Podcasts about native art

In this episode, Dr. Farina King is joined by Dr. Gavin A. Healey, a contributing author of COVID-19 in Indian Country and Assistant Professor of Anthropology and Applied Indigenous Studies at Northern Arizona University (NAU). Gavin highlights how Indigenous graffiti and muralism emerged as vital tools of community care and resistance during the COVID-19 pandemic. Drawing from his chapter, “Native American Graffiti and Aerosol Muralism of the Pandemic,” Gavin addresses works by artists such as Ivan Lee (Diné), whose mural of a masked Diné woman sends a COVID-19 warning, and Jemez Pueblo artist Jaque Fragua, whose pieces amplify Indigenous sovereignty and survival. Photographer Kayla Jackson's documentation of pandemic murals adds another dimension to the discussion. Gavin reflects on how these public art forms became acts of visual sovereignty, cultural expression, and collective healing in Indian Country, "demistifying" aerosol muralism.Gavin A. Healey holds an interdisciplinary Ph.D. in American Indian Studies from the University of Arizona with an emphasis in Native Art and public art. His expertise in community-based participatory research and mixed method design aspires to provide agency to individual and community voices with a focus on Native graffiti muralism. This work with collaborators focuses on Native art and Native public art as dialectics of place-making and Native sovereignty. Coupled with his universities' duties, Gavin has spent his career working with Native artists and communities, urban and reservation, as an artist assistant on public murals, curator of museum and gallery exhibitions, and a conscientious ally in community wellbeing. His doctoral research produced the first empirical data collected on Native public art through public surveying. He is working on a forthcoming edited volume with Indigenous artists.Resources:Gavin A. Healey, “Native American Graffiti and Aerosol Muralism of the Pandemic: Alternative Messaging of Community Well-Being,” in COVID-19 in Indian Country: Native American Memories and Experiences of the Pandemic, eds. Farina King and Wade Davies (Palgrave Macmillan, 2024).Gavin Alexander Healey, NAU Directory WebpageMural by Navajo graffiti artist, Ivan Lee in COVID-19 archive.Jaque Fragua (Jemez Pueblo) featured on SODO Track ArtistsKayla Jackson photography, "Creative Cowboy."NAU Applied Indigenous StudiesHoka Skenandore (Oneida, Oglala Lakota, and Luiseno) artist website 

An exhibition at The Whyte Museum of the Canadian Rockies in Alberta celebrates the work of the Indigenous Group of Seven, influential Indigenous artists who, over a period of decades, pushed a new definition of Native art in Canada. We'll also highlight exhibitions honoring contemporary and up-and-coming Native American artists including the University of Tennessee, Knoxville's McClung Museum of Natural History & Culture exhibition, "Homelands: Connecting to Mounds through Native Art", and the Institute of American Indian Art's annual showcase of work by the visual arts graduating class. GUESTS Joseph Sánchez, artist, former curator for IAIA's Museum of Contemporary Native Arts, member of the Indigenous Group of Seven, and co-curator of “The Ancestors Are Talking” exhibit at The Whyte Museum of the Canadian Rockies Kayla Wanatee (Meskwaki Tribe), multi-disciplinary artist and a spring 2025 IAIA Bachelor's of Fine Arts graduate Kassidy Plyler (Catawba), artist and cultural public programs specialist for the Catawba Nation

An exhibition at The Whyte Museum of the Canadian Rockies in Alberta celebrates the work of the Indigenous Group of Seven, influential Indigenous artists who, over a period of decades, pushed a new definition of Native art in Canada. We'll also highlight exhibitions honoring contemporary and up-and-coming Native American artists including the University of Tennessee, Knoxville's McClung Museum of Natural History & Culture exhibition, "Homelands: Connecting to Mounds through Native Art", and the Institute of American Indian Art's annual showcase of work by the visual arts graduating class.

Discover the hidden history of Native American art, a WWII hero's impact on mental health, and the Denver Art Museum's evolution through the eyes of Emmy-winning journalist-turned-novelist Jack Maher. His book Poppy uncovers a remarkable legacy that shaped Colorado's cultural landscape. Don't miss this eye-opening conversation on history, art, and storytelling!==========================================

I had Kathryn Haigh on the podcast today and she is the President and CEO of the Eiteljorg Museum, which is one of my favorite museums in North America. The reason being, for one thing, it's a beautiful building inspired by Ancestral Puebloan architecture. It was founded by Harrison Eiteljorg in 1989 and he put this magnificent collection of Western and Native Art together.I'm happy to say the museum has continued Harrison's mission. It's a large museum  on seven acres in Indianapolis, and they have an incredible Indian market every year in June. They also have an event called Quest for the West, which is a Western fine art show that takes place in September of every year. I've gone to those events and they're terrific.And Katie's story, of course, is fascinating. She's a creative and intellectual person who grew up in Cincinnati, and was propelled into the museum world at an early age. She worked her way up the ranks at the Cincinnati Art Museum, followed by the Fine Arts Museum in Indianapolis, and now she runs the Eiteljorg. So she's quite experienced to say the least.Needless to say, the Eiteljorg is definitely a bucket list museum. To get to speak with the person in charge of such an institution and to really understand how their operation works, and what they're trying to accomplish... It was excellent. There's just some really amazing things in the works over there.So I found it fascinating. Just understanding the path of a museum director and what one does with that level of responsibility. I've spoken to many people in positions of leadership in the museum word but this interview was very unique. I hope you enjoy it as much as I did. This is Kathryn Haigh on episode 341 of the Art Dealer Diaries Podcast.

As Season 9 resumes, we travel to New Jersey's Montclair Art Museum to experience the Museum's stunning new installation, Interwoven Power: Native Knowledge / Native Art and a chat with Laura Allen, the acclaimed curator behind the long-gestating project. Featuring artists including Shan Goshorn, Fritz Scholder, Holly Wilson, Oscar Howe, Rose Simpson, and dozens of others, the installation reimagines and presents a new template for what it means to display Native Art.   

For centuries, Native American art has been viewed through the lens of collectors, art historians, and tourists. But how have Native artists considered their own work? For many tribal artists, there was a financial incentive to create objects that would appeal to non-Natives. But that's changing. Across the U.S., Indigenous artists are fighting stereotypes, protesting cultural appropriation, and carving spaces for their work in museums and galleries beyond those reserved for Native artists. Indigenous Affairs Reporter Debra Utacia Krol, a correspondent for The Arizona Republic, part of the USA TODAY network, joins The Excerpt to discuss how Native art has grown and evolved.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John Kush has been a part of the Chumash community's ongoing expression of unique art and culture since his early childhood. Our guest lives and works within the Chumash ancestral homelands as personal and professional artists and previously worked on several important projects for the Northern Chumash Tribal Council (NCTC). Our guest's artistic legacy spans decades and he joins for the hour to discuss the forthcoming, international indigenous exhibit: Decolonize Native Art (D.N.A.). which comprises of Indigenous artists across Turtle Island who express what decolonization means through their “art” and more. Tune in to hear about the D.N.A. exhibit, Chumash history and contemporary struggles and more. Guest: o John Kush (Chumash Nation) is the principal organizer for the upcoming Decolonize Native Art (DNA), which is being held at the Santa Barbara Community Arts Workshop, 631 Garden Street, Santa Barbara, CA 93101, from 12/13/2024-12/18/2024. Archived AIA programs are on Soundcloud at: https://soundcloud.com/burntswamp American Indian Airwaves streams on over ten podcasting platforms such as Amazon Music, Apple Podcast, Audible, Backtracks.fm, Gaana, Google Podcast, Fyyd, iHeart Media, Mixcloud, Player.fm, Podbay.fm, Podcast Republic, SoundCloud, Spotify, Tunein, YouTube, and more.

Celebrate Native art and culture with Eighth Generation's Inspired Natives Artists. Learn why supporting Native-designed products and art is crucial, and how your support fosters Native prosperity while combating cultural appropriation. Panelists: Founder of OXDX, Jared Yazzie (Navajo/Diné) is a self-taught graphic artist, entrepreneur, and designer known for his bold, graphic style that incorporates vibrant Diné motifs with messages of Native empowerment. Through his bold art and products, both with Eighth Generation and through his own brand OXDX, Jared works to increase awareness of Indigenous issues while simultaneously showcasing the beauty of Native culture. Sarah Agaton Howes is an Anishinaabe-Ojibwe artist, teacher, and community organizer from Fond du Lac Reservation in Minnesota. Widely known for her handmade regalia and moccasins featuring Ojibwe floral designs, Sarah has grown from selling handmade earrings to becoming one of Eighth Generation's best-selling artists in addition to having her own line of apparel, accessories, and more through her nationally-recognized brand, Heart Berry. Michelle Lowden is the proud founder and owner of Milo Creations, which has grown in her years as an artist with Eighth Generation from hand-painted Pueblo jewelry to diving into the world of graphic art. Additionally, she now creates mental health content for social media, specifically designed to support the Indigenous community on their healing journey. An Inspired Natives® Collaborator since 2014, she is the first arts entrepreneur to participate Eighth Generation's Inspired Natives® Project. Nationally-recognized Plains artist John Isaiah Pepion (Piikani/Blackfeet) is an artist and educator living and working in Montana. His instantly-recognizable blend of traditional ledger art and contemporary motifs explores issues of modernity, symbols of Indigeneity, and cultural stories. John's most recent accolades include several gallery shows as well as being the poster artist for Ken Burns' PBS documentary, “The American Buffalo”. Louie Gong (Nooksack) (M.Ed.), founder of Eighth Generation, is a highly influential Coast Salish artist, activist, and social entrepreneur with a knack for bringing people together. In 2008, he founded the iconic lifestyle brand Eighth Generation — the first Native-owned company to produce wool blankets — triggering a movement that has diverted millions of dollars from non-Native corporations to a new generation of Native-owned businesses and artists. By successfully disrupting a colonial system and then selling Eighth Generation to the Snoqualmie Tribe, the creative force completed the blueprint for how to merge values and business — something he refers to as the “Native American Dream.” The Inspired Natives® Project, launched by Louie Gong in May 2014, is both a business initiative and an educational initiative. By collaborating with select arts entrepreneurs to manufacture products under the Eighth Generation brand, we hope to expand the Eighth Generation brand's regional appeal while simultaneously increasing the arts entrepreneurs' capacity and educating the public about the tangible costs of cultural appropriation. Presented by Town Hall Seattle and Eighth Generation.

This week, we'll learn about a podcast exploring books and other K-12 teaching resources on the Native American experience, an emerging embroidery artist, and an upcoming theatre production. Image: "Butterfly Girl.” Embroidery piece by artist Loriene Pearson. 

Explore Leroy Garcia's curation of Contemporary Native Art, on exhibition at Blue Rain Gallery March 15 – 29, 2024 — Santa Fe View artwork from the show here: https://blueraingallery.com/events The Blue Rain Gallery Podcast is hosted by Leroy Garcia, produced by Leah Garcia, edited by Brandon Nelson, and music by Mozart Gabriel Abeyta.

Join us as we welcome the multifaceted Kalyn Fay, a musician and assistant curator of Native Art, to share her inspiring story on Beyond the Art. Kalyn opens up about her evolution from a potential career in medicine to one richly woven with her Native American heritage and love for the arts. Listen in as she recounts her journey of self-discovery and the serendipitous moments that led her to embrace her true calling in music and performance, ultimately guiding her to a significant role at the Philbrook Museum of Art.Explore with us the vibrant world of Native American artists and their lasting contributions across various artistic disciplines. We discuss the importance of recognizing these talents as an integral part of the broader cultural narrative, moving past tokenism to a genuine appreciation for the depth and classical nature of Native American art. Our conversation touches on the power of personal artistic processes, the inspirations drawn from nature and literature, and the profound influence of notable artists like Joy Harjo and Marie Watt on the creative journey.In our final segment, Kalyn and I reflect on the power of artistic expression and its ability to connect with audiences globally. We delve into the nuances of balancing personal growth with the fear of the unknown and the pursuit of happiness. Listen as we emphasize the importance of creating a flexible balance in life, where adapting to shifting priorities can coexist with maintaining one's core values. We leave you with a heartfelt thank you to Kalyn for her insights and encourage our listeners to continue embracing their creativity, as it is through art that we can contribute to a greater understanding and appreciation of Native American culture.

Artist and photographer Theresa Drift of Cook, Minn., and theatermaker Payton Counts of Net Lake, Minn., both saw the “Native American Art: Past and Present” gallery show at the Northwoods Friends of the Arts in Cook. It's a mixture of contemporary and historical pieces by local artists, including paintings, metalwork, birchbark baskets, beadwork and quilting. The show also includes a few pieces from Grand Portage artist George Morrison, a well-known mid-century painter. Counts appreciated the range of the show, which is presented in one room. “I thought it was nice to see a mixture of contemporary as well as older pieces of work, kind of this like partnership of art connecting to the community." “It definitely shows the changing culture and [that] it's not a static thing,” agrees Drift. “It's constantly evolving and growing.” The exhibit runs through Sat., Nov. 25. The gallery is open 10 a.m. to 4 p.m. Thursday and Friday and 9 a.m. to 1 p.m. Saturdays. Art teacher and illustrator Heather Zemien of Brooklyn Park, Minn., has been following Off Leash Theater Productions for the past year, ever since she saw their original “Off-Kilter Cabaret.” She's looking forward to seeing the second annual production this weekend. The cabaret features seven artists living and making art with a range of mental and physical abilities. The performance includes dance, comedy, puppetry, musical composition, spoken word and storytelling. The show is emceed by storyteller Amy Salloway, whose work Zemien has followed since seeing her on stage last year. The show strikes a special chord for Zemien, whose late partner was in a wheelchair. She says she's excited to see and support this all-inclusive show.  “Off Kilter Cabaret” will be performed at the Cowles Center for the Performing Arts in Minneapolis Fri., Nov 17 and Sat. Nov 18 at 7:30 p.m. and Sun., Nov 19 at 2 p.m.  The building is fully accessible. All three shows have American Sign Language and audio descriptions available. Masks are required. Please note: the accompanying music in the radio piece is “Interlude 4” from A.J. Isaacson-Zvidzwa's composition “Angels Sang to Me.” Isaacson-Zvidzwa is one of the seven artists featured in this weekend's “Off Kilter Cabaret.” Philip Muehe, managing director of the Rochester Repertory Theatre, suggests a romantic comedy musical in Lanesboro, Minn., for your entertainment this holiday season. The Commonweal Theatre Company in Lanesboro is staging the musical “She Loves Me” through Dec. 23. The show features cheerful, catchy numbers about two shopkeepers who get on each others' last nerve. Secretly, though, they've become pen pals through a lonely hearts group. When they finally find out that the person with whom they've fallen in love over letters is, in reality, the person right across the shop, heartwarming hilarity ensues.  If that plot sounds familiar, the Commonweal put on an adaptation of the play “Parfumerie” on which the musical “She Loves Me” is based back in 2011. The story was the inspiration for several movies, including the 1998 romcom “You've Got Mail” with Tom Hanks and Meg Ryan.  

This week, Cathy calls BS on Turkey Day and scholar Jeremy Carnes helps us understand the connection between art created by American Indians imprisoned at Fort Marion and the art produced by contemporary indigenous people. The trio also offers their perspective on how they attempt to respectfully observe the fourth Thursday in November.Ever heard of Ledger art?Links We MentionedLedger Art and Comics: The TalkAway from Home exhibit about Indian boarding schoolsBetty Mae Tiger Jumper (a legendary storyteller)Highwater Press (comics)Marvel's Indigenous VoicesRed Planet Books and ComicsAh-Tah-Thi-Ki (Seminole Tribe of Florida museum)nativelands.ca (Who lived where you lived before colonization?)Catalog of Plains Ledger ArtSilberman collection of Native Art (with a lot of Ledger Art) from the National Cowboy and Western Heritage MuseumRed Planet (Now ATCG) books and ComicsHighwater PressThe origin story for America's Indian Boarding Schools begins in St. AugustineLedger drawings produced by American Indians who were prisoners at Fort MarionConnect wth Jeremy:FacebookInstagramBlueskySupport the showWant more Florida? Subscribe to The Florida Spectacular newsletter, and keep up with Cathy's travels at greatfloridaroadtrip.com. Find her on social media: Facebook.com/SalustriCathyTwitter and Instagram: @CathySalustri Have a Florida question or comment? Love the show? Hate it? Let us know – email us at cathy@floridaspectacular.com. Get Rick's books at rickkilby.com/, and make sure to bookmark Old Florida with Rick Kilby (http://studiohourglass.blogspot.com/) and read through the archives. Connect with Rick on social media: Facebook.com/floridasfountainofyouth, Twitter (@oldfla), and Instagram (@ricklebee).

You'll be captivated by our conversation with Awanigiizhik Bruce, an artist of the Turtle Mountain Chippewa, as he takes us on a journey through his multifaceted artistry. From an early age, Bruce immersed himself in various mediums like painting, quill work, beadwork, and jewelry making, inspired by his father and mentors like Terence Green. We unearth his introduction to Ledger Art, the heart of his artwork, and learn about the unique attributes of the Ojibwe piece of art that will leave you longing for more!As we navigate the conversation, Bruce paints a vivid picture of his relentless pursuit to push the boundaries of Native Art. He emphasizes the need for modernity and minimalism in Native Art and sheds light on the idea of viewing futurism through the lens of Indigenous Art. He opens up about his experiences with collaborative art, and his perspectives will make you rethink the conventional norms of artistic creation.In the final leg of our conversation, Bruce lays the groundwork for the empowerment of future generations of artists. He shares his experiences with organizing virtual art shows and his participation in the Chief Buffalo Memorial Mural project - the first large-scale mural project in Duluth, Minnesota created by native artists. Bruce's story serves as a beacon for young artists, emphasizing the importance of seeking help, utilizing available resources, and building a strong support system. His journey, filled with collaborative projects and challenging the status quo, offers valuable insights for those looking to navigate the world of art. So, if you're an art enthusiast or just a casual listener, this episode is a treasure trove of knowledge, insights, and inspiration.

Welcome to Tulsa Talks presented by Tulsa Regional Chamber. I'm your host Tim Landes.  Long before I returned to journalism, I worked for my tribe, Cherokee Nation, for a decade. It was there I helped do media relations for Cherokee Casinos and Cherokee Nation Cultural Tourism. It was in that role I learned about the importance of the art. We're storytellers because up until Sequoyah created the syllabary, the only way to share history was through stories and art. Even with the written language this continues. Over the last 15 years, Cherokee Nation has invested heavily in art. It's actually a Cherokee Nation law that every construction project must incorporate art into the budget.  That's not the case for Muscogee Nation. When the tribe acquired the Cancer Treatment Center and turned it into Council Oak Comprehensive Healthcare, they inherited a massive new facility that would help revolutionize health care for the tribe and open its doors for all area tribal citizens. The team behind the hospital saw an opportunity to not only provide medical treatment, but also help folks heal through art.  Under the curation of Osage Nation citizen Julie O'Keefe, who had helped Bacone College with their Acee Blue Eagle Collection, the tribe purchased and commissioned art from over 30 artists, which has resulted in dozens of pieces of art of all kinds hanging throughout the hospital campus, including some from Yatika Fields and outside in the courtyard, where Kenneth Johnson is creating his largest sculpture to date.  I wrote about this for a feature that is in our May issue of the magazine. I love this story, but due to space limitations I couldn't share all I wanted to from the artists. This is often the case, sadly. Ask any journalist about the content piled on the cutting room floor and they might cry. That said, I realized I had an opportunity to share more from the artists on how important this project has been to them.  Something else that sometimes happens is an interview opportunity comes up after the story goes to press. In this case, hospital officials purchased a painting from legendary Muscogee Nation artist Dana Tiger. She calls the painting her masterpiece. When I learned the tribe had purchased the painting, I jumped at the chance to head down the turnpike to Muskogee to visit with Dana about her art.  First up is Yatika Fields, who is a Muscogee Nation citizen and Cherokee and Osage. He's also a Tulsa Artist Fellow. The health care center acquired many of his paintings and commissioned him to paint his largest to date. He talks about how important it is, but also how there's also the need for more public walls to showcase Native art.  Second is Kenneth Johnson is a sculptor, who resides in Santa Fe. He's logged many miles driving back and forth to work on his courtyard installation, which it turns out has been a family affair.  I close with Dana Tiger, who I recently spent time with in her Muskogee studio, where she beamed with pride as she showed me her children's artwork, which continues a family tradition that began with her late father.  Dana was diagnosed with Parkinson's in 1999, but she hasn't let that slow her down. It means a lot that she took the time to talk to me, and I'm thrilled to share it with you on this episode. A note: you might notice cameos by one or two of her studio cats during the conversation. 

A merchant who sells works by Native artists is under fire for derogatory and offensive comments to Native dancers outside his Scottsdale, AZ shop. The incident revives long-standing concerns about non-Native opportunists exploiting the richness of Native talent. Today on Native America Calling, we discuss ways to ensure you patronize establishments that treat Native artists and craftspeople respectfully and ethically with Cody Blackbird (Eastern Band Cherokee and Dakota descent), six-time Native American Music Award winning artist; Heather Tracy (Navajo), co-owner of Native Art Market; Kandis Quam (Zuni and Navajo), artist with the ARTZ Cooperative Gallery; and Dr. Suzanne Newman Fricke, director of Gallery Hózhó at Hotel Chaco.

A merchant who sells works by Native artists is under fire for derogatory and offensive comments to Native dancers outside his Scottsdale, AZ shop. The incident revives long-standing concerns about non-Native opportunists exploiting the richness of Native talent. Today on Native America Calling, we discuss ways to ensure you patronize establishments that treat Native artists and craftspeople respectfully and ethically with Cody Blackbird (Eastern Band Cherokee and Dakota descent), six-time Native American Music Award winning artist; Heather Tracy (Navajo), co-owner of Native Art Market; Kandis Quam (Zuni and Navajo), artist with the ARTZ Cooperative Gallery; and Dr. Suzanne Newman Fricke, director of Gallery Hózhó at Hotel Chaco.

KTAR Host @JimSharpe takes on the not-so-Native-friendly owner of a Scottsdale shop that sell Native American art. See omnystudio.com/listener for privacy information.

2022 witnessed a rebirth for Native art. More galleries, museums, and art spaces reopened following pandemic restrictions - and organizers brought back public shows featuring Native fashion designers. The Santa Fe Indian Market and the Gallup Inter-Tribal Indian Ceremonial, both a nexus for regional and national Native artists, marked their 100th year. Today on Native America Calling, Shawn Spruce recaps the year in Indigenous art and fashion with Joe Williams (Sisseton Wahpeton Oyate), director of Native American programs at the Plains Art Museum, and Miranda Belarde-Lewis (Zuni and Tlingit), independent curator and assistant professor in the Information School at the University of Washington.

2022 witnessed a rebirth for Native art. More galleries, museums, and art spaces reopened following pandemic restrictions - and organizers brought back public shows featuring Native fashion designers. The Santa Fe Indian Market and the Gallup Inter-Tribal Indian Ceremonial, both a nexus for regional and national Native artists, marked their 100th year. Today on Native America Calling, Shawn Spruce recaps the year in Indigenous art and fashion with Joe Williams (Sisseton Wahpeton Oyate), director of Native American programs at the Plains Art Museum, and Miranda Belarde-Lewis (Zuni and Tlingit), independent curator and assistant professor in the Information School at the University of Washington.

Vanessa Elmore of Elmore Art Appraisals visits with Leroy to chat about trends in the Contemporary Native Art Market. Vanessa is a long time friend of the gallery and has a background in Native American Art. Today she offers art appraisal services & consulting for: individuals, museums, and corporations. Learn more here: http://www.elmoreartappraisals.com/home.html Thumbnail art by Ryan Singer Blue Rain Gallery Podcast is hosted by gallery owner and art dealer, Leroy Garcia. It is produced by Leah Garcia with music by Mozart Gabriel Abeyta (https://mozartgabriel.com).

In this episode, Emily Soderborg shares her experiences attending the Bear Dance with her family on the Ute Mountain Ute Reservation. Emily shares what she learned about the White Mesa Community and their Bear Dance stories and traditions.

Welcome to a new season of the Warrior Life Podcast! Today's episode is a conversation with Chief Lady Bird - a Chippewa and Potawatomi artist from Rama First Nation and Moosedeer Point First Nation in Ontario. She is an interdisciplinary artist, illustrator, muralist, author, and activist whose artistic style is recognizable all over Canada. You can follow her on Twitter https://twitter.com/chiefladybird Instagram https://www.instagram.com/chiefladybird/ You can also buy her new book: Nibi's Water Song here: https://amzn.to/3qZGLJP Link to the YouTube video version of this podcast: TBD - - - - - FOLLOW ME ON TIKTOK https://www.tiktok.com/@pampalmater FOLLOW ME ON IG https://www.instagram.com/pam_palmater/ FOLLOW ME ON TWITTER https://twitter.com/Pam_Palmater FOLLOW ME ON TWITCH https://www.twitch.tv/pampalmater - Please note: Nothing in this podcast/video advocates for violence on Indigenous territories. Please also note: The information contained in this podcast/video should not be misconstrued as legal, financial or medical advice, nor should it be relied on as such. This podcast/video represents fair political comment. - If you would like more information about these issues, you can check out my website at: https://www.pampalmater.com Or you could leave a tip on the Buy Me A Coffee app: https://www.buymeacoffee.com/pampalmater - If you would like to support my work and help keep it independent, here is the link to my Patreon account: https://www.patreon.com/join/2144345 - MY BOOKS: Warrior Life: Indigenous Resistance and Resurgence by Fernwood Publishing: https://amzn.to/3lAleUk Indigenous Nationhood by Fernwood Publishing https://amzn.to/3R5iZqu Beyond Blood: Rethinking Indigenous Identity https://amzn.to/3xN1jcl - NEW WARRIOR LIFE PODCAST MERCH: https://www.teespring.com/stores/warrior-life-2 (Image used with permission of Chief Lady Bird)

Anime, a style of Japanese animation, is wildly popular everywhere. It's no wonder some contemporary Native artists draw from anime styles and vibes for their own works. Today on Native America Calling, Andi Murphy talks with Indigenous graphic artist and designer Ovila Mailhot (Stó:lō and Nlaka'pamux Nations), comic book artist Kayla Shaggy (Diné/Anishinaabe) from Triple Jeopardy Publications, and Dimi Macheras (Ahtna-Athabascan), artist, illustrator, and graphic novelist with 80% Studios, about their love for anime and manga and how they implement the style in their own storytelling.

Anime, a style of Japanese animation, is wildly popular everywhere. It's no wonder some contemporary Native artists draw from anime styles and vibes for their own works. Today on Native America Calling, Andi Murphy talks with Indigenous graphic artist and designer Ovila Mailhot (Stó:lō and Nlaka'pamux Nations), comic book artist Kayla Shaggy (Diné/Anishinaabe) from Triple Jeopardy Publications, and Dimi Macheras (Ahtna-Athabascan), artist, illustrator, and graphic novelist with 80% Studios, about their love for anime and manga and how they implement the style in their own storytelling.

Native Hawaiian lauhala weaver Katherine Kalehuapuakeaula “Lehua” Domingo (1935-) and Hopi ceramicist Al Qöyawayma (1938-) are two elder Indigenous artists and practitioners that each embody lifetimes of experiences through their creative practices. In this episode, guest curator Lehuauakea, a Native Hawaiian artist, draws connections between their work through their shared challenges and celebrations, and how these elements might define the artists' work as contemporary, traditional, or something else entirely. Show Notes and Transcript available at www.aaa.si.edu/articulated

Gavin Shapiro is a digital artist whose ultimate goal is to produce work that makes you smile, and these days he aims to do that by making vibrant, surrealist 3D animation that doesn't take itself too seriously but still retains a high level of quality. He's lived in New York, Osaka and Paris, working on a large variety of projects including tv shows, commercials, outdoor displays, large-format stage visuals, and animations for casino games. His personal work, released under the name “shapiro500,” has been used as visuals at music festivals and concerts all over the world, and has been shown on digital billboards as part of art exhibitions in New York City, Paris and Tokyo. His animations have accumulated hundreds of millions of views across Instagram, Facebook, Reddit, and Giphy, and have been sold as #NFTs on Nifty Gateway and SuperRare since mid-2020. The socials for Web3, starting an Instagram before Twitter. What are the differences? Twitter as a conversation versus Instagram as a gallery. The Social Dilemma - https://www.thesocialdilemma.com/ (https://www.thesocialdilemma.com/)  Beware of online filter bubbles Ted Talk (2014) - https://www.ted.com/talks/eli_pariser_beware_online_filter_bubbles (https://www.ted.com/talks/eli_pariser_beware_online_filter_bubbles) Gavin trying to buy bitcoin at $400 while in Japan, but couldn't figure it out in 2013. Japan's influence on Gavin's work, and how our mutual friend and previous guest Josh (@Awheck) lived there. The evolution of his work form penguins to flamingos back to penguins. Bonding over marathons, with very different experiences.  The different types of animation: 3D rendering; 2d animation (https://deekaykwon.com/ (Deekay)); type animation One of Gavin's early creations that is highly addictive, a game called Squares 2 - https://www.albinoblacksheep.com/games/squares2 (https://www.albinoblacksheep.com/games/squares2)  Finding royalty free music on Audiojungle for NFTs - https://audiojungle.net/ (https://audiojungle.net/)  How Beeple (indirectly) taught Gavin in his early years - https://www.beeple-crap.com/ (https://www.beeple-crap.com/)  Onboarding my mentor AwHeck(Josh) and JackMa https://twitter.com/jackmaschka (https://twitter.com/jackmaschka)  The PFP from him and a collection made with love. https://opensea.io/collection/cryptobeanz (https://opensea.io/collection/cryptobeanz) Thanks for listening! Did you know you can also watch the show on YouTube? Just hit the link below and don't forget to subscribe! https://www.youtube.com/channel/UCmLdoo9oEu2AhkH1cJHemfw (Web3 w/ Me - YouTube)

Examples of Northwest Coast art appear in museums and collections throughout our region, but what does it mean when there is no word for “art” in the language of the people who created it? How might the Indigenous definition of art be far more expansive — demonstrating rich kinship connections and manifesting spiritual power — than a non-Indigenous framework? For anyone who regularly engages with art, these are compelling questions of accountability and cultural respect. In Unsettling Native Art Histories on the Northwest Coast, coeditors Kathryn Bunn-Marcuse and Aldona Jonaitis considered how Northwest Coast art is inseparable from its communities, demonstrating kinship connections, manifesting spiritual power, and far beyond. Together with over a dozen other contributors, the book brings Indigenous understandings of art to the foreground, recognizing its rich context and historical erasure within the discipline of art history. Aiming to “unsettle” Northwest Coast art studies, the collection of essays centers voices that uphold Indigenous priorities, integrates the expertise of Indigenous knowledge holders about their artistic heritage, and questions current institutional practices. Bunn-Marcuse, Jonaitis, and Neel joined us for a virtual discussion about decolonization work in museums, the role of women in transmitting cultural knowledge, examining artwork as living documents, and more. Kathryn Bunn-Marcuse is director of the Bill Holm Center for the Study of Northwest Native Art, curator of northwest Native art at the Burke Museum, assistant professor of art history at the University of Washington, and coeditor of In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum.  Aldona Jonaitis is former director of the University of Alaska Museum of the North, professor of anthropology at the University of Alaska Fairbanks, and author of Art of the Northwest Coast and The Yuquot Whalers' Shrine. Lou-ann Ika'wega Neel is the granddaughter of Ellen Kakasolas Neel, and is also a practicing visual artist in the areas of wood carving, jewelry, textiles, and digital design. Lou-ann was the Repatriation Specialist at the Royal B.C. Museum in Victoria, B.C. There, her work involved reconnecting artists with the treasures created by their ancestors and assisting First Nations communities to ensure the safe return of their Ancestors' Remains to their respective homelands. Buy the Book: Unsettling Native Art Histories on the Northwest Coast Edited by Kathryn Bunn-Marcuse and Aldona Jonaitis  Presented by Town Hall Seattle. To become a member or make a donation click here. 

Today's podcast is a little different. Instead of me doing the interviewing, I am actually going to be one of the people on a panel. The panel consists of myself and Davison Koenig, who is the director of the Couse-Sharp Historic Site in Taos, New Mexico. It's a great museum and I highly recommend going and visiting it. The moderator is Michael Clawson, who is one of the editors at the Western Art Collector, as well as Native American Art Magazine. It was a really fun and interesting discussion that centered around the intersection of Western and Native American art in museum and private collections alike. We talk about where Western art is headed and where Indigenous art is making inroads, as well as some other relevant topics of discussion.We run the gamut of what's going on, not just as I see it as a gallerist, but as Davison sees it as a museum director, and then how Michael sees it as a writer and editor of, not one, but two leading publications in the field. I hope you enjoy it, and you can thank Michael Clawson for putting it together.

This episode of Not Invisible: Native Peoples on the Frontlines features a conversation with artist and activist, Sarah Sense.  LeAndra and Sarah discuss Sarah's international project, Weaving the Americas a Search for Native Art in the Western Hemisphere, her journey as an artist from childhood through motherhood, and her latest work on decolonizing maps.Learn more about Sarah and check out her work at sarasense.comVisit our webpage for a transcript of this episode.Support the show (https://www.patreon.com/redhouseseries)

Partnering with Native TribesOver the past three years, Brenda Beyal and her Native American Curriculum Initiative team have worked to create a culture of respect and inclusivity, building relationships of collaboration and creating lesson plans that include the native voice. The inception of this work began when the NACI team asked  representatives from native tribes, “What do you want the children of Utah to know about your tribe?” Teaching artists collaborated with tribal representatives to create lesson plans with relevant and appropriate content, as well as a tribal seal of approval.As the NACI team worked with tribal representatives and other partners across the state, seven principles emerged as a code of conduct and philosophy for how the team and partners engage in the NACI initiative.1. Embrace Partnership & ReciprocityThe first principle is to embrace partnership and reciprocity. Cally, Brenda, and Heather reflect on an experience with the Northwestern Band of the Shoshone Nation. Patty Timbimboo Madsen contacted the NACI team, looking for someone that could film the nations annual commemoration ceremony of the Bear River Massacre—the largest single slaughter of Native American lives in American history. Heather reflects on the sacredness of the event and the privilege of helping this tribe reclaim their story. Reciprocity—the act of offering something without expectation of receiving anything back—always leads to receiving more than you give. 2. Know Your Own CultureKnowing your own culture is the second principle: everyone participates in a multifaceted culture with many layers. Taking time to learn and embody our own culture enables confidence and deep listening when learning about other cultures. Developing awareness around the traditions and values of your family's culture makes it easier to be curious about other groups and how they explore and live those same aspects in different ways. 3. Ask with Genuine Intent, Listen AttentivelyAsking with genuine intent and listening attentively is the third guiding principle. At the onset of the initiative, the NACI team asked native people, “What would you like the children of Utah to know about your tribe?” Listening with genuine intent and letting go of preconceived answers enabled the team to receive their authentic answer. 4. Accepting ‘No' GracefullyThe fourth principle is accepting the ‘no' gracefully. Often the NACI team asked questions, hoping for a certain answer but quickly learned that they were in the wrong. Disingenuous conversations or manipulating a ‘yes' out of someone are not really consent: it's not a true offering and it's not a real partnership. Accepting the ‘no' completely and gracefully empowers both the giver and receiver, opening the door for more meaningful opportunities and conversations.5. Allow the Time Needed for Authentic GrowthThe fifth guiding principle is to allow the time needed for authentic growth. At the outset of her work, Brenda assumed meeting all the tribes in a conference room and asking questions would provide all the content they needed. Three years later, the team still works to build authentic relationships. Trust, understanding, and a willingness to share takes time— there can be no deadlines. 6. Importance of Original SourcesPrinciple number six is the importance of original sources. Using multiple voices and broad perspectives helps the NACI team make sure they are bringing forward accurate and authentic sources in history into the present moment. Seeking authentic voices actively helps establish relationships, balance perspectives, and enrich lesson plans. 7. Assume Goodwill, Learn from MistakesThe last principle is to assume goodwill and learn from mistakes. NACI team members gently inform each other of new information so they can learn to do better. Mistake-making is an inevitable aspect of learning for everyone involved: partners, tribal members, and other collaborators are all experiencing a process of trial and error: growing together requires respect and grace from all sides. Weaving a Tapestry of Understanding and CollaborationBringing the seven guiding principles together into a coherent whole, Brenda shares a memory of her mother, a Diné, Navajo weaver, setting up her loom. The part of the loom holding the vertical threads is called the warp. The warp provides foundational support to the intricate designs created by the weft threads, just as the guiding principles of the Native American Curriculum Initiative act as the warp of the tapestry that their team is weaving. Every part of the NACI, whether it's working with artists, tribal nations, or partners like UEN or USBE, is woven through these guiding principles that help amplify native voices. Cally hopes the guiding principles will help others move forward, weaving a tapestry of understanding and reciprocal relationships in cultural situations.Follow Us:Native American Curriculum Initiative Mailing ListBYU ARTS Partnership NewsletterAdvancingArtsLeadership.comSubscribe on Apple PodcastsSubscribe on SpotifyInstagramFacebookPinterestDon't forget to peruse the bank of lesson plans produced by the BYU ARTS Partnership in dance, drama, music, visual arts, media arts, and more. Search by grade level, art form or subject area at www.education.byu.edu/arts/lessons.

Cally Flox and Brenda Beyal share how the Native American Curriculum Initiative (NACI) came to be through empathetic observation, vulnerable conversation, and important questions.

In this month's "Featured Business" series of the Self-Care Goddess Podcast, I interviewed Tom Chapman from Upper Canada Native Art. Upper Canada Native Art is located in the heart of beautiful and historic, Niagara-on-the-Lake, Ontario. Specialising in Inuit and Haudenosaunee (Iroquois) art and unique and exquisite giftware celebrating and promoting Canadian Native Artisans. For more than 30 years, you have been working directly with Native artists across Canada. This personal, deep involvement in the people and the art make their collection one of the most unique and finest in North America. I personally came across Upper Canada Native Art in the spring of 2021 when I bought beautiful, handmade dream catchers adorned with gemstones for all the women in my family. I bought a beautiful music CD and some candles as well. Many thanks to Tom and the team for continuing to keep bridging the gap between the artists and the collectors. Making their art more accessible to all. Check out the collection on www.uppercanadanativeart.com or visit the shop on Niagara-on-the-lake. ===================== ▸ Kick start your day with the Savoia Self-Care Morning Routine https://bit.ly/SSCMorningRoutine ▸ If you enjoyed this episode and it was helpful please share it with your loved ones or a friend and check out www.savoiaselfcare.com for more amazing wellness tips. ▸ Please also leave us a rating now on apple podcast, take a screenshot and send it to info@savoiaselfcare.com. We will reply with a gift as a grateful THANK-YOU! ▸ If you want to upgrade your healthy living and take it to the next level, be sure to join us next week! ===================== With immense gratitude and thanks to our sponsor: ▸ St. Lucian Seam Moss | www.stlucianseamoss.co ===================== // F O L L O W ▸ instagram | @savoiaselfcare | https://bit.ly/3s8eteA ▸ facebook | /savoiaselfcare | http://bit.ly/2Mg2jBm ▸ twitter | /rsavoia | https://bit.ly/3dyokqk ▸ linkedin | https://bit.ly/2OSFsfT ▸ email | info@savoiaselfcare.com ▸ website | www.savoiaselfcare.com ===================== Disclaimer: This podcast is for information purposes only. Statements and views expressed on this podcast are not medical advice. This podcast including Rita Savoia disclaim responsibility from any possible adverse effects from the use of information contained herein. Opinions of guests are their own, and this podcast does not accept responsibility of statements made by guests. This podcast does not make any representations or warranties about guests qualifications or credibility. Individuals on this podcast may have a direct or non-direct interest in products or services referred to herein. If you think you have a medical problem, consult a licensed physician.

This week, Host Joey Lovato is joined by Washington Post Soccer Reporter Steven Goff and Indy Reporter Howard Stutz to talk about Major League Soccer considering Las Vegas for their next expansion team. Then, Reporter Jazmin Orozco Rodriguez talks with Indigenous artist Melissa Melero-Moose about finding her voice in her art and her goal to … Continue reading "Soccer in Vegas, elevating Native art, and debating vaccine mandates" The post Soccer in Vegas, elevating Native art, and debating vaccine mandates appeared first on The Nevada Independent.

This week, Host Joey Lovato is joined by Washington Post Soccer Reporter Steven Goff and Indy Reporter Howard Stutz to talk about Major League Soccer considering Las Vegas for their next expansion team. Then, Reporter Jazmin Orozco Rodriguez talks with Indigenous artist Melissa Melero-Moose about finding her voice in her art and her goal to … Continue reading "Soccer in Vegas, elevating Native art, and debating vaccine mandates"

This week, Host Joey Lovato is joined by Washington Post Soccer Reporter Steven Goff and Indy Reporter Howard Stutz to talk about Major League Soccer considering Las Vegas for their next expansion team. Then, Reporter Jazmin Orozco Rodriguez talks with Indigenous artist Melissa Melero-Moose about finding her voice in her art and her goal to … Continue reading "Soccer in Vegas, elevating Native art, and debating vaccine mandates"

Today’s hosts are David Cournoyer, Ogimaa Giniw Ikwe and Louis Eagle Thunder. David talks Native Art! Discussion with guests Joe Allen (Gizhiigin Arts Incubator) & Chad Poitra (Tiwahe Foundation).

Eighth Generation is a retailer that had to close its Seattle store early in the pandemic but blossomed online. It features wool blankets and other items produced by Native artists. Also, more signs of recovery in new data on orders for long-lasting goods and weekly unemployment aid claims. And, bank profits were up nearly 30% in the first quarter this year, but the same report finds lending fell, driven by a drop in credit card balances. We take a closer look at how consumers are spending. Your support powers nonprofit news — become a Marketplace Investor before Thursday to help us reach our fundraising goal: marketplace.org/givemorning

Eighth Generation is a retailer that had to close its Seattle store early in the pandemic but blossomed online. It features wool blankets and other items produced by Native artists. Also, more signs of recovery in new data on orders for long-lasting goods and weekly unemployment aid claims. And, bank profits were up nearly 30% in the first quarter this year, but the same report finds lending fell, driven by a drop in credit card balances. We take a closer look at how consumers are spending. Your support powers nonprofit news — become a Marketplace Investor before Thursday to help us reach our fundraising goal: marketplace.org/givemorning

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

On this episode, Kathleen Ash-Milby and John P. Lukavic are joined by multi-hyphenate Native artist, Virgil Ortiz. With his work in subversive clay sculptures, futuristic fashion design, and a years-long science-fiction film & museum exhibition project about the 1680 Pueblo Revolt, … Continued

I had Forbes and Essential West writer Chadd Scott on the podcast today. Chadd is such an energetic person that it's hard not to get revved up when I get to talk to someone that is even more enthusiastic about art than I am, and it's hard to find because I really love art. Whether it's collecting, seeing art, or being around artists. Chadd has that, right? He has that in spades! Chadd was involved in the sports world working for ESPN, in all these major sporting areas as an announcer, as a writer, and then got the art bug, something I can relate too. He fell in love with art and had to follow his passion and let me tell you he's following his passion. I think he's an important person in our community and somebody to really follow closely to see what he's doing. If you want to see what you can do and what you can become if you love art -then listen to Chad Scott. Follow Chadd's journey through the art world here:https://www.seegreatart.art

Season 3, Fall Semester 2020In February 2015, as part of Theater Emory’s Global Voices program, Michael Evenden, a professor of theater studies, holds a Creativity Conversation with playwrights Diane Glancy and Jack Dalton. Watch the original conversation.We want to acknowledge that some years after this conversation, Dalton was sentenced to 2 years in prison for attempting to engage in sexual abuse with a minor. We do not condone these actions. We are approaching this podcast episode with the focus on creativity and creativity in conversation with other artists.This conversation is introduced by host/Arts at Emory employee Maggie Beker and Emory College student Nestor Lomeli. Beker and Lomeli introduce the podcast and discuss Lomeli's experiences as a 1st generation college attendee and the importance of telling untold stories.This program is part of the Rosemary M. Magee Creativity Conversation endowed series.

NATIVE ARTIST by INDIGEFI The words “Native Art” have a certain connotation that the new Native Artist podcast, NATIVE ARTIST hopes to break down.Through NATIVE ARTIST, Alexis Sallee (host of the weekly radio program INDIGEFI) dives deep into conversation with indigenous artists from across Alaska, America and Canada, that each have a different discipline and a story to tell about navigating these fields while reclaiming native identity.

Native Hawaiian and Grammy-nominated, Henry Kapono, is a multiple award-winning vocalist, guitarist, songwriter, and composer. Equally known for his community support and philanthropic endeavors, Kapono recently launched "The Henry Kapono Foundation" in 2018 with a mission to "support the community through music and the arts and by giving with Aloha." He was also on the podcast last year.   Barry Flanagan is an American Singer-Songwriter, Musician, Record Producer and founder/co-founder of the acclaimed Hawaii-based musical duo "HAPA".  Flanagan is known for his Songwriting, Record Producing, Guitar skills and vocal performances. In 1980, Flanagan moved to Hawai'i to dedicate a year of research and study of of two indigenous Hawaiian Arts: Kiho 'Alu, or "Slack Key Guitar" and "Haku Mele", Hawaiian Poetic Song Composing. It was after hearing the music of American Musician and Film Score Composer Ry Cooder's work with iconic Hawaiian Slack Key Master Gabby Pahinui that inspired Flanagan's sojourn to Hawai’i to explore these two Native Art forms. Flanagan immersed himself in Hawaiian Culture and Art, seeking out Native Speakers, Teachers and Composers of Hawaiian Songs, passionately studying indigenous Art forms with Hawai'i as the backdrop. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/maleko-and-flash/support

Rosalie Fish is a member of the Muckleshoot and Cowlitz tribes and is a competitive runner and college student. Rosalie made national headlines when she painted a red hand over her face in order to represent Missing and murdered Indigenous women (MMIW). She also painted the MMIW hashtag on her leg and ran races for specific Indigenous women. Her actions of bravery have helped spark greater awareness about this issue and the issue of violence within a larger North American historical context.Rosalie and I talk about Native Art, philosophical questions, running, something and nothing and making a difference. Rosalie is a hero and an inspiration.  

Christi Belcourt is a Michif (Métis) visual artist with a deep respect for Mother Earth and the traditions and the knowledge of her people. In addition to her paintings, she is also known as a community-based artist, environmentalist and advocate for the lands, waters and Indigenous peoples. Her meticulous painted renditions of beaded designs can be found in many museum's permanent collections. She has also won numerous art awards and accolades.Each painting is an explosion of life transmitting the interconnectedness of all-natural elements. Christi has an uncompromising voice regarding Indigenous rights, protection of the environment and its biodiversity, all the while honouring the spiritual aspects of her culture.In this conversation, we talk about the revitalization of Indigenous culture with its powerful art and cultural renaissance all over North America. We talk about how we can all connect to Mother Earth no matter what our background is. Christi also shares about all the work done by the Onaman Collective here in Canada to help conserve Indigenous culture and traditions.Support the show (https://www.patreon.com/gaiaorion)Support the show (https://www.patreon.com/gaiaorion)

In this episode, we explore the art and life of Choctaw-Chickasaw artist Norma Howard and the importance of documenting Native American art across the state of Oklahoma.   View the show notes here.

Long-time Native American art dealer Chris Selser sits down with Dr. Mark Sublette during Indian Market in Santa Fe to reflect on 50 years of being involved in the Antique Native Arts industry. Selser discusses his upbringing and how several key events changed his trajectory into becoming an expert in Navajo weavings and jewelry. We hear about the romanticizing of Woodstock, the proliferation of Native jewelry into the New York department stores in the 1970s. Chris discusses his 1981 New York City Native American Art Gallery and it's demise from the 1982 recession. Chris now is focusing not only on Indian art but as a farmer in the Santa Fe area.

In this episode, I speak with Miriam Williamson the Curator of the Birdland exhibition to be at Mount Victoria Museum. Opening: 2pm 9th November 2019 and runs until 1st December 2019Hours: 12:00 – 3:00 pm, Saturday and Sunday.Entry fee: Adult $5 and Children: $1 About: The exhibition is curated by Miriam Williamson, and funded by the Blue Mountains City Council, City of Arts Trust, Birdland invites four local artists to develop works in response to the bird specimen collections held by the Museum.  In 1943 Ward moved to the Blue Mountains and opened his Gallery of Natural History and Native Art in a long, narrow fibro building at the Hydro Majestic Hotel, Medlow Bath. On his death, his collection was divided between the Australian Museum and the Mt Victoria Museum. Event: https://www.facebook.com/events/2507283419495048/ Facebook:https://www.facebook.com/MountVictoriaMuseum Also, listen and subscribe here: iTunes: www.askroz.live/iTunes_Podcast TuneIn Radio: www.askroz.live/TuneIn_Podcast Spotify: www.askroz.live/Spotify_PodcastCastBox: https://askroz.live/CastBox_PodcastAsk Roz Blue Mountains Web: askroz.com.au Facebook: facebook.com/AskRozBlueMountains Apple App: askroz.live/AR_BM_Free_Apple_App Android App: askroz.live/AR_BM_Free_Android_App

Jan Musial sits down with host Dr. Mark Sublette to discuss his love of Native American Art and how he became a dealer in the Indian art trade. Jan goes into depth about how being married to a Navajo woman changed his perspective on the art he had been collecting and selling. Jan worked as an LA County firefighter before transiting into Indian Arts. Jan explains his relationship with some of the best known Navajo painters including Harrison Begay, Shonto Begay, Gerald Nailor, Beatien Yazz and Ha-So-De.

In this episode I discuss the topic of Native Art with Miqaela Jones, a Shoshone-Paiute artist, and Victoria Jackson a Shoshone-Paiute photographer and much more. I wanted to learn how to better support and show interest in Native Art, in a time where many imitations crowd the market. Both these women blew me away with how open and honest they were with my questions. If anything can be gleaned from this episode, I hope you learn to approach Native-made art with more intent and the desire to learn about the hands that created it. Give these gals a follow, what amazing women they both are! Micqaela's art can be found at http://www.artbymicqaela.com/ Victoria's photography and more can be found at https://vhangingheartmedia.com/

Few people have created art across as many disciplines as Joy Harjo. Even fewer have achieved her level of success. The Tulsa native and member of the Muscogee Creek Nation is best known for her poetry, which she writes as "a voice of the indigenous people." Since the 1970s, she has published 12 books of poetry, which have won her myriad awards: the prestigious Ruth Lilly Prize, a Guggenheim Fellowship, the Josephine Miles Poetry Award, the William Carlos Williams Award, the American Indian Distinguished Achievement in the Arts Award, the American Library Association’s Notable Book of the Year, to name just a few. Her memoir, “Crazy Brave,” which details her troubling childhood and her journey to becoming a poet, won the PEN USA Literary Award for Creative Non-Fiction. She reflects on that memoir — and the personal history it forced her to confront — during our interview.Joy Harjo first studied visual art — and absolutely loved it. But there was a moment in college where her focus shifted, transforming her from an artist into a poet.This episode of Tulsa Talks is brought to you by the Tulsa Regional Chamber.Most recently, Joy was the Chair of Excellence in the Department of English at the University of Tennessee, Knoxville. Prior to that, she was a professor of English in the American Indian Studies department at the University of Illinois, Urbana-Champaign. She has also taught at the Institute of American Indian Arts, Arizona State University, and the universities of Colorado, Arizona and New Mexico.Harjo also is an accomplished vocalist and instrumental musician, playing a menagerie that includes the guitar, ukulele, bass, flute and saxophone. Her music often incorporates the spoken word. She has produced 5 award-winning albums and is a recipient of the Native American Music Award for Best Female Artist of the Year. She performs extensively nationally and internationally with her band, Arrow Dynamics.Jerry Wofford from the Woody Guthrie Center dropped by to talk about the musical line-up for the center’s Sixth Anniversary Celebration April 26-28.Be sure to check out these great musicians performing at Guthrie Green, for free, April 26-28. More information can be found at woodyguthriecenter.org. Joy Harjo’s poetry has diverse themes as complex as the artist herself: her ancestry, indigenous values, feminism, politics, individual struggle, what it means to be human. Now, at age 67, her work continues to evolve. In January she began a Tulsa Artist Fellowship to continue her exploration of poetry and music. Follow us on Twitter and Instagram, @TulsaPeople, or head to our home on the web, TulsaPeople.com/podcast. There, you’ll find show notes and more info about our guests and topics. Every episode, we play you out with s

Native Art Department International is a collaborative long-term project created and administered by Maria Hupfield and Jason Lujan. As artists-in-residence with Fourth Arts Block and Downtown Art during the first six months of 2018, Native Art Department International conducted three interviews with people, each with deep histories and connections to the Lower East Side. Paul Castrucci, Architect. Paul is a Passive House trained designer whose Lower East Side firm specializes in sustainable residential architecture, community centers, public gardens, and artist’s studios. The firm’s services are focused on new buildings that are Passive House and Net Zero certified; they also provide rehabilitation of existing structures and as energy conservation and code consultation. artWork is FABnyc's podcast exploring how art works in the world. Launched in 2016, artWork is an ongoing conversation with culture makers on the role arts and culture can play in strengthening communities. artWork is currently produced by FABnyc, hosted by Executive Director Ryan Gilliam with Associate Producer, Michael Hickey. artWork was originally conceived by former Executive Director Risa Shoup and Denise Shu Mei.

A company is under fire for selling fake indigenous artifacts across Australia. Birubi Art Propriety Limited, a popular Australian souvenir company, sold more than 18,000 artifacts between July 2015 and November 2017. These souvenirs, including boomerangs and didgeridoos /ˌdijərēˈdo͞os /, were supposedly crafted by Aborigines, the indigenous people of Australia. However, real-life Aboriginal artists learned that Birubi's products were actually produced in Bali, Indonesia. The artists reported the company to the media, who, in turn, reported it to the Australian Consumer and Competition Commission (ACCC). Selling souvenirs made outside Australia is not a crime unless the sellers state that the products were locally made. Investigators found that some souvenirs from Birubi had deceitful labels, stating that the products were genuinely made in Australia. Because of this, the ACCC filed a case against Birubi and took it to federal court. The court found Birubi guilty and is planning to impose penalties, such as fines, on the souvenir company in the future. On another note, Birubi is not the only company found guilty of selling fake indigenous Aboriginal artifacts across Australia. Earlier this year, six stores owned by the resort Surfers Paradise were discovered to also sell some fake indigenous Australian souvenirs. These souvenirs were actually made either in Indonesia or China. Another company, Jabiru Boomerangs, has no Aborigines among its staff, but it claims to produce authentic Aboriginal boomerangs. Other companies do the same, and figures show that the industry of selling fake Aboriginal artifacts currently generates millions of dollars for the deceitful companies.

Native Art Department International is a collaborative long-term project created and administered by Maria Hupfield and Jason Lujan. As artists-in-residence with Fourth Arts Block and Downtown Art during the first six months of 2018, Native Art Department International conducted three interviews with people, each with deep histories and connections to the Lower East Side. Muriel Miguel, Playwright, Artistic Director of Spiderwoman Theater. Born in Brooklyn, Muriel co-founded Spiderwoman Theater Ensemble in 1976; it is the oldest feminist theater in North America. Muriel is a 2016 Guggenheim Foundation Fellowship recipient, and is a member of the National Theatre. She continues to direct, perform, and teach in-residence at Amerinda. artWork is FABnyc's podcast exploring how art works in the world. Launched in 2016, artWork is an ongoing conversation with culture makers on the role arts and culture can play in strengthening communities. artWork is currently produced by FABnyc, hosted by Executive Director Ryan Gilliam with Associate Producer, Michael Hickey. artWork was originally conceived by former Executive Director Risa Shoup and Denise Shu Mei.

Native Art Department International is a collaborative long-term project created and administered by Maria Hupfield and Jason Lujan. As artists-in-residence with Fourth Arts Block and Downtown Art during the first six months of 2018, Native Art Department International conducted three interviews with people, each with deep histories and connections to the Lower East Side. Dave Powell, Executive Director of Cooper Square Mutual Housing Association. Cooper Square MHA is committed to the preservation and development of tenant-controlled and cooperatively owned affordable housing. In addition to serving as a nonprofit affordable housing manager, developer, and owner, Cooper Square MHA works in coalition with other groups to promote the preservation and development of affordable housing throughout the Lower East Side of Manhattan. artWork is FABnyc's podcast exploring how art works in the world. Launched in 2016, artWork is an ongoing conversation with culture makers on the role arts and culture can play in strengthening communities. artWork is currently produced by FABnyc, hosted by Executive Director Ryan Gilliam with Associate Producer, Michael Hickey. artWork was originally conceived by former Executive Director Risa Shoup and Denise Shu Mei.

Native American Art Collector and Historian Jerry Freund shares his life experiences as an avid collector and student of Native American culture. Growing up in Dodge City Kansas ingrained in Jerry a sense of history and a respect for Native people and their art. A four-year stint as a Titan airman gives you a sense of the uncertain 1960's and what it was like to be one step away from a nuclear button, that could destroy the world. A must hear for all that want to understand why a generation of kids growing up with the Gunsmoke and Western movies found Native culture so compelling and how one painting by Woody Crumbo changed Jerry's life.

High school and middle school Native Art teacher Ronnie Fairbanks talks teaching Native Art, the value it brings to a community and individual creativity within a traditional art form. Also, how do you bend wood to make a box? Ronnie knows.

This month on Amplified Oklahoma, we’re examining the influence of Cheyenne artist Dick West on the lives of two women who began their careers at a time when there was rarely a recognized professional Native woman artist. From the Oklahoma Oral History Research Program’s archives, we’ll hear interview excerpts from Sharron Ahtone Harjo and Joan Hill, two artists who share Bacone College as their alma mater and who studied under West. Later, we’ll sit down with Dick West Jr. to learn more about his father’s legacy in the revival of the Bacone College art department through the advancement of Indian artists. Amplified Oklahoma is a production of the Oklahoma Oral History Research Program at the Oklahoma State University Library. Show notes: https://library.okstate.edu/news/podcast/episode-21-dick-west%E2%80%99s-impact-on-native-art

This week, the Spirit & Place Festival explores power, the Ann Katz Festival celebrates books, films, food, and more, and Native Art Now showcases the best of the Eiteljorg's Contemporary Art Fellows' work. Plus, photographer Bill Foley creates stunning portraits of nuns, and teen composer Ashton Gleckman scores films. Don't miss out - tune in!

For generations, political cartoonists have used their art and satire to editorialize on complex cultural and political issues. Today’s guest, Marty Two Bulls Sr, is an award-winning Oglala Lakota cartoonist who has spent the last few decades creating political cartoons for both native and non-native media outlets. We talk about his art and issues currently facing the native community—especially the Oglala Lakota Community on the Pine Ridge Reservation in South Dakota. You can learn more about Marty Two Bulls Sr. and see some of the prints we discussed on today’s episode by visiting m2bulls.com

On Friday, February 6th, McKissick Museum welcomed several distinguished scholars for a panel discussion revolving around issues of Native American artistic sovereignty. Panelists included Gabrielle Tayac (Historian, National Museum of the American Indian, Smithsonian Institution and member of the Piscataway Nation), Nancy Palm (Assistant Professor,University of North Carolina, Pembroke), Jenny Tone-Pah-Hote (Assistant Professor, University of North Carolina, Chapel Hill and member of the Kiowa Tribe), and Christopher Olszewski (Artist and Professor of Foundation Studies, Savannah College of Art and Design). Moderator was USC Faculty member Courtney Lewis and panel discussant was Stephen Criswell, Director of the Native American Studies Program at USC Lancaster.