Podcasts about musici

Do not own the right to musicI do not understand.

In this episode, Carlos Gonzalez de Villaumbrosia interviews Ashok Bania, Senior Vice President of Product at SoundCloud.SoundCloud is the original open platform that disrupted the music industry alongside Spotify, providing massive distribution to millions of artists, including superstars like Billie Eilish and Post Malone. It's a free music app available on web and mobile that connects DJs and singers with over 150 million fans worldwide. After a period of strategic shifts, SoundCloud became profitable for the first time in 16 years.Ashok oversees product strategy, growth, and monetization at SoundCloud. He has a proven track record of building successful consumer subscription products and marketplaces at companies like Spotify, Lyft, Tumblr, and Headspace.In this episode, we'll explore SoundCloud's turnaround from near collapse to profitability, specific AI use cases that enhance music discovery and community engagement, and Ashok's unique approach to product development and growth strategies.What you'll learn:- Ashok's journey to becoming SVP of Product at SoundCloud and his insights on the platform's transformation.- The challenges and strategies involved in revitalizing a global, open music platform.- How to prioritize features and innovations in a fast-paced, creator-centric environment.- The future of music technology, including AI-powered remixes and personalized discovery.Key Takeaways

Ad Verbrugge in gesprek met violiste en conservatoriumdocent Maria Paula Majoor. -- Steun De Nieuwe Wereld en doe mee aan onze eindejaarsactie: http://gofundme.com/dnw2024. Liever direct overmaken? Maak dan uw gift over naar NL61 RABO 0357 5828 61 t.n.v. Stichting De Nieuwe Wereld. Patroon worden kan op http://www.petjeaf.com/denieuwewereld. -- Bronnen en links bij deze uitzending: - 'Rotterdam is de derde grote stad die door bezuinigingen moet stoppen met gesubsidieerde muzieklessen': https://www.volkskrant.nl/cultuur-media/rotterdam-is-de-derde-grote-stad-die-door-bezuinigingen-moet-stoppen-met-gesubsidieerde-muzieklessen~bebf25ef/

Andrea Paolini laureato in Scienze Economiche presso l'Università di Siena con una tesi sui processi di Ricerca e sviluppo nel settore farmaceutico, Andrea Paolini è dal 2011 Direttore Generale della Fondazione Toscana Life Sciences (TLS) e Presidente di Fondazione VITA - ITS Istituto Tecnologico Superiore per le Nuove Tecnologie della Vita. Ha ricoperto incarichi nell'ambito confindustriale legati al settore delle scienze della vita, fa parte del Direttivo di Assobiotec - Associazione nazionale per lo sviluppo delle biotecnologie ed è stato membro del Comitato Etico per la ricerca clinica dell'Area Vasta Sud-Est Regione Toscana. È stato Vicepresidente del Cluster Nazionale delle Scienze della Vita ALISEI, e attualmente è Coordinatore del gruppo di lavoro formazione Federchimica Assobiotec, associazione nazionale che anche quest'anno coordina e promuove la Biotech week, dal 24 settembre al 1° ottobre in varie regioni italiane. Fondazione Toscana Life Sciences (TLS) è tra i soci fondatori della Fondazione Vita – Nuova Tecnologia della Vita. Un istituto che dal 2015 si occupa di gestire e organizzare l'offerta formativa nell'ambito delle scienze della vita, attraverso la creazione di corsi ITS e FTS, finanziati da MUR e Regione Toscana, per formare figure professionali altamente specializzate nel settore farmaceutico e delle biotecnologie. Gli Its sono fondamentali nel nostro sistema formativo: grazie a corsi biennali, favoriscono l'inserimento dei giovani nel mercato del lavoro. Grazie al coinvolgimento delle imprese nella progettazione dei percorsi formativi, per rispondere e soprattutto anticipare i loro bisogni, oltre l'80% degli studenti diplomati trova una occupazione subito dopo aver conseguito il diploma, e l'impiego è allineato con il percorso di studio e con il lavoro svolto durante lo stage previsto nel biennio di corso.Siti, app libri e link utiliFondazione toscana life sciencesLinkedinDistretto toscano scienze della vitaLinkedinFondazione vita - its nuove tecnologie della vitaLinkedinFondazione siena artificial intelligence hub saihubSaihubPop science - il podcast della fondazione toscana life sciences su spotifySu amazon musicI libri da scegliereLa formazione in life scienceLa formazione fortemente specializzata dell'ITS Vita si basa su un mix tra attività in aula e laboratori. I corsi formativi biennali ITS permettono di acquisire un diploma professionalizzante, riconosciuto dal Ministero, che garantisce la Qualifica V Livello EQF nei settori farmaceutico, biotecnologico e dell'ICT (information and communication technologies). Le risorse del Piano Nazionale di Ripresa e Resilienza potrebbero inoltre potenziare il modello organizzativo e didattico, introducendo criteri di premialità per l'ampliamento dei percorsi ITS e per lo sviluppo di competenze tecnologiche abilitanti, grazie a laboratori con tecnologie 4.0 per promuovere sempre più sulla diffusione della cultura scientifica e tecnologica.

Het seizoen zit erop. Maar onze musici zitten niet stil in de zomervakantie. Onder het genot van een cocktail met parasolletje bespreekt Botte de zomerplannen van vijf musici uit onze orkesten. Van muzikale kinderkampen, tot het eerste Pride-concert in Het Concertgebouw. En van luisteren naar de stilte in Engeland, tot een hangmat in Zweden. Inclusief: zomerse muzikale tips van de musici! Muziektip van Elke Elsen - Train Train van Safar Republique https://open.spotify.com/track/2TuEBeNc03NbxvLBunNlwT?si=f5274176957144f9 Muziektip van Odile Torenbeek - La bohème van Café des  Chansons https://open.spotify.com/track/2iNP2qm5ORzQZG8ogRtykt?si=lHuMOpIbQr-ZP5Z_mKuVPA  Muziektip van Odile Torenbeek - Aber du weisst den Weg für mich van Taizé https://open.spotify.com/track/5hRP7ZaxBphDjB09kE5W2S?si=aQV_WGMAQQyDyNlVnU2MfQ Muziektip van Bas Treub -  Serenade voor tenor, hoorn en strijkers van Benjamin Britten https://open.spotify.com/album/5a7O22Xh9b9XrKZVYwOLx6?si=C6uKAgY9QBaMsqnwCHAB2g Muziektip van Carin Nelson - Uti var hage van The Real Group https://open.spotify.com/track/3P6lx49Qukx6T55uLnTpKJ?si=Bwr-PEdGT9eybZqhmqqzIA Muziektip van Leon Berendse - Duo Seraphim van Francisco Guerrero door The Rose Ensemble https://open.spotify.com/track/0qHwvmhA7htwGr40X81aUd?si=l-we_gGBTDOIamrK8ijaQg Concerttip - 26 juli a.s. in Concertgebouw: Ludwig en Boys Won't Be Boys

Enrico Miolano"Suoni dal Monviso"www.suonidalmonviso.it13 eventi distribuiti nell'arco di 6 mesi, che vedranno impegnati 10 comuni del territorio Saluzzese e della Granda Il calendario completo degli eventi è consultabile sul sito www.suonidalmonviso.it, tra i quali si citano: -       “The Swingle Singer” il 06 Luglio ore 21:00 presso Il Quartiere, Saluzzo (ticket sul circuito www.ticketone.it) -       “Musica al Monviso” il 14 Luglio ore 7:00 presso Pian del Re – Sorgenti del Po e ore 12:30 presso Rifugio Quintino Sella al Monviso-       “Diodato” il 04 Agosto ore 15:30 presso Agliasco, Paesana (ticket sul circuito www.ticketone.it)-        “Buon Compleanno Suoni dal Monviso” il 1° Settembre ore 17:30 presso Villa Radicati, Saluzzo13 appuntamenti distribuiti nell'arco di 6 mesi, che vedono impegnati 10 comuni, con afflusso stimato di circa 12.000 persone: «Daremo spazio: agli artisti di fama internazionale, ai giovani, ai cori, alle grandi produzioni sinfonico-corali e ai luoghi di alta montagna; il tutto con un'attenzione speciale: alle nostre comunità, alle famiglie e ai bambini, alle persone più disagiate e deboli, al nostro patrimonio architettonico e storico e alla sostenibilità ambientale».Tra le “perle” della stagione 2024, citiamo il concerto del cantautore Diodato (vincitore del Festival di Sanremo nel 2020 e fresco vincitore del David di Donatello per la categoria miglior canzone originale, contenuta nel film “Palazzina Laf”), che salirà sulle montagne di Paesana (in frazione Agliasco) domenica 4 agosto.Prima di lui, sabato 7 luglio, il Gruppo Vocale “The Swingle Singers”, uno dei gruppi a cappella più famosi e seguiti al mondo, sarà in concerto a Saluzzo, al Quartiere.Citiamo, infine il concerto proprio dei Polifonici, che torneranno ad esibirsi in città, insieme ai Musici del Marchesato, domenica 1 settembre, nel giorno di S. Chiaffredo, nello spazio aperto di Villa Belvedere, già Villa Radicati.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

I've been diagnosing a lot of disorders lately, and I've got another one to add to the list. It's called ADV (action-deficient verbosity).Here's an example of ADV I received in response to an offer I made to a former client:“Hey, thank you I enjoyed working with you as well and hope things are going well. At the moment with recent career changes I am not having a lot of disposable income, in the future when I scrape some together I would be happy to reach out to you as music is a worthy investment to me, so I will have to let you know when that time comes

durée : 00:13:13 - Carnets de campagne - par : Dorothée Barba - Au programme des Carnets de Campagne aujourd'hui, un festival creusois qui réunit des musiciens professionnels venus du monde entier dans des petites communes de la Creuse. Mais aussi une entreprise qui met des plantes locales dans les épices au goût d'ailleurs.

Het behandelen van blessures is onderdeel van het vak orthopedie. Maar wie aan blessures denkt, denkt meestal aan sporters. In deze nieuwe Botcast komen we er achter dat er nog een grote groep patiënten bestaat die risico lopen op blessures; musici. Dr. Laura Kok, orthopedisch chirurg in Tergooi MC vertelt  in de nieuwe Botcast over de veelvoorkomende klachten en behandelingen op haar muziekpoli, en wat deze patiëntenpopulatie zo bijzonder maakt. Daarnaast vertelt ze hoe zij expert is geworden op dit gebied, hoe zij het conservatorium met de opleiding geneeskunde combineerde, en welke muziek er op de OK wordt geluisterd. Dat klinkt toch als muziek in de oren? 

Welcome to Episode Two of this special series of Living a Vocal Life, all about balancing motherhood and creativity. In this two-part series, you'll hear from 11 singers who generously agreed to answer three questions about how they navigate creativity and motherhood.In Part One, you heard how these singers structure their lives, including tips on finding time and solitude for their creative work. In this episode, you'll hear how women navigate their inner lives when they can't get to their work, plus the many practices they use to support their emotional well-being. Links: & MusicI'd like to express my gratitude to the 11 women who generously lent their voices to the series: Rebecca SanbornDanielle TuckerMoana WolfgrammN'KengeRosi AmadorAra Lee JamesWhitney JonesKarla HarrisAlex WhilerChina Forbes, andStephanie Schneiderman. It was a gift to spend time with them. The songs featured in this series are: Stand and Sway, written by Ara Lee James and Beth Wood from their album Deep Blue, Sleep Is A Wonderful Thing, by Morley from the album Borderless Lullabies (Borderless Lullabies is a collection of songs and spoken-word recordings, with 100% of proceeds benefiting KIND: Kids In Need of Defense: supportkind.org) Right Before My Eyes, written by my husband John Smith from our Nu Shooz Orchestra album Pandora's Box, and Stephanie Schneiderman's song, Wherever You Go, from her album Crossfire. Theme music for the Podcast was composed by John Smith. He edits all the podcast episodes too. (Thanks, honey!) ResourcesThe book mentioned in the episode: The Baby On The Fire Escape: Creativity, Motherhood & The Mind-Baby Problem by Julie Phillips.Mother Nurture: a book by one of my favorite psychologists, Rick Hanson, Ph.D., his wife, Jan Hanson, and Ricki Pollycove. The Hansons also have a website for mothers, NurtureMom.com. The site needs updating, but the content is still rich, relevant, and useful.Support the showSupport the show

Welcome to Episode One of this special series of Living a Vocal Life, all about balancing motherhood and creativity. In this two-part series, you'll hear from 11 singers who generously agreed to answer three questions about how they navigate creativity and motherhood.In Part One, you'll hear how these singers structure their lives, including tips on finding time and solitude for their creative work. In Part Two, you'll hear how women navigate their inner lives when they can't get to their work, plus the many practices they use to support their emotional well-being. Links: & MusicI'd like to express my gratitude to the 11 women who generously lent their voices to the series: Rebecca Sanborn Danielle TuckerMoana Wolfgramm N'KengeRosi AmadorAra Lee JamesWhitney JonesKarla HarrisAlex WhilerChina Forbes, and Stephanie Schneiderman. It was a gift to spend time with them. The songs featured in this series are: Stand and Sway, written by Ara Lee James and Beth Wood from their album Deep Blue, Sleep Is A Wonderful Thing, by Morley from the album Borderless Lullabies (Borderless Lullabies is a collection of songs and spoken-word recordings, with 100% of proceeds benefiting KIND: Kids In Need of Defense: supportkind.org) Right Before My Eyes, written by my husband John Smith from our Nu Shooz Orchestra album Pandora's Box, and Stephanie Schneiderman's song, Wherever You Go, from her album Crossfire. Theme music for the Podcast was composed by John Smith. He edits all the podcast episodes too. (Thanks, honey!) ResourcesA fantastic list of books about art and motherhood, curated by Austin Kleon.Mother Nurture: a book by one of my favorite psychologists, Rick Hanson, Ph.D., his wife, Jan Hanson, and Ricki Pollycove. The Hansons also have a website for mothers, NurtureMom.com. The site needs updating, but the content is still rich, relevant, and useful.Support the show

Hello my Friends!Here is the latest episode of The Celestial Odyssey- The Journey Continues!for about 15 years now, I have been doing this show and podcast!It's been an honor to stay connected with you ALL through musicI hope you enjoy this mix. and remember, you can catch me LIVE on any given Saturday, 3-5pm (cst)Twitch.tv/celestethedjI hope you enjoy! 

Transcript included below…Today, we're going to talk about what to do when someone criticizes our guitar playing.I'm taking a swing at another subjective, relational topic today.  So, if you experience these words and you agree, disagree, or have things to add…your comments are welcome, especially if they are constructive. I certainly encourage you to honor the Lord with your comments – but if you've been experiencing this content for even a few episodes, I'm thinking you are already on board with that.  I'd also like to extend a word of gratitude to my wife, Whitney, for helping me gather some thoughts for today's episode.If you're like me, you play the guitar.  And if you're like me, you want to get better at playing the guitar.But there are times when we get discouraged because of what people say about our guitar playing.I've got a few strategies I want to invite you to consider on your guitar journey that might give you some encouragement. Two main types of criticismCriticism can be divided into two basic categories.  First, the type that's designed to tear down, and second, the type that's designed to build up.If criticism is offered in such a way that it basically says, “What you're doing is not good, or not good enough,” with no suggestion for how to improve, I'd call that the negative, “tear down” type of criticism.We have an enemy.  Satan.  The father of lies.  The devil.  The accuser.  And he can often be a part of this kind of criticism.These kinds of darts he throws are intended to destroy, paralyze, and keep us from moving forward.  And sometimes something is said that is directly intended to wound, or it could be said in a less than intentional way and therefore perceived as negative criticism. There are things people have said to me in musical and non-musical circles that were very unkind.  And they were communicated in ways that could have been improved upon, or even not spoken at all.I saw a movie several years ago that I cannot openly recommend to fellow Christ-followers because the language was so coarse.  It was the 2014 movie Whiplash, where the protagonist, a very gifted drummer named Andrew, comes under the tutelage of a ruthless jazz teacher by the name of Mr. Fletcher.  Fletcher stops at absolutely nothing to get the very best from his students and shows no empathy or care for their feelings.  His words are crude, unkind, and he even resorts to shouting and slapping one of his students for not playing in tempo.This “quality at any cost” mentality is very much “of the world,” and I don't believe it has a place in our faith-based approach to music.Again, we are called to “play skillfully,” as Psalm 33:3 commands, but we are also called to “speak the truth in love,” as Ephesians 4:15 reminds us.As I watched Whiplash and observed the faces of the students under Fletcher's direction.  They wrestled with the pursuit of perfection and the simultaneous hurt they experienced from such harsh criticism.  They played better, but in my opinion, it wasn't a “win.”Criticism that is intended to build up, on the other hand, is typically offered in the form of constructive criticism.  Just as buildings are constructed, criticism offered with the intent to build up, is constructive.If someone offers me constructive criticism, it usually comes in the form of showing me what needs work…but then, wait for it…how to improve.This essential component of a suggestion for how to make something better really makes the criticism constructive.This type of criticism is from the Lord.  Philippians 2:13 says, “For it is God who works in you to will and to act in order to fulfill His good purpose.”  If He is working in us, He will bring people into our lives to help make us into vessels for His glory.So, constructive criticism is intended to help us remain humble, and to grow spiritually.  If we are teachable, we can be open to constructive criticism.Consider the sourceIf criticism of any kind is offered, we have to be careful not to simply accept it without thinking.  We need to consider the source.I've shared this story before, but a fellow dorm dweller in college heard me playing my very first hours of guitar, and said, “Dude, whoever's trying to play that music, just stop.  You suck.”  This was a source that probably was not worth listening to.  He offered no suggestions except to quit.  Not a great source to receive opinions from.I've also shared this story before.  I recently posted a video on social media of me teaching a basic guitar concept.  One person offered a single comment: the word “moron.”Now, that is instantly recognizable as negative criticism.  There was no suggestion for how to improve, just this simple negative word.  I was curious, so I clicked on this guy's profile.  All of his photos showed him frowning.  He looked, quite possibly, like one of the most unhappy people I had come across in a while.And he himself hadn't contributed anything for others to consume or enjoy.  A telltale characteristic of a critic is that he or she doesn't actually produce much – they typically spend most of their efforts cutting others down.  It's not a generous posture at all.Social media is tricky.  Not everything that's offered in terms of comments is worth considering, especially the negative stuff.  There are things people will type into a comment that they would never even think about saying to someone's face.  It's like shooting from behind a hunting blind or something.To use another description, when I was in my more mischievous pre-teen years one winter, I was outside with some of my colleagues, and there was one kid I didn't like very much because he had always been unkind to me. Rather than make efforts to reconcile and mend the relationship, I chose to make a snowball and lob it vertically overhead, with perfect precision so that it came down the back of the inside of his coat.I had thrown it straight up, but by the time the snowball got back to earth, I was turned and looking a different direction, and the expression on my face was “innocence.”  I had been a coward.  But he found me out and an adult had to get involved.People who offer negative, borderline anonymous criticism, are really not worth listening to.Anonymous criticism on a comment card at church carries zero weight with me. Things like “I didn't like that arrangement of that hymn,” or “Too loud,” without any contact info with which to engage, are really not worth my time.  If they include an e-mail address or phone number, I can open a conversation and get to know where they're coming from. Now, if someone offers criticism of a negative nature, and I have a chance to consider the source and realize that the thoughts were well-intended, if offered in a hasty manner, I can have grace for their miscommunication.  I think of younger kids in some of the school chapels I've presented.Sometimes, young kids might shout out things like, “That doesn't look right,” or “You played the wrong note,” or something like that.  No filter, right?  What they're trying to do is add their voice to the conversation, even if it's not presented eloquently or diplomatically.  I can let those comments go.If someone I care about says something a little harshly, I need to seek reconciliation, and to keep short accounts.  I'll need to go to them and say, “Hey, did you really mean what you said when you told me I was playing too fast?”And perhaps I was.But the relationship is more important than what is being criticized.I have had a handful of ministry relationships where I thought I had communicated my concerns and criticisms well enough while offering suggestions, but they were not received as I had hoped.  And looking back, I could have used a different method.E-mail is a way of communicating information, but it's really not great for communicating emotion, because people can read into it.Suffice it to say, when I've offered criticism or suggestions over e-mail, I've had mixed results.  The better solution would have been to gather with them in person, and have a conversation face-to-face, or at least allow them to hear the tone of my voice over the phone.When I've sent e-mails containing constructive criticism, some folks have chosen to discontinue their part on the team, but without giving me a chance to work through the misunderstanding with them.This can be really tragic, because not only can they harbor resentment without seeking reconciliation, they can actually convince others to leave with them.  And it's my conviction that this kind of behavior is not a way to honor Christ.  The deceiver loves it, because it causes division.Now, if I was rude or mean to a team member without explanation, they still have the burden to seek reconciliation, as Matthew 18:15-20 commands us.  But my desire to restore, even under the misunderstanding circumstances, has not always been accepted or received.Speaking of Christian circles, I wish I didn't have to say this, but some very mean, negative criticisms (without constructive suggestions) have emerged from the mouths of some people who profess Christ.  This is not a display of the Fruit of the Spirit. But since we're all sinful by nature, it's going to happen.  Let's be aware and prepared for it.Lastly, on this subject, don't forget that we ourselves can self-criticize.And what we say, we can start to subconsciously believe.  Words like “I'm so stupid,” or “I'll never get this,” are not only destructive to our process; they're insulting to our Creator.When we start to hit the “repeat” button on those words in our heads, even after we stop saying them, we start to believe them.Our inner critic can take something we say (or someone else says) and magnify it.  So, we need to take every thought captive (1 Corinthians 10:5) and to check it with what would honor the Lord and ourselves, as His children.Instead of negative self-criticism, we can say things to ourselves like, “I may not have this yet, but I'll keep working on it,” or “Rome wasn't built in a day,” or “This is the long game.”  But it needs to be less negative, and more constructive.So, we need to consider the source.  And if we are the source, let's be sure we're offering constructive criticism in a way that honors others and ourselves, as well as the Lord.Consider the motivationIf someone is offering criticism, they have some sort of motivation.  It could be to make themselves feel better by belittling us with an insult.  Or, it could be to help us grow as musicians, or even with our character.  Proverbs 27:6 says, “Wounds from a friend can be trusted, but an enemy multiplies kisses.” If the motivation of the person offering their opinion is to help us, we would do well to receive their counsel, even if it doesn't feel good.  On the other side of that conversation, we can experience growth, progress, and forward momentum.If they only want to be mean, we can allow the Lord to take those arrows, and then we can move on to the next conversation, or even more appropriately, we can take a little time in the Word to read what God has to say about us.Maybe try reading Psalm 139 as a start.But everybody has an opinion. And like it or not, any sort of ministry where we offer our musical gifts, especially up front on the worship platform or the stage, is bound to draw unsolicited input from congregants or audience members who would never in a million years have the courage to step up and do what we do.You are not your musicI book my own shows, and Whitney has helped me do this for several years.  We hired a few part-time booking assistants for a few months, but I'd say that most of the booking responsibilities, especially in recent years, have been mine.It's exciting and unpredictable to send e-mails, texts, and to hop on the phone, because you never know what people are going to say.  Some may be very responsive and excited, others moderately interested, and others disinterested, or even silent (which, over time, can communicate disinterest.)Early on, when someone was disinterested in hosting my ministry, I took it rather personally.  I thought, “Maybe I don't have something to offer.” But here's the thing.  I had played enough concerts and led enough times of worship that people had verbally expressed to me their deep appreciation…so I had temporarily forgotten that I did have something to offer. But not to everyone.Imagine if in the process of reaching out to five dozen venues or so (which is what I typically average in a booking session), every single venue said, “Yes.  Let's put something on the calendar.  And we can accommodate your honorarium, no problem.”First, I'd need to make sure I wasn't dreaming.  But second, if they all wanted to book me, my calendar would be overwhelmed with commitments, to say nothing of the physical toll it might take on me to have multiple days of engagements in a row.I've found my sweet spot of about 30 to 50 shows a year or so.  One year I did about 100, and it was too much.  There are other artists out there who can play 200-300 dates a year.  That's fine, but it's just not for me.If I want those shows on my calendar, I need to sift through the venues that aren't interested, to get to the ones that are interested.  If, every time someone said “No, we're not interested,” I decided not to get back on the phone or send any more e-mails, I'd be giving in to unnecessary discouragement.I received some helpful insight from Dawn Jones about this early on.  Dawn was our guest on Guitar Serious Fun Episode 46: Reduce it to the Ridiculous.  When talking about rejection in the booking realm, Dawn encouraged me to pick out an object on my desk.  I chose a mug full of highlighters.She said, “David, I want you to think of this mug of highlighters as your ministry talent – your guitar playing, your singing, your worship leading and your performing.  When a venue says they're not interested, they're not saying that they're not interested in you.  They're saying that they're not interested in your ministry talent.  It's like they're saying, ‘We don't have a need for highlighters with the projects we're working on right now.'”I literally printed up those words and put them on the mug of highlighters right where I could “read them on the run.” I know it can be easy to take things personally, and I'm working through this off and on as I do ministry, but the one thing I can keep coming back to is the fact that my gifts, abilities, and talents are not me.Tom Jackson, a performance coach I've mentioned in previous episodes, asks the question, “Is everybody who listens to your music going to like you?”  The answer is obviously, “No.”His follow-up question is simple but illuminating: “Is that ok?”And when we answer, “Yes,” we realize how incredibly liberating that is. I am not my guitar.  I am not my music.   I am not my abilities. Who I am is a child of God.  And being loved by Him, at the end of the day, is what matters most.Sturdy VesselsWhen I was on staff as a Director of Worship, I put together an audition process that allowed me to keep a moderately high standard for the musicians I brought on board. I say “moderately,” because in church ministry there can be a fine line between excellence and perfectionism.  And one person who works really hard and plays a few songs really well could actually surpass the merits of someone who's very talented but plays sloppily because they don't practice.Character is paramount, as well.So, when I auditioned people to be on the worship team, I made it very clear at the beginning that they need to be ok with the word “No” or the words “Not yet” after they audition.  They aren't automatically granted a spot on the team just because they auditioned.To those whom I felt weren't ready, I offered constructive criticism and gave them some things to work on, so that in three to six months, they could come back and audition again.  But even at that point, they still needed to be ok with the words “Not yet.”When I've said “No” or “Not yet” to some folks, they've been pretty upset, for one reason or another.  Perhaps they were allowed to offer their musical gifts at their previous church but weren't up to our standards yet.  Perhaps their level of self-awareness was not high. But for one reason or another, I've had to respectfully decline bringing them on board.  When they've gotten upset, their “true colors” of being offended or annoyed have shown me that their character was also not ready for the worship leading responsibility.Those who remain teachable and humble are much more suitable for the worship team, especially because they'll go work on their skills and come back.Now, on the subject of sturdiness, we need to be strong enough to take criticism without harboring resentment for receiving it. We need to acknowledge that the Lord makes each of us for various purposes.  2 Timothy 2:20 talks about articles that are for special purposes, while others are for common use.For the clay to tell the potter “Hey, I belong in a palace, not a small house,” may actually skirt the edge of telling the Lord that He doesn't know what He's doing.Maybe our intuition for guitar playing or music is not strong enough to be shared on a platform.  Ever.  Could we embrace that?Maybe it's something for us to share with friends and family, or perhaps in a Sunday school classroom.  Does that make it any less significant?In God's Kingdom economy, I'd say “no.”We need to be sturdy Christians who aren't bowled over by a little gust of wind in the form of criticism of any kind. We need to be able to take it, consider it, and benefit from it – wait for it – even if it's offered by a mean person in a mean tone.If someone says something truly unkind with absolutely no intent to edify us, we can still learn.  At the very least, we can learn from that exchange how not to speak to others.We're always learning…or at least we always can be, and this doesn't just include music, right?So, when someone criticizes your guitar playing, your singing, your hair, or whatever, ask yourself whether it is negative or constructive criticism.  Consider the source.  Consider the motivation of the person criticizing you.  Remember that you are not your music.  And stay sturdy. We are playing the long game.  To last long enough to play the music that the Lord has called us play, for the people He has called us to play for, we need to be sturdy and resilient.  The promises of His Word will be there to remind us that we are precious to Him.And if you want to play the long game with me and other like-minded guitarists who are followers of Christ in a seriously fun environment at your own pace, from the comfort of home, in a highly affordable experience that is unlike anything else, please check out GuitarSuccess4U.com. Lastly, if you enjoyed this episode, please comment.  If you didn't enjoy it, please also comment.  But if you have criticism, I encourage you to keep it…constructive.  Right?Keep showing up, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

Welcome to today's episode of "All Bets Are Off", where we dive into the exciting world of gambling and casinos! Today, it's all about Japan's big move into the casino scene, and let's just say, things are about to get wild in Osaka.The Japanese government has finally given the green light to a project that will see the construction of a casino in Osaka by 2029. With a budget of a whopping 13 billion dollars, the stakes are high, and the risks are even higher.Japan is known for its hard-working businessmen who have addictive personalities.Kinky sex,booze,women and now gambling,but seeking help for any kind of addiction is frowned upon. So, with the construction of the new casino, we can expect some big players to be hitting the tables, putting everything on the line. But what will be the cost of this new venture? Will we see a wave of broken marriages, bankruptcies, and kids with absent fathers?And let's not forget about the Yakuza, Japan's notorious criminal organization, who are sure to have their hands in some shady dealings. It's no secret that they have a strong presence in Osaka, and it's highly likely that they will want a piece of the action.So, buckle up, folks, because this is going to be one hell of a rollercoaster ride. We'll be discussing the pros and cons of Japan's new venture, the impact it may have on the economy, and the potential dangers that come with it. Get ready to take a deep dive into the world of gambling, and remember, when it comes to the casino, all bets are off!MusicI am a Man of Constant Sorrow.The Soggy Bottom Boys.The Gambler.Kenny RodgersSupport the showwww.justpassingthroughpodcast.comInsta:justpassingthroughpodcastContact:justpassingthroughpodcast@gmail.com

durée : 00:59:44 - En pistes, contemporains ! du dimanche 25 décembre 2022 - par : Emilie Munera - ATMA Classique est fière de présenter son premier projet d'enregistrement avec I Musici de Montréal et qui est aussi le premier album de l'ensemble en dix ans. Et puisque c'est le jour de Noël, on a décidé de vous en faire profiter entre d'autres nouveautés chez les contemporains ! - réalisé par : Fanny Constans

durée : 00:13:59 - Richard Strauss Metamorphosen / Arvo Pärt Symphonie No 4, "Los Angeles" - I Musici de Montréal - ATMA Classique est fière de présenter Richard Strauss / Arvo Pärt — son premier projet d'enregistrement avec I Musici de Montréal et qui est aussi le premier album de l'ensemble en dix ans.

¡Lo mejor de Chilling Out con Lion Heart es el musicón! Y en este episodio te contamos las canciones que nos inspiran y podríamos escuchar en todo momento. Esta es una producción de Su Presencia Radio

Ganga Das from Radio Mayapur interviews Fabio Giudice from Italy, the internationally famous classical mandolin teacher, and performer. Giudice's life has been dedicated to the study of plucked instruments and he acquired a diploma in Mandolin at the Conservatory of L'Aquila with M° Fabio Menditto. He specialized as an executor of Mandoloncello (Liuto cantabile) and attended specialized courses with M° Ugo Orlandi in ancient instruments. Fabio Giudice has been rewarded as a soloist in many international musical contests, including the quartet Arte Mandolinistica and with Quartetto a Plettro Italiano. He collaborated in the past and he is at present a guitar and mandolin soloist with many orchestras such as: Accademia of Santa Cecilia, Opera Theatre of Rome, Musici of Montreal (Canada), The Solist of ORM -Losanna, Opera Theatre of Neuchatel (Switzerland), The Ensemble Contrechamps (Ginevra, CH), etc. He has also performed as a soloist in various orchestral formations in many countries throughout Europe, USA, Canada, Australia, Pakistan, Singapore, Tunisia, Turkey, India, Indonesia, Malaysia, Thailand, Taiwan, Japan and South Korea.

Back in a new town and a new and improved studio! Same dummy though :) Up on today's show, talking about the journey looks alot brighter than it did a couple months ago. Also the end of the Summer Of SpiteI'm getting into new things, like audiobooks and classical musicI realized for the first time I love my cat like a family memberTalking House Of The Dragon & Rings Of Power (Spoiler Free)And a bunch more rambly nonsene #whatthehelleverything  Please like and subscribe. Patreon - https://www.patreon.com/we3smithSpotify Rock Radar / Stoner Reaction Playlist https://open.spotify.com/playlist/23JV982jY8qTrTKpw0lXXg?si=c7097dcf1fc046d8And please consider checking out my sponsor M22 Inn Suttons Bay if you just so happen to want to vacation in the gorgeous region of Northern Michiganhttps://www.m22inn.com/m22-inn-suttons-bay/Also, check out my other social media links Facebook: https://www.facebook.com/SmittyOnDuhInternetPrivate Facebook group where I share more content and a growing community- Smitty's SmitHole Slipper Club (Slippers not required but encouraged) https://www.facebook.com/groups/we3smithsInstagram: https://www.instagram.com/hungoversmitty/Twitter: https://twitter.com/HungoverSmittySpotify Rock Radar / Stoner Reaction Playlist https://open.spotify.com/playlist/23JV982jY8qTrTKpw0lXXg?si=c7097dcf1fc046d8Smitty Learns Irish PUBcast coming in 2026. For fans of Irish history, shite talking podcasts, pubs and beer and just good fun. The Smitty Learns Irish PUBcast will feature Smitty hiking through Ireland for a year, and stopping by Irish towns to find out about their local history by talking to Publicans (Pub owners), regulars and town know-it-alls in sit down conversations that will hopefully be fun, informative, engaging and probably once in a while, at least a tad vulgar. Flying out April 1Support the show

Putting God at the center of our most cherished loves.MUSICI'm yours by Jason MrazBenedictus by Jenkins

GROW  Greatness Reached over Oppression through Wisdom Kings!!

Grammy-nominated Tejano musician and home-town legend: You're just as goodThe evolution of a major recording artist in the 80s- 90s and his present influence on Tejano music. In this episode, Tony Guerrero, lead singer from the legendary Tejano band, La Sombra, shares his experience being a Tejano superstar in the 80s and 90s, singing from the heart, creating his own musical style, and his mother's inspiration.Watch: https://youtu.be/IWsOkHkk4goListen: https://tuesdayswithandrea.com/audioAbout La Sombra: La Sombra, known as “The Windy City Boys” because of their hometown of Aurora, Illinois near Chicago, released over twenty full-length studio albums featuring songs in both Spanish and English. The group has been credited with influencing the Tejano and Cumbia music fields in terms of musical style, dress, and concert performances as well as a generation of newer artists including the Kumbia Kings, according to Wikipedia.This episode was recorded on May 28, 2022.The Tuesdays With Andrea Podcast can be found at https://tuesdayswithandrea.com/​​Podcast YouTube Channel: https://www.youtube.com/channel/UCZ3j17MWCWe_oreTCuyYf4Q.NIGHTLIGHTSShe Could Sing La Sombra's lead singer on his musical inspiration https://youtube.com/shorts/Pa4LX5W8wtAYou're Just as Good What every artist needs to know https://youtu.be/J0DzpTk6P4kMaking One of a Kind Music La Sombra's unique contribution to Tejano music https://youtu.be/produj_vEhAThe Mexican Michael Jackson La Sombra's crossover into Mexican markets https://youtu.be/T_mc9c7X8-MQUOTESI see myself as an ordinary personMy mom would sing to meYou are nobody's shadowI loved musicI was playing music out of heartI did it out of loveIt just happenedYou're just as good as they areLet's just record something just out of love for the musicWe took a chance with the musicNothing was out of luckI believe in GodTake that first stepkeep going forwardEverything I create sounds badass to meCreate your own style of musicBe yourself

Enrico Miolano"Suoni dal Monviso"https://www.suonidalmonviso.it/www.occitamofestival.it “Suoni delle Terre del Monviso”, il nuovo “contenitore” nato dalla collaborazione tra l'Associazione I Polifonici del Marchesato, organizzatrice del festival Suoni dal Monviso, e il Comune di Saluzzo (con la Fondazione Amleto Bertoni), organizzatore di “Occit'amo” per tutto il territorio delle Terre del Monviso.I due festival del territorio hanno scelto, dopo la collaborazione cresciuta negli anni, di incontrarsi, coordinarsi e lavorare insieme, per dare vita ad uno spettacolo lungo l'intera estate.Le due direzioni artistiche hanno realizzato un fitto programma di appuntamenti musicali per tutte le Terre del Monviso, dai luoghi storici e della tradizione, alle montagne e agli spazi incontaminati. Da questa collaborazione è nato il calendario condiviso, con alcune date che vengono co-prodotte.Concerto inaugurale della 18ª edizione di Suoni dal Monviso. L'appuntamento è in programma per sabato 18 giugno, ore 21, in piazza Gazelli a Rossana.Protagonisti di questo attesissimo momento saranno I Polifonici del Marchesato, il pianoforte del M° Stefano Eligi e la giovane orchestra d'archi dei Musici del Marchesato.Una serata assolutamente particolare, con un programma musicale nuovo di zecca, un'autentica “prima”, che vedrà l'esecuzione di tre opere: La Messa Jazz, per coro, orchestra d'archi e pianoforte del compositore statunitense Steve Dobrogosz e due capolavori del norvegese Ola Gjeilo: Dark Night of the Soul e Luminous Night of the Soul.Diretti dalla bacchetta del M° Enrico Miolano, direttore artistico della stagione Suoni dal Monviso, I Polifonici del Marchesato si cimenteranno su di un terreno musicale per certi versi mai esplorato prima, ovvero la musica contemporanea, con delle chiare contaminazioni jazz e atmosfere di grande effetto, prodotte dal coro diviso in 8 voci e il supporto strumentale del pianoforte e di un'orchestra d'archi. E, l'altra novità della serata sarà proprio la presenza di questa formazione orchestrale, composta totalmente da giovani musicisti che rappresentano le eccellenze dei Conservatori di Cuneo e Torino. Una scelta precisa, che va nella direzione di dare spazio ai giovani, nell'anno che la Comunità Europea ha voluto dedicare loro.L'ingresso è libero, fino ad esaurimento posti, senza prenotazione.Il prossimo appuntamento del festival è in programma il 3 luglio a Sampeyre, con l'attesissimo “Back to the future” che vedrà protagonista Elisa.Per info, si può consultare il sito web di Suoni dal Monviso, scrivere una mail a info@suonidalmonviso.it oppure telefonare ai numeri 349 3362980 – 349 3282223.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Meanwhile in Maidstone, I sit here writing this, pulling nails off my fingers; with the lingering taste of an unsatisfactory muffin in my mouth. Muffins are overrated, like chocolate-cake. And wot? Much prefer a chocolate-digestive, the undisputed king of the UK biscuit-game. Complete with a cup of tea, I feel like a military general with his loyal attack dog by his side, casually bowling onto the battlefield; drinking a cup of tea, just to muddle the metaphor even further. Someone get me a chocy-digestive, lively! He says.So what's going on? Another week done. Time is moving fast, mate, this year is almost 6 months old. Enough with the sentimentality, Paul, get on with it, son. Ok, Dad.Alright. So this week's offering is hope. Sort of. It's another piece from Make Your Own Bed and Hope for the Best. Yep. So how's that connect to hope? Well, a few weeks ago, writing the introduction to that days post, I mentioned how I've been struggling with this particular section of the show that I'm about to share. I then said last week that I'd started re-writing it, but was probably going to cut it; which was the case, until Tuesday, this week, sat on the Maidstone to Victoria train. I was out of ideas and just writing through to the end, in the hope that something would present itself.For some reason, I got the urge to re-start it again, slightly differently and this time it just flowed out in that way that rarely happens, ie I fleshed it out fairly quickly and in a way that just feels, well right, like when I get up in the morning and let the dogs into the garden. They just burst out the door. It's still scrappy, far from finished but it's a satisfying feeing and has altered my thinking on the whole thing. I'd share what I originally wrote, so you could see where I'm coming form but then, like school, that would probably be a bit well boring.A little word on the form. So this whole section of the show (none of which I've shared on here as yet) is written in this sort-of, list-poetry-style. I felt it lends itself nicely to the present-tense yet allows me to fill in any background information gaps, whilst moving the story a bit quicker. And I enjoy saying it this way. That's the thinking anyway.So that's your lot for now. Got an idea for a little article I want to write, regarding Peep Show. That may appear on here in the next few weeks, but then again I had this idea to write something about rap lyrics and working with kids. Started writing it and it was terrible. Not that confident with the ‘thought sharing' part of Lager-Time as yet. But you know, who dares wins and all that.If you like, hit that subscribe. Had one new subscriber join the ranks last week, thankyou, whoever you are. Please don't be a bot. Tortoise and the hare, mate.Have a banging weekend. Same next time next week?CALL CENTRE COLLECTORNothing like a slice of home cooked humble pieStayed at mum and dads for a weekA week not at workmeaning a week with no payBut I had mum and dad to look after meI was luckyI swear it was meant to be the other way around once I moved outWiped out with exhaustionThat's what the nurse saidAnd a ticking off about recreational drug useTold me to stick to paracetamol and aspirinDon't worry, I said I won't be doing that againI'll just stick to boozethat feeling of fatigue has been lingering for a few months nowGot back to BrightonGot my nut downMoved house againNumber 4changed jobs againNumber 4Me and Mohammed got taken on permanently by the bankWe're junior collectors nowMakes us sound like charity workersIf onlyWere Call centre drones , mercenariesCollecting debt on loans and overdraftsShifts are longBut I'm on a salary£13.5k a yearHoliday paySick payAnd wacky team building days outthe longer hours meant I had to stop the cleaning jobBut now earning slightly moreAnd in a house share againMy bills are slightly lessI'm living with Mick and MitSocially it's goodMates come and visitWe're making musicI'm writing more lyrics than everEven stories and poems, the ideas never stopped comingI'm reading moreGetting my eating under controlI've started running in the evenings tooBut this job is pretty gruellingWake up trudge out to workLike there's stage weights strapped to my backPlug in my headsetWait for the beepCustomer details snap on screenHello you through to Pcan I take your account details pleaseAnother debt laden customerSometimes I wonder how they got in this situationTarget driven bank-sellingPressurized Christmas spendingAdverts telling you you're worth itWithout the aprSky tv subscriptionsHolidays and cigarettesAnd liberal card spendingThat's how they got meI can normally tell me within the first few words how it's gonna goSometimes they're niceSometimes they're friendlySometimes they're relivedSometimes they're desperateSometimes they're angrySometimes they threaten meKeep tally everytime I get called a c u n tI'm in double figuresSomeitmes they're abusiveSometimes racistMohammed gets it a lotThey hear his accent and assume his calling from Indiaand the amount of times I've been asked if I'm blackwhat does that even meanand why is that relevant to the call?Supposedly all we have to do is follow the flow chartThe great flow chartEvery call should go the same wayEither they make a payment or make an arrangementAll done in 7 minutesSo our team leaders sayboshThat's itAs if it's all that simpleBag one then BEEP onto the next onewhen I take too long on a calllike the man that was suicidalor the lady who was in floods of tears afterGetting threatening court letters when she doesn't even bank with Lloydsthe supervisors who monitor the callsCome round and passively aggressively tell me I'm taking tooLong on my calls,then point to the flow chart on the wallsThen the league tablesNext to the empty motivational messagesShowing my teams statsWhose collected the most doughMade the most arrangementsAnd where I'm satOften on the bottomLetting the team downThey tell me I'm not assertive enoughPunch out the code for the toiletThe carzy on my floor has been busted for agesHave to go up two flights of stairsOnly two traps up thereand 4 floors of geezersSo If I need to bless-itAnd they're engagedI have to waitAnd when I come backSupervisor of the year is at my deskAsking why I took so longWhen I can, I go to lunch with MohammedThough Our shifts often don't alignI miss working side by sideHe's so calmHe's not phased by this jobHe tells me to not take it all to heart,there's more to life he saysI feel guilty when I moanHe's got his wife and his babyI can barely take care of meI go home each night wiped outBut I try and force myself to do somethingeither that or it's watch MTV Pimp My RideMohamed's right, there is more to lifeWaited my whole life to get cable TVwhat a disappointment it isspend my time on it channel hoppingso much choiceyet so little worth watchingAs much as it hurts my brain after those long daysI try to read a book or write a verse or practiseSome bars that I've already writtenI feel I owe it to my skullIt's the only way I know toFight that dull feeling that's likeSomeone  slowly pulling a tired greyTarpaulin over the skiesBeen in Brighton for 18 months4 addresses4 jobstimes moving onso should I This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit cree.substack.com

Ant plays some of his musicI talk over itSomewhere along we design a shirt 

"Azərbaycan İnciləri"nin növbəti buraxılışı Azərbaycan pop musiqi qrupu olan "Karvan"a həsr edilir.

这期节目，我邀请到一起制作腰部播客“一车烂话”的主播车厘子（Cherry）和烂木头（Lassie）来聊一聊由《离经叛道》导演Maria Schrader执导，大表哥Dan Stevens全程德语主演的人机爱情片/AI悲喜剧《我是你的人》。语言学家Alma因为需要资金，同意参与改善机器人Tom编程的项目，然而，她却对这个基于她“完美情人”设定的机器人并不来电……The past was a foreign country and we date robots now.I am joined by Cherry and Lassie from Rotten Cherry in discussing the German film I Am Your Man, starring Dan Stevens and Maren Eggert. Enjoying Dan's British-accented German, I was deeply enchanted by this story between a reluctant woman and her robot friend, programmed according to her romantic taste. It is light-hearted with comical details as well as philosophical reflection. Tenderly, it asks questions about what to do when facing the ending of a relationship, and human beings' exploration of their desires and fears in a near future. 02:00 Rotten Cherry (一车烂话) is a podcast in Mandarin produced by the three of us. Twice on the Editor's Pick, it now has over 5000 followers!05:16 Introduction of Ich bin dein Mensch / I Am Your Man08:27 A couple who don't like each other during arranged meetings end up falling for each other is a familiar trope for many Japanese/Korean soap operas, but I Am Your Man is a German film, what's German about this story? 10:58 Alma, an independent and professional woman specializing in language research, makes an attractive protagonist 12:12 Comic performances by Dan Stevens 15:24 What can a human man learn from his robot counterpart?21:31 To Lassie, this film is more tragedy than comedy: When Alma undergoes pressure from family and society, a perfect robot enters her life only to be recalled later, what should she do then?28:26 I Am Your Man reminds Lassie of the film Her33:26 Cherry thinks robot Tom is a dessert with too much sugar36:56 The idea of having a perfect partner is a luxury 41:06 Will the three of us date Tom?47:29 On the ending59:28 After Yang, a film about robot carers, is a film to watch60:22 Unorthodox, Maria Schrader's TV show on a young woman from an ultra-orthodox community, is highly recommendedReference电影 Ich bin dein Mensch / I Am Your Man (2021)电影 Her (2013)小说《蒙马特遗书》，邱妙津电影 After Yang (2021)电视剧 Unorthodox (2020) MusicI'm Your Man by Leonard Cohen

It is hard to believe today that a work like Antonio Vivaldi's Four Seasons was ever out of performance. Although gaining immense popularity in his lifetime, following his death in 1741, the Four Seasons along with most of Vivaldi's music became unknown to performers and survived only in libraries. Incredibly, that remained the case until the early-20th century, when figures from Alfredo Casella and Arturo Toscanini to Ezra Pound re-discovered and championed the music of the Venetian composer.  Vivaldi's music was still largely unknown in 1955 when I Musici entered the studio to make the first stereo recording of the Four Seasons. The conductorless chamber orchestra was founded in 1951 and became world-renowned for their interpretation of Italian baroque music. No less a figure than Arturo Toscanini gave a glowing tribute to the group in 1952 and predicted a great future for them. I Musici recordings were among the first to be released on compact disc and the group made the first-ever purpose-made classical music video. On the album, Vivaldi's Four Seasons is paired with the world premiere recording of Verdi's Four Seasons: an arrangement of the ballet music Verdi composed for his Les Vêpres Siciliennes (I vespri siciliani) in Paris in 1855, here scored for piano and strings.Purchase the music (without talk) at:I Musici 70th Anniversary (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Rowena Rasmussen is a super talented director, dancer, actor and singer. Working with the likes of Hugh Jackman, Queen, Kelly Rowland, Ricky Martin and even yours truly. We take a trip down memory lane, from her roles in West Side Story, Fame, We Will Rock You, Miss Siagon… and laugh at the fact we were high school sweet hearts playing in a Christian Band many many years ago.

Il teatro di Rivanazzano: i Musici, le Prènom e Pino Insegno.

#30In this episode we talk all about using music in the language classroom.  I'm joined by Allison Wienhold, a Spanish Teacher in Iowa, who speaks about the numerous benefits of music in our language classrooms.Allison speaks about:the value and benefits of using music in the language classroomthe flexibility of using music, from a few “quick wins” to diving into culture and representationwhere can we find music to use in our classroomsactivities to engage with musicI have a song...What do I do before, during and after?Connect with Allison Wienhold:Website: misclaseslocas.comInstagram - @Mis.ClasesLocasFacebook - Mis Clases LocasFacebook Group - Mis Clases Locas GroupTwitter - @MisClasesLocas Connect with Joshua and the World Language Classroom CommunityWork with Joshua either in person or remotely.Sign up for Talking Points, my weekly newsletter with tips, tools and resources for language teachers.wlclassrom.comTwitter:  @wlclassroomInstagram:  @wlclassroomFacebook:  /wlclassroomWLClassroom Facebook Group

Al vanaf de beginjaren van de Sovjet-Unie veranderde het Russische muziekleven ingrijpend. Componisten moesten ineens muziek maken ten dienste van de nieuwe socialistische staat: eenvoudige melodieën die arbeiders en boeren tot grootse prestaties aan zouden zetten. Muziek als arbeidsvitaminen! Musici stonden voor een dilemma: netjes binnen de lijntjes kleuren of toch maar rebelleren? Dat laatste was niet zonder gevaar: je werd sowieso getreiterd en sommigen belandden voor jaren in de Goelag.

Music composed by Vivaldi: Concerto No. 3 in F Major, Op. 8, RV 293 - Autumn, allegro. Born on March 4, 1678. Died in Vienna in 1741. Antonio Lucio Vivaldi was an Italian Baroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers. SOURCE: Wikipedia. Soundtrack recording by Musici & Felix Ayo (permission granted on my YouTube channel in a different video).

“Creativity is an energy of moving imagination into a physical manifestation” - SWAYLOWelcome to episode 3 of season 2 of What's Your Juice?! Today's episode is with Noah Knight Kessler De St. Croix or as you may know him, SWAYLÓ. Noah is a truly unique individual. In fact, I have never come across anyone who approaches making and using music in a more unique way. Noah is the Imagineer of SWAYLÓ where he makes his music, the experience designer at Meow Wolf, the vibe tech at Future Primitive LA, and an overall legend. Noah grew up on the Zuni Pueblo in New Mexico, then moved to Cape Town, and eventually back to Santa Fe New Mexico. Noah has traveled the world and performed and created immersive experiences all over. He is truly an amazing producer, curator, and a super fun person to talk to. In the episode, we specifically dive into:How to become more creativeWhat imagination is and how it transforms into creativityThe importance of creating events to connect people with a positive intentionEspecially after COVIDHow to make and produce musicI had an amazing time interviewing Noah for today's episode. Follow Noah below:SWAYLÓ SpotifySWAYLÓ InstagramSWAYLÓ WebsiteSWAYLÓ YouTubeIf you liked what you heard, be sure to follow the podcast on Spotify and Apple Podcasts, and on all socials linked below.InstagramYouTubeWebsite

5 ways to grow closer to GodHave you ever prayed and wondered if God was listening? What about asking God to speak to you, but all you here is the quietness that surrounds you? Well I am here to say I have assuredly experienced both.God has always been and will always be ever-present in our lives, however, He especially makes Himself known during our trials. That is one of the many wonderful aspects about Him.I realize that everyone has a different approach to how he or she builds a relationship, however, here are a few things that have worked for me in strengthening my relationship with Christ.1. Set aside time for God each day.God wants a relationship with you. Starting and ending your day in prayer is fantastic, but when you also have those conversations throughout your day that is when you really start to break down those walls. Like an relationship you have, it takes work. Build that relationship with the Lord by using prayer, meditation and getting into his Word everyday. 2. Start a daily devotionalThere are lots of great devotionals out there. The show me I have been reading is call 40 days with Jesus. It's a 2 book set brought to you by the creators of The Chosen, written by Amanda Jenkins, Kristen Hendricks, and Dallas Jenkins. It's amazing how many times God speaks to you while reading devotionals.3. Listen to worship musicI myself was not one that listened to Christian music until I became the drummer for our worship team at church. And it's pretty incredible how bringing music, along with a great message can move you. But not only that, it gives you a sort of direct link to God. Music itself can be an emotional catalyst, and combining that with the message and meditation can be very powerful. 4. Join a church or a youth group.Not only to learn more about the word of God, and clear up any confusion you may have about a certain scripture, but getting into fellowship with like minded people can not only provide fulfillment in your life, but also in others that you spend time with. Also, getting involved with your church and not just attending, can be spiritually rewarding.5. Put God's truths to workGod's love can never be explained; it can only be experienced. No matter how large or minute a setback may be, you must remember that it is a perfect arrangement in God's eyes. This allows you to put His truths to work and watch His promises be fulfilled. By doing so, you will first handedly see the activeness of His goodness and love in your life.

PIETRO BOSNA, primo violoncello dei Musici di Roma, ricorda il concerto di Franco Battiato con "Un ponte per" a Baghdad / Ascoltatori: pezzi di vita legati a Battiato / ALBERTO FAUSTINI, direttore di "Alto Adige" e "L'Adige": uno studente di Trento...

Annemieke Bosman spreekt altviolist en artistiek leider van het New European Ensemble Emlyn Stam en acteur Boris van der Ham over de speelfilm 1984. De Estse componist Mihkel Kerem schreef een nieuw ensemblestuk geïnspireerd op Orwells roman. In opdracht van New European Ensemble maakte filmmaker Gijs Besseling met het New European Ensemble een speelfilm waarin het ensemblestuk van Kerem gecombineerd wordt met vertellingen uit de roman van Orwell geacteerd door Boris van der Ham. Edward Snowden introduceert de film middels een discussie over de relevantie van het verhaal van Orwell voor onze huidige context, en neemt ook een kleine theatrale rol op zich. Musici uit het ensemble beelden het verhaal uit in aangrijpende filmscènes.

A chat with Nina, Bobby, and Joe of Nina and the Buffalo Riders as well as fans Noel, Maria, Brenda, ShiAnn and Xlo. We begin with our original stories of discovering Nina and the Buffalo Riders. Then we hit the road with Nina and the Buffalo Riders to hear stories of adventure. We dive into some fan questions about tour plans and the hassles finding parking for the RV. Finally, we explore what everyone’s dream concert would be. This episode is packed, so grab a beverage and settle in.Nina and the Buffalo Rider LinksCheck out Nina and the Buffalo Riders music on their websiteFollow Nina and the Buffalo Riders on Facebook, Twitter, Instagram Twitch and YoutubeFans With Bands LinksSubscribe to Fans With Bands on your favorite podcast service such as Apple, Google, Youtube, Spotify, iHeartRadio, Audible, Amazon Music or Stitcher.  Be sure to rate the show and please send us feedback. We would love to hear from you.You can also follow Fans With Bands on Facebook, Twitter, Youtube, and InstagramFor samplings of music by artists featured on Fans With Bands, drop by our playlist on SpotifySupport the podcast by becoming a Patreon subscriberChat with Nina and the Buffalo Riders - Show Notes - Discovering NinaIt has been a minute since we had seen Nina and the Buffalo Riders live. The last time was at the socially distanced outdoor gig at Grove Studios over the summer. Which was our first time seeing Bobby in the band. To get things rolling, I asked the fans how they discovered Nina and the Buffalo Riders. Brenda became a fan after seeing the band open for the Steepwater Band at HopCat in Detroit. Within a song, the hairs on her arms were standing up and she was asking “Who is this band?”. It was a happy chance to be there that night, but it made for a lasting love for Nina and the Buffalo Riders.ShiAnn met Nina and the Buffalo Riders through other local Detroit bands. One time was all it took to become a fan. She has been supporting them ever since.Marie became a fan from the moment of Nina’s conception. She knew her beautiful daughter had the gift of music when she heard her singing at age 2 to Whitney Houston. Marie and Noel (Nina’s dad) couldn’t believe what they were hearing. Noel would bribe Nina for a dollar to sing songs at family get togethers when she was little. Eventually, she started playing guitar and wowed the family with a flawless rendition of “American Pie” by Don McLean. One of Noel’s cousins suggested Nina play at an open mic night. Nina at the young age of 13 and escorted by her dad, played that open mic night and it set her on a course to pursue a life in music.Xlo had been scouting out venues in Detroit for artists involved with Soundproof Detroit to perform. After stopping in at the Rusted Crow in Detroit, Xlo heard Nina on stage and dug the music. Reaching out to network led Xlo into becoming a fan and eventually working with Nina to produce a video. Be sure to check out the rap, dance, and nerdcore of Soundproof Detroit.On the Road with Nina and the Buffalo RidersIn order to keep playing music, Nina and the Buffalo Riders have had to migrate south for the winter. They have been posting short videos of some of the fun along the way. I asked Nina, Bobby, and Joe what have been some favorite moments so far.For Nina, a favorite moment occurred in Asheville, NC on the day that Biden won the election. The band setup on the streets to perform and there were people out celebrating the election. One overly excited woman nearly ran over other folks with her baby stroller trying to get closer to listen to Nina and the Buffalo Riders.As Nina and the Buffalo Riders are getting to the end of the song “Wish I Could Stay” a woman runs up out of nowhere and starts dancing. She dances into the street and ends up laying back on the hood of a car. The car then drives away with the dancing woman resting on the hood.Every single moment of being out on the road has been awesome for Bobby. If he had to pick one favorite it would be meeting actor/comedian Peter Dante in Key West. He took them to various bars and bought drinks. He even sang “Bohemian Rhapsody” with the band at karaoke. Joe’s favorite moment was the first night in Asheville. The band setup across the street from a park. Once they started playing people gathered around at a safe distance. Seeing the joy on people’s faces that day and each day since have been a highlight. The entire band agrees. Nina added that it is clear that people are starving for live music and being able to play music for them has been awesome.Questions from the FansWe flipped the questions over to the fans. Noel jokingly asked if Nina has enough strings and batteries. This brought a round of laughs. Noel then asked if Nina and the Buffalo Riders have any new gigs. Nina mentioned that they are currently in the Fort Myers area of Florida. They have played gigs at the Pink Piano in Lakeland and gigs at the Lani Kai Island resort.Maria wanted to know what has been most difficult about playing shows right now. The key issue is parking the RV and permits. Most cities require a permit for musicians to play on the street. In some cases, the requirements include background checks and insurance. All of which makes it nearly impossible to play unless you have a gig with a venue that will support live music during these times.This isn’t to say that Nina and the Buffalo Riders haven’t tried to work outside these restrictions. They were able to play in Miami for one day. They even tried performing in a cemetery, but this was shutdown by the police. Evidently the groundskeeper was all for it, but not so much the city authorities.Get in the VanBrenda asked if Nina and the Buffalo Riders have any summertime gigs lined up for Michigan. Turns out they do. On June 19th at Campit Outdoor Resort in Saugatuck, Nina and the Buffalo Riders will be part of the annual Saugatuck LGBQ Festival. They hope that more shows will spring up as the warmer temperatures allow for outdoor shows again. In particular, looking to get some gigs at Tangent Gallery and in Utica.In the midst of a pandemic, a lot of folks don’t want to travel. And it makes sense; you may not feel safe at a motel or even an AirBnB. Xlo thinks the idea of hitting the road like NIna and the Buffalo Riders is inspiring. He wanted to know who came up with the idea to get an RV and head out of town.Bobby relayed that it was sort of happenstance. He was at a buddy’s house and his friend's dog jumped the fence. They ran to find the dog at a house with an RV in the driveway. Bobby mentions that he loves the RV and starts talking with the owner. Next thing you know, Bobby’s driving home with an RV.Maria and Noel hosted Nina and the Buffalo Riders at their house while the band worked on getting the RV ready for the road. They then set sail for the south in search of musical adventure.In mid-February, look for Nina and the Buffalo Riders to steer their van into New Orleans. Afterwards, they plan to head west into Texas, Colorado, and then back to Michigan. Eventually they would like to head out to Montana, then down south to New Mexico and Arizona.What Led to a Life in MusicI love to learn about the origin of an artist. I asked Nina and the Buffalo Riders what led them to seek out a life in music. Bobby was quick to answer that he has always loved music. The movie and the soundtrack to the Lion King was incredibly inspiring as a child. He would sing along to all the songs and loves them today. He never expected to be a musician. He attended Feral Fest in Michigan and that is where he met Nina and Joe. He was inspired by them and became great friends. Ultimately this led to Bobby becoming a member of the band he loves.Joe is fairly sure his great-grandparents met at a piano bar. His dad was a DJ and his mom played piano. Music has always been a part of Joe’s life. At the age of 14, Joe got to see Bob Weir live. The energy of the fans and the band was captivating. After dozens of failed projects, Joe joined a band that played at Feral Fest and Nina and the Buffalo Riders opened. He was completely blown away. He and Nina became fast friends. The project band that played at Feral Fest fell apart and Nina reached out to ask Joe to join. He had an opportunity in another band, but felt his passion stirred by the music of Nina and the Buffalo Riders. Today, Joe couldn’t be happier with his choice.When Nina was young, she loved the emotional power of artists such as Whitney Houston, Celine Dion, Mariah Carey, and Selena. She wanted to share that power with people through her voice. Once she started to play guitar Nina found singer-songwriters like Michelle Branch, Damien Rice, and Iron & Wine. From an early age, Nina has wanted to write and perform music. That drive carries forward today.New Music on the HorizonNina, Bobby, and Joe have been working with Mike (keyboards) and Oscar (guitar) to record new music. They have a five song EP ready and just need to get album art completed. Three songs were written in 2020. The other two are older songs that have seen plenty of live rotation, but have not previously made it into the recording studio. Nina is particularly excited for this release as both Joe and Bobby add in vocal harmonies. Sounds like this new album will be stellar.To engage with fans and provide them with an inside scoop, Nina and the Buffalo Riders will be launching a Patreon page. This will help the band make their music while giving fans some unique content to savor. In addition, be sure to check out Nina and the band on Twitch.Rounding out with a DreamFor our last topic of conversation, I asked everyone what would be their dream concert. For Nina, that dream concert would have been to see Janis Joplin, The Grateful Dead, and The Band when they toured by train on the Festival Express tour. Bobby would have loved to have seen Bob Markely. Ideally, Bob would have seen Bobby grooving on the djembe and invited him up on stage to jam with Wailers. Joe was super specific in wanting to see The Grateful Dead at the Springfield Creamery Benefit show in Veneta, Oregon on Aug 27, 1972.Maria’s dream concert is Aerosmith. Doesn’t matter if it's the current day or back in the 70’s. Rocking out with Steven Tyler and the boys will work. Noel would have loved to have seen Santana at Woodstock. Just talking about the power of that performance by Santana had us all wanting to be there.Prince and Michael Jackson in concert is the dream concert for Xlo. We all completely agree that it would have been amazing to see them both together on stage. Brenda had an incredible experience seeing Chris Cornell and feels the same about seeing Nina and the Buffalo Riders. So her dream concert would be Nina and the Buffalo Riders with Chris Cornell. Wow! 

durée : 00:14:05 - Disques de légende du mercredi 16 septembre 2020 - Le disque qui a fait connaître les Quatre Saisons ! En 1959, le violoniste italien Felix Ayo et son ensemble, l'orchestre de chambre I Musici, enregistrent à Vienne les concertos légendaires d'Antonio Vivaldi, pour le label Philips.

@moeprduction @lawdenk @nikitadompas @shoemakerstudio

Bridget McMullen, Principal, Interior Designer of McMullen Design Grouphttps://www.themcmullindesigngroup.com/IG: @BridgeinthecityBooksThe 4 Agreements by Don Miguel RuizTantrahttps://shaktishiva.academy/about/  https://thelaboratoryoflove.com/MusicI use music to facilitate my art space.  I like to transmute the energy from the music to my paper.  This deeper exploration begun this year with my last retreat and it has continued to expand over the past months. Kali Satyagraha Widd is a South African DJ who has been inspiring me.  I’ve known of her for a few years now thorugh Facebook, but just met her for a short time on my last trip.  Her DJ sessions during Covid are amazing mediation trances.  Here is one of them, but they are all so special and transportive.https://soundcloud.com/kali-satyagraha/metamorphosis-caterpillar-to-butterfly-journey

Niet vanuit de archiefkast, maar vanuit quarantaine. Gijs Groenteman belt de komende tijd mensen om te vragen hoe het ze vergaat in deze verwarrende tijd. Tweelingzussen en klassieke muzikanten Judith en Tineke Steenbrink zitten thuis, terwijl ze anders ongetwijfeld de Matthäus-Passion ergens hadden opgevoerd. Maar echt missen doen ze het niet. See omnystudio.com/listener for privacy information.

Alte Musik war auch mal Neue Musik

Alte Musik war auch mal Neue Musik

In this episode we meet the curator of the museum, David Davidson. He is the gentleman who has procured just about every instrument in the Songbirds collection. He talks with Bryan about how he got his start in the vintage guitar buying and selling industry and what it takes to do what he does.

Melissa Kagiyama from (https://www.keytothemountain.com/) I buy all my food from local farmers and then cook it.How do we connect with you?I love sharing with everyone so grateful you are all listening again, my name is Melissa Kagiyama (http://keytothemountain.com) want to share just hit the contact us I respond to all emails! I love getting requests for new food and flavors have an (https://www.instagram.com/key_to_the_mountain/?hl=en) On Facebook at Key to the Mountain (https://www.facebook.com/keytothemountain/) Are you a millennial born between 1980-1995? Yeah Millennial! Awesome! Today is Friday August 2, 2019! So I am so excited to introduce my guest today who I met at the Farmer's Market when I was in Missoula for the 1/2 Marathon in June. And she gave me Key to the Mountain (https://www.keytothemountain.com/) in Missoula Montana here's rockstar millennial Melissa Kagiyama! (https://www.keytothemountain.com/) I have had guest come on and talk about food they cooked from the farmer's market. You said when you first moved to Missoula, you were blown away by the quality of food available at the farmer's market and then you started cooking with it. People often wonder about those things. I am more the organic eater at my house and I feel like you as we were saying the pre-chat that you struggle with water.  Tell us a little about yourself.I really appreciate all our local farmers that are doing all that work. We cook it so we can preserve that amazing food that we grow for all year. Tell me about your first gardening experience?A brief background, grew up not cooking, eating everything from a can, not cooking dinner, which is a way a lot of millennials grew up, with both parents working, it takes a lot of time to cook fresh food so we didn’t eat a lot of fresh food.  When I got into college, I got really exhausted all the time, I felt like something wasn't right, like I was sick, I went to the doctor.  I was sleeping like 16 hours a day because I was so tired. Going to the doctors telling me I’m fine and it was all in my head, was very discouraging and disempowering. I said, I’m gonna find something out and I'm gonna do something about it. After much searching I found indian holistic medicine called Ayurveda what that is in a nutshell is directions on how to live and eat on a balanced life Tells you how much to  eat exercise sleep Ayurveda: It's really about entire lifestyle Really for me, what shocked me so much was about the food I was eating, I thought for me if I was eating canned green beans, I was getting my vegetables, but that is not necessarily true sometimes its true it depends I felt completely healed, I learned all this knowledge about how to eat. I finished my degree really great! I started teaching, so at this point I was  cooking all my food basically really simple recipes salad spaghetti But I was actually cooking my food. A book I really love is Mark Bittmans’ (https://amzn.to/2QAFJ4C) How to Cook Everything―Completely Revised Twentieth Anniversary Edition: Simple Recipes for Great Food (https://amzn.to/2QAFJ4C) That’s where I learned how to cook I really recommended that book I started teaching and I taught musicI had all sorts of kids young old poor rich whatever background I noticed after lunch I couldn’t teach the kids, they weren't focused. They were acting crazy bouncing off the walls. For me I personally decided it was because of what they were eating.  I felt the same thing happening to me in my childhood, eating food that wasn’t actually supporting me was happening to my students. Then I moved to Montana, when I got to the farmer’s market I was like imagined! I was like: This is what food is supposed to be! When you get something... Support this podcast

Muziek tot Leven - Verhalen van musici in de oorlog. Leo Smit, Henriette Bosmans, Frieda Belinfante, Mischa Hillesum en Sem Dresden: het zijn slechts enkele van de Nederlandse componisten en musici die werden vervolgd in de Tweede Wereldoorlog. Het NPO Radio 4-programma De Ochtend van 4 eert deze musici in 2020, het jaar waarin Nederland 75 jaar bevrijding viert. Iedere woensdag van 8 januari tot 5 mei, om 8.45 op NPO Radio 4 in De Ochtend van 4 met Margriet Vroomans en als podcast op jouw favoriete podcastplatform.

In deze Pauze, vertellen contrabassist Wilmar de Visser en fluitist Ingrid Geerlings elkaar over ontmoetingen met ‘de leek’. Daaruit blijkt dat het orkestleven een bron van veronderstellingen is en onvermoede vragen. En blijkt dat Ingrid en Wilmar ook leken waren toen ze nog niet in een orkest speelden.

Luister naar de eerste aflevering van ‘Karlheinz’, waarin Stockhausens bewogen jeugd centraal staat. De hele serie 'Karlheinz' is te beluisteren via de NPO Radio 4 podcasts. Karlheinz Stockhausen groeide op tijdens de Tweede Wereldoorlog, waarin hij niet alleen de bombardementen op Keulen van dichtbij meemaakte, maar ook zijn beide ouders verloor. Musici die jarenlang met Stockhausen hebben samengewerkt vertellen over de impact van deze gebeurtenissen op Stockhausens leven en werk.

In de eerste aflevering van ‘Karlheinz’ staat Stockhausens bewogen jeugd centraal. Hij groeide op tijdens de Tweede Wereldoorlog, waarin hij niet alleen de bombardementen op Keulen van dichtbij meemaakte, maar ook zijn beide ouders verloor. Musici die jarenlang met Stockhausen hebben samengewerkt vertellen over de impact van deze gebeurtenissen op Stockhausens leven en werk.

If you're local to SF, you may have heard of Kitava Kitchen. Kitava is an establishment rooted in community, education, and healthy eating co-founded by this week's guest, Bryan Tublin. We chat about his journey to discovering his purpose to help people lead healthy lives, how food plays an important role in the mind-body connection within each of us, and how he's changing the world--one plate of food at a time. Special thanks to our friends at SF Yoga Magazine as always, and I hope you enjoy this session.Learn more about Bryan's work at Kitava:www.kitava.comFacebookInstagramTwitterDon’t forget to subscribe via: iTunes | Google Play | RSS | Spotify.MUSICi can't feel by Tha Silent PartnerWRITE A REVIEWIf you like the podcast, please leave a review or rating on iTunes! Want to listen to a specific topic? Let me know by sending ideas on social media!See you on the mat. Much love and good vibes. See acast.com/privacy for privacy and opt-out information.

Beat Makers, Artist & Musicians Making it with a Job

Hi there! Welcome to the landing page for my brand new podcast series! In this episode, I am sharing how to use include audio transitions in the audacity software, to create your own podcast. You can get theFREE Audacitiy software by clicking this LINKand audio for background music or transitions fromwww.bensound.com/royalty-free-musicI am also sharing a classroom management strategy to encourage student accountability when the teacher is working in small groups.This episode wraps up with one of [...]

Helllooo! I feel like I've been whipping around like a mad thing the last few months! All my travelling is finished for a bit and I'm enjoying sitting still and getting on with my knitting :)Welcome to episode 65 of the podcast!MIDWINTER WOOLFEASTwas a blast! Soooo super busy. They're trying to work out how to cope with the crowds and make plans for future festivals. Have your say over on the Woolfeast Facebook page.EATING BURMA-STYLEI visited Rangoon Ruby when I was in Christchurch and fell in love with Burmese food! I've been on the hunt for good cookbooks so I can make my own. I've found Burma Superstar which looks ok but I'd love to hear your recommendations.TIMELY KALkicks off on 1 July in the Ravelry group. Come join in! It's so much fun knitting together, you get a chance to be inspired, ask questions and show off your gorgeous knitting. See you there!MIDWINTER BASH KALis wrapping up next week on 30 June. Make sure photos of your finished projects are in the thread!A HUGE thank you to all of our wonderful sponsors:Skein AustraliaSkeinzOutlaw YarnThe Yarn Queen NZHappy Go KnittyCircus Tonic HandmadeAnd don't forget, there's a chance to win a years worth of patterns from me too :)MINI-MAGDo you subscribe to the Truly Myrtle mini-mag? Keep your eyes peeled early next week for the June issue. Inside will be a questionnaire that I'd LOVE you to fill out for me. I'm listening to hear what you enjoy and what else I can do for you. There'll be a great voucher for everyone who completes the survey! Thank you!!MUSICI keep hearing how much you love my theme song. It's written and performed by the very fabulous Mr Roberelli. All of the albums are sooooo good :)Have a great weekend!Love Lib xxx  

The next concert in the Calary 2016 series will be performed at 8 pm on Thursday September 8th by Musici Ireland. The performers will be Helena Wood (violin), Beth McNinch (viola) and Grainne Hope (cello). Their programme will be Beethoven’s Op.3 in Eb followed by Boccherini’s String Trio in D major, Op.14, No.4 and ending with Dohnanyi’s Serenade Opus 10. The concert will take place in Calary Church off the Roundwood Road. Tickets, which are €18 and €15 for concessions, can be booked by ringing John at (01) 2818146 or by email to derekneilson@eircom.net

It’s wonderful to have a sense of belonging. When you ask students about their group allegiances, they’ll typically say things like:I’m a follower of a certain religionI’m a member of this familyI’m an AmericanI’m an OhioanI’m a member of a political partyI’m a Cleveland Cavs fanI’m a member of the softball teamI’m a certain genderI’m a fan of a certain type of musicI have a certain sexual identityI’m a fan of the television show Parks and RecI’m a member of Generation ZWouldn’t it be cool if students also proclaimed, “I’m a proud member of Mr. Sturtevant’s class!”Dr. Todd Finley of East Carolina has thoroughly researched class identity. In this episode, we’ll discuss why such identity is important and what can be done to foster belonging.

Ensemble Tourbillon | Petr Wagner

Darin: "Es tönen die Lieder". Melodie und Text (Es tönen die Lieder): Kanon zu drei Stimmen, volkstümlich, aus dem 19. Jahrhundert; Melodie (Heut kommt der Hans zu mir): nach dem mündlich tradierten Kanon "Himmel und Erde müssen vergehn, aber die Musici, aber die Musici, aber die Musici bleiben bestehn." Text (Heut kommt der Hans zu mir): unbekannter Herkunft. Gesungen von Tabea Nüßing und Loreen Pötter (beide 9 Jahre) und dem Nachwuchs des Cross Over Jugendchors unter der Leitung von Wolfgang König und Veronika te Reh.

De muziekindustrie na het cd-tijdperk. Musici moeten het al jaren stellen zonder de royaltystromen van weleer. Wat kunnen we leren van de muziekindustrie?

Fri, 1 Jan 1537 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11837/ http://epub.ub.uni-muenchen.de/11837/1/Cim._44h-1.pdf Otto, Johannes; Forster, Georg Cim. 44h(1 (= 4° Art. 400) Otto, Johannes und Forster, Georg 1) Johannes Otto (ed.): Novum et insigne Opus Musicum Sex, Quinque et Quatuor Vocum […]. Stimmbuch Tenor. (RISM B I: 15371) 2) Johannes Otto (ed.): Secundus Tomus novi Operis Musici, sex, quinque et quatuor vocum […]. Stimmbuch Tenor. (RISM B I: 15383) 3) Georg Forster (ed.): Selectissimarum Mutetarum partim quinque, partim quatuor vocum Tomus Primus […]. Stimmbuch Tenor. (RISM B I: 15406) Entstehungsort: 1) Nürnberg (Drucker: Hieronymus Grapheus) 2) Nürnberg (Drucker: Hieronymus Grapheus) 3) Nürnberg (Dr

Mon, 1 Jan 1540 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11835/ http://epub.ub.uni-muenchen.de/11835/1/Cim._44g-1.pdf Morales, Cristobal; [Berchem], Jachet; Ruffo, Vincenzo; Willaert, Adrian Cim. 44g(1 (= 4° Art. 399) Morales, Cristobal; [Berchem], Jachet; Ruffo, Vincenzo und Willaert, Adrian 1) Cristobal Morales, Jachet [Berchem]: Quinque Missae […] Liber Primus, cum Quinque Vocibus […]. Stimmbuch Cantus. (RISM A I: M 3575; B I: 15403) 2) Sex Missae cum quinque Vocibus […]. Stimmbuch Cantus. (RISM B I: 15422) 3) Vincenzo Ruffo: Il Primo Libro de Motetti a cinque Voci […]. Novamente stampati et con somma diligentia corretti […]. Stimmbuch Cantus. (RISM A I: R 3047) 4) Musiche fatte nelle Nozze dello Illustrissimo Dvca di Firenze il Signor Cosimo de Medici et della Illustrissima Consorte Sva Mad. Leonora da Tolleto […]. Stimmbuch Cantus. (RISM B I: 153925) 5) Le Dotte et Eccellente Composizioni de i Madrigali a cinque Voci da diuersi perfettissimi Musici fatte […]. Stimmbuch Cantus. (RISM B I: 154018) 6) Adriani Willaert Musicorum omnium […] Musicorum sex vocum, que vulgo Motecta dicuntur, […] Liber Primus. Stimmbuch Cantus. (RISM A I: W 1112; B I: 154210) Entstehungsort: 1) Venedig (Drucker: Hieronymus Scotus) 2) Venedig (Drucker: Hieronymus Scot

Thu, 1 Jan 1542 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11836/ http://epub.ub.uni-muenchen.de/11836/1/Cim._44g-2.pdf Morales, Cristobal; [Berchem], Jachet; Ruffo, Vincenzo; Willaert, Adrian Cim. 44g(2 (= 4° Art. 399) Morales, Cristobal; [Berchem], Jachet; Ruffo, Vincenzo und Willaert, Adrian 1) Cristobal Morales, Jachet [Berchem]: Quinque Missae […] Liber Primus, cum Quinque Vocibus […]. Stimmbuch Altus. (RISM A I: M 3575; B I: 15403) 2) Sex Missae cum quinque Vocibus […]. Stimmbuch Altus. (RISM B I: 15422) 3) Vincenzo Ruffo: Il Primo Libro de Motetti a cinque Voci […]. Novamente stampati et con somma diligentia corretti […]. Stimmbuch Altus. (RISM A I: R 3047) 4) Musiche fatte nelle Nozze dello Illustrissimo Dvca di Firenze il Signor Cosimo de Medici et della Illustrissima Consorte Sva Mad. Leonora da Tolleto […]. Stimmbuch Altus. (RISM B I: 153925) 5) Le Dotte et Eccellente Composizioni de i Madrigali a cinque Voci da diuersi perfettissimi Musici fatte […]. Stimmbuch Altus. (RISM B I: 154018) 6) Adriani Willaert Musicorum omnium […] Musicorum sex vocum, que vulgo Motecta dicuntur, […] Liber Primus. Stimmbuch Altus. (RISM A I: W 1112; B I: 154210) Entstehungsort: 1) Venedig (Drucker: Hieronymus Scotus) 2) Venedig (Drucker: Hieronymus Scotus) 3)

Thu, 1 Jan 1542 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11841/ http://epub.ub.uni-muenchen.de/11841/1/Cim._44g-3.pdf Morales, Cristobal; [Berchem], Jachet; Ruffo, Vincenzo; Willaert, Adrian Cim. 44g(3 (= 4° Art. 399) Morales, Cristobal; [Berchem], Jachet; Ruffo, Vincenzo und Willaert, Adrian 1) Cristobal Morales, Jachet [Berchem]: Quinque Missae […] Liber Primus, cum Quinque Vocibus […]. Stimmbuch Quintus. (RISM A I: M 3575; B I: 15403) 2) Sex Missae cum quinque Vocibus […]. Stimmbuch Quinta Pars. (RISM B I: 15422) 3) Vincenzo Ruffo: Il Primo Libro de Motetti a cinque Voci […]. Novamente stampati et con somma diligentia corretti […]. Stimmbuch Quintus. (RISM A I: R 3047) 4) Musiche fatte nelle Nozze dello Illustrissimo Dvca di Firenze il Signor Cosimo de Medici et della Illustrissima Consorte Sva Mad. Leonora da Tolleto […]. Stimmbuch Quinta Pars und Sesta Pars. (RISM B I: 153925) 5) Le Dotte et Eccellente Composizioni de i Madrigali a cinque Voci da diuersi perfettissimi Musici fatte […]. Stimmbuch Quintus. (RISM B I: 154018) 6) Adriani Willaert Musicorum omnium […] Musicorum sex vocum, que vulgo Motecta dicuntur, […] Liber Primus. Stimmbuch Quintus. (RISM A I: W 1112; B I: 154210) Entstehungsort: 1) Venedig (Drucker: Hieronymus Scotus) 2) Vene

Thu, 1 Jan 1553 12:00:00 +0100 http://epub.ub.uni-muenchen.de/2615/ http://epub.ub.uni-muenchen.de/2615/1/W2H.lit.176_146.pdf Othmar, Caspar Othmar, Caspar: In Funere M. Gasparis Othmari Praepositi Onolsbachianae ad S. Gumbertum ecclesiae, musici excellentißimi Epi

Sat, 1 Jan 1538 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11844/ http://epub.ub.uni-muenchen.de/11844/1/Cim._44h-2.pdf Otto, Johannes; Forster, Georg Cim. 44h(2 (= 4° Art. 400) Otto, Johannes und Forster, Georg 1) Johannes Otto (ed.): Novum et insigne Opus Musicum Sex, Quinque et Quatuor Vocum […]. Stimmbuch Quinta Vox. (RISM B I: 15371) 2) Johannes Otto (ed.): Secundus Tomus novi Operis Musici, sex, quinque et quatuor vocum […]. Stimmbuch Quinte Vox und Sexta Vox. (RISM B I: 15383) 3) Georg Forster (ed.): Selectissimarum Mutetarum partim quinque, partim quatuor vocum Tomus Primus […]. Stimmbuch Quinta Vox. (RISM B I: 15406) Entstehungsort: 1) Nürnberg (Drucker: Hieronymus Grapheus) 2) Nürnberg (Drucker: Hieronym