Podcasts about katya apekina

Notes and Links to Katya Apekina's Work      For Episode 248, Pete welcomes Katya Apekina, and the two discuss, among other topics, her language abilities and her extensive cross-cultural readings; motherhood, the loss of loved ones, and other catalysts for Mother Doll, and salient themes and issues in her collection like intergenerational traumas, women's agency, fatalism, guilt, and redemption.      Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog. Buy Mother Doll   “Katya Apekina's ‘Mother Doll' isn't your ordinary ghost story” in The Los Angeles Times   Katya's Website   At about 2:40, Katya talks about her early experiences in being bilingual and how her early language learning has affected her reading and writing and ways of seeing the world  At about 6:05, Katya talks about ways in which Russian writing manifests itself At about 8:00, Katya catalogs formative and informative writers and writing upon which she draws inspiration  At about 9:45, Katya details a Holden Caulfield-esque action she took in high school At about 10:45, The two discuss cool craft techniques of Chekhov At about 11:25, Katya outlines the beginnings of her formal writing life after pivoting from photography, including the power of Charles Simic and Roberto Bolaño  At about 14:45, Katya highlights contemporary writers who inspire and thrill her, including Sasha Vasilyuk and Ruth Madievsky, and Alexandra Tanner At about 17:35, Pete shares the wonderful reviews for the book, including Lauren Groff's At about 18:20, Katya shares seeds for the book, especially with regards to intergenerational traumas  At about 21:45, Katya recounts some plot summary and real-life inspirations and parallels  At about 22:50, Pete quotes the book's first line-a “banger”-and Katya gives background on the book's sequencing  At about 25:25, Pete sets some of the book's exposition and asks Katya about the “chorus” and her visual idea of this chorus At about 27:20, Irina is introduced and the two discuss her wanting to relieve her burdens, and Katya describes what Zhenia might see in Anton/Ben At about 30:10, Katya responds to Pete's questions about why Zhenia decides to help translate for Paul, the medium, regarding her great-grandmother At about 33:00, Katya expands upon Paul's reasons for getting into the medium space, as well as how some people are many “permeable” to messaging from beyond At about 35:10, Pete traces some early flashbacks from Irina and her early leanings towards revolution At about 36:15, Katya responds to Pete's asking about Hanna and other characters and their motivations and possible naivete At about 39:00, Pete and Katya discuss the changing and convoluted factions and connections that characterized the Russian Revolution, and the differing visions of change At about 41:50, Katya talks about how Zhenia thinks of her grandmother's death and funeral At about 43:30, Pete asks about parallels in the book, both on the micro and macro levels; Katya speaks about “iterations” of history At about 46:30, Pete alludes to “Eleven” by Sandra Cisneros in asking Katya to speak to the significance of the book's title At about 48:40, The two discuss fatalism as a common theme in Russian diasporic literature in general, and this book in particular At about 51:00, Katya talks about exciting upcoming projects At about 52:00, Katya gives contact info and social media information      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 249 with Jesse Katz, whose writing has appeared in The New York Times Magazine, New York Magazine, Rolling Stone, Details, Texas Monthly, Food & Wine, Men's Health, and many other publications. His work has been anthologized in Best American Magazine Writing and Best American Crime Writing; his latest book is the critically-acclaimed The Rent Collectors, about the reverberations of a tragic murder in LA's MacArthur Park area.    The episode airs later today, August 20.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Notes and Links to Christina Cooke's Work      For Episode 247, Pete welcomes Christina Cooke, and the two discuss, among other topics, her childhood love of books, formative and transformative books and writers, contemporaries and fellow debut writers with whom her books are in conversation, the outsized influence of Mamá Lou, and salient themes and issues in her book like diaspora, notions of “home,” queerness and divinity, brotherly and sisterly relationships, and religiosity vs. spirituality.      Christina Cooke's writing has appeared in or is forthcoming from The Caribbean Writer, PRISM International, Prairie Schooner, Apogee, Epiphany, Michigan Quarterly Review, Lambda Literary Review, and others. A MacDowell Fellow and Journey Prize winner, she holds a Master of Arts from the University of New Brunswick and a Master of Fine Arts from the Iowa Writers' Workshop. Christina was born in Jamaica and is now a Canadian citizen who lives and writes in New York City. BROUGHTUPSY is her debut novel.   Buy Broughtupsy   Christina Cooke's Website   Article in Vogue about Broughtupsy At about 1:40, Pete and Christina talk about a top-notch fruit mentioned in her book At about 4:00, Pete highlights an amazing version of the book that he received  At about 5:15, Christina talks about her rich childhood reading life At about 8:20, Christina shouts out Mrs. Dooley, an inspiring teacher At about 11:30, Christina cites books that made a huge impact on how she writes, including Handmaid's Tale At about 13:20, Pete wonders which books and writers “are in conversation” with Christina and her work, and she mentions Ruben Reyes, Jr., Santiago José Sánchez, Melissa Mogollon, Emma Copley, Lisa Ko, Annie Liontas, Miss Lou, Zadie Smith, and Erna Brodber At about 17:00, Christina talks about why she calls Jamaican patois a language, and its distinctive nature, and she tells about a fun difference between #3/#6 mango At about 18:45, Christina dissects the meanings of the book's title At about 19:45, The two discuss a Jamaican original word At about 20:40, Christina discusses seeds for the book and its iterations  At about 23:50, The two discuss the book's epigraph and Christina describes its provenance/significance  At about 28:00, Pete lays out the book's exposition and Christina gives background on sickle cell anemia, which is deadly to Bryson At about 30:30, Christina discusses Bryson's memories and wise maturity in his last days At about 33:25, Christina remarks on the “fable” told to reassure Bryson that his sister Tamika would be visiting-she cites “the complicated ways that we love” At about 35:10, Christina talks about a possibly-doomed relationship At about 37:20, Christina details how the book complicates religiosity and queerness' connections At about 40:35, Christina describes Akua “spiraling” in making a trip back home to Jamaica  At about 42:30, Akua and her “Americanness” in Jamaica is discussed, and Christina talks about parallels in her own life At about 45:40, An uncomfortable visit and questions between the sisters is discussed At about 46:30, Cod liver oil and a scene involving its destruction is recounted by Christina as she discusses its connection to Jamaican parenting in a certain time period At about 49:10, Christina responds to Pete's question about why Akua carries her brother's urn At about 51:40, Christina talks about Jamaicans being “culturally Anglican” and its complexities At about 53:20-Lady Saw and her legendaries and an early encounter with Akua and a woman in Kingston is recounted At about 57:20, Christina talks about “lyme” and its usage in the book and in Jamaica  At about 1:00:10, Christina charts the importance of The Miss Lou “Happy Birthday Song” in the book and in Jamaica and the Jamaican diaspora At about 1:01:45, Christina responds to Pete's questions about the ways in which Akua's father treats her and her homosexuality-Christina speaks to the idea of “infantilizing”  At about 1:06:00, Café con Libros, Word Up, and Bookshop.org are shouted out as good places to buy her book and she gives contact information/social media information At about 1:06:55, Christina shares wonderful feedback from readers      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 248 with Katya Apekina, a novelist, screenwriter and translator; her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Buzzfeed, LitHub, and more and finalist for the LA Times Book Prize; Mother Doll, was named a Best Book So Far of 2024 by Vogue    The episode will go live on August 16.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.  

Motherhood, ghosts, intergenerational trauma—find out how these themes serendipitously fit into Jennifer's life while starring in THE PENELOPIAD at the Goodman Theatre in Chicago and coming across the novel, MOTHER DOLL by author Katya Apekina. Jennifer and Katya discuss how these themes and storytelling devices help audiences process life decisions, dealing with grief, and taking on new roles (in more ways than one), in our exciting 20th episode of THE BOOKSHELF with Jennifer Morrison. The Bookshelf with Jennifer Morrison is brought to you by ⁠Apartment 3C Productions⁠, and our amazing sponsors. Use the code JENSBOOKSHELF at the links below for special discounts offered exclusively for our listeners. AMIA: Get 30% off your purchase Link: www.helloamia.com AMIGO Coffee Roasters: Get 15% off your purchase Link: ⁠⁠www.amigoroasters.com⁠⁠ BEAM: Get 35% off a subscription or 15% off your purchase Link: ⁠⁠shopbeam.com/jensbookshelf⁠ SEED: Get 25% off your first order Link: https://seed.com/ FREDA: Get 15% off a one-time purchase - *exclusions include Brooke x Sam Wennerstrom collab boot. Link: https://fredasalvador.com/en-ca

Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle. Shechtman is an accomplished cruciverbalist, constructing a bimonthly crossword at The New Yorker; she is the former Humanities and Film Editor at the Los Angeles Review of Books, where she is now an editor-at-large. Her book is a history of how women shaped the crossword puzzle, only to be pushed out of the puzzling industry. It's also a memoir of Shechtman's own start with crossword constructing and the simultaneous development of her eating disorder. Riddles explores language, meaning-making, the body, as well as who is allowed to set the rules and write the clues. Also, Katya Apekina, author of Mother Doll, returns to recommend four diaries written during the Russian Revolution: Earthly Signs by Marina Tsvetaeva; and three volumes by Teffi, Other Worlds; Memories; and Tolstoy, Rasputin, Others, and Me.

Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle. Shechtman is an accomplished cruciverbalist, constructing a bimonthly crossword at The New Yorker; she is the former Humanities and Film Editor at the Los Angeles Review of Books, where she is now an editor-at-large. Her book is a history of how women shaped the crossword puzzle, only to be pushed out of the puzzling industry. It's also a memoir of Shechtman's own start with crossword constructing and the simultaneous development of her eating disorder. Riddles explores language, meaning-making, the body, as well as who is allowed to set the rules and write the clues. Also, Katya Apekina, author of Mother Doll, returns to recommend four diaries written during the Russian Revolution: Earthly Signs by Marina Tsvetaeva; and three volumes by Teffi, Other Worlds; Memories; and Tolstoy, Rasputin, Others, and Me.

A double-header episode about two new novels that each feature high stakes feats of translation. First, the translator and writer Jenny Croft speaks with Medaya Ocher about her debut novel, The Extinction of Irena Rey. It follows eight translators who have just arrived at the house of a famous, beloved writer, the titular Irena Rey. Suddenly, Irena disappears, and the translators are left to figure out what has happened to her. Stuck and isolated in a primeval Polish forest and driven by ambition, paranoia, and obsession, the group uncovers secrets about Irena and the stakes of their endeavor become higher and higher. Then, writer and translator Katya Apekina joins Kate Wolf to discuss her latest novel, Mother Doll. The book examines how we can be haunted, sometimes literally, by the choices and experiences of our ancestors. Its main character is an adrift young woman named Zhenia. In the midst of finding out she's pregnant and splitting up with her husband, Zhenia receives a mysterious call from Paul, a pet psychic who has been communicating with her great-grandmother, Irina. Paul needs Zhenia to translate Irina's story, from Russian, about her role in the Russian Revolution and why she decided to place Zhenia's beloved grandmother in an orphanage; Irina meanwhile needs Zhenia to understand her choices, and just perhaps, forgive her.

A double-header episode about two new novels that each feature high stakes feats of translation. First, the translator and writer Jenny Croft speaks with Medaya Ocher about her debut novel, The Extinction of Irena Rey. It follows eight translators who have just arrived at the house of a famous, beloved writer, the titular Irena Rey. Suddenly, Irena disappears, and the translators are left to figure out what has happened to her. Stuck and isolated in a primeval Polish forest and driven by ambition, paranoia, and obsession, the group uncovers secrets about Irena and the stakes of their endeavor become higher and higher. Then, writer and translator Katya Apekina joins Kate Wolf to discuss her latest novel, Mother Doll. The book examines how we can be haunted, sometimes literally, by the choices and experiences of our ancestors. Its main character is an adrift young woman named Zhenia. In the midst of finding out she's pregnant and splitting up with her husband, Zhenia receives a mysterious call from Paul, a pet psychic who has been communicating with her great-grandmother, Irina. Paul needs Zhenia to translate Irina's story, from Russian, about her role in the Russian Revolution and why she decided to place Zhenia's beloved grandmother in an orphanage; Irina meanwhile needs Zhenia to understand her choices, and just perhaps, forgive her.

Novelist, screenwriter, and Russian translator Katya Apekina discusses what to say to our kids about the Russia-Ukraine war, what it's like trying to raise a bilingual, bicultural child, and what it feels like to leave your family behind and move to a new country. Katya's new novel is Mother Doll.

Katya Apekina is the author of the novel Mother Doll, available from The Overlook Press. Apekina is a novelist, screenwriter, and translator. Her debut novel, The Deeper the Water, the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, Lithub, and others, was a finalist for the LA Times Book Prize, and has been translated into Spanish, Catalan, French, German, and Italian. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize, and a Third Year Fiction Fellowship from Washignton University in St. Louis, where she did her MFA. She has done residences at VCCA, Playa, Ucross, Art Omi: Writing, and Fondation Jan Michalski in Switzerland. Born in Moscow, she moved to the US when she was three years old and currently lives in Los Angeles. Mother Doll is her second novel. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zibby is joined by award-winning novelist, screenwriter, and translator Katya Apekina to discuss MOTHER DOLL, a spellbinding, hallucinatory, and very funny novel about four generations of mothers and daughters and the inherited trauma cast by Russian history. Katya describes her novel's protagonist, Zhenia, a young woman navigating pregnancy and a complex relationship in LA, and the strange phone call she receives from a medium channeling her dead great-grandmother, a Russian revolutionary. She delves into themes of ancestral trauma, grief, relationships, abortion, and creative process, touching on her own experiences and inspirations. Finally, she shares her best advice for aspiring authors.Purchase on Bookshop: https://bit.ly/3wYDq3SShare, rate, & review the podcast, and follow Zibby on Instagram @zibbyowens! Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.

Katya Apekina discusses her new novel, Mother Doll, as well as using humor as a coping mechanism and a vehicle for intimacy, sex scenes, giving a ghost a voice, being inspired by her grandmother's memoirs, generational trauma, time as something stacked rather than something sprawling, ambiguous endings, and so much more! Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog. Learn more about your ad choices. Visit megaphone.fm/adchoices

February 1-7, 1997 This week Ken welcomes author of the excellent new novel Mother Doll (signed copies can be purchased here: https://www.skylightbooks.com/pre-order-signed-copies-mother-doll-katya-apekina), Katya Apekina. Ken and Katya discuss living in LA, raining in LA, snow in New England, the nature of our stories, how technology can make us more isolated, displacement, Russia, speaking your native tongue, raising your kids bi-lingual, translating literature, having a strong Moscow accent, only knowing 70s slang,  Cheburashka, accordion playing crocodiles, not being allowed to watch TV, Party of Five, reading War and Peace as a kid, WBCN, cool music, being cool by middle school, only watching one show a week, dating shows, Elimidate, Viy, going to Russian video stores in Allston, not wanting things up your nose, Singled Out, Jenny McCarthy, the death of the Maytag Repairman, Star Trek Voyager, Basketball Wizard Dennis Rodman, The Magic Castle, The Amazing Randi, Groundhog Day, North by Northwest, photography, making your own 8mm films, The Coolidge Corner Cinema, Early Edition, 3rd Rock from the Sun, being a comedy snob, The Simpsons, Mad About You, reboots, hate watching Melrose Place and 7th Heaven, Mystery, Into the Arms of Danger, Roseanne, watching the Presidential Debates for School, Burning Zone, burying your wife alive, the greatness of Ally Sheedy, The Nanny, Covid driven Nanny, office work, Drew Carrey, comforting murder, Murder She Wrote, Sister Sister, always wanting to be a twin, fooling people, TGIF, magical shows, psychics, Unsolved Mysteries, the death of Kurt Cobain, how strange it is to the young that over the air TV exists, the horrors of Disney kids sitcoms, offending religions to sell Snickers, cleavage cams, risqué tones, and learning the truth about Santa Claus from Jamie Lee Curtis.

This week, host Jason Jefferies is joined by Katya Apekina for a discussion of her new novel Mother Doll, which is published by our friends at The Overlook Press.  Topics of conversation include Two Dollar Radio, the Overlook Press, baby bedtime routines, visitations, September 11th, video stores, physical media vs. digital media, organization, ghost stories, self-deception, knowledge and education, and much more.  Copies of Mother Doll can be ordered here.  Thank you to the North Carolina Book Festival and libro.fm audiobooks for presenting this episode.  

Novelist, screenwriter, and translator Katya Apekina returns to Story Behind the Story to talk about her latest novel, Mother Doll — an intergenerational ghost story, tying together a Russian revolutionary and her great-granddaughter, adrift in her 20s in LA. Special Guest: Katya Apekina.

Today we share the first episode of a new series, Dreamtown, from our friends at Crooked Media. Bug's Plan. It's 2014. Adelanto is a bankrupt city in the California desert known for its massive detention centers and not much else. Then, a stranger comes to town with a wild idea to make Adelanto great again: Become the first city in Southern California to legalize commercial weed cultivation. Subscribe to Dreamtown to hear episodes one through five right now wherever you get your podcasts. Adelanto is an original podcast from Crooked Media. It's hosted, written and executive produced by David Weinberg. Nick White is  the story editor. Angel Carreres is the associate producer, Sound Design Mix and Mastering by Brendan Baker of Phenomophon. The theme song is by Icarus himself, and the original score is by Eric Phillips. Fact Checking by Amy Tardif. Additional production help from Inez Maza, Sydney Rapp and Kobe Copeland. Thanks to Betsy Zajko for narrating portions of the show. From Crooked Media, Executive producers are Sarah Geismer, Katie Long and Mary Knauf with special thanks to Alison Falzetta, Lyra Smith, Andrew Leland, Richard Parks, III, Shaka Mali and Katya Apekina. Episode website: https://crooked.com/podcast/chapter-1-bugs-plan

"Je tiefer die Wasser" setzt traditionell mit einem familiären Desaster ein, entwickelt sich aber zu einem beeindruckend komplexen Roman. Katya Apekina erzählt von einem Schriftsteller, der seine Frau künstlerisch ausbeutet und seelisch zerstört. Von Rainer Moritz www.deutschlandfunkkultur.de, Buchkritik Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Redaktion und Moderation: Anja HöferMit neuen Büchern von Ferdinand von Schirach/Alexander Kluge, Thorsten Nagelschmidt, Katya Apekina und Norbert Hummelt

Edie und Mae leben nach dem Selbstmordversuch ihrer Mutter bei ihrem berühmten Schriftstellervater in New York. Edie rebelliert, Mae vergöttert ihren Vater. Beide sind gefangen im manipulativen Netz ihrer Eltern. Ein soghaftes Psychogramm über eine kaputte Künstlerfamilie. Rezension von Theresa Hübner.SuhrkampISBN 978-3-518-42907-5396 Seiten24 Euro

Wie wird aus einer Geschichte große Literatur? Drei Beispiele für besonders gelungene Erzählkunst stellen uns Andrea und Andi in dieser Folge vor. Gemeinsam gelesen haben sie „Allegro Pastell“ von Leif Randt. Stil, Tempo, überspitzte Charaktere, jede Menge Zeitgeist und sehr viel Ironie – Andrea und Andi sind sich einig, dass es wahnsinnig Spaß macht, diesen Gegenwartsroman zu lesen. Andrea empfiehlt außerdem „Je tiefer das Wasser“ von Katya Apekina, ein Roman über zwei Schwestern, die nach dem Selbstmordversuch ihrer Mutter zu ihrem Vater ziehen. Zwölf Jahre, nachdem sie ihn das letzte Mal gesehen haben. Andi stellt „Für immer die Alpen“ von Benjamin Quaderer vor, die Geschichte eines Hochstaplers, Datendiebs und Abenteurers. Der Roman spielt an einem Ort, an dem Romane nur selten spielen: in Liechtenstein, einem der kleinsten Staaten der Welt. Auf instagram haben wir euch außerdem nach euren liebsten Zitaten gefragt. Das erste kommt von Mia @miavgt und stammt aus „Corpus Delicti“ von Juli Zeh. Geantwortet hat uns außerdem Maria von @fernwehwelten und ihr Lieblingszitat ist aus „Tintenherz“ von Cornelia Funke. Seite auf Seite findet ihr auch auf instagram: @seiteanseite.podcast Diese Bücher wurden besprochen: „Allegro Pastell“ von Leif Randt (Kiepenheuer&Witsch) „Je tiefer das Wasser“ von Katya Apekina (Suhrkamp) „Für immer die Alpen“ von Benjamin Quaderer (Luchterhand)

Katya Apekinas Debüt „Je tiefer das Wasser“ ist eine Familiengeschichte, in der es um die Kraft der Kunst geht, die zerstören und heilen kann. Apekina verwebt mehrere Perspektiven und verschiedene Zeitebenen. Die beiden wichtigsten Stimmen gehören den Schwestern Edie und Mae, die wir 1997 kennenlernen, als sie 16 und 14 sind. Während Edie die Ereignisse 1997 erzählt, spricht Mae gut 15 Jahre später als Erwachsene. Apekina findet so für die Schwestern nicht nur einen klar unterscheidbaren Ton, sie bringt dadurch auch verschiedene Reflektionsebenen in den Text. Die Mutter der beiden hat versucht, sich das Leben zu nehmen. Der Vater, ein Starautor in einer Schaffenskrise, steht plötzlich den Töchtern gegenüber, die er als Kinder verlassen hat. Und während Edie bedingungslos loyal zu ihrer Mutter steht, hofft Mae, der Mutter, die sie so anders erlebt als ihre Schwester, zu entkommen. Starkes Debüt, das auch davon erzählt, mit welcher Macht Eltern das Leben ihrer Kinder prägen. „Je tiefer das Wasser“ von Katya Apekina ist als Hardcover bei Suhrkamp erschienen. Brigitte Jakobeit hat es aus dem Englischen übersetzt, es hat die 396 Seiten und kostet 24 Euro. Und jetzt noch eine Ankündigung in eigener Sache: Am 17. März machen meine EMOTION-Kolleginnen und ich zum ersten Mal einen Live-Bücherabend im Hamburger Nachtasyl: die Lit.EMOTION. Als Special Guests mit dabei, die Autorin Nora Gantenbrink und Buchhändler und Insta-Größe Frank Menden. Durch den Abend führen meine Kollegin Christine Ritzenhoff, auf Insta bekannt als Frau.R.liest, und ich. Es geht um 20 Uhr los und der Eintritt beträgt 7 Euro an der Abendkasse: http://nachtasyl.de/index.php/583-lit-emotion?date=2020-03-17-20-00 Um eine Idee zu bekommen, wie viele Leute vorbeikommen, möchten wir euch bitten, euch anzumelden unter: lit.emotion@emotion.de Und wenn euch Feiste Bücher gefällt, freu ich mich, wenn ihr den Podcast abonniert und anderen davon erzählt. Feedback, Anregungen und Likes sind sehr willkommen. Gern per Mail an FeisteBuecher@gmx.de oder auf Instagram. Folge direkt herunterladen

Die US-amerikanische Autorin Katya Apekina erzählt in ihrem Debüt von einer zerrütteten Künstlerfamilie und dem verzweifelten Versuch der Kinder, dem toxischen Wirkungskreis ihrer Eltern zu entkommen. Eine Rezension von Holger Heimann.

Die Familie: Für viele stellt sie ein lebenslanges Bündnis dar – und manchmal auch eine lebenslange Bürde. Doch welche Kräfte wirken innerhalb von Familien? Welche Pflichten erwachsen aus familiären Beziehungen? Und was passiert, wenn die familiären Bande zerbrechen? Katya Apekina erzählt in ihrem Debütroman »Je tiefer das Wasser« die Geschichte der beiden Schwestern Edie und Mae, die zu ihrem unbekannten Vater ziehen müssen, weil ihre Mutter versucht hat, sich umzubringen. Dabei schildert sie jene Emotionen, die entstehen, wenn sich familiäre Abgründe auftun und das Band zwischen Eltern und Kindern zu zerreißen droht. Helga Bürster hat in »Luzies Erbe« ihre eigene Familiengeschichte als Vorbild genommen, um zu erzählen, wie das Schweigen über die Vergangenheit eine Familie über mehrere Jahrzehnte hinweg überschatten kann. Die Anthologie »Familiäre Pflichten« stellt aus wissenschaftlicher Perspektive die Frage, ob und inwieweit aus familiären Bindungen Verpflichtungen entstehen. In ihrem Roman »Vater Unser«, der 2019 im Hanser Verlag erschien, lässt die Autorin Angela Lehner eine Psychiatrie-Patientin über ihre Familie berichten. Alle Bücher der Folge im Überblick:

Jenny divulges her top reads of 2019 and shares the top reads of sixteen other readers. All of us focus on books we read in 2019; they may or may not have been published in 2019. That's how regular readers work! If you listen past that section, there will also be some discussion of the Best of the Decade in reads and reading experiences.Thanks to all of you who participate, interact, and listen to the podcast! You have made this a marvelous year and decade.  Best wishes in the new year. The next episode will be all about reading goals, so feel free to share your 2020 reading goals with me and I might mention them.Download or listen via this link: Reading Envy 176: Best of 2019 with Jenny and Menagerie.Subscribe to the podcast via this link: FeedburnerOr subscribe via Apple Podcasts by clicking: SubscribeOr listen through TuneIn Or listen on Google Play Listen via StitcherListen through Spotify  Books Mentioned: Life and Fate by Vasily GrossmanCastle of Water by Dane KuckelbridgeLent by Jo WaltonFrankissstein by Jeanette WintersonAgainst Memoir by Michelle TeaBrute: Poems by Emily SkajaThe Library of Small Catastrophes by Alison C. RollinsHalal if You Hear Me edited by Safia Elhillo and Fatimah AsgharCan You Forgive Her? by Anthony TrolloppeThe Old Wives' Tale by Arnold BennettThe Way to the Sea by Caroline CramptonThe Murderbot Diaries series by Martha Wells Foundation by Isaac AsimovTu by Patricia GraceThe Last Act of Love by Cathy RentzenbrinkAll Among the Barley by Melissa HarrisonEast West Street by Philippe SandsThe Great Believers by Rebekah MakkaiLost Children Archive by Valeria LuiselliThe Shape of the Ruins by Juan Gabriel VasquezBirdie by Tracey LindbergThey Will Drown in Their Mother's Tears by Johannes AnyuruThe Museum of Modern Love by Heather RoseCantoras by Caroline de RobertisThe Deeper the Water, the Uglier the Fish by Katya ApekinaGone with the Wind by Margaret MitchellThe Very Marrow of Our Bones by Christine HigdonThe Traveling Cat Chronicles by Hiro ArikawaMetro 2035 by Dmitry GlukhovskyIn the Distance by Hernan DiazMortality by Christopher HitchensTrain Dreams by Denis JohnsonConversations with Friends by Sally Rooney Normal People by Sally RooneyGirl, Woman, Other by Bernardine Evaristo Drive Your Plow Over the Bones of the Dead by Olga TokarczukNobber by Oisin FaganWomen Talking by Miriam ToewsWhen Chickenheads Come Home To Roost by Joan MorganOur Women on the Ground edited by Zahra HankirThe Lager Queen of Minnesota by J. Ryan StradalSefira and Other Betrayals by John LanganStrange Weather in Tokyo by Hiromi KawakamiThe Book of Night Women by Marlon JamesInto the Wild by Jon KrakauerFired Up by Andrew JohnstonThe Spirit Catches You and You Fall Down by Anne FadimanWhite Fragility by Robin DiAngeloThe Seven Necessary Sins for Women and Girls by Mona EltahawyThis Tilting World by Colette Bellous Other Mentions:Jenny's Full Best of 2019 ListJenny's Best of the Decade List Safia Elhillo and Fatimah Asghar reading at The StrandShedunnit Podcast Related Episodes:Episode 142 - Borders and Bails with Shawn MooneyEpisode 150 - Rife with Storytelling with Sara Episode 154 - Is If If with PaulaEpisode 157 - Joint Readalong of Gone with the Wind with Book Cougars Episode 159 - Reading Doorways with LindyEpisode 160 - Reading Plays with Elizabeth Episode 163 - Fainting Goats with Lauren Episode 166 - On Brand with Karen Episode 167 - Book Pendulum with Reggie Episode 173 - Expecting a Lot from a Book with Sarah Tittle  Episode 174 - Cozy Holiday Reads and TBR Explode 4 Episode 175 - Reading on Impulse with Marion Hill Stalk me online:Jenny at GoodreadsJenny on TwitterJenny is @readingenvy on Instagram and Litsy

In this 60th episode of Bookin', Jason Jefferies and Chris Tonelli discuss all things related to the 2020 North Carolina Book Festival (February 21-23, 2020 in Raleigh, NC).  Authors featured in this episode include Belle Boggs, Tupelo Hassman, John Kessel, Kim Stanley Robinson, Mur Lafferty, Katya Apekina and Jeff Jackson.  This episode is part one of a three part series.  

Katya Apekina's novel The Deeper the Water the Uglier the Fish has a dark sense of humor, and an interest in the soul.

Hello, readers!  For Bookin's 26th episode, host Jason Jefferies is joined by sensational debut novelist Katya Apekina, who was recently shortlisted for an LA Times book award for her novel The Deeper the Water the Uglier the Fish.  This podcast kicks off a month of celebrating Two Dollar Radio, Quail Ridge Books' Indie Press of the Month for May 2019.  

Autumn and Kendra talk with Katya Apekina about her debut novel The Deeper the Water the Uglier the Fish, which is out now from Two Dollar Radio. Find the full version of the show notes for this episode over on our website. Many thanks to our sponsor for this week’s episode, The Great Courses Plus! We’ve arranged a special, limited time offer for our listeners: an entire month of unlimited learning—for FREE! Sign up here for your free trial and get one month of access to The Great Courses Plus. Some links are affiliate links. Find more details here. Books MentionedThe Deeper the Water the Uglier the Fish by Katya Apekina  Follow Katya Apekina Website | Twitter | Instagram | Buy the Book Be sure to subscribe to our newsletter to be sure you don’t miss the latest news, reviews, and furchild photos. Support us on Patreon and get insider goodies! CONTACT Questions? Comments? Email us hello@readingwomenpodcast.com. SOCIAL MEDIA Reading WomenTwitter | Facebook | Instagram | Website Music by Isaac Greene Learn more about your ad choices. Visit megaphone.fm/adchoices

Katya Apekina's debut novel, The Deeper the Water the Uglier the Fish, tells the story of Edie and Mae, two sisters who go to live with their estranged father in New York after their mother’s suicide attempt. It has received a great deal of attention for its unique form: the book is structured like an oral history, with a different narrator from one chapter to the next, interspersed with archival content, including poetry, letters, and interviews. In this episode, I talk to Katya about The Deeper the Water the Uglier the Fish and writing as an act of faith. I hope you enjoy it. Special Guest: Katya Apekina.

Katya Apekina is the guest. She is the author of the debut novel THE DEEPER THE WATER THE UGLIER THE FISH (Two Dollar Radio). Apekina's short stories have appeared in various literary magazines. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa and Ucross. Her prose and poetry translations from Russian appeared in Night Wraps the Sky: Writings by and About Mayakovsky(FSG 2008), which was short-listed for the Best Translated Book Award. She co-wrote the script for the independent film New Orleans, Mon Amour (2008), directed by Michael Almereyda and starring Elisabeth Moss and Christopher Eccleston. She lives in Los Angeles with her husband and daughter.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Deeper the Water the Uglier the Fish is a bold epistolary novel tracking two teenage girls in the wake of their mother’s failed suicide attempt, when they are sent to live with their estranged father, a celebrated writer, in New York City. With a sinister sense of humor, The Deeper the Water the Uglier the Fish powerfully captures the quiet torment of Edie and Mae as they each crave the attention of a parent they can’t—and shouldn’t—have to themselves. Moving from the Louisiana countryside to the sidewalks of New York City, the Civil Rights era to the trendy art scene of the ’90s, Katya Apekina crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession, and in so doing heralds her arrival as a fierce and fresh new literary talent. Apekina is joined in conversation by Michelle Huneven, author of four novels, including Blame and Off Course.

The epigraph “…but life is a trick, life is a kitten in a sack.” —-Anne Sexton Before that she says, “that she tried to reach into her page and breathe it back”. Why can’t one do that? Was Mae trying to accomplish that? Was she successful? Why/how do you put a kitten in a sack in the first place? Why doesn’t Dennis get to tell his story? And are we dealing with reliable narrators. You know some things happened a long time ago. It’s a bit like Barnes’ Sense of An Ending. Is what we remember what really happened? And with Mae is what she did to herself necessary, mandatory to release her from the bind (a true bind) that she finds herself in? Are the sisters really that much different? Is Dennis a bad man? Is Marianne a bad woman? Tell us what your Grandmother said about the title and what your thoughts were. I mean it’s not a quote, it's something you came up with. So as these girls delve down deeper and deeper into what the relationships with father and mother have done to them, what is the water, what is the fish and why do they get uglier? I asked why deep sea fish are ugly: The deep sea is cold and dark. The pressure is immense, and meals are hard to come by. (You have to adapt) May as well talk about the cover. The Ladies Home Journal 1889. Some reviews look at the book as a mix between fantasy and realism. Like Truman Capote’s, Answered Prayers or Hemingway’s The Sun Also Rises. I mean through the side stories by friends it is clear that he massaged their life stories to make his books more interesting. Marianne’s father’s letter to Dennis is the most telling document in the book in many ways. And what was it that Dennis saw in Marianne as (barely a teenager) they began their correspondence and relationship. Were they in love with one another? Are you going to write a screenplay for the book because it seems very cinematic. Who do you identify most closely with. The two sisters seem to love one another and long for each other’s touch but they disappoint each other over and over.

The epigraph “…but life is a trick, life is a kitten in a sack.” —-Anne Sexton Before that she says, “that she tried to reach into her page and breathe it back”. Why can’t one do that? Was Mae trying to accomplish that? Was she successful? Why/how do you put a kitten in a sack in the first place? Why doesn’t Dennis get to tell his story? And are we dealing with reliable narrators. You know some things happened a long time ago. It’s a bit like Barnes’ Sense of An Ending. Is what we remember what really happened? And with Mae is what she did to herself necessary, mandatory to release her from the bind (a true bind) that she finds herself in? Are the sisters really that much different? Is Dennis a bad man? Is Marianne a bad woman? Tell us what your Grandmother said about the title and what your thoughts were. I mean it’s not a quote, it's something you came up with. So as these girls delve down deeper and deeper into what the relationships with father and mother have done to them, what is the water, what is the fish and why do they get uglier? I asked why deep sea fish are ugly: The deep sea is cold and dark. The pressure is immense, and meals are hard to come by. (You have to adapt) May as well talk about the cover. The Ladies Home Journal 1889. Some reviews look at the book as a mix between fantasy and realism. Like Truman Capote’s, Answered Prayers or Hemingway’s The Sun Also Rises. I mean through the side stories by friends it is clear that he massaged their life stories to make his books more interesting. Marianne’s father’s letter to Dennis is the most telling document in the book in many ways. And what was it that Dennis saw in Marianne as (barely a teenager) they began their correspondence and relationship. Were they in love with one another? Are you going to write a screenplay for the book because it seems very cinematic. Who do you identify most closely with. The two sisters seem to love one another and long for each other’s touch but they disappoint each other over and over.

We're doing ten 6-minute "micro-sodes" to celebrate doing this for the tenth time! Did you know that David has a wife, named Katya Apekina, and she wrote a novel?