especially to the Wampanoag. In 1970, the Commonwealth of Massachusetts planned a banquet to celebrate the 350th anniversary of the landing of the Pilgrims. They asked an Aquinnah Wampanoag man, Frank James, also known as Wamsutta, to speak at the banquet. However, when they learned what he was planning to say, the true history, they forbade his speech. Frank James would not give a speech that they rewrote, and instead he planned the first National Day of Mourning on Cole's Hill in Plymouth. Fifty one years later the United American Indians of New England still meet at noon on Cole's Hill on the US Thanksgiving Holiday to remember the genocide of Native people and the theft of Native lands and erasure of Native culture. Joining me to help us learn more about the Wampanoag and the dangers of the Thanksgiving myth is Kisha James, enrolled Aquinnah Wampanoag, one of the organizers of the National Day of Mourning, and granddaughter of Frank James. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The episode image is “Massasoit and His Warriors,” 1857. Photograph in the LIbrary of Congress. Buy Indigenous: Kisha's thread of Indigenous businesses Information about the The Indian Arts and Crafts Act of 1990 Suggested Organization for Donations: North American Indian Center of Boston United American Indians of New England Lakota Kidz Selected Sources: “Wampanoag History,” Wampanoag Tribe of Gay Head (Aquinnah) “The Myths of the Thanksgiving Story and the Lasting Damage They Imbue” by Claire Bugos, Smithsonian Magazine, November 26, 2019 1621: A New Look at Thanksgiving by Catherine Grace This Land Is Their Land: The Wampanoag Indians, Plymouth Colony, and the Troubled History of Thanksgiving by David J. Silverman “Everything You Learned About Thanksgiving Is Wrong By Maya Salam, The New York Times, Nov. 21, 2017 “History of King Philip's War,” by Rebecca Beatrice Books, History of Massachusetts Blog, May 31, 2017. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode with our guest Anjuli Shiwraj, founder and artistic director of Shivanjali Arts (@shivanjali.arts) and a skilled, classically-trained dancer, we talk about being Indo-Guyanese in the Greater Toronto Area and the meanings of dance and identity. Anjuli Shiwraj is the Founder and Artistic Director of Shivanjali Arts. Being a professional Kathak dancer, visual artist, makeup artist, and costume designer, Anjuli decided to create Shivanjali Arts: an organization to promote Indian Arts and culture as well as performing arts. Anjuli hails from a very artistic and musical family. Her relatives have among them talented singers, musicians including harmonium, tabla, dholak and tassa players. She was trained by Mrs. Deviekha Chetram who also was from Alexander village, Guyana. Anjuli has been dancing in the Greater Toronto Area as well as internationally for many years. Anjuli has danced for numerous organizations, charities, and has been a part of several dance companies, including: Tarana Dance Company, Natya Arts, and Panwar Dance Productions. Anjuli is trained in both Lucknow and Jaipur Gharanas of Kathak. She has had the distinct honor and privilege of training under notable dancer Alokparna Guha. She has also trained with Pt. Birju Maharaj Ji and his foremost disciple Smt. Saswati Sen Ji in numerous dance workshops in North America, as well as recently she learned a beautiful piece online with Pt. Rajendra Gangani. Anjuli has also received professional level training in Jaipur Gharana, as a company dancer with Panwar Music and Dance Productions. She has toured with their production of "Shakuntala" and Also Taken part in their debut performance on Krishna, among many of their other stage performances including Mosaic: Rajasthan Calling. Teaching has become one of Anjuli's greatest passions and seeks to pass on what she learned with utmost humility. It is her goal to not only nourish the upcoming generation, but also encourage anyone of any age to pursue their love of the arts. Anjuli provides Kathak dance classes for all ages online, and studio in Ajax, as well as dance makeup classes, costume design and rental, and dance performance training through Shivanjali Arts.
We continue our chat with guest Anjuli Shiwraj on being Indo-Guyanese in the Greater Toronto Area and the meanings of dance and identity. Anjuli Shiwraj is the Founder and Artistic Director of Shivanjali Arts. Being a professional Kathak dancer, visual artist, makeup artist, and costume designer, Anjuli decided to create Shivanjali Arts: an organization to promote Indian Arts and culture as well as performing arts. Anjuli hails from a very artistic and musical family. Her relatives have among them talented singers, musicians including harmonium, tabla, dholak and tassa players. She was trained by Mrs. Deviekha Chetram who also was from Alexander village, Guyana. Anjuli has been dancing in the Greater Toronto Area as well as internationally for many years. Anjuli has danced for numerous organizations, charities, and has been a part of several dance companies, including: Tarana Dance Company, Natya Arts, and Panwar Dance Productions. Anjuli is trained in both Lucknow and Jaipur Gharanas of Kathak. She has had the distinct honor and privilege of training under notable dancer Alokparna Guha. She has also trained with Pt. Birju Maharaj Ji and his foremost disciple Smt. Saswati Sen Ji in numerous dance workshops in North America, as well as recently she learned a beautiful piece online with Pt. Rajendra Gangani. Anjuli has also received professional level training in Jaipur Gharana, as a company dancer with Panwar Music and Dance Productions. She has toured with their production of "Shakuntala" and Also Taken part in their debut performance on Krishna, among many of their other stage performances including Mosaic: Rajasthan Calling. Teaching has become one of Anjuli's greatest passions and seeks to pass on what she learned with utmost humility. It is her goal to not only nourish the upcoming generation, but also encourage anyone of any age to pursue their love of the arts. Anjuli provides Kathak dance classes for all ages online, and studio in Ajax, as well as dance makeup classes, costume design and rental, and dance performance training through Shivanjali Arts.
From technological innovations to societal attitudes, a lot has changed in the last twenty years. As evolutionary processes go, the gallery-wide refresh of the celebrated permanent exhibition Here, Now and Always (HNA), which opened at the Museum of Indian Arts & Culture in 1997, offers exciting opportunities for greater collaboration with the Southwest's Native peoples and vibrant new storytelling techniques. Host Charlotte Jusinski chats with Tony Chavarria, Curator of Ethnology at MICA/Laboratory of Anthropology, and Curatorial Assistant Lillia McEnaney about the tangible and conceptual transformations. The trio also explores the history of museums as Euro-American colonial institutions and their future role as inclusive cultural facilitators. From the moment it opened, HNA was groundbreaking. “It was a unique exhibition, especially for its time, because it was an exhibition that featured and relied heavily on native voice,” says Tony. That voice, essential to any authentic presentation, is (still) too often left out of standard interpretations at other institutions. HNA didn't simply include a few examples; it wove a rich Native narrative by Native peoples through every element. “Native voice actually went into much of the planning of the exhibition. [ ] The group of different curators, advisers, the Indian advisory panel––which also serves the museum in other contexts––were all involved in both selecting objects, writing about objects and interpreting objects as well,” Tony says. Twenty years later, the museum's commitment to tribal collaboration is stronger than ever. The revitalized exhibit continues its legacy of connecting ancestor to descendant, first-person storyteller with visitor. HNA utilizes ancient artifacts and modern pieces, such as the traditional Laguna dress that Deb Haaland wore for her swearing in as the United States secretary of the interior. These state-of-the-art interactive displays are designed to emphasize the fluid nature of Native life. “You can add some more of those things [ ] that engage younger audiences into the museum to help enhance the learning experience,” says Tony of the bells and whistles planned for the space. A revamped Here, Now and Always will broaden the visitor experience, immersing them in a vibrant, living culture. Tony and Lillia also hope that the exhibit will provoke additional conversations––about how we learn, how we listen, and how we confront colonization so as not to repeat mistakes from the past. “It's more important than ever,” Lillia says, “for non-Native folks, especially, to understand the Indigenous histories of the lands we all live in and occupy.” Take a virtual tour of the new exhibit: MIAC: HNA Gallery. Plan your visit to the museum: Museum of Indian Arts & Culture. MENTIONED IN THIS EPISODE Collaboration, Multivocality, and Authority - by Felicia Garcia And Lillia McEnaney, El Palacio Spring 2021 Leaving the Ladder Down - by Diane Bird, El Palacio Winter 2019 Cannibal Tours in Glass Boxes: The Anthropology of Museums - by Michael M. Ames Decolonization is Not a Metaphor - by Eve Tuck & K. Wayne Yang Visit http://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski Technical Director: Edwin R. Ruiz at Mondo Machine Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer: Daniel Zillmann Theme Music: D'Santi Nava For more, visit NewMexicoCulture.org.
India’s 68 lakh artisans and artists account for the country’s second largest unorganised sector. It can contribute much to the economy but it requires work on several fronts – brand creation, efficient fabrication processes and, most importantly, wider markets for stable revenues. Richa Khandelwal Bhat, founder and MD of Narayana’s ArtNirbhar Bharat Foundation, which is creating employment for thousands of artisans and helping them become financially self-reliant, speaks to All Indians Matter.
Desiree, co-founder of Grinding Stone Collective and producer of the First Foods Podcast, is a Miwok multimedia journalist, and a live-media event producer. You can see lots of her documentary photography now in the New Mexico Museum of Indian Arts and Culture in Santa Fe, NM at the Beyond Standing Rock exhibit. Some of her recent notable work is speaking at Princeton University in April 2019 and again in November 2020. With the Firestarter Films crew as an Associate Producer, Camera Operator and Investigative Journalist on the feature-length documentary film Akicita: The Battle of Standing Rock, our project premiered at the 2018 Sundance Film Festival in Park City, Utah. She was part of the organizing body the did Boulder Valley Indigenous People's Day 2019, which was heavily focused on #MMIWG2S, the epidemic that takes so many lives of Native women, girls, and two spirits.(Read her full bio here- https://bit.ly/3i57nVA) Roger Wolsey (@RogerWolsey) is a Spiritual Director, United Methodist pastor, Speaker, Writer, and fellow Human. He leads with his heart to bring us into community with one another. A passionate advocate for social justice, Roger has the unique capacity to sit with the discomfort of difference. This allows him to move past the common reactions to find connections others might not be able to achieve. He writes for several online publications and published his first book, Kissing Fish, in 2011 and currently serves on the board of ProgressiveChristianity.org.Erik and I invited them on the show because they are both inspiring humans who have developed the skills to engage folks effectively in the face of disinformation. Given everything we have been facing and expect to face, we thought other folks would appreciate the opportunity to learn from their experience and expertise. Questions can be submitted before the event here: https://app.sli.do/event/jod8sbka #604434Referenced items:The illusion of explanatory depth (IoED), Do you understand how a zipper works?First Foods- https://www.facebook.com/watch/live/?v=230281248632461&ref=watch_permalinkGrindingstone- https://www.Grindingstone.orgWhat To Know About Disinformation History, Tactics, and Real-Life Examples- https://e-rosalie.medium.com/what-to-know-about-disinformation-history-tactics-and-real-life-examples-95ab13f0254Books recommended on the show:When Everything Matters by Dr Cindy Blackstock The Way of Love by Bishop Michael CurryCult of Trump by Steven Hassan- https://www.simonandschuster.com/books/The-Cult-of-Trump/Steven-Hassan/9781982127343★ Support this podcast ★
Glass isn't typically the first material that folks associate with Indigenous artwork. And yet, the medium lends itself well to unique cultural interpretations, combining fundamental elements of earth, air, and fire with generational artistry. Native artists have been drawn to glassblowing since the 1970s, utilizing it to reinterpret traditional forms and tell thoroughly modern stories. Host Charlotte Jusinski explores the hypnotic beauty on display at Clearly Indigenous: Native Visions Reimagined in Glass at the Museum of Indian Arts and Culture (MIAC), the first exhibition of its kind on view until June 2022. Joining Charlotte are her co-host for this episode Dr. Matthew Martinez, interim director of the museum, and Robert “Spooner” Marcus, one of the glassblowers featured in the exhibit. The two men share a bond that stretches back to their childhood on the reservation in Ohkay Owingeh, NM, an experience that informs their perspectives on art and colors this conversation. This is perhaps one of the most aesthetically beautiful exhibitions ever to grace Santa Fe's cultural landscape. That's saying something given the city's renowned collection of museums. Visitors to Clearly Indigenous descend from MIAC's bright galleries into a dimly lit space, a journey that feels almost subterranean, forcing the senses to adjust to a new environment. This darkness emphasizes the molten glow emanating from within some of these intensely fragile pieces and recalls their beginnings in a blazing furnace. The effect casts a regal air over the entire exhibit. Juxtapose the majestic characteristics of glass with the personable, often irreverent nature of its artists. Spooner is warm and easygoing despite working with this daunting, often dangerous material. “Glass is a very fickle thing,” he says. “If you don't respond to what it's doing, then it's not going to cooperate.” That Zen-like approach to his craft was born when he answered a newspaper ad for a production line glassblower––no experience necessary. Spooner's earliest pieces were juice cups, fashioned assembly line style over and over again. But the utilitarian end product didn't diminish the allure of working with glass. “I walked into the shop, there's this big furnace that's blazing, and I basically did not turn back. I really knew from that moment that it was going to be in my life for a relatively long time.” Twenty years later, Spooner's technique-driven work is on display at MIAC alongside 32 fellow Indigenous glass artists in an exhibition that includes pieces by Dale Chihuly, the artist credited with bringing the medium to Indian Country. Clearly Indigenous highlights an immense range of forms and the ways in which glass can reference the past while remaining wholly modern. Spooner agrees. He hopes the show inspires others to become better acquainted with the methods and magic of glass art. “It's that spark, that interest in creating that hopefully an exhibit like this [creates]. Somebody will see it and say, ‘Hey, you know, I want to try doing this!' or maybe buy a piece of glass or go take a lesson.” Clearly Indigenous: Native Visions Reimagined in Glass is at the Museum of Indian Arts and Culture through June 16, 2022. To learn more about Robert “Spooner'' Marcus, visit his website and follow him on Instagram. Connect with Dr. Matthew Martinez via LinkedIn. Explore glass blowing classes and experiences in Santa Fe at Prairie Dog Glass. Visit http://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski Technical Director: Edwin R. Ruiz at Mondo Machine Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer: Daniel Zillmann Theme Music: D'Santi Nava For more, visit NewMexicoCulture.org.
This year's fashion show at Santa Fe Indian Market is a reminder of just how hot Indigenous fashion is. The show put on by the Southwest Association for Indian Arts featured Anishinaabe florals, bold formline prints, layers of ribbon and custom Native jewelry. We'll celebrate Indigenous fashion with designers and take a look at how […]
This year's fashion show at Santa Fe Indian Market is a reminder of just how hot Indigenous fashion is. The show put on by the Southwest Association for Indian Arts featured Anishinaabe florals, bold formline prints, layers of ribbon and custom Native jewelry. We'll celebrate Indigenous fashion with designers and take a look at how […]
This year's fashion show at Santa Fe Indian Market is a reminder of just how hot Indigenous fashion is. The show put on by the Southwest Association for Indian Arts featured Anishinaabe florals, bold formline prints, layers of ribbon and custom Native jewelry. We'll celebrate Indigenous fashion with designers and take a look at how international partnerships are shaping up for more glamorous shows and collections.
A new generation of Indigenous scholars are challenging the colonial frameworks that continue to deeply influence institutions of knowledge and power. The burgeoning field of Indigenous Archaeology offers broad critiques of Western and colonial archaeological thought and practice, while fostering archaeologies that are respectful of Indigenous people's experiences and beliefs. Join us as archaeologists demonstrate how, through their unique lived experiences as Indigenous people, the field of Indigenous archaeology operates as a broad spectrum of approaches that promotes and prioritizes Indigenous cultures and values. Participants: -Wade Campbell (Diné), Ph.D. Candidate, Harvard University-Tim Wilcox (Diné), Ph.D. Candidate, Stanford University-Nick Laluk (White Mountain Apache), Assistant Professor of Anthropology, Northern Arizona University-Kurly Tlapyoyawa, (Chicano/Nawa/Mazewalli), Founder, Chimalli Institute of Mesoamerican ArtsProgram organized and moderated by Dr. Joseph (Woody) Aguilar (San Ildefonso Pueblo). This series would not be possible without the support of the National Endowment for the Humanities and the Museum of Indian Arts and Culture. Buzzsprout - Let's get your podcast launched! Start for FREEBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Join us as we talk with Tamar Neumann, Executive Director of the Omaha Fringe Festival! After having to skip last years' festival, the Omaha Fringe Festival will be held in person this year! Join us as we talk about the Festival, it's two locations, and how and when it will be held. "36 Performances, 12 Companies, One Community, 6 Days, 2 Venues." 2021 Omaha Fringe Festival Dates: August 5-7, 12-14th. Preview Party at Big Canvas on July 31st. Performances for the Omaha Fringe Festival scheduled are as follows: Once Upon a time in Omaha, performed by Big Canvas: Doug Rothgeb, Eric Green, Tracie Mauk, Heather Jones, and Lindsey Theis. Picture Window Puppet Theatre, written by Ellen Struve; Music Director, Kevin Pike; Musician Reese Pike; and Puppeteer, Edward Pike. Brooke Makes Fun Comedy Special, by Comedian Brooke Barsell. Belly Dance: A Celebration by Chrysalis Studio Productions. Lunch Date by PastEurize Productions, Directed by Madeline McCrae, Performance by Mackenzie Zielke and Chris Berger. Mother Night by Max In One Productions and Aaron Spratte. Run For Cover by Serena Norr. Sitcom by The After School Club, Driected by AnnaLeesa Sawyer Telford; Sound Design by Oliver Coffman; Performances by Kylah Calloway, Oliver Delgado, Zander Gibney, Marissa Halfhill, Chloe Peterson. Produced by Jeremy Stoll. Prohibition 100 Years: Temperance is Dead by Jungle Productions 2. Bharanatyam by Gurukulam Center for Indian Arts, performed by Mallika Jayanti. Fragmented Reality by The New Age Theatre Company, Directed by Matthew Kischer The Hero's Journey: An Improvised Musical by Less Mis Presents, a musical improv team. Robyn Helwig is the Musical Director, and the Cast also includes Matt Johnson, Karl Houser. ***** Website: https://omahafringe.square.site/ To Donate and Support: https://checkout.square.site/buy/WYCOWEZP5POWMYDMCLU2UOHW Facebook:https://www.facebook.com/omahafringefest/ Instagram: https://www.instagram.com/omahafringefestival/ Twitter: https://www.instagram.com/omahafringefestival/ #FirstOmahaFringe ***** A special Thank You to the Hot Shops Art Center at 1301 Nicholas Street, Omaha, NE. 402-342-6452 www.hotshopsartcenter.com. ****** Find The Platte River Bard on social media: Website: www.platteriverbard.com Facebook: https://www.facebook.com/theplatteriverbard Instagram: https://www.instagram.com/platteriverbard/ Twitter: https://twitter.com/platteriverbard Hashtags:#theplatteriverbard #platteriverbard#communitytheatre #nebraskatheatre #livetheatre #nebraska #performingarts #community #omahafringefestival2021 #omahafringe #worldfringeday Email: platteriverbard@gmail.com Music was used with permission by Screaming Skull Productions. www.jollyrogerskc.com © The Platte River Bard Podcast, 2021, Chris and Sheri Berger
Dan Friday's Future Artifacts Creativity was fostered in Dan Friday by his family from an early age. Growing up immersed in the rich cultural heritage of the Lummi Nation meant that making things with his hands was a regular activity. Typically working with simple themes and forms, the artist often employs subtle silhouettes when making his glass totems. His more narrative work reflects a personal expression or means of processing a life event, often with an underlying statement. His latest works will be on view at the Museum of Northwest Art, La Conner, Washington, in Future Artifacts, on view July 3 – October 10, 2021. Friday says: “As the recipient of the Bill Holm Grant from the Burke Museum, with my sister I have been studying Coast Salish artifacts in their archives. It is a surreal experience to hold items of your oldest known family members, even see their handwriting on treasured belongings. With all of the information, images, and data I have already catalogued, I hope to make inspired pieces of glass: the Skexe (Coast Salish wooly Dog) Blanket Panels, and The Sxwo'le (Reef Net) projects, to mention a few. It will be my way to document not only my family's history, but the artwork of the Coast Salish people. Glass is a medium that will survive millennia, and a great way to tell a story to future generations. It is, metaphorically, a contemporary painting on the cave wall.” He continues: “The preparation for this show at MoNA has already given me great satisfaction, not just the physical act of producing these works, but the connections I have made within the beautiful and resilient Coast Salish community.” https://www.monamuseum.org/future-artifacts A lifelong resident of Washington State's Puget Sound region, Friday maintains an independent glass studio in Seattle. He has worked for Dale Chihuly at the Boathouse Studio since 2000 as a glass blower collaborating with other studio staff on Chilhuly glass designs. This experience helped Friday expand and perfect technical skills in glass working and increased his insight into the relationship and interaction between artist and the public. Working at Pilchuck Glass School since 2006 as a teacher, gaffer, and coordinator for the hot shop and wood and metals departments, Friday has fabricated and facilitated works for international artists. He has also assisted James Mongrain since 2009 on various glass blowing projects, domestically and abroad. Working at Tacoma Glass Museum since 2004, Friday is part of a specialized team of glass sculptors, demonstrating a variety of methods to educate the public about the medium of glass. He has also collaborated and assisted prominent artists in the creation of major glass art commissions and installations, including James Drake, Nicolas Africano, Wendy Maruyama, and Charles Ledray, to name a few. As personal assistant for Paul Marioni, Friday cast and cold worked glass tiles for a large-scale installation. Friday has taught at the University of Washington, Pilchuck Glass School, and the Haystack Craft Center. He has been awarded residencies at the Museum of Glass in Tacoma, the Burke Museum in Seattle, the Corning Museum in New York, and the Dream Community in Tai Pei, Taiwan. He is the recipient of the Bill Holm Grant, the People's choice award from the Bellevue Art Museum, and the Discovery Fellowship through the Southwestern Association for Indian Arts. Represented by Blue Rain Gallery (Santa Fe), Stonington Gallery (Seattle), Ainsley Gallery (Toronto), Habatat (West Palm, Florida), and Schantz (Stockbridge, Massachusetts), Friday's work in glass is contemporary in format while maintaining Native American qualities. Cultivating his artistic vision with strong influence from his indigenous roots in the Pacific Northwest, the artist allows craft, form and idea to drive his work from conception to object.
BBC Broadcaster & film critic Ashanti Omkar shares her journey of cultural discovery and intuitive learnings from two decades of working in Indian Arts & film.
Episode 73: Indian Arts and Crafts Act In this episode I speak to Joe Candillo about the Indian Arts and Craft Act, and the problems that fake Native arts cause. Intro Music: “Turning Into Me” by Jericho Salt
Kathleen Wall is a vibrant individual and well known Jemez potter who creates her figurine pots at Jemez New Mexico. She does wonderful figurines and masks, some of them being very large pieces. Kathleen explains her journey as a potter and how she got to where she is today and what it took to get there. It's a long hard road to be a potter especially when you're trying to do things that are unique and less traditional pueblo pottery, but Kathleen has triumphed. In fact, Kathleen was recently awarded the Living Treasure Award for New Mexico at MIAC (The Museum of Indian Arts and Culture) and was supposed to have a one-person show for this great honor. Unfortunately, it opened in April of 2020. Clearly, with all that's been going on with COVID-19, the show has been put off through 2021. Pandemic aside, Kathleen has mastered her art and I think anyone that enjoys raw passion and creativity will love Kathleen Wall.
Normally this week, thousands of Native artists would be setting up for the annual Santa Fe Indian Market by the Southwestern Association for Indian Arts. Instead, the event—in its 99th year—is taking place only online. Organizers are appealing to potential market buyers with virtual tours of artists’ studios, concerts, panel discussions, films, fashion shows and auctions. We’ll hear from artists and organizers about moving this popular event to a virtual space.
Historiansplaining: A historian tells you why everything you know is wrong
Unlocked for the public after 1 year: -Ceramic chalice, decorated in Jemez black-on-white style, with crosses -made in pueblo of Giusewa, between 1598 and the 1630s -found in the ruins of the Spanish mission at Giusewa, 1937 A simple pottery chalice, probably made by a local indigenous woman, reveals the early stages of interaction between Spanish missionaries and the ancient Pueblo civilization -- an intermingling that would lead to conflict, and eventually, a massive revolt that some have called "the first American Revolution." Image courtesy of the Museum of Indian Arts and Culture, Laboratory of Anthropology Suggested further reading: Archaeologies of the Pueblo Revolt: Identity, Meaning, and Renewal in the Pueblo World, edited by Robert W. Preucel, especially Matthew Liebman, "Signs of Power and Resistance: The (Re)Creation of Christian Imagery and Identities in the Pueblo Revolt Era”; Ramon Gutierrez, "When Jesus Came the Corn Mothers Went Away" Please support this podcast and hear all lectures, including the upcoming examination of the "historical" King Arthur -- www.patreon.com/user?u=5530632
Archana Amit Shah an architect from Ahmedabad, is reckoning amongst the top 100 designers of the country. She is practicing along with her husband Amit for more than two decades & works across the globe also. Her work is particularly characterized by simplification of form, amalgamating contemporary and modern designs with minimalism, clean lines. Her work emphasis more on the use of Indian Arts & artisans in design practice. She has been credited with many awards & accolades She has more than 150 published works to her credit which includes India s most beautiful houses she designed. She is shortly coming with a book titled decor dialogues-- a compilation of her columns published in times of India. - Gujarati edition. You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media. If you like this show, please subscribe and leave us a review wherever you get your podcasts, so other people can find us. You can also find us on https://www.eplog.media અર્ચના અમિત શાહ અમદાવાદથી આર્કિટેક , ડિઝાઈનર તરીકે છેલ્લા બે દાયકાથી પ્રેક્ટિસ કરી રહ્યા છે. આપે ખૂબ સુંદર , મોર્ડન , એથનીક અને લક્ઝુરિયસ વૈવિધ્યસભર વિલા , બંગલોઝ , વિકેન્ડ હોમ્સ અને એપાર્ટમેન્ટ્સ બનાવ્યા છે . આપની કાર્યશૈલીમાં ઇન્ડિયન આર્ટ્સ અને આર્ટિસનને પ્રોત્સાહિત કરવાની ઝાંખી જણાઈ આવે છે. અર્ચના શાહનું વૈવિધ્યપૂર્ણ અને વિસ્તૃત પ્રકારનું કામ કરે છે જે આજના યંગ જનરેશન માટે ઇનસ્પિરેશનલ છે. અર્ચના અમિત શાહ દેશના હોટ 100 આર્કિટેક્ટસ ,ડિઝાઇનર્સ ની હરોળમાં ગણાય છે. આપના ડિઝાઇન કરેલા હોમ્સ ઇન્ડિયાથી પ્રકાશિત થતી અને વિશ્વમાં લોકપ્રિય કોફીટેબલ બુક્સ '50 Beutiful Houses Of India ' માં પ્રકાશિત થઇ ચુક્યા છે. તદુપરાંત આપની Times Of India { Gujarati } માં પ્રકાશિત વીકલી કોલમ 'Dream Home ' વાચકોએ ખૂબ પસંદ કરેલ છે . આપ આ વિષયઉપર સૌ પ્રથમ વખત સંપાદન કરી રહેલ બુક ' Decor Dialogue 'ની વાચક મિત્રો આતુરતાથી રાહ જોઈ રહ્યા છે , તો ચાલો આ ઈનસ્પીરેશનલ ડીઝાઈનરની સ્ટોરી તેમની પાસેથીજ સાંભળીએ .... See omnystudio.com/listener for privacy information.
The House Natural Resources Committee holds a hearing on December 2, 2009, to consider H.R. 725, the Indian Arts and Crafts Amendments Act of 2009.
The House Natural Resources Committee holds a hearing on December 2, 2009, to consider H.R. 725, the Indian Arts and Crafts Amendments Act of 2009.
The House Natural Resources Committee holds a hearing on December 2, 2009, to consider H.R. 725, the Indian Arts and Crafts Amendments Act of 2009.
The House Natural Resources Committee holds a hearing on December 2, 2009, to consider H.R. 725, the Indian Arts and Crafts Amendments Act of 2009.
The House Natural Resources Committee holds a hearing on December 2, 2009, to consider H.R. 725, the Indian Arts and Crafts Amendments Act of 2009.
Jim Jeter Native American dealer shares his amazing life story of forgery, war and redemption in the second episode of a two-part interview with Dr. Mark SubletteWell respected antique Indian Arts dealer Jim Jeter tells the story of his love of Native American art and Hispanic weavings. The son of a well-known actor James Jeter was raised in Southern California when a single arrowhead sparked the love of antique Indian art. Jim shares the intimate story about how he became a specialist in antique Indian jewelry and how this gift lead him down the road of forgery and forgiveness. This is an amazing two-part episode that Jim shares including hitchhiking across North Africa to his combat mission as an intelligence officer in Vietnam and the difficulties he experienced after the war.
Well respected antique Indian Arts dealer Jim Jeter tells the story of his love of Native American art and Hispanic weavings. The son of a well-known actor James Jeter was raised in Southern California when a single arrowhead sparked the love of antique Indian art. Jim shares the intimate story about how he became a specialist in antique Indian jewelry and how this gift lead him down the road of forgery and forgiveness. This is an amazing two-part episode that Jim shares including hitchhiking across North Africa to his combat mission as an intelligence officer in Vietnam and the difficulties he experienced after the war.
This week on The Children's Hour we go inside the Center for New Mexico Archaeology in Santa Fe, NM. The Kids Crew talk with scientists from the Center, including anthropologists working in the Museum of Indian Arts & Culture's Laboratory of Anthropology, about what they do, and how the more than 8 million artifacts in the Center are used and preserved. Featuring archaeologist and musical guest, Marlon Magdalena from the Jemez Historic Site and Pueblo. Inside the stacks at the Center for New Mexico Archaeology With music by Jack Johnson, Green Chile Jam Band, Nas & Steven Marley, Robert Mirabal, Poi Dog Pondering, and Sheila Chandra.
Jan Musial sits down with host Dr. Mark Sublette to discuss his love of Native American Art and how he became a dealer in the Indian art trade. Jan goes into depth about how being married to a Navajo woman changed his perspective on the art he had been collecting and selling. Jan worked as an LA County firefighter before transiting into Indian Arts. Jan explains his relationship with some of the best known Navajo painters including Harrison Begay, Shonto Begay, Gerald Nailor, Beatien Yazz and Ha-So-De.
Métis artist Jaime Black calls her REDress Project an aesthetic response to a critical national issue. Her installations of donated red dresses symbolize missing women, with numbers reaching into the thousands. Quilter Susan Hudson (Navajo) also depicts women’s clothes and moccasins as a reminder of the women who disappeared or were murdered. The upcoming Santa Fe Indian Market organized by the Southwestern Association for Indian Arts is focusing on female strength and resilience and has a number of events dedicated to raising awareness of MMIW. As politicians and women’s advocates work to change local and national policy, so too are artists reminding people of a troubling legacy. We’ll talk with some of them who are exploring the issue of missing and murdered Indigenous women.
The Patrick Lalley Show on Wednesday, Sept. 26, 2018. Guests include: Jennifer White and Hugh Grogan for Northern Plains Indian Arts; Scott Hudson on Weird Friends; Chris Kathol of Quazy, a member of the Nebraska Rock and Roll Hall of Fame who's playing at Club David this weekend. I talk more about the Sioux Falls School Board ridiculousness.
Dr. C. Jill Grady, research associate at the Museum of Indian Arts and Culture and Laboratory of Anthropology in Santa Fe discusses the documentation by Western scholars of peyote use in the New World and its implications for Huichol cultural history. Dr. Peter T. Furst, professor of Anthropology and Latin American Studies, SUNY Albany focuses on his experiences with the Huichol pilgrimage. Once a year, groups of Huichols embark on the 300-mile peyote pilgrimage from their homes in the Sierra Madre Occidental to the north-central state of San Luis Potosi. This colloquium was recorded on September 9, 2010.
David Cornsilk is a modern day Martin Luther King to the Cherokee Freedmen and an outspoken critic of wannabe Indians and frauds David Cornsilk is an enrolled member of the Cherokee Nation who lives in Tahlequah, Oklahoma. He is a genealogist and has a Bachelor of Science Degree from Northeastern Oklahoma State. He is a leading Cherokee nationalist today. He also held a voluntary position as Managing Editor for the Cherokee Advocate, the only non-tribally controlled newspaper in the community. He was also heavily involved in the passage of the Indian Arts and Crafts Act in 1990. This act made it illegal for non- Indian artist to identify his/her art as "Indian art" unless they show proof of tribal enrollment. In 1990 he worked with John Guthrie to expose the problem of Indian art fraud in eastern Oklahoma. Literally hundreds of artists were claiming to be Cherokee with no proof, so they set out to bring the issue to the attention of the public by handing out fliers and writing letters to the editor of local papers. The ensuing conflict, which lead to Cornsilk being physically attacked by one of those artists, is referred to as the "Indian Art War." The attention drawn to the issue helped Congress move on the issue and pass the Indian Arts and Crafts Act of 1990. Both Cornsilk and his father, John Cornsilk, are active in Cherokee Nation and United Keetoowah Band politics and were instrumental in winning citizenship rights for the Cherokee Freedmen as well as equal rights for gay Cherokee citizens. He and his father run the Cornsilks.com website and political blog. http://www.cornsilks.com facebook.com/cherokeesevenstar
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