Podcast appearances and mentions of Charles Randolph

Brent, Nate, and Kate bet on the 2015 American biographical comedy-drama The Big Short directed by Adam McKay, and co-written by McKay and Charles Randolph. Based on the 2010 book The Big Short: Inside the Doomsday Machine by Michael Lewis. Hosted on Acast. See acast.com/privacy for more information.

GUEST – Charles Randolph TOPICS – professional problem solving; asymmetric threats; critical thinking; red teams; the reality and effectiveness of surveillance teams; first responders vs first preventers; what makes a good CISO;  the OODA loop; the tyranny of urgency; anticipating the needs of others; making clear and decisive decisions; framing and managing expectations; focus, action, and results; how ONTIC helps its clients through threat-informed, intelligence-driven, operations-led technology; Ketone IQ; pursuing pursuers;  the emerging artificial intelligence threat vector; TikTok as a national security concern, election security; and so much more.  ABOUT CHUCK – Charles “Chuck” Randolph is the Chief Security Officer at ONTIC, the leading provider of protective intelligence software that helps organizations proactively identify and address emerging threats. With over 30 years of experience in the security industry and the military, he is an established thought leader and subject matter expert in the best practices to mitigate the dynamic and emerging risk landscape impacting people, assets, and reputations. FOLLOW CHUCK – Chuck's Instagram: https://www.instagram.com/chuckrandolphofficial/  Chuck's LinkedIn: https://www.linkedin.com/in/chuckrandolph/  Chuck's Podcast: https://open.spotify.com/show/5nG1BZUhmqa3DkdZgXn5rm    FOLLOW SPENCER COURSEN  Spencer's Instagram: https://www.instagram.com/s.coursen/  Spencer's Website: www.SpencerCoursen.com   Spencer's Book: TheSafetyTrap.com  Spencer's Brand: Ronin6.com   Spencer's Company: CoursenSecurityGroup.com SHOW NOTES ONTIC: https://ontic.co/  International Protective Security Board: https://ipsboard.org/  Upstream, by Dan Heath: https://a.co/d/euyYKCx  JOCKO Podcast: https://jockopodcast.com/  Keton IQ: https://ketone.com/  RECORDING STUDIO Podcast Recorded Studio: Record ATX  https://www.recordatx.com/    THEME MUSIC "Underground Moments" by Cushy https://www.epidemicsound.com/artists/cushy/     PODCAST AND VIDEO PRODUCTION Ronin6 Media GUEST SUBMISSIONS sgc@CoursenEnterprises.com

In which the Mister and I check out THE BIG SHORT (2015), which is streaming on MGM+ and Paramount+ and to buy/rent on Prime Video but we caught this on the Hoopla App.  From a script by Charles Randolph and Adam McKay; this is based on Michael Lewis' novel of the same name. Adam McKay directs an all star cast in this funny, entertaining and incredibly frustrating look at the true story behind the 2008 global financial crisis that almost destroyed the world's economy. This film clocks in at 2 h 10 m and is rated  R.  Please note there are SPOILERS in this review. This episode of the podcast is dedicated to JWR - Happy Birthday James! Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library  --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

Before Charles Randolph won an Oscar for his adaptation of “The Big Short”, he took a swing at a thornier adaptation, a memoir called “The Birthday Party.” It's the true story of a white man kidnapped by three young Black men. In his adaptation, Randolph chose not to write the action movie that producers had in mind, but to focus on the racial dynamics at play. And Hollywood wasn't having it.See omnystudio.com/listener for privacy information.

Three separate groups of investors profit wildly while demonstrating how the financial crisis of 2007-2008 was triggered by the United States housing bubble. Directed by Adam McKay. Screenplay by McKay and Charles Randolph. Based on the 2010 book "The Big Short: Inside the Doomsday Machine" by Michael Lewis. Starring Christian Bale, Steve Carrell, Ryan Gosling and Brad Pitt. Listener request courtesy of Justin. FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: Past Lives (Streaming rental) Dumb Money (Streaming rental)

Welcome to the Script Apart Storyteller Sessions – three days of career-spanning conversations with truly game-changing storytellers, talking about their relationship with the page. 100% of proceeds are going to the Entertainment Community Fund, a brilliant charity doing hugely important work – so if you enjoy this episode or any of the episodes across this weekend, please do consider hitting the link below and donating to that wonderful cause:Donate to our fundraiser here!Today, we're kicking off with what is basically the Catalina Wine Mixer of podcast interviews. Our guest today is a filmmaker responsible for some of the great comedies of our time, and someone whose storytelling has undergone a fascinating transformation as the world has slipped into climate emergency, economic emergency and political disrepair. Somehow, in a time with dwindling things to laugh about, this writer-director has found a way to engage with those crises in ludicrously entertaining ways. He's the filmmaker behind Anchorman, Step Brothers, Talladega Nights, The Other Guys, The Big Short, Vice and Don't Look Up – it's Adam McKay! Adam got his break on Saturday Night Live, becoming the show's head writer in 1996. His collaborations on SNL with another emerging comic, Will Ferrell, immediately caught the eye and simply could not be contained to the small screen for long. By the early ‘00s, the pair had turned their anarchic chemistry into a wave of outrageously quotable comedies that fast found themselves woven into our shared pop culture landscape. “It escalated quickly,” as Ron Burgundy might say. Then came a change of pace. In 2015, after his father lost his home as part of a devastating economic downturn, Adam released The Big Short – a white collar crime comedy about the 2007 financial crash. It won him and his co-writer Charles Randolph the Best Adapted Screenplay Oscar at that year's Academy Awards, and signalled a sea change not just in the content of Adam's movies going forward, but also in the cinematic language he was using to tell his stories. His films since then – and to a lesser degree, titles he's worked on as a producer, such as the smash hit Succession –  have doubled down on that new storytelling style, full of frantic edits and experimental flourishes.Adam's monumental success has come in the face of a couple of challenging moments medically across his life. In 2000, he was diagnosed with a condition known as essential tremor, and in 2017, he suffered a heart attack on the set of Vice. In the conversation you're about to hear, we discuss how that heart attack sharpened his resolve to make 2021's bracing Don't Look Up. We get into why Step Brothers is a film that “tells you all you need to know about America” – a nation in which “consumer culture has turned us into children,” Adam insists. You'll hear why he decided to abandon the three-act structure of his old films in part as a response to the rise of Donald Trump and what he's learned about to fix the world from his recent string of movies grappling with its many problems.The Entertainment Community Fund do extraordinary work lifting up storytellers of all descriptions, and have been a vital support for entertainment industry workers affected by this summer's strike action. So if you enjoy this episode, please do consider donating below.Donate to our fundraiser here!Support the show

Geri Cole turns it over to David O. Russell for a conversation with Adam McKay about his latest project, DON'T LOOK UP. David O. Russell is the Oscar- and Writers Guild Award-nominated writer and director best known for his work on titles like FLIRTING WITH DISASTER, THREE KINGS, I HEART HUCKABEES, SILVER LININGS PLAYBOOK, AMERICAN HUSTLE, and most recently, JOY. Adam McKay is a writer, director, comedian, and co-founder of the comedy group Upright Citizens Brigade. He kicked off his film & TV career in the '90s as a head writer for SATURDAY NIGHT LIVE before rising to fame in the 2000s for his collaborations with fellow comedian and SNL alum Will Ferrell, with whom he co-wrote the hit comedies ANCHORMAN, STEP BROTHERS, and THE OTHER GUYS. In the 2010s, McKay ventured into more dramatic waters as co-writer & director of the 2015 dramedy/biopic THE BIG SHORT—for which he and Charles Randolph received the Academy and Writers Guild Awards for Adapted Screenplay—and as writer & director of the 2019 Oscar- and Writers Guild Award-nominated Dick Cheney biopic VICE.   His most recent project is DON'T LOOK UP, a comedy-drama and cautionary tale written and directed by McKay and based on a story by himself and David Sirota. The film follows two astronomers who discover a comet orbiting within the solar system and which is set on a direct collision course with Earth. The problem? No one really seems to care. Turns out warning mankind about a planet-killer the size of Mount Everest is an inconvenient fact to navigate. The astronomers embark on a media tour that takes them from the office of an indifferent President and her sycophantic son and Chief of Staff to the airwaves of upbeat morning show The Daily Rip. With only six months until the comet makes impact, the team struggles to manage the 24-hour news cycle and gain the attention of the social media-obsessed public—before it's too late. DON'T LOOK UP was released in December 2021 and is available to stream on Netflix. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Busch Mason speaks briefly about legacy, not just because we learned of the passing of one of The Ark's members, Charles Randolph, about the time the service began this morning. Busch uses that example to ask us what kind of legacy are we leaving that will continue after we are gone from this earth for others. Neal Moody concludes with a few thoughts.

Original Airdate 12/30/15 Robert Winfree and Mark Radulich review the latest Michael Lewis adaption, The Big Short! The Big Short is a 2015 American biographical comedy-drama film directed by Adam McKay. Written by McKay and Charles Randolph, it is based on the 2010 book The Big Short: Inside the Doomsday Machine by Michael Lewis showing how the financial crisis of 2007–2008 was triggered by the United States housing bubble. The film stars Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt, with Melissa Leo, Hamish Linklater, John Magaro, Rafe Spall, Jeremy Strong, Finn Wittrock, and Marisa Tomei in supporting roles.

Original Airdate 12/30/15 Robert Winfree and Mark Radulich review the latest Michael Lewis adaption, The Big Short! The Big Short is a 2015 American biographical comedy-drama film directed by Adam McKay. Written by McKay and Charles Randolph, it is based on the 2010 book The Big Short: Inside the Doomsday Machine by Michael Lewis showing how the financial crisis of 2007–2008 was triggered by the United States housing bubble. The film stars Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt, with Melissa Leo, Hamish Linklater, John Magaro, Rafe Spall, Jeremy Strong, Finn Wittrock, and Marisa Tomei in supporting roles.

This week I sit down with David Kushner and discuss the murder of Brandon Smith. Brandon was killed while exiting the Texas Renaissance Festival on October 16, 2004. David was present at the festival that day, and gives us an inside look at the murder, trial, and the history behind the largest Renaissance festival in the world, held every year in Todd Mission, TX. You can check out David's 9-part story about this crime in his newsletter. Check it out here David Kushner is an award-winning journalist and author. He currently publishes a newsletter on Substack called Disruptor. His books include Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture, Jonny Magic and the Card Shark Kids: How a Gang of Geeks Beat the Odds, Stormed Las Vegas, Levittown: Two Families, One Tycoon, and the Fight for Civil Rights in America's Legendary Suburb, Jacked: The Outlaw Story of Grand Theft Auto,  Alligator Candy: A Memoir, and The Players Ball: A Genius, a Con Man, and the Secret History of the Internet's Rise.A contributing editor of Rolling Stone and Outside, Kushner has written for publications including The New Yorker, Vanity Fair, Wired, New York Times Magazine, New York, and GQ, and has been an essayist for National Public Radio Weekend Edition Sunday. His work is featured in several “best of” anthologies: The Best American Crime Reporting, The Columbia Journalism Review's Best Business Writing, The Best Music Writing, and The Best American Travel Writing. He is the winner of the New York Press Club award for Best Feature Reporting. His ebook The Bones of Marianna was selected by Amazon as a Best Digital Single of 2013. NPR named his memoir Alligator Candy among the best books of 2016. The Alligator Candy podcast won the Best True Crime and Best Podcast Experience awards at the 2021 Popcon Podcast Awards, and is a finalist for Best Personal Lives Podcast at the 2021 New York Radio Awards.Kushner also wrote the nonfiction graphic novels Rise of the Dungeon Master: Gary Gygax and the Creation of D&D and A for Anonymous: How a Mysterious Hacker Collective Transformed the World, illustrated by Koren Shadmi. He is the author of the ebook, The Bones of Marianna: A Reform School, a Terrible Secret, and a Hundred-Year Fight for Justice. Two collections of his magazine stories are available as audiobooks, The World's Most Dangerous Geek: And More True Hacking Stories and Prepare to Meet Thy Doom: And More True Gaming Stories. His memoir Alligator Candy has been adapted into a serial podcast produced by Transmitter Media, Emmy Rossum, and NBCUniversal.Many of his articles and books are being adapted for TV and film. Silk Road is based on his Rolling Stone story “Dead End on Silk Road.” Zola is based on his Rolling Stone article “Zola Tells All” and the tweets of A'Ziah “Zola” King; Kushner is an executive producer of the film. The upcoming Spike Lee Viagra movie musical is based on his Esquire article “All Rise.” A film based on his Vanity Fair article, “The Church of Living Dangerously” will star Christian Bale and be written by Charles Randolph. Writer/director Amma Asante is attached to a TV series based on his book, Levittown. Gamechangers, a BBC film, is inspired by his book Jacked. He has been featured in several documentaries including What Will Become of Us, a feature about Holocaust survivor and shopping mall magnate Frank Lowy.Kushner has taught as a Ferris Professor of Journalism at Princeton University, and an adjunct professor of journalism at New York University. In the early 90s, he was a producer and writer for SonicNet, one of the first music destinations online. He serves on the board of directors of Good Grief, a childhood grief suppor

Nesse episódio, nossa equipe recebe o Mestre, Professor e Pesquisador Isac Silveira da Costa (Currículo Lattes: http://lattes.cnpq.br/0322718363111781; instagram: @isacscosta; tweeter: @isacsc77), para uma conversa sobre os desafios da regulamentação do mercado de capitais ante a influência das novas tecnologias a popularização do trading e o caso Gamestop. Referências citadas: A GRANDE APOSTA (THE BIG SHORT). Direção: Adam McKay. Produção: Dede Gardner, Jeremu Kleiner, Arnon Milchan, Brad Pitt. Intérpretes: Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt, et al. Roteiro: Adam McKay, Charles Randolph. Estados Unidos, 2015; AKERLOF, George A.; SHILLER, Robert J. Pescando Tolos: A economia da manipulação e da fraude. Rio de Janeiro: Alta Books, 2016; BARCELLOS, Marta. Histórias do Mercado de Capitais no Brasil. Rio de Janeiro: Alta Books, 2018; COSTA, Isac Silveira da; PRADO, Viviane Müller; GRUPENMACHER, Giovana Treiger (coord.). Cryptolaw: Inovação, Direito e Desenvolvimento. São Paulo: Almedina, 2020; EIZIRIK, Nelson; GAAL, Ariádna B.; PARENTE, Flávia; HENRIQUES, Marcus de Freitas. Mercado de Capitais: Regime Jurídico. 4. ed. São Paulo: Quartier Latin, 2020; FOX, Justin. O Mito dos Mercados Racionais: Uma história de risco, recompensa e decepção em Wall Street. Rio de Janeiro: Best Seller, 2011; GATTACA – A EXPERIÊNCIA GENÉTICA (Gattaca). Direção: Andrew Niccol. Produção: Danny DeVitto, Michael Shamberg, Stacey Sher. Intérpretes: Ethan Hawke, Jude Law, Uma Thurman, Gore Vidal, Loren Dean et al. Roteiro: Andrew Niccol. Estados Unidos, 1997; HAN, Byung-Chul. No Enxame: Perspectivas do digital. São Paulo: Vozes, 2018; LAMY FILHO, Alfredo; BULHÕES PEDREIRA, José Luiz. Direito das Companhias. 2. ed. Porto Alegre: Forense, 2017; LAZZARESCHI NETO, Alfredo Sérgio. Lei das S.A. Comentada e Anotada. 6. ed. São Paulo: Quartier Latin, 2020; LEWIS, Michael. A Jogada do Século. 2. ed. Rio de Janeiro: Best Seller, 2011; _____________ Flash Boys: A Wall Street Revolt. Nova Iorque (EUA): W. W. Norton & Company, 2015; O CAPITAL (LE CAPITAL). Direção: Costa-Gravas. Produção: Michèle Ray-Gravas. Intérpretes: Gabriel Byrne, Gad Elmaleh, Bernard Le Coq, Natasha Régnier, et al. Roteiro Adaptado de Le Capital, de Stéphane Osmont. França, 2012; O MAGO DAS MENTIRAS (THE WIZARD OF LIES). Direção: Barry Levinson. Produção: Barry Levinson, Jane Rosenthal, Jason Sosnoff, Joseph Iberti, Robert De Niro. Intérpretes: Robert De Niro, Michelle Pfeiffer, Nathan Darrow, Alessandro Nivola, Hank Azaria, et al. Roteiro: John Burnham Schwartz, Sam Levinson, Samuel Baum. Estados Unidos, 2017; THALER, Richard H. Misbehaving: A construção da economia comportamental. São Paulo: Intrínseca, 2019.

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

For our last episode of the season, Gavin and Daniel reviewed the 2019 film, Bombshell. We reviewed this movie to ask the question; can we feel sorry for the women of white supremacy?Bombshell is a 2019 American drama film directed by Jay Roach and written by Charles Randolph. The film stars Charlize Theron, Nicole Kidman, and Margot Robbie, and is based upon the accounts of the women at Fox News who set out to expose CEO Roger Ailes for sexual harassment. John Lithgow, Kate McKinnon, Connie Britton, Malcolm McDowell, and Allison Janney appear in supporting roles. - Wikipedia

Story: Megyn Kelly ist das Aushängeschild von Fox News: blond, attraktiv, sexy. Schöne Beine sind bei dem konservativen Nachrichtensender gefragter als investigativer Journalismus und unbequeme Fragen. Als sich die Starmoderatorin vor laufenden Kameras mit Präsidentschaftsbewerber Donald Trump anlegt, hat sie keine Rückendeckung von oben zu erwarten: Senderchef Roger Ailes ist mit Trump befreundet, außerdem beschert der Krawallkandidat Fox News Topquoten – so auch mit seiner sexistischen Twitter-Kampagne gegen Megyn. Ihre gestandene Kollegin Gretchen Carlson weigert sich, noch länger die „TV-Barbie“ zu geben. Daraufhin wird ihr Vertrag „wegen enttäuschender Einschaltquoten“ nicht verlängert – während die ehrgeizige Redakteurin Kayla Pospisil nach einem Meeting hinter Roger Ailes' verschlossener Bürotür aufsteigt… Als Gretchen ihren langjährigen Boss wegen sexueller Belästigung verklagt, formiert sich bei Fox News sofort „Team Roger“. Nur Megyn bleibt verdächtig neutral, auch Kayla schweigt. Aber wie lange noch?

This week on Total Movie Recall, we take a big shit on Boomers and their cheap nostalgia for a “better time.” A time when a bunch of baseball-loving kids' black friend would have had to walk home to his segregated neighborhood. A time of nuclear anxiety because our megalomaniacal leaders were determined to blow up the world. A time when women were openly sexually harassed with no consequences. But hey, wasn't baseball fun? Don't think about all that other stuff. The Sandlot (1993) d. David Mickey Evans Starring Tom Guiry - Scotty Smalls Denis Leary - Bill (stepdad) Karen Allen - mom Mike Vitar - Ben Patrick Renna - Ham Chauncey Leopardi - Squints Marty York - Yeah-Yeah Brandon Quintin Adams - Kenny DeNunez Grant Gelt - Bertram Grover Weeks Shane Obedzinski - Repeat Victor DiMattia - Timmy Timmons James Earl Jones - Mr. Mertle Art LaFleur - Babe Ruth (The Babe) When Scottie Smalls moves to a new neighborhood, he manages to make friends with a group of kids who play baseball at the sandlot. Together they go on a series of funny and touching adventures. The boys run into trouble when Smalls borrows a ball from his stepdad that gets hit over a fence. Things discussed in the show: Inception (Christopher Nolan, Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page) Das Boot (Wolfgang Petersen, Jürgen Prochnow, Herbert Grönemeyer, Klaus Wennemann) The Neverending Story (Wolfgang Petersen, Noah Hathaway, Barret Oliver, Tami Stronach) Enemy Mine (Wolfgang Petersen, Dennis Quaid, Louis Gossett Jr., Brion James) Starman (John Carpenter, Jeff Bridges, Karen Allen, Charles Martin Smith) Junior (Ivan Reitman, Arnold Schwarzenegger, Danny DeVito, Emma Thompson) Air Force One (Wolfgang Petersen, Andrew W. Marlowe, Harrison Ford, Gary Oldman, Glenn Close) Cabaret (Bob Fosse, Liza Minnelli, Michael York, Helmut Griem) Soviet Era Movie Posters Deadly Prey Gallery movie posters Brutalist, modern & gothic architecture Papers, Please video game Sophie's Choice (Alan J. Pakula, Meryl Streep, Kevin Kline, Peter MacNicol) Zdzisław Beksiński (Polish painter) Vice (Adam McKay, Christian Bale, Amy Adams, Steve Carell) The Big Short (Adam McKay, Charles Randolph, Christian Bale, Steve Carell, Ryan Gosling) Cursed (Frank Miller, Tom Wheeler, Katherine Langford, Devon Terrell, Gustaf Skarsgård) Dungeons & Dragons Game of Thrones (David Benioff, D.B. Weiss, Emilia Clarke, Peter Dinklage, Kit Harington, Lena Headey, Sophie Turner, Maisie Williams, Nikolaj Coster-Waldau, Iain Glen, Gwendoline Christie Indiana Jones and the Last Crusade Knights Templar and kissing buttholes to awaking kundalini and your third eye. Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, Harrison Ford, Cate Blanchett, Shia LaBeouf) W. (Skull & Bones jerking off in a coffin, Oliver Stone, Stanley Weiser, Josh Brolin, Elizabeth Banks, Ioan Gruffudd) A Christmas Story (Bob Clark, Peter Billingsley, Melinda Dillon, Darren McGavin) Stand By Me (Rob Reiner, Stephen King, Wil Wheaton, River Phoenix, Corey Feldman) The Wonder Years (Carol Black, Neal Marlens, Fred Savage, Dan Lauria, Daniel Stern) Bryan Adams - "The Summer of 69" Puppet Master Next Week: Killer Klowns From Outer Space

Charles Randolph, the screenwriter behind “The Big Short” and “Bombshell” discusses turning real life stories into Hollywood movies, and shares what he would like to change about the Academy Awards.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Oscar season is here, so let's look at one of the multi-nominees... Bombshell. Plus our reaction to the Baftas, a look back on 12 Years a Slave, a Charles Randolph quiz, film news, and much, much more... 0.00 News 21.28 To C or not to Z 27.40 Bombshell 47.00 Look Back in Oscar 53.51 Quiz Intro music: bensound.com Contact: ctozofmovies@gmail.com Twitter: @ctozofmovies

Hi everyone! I can think of a number of bad films for date night, but today’s film just might take the prize. One Movie Spouse and I went to see the film on one of our weekly movie dates, and it was a real buzzkill. Not for the excellent performances, incredible costuming, or insightful storytelling, but for the vile, true story behind Fox News. She’s going to be up in a bit with her thoughts, about the movie itself and the story behind it. I’ll just be over here swearing to no one in particular that Fox News is even still operating. Now, whenever I feel passionate feelings come up, I turn to Aicila and Erik at Bicurean to help me sort things out. Every episode, they explore a different topic, looking for the underlying issues, and finding common ground whenever possible. You can find them on Twitter, Facebook, and Instagram @bicurean, or check them out at bicurean.com. Be sure to like, follow, rate, and subscribe! They’ve been huge supporters of One Movie Punch over the past year, and we cannot recommend them enough! A promo will run before the review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Hello, It’s me Amy, AKA One Movie Spouse, back for another review. MWAH!  Listen to my review, then catch me on Twitter @OneMovieSpouse to keep the conversation going. Here we go! Today’s movie is BOMBSHELL(2019), the drama directed by Jay Roach and written for the screen by Charles Randolph. The film sheds light on the sexual harassment scandal at Fox News, involving the exploitation of women by Roger Ailes (John Lithgow), focused on former anchor Megyn Kelly (Charlize Theron), former co-host Gretchen Carlson (Nicole Kidman), and an entry-level aspiring employee named Kayla Pospisil (Margot Robbie). No spoilers. “Bombshell” is filled with an all-star cast including Academy Award® winners Charlize Theron and Nicole Kidman, and Academy Award® nominees John Lithgow and Margot Robbie. This film is based on the real scandal inside the most powerful and controversial media empire of all time, Fox News. The film is an explosive story of the women who brought down the infamous man who helped turn Fox News into a financially successful and socially damaging news channel. I did not know the extent of the scandal at Fox News and was shocked to see it all laid out during this nearly two-hour film. Without giving details beyond what’s revealed in the film trailers, the most powerful and lingering thought I have after seeing the film is the courage and tenacity of these women. They had to endure years of sexual harassment at Fox News, and the impact of taking a stand against it. I was horrified to see what Megyn Kelly, Gretchen Carlson, and Kayla Pospisil had to endure to receive in order to keep their jobs and/or advance their careers. My husband and I have been enjoying “Mad Men”, and at times during BOMBSHELL, I had to stop and remind myself that fifty years later the same shit was still happening in the workplace. This film struck many emotional chords with me: disgust, anger, anxiety, and eventually some relief as their full story came to light. No woman should have to endure what these women did in order to have a career. PERIOD. Casting and makeup was phenomenal in this film! It is remarkable to see the resemblance between Charlize Theron and Megyn Kelly, put their photos side by side, and it’s near impossible to tell who’s who and their similarities are uncanny right down to their mannerisms. Go ahead, Google it quick and then come back if you haven’t already made the comparisons. WOW, right?! And let’s talk about John Lithgow’s makeup and performance for a moment. Roger Ailes (John Lithgow) is a human piece of garbage! There are few times in my life have I hated a man more than this. I felt physical revulsion when he came on screen. BLECH! I don’t want to end this review on a vile note, however. There’s a reason these talented actors were cast in these roles. They tell a powerful, albeit uncomfortable tale. It is my hope to anyone seeing this film that is being harassed or has been exploited at work to have the courage to speak up and receive assistance. There is no shame in sharing your story and asking for assistance. BOMBSHELL is an eye-opening story shedding light on the scandal at Fox News. It tells a powerful tale of three women who had the courage to speak up and make change in this powerful media empire. Rotten Tomatoes: 69%  Metacritic: 64  One Movie Punch: 7.0/10 BOMBSHELL (2019) is rated R and is currently playing in theaters.

Adam McKay and Charles Randolph won the Academy Award for best adapted screenplay for "The Big Short". The film was an incredibly accurate portrayal of the events leading to the Global Financial Crisis. However, the film glosses over the Synthetic CDO - the financial instrument that made the housing bubble a global economic crisis. Andrew and Blake take a deep dive in trying to explain how the synthetic CDO worked and how it magnified the housing bubble. We're sure by the end of this episode, you'll want to occupy Wall Street too.

The writer of The Big Short and Bombshell discusses some of his favorite movies that deal with social issues.

A movie review of "Bombshell" screenplay by Charles Randolph, and Directed by Jay Roach. Starring Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow, Allison Janney, Malcolm McDowell, Kate McKinnon, Mark Duplass, and Stephen Root. Official Website: CoryBakerFilmmaker.com iMdb: Imdb.me/CoryBaker Facebook: Facebook.com/CoryBakerFilm Twitter: Twitter.com/LegendCB5 Instagram: Instagram.com/LegendCB5

Christopher Kubasik talks with screenwriter Charles Randolph (The Big Short, Love & Other Drugs) about his new film Bombshell.

We give you an in depth look at the film BOMBSHELL. We have interviews with Charlize Theron,Nicole Kidman,Margot Robbie, Kate Mckinnon, Jay Roach and Charles Randolph. We also have film clips from the film.

Guest: Charles Randoph, screenwriter of Bombshell and Oscar-winner for the 2015 film THE BIG SHORT. Bombshell tells the sensational true story about Fox News CEO Roger Ailes (John Lithgow), and the female news anchors, Gretchen Carlson (Nicole Kidman) and Megyn Kelly (Charlize Theron), who brought Ailes down. This is a story of power, hubris and a toxic culture where abuse was routinely ignored. It's also a story of hope, that a woman can find her voice and courage and that both women and men can find a healthy balance in the work place. Host: Shanee Edwards graduated from UCLA Film School with an MFA in Screenwriting and is currently the film critic for SheKnows.com. She recently won the Next MacGyver television writing competition to create a TV show about a female engineer. Her pilot, Ada and the Machine, is currently in development with America Ferrera's Take Fountain Productions. You can follow her on Twitter: @ShaneeEdwards The Script Lab: For all the latest from The Script Lab, be sure to follow us on Twitter, Facebook, and Instagram. And become a member of TSL 360 to enjoy the LARGEST screenwriting education content library, featuring masterclasses, deep-dive interviews, and lectures from Academy Award-winning screenwriters, TV show-runners, producers, literary managers, agents, studio executives, and leading educators – all in one place.

Charles Randolph is intrigued with things that frighten him. Complicated, yet unusual subjects with unique internal conflicts make up his films. Amongst these hard hitting character studies, Randolph has credits such as ‘The Life of David Gale,’ ‘The Interpreter,’ ‘Love & Other Drugs,’ ‘The Big Short,’ and now, ‘Bombshell.’ In the latest movie, the story focuses on a group of women who conspired to take down Fox News head Roger Ailes for the toxic atmosphere he created within the conservative network. The film stars Charlize Theron as Megyn Kelly, Nicole Kidman as Gretchen Carlson, John Lithgow as Roger Ailes, and Margot Robbie as the composite character Kayla Pospisil. In this exclusive interview, Randolph discusses modern villains, societal obstacles for character, how he uses a thematic toolkit, a writer’s contract to the audience, balancing real and unusual, and how to make politics entertaining. If you enjoyed this interview, look for the print version on Creative Screenwriting’s website, and join thousands of viewers for the new YouTube video essay series, Creative Principles, which dissects new films, series, and more: bit.ly/2FARJz5

Release date: December 13, 2019 (USA) Director: Jay Roach Screenplay: Charles Randolph Producers: Jay Roach, Charles Randolph, Margaret Riley, Aaron L. Gilbert, Beth Kono, More Production companies: Bron Studios, Denver and Delilah Productions, Annapurna Pictures --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/n3xtup/support

Legendary director Jay Roach and writer Charles Randolph stop by The Deep Cut to talk with host John Rocha about their new film Bombshell. The movie tells the true story of the sexual harassment scandal that consumed Fox News and led to the ouster of its chairman Roger Ailes. The film stars Charlize Theron as Megyn Kelley, Nicole Kidman as Gretchen Carlson, and Margot Robbie as an amalgamation fo young female staffers at Fox News. The guys get in deep about what they wanted to get right in this movie and the bravery of these women that they wanted to honor with their film. Roach and Randolph also reveal to Rocha why they think this film is important in continuing the conversation about sexual harassment in ANY workplace. Roach also reveals to Rocha if an Austin Powers 4 or a new installment of Meet the Parents might be on the way! It’s another open, honest, and revealing conversation with one of the most legendary directors working today and one of the most accomplished writers working today. This is one conversation you don’t want to miss. Remember to Like and Share this episode and to subscribe to the Collider Conversations feed.Bombshell is in theaters NOW.Follow John Rocha: https://twitter.com/TheRochaSays

After winning the Oscar for Best Adapted Screenplay for co-writing "The Big Short," Charles Randolph set his sights on Fox News and the sexual harassment scandal that shocked the world. "Bombshell" is a challenging film due to the characters Randolph asks us to have sympathy for and in this interview he explains his intentions with the film's message, his collaboration with the film' star and producer Charlize Theron, his writing process and more!

Margot Robbie, our first guest, is earning accolades galore for her role in "Bombshell" as Kayla, a Fox News employee whose TV ambitions draw the attention of the predatory Roger Ailes. She talks with us about playing a character with whom she has almost noting in common, and how she used social media to understand her.We also talk about one of the most underrated parts of her acting, how she balances acting and producing, and that story that she slapped Leonardo Di Caprio during her "Wolf of Wall Street" audition. If you're a rising actor, should you hit your prospective co-stars? She has some advice.Margot Robbie also talks about how she used to work at Subway.Our second guest, Charles Randolph, talks about how his religious upbringing -- including a plot to take Bibles behind the Iron Curtain -- informed his script for "Bombshell." He talks about why he likes writing conservative characters, the intense research he did for "Bombshell," and his upcoming scripts about John D. Rockefeller and Hulk Hogan v. Gawker.Please subscribe to MovieMaker interviews, check out MovieMaker.com, and be sure to check out the next issue of MovieMaker Magazine, featuring a look at Margot Robbie's Lucky Chap Productions and their upcoming slate of female-focused films, from "Birds of Prey" to "Promising Young Woman" to "Barbie." See acast.com/privacy for privacy and opt-out information.

BombshellA revealing look inside the most powerful and controversial media empire of all time and the explosive story of the women who brought down the infamous man who created it.Director: Jay RoachProduced by: Jay Roach, Charles Randolph, Aaron L. Gilbert, Beth Kono, Margaret Riley, A.J. Dix, Robert GrafCast: Margot Robbie, Charlize Theron, Alice EveDistributor: LionsgateRelease Date: December 13, 2019Runtime: 1 hour 48 minutesGenre: Biography, DramaRated: R Richard JewellAmerican security guard Richard Jewell (Paul Walter Hauser) saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely report that he was a terrorist.Director: Clint EastwoodProduced by: Clint Eastwood, Leonardo DiCaprio, Jonah Hill, Andy Berman, Tim Moore, Kevin Misher, Jessica MeierCast: Olivia Wilde, Sam Rockwell, Paul Walter HauserDistributor: Warner Bros. PicturesRelease Date: December 13, 2019Runtime: 2 hour 09 minutesGenre: DramaRated: R See acast.com/privacy for privacy and opt-out information.

Welcome to episode 6 of Talkin' Movies with Sam and Raj! The guys kick of this week's discussion with a look at their most anticipated titles from the 2020 Sundance Film Festival. Sam and Raj also look at the newly released Wonder Woman 1984 trailer, which premiered just minutes before at CCXP Brazil 2019. In this week's reviews segment, the guys discuss Marriage Story, with full spoilers! Finally, they close out the episode with a look at some of the year's first awards given, including AFI, NBR, and NYFCC. This week's topics include: News: 2020 Sundance Film Festival lineup announced (Sundance.org) Wes Ball tapped to helm new Planet of the Apes (THR) The Conjuring 3 gets a title and release date (Twitter) New poster for Margot Robbie’s Birds of Prey (Twitter) Jason Blum and Charles Randolph team up for WeWork movie (THR) Joe Johnston, Josh Gad join Honey I Shrunk the Kids reboot (Variety) Scorsese, DiCaprio, De Niro team up Killers of the Flower Moon to start filming in March 2020 (Collider) Billy Magnussen’s Aladdin character, Prince Andes, getting Disney+ spinoff (THR) Peter Sarsgard joins The Batman in an unconfirmed role, but many are speculating that he is playing Harvey Dent (THR) First poster revealed for Ghostbusters: Afterlife prior to Monday trailer launch (Twitter) Trailers: The Assistant: https://www.youtube.com/watch?v=sow78oHyowA Mulan: https://www.youtube.com/watch?v=KK8FHdFluOQ No Time to Die: https://www.youtube.com/watch?v=BIhNsAtPbPI Black Widow: https://www.youtube.com/watch?v=RxAtuMu_ph4 Free Guy: https://www.youtube.com/watch?v=X2m-08cOAbc Wonder Woman: https://www.youtube.com/watch?v=sfM7_JLk-84 Reviews: Dark Waters Marriage Story (Spoilers: 38:00 - 46:00) Awards: Gothams, AFI, NBR, NYFCC, and Critic's Choice Music: https://www.bensound.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

ISTE STEM Co-Chairs, Charles Randolph and Steven Jones, chat with us about listening to your students, putting your ego aside, and personalizing learning for everyone. We talk about connecting content to real world solutions, exploring artificial intelligence, and the rise of esports. More at www.teachbetter.com/podcast/charlesrandolph-stevenjones Episode Highlights 0:35 - Shoutout to Marcela for Rae's descriptive word for Jeff! 1:22 - Chatting about being connected virtually. 4:49 - Previewing the episode with Charles Randolph and Steven Jones 7:55 - Charles and Steven introduce themselves. 9:49 - Charles and Steven share how they got connected. 12:05 - Charles' failure: Not being able to work with all his teachers on PD. Steven's failure: Creating his own curriculum, taking feedback, and having to adjust. 12:54 - Steven's success: Implementing his STEM program. Charles' success: Deploying personalized devices to his entire district. 20:48 - What's got you excited about education right now: Steven: ISTE STEM programs and the opportunities they're providing, Artificial Intelligence (AI), and using 3-D printing. Charles: Working with ISTE STEM and driving diversity in STEM and STEAM. Loving AR (Augmented Reality), VR (Virtual Reality), and drones. 26:25 - Jeff rudely interrupts Rae to rant about esports. 29:45 - Charles and Steven's advice for new teachers who want to be progressive: Charles: Research and talk to different educators. Go out to different schools and talk to people. Steven: Observe others. Don't get discouraged when things get difficult. 33:38 - 6 questions answered in 15 seconds or less. 35:53 - How to connect with Charles and Steven. --- Send in a voice message: https://anchor.fm/teach-better-talk/message

Show Notes This week, we recap, review, and analyze Mobile Suit Zeta Gundam (機動戦士Ζガンダム) episode 21 - A Sign of Zeta (ゼータの鼓動), discuss our first impressions, and provide commentary and research on the possible inspiration for the Gabthlay and it's gun - the fedayeen, blood oaths in Japanese history, and Saint Miki. - Fedayeen on Wikipedia.- Painting of an Afghan warrior carrying a jezail ("juzzail" in the caption).- Article about the jezail, with more photos.- A Gadfly mech from Crusher Joe.- Wikipedia article for Horse-fly. - Instances of the gadfly in Greek myth. - An English translation of Plato's "Apology of Socrates."- About Ethel Voynich's novel, The Gadfly,, and the text on Project Gutenberg. - Japanese Wikipedia page for keppanjou / けっぱんじょう / 血判状 (a compact or covenant, sealed with blood).- Japanese and English Wikipedia pages on the Kumano shrines.- Tourist information for Kumano.- First-hand account of Tokugawa-era Japan, by German naturalist Engelbert Kaempfer (English translation):Kempfer, Engelbert, and Beatrice M. Bodart-Bailey. Kaempfer's Japan: Tokugawa Culture Observed. University of Hawai'i Press, 1999.- Wikipedia page for Engelbert Kaempfer (sometimes rendered Kempfer). - Paper that discusses blood oaths in the master/disciple relationship (especially in martial arts):Ozawa, Hiroshi. “Essence of Training (Keiko) in Japanese Culture: Technique (Waza) Acquirement and Secret of Kendo.” Tokyo University of Science, Tokyo, 25 Jan. 2005.- Japanese and English Wikipedia pages for the 血盟団事件 / “League of Blood Incident.”- Paper on the Buddhist concept of Samādhi and its use to justify violence in Imperial Japan (discusses the League of Blood Incident and the respected Zen Buddhist master Yamamoto Gempou who testified in support of the terrorists):Victoria, Brian Daizen. “Samādhi Power in Imperial Japan.” (2017).- Saint Miki in English and Japanese Wikipedia, and the Wikipedia page for the 26 Martyrs of Japan.- Saint Miki's saint-page on catholic.org, and a more detailed description of the torture and execution of the martyrs.- Recounting of the San Felipe Incident. - And a book that covers the period of missionary activity before the suppression of Christianity in Japan:Boxer, Charles Randolph. The Christian Century in Japan: 1549-1650. U. of California Press (1951). You can subscribe to the Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, follow us on twitter @gundampodcast, check us out at gundampodcast.com, email your questions, comments, and complaints to gundampodcast@gmail.com.Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photo and video, MSB gear, and much more!The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 license. Both have been edited for length. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comFind out more at http://gundampodcast.com

Charles Randolph interview with Mrs.Christine Stokes-Beverley (Lead High School ITC) about good Edtech tips/ideas to support teachers, students and admin-Admin Conference 2019

This episode is an interview with Ms. Heather Hurley (Supervisor) from the Office of Personalized Learning-APSVA Admin Conference 2019. Ms. Hurley sharing some ideas about Personalized Learning and Instruction.

STEM Everyday Podcast selection featuring Charles Randolph

The STEM Network’s purpose is to connect science, technology, engineering, and math educators to discuss, explore and share best practices[...] The post STEM Everyday: 130 | A Global Community That’s Home | feat. Julianne Ross-Kleinmann, Jessica Shupik, and Charles Randolph appeared first on Remarkable Chatter.

This season, we invited our credit readers to interview our storytellers. Today, you'll hear from Amy Landecker who narrated the previous episode about Corrie Ten Boom. If you haven't listened to last week's episode, now is a good time to go back and check it out!Landecker reveals the guiding principles her parents communicated to her during her unconventional childhood, the meaning of resistance and more. Sponsored by:www.rebelgirls.co Use promocode REBELPODCAST to get 15% off your first purchase!About Landecker:Amy Landecker is known for her portrayal of Sarah Pfefferman on the award-winning Amazon original series "Transparent." Other TV credits include: Season 3 of "Sneaky Pete," recurring opposite Giovanni Ribisi, "Room 104," "Louie," "Revenge," "House M.D.," "Curb Your Enthusiasm," and "House of Lies."Upcoming feature projects include the UNTITLED ROGER AILES PROJECT from Director Jay Roach and Academy Award winning screenwriter Charles Randolph as well as Netflix’s UNTITLED HENRY & REL SCI-FI PROJECT where Landecker will star opposite Jamie Foxx and Joseph Gordon-Levitt.Additional film credits include: A KID LIKE JAKE, an independent drama also starring Jim Parsons; BEATRIZ AT DINNER, opposite Salma Hayek and John Lithgow; THE HUNTER'S PRAYER; BABYSITTER; THE MEDDLER with Susan Sarandon and Rose Byrne; PROJECT ALMANAC; ENOUGH SAID with Julia Louis-Dreyfus and James Gandolfini; ALL IS BRIGHT with Paul Giamatti and Paul Rudd; Joel and Ethan Coen's A SERIOUS MAN and DAN IN REAL LIFE with Steve Carell, among others.In 2017 Landecker made her directorial debut with "Transparent: The Lost Sessions," a 10-episode offshoot of comedic shorts for Funny or Die using Jill Soloway's world of the Pfeffermans and cast of characters surrounding the often-dysfunctional family.Amy Landecker began her career in Chicago as an intern at the Steppenwolf Theatre, where she later went on to perform, in addition to The Goodman and the Public Theatre in NY. She won an Obie Award for her work in Tracy Lett's BUG at the Barrow Street Theatre.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure for coordinating our credit readers and interviewers.

This season, we invited our credit readers to interview our storytellers. Today, you'll hear from Amy Landecker who narrated the previous episode about Corrie Ten Boom. If you haven't listened to last week's episode, now is a good time to go back and check it out!Landecker reveals the guiding principles her parents communicated to her during her unconventional childhood, the meaning of resistance and more. Sponsored by:www.rebelgirls.co Use promocode REBELPODCAST to get 15% off your first purchase!About Landecker:Amy Landecker is known for her portrayal of Sarah Pfefferman on the award-winning Amazon original series "Transparent." Other TV credits include: Season 3 of "Sneaky Pete," recurring opposite Giovanni Ribisi, "Room 104," "Louie," "Revenge," "House M.D.," "Curb Your Enthusiasm," and "House of Lies."Upcoming feature projects include the UNTITLED ROGER AILES PROJECT from Director Jay Roach and Academy Award winning screenwriter Charles Randolph as well as Netflix’s UNTITLED HENRY & REL SCI-FI PROJECT where Landecker will star opposite Jamie Foxx and Joseph Gordon-Levitt.Additional film credits include: A KID LIKE JAKE, an independent drama also starring Jim Parsons; BEATRIZ AT DINNER, opposite Salma Hayek and John Lithgow; THE HUNTER'S PRAYER; BABYSITTER; THE MEDDLER with Susan Sarandon and Rose Byrne; PROJECT ALMANAC; ENOUGH SAID with Julia Louis-Dreyfus and James Gandolfini; ALL IS BRIGHT with Paul Giamatti and Paul Rudd; Joel and Ethan Coen's A SERIOUS MAN and DAN IN REAL LIFE with Steve Carell, among others.In 2017 Landecker made her directorial debut with "Transparent: The Lost Sessions," a 10-episode offshoot of comedic shorts for Funny or Die using Jill Soloway's world of the Pfeffermans and cast of characters surrounding the often-dysfunctional family.Amy Landecker began her career in Chicago as an intern at the Steppenwolf Theatre, where she later went on to perform, in addition to The Goodman and the Public Theatre in NY. She won an Obie Award for her work in Tracy Lett's BUG at the Barrow Street Theatre.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure for coordinating our credit readers and interviewers.

Corrie Ten Boom / Watchmaker & Resistance Worker / HollandOnce upon a time, a girl risked everything to do what was right. Her name was Corrie. From the time she was a small child, Corrie learned two things from her parents: how to make a broken watch tick and how to care for people in need. Her family always took in those less fortunate than themselves, so when Jewish people knocked on their door asking for sanctuary, Corrie knew just what to do. Her courage saved more than 800 people from persecution during WWII.About the Narrator:Amy Landecker is known for her portrayal of Sarah Pfefferman on the award-winning Amazon original series "Transparent." Other TV credits include: Season 3 of "Sneaky Pete," recurring opposite Giovanni Ribisi, "Room 104," "Louie," "Revenge," "House M.D.," "Curb Your Enthusiasm," and "House of Lies."Upcoming feature projects include the UNTITLED ROGER AILES PROJECT from Director Jay Roach and Academy Award winning screenwriter Charles Randolph as well as Netflix’s UNTITLED HENRY & REL SCI-FI PROJECT where Landecker will star opposite Jamie Foxx and Joseph Gordon-Levitt.Additional film credits include: A KID LIKE JAKE, an independent drama also starring Jim Parsons; BEATRIZ AT DINNER, opposite Salma Hayek and John Lithgow; THE HUNTER'S PRAYER; BABYSITTER; THE MEDDLER with Susan Sarandon and Rose Byrne; PROJECT ALMANAC; ENOUGH SAID with Julia Louis-Dreyfus and James Gandolfini; ALL IS BRIGHT with Paul Giamatti and Paul Rudd; Joel and Ethan Coen's A SERIOUS MAN and DAN IN REAL LIFE with Steve Carell, among others.In 2017 Landecker made her directorial debut with "Transparent: The Lost Sessions," a 10-episode offshoot of comedic shorts for Funny or Die using Jill Soloway's world of the Pfeffermans and cast of characters surrounding the often-dysfunctional family.Amy Landecker began her career in Chicago as an intern at the Steppenwolf Theatre, where she later went on to perform, in addition to The Goodman and the Public Theatre in NY. She won an Obie Award for her work in Tracy Lett's BUG at the Barrow Street Theatre.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane, with writing by Corinne Purtill and narration by Amy Landecker. Jestine Ware edited all scripts and Janice Weaver fact-checked all scripts. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure who coordinated all credit recordings and narrator donations.Sponsored by: www.rebelgirls.coUse promocode REBELPODCAST to get 15% off your first purchase!Resources:The Hiding Place by Corrie Ten Boom with John and Elizabeth SherrillCorrie Ten Boom’s Prison Letters by Corrie Ten BoomCorrie Ten Boom Museum Website (www.corrietenboom.com)

Corrie Ten Boom / Watchmaker & Resistance Worker / HollandOnce upon a time, a girl risked everything to do what was right. Her name was Corrie. From the time she was a small child, Corrie learned two things from her parents: how to make a broken watch tick and how to care for people in need. Her family always took in those less fortunate than themselves, so when Jewish people knocked on their door asking for sanctuary, Corrie knew just what to do. Her courage saved more than 800 people from persecution during WWII.About the Narrator:Amy Landecker is known for her portrayal of Sarah Pfefferman on the award-winning Amazon original series "Transparent." Other TV credits include: Season 3 of "Sneaky Pete," recurring opposite Giovanni Ribisi, "Room 104," "Louie," "Revenge," "House M.D.," "Curb Your Enthusiasm," and "House of Lies."Upcoming feature projects include the UNTITLED ROGER AILES PROJECT from Director Jay Roach and Academy Award winning screenwriter Charles Randolph as well as Netflix’s UNTITLED HENRY & REL SCI-FI PROJECT where Landecker will star opposite Jamie Foxx and Joseph Gordon-Levitt.Additional film credits include: A KID LIKE JAKE, an independent drama also starring Jim Parsons; BEATRIZ AT DINNER, opposite Salma Hayek and John Lithgow; THE HUNTER'S PRAYER; BABYSITTER; THE MEDDLER with Susan Sarandon and Rose Byrne; PROJECT ALMANAC; ENOUGH SAID with Julia Louis-Dreyfus and James Gandolfini; ALL IS BRIGHT with Paul Giamatti and Paul Rudd; Joel and Ethan Coen's A SERIOUS MAN and DAN IN REAL LIFE with Steve Carell, among others.In 2017 Landecker made her directorial debut with "Transparent: The Lost Sessions," a 10-episode offshoot of comedic shorts for Funny or Die using Jill Soloway's world of the Pfeffermans and cast of characters surrounding the often-dysfunctional family.Amy Landecker began her career in Chicago as an intern at the Steppenwolf Theatre, where she later went on to perform, in addition to The Goodman and the Public Theatre in NY. She won an Obie Award for her work in Tracy Lett's BUG at the Barrow Street Theatre.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane, with writing by Corinne Purtill and narration by Amy Landecker. Jestine Ware edited all scripts and Janice Weaver fact-checked all scripts. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure who coordinated all credit recordings and narrator donations.Sponsored by: www.rebelgirls.coUse promocode REBELPODCAST to get 15% off your first purchase!Resources:The Hiding Place by Corrie Ten Boom with John and Elizabeth SherrillCorrie Ten Boom’s Prison Letters by Corrie Ten BoomCorrie Ten Boom Museum Website (www.corrietenboom.com)

How can you successfully integrate exposition into your story? In Draft Zero's first two part episode, Stu & Chas take an in-depth look at one of screenwriting's most common challenges: EXPOSITION. For many stories there are pre-existing facts that need to be communicated to the audience — whether those facts be about the rules of the world, the nature of a location, character motivations, character backstories or just character names. So how have great writers made exposition move the story forward, rather than stopping it to tell the audience stuff they need to know? To that end, in Part 1 of Excelling At Exposition we break down scenes from PIRATES OF THE CARIBBEAN: CURSE OF THE BLACK PEARL, SHORT TERM 12, INSIDE OUT, THE WORLD'S END, THE BIG SHORT, IT FOLLOWS, JURASSIC PARK and JURASSIC WORLD. Audio quotations are included for educational purposes. Many thanks to /r/screenwriting for suggesting so many examples. EPISODE LINKS On the Page: Ep 457. Terry Rossio Compiled PDF of all Screenplays Excerpts PIRATES OF THE CARIBBEAN: CURSE OF THE BLACK PEARL by Ted Elliot & Terry Rossio Find it on JustWatch SHORT TERM 12 by Destin Daniel Cretton Find it on JustWatch INSIDE OUT story by Pete Docter & Ronnie Del Carmen; Screenplay by Pete Docter & Meg LeFauve & Josh Cooley Find it on JustWatch THE WORLD'S END by Simon Pegg & Edgar Wright Find it on JustWatch THE BIG SHORT screenplay by Charles Randolph and Adam McKay Fandor: Who Deserves the 2016 for Best Picture by Kevin B. Lee Video Essayists - Nerd Writer & Every Frame A Painting IT FOLLOWS by David Robert Mitchell Find it on JustWatch JURASSIC PARK screenplay by David Koepp, based on the novel by Michael Crichton and on an adaptation by Michael Crichton and Malia Scotch Marmo Find it on JustWatch JURASSIC WORLD by Rick Jaffa & Amanda Silver and Colin Trevorrow & Derek Connolly, story by Rick Jaffa & Amanda Silver Find it on JustWatch Draft Zero: DZ-15: World Building Rules, Okay? Please send feedback to ask at draft-zero.com, via our web form or twitter @draft_zero  We are @chasffisher and @stuwillis on twitter. Please considering rating or subscribing to us on iTunes! or sharing us on the Social Medias! We like finding new listeners.

Charles Randolph, co-writer of The Big Short, discusses grappling with difficult or multiple concepts, zeroing in on characters, his background as a philosophy professor, The Life of David Gale, and more.

When four outsiders saw what the big banks, media and government refused to, the global collapse of the economy, they had an idea: The Big Short. Their bold investment leads them into the dark underbelly of modern banking where they must question everyone and everything. The Big Short is being talked about as the best picture of the year. Its script, adapted by director Adam McKay (The Other Guys) and writer Charles Randolph (Love & Other Drugs) from Michael Lewis's bestselling 2009 book The Big Short: Inside the Doomsday Machine, is considered one the frontrunners for the best adapted screenplay 2016 Academy Award. Randolph is an American screenwriter and producer for film and television. Randolph has written screenplays for several films and TV movies including The Life of David Gale (2003), The Interpreter (2005), and Love & Other Drugs (2010). Randolph received nomination for the Golden Globe Award for Best Screenplay and BAFTA Award for Best Adapted Screenplay and an Academy Award nomination for co-writing The Big Short. Randolph joins us to talk about the challenges of write a script on a complex subject that is informative, intelligent and entertaining. For news and updates go to: thebigshortmovie.com

Charles Randolph-Wright talks about directing Lynn Nottage's play Ruined at Arena Stage.

Charles Randolph-Wright talks about directing Lynn Nottage's play Ruined at Arena Stage. [29:39]

Charles Randolph-Wright talks about directing Lynn Nottage's play Ruined at Arena Stage. [29:39]

Charles Randolph-Wright talks about directing Lynn Nottage's play Ruined at Arena Stage. [29:39]