Mostly Film

Take 240: What's NewBig week. Jonathan and JP are back and there's a lot to get into.List It or Nix It kicks things off with seven fresh trailers — Mayday, I Play Rocky, The Uprising, Behemoth, The Other Mommy, Bad Apples, and Doomsday all go through the gauntlet.In What We've Been Watching, Jonathan saw The Odyssey and then apparently went on a full childhood cinema tour — Willy Wonka and the Chocolate Factory, The Pagemaster, Harriet the Spy, Stuart Little, Shark Tale, and Zathura. JP brings Project Hail Mary, Lawrence of Arabia, After Hours, and The Odyssey to the table, with House of the Dragon and Silo on the TV side.Then the news, and it's a good one this week.The Odyssey opened to $124.5 million domestically and $264.1 million globally — Nolan's biggest worldwide opening ever, beating The Dark Knight Rises. The only films that opened bigger this year are Toy Story 5 and The Super Mario Galaxy Movie. Jon Bernthal filmed the Trojan Horse sequence submerged in cold water, Nolan offered to pull him out, and Bernthal's response was essentially: try harder. The film has no real competition until Spider-Man on July 31, which gives it room to run on a $250 million budget that needs the legs.And then — the Avengers: Doomsday trailer dropped this morning. First proper look at Robert Downey Jr. as Doctor Doom. Thor rallying heroes, closing with "we need a miracle" before turning around stunned at a "hey pal." Channing Tatum as Gambit. Cyclops, Mystique, Ant-Man, the Fantastic Four, the Wakandans. Tickets on sale now. Opens December 18. The SDCC Hall H panel is Saturday — further reveals expected.It's a good time to love movies.

Mostly Film – Take 239: Harrison Ford In Review — Episode 1A new series begins. Jonathan and JP are spending six episodes inside the Harrison Ford filmography — not Star Wars, not Indiana Jones, but everything else. The films he made between the blockbusters, against the blockbusters, and long after the world had already decided who he was.Episode 1 starts with a question: who is Harrison Ford when he isn't playing a hero the whole world already loves?First up, Hanover Street — the 1979 WWII romance that Ford took because he'd never played a love scene before, hated making from start to finish, and has never seen. A film so thoroughly forgotten that it's not currently streaming anywhere. And yet there's a case to be made for it — Christopher Plummer quietly doing excellent work, a second half that generates real suspense, and Ford visibly more comfortable the moment someone points a gun at him than the moment someone kisses him. Which turns out to be genuinely revealing.Then Blade Runner. Fifty-plus consecutive nights of artificial rain. A crew so fed up they wore protest T-shirts. A director and star who feuded constantly over the voiceover, the Deckard question, and basically everything else. A film that flopped on release the same day as The Thing — both considered too cold and strange for audiences who just wanted to watch E.T. — and went on to become one of the most influential science fiction films ever made. Ford has called it not one of his favourites. The Final Cut suggests he was wrong.The big debates: is Deckard a replicant? Which version did you watch? And does Ford's performance hold up, or does Rutger Hauer walk away with the entire film in the last ten minutes?Up next: the Peter Weir years — Witness and The Mosquito Coast. The argument is that it's the best acting Ford ever did.

Mostly Film – Take 238: What's NewJonathan and JP are back for List It or Nix It — Digger, Buddy, Soulm8te, and The Wrong Girls go through the gauntlet. And about that Digger trailer: Tom Cruise, a Southern accent, a pot belly, a combover, and Iñárritu calling it the culmination of Cruise's 40-year career. The Dr. Strangelove comparisons are already flying. Is this the one that gets him the Oscar, or is it too strange for its own good?In What We've Been Watching, Jonathan went deep on the Despicable Me universe (all of it, essentially), plus The Furious, Death of Robin Hood, Kiki's Delivery Service, A Goofy Movie, and Inside Out 2. JP brings Oceans 11, Send Help, The Drama, and The Furious, with House of the Dragon and Silo on the TV side.In the news: Moana opened to $43 million and it's a disaster on a $250 million budget — potentially the worst live-action Disney remake debut ever. Is that era finally over? Toy Story 5 keeps rolling toward a billion. And The Odyssey opens this Friday in IMAX — tracking for $100-120 million, which would make it Nolan's biggest opening ever. Does it have a shot at being his best film?

Mostly Film – Take 237: Jackass In Review — The .5 Films & Best and LastThe Jackass deep dive continues. This week Jonathan and JP go beyond the main franchise and into the weird, wonderful overflow — the four companion films that asked a different question entirely: what do you do with the material that didn't fit?They work through all of it. Jackass 2.5, the first major studio film ever released exclusively online and a genuinely revolutionary moment in 2007 that nobody talks about enough. Jackass 3.5, the overflow film that some fans will tell you with a straight face is actually better than 3D. Jackass Presents: Bad Grandpa, the franchise's strangest entry — a narrative prank film starring Knoxville in full prosthetics that somehow earned an Oscar nomination for makeup and pulled $102 million at the box office. And Jackass 4.5, the Netflix companion to Forever that somehow ended up being the most emotionally heavy entry in the .5 canon.Then they get into Best and Last in full — the opening numbers, the 89% on Rotten Tomatoes (the franchise's highest ever), the archival Bam footage, Ryan Dunn throughout, and the word critics kept using that nobody expected to associate with a Jackass film: poignant. Also on the table: does Best and Last actually function more like a .5 film than a proper finale? And is that a problem, or the most honest way the franchise could have ended?Plus the big ranking question — all nine films, including the .5s and Bad Grandpa, ordered from top to bottom.

Mostly Film – Take 236: What's NewIt's a big one this week. Jonathan and JP are back with a mountain of trailers, an absolutely unhinged watch list, and a news cycle that genuinely did not slow down.First, List It or Nix It — fifteen trailers go through the gauntlet this week. Werwulf, Angry Birds 3, Not Alone, The Dink, The Debut, Digger, Her Private Hell, Late Fame, The Weight, Jimmy, Union County, The Devil's Mouth, Mum I'm Alien Pregnant, Your Mother Your Mother Your Mother, and Charlie Harper. Yes, all of them. Yes, Mum, I'm Alien Pregnant is real.Then it's What We've Been Watching, and Jonathan went absolutely feral this week — Toy Story 5, Backrooms, Obsession, Gail Daughtry and the Celebrity Sex Pass, The Sheep Detectives, Carolina Caroline, David, and somehow also Despicable Me, Despicable Me 2, Minions, The Borrowers, Ponyo, My Neighbor Totoro, and Honey We Shrunk Ourselves. JP brings Obsession, Backrooms, and Tuner to the table. Between the two of them, a lot of ground gets covered.In the news: The Odyssey had its world premiere in London tonight — Nolan, Matt Damon, Tom Holland, Zendaya, Hathaway, and Pattinson all on the red carpet — and the conversation around the film is complicated. 450,000 trailer dislikes, replies turned off on premiere posts, and it opens in 11 days. Does tonight change anything? Minions & Monsters had a rough July 4th opening, becoming a franchise low domestically while Toy Story 5 just kept eating. The Michael Jackson biopic quietly became the highest-grossing biopic in history. The Avengers: Doomsday trailer is reportedly dropping at SDCC on July 25. And Emmy nominations land tomorrow morning — Harrison Ford might finally be getting his flowers.

Mostly Film – Take 235: Jackass In ReviewTwenty-five years of stupidity, brotherhood, and somehow nobody died. Jonathan and JP dig into the full Jackass franchise — all four films — just in time for Jackass: Best and Last hitting theaters THIS Friday.In the spirit of the occasion, the guys trace the franchise from its scrappy MTV origins (Senator Joe Lieberman tried to kill it, which only made it stronger) through to its unlikely status as one of Paramount's most consistent box office performers. From a $5M debut that made its budget back four times over opening weekend to Jackass 3D quietly becoming the biggest fall opening of 2010 — this franchise has absolutely no business being as successful as it is.They break down all four films: the raw, censorship-free chaos of The Movie, the widely-beloved Number Two (the best cold open in comedy history, full stop), the commercial and creative peak of 3D, and the emotionally complicated comeback of Forever — including the Bam Margera situation, the new generation of cast members, and Knoxville's final bull stunt that reportedly ended his ability to take hits to the head forever.Plus: franchise rankings, all-time favorite stunts, and the question nobody expected a Jackass episode to ask — what does 25 years of shared pain actually say about male friendship?Jackass: Best and Last opens Friday. Are you going?

Jonathan and JP are back with another packed week of trailer verdicts, screen time nostalgia, and the kind of movie news that makes you question everything.First up, List It or Nix It — the guys put Hot Spot, Klara and the Sun, Shrek 5, Spider-Man: Brand New Day, Dinosaurs of the Wild West, Hexed, and Time of Death through the Letterboxd test. Some earn a spot. Some don't make it out alive.Then it's What We've Been Watching. Jonathan's been in the jungle with Jumanji, getting morally complicated with Red Rocket, and going full '80s nostalgia with Honey, I Shrunk the Kids. JP went deep with 28 Years Later: The Bone Temple and swung back to the high seas with Pirates of the Caribbean: Curse of the Black Pearl.And then there's The News. Toy Story 5 just had one of the biggest animated opening weekends in history — is Pixar officially back? Disclosure Day stumbles in week two. Spider-Man: Brand New Day is already breaking presale records but has to compete with Nolan for premium screens. The week's wildest story: Luca Guadagnino's nearly-finished film about Sam Altman gets dropped by Amazon — right after their $50 billion OpenAI deal. Totally unrelated, we're sure. Plus: Supergirl early buzz, a new Keanu Reeves Lego movie, Dan Trachtenberg doing kids' horror (yes, really), Austin Powers 4 is happening, and Emmy nominations are officially locked in.

Mostly FilmThis week, Jonathan and J.P. continue their Spielberg Series by exploring two films separated by more than four decades but connected by a lifelong fascination with the unknown: E.T. the Extra-Terrestrial (1982) and Disclosure Day (2026). From one of the most beloved family films ever made to Spielberg's latest return to extraterrestrial storytelling, we're examining how the director's perspective on aliens, humanity, and wonder has evolved over nearly fifty years.We dive into the deeply personal heart of E.T., discussing childhood loneliness, empathy, friendship, and why the film remains one of the most emotionally resonant blockbusters ever created. Then we turn to Disclosure Day, a modern sci-fi epic that tackles truth, secrecy, first contact, and humanity's place in a much larger universe. Along the way, we compare Spielberg's approach to fear and wonder across generations, rank his alien films, and ask whether Disclosure Day serves as the final chapter in a story Spielberg has been telling since Close Encounters of the Third Kind.From bicycles flying across the moon to a world forced to confront the impossible, this episode is all about Spielberg's enduring belief that understanding begins when we're willing to reach out—and listen.

This week on Mostly Film, we're sorting through a fresh batch of trailers in LIST IT or NIX IT, including The Last House, Gatto, Heart of the Beast, Social Reckoning, I Want Your Sex, and Whalefall. Which ones earn a spot on the Letterboxd watchlist, and which ones get left behind?In What We've Been Watching, Jonathan checks out everything from Masters of the Universe and In the Grey to a nostalgic return to Spy Kids and Spy Kids 2, while JP revisits a pair of beloved franchises with Raiders of the Lost Ark and Harry Potter and the Half-Blood Prince.Plus, we break down a packed week of movie news, including Chris Evans' reported return in Avengers: Secret Wars, new details on The Batman: Part II, George Miller's plans for more Mad Max, a Hit Man series coming to Netflix, a surprise Fox-Roku merger, and Steven Spielberg's record-breaking success with Disclosure Day. We also discuss honorary Oscars for Ridley Scott and Glenn Close, a possible Jimmy Olsen and Gorilla Grodd series, and why Jesse Eisenberg turned down The Social Reckoning.All that and more on another episode of Mostly Film—where the takes are hot, the watchlists are growing, and the movie news never stops.

Mostly FilmThis week, Jonathan and J.P. continue their Spielberg Series by diving into two of the most influential films ever made: Jaws (1975) and Jurassic Park (1993). One invented the modern blockbuster, the other redefined it for a new generation. Together, they showcase Steven Spielberg's unmatched ability to blend suspense, spectacle, fear, and wonder into unforgettable cinematic experiences.We explore the making of both films, from the infamous production troubles that shaped Jaws to the groundbreaking visual effects revolution of Jurassic Park. Along the way, we discuss iconic scenes, legendary performances, John Williams' unforgettable scores, themes of human arrogance versus nature, and the moments that transformed movie history. Plus, we debate which film is better, which monster is more iconic, which score reigns supreme, and whether these two films represent Spielberg at his absolute best.Jaws taught audiences to fear what they couldn't see. Jurassic Park taught them to believe the impossible. This week, we're asking which one stands tallest in Spielberg's legendary filmography.

This week on Mostly Film, we break down a fresh batch of trailers in LIST IT or NIX IT, including Onslaught, How to Rob a Bank, Fall 2, Ice Age: Boiling Point, and more. We also talk about everything we've been watching lately, from indie horror and animation favorites to new TV obsessions.In movie news, we discuss Ari Aster's Hereditary prequel, Hugh Jackman joining a new Treasure Island adaptation, the massive box office success of Backrooms and The Super Mario Galaxy Movie, Netflix's continued stance on theatrical releases, Martin Scorsese's involvement with AI filmmaking tools, and much more from around the world of film and television.

This week on Mostly Film, Jonathan and J.P. tackle two of Steven Spielberg's most acclaimed and impactful films: Schindler's List and Saving Private Ryan.We explore a pivotal era in Spielberg's career, from the haunting moral responsibility at the heart of Schindler's List to the visceral realism and sacrifice depicted in Saving Private Ryan. Along the way, we discuss Spielberg's evolution as a filmmaker, the partnership with cinematographer Janusz Kamiński, unforgettable performances, iconic scenes, and why these films continue to shape the way audiences engage with World War II on screen.We also compare the two films as companion pieces—one focused on survival and memory, the other on duty and sacrifice—and ask which best represents Spielberg at the height of his powers. Join us for a deep dive into two cinematic landmarks and the lasting questions they leave behind.

This week on Mostly Film, we kick things off with another round of LIST IT or NIX IT, breaking down the latest trailers for The Get Out, Victorian Psycho, Her Private Hell, Primetime, Hope, Motor City, and In the Hand of Dante to decide what's worth adding to the watchlist.Then we dive into What We've Been Watching, covering everything from The Mandalorian & Grogu, The Drama, They Will Kill You, GOAT, Wonka, The Iron Giant, and Balto to The Devil Wears Prada, Kiss Kiss Bang Bang, A History of Violence, The Limey, The Bride!, Normal, and more. Plus, we check in on shows like The Boys, Survivor, and Widows Bay.We wrap things up with the latest movie news, reactions, and industry updates before sending you on your way. Join Jonathan and J.P. for another packed episode of movie talk, trailer reactions, and weekly watchlist recommendations.

Mostly Film is back with another packed episode of trailer chaos, movie talk, and industry insanity. This week in LIST IT or NIX IT, we're breaking down trailers for The Rivals of Amziah King, Resident Evil, Clayface, Coyote vs Acme, Jackass, Verity, and more to decide what's making the watchlist — and what's getting tossed immediately.In What We've Been Watching, Jonathan and J.P. talk survival thrillers, prestige dramas, and comfort TV as they dive into Apex, revisit Erin Brockovich, and check in on shows like The Boys, The Wire, Justified, Entourage, Maul, and Survivor.Then in The News, things get wild: a Westworld movie is officially happening, Battlefield sparks a studio bidding war, John Wick 5 gets an update, Netflix is planning its first major theatrical rollout with Greta Gerwig's Narnia, and somehow a Django/Zorro crossover movie is becoming real. Plus: Michael breaks records, Fast & Furious expands again, Letterboxd might be sold, and we react to the first look at Netflix's live-action Scooby-Doo.

Mostly Film — Creature Feature Mayhem: Smarter Sharks & Smaller SpacesThis week, we're heading back into the water with Deep Blue Sea (1999) vs. The Shallows (2016). Big, chaotic shark spectacle vs. stripped-down survival tension.We break down what actually makes shark movies work: smart vs. instinct-driven predators, group survival vs. total isolation, and whether it's scarier when humans create the problem… or when nature is just doing its thing.From underwater labs and mutant sharks to one rock, one swimmer, and nowhere to go, we compare scale vs. simplicity, chaos vs. control, and which film keeps you more on edge.Plus: creature rankings, worst survival decisions, and the ultimate question: lab or open water… which are you choosing?

Mostly Film — Creature Feature Mayhem: Don't Touch the Ground (or Stay Drunk)This week, we're diving into rule-based creature chaos with Tremors (1990) vs. Grabbers (2012). One says don't touch the ground. The other says… stay drunk.We break down why simple rules make creature movies work, comparing practical, desert survival in Tremors with the chaotic, alcohol-fueled island madness of Grabbers. It's tension vs. comedy, teamwork vs. controlled chaos, and practical effects vs. high-concept weirdness.Plus: creature rankings, worst survival decisions, and which rule we'd fail immediately.Which movie wins the double feature? And more importantly… which rule are you trusting to stay alive?

Mostly Film This week on Mostly Film, we're back with another round of LIST IT or NIX IT, breaking down trailers like The End of Oak Street, Apex, Faces of Death, and more to decide what's worth adding to the watchlist.Then we jump into What We've Been Watching — from Project Hail Mary and Send Help to rewatches like Rushmore and Hail, Caesar!, plus TV picks like The Pitt, Invincible, Daredevil, and Young Sherlock. We keep it light, focusing on what stood out without spoiling everything.Finally, we wrap with a packed News segment: a new Lord of the Rings sequel is in the works, Disney pulls back from AI deals, TikTok is entering TV, and Hollywood continues to get… weird (yes, Jack Black wants to star in Yakuza).It's trailers, takes, and chaos, just another week on Mostly Film.

Mostly Film — Creature Feature Mayhem: Apex IntelligenceThis week, we're diving into primate horror with Congo (1995) vs. Primate (2026), spectacle vs. straight-up nightmare fuel.We break down what makes primates uniquely terrifying: intelligence, communication, and that unsettling “almost human” energy. From Congo's jungle adventure chaos and killer gorillas to Primate's grounded, close-quarters brutality, we compare myth vs. realism, camp vs. pure horror, and which approach hits harder.Plus: creature rankings, worst deaths, survival odds, and the big question: Is a thinking creature the scariest kind of monster?Listen wherever you get your podcasts, and follow us on Letterboxd to keep up with what we're watching.

Mostly Film This week, we're back with LIST IT or NIX IT, breaking down trailers like Spider-Man, Wild Horse Nine, Dune 3, and more to decide what's worth adding to the watchlist.Then we get into what we've been watching. From War Machine and Peaky Blinders to Cold Storage and One Piece, highlighting what actually stuck with us this week.We wrap up with movie news, including the live-action Moana reveal, major sequel announcements (Incredibles 3, Lilo & Stitch 2), a new Sekiro anime series, and more.Catch us wherever you get your podcasts, and follow us on Letterboxd to keep up with what we're watching next.

Mostly Film — Creature Feature Mayhem: Gators, Crocs & ChaosThis week, we're heading into the water with Lake Placid (1999) and Crawl (2019) to break down what makes crocodile and alligator horror so effective — or so ridiculous.We compare campy creature comedy vs. straight-up survival horror, from Betty White stealing scenes in Lake Placid to the intense, flood-soaked tension of Crawl. Along the way, we debate realism vs. mythic monsters, open water vs. claustrophobic spaces, and which movie actually understands what makes these predators so terrifying.Plus: creature rankings, worst deaths, survival odds, and our final verdict on which film wins the double feature.Listen wherever you get your podcasts, and follow us on Letterboxd to keep up with what we're watching.

Mostly FilmThis week, we're back with another round of LIST IT or NIX IT, breaking down trailers like Obsession, Pinocchio: Unstrung, In the Grey, and more to decide what's worth adding to the watchlist.Then we get into what's been in our rotation lately — from Hoppers, The Bride, and Anaconda to shows like The Pitt, Peaky Blinders, and Survivor — sharing the performances and moments that stuck with us.We wrap things up with the latest movie news, including big Oscar takeaways, a new Firefly animated series in the works, Spielberg teasing a “kick ass” Western, and updates on everything from G.I. Joe to The Lord of the Rings.Catch us wherever you get your podcasts, and follow along on Letterboxd to see what we're watching next.

Mostly Film — Creature Feature Mayhem: Snakes in the SystemThis week, we're diving headfirst into snake-infested chaos with a double feature: the ‘90s jungle pulp classic Anaconda (1997) and the internet-era spectacle Snakes on a Plane (2006).We break down what makes snake horror so uniquely unsettling: constriction, venom, cold-blooded calculation. And debate the big question: is absurd sincerity better than full-blown meme chaos?From Jon Voight going completely off the rails to Samuel L. Jackson holding the cabin together at 30,000 feet, we compare jungle vs. airplane, singular monster vs. swarm, practical effects vs. CGI, and which film truly understands what makes snakes scary.Plus: creature rankings, worst possible deaths, survival odds, and our final verdict on which movie wins the double feature.Listen wherever you get your podcasts, and follow us on Letterboxd to see what we're watching next.

Mostly FilmThis week on Mostly Film, we're back in trailer court deciding what makes the watchlist and what gets the hard nix. On the docket: Scary Movie 6, War Machine, In A Violent Nature 2, Backrooms, TEENAGE SEX AND DEATH AT CAMP MIASMA, and more. Some instant adds. Some immediate passes.Then we run through What We've Been Watching: from Sicario to The Pitt, Peaky Blinders, Industry, and Survivor 50 — breaking down what's actually been sticking with us lately.And in The News, it's absolute studio chaos: Pixar's Hoppers debuts at 98%, Paramount and Warner Bros. reveal major merger plans, Scream 7 hits a franchise low, a new Matrix is in development, Christian Bale confirms Heat 2, and Tom Hanks is set to play Abraham Lincoln in a stop-motion/live-action hybrid.Trailers, TV binges, and billion-dollar shakeups, it's a packed one.Subscribe wherever you get your podcasts and follow us on Letterboxd to keep up with what we're watching.

Creature Feature Mayhem: Attack of the SpidersThis week on Mostly Film, we're tackling the spider movie — and asking a simple question:What's scarier… giant mutant spiders, or the normal-sized ones living in your house right now?We're pairing Arachnophobia (1990) with Eight Legged Freaks (2002) and breaking down classic restraint vs. early-2000s CGI chaos. One goes for quiet, domestic dread — shoes, bathtubs, coffee mugs. The other? Big, loud, B-movie swarm insanity.We talk:Exaggeration vs. realismVisibility vs. suggestionCamp vs. tensionWhy spiders hit differently than sharks or lionsAnd which approach actually lingers longerPlus: worst ways to die, terrible survival decisions, and whether we'd last 24 hours.If you're new here, welcome to Mostly Film — find us wherever you get your podcasts (like or subscribe

Mostly Film — Goats, Bone Temples, and MercyThis week on Mostly Film, we're back in trailer court for another round of LIST IT or NIX IT — deciding what earns a spot on the watchlist and what gets left behind.On the docket:Pressure, Toy Story 5, Peaky Blinders, Over Your Dead Body, Lee Cronin's The Mummy, Slanted, Normal, Is God Is, and Beast. Some immediate adds. Some firm passes. A few heated debates.Then we dive into What We've Been Watching. Jonathan checks in with GOAT, Mercy, and 28 Years Later: The Bone Temple, plus TV time with The Pitt. JP brings a mix of rewatches and first-timers — The Goblet of Fire, L.A. Confidential, and Mercy — alongside TV staples like Industry, A Knight of the Seven Kingdoms, Sons of Anarchy, and yes, more Pitt. We talk about performances, tone, and what's actually sticking with us right now.And then… The News.It's a packed one:Tributes to Tom Noonan and Eric DaneScary Movie 6 parody targets revealed (including A Quiet Place)Guillermo del Toro's Frankenstein and KPOP: Demon Hunters heading to the Criterion CollectionMarty Supreme tying a BAFTA record (and not the good kind)Netflix's potential Warner Bros. acquisition plan (and what it would mean for theaters)Plane 2 officially groundedBad Bunny's first lead roleBill Hader writing/directing a new horror filmMcKenna Grace as Daphne in live-action Scooby-DooAnd yes… Martin Scorsese joining The Mandalorian & GroguIt's prestige, pulp, industry shakeups, and franchise chaos all in one episode.Subscribe, follow us on Letterboxd, and let us know — what are you listing… and what are you nixing?

Mostly Film: Creature Feature Mayhem — Ep. 1: Man vs. LionWe're kicking off a brand-new series, and we're starting with teeth.Welcome to Creature Feature Mayhem, where each episode pairs a classic and a modern monster movie to figure out what actually makes this genre work. This week: The Ghost and the Darkness (1996) vs. Beast (2022). Prestige '90s lion terror vs. modern survival-thriller chaos.If you're new here, this is Mostly Film: a movie podcast where we mix real analysis with a little bit of unhinged energy. You can find us wherever you get your podcasts (like or subscribe