Podcasts about krzysztof kieslowski

Elwood and Stephen look at the second film in Krzysztof Kieslowski's Three Colours trilogy, Polish immigrant Karol Karol (Zbigniew Zamachowski) finds himself out of a marriage, a job and a country when his French wife, Dominique (Julie Delpy), divorces him after six months due to his impotence. Now smuggled back to his homeland Karol plot his revenge.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.You voted for it, we watched it.We discuss the winner of our Patron Poll, Krzysztof Kieślowski's The Double Life of Veronique - A new film to both Hit Factory hosts, and one that has become an instant favorite.Enigmatic, ethereal, and steeped in a gentle magical realism, the film finds ways to make grand the quotidian and the interior emotional plane of existence, transcending attempts to articulate its power and majesty with mere words.We discuss the brilliant Irène Jacob, whose dual performance as Weronika and Veronique communicates an entire world of feeling with her eyes, and we ask if this is perhaps the most beautiful anyone has ever been onscreen. Then, we make meaning of the film's many distinct totems of symbolism - refracted images, melodies, marionettes, and their significance as links not just to the film's two protagonists, but to the imperceptible bond between all people. Finally, we discuss director Kieślowski's initial plan to release hundreds of slightly different iterations of the film in various theaters across the globe, and how the film's subtle graces are made more meaningful by their potential absence.....Our theme song is "Mirror" by Chris Fish.

This week on the #WatchTowerFilmPodcast we tackle a very complex and tragically beautiful trilogy that has yet to become a household name colletciton of films. We're discussing Krzysztof Kieslowski's Three Colors Trilogy! Join us as we discuss its basic humanistic themes enveloped in an elegant packaging of provocative perspective. How the French flag (and its meaning) influenced the making, and just how intricate the layers stack on top of each other for each of these beautiful stories. All this and more on this week's show! Please help us by SUBSCRIBING, LIKING, COMMENTING, and SHARING.

Esta semana vimos "Amator" de Krzysztof Kieslowski.

WE'RE BACK! This is the very first exciting episode of our brand new season of The Directors Take Podcast,  In this episode we'll be speaking to Weronika Tofilska who is the lead director (Eps1-4) of the Netflix global phenomenon BABY REINDEER. As ever we break down directing craft to gain a greater understanding of how this smash hit show was created. This conversation includes:   -Weronika's journey into filmmaking. -Her experience of film school in Poland and in the UK. -How she navigated the filmmaking wilderness. -How she got her first break as a TV Director. -Her process for interviewing. -How she evolved her process for working in television. -Creating a bespoke visual language for Baby Reindeer. -Working with the show's creator Richard Gadd. -Her directing process. -How she wrote Love Lies Bleeding with Rose Glass.   Our wonderful sponsor for this episode is The National Film and Television School.   Bio Weronika Tofilska is a London based Writer and Director, a graduate of Krzysztof Kieslowski's Film School  in Poland and National Film and Television School in the UK.    They've made several successful short films including LAST TRAIN, which won multiple awards at Polish and Internation film festivals, they've made Dark Comedies such as THE PATIENT, SUICIDE IS EASY and horror/comedy PINK and BLUE which won FrightFest Short Film Competition as well as the Channel 4 Horror Short DOORKEEPER. You can watch a lot of these on her website.    With the success of her short works, she has begun making her name in TV directing on the Netflix Show IRREGULARS, with Amazon on the show HANNAH, on HBOs His Dark Materials and most recently has directed the first four episodes of the smash hit Netflix Show, BABY REINDEER which is written and created by, as well as starring Richard Gadd.  She is in development on her feature project POLYPHONY with Film4 and also co-wrote LOVE LIES BLEEDING   Nuggets of the week Weronika: Jerry Seinfeld wisdom. Oz: Go to the lake district. Marcus: Take the time to celebrate your wins as they happen.   Credits Music by Oliver Wegmüller   Socials Weronika: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.  

Špeciálna, tematická epizóda filmového podcastu denníka SME – Vertigo. Do našich kín prichádza kvalitná dramédia The Holdovers so slovenským názvom Zimné prázdniny, ktorá nás vracia do 70. rokov minulého storočia. Preto sme sa rozhodli, že sa na 70. roky pozrieme podrobnejšie a to konkrétne na úžasné snímky, ktoré sa narodili spolu s autormi Vertiga v rokoch 1974 a 1979. Boli to mimoriadne kvalitné filmové roky, ktoré sa už asi nikdy nebudú opakovať. (00:00) Úvod (00:59) Zimné prázdniny / The Holdovers / r. Alexander Payne  (10:00) Čínska štvrť / Chinatown / r. Roman Polanski  (18:23) Plechový bubienok / Die Blechtrommel / r. Volker Schlöndorff  (26:32) Krstný otec II / The Godfather Part II / r. Francis Ford Coppola  (33:39) Votrelec / Alien / r. Ridley Scott  (39:54) Rozhovor / The Conversation / r. Francis Ford Coppola  (43:59) Amatér / Amator / r. Krzysztof Kieslowski  (49:25) Jáchyme, hoď ho do stroje! / r. Oldřich Lipský (54:35) Postav dom, zasaď strom / r. Juraj Jakubisko (01:01:03) Záver _ Ak nám chcete napísať, ozvite sa na vertigo@sme.sk _ Ďakujeme, že počúvate podcast Vertigo a zaujímate sa o filmový svetSee omnystudio.com/listener for privacy information.

Dove sono finite le virtù? E quante sono? Con l'episodio di oggi andiamo a cercarle col lanternino in un'operetta, in un dramma liturgico del XII secolo, in un piccolo trattato di grandi virtù di un filosofo francese, nella sceneggiatura di alcuni film e in un paio di poesie. Carlo Lombardo, Ildegarda di Bingen, André Compte-Sponville, Krzysztof Kieslowski, Giuseppe Ungaretti, Wysława Szymborska sono i nostri ciceroni e ci aiutano a comprendere che le virtù hanno anche a che fare con un desueto ballo, lo “shim sham shimmy”, con un misterioso testimone silenzioso, ma non con un particolare tipo di culotte. E che i veri insuperabili maestri di virtù, almeno per noi italiani, sono Totò e Peppino con le loro “cose vere” e “cose supposte”.

PEEK A BOO: Join me and blogger and film lover James S. Wilson as we talk two masterpieces, Alfred Hitchcock's Rear Window and Krzysztof Kieslowski's A Short Film About Love, two films about voyeurs and voyeurism.     “Why would a man leave his apartment three times on a rainy night with a suitcase and come back three times?” You're alone in your own apartment. Doing your thing. Maybe you've murdered someone. Or maybe you're having sex. When suddenly you get this feeling…Am I…being watched? Probably…Sounds like it's time for Episode 108 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie/foreign side of cinema with a connection to it. Today, I am happy to welcome as my returning guest, blogger and film enthusiast, James S. Wilson, who has chosen as his film one of Alfred Hitchcock's masterpieces, Rear Window, while I have chosen one of Krzysztof Kieślowski's masterpieces, A Short Film About Love, both films about voyeurs and voyeurism.   And in this episode, we answer such questions as: Who slept on the set of Rear Window while it was being made? Why did Kieslowski decide not to use different directors for each entry in The Dekalog? Who is Bess Flowers? Why did Kieslowski expand A Short Film About Love into a feature film? Who is Ross Bagdasarian and what is his contribution to children's culture? How does both Hitchcock and Kieslowski's Catholicism influence their films? Who played Jeff's agent in Rear Window? What are the differences between the source materials and the final feature for both films?   Check out James's blog Blogging by Cinema-light at http://bloggingbycinemalight.blogspot.com/   Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://podcasters.spotify.com/pod/show/howard-casner/support

Memento #260. En un programa enregistrat a la 41a Setmana del Llibre en Catal

Memento #260. En un programa enregistrat a la 41a Setmana del Llibre en Catal

Since we started Criteria: The Catholic Film Podcast in May 2020, we've been hosting in-depth discussions of movies from the Vatican's 1995 list of important films. Now, after three years, we've finished discussing all 45 films - and in this episode, together with Catholic filmmaker Nathan Douglas, we're taking a look back at the list as a whole. After discussing how and why the Vatican film list (actually titled "Some Important Films") was made, and putting it in the context of several decades of concern from the highest levels of the Vatican about the social and moral influence of cinema, we talk about our favorite and least favorite films on the Vatican's list, as well as the movies we think should be added in a hypothetical future update of the list. Ultimately, watching through the entire Vatican film list is not only an education in the classics of world cinema, but also gives  important perspective on the strengths and weaknesses of past cinematic engagement with religion, allowing us to see both the potential fruit that could be borne and the dead ends that should be avoided in the Catholic cinema of the future. 0:00 Introduction 11:31 History behind the Vatican film list 43:34 What films should be removed from the list? 1:24:10 Our favorite films on the list 1:55:30 What films should have been included that weren't? 2:34:09 What post-1995 films would we add? 3:00:19 The most Catholic/edifying films on the list Links Pope St. John Paul II's address on the 100th birthday of cinema https://www.vatican.va/content/john-paul-ii/en/speeches/1995/march/documents/hf_jp-ii_spe_19950317_plen-pccs.html "100 Years of Cinema" document from the Pontifical Council of Social Communications with model curriculum https://www.vatican.va/roman_curia/pontifical_councils/pccs/documents/rc_pc_pccs_doc_19960101_100-cinema_en.html Below is the 1995 list by the Pontifical Council for Social Communications, "Some Important Films" (with links to our episode on each film): Religion Andrei Rublev, Andrei Tarkovsky (1969, USSR) The Mission, Roland Joffé (1986, UK) The Passion of Joan of Arc, Carl T. Dreyer (1928, France) Vie et passion du Christ (Life and Passion of Christ), Ferdinand Zecca and Lucien Nonguet (1905, France) The Flowers of St. Francis, Roberto Rossellini (1950, Italy) The Gospel According to Matthew, Pier Paolo Pasolini (1964, France/Italy) Thérèse, Alain Cavalier (1986, France) Ordet (The Word), Carl T. Dreyer (1955, Denmark) The Sacrifice, Andrei Tarkowsky (1986, Sweden/UK/France) Francesco, Liliana Cavani (1989, Italy/Germany) Ben-Hur, William Wyler (1959, USA) Babette's Feast, Gabriel Axel (1987, Denmark) Nazarín, Luis Buñuel (1958, Mexico) Monsieur Vincent, Maurice Cloche (1947, France) A Man for All Seasons, Fred Zinnemann (1966, UK) Values Gandhi, Richard Attenborough (1982, UK/USA/India) Intolerance, D. W. Griffith (1916, USA) Dekalog (The Decalogue), Krzysztof Kieslowski (1987, Poland) Au Revoir, Les Enfants (Goodbye, Children), Louis Malle (1987, France) Dersu Uzala, Akira Kurosawa (1974, Japan) The Tree of Wooden Clogs, Ermanno Olmi (1978, Italy/France) Rome, Open City, Roberto Rossellini (1946, Italy) Wild Strawberries, Ingmar Bergman (1957, Sweden) The Seventh Seal, Ingmar Bergman (1957, Sweden) Chariots of Fire, Hugh Hudson (1981, UK) Bicycle Thieves, Vittorio de Sica (1948, Italy) It's a Wonderful Life, Frank Capra (1946, USA) Schindler's List, Steven Spielberg (1993, USA) On the Waterfront, Elia Kazan (1954, USA) The Burmese Harp, Kon Ichikawa (1956, Japan) Art 2001: A Space Odyssey, Stanley Kubrick (1968, UK/USA) La Strada, Federico Fellini (1954, Italy) Citizen Kane, Orson Welles (1941, USA) Metropolis, Fritz Lang (1927, Germany) Modern Times, Charlie Chaplin (1936, USA) Napoléon, Abel Gance (1927, Italy) 8½, Federico Fellini (1963, Italy) La Grande Illusion, Jean Renoir (1937, France) Nosferatu, F. W. Murnau (1922, Germany) Stagecoach, John Ford (1939, USA) The Leopard, Luchino Visconti (1963, Italy/France) Fantasia (1940, USA) The Wizard of Oz, Victor Fleming (1939, USA) The Lavender Hill Mob, Charles Crichton (1951, UK) Little Women, George Cukor (1933, USA)

This week, in our art-house drama journey, we delve into 'Three Colors: White' (1994). We spotlight the film's intriguing plot, Julie Delpy's performance, and Kieślowski's celebrated storytelling. Does this second installment of the trilogy resonate differently with our hosts? Explore 'Three Colors: White', another installment of the trilogy directed by Krzysztof Kieślowski.

This week, we venture into the emotionally charged world of the first installment in a French trilogy, "Three Colours: Blue" (1993), directed by Krzysztof Kieslowski. We dissect its compelling narrative that intertwines themes of love and loss, focusing on the film's intent, execution, and the thought-provoking elements it unveils. Join us as we navigate the captivating storytelling and distinctive cinematic style in this part of a renowned trilogy.  

Today on the show we have writer/director Chloe Okuno.Chloe is a graduate of UC Berkeley with a masters degree from the American Film Institute Conservatory. There she received the Franklin J. Shaffner Fellow Award, and directed the award-winning horror short film SLUT.Her recent work includes writing a remake of “Audrey Rose” for Orion Pictures and writing and directing a segment of the anthology series V/H/S/94. She's the director of this year's Sundance feature film Watcher.Julia joins her husband when he relocates to his family's native Romania for a new job. Having recently abandoned her acting career, she finds herself frequently alone and unoccupied. One night, people-watching from her picture window, she spots a vague figure in an adjacent building, who seems to be looking back at her. Soon after, while alone at a local movie theater, Julia's sense of being watched intensifies, and she becomes certain she's being followed — could it be the same unknown neighbor? Meanwhile, a serial killer known as The Spider stalks the city.Below is the story of making The Watcher from Chloe's POV.In making “Watcher,” I wanted to capture a kind of constant, uncomfortable dread that accompanies many women throughout their lives- one that is expressed through the character of Julia. Julia moves into this apartment building with her husband and quickly begins to believe she is being watched. She recognizes that the Watcher is a threat. She feels it very clearly- even if it's difficult to articulate the extent of that threat to the people around her. It's a situation that's probably quite familiar to most women. We experience the world in a different way than men and then when we try to express that experience, we're often doubted- written off as paranoid, irrational, or overly sensitive… which in turn can make us begin to doubt ourselves. This has always been at the core of a story that in other ways has evolved greatly since I was first hired to direct it in 2017. Initially, the script was set in New York City, but when it became clear that we would be shooting the movie in Romania, I decided to rewrite it to take place in Bucharest.There are times as a filmmaker where practical limitations end up being creatively very freeing- unlocking something great when you're willing to embrace the unexpected. This was one of those times.Suddenly, Julia's experience as a foreigner in this new city heightens all her other feelings of unease and uncertainty. She finds herself increasingly isolated- largely unable to speak the language and therefore alienated from everyone around her. There were of course natural (sometimes uncomfortable) parallels shooting the movie on location in Romania: unable to speak the language, oftentimes sequestered in a hotel room amidst the raging pandemic, and occasionally fighting against the doubt that surrounds you as a woman working in a male dominated profession. Fortunately, life didn't fully imitate art. I finished the movie without any nightmarish descent into Watcher-style darkness, content with the hope that all of the tension found its way on screen. The filmmakers I admire are the ones who are able to create a language for emotion through their craft, translating what they feel into a form that other people can see and experience for themselves.For Watcher I was inspired by the work of David Fincher, Sofia Coppola, Satoshi Kon, Roman Polanski, Krzysztof Kieslowski, and Mary Harron- filmmakers who have excelled at translating fear, loneliness, and alienation. The hope is always that there will be someone else who can empathize- telling stories so that we can take comfort in the recognition of ourselves in others. As a person filled with seemingly endless anxieties, making films is the best- and possibly the only- way I've found to confront them. I've done my best to portray them honestly in this film, and I can only hope that those who have experienced similar fears and anxieties will find solace in the knowledge that they are not alone. Enjoy my conversation with Chloe Okuno.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

To celebrate the reissue of Krzysztof Kieslowski's classic trilogy this week's ‘Spoilerama' release is a double A side! For the first time since as far back as we've bothered to check we have two episodes dropping back to back, one after another and simultaneously at the same time. First up is ‘Three Colours Blue' - but what do we really think of this all time magnificent masterpiece of cinema history?

On Hot Date episode 168, Dan and Vicky discuss the French-Polish film The Double Life of Veronique starring Irene Jacob, Philippe Volter, Sandrine Dumas and Claude Duneton.  This was the breakthrough film of Polish auteur KRZYSZTOF KIESLOWSKI, who went on to make the acclaimed Color Trilogy and the Dekalog series. Your hosts also discuss dog sitting, Steve Guttenberg and give a shout out to a Hot Date Facebook fan!  Some films and TV covered in the recently seen section include Scream VI, 1959's Ben-Hur, Hulu's Boston Strangler, Dungeons & Dragons, and the Nan Goldin doc All The Beauty and the Bloodshed. (This episode was plagued by sound issues. Apologies in advance for the quality.  We hope it won't take away from your enjoyment of the show). hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

La tecnologia e il cinema, luci, ombre, film celeberrimi e dimenticati. Buon ascolto. Elenco dei film citati: Il Decalogo 1: Io sono il Signore Dio tuo. Non avrai altro Dio all'infuori di me (Krzysztof Kieslowski, 1988) Il computer con le scarpe da tennis (Robert Butler, 1969) Electric dreams (Steve Barron, 1984) War Games (John Badham, 1983) D.A.R.Y.L. (Simon Wincer, 1985) La donna esplosiva (John Hughes, 1985) Ralph spacca internet (Rich Moore, Phil Johnston, 2012) 2001 Odissea nello spazio (Stanley Kubrick, 1968) I signori della truffa (Phil Alden Robinson, 1992) Tuono blu (John Badham, 1983) Runaway (Michael Crichton, 1984) Steve Jobs (Danny Boyle, 2015) The social network (David Fincher, 2010) Gli stagisti (Shawn Levy, 2013) Feed (Brett Leonard, 2005) Il cartaio (Dario Argento, 2004)

Prof. Hibbs' slides can be found here: https://tinyurl.com/5xnw4dv8 This talk was given on December 3, 2022, at the Dominican House of Studies as part of "Avoiding Acedia: An Intellectual Retreat." For more information, please visit thomisticinstitute.org. About the speaker: Thomas Hibbs is currently President of the University of Dallas, his alma mater. With degrees from the University of Dallas and the University of Notre Dame, Hibbs taught at Boston College (BC) for 13 years, where he was full professor and department chair in philosophy. At BC, he also served on the Steering Committee for BC's Initiative for the Future of the Church and on the Sub-Committee on Catholic Sexual Teaching. For 16 years, Hibbs was Distinguished Professor of Ethics & Culture and Dean of the Honors College at Baylor University. Hibbs has written scholarly books on Aquinas, including Dialectic and Narrative in Aquinas: An Interpretation of the Summa Contra Gentiles, and a book on popular culture entitled Shows About Nothing. Hibbs has recently published scholarly articles on MacIntyre and Aquinas (Review of Politics), on Anselm (Anselm Studies), and on Pascal (International Philosophical Quarterly). He also has written on film, culture, books and higher education in Books and Culture, Christianity Today, First Things, New Atlantis, The Dallas Morning News, The National Review, The Weekly Standard, and The Chronicle of Higher Education, for which his latest piece is a study of the ethical implications of the films of the Polish director Krzysztof Kieslowski.

This talk was given on December 3, 2022, at the Dominican House of Studies as part of "Avoiding Acedia: An Intellectual Retreat." For more information, please visit thomisticinstitute.org. About the speaker: Thomas Hibbs is currently President of the University of Dallas, his alma mater. With degrees from the University of Dallas and the University of Notre Dame, Hibbs taught at Boston College (BC) for 13 years, where he was full professor and department chair in philosophy. At BC, he also served on the Steering Committee for BC's Initiative for the Future of the Church and on the Sub-Committee on Catholic Sexual Teaching. For 16 years, Hibbs was Distinguished Professor of Ethics & Culture and Dean of the Honors College at Baylor University. Hibbs has written scholarly books on Aquinas, including Dialectic and Narrative in Aquinas: An Interpretation of the Summa Contra Gentiles, and a book on popular culture entitled Shows About Nothing. Hibbs has recently published scholarly articles on MacIntyre and Aquinas (Review of Politics), on Anselm (Anselm Studies), and on Pascal (International Philosophical Quarterly). He also has written on film, culture, books and higher education in Books and Culture, Christianity Today, First Things, New Atlantis, The Dallas Morning News, The National Review, The Weekly Standard, and The Chronicle of Higher Education, for which his latest piece is a study of the ethical implications of the films of the Polish director Krzysztof Kieslowski.

In addition to being an examination of how much chance determines the person we become, as well as something of a Rosetta Stone for the work of Krzysztof Kieslowski, BLIND CHANCE also plays like the 1980s version of a multiverse story, making it a clear precursor to Daniels Kwan and Scheinert's new EVERYTHING EVERYWHERE ALL AT ONCE. But Kieslowski's film has different ideas about fate, determination, and the invisible forces that shape our lives as much as the choices we make, all of which we attempt to unpack in our conversation, along with what connects BLIND CHANCE's three timelines, what about the politically minded film invited resistance upon its release, and the significance of that opening scream. Please share your comments, thoughts, and questions about BLIND CHANCE, EVERYTHING EVERYWHERE ALL AT ONCE, or anything else in the world of film, by sending an email to comments@nextpictureshow.net. We may respond to it on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes, a weekly newsletter, recommendations, and more.  Outro music: Talking Heads, “Once In a Lifetime” The Tale of King Crab opens April 15th at New York City's Film at Lincoln Center before expanding to cities across the country. Find theater, tickets, and more at kingcrab.oscilloscope.net Learn more about your ad choices. Visit megaphone.fm/adchoices

Ti West's new X is very much inspired by Tobe Hooper's 1974 shocker THE TEXAS CHAINSAW MASSACRE (and to an extent, Hooper's lesser-known EATEN ALIVE), following another bunch of ill-fated van passengers, this one a group filming a low-budget porno, who wind up on the wrong side of the owners of a remote Texas farmhouse. The film's late-'70s setting invites all sorts of analysis and interpretation about sex, death, and their intersection with cultural and religious conservatism at the dawn of the 1980s, which we dig into, once again with the help of film writer and horror aficionado Katie Rife, before turning our focus to some of the specific echoes between X and TEXAS CHAINSAW MASSACRE. Please share your comments, thoughts, and questions about THE TEXAS CHAINSAW MASSACRE, X, or anything else in the world of film, by sending an email to comments@nextpictureshow.net. We may respond to it on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes, a weekly newsletter, recommendations, and more.  Outro music: Blue Oyster Cult, “Don't Fear the Reaper” Next pairing: The Daniels' EVERYTHING EVERYWHERE ALL AT ONCE and Krzysztof Kieslowski's BLIND CHANCE Learn more about your ad choices. Visit megaphone.fm/adchoices

Dediquem el programa a parlar d'un dels compositors amb un nom m

Well Sundance 2022 has begun and so has our coverage. Today on the show we have writer/director Chloe Okuno. Chloe is a graduate of UC Berkeley with a masters degree from the American Film Institute Conservatory. There she received the Franklin J. Shaffner Fellow Award, and directed the award-winning horror short film SLUT. Her recent work includes writing a remake of “Audrey Rose” for Orion Pictures and writing and directing a segment of the anthology series V/H/S/94.She's the director of this year's Sundance feature film Watcher. Julia joins her husband when he relocates to his family's native Romania for a new job. Having recently abandoned her acting career, she finds herself frequently alone and unoccupied. One night, people-watching from her picture window, she spots a vague figure in an adjacent building, who seems to be looking back at her. Soon after, while alone at a local movie theater, Julia's sense of being watched intensifies, and she becomes certain she's being followed — could it be the same unknown neighbor? Meanwhile, a serial killer known as The Spider stalks the city.Below iIn making “Watcher,” I wanted to capture a kind of constant, uncomfortable dread that accompanies many women throughout their lives- one that is expressed through the character of Julia. Julia moves into this apartment building with her husband and quickly begins to believe she is being watched.She recognizes that the Watcher is a threat. She feels it very clearly- even if it's difficult to articulate the extent of that threat to the people around her. It's a situation that's probably quite familiar to most women. We experience the world in a different way than men and then when we try to express that experience, we're often doubted- written off as paranoid, irrational, or overly sensitive… which in turn can make us begin to doubt ourselves. This has always been at the core of a story that in other ways has evolved greatly since I was first hired to direct it in 2017. Initially, the script was set in New York City, but when it became clear that we would be shooting the movie in Romania, I decided to rewrite it to take place in Bucharest.There are times as a filmmaker where practical limitations end up being creatively very freeing- unlocking something great when you're willing to embrace the unexpected. This was one of those times. Suddenly, Julia's experience as a foreigner in this new city heightens all her other feelings of unease and uncertainty.She finds herself increasingly isolated- largely unable to speak the language and therefore alienated from everyone around her. There were of course natural (sometimes uncomfortable) parallels shooting the movie on location in Romania: unable to speak the language, oftentimes sequestered in a hotel room amidst the raging pandemic, and occasionally fighting against the doubt that surrounds you as a woman working in a male dominated profession.Fortunately, life didn't fully imitate art. I finished the movie without any nightmarish descent into Watcher-style darkness, content with the hope that all of the tension found its way on screen. The filmmakers I admire are the ones who are able to create a language for emotion through their craft, translating what they feel into a form that other people can see and experience for themselves.For Watcher I was inspired by the work of David Fincher, Sofia Coppola, Satoshi Kon, Roman Polanski, Krzysztof Kieslowski, and Mary Harron- filmmakers who have excelled at translating fear, loneliness, and alienation. The hope is always that there will be someone else who can empathize- telling stories so that we can take comfort in the recognition of ourselves in others. As a person filled with seemingly endless anxieties, making films is the best- and possibly the only- way I've found to confront them.I've done my best to portray them honestly in this film, and I can only hope that those who have experienced similar fears and anxieties will find solace in the knowledge that they are not alone. Enjoy my conversation with Chloe Okuno.

In the 50th episode of Criteria, James and Thomas finally conclude their look at Dekalog, the series of short films inspired by the Ten Commandments which Krzysztof Kieslowski made for Polish television in the late 1980s. Kieslowski concludes his notoriously bleak series on a (slightly) lighter note, the Tenth Commandment against coveting thy neighbor's goods providing plenty of opportunities to poke fun at human silliness. The absurdity is compounded when the thing being coveted is a stamp collection. Though Dekalog: Ten begins with one of its main characters singing a song that encourages the breaking of all 10 commandments, with the refrain "everything is yours", in this episode the protagonists are less the chief transgressors against the tenth commandment than they are stuck in a world shaped by the covetousness of those around them. These two brothers inherit a valuable stamp collection from their father, who neglected them in order to pursue his obsession. Along with the stamps they inherit, for a dangerous moment, his vice of covetousness, and in doing so, come to understand that that he craved was not so much the stamps as the escape from all problems and responsibilities provided by this juvenile quest. Thus the final Dekalog film continues the series' continual examination of the sins of fathers, and through this subject matter, Kieslowski's preoccupation with the terrible responsibility of human freedom and the stark consequences our actions have in the lives of others. For nobody has more responsibility than a father. In this case, the sons find some degree of reconciliation with the dead father who wounded them - or at least, they arrive at understanding through solidarity in weakness. The film's rueful observation is that we often understand and compassionate our parents only after falling into their same vices. Watch this discussion on YouTube: Dekalog can be difficult to find. It can be streamed online with a (relatively cheap and surprisingly legal) subscription to https://easterneuropeanmovies.com—the best viewing experience, however, will be the recent restored edition on Blu-Ray/DVD from Criterion. https://www.criterion.com/films/28661-dekalog Older editions on Blu-Ray and DVD are available for considerably cheaper on Amazon and elsewhere, and you may have luck borrowing Dekalog from your local library. Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com/ This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

1991 Musique : Unfinished Sympathy (Massive Attack), Come As You Are (Nirvana), Killer Queen (Queen), L'eau à la bouche (Serge Gainsbourg), Loaded (Primal Scream) et Falling (Julie Cruise) Cinéma : Toto le héros (Jaco Van Dormael), Barton Fink (Ethan et Joel Coen) et La double vie de Véronique (Krzysztof Kieslowski)

This week starts the 2 Guys jump back thirty years to cover Frank's top five films of 1991. His list includes Albert Brooks's romantic comedy, Defending Your Life, Mira Nair's Mississippi Masala and a number of foreign films including Krzysztof Kieslowski's The Double Life of Veronique, Alan Parker's The Commitments, and Yimou Zhang's Raise the Red Lantern. If you are a fan of the podcast, there are other two important ways you can help us. First, you can please subscribe, rate, and leave a review on your podcast client. That not only would be useful to us for the feedback, but also help us receive more attention. Second, if you like your Facebook page, 2 Guys 5 Movies, it would be helpful to like or share our posts so others can learn about 2 Guys 5 Movies and decide if it is for them. Finally, if you have your own ideas for the podcast, you can also email us with list suggestions at 2guys5movies@gmail.com, and thank you all for listening and your support.

En contra del t

En contra del t

My Polish grandmother spoiled me with winegums when I was little. She told great stories and embodied an unconditional love. What I never realized when I was a child, was how heartbroken she actually was all this time - over the loss of her husband. Last night, I watched Krzysztof Kieslowski's BLUE as a tribute to the fact that she didn't let her grief turn her away from life.

Dr. Ian Marsh talks about the critical thinking tool & about his knowledge in suicide & suicide prevention. We hear about how Ian came to occupational therapy as a profession, his work lecturing at university, and what he enjoys about his role. We discuss some of his publications and talk about whether or not there is value in teaching occupational therapy students about suicide prevention. Below is some information if you feel you need to talk following the contents of this show. There are many other helplines and organisations I have listed two of the main ones to get in touch with. Samaritans - Are available online at: https://www.samaritans.org/ or if in the UK you can call 116 123 to talk on the phone. Shout - Shout is the UK's first free 24/7 text service for anyone in crisis anytime, anywhere. It's a place to go if you're struggling to cope and you need immediate help. Shout are available at: http://www.giveusashout.org/ or you can text 85258 to start up a confidential text chat. Unfortunately, I have been unable to insert an image of the Critical Thinking Tool (CTT) into the show notes but it is very easy to find on google if you want to know more. Ian's recommendations: Three colours Blue -is a 1993 French drama film directed and co-written by Polish filmmaker Krzysztof Kieslowski. Blue is the first of three films that comprise the Three colour trilogy, themed on the French revolutionary ideals of liberty, equality, and fraternity; it is followed by white and red. Fearless - is a 1993 American drama film directed by Peter Weir and starring Jeff Bridges. If you enjoy this podcast then please do subscribe and leave a review on whichever platform you listen on! You can also get in touch in the following ways - Follow me on Twitter @farrah_money Instagram - OT_whatsyourfocus Email:OTwhatsyourfocus@gmail.com

Esta semana inauguramos mais uma rubrica neste podcast, Binge Premium Collection, onde iremos falar de filmes da Criterion Collection que estão disponíveis em Portugal a partir da Filmin Portugal. Vamos contar com os nossos compinchas Eduardo Faria e Luis Forte para entrarmos neste mundo Delux. Neste primeiro episódio falámos do filme do realizador Krzysztof Kieslowski, A Dupla Vida de Veronique. Segue os Bingers: Abel Oliveira - https://twitter.com/Abel_Oliveira10 Lucas Moreira - https://www.instagram.com/luacsvfx/ Segue o Binge Portugal no Spotify, Instagram

This week we are taking a lonely stroll through one of Krzysztof Kieslowski's three part series titled the "Three Colors trilogy." This lonely episode delves into the first color, Blue. Juliette Binoche's Julie journeys down the awfully lonely road of grief, discovering how to love again. Here we are going to talk about dragging hands against stone walls, blue, completing music, blue, yellow, helping prostitutes, blue, and other things. Listen to Caleb's great rendition of Blue, Ricky talk about Hawaii again, and Jared using a built in mic. Enjoy! Film Discussed: Three Colors: Blue (1993) Letterboxd: Eric Peterson: https://letterboxd.com/EricLPeterson/, Jared Klopfenstein: https://letterboxd.com/kidchimp/, Ethan Jasso: https://letterboxd.com/e_unit7/, Caleb Zehr: https://letterboxd.com/cjzehr/Ricky Wickham: https://letterboxd.com/octopuswizard/ Leave us a 5 star review on Apple podcasts and we'll read it out loud on the pod.

Julliette Binoche deadpans.  Sudden fade to black! Dum dum da dummmmm..!  Repeat that about four more times and you have one of the most iconic pieces of 1990s European cinema.  Does this formula hold up for two jaded cinephiles at the end of 2020?  The first installment of Krzysztof Kieslowski's ambitious Three Colours Trilogy doesn't pull any punches with his breathless character study of a woman rediscovering human connection after an unthinkable tragedy. If you'd like to watch ahead for next week's film, we will be discussing and reviewing Michael Powell and Emeric Pressburger's The Small Back Room (1949).

Wayne and Shane discuss the movies they have chosen involving the moral implications of listening to conversations that aren't meant to be shared and its consequences. "The Conversation" (1974), directed by Francis Ford Coppola and "Three Colors: Red" (1994), directed by Krzysztof Kieslowski, are highlighted in this episode. "He'd kill us if he had the chance".

durée : 00:47:17 - Remède à la mélancolie - "Once upon a time in America" de Sergio Leone, Marcel Proust, Krzysztof Kieslowski, Charles Aznavour, Barbara, Sempé et bruncher avec la famille et les amis... Retrouvez tous les remèdes de notre invitée !

Zbigniew Preisner first came to international attention through his collaboration with the great Polish director Krzysztof Kieslowski, for films such as the Dekalog series, The Double Life of Veronique and the critically acclaimed Three Colours Trilogy. In a week which has seen the release of Preisner's latest soundtrack, for the Norwegian short, 'Mother Didn't Know', Matthew explores his philosophy about writing music for film. He looks back on Preisner's early career in music, his work with Kieslowski and with directors such as Agnieska Holland and Louis Malle, his feelings about Hollywood and the vast body of music he’s produced for international cinema since Kieslowski's death in 1990. The programme features music from Dakalog, The Double Life of Veronique, Three Colours Blue, A Requiem For My Friend, The Queen Of Spain, The Secret Garden, Damage, Between Strangers, Woman of Berlin, Valley Of Shadows, All About Love, The Beautiful Country, Aberdeen, Forgotten We'll Be, and Mother Didn't Know.

If you’re seeing double--do not adjust your set. Paul and Arlo, podcasting’s own dynamic duo, have done a Geek Challenge involving dos doppelganger dramas. Well, drama might be a strong word for such a picture as Peter Medak’s 1981 spoof Zorro, The Gay Blade, starring George Hamilton as Don Diego Vega and his brother Ramon Vega, who are charged with taking up their father’s mantle of El Zorro. That’s Paul’s challenge to Arlo, of course--and Paul’s challenge to himself (listen and find out!) is Krzysztof Kieslowski’s 1991 film The Double Life of Veronique, a mysterious and possibly supernatural film featuring Irène Jacob as Polish singer Weronika and French music teacher Veronique, who share an indefinable connection. Get ready to swash some buckles and contemplate some existences!   NEXT: after a week off, it’s that time again. Leaves are on the ground and blood is on the screen. It’s time for Gobbledyween. Greg Sahadachny joins us to discuss The Autopsy of Jane Doe. BREAKDOWN 00:00:32  -  Intro / Guest 00:07:20  -  Zorro, The Gay Blade 00:57:25  -  The Double Life of Veronique 01:58:41  -  Outro / Next LINKS   “In ‘Joker’ Do We Think The Wayne Family Enjoyed ‘Zorro, The Gay Blade’?” by Mike Ryan, Uproxx   “The Double Life of Véronique: Through the Looking Glass” by Jonathan Romney, The Criterion Collection “The dizzying hall of mirrors that is The Double Life Of Veronique” by Tasha Robinson, The Dissolve   “Fantasy, emotion, and the unsolved mysteries of Double Life of Veronique” by Noel Murray, Keith Phipps, Tasha Robinson, and Scott Tobias, The Dissolve   “The Depths of What We Cannot Know: On ‘The Double Life of Véronique’” by Jessica Ritchey, RogerEbert.com “Behind the Curtain: The Double Life of Véronique” by David Braga, Bright Wall/Dark Room “Have you ever felt strangely as if you were somewhere else?” by Roger Ebert, RogerEbert.com MUSIC “It Takes Two” by Rob Base & DJ E-Z Rock, It Takes Two (1988) “I Think I’m a Clone Now” by Weird Al Yankovic, Even Worse (1988) GOBBLEDYCARES Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/  

Esta edição está mais musical que nunca. Chico Fireman, nosso colega do podcast Cinema na Varanda, nos ajuda a escolher as dicas do IN-EDIT, o festival de documentários musicais - como WHITE RIOT, sobre os astros do rock que flertaram com a extrema direita (10:37), e os docs sobre Charles Aznavour (12:03) e Dorival Caymmi (15:20). Ainda tem Caetano Veloso em NARCISO EM FÉRIAS, em que o artista relembra sua prisão na ditadura em 1968, na Globoplay (16:58). Ricardo Calil, um dos diretores deste belo doc, dá o seu depoimento pra gente (22:20). Uma retrospectiva do mestre polonês KRZYSZTOF KIESLOWSKI no pay per view (28:30). ALIVE, filme coreano de zumbis na Netflix (46:05). E as notícias da semana (32:07).

From Joshua Klein, 1001 Movies You Must See Before You Die: "The third color of the French flag stands for fraternity, and although the last film of Krzysztof Kieslowski's 'Three Colors' trilogy again remains only loosely connected to that theme, he somehow gets to the heart of brotherhood via the sometimes tenuous and often-impossible-to-comprehend ties that connect all of humanity.  If each of the 'Three Colors" films ends up much more than the sum of their ambiguous parts, then Red provides the grand and illuminating summation of all three entities.  Like the closing chapter of a great philosophical novel, Red parcels out its details patiently and elliptically, drawing power from the mysterious plot machinations that connect a good-natured model (the ineffable Irene Jacob) with a cynical, retired judge (Jean-Louis Trintignant).  Both lead empty lives yet express their loneliness in completely different ways, but the judge sees something intriguing in the model that draws him out of his shell of self-hatred. "Like many of Kieslowski's works, Red runs deep with chance and coincidence, and although the metaphysical director rarely addresses spirituality in his work per se, his final film (Kieslowski retired after directing Red and died shortly later) often seems a meditation on not just earthly bonds but also our place in the universe.  In lesser hands such subject matter would no doubt have gotten bogged down in New Age musings, but Kieslowski is smarter than that.  His characters develop and interact organically, as if tapping into a script made entirely of emotional cues rather than mere words.  His camera captures places and moments that appear insignificant yet whose importance is inevitably born out.  In Red he even manages to almost magically make manifest the very fabric of our existence, as the metaphors and symbolic touches of all three films - Blue (1993), White (1994), and Red - blur together during the challenging and undeniably moving conclusion, which casts the entire trilogy in a new light.  Rarely has a film so brilliantly fused together so many ideas, images, and emotions into one masterful whole, a life primer and work of art posing as a mere movie." Have a comment or question for the host?  Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter via @1001MoviesPC.

Me gustan los encuentros casuales - Krzysztof Kieslowski --- Send in a voice message: https://anchor.fm/angela-lopez4/message

Descripción: Entrevista con Rosa Daniela García González acerca del libro El Decálogo de Kieslowski visto por las ciencias penales. Sinopsis: El Decálogo del cineasta polaco Krzysztof Kieslowski visto a través de las ciencias penales. Muerte, elección, ciencia, moral, deseo, castigo, esperanza, razón, fe, violencia, Dios, caridad, engaño, regresión, desmesura, prudencia, son algunos de los elementos que nos pueden auxiliar para describir de forma superficial aquella fascinante creación de uno de los más sobresalientes directores de cine polaco: Krzysztof Kieslowski. El Decálogo es una colección de mediometrajes que más allá de indagar el contenido de cada mandamiento, fungen como un aparato crítico para describir la situación política, religiosa y moral de la Polonia maderna. Cada mandamiento propaga una interesante complejidad y un valor que ameritan ser estudiados y en la presente obra literaria son analizados desde la perspectiva de las ciencias penales ya que los diez mandamientos al ser considerados como las bases de las normas penales los creadores de esta obra consolidan ese vínculo indubitable con la obra de Kieslowski y las ciencias penales; lo cual da como resultado una aportación fascinante para descubrir el castigador y seductor mundo de El Decálogo de Kieslowski visto por las ciencias penales. Cristian Bernal. Rosa Daniela García González. Licenciada en Derecho por la UNAM. Fue investigadora-asistente en el Instituto Nacional de Ciencias Penales (INACIPE), así como integrante de comités especializados de investigación y docente en temas como la violencia contra las mujeres, la violación de derechos humanos, la explotación sexual infantil, la investigación científica del delito, el sistema de justicia para adolescentes, entre otros. PW/iusliteratus.wordpress.com FB/@Iusliteratus TW/@iusliteratus IG/@iusliteratus YT/IUSLITERATUS Frase-resumen del libro: “En la medida en la que se es necesitado es que se adquiere un lugar y un sentido, sin embargo, al mismo tiempo queda sujetado en esa relación: si el otro se olvida de nosotros nos quedamos sin soporte existencial.”

Hey, everyone! Today we’re talking to Leigha Monier-Williams. Leigha’s worked with some huge brands, such as Target, United Airlines, Snapchat, and Uber, as well as working with directors Roman Coppola and Lauren Greenfield. Some of her latest notable work is with Jonah Hill on the Adidas Originals account. Some things you’ll hear about in this episode are: How production companies and directors are selected for projects, How she became a producer, How to set boundaries at your company, and how to properly pronounce…‘Adidas.’ Producing Adidas originals. Growing up in a family of artists. Transitioning from NYC > to LA > back to NYC. Leigha’s bridge between college and work - Chelsea Pictures. How big agencies and clients pick production companies and directors. Balancing between personal life and work at Johannes Leonardo. Communicating and resolving conflict with coworkers and producers. Mistakes on the job. Only giving a task to someone you know can accomplish the task within the time frame that it’s needed. Setting boundaries and respecting parameters at work in the commercial advertising industry. Documentary filmmaking. Focus on what you want to do now and not what you want to become in ten years. Where can we become kinder and help others in the ad industry. Leigha misses people, Enneagram 3’s, and Extreme Ownership. Adidas Originals / Directed by Jonah Hill- https://johannesleonardo.com/project/change-is-a-team-sportFavorite Commercial: Cadillac - Don’t You Dare - https://www.youtube.com/watch?v=566IfJwOBAEFavorite Movie: Blue by Krzysztof Kieslowski - https://www.imdb.com/title/tt0108394/?ref_=nm_flmg_dr_8Favorite Docs: Minimalism - https://www.imdb.com/title/tt3810760/ and Super Size Me - https://www.imdb.com/title/tt0390521/Leigha’s Website - https://mindfulfilm.com/email - layamowill@gmail.com Mastered by Sophia Wade SoundIntro mixed by Micheal Hartman

收听提示 1、为什么有些电影音乐比电影本身更深入人心？ 2、电影中的音乐有什么用？ 3、导演创作时，是先有画面还是先有配乐？ 4、音乐和影像是什么关系？ 本集相关 夏尔·卡米尔·圣-桑 夏尔·卡米尔·圣-桑（Charles Camille Saint-Saëns，1835－1921）法国钢琴、管风琴演奏家，亦是一位多产的作曲家，属于浪漫时期。他的作品对法国乐坛及后世带来深远的影响，重要的作品有《动物狂欢节》、《骷髅之舞》、《参孙与达利拉》等。 约翰·汤纳·威廉姆斯 约翰·汤纳·威廉姆斯（John Towner Williams，1932- ）出生于美国纽约长岛，钢琴家、指挥家、作曲家、电影配乐家。 约翰·汤纳·威廉姆斯是波士顿交响乐团坦格尔伍德音乐节的驻会艺术家，从20世纪50年代开始参与电影音乐工作，第一部独立完成的作品为《情圣》。1971年以《屋顶上的提琴手》首获奥斯卡奖。1975年，为灾难恐怖片《大白鲨》配乐。1979年末接任美国波士顿流行乐团的指挥职务。1993年为电影《辛德勒名单》配乐。 2000年入主好莱坞露天剧场名人堂，2004年获颁肯尼迪中心荣誉奖。2009年，美国总统奥巴马在白宫授予约翰国家艺术奖章。2012年为《林肯传》谱曲。截至2014年2月，约翰·汤纳·威廉姆斯共获得49次奥斯卡奖提名（包括5次最佳歌曲提名和44次最佳配乐提名）、5次获奖，18次格莱美奖提名，4次金球奖，7项英国学院奖。  埃尼奥·莫里康内 埃尼奥·莫里康内（Ennio Morricone，1928-2020）出生于罗马，意大利电影配乐大师，欧洲电影音乐巨人，与尼诺·罗塔并誉为"欧洲电影音乐领航者"。 埃尼奥·莫里康内参与制作了各国电影配乐作品400多部，是意大利最多产、最有建树的作曲家。2007年2月25 日，莫里康内从克林特·伊斯特伍德手里，接过了迟到的奥斯卡终身成就奖。 2016年1月10日，凭《八恶人》获第73届美国电影电视金球奖最佳原创电影配乐奖。同年2月29日，再次凭借该片获得第88届奥斯卡金像奖最佳原创配乐奖。2020年7月6日，埃尼奥·莫里康内因并发症而离世，享年91岁。 泽贝纽·普瑞斯纳（Zbigniew Preisner，1955- ） 泽贝纽·普瑞斯纳（Zbigniew Preisner，1955-）1955年出生于波兰的Bielsko-Biaka，第一部电影配乐是在1978年，由Antoni Krauze导演的《The Weather Forecast》。从此，普瑞斯纳与电影配乐结下不解之缘，尤其是与波兰大导演基耶斯洛夫斯基（Krzysztof Kieslowski）的合作，更让普瑞斯纳一跃而成为国际知名配乐大师。 1980年毕业于Krakow的雅盖隆大学的普瑞斯纳，是一位学习力相当强的人，他认为"每件事都可能被学习"。中学时代玩摇滚乐并在小酒馆驻唱，大学时代则决定要当作曲家，因此开始看着交响曲的总谱分析乐曲，并从室内乐创作开始着手。 其他音乐 希区柯克《惊魂记》浴室谋杀片段 《2001太空漫游》选段链接 《现代启示录》选段链接 本集推荐 上集回顾 高考是改变命运的道具吗？ 《八分》每周三、周五晚8点更新 欢迎留言和我们互动

收听提示 1、为什么有些电影音乐比电影本身更深入人心？ 2、电影中的音乐有什么用？ 3、导演创作时，是先有画面还是先有配乐？ 4、音乐和影像是什么关系？ 本集相关 夏尔·卡米尔·圣-桑 夏尔·卡米尔·圣-桑（Charles Camille Saint-Saëns，1835－1921）法国钢琴、管风琴演奏家，亦是一位多产的作曲家，属于浪漫时期。他的作品对法国乐坛及后世带来深远的影响，重要的作品有《动物狂欢节》、《骷髅之舞》、《参孙与达利拉》等。 约翰·汤纳·威廉姆斯 约翰·汤纳·威廉姆斯（John Towner Williams，1932- ）出生于美国纽约长岛，钢琴家、指挥家、作曲家、电影配乐家。 约翰·汤纳·威廉姆斯是波士顿交响乐团坦格尔伍德音乐节的驻会艺术家，从20世纪50年代开始参与电影音乐工作，第一部独立完成的作品为《情圣》。1971年以《屋顶上的提琴手》首获奥斯卡奖。1975年，为灾难恐怖片《大白鲨》配乐。1979年末接任美国波士顿流行乐团的指挥职务。1993年为电影《辛德勒名单》配乐。 2000年入主好莱坞露天剧场名人堂，2004年获颁肯尼迪中心荣誉奖。2009年，美国总统奥巴马在白宫授予约翰国家艺术奖章。2012年为《林肯传》谱曲。截至2014年2月，约翰·汤纳·威廉姆斯共获得49次奥斯卡奖提名（包括5次最佳歌曲提名和44次最佳配乐提名）、5次获奖，18次格莱美奖提名，4次金球奖，7项英国学院奖。  埃尼奥·莫里康内 埃尼奥·莫里康内（Ennio Morricone，1928-2020）出生于罗马，意大利电影配乐大师，欧洲电影音乐巨人，与尼诺·罗塔并誉为"欧洲电影音乐领航者"。 埃尼奥·莫里康内参与制作了各国电影配乐作品400多部，是意大利最多产、最有建树的作曲家。2007年2月25 日，莫里康内从克林特·伊斯特伍德手里，接过了迟到的奥斯卡终身成就奖。 2016年1月10日，凭《八恶人》获第73届美国电影电视金球奖最佳原创电影配乐奖。同年2月29日，再次凭借该片获得第88届奥斯卡金像奖最佳原创配乐奖。2020年7月6日，埃尼奥·莫里康内因并发症而离世，享年91岁。 泽贝纽·普瑞斯纳（Zbigniew Preisner，1955- ） 泽贝纽·普瑞斯纳（Zbigniew Preisner，1955-）1955年出生于波兰的Bielsko-Biaka，第一部电影配乐是在1978年，由Antoni Krauze导演的《The Weather Forecast》。从此，普瑞斯纳与电影配乐结下不解之缘，尤其是与波兰大导演基耶斯洛夫斯基（Krzysztof Kieslowski）的合作，更让普瑞斯纳一跃而成为国际知名配乐大师。 1980年毕业于Krakow的雅盖隆大学的普瑞斯纳，是一位学习力相当强的人，他认为"每件事都可能被学习"。中学时代玩摇滚乐并在小酒馆驻唱，大学时代则决定要当作曲家，因此开始看着交响曲的总谱分析乐曲，并从室内乐创作开始着手。 其他音乐 希区柯克《惊魂记》浴室谋杀片段 《2001太空漫游》选段链接 《现代启示录》选段链接 本集推荐 上集回顾 高考是改变命运的道具吗？ 《八分》每周三、周五晚8点更新 欢迎留言和我们互动

“Now I have only one thing left to do: nothing.” In this episode, we take a close look at Krzysztof Kieslowski's 1993 film Blue, which tells the beautiful story of a woman dealing with life after a major tragedy. The film stars the wonderful Juliette Binoche as she navigates grief and how to go on living in the wake of tremendous loss. We also discuss Kieslowski's filmmaking career and the other films in his filmography. Season 4 Lineup 5/11/20 Tokyo Story 5/25/20 The Seventh Seal 6/8/20 Stalker 6/22/20 Vagabond 7/6/20 Three Colors: Blue 7/20/20 The Tree of Life Links Book: The Religion and Film Reader CONNECT WITH US Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Store at ArthouseGarage.com/shop

We take a close look at Krzysztof Kieslowski’s 1993 film Blue, which tells the beautiful story of a woman dealing with life after a major tragedy

Aujourd'hui dans Claac, semaine particulière, Thomas n'est pas là ! Les membres de l'équipe ont alors décidé de faire un épisode spécial, où chacun choisit un film qui lui tient à cœur et que les autres n'ont pas vu. Des films « doudous » qui leur rappelle leur enfance (et ça explique beaucoup de choses). Au programme, des horizons divers : on s'évade dans la double identité et le spleen dans La Double Vie De Véronique, de Krzysztof Kieslowski, puis dans les contes imaginaires narrés par Rob Reiner dans The Princess Bride. Départ vers le Mexique, avec le western spaghetti Companeros, du prolifique Sergio Corbucci, et on finit sur un trip complètement déjanté, avec l'ordurier, l'incorrect Meet The Feebler de Peter Jackson ! Du délire, une équipe en totale roue libre, bonne écoute ! Temporalité de l’épisode : 3:14 La double vie de Véronique (1991) de Krzysztof Kieslowski, avec Irène Jacob, Philippe Volter, Louis Ducreux... 16:16 The Princess Bride (1987) de Rob Reiner, avec Robin Wright, Peter Falk, Fred Savage... 31:31 Companeros (1970), de Sergio Corbucci, avec Tomas Milian, Iris Berben, Franco Nero... 53:36 Meet The Feebles (1989), de Peter Jackson, avec les voix de Mark Hadlow, Brian Sergent, Stuart Devenie.... 1:16:17 les recos : Jeanne la pucelle (1994) de Jacques Rivette Misfits (2009), série de Howard Overman Jeffrey Epstein : Filthy Rich documentaire Netflix Snowpiercer (2013) de Bong Joon-Ho Okja (2017) de Bong Joon-Ho Le Jour Se Lève (1939) de Marcel Carné J'ai rencontré le diable (2010) de Kim Jee-Woon Épisodes cités :  Headhunters (CLAAC Outbuster) Crédits :  Émission animée par Thierry de Pinsun, Yassa Harbane, Elie Bartin et Marwan Foudil. Montage Thomas Bondon. Générique original : Kostia R. Yordanoff (tous droits réservés)  Musique de l’interlude Claac Investigation : The Mystery of Preludio .mp3 by orang_redux_777 (c) copyright 2007 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/orang_redux_777/12053 Ft: keyborg, orang_redux_777 Retrouvez aussi Certains l’aiment à chaud sur :  Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha  Itunes / Apple Podcast  Spotify  Deezer  Stitcher  Podmust  Podcloud  Podinstall Youtube

This week we review the evocative Krzysztof Kieslowski swan song Red from his Three Colors Trilogy. A universally praised movie, its themes focus on the ideas of chance relationships and redemption. Mark brings up an interesting point however: while the main character is female, her story and character seem to take a back seat. Why? I don't think we'll ever know. A beautiful film of masterful detail, regardless.Download: 158 Red

El joven Witek (Boguslaw Linda) emite un grito interminable. Ha perdido la ilusión, deja la carrera de medicina, necesita poner tierra de por medio. Tras el exilio de infancia para estudiar en Dinamarca, la posterior muerte del padre años después. Los acontecimientos marcan de por vida, y la responsabilidad del propio individuo que intenta gestionar lo mejor que pueda los giros del destino. Witek buscará la figura paterna en cada una de sus vivencias paralelas, en Varsovia será el veterano comunista ya de vuelta, en la segunda el sacerdote organizador de la resistencia, en la tercera el Decano de la facultad. Tres giros distintos en una película trifásica confluyen bajo el sentimiento trágico del director polaco. Un determinismo ineludible atenaza a los personajes, de fondo la Polonia comunista de principios de los ochenta, y la lucha del sindicato Solidaridad que propició poco después la caida del régimen prosoviético. En un plano de pesadilla, regueros de sangre en un hospital, unas medias rasgadas, y el recuerdo eterno de la madre que murió en el parto. Más que preocuparse por lo exterior, el director polaco mira hacia adentro, la ruptura ineludible y la seguridad de que no hay vuelta atrás, la posesión momentánea al asir la felicidad y, en un parpadeo, la pérdida. Tres viajes en busca de respuestas, tres circunstancias y una mujer ilumina cada una de ellas. La atmósfera y la relación entre personajes tan lograda como siempre en la obra del polaco, con la música en esta ocasión del reconocido Wojciech Kilar. Raúl Gallego Esta noche corremos con todas nuestras fuerzas en pos del próximo tren... José Miguel Moreno, Zacarías Cotán, Gervi Navío y Raúl Gallego.

Il fait partie des voix importantes du cinéma du 20e siècle. Le Polonais Krzysztof Kieslowski a déjà affirmé en entrevue que, dans tous ses films, il racontait la même histoire, soit celle d'un homme ou d'une femme qui a du mal à trouver ses repères dans le monde, à distinguer le bien du mal, et qui cherche désespérément comment vivre. C'est un des cinéastes préférés du réalisateur Rafaël Ouellet, qui affirme, au micro de Jacques Beauchamp, que Krzysztof Kieslowski est sans doute le réalisateur le plus humble de l'histoire du cinéma.

The latest episode of 2 Guys 5 Movies is centered around female leads. The lists includes a number of older and modern classics, including Jean-Luc Godard’s A Woman is a Woman, Agnes Varda’s Cleo from 5 to 7, the Sigourney Weaver movie, Aliens, Krzysztof Kieslowski’s Red, starring Irene Jacob, and Darren Aronofsky’s Black Swan, starring Natalie Portman. If you are a fan of the podcast, there are other two important ways you can help us. First, you can please subscribe, rate, and leave a review on your podcast client. That not only would be useful to us for the feedback, but also help us receive more attention. Second, if you like your Facebook page, 2 Guys 5 Movies, it would be helpful to like or share our posts so others can learn about 2 Guys 5 Movies and decide if it is for them. Finally, if you have your own ideas for the podcast, you can also email us with list suggestions at 2guys5movies@gmail.com, and thank you all for listening and your support.

I fjortonde avsnittet av Cinematiska Podden diskuterar och analyserar Daniel och Anton den franska/polska/schweiziska långfilmen Frihet – den blå filmen (1993), i regi av Krzysztof Kieslowski. Det blir ett samtal om bl.a. färg, klipp och tid, samt mänskligheten och värmen i filmskaparen Kieslowskis filmer och hans cinematiska universum. Juliette Binoche och den uttrycksfulla skådespelaren. Sorg, bortgång och att förlora en anhörig/partner. Europeisk film versus amerikansk film. Att bearbeta trauma och tragedi, och vad som motiverar karaktärernas handlingar. Det förflutna, nuet och framtiden. Psykisk och fysisk smärta. Att leva i förnekelse och skapa en ny identitet. Det blir även en del snack om råttungar och filmens stora slutmontage… 

Reflections, prisms, the dance of car lights across a rain sprinkled window to a Parisian cafe.  It sure looks like we’re reviewing some 1990s art house cinema this week.  And we are are doing exactly that, with the ur-Trois Coleurs trilogy entrant, Krzysztof Kieslowski’s The Double Life of Veronique.  This film follows a period in the life of the titular character, played by Irene Jacob, and of her Polish doppelgänger Weronika, played by Jacob as well.  They’re their unexplainable bond is explored through shared sensory experiences and coincidences spanning the continent as each young woman navigates their lives made fraught with emotional poignancy and whimsical happenstance. If you’d like to watch ahead for next week’s film, we will be reviewing and discussing Luis Bunuel’s Diary of a Chambermaid (1964).

Join us for a discussion of the best films from 2019 with Dr David Sorfa and Dr Pasquale Iannone, hosted by Kat Zabecka.Here is the list of films in the order of mention, all released in 2019 (with a few from 2018):Once Upon a Time in… Hollywood (Quentin Tarantino)Under the Silver Lake (David Robert Mitchell) Climax (Gaspar Noé) The Laundromat (Steven Soderbergh) Marriage Story (Noach Baumbach) The Dead Don’t Die (Jim Jarmusch) Booksmart (Olivia Wilde) The House That Jack Built (Lars Von Trier) Styx (Wolfgang Fischer) The Irishman (Martin Scorsese) Mid90s (Jonah Hill) Dolemite is My Name (Craig Brewer) Mary Queen of Scots (Josie Rourke) Jiang hu er nü / Ash is Purest White (Zhangke Jia) Happy New Year, Colin Burstead (Ben Wheatley) Photograph (Ritesh Batra) Knives Out (Rian Johnson) Notti Magiche/Magical Nights (Paolo Virzi) Loro (Paolo Sorrentino) The Souvenir (Joanna Hogg) Joker (Todd Phillips)Varda par Agnès/Varda by Agnes (Agnès Varda) If Beale Street Could Talk (Barry Jenkins) El Camino: A Breaking Bad Movie (Vince Gilligan)Films we have seen this year but were released prior to 2019:Killer of Sheep (Charles Burnett 1978)Three Colours Blue (Krzysztof Kieslowski 1993)Ukigumo/Floating Clouds (Mikio Naruse 1955)The Rebel/Call Me Genius (Robert Day 1961)Chinatown (Roman Polanski 1974)Moon (Duncan Jones 2009)Summer Stock (Charles Walters 1950)L'une chante l'autre pas/One Sings, The Other Doesn’t (Agnès Varda 1977)

Now we’re talking.  This is some serious Criterion Collection viewing right here.  Pedro Costa’s docufiction is a snail’s-paced meditation on the lives of the largely Cape Verde immigrants living in the Fontainhas neighborhood of Lisbon, Portugal.  This movie is not concerned with entertaining you.  This movie is not concerned with delighting you.  The rose-colored glasses of studio cinema are nowhere to be found.  Follow Ventura (played by himself) as we walks from home to home, visiting with “his children” as he listens to recitations of their lives marked by the struggles of poverty and oppression. If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Krzysztof Kieslowski’s The Double Life of Veronique (1991).

Astăzi mă focusez pe surse alternative de hrană sănătoasă, vorbim mai precis despre alge și valoarea lor nutritivă, vă îmbii cu o serie de autor pe platforma de streaming Mubi și intrăm puțin în laboratorul de idei ce vor face tehnologiile VR și Augmented Reality ceva mai utile în viitorul apropiat. See acast.com/privacy for privacy and opt-out information.

In this episode, I explore Krzysztof Kieslowski's 1993 film, "Three Colors: Blue." Juliette Binoche plays a woman who loses her husband and daughter in a tragic car accident. Overwhelmed by grief, she tries to cut herself off from human connection and sever ties with the past and her memories. I provide behind-the-scenes information about the making-of the film and discuss key scenes and why they emotionally resonate with me. I also talk about the devastating loss of my father when I was just a teenager and detail my own struggle with grief. This episode contains spoilers. Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, and Instagram. Original logo by Dhiyanah Hassan Full Show Notes: My episode on Birth My episode on Jackie My episode on Cleo from 5 to 7 My guest appearance on The Complete Podcast to talk about "No End" (1985) My episode on Dekalog My episode on The Diving Bell and the Butterfly My episode on L'avventura My episode on House of Sand and Fog All My Sources The Criterion Collection boxset of the Three Colors Trilogy Three Colors: A Hymn to European Cinema by Colin MacCabe Blue: Bare Necessities by Nick James 10 Things I Learned: Three Colors by Abbey Lustgarten The Cinema of Krzysztof Kieslowski: Variations on Destiny and Chance (Directors' Cuts) Krzysztof Kieslowski: Interviews, edited by Renata Bernard and Steven Woodward (Conversations with Filmmakers Series) Double Lives, Second Chances by Annette Insdorf

In this episode, I talk about Patricia Cardoso's feminist coming-of-age classic, "Real Women Have Curves" (2002). I discuss body image, factory work, the exploitation of immigrant labor, and the profoundly political and radical messages in the film. At the beginning of the episode, I also talk about recently re-watching Krzysztof Kieslowski's "The Double Life of Veronique" (1991). Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, and Instagram. Original logo by Dhiyanah Hassan Full Show Notes My La Jetée episode My episode on L'avventura My episode on Close-Up My episode on The Double Life of Veronique Double Lives, Second Chances by Annette Insdorf More about Tori Amos My Moonlight episode My Autumn Sonata episode My Cinema of Unruly Woman episode More about Made in L.A. (2007) by Almudena Carracedo My Dogfight Episode All My Sources 15 years later, Real Women Have Curves is still a cultural revolution (Entertainment Weekly) The Filmmakers Behind ‘Real Women Have Curves’ Share the Struggles of Getting Their Body-Positive Film Made Everything You Know About Obesity Is Wrong (Huffington Post)

Na edição #10 do Em Foco, analisamos os filmes que formam a Trilogia das Cores, do cineasta polonês  Krzysztof Kieslowski. São eles: "A Liberdade é Azul" (Trois couleurs: Bleu, 1993), protagonizado por Juliette Binoche, "A Igualdade é Branca" (Trois couleurs: Blanc, 1994), estrelado por Zbigniew Zamachowski e Julie Delpy, e "A Fraternidade é Vermelha" (Trois couleurs: Rouge, 1994), com Irène Jacob e Jean-Louis Trintignant. Participam deste programa: Renato Silveira, Ana Lúcia Andrade, Raquel Gomes, e Stephania Amaral. Nossa convidada é Erika Savernini, professora de Cinema da UFJF (Universidade Federal de Juiz de Fora). Edição e mixagem de áudio: Eduardo Garcia. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. O post EM FOCO: Trilogia das Cores apareceu primeiro em cinematório.

Na edição #10 do Em Foco, analisamos os filmes que formam a Trilogia das Cores, do cineasta polonês  Krzysztof Kieslowski. São eles: "A Liberdade é Azul" (Trois couleurs: Bleu, 1993), protagonizado por Juliette Binoche, "A Igualdade é Branca" (Trois couleurs: Blanc, 1994), estrelado por Zbigniew Zamachowski e Julie Delpy, e "A Fraternidade é Vermelha" (Trois couleurs: Rouge, 1994), com Irène Jacob e Jean-Louis Trintignant. Participam deste programa: Renato Silveira, Ana Lúcia Andrade, Raquel Gomes, e Stephania Amaral. Nossa convidada é Erika Savernini, professora de Cinema da UFJF (Universidade Federal de Juiz de Fora). Edição e mixagem de áudio: Eduardo Garcia. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. O post EM FOCO: Trilogia das Cores apareceu primeiro em cinematório.

Na edição #10 do Em Foco, analisamos os filmes que formam a Trilogia das Cores, do cineasta polonês  Krzysztof Kieslowski. São eles: "A Liberdade é Azul" (Trois couleurs: Bleu, 1993), protagonizado por Juliette Binoche, "A Igualdade é Branca" (Trois couleurs: Blanc, 1994), estrelado por Zbigniew Zamachowski e Julie Delpy, e "A Fraternidade é Vermelha" (Trois couleurs: Rouge, 1994), com Irène Jacob e Jean-Louis Trintignant. O post EM FOCO: Trilogia das Cores apareceu primeiro em cinematório.

Movie Meltdown - Episode 405 This week we return to the Flyover Film Fest for their Taste of Flyover festivities. Plus we sit down with Ana Asensio the writer, director and star of Most Beautiful Island (winner of Grand Jury Award at South by Southwest this year). We also recap the night where we ate food from Chef Edward Lee's recipes as well as saw Peter Byck's One Hundred Thousand Beating Hearts and Fermented directed by Jonathan Cianfrani. Plus our thoughts on recent viewings of War for the Planet of the Apes and Valerian and the City of a Thousand Planets. And while we watch movies while eating chicken and waffles, we also we also discuss... John Cassavetes, Dekalog, Kimchi on a deviled egg, truthful filmmaking, it's anthropological is what it is, meatloaf balls, living the life he wants to live, Krzysztof Kieslowski, telling interesting stories along the way, studying films that I love, Noah Greenberg, edamame, Matt Reeves, cheese and bacteria, there were mistakes being done, Luc Besson, doing kickflips and eatin' pickles, a very ethnographic perspective, shot in a guerrilla style, Cara Delevingne, please quit eating this hot dog, knocking on doors, I believe you used the word barbarians, people and culture, I had some strong visions on how I wanted to shoot this film, handheld and voyeuristic, movie theater nachos, interesting color schemes, John Carter of Mars, feeding my soul, that was kind of like a dream... and a vision... and a struggle at the same time, the kneading of the dough, I don't want to give up... because this is my true passion, I'm relatively sophisticated, Dane DeHaan, an Amazon Prime wormhole straight to your door, embracing improvisation and... I'm fermenting! "...I knew that the way I was... watching the films were beyond just a regular audience or just an actor looking at the performances... it was affecting me in a greater deeper level." For more on the Louisville Film Society, go to: http://www.louisvillefilmsociety.org/

Podcast sobre Cialo (Body), el cine polaco y la obra de Krzysztof Kieslowski

This is part 2 of our series for director Krzysztof Kieslowski. We conclude the Three Colors trilogy with the final installment RED, and then we jump into THE DOUBLE LIFE OF VERONIQUE. The heel strikes again with his foreign movie critiques, and the theme for February (Ben's pick) is announced! Please send any, and all feedback to anotherlookpod@gmail.com.

It is 2017, and for our first regular episode of the New Year we are diving into the films of Polish filmmaker Krzysztof Kieslowski! On this part 1 of a 2 part series, we watch the first 2 movies of the Three Colors trilogy, BLUE, and WHITE.  In the introduction of the episode, we also give what we think were the worst films of 2016, in companion to our previous Bonus episode. Please send any, and all feedback to anotherlookpod@gmail.com.

Neste episódio recebo Sara Galvão, colaboradora da Take Cinema Magazine, para uma conversa sobre dois dos filmes da sua vida: Três Cores: Azul, a primeira parte da trilogia de Krzysztof Kieslowski dedicada às três cores da bandeira francesa; e Melancolia, o filme que Lars Von Trier escreveu e realizou na sequência de um episódio depressivo.

The 39th edition of the Next 100 Project takes us overseas to France, Poland and Switzerland for Krzysztof Kieslowski’s filmic swan song. The trilogy is made up of 3 distinct movies, with some fascinating and even shocking overlaps. Juliette Binoche and Irene Jacob stand out the most, but the entire cast is magnifique. Get you some Sparkplug.Coffee, then sink this foreign treat into your ears.

Regissören Krzysztof Kieslowskis Trikoloren-triologi ska upp på bioduken igen. Men hur står den sig idag? Göran Sommardal gästar Måns Hirschfeldt i P1 Kultur. Den polske regissören Krzysztof Kieslowski var under åttio- och nittiotalet var en av de där verkligt stora, omsusade filmregissörerna. Med Dekalogen, tio filmer om tio Guds bud och då särskilt den som hette "En liten film om konsten att döda" fick han sitt stora genombrott 1988.Men den större publiken nådde Kieslowski med nittiotalsfilmerna uppkallade efter färgerna i den franska flaggan - den röda, vita och blå filmen. De visas nu under hösten återigenpå bio runt om i Sverige. Det är filmdistributören Non Stop Entertainment som startat klassikersatsningen Timeless, andra filmer som fått nypremiär under den rubriken är till exempel Sally Potters Orlando och Fassbinders Querelle.Polen- och filmkännaren Göran Sommardal gästar P1 Kultur i ett samtal om triologin. Lyssna på samtalet i ljudlänken ovan.1992 recenserade, och sågade, Per Ögren Den blå filmen i Kulturnytt. Lyssna i klippet nedan.P1 Kultur p1kultur@sverigesradio.se

The great Bill Ackerman is back once again for another wonderful conversation on one of my favorite directors, Krzysztof Kieślowski.  He had to endure a very difficult upbringing in his native country, but he eventually went to a renowned and highly acclaimed film school where he honed his craft alongside greats like Polanski.  We try to cover nearly everything but there was no way we could discuss each individual chapter of THE DECALOGUE, but we touch upon that as well as the majority of his films including CAMERA BUFF, BLIND CHANCE, and THREE COLORS as well.  Thank you so very much for listening!00:00 - 19:20 - Introduction / Business / Amazon Gift Card Contest!19:21 -20:13 - Director Song20:14 - 58:43 - Early Work, Camera Buff, No End, Blind Chance58:44 - 01:55:13 - The Decalogue (A Short Film About Love, A Short Film About Killing), The Double Life of Veronique01:55:14 - 02:44:07 - Three Colors (Blue, White, Red)02:44:08 - 02:52:35 -  Top 5 Kieslowski Films, OutroPatrick Ripoll and Sergio Mims return in about a month to talk about the legendary Michael Curtiz in about a month as a Christmas present.  So yes, CASABLANCA will be deconstructed at length as well as several others from his extensive filmography.  Until then, I encourage you to send me your name via email and you'll be entered to win an Amazon Gift Card for $25.  Winner will be selected around Christmas.  Send your emails to win:  directorsclubpodcast@gmail.comDonations:http://popcultureclub.net

El Cinoscar Summer Festival 2015 se celebrará del 29 de mayo al 29 de agosto de 2015 en el blog Cinoscar & Rarities. http://cachecine.blogspot.com.es/ En el podcast presentamos las más de 100 obras que componen el certamen: hablamos de los 42 largometrajes a concurso, los 17 largometrajes fuera de concurso, los 16 cortometrajes a concurso, los 21 trabajos noveles, las 5 películas del jurado y las obras que formarán parte del especial Krzysztof Kieslowski. También analizamos las 16 canciones en juego y os presentamos la mecánica, el calendario y todos los detalles del certamen. ¡Muchas gracias por darle al play... y os esperamos en el #CSF3!

By focusing on the personal rather than the political, Polish director Krzysztof Kieslowski created a quietly subversive masterpiece, Peter Aspden says See acast.com/privacy for privacy and opt-out information.

Anne McElvoy talks to the historian Geoffrey Parker about Global Crisis, his influential game-changing account of the political and social upheavals which characterised the Seventeenth Century around the world. As Tate Modern opens an exhibition Conflict Time and Photography, former New Generation Thinker Dr Zoe Norridge from Kings' College London discusses images of war with Austrian photographer Alex Schlacher. And Agata Pyzik and Michael Goddard discuss Krzysztof Kieslowski an auteur director more interested in the general human condition than politics per se.

It’s time to go balls deep with your favorite stumbling drunk podcast. This week, we’re podcasting live from The Copper Hog in downtown Bellingham where we talk about last week’s PAX experiences, arcades, Windows 7, cars, speeding, teenagers, being dominated and whatever else comes to our twisted minds. The film discussed is Blue, the first film in Krzysztof Kieslowski’s Three Colors trilogy. The featured beers are 7 Seas Brewing Ballz Deep Imperial IPA, Ten Barrels Brewing Bellingham Beer Week Berry Crush and Firestone Walker Brewing Double Barrel Ale. The Beer Plus 3 Podcast features Jeff Swatman, Micheal Zamora and Rick Anderson. Got something to say to us? Send it to beerplus3@gmail.com or find us on Facebook.

Mat Bainbridge, Towson University professor, joins me to talk Krzysztof Kieslowski's Three Colors: White. We talk the filmmaker's life, the history of Polish cinema, and the sociopolitical atmosphere in which White was made. I guarantee, after listening to this episode, you'll appreciate the film more than you ever did before. Enjoy!This is part of the Krzysztof Kieslowski's Three Colors Trilogy Podcrawl!!!MARCH 10 - Gentlemen's Guide to Midnite Cinema covers "Blue"MARCH 12 - Gobbledygeek Podcast covers "Red"All shows also available on iTunes and can be downloaded on your podcatcher app! Tune in, download, stream all three shows!!!Music on this podcast:"Morning At The Hotel" - Zbigniew Preisner - Three Colors: White OMPS"Don Karol III" - Zbigniew Preisner - Three Colors: White OMPSCopyrights are owned by the artists and their labels. No money is made from this podcast.

Welcome to a special episode of the GGtMC!!! This week we are doing a Pod Crawl with good friends The GobbledyGeek Podcast (gobbledygeekpodcast.com) and The Debatable Podcast (debatablepod.libsyn.com) and each show is covering one film in Krzysztof Kieslowski's Three Colors Trilogy!!! The Gents selected to kick things off with coverage of Blue (1993) starring Juliette Binoche. Please take the time to go over to indiegogo.com/projects/final-score-dvd-release and help us get Arizal's Final Score starring Chris Mitchum out on DVD through the community of the GGtMC!!!! Every little bit helps gang!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Mathew Bainbridge joins Fernando Madrigal on this episode from Fernando's podcast, "Print the Legend." This conversation originally debuted on July 24, 2012. Mat and Fernando have a great, twisty, turny talk about movies, Mat's life and his filmmaking. It's very entertaining! Enjoy!Don't forget!Krzysztof Kieslowski's Three Colors Trilogy Podcrawl next week!!!MARCH 10 - Gentlemen's Guide to Midnite Cinema covers "Blue"MARCH 11 - Debatable covers "White" with guest Mathew BainbridgeMARCH 12 - Gobbledygeek Podcast covers "Red"All shows also available on iTunes and can be downloaded on your podcatcher app! Tune in, download, stream all three shows!!!

Nesta edição, o Podcast Cinema em Cena discute a fórmula e a força das trilogias, modelo que Hollywood usa com frequência para suas franquias (Matrix, Star Wars, O Senhor dos Anéis, O Cavaleiro das Trevas, De Volta Para o Futuro) e que também formam coleções temáticas de filmes de diretores como Gus Van Sant, Michelangelo Antonioni, Abbas Kiarostami, Lars von Trier, Sergio Leone, Krzysztof Kieslowski, entre outros. Participam: Renato Silveira, Heitor Valadão e o nosso convidado, o jornalista e crítico de cinema Marcelo Miranda.

In the first film (Blue) Julie (Juliette Binoche) is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier (Benoît Régent), an old friend who harbors a secret love for her, and who could draw her back to reality. The second (White) is about equality, with the film depicting Karol Karol, a shy man who, after being left by his wife in humiliating circumstances in Paris, loses his money, his residency, and his friends. As a deeply ashamed beggar in Warsaw, Karol begins his effort to restore equality to his life through revenge.University student Valentine Dussault (Irène Jacob) in Geneva is talking to her possessive boyfriend in London to prepare for a visit. Stream Trois Couleurs Bleu online: https://amzn.to/2XIu9JJ Stream Trois Couleurs Blanc online: https://amzn.to/3cu7aq6 Stream Trois Couleurs Rouge online: https://amzn.to/2RNfJEe Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

In the first film (Blue) Julie (Juliette Binoche) is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier (Benoît Régent), an old friend who harbors a secret love for her, and who could draw her back to reality. The second (White) is about equality, with the film depicting Karol Karol, a shy man who, after being left by his wife in humiliating circumstances in Paris, loses his money, his residency, and his friends. As a deeply ashamed beggar in Warsaw, Karol begins his effort to restore equality to his life through revenge.University student Valentine Dussault (Irène Jacob) in Geneva is talking to her possessive boyfriend in London to prepare for a visit. Stream Trois Couleurs Bleu online: https://amzn.to/2XIu9JJ Stream Trois Couleurs Blanc online: https://amzn.to/3cu7aq6 Stream Trois Couleurs Rouge online: https://amzn.to/2RNfJEe

No nosso primeiro podcast da série Trilogias Angélica Hellish e Marcos Noriega recebem Juliano D'Angelo do Rapaduracast para conversar sobre a última obra desse importante diretor. O diretor polonês Krzysztof Kieslowski faleceu em 13 de março de 1996 aos 54 anos, deixando para trás uma filmografia extensa e uma obra prima como legado para a humanidade. “A Trilogia das Cores” é esse legado.  Os filmes são baseados nas cores da bandeira francesa e no tema da sua famosa revolução, “Liberdade, Igualdade e Fraternidade”, divididos individualmente em A Liberdade é Azul ( Blue ), A Igualdade é Branca ( White ) e A Fraternidade é Vermelha ( Red ). Ao assistir na seqüência, percebe-se com mais clareza as sutis ligações que são feitas entre os filmes e as correlações que existem entre as distintas histórias. Os filmes se encontram a venda tanto de forma individual como em uma caixinha para lá de bacana. Em “A Liberdade é Azul”, o drama toma conta da história. Conhecemos Julie (Juliette Binoche), que após perder o marido e a filha em um acidente de carro, renega tudo e todos e passa a viver evitando tudo que lhe cause qualquer emoção. O silêncio dá o tom, com o diretor mostrando uma riqueza de detalhes fantástica (como quando o médico avisa Julie da tragédia) e focando em objetos e pontos vazios para explorar a solidão da protagonista. “A Igualdade é Branca” é um filme mais leve, mas não menos tenso. Nele, Karol Karol (Zbigniew Zamachowski) leva a vida com uma incrível falta de tato e principalmente de sorte. Sua mulher Dominique (Julie Delpy), o abandona às traças porque simplesmente ele não dá mais conta do recado de satisfazê-la. Karol Karol então volta para a Polônia e trama calmamente sua vingança contra a ex-mulher, que apesar da sua raiva não acontecerá de maneira gratuita, pois ele ainda a ama. O toque de mestre de Krzysztof Kieslowski chega em “A Fraternidade É Vermelha”, um drama centrado em redenção e procura, apimentado com desilusões, tristezas e rotina. Valentine (Irene Jacob) é uma modelo que vive em Paris e vê sua vida meio em frangalhos, longe do namorado e vendo sua família ruir. Ao conhecer um juiz aposentado (Jean-Louis Trintignant) que passa o resto da vida a espionar os vizinhos, Valentine vê sua vida mudar e tomar rumos inesperados. Com os três filmes da trilogia, Krzysztof Kieslowski uniu emoção, sentimentos e sujeira humana em um momento único da Europa, que passava por um processo todo especial após a queda do Muro de Berlim. Com os longas, ganhou prêmios importantes como o Leão de Ouro de Veneza, o Urso de Prata de Berlim e o Festival de Cannes, além de indicações para o Oscar. Nada mais justo para uma obra de rara beleza e poesia. Indispensável. Edição feita por Daniel Volponi Feed|Facebook|Twitter|Instagram|Padrim Inscreva-se no nosso canal no Youtube: O vídeo vai sair por lá! CLIQUE AQUI IMPORTANTE! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.  Ajude a manter os podcasts independentes, como o nosso no ar, apoie.  

No nosso primeiro podcast da série Trilogias Angélica Hellish e Marcos Noriega recebem Juliano D’Angelo do Rapaduracast para conversar sobre a última obra desse importante diretor. O diretor polonês Krzysztof Kieslowski faleceu em 13 de março de 1996 aos 54 anos, deixando para trás uma filmografia extensa e uma obra prima como legado para a […] O post Masmorra à Trois #1 Trilogia das Cores de Krzysztof Kiéslowski apareceu primeiro em Masmorra Cine.

'Three Colors: Blue': Commentary Track

Un film de Julie Bertuccelli César de la meilleure première œuvre 2004 Grand prix de la semaine de la critique Festival de Cannes 2003 Grand Prix du meilleur scénario 2001 À travers l’histoire d’un mensonge d’amour se dessine le portait délicat de trois femmes de trois générations dans la Géorgie d’aujourd’hui. LE FILM En Géorgie trois femmes de trois générations vivent seules dans un petit appartement à Tbilissi. La grand-mère, Eka, vieille dame délicieuse, francophile et légèrement nostalgique de l’époque stalinienne, où l’électricité était plus fiable, Marina, sa fille et sœur d’Otar, diplômée, gagne modestement et tristement la vie de la famille. Enfin, Ada, la petite-fille, interprète du russe au français, rêverait d’être à Paris, elle aussi… Otar, l’homme de la famille, le fils, le frère et l’oncle, médecin, a quitté le pays pour aller travailler en France et tenter d’obtenir une vie meilleure. Il téléphone de temps à autre et écrit en racontant Montmartre, Saint-Germain-des-Prés… Eka, revit et se transfigure à chaque missive, à chaque appel. Un jour, Marina et Ada apprennent qu’Otar est mort, tombé de l’échafaudage où il travaillait. Epouvantées, anéanties, elles se refusent à en parler à la grand-mère et décident de lui faire croire qu’il est toujours vivant. Ada écrit donc des lettres qu’elle invente en imitant l’écriture de son oncle, tandis qu’elle et sa mère se serrent la ceinture pour faire croire que rien n’a changé. Finalement la grand-mère n’y tenant plus, décide de partir pour Paris avec ses fille et petite-fille et de revoir Otar. Une comédie douce et amère, un film poignant où le dit et le non-dit créent une trame délicate, intense, subtile. Trois personnalités de femmes sublimes ; un peu comme la même femme à trois âges de la vie… Un « film-peinture de la vie en Géorgie » en plein chaos post soviétique aussi, filmé par une jeune réalisatrice, Julie Bertuccelli, au talent prometteur… à découvrir !!! LA REALISATRICE Julie BERTUCCELLI, documentaliste, a été assistante de Krzysztof Kieslowski, Bertrand Tavernier, Emmanuel Finkiel, Rithy Panh, Otar Iosselliani grâce auquel elle a découvert la Géorgie. Depuis qu’Otar est parti est son premier long métrage de fiction. « J’ai travaillé pendant six mois en Géorgie avec Iosseliani et je suis tombée amoureuse de ce pays, au carrefour de l’Europe et de l’Asie, au confluent des cultures et des civilisations. Les gens y sont chaleureux, attachants, truculents. Les Géorgiens sont des poètes, des peintres, des danseurs. Pour ce film, je suis partie d’une histoire authentique racontée par une amie géorgienne. Elle avait le mérite d’être à la fois romanesque et vraie. Avec Bernard Renucci, mon co-scénariste, nous nous sommes très vite éloignés de la réalité. Ce qui nous intéressait, c’était avant tout d’explorer les relations entre les trois femmes obligées d’habiter ensemble. En Géorgie, il n’y a pas de maison de retraite. Les vieux habitent donc avec les enfants et les petits enfants. Nous avons voulu aussi montrer comment elles ont vécu le passage entre le communisme et le capitalisme sauvage d’aujourd’hui. Quels sont à présent leurs désirs, leurs espoirs, leur devenir ? » LES COMEDIENNES Les trois comédiennes donnent aux personnages une authenticité et une sensibilité merveilleuses. Elles sont mises en valeur par la douceur des couleurs et l’atmosphère de tendre rêverie donnée par la caméra ; elles dégagent une grande harmonie et révèlent la profondeur subtile de ces trois femmes unies par le destin et si différentes. Dinara Droukarova, joue ADA, la petite fille, Nino Khomassouridze, MARINA, la mère et Esther Gorintin, EKA, la grand-mère. Cette dernière, âgée de 90 ans, avait déjà fait forte impression dans le film Voyages d’Emmanuel Finkiel. LE DVD VIDEO Compléments 10 scènes coupées (25 minutes) commentée par la réalisatrice Tbilissi impressions : montage photos Making of (40 minutes) : la préparation du film, le premier jour de tournage, les puces, le parc d’attractions Caractéristiques techniques Zone 2, pal, DVD 9, 16 compatible 4/3, son dolby digital 5.1 et stéréo, 98 minutes, couleur, film en VOST.

Les films ayant reçu le Prix du Jury Oecuménique à Cannes. Aujourd'hui, 4 films primés entre 1990 et 2004 : La double vie de Véronique (Krzysztof Kieslowski), Secrets et mensonges (Mike Leigh), Tout sur ma mère (Pablo Almodovar), L'homme sans passé (Aki Kaurismäki)